Latest / DISGRACELAND / Method Man (Wu-Tang Clan Chapter 3): Dice Games, Dodged Bullets, and Murder in the Street
Transcript
- 0:00Speaker 1: Disgraceland as a production of Double Elvis. The stories about
- 0:21Speaker 1: the Wu Tang clans method Man are insane. As a teenager,
- 0:27Speaker 1: he won eight hundred dollars on a five dollars bet
- 0:29Speaker 1: in a dice game. He used those winnings to set
- 0:32Speaker 1: himself up as a crack dealer on Staten Island. He
- 0:37Speaker 1: was dragged down the street by a car when a
- 0:39Speaker 1: buyer stole his product and sped off. His life was
- 0:43Speaker 1: saved by a friend who pulled him out of the
- 0:45Speaker 1: wrong place at the right moment, a moment in which
- 0:47Speaker 1: he literally dodged a bullet. That friend was the Rizza
- 0:52Speaker 1: who offered Method Man a spot in the new hip
- 0:55Speaker 1: Hop supergroup. He was assembling a group that made great music,
- 1:01Speaker 1: some of the most enduring hip hop music of all time.
- 1:04Speaker 1: Unlike that clip I played for you at the top
- 1:07Speaker 1: of the show. That wasn't great music. That was a
- 1:10Speaker 1: preset loop from my melotron called Kmart Wardrobe MK two.
- 1:17Speaker 1: I played you that loop because I can't afford the
- 1:20Speaker 1: rights to Bump and Grind by R Kelly. And why
- 1:23Speaker 1: would I play you that specific slice of thirty one
- 1:27Speaker 1: year prison sentenced cheese? Could I afford it because that
- 1:32Speaker 1: was the number one song in America on April twenty ninth,
- 1:35Speaker 1: nineteen ninety four, and that was the day that Ernest Seyon,
- 1:40Speaker 1: known to Method Man as Case, was choked to death
- 1:43Speaker 1: by cops on Staten Island, a senseless tragedy that had
- 1:47Speaker 1: a major ripple effect on Wu Tang's community and home base.
- 1:52Speaker 1: On this episode, dice games, drug games, stolen products, dodge.
- 1:57Speaker 2: Bullets, a death on Staten Island, and Wu Tang Clans
- 2:02Speaker 2: Method Man.
- 2:03Speaker 1: I'm Jake Brennan, and this is Disgraceland. From up on
- 2:38Speaker 1: the roof, he could see everything, the sidewalk, the street,
- 2:43Speaker 1: the cars coming and people going. Staten Island hummed with activity.
- 2:48Speaker 1: Clifford Smith, the teenage kid that the world would later
- 2:51Speaker 1: know as Method Man, I wanted to make sure that
- 2:55Speaker 1: all that activity down below wasn't following him, the young
- 3:01Speaker 1: mass aka cliff Here. He surveyed the scene.
- 3:04Speaker 2: From his rooftop perch.
- 3:07Speaker 1: No one was looking for him, no one was after him.
- 3:10Speaker 2: Good.
- 3:12Speaker 1: He pulled the water cash from the pocket of his
- 3:14Speaker 1: dirty jeans. He counted it, and then he counted it again,
- 3:18Speaker 1: eight hundred dollars. He could hardly believe it was real,
- 3:23Speaker 1: but it was real. It was surreal not only the
- 3:26Speaker 1: fact that he, Clifford Smith, had eight hundred dollars in
- 3:30Speaker 1: his hand, but that he had won it on a
- 3:32Speaker 1: five dollars bet. An aspet no less, he didn't make
- 3:37Speaker 1: a habit of as betting, but desperate times and all that.
- 3:41Speaker 1: An aspet is definitely desperate, if not stupid and cocky too.
- 3:46Speaker 1: That's when you make a bet on a dice game
- 3:47Speaker 1: but actually have no money to back it up if
- 3:50Speaker 1: that bet you made loses. Cliff didn't see any other choice.
- 3:54Speaker 1: He needed the cash and was willing to take a
- 3:56Speaker 1: chance in order to get it. For a while, he
- 3:59Speaker 1: had a job, a good job, assistant manager at the
- 4:02Speaker 1: Statue of Liberty, the kind of job you could brag
- 4:05Speaker 1: about back in the projects. But he lost that job,
- 4:08Speaker 1: sidelined with a foot injury. This was the late eighties.
- 4:12Speaker 1: Cliff was sixteen, paid time off for a teenager.
- 4:16Speaker 2: You couldn't do the work and you didn't have a job.
- 4:18Speaker 2: It was as simple as that. He was out of options.
- 4:22Speaker 1: The cassette tapes he was making under the name Cha
- 4:24Speaker 1: Quan the poet Sha Kwan being his five percenter name,
- 4:27Speaker 1: were for bragging rights only, not for big bucks. On
- 4:31Speaker 1: tracks like Panny Raider in My House, My House, Cliff
- 4:34Speaker 1: as Chakwan kicked rhymes over rudimentary cassio keyboard beats. He
- 4:39Speaker 1: was something of a sensation in the park Hill projects,
- 4:43Speaker 1: and the notoriety came easy. The money did not look around.
- 4:48Speaker 1: No one had money in park Hill. Cliff didn't know
- 4:50Speaker 1: anything different, but he knew there was something better out there.
- 4:54Speaker 1: It was definitely something better than the way things used
- 4:57Speaker 1: to be years ago. Cramped inside a Manhattan shelter for
- 5:03Speaker 1: battered women with his mom and two sisters who knew
- 5:06Speaker 1: where Cliff's father was. He didn't want to be around,
- 5:09Speaker 1: and Cliff didn't want someone around or didn't want to
- 5:11Speaker 1: be around, and the family could do without. There were
- 5:15Speaker 1: a lot of things Cliff could do without, like the
- 5:17Speaker 1: Staten Island beat cops who roamed the halls of his
- 5:20Speaker 1: apartment building, using the presence of their service revolvers or
- 5:23Speaker 1: the color of their skin as an excuse.
- 5:25Speaker 2: To do whatever they wanted.
- 5:27Speaker 1: Harassment, humiliation, illegal searches on teenagers, illegal searches on kids
- 5:33Speaker 1: like Cliff saw bullshit. Cliff wasn't a suspect. He gave
- 5:38Speaker 1: the cops zero reason to talk to him, let alone
- 5:40Speaker 1: stop him. But the cops didn't need a reason. Empty
- 5:43Speaker 1: your pockets, hands up against the wall, spread them, walking
- 5:48Speaker 1: out the front door of your apartment. Every day was
- 5:50Speaker 1: a gamble. Everything he did was a gamble. Every choice
- 5:53Speaker 1: you made, and either you gambled on your own life
- 5:56Speaker 1: or someone else would. So Cliff made the bet, put
- 6:01Speaker 1: down five bucks he didn't actually have on the Neighborhood
- 6:03Speaker 1: Crabs game. If the dice rolled anything but a seven
- 6:06Speaker 1: or eleven, he was fucked. He thought about what he
- 6:10Speaker 1: would do if that happened, About how fast he could
- 6:12Speaker 1: get out of there and disappear into a cluster of pedestrians,
- 6:15Speaker 1: swim up stream, lay low, but on a busted leg. Seriously,
- 6:21Speaker 1: this idea was looking dumber by the second. There was
- 6:25Speaker 1: no going back now he didn't make a bet and
- 6:28Speaker 1: then unmake the bet. The rest of the players anted
- 6:31Speaker 1: up major skin in the game. Cliff, meanwhile, was worried
- 6:35Speaker 1: about his actual skin. He rattled the dice around in
- 6:38Speaker 1: his clenched fist, and with a flick of his wrist
- 6:41Speaker 1: he tossed them and they rolled under the pavement and
- 6:43Speaker 1: settled one die red three in the other four seven jackpot.
- 6:54Speaker 1: Cliff was up on that rooftop, now taking it all
- 6:57Speaker 1: in the amount of money in his hands, the relative
- 7:00Speaker 1: safety of his surroundings, and his luck. He felt like
- 7:03Speaker 1: he just pulled off a heist or a magic trick.
- 7:07Speaker 1: And now that he had actually turned an aspect into
- 7:09Speaker 1: a major win, it was time to double down. Turned
- 7:12Speaker 1: that eight hundred bucks into more money, Double it, triple it.
- 7:17Speaker 1: This wasn't savings account money, and it wasn't tied you
- 7:20Speaker 1: over till the next job kind of money either. Eight
- 7:23Speaker 1: hundred dollars was the perfect amount of money to get
- 7:25Speaker 1: you set up as a player in park Hill's single
- 7:28Speaker 1: most booming industry. Clifford Smith invested that money and crack.
- 7:36Speaker 1: The car came to a stop on a staten Island
- 7:39Speaker 1: street and the driver leaned over towards the open passenger
- 7:42Speaker 1: side and looked out the open window and waited. Cliff
- 7:45Speaker 1: was already running from the sidewalk to the car in
- 7:48Speaker 1: the street.
- 7:49Speaker 2: Fast.
- 7:50Speaker 1: You were either fast or you're out of a sale.
- 7:53Speaker 1: And there were just too many other dudes slinging rock
- 7:55Speaker 1: in park Hill. The competition was stiff, but it wasn't
- 7:58Speaker 1: about who was the best This wasn't a hair salon.
- 8:01Speaker 1: A buyer didn't have their person. It was all about
- 8:04Speaker 1: who was the fastest. It was all about car running.
- 8:08Speaker 1: You get to the car first, you get the sale,
- 8:11Speaker 1: and you get the money. Cliff was winded when he
- 8:15Speaker 1: reached the idling sedan. He leaned inside the open passenger
- 8:18Speaker 1: side window extended his hand. Inside his palm were about
- 8:22Speaker 1: ten small vials, just the fraction of the drugs his
- 8:26Speaker 1: dice game winnings had afforded him. How many you want?
- 8:30Speaker 1: And the driver didn't hesitate all of them? He responded,
- 8:33Speaker 1: and then he swatted at Cliff's hand with his own.
- 8:35Speaker 1: The vials spilled under the passenger seat. The driver grabbed
- 8:38Speaker 1: the gearshift and hit the gas, and the tires squealed.
- 8:41Speaker 1: Cliff clung out of the passenger door. As the car
- 8:43Speaker 1: began to move. He dug his fingers into the upholstery
- 8:46Speaker 1: and tried to hold on. The car picked up speed.
- 8:48Speaker 1: Cliff's sneakers dragged along the pavement. He tried to run
- 8:51Speaker 1: alongside the car, but it.
- 8:53Speaker 2: Was going too fast. He felt his knees begin to
- 8:55Speaker 2: buckle shit and lost his grip, and he was thrown
- 8:57Speaker 2: to the ground. As the car disappeared into the disc.
- 9:00Speaker 2: It's quite literally left.
- 9:02Speaker 1: In the dust, no vials and no money. What was
- 9:06Speaker 1: he thinking leaning all the way into the car, his
- 9:10Speaker 1: hand wide open, with all that product free for the taking.
- 9:14Speaker 1: Rookie mistake is what That was a kind of mistake.
- 9:17Speaker 2: That happens for a reason. That's how you learn.
- 9:20Speaker 1: That's how you understand, because next time it wouldn't be
- 9:23Speaker 1: some vials of drugs slapped out a close hand. Next
- 9:26Speaker 1: time it would be his own life that was on
- 9:29Speaker 1: the line. Lamont Hawkins, soon to be better known by
- 9:53Speaker 1: his five percenter name Universal God aka You God, and
- 9:58Speaker 1: also soon to be better known as a member of
- 10:00Speaker 1: the formidable Wu Tank Clan with the likes of Corey
- 10:03Speaker 1: Woods aka Ray Kwan the Chef and Clifford Smith aka
- 10:07Speaker 1: Method Man, was a good friend. Lamont partied with Corey
- 10:11Speaker 1: at the Union Square Nightclub and worked with Cliff at
- 10:14Speaker 1: the Statue of Liberty. But Lady Liberty was in the past.
- 10:18Speaker 1: Now Cliff and You God were selling crack together on
- 10:21Speaker 1: Staten Island. Whether it was working an odd job or
- 10:25Speaker 1: working a crack deal, having friends who had your back
- 10:28Speaker 1: was key. Friends were necessary, As You God later set
- 10:32Speaker 1: himself in his autobiography, Knowing the right people could potentially
- 10:36Speaker 1: save your life. Cliff had his life saved by the
- 10:40Speaker 1: right people twice. The first time it was the New
- 10:44Speaker 1: York Police on the prowl. The Tactical Narcotics Team or TNT,
- 10:49Speaker 1: the street level task force created by the NYPD to
- 10:52Speaker 1: take down low level drug dealers, was in park Hill
- 10:56Speaker 1: in that day. No one saw the undercover cop who
- 10:59Speaker 1: made the deal, but everyone saw what happened next. Police cruisers, sirens,
- 11:05Speaker 1: blue shirts, suns out, guns out, Dealers scattered, plain clothes
- 11:10Speaker 1: and uniform. Cops gave chase, and they tuned up whoever
- 11:13Speaker 1: they could catch. Some guys stopped and put their hands up,
- 11:16Speaker 1: dropped to the ground, did as they were told. Others
- 11:19Speaker 1: ran as if their lives depended on it. You God
- 11:22Speaker 1: spotted T and T before Cliff, did you. God looked
- 11:25Speaker 1: over a Cliff crossed the way Cliff was holding you.
- 11:28Speaker 1: God didn't have to say a word, just gave Cliff
- 11:30Speaker 1: a look, a look that didn't say a thousand words,
- 11:33Speaker 1: Just two go now, the kind of unspoken chemistry that
- 11:38Speaker 1: would one day paid dividends in a recording studio. Cliff
- 11:42Speaker 1: was running fast, as he ran from that dice game
- 11:45Speaker 1: to the rooftop fast as he ran to the cars
- 11:47Speaker 1: in the street to make a sail. In a flash,
- 11:49Speaker 1: he was off the sidewalk and inside his building, blood pumping,
- 11:53Speaker 1: part pounding. His feet hit the staircase. He was moving
- 11:56Speaker 1: faster now he assumed.
- 11:58Speaker 2: The worst that the cops for a step behind him.
- 12:01Speaker 1: He made it to his apartment, got rid of his vials,
- 12:03Speaker 1: then back down the stairs without being spotted, and while
- 12:06Speaker 1: the cops came in through the front and back doors,
- 12:09Speaker 1: Cliff slipped out of a side door. His body surged
- 12:11Speaker 1: with pure adrenaline. The second time Cliff's life was saved
- 12:16Speaker 1: was in July nineteen ninety two. Cliff was twenty one,
- 12:21Speaker 1: but once again it helped to know the quote unquote
- 12:23Speaker 1: right people. Bobby Diggs aka the Rizza, was chilling on
- 12:27Speaker 1: a park Hill Avenue stoop alongside Raycon and Jason Hunter
- 12:31Speaker 1: aka Inspected Deck. Only a few months earlier. Rizza returned
- 12:36Speaker 1: to New York after being found not guilty of attempted
- 12:39Speaker 1: murder in Ohio. He was back with a new purpose
- 12:42Speaker 1: in life. He was telling Ray and Deck about this
- 12:45Speaker 1: new purpose, this clan, and how they both fit into it.
- 12:49Speaker 1: He was telling them how others fit into it too,
- 12:51Speaker 1: other guys from around the way, like that cat across
- 12:54Speaker 1: the street right now, Clifford Smith. The guy was walking
- 12:57Speaker 1: on the opposite sidewalk as they spoke, Riza and the
- 13:01Speaker 1: guy's all new Cliff as Sheikwuan the poet freestyling on
- 13:04Speaker 1: the corner handing out his latest tape. He could rhyme,
- 13:08Speaker 1: and he was also a good looking dude, which meant
- 13:11Speaker 1: that he scored points with the ladies. Having Cliff in
- 13:14Speaker 1: your group would seriously up the ratio of women to
- 13:16Speaker 1: men in the crowd at your shows. At the moment,
- 13:20Speaker 1: Cliff was headed to one sixty park Hill Ave.
- 13:23Speaker 2: That's where the weed was.
- 13:24Speaker 1: Everyone knew the best weed was at one sixty the
- 13:27Speaker 1: one six oh, and Cliff Well, he liked.
- 13:30Speaker 2: Weed more than most.
- 13:32Speaker 1: In fact, he smoked so much weed that Rizza didn't
- 13:34Speaker 1: call him by his birth name, and he didn't call
- 13:36Speaker 1: him by his five percenter name. Rizza called Cliff method
- 13:40Speaker 1: or methical, both Staten Island slang from marijuana meth for short.
- 13:47Speaker 1: In Rizza's mind, it was more than just a nickname.
- 13:50Speaker 1: It was a new identity that separated the past from
- 13:52Speaker 1: the future, an identity that was crucial to the musical
- 13:55Speaker 1: world building Rizza was currently mapping out in his head.
- 13:59Speaker 1: Riza hollered him come over here, and Meth paused. He
- 14:03Speaker 1: looked in Rizzi's direction, and Rizza threw a hand on.
- 14:07Speaker 1: Meth stood in front of the building at one six
- 14:08Speaker 1: to zero park Kilive looked at the door and then
- 14:11Speaker 1: turned back to Rizam and the guys, trying to make
- 14:13Speaker 1: up his mind. Weed first or Rizza first? Nah Rizza first?
- 14:20Speaker 1: The weed would still be there later on, Risam might not.
- 14:24Speaker 2: Meth walked over to Rizzi's side of the street.
- 14:26Speaker 1: What's good? Riza had the details. Wu Tang was about
- 14:29Speaker 1: to go from concept to reality. Wu Tang was where
- 14:32Speaker 1: Meth belonged, not here out on the street getting robbed
- 14:35Speaker 1: by fiends and dragged by their cars or chased by
- 14:38Speaker 1: the NYPDS, T and T squad. Rizza had a life
- 14:41Speaker 1: changing experience, and now he was about to change the
- 14:44Speaker 1: lives of everyone else. It was like the Supreme numbers said,
- 14:48Speaker 1: one you do the knowledge, two you do the wisdom,
- 14:52Speaker 1: and three you truly understand one in two. Wu Tang
- 14:56Speaker 1: wasn't just another hip hop group. It was a way out,
- 14:59Speaker 1: that was and they could all understand. And just then
- 15:03Speaker 1: a car came to a screeching halt on the other
- 15:05Speaker 1: side of the street, directly in front of number one
- 15:08Speaker 1: six to SOHO. A small cluster of people were standing
- 15:10Speaker 1: on the sidewalk outside, people going inside to buy weed,
- 15:13Speaker 1: or people who'd already bought weed and were on their
- 15:15Speaker 1: way out, standing in the exact spot where meth had
- 15:18Speaker 1: just been moments before. And there were shouting, loud music
- 15:23Speaker 1: booming from the car's stereo, and then gunshots after rapid fire,
- 15:29Speaker 1: flashes of light from inside the car, smoke, the car's
- 15:32Speaker 1: wheels began to spin, rubber burning on asphalt, the muffler rumbled,
- 15:36Speaker 1: and the engine raced. The car shot off down the avenue,
- 15:40Speaker 1: and quickly the sounds of chaos were replaced with the
- 15:42Speaker 1: sounds of screams, people writhing on the ground, shrieking in pain.
- 15:46Speaker 1: Four injured, another, a kid just sixteen years old dead.
- 15:50Speaker 1: A kid wasn't even involved in hustling on the streets,
- 15:53Speaker 1: A kid who had walked up the street to get
- 15:54Speaker 1: his mom a pack of menhals and was on his
- 15:56Speaker 1: way back home.
- 15:57Speaker 2: Beth could have been that kid. Meth almost was that kid.
- 16:01Speaker 1: If Rizza hadn't been there across the street, if Rizza
- 16:05Speaker 1: hadn't called Meth over talk to him about this greater purpose,
- 16:09Speaker 1: chances are Meth would be bleeding out on that park
- 16:11Speaker 1: Hill Avenue sidewalk right now. And this realization hit Meth hard.
- 16:18Speaker 1: One decision made all the difference, just one, all the difference,
- 16:23Speaker 1: the difference between here or there, dead or alive, odd
- 16:29Speaker 1: or even this door that path. Rizza, the man who
- 16:34Speaker 1: would just save Meth's life by hollering at him from
- 16:36Speaker 1: across the street, looked at Meth and told him that
- 16:39Speaker 1: he had the route.
- 16:41Speaker 2: He knew the way.
- 16:42Speaker 1: Get on the bus Rizza was driving. Just don't ask
- 16:46Speaker 1: where they were going. Five years, I saw Riza needed.
- 16:50Speaker 1: Give him five years and they'd have a number one record,
- 16:53Speaker 1: Plus they'd be.
- 16:54Speaker 2: Far away from all of this.
- 16:57Speaker 1: Rizza obviously had the knowledge and the wisdom, and Meth well,
- 17:02Speaker 1: he had never understood anything so clearly in all his life.
- 17:12Speaker 2: We'll be right back after this. We're, We're, We're.
- 17:20Speaker 1: November ninth, nineteen ninety three, was a big day for
- 17:23Speaker 1: fans of New York hip hop. Two records hit store
- 17:26Speaker 1: shows that day, a tribe called Quest released their much
- 17:29Speaker 1: anticipated third studio album, Midnight Marauders, and newcomers Wu Tang
- 17:34Speaker 1: Clan released their debut Entered the Wu Tang thirty six
- 17:37Speaker 1: chambers Try was at the height of their powers and
- 17:41Speaker 1: their popularity. Midnight Marauders took off like a shot, all
- 17:44Speaker 1: the way at number eight on the Billboard two hundred
- 17:47Speaker 1: certified gold in just two months. Wu Tang, on the
- 17:50Speaker 1: other hand, wasn't so fast out of the gate. Where
- 17:53Speaker 1: Midnight Marauders was hooky and lean and to the Wu
- 17:56Speaker 1: Tang was dense, It was grimy, murky, cross stitch of
- 18:01Speaker 1: kung fu samples, coded language, altered egos, and pop culture references.
- 18:06Speaker 1: It wasn't gangster rap, and it wasn't conscious rap, and
- 18:09Speaker 1: it wasn't party rap. It was its own thing. It
- 18:13Speaker 1: made listeners work, and though many of those listeners put
- 18:16Speaker 1: down their hard earned cash for a copy, thirty thousand
- 18:19Speaker 1: units sold in the first week alone, the album peaked
- 18:22Speaker 1: only number forty one on the Billboard two hundred, not
- 18:25Speaker 1: even close to the number one spot Rizza had promised
- 18:28Speaker 1: to the rest of the clan. But in his defense,
- 18:31Speaker 1: it was a five year plan and five years had
- 18:34Speaker 1: yet to pass since he'd made that promise. Anyway, word
- 18:38Speaker 1: began to build. The clan put in the work. They
- 18:40Speaker 1: performed raucous live shows, They hit the road, and they
- 18:45Speaker 1: brought the Ruckus to major markets far beyond New York.
- 18:48Speaker 1: They were both dead serious and absolute gestures, a transgressive
- 18:52Speaker 1: collective of creative thinkers who wormed their way into the
- 18:55Speaker 1: hip hop world and exploded it from within. By January
- 18:59Speaker 1: of nineteen ninety five, a little over a year later,
- 19:02Speaker 1: when both The Tribe and Wu Tang albums were certified
- 19:05Speaker 1: platinum enter the Wu Tang had actually surpassed Midnight Marauders
- 19:09Speaker 1: in total sales. That's when the Rizza's master plan really
- 19:13Speaker 1: kicked in. The plan wasn't just to make that big explosion,
- 19:17Speaker 1: but to capitalize off the shrapnew that came from the
- 19:20Speaker 1: big Bang.
- 19:21Speaker 2: The solo albums. The free Agent side deals.
- 19:25Speaker 1: The part of that initial record contract with Loud, granting
- 19:27Speaker 1: each member of the group the freedom to make his
- 19:29Speaker 1: own records with other record labels, and the more labels
- 19:33Speaker 1: Wu Tang could infiltrate, the better, because if nine different
- 19:36Speaker 1: labels are promoting nine artists who happened to be in
- 19:39Speaker 1: Wu Tang clan. Ultimately, those nine labels are all promoting
- 19:43Speaker 1: Wu Tang clan. Saturate the market with Wu. Increase your
- 19:47Speaker 1: chances of making it to number one, make that money.
- 19:51Speaker 1: Riza and Wu Tang Productions did just that.
- 19:54Speaker 2: Riza Inc.
- 19:55Speaker 1: Deals with most of the guys in the group a
- 19:57Speaker 1: fifty to fifty split on their solo earning so that
- 19:59Speaker 1: they could use the Wu Tang name and all the
- 20:02Speaker 1: way Back in early nineteen ninety three months before Into
- 20:06Speaker 1: the Wu Tang was even released, back when Protected Neck
- 20:09Speaker 1: was the only official release they had on the market,
- 20:11Speaker 1: three members of Wu Tang signed solo deals. Jiz was
- 20:15Speaker 1: picked up by Geffen Records, Old Dirty Bastard went with
- 20:18Speaker 1: Electra Records, a Method Man signed with def Jam. Meth's
- 20:22Speaker 1: deal was the one that really stood out. At just
- 20:25Speaker 1: twenty three years old, the youngest member of the group,
- 20:28Speaker 1: Meth signed for one hundred and eighty thousand dollars. One
- 20:31Speaker 1: hundred and eighty thousand dollars was three times what Loud
- 20:35Speaker 1: Records paid for the entire Wu Tang clan. In nineteen
- 20:39Speaker 1: ninety four, Meth released Tikau, the first solo album by
- 20:43Speaker 1: a Wu Tang member. Mes record deals. The success of
- 20:46Speaker 1: his album and the success of Wu Tang's album was
- 20:49Speaker 1: a testament not just to Rizza's plan, but to the
- 20:51Speaker 1: hard work they all were putting into the process. Their
- 20:55Speaker 1: reality was changing, but the more reality changed, the more
- 20:59Speaker 1: it stayed the same. Just as Meth was celebrating his
- 21:02Speaker 1: own triumphs, tragedy struck back home on Staten Island.
- 21:10Speaker 2: We're living, ever one to wait and not to draw.
- 21:12Speaker 1: Any conclusions here, and to remain calm. This is being
- 21:15Speaker 1: fully investigated by the police department, by the District Attorney's office.
- 21:19Speaker 1: We've been through situations like this in our city before,
- 21:22Speaker 1: or what appears one way it first turns.
- 21:23Speaker 2: Out to be another way a little bit later.
- 21:25Speaker 1: So it would be a shame if anybody jumped the
- 21:27Speaker 1: conclusions here before at least there was an opportunity to
- 21:30Speaker 1: have a full and complete investigation. April twenty nine, nineteen
- 21:34Speaker 1: ninety four, No one on Staten Island wanted to hear
- 21:38Speaker 1: what Rudy Giuliani had to say that night, But Giuliani
- 21:41Speaker 1: was talking all the same live on the radio, doubting
- 21:44Speaker 1: the truth, doubting what had happened just hours earlier on
- 21:47Speaker 1: park Hill Avenue, as if the neighborhood suffered a mass hallucination.
- 21:52Speaker 1: But they did see it. They watched cops kill one
- 21:57Speaker 1: of the neighborhood's own NYPD o the life right out
- 22:01Speaker 1: of them in the open. It was early evening, daylight
- 22:05Speaker 1: escaping like the final breaths of the dead man on
- 22:07Speaker 1: the pavement. And now here was Giuliani on air talking
- 22:13Speaker 1: down to them, patronizing them the same old shit. Ever
- 22:17Speaker 1: since Guliani had been sworn in as New York's mayor
- 22:20Speaker 1: back in January, things had gotten worse for park Hill.
- 22:23Speaker 1: The cops got real cozy and one hundred and twentieth
- 22:26Speaker 1: Precinct in their special Narcotics Emergency Unit, harassing kids for loitering,
- 22:31Speaker 1: humiliating kids by pulling down their pants to check for drugs.
- 22:35Speaker 1: And the only thing the increased NYPD drug sweeps did
- 22:39Speaker 1: was make a tenuous relationship between the community and law
- 22:41Speaker 1: enforcement even worse. And now case was dead Ernest Saion
- 22:47Speaker 1: aka case twenty two years old, walking up park Hill
- 22:52Speaker 1: Avenue when the cherry bombs started going off. Someone was
- 22:56Speaker 1: tossing them, no doubt, trying to fuck with the police case.
- 23:00Speaker 1: But there he was, just walking in plain sight. The
- 23:04Speaker 1: cops took a look at him, the CoP's new case.
- 23:06Speaker 1: He had his fair share of brushes with a lot.
- 23:09Speaker 1: The cops were probably thinking about that as they watched
- 23:12Speaker 1: him walk. Eyewitness accounts vary as to what happened next.
- 23:16Speaker 1: Some say that Case did nothing to provoke the attack.
- 23:20Speaker 1: Then he didn't resist. That a cough walked up right
- 23:23Speaker 1: behind him hit Case in the back of the head
- 23:25Speaker 1: with the butt of his pistol. The Case staggered, grabbed
- 23:28Speaker 1: hold of a nearby sycamore tree until the cop hit
- 23:30Speaker 1: him again and knocked him unconscious, And that the cop
- 23:33Speaker 1: dragged him by his hoodie until his pants came off.
- 23:36Speaker 1: But what did happen was a Case wound up face
- 23:39Speaker 1: down on the ground, pants around his ankles, hands cuffed
- 23:42Speaker 1: behind his back, three quarter inch gash bleeding.
- 23:45Speaker 2: From the back of his head.
- 23:47Speaker 1: One cop with his knee on Case's back, another with
- 23:50Speaker 1: his elbow behind Case's neck.
- 23:52Speaker 2: Case struggled to breathe, He choked and gasped for air.
- 23:56Speaker 1: Then the knee on his back and the elbow on
- 23:58Speaker 1: his neck felt like a thousand pounds, very down and
- 24:01Speaker 1: squeezing the life right out of his body. An hour later,
- 24:05Speaker 1: Ernest case Sayon was taken to a nearby hospital, where
- 24:08Speaker 1: he was pronounced dead. Official cause of death quote asphyxia
- 24:12Speaker 1: by compression of the chest and neck while rear handcuffed
- 24:15Speaker 1: and prone on the ground unquote. Some news reports labeled
- 24:20Speaker 1: Case a drug suspect. Police at the scene claim that
- 24:23Speaker 1: contrary to those eyewitness reports, Case ran when they tried
- 24:27Speaker 1: to question a group of men, and then he lifted
- 24:29Speaker 1: one officer in the air and threw another against defence,
- 24:32Speaker 1: and then he was quote a very dangerous man in
- 24:35Speaker 1: a very dangerous situation unquote. Three of those officers caught
- 24:39Speaker 1: death duty pending an investigation, and the community rallied, and
- 24:44Speaker 1: they weren't going to be quiet. They weren't going to
- 24:46Speaker 1: let Rudy Giuliani tell them how to feel. Hundreds of
- 24:49Speaker 1: park Hill residents march to Borrow Hall, candles in hand,
- 24:53Speaker 1: and where they looked the NYPD in.
- 24:55Speaker 2: The eye, called them as they saw them, murderers.
- 25:00Speaker 1: On the very same day as Ernest case Seon's murder,
- 25:04Speaker 1: all the way on the other side of the country
- 25:06Speaker 1: in San Francisco, method Man Ray Kuon and ghost Face
- 25:10Speaker 1: Killa found themselves in the same prone physician on the ground,
- 25:15Speaker 1: faced down, handcuffed, police.
- 25:17Speaker 2: Boots on their backs.
- 25:20Speaker 1: Unlike Case, they were lucky released after forty five minutes
- 25:25Speaker 1: their detainment chalked up to mistaken identity. But to Meth
- 25:29Speaker 1: and the guys, just because they were members of the
- 25:31Speaker 1: Wu Tang clan didn't make them different from guys like Case,
- 25:34Speaker 1: Case could have been any of them, because when it
- 25:36Speaker 1: came down to it, where they're back on Staten Island
- 25:39Speaker 1: or out on the West Coast, then they were all
- 25:41Speaker 1: the same. Not artists, not musicians, not hip hop stars,
- 25:46Speaker 1: not trailblazers, breaking the mold and making history. All of
- 25:50Speaker 1: that came second, first, and foremost. They were all one thing, targets.
- 26:26Speaker 1: March nineteen ninety seven, Los Angeles, California. The dude wearing
- 26:31Speaker 1: the blue bandana was paying tribute like the capos who
- 26:35Speaker 1: walk into Michael Corleone's office at the end of The
- 26:37Speaker 1: First Godfather, only they weren't in an office. They were
- 26:41Speaker 1: inside a packed house of blues. Yo Man, you Wu
- 26:45Speaker 1: Tan motherfuckers are the realist. Method Man had no allegiance
- 26:49Speaker 1: to the Crips, or to any West Coast gang for
- 26:52Speaker 1: that matter, but he accepted the compliment I mean the
- 26:56Speaker 1: dude at a point, Wu Tang clan ain't nothing to
- 26:58Speaker 1: fuck with, and those other New York dudes ran like bitches,
- 27:02Speaker 1: the cript continued, Not you guys. Also true, Meth wasn't
- 27:07Speaker 1: about to call nas and mob deep little bitches, but
- 27:10Speaker 1: they did be feet back to New York.
- 27:12Speaker 2: After the shit went down.
- 27:13Speaker 1: After Biggie Small's took five bullets to the chest and
- 27:16Speaker 1: abdomen at the corner of Wiltshire and South Fairfax, guys scattered.
- 27:20Speaker 1: After that, the East Coast crews who have been hanging
- 27:22Speaker 1: out west for the Soul Train Awards suddenly caught that
- 27:25Speaker 1: New York state of mind, but not Maths and not
- 27:28Speaker 1: Wu Tang. As far as Wu Tang saw it, there
- 27:32Speaker 1: was no East Coast West Coast beef, just like Rizzi
- 27:35Speaker 1: did and see beef between park Hill and Stapleton projects
- 27:38Speaker 1: back on Staten Island, it was all love. They knew
- 27:42Speaker 1: that Biggie's motive to be on the cover of Vibe
- 27:44Speaker 1: magazine the year prior wasn't to promote some bullshit beef.
- 27:47Speaker 2: Biggie just wanted to be.
- 27:49Speaker 1: On the cover of Vive, period, and he made it
- 27:52Speaker 1: on the front of the biggest hip hop publication in
- 27:55Speaker 1: the world. His man Puffy standing behind him. But there
- 27:58Speaker 1: was a catch. The words East versus West were printed
- 28:02Speaker 1: in a bold font to the left of his mug.
- 28:05Speaker 1: It was all propaganda, media, hype, narrative to sell magazines.
- 28:11Speaker 1: Too many people took the East West thing seriously, believed
- 28:14Speaker 1: it was actually a thing. This was the actual thing.
- 28:18Speaker 1: Either you were cool or you weren't cool. It didn't
- 28:21Speaker 1: matter what part of the country you lived in. So
- 28:24Speaker 1: in early nineteen ninety seven, when it came time for
- 28:26Speaker 1: The Klan to reconvene and record their second album, the
- 28:30Speaker 1: follow up to the now platinum selling enter The Wu
- 28:32Speaker 1: Tang thirty six Chambers, they didn't think twice about making
- 28:36Speaker 1: the record in Los Angeles, and there were too many
- 28:38Speaker 1: distractions at home in New York. There is a book
- 28:41Speaker 1: time at a studio in North Hollywood, LA was going
- 28:44Speaker 1: to be about focus work and the occasional party like
- 28:49Speaker 1: Vibe magazine Soul Train after party.
- 28:51Speaker 2: The evening of March.
- 28:52Speaker 1: Eighth, everyone was there, Wesley Snipes, who in Houston Shack
- 28:58Speaker 1: Biggie's new album was about to drop. In his new
- 29:00Speaker 1: single Hypnotized Got Bodies Moving. It was a night to
- 29:03Speaker 1: remember hours later. It was a night to remember for
- 29:06Speaker 1: all the wrong reasons, because hours later Biggie Smalls was dead.
- 29:12Speaker 1: It was a tragedy, not just the murder of the
- 29:15Speaker 1: notorious Big the media circus that helped to inspire the
- 29:20Speaker 1: media wasn't happy until they tasted blood, and now there
- 29:23Speaker 1: was blood was all over their hands. Vibe Magazines should
- 29:27Speaker 1: have taken a bullet, not Biggie Smalls. Inside the House
- 29:33Speaker 1: of Blues, Meth watched the cryp pull a pistol from
- 29:35Speaker 1: his pocket. He took Meth's hand and pressed the heater
- 29:38Speaker 1: in his palm. Go ahead, take it, he said, you're
- 29:42Speaker 1: gonna need it now, man, Meth said, trying to hand
- 29:45Speaker 1: the gun back.
- 29:46Speaker 2: I'm good.
- 29:48Speaker 1: The crip was insistent, and Meth looked around. The House
- 29:51Speaker 1: of Blues was packed. He quickly lost count of how
- 29:54Speaker 1: many pairs of eyes were on And maybe they weren't
- 29:57Speaker 1: all looking at him, but it felt like it. The
- 29:59Speaker 1: dudes rocking blue colors and the girls hoping to get
- 30:01Speaker 1: up close and personal to a hip hop star. Silverspoon
- 30:05Speaker 1: La Brats want to be MC's. And then there were
- 30:08Speaker 1: the others, the ones who looked like they didn't quite belong.
- 30:11Speaker 1: They were there, and then they were gone. A morphous faces,
- 30:15Speaker 1: lack of affect, oblivious to the party raging all around them,
- 30:19Speaker 1: focus solely on you, and they kept their distance, but
- 30:22Speaker 1: they kept their eyes on you too, eyes that were
- 30:25Speaker 1: hidden behind ray bands. As soon as you made one
- 30:28Speaker 1: of those guys, they disappeared like they'd never been there
- 30:33Speaker 1: in the first place, like your brain made them up.
- 30:36Speaker 1: It was hard not to think about what had just
- 30:38Speaker 1: happened to Biggie and wonder if these people were here
- 30:40Speaker 1: watching you with more intent and more scrutiny. Because of
- 30:44Speaker 1: what had happened, It was also easy to assume that
- 30:47Speaker 1: it would only get worse. The Crypt pushed the gun
- 30:51Speaker 1: back into Meth's hand.
- 30:53Speaker 2: Take it.
- 30:53Speaker 1: He wasn't asking. Meth shook his head. He needed the
- 30:57Speaker 1: Crypt to understand. He appreciated the off for the gesture,
- 31:01Speaker 1: but he didn't want a gun, not now, not ever,
- 31:06Speaker 1: and not Everyone in Wu Tang felt the same way.
- 31:09Speaker 1: Like method Man, Ghosts, Face Killa knew that they were targets,
- 31:13Speaker 1: that their lives were always in danger and always would
- 31:16Speaker 1: be in danger, no matter how rich or how famous
- 31:19Speaker 1: they became, or how far their past lives in the
- 31:21Speaker 1: streets were behind them. Protect your neck wasn't just a
- 31:25Speaker 1: buzzworthy line, it was a mantra. If ghosts carried a piece,
- 31:29Speaker 1: That's what it was. For protection. There were guys who
- 31:33Speaker 1: wanted what you had it would do anything to take it.
- 31:36Speaker 1: Dudes who loved Wu Tang but who would still jump
- 31:39Speaker 1: any member of the group and rob their ask given
- 31:41Speaker 1: the chance. And then there were the guys with grudges,
- 31:44Speaker 1: grudges held over from wayback. The past is never dead,
- 31:48Speaker 1: It's only sleeping. And later that same year, in nineteen
- 31:52Speaker 1: ninety seven, the past woke up and hit back Stupenville, Ohio,
- 31:58Speaker 1: the town where Rizza took the stand for tempted murder,
- 32:01Speaker 1: where ghost took a bullet, and now the town where
- 32:04Speaker 1: another man's body was bleeding out on the sidewalk, shot
- 32:07Speaker 1: dead with a gun, a gun that, according to the
- 32:10Speaker 1: Bureau of Alcohol, Tobacco and Firearms, was provided by a
- 32:14Speaker 1: group of gun runners that went by the name Wu
- 32:17Speaker 1: Tang Clan. I'm Jake Brennan in this episode of Disgraceland
- 32:24Speaker 1: is to be continued. Disgraceland was created by Yours Truly
- 32:40Speaker 1: and is produced in partnership with Double Elvis credits for
- 32:43Speaker 1: this episode can be found on the show notes page
- 32:46Speaker 1: at disgracelampod dot com.
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