Latest / The Bootleg Kev Podcast / #270 Philthy Rich

Transcript

#270 Philthy Rich · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Playcat Podcast Live from the super Bowl Arizona Shot to
• 0:04
  Speaker 1: Death Chairman, We got fifty rich in the building. What's good? Care?
• 0:07
  Speaker 1: How you doing? How are you doing out here? Rap
• 0:09
  Speaker 1: hustling is you like to call it? Yeah? Rap hustling man,
• 0:11
  Speaker 1: getting on the road, get into bad. So when you
• 0:13
  Speaker 1: come to like obviously you have a hosting tonight in town,
• 0:16
  Speaker 1: but when you come to a Z for a weekend
• 0:18
  Speaker 1: like super Bowl, Yeah, what is like the target? Like
• 0:22
  Speaker 1: how many verses you planning on recording this weekend? Shit,
• 0:25
  Speaker 1: I don't know who's gonna be out here. I know
• 0:28
  Speaker 1: you know it's gonna be packed. So see me what
• 0:31
  Speaker 1: I could see? Like, like me, I could just get
• 0:33
  Speaker 1: on the road and just go somewhere right and just
• 0:36
  Speaker 1: post just post up, post it online, hit me for
• 0:39
  Speaker 1: features shows, right whatever they gonna tap in videos. That's
• 0:44
  Speaker 1: just something I built. I kind of learned that from Jack, right,
• 0:47
  Speaker 1: you know what I'm saying, Like he used to tell
• 0:48
  Speaker 1: me that back in the day, like just come, it's
• 0:50
  Speaker 1: gonna be good. You might you might not. You never
• 0:53
  Speaker 1: know what you might run into, Like you might run
• 0:56
  Speaker 1: into a promoter that've been trying to book. You didn't
• 0:58
  Speaker 1: have no contact right might want to get a verse
• 1:01
  Speaker 1: from you, ship whatever, it might want to pay you
• 1:05
  Speaker 1: to come do a meet and greet like I you know,
• 1:07
  Speaker 1: I come from the era, just really like you know,
• 1:10
  Speaker 1: the independent grind. Yeah, you know what I'm saying. So
• 1:12
  Speaker 1: it's kind of easy. Would you pay for a feature
• 1:15
  Speaker 1: in a weekend like this if you run into the
• 1:16
  Speaker 1: right artists and they're like, yo, what's up, let's work
• 1:18
  Speaker 1: listing right now? Yeah? Nah, I ain't paying you ain't
• 1:21
  Speaker 1: paying nobody for a future. No, not at this point.
• 1:24
  Speaker 1: Like back in the day when I first started rapping,
• 1:26
  Speaker 1: you know what I'm saying. But I know everybody, who's
• 1:29
  Speaker 1: the most expensive feature you ever had to pay for?
• 1:32
  Speaker 1: Back in the day when all the features were the
• 1:34
  Speaker 1: same price, which is what it was admes, Okay, I
• 1:39
  Speaker 1: ain't never pay no more than that. That's not bad.
• 1:42
  Speaker 1: It comes to the videos. It was like my early yeah,
• 1:45
  Speaker 1: early on what year we're thinking when I first started rapping,
• 1:47
  Speaker 1: just running to niggas and not having a relationship. Let
• 1:50
  Speaker 1: me cast you out. They have no problem. It wasn't
• 1:52
  Speaker 1: even about that. It's just like, man, what's up? Like
• 1:54
  Speaker 1: I'm trying to get you on my own, my song. Yeah,
• 1:56
  Speaker 1: I know what it is. You know what I'm saying, right,
• 1:58
  Speaker 1: I don't know him, he don't know me. It's just
• 2:00
  Speaker 1: like the same thing for me, right, I mean, I
• 2:04
  Speaker 1: can't be biased about it, you know. I mean, people
• 2:05
  Speaker 1: don't boll features for me. So if jay Z you're
• 2:08
  Speaker 1: running the whole hope, it's like, yo, I got you
• 2:10
  Speaker 1: just five bands, you better do that for Z feature
• 2:15
  Speaker 1: and listen, that's that's unbelieving. Running to the bank. You
• 2:19
  Speaker 1: don't got to run the bank, but that's unbelievable. Run
• 2:21
  Speaker 1: to your you don't have to. It's gonna cause more
• 2:23
  Speaker 1: that to clear that dad, for sure, that's impossible. So
• 2:28
  Speaker 1: one hundred percent, you know, I'm just I'm putting out.
• 2:31
  Speaker 1: I mean, I look at it, like twenty five thousand,
• 2:34
  Speaker 1: it's not a lot for jay Z. So it's like
• 2:36
  Speaker 1: I feel like if he'd do it for that, he
• 2:38
  Speaker 1: had just do it for free. If he's seen my
• 2:40
  Speaker 1: used to be seeing my talent, my work ethic and
• 2:42
  Speaker 1: like you know what I'm saying, Like a lot of
• 2:44
  Speaker 1: people hit me up. I tell him my price. So
• 2:47
  Speaker 1: it's like people don hit me up before them be
• 2:49
  Speaker 1: like okay, I can I keep you this and I'm like, nah, right,
• 2:53
  Speaker 1: I'm like him. If I'm gonna do it for that,
• 2:55
  Speaker 1: might as well just do it for free. Uh. You
• 2:57
  Speaker 1: obviously have been building out your label for long time,
• 3:00
  Speaker 1: putting together a dope roster artists. Yeah. Really, I've just
• 3:03
  Speaker 1: been focused this year on that. That's why I really
• 3:05
  Speaker 1: ain't been dropping too much music. I've been focusing on
• 3:08
  Speaker 1: them getting all a getting everything with them situated in together.
• 3:12
  Speaker 1: So how many artists do you have signed to you
• 3:14
  Speaker 1: right now? Because I feel like you got a nice,
• 3:16
  Speaker 1: a nice team on fo dis Yeah, twelve thirteen artists.
• 3:20
  Speaker 1: That's a lot of people. So is it like, obviously,
• 3:23
  Speaker 1: when you sign an artist, how much of it is
• 3:29
  Speaker 1: you know, do you kind of feel like you might
• 3:31
  Speaker 1: be spreading yourself too thin or you kind of are
• 3:33
  Speaker 1: you signing self starters guys who are gonna go get
• 3:36
  Speaker 1: to it and then you kind of come in and
• 3:37
  Speaker 1: add So like in the beginning, we do like artists development,
• 3:41
  Speaker 1: We work and we build and teaching them how to
• 3:43
  Speaker 1: you know, stop recording on mixtape, beach proper, mixed faster
• 3:47
  Speaker 1: and artwork. You know what I'm saying, all that we
• 3:51
  Speaker 1: getting together and I gotta really see this is what
• 3:53
  Speaker 1: you really want to do. Things like you got to
• 3:56
  Speaker 1: show me that because you know tomorrow you might wake
• 3:58
  Speaker 1: up and say I don't want to rap more or
• 4:00
  Speaker 1: or whatever situation. So it's like, okay, cool, I got
• 4:03
  Speaker 1: to know that you really dedicated to this For me
• 4:05
  Speaker 1: to I can't want more than you want it. This
• 4:08
  Speaker 1: is I'm living my dream. This is your dream that
• 4:11
  Speaker 1: I'm trying to help you, you know what I'm saying.
• 4:13
  Speaker 1: So with that being said, we'll start off like that,
• 4:15
  Speaker 1: and then as we go towards that, and then we'll
• 4:18
  Speaker 1: work into bigger and better most are is there like
• 4:22
  Speaker 1: any are you pretty much keeping your your roster Bayry
• 4:25
  Speaker 1: oriented or just wherever. I didn't have artists outside of California,
• 4:30
  Speaker 1: But as of right now, everybody like I've been just
• 4:34
  Speaker 1: be focusing on East Oplan. He's Oakland. Yeah, I'm the hometown. Yeah.
• 4:39
  Speaker 1: It's kind of uh, kind of you know, because I
• 4:41
  Speaker 1: feel like San Francisco has been changing so much. Oakland's
• 4:46
  Speaker 1: been changing so much over the last since the pandemic happened. Yeah,
• 4:49
  Speaker 1: shit is kind of crazy. Like when you go back,
• 4:52
  Speaker 1: it feels like there's like a lot of energy has
• 4:54
  Speaker 1: been sucked out of certain parts of the Bay Do
• 4:58
  Speaker 1: you feel like when you go back, it was a
• 5:00
  Speaker 1: little different since I feel like the pandemic obviously a
• 5:02
  Speaker 1: lot of clubs closed, a lot of spots closed. I
• 5:04
  Speaker 1: ain't really never was like no really music night scene
• 5:06
  Speaker 1: in the Bay Area because like a lot of artists
• 5:09
  Speaker 1: that come in town and be like, like where should
• 5:12
  Speaker 1: I go tonight? And it don't be nowhere to go,
• 5:14
  Speaker 1: you know what I'm saying. So that's kind of always
• 5:16
  Speaker 1: been a thing. It's always been like that. Then I
• 5:18
  Speaker 1: can go to anywhere else and they got like a
• 5:20
  Speaker 1: night scene like the area you can't go nowhere, like
• 5:24
  Speaker 1: like shout out to my boy book pay So DJ millions.
• 5:28
  Speaker 1: But I love they've been doing a thing right now,
• 5:34
  Speaker 1: as in like the hip hop like I would say,
• 5:38
  Speaker 1: like underground, you know what I'm saying, JA twelve what
• 5:44
  Speaker 1: else I love? I mean, Drew Banger, They've been they've
• 5:49
  Speaker 1: been doing like what they can do for the Bay Area,
• 5:52
  Speaker 1: open San Francisco, like the underground music scenes, throwing parties,
• 5:56
  Speaker 1: you know what I'm saying. Bringing attention, you know, I
• 6:00
  Speaker 1: feel like a light on the city. I was gonna say,
• 6:01
  Speaker 1: obviously you've got a great relationship with Gauzi as do I.
• 6:04
  Speaker 1: We both work with gazi Uh and he's so passionate
• 6:06
  Speaker 1: about kind of like the keeping as much energy and
• 6:12
  Speaker 1: resources that he has going on in you know, in
• 6:15
  Speaker 1: the Bay Area. Do you feel that kind of similar responsibility.
• 6:19
  Speaker 1: Of course, that's why I said I'm focused on Yeah,
• 6:22
  Speaker 1: I'm like, okay, cool, I din't I didn't work with them,
• 6:25
  Speaker 1: to everybody in the bag. So it's like, it's a
• 6:28
  Speaker 1: lot of talent where I'm from, So let me focus
• 6:30
  Speaker 1: on that first, and then when I'm done with that.
• 6:32
  Speaker 1: You know what I'm saying, don't you know, spread yourself
• 6:34
  Speaker 1: to take on too much, but let me let me
• 6:37
  Speaker 1: do my part. Yeah. It's funny because last time I
• 6:40
  Speaker 1: was in Detroit, you were in Detroit at the same time,
• 6:43
  Speaker 1: and you know, it feels like Detroit and the Bay
• 6:45
  Speaker 1: have a very they have like a kinship with each other.
• 6:50
  Speaker 1: And you've worked with so many artists out of the
• 6:53
  Speaker 1: the d What do you think it is about Detroit
• 6:55
  Speaker 1: and the Bay Area that it feels like they're kind
• 6:59
  Speaker 1: of their cousins, the similar culture. Plus you know, in
• 7:04
  Speaker 1: the past, other artists from the Bay I've worked with Detroit.
• 7:08
  Speaker 1: You know, but like the the way that's going on
• 7:12
  Speaker 1: now with the Detroit and opening the Bay Area, like
• 7:15
  Speaker 1: I helped bridge the gap. You know, I was really
• 7:17
  Speaker 1: going out there dealing with these artists, like giving them
• 7:22
  Speaker 1: game and connecting them with Gayzi and things that they
• 7:25
  Speaker 1: didn't know about music. They was putting out videos and
• 7:28
  Speaker 1: doing millions of views, but not getting paid for it,
• 7:31
  Speaker 1: not having a song on iTunes, not having a song registered,
• 7:34
  Speaker 1: no distribution, just rapping like for years they was doing that,
• 7:38
  Speaker 1: so they was getting frustrated, like like man, I'm you know, stagnated,
• 7:43
  Speaker 1: like with the rap, like I don't know how to
• 7:44
  Speaker 1: get money off of it. Like this video got five
• 7:46
  Speaker 1: million views on it haven't been paid crazy, you know
• 7:49
  Speaker 1: what I'm saying. Like underground hits like go to the
• 7:52
  Speaker 1: strip club, everybody in the club know the song. Is
• 7:56
  Speaker 1: that usually because the artist has the song uploaded on
• 7:59
  Speaker 1: or someone else up. Yeah, Like it'll be like on
• 8:01
  Speaker 1: the director's channel, right, got understand, Like if you pay
• 8:05
  Speaker 1: attention to like the major labels, they dropped the single
• 8:07
  Speaker 1: first and then they dropped the video, right, and that's
• 8:10
  Speaker 1: how it gets registered. You know what I'm saying, Caause
• 8:13
  Speaker 1: the song's already out, so it's already kind of Once
• 8:16
  Speaker 1: someone uploads it with that audio, it will it'll flag
• 8:19
  Speaker 1: it as as it belonging to you, and they'll be
• 8:21
  Speaker 1: mad the camera man, thinking the camera man did something
• 8:24
  Speaker 1: wrong and keeping their money in right, you know, and
• 8:27
  Speaker 1: shit like that. But you know, I mean the cameraman.
• 8:29
  Speaker 1: If it's on the camera man's channel, he probably shot
• 8:31
  Speaker 1: it for free most likely. Or the camera man is
• 8:34
  Speaker 1: probably even more popular than the artists. Yeah, he's got
• 8:36
  Speaker 1: more subscribers. So it's like, go ahead, uploaded on your shit.
• 8:39
  Speaker 1: Artists didn't even have their own YouTube channel, evo channel,
• 8:42
  Speaker 1: you know what I'm saying. So it's just you know, given,
• 8:44
  Speaker 1: you know, helping people be bosses and succeed and giving
• 8:48
  Speaker 1: them game or whatever. And you know, that's just it.
• 8:50
  Speaker 1: Like I've been doing that for years outside of my artists,
• 8:54
  Speaker 1: you know what I'm saying. I've never been the person
• 8:56
  Speaker 1: that like, you know, hold back information, will be stingy
• 8:58
  Speaker 1: whatever it is. Like you know, I'm saying, you getting money,
• 9:00
  Speaker 1: I'm getting money. It's not gonna stop. Like you know,
• 9:02
  Speaker 1: I'm saying. They printed shit every day, like like I
• 9:04
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  Speaker 1: get back to the interview. You've been known to do
• 12:23
  Speaker 1: collaboration projects. Who's somebody who's out there that you're just
• 12:27
  Speaker 1: a fan of that you wouldn't mind doing a little
• 12:31
  Speaker 1: mixtape with if you had your choice. In La, I've
• 12:35
  Speaker 1: been rocking with my boy f and pay So we
• 12:37
  Speaker 1: talked about it. Also Big Sad nineteen hundred and then
• 12:43
  Speaker 1: right now I've been listening Rico cash Out Atlanta. Okay, Yeah,
• 12:47
  Speaker 1: shout out to Big Sad for you, like coming from
• 12:53
  Speaker 1: where you're from, the independent grind here, having opportunities to
• 12:57
  Speaker 1: sign with rock Nation in the past. Yeah, I'm sure
• 13:01
  Speaker 1: that wasn't the only opportunity you had to go to
• 13:03
  Speaker 1: the major route. Yeah, major thing works for some artists
• 13:08
  Speaker 1: because some artists I think are kind of lazy, and
• 13:11
  Speaker 1: I feel like it kind of there are artists out
• 13:13
  Speaker 1: there because I wouldn't say because they kind of lazy.
• 13:15
  Speaker 1: They might want to work more, but the label stops that. So,
• 13:19
  Speaker 1: like when you signed to a major, Like they kind
• 13:21
  Speaker 1: of don't I wouldn't say respect, but they kind of
• 13:26
  Speaker 1: don't want you like with the releasing, but they got
• 13:30
  Speaker 1: to understand like the culture you came from. Also, like
• 13:32
  Speaker 1: how do you guys got understand how you got there? Yeah,
• 13:34
  Speaker 1: So it's like they don't want They probably want to
• 13:36
  Speaker 1: drop an album, tour for a year, drop another album
• 13:40
  Speaker 1: after that. But it's like a lot of artists like
• 13:44
  Speaker 1: they keep their buzz by working, so like it's a
• 13:48
  Speaker 1: new artist coming in every day. So just say you
• 13:50
  Speaker 1: drop an album, shoot videos, put out for a year,
• 13:52
  Speaker 1: then tour for a year. That's like two years. By
• 13:54
  Speaker 1: time you come back, it's gonna be so many different
• 13:57
  Speaker 1: new artists out stack in this place. And if this
• 13:59
  Speaker 1: artist came from grinding, they're like, oh he not that
• 14:02
  Speaker 1: he fell off, but he just ain't being consistent. What's
• 14:05
  Speaker 1: for you? The reason why you didn't end up doing
• 14:06
  Speaker 1: the rock Nation thing, they wanted your catalog, right, Yeah,
• 14:09
  Speaker 1: so they just wanted the back catalog, which is how
• 14:11
  Speaker 1: fuck how many albums now? I want to know, but
• 14:13
  Speaker 1: it was just from whenever I released music. How many
• 14:15
  Speaker 1: albums currently do you have out? Is it over one hundred?
• 14:19
  Speaker 1: Way over hundred Jesus way over. But uh, I just
• 14:23
  Speaker 1: didn't feel like that, and luckily I didn't do it
• 14:25
  Speaker 1: and shout out to them. I dispected them however they
• 14:26
  Speaker 1: run their business. It's just that I wasn't ready for
• 14:28
  Speaker 1: it because like a lot of major artists, I mean
• 14:31
  Speaker 1: major labels, they could take you to make it to
• 14:34
  Speaker 1: a start, you know, and put you on a bigger platform.
• 14:37
  Speaker 1: And some artists won't that instead of won't you know
• 14:39
  Speaker 1: ge what I'm saying, they want the fame over it
• 14:41
  Speaker 1: in order to get over like the business part of
• 14:43
  Speaker 1: the situation. So it's like, okay, they jeopardized that. Luckily
• 14:46
  Speaker 1: I didn't do it because right when I had that
• 14:48
  Speaker 1: meeting COVID here right after, and that was that You're
• 14:51
  Speaker 1: supposed to be a tour going on. That's your residual
• 14:54
  Speaker 1: income coming in off the catalog, set in the house,
• 14:56
  Speaker 1: doing nothing, paying it for nothing, right, you know what
• 14:59
  Speaker 1: I'm saying. So you know, but I mean it could
• 15:01
  Speaker 1: have worked for somebody else though, because they was talking
• 15:03
  Speaker 1: about tour and putting you with this artist like what
• 15:05
  Speaker 1: they do too. They have a lot of big artists
• 15:08
  Speaker 1: sign to their labels they manage and they'll put you
• 15:12
  Speaker 1: with that artist because you'll look good with them, and
• 15:14
  Speaker 1: it'll be like this artist sign. Who are they trying
• 15:16
  Speaker 1: to put you with? I mean, it ain't too many
• 15:19
  Speaker 1: that I haven't been around. I didn't been around them all.
• 15:22
  Speaker 1: But when you're with rock Nation, who are they like?
• 15:23
  Speaker 1: Who do they envision put you with? Who's like you're
• 15:26
  Speaker 1: in the sales meeting and the pitch meeting where they're like, yo,
• 15:29
  Speaker 1: we think you fit. You sound great with this guy?
• 15:30
  Speaker 1: You fit if nobody. But we talked about different artists
• 15:35
  Speaker 1: I work with. But I know how it works. I
• 15:37
  Speaker 1: didn't seen it done before, you know what I'm saying.
• 15:39
  Speaker 1: So it's like, okay, cool, you got a label deal
• 15:41
  Speaker 1: over there. You need artists and you're at this label.
• 15:46
  Speaker 1: So we're gonna sign other artists and then put this
• 15:49
  Speaker 1: with you like you signed them, and you know, blow
• 15:52
  Speaker 1: it up. It's all about a look. Anybody who you
• 15:55
  Speaker 1: see doing the CEO ship as an artist that you
• 15:57
  Speaker 1: really kind of look up to or respect ship Barren
• 16:00
  Speaker 1: Man p he just puffy, Yeah, of course, puffy shit
• 16:08
  Speaker 1: all of them. You know what I'm saying, Cameron, anybody
• 16:13
  Speaker 1: that put they people in position, you know what I'm saying,
• 16:16
  Speaker 1: even if it was a fail, even if it was successful,
• 16:19
  Speaker 1: they tried, right, you know what I'm saying, So you
• 16:22
  Speaker 1: have you been noticing? I was just saying, have you
• 16:24
  Speaker 1: been noticing everyone's selling their catalog because they don't have
• 16:27
  Speaker 1: to grind the shitting they sit in the house, or
• 16:30
  Speaker 1: they don't know how to manage money, so or you
• 16:33
  Speaker 1: understand like when when the pandemic hit, like a lot
• 16:35
  Speaker 1: of them, maybe we're living above their means and living
• 16:39
  Speaker 1: off shows. And we're talking about like the justin Timberlakes
• 16:42
  Speaker 1: that Justin Bieber's QC just sold for three hundred million
• 16:46
  Speaker 1: dollars like QC Pete, Yeah, he sold what the whole
• 16:50
  Speaker 1: of QC got just sold three hundred million to screw
• 16:53
  Speaker 1: to bron Shit, it's probably a crazy ass memory you
• 16:56
  Speaker 1: can't turn down. I would have sold that ship two
• 16:58
  Speaker 1: for three hundred million. But I bet you if he
• 17:01
  Speaker 1: sold it for three hundred me, I bet you, Like
• 17:03
  Speaker 1: the ship is right to work. Cool, Like once you
• 17:05
  Speaker 1: recoup that, they get it back. But like even if
• 17:08
  Speaker 1: you say it Coogue, it's not forever three hundred I
• 17:10
  Speaker 1: don't know, I don't know. I'm gonna give you three
• 17:12
  Speaker 1: hundred million dollars. It's me over here. Now you better
• 17:15
  Speaker 1: put you better put some new shit out. It all
• 17:17
  Speaker 1: depends on like how how structured to deal structure. Every
• 17:21
  Speaker 1: deal is different because like you know, like I heard,
• 17:23
  Speaker 1: like if you say a catalog like it comes back
• 17:25
  Speaker 1: to you after a certain time or whatever, it's not forever. Son. Listen, man,
• 17:28
  Speaker 1: three hundred million dollars, this is me over here for
• 17:32
  Speaker 1: perpetuity for sure. I mean, I'm sure he's gonna make
• 17:36
  Speaker 1: not just three hundred, he's gonna be okay, like he
• 17:38
  Speaker 1: might make six hundred and then double back. They're talking
• 17:43
  Speaker 1: about Michael Jackson's catalog. His family's gonna sell half of
• 17:46
  Speaker 1: it for nine hundred million dollars, but she's about half
• 17:49
  Speaker 1: jaccent Michael Jackson, like every song on his album used
• 17:53
  Speaker 1: to be a single going platinum what I'm saying, But
• 17:55
  Speaker 1: it's just crazy. It's crazy to think seven songs on
• 17:58
  Speaker 1: the tape, so his whole catalogs were like one point
• 18:00
  Speaker 1: eight billion dollars. It's insane. At that point in time,
• 18:04
  Speaker 1: you just take the money, Like what else are you
• 18:05
  Speaker 1: gonna do? Like what do you need more money for it?
• 18:07
  Speaker 1: I don't even see why they doing that. I'm sure
• 18:09
  Speaker 1: his music is generating a lot of money. How much
• 18:11
  Speaker 1: money is too much money? Like where where do you
• 18:13
  Speaker 1: just say, okay, we made it like we have. We
• 18:15
  Speaker 1: can relax no matter what, like going vacation to be working.
• 18:18
  Speaker 1: Do you go on vacation, but my vacations be worked?
• 18:22
  Speaker 1: Like this is my vacation now, I'm chilling. You're in
• 18:25
  Speaker 1: super Bowl week in Arizona. The next come out here
• 18:28
  Speaker 1: with that. I know, but that's what I'm saying. It's
• 18:30
  Speaker 1: not a vacation. You're out here grinding. I don't even
• 18:32
  Speaker 1: know who in the super Bowl Eagles and Chiefs. Okay,
• 18:36
  Speaker 1: come out here for that. I just came to work.
• 18:39
  Speaker 1: So when are you go on vacation now? Like you
• 18:41
  Speaker 1: never go to like can Coon and just chill, but
• 18:43
  Speaker 1: I still work. But what are you doing in Can't Coon?
• 18:46
  Speaker 1: Mother fucking the Mexican rappers pooing up with the bag
• 18:48
  Speaker 1: and that I'm talking about stil like in tune to
• 18:50
  Speaker 1: like what's going on my artists's like, Man, I'm indio
• 18:53
  Speaker 1: can Coon? I throw the fly up, guys, I'm a
• 18:56
  Speaker 1: hard rock cant coon. I just see I didn't ran
• 18:58
  Speaker 1: to people everywhere that a nigga like, I mean, I'm
• 19:01
  Speaker 1: sure people probably do music and can't come like I don't.
• 19:04
  Speaker 1: Just went to Hawaii. Are you allowed to go to Canada? Yeah?
• 19:09
  Speaker 1: That's rough. They don't play over there. Huh. And I
• 19:12
  Speaker 1: got hit up, I hit Drake up. That's Toronto. Well
• 19:17
  Speaker 1: Toronto is in Canada. Yeah he has the pool. Yeah
• 19:20
  Speaker 1: you have to, Yeah for sure. What's up, y'all, bootleg
• 19:23
  Speaker 1: keV here? Hey look my bookie, man, it's a big
• 19:26
  Speaker 1: weekend in sports. The big game is Sunday, Chiefs versus Eagles.
• 19:31
  Speaker 1: I'm all in on the Eagles. I like Jalen Hurts,
• 19:35
  Speaker 1: over on the passing yards, over on the rushing yards.
• 19:37
  Speaker 1: Anytime touchdown score, give me Dallas Goddter. Anytime touchdown score,
• 19:41
  Speaker 1: give me the over. And if anyone on the Chiefs
• 19:44
  Speaker 1: is going to score, I like that Pacheco kid. I
• 19:46
  Speaker 1: like the little running back guy. And of course you
• 19:48
  Speaker 1: got to hammer a Travis Kelce anytime touchdown score. You
• 19:51
  Speaker 1: could do all that at my bookie right now. All right,
• 19:53
  Speaker 1: so many props to bet on at my bookie this weekend.
• 19:56
  Speaker 1: You can bet on the gatorade color that gets poured out.
• 19:58
  Speaker 1: You can bet on on the flip the coin flip
• 20:01
  Speaker 1: at the beginning of the game. All that right now
• 20:03
  Speaker 1: at my bookie, sign up with the promo code Bootleg.
• 20:06
  Speaker 1: When you sign up, they will match your very first
• 20:09
  Speaker 1: deposit up to one thousand dollars with that promo code Bootleg.
• 20:13
  Speaker 1: So go to my bookie dot ag sign up for
• 20:16
  Speaker 1: an account promo code Bootleg. Whatever you put in, they're
• 20:20
  Speaker 1: gonna double it as long as it's not more than
• 20:22
  Speaker 1: a thousand. You put nine hundred and ninety nine dollars in,
• 20:25
  Speaker 1: they're gonna give you another nine ninety nine. You put
• 20:28
  Speaker 1: one thousand in, they're gonna give you another thousand. By
• 20:30
  Speaker 1: the way, if you do the nine ninety nine, why
• 20:31
  Speaker 1: not just do the full thousand, You cheap bastard. Anyway,
• 20:34
  Speaker 1: my bookie right now, man, it's a big weekend. Also,
• 20:36
  Speaker 1: I just wanted to like to point out everyone should
• 20:38
  Speaker 1: be putting some of that money, sprinkling a little bit
• 20:40
  Speaker 1: of that action on the Phoenix Suns to win the
• 20:41
  Speaker 1: championship this year because we have Kevin Durant. Oh yeah,
• 20:45
  Speaker 1: oh yeah, my bookie. Sign up with that promo code Bootleg. Also,
• 20:48
  Speaker 1: shout out to our family at Hardean Hardan Las Vegas. Yes,
• 20:53
  Speaker 1: you see him. I was just there in Vegas yesterday.
• 20:56
  Speaker 1: This is the best place I've ever been to in
• 20:59
  Speaker 1: terms of dispensaries. I've been to probably hundreds of these things,
• 21:03
  Speaker 1: and the experience at Hardan is like nowhere else. The
• 21:08
  Speaker 1: customer service, the selection of premium cannabis, the experience as
• 21:12
  Speaker 1: a customer that you get when you walk into the
• 21:15
  Speaker 1: building in Las Vegas is bar none the best. It's
• 21:18
  Speaker 1: just the best, man, they are the best. We got
• 21:20
  Speaker 1: so much going on this weekend. They're sponsoring the Rolling
• 21:23
  Speaker 1: Stone party on Friday, super Bowl weekend, Fabulous Thursday, Offset Friday,
• 21:28
  Speaker 1: Meek Saturday. It's a lot going on with hard Dean.
• 21:30
  Speaker 1: You got to follow him at Hardean Underscore Las Vegas
• 21:33
  Speaker 1: right now. Shoot them a follow on Instagram while you're
• 21:36
  Speaker 1: at it. Go to the website Hardeinlasvegas dot com. So
• 21:39
  Speaker 1: much fly gear, so much flyweed. What are we talking about? Baby?
• 21:42
  Speaker 1: Shout out to Hardean. Man, that's the family. Man. Go
• 21:45
  Speaker 1: if you're in Vegas, pull up on them man, Hardean,
• 21:47
  Speaker 1: Las Vegas. What else? Obviously we were talking about the label.
• 21:51
  Speaker 1: But for you, what is coming up for you? Man?
• 21:53
  Speaker 1: I just dropped the EP weekend in LA, like last
• 21:59
  Speaker 1: weekend for my birthday. That assuming that was recorded on
• 22:02
  Speaker 1: the weekend in LA. Okay, yeah, you know I got
• 22:04
  Speaker 1: the week in Detroit, weekend in Houston, week in LA.
• 22:07
  Speaker 1: I want to do a weekend in New York ted
• 22:09
  Speaker 1: to a weekend in Phoenix. I got it. But it's
• 22:11
  Speaker 1: all LA artists on the album. It's a man, there's
• 22:14
  Speaker 1: some great artists here. Name so Chris Coke, who his
• 22:18
  Speaker 1: name is, Chris Coke, Chris Coke, whoever Daily Finesse, Markhams, Markhams.
• 22:24
  Speaker 1: There's some amazing artists here. I'll put you on shout
• 22:26
  Speaker 1: out to all of them there. Chris Coke is hard. Yeah, okay,
• 22:29
  Speaker 1: but that's how I did it. Like when I went
• 22:31
  Speaker 1: to Detroit, recorded the music, went to Houston, link up
• 22:34
  Speaker 1: with the artists in the city. Yeah, like the hottest
• 22:36
  Speaker 1: artists out there right now, you know. But I wanted
• 22:39
  Speaker 1: to go on in New York and then like all
• 22:42
  Speaker 1: my artists, like probably like four of them all dropping
• 22:44
  Speaker 1: in February. Shit, it's my young junir just drop skinny
• 22:49
  Speaker 1: tea drop tomorrow. How big is your team? Like that
• 22:52
  Speaker 1: helps you with all this stuff? It's just really me
• 22:55
  Speaker 1: and my product manager that Impire. Who's that now? Our
• 22:59
  Speaker 1: name is Olivia now oh shot to live Live Solid.
• 23:03
  Speaker 1: That's just me and her every day. That's it. Huh.
• 23:07
  Speaker 1: You should hire one more person. Well, I got I
• 23:09
  Speaker 1: got a Norton, got my boy in La Matt Black
• 23:13
  Speaker 1: with Corey in Vegas in Oakland, my boy depot. How
• 23:18
  Speaker 1: is the dog breeding business over with? The pandemic over with? Yeah?
• 23:25
  Speaker 1: Because no one's got all that PPP money to drop
• 23:27
  Speaker 1: on their exotic frenchies by six dogs a day. Jesus
• 23:31
  Speaker 1: at one time, where do you keep all of the dogs.
• 23:34
  Speaker 1: I had bought a whole built the whole dog like house,
• 23:38
  Speaker 1: like I spell, like two fifty like on the house,
• 23:40
  Speaker 1: like marble floors a c They had like stalls in
• 23:44
  Speaker 1: their glass. You could see them through backyard basketball court water.
• 23:50
  Speaker 1: Well it was the dogs had a basketball court. It
• 23:52
  Speaker 1: was It was nice. You know what I'm saying. But
• 23:55
  Speaker 1: who's jerking the dog off the vet? Vet? Yeah? Playing
• 24:00
  Speaker 1: like that? Ain't that serious? My boy in Vegas does
• 24:03
  Speaker 1: does it himself? They don't. They don't got time to
• 24:06
  Speaker 1: go Las Vegas money bullies. Look at him. Ron Dieszel
• 24:09
  Speaker 1: loves jerking his dogs. I don't seen a lot of
• 24:11
  Speaker 1: people do it, Like I'd've been to a lot of
• 24:14
  Speaker 1: different places. They put the dog down through everything, like
• 24:17
  Speaker 1: take the seaman out, put it in the girl, put
• 24:19
  Speaker 1: it asleep, story, back up, everything like right there, like
• 24:23
  Speaker 1: at a house. That sounds like something like going to
• 24:26
  Speaker 1: someone's house to get a BBL. Yeah, that sounds wild crazy.
• 24:29
  Speaker 1: We got dogs in the getting that much money off
• 24:32
  Speaker 1: that shit? You don't got time for all that. Like
• 24:34
  Speaker 1: it's kind of crazy too, like with all the robberies
• 24:36
  Speaker 1: that be happening on these frenchies see me, I'm taking
• 24:38
  Speaker 1: mine as a bad shout out doctor Bivins in Vegas,
• 24:41
  Speaker 1: that's who I go to. Man, are you worried, like, like,
• 24:44
  Speaker 1: have you had anyone try to try for one of
• 24:46
  Speaker 1: these dogs? No't like that. It's pretty hot out here.
• 24:50
  Speaker 1: I ain't going like that. Yeah, I feel like owning
• 24:53
  Speaker 1: a Frenchie is like a fucking security hazard. No, really
• 24:56
  Speaker 1: believe they doing that to like people. They feel like,
• 24:59
  Speaker 1: you know, let's go a board push over somebody. Like
• 25:01
  Speaker 1: you know what I'm saying, Uh, what's the hottest dog
• 25:05
  Speaker 1: besides the Frenchie? If you were? If you were? Sorry,
• 25:07
  Speaker 1: English bulldogs so English. I got English bulldogs, but I've
• 25:10
  Speaker 1: just seen some new some new Frenchies. They got the
• 25:13
  Speaker 1: new ones on them. In the fluffy they got like
• 25:16
  Speaker 1: a rope, like a sharp pey. Hm hmm, like crazy.
• 25:19
  Speaker 1: You know, they mixed with something, even the mutant dog.
• 25:22
  Speaker 1: Even the fluffies are mixed like all that shit is
• 25:25
  Speaker 1: like genetics. That sh just got probably mixed with cocker
• 25:28
  Speaker 1: spaniel or something. Jesus, how does that work? Is they
• 25:31
  Speaker 1: just make these dogs until they get something cool, like
• 25:34
  Speaker 1: we figured it out. So they it's just like it's
• 25:37
  Speaker 1: like Okay, they probably tried the first time and it's
• 25:40
  Speaker 1: just too too much. So what happens with those dogs?
• 25:42
  Speaker 1: They send it out then it out to give those
• 25:44
  Speaker 1: dogs away to put them down, probably be at the
• 25:46
  Speaker 1: at the spcation where so they thin it out until
• 25:50
  Speaker 1: it's like more of what they so like, even though
• 25:52
  Speaker 1: Billy Billy is really like an English bulldog in the
• 25:55
  Speaker 1: uh in the pit bull, so I got the pit
• 25:57
  Speaker 1: bull ahead and the English bulldog body. Those poor bullies, man,
• 26:00
  Speaker 1: they just look uncomfortable. They're just like you can't see
• 26:05
  Speaker 1: mine if I showed you mine. Shout out to bipolar.
• 26:07
  Speaker 1: Oh this that's the father of my You have a
• 26:11
  Speaker 1: boy right now that niggas buff is here. How do
• 26:14
  Speaker 1: you get a dog buff? It's got to be in
• 26:17
  Speaker 1: one of the genetics. Oh so you don't like work out,
• 26:19
  Speaker 1: knock it out now, they just genetically like that. Like
• 26:21
  Speaker 1: his arms is just cocky like that, and you and
• 26:24
  Speaker 1: all his puffs you know that? Yeah, Wow, shout out
• 26:28
  Speaker 1: to him. Probably a terrible father man. You don't even
• 26:32
  Speaker 1: know all his kids. That's what I mean. He's fucked up.
• 26:34
  Speaker 1: Bi polar is a bad day anyway. So you say,
• 26:39
  Speaker 1: Young Jr. Just dropped, and JR Just dropped, Skinny Tea
• 26:43
  Speaker 1: dropped tomorrow, Fantee drop on twenty fifth dollar, Dame drop
• 26:48
  Speaker 1: on the fourteen. That's all in February, and then ship
• 26:54
  Speaker 1: we got Mac got de Bot dropping on the third,
• 26:59
  Speaker 1: Little Steve happen. We're working, man, Like you know, if
• 27:02
  Speaker 1: you're in tuning me, then you're gonna be in tuning
• 27:04
  Speaker 1: timm me see what's going on. Just bang, just drop
• 27:08
  Speaker 1: my nephew j money about to drop. Man, were working,
• 27:11
  Speaker 1: I ain't doing no plan. Not gambling on the game obviously,
• 27:15
  Speaker 1: because you don't even know who's in it. You're not
• 27:18
  Speaker 1: gambling on the Super Bowl. No, no, come on, I
• 27:20
  Speaker 1: don't gamble on none. I can't control. Well, then what
• 27:23
  Speaker 1: do you gamble on? I used to gamble shooting dice.
• 27:26
  Speaker 1: You can't control that myself. I'm shooting dice, but you
• 27:31
  Speaker 1: can't control with the dice. Bet on myself where you shoot?
• 27:33
  Speaker 1: You bet on the next man. I'm gonna say, were
• 27:35
  Speaker 1: you shooting with some loaded dice? No? No, no, I'm
• 27:37
  Speaker 1: not going to bet on the next man. I don't know.
• 27:39
  Speaker 1: You know what I'm saying, that go out. He might
• 27:40
  Speaker 1: be having a bad day. He's like, I only bet
• 27:43
  Speaker 1: on myself, and if I provide the dice to the game. No, no,
• 27:46
  Speaker 1: no, no no no, I don't got to provide the dice.
• 27:48
  Speaker 1: But the person that provide the dice most likely be
• 27:51
  Speaker 1: the one that lose. That's like the myth. But yeah,
• 27:56
  Speaker 1: do you like playing craps in Vegas? Yeah? I can't
• 27:59
  Speaker 1: just bet on if you plan today? Who I can't
• 28:03
  Speaker 1: bet on? You might be having a bad day. You
• 28:05
  Speaker 1: might be arguing with your girl, you might be rigged.
• 28:07
  Speaker 1: They might pay you to to not score or whatever.
• 28:09
  Speaker 1: I don't got time for that, you know what I'm saying.
• 28:11
  Speaker 1: Rather it's just you watch sports. Uh. I don't really
• 28:14
  Speaker 1: watch TV nothing. Only thing I've been watching is uh
• 28:19
  Speaker 1: BMF and uh Godfather Harlem shot out to Forrest Whittaker.
• 28:26
  Speaker 1: That just came back on. I was watching Snowfall. Snowfall's
• 28:29
  Speaker 1: coming back. Yeah, shit like that. You don't watch Yellowstone,
• 28:33
  Speaker 1: uh with the other one, not BMF, the other fifty
• 28:38
  Speaker 1: cent movies power power that. Well there it is filthy rich.
• 28:43
  Speaker 1: We're in Arizona for the Super Bowl. Who playing again?
• 28:46
  Speaker 1: The Eagles and the Chiefs. Patrick mahonmes Rius Jalen HURTSKC.
• 28:51
  Speaker 1: I'm gonna go old case Man shot out Casey Man.
• 28:53
  Speaker 1: I love Casey. Yeah. That is obviously a very Uh
• 28:57
  Speaker 1: that's where mac dre passed away. Yeah. Man, I was
• 29:00
  Speaker 1: just out there. Man, they love me out too, I
• 29:02
  Speaker 1: bet they do. It's like another Bay it is it
• 29:06
  Speaker 1: is they shut a love man for sure. Who's going from?
• 29:10
  Speaker 1: I mean I booked me I booked Meek Mill one night,
• 29:12
  Speaker 1: so I'm kind of hoping the Eagles win. You bet
• 29:15
  Speaker 1: I do? Bet? Yeah? Yeah, I'm saying you bet it
• 29:16
  Speaker 1: on the game. I haven't bet yet. I haven't decided yet. Man.
• 29:18
  Speaker 1: I just got into town last night. So the sports
• 29:21
  Speaker 1: books are legal here, they're not legal in Cali. So
• 29:23
  Speaker 1: I gotta I gotta look at the lines. You know,
• 29:26
  Speaker 1: I'm gonna keep your money, man, I'm gonna throw some
• 29:28
  Speaker 1: I gotta put a taste on it, mane, I just
• 29:30
  Speaker 1: need a taste. Nothing crazy. You got You got Meek
• 29:33
  Speaker 1: at eleven eleven. Yeah, I got enough gambling happening with
• 29:36
  Speaker 1: all the artists that I've fucking booked this weekend. Okay,
• 29:39
  Speaker 1: so the gamble's happening for sure, It's just it's not
• 29:42
  Speaker 1: on the game. But yo, man, filthy rich. Appreciate you
• 29:46
  Speaker 1: pulling up brother appreciation. Yes, sir, we'll get back up
• 29:48
  Speaker 1: in Cali soon. Boom