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BOOKCLUB: ASSASSIN'S BLADE PT 5 · Relatables

• 0:00
  Speaker 1: Previously on the Rolata was Baddi's book Club, and I
• 0:02
  Speaker 1: got her to transfer the fun straight to your vaults.
• 0:04
  Speaker 1: So Sam's no longer your fucking bitch anymore either. All Right,
• 0:08
  Speaker 1: we're free like the Poor Love. Okay, Welcome to Relatables
• 0:16
  Speaker 1: Baddie's book Club, where we will embark on a journey
• 0:19
  Speaker 1: reading some of the finest pieces of literature you have
• 0:21
  Speaker 1: ever laid eyes or is if that's your preferred way
• 0:24
  Speaker 1: to consume a book on Assassin's Blade Part five, This
• 0:29
  Speaker 1: one's called The Assassin and the Empire, the final part,
• 0:33
  Speaker 1: the final part of the school. Okay, so Oddie hasn't
• 0:40
  Speaker 1: read this, as you guys know, we spoke about that
• 0:41
  Speaker 1: last episode. I have read this. Now I'm gonna just
• 0:45
  Speaker 1: like tell Oddie what happens. It'd be cool, ask questions.
• 0:48
  Speaker 2: I'm glad I didn't read it because the Empire that
• 0:50
  Speaker 2: scream Star wars.
• 0:52
  Speaker 1: The Empire strikes back. So yeah, ask questions and stuff,
• 0:57
  Speaker 1: and it's relatively fresh.
• 0:58
  Speaker 3: I'm going to live through you, Jacob, so I'm ready.
• 1:02
  Speaker 3: I'm gonna have the actual reactions as you tell me.
• 1:04
  Speaker 1: Yeah, yeah, yeah, yeah, So I believe at this point,
• 1:09
  Speaker 1: what do you know in terms of so Selena moved.
• 1:14
  Speaker 2: Out yet Selena and Sam had just been set three,
• 1:16
  Speaker 2: set free, like she's paid their debts. Yeah, she paid
• 1:19
  Speaker 2: her debts, okay, all right.
• 1:20
  Speaker 1: So in this one, we start off I believe where
• 1:24
  Speaker 1: so Selena has like been moving into her apartment and
• 1:28
  Speaker 1: she says that Sam has also been living there with her. Right,
• 1:32
  Speaker 1: they've been doing something they know, No, they've been kissing
• 1:36
  Speaker 1: and stuff like they do. She likes to mention that
• 1:39
  Speaker 1: they've done nearly everything, but they haven't done that one thing,
• 1:43
  Speaker 1: and she's like yo yo, and then wait one night, Sam, okay,
• 1:47
  Speaker 1: wait one night Okay. So they also haven't spoken to
• 1:52
  Speaker 1: Raban for like a month, and they haven't had a
• 1:55
  Speaker 1: job for like a month. And so like money, she
• 1:57
  Speaker 1: is a lavish lifestyle, like money is gonna run out, right,
• 2:00
  Speaker 1: And so she she comes home from somewhere and there's
• 2:04
  Speaker 1: a note on the table saying like don't wait up
• 2:09
  Speaker 1: for me, like I'm out, and she's like this guy,
• 2:12
  Speaker 1: I know where he is, and he's gone to this
• 2:14
  Speaker 1: place called the Vaults. And the Vaults is just like
• 2:17
  Speaker 1: the under city, fucking like run by crime and you
• 2:22
  Speaker 1: go there, and he goes there to fight and make
• 2:24
  Speaker 1: money fighting. Let's add a bit of aggression, you know.
• 2:27
  Speaker 3: So she goes there too money for them.
• 2:31
  Speaker 1: She rocks up, hooded up, and she's all mad at
• 2:33
  Speaker 1: him and shit. She walks in, flashes a fucking coin here,
• 2:36
  Speaker 1: a coin there, goes over to a crowd. There's like
• 2:39
  Speaker 1: all these like like the bottom level, like prostitutes down there.
• 2:43
  Speaker 1: Like she's like feels bad for them because like they're
• 2:45
  Speaker 1: in there's like no doors on the fucking rooms they're in,
• 2:48
  Speaker 1: and ship She's like, dang, she hates she's such an yeah, yeah, yeah,
• 2:54
  Speaker 1: I mean that's any valid. And so she goes in
• 2:57
  Speaker 1: and she sees sammy boy fighting some big dog, right,
• 3:00
  Speaker 1: and Sam's got a cut lip and a breeze on
• 3:02
  Speaker 1: his face. And then she can see him fighting this
• 3:04
  Speaker 1: guy and he's like playing with this dude. He's like evading.
• 3:07
  Speaker 1: He like would have let this guy get some shots
• 3:08
  Speaker 1: in just for the entertainment of it, right, boom boom boom.
• 3:12
  Speaker 1: And Sam's actually a fucking weapon, right, He's like shirtless,
• 3:16
  Speaker 1: I'm still in a sweat gleamed off him.
• 3:18
  Speaker 3: I pictured like Peter from the Hunger Games.
• 3:21
  Speaker 1: Really, I'm picturing a big, tall.
• 3:23
  Speaker 2: Guy really big tall Jack dude was like because Sam
• 3:27
  Speaker 2: was pretty not Sam. Well, Sam and Peter were pretty jacked.
• 3:30
  Speaker 2: I think you could think of what the other guy
• 3:32
  Speaker 2: from Hunger Games.
• 3:33
  Speaker 1: It's from like four Yeah, yeah, bro, anyway.
• 3:37
  Speaker 2: That's the guy who almost wins a handsome Yeah, he's
• 3:40
  Speaker 2: the Viking and Vikings the blonde one.
• 3:43
  Speaker 1: No, I'm not that District two or one. Yeah, he's
• 3:46
  Speaker 1: like District one or something. Yeah. Talking about the guy
• 3:48
  Speaker 1: that's like a fucking model, Like he's in a.
• 3:51
  Speaker 3: Couple of different movies.
• 3:52
  Speaker 1: He's paired with an old lady from his district, his mentor. Yeah,
• 3:58
  Speaker 1: he ends up being on this socide.
• 4:00
  Speaker 3: Yeah, bro, and.
• 4:01
  Speaker 1: He's a beast. He's a nice guy. Yeah, and he's
• 4:04
  Speaker 1: like super handsome. That's what I'm picture anyway. So Sam
• 4:08
  Speaker 1: ends up just like topping this guy up blah blah blah.
• 4:10
  Speaker 1: I just like he like punches him in their head.
• 4:12
  Speaker 1: The guy's like, oh, he like he needs him in
• 4:14
  Speaker 1: the stomach, and the guy like goes down and he
• 4:16
  Speaker 1: just like because this guy and he's like fruined. Right.
• 4:18
  Speaker 1: Sam gets his paycheck and he sees Selena looking at
• 4:21
  Speaker 1: him and he's still kind of like Rake he's like, yeah,
• 4:23
  Speaker 1: everybody look at me, see Slayne. And he's like fuck.
• 4:26
  Speaker 1: He's like let's go. And then she's like, what did
• 4:28
  Speaker 1: you care? I don't know dating. She's just like, oh,
• 4:31
  Speaker 1: there's no rules. They are dating.
• 4:32
  Speaker 3: They're both boyfriend and girlfriend. OK.
• 4:34
  Speaker 1: Yeah, And so like they go down. She ends up
• 4:38
  Speaker 1: meeting him out in the street and then she's like
• 4:40
  Speaker 1: you fucking He's like, wooa, we need some money. We're
• 4:44
  Speaker 1: not making any money from fucking doing jobs everything but sex.
• 4:49
  Speaker 1: We're not making any money on the other way. And
• 4:51
  Speaker 1: she's like, you know, yeah, this is stupid. There's no rules.
• 4:53
  Speaker 1: You can still get her like, and who knows if
• 4:54
  Speaker 1: they're going to bring a weapon in and he's like yeah,
• 4:56
  Speaker 1: tell He's like I wanted to bring the weapon in. Still,
• 5:00
  Speaker 1: they go home and having an argument and they talk
• 5:07
  Speaker 1: about leaving right and he really need He's like, we
• 5:14
  Speaker 1: need to get out of Rifthole and she goes, but
• 5:17
  Speaker 1: we're still part of the Assassin's guild, Like we just
• 5:19
  Speaker 1: have bought our freedom, but we are still Araban's assassins
• 5:23
  Speaker 1: and we would need to pay him to leave. And
• 5:25
  Speaker 1: Sam's like fuck that, Like he's off that he's like, no,
• 5:28
  Speaker 1: I'm not doing this. This why He's like, I'm not
• 5:31
  Speaker 1: doing that shit right, And so she's like, you know,
• 5:35
  Speaker 1: but you have to understand, like we could just leave
• 5:38
  Speaker 1: and Araban would find us anywhere, sand we don't want
• 5:41
  Speaker 1: to live our life. For me, that's hard to grasp
• 5:43
  Speaker 1: because like I think Arabin's got fucking reached. Yeah, but
• 5:47
  Speaker 1: I'm thinking like eighteen hundreds, like how's Arabin finding them
• 5:49
  Speaker 1: if they get on a boat and go to another country.
• 5:51
  Speaker 1: Like let's be real here, Like they don't have phones,
• 5:53
  Speaker 1: so like they're really just good at stuff because they
• 5:55
  Speaker 1: just have time on their hands bro to track it
• 5:58
  Speaker 1: and that. And so in Riftold, like everything in terms
• 6:04
  Speaker 1: of assassinations goes to the assassin's guild, right, And so
• 6:08
  Speaker 1: they're talking about it, and so they are gonna need
• 6:13
  Speaker 1: like a lot of money to do this, and she
• 6:15
  Speaker 1: has some money in her bank. It's doing doing a bit.
• 6:16
  Speaker 1: She has quite a bit, and she has the apartment
• 6:18
  Speaker 1: she could sell, but it would be hard to sell.
• 6:20
  Speaker 1: And Sam's got nothing right, nothing but his freedom. And
• 6:24
  Speaker 1: Selena is the one with the money, and so she's
• 6:27
  Speaker 1: like eventually he convinces her that they need to leave, right,
• 6:32
  Speaker 1: and they're thinking about going to another city within the Aurelia,
• 6:35
  Speaker 1: within the continent.
• 6:37
  Speaker 2: Surely Selena doesn't betray Sam and tell Urban that he's
• 6:41
  Speaker 2: planning to leave.
• 6:41
  Speaker 1: So what ends up happening is they both go to
• 6:45
  Speaker 1: the Assassin's keep and have a meeting with Arabon and
• 6:49
  Speaker 1: Sam hates Arabin, right, I said.
• 6:50
  Speaker 3: Don't know why Silanna doesn't.
• 6:51
  Speaker 1: And like she like does but does. It's weird, and
• 6:55
  Speaker 1: he just has this grip on her. It's crazy. And
• 6:59
  Speaker 1: so what we we find out right is another thing
• 7:07
  Speaker 1: Arabin does. He just like toys with her heaps. So like, yeah,
• 7:11
  Speaker 1: like days ago, she was she was at the theater
• 7:15
  Speaker 1: again watching this band that's an autumns comed right, watching
• 7:18
  Speaker 1: this theater and it's a big music thing and every
• 7:21
  Speaker 1: autumn Arabin and her thing was to go watch this thing,
• 7:24
  Speaker 1: this group that would come to Riftold once a year.
• 7:27
  Speaker 1: And she's sitting up she's snuck in and she's sitting
• 7:29
  Speaker 1: up on like the fucking roof or whatever, watching it
• 7:31
  Speaker 1: from up in the ceiling. And he looks over to
• 7:33
  Speaker 1: his box and he's sitting there with Lysandra and he
• 7:39
  Speaker 1: bought he bought, he bit on her and so make
• 7:43
  Speaker 1: me feel so. And so what actually happens is when
• 7:47
  Speaker 1: she so he spent the money she gave him to
• 7:50
  Speaker 1: buy her own freedom on Lysandra and he did it
• 7:53
  Speaker 1: because he knew it would affect her gay and so
• 7:58
  Speaker 1: she's like fuck you. And so she's up there, so
• 8:00
  Speaker 1: Lena's playing check it check yeah bro. So he she's
• 8:03
  Speaker 1: so so like taken aback by the fact that he
• 8:08
  Speaker 1: brought like Sandra there and like that was their thing
• 8:12
  Speaker 1: that she does. He's like yeah, yeah, yeah. Like she
• 8:14
  Speaker 1: starts to just hate the music that she used to
• 8:16
  Speaker 1: love and she's like, I gotta leave, Like this music's
• 8:18
  Speaker 1: just clapped now, I hate it everything for it. Anyway,
• 8:21
  Speaker 1: So now we're back at the meeting, by the way,
• 8:23
  Speaker 1: and so we're back at this meeting, and so she's like,
• 8:27
  Speaker 1: we want out of the guild. We're gonna leave Rifthold, right.
• 8:32
  Speaker 1: So he goes, oh, right, starts asking different questions. He's
• 8:36
  Speaker 1: playing the game again. He's like he ignores that, and
• 8:40
  Speaker 1: he's like asking other things of like how's life, how's
• 8:42
  Speaker 1: the apartment, you know, where's your new place? And she's
• 8:44
  Speaker 1: like yeah, fuck off, She's like you probably already know. Anyway,
• 8:47
  Speaker 1: he finally answers, and he says, like, because you two
• 8:50
  Speaker 1: are my best, here's how much it'll cost you to leave.
• 8:54
  Speaker 1: It doesn't say a figure, but it just has Sam's
• 8:55
  Speaker 1: reaction of being like, fuck, no, bro, it's heaps. Obviously,
• 8:59
  Speaker 1: it's basically everything that Selena has in her bank account.
• 9:03
  Speaker 3: So she's got the money.
• 9:04
  Speaker 1: So she's like all of that. So she like has
• 9:05
  Speaker 1: the money, but it's then got to be bankrupt. Yeah,
• 9:08
  Speaker 1: And so she eventually is like says she tries to
• 9:13
  Speaker 1: counter and and Arab and is like, no, you know,
• 9:15
  Speaker 1: think like you guys were my best. You know you
• 9:19
  Speaker 1: have to pay to get out of you think about
• 9:21
  Speaker 1: like the reputation you gave me, and I know I
• 9:25
  Speaker 1: can't let you leave. And they talk about how assassins
• 9:28
  Speaker 1: in the past have tried to leave and Arab and
• 9:30
  Speaker 1: people they get hunted down and killed. Erbon gets them killed, and.
• 9:33
  Speaker 2: So why don't they kill him, I don't know, together
• 9:38
  Speaker 2: just to have too much respective or like he's actually
• 9:40
  Speaker 2: too good, Like they talk about it all the time.
• 9:42
  Speaker 1: They talk about killing him, and they've threatened to kill
• 9:44
  Speaker 1: him afore. I know, like, I don't know what kind
• 9:48
  Speaker 1: of pissing me off whatever, and so they're like okay, whatever,
• 9:52
  Speaker 1: and so she eventually goes fine, and you know, Sam's
• 9:55
  Speaker 1: like no, she goes, no, no, We'll pay it right,
• 9:58
  Speaker 1: I'll have a transfer to you. I'll I'll transferred to
• 10:00
  Speaker 1: your bank, like within the few days. So Arab's like, okay,
• 10:05
  Speaker 1: you're free to go. And they're like they're like shit, no,
• 10:10
  Speaker 1: she pays what she pays it. So they go back
• 10:13
  Speaker 1: and Sam's like, he's like, we we got to get
• 10:19
  Speaker 1: out of here a and so she goes yeah, yeah,
• 10:23
  Speaker 1: and he goes, we need a job, like we need
• 10:25
  Speaker 1: a fucking contract, and I think she's thinking about she's
• 10:29
  Speaker 1: thinking we need to get one through arabon and and
• 10:33
  Speaker 1: then I don't know if I have my timelines, but anyway,
• 10:36
  Speaker 1: so they have a big argument one night and he
• 10:40
  Speaker 1: bugs off to go for a walk and she stays home.
• 10:42
  Speaker 1: And then and then he comes back and he's like,
• 10:44
  Speaker 1: I got us a contract. They didn't want to go
• 10:46
  Speaker 1: through the guild right and they want us to kill
• 10:50
  Speaker 1: Farren so Rourke Farren or Farren Rourke. I don't know
• 10:53
  Speaker 1: how what his name is. And and I own Jane
• 10:56
  Speaker 1: And she's like bro, no, bro, Like that's I Owne
• 11:00
  Speaker 1: is the crime boss of the city and rourk Farren
• 11:05
  Speaker 1: is his number two. Rock Farron's notorious for like torture
• 11:10
  Speaker 1: and just like crazy shit, right, And so eventually Sam
• 11:14
  Speaker 1: convinces her to take this fucking contract because it's Sam's
• 11:18
  Speaker 1: false because of what the pay is, right, Yeah, And
• 11:20
  Speaker 1: so she's like, fuck, I guess we're doing it, bro,
• 11:23
  Speaker 1: I guess we're doing it. And they just keep thinking
• 11:25
  Speaker 1: about this life they could have together. And I'm making
• 11:27
  Speaker 1: Sam out to be like toxic and sh Sam's actually
• 11:29
  Speaker 1: a mad dog. Sam's a beest. Bro. I love Sam,
• 11:32
  Speaker 1: and and you know what's annoying for me is like,
• 11:35
  Speaker 1: so I loved Kale, and after seeing who Sam is
• 11:41
  Speaker 1: as a person and seeing her fallen starting to fall
• 11:44
  Speaker 1: in love with him, right, and him loving her and
• 11:46
  Speaker 1: the way he is, I'm like, how the fuck did
• 11:51
  Speaker 1: she ever fall in love with Kale? Yeah? Like after
• 11:54
  Speaker 1: having that dead set, bro, Kale is adweb compared to Sam.
• 11:57
  Speaker 3: It must have only been his title.
• 12:00
  Speaker 1: I don't know what else. Anyway, I just would like,
• 12:02
  Speaker 1: I just wanted to.
• 12:03
  Speaker 2: Say to the bat, he's basically like a good point,
• 12:05
  Speaker 2: like the character that k has his terrible.
• 12:07
  Speaker 1: I'm a Chao hater now, even though I don't know.
• 12:10
  Speaker 1: It's hard like I did like him, but I'm a
• 12:12
  Speaker 1: Chaoe hater.
• 12:12
  Speaker 3: Bro characterise, there's no comparison.
• 12:14
  Speaker 1: Sam's a fucking weapon any way. They start to track,
• 12:21
  Speaker 1: so they find like, I own Jane's house. So they
• 12:24
  Speaker 1: find I own Jane's house. They're like cool. They start
• 12:28
  Speaker 1: to track Farron Rourke and they come to an agreement
• 12:30
  Speaker 1: that he will kill Rourke and the next night she
• 12:33
  Speaker 1: will kill I Owe Jane. And they're just tracking him
• 12:37
  Speaker 1: doing this, doing that. They find out his movements and
• 12:39
  Speaker 1: they're all very sporadic, and he's got these very sporadic
• 12:41
  Speaker 1: movements and they're coming up to it with a plan
• 12:43
  Speaker 1: and blah blah blah. One night he's out tracking Farron
• 12:48
  Speaker 1: and so she goes home and Arabin's there and he's like,
• 12:57
  Speaker 1: please do not go after I own and and walk right.
• 13:04
  Speaker 3: Dealing with them.
• 13:05
  Speaker 1: He just he's acting as if like he's like, I
• 13:08
  Speaker 1: know you're going after them, right, help, And he's like
• 13:11
  Speaker 1: I wouldn't even take this contract, right, He's like this
• 13:14
  Speaker 1: is stupid, Like you know who these people are, don't
• 13:18
  Speaker 1: do it. He's like, I wouldn't go after the glass
• 13:20
  Speaker 1: castle if it was presented to me. And she's like,
• 13:23
  Speaker 1: get out of my fucking house, SI, get out of
• 13:29
  Speaker 1: my fucking house, right, And he eventually starts, is.
• 13:33
  Speaker 3: That why she feels guilty?
• 13:34
  Speaker 1: And so he goes up. He gets up to leave, right,
• 13:38
  Speaker 1: He goes over to the door and he stops and
• 13:42
  Speaker 1: and he's like, I don't. I don't remember exactly what
• 13:45
  Speaker 1: he says, but he stops and he's like all somber, right,
• 13:50
  Speaker 1: and he's like kind of looks back and he's like, don't,
• 13:55
  Speaker 1: don't leave. He doesn't want her to leave.
• 13:58
  Speaker 2: He he knows that they know that they're coming for him.
• 14:02
  Speaker 1: I don't know, but basically he's like, don't. He's like,
• 14:04
  Speaker 1: I don't want you to go. I want you to
• 14:06
  Speaker 1: I want you to come home. Right. He's like, I
• 14:09
  Speaker 1: don't want you to leave the city. I want you
• 14:11
  Speaker 1: to stay, like I want you, I want you to
• 14:12
  Speaker 1: be part of my KiB.
• 14:13
  Speaker 3: She fucking picks him, and so.
• 14:15
  Speaker 1: She's all torn. And then he's like I do the
• 14:17
  Speaker 1: things I do because I love you, Arab and said
• 14:20
  Speaker 1: that and like and she and so she's like this right,
• 14:24
  Speaker 1: and so Selene is in all in her head, like
• 14:26
  Speaker 1: she's he's never said that to me before, and she's
• 14:28
  Speaker 1: always craved it and like what type of love is this?
• 14:31
  Speaker 1: So he's she goes, is this the love of a father,
• 14:35
  Speaker 1: of a teacher? Or of she literally says, or of
• 14:40
  Speaker 1: like she doesn't say this, but or is it the
• 14:43
  Speaker 1: love of like a sexual sense that could never happen
• 14:45
  Speaker 1: type thing? Like is this guy straight up petal? He doesn't,
• 14:50
  Speaker 1: he doesn't ask. She says this in her head. This
• 14:53
  Speaker 1: is this is in a monologue. But he's like, I
• 14:54
  Speaker 1: do this because I love you. And he's like, I
• 14:55
  Speaker 1: don't want you to leave. And then once again she's like,
• 14:57
  Speaker 1: get out of my house. Yeah, so he right, and
• 15:02
  Speaker 1: also you know what he says, He's like, how much
• 15:04
  Speaker 1: do you trust Sam Cortland after this is before he leaves,
• 15:07
  Speaker 1: because have you told him who you are and where
• 15:10
  Speaker 1: you're from? Because Arab knows yeah, And she goes. She
• 15:16
  Speaker 1: goes silent, and he's like, yeah, so I thought anyway,
• 15:19
  Speaker 1: he leaves, she doesn't tell Sam that Arabin came to
• 15:21
  Speaker 1: the house getting worse and worse, I know, I know,
• 15:26
  Speaker 1: being terrible. Right now we are like the night before
• 15:33
  Speaker 1: Sam is supposed to kill Rourke Farron right, So we
• 15:39
  Speaker 1: where chilling him and Slanna track him to the vaults
• 15:42
  Speaker 1: where he had that fire right, and he's like, obviously
• 15:45
  Speaker 1: Iron Jane owns the vaults and she's like, yeah, why
• 15:47
  Speaker 1: do you think I was so fucking mad about you
• 15:49
  Speaker 1: fighting there? They go in and they see kind of
• 15:51
  Speaker 1: what Faran's like and they're hidden and stuff, and once
• 15:54
  Speaker 1: again like, obviously these guys are going to find out
• 15:56
  Speaker 1: you're tracking him. Dumb as fuck. Anyway, they they they
• 16:01
  Speaker 1: Farren Rock or Rock far and I can't remember which
• 16:03
  Speaker 1: order his name is in they hear him go torture
• 16:07
  Speaker 1: some guy and they're like, dang, this is crazy. They
• 16:11
  Speaker 1: go home and they're like, Okay, here's the plan for
• 16:14
  Speaker 1: tomorrow night. So then she goes, remind me why he's going.
• 16:19
  Speaker 1: Sam's going to kill him on his own, and if
• 16:21
  Speaker 1: all goes to plant, it's just going to be four arrows,
• 16:22
  Speaker 1: like one, two, three, four, and he's done. He's on
• 16:25
  Speaker 1: his way home, and then the next night she'll go
• 16:27
  Speaker 1: kill I own Jane, and she's like, remind me why
• 16:31
  Speaker 1: I'm not coming with you to just like help you,
• 16:34
  Speaker 1: and he's like, because you'll be packing. She goes packing.
• 16:37
  Speaker 1: He goes, yeah, I got us on the next but
• 16:39
  Speaker 1: in five days we're on a boat taking us to
• 16:41
  Speaker 1: the Southern Continent. She's like, bro, the Southern continent. What
• 16:44
  Speaker 1: are you talking about? We said we will moving to
• 16:46
  Speaker 1: a city in a really and he's like, no, no, no,
• 16:50
  Speaker 1: wait the further we're leaving the continent and she's like,
• 16:53
  Speaker 1: what are you talking about? And he's like, is it
• 16:55
  Speaker 1: the distance, is it the money, or is it the
• 16:58
  Speaker 1: fact that you'll be further away from arab And he
• 17:00
  Speaker 1: actually can't find you on the Southern continent and she's like,
• 17:04
  Speaker 1: what are you talking about? And he goes, why didn't
• 17:05
  Speaker 1: you tell me Arabin came to our house. She's like what.
• 17:08
  Speaker 1: He goes, Arabin came up to me in the street
• 17:11
  Speaker 1: last night and started fucking talking to me. And he
• 17:14
  Speaker 1: was surprised that I didn't know that he had been
• 17:16
  Speaker 1: at my fucking house and she's like she would.
• 17:23
  Speaker 3: Anyway.
• 17:23
  Speaker 1: He's like, he's like, yeah, you know, Broski, you fucking
• 17:28
  Speaker 1: love this guy. Whatever, I don't know. She's like, fuck off. Basically,
• 17:32
  Speaker 1: they get an argument now about leaving the full continent
• 17:36
  Speaker 1: and he's like, no, we need trust me, we need
• 17:38
  Speaker 1: to get away from him. We could go anywhere in
• 17:40
  Speaker 1: Arelia and he will still get to us even if
• 17:42
  Speaker 1: we're not part of the guild. We're free, quote unquote free,
• 17:45
  Speaker 1: Like he is always going to be in your head,
• 17:48
  Speaker 1: all right, we need to get away from him. And
• 17:50
  Speaker 1: eventually she agrees, right, and she's like, cool, were cool.
• 17:53
  Speaker 1: And so it's the next night. Sam's gone off to
• 17:55
  Speaker 1: kill old fair dogs and she's supposed to be packing
• 17:59
  Speaker 1: and she can't pass, she can't focus. She's like, oh,
• 18:01
  Speaker 1: I wonder if Sam's done. Yeah, blah blah blah.
• 18:03
  Speaker 3: Cook so dumb to believe it, Hime.
• 18:06
  Speaker 1: No, that's that. It was a bit of an ego
• 18:09
  Speaker 1: thing for him as well. But here's a bit of
• 18:10
  Speaker 1: an ego thing for him to go on his own.
• 18:13
  Speaker 1: They have that fight too, and so we we she
• 18:21
  Speaker 1: we're waiting, Slamin is waiting. She's like, okay, cool. It's
• 18:24
  Speaker 1: like eleven and I think I believe No, it's midnight
• 18:28
  Speaker 1: and at one am if he wasn't back by one am,
• 18:30
  Speaker 1: that was the agreed upon time that she would go
• 18:32
  Speaker 1: out and look for him. And so it gets to
• 18:34
  Speaker 1: midnight and then she's like, it's one hour until an
• 18:37
  Speaker 1: eddio look for him. But if I was the one
• 18:40
  Speaker 1: out there and Sam was here, he'd go look for
• 18:42
  Speaker 1: me right now. So she's right, and she's all in
• 18:45
  Speaker 1: her head, right, she's all in her head, like running
• 18:47
  Speaker 1: towards our own Jane's house. She's like thinking where the fuck.
• 18:50
  Speaker 1: She's like running down alleyways like looking for him, and
• 18:52
  Speaker 1: she's she's like looking at all the spots he said
• 18:54
  Speaker 1: that he was gonna be. She knew the map that
• 18:55
  Speaker 1: was all planned out. There's no blood here, no blood here,
• 18:57
  Speaker 1: no struggle, no signs of struggle, blah blah blah. And
• 18:59
  Speaker 1: so she's like, Okay, look, maybe he's just figured out that,
• 19:03
  Speaker 1: like rock Farans are not leaving the house tonight, and
• 19:06
  Speaker 1: he's actually gone back and I've just like missed him,
• 19:08
  Speaker 1: Like he's obviously back at the apartment right now, goes
• 19:11
  Speaker 1: back to the apartment, not there. She's like, whoski, what
• 19:14
  Speaker 1: the fuck? She's like wigging out right. It gets to
• 19:17
  Speaker 1: two am, not home, and she's like, he's gonna be
• 19:19
  Speaker 1: home in a minute. He's literally going to be come
• 19:20
  Speaker 1: in like two seconds or whatever. She finds she looks
• 19:23
  Speaker 1: the clock again and she's like, somehow passed out and
• 19:26
  Speaker 1: it's four am.
• 19:27
  Speaker 3: She passed out.
• 19:28
  Speaker 1: She was like, she's pacing, right, She's been pacing all night.
• 19:30
  Speaker 1: And then she's like, how the fuck did I fall asleep?
• 19:32
  Speaker 1: It's four am? Still not home? Right, gets to midday
• 19:38
  Speaker 1: the next day, mid day, mid day the next day, bro,
• 19:42
  Speaker 1: all right?
• 19:43
  Speaker 3: Was she looking for it?
• 19:44
  Speaker 1: So she hadn't left the house yet? She gets gets
• 19:46
  Speaker 1: midday the next day, she no, no, sorry, I think
• 19:49
  Speaker 1: at four am. She goes back out, comes home, gets
• 19:52
  Speaker 1: to midday, she goes back out one more time, and
• 19:55
  Speaker 1: she's gone all up and down the river banks of
• 19:56
  Speaker 1: the slums and shit, she's like looking everywhere, can't find him.
• 20:01
  Speaker 1: And then she gets home. She goes back to the
• 20:03
  Speaker 1: apartment and she's because her the apartment's on the way
• 20:05
  Speaker 1: back to another place she wants to look. She goes
• 20:07
  Speaker 1: back and she's like, I'll just I'll just do a
• 20:09
  Speaker 1: quick look at the apartment and see if he's there.
• 20:10
  Speaker 1: He's gonna be there, right. She goes in. She gets
• 20:13
  Speaker 1: to the apartment stairs and the doors left open, the jar,
• 20:15
  Speaker 1: and she's like thinking, fuck, thank god he's home.
• 20:18
  Speaker 3: Bro.
• 20:19
  Speaker 1: She rolls upstairs, She's like, I'm about to fucking kill
• 20:22
  Speaker 1: this guy and then kiss him all at the same time.
• 20:24
  Speaker 1: She goes in the door. Arabon Hammel's there, bro. Araban's there,
• 20:28
  Speaker 1: sitting there, bro. And she's like and he looks at
• 20:31
  Speaker 1: her and he's like he's like he's just like starts
• 20:34
  Speaker 1: shaking his head and he's like, I'm so sorry, Selena.
• 20:38
  Speaker 1: And she there and she's like she's like no, no, no, no, no,
• 20:41
  Speaker 1: no no, and he goes they must have thought he
• 20:43
  Speaker 1: still lived at the assassine at the keep he.
• 20:46
  Speaker 3: Drove they dropped him in the keep.
• 20:48
  Speaker 1: Yeah, his body, yeah, bro. And she's like no, no, no, no, no, no,
• 20:52
  Speaker 1: no no no. She's like she can't think, bro, she
• 20:54
  Speaker 1: doesn't know what's.
• 20:55
  Speaker 3: Going She can't.
• 20:56
  Speaker 1: I can't hear anything. She can't. She's like no, no, no, no, no,
• 20:59
  Speaker 1: no no huck. And so he's and she goes. Eventually
• 21:03
  Speaker 1: she goes, I want to see the body, yeah, and
• 21:05
  Speaker 1: he's like no. She goes, I'm showing me the body.
• 21:09
  Speaker 1: She goes. He's like, no, you don't want to see it.
• 21:12
  Speaker 1: So she ends like she's like fuck, yeah. She starts
• 21:14
  Speaker 1: walking back to the keep right, She's like running and
• 21:16
  Speaker 1: he's trailing her. Finally they get back like servants open
• 21:19
  Speaker 1: the doors and ship and then like Arabin like leads
• 21:22
  Speaker 1: her downstairs and she's like been down here before, right,
• 21:26
  Speaker 1: She's like, this is where they like, this is where
• 21:29
  Speaker 1: the assassins torture people if they need to be tortured.
• 21:32
  Speaker 1: She's like, I know what that room is. I know
• 21:33
  Speaker 1: what that room is. I know what that room is.
• 21:34
  Speaker 1: And they get to a door and she's like, I
• 21:36
  Speaker 1: know that that room is where we keep our own
• 21:38
  Speaker 1: dead before we bury them or some shit. And Arabin
• 21:42
  Speaker 1: goes to that door. It's a key out and he's
• 21:45
  Speaker 1: like once again. He's like Slanna, please, you do not
• 21:47
  Speaker 1: want to She's like, no, no, no, I'm going to go
• 21:49
  Speaker 1: in there. It's going to be the wrong body or
• 21:51
  Speaker 1: Araban's lying to me, you know. She goes the opens door,
• 21:55
  Speaker 1: walks in. Sam's on the table, this bro, he was
• 22:00
  Speaker 1: tortured all night. She's like she's looking at him. She's like,
• 22:05
  Speaker 1: fingers just bent the wrong way, burns like just cut open,
• 22:12
  Speaker 1: just mangled, bro. And she's like fuck. She goes over
• 22:18
  Speaker 1: and she's like just saying like I can't leave him
• 22:20
  Speaker 1: like this. I can't leave him in this room. She's
• 22:21
  Speaker 1: so depressed obviously like oh my god. And then she
• 22:25
  Speaker 1: ends up just like climbing on the table and like
• 22:28
  Speaker 1: falling asleep on his dead body. And then she wakes
• 22:32
  Speaker 1: up in her old room and she's like thinking it's
• 22:34
  Speaker 1: all a dream, and then she's like wait, but she
• 22:35
  Speaker 1: really she's like it's all coming back to her right.
• 22:38
  Speaker 1: And then she just spends like two days just doesn't move,
• 22:45
  Speaker 1: and then she she wakes up again and it seems
• 22:48
  Speaker 1: to be near night. It's like nighttime, and she can
• 22:50
  Speaker 1: hear voices outside her door, and it's two assassins in
• 22:54
  Speaker 1: Araban and they're talking and they're planning to go and
• 22:57
  Speaker 1: get revenge on I Own Jane and Rock Farren or
• 23:00
  Speaker 1: Farren rourk whatever, and they're talking about their plan. There's
• 23:04
  Speaker 1: been us ending and so one of them, right Landa
• 23:07
  Speaker 1: kills them. Are one of them, bro, So she prints
• 23:10
  Speaker 1: sense of fall back asleep. But you can hear their
• 23:12
  Speaker 1: voices there outside of door, and so one of them
• 23:14
  Speaker 1: is like Arabin, this this stupid idea, and Arabin's like,
• 23:19
  Speaker 1: I don't give a fuck, all right, tell everyone to
• 23:21
  Speaker 1: be ready in three hours. We leave at midnight, and
• 23:26
  Speaker 1: when we get there, I'm gonna be deciding how we
• 23:30
  Speaker 1: go through with this, because they're talking about, like how
• 23:32
  Speaker 1: we could kill the guards and go in the front door.
• 23:34
  Speaker 1: We could, we could. They're going to Iron Jones's house.
• 23:36
  Speaker 1: He's like, oh, there's a window that is open quite
• 23:40
  Speaker 1: often on the second level that you can jump from
• 23:42
  Speaker 1: one roof to get into. And then this other assassin's like, bro,
• 23:45
  Speaker 1: that's crazy. If you miss we're all you're on the
• 23:47
  Speaker 1: fucking floor. It's on the second story. You're dead. And
• 23:49
  Speaker 1: Arabin's like, shut the fuck up. Tell everyone to be ready.
• 23:51
  Speaker 1: Don't say a word. We leave in three hours, all right,
• 23:55
  Speaker 1: I decide when we get there. He goes in and
• 23:58
  Speaker 1: she's like and she knows that Arabin's in our room.
• 24:00
  Speaker 1: And he goes in and he like strokes her hair,
• 24:02
  Speaker 1: does some sushit or whatever, and then leaves and he
• 24:04
  Speaker 1: locks the door from the outside. She opens her eyes
• 24:06
  Speaker 1: and she realizes that the lock's been changed and there's
• 24:09
  Speaker 1: only a lock on the outside now and not the inside.
• 24:11
  Speaker 1: So he's locked her in and so she's like, Okay,
• 24:13
  Speaker 1: I could get out this door, but I guarantee you
• 24:15
  Speaker 1: that he's got a fucking assassin watching the hallway, and
• 24:18
  Speaker 1: he like just doesn't want her to like leave because
• 24:21
  Speaker 1: she he doesn't want her to do something stupid. And
• 24:23
  Speaker 1: so she's like, it's it's like out the window it
• 24:25
  Speaker 1: is then, and so she looks in. She's like, she
• 24:28
  Speaker 1: was wearing her her six suit, right, and that's been
• 24:32
  Speaker 1: taken off her and she's in a nightgown now, so
• 24:34
  Speaker 1: someone's fucking got her naked out a concerent. Crazy anyway,
• 24:38
  Speaker 1: She's like, where is it? She's going through all the
• 24:40
  Speaker 1: carbets and iron wires or whatever, it's gone. She finds
• 24:43
  Speaker 1: her two nicks and pants and boots, and she's like,
• 24:45
  Speaker 1: it is what it is? No blades, she's got no weapons,
• 24:48
  Speaker 1: but she's like, alleged in this room for years, bro,
• 24:50
  Speaker 1: there's some hidden under the floorboards here, there's some hidden
• 24:52
  Speaker 1: under the bed here. So she's got two swords and
• 24:54
  Speaker 1: four blades. Right. She climbs out the window and scales
• 24:59
  Speaker 1: the key house down two stories. She goes into the stables,
• 25:03
  Speaker 1: and you know, the big dog security guard that Arabin's
• 25:05
  Speaker 1: always got, he grabs her, whips her against the Woman's
• 25:08
  Speaker 1: like what do you think you're doing? She's like, fuck off,
• 25:09
  Speaker 1: puts a knife to his throat and he's like no, seriously,
• 25:12
  Speaker 1: like you don't understand, like, and she's like, fuck off right,
• 25:16
  Speaker 1: going to fucking Avenge Sandy, and he's like, no, it's Selena, listen.
• 25:20
  Speaker 1: And then she literally is about to kill him and
• 25:23
  Speaker 1: she's like gets She's like, she's go knocks him out right,
• 25:27
  Speaker 1: and so then she's like, fuck that guy. She runs
• 25:29
  Speaker 1: to her own Jane's house and she gets there like
• 25:31
  Speaker 1: two hours or she gets there like an hour and
• 25:32
  Speaker 1: a half prior to when Arabin's even leaving to go
• 25:36
  Speaker 1: take all the other assassins there to fucking Avenge Sam.
• 25:38
  Speaker 1: She goes in and she's like, I heard about this
• 25:40
  Speaker 1: fucking window on the second floor. So she climbs a
• 25:43
  Speaker 1: building two blocks away and running from the buildings right
• 25:46
  Speaker 1: blah bla blah blah blah, she sees the windows into Iowan's,
• 25:49
  Speaker 1: I own Jane's second story fucking of his house.
• 25:53
  Speaker 2: Is this all a play by Arabin to catch Selena
• 25:57
  Speaker 2: or is he actually on her side?
• 25:58
  Speaker 1: Like is he gonna be?
• 25:59
  Speaker 3: He knew she was sleeping and listening to him.
• 26:01
  Speaker 1: So she fucking goes right, runs, jumps like twenty feet
• 26:06
  Speaker 1: from the top of a building down in the second story.
• 26:08
  Speaker 1: It's open right, but there's a curtain there. She jumps in,
• 26:12
  Speaker 1: hits the ground, tumbles a soush opens her eyes. She's
• 26:15
  Speaker 1: in a meeting room with like twenty people, a bunch
• 26:18
  Speaker 1: of guards, I own Jane, Aaron Rock Farron or whatever,
• 26:22
  Speaker 1: and she and she's like fuck. Split second before she
• 26:25
  Speaker 1: even gets up, she's thrown two knives, killed two guards,
• 26:28
  Speaker 1: and then she goes ape ship, Bro, this is what
• 26:31
  Speaker 1: we've been waiting for, by the way, you know how
• 26:32
  Speaker 1: we keep coming. She goes fucking bananas, Bro. She's like,
• 26:38
  Speaker 1: all right, she can see like the two people she
• 26:41
  Speaker 1: wants to kill, fucking far and Rok smiling at her.
• 26:44
  Speaker 1: I own Jane's like, god nump. He's like, holy fuck.
• 26:47
  Speaker 1: She goes boom, kills the guard here, kills, gets her
• 26:49
  Speaker 1: swords out. These people are swinging out. He's like sing sing,
• 26:51
  Speaker 1: She's like each movement she just fucking stabs someone through
• 26:54
  Speaker 1: the hut. She doesn't get touched, bro. It's fucking the
• 26:56
  Speaker 1: most hectic scene. She stabs a guard in the throat, sorry,
• 27:01
  Speaker 1: from in the stomach, up into the heart, reaches over,
• 27:04
  Speaker 1: grabs a knife from a dead guard, spins, throws it
• 27:08
  Speaker 1: into iron. Jane's throat. She just throws into his throat.
• 27:11
  Speaker 1: He's on the table fucking dead. Far And Rourk's just
• 27:14
  Speaker 1: sitting there smiling at her, still still just smiling at
• 27:17
  Speaker 1: her broth, and so she's going for it, sing singing
• 27:21
  Speaker 1: bro and then a bunch of more guards walking, all
• 27:24
  Speaker 1: wearing these like black masks and suits and shit, and
• 27:26
  Speaker 1: then Faron Rourke puts our black mask on and then
• 27:30
  Speaker 1: everyone starts he throwing smoke bombs, and she's like, holy fuck.
• 27:34
  Speaker 1: Someone closes the window and she goes, what is this
• 27:36
  Speaker 1: and she recognizes the smell. It was on Sam when
• 27:39
  Speaker 1: she was cuddling him when he was dead, and so
• 27:41
  Speaker 1: she goes off and she starts to get all like
• 27:44
  Speaker 1: tipsy and she she's like, oh no, they're drugging me. Broll.
• 27:48
  Speaker 1: Finally she passes out right, and then she wakes up
• 27:52
  Speaker 1: and she's numb and can't move and all the smoke's dissipated.
• 27:55
  Speaker 1: She's still in the same room, and Farren Rourk's like
• 27:58
  Speaker 1: saying all this like sush to where like, you know,
• 28:01
  Speaker 1: don't worry, like the glow Rilla, Well, the numbness will
• 28:04
  Speaker 1: wear off soon, but you'll be paralyzed for six hours.
• 28:06
  Speaker 1: He's like, it's you know, takes a bit of the
• 28:09
  Speaker 1: fun out of it, but it's still fun to torture
• 28:10
  Speaker 1: people like this because they feel the pain that they
• 28:12
  Speaker 1: can't really scream. But you know, it is what it is.
• 28:14
  Speaker 1: It's cheaper than it's easier than tying them up. And
• 28:17
  Speaker 1: he's like been wanting to meet you for a while,
• 28:19
  Speaker 1: you know, Selena bro like like, look at you. He's like,
• 28:24
  Speaker 1: you really are quite beautiful. Ay, how old are you? Anyway,
• 28:28
  Speaker 1: He's like, I might keep you. I might keep you
• 28:30
  Speaker 1: for myself. You know. He starts talking about how he's
• 28:33
  Speaker 1: like going to torture her and shit, and he's like,
• 28:34
  Speaker 1: but but the deal is done. I'm not allowed to
• 28:38
  Speaker 1: touch you. I've got to bring you in alive. And
• 28:41
  Speaker 1: she's like bring me in and he's like, seize the
• 28:43
  Speaker 1: fucking look on her face, right, And he's like, yeah,
• 28:46
  Speaker 1: I made a deal with the king, and I just
• 28:49
  Speaker 1: want to say thank you for making me the new
• 28:52
  Speaker 1: big dog of the crime I'm the new crime boss.
• 28:54
  Speaker 1: Thanks for getting rid of my own Jane for me. Fuck.
• 28:57
  Speaker 1: She's like thinking, fuck, this guy's got to deal with
• 28:59
  Speaker 1: the key, all right, knocks her the fuck out, she
• 29:03
  Speaker 1: wakes up in a jail cell. She's like, I don't
• 29:05
  Speaker 1: know if I'm underneath Aaron Jane's house or if I'm
• 29:07
  Speaker 1: underneath the fucking castle at the moment, in the dungeons
• 29:10
  Speaker 1: or whatever. Anyway, she finds a couple of guards walk
• 29:15
  Speaker 1: into this like place and they're royal guards. She goes,
• 29:18
  Speaker 1: so what dungeon it is? She's in there for a
• 29:20
  Speaker 1: couple of days and then, out of sleep or whatever,
• 29:22
  Speaker 1: gets fed some bread and cheese. Cool, cool, cool, and
• 29:25
  Speaker 1: then she gets and she's basically what's it called? She
• 29:35
  Speaker 1: goes to a closed door trial. She overhears some like
• 29:37
  Speaker 1: guards talking while she's in the cell and they're like,
• 29:41
  Speaker 1: do you think this is actually Slaana Sudothian And they're like,
• 29:42
  Speaker 1: I don't know, bro, Like she looks young e and
• 29:45
  Speaker 1: they're like have you seen the list of fucking people
• 29:47
  Speaker 1: she's killed? And they're like one of the guys is like,
• 29:49
  Speaker 1: she's dead set, no older than my daughter, Like I
• 29:51
  Speaker 1: don't know about this, Like I reckon they just grabbed
• 29:53
  Speaker 1: a random go off the street and just said this
• 29:55
  Speaker 1: is her. And she's like, bob whatever, and they're like, yeah,
• 29:58
  Speaker 1: I heard the king's having a closed doors trial in
• 30:00
  Speaker 1: two days, right, and they're talking about how the Captain
• 30:03
  Speaker 1: of the Guard is off gallivanting with the prince in
• 30:07
  Speaker 1: some fucking on some coastal holiday or whatever, and they're
• 30:12
  Speaker 1: like talking about it's Kle. They're talking about Kale. Yeah. Anyway,
• 30:16
  Speaker 1: they're like, I hear he's on his way back, and
• 30:17
  Speaker 1: they're like, bro, he's gonna She's gonna be dead by
• 30:18
  Speaker 1: the time he gets home. And I don't know why
• 30:20
  Speaker 1: he's coming. And so then she gets brought up and
• 30:23
  Speaker 1: she gets brought in front of the king in this
• 30:26
  Speaker 1: private room and he says, shit like you fucking Selena.
• 30:30
  Speaker 1: She doesn't talk, blah blah blah blah blah. Anyway, her
• 30:33
  Speaker 1: trial gets held and she's thinking she's gonna get killed.
• 30:40
  Speaker 1: She doesn't talk the whole time. They're like, we're gonna
• 30:41
  Speaker 1: take your silence as answers to these questions like are you,
• 30:45
  Speaker 1: Slena said opian. If you don't answer, we're gonna assume
• 30:47
  Speaker 1: you are. What say you about all these crimes you've committed.
• 30:51
  Speaker 1: She doesn't answer. They're like was it you obviously? Blah
• 30:54
  Speaker 1: blah blah. And then the king comes over and he's like,
• 30:58
  Speaker 1: do you have any last requests, right. She doesn't say anything,
• 31:01
  Speaker 1: and he just scoffs his like whatever, girl, and then
• 31:04
  Speaker 1: she she goes, no I do. She goes make it
• 31:06
  Speaker 1: quick and he's like you're death girl, You're not dying.
• 31:14
  Speaker 1: She's like, He's like, I want you to live fucking
• 31:17
  Speaker 1: nine torches or some shit like that. He says something
• 31:19
  Speaker 1: crazy and he's like, you're going to go. You're going
• 31:21
  Speaker 1: to the You're going to Indovia and she's like, fuck
• 31:25
  Speaker 1: the ndovi assualt minds Jesus Christ. Anyway, she gets put
• 31:28
  Speaker 1: in a wagon. She's like, I'm getting carted off to
• 31:32
  Speaker 1: the salt mines. Cool. There's there's a po V chapter
• 31:37
  Speaker 1: of Arabin Hammel and fucking Rourk Ferren standing on a
• 31:43
  Speaker 1: roof watching her wagon go into the woods, and Rourk
• 31:47
  Speaker 1: is like, oh, I thought you were gonna have this.
• 31:50
  Speaker 1: I thought you were going to go. Wasn't the plan
• 31:51
  Speaker 1: that you were going to go? Save her? And he's like,
• 31:55
  Speaker 1: you know, I can't't know, bro, and so and so
• 31:59
  Speaker 1: the whole the whole fucking time. Basically, So this Rourke
• 32:02
  Speaker 1: guy's like just like kind of talking some mad shit
• 32:06
  Speaker 1: and he's like yeah, yeah, yeah, and then he goes
• 32:09
  Speaker 1: to he goes to Arabin like what why did you
• 32:16
  Speaker 1: do it? And arabn just goes, I don't like to
• 32:20
  Speaker 1: share what's mine? Really, yes, bro, So he set Sam
• 32:26
  Speaker 1: up all that all because he just didn't want to
• 32:29
  Speaker 1: share Selena, so he did. He does betray her, but
• 32:33
  Speaker 1: he also, in his own freakish way, does love her.
• 32:37
  Speaker 3: And oh my god. And Selena doesn't even know that
• 32:40
  Speaker 3: Arabin's done all this does.
• 32:41
  Speaker 1: No, no, no, this okay. The whole time, she's like,
• 32:43
  Speaker 1: I've obviously been betrayed, okay, and she's convinced herself that
• 32:46
  Speaker 1: Arabin couldn't have done this obviously He's like brainwatched her, right,
• 32:49
  Speaker 1: She's like she thinks it's another assassin that like wanted
• 32:51
  Speaker 1: her places number two to Arabon or some shit. She's
• 32:53
  Speaker 1: like convinced herself that Arabin wouldn't do this to her.
• 32:57
  Speaker 3: Yeah, and that's where it ends.
• 32:58
  Speaker 1: Well, ends with her like going through the fucking forest
• 33:00
  Speaker 1: and ship and then and go into the sole mines.
• 33:02
  Speaker 1: But that's not interesting anyway. Shit, how crazy, bro?
• 33:06
  Speaker 3: That sounds like some good chapters. It actually I actually
• 33:08
  Speaker 3: have to go back.
• 33:09
  Speaker 1: It actually was good, like it was good, but it
• 33:11
  Speaker 1: was like leading. It was only good once it got
• 33:14
  Speaker 1: to like the last I think it's like a twelve
• 33:16
  Speaker 1: chapter part and a bit of her mind, Like chapter
• 33:19
  Speaker 1: six onwards was good.
• 33:21
  Speaker 3: Okay, okay, where I.
• 33:24
  Speaker 2: Was actually pretty devo of emotions that I'm not gonna
• 33:27
  Speaker 2: lie to you and he's proper dead.
• 33:29
  Speaker 3: It's there any way, do you reckon he comes bad?
• 33:31
  Speaker 3: You can't. But this guy was mutilated?
• 33:34
  Speaker 1: Okay.
• 33:35
  Speaker 3: Yeah, I actually liked it that way. I didn't mind that.
• 33:38
  Speaker 1: That was actually fun. It was fun when I was
• 33:40
  Speaker 1: like I was like, I know what I'm about to
• 33:42
  Speaker 1: do and he's about to react. Damn.
• 33:45
  Speaker 3: Okay, So yeah, Assassin's Blade is done. Yeah, g where
• 33:51
  Speaker 3: do you want to go from here?
• 33:53
  Speaker 1: Bro? I mean, like I know, I was saying, last
• 33:57
  Speaker 1: episode of the books like a five. I still like
• 33:59
  Speaker 1: the book is still like a five for me, But
• 34:02
  Speaker 1: I think so the whole time I knew like Arabin
• 34:05
  Speaker 1: definitely set them up, but it was the reveal was
• 34:10
  Speaker 1: still cool to me because there was part of me.
• 34:13
  Speaker 2: It's kind of cool how he set them up and
• 34:14
  Speaker 2: didn't have anything to do with like, yeah, the physical
• 34:18
  Speaker 2: action of killing Sam. Yeah, this guy's a genius yeah,
• 34:21
  Speaker 2: this guy is he made them do it.
• 34:23
  Speaker 1: Hands down.
• 34:23
  Speaker 3: This guy's made Sam kill and then made Slanta get caught.
• 34:28
  Speaker 1: I'm telling you so like Arabin Hamill also like he's
• 34:32
  Speaker 1: like he's like in my head in something like there
• 34:35
  Speaker 1: was almost there was part of me that was thinking,
• 34:37
  Speaker 1: like I also maybe think Arabin didn't do it, but
• 34:41
  Speaker 1: then at the reveal at the end of this that
• 34:43
  Speaker 1: he did.
• 34:45
  Speaker 3: It almost makes me think, like, what is Araban going
• 34:47
  Speaker 3: to play?
• 34:49
  Speaker 1: He's going to play a bigger part in the rest
• 34:50
  Speaker 1: of the series, I think massive.
• 34:51
  Speaker 2: I think he will play a big part in the
• 34:54
  Speaker 2: sense of he will find out that Selanna the King's champion.
• 34:58
  Speaker 1: Oh yeah, he knows, he hundreds already. Yeah, like given
• 35:01
  Speaker 1: the way he could get information in this, I reckon
• 35:03
  Speaker 1: he already knows.
• 35:05
  Speaker 3: But do people still think she's Lilian? No, they don't know.
• 35:08
  Speaker 1: Or no, no, no, the king A lot of people do. Yeah, no,
• 35:10
  Speaker 1: the king doesn't. The king knows who she is? Did
• 35:13
  Speaker 1: did did so?
• 35:14
  Speaker 2: That same king who court Slana and is the same
• 35:17
  Speaker 2: king who held the championship. How did he not connect
• 35:21
  Speaker 2: the dots when she was fighting as Lilian?
• 35:24
  Speaker 1: No? No, no, he always knew. Oh, he always new
• 35:25
  Speaker 1: he always knew. Yeah, but then when she but then
• 35:28
  Speaker 1: remember in front of glass, he goes away for the
• 35:30
  Speaker 1: whole time. True, but he knows and he goes he
• 35:34
  Speaker 1: gets up Dorian for it. It's like you've done fuck
• 35:36
  Speaker 1: like you brought her out of the soult mines. Wow, okay,
• 35:41
  Speaker 1: but no, Yeah, it was good. It was cool. Keen
• 35:43
  Speaker 1: doing read Aerifire.
• 35:45
  Speaker 3: I'm keen too.
• 35:46
  Speaker 2: So where we're going from here is Jake and I
• 35:47
  Speaker 2: are going on holiday, Yeah, and we are going to
• 35:50
  Speaker 2: read the whole book of Aerifire. So the next episode
• 35:54
  Speaker 2: is going to be a whole book recap. Be sure
• 35:55
  Speaker 2: to comment below how you think the best way to
• 35:58
  Speaker 2: do it will be, and then otherwise, thank you for
• 36:02
  Speaker 2: coming along the journey. There's going to be a little
• 36:04
  Speaker 2: paused not between episodes if you're listening on Spotify, but
• 36:08
  Speaker 2: if you are on Patreon. From this episode, there will
• 36:10
  Speaker 2: be a little break because you get them all at once. Yeah,
• 36:13
  Speaker 2: just so you know, but hopefully you stick around because
• 36:16
  Speaker 2: once we're back together, the episodes will probably go back
• 36:19
  Speaker 2: to get them what do we do three days early
• 36:21
  Speaker 2: or whatever? You get them on the five days early,
• 36:23
  Speaker 2: you get them on the mondays out of Friday or something.
• 36:25
  Speaker 2: But yeah, Patreon, the community over their book club community
• 36:28
  Speaker 2: is absolutely insane, so youre to join.
• 36:32
  Speaker 1: Yeah, we love you, thank you for listening, and stay bad.