Latest / Pink Shade: Reality TV with Mary Payne / 1051 - 60 Days In (s4e3) "Pissed Off" with Keisha

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1051 - 60 Days In (s4e3) "Pissed Off" with Keisha · Pink Shade: Reality TV with Mary Payne

• 0:16
  Speaker 1: Hey bunkies, Hey batties, we have an exciting announcement. We
• 0:21
  Speaker 1: are doing a meetup at Bravo Con on the Saturday
• 0:25
  Speaker 1: at six pm at the hard Rock Cafe, right before
• 0:28
  Speaker 1: Amy Phillips Cabaret Show.
• 0:30
  Speaker 2: And it's gonna be a blessed you guys.
• 0:33
  Speaker 3: Amy Phillips Cabaret Show is so fun. And the show
• 0:36
  Speaker 3: starts at eight and our meetup is gonna start at six,
• 0:39
  Speaker 3: So you're gonna come to our meetup. You're gonna have
• 0:41
  Speaker 3: a few cocktails, you're gonna have the best time. Then
• 0:44
  Speaker 3: you're gonna go over to Amy show free. It's free,
• 0:47
  Speaker 3: free to come.
• 0:47
  Speaker 1: That I mean, it's free to come. We have a
• 0:50
  Speaker 1: Bravo playlist so you can dance to your heart's content,
• 0:53
  Speaker 1: to the smooth sounds of Erica, Jane and so much more.
• 0:57
  Speaker 1: Come talk with me and Mary Payne about your experiences
• 1:01
  Speaker 1: that weekend and Bravo in general.
• 1:03
  Speaker 3: Yes, present your Caber Amy ticket at the hard Rock
• 1:06
  Speaker 3: and you're going to get twenty percent discount on food.
• 1:09
  Speaker 3: So go over there, grab some food, get your twenty
• 1:11
  Speaker 3: percent discount. You're there for free. If you get to
• 1:13
  Speaker 3: talk to me, you get to talk to Ryan and
• 1:15
  Speaker 3: maybe there'll be some other people there you want.
• 1:17
  Speaker 2: To meet too.
• 1:18
  Speaker 1: It's all happening Saturday, six pm, Bravo con hard Rock,
• 1:24
  Speaker 1: Come meet me in Mary Payne.
• 1:26
  Speaker 3: Yes, and the ticket link is below. And again the
• 1:29
  Speaker 3: tickets are free, but you just have to click the
• 1:31
  Speaker 3: link to let us know you're coming so we can
• 1:32
  Speaker 3: get a good headcount. I'm excited, Ryan, I'm very excited.
• 1:36
  Speaker 2: You.
• 1:36
  Speaker 1: I'm very excited. Are you kidding me?
• 1:38
  Speaker 2: Yeah?
• 1:38
  Speaker 3: What are you gonna wear?
• 1:40
  Speaker 4: Uh?
• 1:40
  Speaker 1: Maybe this?
• 1:41
  Speaker 2: I don't know.
• 1:42
  Speaker 1: This is a great pestiche but I think I might
• 1:45
  Speaker 1: have something special I'm wearing as well, So come and
• 1:48
  Speaker 1: find out what tomfoolery I'm up to.
• 1:50
  Speaker 3: That's right, that's right. I'm just going to be in
• 1:52
  Speaker 3: the sparkly dress. Okay, see you there. Hey, everybody, welcome
• 2:01
  Speaker 3: to Pink Shade. It's mugshot Monday. All right, guys, Keisha,
• 2:06
  Speaker 3: Sixty days in, we're still feeling good about it.
• 2:10
  Speaker 2: Yeah, Like I would actually watch it if we were
• 2:13
  Speaker 2: not recording about it, if we weren't recapping.
• 2:16
  Speaker 3: Okay, that's a true testament that you really like it.
• 2:20
  Speaker 2: Yeah, and thank you guys for sending such positive feedback.
• 2:24
  Speaker 2: I've been getting lots of messages about people who are
• 2:27
  Speaker 2: really enjoying the recap, and some people are like, I
• 2:29
  Speaker 2: don't like the show, but I like the recap, so.
• 2:33
  Speaker 3: I didn't get it. Yeah, I got a couple of messages.
• 2:35
  Speaker 3: It's like I would never have watched this, and then
• 2:37
  Speaker 3: I kind of refuse to watch it. But then you
• 2:39
  Speaker 3: guys are making it funny, so I'm gonna watch.
• 2:40
  Speaker 2: It's like, okay, great, great, It's part of our lever charm.
• 2:44
  Speaker 2: We just can make any situation funny. I just can't.
• 2:49
  Speaker 3: Did you have a nice birthday?
• 2:51
  Speaker 4: I did?
• 2:52
  Speaker 2: I did. We did a ghost tour pulk crawl this weekend.
• 2:57
  Speaker 3: Okay, that's then right up your alley.
• 3:00
  Speaker 2: Yes it was. And then last night, for my actual birthday,
• 3:04
  Speaker 2: we didn't do anything. But last night we went to
• 3:06
  Speaker 2: this really really really nice restaurant with one of my
• 3:08
  Speaker 2: friends his birthdays like a couple of days before mine,
• 3:11
  Speaker 2: that we have been wanting to go to for so long.
• 3:13
  Speaker 2: So we did that. We had such a good time.
• 3:15
  Speaker 2: It was simple but sweet.
• 3:18
  Speaker 3: Okay that about you, Uh, same idea. I just went
• 3:21
  Speaker 3: to dinner with some friends and then went to dinner
• 3:24
  Speaker 3: with some girlfriends as well, and that was really it,
• 3:28
  Speaker 3: you know, and that's fine. I went and got a
• 3:30
  Speaker 3: massage and my daughter paid for it.
• 3:32
  Speaker 2: That was my gift. Nice. Nice.
• 3:34
  Speaker 3: She handed me her card. It was like, I didn't
• 3:36
  Speaker 3: get you a present, just pay for your I was like, okay.
• 3:39
  Speaker 2: Okay, that's what my mom did too. She's like, go
• 3:42
  Speaker 2: get your all lash she's done. I'm like, okay, I mean,
• 3:45
  Speaker 2: you know, okay, she goes. I didn't, well did she.
• 3:49
  Speaker 2: She did go shopping for me, but she shopped for
• 3:51
  Speaker 2: me for myla. So Mala's like, happy birthday, kikey. And
• 3:55
  Speaker 2: it's cut its fair of pajamas. I love pajamas so much, so,
• 4:01
  Speaker 2: oh man, it's just something about pajamas and good ones.
• 4:05
  Speaker 3: I'm in pajama bottoms right now. I'm just doing a
• 4:07
  Speaker 3: all right shirt.
• 4:09
  Speaker 2: I'm gonna dressed today.
• 4:11
  Speaker 3: He sure doesn't look any different than the pajamas, would.
• 4:13
  Speaker 3: I know, you've got things to do today. I am
• 4:15
  Speaker 3: going to be sung at this desk recording a lot today.
• 4:18
  Speaker 3: So at some point I'll leave the house, maybe to
• 4:21
  Speaker 3: go pick up the groceries, come back home. I've become
• 4:23
  Speaker 3: a real homebody. I mean, and I don't like.
• 4:30
  Speaker 2: Well, you know, I don't mind being a homebody, but
• 4:33
  Speaker 2: then I get that itch and I gotta get out.
• 4:35
  Speaker 2: And once once I go out, it is like days
• 4:39
  Speaker 2: and days and days and days and days of going
• 4:41
  Speaker 2: out until I finally crash.
• 4:43
  Speaker 3: I know, I know I need too much. That's what's
• 4:45
  Speaker 3: gonna happen to me. When we go to La and
• 4:47
  Speaker 3: Brah Bakhn. I'm gonna be like.
• 4:50
  Speaker 2: Day two.
• 4:50
  Speaker 3: I'll be like, I hate this, I hate fake guys.
• 4:52
  Speaker 3: I gotta get out. I mean, you know, immediately I'll
• 4:54
  Speaker 3: start talking about how about I hate it, So you
• 4:57
  Speaker 3: know that'll be fun for the listeners. Okay, okay, everybody,
• 5:01
  Speaker 3: let's talk about this show now. I told you guys,
• 5:04
  Speaker 3: I got the lip flip, and it's an effect. So
• 5:07
  Speaker 3: my toplip is like numb. So when I go in
• 5:09
  Speaker 3: to like rinse my teeth in the bathroom, all the
• 5:11
  Speaker 3: water sports out because I have no roll over it.
• 5:14
  Speaker 3: It'll take it'll take.
• 5:17
  Speaker 2: A little time.
• 5:18
  Speaker 3: But if you see me on video and I'm licking
• 5:21
  Speaker 3: my top lip or licking my teeth is because it
• 5:23
  Speaker 3: feels very strange, it will it will settle down. But
• 5:27
  Speaker 3: also if you see me drink something and you see
• 5:29
  Speaker 3: it dribble all over it, just don't draw it.
• 5:32
  Speaker 2: You know what's going on. You know, I wish I
• 5:34
  Speaker 2: could just dissolve some of my lip and just send
• 5:37
  Speaker 2: you in so you can have it forever and you
• 5:39
  Speaker 2: don't have to keep getting these lip flips. I know.
• 5:41
  Speaker 3: I know at some point I won't care. I haven't
• 5:43
  Speaker 3: had lip flip in a long time, like a year,
• 5:45
  Speaker 3: or at least a year, maybe year and a half
• 5:48
  Speaker 3: because it hurts. So I check it out and I
• 5:50
  Speaker 3: don't do it, but I do like it when I
• 5:52
  Speaker 3: do it because I'm going you know, I got such
• 5:55
  Speaker 3: a big week coming up.
• 5:56
  Speaker 2: I thought, well, let me try to look my best.
• 5:58
  Speaker 3: You know, for a week, and then I can go
• 6:00
  Speaker 3: being the inside cat that I am. Okay, yeah, okay,
• 6:06
  Speaker 3: Season four, Episode three, pieste Off. Now, okay, as I
• 6:11
  Speaker 3: was telling you this before we started, I said, this
• 6:13
  Speaker 3: has double meaning, and you're like, everybody's pissed off, and
• 6:16
  Speaker 3: then you're you must have remembered.
• 6:17
  Speaker 2: Then I just I literally when you just reset it again,
• 6:21
  Speaker 2: when you just said it again, I remembered. I was like, oh, yeah,
• 6:24
  Speaker 2: it has to do with that one.
• 6:25
  Speaker 3: Part ew Okay, So we're gonna start with Nate, Alan
• 6:31
  Speaker 3: and Andrew and the five hundred. Now we start off
• 6:34
  Speaker 3: with Poncho, who is Alan's roommate, had a shank that
• 6:39
  Speaker 3: he made during the whole Nate versus Carl situation, and
• 6:42
  Speaker 3: Alan is like, I don't know if I'm he's gonna
• 6:45
  Speaker 3: shank me in my sleep, you know, I'm like, why.
• 6:46
  Speaker 2: Would he do that? Like, well, this is I don't
• 6:50
  Speaker 2: know if there's like a lack of red meat. I'm
• 6:53
  Speaker 2: sure there is, but Alan is looking super anemic. I
• 6:58
  Speaker 2: mean he is almost pale, Like this is please get
• 7:03
  Speaker 2: that boy some some steak fingers or something like that,
• 7:07
  Speaker 2: because he's looking.
• 7:09
  Speaker 3: He looks terrible. He needs to go stand out in
• 7:10
  Speaker 3: the sunshine.
• 7:12
  Speaker 2: He's afraid to get. Here's my thing. If you're afraid
• 7:15
  Speaker 2: that your roommate is kind of shanky, watch you go
• 7:16
  Speaker 2: spend a little bit of time on the yard. I know.
• 7:19
  Speaker 3: And I don't know if they're just allowed to go
• 7:21
  Speaker 3: out in the yard.
• 7:22
  Speaker 2: Because they're not in prison. This is just jail.
• 7:26
  Speaker 4: Yeah right, that's right, because I can't saying it's prison,
• 7:30
  Speaker 4: but it's just it's just a jill.
• 7:33
  Speaker 3: But sometimes you can be in jail for years, you know.
• 7:36
  Speaker 2: And I heard that fucking sucks. Yeah, Like they say,
• 7:38
  Speaker 2: prison is the place to be.
• 7:40
  Speaker 3: Yeah, you wanna, you wanna. If you gotta go, you
• 7:42
  Speaker 3: may as well be prison.
• 7:44
  Speaker 2: Yeah. People are living there, Yeah, not just transient. So yeah, y'all.
• 7:50
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• 7:52
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• 7:55
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• 7:56
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• 7:59
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• 9:20
  Speaker 3: you now. The DART Team, the Direct Action Response Team,
• 9:26
  Speaker 3: Uh huh, I think that's what that means is coming
• 9:29
  Speaker 3: in and telling everybody to come outside and step outside
• 9:31
  Speaker 3: their doors, and so they all get padded down. They
• 9:33
  Speaker 3: have to stand against the walls and then they tell
• 9:35
  Speaker 3: them to move to the wreck area. And the Dark
• 9:39
  Speaker 3: Team is like flip in everybody. They're flipping everything, They're
• 9:42
  Speaker 3: looking all over and Alan is like, God, I hope
• 9:45
  Speaker 3: the team finds the shank and removes it.
• 9:48
  Speaker 2: I know. I'm like, how did they find out about
• 9:50
  Speaker 2: the shank? Did Alan send and Owl perhaps let them
• 9:54
  Speaker 2: know that could possibly be a shank in room? What
• 9:57
  Speaker 2: is the five oh two?
• 10:00
  Speaker 3: But they didn't find it? But it was there, but
• 10:04
  Speaker 3: they didn't find it.
• 10:06
  Speaker 2: I don't think they I think they just go in
• 10:09
  Speaker 2: there and just tear shit up. They don't really look
• 10:11
  Speaker 2: for anything. I mean, because where was it?
• 10:15
  Speaker 3: Where was it? It was a bunch of plastic, so
• 10:17
  Speaker 3: it was flat. I don't know if he could figure
• 10:19
  Speaker 3: out a way to like slide it behind the desk.
• 10:21
  Speaker 3: But I mean, surely they know all the hiding places.
• 10:24
  Speaker 2: Well I'm sorry, but a shake just isn't a thing
• 10:27
  Speaker 2: you can hide in between your book cheeks either.
• 10:30
  Speaker 3: No, that's what I was thinking. You you can't stick
• 10:33
  Speaker 3: it up there. Because but Alan says, I worry if
• 10:38
  Speaker 3: they find the shank in my cell, then I'll go
• 10:42
  Speaker 3: to jail for real, because they don't you know that
• 10:43
  Speaker 3: think it's mine. So, because you know Poncho, I blame
• 10:46
  Speaker 3: it on him.
• 10:46
  Speaker 2: So in a heartbeat.
• 10:49
  Speaker 3: Yeah, he's like white kid. The talking head the colonel
• 10:53
  Speaker 3: says the officers were not able to find any weapons
• 10:57
  Speaker 3: and all the rooms were just trash, and so they're
• 10:59
  Speaker 3: all like, oh, you did this to my room, and
• 11:01
  Speaker 3: Alan said it was stressful, but I didn't mention the
• 11:05
  Speaker 3: shank da Pancho, like I didn't mention.
• 11:06
  Speaker 2: It, you know.
• 11:07
  Speaker 3: So then we see Alan questioning Andrew again again. Yeah
• 11:14
  Speaker 3: he's out there again, and the talking head Alan goes, yeah,
• 11:17
  Speaker 3: I am suspicious, and I'm trying to figure out if
• 11:20
  Speaker 3: he and I are in here for the same reason before.
• 11:23
  Speaker 2: Andrew has like no clue what the guy is trying
• 11:25
  Speaker 2: to do. You know how the girls kind of picked
• 11:27
  Speaker 2: up on what they were doing when they were sitting.
• 11:30
  Speaker 2: Andrew's just so oblivious.
• 11:32
  Speaker 3: You know, he's just But does Andrew know that other
• 11:35
  Speaker 3: people are in there or he was he just so
• 11:36
  Speaker 3: focused on being in there with his dad that he
• 11:38
  Speaker 3: didn't think like other people could be in there.
• 11:41
  Speaker 2: I think that Andrew did not read the contract at all.
• 11:44
  Speaker 2: He just went with whatever his dad, who secretly hates
• 11:47
  Speaker 2: some Uh. Yeah, yeah, I don't think he knows. He's
• 11:51
  Speaker 2: not mentioned it.
• 11:52
  Speaker 3: I don't think he realizes that somebody else could be
• 11:54
  Speaker 3: in there, and so talking head Andrew goes that guy
• 11:57
  Speaker 3: Alan asked a lot of questions. But but now, like
• 12:01
  Speaker 3: I think, maybe you know, we figured each other out,
• 12:04
  Speaker 3: talking toad, Nate goes, okay, I can tell these are
• 12:07
  Speaker 3: the new guys, like Nate goes it, if you're not
• 12:10
  Speaker 3: from Atlanta, then you're definitely in the sixty day program.
• 12:13
  Speaker 3: And they are green, and I think they're in for
• 12:15
  Speaker 3: a treat soon. But I'm keeping my eye out for them.
• 12:19
  Speaker 2: I'm glad that Nate has picked up on that they
• 12:24
  Speaker 2: are in the program because they both need a little
• 12:26
  Speaker 2: bit of help. They need help. They're not thriving like
• 12:29
  Speaker 2: Stephanie's thriving.
• 12:31
  Speaker 3: They're not like Nate.
• 12:32
  Speaker 2: Yeah, oh yeah, Look, I think at some point a
• 12:36
  Speaker 2: and he said, look, Nate, you've done five hundred and
• 12:40
  Speaker 2: twenty five days. I think you might need to go home.
• 12:47
  Speaker 3: Nate's like Theate's like, but when I'm here, I'm a
• 12:49
  Speaker 3: big fish in a small pond and everybody respects him.
• 12:52
  Speaker 3: I gotta go home. So Andrew goes to log into
• 12:56
  Speaker 3: his commissary. They have those things on the wall where
• 12:59
  Speaker 3: they can and he notices twenty seven dollars is missing,
• 13:03
  Speaker 3: and he goes, and I see that it was missing
• 13:05
  Speaker 3: around the time that I logged in with my pen
• 13:08
  Speaker 3: for the first time. So now I'm realizing somebody like
• 13:11
  Speaker 3: behind his back, like watched and got his pin number.
• 13:15
  Speaker 3: So he goes, so I'm going into detective mode. So,
• 13:18
  Speaker 3: oh god, he goes, I felt I feel taken advantage of.
• 13:21
  Speaker 3: So he's going around going, hey, somebody took my pin number.
• 13:26
  Speaker 3: Hey did you know somebody took my pin number?
• 13:28
  Speaker 2: Hey?
• 13:28
  Speaker 3: Have you ever heard of somebody's taking a pin number?
• 13:30
  Speaker 3: He is telling everybody.
• 13:32
  Speaker 2: Everybody, and I was surprised. Wanted a guys saying say, no,
• 13:35
  Speaker 2: what's your PIN number. I'll see what I can find
• 13:37
  Speaker 2: out for you, because he would have totally have fallen
• 13:41
  Speaker 2: for that.
• 13:42
  Speaker 3: You're right, You're right, and nobody everybody's like, I don't
• 13:46
  Speaker 3: know how that would happen, but yeah, people look over
• 13:48
  Speaker 3: your shoulder, like, yeah, you got to like cover that shit.
• 13:50
  Speaker 2: You know you're in prison. You're in jail, boy, like come.
• 13:53
  Speaker 3: On, and so, uh, talking head Nate goes, oh my god,
• 13:58
  Speaker 3: Andrew's walking around talking about his pin. Looks like he's
• 14:00
  Speaker 3: getting himself into some shit. Yeah, So black screated death.
• 14:06
  Speaker 3: Andrew's talking to somebody, an older guy, and he's pointing
• 14:10
  Speaker 3: over like where the phones are. This other guy comes over.
• 14:12
  Speaker 3: He's like, why are you pointing at me? Why are
• 14:14
  Speaker 3: you talking about me? And there's like huh, and they go,
• 14:17
  Speaker 3: we were talking, we were pointing at the phones. And
• 14:19
  Speaker 3: that guy is mad and he says Andrew inadvertently insulted inmate.
• 14:24
  Speaker 3: Why trying to figure out about his pin number? And
• 14:27
  Speaker 3: then it says Andrew does not know Nate is in
• 14:30
  Speaker 3: the program. So Nate pulls to Andrew aside and goes, hey, listen,
• 14:36
  Speaker 3: quit asking me more about this, Like yeah, you're causing
• 14:41
  Speaker 3: attention to yourself. And he goes, just get your pen changed,
• 14:43
  Speaker 3: and he goes, yeah, I gotta have to go get
• 14:45
  Speaker 3: it changed. He goes, just get it changed. But making
• 14:47
  Speaker 3: a big deal anything can be dangerous.
• 14:50
  Speaker 2: And he's making a huge I mean, like you said,
• 14:53
  Speaker 2: he is Jesse's ex wife Michelle when they were at
• 14:58
  Speaker 2: David Busters. Right wait let me oh oh right wait
• 15:03
  Speaker 2: wait wait, let me go tell you guys like he
• 15:05
  Speaker 2: is like literally making his way through the room talking
• 15:09
  Speaker 2: about this situation.
• 15:11
  Speaker 3: Like somebody like somebody's like somebody's gonna go, oh, yeah,
• 15:14
  Speaker 3: you know who did it. It was so and so so.
• 15:20
  Speaker 3: So he says, okay, so Alan, Now we see Alan,
• 15:23
  Speaker 3: Alan goes shakedown. They didn't find anything, but then we
• 15:27
  Speaker 3: see Poncho slides his shank under the door to give
• 15:30
  Speaker 3: to whoever's on the trash duty. Then he to a
• 15:33
  Speaker 3: guy named Shine Shine and then gives it to a
• 15:37
  Speaker 3: guy named mook And Book is like, why did he
• 15:39
  Speaker 3: give that to me? That is a bullshit? And it
• 15:41
  Speaker 3: flush it and they flush it.
• 15:43
  Speaker 2: So again, how was he able to hide the shank
• 15:48
  Speaker 2: from when they get the shakedown?
• 15:50
  Speaker 3: Mystery? Mystery? So anyway, Mooka goes, why do you send
• 15:55
  Speaker 3: that to me? I don't need a shank? Flush it
• 15:57
  Speaker 3: so that like they're all like, we don't want to
• 15:58
  Speaker 3: be caught with this bullshit.
• 15:59
  Speaker 2: So they flung Yeah you.
• 16:01
  Speaker 3: Heard the toilet blush. Alan goes, I feel better about
• 16:04
  Speaker 3: the shank being gone because now he won't stab me
• 16:06
  Speaker 3: in my sleep.
• 16:07
  Speaker 2: Yeah. He was totally convinced that he was gonna die
• 16:11
  Speaker 2: within three days.
• 16:12
  Speaker 3: Yeah, he's like, the shank has been made and now
• 16:15
  Speaker 3: I just wait.
• 16:16
  Speaker 2: Yeah, Like it's like he did make it for you, Alan,
• 16:19
  Speaker 2: Like I think he made it for a hostile situation,
• 16:22
  Speaker 2: not just say, let me stab my roommate to death.
• 16:25
  Speaker 3: I'll just stabbed my roommate while he's asleep. Yeah yeah,
• 16:29
  Speaker 3: although I tell you that dateline that I covered with Camberley.
• 16:32
  Speaker 3: We that guy did get stabbed in prison for talking
• 16:35
  Speaker 3: too much.
• 16:36
  Speaker 2: Okay, but Allen hasn't been doing that. No, really, Andrew
• 16:41
  Speaker 2: might have gotten shanked, but.
• 16:43
  Speaker 3: Asking questions, Yeah yeah, yeah, Okay, Onla is that right?
• 16:50
  Speaker 2: That's right? Okay?
• 16:51
  Speaker 3: Because I know it's like on Delaiyelai. I want to
• 16:53
  Speaker 3: make sure, okay, Angelay, this is our first day in
• 16:57
  Speaker 3: gen pop. Gin Pop is a phrase that we say
• 17:00
  Speaker 3: around this house a lot. Oh really yeah. It could
• 17:04
  Speaker 3: refer to anything like you go like you're going on
• 17:06
  Speaker 3: the airplane, and the kids will be like, do we
• 17:08
  Speaker 3: have nice seats?
• 17:09
  Speaker 2: Or are we in gen pop?
• 17:13
  Speaker 3: And like if we go on the train, are we
• 17:15
  Speaker 3: in gen pop or we have like reserve seats? I'm like, oh,
• 17:17
  Speaker 3: we're in gen pop. You're twenty years it's so funny.
• 17:21
  Speaker 3: We might be in nice seats. You're in gen pop.
• 17:23
  Speaker 2: You guys are not so.
• 17:27
  Speaker 3: Okay, so they're talking head. She says, I have a
• 17:31
  Speaker 3: hard demeanor, so I can't fake it and be like, yeah,
• 17:34
  Speaker 3: I'm strictly dickli like I like guys, Like, I'm never
• 17:36
  Speaker 3: gonna be able to do that.
• 17:37
  Speaker 2: Like you literally can tell us you've never even seen
• 17:41
  Speaker 2: a picture of a dick on Ngela and we will
• 17:43
  Speaker 2: believe it. Yeah, she's allergic to dick. Yeah. Yeah.
• 17:47
  Speaker 3: I don't know why she felt like she would have
• 17:49
  Speaker 3: to fake it in prison to pretend like she's not gay,
• 17:53
  Speaker 3: Like who cares?
• 17:54
  Speaker 2: She could not fake it though it is. She is
• 17:57
  Speaker 2: the equivalent of when Alla went in smelling like cop
• 18:01
  Speaker 2: Angelai walks in like I love women. All the women
• 18:05
  Speaker 2: come to me. Yes, So she goes.
• 18:08
  Speaker 3: Everybody's staring at me, and everybody is yelling about her, like,
• 18:11
  Speaker 3: look at her, she's so pretty.
• 18:13
  Speaker 2: Whoo.
• 18:14
  Speaker 3: She kind of looks like Lyric and like she's better
• 18:16
  Speaker 3: looking to that hoe. And they're like asking her about
• 18:19
  Speaker 3: her tattoos. Ooh, she got tattoos like a man, like
• 18:23
  Speaker 3: I guess because some of them are strictly dickley and
• 18:26
  Speaker 3: she's close enough looking to a man, yeah that they'll
• 18:28
  Speaker 3: take it.
• 18:30
  Speaker 2: I mean, you would have thought Kim Kardashian had just
• 18:32
  Speaker 2: walked in there.
• 18:34
  Speaker 3: Yes, it's like I am here as your lawyer to
• 18:36
  Speaker 3: release all of you from prison.
• 18:38
  Speaker 2: Yeah and here. Yes, Surprisingly, Angelais didn't really like all
• 18:43
  Speaker 2: of the attention. I thought she would love it, but now, like, ooh,
• 18:48
  Speaker 2: back up a little bit. She didn't like it.
• 18:50
  Speaker 3: And we see all the other we see like little
• 18:53
  Speaker 3: talking heads and inmates. She's so, yeah she has tattoos. Ooh,
• 18:56
  Speaker 3: yeah she's hot, ooh she's got it going on. Yeah.
• 18:58
  Speaker 2: I was like, wow, okay, I mean these pitchers are
• 19:01
  Speaker 2: trying to get pregnant by Angela. I mean they're like
• 19:05
  Speaker 2: it's like okay, all right, Like I met Lyrics, someone
• 19:08
  Speaker 2: a pretty pissed off, like look at her my hairstyle
• 19:11
  Speaker 2: and my hair color, because they look a lot are like.
• 19:14
  Speaker 3: They look similar, I will Angelaie is a lot prettier
• 19:17
  Speaker 3: than Lyric. So well, we've been doing all that fighting,
• 19:20
  Speaker 3: so you know, she's she's the living rough, she's the
• 19:23
  Speaker 3: bunky boss. So yeah, one girl is like ooh, can
• 19:28
  Speaker 3: I touch your tattoos? She's go ahead to take off
• 19:29
  Speaker 3: your shirt. She's like what No, and they're like just
• 19:32
  Speaker 3: take off your shirt. She's like no, I'm not gonna
• 19:35
  Speaker 3: tell and she's like stop.
• 19:38
  Speaker 2: Yeah, I was really surprised by how bauchful she was
• 19:42
  Speaker 2: about the attention. She's like, no, I thought she'd be
• 19:45
  Speaker 2: like stripping, which goes again to our theory that you know,
• 19:50
  Speaker 2: we assume Angela was gonna be the one kicked out
• 19:53
  Speaker 2: of the program. M hm, it's gonna be stuff.
• 19:56
  Speaker 3: I think it's gonna be Stuffanie so and her talking
• 20:00
  Speaker 3: head she goes, no, I was not expecting this, Like
• 20:03
  Speaker 3: these women have flocked to me. It's like the thirst
• 20:06
  Speaker 3: is real.
• 20:07
  Speaker 2: Yeah, it is. They they are dehydrated in there.
• 20:11
  Speaker 3: If we see one girl going okay, so you're gonna
• 20:13
  Speaker 3: be my girlfriend, and she's like no, And she says.
• 20:17
  Speaker 2: But I thought when someone said that, you didn't have
• 20:19
  Speaker 2: a choice, Like it's like, oh you're my bitch. You
• 20:22
  Speaker 2: don't have a choice not to be that person's bitch.
• 20:26
  Speaker 3: I think the girl that said it was just being funny.
• 20:30
  Speaker 3: I don't think she was. She wasn't like demanding it, okay.
• 20:35
  Speaker 3: And Angela says, I just got out of a relationship
• 20:38
  Speaker 3: and I don't want to be in one with anybody.
• 20:40
  Speaker 2: Like no.
• 20:41
  Speaker 3: So we see all of them like touching her muscles,
• 20:44
  Speaker 3: and then we see her like touching because I think
• 20:46
  Speaker 3: the girls are like, your muscles are different than mine,
• 20:48
  Speaker 3: and they're like having her touch, like, go ahead and
• 20:50
  Speaker 3: touch mine, touch me?
• 20:52
  Speaker 2: Yeah, just like, wow, that was too much touching. I'm like,
• 20:56
  Speaker 2: where is the hand sanitized?
• 20:58
  Speaker 3: Because and they're talking about how cute she is, and
• 21:02
  Speaker 3: then they explain what a stud is, and then they're
• 21:05
  Speaker 3: all going her a stud because she looks enough like
• 21:09
  Speaker 3: a man. And yeah, it is so funny to see
• 21:12
  Speaker 3: all the girls talking about her. They're like, oh my god.
• 21:16
  Speaker 2: I mean because like in the real world, I wouldn't
• 21:19
  Speaker 2: take a double look at Angela.
• 21:22
  Speaker 3: Well, if she came in as my electrician, I'd be.
• 21:24
  Speaker 2: Like, oh, she's yeah, she's pretty. Would like, oh, look
• 21:27
  Speaker 2: at that female power. We got enough female electrician. That's
• 21:30
  Speaker 2: what I would think.
• 21:31
  Speaker 3: I'd take.
• 21:31
  Speaker 2: Good for you girl, like an extra tip. I like that.
• 21:35
  Speaker 3: And probably she knows what the fuck she's doing. Yeah,
• 21:38
  Speaker 3: So and the talking head Stephanie says, yeah, Angelia is
• 21:43
  Speaker 3: in here now. She's like a tomboy that came in.
• 21:45
  Speaker 3: She's a stud. She's super fucking muscular. Everybody's after her.
• 21:48
  Speaker 3: So Stephanie's like, hmm, who's this new bitch coming in
• 21:50
  Speaker 3: stealing my thunder.
• 21:51
  Speaker 2: They didn't even ask about her hair, and should I,
• 21:55
  Speaker 2: I don't know, possibly go after her myself. I think
• 21:58
  Speaker 2: she's gonna turn she what is it saying that they
• 22:01
  Speaker 2: say gay for for say, oh yeah yeah, yeah, yeah, yeah,
• 22:04
  Speaker 2: yeah yeah.
• 22:05
  Speaker 3: If she hasn't already, I think she definitely that's true.
• 22:07
  Speaker 2: Hey, because have you noticed a different hairstyles, Like in
• 22:10
  Speaker 2: one scene it's braided, and another scene she's got like
• 22:13
  Speaker 2: the not braids a little I forget what they're called,
• 22:16
  Speaker 2: but it's like you braid a little bit, then you
• 22:18
  Speaker 2: put it in a little Oh yeah, she had those
• 22:21
  Speaker 2: all over. I mean, this is she's going to peak here.
• 22:25
  Speaker 3: You think the girls are like, let me braid your hair?
• 22:27
  Speaker 2: I think so? Okay, of course, yes.
• 22:32
  Speaker 3: House, Yeah this we got to come up with a
• 22:35
  Speaker 3: name for the sorority house that Stephanie's in. Oh Jesus,
• 22:39
  Speaker 3: it's gonna be well, I'll come up with it.
• 22:41
  Speaker 2: I'll come up with the Okay.
• 22:44
  Speaker 3: So now we're over to Matt, the preacher in the
• 22:47
  Speaker 3: six hundred. Matt now looks like he has gone in
• 22:50
  Speaker 3: the kitchen and dragged his hair through the grease pit.
• 22:55
  Speaker 3: He said, it is not greasy enough. Can I rub
• 22:57
  Speaker 3: my hair on this griddle.
• 22:59
  Speaker 2: It's just so bad, and it kind of looks like
• 23:04
  Speaker 2: it's thinning a little bit more watch just shit. Then
• 23:06
  Speaker 2: he should be so stressed out about what he's up
• 23:08
  Speaker 2: to his son, his hair should continue to fall out.
• 23:11
  Speaker 2: It is quite disgusting, and I cannot imagine how it smells.
• 23:16
  Speaker 3: I just understand why, like his bunkie or somebody hasn't
• 23:20
  Speaker 3: been like, dude, what's up with your hair? Like somebody.
• 23:24
  Speaker 2: I mean, I'm sure he has commissary and has.
• 23:28
  Speaker 3: Shampoo because they give them a bar or soap, but
• 23:30
  Speaker 3: he could literally wash it with so and I would
• 23:33
  Speaker 3: still get it clean.
• 23:34
  Speaker 2: He's looking he looks like he's about to audi shit,
• 23:37
  Speaker 2: to be like an actor in a haunted house with
• 23:39
  Speaker 2: that fucking that look of his. You're so right, that's
• 23:42
  Speaker 2: exactly what he does.
• 23:43
  Speaker 3: Yeah, he looks like one of like if you go
• 23:45
  Speaker 3: to like a scary and one of the guys that
• 23:47
  Speaker 3: oh yeah.
• 23:48
  Speaker 2: Comes out for you. Yes, that is what he is doing.
• 23:52
  Speaker 3: Nobody, nobody, nobody tell us again, we don't want these spoilers.
• 23:55
  Speaker 2: Nobody tell us. Now.
• 23:56
  Speaker 3: I do wonder in the real world now if he
• 23:59
  Speaker 3: looks better or if he's still rocking that greasy pony.
• 24:04
  Speaker 2: I feel like he's one of those men that's never
• 24:06
  Speaker 2: going to let it go. This will all be bald,
• 24:09
  Speaker 2: he'll have about this much left. And he's like, I'm
• 24:12
  Speaker 2: sticking around. There's still hope.
• 24:15
  Speaker 3: You're right, You're right, Yeah, it'll be all bald in
• 24:17
  Speaker 3: the front, just one little piece in the back.
• 24:18
  Speaker 2: Okay.
• 24:20
  Speaker 3: So we see Matt. He's trying to teach one guy
• 24:22
  Speaker 3: his workout routine, and he goes, yeah, I'm really stressed.
• 24:25
  Speaker 3: I'm worrying about Andrew and I you know, when i'm stressed,
• 24:29
  Speaker 3: I try relationship building. That's what I do to relieve
• 24:33
  Speaker 3: my stress. So I've become Tyrone's mentor, and Tyrone is
• 24:38
  Speaker 3: a good man. Does Tyrone know that you're his mentor?
• 24:40
  Speaker 3: Does he just think you're teaching him how to fight?
• 24:43
  Speaker 2: So my thing is, why would you teach someone how
• 24:46
  Speaker 2: to fight who could possibly kick your ass? Why are
• 24:49
  Speaker 2: you giving him Why would you teach him how to knit? Like,
• 24:54
  Speaker 2: why would you teach him how to fight? So if
• 24:57
  Speaker 2: if shit goes left, he'll beat your ass up? This
• 25:00
  Speaker 2: makes no sense to me at all.
• 25:02
  Speaker 3: You know, he's just so about the like Tyrone is
• 25:05
  Speaker 3: a good man. I'm like, your acting skills are driving
• 25:09
  Speaker 3: me insane. I have such strong dislike for this man.
• 25:15
  Speaker 2: Oh I know. I mean he's not likable, not like God.
• 25:20
  Speaker 3: So Matt goes in and talks to his roommate Lawrence,
• 25:24
  Speaker 3: and he says, I'm trying to remember. Okay, So we
• 25:28
  Speaker 3: have Pancho came in and Lawrence came in. I feel
• 25:31
  Speaker 3: like Pancho was the one who said his friend shot
• 25:34
  Speaker 3: himself in front of him, and like, oops, no, I
• 25:38
  Speaker 3: think that's Lawrence. That was Lawrence. And then then what
• 25:44
  Speaker 3: was Pancho's story. I'm trying to remember, but.
• 25:48
  Speaker 2: I feel like it was Lawrence who said if it
• 25:51
  Speaker 2: were for my first Okay, maybe you're right, because.
• 25:54
  Speaker 3: I'm trying to remember what Lawrence did to get in there.
• 25:57
  Speaker 3: Because one of them had a failure to appear, because
• 26:00
  Speaker 3: they had failure to appear on her previous thing.
• 26:03
  Speaker 2: They got arrested when the friend shot himself.
• 26:06
  Speaker 3: Okay, whoever had the failure to appear got into a
• 26:09
  Speaker 3: fight with somebody, and because whoever it was was going, well,
• 26:12
  Speaker 3: that sounds like self defense, right, Maybe that's a Lawrence
• 26:18
  Speaker 3: either way.
• 26:18
  Speaker 2: I don't know either way. If I have to pick
• 26:20
  Speaker 2: between the two. I think I'm gonna pick.
• 26:24
  Speaker 3: I don't know, Lawrence is scary. Pancho built that shank.
• 26:28
  Speaker 2: Yeah, I mean so so far the only red flag
• 26:31
  Speaker 2: for Poncho has been the shank. And that's a pretty
• 26:33
  Speaker 2: big that is like the size of an American flag.
• 26:36
  Speaker 2: Rick Yeah, yeah, yeah. And Lawrence looks like I would
• 26:39
  Speaker 2: be scared of him on the daily mm hmmmm. He
• 26:43
  Speaker 2: just seems unpredictable to me.
• 26:45
  Speaker 3: Yeah, yeah, I'm predictaball. So Matt goes in, he's talking
• 26:49
  Speaker 3: to Lawrence and he goes, oh, yeah, that tyrone. I
• 26:52
  Speaker 3: really like tyrone a lot. You know, I'm teaching and boxing,
• 26:55
  Speaker 3: and Lawrence goes really, he goes, well, if some if
• 26:58
  Speaker 3: if somebody attacks me, it's anything, and goes, I don't
• 27:00
  Speaker 3: fight fair, and my whole point is to, uh, you know,
• 27:03
  Speaker 3: to kill them. And Matt goes, yeah, you know, why
• 27:07
  Speaker 3: don't you just say, like you try to get them
• 27:09
  Speaker 3: to submit so then like you win. He goes, no,
• 27:13
  Speaker 3: I don't fight, I'll kill him, and Matt's like.
• 27:16
  Speaker 2: Yeah, we're more afraid of what I cannot hold in
• 27:20
  Speaker 2: the giggle. I want to giggle of the later on
• 27:25
  Speaker 2: scenes between Lawrence it's.
• 27:28
  Speaker 3: Coming, It's coming.
• 27:30
  Speaker 4: And I was just like told James said, Mary Payne
• 27:33
  Speaker 4: is heaving, heaving. So Lawrence, you know, says he doesn't
• 27:41
  Speaker 4: fight fair. If somebody comes after him, he'll kill them.
• 27:44
  Speaker 3: And he goes, I don't know, man, I wonder how
• 27:46
  Speaker 3: long it would take to put me on Indiana's most
• 27:49
  Speaker 3: wanted list. And Matt goes, I don't know how long does.
• 27:53
  Speaker 2: It take you?
• 27:54
  Speaker 3: Be goes, well, last time it took about a year.
• 27:56
  Speaker 2: Why were you on there? It's what I need to know.
• 28:00
  Speaker 2: And why is it your life's ambition to get back
• 28:03
  Speaker 2: on there?
• 28:04
  Speaker 3: And why did you get off of it and then
• 28:07
  Speaker 3: got put back in jail in Georgia?
• 28:10
  Speaker 2: Okay, so the sucking had.
• 28:13
  Speaker 3: Matt goes, you know, Lawrence is truly a dangerous person,
• 28:17
  Speaker 3: like he would try to kill me in a second.
• 28:19
  Speaker 3: And I can't continue on with this guy, like I'm
• 28:22
  Speaker 3: scared of him now, he says. And we're getting this
• 28:25
  Speaker 3: night vision camera okay, and we just see Matt just
• 28:28
  Speaker 3: sitting on his top bunk okay, And he says, Lawrence
• 28:32
  Speaker 3: has the most toxic lethal gas. And he says, I
• 28:40
  Speaker 3: feel like I need scuba gear to survive it. Covers
• 28:44
  Speaker 3: every part of your body. There's a tiny crack under
• 28:46
  Speaker 3: the door. You can't get rid of it. He says,
• 28:49
  Speaker 3: I can't breathe. Not being able to breathe is a
• 28:52
  Speaker 3: real thing. I can't take it. And then he goes,
• 28:55
  Speaker 3: I never do something. It stink so bad in my life.
• 28:57
  Speaker 3: And we have so many scenes of Lawrence just letting
• 29:02
  Speaker 3: it rip. And I was like, somebody needs to take
• 29:07
  Speaker 3: Lawrence to a doctor because that is so bad. Keisha,
• 29:14
  Speaker 3: and we don't like, we don't even like Matt.
• 29:17
  Speaker 2: He actually felt pretty bad for him. And I'm like
• 29:19
  Speaker 2: thinking to himself, like the scene itself is funny, but
• 29:23
  Speaker 2: the thought of you watching kid was even funny.
• 29:26
  Speaker 3: I literally put I put a quote here. I said,
• 29:29
  Speaker 3: there's too much discussion of this move on, Like that's
• 29:31
  Speaker 3: what I put in my notes. It kept going and
• 29:35
  Speaker 3: kept going, and then it would be like now it's nighttime,
• 29:37
  Speaker 3: now it's daytime. Now it's another nighttime. I was like,
• 29:39
  Speaker 3: we get it. The guy, it was just well.
• 29:45
  Speaker 2: He didn't try to like be discreet about it, you
• 29:48
  Speaker 2: know what I mean, Like he was just letting it
• 29:50
  Speaker 2: go as if there was no one else in.
• 29:53
  Speaker 3: The room, and just so much it was awful, And
• 29:58
  Speaker 3: I don't know if that's like a tactic, like I'm
• 30:00
  Speaker 3: gonna eat the gross of stuff so I have the
• 30:02
  Speaker 3: worst gas to try to get you to move out
• 30:04
  Speaker 3: of the room.
• 30:05
  Speaker 2: You know, I don't think that's the decision that Matt
• 30:07
  Speaker 2: can make to move out of the room.
• 30:12
  Speaker 3: Yeah, true, right, Or if like Matt complained enough that
• 30:15
  Speaker 3: they would get him out of there, or Lawrence wants
• 30:18
  Speaker 3: a room by himself, Lawrence needs to go to medical,
• 30:20
  Speaker 3: like he's got a problem.
• 30:22
  Speaker 2: There's a mental physical, he needs to see a gi specialist, like,
• 30:27
  Speaker 2: there's lots of things going on with Lawrence.
• 30:29
  Speaker 3: Spares me.
• 30:31
  Speaker 2: Yeah, me too.
• 30:33
  Speaker 3: So then we see Matt in the middle of the night,
• 30:37
  Speaker 3: sitting on his bunk. He crawls down, he grabs his cup,
• 30:40
  Speaker 3: He looks at the camera. We've never seen anybody else
• 30:45
  Speaker 3: on the show look and address the camera as much
• 30:47
  Speaker 3: as this guy does.
• 30:48
  Speaker 2: I told you.
• 30:49
  Speaker 3: Last episode he stood in the middle of his cell
• 30:51
  Speaker 3: doing the Shawn Csank redemption ah, screaming so that the
• 30:55
  Speaker 3: cameras would catch it. He's he wants to be an
• 30:57
  Speaker 3: acting teacher.
• 30:58
  Speaker 2: He wants all the screened that he could possibly get. God, oh,
• 31:03
  Speaker 2: we're back.
• 31:03
  Speaker 3: To not feeling sorry for him. So he gets his cup.
• 31:07
  Speaker 3: He looks at the camera and says, this is my cup,
• 31:10
  Speaker 3: and he gets down out of his bunk. I guess
• 31:14
  Speaker 3: p's in the cump under the cameras that the camera
• 31:17
  Speaker 3: doesn't see. And he says he does that because peing
• 31:20
  Speaker 3: and the cup won't make noise and wake up Lawrence
• 31:24
  Speaker 3: because he's scared of how wild and impressive. Lawrence says,
• 31:26
  Speaker 3: he's scared if he woke Hi up what he would do.
• 31:29
  Speaker 2: Okay, that's understandable.
• 31:31
  Speaker 3: It kind of made sense to me. But also, yeah,
• 31:34
  Speaker 3: dump the pa first thing in the morning, yeah, or he.
• 31:37
  Speaker 2: Kind of dumped it then like quietly. Yeah. Yeah, I
• 31:40
  Speaker 2: mean what he said made perfect sense because I wouldn't
• 31:44
  Speaker 2: want to wake up Lawrence either.
• 31:46
  Speaker 3: But why didn't he then dump it right away?
• 31:51
  Speaker 2: Okay, because it's Matt.
• 31:53
  Speaker 3: Yeah. So the next morning, Lawrence like tells the CEO
• 31:58
  Speaker 3: that Matt took two ups and that he pissed in
• 32:02
  Speaker 3: one of the cups and the snitching, which is stitching,
• 32:06
  Speaker 3: and then I gotta get I gotta get my soundboard
• 32:09
  Speaker 3: button back.
• 32:10
  Speaker 2: The says, nitchein, which is snitching? Yeah you do.
• 32:12
  Speaker 3: Yeah, So in the talking head. Matt goes for all
• 32:17
  Speaker 3: his street bravado and anti snitching, he snitched.
• 32:20
  Speaker 2: On me, I mean, with no problems at all, and
• 32:23
  Speaker 2: he snitched on him right in like the gyp, the
• 32:27
  Speaker 2: general area. Other inmates could see that he was snitching.
• 32:33
  Speaker 2: That's you know, he's fucking dangerous.
• 32:36
  Speaker 3: But remember how Lawrence was so like, this place is dirty,
• 32:38
  Speaker 3: we need to clean it. So he must have a
• 32:39
  Speaker 3: little O C D about yeah, and that was so
• 32:43
  Speaker 3: gross to him. He was like I can't yeah, yeah.
• 32:47
  Speaker 3: So then he goes and then the CEO made an
• 32:49
  Speaker 3: example out of me, like making a big deal about it.
• 32:52
  Speaker 3: And you know, Lawrence disrespected me as a man. And
• 32:55
  Speaker 3: now I'm mad, like I'm fighting mad, and I don't
• 32:57
  Speaker 3: want to let Lawrence off the hook for what he did.
• 33:00
  Speaker 3: So he pulls Lawrence over. Now he knows he can
• 33:03
  Speaker 3: can fuck with Lawrence becau Lawrence killing. He just told
• 33:06
  Speaker 3: him he would, I know. And he goes, man, why
• 33:09
  Speaker 3: did you do that to me? And Lawrence goes, that's unsanitary.
• 33:12
  Speaker 3: It's unsanitary. And he's got some most some Joan Crawford
• 33:20
  Speaker 3: got to clean your hands twimming, Yeah, every day kind
• 33:22
  Speaker 3: of thing going on. He goes, it was unsanitary and
• 33:25
  Speaker 3: I can't live like that, and Matt goes, I know,
• 33:27
  Speaker 3: but I did it so I wouldn't wake you up.
• 33:29
  Speaker 3: I was gonna dump it in the morning. And Lawrence goes,
• 33:32
  Speaker 3: I'm sorry, I don't fuck with that and anything like
• 33:34
  Speaker 3: walks off and Matt goes, yeah, I was. I was
• 33:36
  Speaker 3: ready to.
• 33:37
  Speaker 2: I was.
• 33:37
  Speaker 3: I was ready to brawl with him over this. No
• 33:40
  Speaker 3: you weren't.
• 33:40
  Speaker 2: No, you were not. You don't know that kind of fighting.
• 33:43
  Speaker 2: Smoke New Street and fighting and m m A fighting
• 33:48
  Speaker 2: two totally different world. We've seen you.
• 33:53
  Speaker 3: Yeah, yeah, who are who are you fighting? Imaginary people?
• 33:56
  Speaker 2: I used to do that with Billy Blank So in
• 33:58
  Speaker 2: his little workout videos, you remember those, she saw us
• 34:02
  Speaker 2: the same shit that Mats said and there teaching. Now
• 34:04
  Speaker 2: I'm like, that's from a Billy Blake's like DVD number one,
• 34:09
  Speaker 2: Like that.
• 34:09
  Speaker 3: Was a TVT number one.
• 34:13
  Speaker 2: Okay.
• 34:14
  Speaker 3: So Emmanuel Emmanuel is twenty eight, he's a public health official. Now,
• 34:23
  Speaker 3: Emmanuel to me, says some problematic things here. He says,
• 34:29
  Speaker 3: due to finances, I grew up in the hood. I
• 34:32
  Speaker 3: saw fights, I was in fights, but my mom made
• 34:35
  Speaker 3: sure we had a good education and she worked. However,
• 34:37
  Speaker 3: we need jobs. She had to to be sure we
• 34:39
  Speaker 3: had a good education because she knew that would be
• 34:41
  Speaker 3: the key to our success. He says, Eventually I went
• 34:45
  Speaker 3: to private school, and then I would question why couldn't
• 34:49
  Speaker 3: my friends from the hood get out and do better?
• 34:51
  Speaker 3: I never understood why.
• 34:53
  Speaker 2: Well, because they were in the hood and they didn't
• 34:57
  Speaker 2: didn't have private school, and they didn't have the mom
• 35:00
  Speaker 2: that helped them out.
• 35:02
  Speaker 3: Or Yeah, I mean, what's I don't understand. What's hard
• 35:05
  Speaker 3: to understand about that?
• 35:06
  Speaker 2: I think he's going to be a bit of an
• 35:08
  Speaker 2: odd duck.
• 35:09
  Speaker 3: Yeah, It's like some people have the will and the
• 35:13
  Speaker 3: means and can get out, and some people don't, and
• 35:16
  Speaker 3: some people don't have anybody to mentor them or help
• 35:18
  Speaker 3: them or encourage them. I don't I just felt it
• 35:20
  Speaker 3: felt very classicist or racist or something. I don't know
• 35:23
  Speaker 3: if it felt great.
• 35:25
  Speaker 2: Say that, Yeah, judge, you know, very judge.
• 35:30
  Speaker 3: Yeah, And he says, you know, my goal is to
• 35:33
  Speaker 3: show people and educate people there's a chance you can
• 35:36
  Speaker 3: get out of this. You can escape the hood. It's easy.
• 35:40
  Speaker 2: No, it's really not. That's why so many people are
• 35:43
  Speaker 2: not able to escape it.
• 35:45
  Speaker 3: Yeah, I didn't. I didn't like this.
• 35:47
  Speaker 2: He most definitely does not need to be the motivational
• 35:50
  Speaker 2: speaker at the hood school.
• 35:54
  Speaker 3: You can get out, it's easy.
• 35:58
  Speaker 2: No, he does not need to do that at all.
• 36:01
  Speaker 3: So we meet his wife, Brittany. She's his college sweetheart.
• 36:05
  Speaker 3: They have two kids, Emmanuel and Anthony. The talking head
• 36:09
  Speaker 3: of the wife is like, you know, he doesn't know.
• 36:10
  Speaker 2: What he's in for.
• 36:12
  Speaker 3: No, Nope, and the talking head Emmanuel says, in America,
• 36:17
  Speaker 3: there's a stereotype that people who go to jail are
• 36:19
  Speaker 3: bad people, but not all of them are bad. I
• 36:22
  Speaker 3: grew up with a lot of these guys. Not all
• 36:23
  Speaker 3: of them are bad. They could get out, it's easy, Okay.
• 36:29
  Speaker 2: I feel like I don't even know which prison show
• 36:31
  Speaker 2: he's been watching.
• 36:33
  Speaker 3: I think his whole thing is like, I grew up
• 36:36
  Speaker 3: with some of these people. We went our separate ways,
• 36:38
  Speaker 3: and I know they're good people. But maybe they took
• 36:40
  Speaker 3: a wrong turn and those are still good people. I mean,
• 36:43
  Speaker 3: I think that's his thought process. But they did bad things,
• 36:48
  Speaker 3: but they did bad things. So Emmanuel goes and he
• 36:51
  Speaker 3: gets handcuffed, and the production says, are you worried about
• 36:54
  Speaker 3: blowing your cover? And he goes, no, I'm not worried
• 36:56
  Speaker 3: about any about any of it. No, And I don't
• 36:59
  Speaker 3: want to fight, but if I have to fight, I
• 37:00
  Speaker 3: will Like no, it's good, everything's great.
• 37:02
  Speaker 2: What you are not gonna fight? Arkle like, no, he's
• 37:08
  Speaker 2: just exceptionally nerdy and he's gonna stick out like a
• 37:12
  Speaker 2: sore thumb when he goes in there. I hope they
• 37:14
  Speaker 2: put him in the six hundred. Is that where they
• 37:18
  Speaker 2: put him at?
• 37:18
  Speaker 3: That's where they put him. That's where he needs will
• 37:21
  Speaker 3: he won't make it in the five hundred.
• 37:22
  Speaker 2: Oh no, he would not.
• 37:26
  Speaker 3: So he goes to intake. He's like this is disgusting,
• 37:28
  Speaker 3: Like this is so gross that there's people in there
• 37:31
  Speaker 3: that are going to jail.
• 37:32
  Speaker 2: It's so gross.
• 37:33
  Speaker 3: And so they put him in the six hundred. Okay,
• 37:36
  Speaker 3: now we get Johnny in the six hundred. This is
• 37:38
  Speaker 3: all we get, Like, Johnny, are you okaya?
• 37:41
  Speaker 2: He's not doing well at all.
• 37:43
  Speaker 3: So he's in his cell by himself. So he needs
• 37:46
  Speaker 3: a he needs a roommate.
• 37:47
  Speaker 2: He's a roommate. Maybe they can put him with Matt together.
• 37:50
  Speaker 3: Yeah, no, maybe they can put him with the man well,
• 37:57
  Speaker 3: because he wants somebody to take somebody talk to.
• 38:01
  Speaker 2: I think Emmanuel will make Johnny go back to his
• 38:04
  Speaker 2: gang days.
• 38:07
  Speaker 3: He's gonna go, like, I just remembered how to make
• 38:09
  Speaker 3: a shank. I'll be right back.
• 38:10
  Speaker 2: Exactly because he's gonna drive him insane.
• 38:15
  Speaker 3: So Johnny's like, I don't know what time it is,
• 38:17
  Speaker 3: Like this is a different world. The sleep pattern is off,
• 38:20
  Speaker 3: you know, the sleep pattern is unreal. And he goes
• 38:22
  Speaker 3: and I used to work in nights, and he goes,
• 38:24
  Speaker 3: my sleep is all confused. And if there's any reason
• 38:27
  Speaker 3: I would tap out, it would be that it's the sleep.
• 38:30
  Speaker 3: He says, I'm all alone. And then you know, we've
• 38:33
  Speaker 3: seen a couple of times they've had him lock down
• 38:34
  Speaker 3: for like twenty hours at a time. Yeah, and he says, yeah,
• 38:37
  Speaker 3: I'm away from my wife and my kids. It's so hard.
• 38:40
  Speaker 3: But I do want to walk in my son's shoes.
• 38:42
  Speaker 3: I have to imagine what he went through. And he
• 38:45
  Speaker 3: does seem to be talking about his son in past tense.
• 38:49
  Speaker 3: I noticed on this episode he didn't say my son
• 38:52
  Speaker 3: is in jail. I want to walk in my son's shoes.
• 38:55
  Speaker 3: He says, I have to imagine what he went through.
• 38:59
  Speaker 3: I'm noticed, so he's talking about his son in past sense.
• 39:03
  Speaker 3: So I wonder if a sun kild him prison or something.
• 39:06
  Speaker 3: I just feel like they would have told us that
• 39:09
  Speaker 3: I know. So he says, I want to imagine what
• 39:12
  Speaker 3: he went through. And you know, you're in here and
• 39:14
  Speaker 3: your mind starts playing tricks on you, and you start thinking,
• 39:16
  Speaker 3: am I am I a good man? Am I a
• 39:19
  Speaker 3: good husband? Am I a good dad?
• 39:21
  Speaker 2: You know?
• 39:21
  Speaker 3: I haven't had to sleep? Like this is really hard?
• 39:23
  Speaker 3: And we just see him like laying on a little
• 39:24
  Speaker 3: bunk like with the book, trying to sleep.
• 39:26
  Speaker 2: That's a that's a lot like not knowing what time
• 39:29
  Speaker 2: it is. And I mean I can go twenty hours
• 39:32
  Speaker 2: without talking to someone. Yeah, I like to do it
• 39:35
  Speaker 2: after this. Yeah, right, but yeah, and I mean and
• 39:41
  Speaker 2: not I don't know if they're on lockdown, he's not
• 39:43
  Speaker 2: able to go out or whatever. I mean, that would
• 39:46
  Speaker 2: be a lot in him questioned whether he's a good man, Well,
• 39:48
  Speaker 2: we know you're kind of not a good man because
• 39:50
  Speaker 2: you know, you started that whole gang thing, and you're
• 39:52
  Speaker 2: a reform man. Reform you're reform man, but you you
• 39:56
  Speaker 2: you a big chunk of your life, you were most
• 39:58
  Speaker 2: definitely not a good man and not a good father,
• 40:00
  Speaker 2: because your son followed in your footsteps and he is
• 40:03
  Speaker 2: possibly in prison or died in prison.
• 40:06
  Speaker 3: Yeah don't yeah, we don't know. M All right, let's
• 40:09
  Speaker 3: go over to Jacqueline and Stephanie. Okay, So Jacqueline's like,
• 40:14
  Speaker 3: I'm mentally exhausted, you know.
• 40:16
  Speaker 2: We can sell.
• 40:17
  Speaker 3: And so they go outside. I don't know if they're
• 40:20
  Speaker 3: doing like check to get in the showers or what,
• 40:22
  Speaker 3: but like just their pod comes out and the CEO
• 40:25
  Speaker 3: is checking them off, and.
• 40:27
  Speaker 2: She says, I think they were gone to the yard.
• 40:29
  Speaker 3: Maybe they are, but they're doing something to get checked
• 40:31
  Speaker 3: off to go somewhere, just their little group, and she
• 40:35
  Speaker 3: says Kennedy and Jacqueline kind of looks behind her and
• 40:39
  Speaker 3: looks over and goes, oh yeah. And that CEO is like,
• 40:43
  Speaker 3: do you not know your name? Which is a mistake
• 40:45
  Speaker 3: that she made.
• 40:46
  Speaker 2: She blew her cover again and she.
• 40:49
  Speaker 3: Gets so she does like the opposite. She gets all
• 40:52
  Speaker 3: Man's like, you don't talk to me like that, Like
• 40:54
  Speaker 3: I just had a moment like you were pointing behind me.
• 40:56
  Speaker 3: I thought you were pointing behind me and I was
• 40:57
  Speaker 3: looking behind me, and so you have some I'm like,
• 41:00
  Speaker 3: well her she makes sense to if the CIOF did
• 41:03
  Speaker 3: kind of point behind.
• 41:04
  Speaker 2: Her, Yeah, you do look like, okay, who is there
• 41:07
  Speaker 2: another Kennedy? Like she who, What's what's going on? I
• 41:12
  Speaker 2: think she covered it up well. I think then she
• 41:17
  Speaker 2: went too far.
• 41:19
  Speaker 3: Too far. She starts fighting with her, like you're gonna
• 41:21
  Speaker 3: show me respect, and da da da da, you open
• 41:23
  Speaker 3: the fucking door and all He's like, don't speak to
• 41:25
  Speaker 3: me like that.
• 41:26
  Speaker 2: You don't talk to me like that.
• 41:27
  Speaker 3: Don't try to make me feel stupid.
• 41:28
  Speaker 2: Of course I know my name, but I was like,
• 41:29
  Speaker 2: oh god. I was like, oh. I was like, okay, girl,
• 41:32
  Speaker 2: slow down now. So relax, yeah, relax, we got it.
• 41:36
  Speaker 2: She's still supposed to be this quiet person, right, Yeah.
• 41:40
  Speaker 3: So the talking head Stephanie goes her yelling like this
• 41:43
  Speaker 3: forgetting her own name, saying she's in here for alcohol,
• 41:47
  Speaker 3: when she's in here for stabbing her boyfriend. She's setting
• 41:51
  Speaker 3: herself up for a fight.
• 41:52
  Speaker 2: Now.
• 41:52
  Speaker 3: I want to distance myself from her. So I guess
• 41:54
  Speaker 3: when the CEO said something about new people on drugs,
• 41:58
  Speaker 3: and she goes, well, I'm not even in here for drugs,
• 42:00
  Speaker 3: here for alcohol, And then why did say that? The
• 42:03
  Speaker 3: CEO goes, alcohol is drugs? Dummy. I don't know, because
• 42:09
  Speaker 3: remember when she said her story did have to do
• 42:12
  Speaker 3: with alcohol, and that would be easy for her to
• 42:15
  Speaker 3: do because I guess she had an alcohol problem. You did,
• 42:20
  Speaker 3: so I guess what the point is is that she's
• 42:21
  Speaker 3: got an alcohol problem that made her attempt boyfriend.
• 42:25
  Speaker 2: Yeah right, Okay, Skene doesn't want to hang out with
• 42:28
  Speaker 2: her because she wants to hang out.
• 42:29
  Speaker 3: With the real criminals. Yeah, He's like, this girl's not cool. No, so,
• 42:37
  Speaker 3: Jacqueline says, prior to her arriving, there was some drama
• 42:40
  Speaker 3: in her In her cell, Christina and Tapitha are yelling
• 42:45
  Speaker 3: at each other from their bunks, and we see Jacqueline
• 42:48
  Speaker 3: like everybody like try just to go to sleep, like
• 42:51
  Speaker 3: you're not going to solve it, Like everybody could just
• 42:52
  Speaker 3: try to go to sleep. And another girl named Micheline
• 42:57
  Speaker 3: McLean is also joining in, and it's like you guys
• 42:59
  Speaker 3: just talking, like I'm so sick of talking about this.
• 43:02
  Speaker 2: Quit talking.
• 43:03
  Speaker 3: And there's lots of threats of like I'll pull you
• 43:05
  Speaker 3: out of the bed, bitch, I'll beat your ass, bitch,
• 43:06
  Speaker 3: fucking stupid hord da dah.
• 43:08
  Speaker 2: Yeah.
• 43:08
  Speaker 3: Then the one girl goes and searchs is Christina is
• 43:13
  Speaker 3: like up in Tabitha's face and Tabatha is up on
• 43:15
  Speaker 3: her bunk, and Lyaric goes, just pull her off the bed,
• 43:18
  Speaker 3: go ahead and fight, and so they do.
• 43:20
  Speaker 2: She goes, yeah, two of them pull her off the bed.
• 43:24
  Speaker 4: Yeah.
• 43:24
  Speaker 2: I'm like, damn, she could have hit her head on
• 43:26
  Speaker 2: the floor, and just all these different scenarios went through
• 43:28
  Speaker 2: my head, like they just don't think like people in
• 43:32
  Speaker 2: the outside world at all.
• 43:34
  Speaker 3: It's crazy. Shees pull her off the bed, let them fight,
• 43:37
  Speaker 3: and so Jacqueline goes, now I have to sit here
• 43:39
  Speaker 3: and watch these two girls.
• 43:41
  Speaker 2: Beat up Tabitha.
• 43:43
  Speaker 3: Yeah, and Lyaric and Lyric is saying like, okay, let
• 43:46
  Speaker 3: her get a hit in. Let her get a hit in.
• 43:48
  Speaker 3: Like she's telling them, okay, you've had too many hits,
• 43:51
  Speaker 3: Now you get to hit her.
• 43:52
  Speaker 2: Can you imagine like sitting there and having to watch
• 43:56
  Speaker 2: this go down? No, and you know that it should
• 43:59
  Speaker 2: be a snare where these two people are fighting but
• 44:01
  Speaker 2: people are pulling them apart. But now people are over
• 44:04
  Speaker 2: there making bet song who's gonna fucking win and shit
• 44:07
  Speaker 2: like that. Like it's so real.
• 44:11
  Speaker 3: I can hardly watch it on TV. I can't imagine
• 44:13
  Speaker 3: seeing it in person.
• 44:15
  Speaker 2: Yeah, I agree.
• 44:17
  Speaker 3: So she's being jumped. Yeah, she's being jumped, and it's
• 44:21
  Speaker 3: at night, and there's cameras in there apparently, but yeah,
• 44:24
  Speaker 3: nobody's doing anything about it. And she says, I can't
• 44:27
  Speaker 3: just lay there and watch somebody get beat up like that.
• 44:30
  Speaker 3: But for me to jump into it would be out
• 44:32
  Speaker 3: of character. But I have to try to stand up
• 44:34
  Speaker 3: for what's right. So she starts yelling.
• 44:36
  Speaker 2: And shut the fuck up.
• 44:39
  Speaker 3: Talking head Stephanie goes, I could hear Jacquline yelling into
• 44:42
  Speaker 3: the bends. I don't know what is wrong with her.
• 44:46
  Speaker 3: So talking head Lyric goes, Yeah, Jacqueline's got a lot
• 44:49
  Speaker 3: of personality for a white girl, but she doesn't know
• 44:53
  Speaker 3: a lot about life. And now she's at a level
• 44:55
  Speaker 3: ten and she needs to take it down.
• 44:58
  Speaker 2: So you don't want to pissed off Lyric.
• 45:01
  Speaker 3: So this is when and Jacqueline starts yelling at them
• 45:04
  Speaker 3: and start saying like, why can't you all just get along?
• 45:07
  Speaker 3: Why can't you just say like, you're right, you have
• 45:09
  Speaker 3: a point. Everybody has a point, right, but we're not
• 45:11
  Speaker 3: gonna You're screaming and you're beating her up. I think
• 45:14
  Speaker 3: she's really trying to like draw the attention to her,
• 45:16
  Speaker 3: so they quit beating the table.
• 45:17
  Speaker 2: They'll stop. Yeah, she's doing she's doing what she can
• 45:21
  Speaker 2: because she knows she can't get get down there and
• 45:23
  Speaker 2: break up the fight.
• 45:26
  Speaker 3: So now it's the next day. Jacqueline and Stephanie sit
• 45:29
  Speaker 3: together on Jacqueline's bed and Stephanie goes, are you normally
• 45:33
  Speaker 3: like loud like that?
• 45:34
  Speaker 2: Are you like normally loud?
• 45:37
  Speaker 3: Jacqueline goes, no, like, I mean I could get like
• 45:39
  Speaker 3: rowdy with my friends, but no, like I'm roly like
• 45:41
  Speaker 3: super quiet, so talking has Stephanie goes, I don't know
• 45:45
  Speaker 3: why she's acting like that, Like is it just for
• 45:47
  Speaker 3: the show? And at the end of the day, it's
• 45:50
  Speaker 3: every man for yourself and here, And I'm okay with that.
• 45:53
  Speaker 3: I would throw Jackie under the bus one hundred percent
• 45:56
  Speaker 3: if I had to. She's just someone I need in
• 45:58
  Speaker 3: the moment. I can always throw her to the side
• 46:01
  Speaker 3: because I like winning.
• 46:03
  Speaker 2: Lord. If someone teaches Stephanie how to make a shank
• 46:06
  Speaker 2: in Arson Crafts and Jaqueline better watch out, she's gonna
• 46:10
  Speaker 2: be on the head list.
• 46:11
  Speaker 3: Stephanie all of a sudden is like, I'll throw her
• 46:13
  Speaker 3: under the bus. She's somebody I need in the moment.
• 46:16
  Speaker 2: Yeah. One week in wow, one week in prison, and
• 46:23
  Speaker 2: this is what has happened to her? What's that squeaky clean?
• 46:27
  Speaker 2: I'm not from the hood. I live where the white
• 46:29
  Speaker 2: people live. I've got my nerdy white boyfriend. I'm she
• 46:33
  Speaker 2: I think she's willing to throw that life behind her,
• 46:36
  Speaker 2: like that was my old life. When I get out
• 46:37
  Speaker 2: of here, I am gonna move to the hood with
• 46:39
  Speaker 2: my siblings because I like this life.
• 46:43
  Speaker 3: This is crazy, it is And she's got like an
• 46:46
  Speaker 3: evil smile on her face.
• 46:48
  Speaker 2: Like she's not the same person.
• 46:51
  Speaker 3: It is taking a week.
• 46:54
  Speaker 2: All right, God, how many more days?
• 46:59
  Speaker 3: It's funny too, because Jacqueline showed that she was marking
• 47:01
  Speaker 3: off the weeks, yes, or the days or something, and
• 47:05
  Speaker 3: he goes, oh, I'm not too that.
• 47:08
  Speaker 2: No, she she's got to re sign up. She's gonna
• 47:10
  Speaker 2: be another Nate.
• 47:12
  Speaker 3: So next time on we see Alan getting annoyed with
• 47:16
  Speaker 3: the CEO, and the CEO is being like rude, you know,
• 47:20
  Speaker 3: like get in there, and Alan says, you know, just
• 47:23
  Speaker 3: because we're in here doesn't mean.
• 47:25
  Speaker 2: You could throw us aside like a piece of trash.
• 47:27
  Speaker 3: And then we see Alan losing it and like throwing
• 47:29
  Speaker 3: stuff in the cell and his cell mate is kind
• 47:31
  Speaker 3: of laughing, like.
• 47:31
  Speaker 2: Whoa Like whoa white boy? Calm down a little bit,
• 47:34
  Speaker 2: come down, don't forget you anemic. Now you don't have
• 47:38
  Speaker 2: enough street.
• 47:38
  Speaker 3: You gotta preserve your street.
• 47:39
  Speaker 2: You gotta get dizzy and pass out.
• 47:41
  Speaker 3: So then we see a manual in prison, acting real
• 47:45
  Speaker 3: goofy for the cameras, like do you want to see
• 47:47
  Speaker 3: my room? This has been the prison.
• 47:50
  Speaker 2: Show and he may get kicked off. People were like,
• 47:54
  Speaker 2: what the fuck is wrong with wrong with him?
• 47:59
  Speaker 3: I said, the other show is happy.
• 48:01
  Speaker 2: His wife is happy that he is gone. He's like,
• 48:04
  Speaker 2: she's like I am enjoyed being a single mom. Y'all
• 48:08
  Speaker 2: get his ass in there. He broaks my nerves.
• 48:11
  Speaker 3: My note is the other inmates are not into it.
• 48:14
  Speaker 3: They're not into him. So in the d with the girls,
• 48:20
  Speaker 3: a girl named Tiny is offering hooch and Jacqueline didn't
• 48:25
  Speaker 3: want to do it. Now, I don't know if Jacqueline
• 48:27
  Speaker 3: does have a drinking problem, and she's like, I'm not
• 48:28
  Speaker 3: going to think she did, and I think she does.
• 48:31
  Speaker 3: She should say to them, I'm an alcoholic. I'm really
• 48:33
  Speaker 3: trying not to but maybe the girls I don't care
• 48:36
  Speaker 3: about people in recovery. It is pretty oh sure they don't,
• 48:41
  Speaker 3: and this good point, and Jacqueline didn't want to do it,
• 48:44
  Speaker 3: so she goes, nah, I'm on a little something else.
• 48:47
  Speaker 3: So she says that she's on something else and to
• 48:51
  Speaker 3: throw them off, and Stephanie goes, yeah, if you don't
• 48:53
  Speaker 3: take the drugs, you're a suspect. So I want to
• 48:55
  Speaker 3: fit in, and we see Stephanie over in that I
• 48:56
  Speaker 3: don't know what she's doing, but they're giving her something.
• 48:58
  Speaker 2: She's taking it. Well, I'm would the most definitely taken
• 49:01
  Speaker 2: the hoot. I just would have tasted it to be
• 49:04
  Speaker 2: like how gross is this? I don't know, but I
• 49:06
  Speaker 2: would need something to knock the edge off.
• 49:09
  Speaker 3: Well, also, you don't want everybody else. They're gonna be
• 49:11
  Speaker 3: drunk and you're the only sober one because God knows
• 49:13
  Speaker 3: what's gonna.
• 49:13
  Speaker 2: Happen to you.
• 49:14
  Speaker 3: Well, or then again, maybe it's toppo site. You're the
• 49:16
  Speaker 3: only You need to keep your wits about you. With
• 49:18
  Speaker 3: all these drunk girls in they're fighting and shit, I don't.
• 49:21
  Speaker 2: Know they you know, they've been chasing after Jacqueline's booty,
• 49:24
  Speaker 2: So she i don't know. Maybe she does need to
• 49:26
  Speaker 2: stay sober, that's right.
• 49:28
  Speaker 3: So anyway, Stephanie says, no, I'm just I'd like to
• 49:31
  Speaker 3: fit in here we go, what do you got, I'll
• 49:34
  Speaker 3: take it. So Nate's twenty ninth birthday, and Nate says,
• 49:39
  Speaker 3: I never thought I'd spend my twenty ninth birthday in prison.
• 49:42
  Speaker 3: And somebody comes in it's like, are you ready for
• 49:44
  Speaker 3: your birthday beat down? I was like, what, Oh no,
• 49:48
  Speaker 3: Why'm not That's not what happened on our birthday.
• 49:51
  Speaker 2: No, I skip that part. Yeah, but Nate, at the
• 49:55
  Speaker 2: same time you chose to be in prison for your
• 49:57
  Speaker 2: twenty ninth birthday.
• 49:58
  Speaker 3: You could do the math out that was when that
• 50:00
  Speaker 3: was gonna fall.
• 50:02
  Speaker 2: Yeah.
• 50:03
  Speaker 3: I think probably they'll be real nice to Nate on
• 50:04
  Speaker 3: his birthday.
• 50:05
  Speaker 2: I think so too.
• 50:06
  Speaker 3: That doesn't really like me.
• 50:07
  Speaker 2: Everybody likes Nate.
• 50:10
  Speaker 3: Matt says he's at his breaking point with Lawrence, and
• 50:14
  Speaker 3: we see him again addressing the cameras, like when Lawrence
• 50:19
  Speaker 3: is asleep, he's looking at the cameras going I want
• 50:21
  Speaker 3: to bunch it, and he's mouthing to the cameras, I
• 50:24
  Speaker 3: want to punch you.
• 50:27
  Speaker 2: Well, because he's thinking Okay, if this acting thing doesn't
• 50:30
  Speaker 2: work out, I could always be a mine. So let
• 50:33
  Speaker 2: me show them what I've got. I'm a little bit
• 50:34
  Speaker 2: of I can do a little bit of anything, Guys,
• 50:37
  Speaker 2: I'm ready.
• 50:38
  Speaker 3: Matt is a grade A weirdo. I cannot get over
• 50:47
  Speaker 3: really I addressing the camera like he thinks he's on
• 50:51
  Speaker 3: the real world, Like, yeah.
• 50:53
  Speaker 2: You're not supposed to break the third wall, you're not
• 50:56
  Speaker 2: supposed to talk to well, and then in this situation,
• 50:59
  Speaker 2: it's really you should have talked to the fucking camera
• 51:01
  Speaker 2: because you're you know, they're got to figure out who
• 51:04
  Speaker 2: you are, and while you're really there, Like, this guy's
• 51:07
  Speaker 2: talking a little bit too too much to the cameras.
• 51:09
  Speaker 3: You've not seen that. You've not seen one other person
• 51:12
  Speaker 3: look directly at a camera and address it.
• 51:15
  Speaker 2: Nope, only Matts.
• 51:18
  Speaker 3: So I assume they have cameras in there for protection,
• 51:20
  Speaker 3: but they don't have sound.
• 51:22
  Speaker 2: I guess.
• 51:22
  Speaker 3: So if he screamed, you know, he has to press
• 51:25
  Speaker 3: the button and scream out a little hole, I guess.
• 51:29
  Speaker 2: Oh lord, he just says the most Lawrence.
• 51:33
  Speaker 3: I'm telling you, I think Lawrence is eating gross stuff
• 51:36
  Speaker 3: to have that gas to try to figure out a
• 51:38
  Speaker 3: way to gas him out, to make him one, to
• 51:40
  Speaker 3: make him request a move.
• 51:41
  Speaker 2: I don't know. Well, I gotta agree with Matt on
• 51:44
  Speaker 2: that I just don't want to be in a room
• 51:47
  Speaker 2: with someone's pooped.
• 51:49
  Speaker 3: I don't either. That's disgusting and there's no ventilation. I
• 51:54
  Speaker 3: don't want to talk about it. I can't talk a much.
• 51:56
  Speaker 3: I can't talk about it against much. Everybody, make sure
• 51:59
  Speaker 3: you're following both of us on social media. It is
• 52:03
  Speaker 3: the Libra Lounge of Keisha and Pink Shade Pod. Keisha
• 52:06
  Speaker 3: has a podcast. If you're listening here, you know that
• 52:09
  Speaker 3: I have a podcast. And what's happening this week is
• 52:13
  Speaker 3: still doing HTA with Kimberly on Tuesdays. And let me
• 52:18
  Speaker 3: tell you who's going to be on this week for
• 52:21
  Speaker 3: poping Bravo on Thursday. I got to go to my
• 52:24
  Speaker 3: little list here because we're recording this a little early,
• 52:26
  Speaker 3: and I don't always know it is Christine and Stacy,
• 52:30
  Speaker 3: our buddies from the rewatch. Yes, they're going to be
• 52:36
  Speaker 3: on to talk about Bravo and pop culture next no
• 52:39
  Speaker 3: this week. Sorry, we're recording early. I'm confusing myself. And
• 52:43
  Speaker 3: then again, also Kimberly and I are still covering Seeking
• 52:46
  Speaker 3: Sister Wife and ninety Day the other way, and on
• 52:49
  Speaker 3: Wednesday we will have our recap up of the Love.
• 52:52
  Speaker 2: Is Blind reunion.
• 52:53
  Speaker 3: It may come out Wednesday night, it may come out
• 52:55
  Speaker 3: Thursday morning, when if they give us a screener, it'll
• 52:58
  Speaker 3: be out early. If they don't give us a screener,
• 53:00
  Speaker 3: you'll have it the next day. We usually they don't.
• 53:04
  Speaker 3: They usually don't give us a screener for the reunion,
• 53:06
  Speaker 3: but the season has been so wacky on Love is Blind.
• 53:09
  Speaker 2: They might they they they might. I mean they may
• 53:12
  Speaker 2: come film the reunion in our house. I don't that
• 53:15
  Speaker 2: that is just how off the wall the season has been.
• 53:17
  Speaker 3: Nothing would surprise me. And as far as that goes, guys,
• 53:22
  Speaker 3: after that, Keisha and I, I think I'm gonna take
• 53:25
  Speaker 3: a one week break and then Keisha and I are
• 53:26
  Speaker 3: going to roll into season one, episode one, Welcome to Plathfill.
• 53:30
  Speaker 2: We're gonna do a Plathfill rewatch.
• 53:32
  Speaker 3: And I'm very excited about that because I haven't watched
• 53:37
  Speaker 3: it from season I've watched the whole thing obviously, and
• 53:39
  Speaker 3: I've watched some seasons twice, but I haven't started from
• 53:42
  Speaker 3: season one, episode one.
• 53:43
  Speaker 2: In a long time, and these might these are virgin
• 53:48
  Speaker 2: ear I mean eyes. Yeah, you always on in the background,
• 53:53
  Speaker 2: but I've never sat down and watched a single episod.
• 53:55
  Speaker 3: You're gonna have to turn that brightness down on your
• 53:57
  Speaker 3: TV because it is white black people everywhere everywhere that
• 54:01
  Speaker 3: I can see.
• 54:03
  Speaker 2: Yeah, what do they call it? Hitler's wet dream, That's
• 54:07
  Speaker 2: what they are.
• 54:10
  Speaker 3: I called them the well you'll see as we go.
• 54:12
  Speaker 3: I call them either the children of the corn or Yeah,
• 54:15
  Speaker 3: they're like minions because the little kids, who are now
• 54:18
  Speaker 3: much older because it's been seven years that they've been
• 54:20
  Speaker 3: on the little kids don't ever see any outside people.
• 54:23
  Speaker 3: So when any outside people come in, they run up
• 54:25
  Speaker 3: like the mini's like, oh.
• 54:28
  Speaker 2: Oh, blessed their hearts. I didn't know. They didn't get
• 54:30
  Speaker 2: to see outside. Oh man, okay they're going.
• 54:33
  Speaker 3: To town or anything.
• 54:34
  Speaker 2: How sad? How dreads?
• 54:36
  Speaker 3: They're okay now, okay, not really. I mean they're all
• 54:39
  Speaker 3: fucked in the head because of their parents.
• 54:40
  Speaker 2: Oh okay, but they've seen the outside world a little bit.
• 54:43
  Speaker 3: They have now been outside of that farm.
• 54:45
  Speaker 2: Yes, okay, good, good, good good good okay.
• 54:48
  Speaker 3: So everybody, you'll have that to look forward to in
• 54:50
  Speaker 3: a few weeks, but make sure you listen to our
• 54:53
  Speaker 3: Love is Blind reunion recap. Our minds are blown blown
• 54:58
  Speaker 3: and there. I guess they're gonna announce what the next
• 55:00
  Speaker 3: city is, and hopefully they'll give us at least a
• 55:02
  Speaker 3: month break before they started back up.
• 55:05
  Speaker 2: They usually give us about a month.
• 55:07
  Speaker 3: Last time, they gave us like three weeks, Keisha, which
• 55:10
  Speaker 3: is almost a month. Okay, all right, all right, Keisha,
• 55:16
  Speaker 3: I will see you later this week.
• 55:18
  Speaker 2: Bye bye,