Latest / INSPIRE STORY / The Flight Attendants Won_t Stop Crying

Transcript

The Flight Attendants Won_t Stop Crying · INSPIRE STORY

• 0:15
  Speaker 1: Welcome back to Creekcast. Today, we are diving into two
• 0:19
  stories of similar natures. We've been told one of them
• 0:22
  is a fan made or both of them are a
• 0:24
  fan made story.
• 0:25
  Speaker 2: Right, two fan made stories or slash creek cast, two
• 0:31
  fan made stories uploaded.
• 0:32
  Speaker 1: To the creepcast reddit. Because we are we're welcoming in people.
• 0:38
  Which is funny because this first story, which is probably
• 0:41
  the most upvoted story that has been submitted so far,
• 0:44
  is I woke up in the hospital two weeks ago.
• 0:46
  Everyone seems off And that was uploaded to uh no
• 0:51
  Sleep a long time ago and was removed and I
• 0:54
  believe the guy was banned. Uh so, Isaiah, do you
• 0:58
  want to tell us about the author at all? Yeah?
• 1:00
  So the author.
• 1:02
  Speaker 2: Their name on Reddit is user c paper seventy four
• 1:07
  one eight, but their name is Dean Bowl, Dean Bowler,
• 1:11
  Dean Boy. Their bioreads that they create short horror stories
• 1:15
  and upload them as narrations to listen to on YouTube,
• 1:17
  So you can head to their YouTube channel. We'll have
• 1:19
  it linked in the description where they do narrations of
• 1:21
  their own stories, which is pretty sick. They have one
• 1:24
  hundred and sixty one subscribers at the time of recording,
• 1:27
  and we need you to get those numbers up. So
• 1:31
  it seems that a bunch of people really liked this story.
• 1:33
  It had over two thousand up votes on r slash
• 1:36
  and No Sleep and then it got taken down, and
• 1:40
  he says, so he reposted it an r slash creep
• 1:43
  cast and then as soon as he did, it got
• 1:45
  over three hundred up votes, and then in the comments
• 1:49
  he said, thanks for enjoying it. It was top trending
• 1:52
  on No Sleep but got removed because I made a mistake.
• 1:55
  Speaker 3: On the original upload.
• 1:58
  Speaker 2: And then he says, was hoping to be appreciated on
• 2:00
  some other subreddits. Someone mentioned that, you know, this is
• 2:04
  typical for No Sleep, and he replied to that comment
• 2:07
  and said they low key rubbed it in. I tried
• 2:10
  to make them appeal and they were like, quote, decision stands.
• 2:13
  Speaker 3: I hope you have a wonderful day.
• 2:16
  Speaker 1: Good God.
• 2:17
  Speaker 2: So once again we've said this before, we'll say it again.
• 2:22
  Any of you know Sleep refugees feel free to come
• 2:26
  to our shores for safety.
• 2:28
  Speaker 1: We will take your stories, we will take your poor
• 2:30
  and you're hungry. I'm I'm sure there's like a method
• 2:34
  for their curation and the madness that it is, but
• 2:37
  it just so much of it reads like a like
• 2:39
  a power trip, doesn't it.
• 2:42
  Speaker 2: Yeah, well, a lot of it's like the idea is
• 2:47
  with no sleep. It has to be real, right, It
• 2:49
  has to come across as someone actually posting this a
• 2:52
  scary story that happened to them. So sometimes it's like, oh,
• 2:57
  you added a prologue, Oh you did this. It's like
• 3:00
  normal storytelling conventions that wouldn't exist if it.
• 3:02
  Speaker 3: Was a real story.
• 3:03
  Speaker 2: That's why at the end there always has to be
• 3:05
  a reason the person is posting it to the internet.
• 3:09
  But like with Left Right Game, that's why there was
• 3:11
  that bizarre middle ground of the guy like, hey, guys
• 3:14
  posting the section because Bristol sent me the email. So
• 3:18
  it's it's like domb but I also understand it. But
• 3:21
  sometimes it seems like they take it too far, like
• 3:24
  he made a mistake, and it's like you wouldn't make
• 3:26
  a mistake in real life.
• 3:27
  Speaker 1: There would be a mistake if this really happened to you,
• 3:30
  so kick it out. So it's kind of dumb.
• 3:33
  Speaker 2: But he also mentions in other parts of it that
• 3:35
  he writes he writes a lot more stories in this.
• 3:37
  He has more stories on the way, and Dean, anytime
• 3:41
  you want to send stuff over to us, we are
• 3:43
  more than happy to take it.
• 3:44
  Speaker 1: So yeah, and I was. We'll be sure to leave
• 3:47
  a link in the description to his YouTube channel as well,
• 3:50
  Dean Boy. Otherwise, I just want to say thank you
• 3:53
  guys for listening on the audio platforms as well, such
• 3:56
  as Spotify, Apple Podcasting giving us a good rating. It
• 3:58
  helps us out and all. So thank you to our
• 4:00
  awesome Patreon members who do support the channel and get
• 4:03
  all that fresh goodness with Without further ado, let's just
• 4:07
  I say, let's just jump in.
• 4:10
  Speaker 3: Let's just jump right in.
• 4:11
  Speaker 1: Hunter. All right.
• 4:12
  Speaker 2: So I woke up in the hospital two weeks ago.
• 4:15
  Everyone seems off.
• 4:18
  Speaker 1: Bear with me.
• 4:18
  Speaker 2: I know this sounds crazy. Two weeks ago, I woke
• 4:21
  up in a hospital bed. They told me I was
• 4:24
  in a car accident. I don't remember the crash, just
• 4:27
  a blinding flash of light. Since being discharged, things have
• 4:31
  felt wrong, not just slightly off, deeply off, like the
• 4:36
  world is wearing a mask and I'm the only one
• 4:38
  who can see the seams. Little things were off at first,
• 4:41
  easy to dismiss, but today something happened. Something I can't explain,
• 4:48
  and now I know for sure, whatever this is, it
• 4:51
  isn't just in my head. This is real, and I'm scared.
• 4:56
  At first, nothing seemed too weird. I never spent a
• 4:59
  night in a hospital before, so waking up in a sterile,
• 5:02
  fluorescent lit room was bound to feel unsettling.
• 5:05
  Speaker 1: I brushed it off.
• 5:07
  Speaker 2: My parents were more doting than usual, but for people
• 5:09
  who son it almost died, they took it surprisingly well,
• 5:13
  at least until we got to the car. That's when
• 5:16
  the concern cracked and the disappointment seeped through. They scolded
• 5:20
  me for wrecking my three saturn ship box, calling me reckless.
• 5:24
  The words sounded right, worried, even empathetic. But something was off.
• 5:30
  My mom's face kept shifting, like she couldn't settle on
• 5:33
  how she was supposed to feel.
• 5:35
  Speaker 1: My dad, though he barely moved. It's okay, so I'm glad.
• 5:40
  Speaker 2: He followed up the shifting comment by saying she didn't
• 5:43
  know how to feel, because at first I thought he
• 5:44
  met her face keeps like changing its yeah, like shifting yeah,
• 5:49
  and he's like he's like, huh, something's a little what's
• 5:52
  wrong with mom?
• 5:53
  Speaker 4: No?
• 5:53
  Speaker 1: I liked it a little unusual I like the unsettling
• 5:56
  nature of a very classic alcohol wine drunk mom an
• 6:00
  emotionally absent father standing there. Of the amount of times
• 6:04
  I've seen that at my friend's house, it's insane even
• 6:06
  but my friend's house, your friend's house, not your house. No, no, no,
• 6:10
  my mom, my mom was. My mom was smiling, she
• 6:13
  was happy, and my dad was he was drunken somewhere else,
• 6:17
  So it would not not quite the full picture here.
• 6:20
  But I do like the idea.
• 6:22
  Speaker 2: When you like parental disappointment, it definitely is a friend
• 6:26
  of yours and not you that you think of, right,
• 6:30
  Is that what you're saying.
• 6:31
  Speaker 1: I'm I told you that I had my own demons,
• 6:34
  but this one is the classic wine drunk mom and
• 6:38
  the dad who's sitting there, I had his buddy mom
• 6:41
  glug glug glug. Every goddamn night was insane. I'd be like,
• 6:44
  I get the pizza roles, and she'd just be like,
• 6:46
  they're in the they're in the toaster. You're like what.
• 6:49
  And then the dad would be downstairs in this lazy
• 6:51
  boy and he'd just be watching Key and Peel in
• 6:53
  the dark. It was so frightening. I was like, Okay,
• 6:58
  I'm just gonna go back out to the room by
• 7:04
  I guess what I'm saying is I immediately I have
• 7:07
  a face to this person I'm picturing as my friend. Sure, buddy, Okay,
• 7:17
  he's that rigid, staring straight ahead, as if turning his
• 7:21
  head wasn't an option.
• 7:22
  Speaker 2: But I could feel him watching me, his gaze lingered
• 7:25
  in the rear view mirror, heaving cold. Each time I
• 7:29
  glanced up, I catch his eyes for just a split
• 7:31
  second before he snapped them back to the road.
• 7:34
  Speaker 3: But I knew, I knew he never really looked away.
• 7:38
  Speaker 2: After the sixth time, I stopped looking away, too. Mirror
• 7:42
  became a silent one way stand off. As I waited
• 7:44
  for him to scold me through it again. He didn't
• 7:47
  so much as glance at it for the rest of
• 7:48
  the drive. It was a short drive. None of this
• 7:52
  was cause for concern. Really, nothing that followed was all
• 7:56
  that crazy. But when we got home, I felt a
• 8:00
  shift coming from harsh fluorescence of the hospital and the
• 8:05
  golden stretch of road outside. I wasn't prepared for the
• 8:08
  cool dimness of the house. It wasn't dark exactly. Mom
• 8:13
  always kept the shades open. She liked the light, but
• 8:16
  now they weren't quite shut, just not open enough, like
• 8:22
  someone had hesitated halfway and left them there. My family
• 8:26
  didn't linger. After some pleasantries, Mom disappeared into the master bedroom,
• 8:31
  Dad went back to work, and I was left alone
• 8:33
  on the living room couch. I popped a til and
• 8:35
  Hall took a few hits from my pen in the bathroom,
• 8:38
  settled in. The rest of the day was mostly silent,
• 8:41
  aside from the occasional sound of Mom's bedroom door opening
• 8:44
  and closing.
• 8:46
  Speaker 3: I wasted time scrolling.
• 8:47
  Speaker 2: On my phone, barely aware of the shifting sunlight until
• 8:50
  a beam stretched across the room and hit my eyes.
• 8:53
  I turned from my pillow to the armrest, bought myself
• 8:56
  another twenty minutes. Then another beam crept up, warming my feet,
• 9:01
  like some kind of passive aggressive warning from the sun.
• 9:04
  Speaker 3: All right, message received.
• 9:06
  Speaker 2: Side, peeled myself off the couch, mumbled screw it you
• 9:10
  in before dragging myself to my room. I was asleep
• 9:13
  before I could think too much about it. So hold on,
• 9:16
  he was lying on his phone.
• 9:19
  Speaker 1: And then.
• 9:22
  Speaker 2: So it seems like daylight came too quickly, is what
• 9:24
  I gathered from that?
• 9:25
  Speaker 1: Right? I think, Uh, I just well, maybe I guess
• 9:29
  I read it as it was on his eyes, and
• 9:31
  then that's so much time had elapsed that it was
• 9:34
  now at his feet or whatever, and he's just like,
• 9:35
  all right, I better go to my room unless I'm wrong.
• 9:38
  Speaker 3: The week that followed was unusual, to say the least.
• 9:43
  Speaker 2: It was summer break, and normally I'd be stalking shelves
• 9:45
  at Walmart or messing around with my friends.
• 9:47
  Speaker 3: But doctor's orders were pretty straightforward.
• 9:50
  Speaker 2: You've got a concussion, don't be an idiot. No standing
• 9:53
  for long periods, no heavy lifting, no unnecessary risks.
• 9:57
  Speaker 3: Fine by me.
• 9:58
  Speaker 2: I got a doctor's note, couple of weeks off, and
• 10:01
  a temporary escape from the joys of minimum wage labor.
• 10:04
  Wasn't the end of the world. Part time jobs come
• 10:07
  and go for now. I just had some headaches and
• 10:10
  a free pass to lay low. Better that than risking
• 10:13
  something worse, whether it was from dreading work or from
• 10:16
  one of my friends intentionally checking a basketball into my
• 10:19
  skull because we're over competitive degenerates. I didn't really care
• 10:24
  to go outside much. The weather hadn't been as sunny
• 10:27
  as the first day I got back. Clouds hung low,
• 10:29
  thick and unmoving, like they were pressing down on the neighborhood.
• 10:34
  Even when the sun did break through, it was weak,
• 10:37
  watery light that barely seemed to touch the ground. Just
• 10:40
  made stain inside feel more justified, so I did.
• 10:45
  Speaker 1: Yeah.
• 10:45
  Speaker 2: You know, this weirdly reminds me of a story that
• 10:50
  I think we read for the Patreon blackout.
• 10:53
  Speaker 1: Do you remember that? Yeah, the Yeah, exactly, I know.
• 11:00
  Speaker 2: It was one where the guy was in the neighborhood.
• 11:03
  Yeah there was, Yeah, there was someone else in the neighborhood.
• 11:06
  But that story wasn't well written, so all of the
• 11:09
  strangeness came off as like this whole town's abandoned. I
• 11:12
  guess I will go play with my legos.
• 11:15
  Speaker 1: None, if it made sense.
• 11:17
  Speaker 2: This is a much more subtle version of that, where
• 11:19
  everything on first glance seems normal, but there's little inconsistencies.
• 11:24
  Speaker 1: He's nosy, like.
• 11:25
  Speaker 2: The way his mom pulls the blinds, or the way
• 11:29
  the clouds hang and the sunlight shines. It's a little
• 11:32
  bit off in a way that feels uncanny rather than
• 11:35
  like comedic.
• 11:37
  Speaker 1: I like the mixture of that too, with a concussion
• 11:40
  kind of interesting. Yeah, almost like a justifiable madness, you know.
• 11:46
  Speaker 2: Yeah, yeah, and not a scenario where it's a crown
• 11:50
  man playing with Plato making stick figures like some other
• 11:53
  stories could be.
• 11:55
  Speaker 1: Know, we're not done yet. Yeah, I get.
• 11:57
  Speaker 2: I get to the next paragraph and he's like, I
• 11:59
  decided to make my Flato soldiers.
• 12:00
  Speaker 1: Yeah, so I got out my easy bake oven.
• 12:07
  Speaker 2: Mister Stuffy's likes his tea room temperature but not too cold.
• 12:12
  I moved the Xbox from the basement to my room. Okay, Xbox,
• 12:17
  Oh no, the Xbox alone spine before getting closer, I
• 12:22
  might have summoned something.
• 12:23
  Speaker 1: I apologize. I moved the Xbox from the basement to
• 12:26
  my room.
• 12:27
  Speaker 2: Normally that would have been a no go, but if
• 12:29
  anyone asked, I just plead the concussion card and call
• 12:32
  it a win. No one even commented on it, which
• 12:36
  felt strange like they should have but didn't. I just
• 12:40
  told up gaming, eating, zoning out in front of Skyrimblore
• 12:44
  videos in the living room whatever. Aside from family dinners,
• 12:47
  I didn't talk to my parents much. The conversations at
• 12:50
  the table were dull, barely conversations at all. Dad was
• 12:54
  working later than usual, often slipping away right after eating.
• 12:58
  Speaker 3: Mom was around I knew that much.
• 13:00
  Speaker 2: I heard her bedroom doors opening and closing, the creak
• 13:04
  of the floorboards when she walked, the soft shift of
• 13:08
  her feet brushing across the carpet upstairs. But I barely
• 13:11
  saw her, not in the kitchen, not in the living room,
• 13:14
  not even when I grab snacks at night.
• 13:16
  Speaker 1: I don't know why, but it's very it's very unsettling.
• 13:18
  Just the idea of just continuously hearing doors opening and
• 13:21
  closing from another room.
• 13:23
  Speaker 2: Well, well, see, it's funny because that's something if you
• 13:27
  know who else is in the house, you don't even
• 13:29
  think about.
• 13:29
  Speaker 1: Like with Kayla in the house, I'll hear her.
• 13:32
  Speaker 2: You know, doing laundry, moving back and forth, and it
• 13:34
  doesn't mean anything, but the way he's phrasing it where
• 13:37
  it's like I know she's here because I hear doors
• 13:39
  and something moving, It's like, wow.
• 13:41
  Speaker 1: Why are you phrasing at that way that?
• 13:43
  Speaker 4: I just mean?
• 13:44
  Speaker 1: I don't like that other cage that's me. Every time
• 13:46
  I'm meeting and I hear Alison shifting around and she
• 13:50
  shuts her door, and ways just say, what the fuck
• 13:52
  is she doing? What is she planning? What are you planning?
• 13:56
  When are you keep going in the cloud? I say,
• 14:01
  why are you dying? And she doesn't respond to your
• 14:03
  sutles run down stairs.
• 14:07
  Speaker 3: She cares at you.
• 14:08
  Speaker 2: Yeah, and then you run to the top of the
• 14:10
  stairs and you're like, you think this is your house?
• 14:12
  Speaker 3: You think you have a right to do things here?
• 14:15
  Speaker 1: Yea, where are you?
• 14:16
  Speaker 2: You think you own the place? Kind of entitlement is that?
• 14:20
  And then you start throwing things at.
• 14:21
  Speaker 1: Her, very rare Chinese vases, throw them down to the
• 14:27
  in the stairs, crashing. He keeps a.
• 14:30
  Speaker 2: Stack of them at the top of the stairs because
• 14:32
  when I first got to his house, there was like,
• 14:35
  you know, this broken pottery and like, you know, porcelain
• 14:38
  all over the stairs.
• 14:39
  Speaker 1: And I got to the top and there's a stack
• 14:40
  of bases. I'm like, Hunter, what are these for?
• 14:44
  Speaker 2: He hits me with them a lot, and then hunters like, yeah,
• 14:47
  it's the game we play. But like she didn't, like
• 14:49
  you could tell the way she talked about it was
• 14:52
  not a game to her, and it was something that
• 14:54
  I probably should have told someone. I'm telling someone about
• 14:57
  it now, So I think.
• 14:57
  Speaker 1: That these are goodbye vases. Yeah, maybe I should have
• 15:02
  done something, but I guess it's in the past. Is
• 15:06
  in the past, come to think of it, I don't
• 15:09
  think I ever saw her downstairs. Aside from dinner, some
• 15:13
  grocery spoiled, which is weird because Mom was normally on
• 15:16
  top of that kind of thing.
• 15:18
  Speaker 2: When I pointed it out, she took me shopping, which
• 15:20
  was actually kind of nice. I got way more say
• 15:23
  in what we stalked the fridge with than usual.
• 15:26
  Speaker 3: That was a win. But as we wandered the aisles,
• 15:28
  I noticed something.
• 15:30
  Speaker 2: People were staring at me, not in a casual passing way, intensely,
• 15:37
  like they were trying to memorize my face, or maybe
• 15:39
  like they weren't sure what they were looking at. Each
• 15:42
  time I caught someone, they snapped their head away like
• 15:44
  they hadn't been watching at all, But the feeling stayed.
• 15:48
  Not a single person looked like they could hold a
• 15:51
  normal expression on their faces. It was like they shifted
• 15:54
  through wry motions during the most mundane tasks and began
• 15:58
  to feel in danger. Worse, I started to notice something else.
• 16:03
  As Mom and I passed people, I swore I could
• 16:06
  hear them pivot to watch me after we walked by.
• 16:09
  Speaker 3: I never actually saw it happen, but I could hear.
• 16:11
  Speaker 2: It, the soft squeak of a shoe turning the faint
• 16:15
  rustle of fabric shifting. I wanted to ask Mom if
• 16:18
  she noticed anything, but the word stuck in my throat.
• 16:22
  If she hadn't, i'd sound crazy If she had, I
• 16:25
  didn't want to know.
• 16:27
  Speaker 3: I tried to shrug it off.
• 16:29
  Speaker 2: I'd been a complete goblin for the past week, barely
• 16:31
  keeping up with shaving, and yeah, my facial hair was
• 16:34
  patchy as hell. Maybe I just looked like a mess.
• 16:37
  Maybe I was imagining things. Whatever.
• 16:41
  Speaker 1: When I got back home, hopped on.
• 16:43
  Speaker 2: Xbox, made plans with some friends for later in the week,
• 16:45
  told myself i'd get cleaned up by then.
• 16:47
  Speaker 3: Everything was fine.
• 16:49
  Speaker 2: Everything was fine two days past, nothing noteworthy, just my
• 16:53
  growing awareness of how off everything felt. Mom was moving
• 16:57
  around more, at least I think she was. I'd hear footsteps,
• 17:01
  see I don't like that. I don't like it's phrasing.
• 17:02
  Speaker 1: There.
• 17:03
  Speaker 2: I'd hear footsteps, soft shuffling noises. It always seemed to
• 17:06
  stop right outside my door. The first few times I
• 17:09
  brushed it off. Maybe she was just passing by, Maybe
• 17:13
  she was listening for signs that I was awake. But
• 17:16
  the more I paid attention, the more it felt deliberate.
• 17:21
  The house was dim, sure, but my room wasn't. I
• 17:25
  kept my bay window shades open, letting in just enough
• 17:29
  light to make it feel normal or at least less
• 17:32
  like the rest of the house the hall way outside,
• 17:35
  though it was always in shadow. There was only one
• 17:39
  time of day where light from the high windows in
• 17:41
  the living room even touched my door, and it wasn't.
• 17:44
  Speaker 1: Now.
• 17:46
  Speaker 2: Interesting, So he's setting in his room and he keeps
• 17:51
  hearing something come up to the door and then stop.
• 17:54
  But there's too much light getting into his room, like
• 18:00
  from outside of his room. There's a place where light's
• 18:02
  supposed to pass through, and at weird times of the
• 18:05
  day it seems like he's being lit up. Interesting, that's
• 18:10
  I like, how gentle. It's playing the horror card so
• 18:14
  far right, like unsettled. Yeah, it's like there's too much light.
• 18:19
  People look at me strange. I hear footsteps, Mom stands
• 18:23
  outside the doors, stuff like that. It works very well.
• 18:27
  Speaker 1: This is probably your childhood Hell huh A little bit? Yeah,
• 18:31
  well I did. Is there a reason that you apply
• 18:34
  this to me specifically? M none that I feel comfortable
• 18:39
  talking about on the podcast.
• 18:41
  Speaker 2: Okay, I did use to prank my sisters with a
• 18:43
  red light. I had so I told have you ever
• 18:46
  heard the white with red story? It's like a classic
• 18:48
  internet urban legend thing. So it's this, it's this, it's
• 18:55
  like the short version. It's creepy pasta. A guy go
• 18:58
  checks into a weird hotel. His room connects to a
• 19:03
  room next door, and he hears from the front desk
• 19:07
  that there's a ghost that lives in the room next
• 19:09
  to him. So he looks through the keyhole one night
• 19:12
  and he sees like a woman like sitting in a chair,
• 19:15
  like a ghostly bride looking figure. And then the next
• 19:18
  night he looks again and she's standing up right over
• 19:21
  in the corner. And the next night he looks and
• 19:23
  all he sees through the keyhole is red, like something
• 19:26
  bright red looking back at him, and he figures, oh,
• 19:28
  she must have figured out I was creeping on her,
• 19:30
  so she hung like a scar for put up something
• 19:33
  red to block my view. And then as he's checking
• 19:36
  out at the hotel, he asked about the woman that
• 19:38
  supposedly died there, and the guy's like, yeah, everything about
• 19:41
  her is pretty normal except her eyes that were deep red,
• 19:45
  And I was like, oh, if she was looking through
• 19:47
  he was looking through the key hole and she was
• 19:48
  staring back at him.
• 19:49
  Speaker 3: Yeah, that's all right.
• 19:50
  Speaker 2: So I told my sisters that story to prime them,
• 19:54
  to freak them out, and they were very scared. So
• 19:57
  then that night I would like walk around, like run
• 20:00
  up to their door and stop. They both slept in
• 20:03
  the same room at this time, so I'd run to
• 20:05
  the door and stop and they'd be like, oh, they'd
• 20:07
  be like or whatever. So I'd like walk away and
• 20:10
  then junk and like get up to the.
• 20:12
  Speaker 1: Door and quit.
• 20:12
  Speaker 2: They're like, and I had I had a red it's
• 20:17
  like a red flashlight. So after I did that a
• 20:20
  few times, I just held it up to the bottom
• 20:23
  of the door, this bread light like shot across the
• 20:28
  floor through the room.
• 20:29
  Speaker 1: As soon as I did. They both just that's a lot.
• 20:38
  That's a lot funnier and more innocent than I legitally thought.
• 20:40
  You were gonna have like a military grade red laser
• 20:42
  and shine it through and they look through and you
• 20:44
  like blinded one of your sisters or something like that.
• 20:46
  Speaker 2: No, I never I never hurt them, seriously, It was
• 20:49
  just scared. I like to scare them a lot, like
• 20:53
  like go put something. I remember I had this fake
• 20:55
  spider like a tarantula thing that I taped to their
• 20:59
  window outside. So the next morning when they opened up
• 21:01
  the blinds like there was a spider on, freaked me out.
• 21:03
  Speaker 1: I do stuff like that. I never heard them though,
• 21:05
  You're like made them better people, So yeah, well I.
• 21:10
  Speaker 2: Would have been like at the time, I was too busts.
• 21:13
  That would have been like ten to twelve, so they
• 21:16
  were the ages of like like six days maybe ten.
• 21:24
  So yeah, I was I was mean, But they're better
• 21:27
  people now. They're both they're both they both graduated college,
• 21:31
  they're both successful.
• 21:32
  Speaker 3: I like to think I had a hand in that.
• 21:33
  Speaker 2: Okay, that's good and they and they'd agree, and if
• 21:36
  they don't, they don't have a social media platform to counter.
• 21:39
  Speaker 1: So you know, there it is. Can I tell you
• 21:42
  a secret. I'm in desperate need of medical attention and care.
• 21:46
  I'm so old, fat.
• 21:48
  Speaker 4: And I'm faring apart at the seas.
• 21:50
  Speaker 1: But I don't know what doctor do you use? I
• 21:52
  don't know anything about doctors, and that's why I use
• 21:55
  zuck Doc. Zark Doc is a free app website.
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  Speaker 5: We can searching compair, high quote the in network doctors,
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  with more than one hundred thousand healthcare providers across every
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  specialty from mental health to digital health, I care to skincare,
• 22:15
  and much much.
• 22:16
  Speaker 1: More, probably Dick and Bowl stuff boys. And the nice
• 22:19
  thing about ZocDoc is that you can filter it for
• 22:21
  doctors and take your insurance are nearby and are highly rated.
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• 22:30
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• 22:35
  just twenty four to seventy two hours of booking. You
• 22:37
  can even score same day appointments. Oh my god, you
• 22:41
  don't want to admit it, but you should probably see
• 22:42
  a doctor. So stop putting off those doctor appointments to
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  go to ZocDoc dot com slash creep cast to find
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  an instantly book a top rated doctor today. That's zoc
• 22:52
  doc dot com slash creepcast. Zochdoc dot com slash creepcast.
• 23:01
  Speaker 2: That's why I knew I shouldn't have seen anything, and
• 23:04
  yet I did. I heard her the same soft shuffle.
• 23:09
  Glanced over from the edge of my bed, half expecting nothing,
• 23:12
  just another trick of my nerves.
• 23:14
  Speaker 3: First split second.
• 23:16
  Speaker 2: I saw them, her toenails, just at the edge of
• 23:20
  the door like that. The instant I read, I don't
• 23:23
  like that either. The instant I registered them. They shot
• 23:27
  back too fast, so fast it was like they hadn't been.
• 23:30
  Speaker 1: There at all. I don't like that. God, what the fuck?
• 23:36
  Speaker 4: Mom?
• 23:37
  Speaker 1: Mom? I see your titsies. Mom, you have beautiful feet.
• 23:56
  Speaker 2: But I knew what I saw the carpet where they
• 23:58
  had been left the face this depression or slowly rising
• 24:02
  back into place. Oh oh that's awful. So quake, the
• 24:05
  carpet rises.
• 24:07
  Speaker 1: The carpet came and catch up as fucked.
• 24:11
  Speaker 3: My stomach twisted. Okay, that was it.
• 24:14
  Speaker 2: No more dappin, no more convincing myself I wasn't tripping
• 24:18
  out when clearly I was seeing shit. I waited, listened,
• 24:23
  arned her shuffle away, her door click shut. I exelled,
• 24:28
  rubbed my face and stood up.
• 24:30
  Speaker 1: Enough of this.
• 24:31
  Speaker 3: I needed to get out of the house.
• 24:33
  Speaker 2: Needed to see my friends, James, Nikki, Dee, and Tyler.
• 24:37
  The goal was simple, sober up, ground myself, and maybe
• 24:41
  just maybe break up what was going on over Xbox.
• 24:46
  It all sounded completely normal. I'd only mentioned a few
• 24:49
  things in passing, nothing that set off any alarms for them.
• 24:52
  But of our talks had just been about girls from
• 24:54
  our school, memes and bullshitting and Rainbow six siege lobbies.
• 24:58
  Maybe I was just overthinking. Maybe everything was fine. But
• 25:02
  as I grabbed my keys and headed for the door,
• 25:04
  I couldn't shake the feeling that somewhere upstairs mother was listening.
• 25:13
  Speaker 1: That's okay.
• 25:15
  Speaker 2: Obviously driving wasn't an option. My car was totaled. My
• 25:19
  parents handed me two hundred and fifty dollars for the
• 25:21
  scrap It was apparently worse, and that was that.
• 25:25
  Speaker 3: So how bad did he total it?
• 25:27
  Speaker 2: That they got two hundred and fifty bucks, or that
• 25:29
  that was a reasonable fair?
• 25:31
  Speaker 1: To be fair, it was a two thousand and three Saturn,
• 25:35
  but two hundred and fifty dollars Like there was like, yeah,
• 25:39
  you couldn't sell the radio. I think they I think
• 25:41
  they I think they overpaid. I think they overpaid them. Okay, okay.
• 25:46
  Speaker 2: So I dusted off my old bike from the shed
• 25:48
  in the back. I didn't even glance at the house
• 25:51
  on my way out, didn't need to see my creepy
• 25:53
  ass mom peeking from some upstairs window like a horror
• 25:56
  movie extra. If I did, I'd probably swerve straight into
• 25:59
  traffic just to have we're dealing with it reasonable response. Instead,
• 26:04
  I shoved the thoughts down and let myself believe, just
• 26:07
  for a little longer than I was just tripping balls.
• 26:10
  Speaker 1: That was safer, That was better. Besides, my odds were good.
• 26:14
  Speaker 2: I still had headaches, I was still a little stoned.
• 26:17
  I was still taking talinol. Put it all together, and
• 26:20
  maybe my brain was just running like a lackey. Xbox,
• 26:23
  A lot.
• 26:23
  Speaker 1: Of mentions of the Xbox. I just want to say,
• 26:26
  so again, what you said, I said, just a lot
• 26:29
  of mentions of the Xbox, A lot of Xbox. He
• 26:31
  brings up the connects or something. I'm gonna that's gonna
• 26:33
  make me. I'm gonna be over if the Xbox becomes
• 26:37
  a major player in this story. He's like, But then
• 26:38
  I turned to my Xbox. I said you're my only friend,
• 26:41
  and I turned on my connection and I started dancing.
• 26:43
  Speaker 2: I want to take a quick moment to think today's
• 26:45
  sponsor Tushy. Tushy is the luxury bedet that your bathroom
• 26:49
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• 26:52
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• 26:54
  and I'll say it again. If you don't have a bidet.
• 26:56
  Speaker 1: You mean less than me.
• 26:57
  Speaker 3: I did not have a bidet for a long time.
• 26:59
  Speaker 2: I thought that they were silly, and then as soon
• 27:01
  as Tushy sit me one, I now am.
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  Speaker 1: Someone whose life matters. I'm not kidding.
• 27:05
  Speaker 2: There's a few household inventions that have definitively changed my life,
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  and Tushy's bidet is one of them. I now feel
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  like an animal anytime I have to use someone's bathroom
• 27:14
  who doesn't have one. And you know this is a
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  personal endorsement, because this is far too aggressive for them
• 27:18
  to pay me to say. Not only are Tushy bidets
• 27:20
  more hygienic, but people who have made the switch to
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  Tushy use up to eighty percent less toilet paper, unless
• 27:25
  toilet paper means more money saved, less clogged toilets, and
• 27:29
  less gross bathroom experiences since the bidet does most of
• 27:32
  the cleaning and you use the toilet paper to dry off,
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  and of course Tushy therefore reduces things like irritation. Terri
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• 28:10
  We are now back to the episode. I rode up
• 28:14
  to the high school football field in about twenty minutes
• 28:16
  and hop the fence. Everyone was already there, James, sniky
• 28:20
  De and Tyler and.
• 28:21
  Speaker 1: What followed it was awesome.
• 28:24
  Speaker 2: The dab ups were a little stiff at first, but
• 28:26
  once we got going, everything fell into place. We had
• 28:29
  a pomp football which last about ten minutes before it
• 28:31
  needed air again, and a frisbee. Some was bright for
• 28:35
  the first time since I'd left the hospital, and for
• 28:37
  the first time in days, I felt good. I'd shaved.
• 28:40
  I was surrounded by my friends and I started to
• 28:43
  think no. I started to hope maybe I'd just been
• 28:46
  missing out on real, in person socialization. I almost fell
• 28:50
  for it, almost let myself believe everything was fine. This
• 28:54
  is also interesting because so far it could just be
• 28:59
  read as some one one who has a concussion, just
• 29:02
  like growing paranoia.
• 29:03
  Speaker 3: Yeeah. We played for hours.
• 29:06
  Speaker 2: Eventually we were wiped, ready to debrief before heading home.
• 29:10
  I was closest to the corner of the field where
• 29:12
  the old water pump was, so I went first, yank
• 29:16
  the lever, let the water rush out. Cut my hands drank.
• 29:20
  The others chatted behind me, their voices blending with the
• 29:24
  soft splash of the pump. Refreshed, I wondered back to
• 29:27
  where we'd been playing frisbee, flopped onto the grass, pulled
• 29:31
  out my phone. The sun was brutal, washing out the screen.
• 29:36
  I tilted it, angling downward to block the glare, squinting
• 29:39
  as I reached for the power button. And then I
• 29:42
  frozed because in the black reflection of my phone screen
• 29:46
  I saw them, all three of them, standing at the
• 29:50
  water pump, staring at the back of my head. James
• 29:55
  and Tyler's faces were wrong, their jaws hung open to
• 30:00
  wide far past what should have been possible. It wasn't
• 30:03
  just slack, It was distorted. Their bottom lips curled downwards,
• 30:07
  just enough to reveal rows of teeth, their heads tilted forward,
• 30:10
  eyes locked onto me, shoulders hunched, arms dangling two loosely
• 30:14
  at their sides. They looked like something out of an eyemare,
• 30:17
  like the scream, but worse.
• 30:20
  Speaker 3: NICKI wasn't as bad.
• 30:22
  Speaker 2: He was staring too, but his face shifted the same
• 30:25
  way my moms did once she picked up from the hospital,
• 30:28
  like he couldn't quite get it right. And yet their
• 30:32
  conversation hadn't stopped. Their voices came out perfectly, flowing like normal.
• 30:37
  James and Tyler weren't moving their mouths. The water pump
• 30:41
  was still running. I had my phone up for maybe
• 30:43
  a second, but my whole body jerked like I'd been stabbed.
• 30:46
  Fingers fumbled, and my phone slipped from my hands. Leaning
• 30:49
  in the grass with a soft thud, Nikki asked if
• 30:52
  I was good. I could barely think, barely breathe. Beads
• 30:56
  of sweat formed on my temples. I swallowed hard, forced
• 30:59
  to smile, forced the words out, yeah, Yeah, I'm great,
• 31:03
  and I turned to face them normal. They looked normal,
• 31:07
  Everything was normal. But my stomach twisted in the knots
• 31:10
  because I knew what I saw. For the first time
• 31:13
  since I got home, I realized I had nowhere to
• 31:16
  run you.
• 31:17
  Speaker 1: Sure you're good. I can't even remember who asked me that. Yeah,
• 31:21
  I'm good, man. My head's just pounding. I think I
• 31:25
  should go home.
• 31:26
  Speaker 3: That part was true. It was pounding. Nikki frowned.
• 31:30
  Speaker 1: You need to ride internally, no externally, No bro, what
• 31:38
  you like driving dudes around your car or something? You
• 31:40
  and the teenage boys. I got this. I just offered
• 31:45
  you a ride, but you need to suck your cock
• 31:47
  on the way home. It's just pretty formal thing. Any
• 31:51
  you want to you want to eat my asshole out,
• 31:53
  and you know, do all kinds of weird stuff with me.
• 31:55
  I mean, jackie off in the driver's seat. Okay that
• 32:00
  I'll never ask this ever again in my life.
• 32:02
  Speaker 2: It's funny because anytime I offered to give you ride somewhere,
• 32:05
  that's typically what you.
• 32:07
  Speaker 1: I jump for joy and I I do. I do, yes, yes, yes,
• 32:17
  you're giving You're giving them too much to work with.
• 32:19
  I take I take three or four butter Scotch candies.
• 32:22
  I rolling around my mouth and I get my my side.
• 32:26
  I do, I say, I do, I should I if
• 32:32
  you're wonderful, that's why I say like that. Gosh, what okay?
• 32:40
  So I guess we can't be bros. It's fine if
• 32:44
  I can't do what fellas do. I guess boys can't
• 32:48
  be boys.
• 32:50
  Speaker 2: Gosh. The other two laughed, the tention crack just a little.
• 32:55
  We all started getting ready to part ways, but I
• 32:57
  dragged it out. I will say that that interaction though,
• 33:01
  like trying to get out of something with a friend,
• 33:03
  and then say that is one of the most realistic
• 33:05
  things we've ever read on the show. That's one hundred
• 33:07
  percent like, well, you like driving, dudes?
• 33:09
  Speaker 1: What are you? That's pretty?
• 33:11
  Speaker 4: Why?
• 33:12
  Speaker 1: Why is that realistic?
• 33:16
  Speaker 2: We all start getting ready to part ways, but I
• 33:18
  dragged it out. Paced around their cars, made jokes, toss
• 33:22
  the football over the hoods, anything to stall, kiss each other,
• 33:24
  keep stealing glances at the mirrors and windows, waiting for
• 33:27
  another glimpse of what was under their veils.
• 33:30
  Speaker 1: Nothing.
• 33:32
  Speaker 2: First few times, I swear I saw their eyes start
• 33:34
  away from mind and the reflections, like they knew what
• 33:37
  I was doing. Then it was like they just stopped
• 33:40
  looking towards me altogether. No matter how I angled myself,
• 33:43
  how past I glanced, I never caught them.
• 33:46
  Speaker 1: Like I had on the field.
• 33:47
  Speaker 2: And yet, looking back, I can't shake the feeling like
• 33:51
  they knew exactly where I was looking, like they had
• 33:55
  just found ways to stare at me from difficult angles
• 33:57
  without me ever catching their eyes.
• 34:00
  Speaker 1: Such a pick me, girl? Dude? Is that what the
• 34:04
  story is about? A pick me? I think it might
• 34:07
  be all right, guys, So what you don't want to
• 34:08
  fucking kiss my chest now or something? Were we not bros? Now?
• 34:13
  It's weird. When they look at me, I feel scared,
• 34:15
  But when they don't look at me, I get angry.
• 34:18
  It's definitely something Picky Energy did. Okay, I'm just glad
• 34:23
  they let me go home.
• 34:24
  Speaker 2: I don't even know what the end goal is, but
• 34:27
  I feel like I'm being bled out played with before
• 34:29
  I'm eating Eaten managed to study my breathing on the
• 34:33
  ride back.
• 34:34
  Speaker 1: So I pulled up to my house.
• 34:35
  Speaker 2: I veered towards the spare garage, an old thatched structure
• 34:39
  barely used except for storage. I figured I'd leave my
• 34:42
  bike in there for now, just so I wouldn't have
• 34:44
  to linger outside any longer than necessary. I wheeled up
• 34:48
  to the side door, gripped the rusted handle the lock
• 34:51
  it long since broken, and with a firm push, the
• 34:53
  door growned open. Dustin stelle air hit me first sent
• 34:57
  an old cardboard and forgotten chunk. The space was dim,
• 35:01
  faintly illuminated by street lights filtering through the grimy windows.
• 35:06
  I rolled my bike inside, careful not to trip over
• 35:08
  scattered tools and warped furniture. When I froze, in the
• 35:14
  center of the garage, right where it shouldn't be, was
• 35:18
  my car. Perfectly intact. Okay, that's good, that's cool, perfectly intact,
• 35:24
  not totaled, not even scratched. My breath caught in my throat.
• 35:29
  I took a slow step forward, fingers brushing the hood, cold, real, tangible.
• 35:36
  The last I had heard of this car, I was
• 35:38
  being told it had been wrecked, scrapped. My parents handed
• 35:43
  me two hundred and fifty bucks and said that's all
• 35:45
  it was worth. So why was it here? I circled
• 35:49
  to the driver's side and peered inside. The keys weren't
• 35:52
  in the ignition, but they dangled from the dash. Something
• 35:56
  was off the seat normally adjusted to fit me was
• 35:59
  pushed all the way back like someone much taller had
• 36:02
  been sitting there. A low trimmer crawled up my spine.
• 36:07
  The cards, by being untouched, was covered in dust. How
• 36:12
  long was I in the hospital doesn't matter. It was
• 36:15
  getting dark. I did a quick fluid check, ran my
• 36:18
  hands over the tires, making sure it'd be ready if
• 36:21
  I needed it, and jogged back to the house. The
• 36:24
  second I stepped through the front door, it hit me again.
• 36:29
  Oh huh, rapid aggressive shuffling or slam.
• 36:35
  Speaker 1: Then in a voice.
• 36:36
  Speaker 3: Too casual, too normal to be real.
• 36:39
  Speaker 1: Honey, you missed dinner. Want me to heat some enough
• 36:42
  for you? No, it's okay, mom. All handled.
• 36:46
  Speaker 2: The living room TV was blue screened, casting a sickly
• 36:51
  glow over the open floor plan. I didn't dare mess
• 36:55
  with my parents set up this point. They had to
• 36:58
  know I was onto them. I would do nothing to
• 37:01
  disturb the peace. I grabbed some snacks from the fridge,
• 37:05
  went straight to my room, locked the door. I go
• 37:09
  out my old iPod gen six for middle school, married
• 37:11
  in a shoe box and set it to charge.
• 37:14
  Speaker 3: For a while, I just sat there listening. It was
• 37:17
  too quiet.
• 37:18
  Speaker 2: I facetimed the iPod for my phone, hesitating debating whether
• 37:22
  I should even leave my room keep serious. Lay out
• 37:25
  was simple, four rooms. Mine was first on the left
• 37:29
  to the top of the stairs. My parents was last
• 37:32
  on the right at the very end a closet where
• 37:35
  we capted detergent and towels.
• 37:38
  Speaker 1: My bathroom was the last door on the left. The
• 37:41
  plan was simple, a strategic iPod drop off during my
• 37:45
  next bathroom run. I executed flawlessly, waiting for the next
• 37:49
  round of patrolling before slipping out. I cracked the closet
• 37:53
  door just enough to give my iPod a view down
• 37:55
  the hall, plug the charger in beneath the bottom shelf,
• 37:58
  and left it there. I hit an eye.
• 38:01
  Speaker 2: Wait first of all, not to put the bump in
• 38:04
  the road. Can you FaceTime an iPod?
• 38:07
  Speaker 1: I thought you could with the I thought you could
• 38:09
  with the eye touches. But maybe I'm not sure unless
• 38:13
  unless you just talk about unless you's just talking about
• 38:14
  like iPhone, maybe I'll go with it. I just remember
• 38:21
  the eye touch they had, like the camera and stuff
• 38:23
  on it. Remember that one.
• 38:25
  Speaker 2: Probably, I guess I didn't think FaceTime was a thing
• 38:27
  back then, but whatever. A wait to see what my
• 38:30
  parents really looked like when they thought no one was watching.
• 38:34
  I almost regret this decision. It seemed fine when I
• 38:37
  got back into my room and locked the door, quietly,
• 38:40
  angled my dresser in front of it, wedged in my
• 38:42
  desk's chair as tightly as I could under the handle.
• 38:46
  Too much movement, too much movement from him from the Oh,
• 38:52
  it's like he's a spider.
• 38:53
  Speaker 3: Or sorry, it's like he's a bug in a spider's web.
• 38:56
  Speaker 1: Yeah, No, he's fucked. He's caught right now, dude.
• 38:59
  Speaker 2: When he opened that door and it says a shuffling,
• 39:03
  aggressive like movement, and then a door slamming like everything
• 39:08
  was out. And then the second he opened that door
• 39:10
  at all, like cockroaches when you turn.
• 39:11
  Speaker 3: On the light, all streight in place.
• 39:14
  Speaker 2: I heard my parents door fly open, slamming into the
• 39:17
  inside wall of their bedroom. By the time I grabbed
• 39:20
  my phone, she was already there, standing at the end
• 39:23
  of the hall, facing my door, swaying. She was past
• 39:28
  the weird shifting face that Nicky had. Whatever this is,
• 39:32
  there's stages. Her jaw wasn't just distend it, it was
• 39:36
  stretched beyond its slimmit. The skin pulled so tight it
• 39:40
  dangled with every sway of her body. Even from here,
• 39:43
  I could see the bags under her eyes, not just
• 39:46
  dark circles, but loose, sagging folds that drooped to her
• 39:50
  upper lip, exposing way too much dry pink eyelid. Her hair,
• 39:56
  thin and patchy, clung to her scalp with a greasy
• 39:58
  sheen from the glow of the the living room TV
• 40:00
  and the dim light spilling from the master bedroom. Her
• 40:04
  arms didn't hang herra elbows were bent, its stiff, unnatural
• 40:09
  ninety degree ankles, shoulders hunched forward, wrist limp, long, bony
• 40:15
  fingers dangling. The only way I knew it was my
• 40:18
  mom was a pajamat top clung to her sharp, skeletal frame,
• 40:22
  stretched over the ridges of her spine, hanging loose around
• 40:26
  her frail shoulders. She leaned in, pressed against the door,
• 40:32
  her head tilted slow, deliberate, like she could see through
• 40:38
  the wood, tracking exactly where I was, And then a whisper, honey,
• 40:46
  are you awake. Her mouth didn't move, lips stretched, thin,
• 40:51
  jaw unhinged and frozen in that grotesque slack jawed state,
• 40:56
  but the words came anyway, perfectly clear, human, I know
• 41:02
  you're a.
• 41:02
  Speaker 1: Honey, I just heard you moving. Uh yeah, I just
• 41:08
  moved some furniture around I didn't like where my TV.
• 41:12
  Speaker 2: Was a pause, then the whisper again, perfectly clear, perfectly human.
• 41:20
  Speaker 3: Can I see my throat tightened?
• 41:24
  Speaker 1: Tomorrow? I'm naked right now and I don't know. I
• 41:28
  don't want to get dressed.
• 41:30
  Speaker 3: Please, please, please work.
• 41:34
  Speaker 2: I was frozen, my face glued to my phone screen,
• 41:37
  not daring to look away from the Granny FaceTime feed.
• 41:41
  My breath barely made a sound, and finally.
• 41:46
  Speaker 1: Okay tomorrow. Then as she.
• 41:49
  Speaker 2: Spoke, something shifted in the farthest, darkest corner passed the stairs.
• 41:54
  First I thought it was just a shadow, but then
• 41:57
  an arm, then brittle dangling down from the ceiling like
• 42:03
  a puppet on cut strings. Another arm followed, then a body,
• 42:08
  slow and deliberate, lowering itself down the wall. My stomach
• 42:13
  turned to eyes. Dad did he ever even leave the house?
• 42:20
  Was he already this far along when he picked me
• 42:22
  up from the hospital with Mom?
• 42:24
  Speaker 1: None of it mattered.
• 42:26
  Speaker 2: He moved with absolute silence, clamoring up the stairs. His
• 42:29
  mom whispered one last time.
• 42:32
  Speaker 1: Good nice, I love you.
• 42:35
  Speaker 2: Then Dad shuffled past her, same stiff, unnatural cadence.
• 42:40
  Speaker 1: Mom had been moving with for weeks.
• 42:42
  Speaker 2: If I weren't staring straight at him, could have sworn
• 42:45
  it was still her. He went to the master bedroom,
• 42:48
  closed the door, then without making a single noise, he
• 42:52
  came back, just completely silently, like through the house, a
• 42:57
  trick I would have surely fell for if I hadn't
• 42:59
  been watching this whole time.
• 43:01
  Speaker 1: Uh, it's like, Okay.
• 43:04
  Speaker 2: We're gonna go reset, We're gonna shut the door, and
• 43:06
  then we're gonna be completely silent and then pound weight
• 43:09
  to pound.
• 43:10
  Speaker 1: Well, yeah, it makes all the it makes all the
• 43:11
  noise of been making more deliberate and less like. Yeah,
• 43:14
  before it almost felt like animals going in and out,
• 43:17
  you know what I mean, recklessly, But now it feels
• 43:19
  all intentional, which is just fucking horrifying.
• 43:22
  Speaker 2: Trying to mimic what parents sound like, closing doors, opening
• 43:25
  doors and stuff like that. But now it's like they
• 43:27
  can be completely silent when they're ready. He ended right
• 43:31
  behind where she was standing, And that brings me to now,
• 43:35
  for the past two hours, they've been outside my door.
• 43:39
  Speaker 3: If remove I make they track it.
• 43:41
  Speaker 2: Through the wood through the silence, it's three oh two am.
• 43:47
  If I can just make it to daylight without passing out.
• 43:49
  I think I can open the bay window and jump
• 43:53
  after that straight to the spare garage, grab a car,
• 43:56
  get out of town. I don't know how far this
• 43:58
  shit has spread, but I can't stay here. Oh God,
• 44:02
  they're getting on the ground, lowering themselves, peeking under the door.
• 44:08
  I might have to go right now. Okay, Okay, damn it.
• 44:12
  I'll update when I'm safe.
• 44:15
  Speaker 1: That's the end. You know what I like about that ending?
• 44:18
  To Isaiah solid I like that. I like that ending
• 44:21
  because there's no part too. I liked it. This is
• 44:24
  one of those things where this is the perfect story
• 44:27
  to not have a sequel. By the way, this is
• 44:31
  a thing that is so simple. Really. The only thing
• 44:34
  that happens is a guy is like walking around. He
• 44:36
  goes and visits his friend, once comes back to the
• 44:39
  house and the parents are still being weird. It just
• 44:41
  goes to show that, like, not a lot of things
• 44:44
  happen in a story, but the way that it's paced
• 44:46
  out and the way that you basically are just given.
• 44:49
  Like it's such a simple idea, but it uses the
• 44:53
  short format in a great way where I feel like
• 44:57
  I there's a lot of things I like about the one.
• 45:01
  Still don't really know if this guy, if this kid
• 45:03
  is like this is all just a concussion nightmare thing
• 45:07
  is even awake, you know what I mean? This guy like,
• 45:10
  I mean, I don't I don't know if he's like
• 45:11
  in a fucking coma or something like that, Like the
• 45:13
  wreck could have been real and this is all just
• 45:15
  playing out in his head or something he could be.
• 45:17
  Speaker 2: In his head, could be some kind of like he's
• 45:21
  fallen prey to some something that's he's in a coma
• 45:25
  and this is all in a coma or or maybe
• 45:28
  some I don't know, some alternate world somewhere. Well, that
• 45:31
  is what there's any kind of possibility he could have
• 45:33
  fallen into.
• 45:34
  Speaker 1: That's what I was gonna say, is I know it's
• 45:36
  been a while since I said it, but very Lovecraftian
• 45:39
  where it could be that his head struck and his
• 45:43
  mind open, is is able to see things maybe as
• 45:46
  they really are, or like an alternate dimension of things
• 45:49
  around him. So I'm like also wondering, are his parents
• 45:52
  just normal but he's seeing like the fucked up version
• 45:54
  of this, like alternate reality around him, that kind of thing.
• 45:58
  I really love the car not being destroyed either that's
• 46:02
  like a fun detail that also, who gives a fuck,
• 46:04
  I don't need to I don't need to know what
• 46:06
  happened with that. That's just a great It's just a
• 46:08
  great tool again for deceit of like what why the
• 46:14
  fuck is this here? You know what I mean? Like,
• 46:15
  we don't. I don't need to know more about it,
• 46:17
  But I do like how he's like, well, you know,
• 46:19
  I'm going to see if I can regroup and figure
• 46:20
  out what's up. And then all of a sudden it's like, oh, wait, no,
• 46:23
  they're peering at me from under the door. I might
• 46:25
  just have to leave now. There's just a sense of
• 46:27
  urgency to where I like the reader can just kind.
• 46:33
  Speaker 3: Of run with it. At the end, did he get out?
• 46:35
  Speaker 1: Was this real? These kind of questions are fun. I
• 46:38
  like the conversation you can have with people, uh within
• 46:43
  with an ending like this, you know, because it feels
• 46:45
  like everything that the story needed to tell you it
• 46:47
  has told you, Like resolving this monster story isn't going
• 46:51
  to be I don't think necessarily satisfying. I think it
• 46:53
  like props up a great idea for a scary idea,
• 46:57
  and it gives you just enough to be like Oh,
• 46:59
  that was fun. I wonder if it's this or that,
• 47:01
  and it makes it so much more fun than if
• 47:03
  someone tries to give you the ending in a way
• 47:06
  where I feel like it's gonna disappoint you. Maybe so,
• 47:11
  I don't know. I really don't think.
• 47:12
  Speaker 2: It leaves just enough unanswered to make you ask some
• 47:15
  really cool and creepy questions.
• 47:17
  Speaker 3: I think it tells you just enough, and it keeps
• 47:19
  just enough in the shadows.
• 47:21
  Speaker 1: So this is great. I was also I've been reading
• 47:23
  through his other posts.
• 47:25
  Speaker 2: Apparently this got removed because nothing tangible happened to the character.
• 47:32
  Speaker 1: According to the No Sleep mods, he got a thirty
• 47:38
  day band because this and another of his stories broke
• 47:42
  that same rule.
• 47:43
  Speaker 3: According to him, that nothing tangible happened to these.
• 47:46
  Speaker 1: I like how it like hownostly, but it's like a
• 47:48
  tangible thing that has to have to do A character
• 47:50
  is like a child has to either be like assaulted
• 47:53
  or like somebody or like a child needs to be
• 47:56
  assaulted or somebody has to like clearly die when it's
• 47:59
  like I guess him being through this concussion concussion and
• 48:01
  then being tormented by his fucking like his entire town,
• 48:05
  his friends and family, yeah, I mean, nothing really happens
• 48:09
  to him.
• 48:10
  Speaker 2: Well, he did ride something funny and ursub read and
• 48:13
  he said, he says, he has a thirty day ban.
• 48:17
  And he says, because I didn't have something tangible like
• 48:21
  my character's penis sloughing off from radioactive acid treatment.
• 48:25
  Speaker 1: Yeah, we didn't. They didn't have an indestructible pedophile come
• 48:28
  in and have sex with the kids and basically have
• 48:32
  his way with a mom too in the basement. See
• 48:35
  now that would have been arsa sleep. People are like, oh,
• 48:39
  rub with their head, all the sweat off their heads. Okay,
• 48:44
  they have their their fucking lunch bell. Woa. Yeah, sorry,
• 48:51
  we're gonna have to ban this one because of the
• 48:52
  lack of pedophilia.
• 48:54
  Speaker 3: Nothing happened.
• 48:55
  Speaker 1: Okay, so this is a role. There has to be
• 48:57
  a pedophiles. So if if anything, this is the creative
• 49:00
  Now I'm going to give you make the mom a
• 49:02
  pedophile and make her indestructible and try to have the
• 49:05
  and try to have the main character burn her, but
• 49:07
  then she just has his way with him in the basement.
• 49:09
  Speaker 2: Thank you, Look what it's worth. For what it's worth,
• 49:13
  I like the indestructible pedophile.
• 49:15
  Speaker 1: Sorry, I have fun reading, but it's insane. Agree, not
• 49:19
  everything has to be that Yeah, no, no, no, I
• 49:22
  I just think it's such a that that rule and
• 49:25
  the reason for that, I guess that band is so
• 49:27
  absurd to think that like this kind of torment that
• 49:31
  the guy is going through is not enough when to me,
• 49:33
  I'm like, this is insane. Also too, it reads like
• 49:37
  in the parameters of their format, it reads like a
• 49:41
  post like it because also it's like, it makes no
• 49:43
  fucking sense for a guy to be like, yeah, I'm stabbed.
• 49:46
  How many times have we read something on noticed words
• 49:48
  like yeah, I've been shot eight times? It's like, can
• 49:50
  you imagine writing this to Reddit and you're getting shot
• 49:53
  or like you have eight bolts? Well, I'm bleeding out
• 49:56
  pretty bad, y'all the indestructible vampire pedophiles coming after me,
• 50:00
  and I feel pretty upset about it.
• 50:04
  Speaker 2: Yeah, there's so many that are completely ruined because it
• 50:06
  has to be like it's like the people can write
• 50:10
  interesting stories. It's like, Okay, now my character has to
• 50:13
  find a laptop and an upload.
• 50:14
  Speaker 1: Do you remember the what was the one story? Uh,
• 50:17
  the one about finding a boat in the middle of
• 50:19
  the ocean. I forget what it was my crew found
• 50:21
  in a band or whatever.
• 50:26
  Speaker 2: Yeah, cruise ship. Every single entry opened and closed with
• 50:30
  I got on my laptop and went to Reddit.
• 50:32
  Speaker 3: I'm now typing dumb that was.
• 50:34
  Speaker 1: I'm really tiredwhere else they get banned? You better you
• 50:38
  either do that or one of the ghost is a pedophiles.
• 50:47
  All right, mister fine ghost pedophile? Okay, good, you're safe now. Yeah.
• 50:53
  I don't know.
• 50:55
  Speaker 2: It's a shame because No Sleep is like probably the
• 50:58
  biggest fi like a fictional writing board on eighteen million
• 51:03
  followers in that Yeah, and to get seen and to
• 51:07
  have like, you know, notoriety as someone who's trying to
• 51:09
  get into the horror writing space, that's kind of the
• 51:11
  place you.
• 51:12
  Speaker 3: Have to go, you know.
• 51:14
  Speaker 1: So I'm not saying that I'm not saying it's complete.
• 51:17
  I'm not saying that it's not still a viable place
• 51:20
  to do that. I just think that, no, of course not.
• 51:23
  I'm just so it is the most viable place that
• 51:26
  is with also the roles. Also, I'm wondering too if
• 51:30
  it's very much like a if another mod would have
• 51:32
  seen it, if they're like, oh, this story's fine. If
• 51:34
  there's just like one power tripping mod who's like, yeah,
• 51:37
  not really, a lot happened, you know what I mean, Like,
• 51:39
  I wonder how subjective that that that system is for
• 51:44
  allowing stories on you know what I mean. M So yeah,
• 51:50
  I'm not sure. All I know is this is a
• 51:52
  great story. I really, I really like the length of it.
• 51:54
  It was nice and like like nice and quick, and
• 51:57
  I think it adds to this little collection. I'm curious. Yeah,
• 52:00
  the next story goes.
• 52:01
  Speaker 2: I will say this about the author that we just read,
• 52:04
  Dan boll Or Dean Bowl. Four months ago, he made
• 52:08
  a post in our slash creep cast absolutely swinging for
• 52:14
  us on the Legatti story. Like he posted he was
• 52:19
  like that was good and it should be appreciated, and
• 52:22
  then just like a reply after reply after reply, like
• 52:30
  one man on an island just swinging an nex.
• 52:34
  Speaker 1: He well, yeah, he probably has enough experience on fucking
• 52:36
  Reddit with all the people and having to fight those mods,
• 52:39
  you know, I mean, it is what it is, so no,
• 52:41
  I mean, but in all honesty, this was this was
• 52:43
  a lot of fun, you know the only thing that
• 52:45
  I guess, like, if I had any and it's not
• 52:46
  even really even a complaint, it's just the whole unhinged
• 52:49
  jaw thing. I feel like it's a bit okay.
• 52:52
  Speaker 2: So if I if I'm giving critiques to a story
• 52:54
  that I really like and I think it's cool, I
• 52:55
  feel like the unhitched jaw thing was a little.
• 52:58
  Speaker 1: It's just you didn't you have played a lot. Yeah,
• 53:02
  to me, it would have been. The door was great
• 53:03
  and the quiet movement was great. You didn't need the
• 53:05
  job maybe once, but not as like a recurrent thing,
• 53:08
  although it does kind of make it seem like an
• 53:10
  entity that's gonna eat.
• 53:11
  Speaker 3: You, like swallow.
• 53:12
  Speaker 1: Yeah, but I don't think you need that creepy. I
• 53:14
  don't think you need it. I don't think you need that.
• 53:16
  I think for something like this, to me, I think
• 53:19
  it's like you need to make the like the I mean,
• 53:22
  I say you need this is my opinion. I think
• 53:25
  it's effective if you don't have any of that stuff,
• 53:28
  but you keep challenging the norms of reality, like if
• 53:32
  he would have came home and his mom's shirt was
• 53:33
  on backwards or whatever, the mom looks totally normal, whatever,
• 53:38
  And it's a thing where now at the end you
• 53:39
  can make that even crazier, where it's like my mom
• 53:41
  was topless, she was just a brawl, like how weird
• 53:44
  is that? You know what I mean, like that that
• 53:46
  kind of stuff, And I think that you can get
• 53:48
  away from like Dunhein's jaw, which is just like I mean,
• 53:52
  I love, you know, dislocated jaws and rows of teeth
• 53:58
  and all that kind of stuff. But I think first
• 54:00
  story like this, where it's I mean it's purely like
• 54:03
  you're questioning if the person's insane or if you're questioning reality.
• 54:07
  I think keeping it as close to reality and really
• 54:10
  playing with that is going to have people have so
• 54:14
  many visceral different reactions to where I think that's where
• 54:17
  that conversation becomes more fun too. No, no, no, I
• 54:19
  think he's just to say no, it's this or that,
• 54:22
  you know, just I think like riding that line is
• 54:25
  really fun. And I think if they're dressed normally, it's
• 54:28
  or if they're totally normal, it's just so much creepier.
• 54:31
  Like I think about my mom doing that and then
• 54:33
  like feeling threatened by this thing that I that is
• 54:35
  completely normal but it's just slightly off. Is this uncanny
• 54:40
  valley that I think is really effective and fun. You know, Yeah,
• 54:47
  we are a very talented writer and this is a anger.
• 54:50
  I hate that got taken off, but please give all
• 54:52
  of yours to ours. We appreciate it. Also the dad,
• 54:56
  I wish I had a little more with the dad.
• 54:57
  I think that we could have the dad was It's cool.
• 55:00
  Speaker 2: I liked the the unblinking kind of looking forward.
• 55:03
  Speaker 1: Yeah they are. I like how The coolest part is
• 55:06
  how he moved silently at the end. That's terrifying to me.
• 55:08
  The scariest parts of the story were the.
• 55:09
  Speaker 2: Silent movement and in the car at the beginning, how
• 55:12
  the mom couldn't decide what facial expression she wanted to show.
• 55:15
  Speaker 1: Yeah, those freaked me ou. I'm trying to think if
• 55:17
  I had any other.
• 55:18
  Speaker 2: Critiques of it. I just th the Xbox we have
• 55:22
  maybe once too many.
• 55:23
  Speaker 1: I thought I thought that he was getting ready to
• 55:25
  get into sort of the gamer language or something like that.
• 55:27
  I was like, oh, watch out, Xbox. The uh No,
• 55:30
  the just that we got in a nice little conversation
• 55:34
  with him.
• 55:34
  Speaker 4: And the mom.
• 55:35
  Speaker 1: I just like, I just to have a little bit more,
• 55:38
  just because we have we put some emphasis on the
• 55:40
  dad as well. Because we put emphasis on the friends.
• 55:42
  He has a nice interaction with them. Wish there was
• 55:44
  just maybe one little interaction with the dad, a bit
• 55:47
  of him even just trying to talk to him, or
• 55:49
  if the dad just joined the mom at the end
• 55:51
  and was talking to him as well, why don't you
• 55:53
  let us soon? You know, they just just just to
• 55:55
  see it doesn't not necessary, But I.
• 55:57
  Speaker 2: Mean, it's really it was really great where it went.
• 56:00
  I really enjoyed it. And Dean, if that is your
• 56:03
  real name, please keep making these This is dope.
• 56:06
  Speaker 1: Also really and this is just me once again, I'm
• 56:09
  not trying to be rude or anything. Really try to
• 56:11
  hone in the idea of like really making this character
• 56:14
  die or being attacked by a super pedophile if you
• 56:18
  want to.
• 56:19
  Speaker 2: Actually yeah, So my criticism is maybe he could get
• 56:24
  molested perhaps or also just just hear me out, he
• 56:30
  or someone could explode. But he has to get injured
• 56:34
  in the explosion, so that way he's bleeding. But as
• 56:36
  he's exploding, he's typing out the story and then in
• 56:40
  the final sentences he says, wow, I sure, hope I
• 56:42
  don't explode, But then there's a dash at the end.
• 56:44
  It's hard for me as he hit post I'm actually
• 56:49
  getting explodes.
• 56:50
  Speaker 1: I'm getting fucking pissed because it's hard for me to
• 56:53
  know if a character has gone through something unless the
• 56:55
  character is on like let's say a go ship and
• 56:58
  then there's like fucking vampires hacking him and he gets hurt.
• 57:01
  And if the character doesn't say that he's hurt on
• 57:03
  the thing, how muchposed to know, you know. So it's just.
• 57:08
  Speaker 2: Maybe you could have like some clever foreshadowing, Like maybe
• 57:10
  in the beginning he could be like, Hey, I'm writing
• 57:12
  this story and my biggest fear is exploding. So then
• 57:15
  at the end of the story when he does explode,
• 57:17
  it's like, oh, that's what he was afraid of, And
• 57:20
  I guess it's a message about the things you're afraid
• 57:23
  of or what tend to find you. So maybe you
• 57:25
  could do that and it would actually be good. So
• 57:27
  you know, maybe you could try that.
• 57:28
  Speaker 1: Yeah, listen, I mean not everybody can have a home run.
• 57:31
  I mean this was definitely a bit of a strikeout.
• 57:33
  Speaker 2: Next time, you know, maybe maybe stop writing. Maybe stop
• 57:37
  writing if you.
• 57:39
  Speaker 1: Now I actually just quit right.
• 57:41
  Speaker 2: Maybe maybe if you're not ready to incorporate super pedophiles
• 57:44
  or exploding super pedophiles, you don't at some point, you
• 57:49
  don't have what it takes to work in this industry.
• 57:51
  Speaker 1: Okay, that's just that's just how it is.
• 57:53
  Speaker 2: So either either get some pedals in there, or you
• 57:56
  better start having people try to kill themselves, try to
• 57:59
  each other.
• 58:00
  Speaker 1: Then weil themselves.
• 58:01
  Speaker 3: Figured it out, figured it out.
• 58:03
  Speaker 2: Maybe have pedophiles get people to kill themselves through explosions
• 58:08
  and then at the end our character gets molested and
• 58:11
  then explodes.
• 58:12
  Speaker 1: Or you have a sheriff in the town and he's
• 58:15
  like a badass but also still pedophile, and he has
• 58:18
  a warehouse outside of town, and that's how the character
• 58:21
  would have done it. Maybe he's like, oh, yeah, people
• 58:23
  are people are looking at me. But then vice versa.
• 58:26
  He goes to the woods and finds a pedophilia warehouse,
• 58:29
  and that's kind of the idea. That's how, and that's how.
• 58:33
  Speaker 2: But then of course, but then of course he's a
• 58:34
  pedophile as well, so he's like, oh, this is great.
• 58:37
  Speaker 3: So he's happy with it.
• 58:38
  Speaker 2: But then it turns out that all the children that
• 58:42
  have been abductive or vampires, so it's like, I can't
• 58:44
  have these because I had to kill them.
• 58:47
  Speaker 3: Now now it's a threat.
• 58:48
  Speaker 2: Now it's scary because of that, and you could have
• 58:50
  there be a lot of blood and people dying, and
• 58:52
  then that would make it scary.
• 58:54
  Speaker 1: So thank you for these rules, Master, Thank you for
• 58:57
  these rules. Fuck sakes. Onto the next story, where we're
• 59:03
  reading a story called I've been flying for almost thirty
• 59:05
  hours and the flight attendants won't stop crying, which I
• 59:08
  just got to say, even reading that title gives me
• 59:11
  a panic attack. I don't mind. I don't I don't
• 59:14
  hate flying, but planes, I think, no matter what, even
• 59:18
  if people are I don't know, I don't mind flying
• 59:20
  a little scary. Right, you're just kind of in a
• 59:22
  death tube up in the sky. I think if I think.
• 59:25
  Speaker 2: About it too long, it because I fly all the time.
• 59:28
  But if I'm sitting there for a while and I'm like, huh,
• 59:31
  wrapping beneath my feet's nothing. If this was to crash
• 59:33
  right now, I'd have a really long time to think
• 59:35
  about it. Then it messes with me a little bit. Yeah,
• 59:38
  Like sometimes if we get a lot of turbulence, especially
• 59:40
  on takeoff, I get a little.
• 59:42
  Speaker 1: Yea, the butterflies for sure.
• 59:45
  Speaker 3: Yeah.
• 59:45
  Speaker 2: Yeah, I've had some weird flying experiences where it's like, Okay,
• 59:50
  well this is it all right, Well, this is what
• 59:52
  dying feels like. But yeah, I feel like regardless of
• 59:56
  how much you do it, it's a little creepy for anyone.
• 1:00:00
  Speaker 3: But today's story, actually we have a little treat.
• 1:00:02
  Speaker 2: It's made by a writer called Worcester Street, which scrolling.
• 1:00:06
  Speaker 1: Through their reddit, I see that they are a fan of.
• 1:00:09
  Speaker 2: Creepcasts, or at least they've commented in our slash creep
• 1:00:11
  cast a couple times, and that they were very kind
• 1:00:15
  to show someone in the subreddit give them some advice
• 1:00:17
  about posting on No Sleep and story.
• 1:00:19
  Speaker 1: Writing so they seem like a cool person.
• 1:00:22
  Speaker 2: They've written a bunch of stories for our slash and
• 1:00:23
  No Sleep, some of them highly rated, so we'll have
• 1:00:26
  them linked in the description. Be sure to show them
• 1:00:28
  some love if you enjoyed, and we certainly appreciate them
• 1:00:32
  being cool writing stuff and.
• 1:00:34
  Speaker 1: Then engaging with the community. It means a lot. But
• 1:00:36
  just because you're nice in our subreddit doesn't mean that
• 1:00:40
  we're going easy.
• 1:00:41
  Speaker 3: On you work.
• 1:00:42
  Speaker 1: But I will say also with the title, the one
• 1:00:45
  thing they say about flying is they say, if the
• 1:00:49
  people working in the plane aren't freaking out, you have
• 1:00:51
  nothing to worry about. So me seeing a flight intendant
• 1:00:55
  crying for thirty hours, which first off thirty hours is
• 1:00:59
  we were going through hell apparently. But if I saw
• 1:01:02
  a flight crying, I don't even know what. I have
• 1:01:06
  no idea what I would even be able to do, it.
• 1:01:09
  Speaker 2: Would be it would be rough. I was on a
• 1:01:11
  plane one time and we were flying. We had a
• 1:01:14
  connection in Atlanta, and as we're getting close to Atlanta,
• 1:01:17
  there was a storm that was apparently so bad they
• 1:01:20
  evacuated the tower in Atlanta. So we're on our flight
• 1:01:24
  and they're like, hey, guys, not landing at Atlanta, we
• 1:01:27
  have to go. We have to go to Charlotte because
• 1:01:29
  it's the only airport that will not Charlotte Charleston, South Carolina,
• 1:01:32
  because it's the only airport that will take us.
• 1:01:35
  Speaker 3: And we can't stay up in the air because we
• 1:01:36
  don't have that much gas.
• 1:01:38
  Speaker 2: So the whole way there, my wife and I were
• 1:01:40
  set at Kayla and I were sitting on the front
• 1:01:43
  row and people kept coming up to the flight attendants
• 1:01:46
  and being like, I've got I've got a flight out
• 1:01:48
  of Atlanta and we're gonna end up getting there after
• 1:01:51
  the flight leaves, and the flight attendants kept having to
• 1:01:54
  explain to these people what an airport is, and they
• 1:01:57
  would be like.
• 1:01:58
  Speaker 1: Ma'am, no one is leaving or going. The flight will
• 1:02:02
  not leave on you. It can't leave, like no, but
• 1:02:04
  it takes off in an hour. You're like, ma'am, I
• 1:02:07
  have no fly wait to talk. I can't deal with us.
• 1:02:11
  We're gonna die in this. I hope you realize we're
• 1:02:13
  gonna die by the time we get to South Carolina. Yeah,
• 1:02:15
  but there was one point where like it was this
• 1:02:21
  one woman too who kept coming back and asking stupid questions.
• 1:02:24
  Speaker 2: And at one point she comes up there and she
• 1:02:28
  was like, I don't see why we're going to Charleston.
• 1:02:31
  That's not Atlanta. And the guy's like, okay, Atlanta is gone.
• 1:02:36
  We can't go there, and we can't be in the
• 1:02:38
  sky because we have to go to the ground. So
• 1:02:42
  we're gonna go to the ground over here and then
• 1:02:45
  we'll come back over there. And then she walks back.
• 1:02:48
  She like loudly stops back to her seat and she
• 1:02:50
  tells her husband, he said we have to drive to Orlando.
• 1:02:54
  The flight attendant looks at me and Kaylen goes, did
• 1:02:57
  I say that? Is that what I said? Did I
• 1:02:58
  say that?
• 1:02:59
  Speaker 1: My god?
• 1:03:00
  Speaker 4: Man?
• 1:03:00
  Speaker 1: I get yeah. I would love if they're like we
• 1:03:03
  are Atlanta's that option is gone. What happened to them?
• 1:03:06
  Where did it go? Why did they get rid of it?
• 1:03:10
  Who did it? Who hurt them?
• 1:03:11
  Speaker 2: Well, Warren Chester Street, it is time, Isaiah. Are you
• 1:03:16
  ready at this time? I'm ready to get into it.
• 1:03:18
  Let us begin.
• 1:03:18
  Speaker 1: As always, thank you to everyone who listens on audio platforms.
• 1:03:22
  Speaker 3: Continue to show support.
• 1:03:23
  Speaker 1: There means a lot.
• 1:03:24
  Speaker 2: And of course our Patreon supporters love you guys the most.
• 1:03:27
  It's not that you are more important than everyone else
• 1:03:30
  who listens, but you are to me, your life matters more.
• 1:03:32
  So thank you for that.
• 1:03:33
  Speaker 1: We have a little Q and a thing to day
• 1:03:35
  of asking some patrons about some of the new episode recording.
• 1:03:38
  So curious to see how that goes. So we'll seem
• 1:03:41
  because again, they matter to us more than the others.
• 1:03:45
  So my sweet sweet little angels. With that, let us begin.
• 1:03:50
  Speaker 2: I've been flying for almost thirty hours. The flight attendants
• 1:03:54
  won't stop crying. Thirty hours ago, I hopped on a
• 1:03:57
  late night flight from New York head into Los Angeles.
• 1:04:00
  After boarding, I saw that I had an entire road
• 1:04:02
  to myself. Take Off passed without incident, and soon I
• 1:04:06
  was stretched out for a nap.
• 1:04:07
  Speaker 1: Across the road.
• 1:04:09
  Speaker 2: I slept for a few hours. I don't know how long,
• 1:04:11
  but I slept for a few hours. I don't know
• 1:04:14
  how long, but it was a few hours. But I
• 1:04:17
  woke up to some severe turbulence. It's possible that the
• 1:04:20
  lights in the cabin went out for a moment, but
• 1:04:22
  I was so disoriented that it's hard to say.
• 1:04:25
  Speaker 1: I checked my phone to see.
• 1:04:27
  Speaker 2: That it was four three am, which I figured gave
• 1:04:30
  me about an hour until we landed. When I looked
• 1:04:33
  out my window, I was shocked to see nothing but
• 1:04:35
  wide open ocean.
• 1:04:37
  Speaker 3: My jaw dropped.
• 1:04:38
  Speaker 2: There's obviously no ocean between New York and Los Angeles.
• 1:04:41
  I hit the button to call the flight attendant and
• 1:04:43
  spend the next few minutes racking my brain for a
• 1:04:46
  lake that could have been possibly big enough to explain
• 1:04:49
  what I was seeing. I jumped when the attendant flipped
• 1:04:52
  off the light. She was grinning from ear to ear,
• 1:04:54
  tears pouring down her cheeks.
• 1:04:56
  Speaker 1: How can I help you, sir?
• 1:04:58
  Speaker 2: I froze for a moment or to react, before deciding
• 1:05:01
  to just ask my question, where.
• 1:05:03
  Speaker 1: Are we Why does it look like we're flying over
• 1:05:05
  in an ocean? She wiped her cheeks to clear the tears,
• 1:05:08
  still grinning wildly, sir, we'll be landing in about an hour, okay,
• 1:05:14
  thank you.
• 1:05:15
  Speaker 2: After she left, I'd check the clock on my phone again.
• 1:05:18
  Four oh three am blinks back at me. Had it changed? Okay?
• 1:05:22
  So hunter, h right now? Roleplay? What do you do
• 1:05:25
  in the scenario? You're the guy in the seat.
• 1:05:28
  Speaker 1: So what can I start at the crying woman? Yeah? Sure?
• 1:05:34
  Speaker 2: So she's crying and then she comes up and says,
• 1:05:36
  we'll be landing in about an hour.
• 1:05:38
  Speaker 1: Who did this to you? What's wrong? Who did this?
• 1:05:42
  Who did this? I would get I'd make a big scene.
• 1:05:45
  Oh my god. I would say, oh my god, are
• 1:05:47
  you okay? Is it the pilot? So you're you're immediately
• 1:05:52
  white nighting off the get go anytime I can white night, Isaiah,
• 1:05:56
  I absolutely do it. I say, oh my god. Who okay?
• 1:05:59
  So then she was spawns and goes, what the what
• 1:06:01
  are you talking about? Sir? I'm fine, and I say,
• 1:06:05
  don't fucking play hey, Hi, don't play coy with me?
• 1:06:09
  All right? You're sitting here crying like my babbling brook
• 1:06:14
  my head.
• 1:06:14
  Speaker 3: You're grabbing her face like you grab your cheeks.
• 1:06:17
  Speaker 1: No, I don't I don't. I don't do that. But
• 1:06:18
  I say, I say, hey, oh sorry, I don't mean
• 1:06:22
  to raise my voice, but I say, you are obviously
• 1:06:25
  a woman in distress, and I need to know how
• 1:06:27
  I can help. Let me help you. And I say,
• 1:06:30
  and I say again, I'm like, don't make me fucking
• 1:06:32
  asking again. Isn't the fucking violin? Because it's the violin?
• 1:06:37
  You let me know, and I will go in there
• 1:06:38
  and I will break, is what I would say. I'm good.
• 1:06:43
  You're like, you know I'm gonna take over this plane.
• 1:06:45
  This is a hijack. And now I actually I've done
• 1:06:47
  flight simulator since I was thirteen years old. I could
• 1:06:50
  land this bird so easily. Okay, Pasha, Yeah, Tasha, you
• 1:06:56
  have a beautiful name. That's a beautiful name. Wasn't a violin?
• 1:07:00
  What's in the pilot? Is what he keeps saying like that.
• 1:07:03
  And there'd be a guy next to me looking at me.
• 1:07:05
  He's like, can I get a water? And I'm like, no,
• 1:07:08
  stop it. I'm like, oh, you don't have to. You
• 1:07:10
  don't have to take water from but what what animals?
• 1:07:12
  Speaker 3: Well, if is a woman asking for a water, what
• 1:07:14
  would you.
• 1:07:15
  Speaker 1: Say, honestly, sweetheart, I appreciate you trying to keep you
• 1:07:18
  stay hydrated and stay mentally focused for this flight, but
• 1:07:21
  I need you to just give me and Tasha five minutes.
• 1:07:24
  Could you do that for me? Because if there's one
• 1:07:27
  thing I know about you, it's that you respect women,
• 1:07:29
  oh God, more than anything, up and down all over.
• 1:07:35
  And I would handle my pillow because you know they
• 1:07:36
  gave you the INFI fila. Of course I'd be like,
• 1:07:39
  I'd say please and honestly, and Tasha, this isn't against you,
• 1:07:43
  because honestly I know American Airlines, you didn't make the plane.
• 1:07:47
  I give the I give the woman next to me.
• 1:07:48
  Her name, Sabrina is a Sabrina. It's a beautiful name.
• 1:07:51
  First off, Sabrina. I just want to say, that's a
• 1:07:53
  beautiful name. Right. They take this pillow and which put
• 1:07:55
  them on your neck because you're not going to get
• 1:07:57
  any lumbar support, all right, once you have a beautiful
• 1:08:00
  restlessly because you're a beautiful princess, all right. And I say, Tasha,
• 1:08:04
  you tell me, you tell me right now if that
• 1:08:07
  fucking dog faced man the cockpit did this, did you?
• 1:08:11
  Did he do this to you? And that's how it
• 1:08:15
  handled the situation, right.
• 1:08:17
  Speaker 2: You know, it's funny because a lot of you guys
• 1:08:19
  probably think he's joking or playing it up. I've never
• 1:08:22
  been on a flight with Hunter where he's acted normally.
• 1:08:26
  There's always some bit, there's always something.
• 1:08:28
  Speaker 1: Do you want to tell him about what you did
• 1:08:30
  on that flight to Tampa? What did I do on
• 1:08:33
  the flight to Tampa? Yeah, that one from Kansas City
• 1:08:36
  to Tampa. Do you remember that? I don't. I barely
• 1:08:40
  remember what happened yesterday. I don't remember we were this
• 1:08:42
  is when we were going to shoot the ghost hunting
• 1:08:45
  video we made with Charlie or Voice Critical. I remember
• 1:08:49
  going to Tampa. But what did I do on this flight? Well,
• 1:08:51
  we were going there. He had bought these like twenty.
• 1:08:56
  Speaker 2: Dollars crappy Amazon webcams to look like the old Zach Becken's,
• 1:09:01
  like ghost adventure stuff, so he decided to test them
• 1:09:04
  out on the plane by acting like he was in
• 1:09:08
  an abandoned building. So he's setting, he's setting in the chair,
• 1:09:15
  he's got the camera like this close to his face.
• 1:09:19
  Speaker 3: And he's like, guys, I don't did you hear that?
• 1:09:23
  Speaker 1: Guys? Guys? And he's like panicking and like sweating and
• 1:09:25
  in the background you can just see rows of people.
• 1:09:31
  Someone shifts in their sleet. He's like, did you hear that?
• 1:09:34
  Did you guys hear that? And Nick's filming him too
• 1:09:38
  and has an equally close camera up in his face.
• 1:09:43
  Speaker 3: Tell them what Tell them what.
• 1:09:44
  Speaker 1: Happened in the bathroom. Yeah, I was gonna say. The
• 1:09:47
  only thing I remember. Know that you say that, because
• 1:09:49
  I totally forgot we bought those cameras. I think I
• 1:09:51
  remember the bathroom is that I was recording myself in there,
• 1:09:53
  and I was pretending that I was like doing a
• 1:09:55
  ghosts and thing. Uh, And then I stood up and
• 1:09:57
  then I just like, just fill my ship in this
• 1:10:00
  like an airplane toilet. And I just kept looking in
• 1:10:03
  the mirror. It's it's a whole. It doesn't matter, you
• 1:10:06
  know what. I was being a little silly.
• 1:10:07
  Speaker 2: He filled, he filled the toilet, and he was like
• 1:10:13
  and the way he had the crappy i R filter on,
• 1:10:16
  so everything was black and white. And he's spinning around
• 1:10:20
  in the bathroom like, guys, I don't know, guys, I
• 1:10:23
  think there's a ghost in here.
• 1:10:24
  Speaker 1: Spirits are you with us? And as he's spinning, you
• 1:10:27
  just pass the toilet that's full up, just keeps. There
• 1:10:34
  were four different bathrooms on that trip. He did that.
• 1:10:38
  Speaker 2: I don't know how he was ready to go at
• 1:10:40
  everyone we came across.
• 1:10:42
  Speaker 1: I did forget. We did have a we did have
• 1:10:44
  a moment. There was a ship toilet in the ghostable thing.
• 1:10:46
  I totally forgot about that. Yeah, so it was I
• 1:10:50
  must have been backed there for a while. I was
• 1:10:52
  holding in some demons in.
• 1:10:54
  Speaker 2: You, every one of them. I was like, this has
• 1:10:57
  to be the last one. Surely, I remember was always another.
• 1:11:01
  Speaker 1: I just remember because we were I feel bad. I
• 1:11:05
  feel bad because I opened the door and there's nothing.
• 1:11:07
  But it's like kind of like whenever you're watching your
• 1:11:09
  dog take a shit. He looks at you and you
• 1:11:10
  can just tell he's ashamed or whatever. So I get
• 1:11:13
  out of the bathroom and just by like an unforeseeable
• 1:11:18
  wind guss this like horrid, wretched smell out of the bathroom.
• 1:11:23
  And the woman, the woman in the front row, what
• 1:11:26
  a rap in the bathroom? Just did good god? Yeah?
• 1:11:37
  Speaker 2: Yeah, as well as the camera. He's like, are you
• 1:11:40
  with us? Spirit speak to us? Say something?
• 1:11:44
  Speaker 1: Sorry, man, sorry, I had some batch of pote last night.
• 1:11:49
  Mm hmmm.
• 1:11:51
  Speaker 2: He kept putting the camera in the floor to be like,
• 1:11:53
  I think I'm sensing something, And as the camera spins,
• 1:11:55
  you just he rows of feet and he's like, is
• 1:11:57
  that a person?
• 1:11:58
  Speaker 1: Does that look like a person? Back there? It's just
• 1:12:00
  a woman in shoes.
• 1:12:02
  Speaker 2: So anyway, my point is him deciding to like white
• 1:12:06
  night over his stewardess asking if the pilot beat her.
• 1:12:09
  You know the pilot she met like five minutes ago
• 1:12:10
  when the flight began.
• 1:12:13
  Speaker 3: That would be on part.
• 1:12:15
  Speaker 2: That would be a bit he wouldn't have been so,
• 1:12:19
  so yeah, he's in the plane. Fund did its crying.
• 1:12:25
  I had to have been waiting with my callight on
• 1:12:27
  for at least five minutes. How is it possible that
• 1:12:29
  it hadn't changed at all? I opened up my laptop
• 1:12:32
  and saw it two displayed four oh three am. I
• 1:12:35
  pulled out my phone, started a stop watching the app.
• 1:12:38
  Spent the next two hours looking back and forth between
• 1:12:41
  the clocks, waiting for them to change. They never did.
• 1:12:44
  I tapped the shoulder of an older woman sitting in
• 1:12:46
  the row ahead of me. She looked back, an annoyed
• 1:12:49
  expression across her face.
• 1:12:51
  Speaker 1: Yes, do you know how long it we land? She
• 1:12:53
  narrowed her eyes. That flight didn't said it wouldn't be
• 1:12:56
  about an hour. Shook my head in confusion. That flight
• 1:13:00
  attendant we talked almost two hours ago. You should have
• 1:13:04
  landed already. She stared at me as if I was crazy.
• 1:13:08
  Speaker 2: I was going to continue trying to convince her, but
• 1:13:10
  I felt a hand on my shoulder. I spun to
• 1:13:12
  see a male flight attendant grinning down at me, tears
• 1:13:15
  pining off his cheeks onto my shoulder.
• 1:13:17
  Speaker 1: Sir, I'm going to ask you to calm down, or
• 1:13:20
  I'll be calling the captain.
• 1:13:22
  Speaker 2: I told him that wouldn't be necessary and sat back.
• 1:13:24
  He removed his hand and stepped away.
• 1:13:27
  Speaker 1: I feel like he has been pretty amicable. I don't.
• 1:13:29
  I don't think he's really caused a fuss, has he? Sir?
• 1:13:35
  Speaker 2: Sir, sir, I'm gonna get the taser. I'm gonna get
• 1:13:39
  the bite dog.
• 1:13:40
  Speaker 1: It'd be different if she's like, the flight atten't sit
• 1:13:42
  in an hour from now, and he's like, I know, now,
• 1:13:45
  are you fucking crazy? Well, that's what that would elicit something.
• 1:13:51
  But I feel like him being like, oh, it's weird,
• 1:13:54
  Oh that's weird. We talked a couple hours ago. Don't
• 1:13:56
  really think and He's like, is there a problem? You
• 1:13:59
  got a problem here? Is this a problem? You wouldn't
• 1:14:02
  want this to be a problem, would you, sir? You
• 1:14:03
  won't want this to be a problem. Lo, we'll throw
• 1:14:05
  you out. We've done it before, sir, we can do
• 1:14:07
  it again. Sure.
• 1:14:09
  Speaker 3: Flight attendts continue to stop.
• 1:14:10
  Speaker 1: By every few hours, offering meals every few hours. Damn,
• 1:14:16
  continue to hick up and sitting there like Harry. Another
• 1:14:19
  two hours passed by? Hey? Any hour? Now?
• 1:14:24
  Speaker 3: At what point do you cause a problem?
• 1:14:26
  Speaker 1: At what point are you? Like?
• 1:14:26
  Speaker 4: All right?
• 1:14:27
  Speaker 1: You know what? I've got a gun. After she says
• 1:14:30
  the flight attendant said an hour? Looie landing? An hour?
• 1:14:34
  Is like from then?
• 1:14:35
  Speaker 2: Or what?
• 1:14:36
  Speaker 3: How long until you cause a problem?
• 1:14:38
  Speaker 1: Like that? Guy? Like the flight attendt came out. I
• 1:14:39
  was like, am I going to have to tell the captain? Like,
• 1:14:41
  at what point are you? Like?
• 1:14:42
  Speaker 2: You know what?
• 1:14:43
  Speaker 3: Yeah, tell the captain.
• 1:14:44
  Speaker 1: When she said an hour from now, I would say
• 1:14:47
  thirty minutes after that.
• 1:14:50
  Speaker 2: So before an hour's even pass exactly talk, I'd be
• 1:14:55
  doing the whole time.
• 1:14:58
  Speaker 1: Drop. I'd be rolling around, Oh god, what is this?
• 1:15:02
  What kind of magic show is this?
• 1:15:05
  Speaker 4: Be doing that?
• 1:15:05
  Speaker 3: So Hunter gets onto two hour flight.
• 1:15:08
  Speaker 2: One hour into the two hour flight, he's making demands exactly.
• 1:15:19
  Speaker 1: My stopwatch continued to tick up and is now telling
• 1:15:22
  me that I've been on this plane for more.
• 1:15:23
  Speaker 2: Than thirty hours, And I explored all of coach, tried
• 1:15:27
  talking to some of the other passengers, but they've all
• 1:15:30
  told me that they're expecting to land in an hour.
• 1:15:32
  So around three hours ago, I tried getting into first class,
• 1:15:36
  made it past the curtain, but was escorted back by
• 1:15:38
  two grinning flight attendants.
• 1:15:40
  Speaker 1: A grip of my arms were like iron, sir, the
• 1:15:43
  seabout light sign is on. Please remain in your seat
• 1:15:46
  with your buckle fashion. We'll be landing in about an hour.
• 1:15:51
  Oh pissed me off just about. I thought that, hold on,
• 1:15:54
  this is a woman speaking, or you're not going to
• 1:15:56
  be kind and respectful to them. Listen, you're a perfect angel,
• 1:16:00
  but you are releasing some kind of demon from me.
• 1:16:04
  Please don't make me go there is what I would say.
• 1:16:06
  I say, Please don't make me go there.
• 1:16:09
  Speaker 3: Don't make me open up the cage, let the tiger.
• 1:16:12
  Speaker 1: Out to play. I'm unfurling my wings in darkness. We'll
• 1:16:18
  cast over this plane. Do you hear me? Not? If
• 1:16:21
  you hear it let her get shot to death by
• 1:16:25
  an Aaron Marshall.
• 1:16:34
  Speaker 2: I'm just about giving up hope when a woman came
• 1:16:37
  down the aisle dressed in a business suit. She didn't
• 1:16:39
  look at me or slow down, but she dropped a
• 1:16:41
  piece of paper onto my tray. She made her way
• 1:16:44
  to the bathrooms at the back of the plane. I
• 1:16:46
  shot a look around before unrolling it.
• 1:16:49
  Speaker 1: It said, are you stuck too? I pulled out a
• 1:16:52
  pen and wrote, yes, it's been thirty hours.
• 1:16:55
  Speaker 2: I folded the scrap of paper up and set it
• 1:16:57
  on my tray closest to the eye. She left the
• 1:16:59
  bathroom and picked it up as she passed. It's been
• 1:17:02
  twenty minutes since then. I don't know why, but I
• 1:17:04
  don't think the flight attendants would like it if they
• 1:17:06
  knew we were talking. It doesn't matter. I have to
• 1:17:09
  do something. Update you all with whatever happens next in
• 1:17:13
  the four one. All right, so that's into part one.
• 1:17:15
  I just want to say this.
• 1:17:16
  Speaker 1: I think he's dead. Right. If a person feels like
• 1:17:19
  it's probably gonna be like a purgatory meme or something
• 1:17:21
  like that. The uh, it's funny that she's like it
• 1:17:26
  drops like a note. I legitimately thought that with how
• 1:17:29
  childish I felt, that he was going to be like, yeah,
• 1:17:32
  I've been here thirty minutes and he makes an airplane
• 1:17:34
  out of he's like looking the paper and make an
• 1:17:35
  airplane that like throws it perfectly through first class into
• 1:17:38
  the bathroom.
• 1:17:40
  Speaker 3: I think so far it's been fine.
• 1:17:42
  Speaker 1: It hasn't. It's just been like I'm stuck on the flight.
• 1:17:45
  I don't know, yeah, right, I think I think.
• 1:17:50
  Speaker 2: It feels good so far. I think it is kind
• 1:17:52
  of a creepy concept, the idea of being on a
• 1:17:53
  plane and it never lands.
• 1:17:55
  Speaker 1: Right.
• 1:17:57
  Speaker 2: Will you give me a movie about the girl gets
• 1:17:59
  on the plane and they can her her son never existed.
• 1:18:03
  Speaker 1: I don't. I don't fucking know that. I've never heard
• 1:18:05
  of that movie. I feel like I feel like that's
• 1:18:10
  just gaslighting some random messenger that was sitting next to you.
• 1:18:15
  Speaker 2: No, it's she gets on the plane and like her
• 1:18:18
  son disappears, like when he goes to the bathroom and
• 1:18:20
  she's like, hey, where's my kid? They're like, you never
• 1:18:22
  boarded the flight with a kid, and like the whole
• 1:18:24
  flight they try to convince her son's not real.
• 1:18:26
  Speaker 1: I can't remember how it ends. Can I pitch that, like,
• 1:18:28
  she's sure not to interrupt you, because I'm sure the
• 1:18:32
  movie's awesome. But I had an idea. I had a thought,
• 1:18:35
  is it scarier if you're not over the ocean, you're
• 1:18:39
  by the airport? Right? And every time he's been descending
• 1:18:43
  for thirty hours and they pull back up right soon
• 1:18:46
  asy getting ready land right near the ground, he pulls
• 1:18:48
  back up and they has to go back around. It's
• 1:18:50
  like a mental torture, right, she goes right now, and
• 1:18:53
  then after a while, the guy's like, what the fuck
• 1:18:55
  is going on? Why are we not landing? Sir? It's
• 1:18:58
  just an hour? Okay, just for us an hour. They're crying, right,
• 1:19:02
  what if? What if? It's like when he when they land,
• 1:19:05
  they're like, your asshole is going to explode out from
• 1:19:10
  your bottom. You're you'll have your asshole will prolapse, and
• 1:19:13
  you'll have shot out your organs to the point where
• 1:19:15
  there's people on the plane who are like, I don't
• 1:19:17
  give a fuck, I want to get off this plane,
• 1:19:20
  and other people are like, sir, think of his asshole.
• 1:19:22
  The man's going to die whatever, And now you have
• 1:19:26
  a moral becomes like a sacrifice thing exactly there he's like,
• 1:19:29
  I don't care.
• 1:19:30
  Speaker 6: Let my asshole become red cabbage and spill out all
• 1:19:33
  onto the floor. My gutty works he does that, or
• 1:19:36
  he's just like hold on, hold on, and then he
• 1:19:39
  goes and like people will start revolting, and like one
• 1:19:41
  of the passengers comes up to the pilot and he's
• 1:19:42
  just like, you.
• 1:19:43
  Speaker 1: Ran this fucking plane.
• 1:19:44
  Speaker 4: Or I'll put a bolt in the back of your head.
• 1:19:46
  Speaker 1: He's like, how would you get that gun on this plane?
• 1:19:48
  God damn it? And he's like it's three D projected
• 1:19:52
  he has the back of his head like that would
• 1:19:54
  that be would that be a good hook? It would
• 1:19:58
  be something all right? Or it's just like as soon
• 1:20:01
  as they we there's a treaty. We live in a
• 1:20:05
  world where when every time a plane lands, someone on
• 1:20:09
  the path, someone or how about this, this is even better?
• 1:20:12
  The one in the the woman in the fucking zoot
• 1:20:14
  suit walking around dropping stuff, she's just like, we can't land.
• 1:20:18
  He's like what whatever, And then they keep coming up
• 1:20:21
  to him asking him, are you ready to land in
• 1:20:23
  six hours? Yeah, that's fine, I don't care. Another hour passes,
• 1:20:27
  are you are you sure you're ready to land in
• 1:20:29
  five hours? Sir, are you sure, Yeah, that's totally fine.
• 1:20:32
  The zoot suit one walks by, Please don't let us land.
• 1:20:35
  He's like, what the fuck is happening? Four hour whatever?
• 1:20:39
  But like three hours comes by by three and he's
• 1:20:41
  just like, can I ask why you keep asking me that.
• 1:20:43
  She's like, oh, well, you're you're in the seat. Where
• 1:20:46
  as soon as we as soon as we land, you
• 1:20:48
  have to eat a baby. To eat this baby on
• 1:20:50
  the plane, and he's like, excuse me, excuse me. He's
• 1:20:57
  like that woman in the zoot suit back there, addressed
• 1:20:59
  like Sindbad from nineteen ninety two. She we've taken her baby,
• 1:21:03
  We've wrapped her in tenfoil, and they're like, we're getting
• 1:21:05
  ready to put them in an air fryer, and you
• 1:21:07
  have to eat the whole thing before people can get off.
• 1:21:09
  Now there's a guy next week. She's like, dude, seriously, man,
• 1:21:11
  I appreciate you taking this one for the team. Try
• 1:21:15
  to tell me that's not a good one. I'm not
• 1:21:16
  gonna eat a baby. Wait, what the fuck? Thank you?
• 1:21:19
  They have the fly background woo whatever, and now he's like,
• 1:21:22
  we're gonna run out of gas. The airplane. The captain
• 1:21:24
  comes by listen. I had eat a baby two years
• 1:21:27
  ago and I didn't like it. He said, to do
• 1:21:29
  it once.
• 1:21:30
  Speaker 4: No one will ask you to do it again.
• 1:21:32
  Speaker 1: But if you don't do we're gonna run out of
• 1:21:34
  gas and we're going to crash. We're going to die.
• 1:21:36
  Do you understand me?
• 1:21:40
  Speaker 3: So this is like a metaphor for like the healthcare
• 1:21:42
  system or something.
• 1:21:43
  Speaker 1: It could be. It could be, or it could just
• 1:21:45
  be a thing about people. I guess mandating that you
• 1:21:48
  have to eat a child every time that you land
• 1:21:50
  a plane, that would you know what I would say
• 1:21:52
  if society did that, that would be bad. I'll agree.
• 1:21:55
  Speaker 6: You know.
• 1:21:56
  Speaker 1: I'm glad you said it because I wanted to say too,
• 1:21:58
  but I was afraid. But it is wrong, right right?
• 1:22:02
  Speaker 2: Okay, So I've been I've been reading about the plot
• 1:22:06
  of this movie I remembered.
• 1:22:07
  Speaker 1: Okay, like, I'm so glad I did. All right.
• 1:22:10
  Speaker 2: So it's a movie called Flight Plan, starring Jodie Foster,
• 1:22:14
  and I was wrong about being a son.
• 1:22:16
  Speaker 3: It's her daughter, she goes.
• 1:22:18
  Speaker 2: So, her husband just died in Berlin, and she's flying
• 1:22:22
  back to the United States to bury him with her
• 1:22:24
  six year old daughter. And then her daughter disappears, and
• 1:22:27
  everyone tries to convince her her daughter's not real, okay,
• 1:22:30
  And then I'm reading through the summary and it says
• 1:22:33
  at one point she accuses two Arab passengers of stalking
• 1:22:39
  her daughter the night before, resulting in a fight and
• 1:22:43
  her being handcuffed. So she gets handcuffed. She gets convinced
• 1:22:47
  somehow in the midst of this that her husband. Everyone
• 1:22:50
  told her her husband killed himself by jumping off the building,
• 1:22:52
  but she gets convinced it was a murder, so she
• 1:22:54
  goes into the cargo bay and checks his body, and
• 1:22:58
  it says she removes or no sorry. An agent goes
• 1:23:03
  down to checks his body to find that his body
• 1:23:05
  has been rigged with explosives and a detonator, of course,
• 1:23:11
  and it's revealed that the killer and the mortuary conspired
• 1:23:18
  to hijack the aircraft for a fifty million dollar ransom
• 1:23:22
  and framed this woman that's the hijacker, so they abducted
• 1:23:27
  her six year old daughter to conver to coerce her
• 1:23:32
  into going along with it.
• 1:23:34
  Speaker 1: I guess I'm going to have to watch Flight Plan
• 1:23:37
  almost immediately because the terrorist movie Jody Foster becoming a
• 1:23:42
  terrorist in this and like somebody gas. It could also
• 1:23:45
  be equally as terrifying, as if all that's happened, like
• 1:23:47
  if imagine a movie where's a mom and a mom
• 1:23:50
  and daughter get on the plane right and then all
• 1:23:53
  of a sudden, a soon as you sit down, the
• 1:23:54
  mom just pretends she doesn't know you. M you know
• 1:23:58
  what I mean? Sitting there, she's I don't know who
• 1:24:00
  this is? Mom? Stop? Can I can I be moved?
• 1:24:04
  This gross little girl is trying to talk to me
• 1:24:06
  during the flight. I am going to like, I am
• 1:24:09
  going to like you do that to a daughter anyway.
• 1:24:11
  I feel like you do that to your daughter anyway.
• 1:24:16
  Skipped ahead of the flight plan. Oh she is.
• 1:24:18
  Speaker 2: I thought you weren't telling the internet about her? I okay,
• 1:24:23
  uh So later on, I'm just skipping ahead in the
• 1:24:28
  plot a little bit. At one point she agrees to
• 1:24:30
  hijack the plane, and she's holding the pilot at gunpoint
• 1:24:33
  for some reason, and there.
• 1:24:36
  Speaker 1: There's a lot of killing.
• 1:24:37
  Speaker 2: At one point, she detonates the explosives on the plane
• 1:24:42
  was flying that's what it looks like, believing that neither
• 1:24:47
  the passengers nor the crew would even notice. Kyle escapes
• 1:24:50
  with Julia and the aircraft's noncombustible hold. As Carson shoots
• 1:24:54
  at her, she detonates the explosives, killing him and damaging
• 1:24:57
  a landing gear, and everyone realizes she was telling the truth.
• 1:25:03
  Speaker 1: What truth, that her daughter exists. This little girl is
• 1:25:07
  my daughter? Okay, alright? Part two? That Part two. Yeah,
• 1:25:16
  I've been flying for almost thirty hours. Part two.
• 1:25:18
  Speaker 2: A few hours after the business woman picked up her
• 1:25:21
  piece of paper with my message, she came back down
• 1:25:23
  the aisle and set in the seat beside me.
• 1:25:25
  Speaker 3: She bent over, trying to stay low.
• 1:25:27
  Speaker 4: So you're stuck too.
• 1:25:29
  Speaker 1: I kept my voice low. Yeah, my name's Jack. By
• 1:25:33
  the way, the Saint. Nice to meet you, but she nodded,
• 1:25:38
  I'm Mary.
• 1:25:39
  Speaker 4: You're wrong.
• 1:25:41
  Speaker 1: Getting your message was by far the best thing about
• 1:25:43
  the past day. I spent the last day and a
• 1:25:45
  half thinking I was alone in this.
• 1:25:47
  Speaker 2: She paused for a moment, looking up the aisle. When
• 1:25:49
  she spoke again, her voice was a whisper.
• 1:25:51
  Speaker 4: So, Jack, you have any theories on what the hell's
• 1:25:55
  going on?
• 1:25:56
  Speaker 1: I considered lying, but decided the truth was for the best.
• 1:26:00
  I think we might be dead.
• 1:26:05
  Speaker 2: Imagine, imagine you're in this scenario. And then you asked
• 1:26:08
  the one other guy for help, and he's like, I
• 1:26:09
  think we're dead.
• 1:26:10
  Speaker 1: It's like, Okay, the guy, the guy reciprocating the the
• 1:26:15
  junior high note passing, I think is going to be
• 1:26:18
  very nonchalant about this is how I'm reading. I think
• 1:26:22
  we're dead. I think we're I think we might be dead.
• 1:26:24
  I think we're dead and we're ghost right now. We
• 1:26:28
  can be ghost girlfriend boyfriend and you can be ghost
• 1:26:31
  together and you're like that, Mary, Mary, Mary's sugar. Maybe
• 1:26:42
  if we're just me or just you, if this is
• 1:26:45
  some cosmic train to hell, would there be two of
• 1:26:47
  us who realize what's going on? Trains can't hold more
• 1:26:51
  than one passenger.
• 1:26:53
  Speaker 2: Trains, Yeah, famously, trains have one person in them. None else,
• 1:26:57
  no idea, I don't know. Mary pulled out her phone
• 1:27:00
  and handed it to me. It displayed the Wikipedia article
• 1:27:02
  for flight image three seventy. Oh that's the Malaysian one
• 1:27:06
  that disappeared, the airline that disappeared in twenty fourteen. Okay,
• 1:27:09
  will you I read through the article carefully. There were
• 1:27:12
  dozens of theories trying to explain what happened. It ranged
• 1:27:14
  from hypoxia to suicide to aliens.
• 1:27:17
  Speaker 1: Mary, how are you still using a sidekick phone? Is
• 1:27:23
  that what it said? Can you imagine this?
• 1:27:27
  Speaker 2: It's just pulled out her phone? How are you just
• 1:27:31
  asking completely unimportant?
• 1:27:36
  Speaker 1: Mary? How are you having an LG chocolate phone from
• 1:27:40
  two thousand and seven? How is that possible? Mary? That's
• 1:27:43
  so cool, Mary, Thank you for showing me this. Mary
• 1:27:46
  doesn't tell us much, not much other than that this
• 1:27:49
  may have happened before. How about you? Any theories? Is
• 1:27:53
  why anyone else can't see what's going on?
• 1:27:56
  Speaker 2: We talked it over and realized one thing we had
• 1:27:57
  in common was that we were both fast asleep four
• 1:28:00
  or three a m.
• 1:28:02
  Speaker 1: There's no way we were the only ones sleep at
• 1:28:04
  that time, though maybe everyone else was just napping. I
• 1:28:08
  don't know about you, but but I was well and
• 1:28:10
  truly asleep. I was sunked out. I was gone. I
• 1:28:17
  hit the Zaza before the flight, and my ass was
• 1:28:19
  my my goovy. I was totally busted out down the
• 1:28:22
  snooze train. That's so cool, Mary, Mary, awesome, You're great.
• 1:28:30
  Speaker 4: Mary.
• 1:28:30
  Speaker 1: She takes out a tech nake I imagine she's using.
• 1:28:32
  She has a tag deck out. By this entire time
• 1:28:34
  when she's talking, she keeps dropping on the floor damn
• 1:28:38
  it flips. That's pretty, that's awesome. I've never seen anyone,
• 1:28:45
  anyone do a jack mountain.
• 1:28:46
  Speaker 3: Before I saw that male flight attendant. Is he bothering you?
• 1:28:50
  Speaker 1: Is that guy bothering you? Mary? She's like she's a
• 1:28:53
  grinding on a one of those like, uh, those cookies
• 1:28:56
  that you get, the half pipe things.
• 1:28:59
  Speaker 3: Yeah, she's she's on the biskoff cookie.
• 1:29:03
  Speaker 1: Yeah, she's uh, she's grinding on the bisc cough cookie,
• 1:29:06
  singing sca songs to herself. Here I am everything, can
• 1:29:12
  m Mary? Are you singing Superman by Goldfinger? Ah? You
• 1:29:22
  know that song? Yeah? You're you maybe the coolest girl
• 1:29:26
  I've ever seen. I would hope the story ends with
• 1:29:31
  both of them dying in a plane. Yeah. Here I
• 1:29:34
  am doing it pretending he was Superman. Oh.
• 1:29:49
  Speaker 2: The cabin lights flicked off and a dozen ready emergency
• 1:29:51
  lights and the floor flicked on, casting the cabin in
• 1:29:54
  a red globe.
• 1:29:55
  Speaker 1: Bit or Calm crackles alive, saying passengers please.
• 1:30:00
  Speaker 4: Return to your seats. They see both side us fastened.
• 1:30:03
  We may experience some turbulence. We'll be landing in about
• 1:30:05
  an hour.
• 1:30:06
  Speaker 1: Mary Froz, Should I go back? Maybe they won't notice
• 1:30:11
  if you're gone. But maybe they already know and they
• 1:30:13
  just trying to separate us. Mary nodded, we should stay together.
• 1:30:17
  That's a better idea. Intercom crackled again.
• 1:30:21
  Speaker 4: Oh, ladies and gentlemen, I am pleased to announce the
• 1:30:24
  arrival of the Captain. We'll all be given the opportunity
• 1:30:27
  to speak with him. Please remain in your seats until
• 1:30:29
  he calls you. I mean your assistants. Don't worry a
• 1:30:32
  flight that it will be happily, will happily help you
• 1:30:35
  on your way.
• 1:30:36
  Speaker 3: That's creepy.
• 1:30:37
  Speaker 2: I like that the captains arrived. The idea of someone
• 1:30:40
  arriving mid flight, it's pretty good.
• 1:30:43
  Speaker 1: If you pass my god, did you hear that? Mary? No?
• 1:30:47
  Sorry I was I was messing with this tech deck.
• 1:30:50
  What did he say? Nothing, No worry about they look
• 1:30:53
  down the road. It's just Captain America like Chris Evans,
• 1:31:01
  whoa Mary, get off that mongoose bike with those sick
• 1:31:06
  pegs and we should talk about this.
• 1:31:09
  Speaker 2: Yeah, he's like really stoked about it. He's like, I
• 1:31:11
  love Avengers. That's awesome.
• 1:31:16
  Speaker 1: She's like the only Captain I know is Sean White.
• 1:31:19
  She's like a big BMX person or something, You're like,
• 1:31:22
  what Rishana's just she's wearing all like the old bird.
• 1:31:33
  Speaker 4: All the.
• 1:31:37
  Speaker 2: Sounds of passengers get into their feet echoed from further
• 1:31:39
  up in the plane, sat in silence, trying to get
• 1:31:42
  a look through the curtain separated us from first class.
• 1:31:45
  Speaker 1: The captain no idea, but didn't sound like they were
• 1:31:49
  talking about a pilot to me, did they Nope.
• 1:31:52
  Speaker 2: That's when a pungent sulfur smell hit us. So okay,
• 1:31:56
  so it's the devil. The devil's walking around the first class.
• 1:31:59
  Speaker 1: That's what.
• 1:32:00
  Speaker 2: A pungent sulfur smell hit us, so strong that I
• 1:32:02
  had to resist the urged gag. He reminded me if
• 1:32:05
  the worst rotting eggs I'd ever smelled to my life.
• 1:32:08
  But the old woman said it ahead of us, didn't react.
• 1:32:11
  She just kept watching a movie on the back of
• 1:32:12
  her seat.
• 1:32:13
  Speaker 1: Oh cough.
• 1:32:14
  Speaker 2: We fought it for a few long seconds before giving in,
• 1:32:17
  coughing hard and violently. A second later, the curtain opened,
• 1:32:21
  Mary and I froze steering down the now red fuselage.
• 1:32:25
  Four flight attendants passed through the curtain. It made their
• 1:32:27
  way down the rows towards us. Grin stretched wide across
• 1:32:30
  their faces. They were still crying. This time, the tears
• 1:32:34
  streaking their face were darker. It's hard to stay with
• 1:32:36
  the lighting, but it looked like blood. My eyes weren't
• 1:32:39
  drawn to them, though I looked over their shoulders at
• 1:32:41
  the figures. Standing near the front of the plane. There
• 1:32:44
  was a black silhouette standing by side the cockpit door.
• 1:32:47
  It was least eight feet tall, pointing towards us with
• 1:32:50
  a single finger, and it called us the bathrooms. We
• 1:32:54
  ran towards the back of the plane, the flight attendants
• 1:32:56
  closing in behind us. Blood dripped from their grinning cheeks
• 1:32:59
  onto the carpet to the plane.
• 1:33:01
  Speaker 1: The captain is here, he said in.
• 1:33:03
  Speaker 2: A perfect customer service voice, screamed widen as he moved
• 1:33:06
  towards us. We made it to the bathrooms, jumping into
• 1:33:09
  opposite sides. I slammed the door shut and locked it,
• 1:33:12
  pressing my feet against the folding center part.
• 1:33:14
  Speaker 1: Of the door to keep it closed.
• 1:33:16
  Speaker 2: It began banging on the door and pulling at the
• 1:33:17
  handle while I fought to keep it closed.
• 1:33:19
  Speaker 1: I'm sorry, but you'll both need to speak with the captain.
• 1:33:22
  Speaker 2: One of the flight attendants said. A distinct snapping sound
• 1:33:29
  like breaking metal came from her bathroom. She continued to
• 1:33:32
  scream as the sounds of struggle migrated up towards the
• 1:33:34
  front of the plane, towards the black figure I'd seen.
• 1:33:37
  I like to say I jumped out and fought them,
• 1:33:39
  that had distracted them, or I did something heroic.
• 1:33:42
  Speaker 1: I did it.
• 1:33:43
  Speaker 2: She was carried away and a few short seconds later
• 1:33:45
  her screaming was cut off. That was a few hours ago,
• 1:33:48
  and I'm still locked inside the bathroom. We keep trying
• 1:33:51
  not to think of what they've done with her. The
• 1:33:53
  thing at the front of the plane didn't seem human.
• 1:33:56
  I hope, what are you laughing about?
• 1:34:00
  Speaker 1: This is just kind of funny. The thing in the
• 1:34:02
  front of the plane didn't seem human. The eight foot
• 1:34:05
  tall black figure wasn't a human. Okay, that was the
• 1:34:11
  thing that boarded the flight mid mid mid thirty hour
• 1:34:16
  flight and air Yeah, it's weird, okay.
• 1:34:20
  Speaker 2: I hope it didn't kill her, not after she was
• 1:34:22
  shouting for my help like that. I didn't take that. Oh,
• 1:34:26
  what's so funny? Go ahead, I just like Jesus, she's
• 1:34:31
  not dead. Her screaming like that and me standing in
• 1:34:34
  his bathroom ship in my pants. I feel bummed about that.
• 1:34:40
  Speaker 1: Yeah, it's funny. He's like, Man, if she's dead, I'm
• 1:34:42
  gonna be sad. That'll be bad for me if she
• 1:34:45
  died like that.
• 1:34:48
  Speaker 2: I haven't heard any movement outside in a few hours,
• 1:34:50
  but I'm terrified to open the door. I'm far from
• 1:34:53
  the seat outlets and my phone's almost dead and I
• 1:34:55
  haven't eaten them way too long. If I go out there,
• 1:34:58
  flight attendants, remember what if that thing is still waiting
• 1:35:01
  for people. I don't have much time to make a decision,
• 1:35:04
  but I'll update you all here with what happens next
• 1:35:07
  end of part two.
• 1:35:10
  Speaker 1: I think the story so far needs more meat on
• 1:35:12
  its bones. Things are happening too quickly. Like the whole
• 1:35:15
  idea of having a line that says, have a character
• 1:35:18
  saying don't cough, and then the next line is we
• 1:35:20
  try to hold it in, but we coughed seems a bit. Yeah. Yeah,
• 1:35:25
  it's like you can just go to the other part.
• 1:35:28
  I also wanted more time with having the flight intense,
• 1:35:31
  you know, being like we've had them be you know,
• 1:35:33
  creepy and they're smiling and crying and stuff. I like that,
• 1:35:36
  you know, I like the hook the flight tens won't
• 1:35:39
  stop crying and stuff. Yeah, I want, I want more.
• 1:35:41
  We're on the last part, part three.
• 1:35:44
  Speaker 3: Yeah, yeah, I want.
• 1:35:46
  Speaker 1: I want to have a bit more going on.
• 1:35:49
  Speaker 2: I feel like stuff happens really quickly, like this girl's
• 1:35:52
  here than she dies. But it's also just, you know,
• 1:35:57
  it's a really short story. You know, maybe they just
• 1:35:59
  want to write a really short story, get like the
• 1:36:01
  main horror element across rather than a lot of the
• 1:36:04
  fluff to it.
• 1:36:05
  Speaker 1: More kind of like a goosebumps thing, you know, like
• 1:36:07
  a super short little here's what happened. So I can't
• 1:36:11
  fault that. I think it's a good premise. I think
• 1:36:13
  you could do more with it. Part three, after another
• 1:36:17
  dozen hours or so, dozen hours he's been, he's been,
• 1:36:23
  He's been on this plane for like fifty hours. I
• 1:36:24
  just want to say that, yes, yeah, several days. At
• 1:36:27
  this point, At what point are you like, you know, what?
• 1:36:29
  Take me just exactly? What am I going to do?
• 1:36:33
  Live on a plane forever? Fuck this?
• 1:36:35
  Speaker 3: Yeah, I'll live back here and hide in this bathroom.
• 1:36:37
  Speaker 1: That'll be a good way to not die, because I
• 1:36:39
  guess you can't die if you're already dead. What do
• 1:36:43
  you do? Hunter? You're setting you're setting back there and
• 1:36:45
  you look in their slight attendants and there's the devil
• 1:36:48
  in a black robe at the front of the plane.
• 1:36:52
  I'd probably say, goofed up, you just what you're just like?
• 1:36:59
  Or I I flew to uh I flew to Japan
• 1:37:05
  and that was like a thirteen hour flight. The thought
• 1:37:08
  of being on an airplane for thirty seven more hours,
• 1:37:12
  like I would I would just open that, I would
• 1:37:14
  open the latch and I would jump. That's what. Also,
• 1:37:19
  what am I gonna I mean, like, am I gonna hide?
• 1:37:23
  Do you think you're hiding on a plane? There's a funk.
• 1:37:25
  You're in the back bathroom. You're not hiding through anything
• 1:37:29
  the door. The whole idea of the guy'd be like,
• 1:37:32
  would they remember me? Yeah? They probably fucking would they've
• 1:37:36
  seen you here the hours they know where the bathroom, Yeah, exactly.
• 1:37:41
  The woman screamed your name as they pulled her through
• 1:37:44
  to give you to the devil. I wonder if they
• 1:37:46
  remember that right here? Yeah, not wrong. I don't know, no,
• 1:37:55
  I mean, I mean, yeah, there's not really I don't.
• 1:37:58
  I don't know what else he can do in the situation, though,
• 1:38:01
  other than die or just stay there. Right, die die? Okay,
• 1:38:05
  all right, well you know fair enough.
• 1:38:07
  Speaker 2: The lights in the cabin were back to normal and
• 1:38:09
  I couldn't smell any sulfur. I cautiously made my way
• 1:38:12
  back to my seat and almost cried when the grinning,
• 1:38:14
  crying flight attendant came by offering a meal. Grappy airline
• 1:38:18
  food was the most delicious thing I'd ever eaten. When
• 1:38:21
  I'd finished, my mind immediately turned a maor what had
• 1:38:24
  happened to her?
• 1:38:25
  Speaker 1: He wait until he got done eating to think about her,
• 1:38:28
  he'd have his insight meal. Oh wait, hoh fuck? Wait?
• 1:38:32
  Speaker 3: What happened that girl that died? Girl that tried?
• 1:38:34
  Speaker 1: Oh no.
• 1:38:36
  Speaker 2: I crept down the aisle towards first class, trying to
• 1:38:38
  keep a low profile. So bro, it's an aisle, it's
• 1:38:42
  a plane, all you can't only be so low profile. Surprisingly,
• 1:38:47
  the flight attendants were nowhere to be seen. That almost
• 1:38:49
  seemed to ignore me, almost as if they wanted me
• 1:38:52
  to find her. She had rode to herself and was
• 1:38:54
  staring down at her phone in the window seat. I
• 1:38:56
  slid into the aisle and shook her arm. Mary pulled
• 1:39:00
  out her headphones and stared at me with a surprised expression.
• 1:39:03
  Speaker 1: Yeah, what's going on? Are you okay? What did that
• 1:39:07
  thing do to you? What did they do to you?
• 1:39:11
  I'm sorry? Remind me how I know you? But what
• 1:39:14
  do you mean? We just I realized, sinking horror that
• 1:39:17
  she had no idea who I was. Bought back tears, Mary,
• 1:39:20
  how long have you been on this fight? She checked
• 1:39:23
  the watch on her wrist. That's four or three am,
• 1:39:26
  so a few hours at least. She stared at me
• 1:39:29
  the same way you look at a person claiming they
• 1:39:31
  were the second coming of Christ. Her tone was low
• 1:39:34
  and reassuring, Hey, don't worry too much. Look on the
• 1:39:38
  bright side. We'll be landing in about an hour. I
• 1:39:41
  felt an iron grip on my arm and looked up
• 1:39:43
  to see two flight attendants, Sir, this area is for
• 1:39:47
  first class passengers only.
• 1:39:49
  Speaker 2: They were still crying at Grinnin, but just tears this time.
• 1:39:53
  I could still see streaks of blood standing in the
• 1:39:55
  front of their uniforms, though I was I escorted back
• 1:39:58
  to my seat, where I spent the next several days.
• 1:40:00
  Tendants continue to stop by with food. I would use
• 1:40:03
  the bathroom, and soon was going absolutely crazy with the
• 1:40:05
  monotony retrospect.
• 1:40:07
  Speaker 1: Those few days weren't so bad.
• 1:40:09
  Speaker 2: There's a lot of content on the internet, after all,
• 1:40:11
  even with the crappy plane WiFi. No, it didn't get
• 1:40:15
  really bad until around ten days later when the Wi
• 1:40:17
  Fi failed. I got the Wi Fi failing?
• 1:40:19
  Speaker 1: Is him like, all right, it's time for this to
• 1:40:24
  be over. No Wi Fi?
• 1:40:25
  Speaker 3: Kill me with a gun.
• 1:40:26
  Speaker 1: I went to die. It was sometime a week later
• 1:40:30
  than dude, a week for weeks at this. Imagine sitting
• 1:40:35
  in the same and that's torture. Fucking torture.
• 1:40:37
  Speaker 2: Yeah, sometime a week later that I lost control and
• 1:40:40
  began screaming for a flight attendant.
• 1:40:42
  Speaker 3: It took him that long.
• 1:40:43
  Speaker 1: That's a lot.
• 1:40:43
  Speaker 2: That is longer than it would take you to break me.
• 1:40:47
  They didn't come for several minutes, but eventually one did.
• 1:40:50
  Speaker 1: Just let me see the captain.
• 1:40:52
  Speaker 2: The flight attendant bent low and spoke with the same
• 1:40:54
  customer service voice.
• 1:40:57
  Speaker 1: I'm sorry, sir, the captain has made his decision regarding
• 1:41:00
  you quite clear, do an interest call, and will therefore
• 1:41:04
  wait how long? Quite a while, I'm afraid. Don't worry, though, sir.
• 1:41:08
  We'll be landing in about an hour.
• 1:41:11
  Speaker 2: She's straight and walked away. That's funny. It's like the
• 1:41:14
  devil was up there, like, oh, I just need to
• 1:41:15
  punch your tickets. You can, like, you know, not go
• 1:41:17
  to hell.
• 1:41:18
  Speaker 1: Yeah, I mean it kind of makes it seem like
• 1:41:20
  this time leave, you know. That's what he gets. That's
• 1:41:23
  what he gets. We're not walking up.
• 1:41:25
  Speaker 3: He has to be in plain time prison forever.
• 1:41:34
  Speaker 1: Let it out. Nope, sorry, sir.
• 1:41:40
  Speaker 2: Back in the fuselage, I started making notches on various
• 1:41:45
  parts of the seatback to keep track of different things.
• 1:41:48
  One notch for each time I use the bathroom, one
• 1:41:50
  for each meal, one for every time I watched a
• 1:41:52
  given movie.
• 1:41:52
  Speaker 1: That sort of thing.
• 1:41:54
  Speaker 2: It was hell, I watched every movie in the seatback
• 1:41:57
  a dozen times over. If I ever acted out badly enough,
• 1:41:59
  I'd be escorted back.
• 1:42:00
  Speaker 1: To my seat by one or more flight attendants.
• 1:42:03
  Speaker 2: Any attempted conversation with other passengers was met with confusion
• 1:42:07
  by them, followed by a quick escort back to my seat.
• 1:42:10
  Speaker 1: I'd guess it was on or around day thirty that
• 1:42:12
  oh my gosh, you know, okay, so this is actually cooler,
• 1:42:18
  Like I like, the idea of the horror isn't Oh
• 1:42:21
  there's something creepy in the plane. It's like the he's
• 1:42:25
  in here forever, like he's stuck in the same plane
• 1:42:27
  over and over.
• 1:42:27
  Speaker 3: That's cool.
• 1:42:28
  Speaker 2: I guess it was around day thirty that, in a
• 1:42:30
  moment of panic and psychosis, I broke my laptop and phone,
• 1:42:34
  screaming at the top of my lungs. No one around
• 1:42:36
  me reacted in any way. Two months later I stunk,
• 1:42:40
  muscles in my legs were tight and cramped constantly. I
• 1:42:43
  finally concluded that suicide was my only option for my
• 1:42:46
  one hundred and twenty eight.
• 1:42:47
  Speaker 1: To three watch of Thor Ragnarok.
• 1:42:49
  Speaker 2: Actually, it's a pretty good it's a pretty good solution
• 1:42:52
  to come to it for watching that movie very much.
• 1:42:54
  I think it's funny because I made the Captain America
• 1:42:56
  joke earlier.
• 1:42:57
  Speaker 1: And now he's yeah, unintentional bear trap, always fun to
• 1:43:00
  have have. I got to my feet and limped towards
• 1:43:04
  the emergency. Oh wait, I've got I have a soundboard
• 1:43:07
  now with this new setup. Oh good, let me see
• 1:43:09
  you give me one hold on, let me hit a
• 1:43:12
  very professional I don't know.
• 1:43:15
  Speaker 2: I don't think you can hear it because it's just
• 1:43:16
  an obs but I've got like the trombone.
• 1:43:20
  Speaker 1: That's pretty good. I'm sure it sounds good to them.
• 1:43:24
  I've got an airhorn.
• 1:43:26
  Speaker 3: I hope you like that.
• 1:43:28
  Speaker 1: It's still going. What I got crickets? I got applause.
• 1:43:32
  This is great because I can hit you with these
• 1:43:33
  without you knowing it. I've got chimes.
• 1:43:36
  Speaker 3: Oh, I've got a rim shot.
• 1:43:39
  Speaker 1: Yeah, there we go. Excellent. So a monster?
• 1:43:45
  Speaker 3: What's that sound like?
• 1:43:49
  Speaker 1: Oh? This screw and this one that sounds like a
• 1:43:55
  small Now I can pitch my voice up whatever that means.
• 1:44:00
  Does it sound good? Everyone just think this is uh
• 1:44:10
  engine cares? Yeah, that was a good That was a
• 1:44:13
  good side side step in the middle of the episode
• 1:44:17
  for no reason. What were you about to say? You
• 1:44:22
  think what? Oh? Nothing?
• 1:44:24
  Speaker 3: I got to my feet and limped towards the emergency exit.
• 1:44:27
  Speaker 2: I knew normally the pressure inside the airplane forced the
• 1:44:30
  doors closed, but I figured that nothing about my situation
• 1:44:33
  was normal. If this didn't work, I'd find some other
• 1:44:36
  more painful way to go. Grabbed at the handle and
• 1:44:39
  swung it up. To my shock, the door opened easily,
• 1:44:42
  though no wind of any kind looked around. The cabin
• 1:44:45
  made the standard slightly too cold temperature that it had
• 1:44:48
  been for the past.
• 1:44:49
  Speaker 1: Who knew how long?
• 1:44:51
  Speaker 2: Yeah, Hunter realistically, you should kill yourself after two days, right,
• 1:44:55
  That's what I mean.
• 1:44:56
  Speaker 1: If you think about that's what I need to do.
• 1:44:58
  He has the men full fortitude of like I mean
• 1:45:02
  I trained for. I mean, like, really think about being
• 1:45:04
  on a plane for I mean two days is probably
• 1:45:07
  I mean, like it's a long time. But I think, honestly, around.
• 1:45:11
  Speaker 2: The crying flight attendants and no one's like acting like
• 1:45:16
  it's weird, and they keep saying an hour, I feel
• 1:45:19
  like you would think something was going on, right.
• 1:45:20
  Speaker 1: Well, it would. It would just be so comfortable. It
• 1:45:22
  would be so uncomfortable. That's why I'm like, like, I
• 1:45:25
  think your muscles would start fucking up way before two months.
• 1:45:27
  Like I think, like you, being you would your legs
• 1:45:30
  would probably get all locked up and ship.
• 1:45:33
  Speaker 3: Yeah, yeah, I suppose.
• 1:45:35
  Speaker 1: I don't know.
• 1:45:35
  Speaker 3: I feel like i'd kill myself a lot sooner.
• 1:45:37
  Speaker 1: Oh, trust me, I mean I would immediately. I'm just
• 1:45:39
  saying for I think people could probably handle it for
• 1:45:42
  a bit. Yeah, we've established you would halfway through the
• 1:45:46
  predesignated flight time. Yeah, I would be already be diving
• 1:45:50
  for that fucking door. They have to be holding you
• 1:45:55
  back in the air exactly They're like, they're like no, sure, no,
• 1:45:58
  And I'm like, that's gonna be doing the whole time.
• 1:46:01
  Let me go, Let me go to God.
• 1:46:05
  Speaker 2: The open door called to me, a black portal out
• 1:46:08
  of the plane. I stared at it for a long moment,
• 1:46:10
  almost too long. On attendant's hand grabbed my shoulder, pulling
• 1:46:14
  me away. A fit of anger and strength that surprised me.
• 1:46:17
  I rinched away and jumped out of the plane, the
• 1:46:20
  wind whipping past my face almost magical, a new sensation
• 1:46:24
  after so many months saying. The ocean below me grew closer, larger,
• 1:46:29
  and I realized it. Suddenly I didn't want to die
• 1:46:31
  after all great time. It grew larger and larger and larger,
• 1:46:35
  until it seemed that all I could see was darkness
• 1:46:38
  and waves. I impacted the surface of the water so fast,
• 1:46:42
  hard that my entire body cherked around in the seat,
• 1:46:45
  pulled my hand back, sucking at my bruised knuckle.
• 1:46:48
  Speaker 1: I'd hit it on the scene in front of me. No,
• 1:46:50
  I whispered, then shouted, no, no, no no.
• 1:46:54
  Speaker 3: A flight attendant ran down the aisle, kneeling beside me.
• 1:46:57
  Speaker 1: Are you okay, sir?
• 1:46:59
  Speaker 2: I clinched my hands and a fist, almost swinging at her.
• 1:47:01
  But then I realized she wasn't grinning, she wasn't crying.
• 1:47:06
  Be honest, she looked a little scared of me. Reached
• 1:47:08
  my right hand down to my pocket, where I could
• 1:47:10
  feel my now unbroken phone or four.
• 1:47:14
  Speaker 1: Am, sir, if you can calm down, we'll be landing
• 1:47:17
  in about an hour. My mouth tasted like ash. Thank you,
• 1:47:22
  I will stared.
• 1:47:24
  Speaker 2: I'm blinking at my phone, now displayed four five am.
• 1:47:29
  Then I looked out my window and began to cry
• 1:47:30
  at the side of city lights below me.
• 1:47:32
  Speaker 3: We did land in about an hour.
• 1:47:34
  Speaker 2: Can't even begin to explain why or how, but I'm
• 1:47:36
  currently sitting in an airport cafe typing this out.
• 1:47:39
  Speaker 1: I'm free, I'm out, and I'm never going flying again.
• 1:47:43
  Speaker 2: The end, well, there's an edit at the end that says,
• 1:47:45
  I sure hope the bartender here at the airport just
• 1:47:47
  has a naturally wide grin.
• 1:47:49
  Speaker 1: But that was an edit, so it doesn't count. So
• 1:47:52
  the end, well, someone said thirty hours Kanye reference, that's.
• 1:47:59
  Speaker 2: The uh say this never saw this coming? Well you're
• 1:48:06
  not alone, like, thank you, that's a good takeaway.
• 1:48:12
  Speaker 1: Uh, that's there's that's the story. What, you're not a fan.
• 1:48:20
  It's not your fake you know. Here's I guess I'll
• 1:48:23
  say this. I guess I'll say that the idea is interesting,
• 1:48:27
  although I don't know, I mean, the plain purgatory thing.
• 1:48:31
  And then also there's just a bunch of I guess,
• 1:48:34
  snooty little complaints I have. I feel like maybe aren't
• 1:48:37
  even beneficial. But it just as always with a lot
• 1:48:40
  of these things that are just they go by so quick,
• 1:48:43
  is that you just need a bit more time with
• 1:48:45
  the characters. Like I don't really think I even give
• 1:48:47
  a fuck about the main character or Mary or anything. Like,
• 1:48:51
  there's nothing that really grounded me to them to maybe,
• 1:48:54
  like you know, I could, I could be sympathetic to
• 1:48:56
  a situation of like, yeah, being on this plane would suck,
• 1:48:58
  but like really being in vested into the character, you know,
• 1:49:02
  is such an important part of writing and the storytelling
• 1:49:07
  that like you can have the creepy, weird, like smiling attendance,
• 1:49:13
  but like I just I just wish there was more
• 1:49:16
  more of everything. Also, everything was just kind of like
• 1:49:19
  don't It's just it seems like this this story seems
• 1:49:22
  like it was kind of just a bit of an afterthought,
• 1:49:24
  like it just seemed like somebody who was just like,
• 1:49:26
  I'm gonna write this my free time, like or on
• 1:49:28
  my break, my lunch break. I'm gonna write on my
• 1:49:30
  lunch break at work, I feel, which is fine.
• 1:49:33
  Speaker 3: I mean, why not, right, I've posted stuff like that before.
• 1:49:37
  Speaker 2: I feel like the time should have been spent on
• 1:49:39
  the several months rather than the months coming at the
• 1:49:41
  end of.
• 1:49:42
  Speaker 3: The third part.
• 1:49:42
  Speaker 1: I think that was more interesting.
• 1:49:44
  Speaker 3: I think it's a cool concept. It seems to me.
• 1:49:47
  Speaker 2: The idea at the end is like, you've got to escape,
• 1:49:49
  you have to like want to be out. So him
• 1:49:52
  jumping down the planes kind of like him saying he's leaving.
• 1:49:56
  You could interpret it as the whole it's all just
• 1:49:58
  a dream thing, but sounds more so to me like
• 1:50:00
  he was in a test of sorts that the captain
• 1:50:02
  put up or the devil or whatever. So it had
• 1:50:04
  little touches. I wish there was more. I wish there
• 1:50:07
  was more time spent. Like my favorite parts of the
• 1:50:09
  story were like, oh, I started writing scratches on the
• 1:50:11
  back of the seat to see how long I'd been there.
• 1:50:13
  Speaker 1: That's cool to me. The idea of like a seat
• 1:50:15
  in an.
• 1:50:16
  Speaker 2: Aisle becoming a sort of purgatory or like a prison
• 1:50:18
  cell that you're keeping tally marks and stuff inside of.
• 1:50:21
  I wanted more of that, so it certainly as potential.
• 1:50:24
  I like the concept more than anything, I think. Uh,
• 1:50:27
  And this was one of the author's first stories, and
• 1:50:29
  he has a ton, so I'd be interested to seeing
• 1:50:33
  what else they did, or like more recent stuff they
• 1:50:35
  did at some point, but seemed pretty prolific on no Sleep,
• 1:50:38
  there's me there.
• 1:50:39
  Speaker 3: I'd like to see it expanded on somewhat.
• 1:50:41
  Speaker 2: But I thought it was fun. I thought it was
• 1:50:42
  a fun read. Not having super long and stuff.
• 1:50:45
  Speaker 1: It's just just a fun little I'm not advocating. I'm
• 1:50:48
  not advocating for things to be long. I just think,
• 1:50:50
  like just I think just like giving more time of
• 1:50:55
  like what are we trying to accomplish with this section
• 1:50:57
  and stuff? Like I think like the idea of being
• 1:51:00
  stuck on it, Like even like even a twelve hour
• 1:51:03
  flight is long, you know, so getting to like thirty
• 1:51:07
  hours is insane. That's like a very insane thing. I think.
• 1:51:12
  If I had to parallel it with any other story,
• 1:51:14
  it's I'm at the Glenmont Metro shoot me whatever.
• 1:51:19
  Speaker 3: Long I was thinking of I don't think that.
• 1:51:21
  Speaker 1: I don't think that is the longest story, but I
• 1:51:24
  think it has enough, it has enough meat on its
• 1:51:27
  bones that it is uh like when you first get
• 1:51:31
  into it, it feels like these like the first waves
• 1:51:35
  feel like eternity, until after a while, when it's when
• 1:51:38
  the person telling the story has been around it so
• 1:51:42
  long that like eons are passing, you know, like to
• 1:51:45
  the to the reader, it's as simple as that, because
• 1:51:48
  we've already built up this thing to where now it's like,
• 1:51:51
  you know, months are meaningless because I've been here eons.
• 1:51:53
  So it's like it's it's time moves relatively fast, the
• 1:51:56
  longer in the story that it appears to go. But
• 1:52:00
  I think like building that up more and building I
• 1:52:02
  think like and this is all obviously hindsight whatever, sure
• 1:52:05
  you know it is what it is. I'm just saying
• 1:52:07
  for the for the for the thought of discussion and
• 1:52:09
  stuff like that, that you know, if if you have
• 1:52:11
  a character doing this like establishing I think like maybe
• 1:52:16
  establishing a bit of the rules, and then also just
• 1:52:18
  the kind of general chaotic nature of this, I mean,
• 1:52:21
  like a guy not freaking out and stuff is is
• 1:52:25
  crazy whatever, like him just kind of being like, oh okay,
• 1:52:31
  and like the people come over and all they really
• 1:52:32
  say is like, sir, you're gonna have to calm down.
• 1:52:34
  Like after a while he would probably be like he'd
• 1:52:36
  probably say go fuck yourself or something, and then like,
• 1:52:39
  what's that repercussion look like? If he's not being amicable
• 1:52:42
  that way, you know what I mean. But also just
• 1:52:45
  having it be a thing if I jumped out the
• 1:52:46
  window or I jumped out the door and now my
• 1:52:50
  plane's landing, that didn't feel like very satisfying or earned
• 1:52:55
  to me or whatever, you know what I mean. Yeah,
• 1:52:59
  it kind of hurry up real quick.
• 1:53:01
  Speaker 2: It'd be cool if there was like hints he got
• 1:53:03
  at it, like maybe he saw someone else wordlessly do it,
• 1:53:07
  thinking they killed themselves, but then at the end he
• 1:53:08
  realizes they made it off. Maybe there's a couple other
• 1:53:11
  people who also seem to be in the same state
• 1:53:13
  of purgatory. Maybe one of them gets like one of
• 1:53:17
  them just disappears, one of them jumps out of the plane,
• 1:53:20
  like uh again, it's more I think more. I think
• 1:53:23
  there were good pieces, but more would help it insertive ways.
• 1:53:26
  Speaker 3: But for what it was, it was fun. It was
• 1:53:27
  just a little like plane purgatory story, right, did you.
• 1:53:31
  Speaker 1: Have fun Isaiah? Yeah, I talking about flight plan. Flight
• 1:53:37
  Plan's pretty good. Flight Plan's pretty funny. So I looked
• 1:53:40
  at the end of it, and apparently she becomes like, some, no,
• 1:53:42
  don't tell me, I want to watch it. I don't,
• 1:53:43
  don't tell me, I want to watch it. Okay, okay,
• 1:53:45
  I want to watch them with the flight plan, and
• 1:53:48
  I think, I think, uh, I think just playing around
• 1:53:52
  more with like what's going on outside? We only see
• 1:53:55
  outside once in the ocean, you know what I mean?
• 1:53:58
  Or whatever? Yeah, yeah, which is just the it's supposed
• 1:54:01
  to be a dark ocean or whatever. But I don't know,
• 1:54:04
  fucking pull out some Twilight Zone shit is like do
• 1:54:06
  you see the captain on the wing? Like how crazy
• 1:54:08
  would it be if if they're just like, oh my god,
• 1:54:10
  I think I see somebody. Oh that's the captain. What
• 1:54:14
  isn't hold on? Isn't there an old Twilight episode where
• 1:54:16
  the premise is, yeah, it's William Shanner, there's something on
• 1:54:19
  the plane, some thing. It's like the best, right, It's
• 1:54:23
  like the best fucking Twilight Zone episode ever episode. So
• 1:54:28
  he gets off the So this is such a good
• 1:54:30
  fucking First off, I just want to be an advocate.
• 1:54:32
  I'm gonna use the end of this episode to talk
• 1:54:34
  about this. If you got if no one's seen the
• 1:54:36
  Twilight Zone episode from the sixties, it is so good.
• 1:54:39
  It's still so good, my god. But the William Shatner
• 1:54:44
  episode Williams Shretnon episode is probably the most uh, the
• 1:54:49
  most popular, but it's awesome. It makes no sense. It's
• 1:54:52
  so stupid. It's like him being like, it's a guy
• 1:54:54
  who's afraid of flying, and he's like had like a
• 1:54:56
  mental breakdown and then now he is okay, is is uh?
• 1:55:00
  Mental hospital doctor says it's okay that he can go home, right,
• 1:55:04
  so to conquer his fear until I test it out.
• 1:55:06
  He is going to fly home, and he's like kind
• 1:55:08
  of being sporadic, and people know that on the flight
• 1:55:11
  that hey, this is a guy that is having like
• 1:55:13
  you know, he's kind of a mentally unwell man. Right.
• 1:55:16
  So then while he's flying, there's this fucking like Harry
• 1:55:20
  Goblin on the wing and I'm like on this wing
• 1:55:24
  and he's like, oh my god, and he's like freaking out.
• 1:55:26
  The fucking the guy is like hacking at the wing
• 1:55:31
  and he's freaking out and he takes out a gun
• 1:55:32
  and he's getting ready to this stuff, like all this
• 1:55:34
  different shit, blah blah blah, I'm not gonna do whatever.
• 1:55:36
  But it ends with everyone's like, oh, he's crazy again, right, Well,
• 1:55:40
  he didn't make it and he fucking you know, pulled
• 1:55:42
  out a gun, blah blah, all that stuff. But then
• 1:55:44
  the camera pans out and then you see that the
• 1:55:46
  wing is all fucked up, that he was actually telling
• 1:55:48
  the truth. The monster is real. It's awesome, it's really good.
• 1:55:53
  Speaker 2: So the whole premise is there's he sees a monster
• 1:55:58
  on the wing, yeah, and he tried to stop it,
• 1:56:01
  and then it's like always crazy, but then there was
• 1:56:02
  actually a monster on the wing.
• 1:56:04
  Speaker 1: So they all die, no, no, no, they land the
• 1:56:07
  plane lane. And the reason that that's so good is
• 1:56:11
  because you are also questioning is William Shatton are fucking insane, right,
• 1:56:17
  So them landing the plane, you're also just kind of like, oh, yeah,
• 1:56:19
  I guess he was a nut until it pulls out
• 1:56:22
  and then you see the things all fucked up and
• 1:56:23
  it's like, oh, no, he was telling the And also
• 1:56:27
  the Twilight Zone movie from the eighties or whatever, it
• 1:56:29
  sucks don't fucking watch that. Just watch the sixties version
• 1:56:32
  of the show. So good, love it so much. But anyways,
• 1:56:37
  the whole point of that, though, is there's a clear
• 1:56:39
  that I think, just establishing a clear motive of what
• 1:56:42
  is going on, use the story in the contexts, in
• 1:56:46
  the context of the environment. It can be a purgatory
• 1:56:49
  plane and stuff. But like what like, is there something
• 1:56:51
  that that relates to with the character? Your themes need
• 1:56:55
  to always be revolving around your character and stuff like that.
• 1:56:58
  I say always, but I generally it's a good idea
• 1:57:01
  to have. It'd be something that your characters are driving
• 1:57:04
  forced all the things that are happening and everything, and
• 1:57:07
  there could be outside evil forces that are coming in
• 1:57:09
  and doing stuff, but I think the entire motivation should
• 1:57:12
  be based around your main character or that kind of
• 1:57:15
  thing at least that, like I said, and the the
• 1:57:18
  in a basic matter that's I'm sure there's other works
• 1:57:21
  that do it good. But yeah, so all in all,
• 1:57:24
  it's a fun idea. But you know, I enjoyed talking
• 1:57:27
  about flight Plan. I enjoyed even just riffing on what
• 1:57:29
  I would do with the flight attendants and how I
• 1:57:31
  would be a brave man and a white night myself
• 1:57:34
  and uh as you are, and just the idea of
• 1:57:37
  a plane coming down and it just keeps raising back
• 1:57:40
  up and the kind of like fucking mental torture that
• 1:57:42
  would be, or even the baby eating thing. Out of those,
• 1:57:45
  did you like the baby eating thing or did you
• 1:57:47
  like to out the ass being blown out thing? More?
• 1:57:52
  Speaker 2: I think the baby eating thing kind of it's a
• 1:57:54
  more because it's a different one to be like I'm
• 1:57:56
  going to die, but it's like, oh, I've got to
• 1:57:58
  kill someone.
• 1:57:58
  Speaker 1: I've got to kill someone that the probably doesn't know what.
• 1:58:00
  Speaker 3: Life is yet.
• 1:58:01
  Speaker 2: I have to take a life before it's had a
• 1:58:03
  chance to live. Like, actually, it's probably good like that.
• 1:58:06
  Speaker 1: That's probably even a better thing is what if you
• 1:58:08
  had to eat someone's spouse. You had to eat a
• 1:58:10
  wife's husband, so he's like a fully conscious man who's
• 1:58:13
  like I'm in the middle, like just a guy, yeah,
• 1:58:16
  just a guy. Yeah, because a baby doesn't know what's
• 1:58:19
  going on. I mean, it's sad, right, but but I
• 1:58:21
  like how you phrase eating a man as a wife's spouse.
• 1:58:26
  Just I mean, I was like I wanted to specify
• 1:58:29
  that it's it was a husband. My thoughts were not
• 1:58:32
  arranged there correctly, but also known as a wife's spouse.
• 1:58:37
  Is that? Is that not correct? A husband? I mean
• 1:58:40
  it's a complicated way to say husband. But yeah, I
• 1:58:42
  said my my, my thoughts were collected there. But I
• 1:58:46
  will say if you had to eat a full man, like,
• 1:58:49
  not even just part of it, you had to eat
• 1:58:50
  him bones and all, uh huh, and the fight they
• 1:58:55
  could be crying and ship and they put like apple
• 1:58:57
  butter over it and it makes the bone soft. He's
• 1:58:59
  even like, I didn't think i'd be able to eat
• 1:59:00
  through the bones, but I was able to dig through
• 1:59:02
  because they put something on it and made it all
• 1:59:04
  soft and squishy like jello. Right right, Sure, Yeah that'd
• 1:59:14
  be that'd be awesome. Dude. Yeah, I'm just all right.
• 1:59:18
  Speaker 4: You know what.
• 1:59:18
  Speaker 1: I never mind? Then, never mind. Thank you guys so
• 1:59:22
  much for watching this show.
• 1:59:25
  Speaker 2: Our most recent comment on the Patreon is someone comment
• 1:59:27
  and said I just want to get pig roasted by YouTube.
• 1:59:30
  Speaker 1: Man.
• 1:59:33
  Speaker 3: I'm sorry, Am I oversharing now?
• 1:59:35
  Speaker 1: Is that too much? No? I just I would love
• 1:59:38
  a comment that just says something like, you know, this
• 1:59:41
  is a fun read. Guys, appreciate your time. I don't
• 1:59:44
  think we get those. Instead we get the pig roast comments.
• 1:59:48
  I don't think that's I don't think that's our kind
• 1:59:50
  of channel hunter. I don't think. Actually, I want people
• 1:59:54
  to I want people to have in the comments. I
• 1:59:56
  want you to say, did you like the baby?
• 1:59:58
  Speaker 4: Eat that?
• 1:59:58
  Speaker 1: The butthole idea or eating another human being is the
• 2:00:01
  top comment.
• 2:00:02
  Speaker 2: The top comment on our last episode is bro turned
• 2:00:05
  eighteen and became a state mandated bottom. That's the audience
• 2:00:08
  we've cultivated. That's that's the kind of people we've put together. Also,
• 2:00:11
  by the way, from the last episode, Turk got the
• 2:00:15
  youtubeer Turk we mentioned he posted a few hours ago
• 2:00:20
  on his YouTube and just said who is Turk Brownie?
• 2:00:25
  So I'm glad that all of you immediately sprinted over there,
• 2:00:31
  everyone who left.
• 2:00:34
  Speaker 1: A guy that hasn't posted a YouTube video in a year,
• 2:00:38
  and then just he logs in to see he's just
• 2:00:41
  kidding just so much of it.
• 2:00:44
  Speaker 2: Then you know what you people commented on that after
• 2:00:47
  he mentioned that, uh, let's see anyways, the seventeenth subject
• 2:00:53
  in the Fleshgate revival project was a success, as he
• 2:00:56
  turned to life somewhere in the facility after we administrated
• 2:00:59
  Leith shocks to his body, and then someone referred to
• 2:01:05
  the story as the crash out that resulted from this
• 2:01:08
  yowie fanfic was beautiful.
• 2:01:10
  Speaker 1: What is yowie? What does that mean?
• 2:01:14
  Speaker 2: Thank you all so much for watching this episode of Creepcast.
• 2:01:17
  Thank you so much for my Hey, my co host here,
• 2:01:20
  Hunter appreciate you all. Be sure to show the author,
• 2:01:24
  Worcester Streets some love. We'll have their stuff linked in
• 2:01:27
  the description. They've wrote a ton of stuff. Be sure
• 2:01:29
  to check it out. I appreciate the audio listeners and Patreon.
• 2:01:32
  As always, you guys mean a lot and we will
• 2:01:34
  see you in the next one.
• 2:01:36
  Speaker 1: Bye. Guys. You have to say the snarky comment at
• 2:01:43
  the end, all right, well sure whatever, oh oh oh
• 2:02:12
  oh oh