Latest / The Bald Brothers Podcast / Who Shot Hal Jordan Laterns E6 | The Drop 1-2

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Who Shot Hal Jordan Laterns E6 | The Drop 1-2 · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? It's your boy, KevOnSteak.
• 0:01
  Speaker 2: Tony Baker.
• 0:02
  Speaker 3: This is the Bald Brothers, where me and my good friend,
• 0:05
  Speaker 3: Anthony Charles Baker, the first?
• 0:09
  Speaker 2: Yeah.
• 0:09
  Speaker 3: The first to talk about whatever we want to talk about. Today,
• 0:14
  Speaker 3: we are talking Green Lanterns, and we're talking The Drop,
• 0:18
  Speaker 3: a Snowfall series. But before we do that, Tony got
• 0:21
  Speaker 3: to get something off his chest. We got to talk
• 0:23
  Speaker 3: about this publicly. Tony is seriously, seriously, considering getting rid
• 0:30
  Speaker 3: of the cats. Josh told me this this morning. I
• 0:33
  Speaker 3: thought clearly Tony's just playing. I did not see the
• 0:35
  Speaker 3: video because I was potting. Tony, what is going on
• 0:38
  Speaker 3: with Dapper Midnight?
• 0:39
  Speaker 1: We need the cats.
• 0:41
  Speaker 2: Piss.
• 0:42
  Speaker 4: Piss has been going on. It's been going on. It's
• 0:45
  Speaker 4: still going on. And now it's going on too often.
• 0:48
  Speaker 4: There's too much going on. and it's stressing me the
• 0:51
  Speaker 4: hell out.
• 0:51
  Speaker 3: How much piss is so much piss that you are
• 0:53
  Speaker 3: considering rehoming the cat?
• 0:55
  Speaker 2: Damn near daily.
• 0:56
  Speaker 4: All right, so here this year, so I got the
• 1:00
  Speaker 4: litter boxes in the room upstairs that was formerly the
• 1:03
  Speaker 4: laundry room.
• 1:04
  Speaker 2: So midnight, before.
• 1:08
  Speaker 4: I set up the little, they're like little flaps and
• 1:12
  Speaker 4: little doors that you can put on the little robot, right?
• 1:16
  Speaker 4: So he was going in the little robot and peeing
• 1:18
  Speaker 4: inside the box, but it was shooting out.
• 1:22
  Speaker 1: Oh my God.
• 1:23
  Speaker 2: So, cause one time I thought, I thought one of
• 1:26
  Speaker 2: them wasn't going in there. Yeah, yeah, yeah. So I'm like, man, Dapper, man,
• 1:29
  Speaker 2: I know it's you. Yeah. You know what I'm saying?
• 1:32
  Speaker 2: You not going in there, you just peeing right in
• 1:34
  Speaker 2: front of the little robot. Yeah.
• 1:35
  Speaker 4: So I was in there, in the room doing something else.
• 1:39
  Speaker 4: Midnight was in the box and he was peeing. He
• 1:41
  Speaker 4: almost hit me, but I saw him in real time.
• 1:44
  Speaker 2: I was like, oh, this is what's happening here. I'm like, God.
• 1:49
  Speaker 2: All right.
• 1:50
  Speaker 4: So that was already a daily stress. I would walk
• 1:52
  Speaker 4: past that room, see it on the floor, and I
• 1:54
  Speaker 4: would get to mop it up.
• 1:55
  Speaker 2: Yeah. So then I got those things and added it
• 1:58
  Speaker 2: to the little robot. It stopped.
• 1:59
  Speaker 5: Yeah.
• 2:00
  Speaker 2: I was like, perfect. All right.
• 2:01
  Speaker 4: So now it's pee downstairs. It's pee kind of by
• 2:06
  Speaker 4: the garage door. Then by the bathroom door downstairs. Then
• 2:10
  Speaker 4: they peed in the gym room. There's pee in the kitchen.
• 2:12
  Speaker 2: There's pee over here by the- So you're searching for pee.
• 2:15
  Speaker 4: So every time I come downstairs, it's just like, where's
• 2:19
  Speaker 4: Waldo on the piss? They peeing on my curtains in
• 2:23
  Speaker 4: the dining room. There's pee on the one open part
• 2:26
  Speaker 4: of the couch downstairs that's uncovered.
• 2:29
  Speaker 2: Pee on that.
• 2:30
  Speaker 1: Oh, God.
• 2:31
  Speaker 2: So I'm just- There's pee.
• 2:32
  Speaker 4: Over there in the breakfast nook area, kind of by
• 2:35
  Speaker 4: the cat food dishes. I'm just like- This is too
• 2:38
  Speaker 4: much pee. And I'm just like, bro, what is happening, man?
• 2:43
  Speaker 4: What is happening? And he, Midnight can tell. This side
• 2:47
  Speaker 4: should have known he was guilty. He can tell, because
• 2:50
  Speaker 4: I would be yelling. I'd be like, man, what the fuck, bro?
• 2:54
  Speaker 4: And he'd be like, he'd look in a certain way.
• 2:58
  Speaker 4: Dapper would just be like.
• 3:01
  Speaker 1: I'm butting up, I got the tuxedo on.
• 3:03
  Speaker 2: Debra not really tripping.
• 3:04
  Speaker 4: He just like, so I'm like, this whole time, he.
• 3:07
  Speaker 2: Might have been the innocent part. Like, it wasn't me.
• 3:10
  Speaker 2: He just giving me it wasn't me energy.
• 3:12
  Speaker 4: Midnight is like, you good, but I also want to
• 3:15
  Speaker 4: beg for food. But I don't know if you good,
• 3:17
  Speaker 4: but I want to beg for food. I want to
• 3:19
  Speaker 4: talk to you about the food. Fuck this food.
• 3:22
  Speaker 2: He like, yo, you mild?
• 3:26
  Speaker 4: So now it's just more prevalent. I added a third
• 3:31
  Speaker 4: litter box. I then had them tested from the vets.
• 3:33
  Speaker 2: You know what I'm saying? They're not old. They're not
• 3:36
  Speaker 2: old enough to be doing this. They're my age in
• 3:38
  Speaker 2: cat years. They're in their 40s. They're seven. Okay. Okay.
• 3:42
  Speaker 1: Are cat years and dog years the same?
• 3:43
  Speaker 2: Yeah. Give or take.
• 3:44
  Speaker 1: Give or take?
• 3:45
  Speaker 2: Yeah. And so we're the same age.
• 3:47
  Speaker 1: You peed on yourself.
• 3:49
  Speaker 2: I did pee on myself. And doo-doo. Well, dude. Well,
• 3:52
  Speaker 2: that was a sickness. Well, maybe. I don't be doodling
• 3:55
  Speaker 2: on myself on a daily basis. It'll get you, man.
• 3:57
  Speaker 2: It'll get you.
• 3:58
  Speaker 1: Mexico, man.
• 3:59
  Speaker 2: Mexico City, man. I dabbled this weekend.
• 4:03
  Speaker 1: You pooped on yourself too?
• 4:04
  Speaker 2: A little bit, man.
• 4:05
  Speaker 1: But you know, it's a byproduct of.
• 4:08
  Speaker 2: The sickness, man. It's the sickness. I do it on
• 4:10
  Speaker 2: myself healthy. The Rocky Road Ice Cream?
• 4:14
  Speaker 1: No, no. This was recent. This is February. I didn't
• 4:17
  Speaker 1: tell you?
• 4:18
  Speaker 4: No.
• 4:18
  Speaker 3: I do it on myself the day I had to
• 4:20
  Speaker 3: host the ABFF Honors.
• 4:21
  Speaker 2: What?
• 4:22
  Speaker 3: Because I was walking five miles in Beverly Hills. And
• 4:25
  Speaker 3: I thought I was cool. Two and a half away,
• 4:29
  Speaker 3: two and a half back. And what happened was, because
• 4:34
  Speaker 3: they have so much homeless stuff, everything was closed. All
• 4:36
  Speaker 3: the doors were locked in the restaurants. Didn't dawn on
• 4:38
  Speaker 3: me that I could've Ubered. Right, but I was trying
• 4:40
  Speaker 3: to do my exercise, but I was like.
• 4:41
  Speaker 2: This is early in the morning. This is early in
• 4:43
  Speaker 2: the morning. This is your early ass get. See, I
• 4:45
  Speaker 2: would have never been caught out there.
• 4:47
  Speaker 5: 5 a.m.
• 4:47
  Speaker 1: I'm walking at 4 or 5 a.m. Beverly Hills. And
• 4:50
  Speaker 1: what happened, I was like close to the hotel. Yeah.
• 4:53
  Speaker 1: Like I can see the hotel.
• 4:54
  Speaker 3: There was some car traffic coming, and I thought I
• 4:57
  Speaker 3: had enough time to walk because I'm like walking gingerly
• 4:59
  Speaker 3: but fast. And I had to do a little jog
• 5:02
  Speaker 3: just to not get by a car. And as soon
• 5:05
  Speaker 3: as I do, that dude said, do-doop-doop. And I said, oh, no, oh, no.
• 5:09
  Speaker 3: And I felt like doo-doo balls. I felt like a
• 5:12
  Speaker 3: few doo-doo balls in my draws. And then I'm like, God,
• 5:17
  Speaker 3: I got to get in there.
• 5:19
  Speaker 6: And you thought they were just regular little gases coming out.
• 5:21
  Speaker 1: I thought there was a little fart. And that dude
• 5:22
  Speaker 1: was waiting like, if he take two run steps, I'm out.
• 5:26
  Speaker 2: That was the Trojan horse, man.
• 5:27
  Speaker 1: Trojan horse. So this and that was like.
• 5:29
  Speaker 2: And these were solid turds. Solid dude. Not diarrhea. Not diarrhea.
• 5:32
  Speaker 2: Three little doo-doo balls. Oh, oh. Oh, that's so much worse.
• 5:37
  Speaker 1: Three little doo-doo balls.
• 5:38
  Speaker 6: Because you filled the occupation immediately.
• 5:40
  Speaker 2: Yes.
• 5:41
  Speaker 3: I was like, oh, it's a doo-doo. And I had
• 5:43
  Speaker 3: no drawers on. I said, I can never walk again
• 5:46
  Speaker 3: without drawers on. Why you out here with no panties on, man?
• 5:50
  Speaker 3: I just didn't want to have a wasted pair of drawers.
• 5:53
  Speaker 3: But then there's no doo-doo. Now I had a doo-doo
• 5:55
  Speaker 3: pool in my sock and stuff.
• 5:57
  Speaker 2: You had on pants.
• 5:59
  Speaker 1: I had these kind of pants. Socks and shoes.
• 6:01
  Speaker 3: So then I get in the elevator. At the SLS Hotel.
• 6:05
  Speaker 2: Oh, my God.
• 6:07
  Speaker 3: And I see Young Miami going there. And it's the
• 6:09
  Speaker 3: only elevator. And I'm like, I'm so sorry.
• 6:12
  Speaker 2: You was in the elevator with Young Miami? With Young Miami.
• 6:14
  Speaker 1: With doo-doo in your legs. With doo-doo in my legs.
• 6:17
  Speaker 1: And I know she smelled it. She didn't say nothing.
• 6:20
  Speaker 2: Could you smell it?
• 6:20
  Speaker 1: I could smell it. And I was just like, I'm sorry.
• 6:23
  Speaker 5: I thought it was hypothetical that she could smell it.
• 6:25
  Speaker 1: No, no.
• 6:26
  Speaker 2: She 100% smells it.
• 6:27
  Speaker 1: It's just me and her.
• 6:28
  Speaker 5: No, I know you told this story before, but I
• 6:30
  Speaker 5: didn't take it as it was clearly smellable.
• 6:33
  Speaker 1: It's doo-doo, Josh.
• 6:35
  Speaker 2: A grown man's doo-doo.
• 6:36
  Speaker 6: But sometimes if you don't get past the arch, you
• 6:39
  Speaker 6: can still tug it.
• 6:40
  Speaker 1: It's doo-doo. It's doo-doo in the world. It's outside in
• 6:44
  Speaker 1: the world. It's not inside.
• 6:47
  Speaker 2: Why did you take the next elevator? Why did you
• 6:49
  Speaker 2: wait till the next one?
• 6:50
  Speaker 1: So I can doodle more? There's more doodle coming.
• 6:52
  Speaker 2: But still, you already doodled.
• 6:53
  Speaker 1: Absolutely not.
• 6:54
  Speaker 2: Once you already doodled, you might as well just wait
• 6:56
  Speaker 2: till the coast is cool.
• 6:58
  Speaker 3: No, I didn't fully doodle. That was just the beginning.
• 7:01
  Speaker 3: So I don't want to fully doodle. I'm still holding it.
• 7:04
  Speaker 2: Turds escaped.
• 7:05
  Speaker 3: Turds escaped, but there are others waiting at the hatch
• 7:09
  Speaker 3: to come out. I don't know how long the next
• 7:10
  Speaker 3: elevator is going to come. Young Miami is just going
• 7:12
  Speaker 3: to have to deal with this. She's an adult woman.
• 7:14
  Speaker 3: She's been through some stuff.
• 7:17
  Speaker 2: Not this.
• 7:17
  Speaker 3: No, not this. I said sorry in my head. I
• 7:21
  Speaker 3: didn't talk to her. I looked down and I stood
• 7:24
  Speaker 3: as far away from her as I could. It was
• 7:26
  Speaker 3: just you two.
• 7:27
  Speaker 2: It was just me and her. I said, Carisha, please.
• 7:30
  Speaker 6: You didn't have your hoodie on or anything?
• 7:32
  Speaker 1: No, she saw my face. I just hope she doesn't know.
• 7:35
  Speaker 2: Who I am. She 100% knows who we are.
• 7:37
  Speaker 1: If she says on a podcast, Kevon says she's not
• 7:38
  Speaker 1: like you.
• 7:38
  Speaker 4: Have you checked to see if she's following you? Nope.
• 7:41
  Speaker 2: I can't go over there. Let me see. I'm going
• 7:43
  Speaker 2: to do it right now. What's her IG?
• 7:45
  Speaker 1: I can't go over there.
• 7:46
  Speaker 2: Oh, my God.
• 7:48
  Speaker 3: I had to take a shower. It took me forever.
• 7:49
  Speaker 3: And then we had an open concept bathroom. So Alyssa's
• 7:52
  Speaker 3: in there. I feel bad because the doo-doo smell ain't
• 7:54
  Speaker 3: going out. I had to find a trash can, dispose
• 7:56
  Speaker 3: of the doo-doo, allegedly, allegedly, hippa, hippa.
• 8:00
  Speaker 2: You're not following me. You might as well head. You check?
• 8:04
  Speaker 1: She's not.
• 8:05
  Speaker 2: She's only following 400 people. Unless she got a burner.
• 8:07
  Speaker 2: There's a chance she doesn't know who I am. She
• 8:10
  Speaker 2: could have a burner, though. If she's only following 400 people,
• 8:11
  Speaker 2: I can imagine. I'm sure she knows who you are, though.
• 8:14
  Speaker 1: Maybe not.
• 8:15
  Speaker 2: I'm going to DM her and ask her if she remembers.
• 8:17
  Speaker 2: She tapped into stuff. You be all over the internet.
• 8:22
  Speaker 4: I'm willing to bet if somebody was like, yo, matter
• 8:25
  Speaker 4: of fact, if any of you know Young Miami, ask
• 8:30
  Speaker 4: her if she knows who Kevin on stage is.
• 8:33
  Speaker 6: She's got a kid, right?
• 8:35
  Speaker 2: Younger Miami. Oh, she definitely knows Kevon Sage. I'm willing
• 8:39
  Speaker 2: to bet that she knows. I hope not. Now, here's
• 8:45
  Speaker 2: what might save you.
• 8:47
  Speaker 4: Okay.
• 8:47
  Speaker 2: You might not have registered in that elevator.
• 8:50
  Speaker 1: That's what I'm saying.
• 8:51
  Speaker 4: So even if she does know you, she might not
• 8:53
  Speaker 4: put two and two together if that.
• 8:55
  Speaker 2: Was you in that elevator.
• 8:55
  Speaker 4: Yes.
• 8:56
  Speaker 2: You guys entered at the same time?
• 8:57
  Speaker 1: She went in first.
• 8:58
  Speaker 2: I would have just waited.
• 9:01
  Speaker 6: So it could have smelt bad.
• 9:04
  Speaker 2: She went in maybe 30 seconds before I went in.
• 9:06
  Speaker 2: 30 seconds is a long time. Yeah. So she was
• 9:09
  Speaker 2: clearly in there for maybe not even 30 seconds. Probably
• 9:11
  Speaker 2: like five seconds, actually.
• 9:13
  Speaker 1: Oh, I mean.
• 9:14
  Speaker 2: She could have been sick that day.
• 9:17
  Speaker 1: If she farted, that would be great.
• 9:18
  Speaker 2: She could have been congested.
• 9:20
  Speaker 1: Oh, you mean she couldn't smell? Yeah. Okay.
• 9:22
  Speaker 6: I mean, she also could have. I mean, you never know.
• 9:25
  Speaker 2: I could only hope. That would have been a good
• 9:27
  Speaker 2: cover up. I could only hope. Once I already doo-dooed.
• 9:32
  Speaker 1: I'm not, but Tony, it was hurting my stomach.
• 9:35
  Speaker 2: I mean.
• 9:36
  Speaker 1: I would rather be like Young Miami. What's going to happen?
• 9:39
  Speaker 2: Young Miami, I will.
• 9:41
  Speaker 1: Tell you, as a comedian, what's the worst thing you
• 9:43
  Speaker 1: ever did? Kept on stage, doo-doo.
• 9:44
  Speaker 2: Yes, I did. That's the best thing for the joke. Whatever.
• 9:47
  Speaker 1: I'm not going to call her a liar.
• 9:48
  Speaker 2: That's one thing about comedians. There's nothing. I'm not embarrassed.
• 9:51
  Speaker 1: You can't really kill us like that. No, I was
• 9:53
  Speaker 1: trying to exercise.
• 9:54
  Speaker 2: But still, it's just. But anyway, back to the cats.
• 9:57
  Speaker 4: Yeah, man.
• 9:58
  Speaker 1: So I was telling Tony before we went.
• 10:00
  Speaker 3: Went, I wished you could talk to the cats and
• 10:03
  Speaker 3: impress upon them that if they don't stop peeing, you
• 10:07
  Speaker 3: might be gone.
• 10:08
  Speaker 4: And the cool part is it's collateral damage for Dapper.
• 10:12
  Speaker 1: Dapper, he's done nothing wrong. And you can't just rehome midnight.
• 10:17
  Speaker 2: What he's doing wrong, though, he keeps tearing up my rugs.
• 10:21
  Speaker 1: Oh, he does have some crimes against him.
• 10:22
  Speaker 2: Yeah. He keeps tearing up my rugs.
• 10:24
  Speaker 1: Scratching them?
• 10:25
  Speaker 4: Yeah. He only scratches the rugs. The rug in my
• 10:29
  Speaker 4: den and the rug in the living room.
• 10:31
  Speaker 2: He'll be... Because midnight, when I come home, he'll be excited.
• 10:35
  Speaker 4: He'll do his scratch on the proper scratching items that
• 10:40
  Speaker 4: I bought for them to scratch on. Except midnight also
• 10:43
  Speaker 4: does my chairs in the kitchen look.
• 10:45
  Speaker 2: He be doing those. So you got the tearing up
• 10:49
  Speaker 2: the furniture, the scratching, you got the piss.
• 10:53
  Speaker 1: So it was just like.
• 10:54
  Speaker 2: But you gonna be all alone. I don't care anymore.
• 10:57
  Speaker 1: Would you not get more cats?
• 10:58
  Speaker 4: I'm not getting nothing. I'm not getting nothing. It's just
• 11:04
  Speaker 4: going to be me and me. And the laptop and
• 11:06
  Speaker 4: the crisscross applesauce.
• 11:08
  Speaker 2: I'm going to be truly alone, but I'm going to
• 11:10
  Speaker 2: be peaceful. I'll tell you that. I'm going to know
• 11:12
  Speaker 2: what I'm walking into.
• 11:13
  Speaker 1: And I'm saving money.
• 11:15
  Speaker 4: Every time I go out of town, I have to
• 11:17
  Speaker 4: pay somebody to watch them.
• 11:18
  Speaker 1: Yeah, that's true. But do you need more money? Or
• 11:22
  Speaker 1: you need companionship?
• 11:23
  Speaker 2: I need more money, man. All money is saved. Shit
• 11:27
  Speaker 2: is expensive, man. So that's what I'm dealing with. I'm
• 11:30
  Speaker 2: dead serious. I don't want to hear nothing about nobody
• 11:33
  Speaker 2: being cute. No, it's the cats.
• 11:34
  Speaker 4: Fuck y'all. These cats are killing my peace. And y'all
• 11:39
  Speaker 4: just be like, no, I'm team cats. Fuck y'all.
• 11:42
  Speaker 2: Unfollow me.
• 11:43
  Speaker 4: Because y'all don't give a damn about my peace. I've
• 11:47
  Speaker 4: been a great cat owner this whole time. Y'all be like,
• 11:51
  Speaker 4: I'm team cats. Let them be on the counter.
• 11:53
  Speaker 2: Little cats gonna catch. Fuck them. And I want them
• 11:58
  Speaker 2: to see this.
• 11:59
  Speaker 1: That's what I'm saying. They're watching, y'all.
• 12:01
  Speaker 2: Come on.
• 12:02
  Speaker 3: Y'all need to know. Y'all need to know. I'm at
• 12:05
  Speaker 3: my wits end. All right. Let's get into the topic
• 12:12
  Speaker 3: of today. We talking about Green Lantern.
• 12:17
  Speaker 2: Yeah.
• 12:18
  Speaker 1: Lanterns. Huh?
• 12:20
  Speaker 2: Lanterns. Lanterns.
• 12:22
  Speaker 3: So we're focusing on episode six. This episode picks up
• 12:28
  Speaker 3: post-Manhunter capture gate and the residual effects of that. I
• 12:34
  Speaker 3: thought this was kind of interesting. Usually if you do
• 12:38
  Speaker 3: a time jump, you don't cover the stuff. But they
• 12:42
  Speaker 3: was like, nah, here's the remnants of this. That motel
• 12:46
  Speaker 3: never opened again. Some of these businesses are destroyed.
• 12:50
  Speaker 2: Right.
• 12:51
  Speaker 3: It's kind of like in a similar way to how
• 12:54
  Speaker 3: you hear people talk about cities post-natural disaster. My favorite
• 12:58
  Speaker 3: Tiny Desk is Tank in the Bangles. She's from New Orleans.
• 13:01
  Speaker 3: She talks about there's a roller coaster place that never
• 13:04
  Speaker 3: reopened after the storm. It still says real reopen after storm,
• 13:06
  Speaker 3: but it never opened. And that's what the people of
• 13:08
  Speaker 3: Rushville are going through. Some people are just like, I'm
• 13:11
  Speaker 3: out of here.
• 13:11
  Speaker 2: People either just left with no rebuild.
• 13:14
  Speaker 1: No rebuild. They were like, I'm done.
• 13:16
  Speaker 3: And Rushville didn't seem like a great place to live anyway.
• 13:19
  Speaker 3: And now you got alien activity. Guns a-blazing, laser blast.
• 13:24
  Speaker 3: You're like, they're like, I'm out of here.
• 13:26
  Speaker 2: You know what pissed me off? This is a little nitpick.
• 13:28
  Speaker 2: All right. The sheriff.
• 13:30
  Speaker 4: She was always like, man, they got the best coffee
• 13:34
  Speaker 4: in the county.
• 13:35
  Speaker 1: Oh, yeah, man.
• 13:36
  Speaker 2: Shut the hell up, man. And then she came back.
• 13:39
  Speaker 2: I make the best meatloaf. All right, man.
• 13:43
  Speaker 1: You lying. You can do it.
• 13:45
  Speaker 2: I make the best meatloaf. And the meatloaf looks regular.
• 13:48
  Speaker 2: The meatloaf looks regular.
• 13:50
  Speaker 1: I said, man, I see meat.
• 13:50
  Speaker 2: That's Salisbury steak, man. It definitely didn't look like meatloaf.
• 13:55
  Speaker 2: It looked more like Salisbury steak. Yeah. I was like, man. Well,
• 13:58
  Speaker 2: where's the red?
• 13:59
  Speaker 3: That's so funny that you mentioned that. Because I was like, man,
• 14:01
  Speaker 3: the place is just called Cafe.
• 14:02
  Speaker 2: Yeah.
• 14:03
  Speaker 1: Coffee can't be that good.
• 14:04
  Speaker 2: Like, it's the best coffee in the county.
• 14:06
  Speaker 1: And it's just coffee in regular pots at a diner.
• 14:09
  Speaker 1: That ain't nothing but Folgers regular pour. Like, how can you?
• 14:13
  Speaker 1: It's not artisanal.
• 14:14
  Speaker 2: We live in.
• 14:15
  Speaker 1: Gay coffee city.
• 14:17
  Speaker 3: Where gay people in Echo Park are making your coffee
• 14:20
  Speaker 3: with love per drink.
• 14:22
  Speaker 2: You think in Rushville, they.
• 14:23
  Speaker 1: Just getting mass produced coffee? People in LA, they go
• 14:26
  Speaker 1: for the beans. They go to Ethiopia.
• 14:28
  Speaker 2: They go to the source. Local farmers coalition.
• 14:32
  Speaker 3: Right.
• 14:33
  Speaker 2: Rushville's ordering coffee off a pallet. I wasn't buying it, man.
• 14:38
  Speaker 2: Folgers best at best. It's Folgers. It's Folgers Christmas.
• 14:42
  Speaker 1: It's Folgers all through the county, Josh.
• 14:44
  Speaker 2: They are not taking pride.
• 14:46
  Speaker 4: I have never heard about Oklahoma and coffee a day
• 14:49
  Speaker 4: in my goddamn life.
• 14:51
  Speaker 1: There's not even a Starbucks in Rushville.
• 14:53
  Speaker 3: Because most people who like coffee consider Starbucks terrible coffee.
• 14:57
  Speaker 4: Right.
• 14:58
  Speaker 2: They're like, man, this is mass produced, so you know
• 15:00
  Speaker 2: Rushville's trash on the coffee. Big trash. Ain't no way.
• 15:03
  Speaker 4: I'd have been like, I don't even drink coffee. I
• 15:06
  Speaker 4: would hate to live in a city like that. Oh, man,
• 15:09
  Speaker 4: that town.
• 15:09
  Speaker 3: Even watching the song. Even when we got to drive.
• 15:12
  Speaker 3: I'd be like, man, how do y'all do that?
• 15:14
  Speaker 4: And John be driving over there. He drove 17 hours.
• 15:17
  Speaker 4: He sure did.
• 15:18
  Speaker 2: Oh, my God. He drove. From the city. He was
• 15:21
  Speaker 2: just like, he went straight over there nonstop. Rushville. Rushville.
• 15:26
  Speaker 1: I can't live in no city that don't have at
• 15:28
  Speaker 1: minimum two professional teams of some sport. Three is preferable.
• 15:35
  Speaker 2: Can't do it. El Paso messed up, Ken.
• 15:38
  Speaker 3: El Paso had the Diablos was the best thing smoking.
• 15:41
  Speaker 3: The AAA team for the Diamondbacks was the best thing smoking. Seattle,
• 15:47
  Speaker 3: we had the Mariners.
• 15:48
  Speaker 1: We had the.
• 15:48
  Speaker 2: Sonics for a while. They left. Seahawks.
• 15:51
  Speaker 3: Now we got the Storm, Kraken. We had the Storm
• 15:54
  Speaker 3: for a while. Storm, Kraken, Seahawks, Mariners.
• 15:57
  Speaker 2: Kraken doing good, too.
• 15:59
  Speaker 1: Kraken be doing good.
• 15:59
  Speaker 2: And Seattle is just a dope city. Seattle's a great
• 16:01
  Speaker 2: city with character. Yeah. Even Portland has the Blazers. They
• 16:05
  Speaker 2: got the Fire. They got.
• 16:08
  Speaker 1: The women's team.
• 16:09
  Speaker 2: The name is this.
• 16:10
  Speaker 1: No, is that the Fire? The Portland Fire?
• 16:12
  Speaker 2: Is that the WNBA team? They have a team in Portland?
• 16:15
  Speaker 1: Yeah, they just got a new team. Oh, okay. I
• 16:16
  Speaker 1: think this is their first year. Portland has character, too, though.
• 16:19
  Speaker 1: It does. It's like wet Austin.
• 16:22
  Speaker 2: Yes. That's exactly what it is.
• 16:24
  Speaker 4: And there are so many local businesses in Portland.
• 16:27
  Speaker 2: It's insane.
• 16:28
  Speaker 6: Kev, they said you had the Bulls, the Blackhawks, the Bears.
• 16:31
  Speaker 3: Then, when I grew up, I had the Bulls, the Blackhawks,
• 16:35
  Speaker 3: the Bears, the Cubs, and the White Sox.
• 16:37
  Speaker 2: Okay? And the Sky.
• 16:39
  Speaker 1: And the Sky. And you got DePaul in there.
• 16:42
  Speaker 2: And Northwestern. Right? Watch out, man.
• 16:44
  Speaker 1: I'll even give you, at worst, I got to have
• 16:46
  Speaker 1: one huge SEC team.
• 16:48
  Speaker 2: Hey, Liz. I was so confused.
• 16:50
  Speaker 1: I thought she was gone. You got to at least
• 16:52
  Speaker 1: give me Alabama, Auburn, Vanderbilt, something.
• 16:55
  Speaker 2: At least a big college.
• 16:56
  Speaker 3: At least something to do. I can see myself getting
• 16:59
  Speaker 3: involved in Alabama.
• 17:01
  Speaker 2: Because Austin, Texas is cracking. Austin's perfect. You know what
• 17:03
  Speaker 2: I'm saying? But that college team? Yeah. When I was
• 17:06
  Speaker 2: there this past weekend for the game?
• 17:08
  Speaker 4: Yes.
• 17:08
  Speaker 2: Oh, it was epic. Texas is the level of a
• 17:12
  Speaker 2: NFL team. Darrell K.
• 17:13
  Speaker 3: Ross' team is 100,000 seats. They don't even have NFL
• 17:17
  Speaker 3: teams that host 100,000. Have you been to a game?
• 17:19
  Speaker 5: Yes.
• 17:20
  Speaker 2: Really? Yes.
• 17:21
  Speaker 3: Years ago, we got blasted by Iowa State when Texas sucked.
• 17:25
  Speaker 3: I was just like, man, I spent a lot on this.
• 17:27
  Speaker 3: This is when I didn't have a lot of bread.
• 17:29
  Speaker 3: I was like, man, I kind of saw this going different.
• 17:31
  Speaker 3: And Iowa State won early. It was like, first down, touchdown, touchdown, touchdown.
• 17:36
  Speaker 3: I was like, dang, this kind of sucks. But anyway,
• 17:41
  Speaker 3: so Jon Stewart, he's at a job interview, basically.
• 17:46
  Speaker 1: He's selling panic houses.
• 17:47
  Speaker 2: He's selling panic rooms underneath the ground.
• 17:50
  Speaker 1: No iced coffee at his interview. He knew better. He's
• 17:53
  Speaker 1: working with his brother. He's working with his brother.
• 17:55
  Speaker 3: I thought that was so good of a brother thing
• 17:58
  Speaker 3: that they called him Chosen.
• 17:59
  Speaker 5: Yeah.
• 18:00
  Speaker 1: Because black people love a nickname based on something you
• 18:02
  Speaker 1: know the person hates.
• 18:03
  Speaker 2: He hates the nickname. You know black people. You trip
• 18:07
  Speaker 2: one time. They'll go trippy.
• 18:07
  Speaker 4: Chosen.
• 18:08
  Speaker 2: Yeah, he'll go chosen, y'all.
• 18:09
  Speaker 1: Chosen.
• 18:10
  Speaker 2: That's such a wild nickname. We're going to let you
• 18:12
  Speaker 2: have it.
• 18:13
  Speaker 4: Oh.
• 18:13
  Speaker 2: We're going to let your chosen have it.
• 18:14
  Speaker 1: And they know he don't like chosen. Hey, man.
• 18:16
  Speaker 2: It's tough shit. He was the chosen one, though. Tough
• 18:20
  Speaker 2: shit apples on your head. But the thing.
• 18:22
  Speaker 1: Hey, don't go applesauce over here.
• 18:24
  Speaker 2: They go big months. William Tell. Right.
• 18:27
  Speaker 5: Right.
• 18:28
  Speaker 2: What's it say? Isaac Newton.
• 18:29
  Speaker 1: Isaac Newton.
• 18:30
  Speaker 2: Are you leaving, Liz? Okay, bye. Bye-bye.
• 18:37
  Speaker 3: So, yeah, he's working with his brother, and they're basically like, okay,
• 18:40
  Speaker 3: we're right here on the big deal.
• 18:42
  Speaker 2: Yeah.
• 18:43
  Speaker 1: Millions of dollars on the table.
• 18:44
  Speaker 2: Sold him on the sales pitch.
• 18:45
  Speaker 1: Sold him on the pitch. We just got to talk
• 18:47
  Speaker 1: to the colonel.
• 18:47
  Speaker 2: Talk to the colonel.
• 18:48
  Speaker 3: And lo and behold. Hal Jordan calls. Actually, his mom calls.
• 18:53
  Speaker 3: His mom calls.
• 18:54
  Speaker 1: Mom calls Bernadette.
• 18:55
  Speaker 2: What's up, Bernadette? Calling his mom Bernadette now?
• 18:58
  Speaker 1: That's what I said. In black culture?
• 19:01
  Speaker 2: That's insane. Got her saved in the phone as Bernadette.
• 19:04
  Speaker 2: What happened? Calling your mom Bernadette.
• 19:07
  Speaker 6: Even with the bad relationship.
• 19:09
  Speaker 1: With the bad relationship in the black community.
• 19:10
  Speaker 2: There's still going to be mom in the phone.
• 19:12
  Speaker 1: Mom. At minimum.
• 19:13
  Speaker 5: And you're still, even if it's Bernadette, you're not answering
• 19:16
  Speaker 5: as Bernadette. Nah, Bernadette is crazy.
• 19:22
  Speaker 2: I cringed. Yeah, I was like, ooh. I said, oh,
• 19:24
  Speaker 2: what happened?
• 19:25
  Speaker 4: I was like, is this a Bernadette he met later
• 19:27
  Speaker 4: in life and he just happens to have the same
• 19:29
  Speaker 4: name as his mom? Like it was a girl he
• 19:31
  Speaker 4: was dealing with? Is that what's going on?
• 19:34
  Speaker 1: His mom's name is Bernadette.
• 19:37
  Speaker 2: He called her Big Debt.
• 19:38
  Speaker 1: Big Debt. Bernie. Bernadette calls.
• 19:42
  Speaker 3: Hey, Hal Jordan wants to apologize.
• 19:44
  Speaker 1: He sits down for coffee with Hal Jordan. You been
• 19:46
  Speaker 1: talking to Hal Jordan?
• 19:48
  Speaker 2: Man, pissed. He was big fit.
• 19:50
  Speaker 4: You been talking to Hal Jordan? He had me sitting
• 19:53
  Speaker 4: in the car crispy.
• 19:55
  Speaker 1: He burnt my meat off.
• 19:57
  Speaker 3: How mad are you if some nigga burns you up
• 20:00
  Speaker 3: and you get new skin that day? Like, you mad,
• 20:04
  Speaker 3: but it's like, he didn't even go a day extra crispy.
• 20:08
  Speaker 2: But I had to feel the crisp. I did have
• 20:10
  Speaker 2: to burn. I had to burn alive.
• 20:12
  Speaker 1: And you did not actually feel me. The coochie that
• 20:15
  Speaker 1: healed me, I had to murder her.
• 20:16
  Speaker 2: I had to kill her.
• 20:17
  Speaker 3: Blood in my eye. Many men wish death upon me.
• 20:21
  Speaker 3: Shoot my best eater. You're responsible for both of these things.
• 20:24
  Speaker 2: Now, to be fair, Hal didn't leave him in the
• 20:26
  Speaker 2: burning car.
• 20:28
  Speaker 1: Fair, but Hal crashed him.
• 20:30
  Speaker 2: He crashed him for sure, but he's done that before.
• 20:32
  Speaker 1: But he didn't factor in the fire.
• 20:36
  Speaker 3: But that's like Iron Man being like, well, Bucky didn't
• 20:39
  Speaker 3: know that that was my parents. He was under mind control.
• 20:42
  Speaker 3: You killed my mom and dad. I'm not trying to
• 20:43
  Speaker 3: get into the particulars. I burnt because you jumped out
• 20:46
  Speaker 3: the car on me.
• 20:47
  Speaker 6: Yeah.
• 20:48
  Speaker 1: If you ain't jump out the car, I'm not Bernie McBurnison.
• 20:52
  Speaker 2: Weekend at Bernie's.
• 20:52
  Speaker 1: Yeah, I'm not weekend at Bernie's.
• 20:54
  Speaker 2: Yeah.
• 20:54
  Speaker 1: So they big beefing.
• 20:56
  Speaker 2: For sure.
• 20:57
  Speaker 1: Over the best coffee in town.
• 21:00
  Speaker 2: And then... Best coffee in the county.
• 21:03
  Speaker 1: You know you in the small town. They say county.
• 21:05
  Speaker 1: They go county.
• 21:06
  Speaker 4: That's how you can tell when somebody is from a
• 21:08
  Speaker 4: small place. Where you from?
• 21:10
  Speaker 2: Texas. Lackawanna County. Outside of... About 150 miles south of Houston.
• 21:18
  Speaker 3: Anytime you go south of the city that I know,
• 21:20
  Speaker 3: I know you live in a small town.
• 21:22
  Speaker 2: You ashamed of your little town? Just say the town.
• 21:24
  Speaker 1: I'm from Beaumont, Texas.
• 21:25
  Speaker 2: I'm from Muleshoe, Texas. Just say it. Just say Muleshoe, Texas,
• 21:31
  Speaker 2: so I can clown that. Let me clown that. New Braunfels.
• 21:36
  Speaker 2: That's near Austin, Texas. That's hilarious.
• 21:39
  Speaker 3: So they beefing, it's very clear Hal Jordan's not gonna apologize.
• 21:44
  Speaker 3: He was like, he almost said, nigga, what? What the
• 21:47
  Speaker 3: hell you talking about, apologize? And the crazy thing is,
• 21:50
  Speaker 3: John knew that. When he was talking to his mom,
• 21:52
  Speaker 3: he's like, Hal Jordan, not the type to apologize. So
• 21:55
  Speaker 3: obviously Bernadette has told them both. My question to you,
• 21:58
  Speaker 3: why do you think Is he mad at his mom
• 22:00
  Speaker 3: because of the riff because he didn't want the ring?
• 22:03
  Speaker 2: Probably.
• 22:04
  Speaker 1: Has to be, right?
• 22:04
  Speaker 2: I'm sure she blew up on him.
• 22:06
  Speaker 1: Because his parents' relationship is fractured.
• 22:08
  Speaker 4: We did all this for you and preps for you
• 22:10
  Speaker 4: to get the Green Lantern ring, and then you just
• 22:12
  Speaker 4: turn it in?
• 22:13
  Speaker 2: Yeah.
• 22:14
  Speaker 4: First of all, you know what I'm saying? Y'all kind
• 22:16
  Speaker 4: of forced this upon me. Yeah, I agreed to it,
• 22:18
  Speaker 4: but y'all still was like, y'all thrusting on me, even
• 22:21
  Speaker 4: before I could make my own decisions, y'all were like,
• 22:24
  Speaker 4: this is your path. Which is a conflict that a
• 22:27
  Speaker 4: lot of kids have with their parents anyway. And so
• 22:29
  Speaker 4: I'm sure they came to a head when he turned
• 22:32
  Speaker 4: that ring in, and I'm sure Bernadette was like, oh no,
• 22:35
  Speaker 4: the fuck, you didn't.
• 22:36
  Speaker 1: Not after you shot an apple off my head.
• 22:37
  Speaker 4: Right.
• 22:37
  Speaker 1: And I said, no, you. Remember you said that?
• 22:39
  Speaker 5: Yeah.
• 22:40
  Speaker 1: I'll go get your dad.
• 22:41
  Speaker 2: No, you. Right.
• 22:42
  Speaker 3: And now you don't even want the job that we
• 22:44
  Speaker 3: trained you for? You want to take iced coffee to
• 22:46
  Speaker 3: the interview?
• 22:47
  Speaker 2: So they was giving him brief, and then Pops got
• 22:49
  Speaker 2: a side with the mom. For sure.
• 22:51
  Speaker 4: So it was just like, fuck both of y'all. Bernadette
• 22:54
  Speaker 4: and him. That's how they saved him the phone. Bernadette
• 22:57
  Speaker 4: and him. Y'all need to be happy. I'm semi-working with
• 23:03
  Speaker 4: my brothers again.
• 23:04
  Speaker 2: Literally.
• 23:05
  Speaker 3: Literally, when he, the blackest thing Lanterns did ever, and
• 23:10
  Speaker 3: I ain't seen, nor ever would I have thought a
• 23:13
  Speaker 3: DC or Marvel show would get the nuance of blackness
• 23:16
  Speaker 3: than almost calling.
• 23:17
  Speaker 2: Your brother a nigga. Oh yeah, he was right there.
• 23:19
  Speaker 1: That, Nick, I said that.
• 23:21
  Speaker 2: And I felt him in the moment. That was so black.
• 23:23
  Speaker 2: I felt him in the moment. That's blacker than just
• 23:25
  Speaker 2: saying nigga. Nigga, just do it. Nick, alright.
• 23:29
  Speaker 1: Because now, I'm black and pissed.
• 23:33
  Speaker 3: That's why we allow Aaron Pierre's accent slips.
• 23:37
  Speaker 2: Yeah.
• 23:38
  Speaker 1: Because he's delivering 99.98. You can get a speak up.
• 23:42
  Speaker 2: Yeah. If you deliver.
• 23:44
  Speaker 5: Yeah.
• 23:45
  Speaker 2: Do I?
• 23:45
  Speaker 1: Because your nigga's trying to be a rapper.
• 23:47
  Speaker 2: Yeah.
• 23:48
  Speaker 1: And you argue with me and I pay for the album.
• 23:50
  Speaker 2: I pay for the album. I pay for the album.
• 23:52
  Speaker 5: At a time like this, when your father is, I mean,
• 23:55
  Speaker 5: also his relationship is, That thing went out the window
• 23:58
  Speaker 5: too because the first time they called me, he's like, no,
• 24:00
  Speaker 5: don't even put him on the phone.
• 24:00
  Speaker 6: I'm done here.
• 24:01
  Speaker 1: I'm out of here. You talking about a rapper. We
• 24:03
  Speaker 1: are all in our thirties because they're his older brothers.
• 24:06
  Speaker 2: Right.
• 24:07
  Speaker 1: So you might be pushing 40 and you rapping. You
• 24:09
  Speaker 1: don't want to pick your dad up because you're the student.
• 24:13
  Speaker 4: Nick.
• 24:13
  Speaker 2: All right. That Nick was earned. That Nick was earned.
• 24:18
  Speaker 2: It was earned.
• 24:19
  Speaker 4: While they were having that conversation. I was responding like,
• 24:24
  Speaker 4: I was like, Nick, just.
• 24:25
  Speaker 2: Literally. I was saying that to myself. To myself.
• 24:29
  Speaker 1: My toes are curling up. Because why am I repeating myself?
• 24:32
  Speaker 1: I'm financing the album. I did all the stuff.
• 24:34
  Speaker 2: Go pick that up and shut the hell up. Nick, Nick.
• 24:37
  Speaker 1: Because if I smack you. I'm wrong.
• 24:40
  Speaker 2: Right.
• 24:41
  Speaker 1: Okay, then don't call me ever again.
• 24:43
  Speaker 2: Right. Well, what time you want me to go pick
• 24:44
  Speaker 2: you up?
• 24:45
  Speaker 1: Yeah, yeah, yeah. Now people need to know the address.
• 24:48
  Speaker 2: Now you want the Addy.
• 24:49
  Speaker 1: Now you need the Addy when I said I'm not
• 24:50
  Speaker 1: paying for those stupid... And I know his bars is trash.
• 24:53
  Speaker 1: You know his bars is trash. I know his bars
• 24:55
  Speaker 1: is chosen.
• 24:55
  Speaker 2: Chosen.
• 24:56
  Speaker 1: My brother never loved me. Apples in the driveway. Niggas
• 24:58
  Speaker 1: try to serve me. Trash.
• 25:01
  Speaker 2: Applesauce.
• 25:04
  Speaker 1: My mom got shocked, made applesauce. Shut up, man. Stop
• 25:08
  Speaker 1: rapping about me.
• 25:10
  Speaker 2: My parents love my brother more than me. My other brother,
• 25:13
  Speaker 2: we had to bond. He was chosen. Green Lanterns, but
• 25:16
  Speaker 2: I can't see.
• 25:17
  Speaker 1: Dark, dark for my history. Nigga, she got up.
• 25:21
  Speaker 2: Chosen. Pick. Chosen. Reverb that. We're going to stack the
• 25:26
  Speaker 2: vocals on that.
• 25:27
  Speaker 1: Chosen.
• 25:28
  Speaker 2: Chosen. Shut the hell up, dog. Shut the hell up.
• 25:33
  Speaker 3: I know it's trash on SoundCloud. New single out, y'all.
• 25:36
  Speaker 3: Tap the link in my bio.
• 25:37
  Speaker 2: Chosen, y'all.
• 25:38
  Speaker 1: Gotta pick my dad up. My dad up. He never
• 25:41
  Speaker 1: shot at me. I wish he did. He never noticed me. Chosen.
• 25:46
  Speaker 2: Chosen. Chosen. Chosen. Green Lantern. They put me in the mix. F.
• 25:51
  Speaker 1: Hal Jordan. Also.
• 25:54
  Speaker 4: He got a song called Hal Jordan. Number eight on
• 25:57
  Speaker 4: the EP. Hal Jordan. This is Hal Jordan.
• 26:05
  Speaker 2: All right. So, anyway, this is what I wanted to
• 26:09
  Speaker 2: ask you. Yeah. What up, y'all?
• 26:11
  Speaker 1: It's your boy, Kevin, on stage.
• 26:11
  Speaker 3: I want to take a quick break from the show
• 26:13
  Speaker 3: to tell you about our sponsor for today, Polymarket.
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  Speaker 1: And now back to the show.
• 27:41
  Speaker 3: You a detective. Me and Josh was talking about this
• 27:43
  Speaker 3: a little bit. Who is your, you Tony Baker, you
• 27:47
  Speaker 3: coming into Rushville.
• 27:48
  Speaker 2: Yeah. Who shot Hal.
• 27:50
  Speaker 1: Jordan, Tone? Where do you begin?
• 27:54
  Speaker 2: Right.
• 27:55
  Speaker 1: Don't tell him the theory yet, Josh. No, no, no.
• 27:57
  Speaker 5: Before we get to that, I do want to highlight
• 27:59
  Speaker 5: a quotable that Jon Stewart had against Guy when he said,
• 28:04
  Speaker 5: everything you have is because I didn't take it.
• 28:06
  Speaker 2: Bar.
• 28:06
  Speaker 4: Bar.
• 28:08
  Speaker 3: Not only did he bar him up, Josh, Guy was like,
• 28:12
  Speaker 3: I mean, Guy had no rebuttal.
• 28:15
  Speaker 1: Next scene, uniform and ring.
• 28:18
  Speaker 3: With the bow haircut. Everything you have is because I
• 28:21
  Speaker 3: didn't take it and I'm in jail?
• 28:23
  Speaker 2: True, true.
• 28:25
  Speaker 1: You right?
• 28:26
  Speaker 3: I was an athletic director. He could have said, nigga,
• 28:31
  Speaker 3: get the suit and the ring. Go get the suit
• 28:33
  Speaker 3: and the ring and shut the hell up.
• 28:35
  Speaker 1: Stop talking to me.
• 28:36
  Speaker 2: Alright, go ahead. Sorry.
• 28:37
  Speaker 1: Good point. Thank you for bringing that up.
• 28:40
  Speaker 5: I was trying to throw it in earlier, but then
• 28:42
  Speaker 5: I saw you started going to detective mode, so I
• 28:44
  Speaker 5: didn't want to.
• 28:44
  Speaker 2: Cut that out.
• 28:45
  Speaker 1: I want to know where you start.
• 28:49
  Speaker 2: I don't, man. Because for one, I still don't think
• 28:54
  Speaker 2: it's Hal Jordan. For one. You think it's a sentry?
• 28:58
  Speaker 2: I don't think it's a sentry, but a clone.
• 29:00
  Speaker 5: I feel like there was something off the way he
• 29:03
  Speaker 5: brought his sentry.
• 29:04
  Speaker 1: Out With the ring spark?
• 29:06
  Speaker 5: With the ring spark, not at the burial scene, but
• 29:09
  Speaker 5: the episode before that.
• 29:11
  Speaker 6: And then we never saw this entry again.
• 29:13
  Speaker 1: Oh, when he had it, go look for the Manhunter.
• 29:15
  Speaker 1: When he had it at the water tower?
• 29:17
  Speaker 4: Yes.
• 29:18
  Speaker 1: When they were talking on the water, he flicked it
• 29:19
  Speaker 1: and you never saw him again.
• 29:21
  Speaker 2: Yeah.
• 29:22
  Speaker 3: Do you think there's multiple of those? Or is it
• 29:24
  Speaker 3: just one backup? You know, iCloud has multiple backups from
• 29:28
  Speaker 3: two days ago, from a week ago. Is that just
• 29:30
  Speaker 3: the one from two days ago?
• 29:33
  Speaker 4: I don't, here's the thing though, are sentries... Can they
• 29:38
  Speaker 4: be touched?
• 29:41
  Speaker 1: That's what I don't understand.
• 29:42
  Speaker 2: That's what I'm thinking. It's a clone rather than a sentry.
• 29:45
  Speaker 3: Because in the next episode, they hinted that the sentry's voice...
• 29:49
  Speaker 3: opens that space box. So that had to trigger as
• 29:52
  Speaker 3: a live, because he said this voice has to be live.
• 29:55
  Speaker 2: Don't open it again. He played the voice notes. Man,
• 29:59
  Speaker 2: watch out!
• 30:00
  Speaker 4: They let that long recording play. You should talk about nothing, man.
• 30:04
  Speaker 4: I know that's a recording, man. It has to be
• 30:05
  Speaker 4: a live voice. If you try again, the shit's going.
• 30:09
  Speaker 2: To be over.
• 30:10
  Speaker 1: The boss had an attitude.
• 30:11
  Speaker 2: Yeah, I'm not going to email you a password change.
• 30:15
  Speaker 2: None of that. If you try one more time... I'm trying.
• 30:18
  Speaker 5: To remember, did John ever shake hands or anything with
• 30:22
  Speaker 5: the one in the street from the first episode?
• 30:24
  Speaker 2: Never touched. No, they never touched.
• 30:25
  Speaker 1: They never touched ever, and I thought about that too.
• 30:28
  Speaker 6: And then they didn't run into each other again, did they?
• 30:31
  Speaker 2: No.
• 30:32
  Speaker 1: We saw it with Hal Jordan, but I don't think
• 30:33
  Speaker 1: we ever saw it with John.
• 30:36
  Speaker 2: He just seemed a bit weird at the cafe. Hal?
• 30:40
  Speaker 2: Hal did. Yeah, he did.
• 30:41
  Speaker 6: He seemed like a completely different version of himself.
• 30:43
  Speaker 2: Yeah, it was weird.
• 30:43
  Speaker 1: Especially when he was scared. And when he responded to
• 30:46
  Speaker 1: him when.
• 30:46
  Speaker 2: He was on his way out.
• 30:46
  Speaker 6: And then he was telling people not to, then he
• 30:48
  Speaker 6: was telling them don't repeat it.
• 30:50
  Speaker 2: Yes. He was like, don't tell anybody. It wasn't Hal
• 30:53
  Speaker 2: at all. Yes. And I was just like.
• 30:56
  Speaker 1: So you don't think Hal Jordan's dead?
• 30:58
  Speaker 2: Not really. Because they had a funeral. I don't think
• 31:00
  Speaker 2: he's dead.
• 31:01
  Speaker 5: Well, because also old boy got broken out.
• 31:03
  Speaker 1: Who?
• 31:04
  Speaker 2: Sinestro. Sinestro. Yeah. Yeah.
• 31:07
  Speaker 1: That makes you think Hal Jordan did it.
• 31:08
  Speaker 2: Well, I don't know who else would have. That's his boy.
• 31:11
  Speaker 3: That's Hal Jordan's boy. Because he's the only one visiting
• 31:14
  Speaker 3: him on Spaz Caban.
• 31:16
  Speaker 6: And can the Sentry still be activated?
• 31:19
  Speaker 2: But how could Hal have gotten them out if he
• 31:22
  Speaker 2: didn't have the ring?
• 31:24
  Speaker 6: I think the ring was... Wasn't it there?
• 31:27
  Speaker 2: No, they made it seem like it was confiscated. I
• 31:30
  Speaker 2: thought the ring was... I thought whenever he turned it in... Uh-huh.
• 31:36
  Speaker 2: They had it. The Guardians?
• 31:39
  Speaker 6: I thought that they locked it up.
• 31:40
  Speaker 2: I could have missed it. That's why I thought it
• 31:42
  Speaker 2: was sealed up.
• 31:42
  Speaker 1: Decommissioned?
• 31:43
  Speaker 6: And I would assume it's that Space Command.
• 31:45
  Speaker 2: So how would Hal get there without the ring?
• 31:48
  Speaker 1: That's what I don't know. And me and Josh were
• 31:51
  Speaker 1: talking about this earlier.
• 31:51
  Speaker 3: Did decommission to you mean the Landers took the power
• 31:55
  Speaker 3: away or it's just locked it up?
• 31:58
  Speaker 1: I think it was just locked up. Okay, see, Josh
• 32:00
  Speaker 1: thought it meant... Oh, you said that too.
• 32:02
  Speaker 2: I said it was locked up. Yeah, I think it
• 32:04
  Speaker 2: was just locked up.
• 32:04
  Speaker 3: So the ring can't be turned on and turned off
• 32:06
  Speaker 3: by the Guardians. So when John sparked that thing up,
• 32:08
  Speaker 3: he could have.
• 32:09
  Speaker 2: He sparked it up quick.
• 32:10
  Speaker 3: Yeah, you think if he charged it, he could have
• 32:12
  Speaker 3: been darkest day and blackest night and all that stuff?
• 32:14
  Speaker 4: I think if he had a lantern there to charge it,
• 32:16
  Speaker 4: he'd have been up and running.
• 32:18
  Speaker 1: Now, are the lanterns USB-C? Or do you have to have.
• 32:22
  Speaker 2: Are they solar? Because I don't know how... What charges
• 32:25
  Speaker 2: a lantern?
• 32:26
  Speaker 1: How do you charge the charger?
• 32:29
  Speaker 2: Right, right.
• 32:29
  Speaker 1: What if the lantern ain't been plugged in on Oa?
• 32:32
  Speaker 1: Now you got a dead lantern. Are these things eternal?
• 32:35
  Speaker 1: Are they solar? How long are they lasting? This is
• 32:39
  Speaker 1: what happens when you don't read the comics. I don't
• 32:41
  Speaker 1: know how the lantern works. Where is the lantern, Josh?
• 32:47
  Speaker 1: So back to who shot Hal Jordan.
• 32:49
  Speaker 2: I don't know, man.
• 32:50
  Speaker 3: I'm going to tell you what I think. This is
• 32:53
  Speaker 3: what I told Josh. The only people it makes sense
• 32:56
  Speaker 3: to me, and this is based on TV, not any knowledge.
• 33:00
  Speaker 1: Sheriff?
• 33:01
  Speaker 2: The sheriff is a suspect.
• 33:02
  Speaker 1: Billy or Noah?
• 33:04
  Speaker 3: It is a cop-out to introduce a new character that
• 33:06
  Speaker 3: hasn't been seen.
• 33:08
  Speaker 2: Which one is Billy? Billy is her husband. He got
• 33:11
  Speaker 2: socked out with all the other- It wasn't him.
• 33:13
  Speaker 1: I don't think it was him either. These are only
• 33:14
  Speaker 1: the suspects.
• 33:15
  Speaker 2: It's either going to be the kid- or the sheriff.
• 33:17
  Speaker 1: That's all I think it had. We only have two
• 33:19
  Speaker 1: episodes left.
• 33:20
  Speaker 6: Those are the only two people that I don't think
• 33:22
  Speaker 6: he would fight back on either.
• 33:23
  Speaker 2: That's what I said too. Because the way that.
• 33:28
  Speaker 3: The coroner was talking, he was like, he didn't fight
• 33:30
  Speaker 3: back except whoever broke his nose.
• 33:31
  Speaker 1: That was such a funny running thing. Somebody broke his nose.
• 33:35
  Speaker 2: He put his hands in his pocket. I don't know.
• 33:38
  Speaker 3: They were like, no, clearly, if we could just find
• 33:41
  Speaker 3: the blood on the person's head.
• 33:42
  Speaker 1: He was like, I don't know who.
• 33:44
  Speaker 2: Broke his nose. That's crazy.
• 33:46
  Speaker 1: They probably didn't shoot him, though.
• 33:47
  Speaker 4: Yeah.
• 33:48
  Speaker 2: You know what I mean? These are two.
• 33:49
  Speaker 3: How many hours would you say separated the broken nose from.
• 33:53
  Speaker 1: The bullet fragments?
• 33:54
  Speaker 2: You know what I'm saying? Because all I.
• 33:56
  Speaker 1: Whoever sought him, anybody could... The whole town hated him.
• 33:59
  Speaker 5: And then another thing for me, too, that's not really
• 34:01
  Speaker 5: believable is the blackmail from the waitress.
• 34:04
  Speaker 2: Oh, yeah. Man, that came out of nowhere. Yeah. I don't...
• 34:09
  Speaker 2: What is the... I don't know what's the game from that.
• 34:12
  Speaker 2: She just wants money. She wants money.
• 34:15
  Speaker 4: She knows that John Stewart was talking to Hal shortly
• 34:20
  Speaker 4: before his death, so she got something on him.
• 34:22
  Speaker 2: So she can be like, I need that bread.
• 34:24
  Speaker 1: Oh, to pin the murder on him.
• 34:26
  Speaker 4: Yeah, because now I can give you a world of
• 34:28
  Speaker 4: shit just by saying, no, John Stewart and Hal Jordan
• 34:31
  Speaker 4: were talking in the cafe at this time.
• 34:34
  Speaker 1: And he punched him.
• 34:35
  Speaker 2: And I saw him punch him.
• 34:36
  Speaker 3: That's enough evidence to be like, and the town hates
• 34:39
  Speaker 3: him because he's black.
• 34:40
  Speaker 2: He's black and a lantern man stringy mug. So John
• 34:44
  Speaker 2: is like, let me just.
• 34:47
  Speaker 1: Also, just a quick aside.
• 34:49
  Speaker 2: Reparations. Reparations is crazy.
• 34:54
  Speaker 1: Oh, that's strong.
• 34:55
  Speaker 2: In the black conversation. She chose the word reparations on purpose.
• 35:02
  Speaker 4: Yeah.
• 35:02
  Speaker 3: You know reparations. I was like, oh, you dirty. She
• 35:06
  Speaker 3: look like your girl from Ozark.
• 35:08
  Speaker 2: She do. She remind me of her.
• 35:10
  Speaker 3: She look like a prettier, taller version of Ruth.
• 35:13
  Speaker 2: No disrespect, Ruth. No disrespect, but I know exactly what
• 35:15
  Speaker 2: you mean. Yeah, I was like, okay. I felt the
• 35:17
  Speaker 2: same way.
• 35:17
  Speaker 1: Like Ruth if she had a little rock band.
• 35:19
  Speaker 2: You know what I'm saying?
• 35:20
  Speaker 1: Yeah.
• 35:20
  Speaker 2: You feel me? You feel me? But yeah.
• 35:23
  Speaker 3: So I'm like, oh, that's why I feel like if
• 35:26
  Speaker 3: the white people would get off woke, you could actually
• 35:28
  Speaker 3: understand the nuance of this show.
• 35:30
  Speaker 2: Yeah.
• 35:31
  Speaker 3: It's not black power, black power, black power. It's the
• 35:34
  Speaker 3: nuance of race in America. Black people understand race in
• 35:37
  Speaker 3: America better than anybody. Way better than white people, better
• 35:39
  Speaker 3: than any other immigrant. We are ingrained into it. We
• 35:42
  Speaker 3: can tell your white story. Black people, in order to
• 35:45
  Speaker 3: survive in white America, had to know white people better
• 35:47
  Speaker 3: than white people knew white people.
• 35:49
  Speaker 1: They had to know your tendencies, your stuff. We was
• 35:51
  Speaker 1: raising your kids. And you could kill us.
• 35:53
  Speaker 2: We was entrenched in your very lives. We was entrenched. Inseparable.
• 35:58
  Speaker 1: We know the moods.
• 35:58
  Speaker 2: We know the patterns. We know all of that.
• 36:00
  Speaker 1: The white kids didn't even listen to their own parents.
• 36:02
  Speaker 1: Some of them were breastfeeding white children.
• 36:05
  Speaker 2: Right.
• 36:06
  Speaker 1: That's ingrained in black people.
• 36:08
  Speaker 2: Yeah.
• 36:08
  Speaker 3: One of the reasons somebody said this, I don't know,
• 36:10
  Speaker 3: could be true. When I made that video about white
• 36:12
  Speaker 3: people not walking, not taking their part, moving 50% away
• 36:16
  Speaker 3: in the sidewalks, They're like, yeah, because white people run America.
• 36:19
  Speaker 3: It's ingrained.
• 36:21
  Speaker 2: You should move for me. And black people, you know,
• 36:23
  Speaker 2: we sick of that. We not moving.
• 36:26
  Speaker 1: We not moving. And what you finna do?
• 36:28
  Speaker 2: We not moving.
• 36:29
  Speaker 1: So when John socked out them white, when Billy counted
• 36:33
  Speaker 1: and John finished three, how.
• 36:35
  Speaker 2: You go five on one, all y'all end up... And
• 36:38
  Speaker 2: Jon Stewart look like his punches hurt. And then go
• 36:41
  Speaker 2: and snitch about it. Yeah, why you gonna go tell?
• 36:44
  Speaker 2: That's lame.
• 36:45
  Speaker 5: They was like, You jumped my ex? First of all,
• 36:51
  Speaker 5: how crazy does that sound?
• 36:53
  Speaker 3: And Vince picked up the beer, Joshy. Picked up the
• 36:56
  Speaker 3: beer and still got the meatloaf. Actually, I already had
• 36:58
  Speaker 3: the beer.
• 36:58
  Speaker 2: Right, the beer was in the car.
• 36:59
  Speaker 1: Beer was in the car. I saw your dude out.
• 37:01
  Speaker 2: Yeah.
• 37:02
  Speaker 1: And I came to eat meatloaf. Y'all ain't together?
• 37:05
  Speaker 4: What the hell you talking about? You know him better
• 37:08
  Speaker 4: than I do. You know he started it.
• 37:11
  Speaker 2: And I finished it.
• 37:12
  Speaker 1: Gun to your head, Tony Baker. Who shot Al Jordan?
• 37:17
  Speaker 2: The sheriff.
• 37:18
  Speaker 1: I shot the sheriff.
• 37:20
  Speaker 2: It's the sheriff or the kid.
• 37:23
  Speaker 1: So, okay.
• 37:24
  Speaker 4: It's probably going to be the kid. The kid is
• 37:27
  Speaker 4: being weird. He's being too cool for school. He's being
• 37:30
  Speaker 4: too cool, too nice with John. So I'm leaving the kid.
• 37:35
  Speaker 1: This is my guess. My guess is the sheriff to
• 37:38
  Speaker 1: protect the kid.
• 37:39
  Speaker 2: Yeah.
• 37:39
  Speaker 1: Me and Josh was talking about this.
• 37:41
  Speaker 3: There's a theory that the baby's a manhunter, but I
• 37:45
  Speaker 3: don't know how that happens. I thought there was one manhunter.
• 37:47
  Speaker 3: They're like, no, there could be more. I'm like, can
• 37:49
  Speaker 3: they be born?
• 37:50
  Speaker 2: I don't know if the kid knows he's a manhunter,
• 37:53
  Speaker 2: if he is one.
• 37:54
  Speaker 1: Do you know from the comics what?
• 37:56
  Speaker 2: I don't.
• 37:56
  Speaker 3: I don't know a lot about Green Lantern. Okay, I
• 37:59
  Speaker 3: know nothing that's not in this movie or this show.
• 38:01
  Speaker 2: I'm invested now, though.
• 38:02
  Speaker 1: Because they said your girl, what was her name?
• 38:07
  Speaker 2: The Manhunter.
• 38:07
  Speaker 1: I can't remember her name. Zoe or something? Sure.
• 38:10
  Speaker 2: Zoe, the one you shot in the head? Yeah. I
• 38:12
  Speaker 2: think so.
• 38:12
  Speaker 1: Was it Zoe?
• 38:14
  Speaker 2: They said he was her grandma. Right.
• 38:17
  Speaker 1: But they never said who his, they, so Billy would
• 38:21
  Speaker 1: be his dad.
• 38:22
  Speaker 4: Right.
• 38:22
  Speaker 2: Who's the mother? The sheriff. The sheriff is the mom.
• 38:25
  Speaker 3: Sheriff's the mom. So if he's a Manhunter, parental protection.
• 38:29
  Speaker 2: So she's grandmother by marriage?
• 38:32
  Speaker 1: By marriage.
• 38:33
  Speaker 2: Okay.
• 38:34
  Speaker 1: No way, because that's Billy's dad.
• 38:36
  Speaker 2: Billy's dad always seemed too young to me.
• 38:39
  Speaker 1: Casting-wise?
• 38:40
  Speaker 2: Yeah. Yeah, yeah, yeah. What kind of casting is this?
• 38:43
  Speaker 2: The whole... Oh, Jay Friedian said, she said, no, remember
• 38:47
  Speaker 2: everything I taught you.
• 38:48
  Speaker 6: And that was my thing, too, because I felt like.
• 38:51
  Speaker 1: Your grandma's the baby.
• 38:52
  Speaker 2: It might have been like....
• 38:54
  Speaker 5: Like a, you protect the baby, I'll protect you thing
• 38:58
  Speaker 5: from the Manhunter in a conversation that we don't know
• 39:01
  Speaker 5: about yet. Back from when Zoe took in the sheriff. Like,
• 39:09
  Speaker 5: there's going to be another baby, protect them at all costs.
• 39:11
  Speaker 3: Okay, Patreon's saying the sheriff did say the Manhunter gave
• 39:14
  Speaker 3: her a miracle. I assume that was her saving her
• 39:18
  Speaker 3: from the dudes from Gotham that chased her there.
• 39:20
  Speaker 2: Oh yeah, I forgot about that.
• 39:22
  Speaker 1: The miracle could be- The miracle's the baby. The grandma
• 39:25
  Speaker 1: is the baby.
• 39:25
  Speaker 2: The grandma's the baby.
• 39:27
  Speaker 1: So maybe he's Manhunter material.
• 39:29
  Speaker 2: I don't think he knows it, though. He might not.
• 39:34
  Speaker 5: No, he might, because if she told him, remember what
• 39:38
  Speaker 5: I taught you, remember everything that I taught you, there's
• 39:41
  Speaker 5: got to be something instilled of, like, you're special.
• 39:43
  Speaker 2: You're not one of them. Because the camera was holding
• 39:45
  Speaker 2: onto him too much in every scene.
• 39:48
  Speaker 1: Every time, there was, like, no one.
• 39:50
  Speaker 2: I was like, man, why.
• 39:51
  Speaker 4: Y'all... That whole conversation of, you want to be a senator?
• 39:55
  Speaker 4: You want to go into politics?
• 39:56
  Speaker 2: Every time. And then he coming over to bring in
• 39:58
  Speaker 2: the suit for the funeral. I love politics. It is
• 40:01
  Speaker 2: just like... Yes.
• 40:03
  Speaker 1: But that I thought maybe Zoe.
• 40:04
  Speaker 3: I mean, maybe the sheriff's throwing the man Hunter Coochie
• 40:07
  Speaker 3: on Hal.
• 40:08
  Speaker 1: That's why he was.
• 40:11
  Speaker 6: Buttercup, Buttercup.
• 40:11
  Speaker 2: Buttercup, Buttercup.
• 40:13
  Speaker 1: He had Coochie on his nose. He was Monterey Jack.
• 40:16
  Speaker 2: Jeez.
• 40:17
  Speaker 3: Hal Jordan never showed that much interest in nothing. So
• 40:19
  Speaker 3: I thought maybe she had Manhunter Coochie. But that could
• 40:21
  Speaker 3: have been just regular because women, you don't got to
• 40:23
  Speaker 3: be Manhunter to throw that Coochie on a man.
• 40:25
  Speaker 2: Especially in Rushville.
• 40:26
  Speaker 1: Rushville.
• 40:27
  Speaker 2: Coochie hard to come by in Rushville.
• 40:29
  Speaker 1: Yeah, it is.
• 40:30
  Speaker 2: Coochie hard to come by. That's the reparations they should
• 40:34
  Speaker 2: be after. That's the best Coochie in two counties.
• 40:39
  Speaker 1: It got to be the sheriff.
• 40:40
  Speaker 3: Because she was so torn up about how nobody else
• 40:43
  Speaker 3: in the whole town cared. That's what was so funny.
• 40:46
  Speaker 3: Reading Hal Jordan's obituary. Dignitary senators.
• 40:50
  Speaker 1: Man, all y'all came in.
• 40:52
  Speaker 2: President, first lady.
• 40:53
  Speaker 1: President, and bro, nobody is here.
• 40:56
  Speaker 2: It was his ex and them two. They said.
• 41:00
  Speaker 1: cremate him and flush him down the toilet.
• 41:02
  Speaker 2: I was like, dang.
• 41:05
  Speaker 1: I don't give a damn about no house, Jordan.
• 41:07
  Speaker 2: She was right in front of the shed, man. Fuck
• 41:10
  Speaker 2: this dude. She was like, she crying holding the little remains.
• 41:16
  Speaker 2: They didn't give a damn. They don't care about no house.
• 41:19
  Speaker 3: But Hal Jordan destroyed the city. And that's the thing
• 41:23
  Speaker 3: that I thought was interesting. When John and Hal Jordan
• 41:25
  Speaker 3: were talking, it's like they were trying to assess blame
• 41:31
  Speaker 3: Like we both did some killing. I'm like, are we
• 41:32
  Speaker 3: still talking about the last episode?
• 41:35
  Speaker 2: Did y'all do something else?
• 41:36
  Speaker 4: Right.
• 41:37
  Speaker 2: I know.
• 41:37
  Speaker 1: Cause they didn't actually kill anybody.
• 41:39
  Speaker 2: Right. They, they, I think John did.
• 41:42
  Speaker 1: Who did he kill? Oh, well, yeah, but he tripping
• 41:47
  Speaker 1: on that.
• 41:47
  Speaker 2: No, I mean, they weren't.
• 41:49
  Speaker 6: Talking about the casualties, just being responsible.
• 41:52
  Speaker 2: Yeah. That's what I was assuming. And what did he
• 41:54
  Speaker 2: serve 10 years for exactly?
• 41:59
  Speaker 1: Being collateral damage from.
• 42:01
  Speaker 5: The liable by not by choosing to go after the
• 42:06
  Speaker 5: Manhunter instead of saving the people.
• 42:08
  Speaker 2: I don't know. Yeah. I'm like, what are they?
• 42:10
  Speaker 6: I didn't fully understand the sentence.
• 42:12
  Speaker 5: And then when the athletic director visited him in jail,
• 42:16
  Speaker 5: Oh God, Gardner. Um, like there's so much chunks that
• 42:21
  Speaker 5: they just leave empty and they're going to show us later.
• 42:24
  Speaker 6: I feel like it.
• 42:25
  Speaker 2: Just, hopefully.
• 42:26
  Speaker 1: Yeah, they have to.
• 42:28
  Speaker 2: I like how they keep making reference to Batman.
• 42:30
  Speaker 1: Me too.
• 42:31
  Speaker 3: They keep throwing that in. They just like, you know,
• 42:33
  Speaker 3: the guy from Gotham. They talk about him like they
• 42:36
  Speaker 3: can't say Batman, even though it's a DC show.
• 42:38
  Speaker 6: Even Metropolis with no Superman.
• 42:40
  Speaker 2: I know. That was cool too. All the references.
• 42:42
  Speaker 3: I'm telling you, when the show don't have access to
• 42:44
  Speaker 3: the main superheroes, they got to rely on a good
• 42:46
  Speaker 3: story to make it.
• 42:47
  Speaker 2: This reminds me of the early Marvel.
• 42:48
  Speaker 3: They said, we ain't got X-Men. We ain't got Spider-Man.
• 42:51
  Speaker 3: We ain't got none of this stuff. We got Iron Man, Thor, Black,
• 42:55
  Speaker 3: all the stuff nobody cared about. So we got to
• 42:58
  Speaker 3: go good story.
• 42:59
  Speaker 2: Good story.
• 42:59
  Speaker 3: Because niggas did not have Iron Man toys. I was
• 43:02
  Speaker 3: not watching Iron Man cartoons. I was watching X-Men. I
• 43:05
  Speaker 3: was watching Spider-Man.
• 43:07
  Speaker 2: Iron Man was B-tier. He was B-tier. He did have
• 43:10
  Speaker 2: a cartoon. He had a couple cartoons. Did he? Yeah,
• 43:13
  Speaker 2: he had Iron Man from back in the day. Amazing armor.
• 43:17
  Speaker 1: He's Iron Man.
• 43:19
  Speaker 2: Back in the day. It was Thor. It was Iron Man.
• 43:22
  Speaker 4: But they weren't as popular as the Hulk and Spider-Man
• 43:25
  Speaker 4: and his Amazing Friends and.
• 43:26
  Speaker 2: Stuff like that.
• 43:27
  Speaker 4: So then, fast forward, when you had Spider-Man on Fox,
• 43:31
  Speaker 4: the radioactive Spider-Man.
• 43:33
  Speaker 2: And the X-Men. Iron Man also had a cartoon, too.
• 43:37
  Speaker 2: I don't remember.
• 43:38
  Speaker 1: I never saw this in my life.
• 43:40
  Speaker 2: Nobody in school was like, you seen that Iron Man, y'all?
• 43:42
  Speaker 2: He's always been right beneath... Spider-Man, the X-Men have always
• 43:47
  Speaker 2: been the main fixtures. For sure. And then, you know
• 43:50
  Speaker 2: what I'm saying, Captain America was popular, Thor.
• 43:53
  Speaker 1: I remember Captain America and Thor. Yeah. But Iron Man
• 43:55
  Speaker 1: was like.
• 43:56
  Speaker 2: Yeah, he was right there, but it wasn't like, man,
• 43:58
  Speaker 2: Iron Man, yo. Yeah, yeah, yeah. But he was known. Yeah, yeah.
• 44:02
  Speaker 2: But the movie definitely elevated Iron Man.
• 44:07
  Speaker 5: Yeah.
• 44:07
  Speaker 1: Jay Friedrich, you were right. How was the reason she
• 44:09
  Speaker 1: bombed the town?
• 44:10
  Speaker 3: I feel like they could have got to him earlier
• 44:14
  Speaker 3: if John would have been honest. But John and Hal
• 44:16
  Speaker 3: Jordan beefing is what allowed the Manhunter to go full,
• 44:20
  Speaker 3: I'll destroy everybody. But they're not blaming her for it.
• 44:22
  Speaker 3: She did it. You know what I'm saying? But Hal
• 44:25
  Speaker 3: Jordan's easy to blame. All right, anything else before we
• 44:27
  Speaker 3: move on, Tone?
• 44:28
  Speaker 4: I did like Hal. I just like John's development as
• 44:33
  Speaker 4: a character in that time.
• 44:35
  Speaker 2: Since the last episode. Goatee Green Lantern. Goatee Green Lantern.
• 44:39
  Speaker 2: He's all about this. They still... there's a fear element
• 44:42
  Speaker 2: that they keep touching on with the main character.
• 44:45
  Speaker 4: With John and how he's like, my whole business is fear-driven,
• 44:50
  Speaker 4: you know, panic rooms.
• 44:51
  Speaker 2: They don't even need the panic rooms. They just feel
• 44:52
  Speaker 2: better about it. And then the.
• 44:54
  Speaker 4: Fear that Hal had, the fear that Hal had living
• 44:59
  Speaker 4: in that town with the booby traps, with the shotgun,
• 45:02
  Speaker 4: with the, you know what I'm saying?
• 45:03
  Speaker 2: So fear is becoming an element. And the title screen
• 45:07
  Speaker 2: is turning yellow. Sinestro is busted out.
• 45:09
  Speaker 4: Yep.
• 45:09
  Speaker 2: The logo was turning yellow.
• 45:11
  Speaker 5: Yep.
• 45:12
  Speaker 2: And Sinestro was all big yellow. Yep.
• 45:15
  Speaker 1: Fear is the theme.
• 45:16
  Speaker 2: Fear is like... Parallax. I see what's going on. Big fear.
• 45:20
  Speaker 4: Yeah, so I like that. And I like, John, how
• 45:23
  Speaker 4: he's changed. You know, he's working with one brother. Another
• 45:27
  Speaker 4: brother's still getting on his nerves. They pissed at him because, man,
• 45:30
  Speaker 4: you always do this one thing and then you just
• 45:32
  Speaker 4: bail out on that as soon as you get close
• 45:34
  Speaker 4: to it.
• 45:35
  Speaker 2: And he did it. Because the Colonel was like, man,
• 45:37
  Speaker 2: hung up on him. That was hilarious.
• 45:38
  Speaker 1: The Colonel was like, Boy, he's like, oh, I dropped
• 45:41
  Speaker 1: the call.
• 45:42
  Speaker 2: Man, he's gone. Gone, dog.
• 45:44
  Speaker 1: He got on the phone just to hang.
• 45:45
  Speaker 2: Up on you.
• 45:46
  Speaker 4: While you're out there digging up graves and getting the ring.
• 45:49
  Speaker 4: We done fumbled this business, dude. See, this is what
• 45:52
  Speaker 4: we talking about. He was so mad. He sounded very brotherly.
• 45:56
  Speaker 2: For sure.
• 45:57
  Speaker 3: He was like, man, this is what I'm saying. Bro,
• 45:58
  Speaker 3: we got it right here. Stop going to them white
• 46:01
  Speaker 3: people in Rushville.
• 46:02
  Speaker 4: Right.
• 46:03
  Speaker 2: Why you keep doing that? He's fed up. I hate
• 46:06
  Speaker 2: the fact that he's no longer vegan, though. I was like,
• 46:08
  Speaker 2: damn it. But I get it.
• 46:09
  Speaker 5: That was the first thing I thought of when he
• 46:10
  Speaker 5: said he's not the meatloaf.
• 46:13
  Speaker 1: No.
• 46:13
  Speaker 3: I think he's faking it. I think he's just being
• 46:17
  Speaker 3: fake non-vegan to get close to her.
• 46:19
  Speaker 4: Oh.
• 46:20
  Speaker 1: Because she's meatloaf.
• 46:21
  Speaker 2: Did he take a bite?
• 46:21
  Speaker 1: Because he wanted to get into the house. I think
• 46:25
  Speaker 1: he suspects her.
• 46:26
  Speaker 5: Oh.
• 46:27
  Speaker 1: Let me say yes to it.
• 46:28
  Speaker 2: There's a theory going in. Yeah.
• 46:30
  Speaker 3: Because remember, him and Hal, what I like about the
• 46:33
  Speaker 3: show is subtext, subtext.
• 46:34
  Speaker 2: They don't say the stuff out loud. Right.
• 46:37
  Speaker 3: So he's like, he turns the dinner down. How am
• 46:39
  Speaker 3: I going to spend some time with you? She's got
• 46:42
  Speaker 3: to be suspect number one. Based on how Hal died.
• 46:45
  Speaker 3: Hal died basically like this.
• 46:46
  Speaker 2: He was chilling. I think they're both on his radar then.
• 46:49
  Speaker 1: Got to be.
• 46:49
  Speaker 3: But he's the first person I would talk to. Because
• 46:52
  Speaker 3: if you're Hal Jordan, Like a person catching you slipping
• 46:57
  Speaker 3: is not catching you sitting. They were obviously talking.
• 47:00
  Speaker 2: Yeah.
• 47:00
  Speaker 3: So that gunshot wound is either a sniper, which his
• 47:03
  Speaker 3: head is different if he gets sniped.
• 47:05
  Speaker 2: Yeah.
• 47:06
  Speaker 3: The coroner says it's a close shot. It's somebody he trusted.
• 47:09
  Speaker 3: Who else in that town could be that close but
• 47:11
  Speaker 3: the sheriff?
• 47:11
  Speaker 1: The sheriff and the boy.
• 47:12
  Speaker 2: The sheriff and the boy. The only two.
• 47:13
  Speaker 1: Sheriff and the boy. And I see the mom who
• 47:16
  Speaker 1: got the... She already shot him last episode.
• 47:19
  Speaker 5: Yeah.
• 47:19
  Speaker 2: Yeah.
• 47:20
  Speaker 4: If she got that innocent face and soft-ass voice, it
• 47:23
  Speaker 4: definitely could be her.
• 47:24
  Speaker 3: And there's a whole theme of parenthood in this show.
• 47:27
  Speaker 3: You got John's parents thinking they're doing the right thing
• 47:29
  Speaker 3: for their kid. The grandma thinking she's protecting Noah. You
• 47:32
  Speaker 3: have Hal Jordan's dad who died and leaves him out there.
• 47:35
  Speaker 2: And doesn't she owe a debt?
• 47:38
  Speaker 1: To the Manhunter?
• 47:39
  Speaker 2: Yeah.
• 47:40
  Speaker 1: I think so.
• 47:42
  Speaker 2: She might owe two.
• 47:43
  Speaker 1: Save my life and... The miracle thing.
• 47:46
  Speaker 4: Because we know that she could be, because, you know,
• 47:49
  Speaker 4: she's been saved before. So we know that she'll do
• 47:53
  Speaker 4: what she got to.
• 47:54
  Speaker 3: Do to 1,000%. If it takes killing Hal Jordan, she
• 47:58
  Speaker 3: didn't seem that connected to Hal Jordan prior to his death,
• 48:00
  Speaker 3: outside of that thing.
• 48:01
  Speaker 1: And that could have been a work in an angle.
• 48:03
  Speaker 5: So you think she's trying to set up John to
• 48:06
  Speaker 5: stick around to get killed next?
• 48:09
  Speaker 1: That wouldn't surprise me.
• 48:10
  Speaker 5: Because the whole time she was telling how to go away,
• 48:13
  Speaker 5: to leave, to leave, to leave.
• 48:15
  Speaker 1: The first time.
• 48:16
  Speaker 2: The first time.
• 48:17
  Speaker 1: Yeah, yeah.
• 48:18
  Speaker 2: But I think she might have changed after.
• 48:19
  Speaker 6: Well, the bring back, like, come back, because she said
• 48:23
  Speaker 6: he came back for me. Kill him.
• 48:27
  Speaker 5: She knew killing him would be a reason to get
• 48:30
  Speaker 5: John back out there.
• 48:31
  Speaker 6: Hey, why don't you stay at Hal's place? One, I
• 48:34
  Speaker 6: know where you're at.
• 48:35
  Speaker 2: Yep.
• 48:36
  Speaker 1: And the motel's blown up.
• 48:37
  Speaker 2: Well, the motel's gone. But- Earl's over there.
• 48:42
  Speaker 1: Earl over there. Earl being sad. Oh, yeah, man.
• 48:44
  Speaker 2: Oh, how Jordan died. Earl was like, oh, man, come on. Hey, man, what?
• 48:48
  Speaker 2: Earl still ate, though. Oh, that's bullshit. That's what you
• 48:54
  Speaker 2: would do, Toad. Oh, me too. Oh, man, my owner died.
• 48:57
  Speaker 1: Oh, man, but there's biscuits in here.
• 49:01
  Speaker 2: How could you?
• 49:02
  Speaker 1: How could you?
• 49:04
  Speaker 2: Oh, God. He put his face right back in that
• 49:08
  Speaker 2: meat bag.
• 49:09
  Speaker 1: How Jordan dead, y'all?
• 49:12
  Speaker 2: Meat chunks.
• 49:14
  Speaker 1: Meat chunks.
• 49:16
  Speaker 2: Earl still ate, man.
• 49:19
  Speaker 1: Yeah.
• 49:20
  Speaker 3: So my money's on the sheriff for that reason. I
• 49:22
  Speaker 3: think Jon Stewart and Hal were both good detectives. They
• 49:25
  Speaker 3: never showed their hand. Hal was Columbo. Jon Stewart, go T.
• 49:31
  Speaker 2: He's on to her. It just doesn't make sense story-wise
• 49:34
  Speaker 2: that it's anybody.
• 49:36
  Speaker 1: It's her, but why?
• 49:38
  Speaker 2: Yeah, yeah, yeah.
• 49:39
  Speaker 1: To me, it's her, but why?
• 49:40
  Speaker 5: I think it's her to protect the kid from whatever
• 49:43
  Speaker 5: the kid's purpose is supposed to show.
• 49:44
  Speaker 2: That's what's making the most sense.
• 49:46
  Speaker 6: We just don't know what the kid is exactly, though.
• 49:49
  Speaker 5: Because if that was the last Manhunter and they just
• 49:51
  Speaker 5: made a byproduct Manhunter or a Manhunter with a little
• 49:54
  Speaker 5: asterisk on it.
• 49:55
  Speaker 1: Baby Manhunter. Baby Manhunter.
• 49:56
  Speaker 2: You know, like baby rattlesnakes, they can't control their venom.
• 49:59
  Speaker 2: There you go.
• 50:00
  Speaker 6: So we don't know if there's a.
• 50:01
  Speaker 1: And does Manhunter... A Manhunter has.
• 50:04
  Speaker 2: To age, though. But I don't know the.
• 50:05
  Speaker 1: Because they take human form.
• 50:06
  Speaker 6: I don't know the backstories enough.
• 50:07
  Speaker 2: Yeah, I don't know about the Manhunter's physiology.
• 50:10
  Speaker 6: When they reproduce, what does that mean?
• 50:12
  Speaker 2: This is either Noah or this shit.
• 50:15
  Speaker 1: Well, and the way.
• 50:15
  Speaker 3: Okay, so remember she put blood in his eye to
• 50:18
  Speaker 3: change his skin. You can assume she could have done
• 50:21
  Speaker 3: something to create Noah. somehow she's to be able to,
• 50:26
  Speaker 3: if you can recover, like with the alien technology, whatever
• 50:28
  Speaker 3: powers you got, you did the whole skin graft in
• 50:31
  Speaker 3: 10 seconds. With all that technology, it's not impossible that
• 50:34
  Speaker 3: she could be like you pregnant with a baby Manhunter.
• 50:37
  Speaker 2: Right.
• 50:38
  Speaker 3: Because I'm not going to be the only one. I
• 50:39
  Speaker 3: know that she knew then somebody was coming to kill her.
• 50:42
  Speaker 2: Right.
• 50:42
  Speaker 3: So her secret long-term plan is go baby Manhunter, Manhunter race.
• 50:47
  Speaker 3: The Manhunters shall rise again.
• 50:52
  Speaker 1: Pure white Manhunter, now he's white.
• 50:54
  Speaker 6: But Noah's Billy's son, right?
• 50:56
  Speaker 2: Yes. Allegedly? Allegedly. Allegedly. Hippa Hippa. Allegedly.
• 51:01
  Speaker 3: Is he Billy's son? Billy would think that. But is
• 51:07
  Speaker 3: she the grandma's baby?
• 51:09
  Speaker 1: Because remember the alien? She's taking that form of the
• 51:11
  Speaker 1: Indian lady. She could be anything.
• 51:13
  Speaker 2: Yeah.
• 51:13
  Speaker 1: You know?
• 51:14
  Speaker 2: You got alien Gucci. Hilly and Coochie. All right.
• 51:18
  Speaker 3: We'll find out next week. We'll talk about episode. We've
• 51:20
  Speaker 3: only got two episodes left. So we also started on
• 51:23
  Speaker 3: The Drop. Tony Baker suggested The Drop. Snowfall series. I
• 51:26
  Speaker 3: watched episode one on Patreon.
• 51:28
  Speaker 2: Yeah.
• 51:29
  Speaker 1: Episode two got much better.
• 51:30
  Speaker 2: Yeah.
• 51:32
  Speaker 1: I wasn't sold at first.
• 51:33
  Speaker 2: You wasn't sold?
• 51:33
  Speaker 1: I pulled up for Gail. Gail?
• 51:36
  Speaker 2: Gail Bean. Gail Bean.
• 51:37
  Speaker 1: Big Bean. Friend of the pod. I pulled up and
• 51:40
  Speaker 1: I was like, oh, this is good.
• 51:41
  Speaker 2: Yeah.
• 51:42
  Speaker 1: But you know, there's just a lot of stuff on.
• 51:44
  Speaker 1: And I didn't finish Snowfall. Oh, see, that's what's going on, man.
• 51:47
  Speaker 1: I fell off.
• 51:48
  Speaker 2: How did you fall off on Snowfall? I just, I
• 51:49
  Speaker 2: don't know, man. Where did you fall off?
• 51:52
  Speaker 1: Once the Tigers came in right that season.
• 51:54
  Speaker 2: Oh, the Tiger episode was ridiculous.
• 51:56
  Speaker 1: I just was like, all right, y'all.
• 52:00
  Speaker 4: That's why when people compare Snowfall and The Wire, I'll
• 52:02
  Speaker 4: be like, the tiger episode.
• 52:04
  Speaker 2: I just, man, I just was like, all right. Oh,
• 52:06
  Speaker 2: you're a little ways back there. Yeah, he's back there, man.
• 52:09
  Speaker 1: But I've followed what happened through social media.
• 52:12
  Speaker 2: Watch out.
• 52:12
  Speaker 3: You know, Teddy, the mom, $ 37 million. Teddy, my mom,
• 52:17
  Speaker 3: I know. Teddy was going to give him $ 37 million.
• 52:19
  Speaker 3: The mom shot him to save him.
• 52:21
  Speaker 2: I get it.
• 52:22
  Speaker 1: Frankly lost everything.
• 52:23
  Speaker 6: That last season was a marathon.
• 52:25
  Speaker 2: Yeah. I'm out.
• 52:27
  Speaker 1: The tigers....
• 52:29
  Speaker 3: I got off the snowfall bus. So I wasn't really
• 52:32
  Speaker 3: connected as much.
• 52:34
  Speaker 1: But it was good.
• 52:36
  Speaker 2: And it was a good pilot. It's hard for a
• 52:38
  Speaker 2: pilot to be riveting.
• 52:39
  Speaker 6: Especially as a spinoff too.
• 52:42
  Speaker 2: Especially a spinoff.
• 52:43
  Speaker 5: That doesn't lean too much into the old. I didn't
• 52:47
  Speaker 5: think they did. No.
• 52:48
  Speaker 4: They barely showed Leon.
• 52:51
  Speaker 1: Barely, barely.
• 52:52
  Speaker 2: He was barely in that pilot episode.
• 52:54
  Speaker 4: He was pushed to the forefront in the second episode.
• 52:57
  Speaker 4: But I like how they kept Leon at bay. just
• 53:00
  Speaker 4: to show you what she's working on, what she got going.
• 53:02
  Speaker 4: She still has the stigma of crackhead.
• 53:05
  Speaker 2: I love that. And she looked at that cocaine a
• 53:07
  Speaker 2: little bit too long.
• 53:08
  Speaker 4: I like that too, because it's like, yo, I get
• 53:10
  Speaker 4: what you trying to do now, but people ain't going
• 53:13
  Speaker 4: to really.
• 53:13
  Speaker 2: Trust you like that. That's fair. That is fair. Black people,
• 53:17
  Speaker 2: you was a crackhead? That's hard to shake, dawg.
• 53:21
  Speaker 1: You are a crackhead.
• 53:22
  Speaker 2: Yeah.
• 53:23
  Speaker 1: You are never not going to be that girl who
• 53:25
  Speaker 1: was climbing the window.
• 53:26
  Speaker 4: Even if you're doing all right this week, how I
• 53:27
  Speaker 4: know you ain't going to revert back and steal my TV?
• 53:29
  Speaker 3: Listen, crackhead and high rocks is the same thing. Black
• 53:32
  Speaker 3: people only have, it only has to happen one time.
• 53:34
  Speaker 2: That's all it takes.
• 53:35
  Speaker 1: That high rocks is doo-doo now.
• 53:36
  Speaker 2: Yeah.
• 53:37
  Speaker 1: You ain't even never have to heard of high rocks.
• 53:39
  Speaker 2: Yeah.
• 53:40
  Speaker 3: Especially if you never heard of high rocks. That's that
• 53:41
  Speaker 3: doo-doo race. No, man, I'm not doing no doo-doo race.
• 53:45
  Speaker 3: Black people are never going... High Rocks can become a
• 53:48
  Speaker 3: global conglomerate.
• 53:50
  Speaker 2: How did a doo-doo company become a billion dollar.
• 53:52
  Speaker 1: $ 25.
• 53:54
  Speaker 6: Million, Kev, come host one and do one for.
• 53:57
  Speaker 1: A doo-doo race? Absolutely.
• 54:00
  Speaker 2: I'm doing the doo-doo race.
• 54:01
  Speaker 6: Byline, you got to either pee or doo-doo on yourself
• 54:04
  Speaker 6: for clicks.
• 54:04
  Speaker 2: I'm doing it for free.
• 54:06
  Speaker 3: He doodooed on himself. I doodooed on myself for free.
• 54:09
  Speaker 3: What you mean? You paid me $ 25 million.
• 54:11
  Speaker 4: I doodooed on myself in Mexico City. I peed in
• 54:14
  Speaker 4: the bed because I had a pee dream.
• 54:16
  Speaker 2: No high rocks. No high rocks. On the house. Nothing.
• 54:20
  Speaker 2: Free of charge. Now, mind you, I was getting paid
• 54:24
  Speaker 2: in Mexico City.
• 54:25
  Speaker 1: By default.
• 54:26
  Speaker 2: Yeah.
• 54:26
  Speaker 1: So technically you got paid.
• 54:27
  Speaker 2: I was there because I was working. But, you know
• 54:30
  Speaker 2: what I'm saying?
• 54:31
  Speaker 3: Yeah.
• 54:31
  Speaker 2: Yeah. Yeah.
• 54:33
  Speaker 4: So, Wanda is still dealing with that stigma, which I'm
• 54:36
  Speaker 4: glad that they addressed.
• 54:37
  Speaker 2: For sure.
• 54:37
  Speaker 4: Because I was like, there ain't no way she just...
• 54:40
  Speaker 4: Moving through the city. We've seen her, you know, get
• 54:43
  Speaker 4: off of it. But people at large be like, hey, man,
• 54:47
  Speaker 4: you was wilding out here. She was in the community tough.
• 54:50
  Speaker 4: She was climbing in windows.
• 54:51
  Speaker 2: Yes. The grandma said, she stole your whatever she stole.
• 54:55
  Speaker 4: Yes, stealing from the family. So, the family's not even
• 54:58
  Speaker 4: trusting her. She was like, I'm trying not to let
• 55:01
  Speaker 4: my son get his... Gets his hopes up with a
• 55:04
  Speaker 4: former crackhead. Yep. You know, I respect what you're trying
• 55:07
  Speaker 4: to do, but, you know, leave him out of this.
• 55:09
  Speaker 2: Absolutely. I got a dream. I got this music going. Yeah.
• 55:12
  Speaker 4: You know, and so I'm invested. And then she's working
• 55:16
  Speaker 4: with the producer DG. Is that his name? D.
• 55:20
  Speaker 2: It's D something.
• 55:21
  Speaker 1: Daryl.
• 55:21
  Speaker 2: DG.
• 55:22
  Speaker 1: Daryl.
• 55:22
  Speaker 2: They call him DG in the show. The cousin, right? No, no.
• 55:26
  Speaker 2: The dude with the perm. The dude with the perm
• 55:28
  Speaker 2: and the riches that Wanda's working under. Oh, that guy. Yeah. Yeah.
• 55:32
  Speaker 2: Do you watch both? Oh yeah, I'm kind of. Darryl, DG.
• 55:36
  Speaker 5: Yeah.
• 55:36
  Speaker 1: Well, Panty was a gangster before as well. Right, he
• 55:39
  Speaker 1: ain't a softie. No, he seemed like he had forgotten.
• 55:42
  Speaker 2: He seemed like he was a studio dude, but then
• 55:44
  Speaker 2: he's like, oh.
• 55:45
  Speaker 1: Oh, no, no, no.
• 55:46
  Speaker 2: Okay.
• 55:47
  Speaker 1: I'll kill niggas.
• 55:48
  Speaker 2: That's why he was so calm, surrounded by bloods. Yeah.
• 55:51
  Speaker 2: Even though he was outnumbered with one guy. Literally, the
• 55:54
  Speaker 2: one dude. You don't walk into that.
• 55:56
  Speaker 4: Environment with that type of arrogance without having some type
• 55:59
  Speaker 4: of background.
• 56:00
  Speaker 2: For sure.
• 56:01
  Speaker 3: It's what I like Snowfall, I mean, The Drop is
• 56:03
  Speaker 3: doing too. It's very women-led. Gayle is the lead of
• 56:08
  Speaker 3: the show, and then Dara... The record lady.
• 56:11
  Speaker 1: She leads the Bloods.
• 56:12
  Speaker 3: They got four niggas, and she was like, wait till
• 56:16
  Speaker 3: Dara comes.
• 56:16
  Speaker 6: I was talking about even at the record label.
• 56:19
  Speaker 5: It's not just the guy.
• 56:22
  Speaker 2: It's not just guy, guy, guy, guy.
• 56:24
  Speaker 5: And she's being an advocate for Gayle to be a
• 56:28
  Speaker 5: part of the program.
• 56:29
  Speaker 2: For sure. Absolutely.
• 56:30
  Speaker 4: Like, once she saw, once she saw, because he was
• 56:32
  Speaker 4: trying to brush it off, but once she saw, no,
• 56:34
  Speaker 4: I like where this girl is going.
• 56:36
  Speaker 2: Tell me more about, what's his name? Artillery. Artillery.
• 56:38
  Speaker 1: Tell me more about this Artillery.
• 56:40
  Speaker 6: Shouts to Buddy, a real rapper.
• 56:41
  Speaker 1: Buddy was in an episode of Roast Me.
• 56:44
  Speaker 2: Buddy is a real rapper. He was. Yeah, Buddy, I
• 56:46
  Speaker 2: roasted Buddy.
• 56:47
  Speaker 5: So Buddy actually got to interview at All Def for
• 56:50
  Speaker 5: one of the All Def music series.
• 56:51
  Speaker 6: He went to art school. He actually went to the
• 56:53
  Speaker 6: same high school as Yamara.
• 56:55
  Speaker 4: Oh, wow.
• 56:55
  Speaker 6: He went to Renaissance in Long Beach. But he went
• 56:58
  Speaker 6: to school for theater.
• 56:59
  Speaker 4: Oh, wow.
• 56:59
  Speaker 2: He's a theater kid.
• 57:01
  Speaker 4: So this is not even a rapper just dabbling in
• 57:05
  Speaker 4: the love.
• 57:06
  Speaker 5: No, but then he got poppin' to a music for
• 57:09
  Speaker 5: real in real life.
• 57:10
  Speaker 4: Right.
• 57:10
  Speaker 6: Signed to Pharrell.
• 57:12
  Speaker 2: Oh, really?
• 57:13
  Speaker 1: Yeah.
• 57:14
  Speaker 2: Well, not anymore.
• 57:14
  Speaker 5: But he started his career breaking through, signed to Pharrell. Oh,
• 57:17
  Speaker 5: I did not know that. He has a really good
• 57:19
  Speaker 5: record called Shine.
• 57:20
  Speaker 2: I didn't know this either. Yeah.
• 57:22
  Speaker 6: And he's been doing music consistently. This is his real
• 57:24
  Speaker 6: first acting gig though.
• 57:26
  Speaker 1: Oh, he's brilliant.
• 57:27
  Speaker 2: He's doing great so far.
• 57:28
  Speaker 3: It reminds me, when you are artistic, you are often
• 57:32
  Speaker 3: artistic in different areas. It's like how you can, you're funny,
• 57:35
  Speaker 3: but you also do pure theater. You also have a
• 57:38
  Speaker 3: good singing voice and you be dancing. Look at who
• 57:41
  Speaker 3: you came to see.
• 57:45
  Speaker 2: You be harmonizing with yourself.
• 57:46
  Speaker 1: It's like Eric Benet on TikTok. Eric Benet is legitimately funny.
• 57:51
  Speaker 2: Oh, yeah.
• 57:51
  Speaker 1: He's hilarious. Like, he's a great singer.
• 57:53
  Speaker 2: Yeah, but I never would have imagined he would be
• 57:56
  Speaker 2: this funny. He is legit.
• 57:57
  Speaker 4: When I see him a day in the life back
• 57:59
  Speaker 4: in the day, he looked like an R & B, arty,
• 58:02
  Speaker 4: incense type guy.
• 58:04
  Speaker 2: Oils, body oils. Halle Berry's ex-husband.
• 58:07
  Speaker 1: You know what I'm saying?
• 58:09
  Speaker 2: But man, he is hilarious.
• 58:11
  Speaker 3: I know Eric Benet had that wicker chair with the
• 58:15
  Speaker 3: Black Panther.
• 58:16
  Speaker 2: Plants in his house, toes out.
• 58:18
  Speaker 1: You know what I'm saying?
• 58:20
  Speaker 3: And now because of social media, he said, I've heard,
• 58:22
  Speaker 3: I don't know if he said this, but I heard
• 58:24
  Speaker 3: that his manager was like, yo, you can't be funny. Like,
• 58:27
  Speaker 3: we got to sell the sex. And he was like, well,
• 58:29
  Speaker 3: I want to be more. And I think at that time,
• 58:33
  Speaker 3: that was the right choice.
• 58:34
  Speaker 1: Because, you know, celebrities were very packaged then.
• 58:37
  Speaker 2: Oh, for sure.
• 58:38
  Speaker 3: But now you can be anything. So the fact that
• 58:41
  Speaker 3: Simba's a real rapper, really acting. That story he told
• 58:45
  Speaker 3: about the nigga who took the honey bun from him?
• 58:48
  Speaker 2: Yeah.
• 58:49
  Speaker 1: That was a captivating monologue.
• 58:50
  Speaker 2: Simba's doing great and Buddy's doing great.
• 58:52
  Speaker 3: And Buddy's killing it. They are so believable as these characters.
• 58:57
  Speaker 2: For sure.
• 58:59
  Speaker 1: Simba was like, when he was trying to snake Buddy
• 59:01
  Speaker 1: before he came, when he was like, nigga, I'm low-key,
• 59:04
  Speaker 1: I'm a better rapper than him.
• 59:05
  Speaker 2: He was trying to get up in there. I'm like,
• 59:07
  Speaker 2: that's so real.
• 59:08
  Speaker 1: I'm a better rapper than him. Oh, you should sign me.
• 59:10
  Speaker 2: What's up, man?
• 59:10
  Speaker 1: You got this man waiting.
• 59:12
  Speaker 2: Get over here and sign your deal. That's real, dog.
• 59:16
  Speaker 1: For sure.
• 59:17
  Speaker 2: Somebody definitely going to try to snake you. Yeah, come on, man.
• 59:20
  Speaker 2: I was just keeping it warm. You like that shit, man.
• 59:23
  Speaker 2: I got some shit over here on the low. Holler
• 59:25
  Speaker 2: at me, man. So, yeah, so... But I'm liking that dynamic.
• 59:30
  Speaker 2: We got the conflict between the young producer and his family.
• 59:34
  Speaker 1: Oh, that's so good.
• 59:35
  Speaker 2: I'm loving the relationship of the older brother and the
• 59:38
  Speaker 2: younger brother.
• 59:38
  Speaker 1: Lamar and James.
• 59:40
  Speaker 2: Yes.
• 59:40
  Speaker 4: Because the older brother is like, you know... He's like,
• 59:43
  Speaker 4: because when you look at the producer kid, he's just
• 59:46
  Speaker 4: a product of his environment, but he's on the soft side.
• 59:49
  Speaker 2: For sure.
• 59:49
  Speaker 1: Because he's just running.
• 59:51
  Speaker 2: Where you from? He's running. He's trying to get on
• 59:53
  Speaker 2: the bus.
• 59:53
  Speaker 5: Because he's trying to stay out of politics.
• 59:55
  Speaker 2: The stress, dog. When he was getting dressed.
• 59:58
  Speaker 1: I was just trying to go to school.
• 1:00:00
  Speaker 3: Oh, my God.
• 1:00:01
  Speaker 6: So he was coming home from school?
• 1:00:02
  Speaker 1: I don't know where he was coming.
• 1:00:04
  Speaker 5: I missed that. I think I was on my phone
• 1:00:05
  Speaker 5: or something. I missed how he got in that wrong neighborhood.
• 1:00:09
  Speaker 2: I don't know.
• 1:00:10
  Speaker 1: But they crashed a car pressing him.
• 1:00:14
  Speaker 6: And he was on the bus.
• 1:00:15
  Speaker 1: He was on the bus. Porked the corn in the yard.
• 1:00:19
  Speaker 3: And it's also like it shows you in that environment,
• 1:00:22
  Speaker 3: you don't really have a choice.
• 1:00:24
  Speaker 2: Yeah.
• 1:00:25
  Speaker 1: You in a crip neighborhood, you got to be a crip.
• 1:00:27
  Speaker 2: You got to be a crip.
• 1:00:28
  Speaker 1: Like how do you not?
• 1:00:29
  Speaker 2: Explain yourself. We got to know you.
• 1:00:31
  Speaker 1: Or we got to know you.
• 1:00:33
  Speaker 4: You just can't be neutral out here if we don't
• 1:00:35
  Speaker 4: know you.
• 1:00:35
  Speaker 3: Because even the neutral parlay they had had to be like,
• 1:00:39
  Speaker 3: this is neutral territory, but these dudes had to put
• 1:00:41
  Speaker 3: their word on it just for the neutral thing to.
• 1:00:44
  Speaker 2: Happen in neutral ground. Right. God, dog.
• 1:00:48
  Speaker 1: In the middle of the Louis Burgers.
• 1:00:49
  Speaker 2: It's politics, dog.
• 1:00:51
  Speaker 1: Jesus.
• 1:00:52
  Speaker 2: He's just like, oh, man.
• 1:00:55
  Speaker 4: And so I like the fact that he has a
• 1:00:57
  Speaker 4: brother that's entrenched in it. but he's still just like,
• 1:01:01
  Speaker 4: he's just protecting his younger brother. But also just like,
• 1:01:04
  Speaker 4: all right, man, well, I ain't gonna let you go
• 1:01:07
  Speaker 4: over there by yourself. And then he walks with his
• 1:01:09
  Speaker 4: brother in enemy territory.
• 1:01:11
  Speaker 2: It's just terrifying. Solo.
• 1:01:14
  Speaker 1: Because you know.
• 1:01:15
  Speaker 4: Your little brother going to be useless if the shit
• 1:01:17
  Speaker 4: goes down. And Wanda's just going to be Wanda.
• 1:01:19
  Speaker 1: It's basically just me.
• 1:01:22
  Speaker 4: I just want him to hear the beats. I just
• 1:01:24
  Speaker 4: want to press play. I want to hear play and
• 1:01:26
  Speaker 4: watch them rap. Then you're going to be dead. His
• 1:01:28
  Speaker 4: brother's like, man, fuck this beat. He's like, did you?
• 1:01:33
  Speaker 4: You seen his vlogs?
• 1:01:34
  Speaker 2: Like, yeah. But he still just like, yeah, that's great.
• 1:01:39
  Speaker 1: He never listened to the song.
• 1:01:40
  Speaker 2: He was like, fuck this record, dog.
• 1:01:42
  Speaker 1: I resurrected him. Nigga, you was finna die next. You
• 1:01:46
  Speaker 1: was finna die next.
• 1:01:47
  Speaker 2: They was ready for it.
• 1:01:48
  Speaker 3: In that scene when he was in the studio in
• 1:01:50
  Speaker 3: his house, they was trying to record the thing.
• 1:01:52
  Speaker 1: His brother found artillery. Yeah.
• 1:01:56
  Speaker 3: They can fit a squab in the granny's house.
• 1:01:57
  Speaker 2: For sure. It's serious business out.
• 1:02:00
  Speaker 5: Here, man.
• 1:02:00
  Speaker 2: What if you don't want to be a crip that day?
• 1:02:03
  Speaker 1: You got to be a crip every day.
• 1:02:05
  Speaker 2: Every day.
• 1:02:06
  Speaker 1: Every day you got to be a crip.
• 1:02:07
  Speaker 2: Got to be on point.
• 1:02:08
  Speaker 1: They can't go on vacation. I always got to be
• 1:02:13
  Speaker 1: a crip.
• 1:02:13
  Speaker 2: Oh, my God, man. Always.
• 1:02:16
  Speaker 1: They don't get to go to Venice and you can't skateboard,
• 1:02:19
  Speaker 1: go swimming.
• 1:02:19
  Speaker 4: Oh, you having fun out here? You in Six Flags? No,
• 1:02:22
  Speaker 4: fuck that. Parking lot. You just got off the Riddler,
• 1:02:26
  Speaker 4: the Superman ride, parking lot. You fighting in front of
• 1:02:31
  Speaker 4: Bugs Bunny and them in the background? Nah, ain't no weed, dog.
• 1:02:36
  Speaker 4: If you doing this, you better be throwing up your set.
• 1:02:39
  Speaker 4: Mid rollercoaster dip, it better be all set.
• 1:02:42
  Speaker 2: Being thrown up.
• 1:02:45
  Speaker 4: And you better not be in the same rollercoaster car
• 1:02:47
  Speaker 4: with the ops.
• 1:02:50
  Speaker 2: I better not see no blood. What if you see
• 1:02:52
  Speaker 2: a blood in the picture? You know, they always show
• 1:02:53
  Speaker 2: you the picture of you on the ride. You like this,
• 1:02:56
  Speaker 2: it's the blood behind you. Like, are you you? You
• 1:02:59
  Speaker 2: out here riding with the enemy, huh? So now he
• 1:03:02
  Speaker 2: got an answer for that.
• 1:03:04
  Speaker 1: Oh, it's terrible.
• 1:03:04
  Speaker 2: What you doing on a roller coaster with the blood? Literally.
• 1:03:07
  Speaker 1: It's my day off of school, man.
• 1:03:08
  Speaker 2: I don't know what you're telling me.
• 1:03:09
  Speaker 1: And meanwhile, this nigga can play the piano.
• 1:03:11
  Speaker 4: We saw a picture of you on that roller bolster.
• 1:03:16
  Speaker 4: We saw a picture of you on that roller bolster
• 1:03:18
  Speaker 4: having a good old time.
• 1:03:20
  Speaker 2: Jumping. It's just stress, though.
• 1:03:23
  Speaker 1: You rode the XMU with the Hurricane Harbor cab?
• 1:03:25
  Speaker 4: The streets is stressful, dog.
• 1:03:28
  Speaker 2: Man! And that show does a good job of making
• 1:03:31
  Speaker 2: you feel there.
• 1:03:32
  Speaker 1: They're all stressed. It's serious, man. Everybody.
• 1:03:36
  Speaker 3: Buddy, artillery's character is stressed.
• 1:03:38
  Speaker 1: He want to make music.
• 1:03:39
  Speaker 2: Right.
• 1:03:40
  Speaker 1: Lamar's stressed for his brother, for his own safety.
• 1:03:42
  Speaker 4: Right.
• 1:03:42
  Speaker 1: The grandparents are stressed for what's going to happen to
• 1:03:44
  Speaker 1: the kids. Wanda literally might die. This nigga got choking
• 1:03:47
  Speaker 1: her hammer. She was, the most believable thing, she don't
• 1:03:51
  Speaker 1: even know what happened.
• 1:03:52
  Speaker 4: Yeah.
• 1:03:53
  Speaker 3: He's asking her questions. She got paid, said, meet me
• 1:03:56
  Speaker 3: at the studio. You threatened to smash her hands with
• 1:03:58
  Speaker 3: a hammer. She doesn't even know what happened yet.
• 1:04:01
  Speaker 2: Right.
• 1:04:01
  Speaker 3: He's ready to kill her. She can't answer the question.
• 1:04:04
  Speaker 3: She's like, I don't even know what you're talking about.
• 1:04:06
  Speaker 2: I don't know what's happening here.
• 1:04:07
  Speaker 1: You set me up.
• 1:04:09
  Speaker 2: What? You set me up. No, I did not. There's
• 1:04:10
  Speaker 2: no Twitter, no thread. She doesn't even know.
• 1:04:13
  Speaker 1: She was out at work.
• 1:04:15
  Speaker 2: In her mind, she's thinking she closed a sweet deal.
• 1:04:17
  Speaker 4: Yes.
• 1:04:18
  Speaker 2: Yes.
• 1:04:19
  Speaker 4: Come to find out, they done stripped him down his
• 1:04:21
  Speaker 4: drawers and beat him down. Orange drawers, man. He out
• 1:04:24
  Speaker 4: there in his panties, beat down. So his beef is valid.
• 1:04:31
  Speaker 1: For sure.
• 1:04:32
  Speaker 2: His beef is valid.
• 1:04:33
  Speaker 4: I went out there with a contract. I was going
• 1:04:36
  Speaker 4: to sign your boy. They stripped me down to my panties,
• 1:04:39
  Speaker 4: socked and stomped me out, grabbed.
• 1:04:42
  Speaker 2: Him and held him.
• 1:04:42
  Speaker 1: Grabbed him and held him.
• 1:04:44
  Speaker 2: And now I'm just paying. That's your boy.
• 1:04:47
  Speaker 1: And you told me.
• 1:04:48
  Speaker 2: You told me it was all good.
• 1:04:49
  Speaker 4: So Leon has to come in and be like, Wanda, man,
• 1:04:52
  Speaker 4: don't be bringing me in this shit no more. I'm
• 1:04:54
  Speaker 4: trying to do something else with my life.
• 1:04:56
  Speaker 1: Leon is at prepaid legal with zero sales. He's like, God,
• 1:05:03
  Speaker 1: please don't bring me back into the gang life.
• 1:05:05
  Speaker 2: I ain't trying to do this.
• 1:05:07
  Speaker 1: I love how Leon comes to navigate that situation.
• 1:05:13
  Speaker 3: The appearances that he comes along, they're like, dang, this
• 1:05:16
  Speaker 3: nigga a gangster for real, girl.
• 1:05:18
  Speaker 1: Look at the confidence.
• 1:05:19
  Speaker 3: This nigga had a whole station of niggas. And niggas was,
• 1:05:24
  Speaker 3: he had the Golden Lords outside. He was sitting there
• 1:05:26
  Speaker 3: with the AK-47 in the parking lot.
• 1:05:27
  Speaker 2: The parking lot. He was like.
• 1:05:30
  Speaker 1: Time to go. Pulling full guns away.
• 1:05:33
  Speaker 2: Yes. Full.
• 1:05:34
  Speaker 1: Antonio Banderas is out there with the guitar team.
• 1:05:37
  Speaker 5: That was a scene from Anchorman when they all fought
• 1:05:40
  Speaker 5: in the back and.
• 1:05:41
  Speaker 2: People started pulling grenades out. Machetes.
• 1:05:44
  Speaker 1: Because in my head, I'm like, man, Leon, really, that nigga, like,
• 1:05:46
  Speaker 1: this is crazy.
• 1:05:47
  Speaker 2: Right.
• 1:05:47
  Speaker 1: Leon's like, are you crazy? I got 400 niggas outside.
• 1:05:50
  Speaker 2: Don't ever make me do this again. For sure, he
• 1:05:52
  Speaker 2: was pissed. He's threatened. He's stressed.
• 1:05:56
  Speaker 1: They're all scared.
• 1:05:58
  Speaker 2: We went to Africa. We had a great time. Come on, man.
• 1:06:01
  Speaker 2: We was gone.
• 1:06:02
  Speaker 1: I walked away from this life. And listen, let me
• 1:06:05
  Speaker 1: tell you what Leon said to that nigga. He said,
• 1:06:07
  Speaker 1: I'll kill you about her.
• 1:06:09
  Speaker 2: Oh, yeah, for sure.
• 1:06:09
  Speaker 3: DG was like, all right, well, okay.
• 1:06:13
  Speaker 2: I'll kill you about her. No, no. She could be
• 1:06:15
  Speaker 2: a pawn or a queen. Matter of fact. Or a queen.
• 1:06:17
  Speaker 1: Or a queen. Because Leon never erased his voice.
• 1:06:21
  Speaker 2: No, he doesn't have to anymore.
• 1:06:22
  Speaker 1: Oh, no, no, by the way, no, I'll kill you
• 1:06:24
  Speaker 1: by the way.
• 1:06:25
  Speaker 4: And I love the growth of Leon.
• 1:06:30
  Speaker 1: It's the best.
• 1:06:30
  Speaker 2: He was maximum hothead in Snowfall. Now he's just like, yo.
• 1:06:36
  Speaker 1: That's the benefit of that.
• 1:06:38
  Speaker 3: But you can see it's going to be like a
• 1:06:40
  Speaker 3: Godfather thing.
• 1:06:41
  Speaker 2: Yeah.
• 1:06:42
  Speaker 3: Because what I think the show did a good job is,
• 1:06:45
  Speaker 3: Wanda can't navigate without Leon. Lamar can't navigate without James.
• 1:06:49
  Speaker 3: DG can't navigate without whoever this henchman is finna be.
• 1:06:53
  Speaker 3: His lawyer's like, you can't do that street stuff. Even
• 1:06:56
  Speaker 3: Leon's like, you can't do that. So everybody needs a
• 1:06:59
  Speaker 3: counterbalance part to make it work. And Wanda's a woman.
• 1:07:04
  Speaker 2: Yeah.
• 1:07:07
  Speaker 1: Like, DG was like.
• 1:07:08
  Speaker 6: But also, Wanda's really good in this space, too.
• 1:07:11
  Speaker 3: And Leon can't, and DG can't navigate music without Wanda.
• 1:07:15
  Speaker 3: He not getting these, he don't have the ear, he
• 1:07:18
  Speaker 3: don't have the connects.
• 1:07:20
  Speaker 1: She is bringing something to.
• 1:07:21
  Speaker 2: The table for real.
• 1:07:22
  Speaker 1: For sure.
• 1:07:22
  Speaker 2: She's bringing something to the table for real that he
• 1:07:24
  Speaker 2: can't deny. She picked the sample out.
• 1:07:25
  Speaker 5: Right.
• 1:07:25
  Speaker 4: And the only reason that lady is fucking with DG
• 1:07:28
  Speaker 4: is because of Wanda.
• 1:07:29
  Speaker 2: What Wanda's bringing to the table. For sure.
• 1:07:31
  Speaker 4: So it's just like, and then, so he brings in
• 1:07:33
  Speaker 4: an old boy from Snowfall.
• 1:07:36
  Speaker 2: Then Leon beat up hand-to-hand.
• 1:07:39
  Speaker 1: Oh, see, that's after the Tiger.
• 1:07:40
  Speaker 2: That's why the big dude that comes in.
• 1:07:43
  Speaker 1: No, it's after the Tiger.
• 1:07:45
  Speaker 2: Oh, it's Snowfall. It's after the Tiger. Snowfall. Remember him
• 1:07:48
  Speaker 2: and Leon fought one-on-one. Leon won? Leon won. I mean,
• 1:07:54
  Speaker 2: Leon's for real.
• 1:07:54
  Speaker 1: Shout out my nigga Gucci.
• 1:07:56
  Speaker 2: Leon won. Leon was for real.
• 1:07:58
  Speaker 1: And remember, Franklin couldn't navigate that world without Leon.
• 1:08:01
  Speaker 2: Yeah, for sure.
• 1:08:02
  Speaker 1: And then Leon would be dead without Franklin.
• 1:08:05
  Speaker 2: For sure. For sure.
• 1:08:07
  Speaker 1: It's great writing. Shout out to John Singletary, man.
• 1:08:10
  Speaker 2: That's big Dion, man.
• 1:08:11
  Speaker 3: It's a beautiful thing that your creativity extends beyond your life.
• 1:08:17
  Speaker 2: Yeah.
• 1:08:18
  Speaker 3: He wasn't able to finish No Fall, but he got it.
• 1:08:21
  Speaker 3: That was 10 years ago. I lived in my old
• 1:08:24
  Speaker 3: house in Reseda. I was watching Snowfall.
• 1:08:26
  Speaker 5: I remember we were still in Culver City and they
• 1:08:28
  Speaker 5: had the marketing up for Snowfall.
• 1:08:30
  Speaker 2: I remember. It was so cool. It didn't even seem like.
• 1:08:32
  Speaker 1: It was that long ago.
• 1:08:34
  Speaker 3: I lived in my old house in Reseda where we
• 1:08:35
  Speaker 3: had the bees.
• 1:08:37
  Speaker 2: I remember watching Snowfall.
• 1:08:38
  Speaker 1: You grow up with bees, you don't forget bees.
• 1:08:41
  Speaker 2: They never stung you though, did they? They never stung.
• 1:08:43
  Speaker 1: But you can never sleep really well. They weren't even stinging.
• 1:08:45
  Speaker 1: They were bumblebees.
• 1:08:47
  Speaker 2: Bees are wonderful though. Did y'all kill them?
• 1:08:50
  Speaker 1: No, they just left. We couldn't even afford the animal stuff.
• 1:08:54
  Speaker 1: You're so concerned.
• 1:08:56
  Speaker 2: For.
• 1:08:56
  Speaker 1: They were not actually ever really aggressive. You just think
• 1:09:00
  Speaker 1: they're going to hurt you. But hearing buzzing is unsettling.
• 1:09:03
  Speaker 2: Oh yeah, for sure.
• 1:09:04
  Speaker 1: Like if I had bees in my wall....
• 1:09:08
  Speaker 2: I will probably just never be there.
• 1:09:10
  Speaker 6: I heard that too, but I was going to let
• 1:09:12
  Speaker 6: you cook.
• 1:09:13
  Speaker 2: You said John Singletary? That's funny as hell.
• 1:09:15
  Speaker 1: That's the Chicago. Because you said something yesterday that I forgot.
• 1:09:19
  Speaker 2: I just mixed up my Johns. Singleton.
• 1:09:22
  Speaker 4: You know, when John Singleton was coaching for the San
• 1:09:24
  Speaker 4: Francisco 49ers, I thought he was a good coach, especially
• 1:09:26
  Speaker 4: when he played for the Bears.
• 1:09:28
  Speaker 2: He was really killing it then.
• 1:09:29
  Speaker 3: I should tell you what, without the Patreon, I'd talk confidently.
• 1:09:32
  Speaker 3: Neither of y'all said anything.
• 1:09:34
  Speaker 2: I didn't catch it.
• 1:09:34
  Speaker 1: I heard it, though.
• 1:09:35
  Speaker 2: I didn't hear it. You left me out here.
• 1:09:37
  Speaker 1: You gave me brandy.
• 1:09:38
  Speaker 2: Because I was on your head. What was it, yesterday? Oh, yeah.
• 1:09:42
  Speaker 1: What did I say?
• 1:09:42
  Speaker 2: I'm trying to remember what you said yesterday.
• 1:09:44
  Speaker 1: I messed up something tough yesterday. Gosh, you let it go.
• 1:09:48
  Speaker 2: Oh, Channing Tater. Channing Tater. Tater? Channing Tater. Man, you
• 1:09:52
  Speaker 2: fell out of the steps on that one. Oh, you
• 1:09:55
  Speaker 2: staying firm in it?
• 1:09:56
  Speaker 1: Channing Tater. Channing Tater? Channing Tater.
• 1:10:01
  Speaker 4: Tough.
• 1:10:02
  Speaker 1: So Channing Tater got a burner account.
• 1:10:04
  Speaker 2: Damn, dog. And then Channing Tater.
• 1:10:06
  Speaker 1: You know him from 21 Jump Street.
• 1:10:07
  Speaker 2: I was like, wait, who are you talking about?
• 1:10:08
  Speaker 3: Channing Tater also probably isn't behind this. And Josh was like, Tater?
• 1:10:12
  Speaker 2: Tater?
• 1:10:13
  Speaker 1: You know, Tatum. Tatum.
• 1:10:16
  Speaker 2: That's crazy.
• 1:10:16
  Speaker 1: And I was hungry, too, at the bar.
• 1:10:17
  Speaker 2: That's what you used to think about potatoes.
• 1:10:19
  Speaker 4: Absolutely.
• 1:10:20
  Speaker 2: Big potatoes. That's what was going on. All right, y'all.
• 1:10:22
  Speaker 1: We'll be back next week. I love the Bob Brothers podcast.
• 1:10:24
  Speaker 2: This is fun, man. We're having a great time.
• 1:10:26
  Speaker 1: Joshy is staying.
• 1:10:26
  Speaker 2: I'm trying to think of me a lot. Man, he's
• 1:10:27
  Speaker 2: giving us crucial information.
• 1:10:28
  Speaker 6: I'm going to leave for the second one.
• 1:10:29
  Speaker 1: I'm going to leave for the second one.
• 1:10:30
  Speaker 2: Okay, good.
• 1:10:30
  Speaker 6: Get the hell out of here, man.
• 1:10:31
  Speaker 2: I need to see how long it's going to upload.
• 1:10:32
  Speaker 2: All right.
• 1:10:32
  Speaker 1: Joshy's gone. We'll see y'all next week.