Latest / Relatively Stable / Art Supplies
Transcript
- 0:04SPEAKER_00: Welcome to Stable Roots.
- 0:06This is my weekly collection of writing that is a voiceover
- 0:10that comes from my sub stack.
- 0:13The title this week is Art Supplies,
- 0:16or How I Can Draw Trees and Mountains.
- 0:21SPEAKER_00: And that's about it.
- 0:23SPEAKER_00: But it doesn't keep me from trying.
- 0:26SPEAKER_00: I bring you a series of tiny gifts this week.
- 0:30If they were packets of seeds,
- 0:32these words would be trying to turn into fragile sprouts.
- 0:36SPEAKER_00: They'd need just the right conditions to thrive.
- 0:40My brain is overly wintered and these snapshots started as a
- 0:44way of giving myself
- 0:45SPEAKER_00: permission to not form a lengthy extended thought.
- 0:50a vacation from my usual long form essays as we near the
- 0:54anniversary of a year of
- 0:57SPEAKER_00: me posting weekly words for you to read here on Substack.
- 1:01I kept my notebook near me this week and I figured that I would
- 1:04collect impressions of things.
- 1:06SPEAKER_00: A few paragraphs of images I saw or thought about or dreamed.
- 1:11But like most writing and life,
- 1:14my intentions led the way to something else entirely.
- 1:18SPEAKER_00: What I bring you this week is a series of prose poems.
- 1:22SPEAKER_00: Poems and I go way back.
- 1:25Poems paid my way through college and gave me a canvas to paint
- 1:29on when I,
- 1:30SPEAKER_00: despite all my better efforts,
- 1:32SPEAKER_00: couldn't varnish the shape of my feelings with a brush.
- 1:36SPEAKER_00: I studied visual art because I'm a sucker for symbols and metaphors.
- 1:41SPEAKER_00: Poems, to me, are tiny paintings made into words.
- 1:45You see them in your head and they echo with a resonance that
- 1:48pulses through your chest.
- 1:51When given a literal blank page to draw on,
- 1:54I sketch trees,
- 1:55mountains,
- 1:56and vines.
- 1:58SPEAKER_00: I've been doing this since I was a kid,
- 2:00SPEAKER_00: and the simplicity of these doodles hasn't changed much over time.
- 2:05SPEAKER_00: Christopher is the visual artist in our house.
- 2:07SPEAKER_00: That's how I introduce him,
- 2:09as if we only get one title for artistic license and aren't
- 2:13allowed to tinker with
- 2:15SPEAKER_00: all the things.
- 2:17Somewhere along the way,
- 2:19I created a rule in my life that words and images couldn't mix.
- 2:24Like when I inhaled a puff of flagell while treating the pony's
- 2:28feet this week and
- 2:29had to do a solid Google search to see if it was safe to drink
- 2:32a glass of wine afterwards.
- 2:35SPEAKER_00: I have so many rules for myself,
- 2:37SPEAKER_00: some arbitrary,
- 2:38SPEAKER_00: some logical,
- 2:40but I'm ready to toss the bylaws I've drafted for artistic
- 2:45incorporation out the
- 2:46SPEAKER_00: proverbial stained glass window.
- 2:50I crept into the art supply aisle when Christopher and I were
- 2:53out shopping this weekend,
- 2:55SPEAKER_00: and I selected a sketchbook and pencils,
- 2:58SPEAKER_00: and I felt like I was shopping for someone else,
- 3:01SPEAKER_00: like I didn't belong there,
- 3:03SPEAKER_00: which was all the more reason to drench myself in the glory of it.
- 3:08SPEAKER_00: Prose poems and flash essays are my writerly equivalent of sketching,
- 3:13SPEAKER_00: a way for me to catch a scene or an image through impressions.
- 3:18SPEAKER_00: They help me condense my thoughts and sink into the richness of details.
- 3:22SPEAKER_00: I'm sharing a few with you this week.
- 3:25SPEAKER_00: They all began as separate thoughts, but started weaving together.
- 3:29SPEAKER_00: They're messy and unpolished,
- 3:31SPEAKER_00: like me,
- 3:33SPEAKER_00: or the me that has my vote if I were given a seat to fill in a committee.
- 3:38SPEAKER_00: My intentions for this new year are all about rediscovering art and awe.
- 3:43I invite you to see what corner these elusive creatures are
- 3:47napping in your own life,
- 3:49SPEAKER_00: and I hope you wake them up gently and share your findings with me.
- 3:54SPEAKER_00: They can be messy and unpolished and incomplete.
- 3:57SPEAKER_00: They can be the incarnation of permission.
- 4:02SPEAKER_00: I'm giving you free reign to do whatever the hell you want.
- 4:06SPEAKER_00: You can draw crudely and still be sketching.
- 4:10SPEAKER_00: You can write essentially and still be telling stories.
- 4:14SPEAKER_00: You can move your body to music that only you can hear.
- 4:19SPEAKER_00: Let's get started.
- 4:23SPEAKER_00: 1.
- 4:24SPEAKER_00: The Rapture
- 4:28SPEAKER_00: The fallen tree is a trident split from the same source,
- 4:33SPEAKER_00: a trinity of white oak,
- 4:36SPEAKER_00: its bark smooth with pressed ridges,
- 4:39SPEAKER_00: a fingernail on the hand of the earth.
- 4:44SPEAKER_00: We thought about getting married beside this tree,
- 4:47but moved the ceremony to the path in the woods where three
- 4:51trails converged into
- 4:53SPEAKER_00: an asymmetry of crossings.
- 4:56SPEAKER_00: Most of these things come in threes.
- 5:00The multi-forked white oak was the first tree we noted on the
- 5:04ground when we
- 5:05emerged from the thick sound of the generator to take stock
- 5:09after the storm.
- 5:11SPEAKER_00: I smelled gas and the wet ache of chewed wood,
- 5:14and I remembered how my thoughts caught when I was a kid
- 5:18pondering eternity,
- 5:20SPEAKER_00: how I could reach the end of understanding,
- 5:22SPEAKER_00: a flat earth knowledge,
- 5:25SPEAKER_00: a line on the map warning,
- 5:28SPEAKER_00: here be dragons.
- 5:30It took days to saw the length of the triple oak so trucks
- 5:34could pass to the hay sheds.
- 5:37My shoes didn't make an imprint on the wet sawdust that covered
- 5:41the ground.
- 5:43SPEAKER_00: How could I possibly make a mark in something as large as this storm?
- 5:49SPEAKER_00: I sit on an overturned log and watch the sky move,
- 5:54SPEAKER_00: blue and limitless,
- 5:56and I remember how scared I was when I was a kid and thought
- 6:00that the rapture would
- 6:01SPEAKER_00: happen and I would be left here alone.
- 6:05But as I sit on this log and gaze at the overturned roots of
- 6:09this storm-toppled oak,
- 6:12SPEAKER_00: I uncover a fear greater than losing my chance at the second coming.
- 6:17SPEAKER_00: What if I'm not left alone here in these woods and dirt and trees?
- 6:24SPEAKER_00: What if I'm taken up into the sky?
- 6:27SPEAKER_00: Without wings, can I make my way upward?
- 6:34SPEAKER_00: Two.
- 6:36SPEAKER_00: We fly.
- 6:39The vultures play in the high wind gust above the barn as a
- 6:43cold front presses down
- 6:45SPEAKER_00: on the mountains like an oppressive relative.
- 6:48SPEAKER_00: I keep losing my trail of thought as I announce their presence.
- 6:53SPEAKER_00: Look at that big black bird.
- 6:56SPEAKER_00: There's another one.
- 6:57SPEAKER_00: That one's bigger.
- 6:59SPEAKER_00: Wait, that's an airplane.
- 7:02SPEAKER_00: We're on the flight path of the airport.
- 7:05On clear days,
- 7:06I hear the engines revving for takeoff or the windbreak of a landing.
- 7:12As the planes pass over the barn,
- 7:14I announce their presence and I wonder where they're going.
- 7:18SPEAKER_00: I wonder if someone up there is grieving or if someone up there is happy,
- 7:23SPEAKER_00: as if I can help them,
- 7:25SPEAKER_00: as if I can lessen their losses and laugh at their jokes.
- 7:29SPEAKER_00: As the vultures glide in the storm front,
- 7:32SPEAKER_00: some alone,
- 7:33SPEAKER_00: some together,
- 7:35SPEAKER_00: the idea of flight stuns me like a newborn thought,
- 7:39SPEAKER_00: a revelation.
- 7:41SPEAKER_00: We move through the air.
- 7:45SPEAKER_00: The buzzards seek down,
- 7:48SPEAKER_00: I seek up,
- 7:50SPEAKER_00: and somewhere in the icy currents above the treetops,
- 7:54SPEAKER_00: our thoughts occasionally meet.
- 8:01SPEAKER_00: 3.
- 8:02SPEAKER_00: Torpor The trees and I have an ongoing conversation,
- 8:09but the winter wind where the vultures swooped rattles the
- 8:13bedroom windows.
- 8:15SPEAKER_00: We gather the dog and move to the center of the house,
- 8:19SPEAKER_00: where we can rest with a buffer of attic above us.
- 8:23And I remember how a decade ago someone called when I was away
- 8:27from the farm to say
- 8:29the big white oak behind the bedroom window was filled with
- 8:33sleeping vultures.
- 8:35SPEAKER_00: Birds rest in a torpor,
- 8:38SPEAKER_00: their heart rate and breathing slowed,
- 8:41SPEAKER_00: and the grace of the vulture's flight becomes clumsy when grounded,
- 8:45SPEAKER_00: a plop into gravity shaken off as they hop back onto a branch.
- 8:51SPEAKER_00: The trees support their bumbling as they dream.
- 8:56SPEAKER_00: And I,
- 8:57SPEAKER_00: a featherless carnivore,
- 9:00rest my heaviness into the blankets as the winter wind crashes
- 9:04through the eaves
- 9:06SPEAKER_00: and the trees keep watch.
- 9:17SPEAKER_00: I bought star cards in a museum shop,
- 9:20a heavy duck of perforated cardboard punched into the shape of
- 9:25the constellations.
- 9:27SPEAKER_00: I could never line them up.
- 9:30I bought a telescope,
- 9:32a lens to the heavens,
- 9:34so I could watch the night sky close.
- 9:37But like most complex games with rules,
- 9:40I started playing and subsequently gave up.
- 9:45SPEAKER_00: I bought an app to locate comets on my phone.
- 9:49But I fixated on how the sun was underground,
- 9:52beneath me,
- 9:54and I forgot to look up.
- 9:57SPEAKER_00: On a blanket where the water met the earth,
- 10:00I lay there with you and didn't have to journey with my eyes to
- 10:05see the holy weave
- 10:06SPEAKER_00: of the inky jeweled blanket that mantles our lives.
- 10:11The stars and the planets and the comets meet us with their
- 10:15frequencies like
- 10:17traveling kings bearing gifts for a story that is written
- 10:22before our eyes.
- 10:27Thank you for joining me through the journey of these four
- 10:30little prose poems.
- 10:32SPEAKER_00: Next week,
- 10:33SPEAKER_00: Christopher and I drive to Nashville,
- 10:34SPEAKER_00: Tennessee to pick up Gideon,
- 10:37SPEAKER_00: our new farm creative director,
- 10:40SPEAKER_00: muse,
- 10:41SPEAKER_00: and vagal nerve balancers with his purrs.
- 10:45SPEAKER_00: Gideon is a Siberian forest cat,
- 10:47SPEAKER_00: and I'll probably just be writing about him for the next 10 years.
- 10:52SPEAKER_00: Siberians are native to Russia,
- 10:54SPEAKER_00: like Maine coons are native to the U.S.,
- 10:57SPEAKER_00: but Siberians are hypoallergenic.
- 11:01I was hesitant to add a house cat to our crew of hard-working
- 11:04barn cats because I'm
- 11:06SPEAKER_00: terribly allergic to cats.
- 11:08SPEAKER_00: This hasn't stopped me before.
- 11:10SPEAKER_00: I'm also allergic to horses, hay, trees, and dogs.
- 11:15SPEAKER_00: A snowstorm is headed our way,
- 11:17and so many of you have already experienced blizzard conditions
- 11:20and wind storms and
- 11:22SPEAKER_00: fire this year.
- 11:23SPEAKER_00: There's so much happening in the world.
- 11:27SPEAKER_00: I don't have an answer or an antidote to the madness,
- 11:30but I'm beside you as we bear witness to the whispers and the
- 11:34screams of the
- 11:35SPEAKER_00: natural world.
- 11:37SPEAKER_00: Tell me about the awe you found this week.
- 11:41SPEAKER_00: Tell me about the art you've uncovered.
- 11:45SPEAKER_00: Let's bear witness to each other's stories.
- 11:50SPEAKER_00: Love, Kim