Latest / What's Your (Least) Favorite Scary Movie? / #162: Nope (2022)

Transcript

#162: Nope (2022) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello. What's your least favorite scary
• 0:08
  movie? Some animals ain't fit to be
• 0:13
  trained. Welcome to What's your least
• 0:15
  favorite scary movie? The podcast where we talk about
• 0:17
  the good, the bad, the ugly, and the absurd, and all of our
• 0:20
  favorite. And least favorite.
• 0:22
  Scary movies. Because we believe every horror
• 0:24
  movie rightfully has this fan base.
• 0:26
  Even if we don't always get it. My name is Travis.
• 0:28
  My name is Jessie. And welcome back, everybody.
• 0:31
  We are talking about our very first Jordan Pill movie today.
• 0:36
  Can't believe it's taking us this long.
• 0:38
  I know. Truthfully, yeah, it's been it's
• 0:40
  been a long overdue and we're going out of order.
• 0:43
  But we're talking about his most recent one, which came out last
• 0:46
  year, 2022. Nope, that's right.
• 0:48
  But before we get into any of that, do you have any
• 0:52
  announcements? On Sunday, Sunday, Sundays,
• 0:58
  Sundays, Sundays, Sundays, Sunday we'll have our Scream
• 1:03
  series wrap up. Yeah.
• 1:05
  Because next week we are starting our new franchise.
• 1:07
  We're we're going to be talking about Saw for the better part of
• 1:10
  the year. So yeah, buckle up.
• 1:12
  It's going to be it's. Going to be a wild, wild ride.
• 1:15
  I can't wait for it though. Yeah, yeah, I'm so excited.
• 1:18
  But yeah, so we'll have that as a bonus episode out on Sunday.
• 1:22
  And you know, just a reminder again about the ongoing sag
• 1:25
  after strikes, because we wouldn't have wonderful movies
• 1:28
  like Nope. Without writers and actors.
• 1:31
  And they deserve to be recognized for their
• 1:33
  contributions. They deserve fair working
• 1:35
  conditions. And if you're one of those
• 1:37
  people on the Internet who says AI is going to replace actors
• 1:41
  and writers, then I'm sorry, but I question your tastes a little
• 1:45
  bit. I mean, we all have our own
• 1:46
  taste, but you don't get originality with AI.
• 1:48
  Like AI literally is recycling old ideas.
• 1:51
  If you are thinking that, I recommend trying to watch that
• 1:55
  AI generated Seinfeld. That's like going on continuous
• 1:58
  loop. It's pretty fucking bad, yeah.
• 2:01
  But it's entertaining as like a novelty thing, but like if it.
• 2:04
  I don't like the idea of AI doing a full and take.
• 2:07
  Yeah, if I if AI takes over Hollywood, we fully moved over
• 2:12
  into like a dystopian future hellscape.
• 2:16
  And all hope is lost. Yeah.
• 2:18
  So let's not go down that road. Let's support the creative
• 2:21
  people who make art happen. Let's do it.
• 2:24
  All right. Well, if that's all you got,
• 2:26
  I've got our poll results from last week's movie.
• 2:29
  All right, I I forget the polls every single time.
• 2:33
  Every single time you're like, I've got poll results and it's
• 2:35
  like it's news to me all over again that we even had a poll
• 2:39
  well. The polls were my idea in the
• 2:41
  1st place, I think. Yeah, I think so too.
• 2:44
  Oh well, whatever. Well, OK, Lauren, with everybody
• 2:46
  else today, what the results were.
• 2:49
  So last week we talked about the hunt.
• 2:51
  Mm HM, and we asked everybody who you would like to have seen
• 2:55
  more of from the movie. So our four options were yoga
• 3:01
  pants. Emma Roberts.
• 3:02
  Vanilla. Nice.
• 3:04
  Sturgill Simpson. That's sexy.
• 3:06
  We don't know. I don't know her.
• 3:08
  I know her name, but I forgot her name.
• 3:09
  I'm really sorry. That feels hateful.
• 3:11
  I'm. Sorry.
• 3:12
  Yeah, and Staten Island. Ike Baron Holtz.
• 3:15
  See, that's even worse. I knew all three of the other
• 3:17
  ones. I'm so sorry, Dad.
• 3:18
  Sexy. You did a really good job.
• 3:20
  The other three are more in line with like, the things that we
• 3:22
  enjoy. Yeah, we watch them in multiple
• 3:24
  things. That's why we know them.
• 3:26
  Yeah, like those are the only people I know from that cast.
• 3:29
  Everybody else is kind of just whatever, except for, like,
• 3:32
  we'll talk about like all of the people.
• 3:34
  They get hunted, at least. Either way, whatever.
• 3:37
  So on Twitter, 75% want more yoga pants?
• 3:41
  OK, 25% want more vanilla? Nice.
• 3:44
  OK, nobody wants dead sexy and nobody wants Staten Island.
• 3:48
  On Instagram, 38% want more yoga pants. 12% want vanilla nice,
• 3:54
  12% went dead sexy and 38% went Staten Island.
• 3:59
  So there's a tie between yoga pants and Staten Island and
• 4:01
  vanilla, nice and dead sexy. OK, What's your vote, Travis?
• 4:06
  Vanilla nice dude like I that's what I said last time.
• 4:09
  I think Sergio Simpson is a surprisingly good actor.
• 4:13
  He brings some a lot of entertainment to the things that
• 4:17
  I've seen him do. And I think given that role that
• 4:20
  he had, I wish we would have exported more because seeing him
• 4:24
  as a. Like ultra right wing,
• 4:28
  conservative and righteous gemstones was kind of
• 4:30
  entertaining despite him being a gross character.
• 4:33
  Yeah, he makes it fun. Was that he wanted to rename the
• 4:36
  Brothers of Tomorrow's Fire or whatever.
• 4:39
  I don't know, Militia's called. Protests and.
• 4:41
  Statues, yeah. Protest and statue.
• 4:44
  Yeah, it's like something about the monuments, whatever, Like
• 4:46
  the Confederate monuments, I think.
• 4:49
  Yep, that's that's 100% they're. Talking about OK, what about
• 4:52
  you? OK.
• 4:54
  So we talked about this a little bit last week, too, because
• 4:57
  obviously I'm in love with Emma Roberts, but I I don't need more
• 5:03
  of this character from her in this movie.
• 5:06
  I'm about to take you down my annual fall rewatch of Scream
• 5:11
  Queens, and we'll get a lot of the same kind of beats from her
• 5:14
  with that. Plus, after we talked about the
• 5:16
  hunt last week, we went and watched Scream Four.
• 5:18
  Which we got more Emma Roberts there?
• 5:21
  Yes. So yeah.
• 5:21
  Absolutely. There's plenty of stuff for her
• 5:23
  out there. I enjoy Ike Barenholtz and I
• 5:26
  think he's very funny, so I think it would have been fun to
• 5:29
  see what he could do. But I love the fact that
• 5:31
  Sturgill Simpson was cast as Florida Man and I feel like we
• 5:34
  needed Florida Man in in this movie.
• 5:37
  We needed to take advantage of having a Florida Man.
• 5:40
  I wanted to know exactly what was going on with him.
• 5:43
  Yeah, he had the look. He was very Florida.
• 5:45
  Yeah. So that's my answer.
• 5:47
  OK. As I believe it was, Chad said
• 5:53
  on Twitter. Kentucky got a represent.
• 5:55
  Yeah, he's a Kentucky boy. He's not too far from where I am
• 5:59
  from, actually, so it's kind of cool, all right.
• 6:03
  Okay. Well that's done.
• 6:05
  So let's get into Nope, Nope. Nope.
• 6:08
  OK, so Nope. Release July 22nd, 2022.
• 6:14
  We watched it on Amazon Prime. As of today, August 13th, 2023,
• 6:20
  you can stream it on Prime, which is the only place that's
• 6:23
  streaming, or you can rent it on Redbox, Apple, Amazon, or
• 6:26
  YouTube. It's written and directed by
• 6:29
  Jordan Peele, music by Michael Abels, and special effects are
• 6:34
  done by MPC, which stands for Moving Pictured Company.
• 6:37
  Very fitting. Yes, the leads on that are
• 6:41
  Giameh Rocherin, Jeremy Robert and Frederick Wisal starring.
• 6:46
  Daniel Kaluuya as OJ Keke, Palmer as Emerald.
• 6:50
  Speaking of Scream Queens, you're about to see a whole lot
• 6:52
  more of her because you didn't know that she was in both
• 6:54
  seasons until we were talking about it last night.
• 6:55
  Yeah, she's. I'm excited to see more of her.
• 6:59
  I don't. I don't feel like I've actually
• 7:00
  seen a whole lot of her and things before.
• 7:03
  I've seen her in this and I honestly can't tell you that
• 7:06
  she's in. A couple.
• 7:07
  She's in an episode of Key and Peele.
• 7:10
  OK, yeah, so she's worked with Jordan Peele before, actually.
• 7:13
  OK, that's fitting then. Brandon Perea as Angel, Stephen
• 7:18
  Yun as Jupe, Michael Wincott as Antlers, who I'm singingly wrote
• 7:22
  down as Anters the entire time. Anters.
• 7:25
  Yeah, but it's antlers, which surprised me whenever I wore in
• 7:29
  that. And Keith David playing Otis.
• 7:33
  All right, Jesse, our favorite game.
• 7:36
  Budget. Or budget what do?
• 7:40
  You think? Oh, this is Jordan Peele's third
• 7:43
  outing. There is a ton of effects, a
• 7:45
  stellar cast. I'm going with budget.
• 7:50
  OK, yeah, this thing. Like, there's no way that this
• 7:53
  thing could have been made cheap.
• 7:55
  And I've seen some of the behind the scenes stuff to see what it
• 7:58
  looks like. And they fucking went all out
• 8:00
  with all this stuff. So the budget for this $68
• 8:03
  million? OK.
• 8:05
  Opening Box office 44,000,000 Worldwide gross 171,000,000.
• 8:10
  IMDb 6.8. OK.
• 8:14
  All right. I got 3 movies.
• 8:16
  We have talked a lot about 2022 here recently, so I did my best
• 8:21
  to pick ones that I think we haven't talked about.
• 8:25
  There's really no way to do any thematically similar movies
• 8:29
  here, so I did the best I can. The first one I feel like
• 8:33
  actually is kind of close, and that one is pray.
• 8:38
  Which Pray? Is a prequel to the Predator
• 8:43
  movies, which is about an alien form coming to Earth to hunt
• 8:49
  people. But I don't necessarily know
• 8:51
  what this one is about. I don't, I'm I'm not seeing a
• 8:54
  single Predator movie, so I don't really know anything about
• 8:56
  it. I don't know the war.
• 8:58
  I just, I just know they exist and I know that this one existed
• 9:01
  and people loved it. So that's the thing.
• 9:03
  It's a Hulu movie so if you if you are interested watch it I
• 9:07
  guess. But that released August 5th,
• 9:09
  2022 budget of 65,000,000 worldwide gross doesn't exist
• 9:16
  because it went straight to streaming.
• 9:17
  Yeah, and the IMDb is 7.1. Wow.
• 9:21
  Yeah, so it was more expensive, and that has a higher score than
• 9:24
  Nope, which is weird. You said Nope was 68 million.
• 9:27
  No. Nope.
• 9:27
  Is 44. Oh, wait, wait.
• 9:30
  OK, never mind. You're right.
• 9:31
  So yeah, it's about as expensive.
• 9:34
  OK, 3 million shy. Whatever.
• 9:37
  Both exensive Alien movies. Good at keeping track of numbers
• 9:40
  over here. #2 Dark glasses. Oh shit, yeah.
• 9:47
  So this is the 2022 Argento movie that came out.
• 9:52
  That was kind of a cool one because we got to see that one
• 9:55
  on its premiere because they premiered it as a surprise movie
• 9:59
  on Shudder. Shudder was just like, guess
• 10:01
  what, bitches? We're showing a worldwide
• 10:03
  premiere at 9:00 on this day. We ain't telling you what it is.
• 10:08
  Yeah. And we tuned in and it was.
• 10:11
  I was not expecting that movie. I I I can't even remember what I
• 10:15
  was thinking it was going to be, but.
• 10:16
  Yeah, everybody assumed it was going to be something else, so
• 10:19
  it was a very pleasant surprise. Fuck yeah, it's a good movie
• 10:22
  too. Like he still got it.
• 10:24
  Honestly, if I had to say so for myself, that movie came out
• 10:27
  October 13th, 2022. Don't have a budget for it, but
• 10:32
  the worldwide gross was 228,000 IMDb 5.1.
• 10:38
  OK. And the last one, I know that
• 10:40
  this one is kind of a 2023 movie, but it did have its
• 10:44
  premiere in 2022, so it'll count.
• 10:47
  It is skinnier rink and that is one that we have yet to watch
• 10:52
  because we don't know how we feel about it before we even
• 10:57
  start it. I was willing to give it a shot
• 11:00
  until I heard more and more and more about it.
• 11:03
  It sounds like a very experimental movie that I just
• 11:06
  don't have the time for. An experimental movie that is,
• 11:09
  like, really, really long from what I.
• 11:10
  Could gather, yeah. And I understand some people
• 11:12
  love it and honestly, more power to you.
• 11:14
  But none of what I've heard about it appeals to me and I
• 11:16
  just life is too short. Yeah, maybe one day give it a
• 11:21
  shot, but not anywhere near the top of my wist right now, yeah.
• 11:26
  Well, it premiered July 25th, 2022 with a budget of $15,000
• 11:32
  worldwide gross of 2,000,000, so that's a pretty good return
• 11:35
  right there. IMDb of five.
• 11:37
  So it seems like the internet's pretty evenly split on it.
• 11:40
  Yeah. All right, got 2 tag lines and
• 11:43
  you're gonna hate them both. Oh.
• 11:45
  No, yes. So the first one that is on the
• 11:48
  poster is a new terror from the mind of Academy Award winner
• 11:52
  Jordan Peele. Okay, Does the other one mention
• 11:55
  something about get out? No, it doesn't.
• 11:57
  Actually, this one, I don't know.
• 11:59
  This one is just too wordy. The residents of a lonely Gulch
• 12:04
  in inland California bear witness to an uncanny and
• 12:07
  chilling discovery. It just sounds like a synopsis.
• 12:11
  Honestly. Yeah.
• 12:12
  That. Like it sounds like you're
• 12:13
  scrolling on Netflix. Yeah, that's like, that's what
• 12:16
  it's trying to get you to watch the movie.
• 12:17
  Yeah, that's on the tagline. I don't know.
• 12:19
  So we'll have to come up with something good for this at the
• 12:21
  end of the episode. But yeah, OK, fun facts.
• 12:26
  Fun facts. OK, so Nope stands for Not of
• 12:31
  Planet Earth. He considered titling it little
• 12:35
  green men to reference the theme of monetizing spectacles.
• 12:39
  OK, but I feel like that would have been super confusing
• 12:43
  because it is about aliens and there are no little green men in
• 12:48
  this. Yeah, OK.
• 12:49
  But there's like a very, very small town right near where I'm
• 12:52
  from that has like Little Green Men days fest Little green men
• 12:55
  days. Yeah, I remember you talking
• 12:56
  about that. The movie list that he gave the
• 12:59
  cast for this involve close Encounters of the Fourth Kind.
• 13:03
  I think it's what it's called Jaws.
• 13:06
  Alien No Country for Old Men and 2001 Space Odyssey.
• 13:10
  I can kind of see all of those influences.
• 13:13
  There. I gotta be honest, I've only
• 13:15
  seen Jaws and Alien of that whole thing, so I don't really
• 13:18
  understand. I know 2001 is like the whole
• 13:23
  thing. The whole thing is about AI,
• 13:25
  isn't it? It's not necessarily about alien
• 13:27
  life. Yeah, so it's about.
• 13:30
  I mean, it's kind of a similar thing because how like takes
• 13:34
  over the ship, right? Develops a mind of its own.
• 13:36
  And I think it's similar to the concept of what they talk about
• 13:38
  in this movie, where you don't train an animal, you come to an
• 13:43
  agreement with it. And so like saying I'm going to
• 13:46
  create AI and it's going to listen to me and obey me, no.
• 13:51
  OK. I guess that, that makes sense.
• 13:53
  Yeah. No country for old men, I guess,
• 13:55
  for like the Western elements that he puts in there sometimes,
• 13:57
  which you know. Yeah, no, we definitely get a
• 14:00
  lot of a Western feel, yeah. That and then the others like
• 14:03
  Jaws, I can definitely see. I feel like after it was pointed
• 14:06
  out that Jaws was an influence. It kind of makes a lot of sense
• 14:09
  for me. Yeah.
• 14:11
  OK. So and.
• 14:12
  Then close Encounters of the Third Kind is about aliens too,
• 14:16
  I believe. Yeah, it is, yeah.
• 14:18
  It's like a whole thing about like, aliens coming in and
• 14:20
  abducting. I've never seen it, but I know
• 14:22
  people really love that movie. OK, so.
• 14:27
  The alien that we do see in this movie was influenced by an anime
• 14:31
  called Neon Genesis. Evan Jellian, Yvonne Jellian.
• 14:35
  Yeah, because Jordan feels a nerd.
• 14:39
  Have you ever seen me? I have had this on before and I
• 14:45
  it's like a really cool concept. So the whole point of that thing
• 14:48
  is there are these things called angels, and they are monsters
• 14:52
  that have suddenly started terrorizing the Earth.
• 14:55
  And they have to. They've developed this program
• 14:59
  where they have like, these giant machines that people can
• 15:01
  operate to, like, combat them, OK, but like, they're like the
• 15:04
  angels are just like massive creatures.
• 15:07
  And the one that he has here is a specific one that influenced
• 15:10
  it. And it was Sahaquil, the 10th
• 15:13
  Angel, which I looked up a picture of it, and it's
• 15:16
  basically like this giant eyeball in the sky.
• 15:19
  Well, and here's the thing too. Is that it?
• 15:23
  Even though it's not quite the literal representation of a
• 15:27
  biblical Angel, you kind of get that sense from it, just with
• 15:30
  some of the description. So I like that it is based off
• 15:35
  of a different kind of Angel. Yeah, Jesse Blemens was
• 15:40
  originally going to be in this movie.
• 15:42
  What he was. I think it was written for him
• 15:45
  to be Joop, but he turned it down to film a Martin Scorsese
• 15:48
  movie instead. OK, so they ended up casting
• 15:53
  Steven Yuen in it. Did that say his name right that
• 15:56
  time? Yeah, I'm not mad about Steven
• 15:57
  yen. I just man, I can't believe we
• 16:01
  also almost got Jesse Plemmons. I feel like I could really see
• 16:05
  Jesse Plemmons in that role, too.
• 16:08
  I feel like he would do very. Yeah, I feel like he would rock
• 16:07
  that just as. I feel like Steven yen does a
• 16:11
  really good job of being like the sleazy salesman, and I feel
• 16:15
  like Jesse Plemmons would have done good at being like.
• 16:17
  Self deprecating, traumatized, but like trying to cover it up.
• 16:21
  No, I don't necessarily get any squeeze from Steven because I
• 16:25
  feel like he is too nice of a guy.
• 16:26
  Even with the way he acts that his personality and everything
• 16:30
  that he portrays, it's like too kind to come off as like
• 16:33
  squeezy. I know that his actions in the
• 16:35
  movie are actually pretty squeezy, but just anytime I see
• 16:38
  him, he just he is just too nice.
• 16:41
  It's a nice guy. Yeah, I think Jesse Plymen's
• 16:43
  like He's got a lot of range with his performances.
• 16:45
  I've seen him play like a. Fucking psychopath and Breaking
• 16:48
  Bad like. Yeah, I think we could have
• 16:50
  gotten a little bit of that, like trauma brought to the
• 16:52
  surface with Jesse Plummans. I think so too.
• 16:56
  That I do think Steven yen did really get that too.
• 16:59
  Yeah, and I think they had to do like some small rewrites for
• 17:02
  him, but I don't think it really changed the character too much.
• 17:07
  OK, Angel was originally supposed to be a nerdy, very
• 17:10
  cheerful type of dude whenever he was written by Jordan Peele,
• 17:14
  But then whenever. Brandon came to the movie.
• 17:17
  He wanted to ground the character because he felt like
• 17:20
  that's not exactly how that person would act in this
• 17:24
  situation. He OK, He said that he's like,
• 17:26
  he's seen Jordan stuff. He knows that he goes for a more
• 17:29
  grounded approach and then he just kind of said, hey, like, I
• 17:32
  think that he actually like he's working at Fry's.
• 17:35
  He's not going to be the Super excited dude.
• 17:39
  Yeah, I was gonna say I like this characterization because,
• 17:42
  you know this guy. Yeah, exactly.
• 17:44
  Yeah, he's the guy that you go to.
• 17:45
  Like, he's helpful, but like, you can tell he wants to himself
• 17:47
  the entire time. He's.
• 17:48
  Yeah, like, he clearly got the job.
• 17:50
  He clearly knows what he's doing.
• 17:51
  But he also clearly has like bigger dreams for himself and
• 17:54
  his jaded because he's living in fucking Hollywood.
• 17:56
  Exactly, yeah. Speaking of fries, it was
• 17:59
  actually closed down several weeks before filming started.
• 18:03
  Like the whole business shut down.
• 18:04
  So I. Remember reading about that in
• 18:07
  online discussions where people were like, oh, it made me sad to
• 18:09
  see fries. Yeah, which?
• 18:11
  We've never been to a fries, clearly.
• 18:14
  It might be like a W West Coast thing, I guess.
• 18:16
  Yeah. So yeah.
• 18:17
  But they like reopened it and the the owners of the business
• 18:22
  actually cameoed in the movie. Oh, did they?
• 18:24
  Yeah, they were there on set. Whenever they were using one of
• 18:27
  the locations that they reopened for that, and then they were
• 18:29
  actually part of the crowd that gets sucked up into the sky.
• 18:33
  Oh, that's fun. Yeah, that that would be a cameo
• 18:36
  I would love to do. Yeah, getting sucked up into the
• 18:38
  sky. And yeah, making Alien brunch.
• 18:40
  Yeah, Kiki's intro monologue had 14 takes, and Jordan Peele
• 18:44
  described each of them as wildly different, uncuttably so, so he
• 18:49
  couldn't piece them together. He ended up just having to pick
• 18:51
  one that worked the best. OK, so I like it.
• 18:54
  You said it was basically just all improv the entire time.
• 18:58
  Well, I like her, her delivery. It feels you get a sense of the
• 19:03
  character right away and it also like it just feels very Keke
• 19:08
  Palmer, like as somebody that has watched her for years, like
• 19:11
  it's like. Yeah, it.
• 19:13
  Feels good to see her on a screen right now, yeah.
• 19:16
  I liked it too. Yeah, it's nice.
• 19:18
  Speaking of that monologue, so the whole thing about the movie
• 19:21
  is that they come from. The descendants of the people
• 19:25
  that were part of that original motion picture, which, yeah, the
• 19:28
  whole the movie is called. Now most people know it as the
• 19:32
  horse emotion, but the one that is references Sally Gardner at
• 19:36
  the Gallup or at a Gallup. And real thing is we don't
• 19:41
  really know who the person is that they're referencing the
• 19:46
  original motion picture. Is somebody named Gilbert Dom
• 19:51
  maybe? Nobody knows like have.
• 19:54
  Nobody has like an actual way to confirm that because it's all
• 19:56
  speculation. This is all back in like the
• 19:59
  late 1800s. So as much documentation as he
• 20:02
  had back then, but the one that we actually see in the movie
• 20:05
  isn't the actual first motion picture.
• 20:09
  It's after he, the guy that did that, had refined everything and
• 20:13
  he ended up getting it to a point where he made one called
• 20:16
  Play 6 to 6, which is what we see in the film.
• 20:19
  It looks better. So that's probably why.
• 20:22
  They use that for the film because you can actually see it
• 20:25
  better, but the guy that is in that one is actually unknown
• 20:31
  entirely. Nobody has any clue who that is.
• 20:33
  And I like that Jordan Peele wanted to make that like a
• 20:36
  crucial part of it. Because we don't.
• 20:39
  And I mean, this kind of really ends up tying back into what we
• 20:43
  said in our intro about the strikes and how the.
• 20:46
  Actors and writers and crew members are all very important
• 20:50
  to the production of a movie because I never would have
• 20:52
  thought about the animal wranglers on a set before.
• 20:54
  And here we have a whole movie about them.
• 20:55
  Yeah, I know. And they were talking about, you
• 20:57
  know, they this first motion picture that we see.
• 21:02
  We know the name of the man who put the photos together.
• 21:05
  We know the name of the horse, but we don't know the name of
• 21:07
  the jockey. Yeah.
• 21:08
  And I think that's I I really. I mean, this is just one of the
• 21:13
  things that I love about Jordan Peele, but I like that he wanted
• 21:17
  to make that an important detail.
• 21:19
  Yeah, I do like that he took that piece of history and just
• 21:22
  kind of built on it, just like craft his own story with it.
• 21:25
  It is kind of cool to take, like, a little bit of reality
• 21:28
  and alter it or alter it just enough, but like, make it still
• 21:32
  plausible. That's it.
• 21:34
  That's all my fun facts. Okay.
• 21:36
  All right, So, all right, let's get into our discussion.
• 21:39
  All right. What do you like about this?
• 21:42
  Oh, my God. OK, so I am a big Jordan Peele
• 21:48
  fan because, and you know, we've been fans of Jordan Peele for,
• 21:53
  like, since comedy. You know what I mean?
• 21:55
  Like, we've constantly have Campele on in the background,
• 21:58
  right? And like, even in that you can
• 22:01
  hear him in all of his work, like you feel that sense of his
• 22:07
  personality and everything he does feels personal, even in the
• 22:09
  silly skits, right? And I love that when he like
• 22:15
  every movie we've seen, regardless of you know, where we
• 22:18
  would rank him on our list of Jordan Peele movies, like you
• 22:21
  feel how personal the story is to him and you really get a
• 22:24
  sense of him in the movie. And there's something about art
• 22:29
  being so personal that makes it just kind of amazing to witness.
• 22:37
  And on top of that, this movie being.
• 22:43
  A bad miracle, so to speak. I, I, I love the sense of all of
• 22:50
  that together. It feels simultaneously so much
• 22:55
  bigger than what it is and so much smaller than what it is,
• 22:58
  all at the same time. And I like that There's a lot of
• 23:01
  different interpretations to the movie.
• 23:04
  There's some very clear interpretations that I know a
• 23:06
  lot of people have talked about about how it's a metaphor for
• 23:09
  filmmaking. And and just being a a creative
• 23:15
  in the industry in general. But I I think there's a lot of
• 23:18
  different ways you could interpret different moments in
• 23:20
  the movie as well. And I love seeing the monster
• 23:28
  because it we're watching it and I'm like, my brain was
• 23:36
  immediately like picturing. Reading a book and having a
• 23:40
  monster like this described. Because I've been here like this
• 23:43
  dozens of times where I read a book and there's like a monster
• 23:46
  or an event described and I'm like trying to picture it in my
• 23:48
  head. And it's just something so
• 23:49
  outside the realm of like what I've been able to picture before
• 23:52
  that like, you know, my brain goes weird places.
• 23:55
  And watching this on screen feels very much like that.
• 23:59
  Like it's just something new for my brain to absorb.
• 24:02
  And I really like that. Yeah.
• 24:03
  And I just, I don't know. I just think it's a really.
• 24:07
  Really good movie and I really enjoyed it.
• 24:09
  It's out there, but at the same time, a lot of the stuff still
• 24:15
  it it it's not so out there that you are like, well, I don't care
• 24:19
  about any of this, you know what I mean?
• 24:21
  Yeah, what about you? I think that it is a very unique
• 24:26
  approach to an Alien movie. I went in not necessarily
• 24:29
  knowing that it was going to be about Aliens when we watched it,
• 24:31
  but I think I kind of had a clue because, you know, everybody was
• 24:35
  there was like chatter about it online and stuff, so I didn't
• 24:38
  know exactly what to expect. So like, after we had that fake
• 24:42
  out where it wasn't those like little tiny dudes whenever he
• 24:45
  gets pranked and that. Scared the shit out of me in
• 24:48
  theaters. Yeah, Like, whenever that
• 24:49
  happened, I was fully on board. I was like, OK, so we're gonna
• 24:51
  go with this. And I'm liking it, so that's
• 24:53
  fine. But then it just goes away
• 24:54
  immediately. And punches one of them and it's
• 24:57
  a child, yeah. And then ends up being this
• 25:01
  thing that just like hides in the clouds.
• 25:03
  And I think that that is just kind of terrifying because I
• 25:08
  think having like a giant object in the sky that looks like so
• 25:15
  simple, but this is like something complex about it is
• 25:20
  just so terrifying to me. Like, you don't fully understand
• 25:23
  it, but you kind of do. Like it is primal in a way, but
• 25:27
  like, is it a spaceship? Is it a creature you know?
• 25:29
  It's hard to tell from the very beginning.
• 25:32
  Yeah, I think that there are are a lot of super tense scenes in
• 25:39
  this movie. I think he does like a really
• 25:41
  good job with the shots of Gordy.
• 25:47
  Like whenever we get those shots of what happened on the set,
• 25:51
  those are some of like the most tense moments that I've had.
• 25:55
  Like even watching it again last night, I was like, my heart was
• 25:58
  fucking like I could feel it because we knew.
• 26:00
  What was coming last night? And it's still like that scene
• 26:04
  when he is hiding underneath the table and Gordy makes eye
• 26:08
  contact with him and slowly approaches him.
• 26:11
  I'm like, holy fucking shit, like the tension that builds
• 26:14
  there. It's just the silence and just
• 26:17
  fucking chaos. It's so crazy.
• 26:19
  But you know, he does a good job building those types of moments
• 26:22
  in this, even with like to chase scenes with the like the alien
• 26:26
  or like whenever the aliens just kind of like covering above them
• 26:28
  and stuff like that and they're in their cars or whatever, you
• 26:32
  know, I I like it. And lastly, I think that the
• 26:36
  characters are pretty interesting.
• 26:39
  It's not like a big cast, but I think everybody has like pretty
• 26:44
  meaningful roles to fill. You got OJ, who is the dude that
• 26:50
  he takes everything like super seriously and he is like still
• 26:54
  on board with the whole alien thing.
• 26:55
  You've got Kiki's character Emerald, who is like guns
• 26:59
  blazing about everything, who has to be there to kind of
• 27:03
  motivate him in a way. And then you have Angel, who I I
• 27:09
  just like him as like a like a character that attacks along.
• 27:12
  Like, it doesn't seem like the type of dude that would be like
• 27:15
  a part of that group, because I don't really feel like their
• 27:18
  personality is necessarily aligned, but I think it meshes
• 27:22
  well. And then you got like the
• 27:23
  filmmaker dude who kind of pretentious and I feel like his
• 27:27
  whole thing is kind of stupid at the end, but that's that's for
• 27:30
  the next part. I have series on that.
• 27:32
  No, I really like what you said about Oj's character, about how
• 27:36
  he's very serious. He wants to get down to
• 27:37
  business, get things done, but he still believes in aliens and
• 27:40
  I think that's a really good. Point that you know the two
• 27:42
  don't have to be mutually exclusive and you know he
• 27:46
  believes it because he saw it with his own eyes.
• 27:48
  He didn't spend a ton of time questioning it.
• 27:50
  He's like, OK, well this is here and now we need to figure out
• 27:52
  how to deal with it. And then like you said on the
• 27:55
  other end of it, you've got M who you know, as you said, she's
• 28:00
  guns a blazing and she's got to motivate him and not necessarily
• 28:03
  motivate him. You know he's always going to do
• 28:07
  what needs to be done, but she motivates him to think.
• 28:11
  Beyond that, yeah. Beyond.
• 28:13
  Just like accepting it like they want, like their whole motive is
• 28:18
  like, they wanna get proof of it.
• 28:20
  Yeah, essentially. And they don't necessarily.
• 28:22
  I don't really know if they have an end game with that.
• 28:25
  I think that they're gonna like, cash in on that and try and save
• 28:27
  the ranch maybe. Well, that's definitely what
• 28:30
  Oj's end game would be. I think M wants to use that as a
• 28:34
  stepping stone to, you know, bigger and greater things she
• 28:38
  wants. Yeah, yeah, there's like some
• 28:40
  complexity there to that. OK, bad.
• 28:47
  Bad, I think. I honestly, I don't have a ton
• 28:52
  of bad for this. I can't think of it like I would
• 28:57
  never be mad about having more Keith David on screen.
• 29:00
  That's one of mine, honestly. It was.
• 29:02
  Such a tease to open with him And then.
• 29:07
  Ohh. I was so fucking let down in the
• 29:09
  theater like it's like and Keith Dave and I'm like, fuck yeah, I
• 29:12
  love Keith David. Like I was so excited for him to
• 29:15
  be a big part of this movie. And then Jordan feels like,
• 29:18
  yeah, he's gonna get the quarter 3D.
• 29:19
  I like he's gonna be gone. Don't get too attached to him.
• 29:25
  OK, well if you don't really have anything, I'd jot it down a
• 29:27
  few things here. OK.
• 29:28
  So all right. The first thing, it's something
• 29:31
  that I was feeling in the moment last night, but I feel like I
• 29:35
  while doing research for this, I did a little bit of I had some
• 29:39
  things brought to light to me that makes it make a little bit
• 29:41
  more sense. OK, but I wasn't necessarily
• 29:44
  sure as much as I loved these moments, how the Gordy stuff
• 29:49
  related to what was going on here.
• 29:51
  And after doing some reading, I think I figured it out.
• 29:56
  Jordan Peele never actually gave any, like thoughts on what he
• 30:02
  was going for with it. But there was like speculation
• 30:04
  that the whole thing is you can't tame like a predator.
• 30:10
  Yeah. Like no matter what happens, you
• 30:13
  can try to maintain a little bit of control, kind of like what
• 30:15
  you're talking about with 2001. But ultimately they still have
• 30:20
  those instincts and they're going to, you know, take take
• 30:24
  over sometimes. And that's exactly what happens
• 30:27
  with Gordy. He just like is onset doing his
• 30:30
  normal monkey job and then all of a sudden boom pops and then
• 30:35
  he snaps. I also think that it serves to
• 30:39
  be an important point in Joop's character and also helps
• 30:42
  contrast him with the Haywood's. Because Joop went through this,
• 30:48
  you know, first hand. He experienced the trauma from
• 30:51
  that boy that he didn't learn his lesson.
• 30:56
  Yeah, exactly. Like he kind of shoved that
• 30:58
  down, and he uses that to make money.
• 30:59
  He's got his whole macabre Museum of the event.
• 31:03
  And then he meets this alien, for lack of a better phrasing,
• 31:11
  and instead of being like, holy shit, this is bigger beyond me,
• 31:15
  he says. Oh, I bet I can get this
• 31:19
  creature in the sky. To bend to my will, so fucking
• 31:24
  and make money off of it. Such a bold take an expectation
• 31:28
  to think you can get this gigantic flying saucer thing
• 31:31
  that doesn't have the ability to reason with people.
• 31:34
  And and then on the other end, we've got OJ&M who want to get
• 31:39
  proof of it. They want to understand it, they
• 31:42
  want to share this information. But they also understand that
• 31:45
  you can't tame a creature like that.
• 31:48
  Like the best you can do you know is.
• 31:51
  Enter an agreement and that's a best case scenario.
• 31:55
  And we even see like, you know, he even makes a comment of like,
• 31:58
  This is why we don't use chimps because they can't be well
• 32:01
  trained for a set. You know, he's got a lot of
• 32:03
  respect for what triggers an animal, sets them off, what a
• 32:06
  safe working condition is. And he understands ultimately
• 32:09
  it's up to the animal to behave in a scenario.
• 32:13
  It's up to them to negotiate the terms and the humans just kind
• 32:17
  of have to accept that or not. My brain just went like it just
• 32:22
  all pieced together right there cuz I'm just thinking now about
• 32:26
  the opening when they are trying to do the screen sets for the
• 32:30
  horse and he's respectful. And everybody's doing Dicks,
• 32:32
  Yeah, he. They have like a whole
• 32:35
  understanding with nature, with the horses, like they're
• 32:37
  actually good at it. They come to an agreement with
• 32:40
  each other. And all these people are like,
• 32:42
  yeah, the horse is just the talent.
• 32:45
  But no, the horse is a horse, of course.
• 32:48
  Of course. And like when the person that's
• 32:52
  trained to work with this horse is saying, hey don't look it in
• 32:55
  the eye, hey don't make any sudden movements, hey don't
• 32:58
  stand behind it, maybe listen to it.
• 33:00
  This is, you know, a several £1000 creature.
• 33:04
  I'm not sure how much horses weigh.
• 33:06
  Many hundreds. And it like it can hurt you and
• 33:11
  you can't. Rationalize with a horse.
• 33:13
  It lives by a different set of laws than we do.
• 33:16
  Yeah, that's OK That's cool. I love how deep this movie gets
• 33:20
  with that stuff right there. Cuz like, I'm just now like
• 33:23
  processing it here on this episode and it's making sense
• 33:26
  suddenly. OK, one other thing though, with
• 33:28
  the fucking standing shoe, did that have it?
• 33:32
  Like was there any significance with that?
• 33:35
  I OK, there's a lot of speculation about this online
• 33:38
  with the shoe. Yeah, OK, cuz like, I didn't
• 33:40
  know if they were implying that the presence of the alien maybe
• 33:45
  had something to do with that, or if there was just like some
• 33:48
  kind of freak event that happened.
• 33:49
  I think it was a freak event. The phrase bad miracle was used
• 33:53
  by OJ early on and I think of it like that.
• 33:56
  You know, we had this whole horrific event.
• 33:59
  And Dupe is sitting underneath this table and he's staring out
• 34:03
  at this destruction and he sees the shoe, and he even later has
• 34:06
  the shoe in a display case in his like that.
• 34:09
  Yeah. So I think for him it was like a
• 34:11
  thing that he saw in the moment and held on to and focused on
• 34:16
  that and none of the rest of the event.
• 34:20
  It was his bad miracle. OK, that's how I interpret it.
• 34:23
  I don't know if that's how it was intended.
• 34:25
  And I've seen there's lots of good discussion about this
• 34:27
  online, like if you go should dread it.
• 34:29
  Lots of good discussion and theories.
• 34:31
  That's the one I personally subscribe to.
• 34:33
  That makes a lot of sense, honestly.
• 34:35
  That, I mean, that is a miracle in a very bad situation right
• 34:37
  there. Yeah, cuz like shit just happens
• 34:39
  sometimes, you know? Like sometimes things land
• 34:42
  really weird. And yeah, one other bad that I
• 34:46
  had, my final one is I don't fucking understand antlers end
• 34:53
  in the movie. Do you want my theory on that?
• 34:55
  Well, I again kind of read some things here.
• 34:58
  He's based off of the dude that maybe like based off of the dude
• 35:03
  that got those original pictures of the horse.
• 35:06
  And the whole thing about that guy is he was known for risking
• 35:11
  his life to get the perfect shot, which is pretty much what
• 35:14
  he ends up doing. He risks his life to get the
• 35:16
  perfect shot. But in the process he dies.
• 35:21
  I think he knows that he's going to die.
• 35:23
  It's not like getting that footage is going to make any
• 35:25
  difference because like, nobody's going to recover that.
• 35:29
  Well, here's my thought. So before he leaves, his final
• 35:33
  words and we don't deserve the impossible shot.
• 35:35
  And I wonder if he means that for him specifically.
• 35:38
  Yeah, but he goes up there, They got the shot.
• 35:40
  They got all of this footage of Jane jacket.
• 35:43
  You know, they did what they came to do.
• 35:44
  But that's not enough for him. He wants to get a shot of the
• 35:47
  inside of Jane jacket. So he goes in and he gets the
• 35:49
  shot. You have to remember he has seen
• 35:52
  the destruction on the ranch. He's seen the wheelchair on the
• 35:54
  roof. He's seen the keys in the
• 35:56
  banister. I think that he is assuming his
• 36:00
  film is going to. Be dropped out as well.
• 36:05
  So that footage is going to be available.
• 36:07
  He doesn't deserve the impossible shot.
• 36:09
  Really, Nobody deserves the impossible shot.
• 36:10
  But he's gonna go get it anyway and he's gonna hope that it
• 36:13
  makes its way out. That's my theory, OK?
• 36:16
  I think that's what was going on in his head, is that that
• 36:18
  footage will live on. I think that makes sense.
• 36:21
  So all of my bad things have been debunked upon me, like
• 36:24
  right, right here. But I stand firmly that Keith
• 36:27
  David would have been better in this movie for an extended time.
• 36:32
  There's no change in my mind on that one.
• 36:34
  OK, ugly. I just generally the way I'm an
• 36:41
  animal lover. I am not like a preachy vegan,
• 36:45
  but I am a vegan because I don't like the thought of animals
• 36:48
  having to exist and maybe endure harsh conditions and eventually
• 36:55
  die just to sustain us when it isn't necessary.
• 37:00
  And I'm not, I promise. I'm not trying to turn anybody
• 37:02
  into a vegan. That's just my own personal
• 37:03
  philosophy on why I am that. And as much as I love seeing
• 37:08
  animals on screen, there is like such a delicate ethical line.
• 37:13
  Like it looks like OJ really cares about his horses, So that
• 37:18
  makes me feel good. But is every animal Wrangler in
• 37:20
  Hollywood like that? No, we know Joop isn't.
• 37:24
  Joop is feeding the horses to the alien.
• 37:25
  I know that guy. That's so fucked up.
• 37:28
  We don't ever really touch on that.
• 37:30
  And you know, just the whole, like, not really respecting that
• 37:33
  nature is its own thing. Man does not have to control
• 37:37
  everything. You need to learn to live in
• 37:39
  agreement with it sometimes, instead of, you know, trying to
• 37:44
  own everything. Yeah.
• 37:48
  So that's. I think that's the ugly take
• 37:50
  away of this maybe, which I think is partially intended.
• 37:54
  But it does bum me out. Yeah, to build off of that,
• 37:59
  yeah, part of that whole thing with me is Joop's whole thing
• 38:02
  with the horses. I think it's really shitty that
• 38:05
  he whenever he makes the agreement with OJ originally,
• 38:09
  he's like, yeah, sure, you can buy them back.
• 38:11
  And like, you can tell he has a little bit of hesitation in his
• 38:13
  voice, but like he knows full and well that he's going to use
• 38:16
  that horse to feed it. Well, when you first hear that
• 38:19
  hesitation, you're like, well, he doesn't think that OJ is
• 38:22
  going to be able to get the money.
• 38:23
  Yeah, like you can tell he's just saying it like as a
• 38:26
  kindness, but not with any real expectation.
• 38:28
  And then later you're like, Oh no, he knows there's not going
• 38:31
  to be a horse for him to buy back.
• 38:33
  Yeah, like he's he's too likable to be like Steven Young is too
• 38:39
  likable to be this shitty of a character.
• 38:40
  Honestly, like any because, like, it's hard for me to
• 38:43
  believe that, but like reading it on paper and just like
• 38:46
  talking about it like that guy fucking sucks.
• 38:51
  One other thing, I think that whenever he is giving the like
• 38:58
  Emerald the tour of all of the memorabilia, he's talking about
• 39:02
  how entertainment and like SNL and Hollywood, everybody reacted
• 39:07
  to the tragedy. Yeah, And instead of like
• 39:10
  respecting it and recognizing that it was a terrible event,
• 39:14
  they all just went and made fun of it.
• 39:16
  I like people fucking died and people had like one person had
• 39:19
  her fucking face eaten. I love that, like him,
• 39:23
  recounting the SNL skit juxtaposed with a flashback of
• 39:27
  him sitting under the table, wide eyed, covered in blood.
• 39:30
  Yeah, it's just like just thinking about it and hearing
• 39:33
  him describe that Chris Catan playing Gordie, like, come on,
• 39:37
  man, it's just fucked up. It's ugly, all right?
• 39:43
  Absurd. Listen, I'm a believer in
• 39:46
  aliens, so I don't think that's absurd.
• 39:48
  What I do think is absurd is how easily.
• 39:52
  And steals large items from other businesses.
• 39:56
  Oh my God, you're. Right instantly.
• 39:58
  Well, OK. She she stole 50 wacky waving,
• 40:01
  inflatable arm flailing 2 men. Yeah, she stole that giant horse
• 40:08
  and you know, a 50 foot segment of their banner flags.
• 40:14
  To be fair, Jupe was on to her like he knew what was up.
• 40:17
  That's where Steven yen being too nice, came in.
• 40:19
  Because they're like, oh, it's a training horse, he goes.
• 40:22
  OK. Yeah, Jordan's like, no, you're
• 40:24
  supposed to be really, really upset in this moment.
• 40:26
  He's like it's OK Like. But what if I invite them to my
• 40:28
  ranch instead? Just like, yeah, like, what if
• 40:32
  what if my character had, like, an event?
• 40:34
  He was just there to invite them to it.
• 40:36
  That's three, right? That's that was caused by Steven
• 40:40
  yen. Yeah.
• 40:40
  Jordan is like, OK, I guess I'll after a win.
• 40:43
  Jesse would have done this. Jesse Plemons would have been
• 40:46
  like yeah, fuck it, give me that back.
• 40:52
  My absurd is TMZ gets 8 Jean jacket.
• 40:58
  Looks like a fucking cowboy hat. Oh my God.
• 41:02
  Yeah. Like, honestly, it's just like a
• 41:04
  fucking cowboy hat. You know what?
• 41:06
  Here's the thing too. So when we saw them getting
• 41:10
  ready for the Star Lasso experience, I said.
• 41:12
  Oh, his jacket has a UFO. You were?
• 41:14
  Like, yeah, Did you not notice that?
• 41:16
  In the theater, I thought it was a cowboy hat on the back of his
• 41:20
  jacket. Yeah, I mean, I felt.
• 41:21
  So I didn't make that connection.
• 41:23
  My God, I'm dumb dumb. Well, I mean it's yeah, I didn't
• 41:27
  notice it until people pointed it out, so don't feel too bad
• 41:30
  about it. And my final one is, so the
• 41:35
  whole thing happened six months before what we follow.
• 41:39
  So how did OJ not notice his power consistently going in and
• 41:44
  out and things getting sucked up into the sky for the past six
• 41:47
  months? So I think, all right, my
• 41:53
  assumption, this is me going out on a limb.
• 41:56
  OK, here, climb on out there. So I don't think necessarily
• 42:00
  stuff was getting sucked up from his ranch because.
• 42:03
  It all kept happening over at Jupiter's climb.
• 42:08
  I could contribute to the electricity to him being a
• 42:14
  Ranger and him going to bed early because he has to wake up
• 42:17
  early, OK? He does consistently say I got
• 42:20
  to get up early. I got shit to do.
• 42:21
  Yeah. Or being out in the barn and not
• 42:24
  really necessarily paying attention to flower of power
• 42:27
  flickering. I also think in California that
• 42:30
  is like a thing that happens. Rolling blackouts are like.
• 42:34
  A thing, yeah, but the horses all freak out every single time
• 42:36
  it happens. They all start to act up and run
• 42:39
  away. Yeah, but think about it with
• 42:41
  us. Like, if what if we took every
• 42:44
  single time Talia freaks out about something?
• 42:46
  I was like, oh, there's a UFO. You know what I mean?
• 42:49
  Like animals get spooked about that.
• 42:51
  Well, to be fair, if she was doing it every single time, the
• 42:53
  power just kind of slowly came in and out like, and it got
• 42:56
  eerily quiet outside and suddenly I saw little things get
• 43:00
  sucked up into this guy that maybe believe her.
• 43:03
  I don't know. It's kind of dramatic.
• 43:06
  Yeah, that's true. I just, I'm not.
• 43:08
  I don't necessarily buy that the thing remained quiet that entire
• 43:12
  time. I also think you have to take
• 43:15
  into account that he was dealing with a lot of grief from his
• 43:19
  father passing and then also having to take over the family
• 43:23
  business which was already not doing great before and his
• 43:25
  father who was clearly. Super charismatic on top of
• 43:29
  being knowledgeable. He was building those client
• 43:31
  bases. Are you just saying he's super
• 43:32
  charismatic because it's Keith Davis?
• 43:34
  I mean. That's part of it, but like.
• 43:36
  You know when he's on set and they're like, where's the senior
• 43:39
  fella? Like they wanted him back
• 43:41
  because I think he built better relationships with those studios
• 43:44
  that they've been familiar. Then OJ, who would much rather
• 43:47
  talk to the horse than the people, you know, I think he's.
• 43:51
  In a business that was already struggling and now it's
• 43:54
  struggling even more, he's had to sell 10 of the horses, which
• 43:56
  is not only like his livelihood, but it's tied to the memory of
• 44:01
  his father. I think he just maybe had a lot
• 44:05
  of shit going on and didn't have time to stop and figure out,
• 44:08
  like the power flickering, you know?
• 44:10
  And he could have even attributed animals have grief
• 44:13
  too, you know, Maybe then maybe he attributed the horses
• 44:15
  freaking out. So just like the change in
• 44:17
  routine with Otis senior not being there, I guess you're
• 44:19
  right, Yeah. I'm not trying to, like, make
• 44:22
  excuses for this movie. I'm just trying to think of,
• 44:24
  like, possible reasons that he might not have really paid
• 44:27
  attention. I think, yeah, they're like
• 44:30
  there's actual possibilities with what you're saying there.
• 44:32
  I think that you could be onto something, but still at the same
• 44:35
  time, OK, what do you give this out of 10?
• 44:41
  Nine would have been a 9 1/2 without all the horse snacking.
• 44:45
  OK, yeah. And.
• 44:47
  And chimp shooting and chimp shooting.
• 44:50
  OK, I'll give it 8.5 because I agree with you all the way up
• 44:55
  there. But minus .5 without the Keith
• 44:58
  David. OK, seriously.
• 45:00
  Like, just have him stick around.
• 45:02
  I don't understand. Like, I guess I understand you
• 45:04
  need to have him lose that father figure, but, like, casts
• 45:06
  like a nobody. Like, don't get fucking Keith
• 45:08
  David for that. Yeah, but he's gonna give me
• 45:10
  blue balls. But what if Keith David was
• 45:13
  like, hey, Jordan Peele, I would really want to be one in one of
• 45:15
  your movies one day, but I only have time to shoot one day on
• 45:18
  set. If you're Jordan Peele, do you
• 45:19
  not take him up? Yeah, you do.
• 45:21
  You do. Absolutely you do.
• 45:23
  But still it pisses me off. OK, we have a starting average
• 45:27
  of 8.75 Suck it IMDb. So I love the way that the
• 45:32
  opening credits are done, where we hear the sitcom going on in
• 45:38
  the background. Yeah, like the audio of like The
• 45:40
  Gordy Show playing over the production logos.
• 45:42
  Yeah, I like that. I also like that we see that the
• 45:48
  motion picture. Of the horse.
• 45:51
  The horse? Yeah.
• 45:52
  Fuck. What's this?
• 45:54
  Gilbert. Don.
• 45:54
  Yeah, And we see it through the mouth of Jean Jacket.
• 45:59
  Yeah, that's that's kind of crazy how you get like an early
• 46:02
  glimpse of it right there. Yeah.
• 46:04
  Which you wouldn't know, that's what that is until your second
• 46:06
  time viewing. Yeah, exactly.
• 46:07
  Yeah. And then we, you know, the
• 46:09
  sitcom changes from normal sitcom stuff.
• 46:11
  We hear a pop and then there's a lot of screaming and crying and
• 46:15
  general sounds of chaos and destruction.
• 46:17
  This is a strong opening, honestly.
• 46:18
  Like it grabs your attention right away.
• 46:20
  Yeah, and then we cut to a standing shoe.
• 46:25
  No, we cut to I will cast, I will cast abominable filth at
• 46:29
  you, make you viral and make you a spectable.
• 46:32
  Nam 36. Yes.
• 46:34
  Then we see the upright shoe. OK.
• 46:36
  Torn, upset and a bloody chimp. Yeah, that.
• 46:41
  It's just super unsettling imagery right there.
• 46:43
  Like it? I don't know.
• 46:45
  Just like starting the movie off with that.
• 46:46
  Like, even though this isn't really the main thing, like I I
• 46:48
  just think it's like a strong way to grab your attention and
• 46:50
  be like, OK, now watch this movie.
• 46:53
  Yeah, exactly. So now we cut to at the ranch
• 46:58
  with horses. Get Keith David.
• 47:00
  He is working with the horse. Yeah, he's trying to break it,
• 47:04
  so to speak. Yeah, they're talking about
• 47:05
  trying to, like, nail the movie that they're trying to pitch.
• 47:09
  Yeah, because if they get it, then they also get the sequel.
• 47:11
  And yeah, this could save the ranch.
• 47:13
  Yeah, but then suddenly cell phone and all electronics
• 47:19
  stopped working. Yeah, and not like loose signal
• 47:22
  like his phone powers down as we did to Talia after watching this
• 47:26
  movie. It just like do that to your
• 47:31
  dog. If you have dogs, by the way,
• 47:33
  they fucking hate it. Yeah, she got really mad and
• 47:35
  ironically attacked her monkey toy.
• 47:38
  Yeah, Gordy, this is fucking Gordy's fault.
• 47:42
  So yeah, there's they hear like screaming in the sky.
• 47:45
  I also think it's really important that while they're
• 47:47
  like feeding the horses and stuff you can hear on the radio
• 47:49
  them talking about two hikers are missing in Agua Dulce.
• 47:53
  Oh shit, that didn't understand. Yeah.
• 47:55
  Wow. So then you hear screaming and
• 47:59
  they kind of like look up at the sky and stuff starts falling.
• 48:02
  There's like, there's keys and coins and other stuff, and one
• 48:06
  of those coins happens to go right through the eyeball of 1.
• 48:09
  Mr. Keith David. Yeah, Well, yeah.
• 48:12
  You just see him slump over and then the horse starts to walk
• 48:14
  away. Yeah, and he falls off.
• 48:17
  So OJ is saying to the hospital, trying to get him to talk to him
• 48:20
  in the truck, like naming the horses.
• 48:22
  The horses, Yeah. Yeah.
• 48:23
  That's so fucking sad. Yeah.
• 48:25
  You feel so bad for him in that moment, Yeah.
• 48:27
  And then he gets to the hospital and he's pronounced dead.
• 48:30
  Yeah. And then you just see like the
• 48:31
  cut in his eye with the X-ray of a coin all the way, like halfway
• 48:35
  through his head. Yeah.
• 48:36
  And we don't even hear the pronouncement.
• 48:37
  You just know that that's what's happened.
• 48:39
  I mean, you're not gonna fucking survive.
• 48:41
  Yeah, it's like right in your brain.
• 48:43
  And then we see when he gets back to the barn, the horse that
• 48:49
  he was breaking has a key stuck in a tiny quarter.
• 48:52
  Yeah, sticking straight out. So OJ is on the set of a Western
• 48:57
  with a horse. Yeah, I guess I feel so bad for
• 49:12
  him in this moment. This is six months later.
• 49:00
  The crew really wanted Otis Senior to be there, but they
• 49:04
  kind of like stage whisper to each other right in front of OJ.
• 49:07
  He's dead, you. Like you can tell, he's super
• 49:14
  uncomfortable because this is not his role usually.
• 49:17
  He likes working with the horse, like here's some other people
• 49:19
  person. Yeah, well, and not everybody
• 49:21
  wants to be like the head of the company, You know what I mean?
• 49:24
  It just happened that he's here. He's saying that he's waiting
• 49:26
  for his sister. She's late.
• 49:28
  You get the impression that this isn't the first time she's been
• 49:30
  late. Yeah.
• 49:30
  He figures she can handle the charisma piece of it.
• 49:33
  And he'll handle, like the horse part.
• 49:35
  Yeah. Yeah.
• 49:36
  Which seems like it would be a good.
• 49:39
  You know, set up if she would show up on time and not promote
• 49:42
  her own stuff while she's supposed to be doing the safety
• 49:44
  meeting. Yeah, much like Ken, whose job
• 49:46
  is Beach, his job is horse. Exactly.
• 49:49
  His job is horse. Yes, Horse.
• 49:54
  So he starts to, like, give his speech, but he's doing like a
• 49:58
  really terrible job. And then suddenly Emerald shows
• 50:02
  up just in time. Wait.
• 50:04
  And she gives her. Very charismatic monologue,
• 50:09
  which? I want to see all of the other
• 50:11
  cuts of that. I want to see the other 13 cuts.
• 50:14
  I would love if he had that as a special feature.
• 50:16
  I don't know if it I don't. We don't own it on disk,
• 50:18
  unfortunately. That's one thing.
• 50:21
  We need to own it. We do.
• 50:22
  But this is a thing that I told somebody on Twitter yesterday.
• 50:26
  Like the cover fucking drives me crazy because the top.
• 50:29
  You know how they all on the KSA 4K Ultra HD?
• 50:32
  Well then, like the little cover flap boy also says 4K Ultra HD,
• 50:36
  so you get 4K4K. Like it's just too noisy.
• 50:39
  It drives me fucking crazy. Whatever.
• 50:42
  You ever fucking know? Sorry.
• 50:45
  All right, so. And no one likes you, Jacob.
• 50:48
  Okay, okay. Let's go, let's go.
• 50:50
  I know I'm learning this is not super relevant to what we're
• 50:54
  talking about here. So she gives the whole
• 50:56
  presentation about how they are the great great.
• 50:59
  She misspeaks by the way. She says that they are the
• 51:02
  great, great dissonance of them. And she says.
• 51:04
  And one more great, Does she? Yeah, okay.
• 51:07
  So I missed that. So Okay.
• 51:08
  They're the three times great grandchildren of the original
• 51:12
  motion picture actor. Bahamian named Alistair Haywood.
• 51:17
  Yes, and yeah, they're part of royalty.
• 51:20
  And then she starts to, like, plug her own shit too.
• 51:23
  Yeah, at the I do. Like that, She says.
• 51:24
  They're currently the only black-owned animal wrangling
• 51:28
  company in Hollywood at the time.
• 51:30
  I mean that would be. I mean that's a good thing for
• 51:32
  business. Like it's.
• 51:33
  Really important to tie into, you know, the history of why
• 51:37
  they started the company in the 1st place.
• 51:39
  I think I get why that's the spiel of Hollywood horses.
• 51:43
  That's like such a cool thing. Like I could work with the the
• 51:47
  descendants of the people that were part of like motion picture
• 51:50
  history, like the very first people.
• 51:51
  In their blood. Yeah, it's so cool.
• 51:53
  Like I would hire them 100% and they're so she finishes her
• 51:59
  whole thing and then they want to cut to a screen test
• 52:02
  immediately. Meanwhile, OJ is saying think
• 52:04
  the horse needs a break, but he's so quiet about it that
• 52:07
  nobody hears him and they just really don't care either.
• 52:10
  Yeah, like again, he is. He's correct.
• 52:15
  But because he is not speaking with any amount of confidence,
• 52:19
  it's not getting through to them.
• 52:20
  Yeah, he's just mumbling too. And I'm not blaming him for them
• 52:23
  not listening to him, but it is also very frustrating because
• 52:26
  he's like and I'm. I have a problem with this too,
• 52:30
  like in my professional life where I.
• 52:32
  Am very deferential in times where I don't need to be because
• 52:36
  I know my shit and I need to sometimes just like own that I
• 52:39
  know my shit well. So I really feel for OJ in this
• 52:42
  moment. I don't.
• 52:43
  I've never seen speculation about this, but I remember we
• 52:46
  were listening to the Dead Meat episode where they are doing
• 52:48
  Survivor and he was one of the characters, but apparently
• 52:51
  there's speculation that he's autistic.
• 52:53
  Oh, I think so. I may be misspeaking with that,
• 52:57
  but I think that that's what they talked about there.
• 52:59
  They think that he may be on the spectrum.
• 53:02
  I could see how some people could make that assumption.
• 53:08
  And I mean, maybe it's possible, maybe not.
• 53:11
  I think he just works with horses and likes horses better
• 53:13
  than people. Yeah, he's just not very good
• 53:15
  with, like, social. Yeah, cuz like people will point
• 53:17
  to like him not doing eye contact a lot.
• 53:19
  He does eye contact with his sister all the time.
• 53:22
  I think he's just used to. He's around horses.
• 53:24
  You don't make eye contact with horses because that's
• 53:26
  aggressive. I think he does the same thing
• 53:27
  with strangers. Yeah, like it saves his life
• 53:30
  later on. Yeah, like don't look at the
• 53:32
  fucking things. They won't hurt you if you don't
• 53:34
  look at them. Yeah.
• 53:36
  So I mean, whether or not his character is on the autism
• 53:40
  spectrum at all, I ultimately think, like, the outcome of the
• 53:46
  movie is the same. Yeah, True.
• 53:48
  Yeah. It doesn't affect anything.
• 53:49
  It's just like kind of just giving like layers to the
• 53:51
  character, potentially. Yeah, speculations, all of
• 53:54
  those. So yeah, he's trying to, like,
• 53:57
  get Emerald to maybe help, but she's over there, like over at
• 54:01
  the Craft section. She's on the other side of the
• 54:03
  studio, yeah, Yeah, and. They talked about his dead dad
• 54:08
  in front of him, louder than he is, like calling for his sister.
• 54:11
  Yeah, I feel so, so bad for him here.
• 54:14
  So the actor gets on there and she, like, touches the horse.
• 54:19
  And he's like don't touch her and this causes.
• 54:22
  So offended. She's like, don't spread, Yeah.
• 54:24
  And then they take like a crystal, like a mirror ball or
• 54:26
  something and put it in front of the horse.
• 54:27
  I don't know what they're doing with that.
• 54:29
  Yeah, I'm not 100% sure what it is.
• 54:34
  But they put it right in front of the horse's face and the
• 54:36
  mirror Spooks him so he kicks. I think they're doing some sort
• 54:32
  of a lighting check or? Luckily, doesn't hit anybody
• 54:40
  but. You know, they do all get fired,
• 54:42
  yeah. It's enough for them to not plan
• 54:44
  the part, so and. Then they carry in this shitty
• 54:47
  like 3D horse and they're gonna just VFX ohh fake horse.
• 54:51
  Then there's one thing about this movie too.
• 54:55
  Whenever we do see Gordy, he does not look very good, even
• 54:58
  for a 2022. Movie They won't let you use
• 55:00
  chimps on set? No, we've.
• 55:02
  Discussed this they had to do he like did the movements and then
• 55:05
  they see GI it over top of him. Oh my God, please tell me it's
• 55:09
  it's Johnny Circus. OK.
• 55:12
  We had two different, like, people.
• 55:13
  I could see Sean Gunn being totally could have been Sean
• 55:19
  Gunn. You're right, man.
• 55:20
  That would have been perfect. OK, so Emeril's gonna stay with
• 55:25
  OJ at least through the night. And she's like, can we have fun?
• 55:28
  OJ, though? And OJ is not fun, man.
• 55:31
  Oj's all worried. He's the one.
• 55:33
  He's had like the whole responsibility of taking care of
• 55:36
  the ranches scenes. She to her.
• 55:39
  It's her side. Shit, she says.
• 55:40
  Yeah, yeah. And they talk about that cuz
• 55:42
  they stop at Jupiter's claim. She's like what happened in Gold
• 55:44
  Rush and he's like Gold Rush was closed down three years ago and
• 55:48
  this came in. So you can get the sense that
• 55:50
  even though maybe she was still involved in the family company,
• 55:53
  maybe she hasn't really been very handson in a while.
• 55:55
  Yeah. And I think we get a little bit
• 55:58
  of a hint of that later why that may have happened, but we'll
• 56:02
  talk about that in a bit. So he is selling lucky.
• 56:06
  And he wants to buy him back also.
• 56:10
  I do feel like it's important we hear like a little overhead
• 56:12
  announcement saying like starting this Friday at 5:30 PM
• 56:15
  join us each week for the new Star lasso experience.
• 56:19
  So they do start like the bread crumbs of that early on, OK.
• 56:23
  So like whenever we see that later on, that was the very
• 56:26
  first showing, yes. OK.
• 56:29
  So. You know, he does kind of call
• 56:32
  out and about being a liability and like always plugging her
• 56:35
  side shit. And like you said, she was like,
• 56:37
  well, this is my side, yeah, my other stuff's my main stuff.
• 56:40
  Which, I mean, I totally understand where he's coming
• 56:42
  from because, like, the fucking business is on the line.
• 56:45
  I get where she's coming from, too.
• 56:46
  I get it. I get where both of them are
• 56:48
  coming from because, like, she wants to pursue her own things.
• 56:51
  Yeah, she doesn't want to be tethered to this because it's
• 56:53
  her family business. Well, and The thing is, she
• 56:55
  wasn't fully brought into the family business in the same way
• 56:58
  that OJ was. Yeah, she kind of got excluded.
• 57:00
  Yeah, she's. Gotten pushed to the side from
• 57:02
  from her dad, and I think there's a lot of like, you know,
• 57:05
  so she started distancing herself and now that her dad's
• 57:07
  gone, it's her brother. But there's still like some hard
• 57:10
  feelings there and I think. It really makes sense for her.
• 57:13
  I don't think she necessarily holds it against him because he
• 57:16
  was the only one that seemed to include her in the entire
• 57:19
  things. But yeah, that's not super
• 57:21
  important. I love their sibling
• 57:22
  relationship. It's yeah, it feels, I know it
• 57:25
  feels super, super real. They have great chemistry.
• 57:27
  I found out that Keke Palmer and Daniel Kaluuya were actually
• 57:30
  siblings and were like, yeah, that makes sense.
• 57:32
  Yeah, .100%. Yeah, so while they're in there,
• 57:37
  like she keeps interrupting their discussion.
• 57:41
  Asking cuz she was like kid sheriff.
• 57:43
  I love that show and she's like trying to talk to him cuz
• 57:45
  Jupiter is a grown up child actor.
• 57:47
  Yeah. And then she sees the picture of
• 57:50
  Gordy. So the Matv cover of the
• 57:54
  incident, which is super fucking poor taste.
• 57:57
  That was the episode that he flipped out on.
• 58:00
  They were filming his birthday episode.
• 58:02
  Yeah, So, yeah, they. He shows them it's like a hidden
• 58:07
  room. Museum.
• 58:08
  Yeah, and it's like all of the nasty stuff.
• 58:10
  And he charges tourist money to stay in there overnight.
• 58:14
  The whole thing is just very dark and fully believable that
• 58:19
  that would be a thing I read. I didn't catch it myself, but if
• 58:22
  you look on his desk you can see a giant pair of scissors from
• 58:25
  us. On there.
• 58:27
  Yeah, I think that's a kind of cool little detail there.
• 58:30
  We get a little flashback of like Joop kind of scared hiding
• 58:34
  during this whole thing. So yeah, he's like telling that
• 58:35
  story and it's like juxtaposed of him actually, in fear not
• 58:39
  enjoying the moment, it's revealed that Joop has offered
• 58:43
  to buy the ranch. Yeah.
• 58:45
  And and was like how much And he was like, doesn't matter.
• 58:48
  And she's like how much he's like doesn't matter, doesn't
• 58:50
  matter. Why do you care so much?
• 58:52
  She's like, I'm trying to figure out how stupid you are and he's
• 58:53
  like probably real stupid. So it sounds like it's a lot of
• 58:56
  money, yeah. So she's like, I got, he's like,
• 59:00
  I gotta work because she's asking what they want to do.
• 59:03
  And she was like, you tell me you don't want to pop into Pop's
• 59:08
  liquor cabinet. And he was like, well, I was
• 59:10
  thinking about the hobby weed, Hobby weed.
• 59:12
  Maybe. I like that it's the hobby.
• 59:15
  Not for like, serious shit, but you know, this is my fun time
• 59:18
  weed right here. Well, I mean, it is legal in
• 59:21
  California. Maybe that's like a side
• 59:23
  business. Maybe they sold business weed.
• 59:25
  Hobby weed, You know, maybe. I guess that could be a thing.
• 59:27
  Yeah, so they're inside and they're just, you know, talking
• 59:30
  together, reminiscing. They talk about Jean Jacket.
• 59:32
  And this is, yeah, where it was supposed to be.
• 59:36
  Her first horse to train. It was going to be her 9th
• 59:38
  birthday gift. And then they got a job and I
• 59:43
  was gonna work on Scorpion King. Yeah, which I've not seen that
• 59:46
  movie. I can't verify if horses are
• 59:48
  actually in that movie, but I think it would be hilarious if
• 59:51
  they listed movies that did not feature horses.
• 59:53
  Well, no, he said. The horse ended up getting
• 59:54
  replaced anyway. OK, so did they did like CGI or
• 59:57
  something I guess? No, like they're just were no
• 59:59
  horses. Oh.
• 1:00:01
  Yeah. Oh, OK.
• 1:00:02
  That's funny. OK.
• 1:00:03
  I've seen the movie at least once.
• 1:00:04
  My home's a big. Dwayne Duany.
• 1:00:07
  Duany Johnson fan. I I can attest.
• 1:00:12
  I've heard her speak of him many times.
• 1:00:15
  So yeah, we we have watched it at least once, but I don't
• 1:00:17
  remember very much from it. OK.
• 1:00:20
  But yeah, so and she was like, you know, I watched you and Dad
• 1:00:24
  out there training my horse and he didn't look up at me once,
• 1:00:27
  but you did he? Did like the little scene and I
• 1:00:30
  was like, I'm watching you. Yeah, they'll meet the parents.
• 1:00:33
  Yeah, so they noticed that Ghost is in the arena.
• 1:00:37
  Yeah, so OJ goes to go check him out, but then as he goes out
• 1:00:40
  there, Ghost runs off. And and plays really fucking
• 1:00:44
  loud music. What is their speaker situation?
• 1:00:47
  I know like it has reached and she can fucking hear him in the
• 1:00:51
  house too. She definitely strikes me as the
• 1:00:55
  type of person that plays really loud music but can somehow still
• 1:00:57
  hear other things like. And he can hear her.
• 1:00:59
  That's a type of person. It really is and it.
• 1:01:02
  I'm not, that's. Perfect sense.
• 1:01:04
  For I'm not that person, No. If I need to concentrate, I turn
• 1:01:07
  the music all the way down. It's the classic thing of you're
• 1:01:12
  lost and for some reason you think turning.
• 1:01:14
  No, it does. It does.
• 1:01:16
  It helps me concentrate. I do that.
• 1:01:20
  So OJ gets in his little golf cart and follows.
• 1:01:23
  Golf. Cart.
• 1:01:24
  And they get near this like Gulch, and they can hear the
• 1:01:28
  rehearsals going on for the Star Lasso experience and that's when
• 1:01:32
  we get like a power outage at the main house.
• 1:01:35
  Oh shit. So he was summoning it.
• 1:01:37
  Yeah, he was. He was practicing.
• 1:01:39
  Yeah. I didn't make that connection
• 1:01:40
  before. Shit.
• 1:01:43
  Then we hear screams. And then we see some movement in
• 1:01:47
  the clouds. Those screams are terrifying.
• 1:01:49
  You just look up in the clouds and you just hear people
• 1:01:52
  shouting. Yeah, it's like gives me
• 1:01:55
  shivers. So back at the house, OJ asked
• 1:01:58
  them about bad miracles and she's like, what do you mean?
• 1:02:02
  And. I was like, what the fuck did
• 1:02:04
  you see out there? Yeah, and he just, like, gives
• 1:02:05
  it to her stray. He's like, I saw something in
• 1:02:08
  the clouds. Yeah, so naturally she wants to
• 1:02:11
  sell photographic evidence of UFO.
• 1:02:14
  One website she founds will buy that for 50 to 100K and she was
• 1:02:20
  like, but maybe we need to think longer term.
• 1:02:21
  Maybe we need to think about more than just like a single
• 1:02:23
  photo. And I I love out of all of the
• 1:02:28
  character details we get. I.
• 1:02:30
  Love that OJ is an Oprah fan. I know, right?
• 1:02:33
  Is it Oprah worthy? Like, it's not Oprah, though.
• 1:02:35
  Not even just in, like. It doesn't even feel casual.
• 1:02:38
  Like, OK, everybody knows who Oprah is because she's fucking
• 1:02:41
  Oprah. But like.
• 1:02:42
  He knows like what criteria is needed it.
• 1:02:45
  Just breaks midday to like catch Oprah when it was still on the
• 1:02:49
  air when he. Says I gotta wake up.
• 1:02:51
  I've got shit to do in the morning.
• 1:02:52
  It's to watch Oprah. It's not take care of the
• 1:02:54
  horses. I also like the detail here.
• 1:02:57
  He's talking about how they gave an explanation about what may
• 1:03:01
  have killed Otis before. They said it was a prop plane
• 1:03:04
  that killed him. Yeah, but he never really bought
• 1:03:06
  it. Never, like, made the connection
• 1:03:08
  about how that could have been. How could that have fucking
• 1:03:11
  happened? Yeah, exactly.
• 1:03:13
  Oh, that's just one of those that they didn't know how else
• 1:03:14
  to explain it. So, like, oh, good weird things
• 1:03:16
  happen. Yeah, that's what it is.
• 1:03:19
  Angel ends up talking. Also, I just.
• 1:03:23
  I got a. Shout out to my girl Keke Palmer
• 1:03:26
  once again, Emeril just casually throwing some Sour Patch Kids
• 1:03:32
  and her because I do like, I totally do that at like Big
• 1:03:36
  Lots. I will get the candy on the way
• 1:03:38
  to the. Shack.
• 1:03:39
  Just like in the middle of the aisle.
• 1:03:40
  Just like, yeah, fucking throw it in there.
• 1:03:41
  Like. Those random candy house where
• 1:03:43
  you're like, what does this have to do with electronics?
• 1:03:45
  It has nothing to do with electronics.
• 1:03:47
  It has to do with people like me who if I'm spending $1000 on
• 1:03:50
  some equipment, I will spend the extra $3 markup for my big bag
• 1:03:54
  of sour. We put you.
• 1:03:55
  This is, this is one of the most realistic cinematic depictions
• 1:04:00
  of a store. Because like, I'm OJ in this
• 1:04:03
  situation, I'm walking with you in the store.
• 1:04:05
  We're walking down there. You grab Sour Patch Kids and
• 1:04:08
  throw it in there. Then we walk by random
• 1:04:10
  compliment to a person. They usually compliment you
• 1:04:13
  about your hair. Oh my God, you look so beautiful
• 1:04:15
  with your hair. And I'm always there with that.
• 1:04:17
  And then we go to go check out with a guy.
• 1:04:19
  He's like, yeah, So what the fuck can I do for you today?
• 1:04:22
  That's so fucking real. Like the whole thing, like this
• 1:04:25
  whole thing is so relatable. But I love the energy that Angel
• 1:04:29
  brings here, cuz he's just like, yeah, so do you want the credit
• 1:04:32
  card? And they're like, no, not at
• 1:04:33
  all. And he does not.
• 1:04:35
  He just. Want the expert install?
• 1:04:37
  And they're like, no, no, cuz in their heads they're like, well,
• 1:04:40
  it can't be that hard. And also we're trying to keep
• 1:04:42
  the secret. He goes, all right, cool, no
• 1:04:44
  expert technician installation and OJ goes, well, is it hard?
• 1:04:49
  He's like, not for me. Yeah, Boom.
• 1:04:52
  Yeah, honestly, it worked. That's a good sell, right?
• 1:04:53
  Mmhmm. And then he kind of like,
• 1:04:56
  speculates as alien shit. And they're like, yeah, nobody
• 1:04:59
  believes that. And then I think the way that
• 1:05:00
  they respond to that, he's like, OK, I think they know something.
• 1:05:04
  Yeah. So while he's there, he was
• 1:05:06
  like, sorry I was rude earlier. I just got out of a four year
• 1:05:09
  relationship. She got a role on The CW.
• 1:05:12
  Yeah, fucking CW. So that even adds more into what
• 1:05:16
  I was saying earlier about him being a jaded LA person like.
• 1:05:20
  This is. Longterm relationship broke up
• 1:05:22
  with him because she is living her dream and he is not.
• 1:05:26
  They they described his transition to the movie.
• 1:05:29
  He starts out as like a little emo character and then as the
• 1:05:33
  movie progresses, he kind of aligns with them and gets more
• 1:05:35
  like bright colored outfits. Oh, I was gonna say becomes more
• 1:05:38
  of a nerd A. Little bit that too, yeah.
• 1:05:41
  More of like his original character.
• 1:05:43
  But yeah, he kind of like gets more happy because he's like
• 1:05:46
  doing the things that he actually enjoys.
• 1:05:47
  He's. A fucking nerd.
• 1:05:49
  Fucking nerd he is. Yeah, listen, Nerd is not
• 1:05:52
  derogatory on this show, even when we use it in a James Franco
• 1:05:59
  Danny McBride fucking nerd, he says.
• 1:06:02
  Ufo's are now called Uap's after the declassified footage.
• 1:06:07
  They wanted to make people not. Yeah, you you looked at me
• 1:06:10
  because we've had this. Conversation so many times.
• 1:06:12
  Recently. Well, I think it's even crazy
• 1:06:14
  how more relevant it is now because like they've actually
• 1:06:16
  had like just like a couple weeks ago, they had the whole
• 1:06:19
  discussion with Congress. About it.
• 1:06:21
  They're making actual It's not just like they released the
• 1:06:26
  footage and now they're like actually talking about it and
• 1:06:28
  maybe trying to do something about it.
• 1:06:30
  I don't know. It is it's they are unidentified
• 1:06:34
  objects. We don't necessarily know what
• 1:06:36
  they are. It's actual footage.
• 1:06:37
  It's really shitty footage, but it's footage.
• 1:06:39
  It's not Oprah, though. So M says she has to dispute
• 1:06:42
  she's got an errand. When she pops back, that errand
• 1:06:45
  was getting a training horse. And I, like, has followed her.
• 1:06:49
  I like whenever she brings back she's like got a couple of
• 1:06:52
  strong men that can help me and she's like, she's like, what the
• 1:06:56
  fuck are you doing? Like like the whole, like
• 1:06:58
  approach to that right there. Like he's just like so no
• 1:07:01
  nonsense with it. But yeah, then then Joop, nice
• 1:07:05
  guy Steven Young shows up and he's like, hey, I noticed you
• 1:07:08
  stole my horses and. She's like, Nah, that's our
• 1:07:10
  horse. And he's like, oh.
• 1:07:13
  Do you want to come to my show? I like how they don't even give
• 1:07:15
  him a knock, like an opportunity to ask the question like he
• 1:07:18
  starts is like, So what are you like?
• 1:07:19
  So what are you doing? Yeah, well cuz they're so far
• 1:07:22
  away too, they're probably a full 100 yards apart.
• 1:07:25
  Yeah, and like he pulls up and he's like not on their property
• 1:07:28
  yet. They won't let him in.
• 1:07:29
  I stay right there. Yeah, and like, yeah, you can
• 1:07:32
  stay right there and we'll chat. I love how Angel keeps trying
• 1:07:36
  to, like, inject himself to he's like, alright, that's that's all
• 1:07:38
  goodbye. Like shut the fuck up.
• 1:07:40
  This is your place. So I'm just trying to help.
• 1:07:42
  He like inserts himself into their lives so immediately.
• 1:07:47
  Yeah, like he does it in such a way that is like, it's kind of
• 1:07:51
  annoying but also endearing. Yeah, yeah.
• 1:07:56
  So yeah, so he invites them to his show, which will be I can't
• 1:08:01
  remember when. That Friday.
• 1:08:02
  That Friday at 5:30, OK. Um, so they have the camera set
• 1:08:07
  up, they've got them far enough apart that hopefully if there is
• 1:08:10
  an outage in one area, it won't affect the other, which I think
• 1:08:14
  is smart. Yeah.
• 1:08:16
  He's like and I can keep an eye on it remotely and they're like,
• 1:08:19
  no thank you, Which, yeah, what a creepy fucking thing to offer.
• 1:08:23
  That's terrifying. That's the reason I would never
• 1:08:25
  want somebody to come and saw cameras in our house.
• 1:08:28
  Yeah, well, he does not listen to that.
• 1:08:30
  He's still. Continues to monitor exactly.
• 1:08:32
  That's why you don't get the expert installation right there.
• 1:08:36
  So Oj's like, well, back to work and he this.
• 1:08:40
  God, he's really fucking good at his job of horse.
• 1:08:43
  Because, yeah, he. Gets a little mirror ball and
• 1:08:47
  like, he was like, OK, well this is new equipment I've never seen
• 1:08:49
  on set before, so we've never known to train the horses with
• 1:08:51
  it before. Now we know.
• 1:08:53
  So we're going to practice mirror ball and I'm going to
• 1:08:55
  continue being really good at horse.
• 1:08:57
  Yeah, I I I like that too. He's adapting.
• 1:09:01
  So there are lights on in the stable and he's like, well
• 1:09:03
  that's weird. So he shuts him off, but then
• 1:09:06
  they come back on and then fucking.
• 1:09:10
  Creature rises up from the shadows.
• 1:09:12
  Dude, the way the thing like rises up, it's like a little
• 1:09:16
  silhouette, but it just kind of like shimmies out a little bit
• 1:09:19
  and it's like, what the fuck is that thing?
• 1:09:20
  Because it's like so weird and oblong looking.
• 1:09:23
  This is a very fucking terrifying scene.
• 1:09:25
  Even though it's like played for like, I mean, it's played for
• 1:09:27
  like to be spooky here, but it ends up being kind of like a
• 1:09:30
  laugh type thing, yeah. Well, that and that's was really
• 1:09:33
  great again. I think comedians make really
• 1:09:35
  great horror directors because they know how to like, do the
• 1:09:38
  peaks and valleys. Yeah, exactly.
• 1:09:40
  Yeah. And this is a perfect example of
• 1:09:42
  that because the tension gets ratcheted up so high in about 45
• 1:09:46
  seconds and ends with Daniel Kaluuya punching a 12 year old
• 1:09:50
  in the face. Yeah, yeah.
• 1:09:54
  It's just it's really insane and it really what it is, it's it's
• 1:09:58
  dupes kids. In alien costumes.
• 1:10:00
  But you're like, well, that's kind of weird.
• 1:10:01
  When did they choose aliens? We'll find out soon enough.
• 1:10:04
  Well, and I think it's funny, they're like, why the fuck were
• 1:10:07
  they doing that? And he's like, well, you did
• 1:10:09
  steal their horses and she's like, oh, OK, yeah.
• 1:10:11
  She already forgot. Yeah, he's like they let Clover
• 1:10:15
  out, so now he's got to find Clover.
• 1:10:18
  Angela is watching the cameras remotely while Em watches
• 1:10:23
  camera. A I think no camera B.
• 1:10:26
  Camera B Yeah. And a praying mantis appears.
• 1:10:28
  And that's just. Also terrifying because whenever
• 1:10:31
  you see like a giant bug on your screen for like the first
• 1:10:34
  second, it's kind of scary. It's like that.
• 1:10:36
  I think you should leave bit where like the thing walks
• 1:10:38
  through the doggy door for like 5 seconds I.
• 1:10:42
  Like, I questioned everything I knew.
• 1:10:44
  Because that fucking thing exists.
• 1:10:47
  Exactly. That was exactly what happened
• 1:10:49
  whenever you saw that thing on the camera.
• 1:10:51
  Oh my. God.
• 1:10:57
  Yeah, and of course. Fucking Angel, calls Emerald.
• 1:11:01
  And he's like, there's a bug on camera B and she's like, what
• 1:11:04
  the fuck? And he goes, camera A is down.
• 1:11:06
  She's like, I'm aware, why are you aware?
• 1:11:09
  And he's like. Because there's something
• 1:11:11
  happening, the camera's down. You need to get.
• 1:11:13
  The bug off. He's so fucking invested that he
• 1:11:16
  stayed past the store being shut down like all of the lights are
• 1:11:19
  off. He's he's there and like one
• 1:11:20
  other random coworkers, just like eating Cheetos.
• 1:11:23
  Girl eating the Hot Cheetos, which?
• 1:11:24
  Drove me nuts because listen, Hot Cheetos are delicious.
• 1:11:27
  Can't have them anymore, so they're not vegan.
• 1:11:29
  But she's eating the Hot Cheetos and stock and shit, You know,
• 1:11:33
  she's getting Cheeto Fingers. All.
• 1:11:35
  Over. Yeah, that's gross.
• 1:11:38
  God, I had to clean up my nephew after he ate a bag of Cheetos
• 1:11:42
  yesterday and I was cleaning it from his head.
• 1:11:45
  I was from his fingers, from his neck rolls.
• 1:11:49
  Hopefully she wasn't eating it like a toddler and rubbing it
• 1:11:51
  all over so OJ goes to get. Quover and then the power dies.
• 1:11:56
  There's like, well, OJ's out there.
• 1:11:59
  There's like this big pillar of dust and it almost looks like a
• 1:12:04
  twister. Except not really.
• 1:12:05
  No, that's the thing. Like, I would have thought that
• 1:12:07
  that was just like a fucking tornado.
• 1:12:09
  Or like a what a dust devil. It wasn't moving the way that
• 1:12:12
  type of stuff normally does, though.
• 1:12:14
  No, I just see like a giant pillar of dust.
• 1:12:16
  I'm freaking out though. Yeah, and like, it sucks up the
• 1:12:19
  training horse and the flags. And so OJ goes.
• 1:12:24
  Running Clover goes running, OJ hides in the barn, and it looks
• 1:12:31
  like maybe unfortunately, Clover got eaten.
• 1:12:34
  I don't. I couldn't tell, honestly.
• 1:12:36
  I thought the I thought the Clover made it safe because I
• 1:12:39
  don't think the horses. So the only reason that the
• 1:12:42
  decoy got sucked up is because it's looking up into the sky.
• 1:12:45
  I think the Quova is looking down because.
• 1:12:47
  We saw like a horse run into the barn, but then we also saw like
• 1:12:51
  a horse getting spooked outside. So I don't know what happened.
• 1:12:53
  I'm sorry, Tally's freaking out because there was an Amazon
• 1:12:55
  delivery. Like we're just gonna.
• 1:12:57
  And they. Lost it?
• 1:12:58
  Yeah, we've already paused this for a full 10 minutes and it's
• 1:13:01
  just not. She's just barking.
• 1:13:04
  Yeah, OK. Yeah.
• 1:13:06
  So M is like on the roof throwing candy at the sour.
• 1:13:12
  Patch because I hope you can like Sour Patch because and the
• 1:13:14
  brain mess is like, yes I do. Thank you.
• 1:13:16
  You know what, I relate if I was.
• 1:13:18
  The brain miss I'm like. You're throwing Sour Patch
• 1:13:20
  because of me as hell. Yeah, please.
• 1:13:22
  Continue. So the M like, after all of
• 1:13:26
  this, they're in the house and she's like, I want to leave this
• 1:13:29
  is this is not worth it. None of this is worth it.
• 1:13:31
  We're in danger here and I like that.
• 1:13:34
  That's like because. I think they try and play it off
• 1:13:38
  like she's really immature, but she's not.
• 1:13:41
  She's just, you know, decided to focus on her own life after it
• 1:13:45
  was very clear she was never going to be a priority in the
• 1:13:47
  family business and she didn't deal with shit with her dad and
• 1:13:53
  her and her brother have grown apart a little bit because of
• 1:13:55
  it, and she's just got a very different kind of personality to
• 1:13:58
  him. And I think it's really easy to
• 1:13:59
  read some of that. As being immature.
• 1:14:01
  But she's not. Because, especially with her
• 1:14:04
  reaction, being like this is not worth our lives, OJ doesn't
• 1:14:08
  think it's gonna come back tonight, so he thinks they're
• 1:14:10
  safer tonight. Yeah, cuz it's not hungry
• 1:14:12
  anymore. So there's a flashback with his
• 1:14:14
  dad saying that cuz he's talking about ghosts freaking out.
• 1:14:18
  They can hear him in the arena and he's like some animals ain't
• 1:14:21
  fit to be trained. Boom, cut to Crest they call
• 1:14:27
  antlers hoist. Because they he and.
• 1:14:34
  He was the dude that was doing on set.
• 1:14:35
  Yeah, they were, yeah. They were pitching like their
• 1:14:38
  horses for his movie at the beginning of the movie.
• 1:14:40
  Yeah, so they are looking for the impossible shot and he is
• 1:14:45
  intrigued, but also doesn't really believe them.
• 1:14:50
  So he hangs up, Angel shows up and he's like, holy shit, it's
• 1:14:54
  real. And they're like, what?
• 1:14:56
  The fuck. Yeah, like you're still looking
• 1:14:58
  at our shit. And then he shows them footage
• 1:15:01
  like he replays it time lapse and there is one cloud that does
• 1:15:05
  not move. Just stay stationary the entire
• 1:15:07
  time. And it's very eerie to watch.
• 1:15:09
  It feels like one of those spooky YouTube compilations.
• 1:15:12
  We. Watch.
• 1:15:13
  That's like one of those things that easy to fake.
• 1:15:16
  But you know, seeing it in person, like, that's gotta be
• 1:15:18
  super freaky. Yeah.
• 1:15:21
  So now we get a nice little flashback to what happened with
• 1:15:24
  Gordy. Yep, back to Gordy.
• 1:15:25
  Uh, huh. It's a Season 2 episode, so
• 1:15:27
  presumably they've gotten very complacent with having
• 1:15:31
  chimpanzees on sets. I think that's like a neat
• 1:15:34
  little detail that they throw in and they don't hit you on the
• 1:15:36
  face with. But like, that this happened in
• 1:15:37
  Season 2 feels kind of important.
• 1:15:40
  Yeah, so it's a birthday episode.
• 1:15:43
  I like the shot, cuz we're seeing it like through like the
• 1:15:46
  camera. And the little kid playing young
• 1:15:50
  Jupe is like, he starts to say his line and he goes shoot like
• 1:15:55
  this kid did so good playing a child actor, being a child actor
• 1:15:59
  and then having to like come out of the moment to be like, oh,
• 1:16:02
  hold on and like the director's saying is OK, just pick back up.
• 1:16:04
  From Dude like acting to act yes I hear is super, super tough.
• 1:16:09
  Yeah, so I'm really impressed with that little kid.
• 1:16:11
  Yeah, he does a great job with it.
• 1:16:13
  And. Like, so the whole episode is
• 1:16:15
  it's Courtney's birthday. And the sister character in that
• 1:16:19
  is getting out a giant birthday present.
• 1:16:21
  Yeah, and it's a giant box full of balloons, and the balloons
• 1:16:25
  float away and one pops, and it Spooks the chimpanzee playing
• 1:16:30
  Gordie. And he just starts.
• 1:16:36
  And attacking. It's so fucking creepy, dude.
• 1:16:39
  Like, after that, like, it just cuts to like, you're not seeing
• 1:16:42
  the feed of the episode anymore. It's just like, on the set.
• 1:16:45
  Yeah, And it's just so eerie. It's quiet.
• 1:16:48
  Yeah, and. This was in 1998.
• 1:16:50
  Yeah, and you just see Gordy chasing the cast members on the
• 1:16:54
  set and then he like stops to hover over the sister and starts
• 1:16:59
  eating her face. I'm sure that they got
• 1:17:02
  inspiration from this, from that monkey which is named Travis
• 1:17:07
  that attacked that woman. It was also an actor chimp that
• 1:17:11
  attacked her and ate her face because they gave it like
• 1:17:13
  medication that caused it to have like hallucinations or
• 1:17:17
  something. Oh my God.
• 1:17:18
  Yeah, they didn't necessarily do a good job with that.
• 1:17:21
  It's fucking terrifying. We've heard the 9/11 footage
• 1:17:24
  from one of those or did the call from one of those channels
• 1:17:28
  we watch on YouTube. Yeah, so Gordy spots Joop
• 1:17:32
  underneath the tablecloth, and I feel like this is an important
• 1:17:34
  detail we didn't talk about before from the macabre museum,
• 1:17:38
  which was a picture. Of Jupe and one of the Gordy
• 1:17:41
  chimps doing a fist. Yeah, the fist and.
• 1:17:43
  Yeah, he says. It's the first fist bump
• 1:17:45
  explosion. Explosion not implosion.
• 1:17:47
  And so he sees Gordy through these gauzy tablecloths so they
• 1:17:51
  can still see each other. But it's not direct eye contact,
• 1:17:54
  and he's freaking out, taking a gamble by not moving.
• 1:18:00
  Which like. I think that's the best move.
• 1:18:02
  Yeah, he's watched other people get chased.
• 1:18:04
  He's not. He knows he's not faster than
• 1:18:05
  this channel. And then Gordy comes up and
• 1:18:08
  you're like, it's so tense. And then like he reaches his.
• 1:18:11
  Little. Fist up, he just wants to fist.
• 1:18:14
  I know, funny, like I think seeing him like that may have
• 1:18:17
  been the one person that he connected with the most on set.
• 1:18:20
  So I calmed him down. They're also not doing direct
• 1:18:23
  eye contact, so he doesn't feel threatened anymore.
• 1:18:25
  Yeah, true. Like it's the whole thing is
• 1:18:28
  just so sad and then he gets shot right in front of you.
• 1:18:30
  Before they can even, like, do the fist bump, like right when
• 1:18:33
  they're both going for it. It's not his fucking fault get
• 1:18:36
  him off the set like and I get they have like they're trying to
• 1:18:40
  protect people like I get that but it just it also said it's
• 1:18:43
  I'm sorry to like. Bring up an old Internet meme.
• 1:18:46
  But it's kind of like Harambe getting fucking shot because
• 1:18:49
  that kid crawled into the thing. Not that I want the kid to die,
• 1:18:52
  but like, it just sucks that. It had to result in death one
• 1:18:56
  way or the other. It does.
• 1:18:57
  I can't give you any alternatives.
• 1:19:00
  Tranquilizers maybe, but I don't know.
• 1:19:02
  You need something immediate too, to protect.
• 1:19:04
  I mean, tranquilizers are pretty fast.
• 1:19:06
  It's like 30 seconds, 10 to 30 seconds.
• 1:19:08
  Yeah, chimps are pretty fucking durable though, for like they're
• 1:19:12
  small size. Like they're fucking beasts.
• 1:19:15
  Well, normally you would have a tranquilizer that is like
• 1:19:17
  calibrated to the size and metabolism of the animal that
• 1:19:21
  you're planning to drink. True.
• 1:19:23
  That's why anesthesia. I'll just make a lot of money.
• 1:19:26
  Boom. There you go.
• 1:19:28
  So yeah, that's all we get from that.
• 1:19:30
  He gets shot and then we cut back to Lucky.
• 1:19:32
  That's the time for this. One no, we cut to Jupe and like,
• 1:19:35
  he's back in present day and his wife comes in and she's like,
• 1:19:38
  OK, practice that first line for me and then we cut to Lucky.
• 1:19:43
  Yeah, so Angel is tarping up the cams cuz there's about to be a
• 1:19:47
  storm. And then OJ looks down and sees
• 1:19:49
  this flyer for the Star Lasso experience.
• 1:19:52
  And he's like, I'm gonna go get lucky because he's Oj's fucking
• 1:19:56
  smart. You think he pieced it together
• 1:19:58
  that he might be using Lucky for that.
• 1:20:00
  Yes. I absolutely do think he like.
• 1:20:03
  So I guess he could have made that connection that he noticed
• 1:20:06
  the rehearsal and then the things were happening and then.
• 1:20:09
  He noticed the rehearsal. He noticed the things were
• 1:20:11
  happening. He noticed that the Jean jacket.
• 1:20:15
  I'm just gonna start referring to it.
• 1:20:16
  They haven't named it yet, but I'm just referring to it as Jean
• 1:20:18
  Jacket 8. That training horse, which he
• 1:20:24
  probably has an idea that it's seen horses before, that wasn't
• 1:20:28
  a foreign idea to it. Okay.
• 1:20:30
  So even though it wasn't moving, it was like, I recognize this
• 1:20:33
  shape, I'm gonna go for it. Okay.
• 1:20:37
  So Mary Jo, the kid actress that was.
• 1:20:43
  Had her face eaten as there and she's got a little veil over her
• 1:20:45
  face. With a sweater of her from the
• 1:20:47
  show, that's. Fucking sad.
• 1:20:50
  It is, dude. It's.
• 1:20:50
  Really. And like, I don't mean that in a
• 1:20:52
  judgmental way. Like, it's just it's fucking
• 1:20:54
  sad. I mean, yeah, it's a tragedy,
• 1:20:56
  honestly. Yeah.
• 1:20:58
  So he's like at 6:13 PM you all will see a saucer.
• 1:21:04
  He's like six months ago I saw it for the first time.
• 1:21:07
  I do believe we have formed a connection because otherwise we
• 1:21:09
  wouldn't all be sitting here right now.
• 1:21:10
  But first. My boys are gonna treat you to a
• 1:21:13
  little show and they're wearing alien costumes.
• 1:21:16
  Their little costumes. That they got OJ with.
• 1:21:18
  Yeah, but then as they start to do that, Gene Jack makes his
• 1:21:25
  return unannounced. Yeah, and he's like, Oh well,
• 1:21:28
  never been early before. He wants to call them the the
• 1:21:31
  viewers, by the way. The viewers.
• 1:21:32
  I like that too. Which really comes in even more
• 1:21:35
  with the whole like this is an analogy for.
• 1:21:39
  Making a film. Oh yeah, I could see that.
• 1:21:42
  Yeah, dude, this whole scene right here is so fucking creepy.
• 1:21:45
  So he's got he unveiled Lucky, which she's gonna be using Lucky
• 1:21:49
  as bait. Lucky's in like this glass cage
• 1:21:52
  though, so protected and he hasn't released yet.
• 1:21:56
  Meanwhile, Jean Jacket flies from the sky.
• 1:21:58
  Yeah, he can't get Lucky to come out.
• 1:22:00
  Yeah, Lucky. Fully.
• 1:22:01
  No. It's like Nope.
• 1:22:02
  Yeah, exactly, the horse actually says.
• 1:22:04
  And open this movie. Yeah.
• 1:22:06
  I like kind of like Lucky. Just like keeps his head down.
• 1:22:08
  He's like, I've seen this shit before.
• 1:22:09
  I know what happened. So like I just need to do this.
• 1:22:12
  Yeah, so the power goes down, we see all the icing machines like
• 1:22:15
  slow down, the music stops and all the people get sucked up.
• 1:22:23
  It's so fucking creepy, dude. Like, just like, seeing them
• 1:22:26
  looking up into the sky and then everybody gets sucked up and
• 1:22:29
  then cuts the black, and then it cuts back to them inside the
• 1:22:33
  fucking thing. And they're all just it's so
• 1:22:35
  claustrophobic. It's one of those that you can't
• 1:22:38
  really tell what's happening, but it's enough that you're
• 1:22:40
  like, I don't, I don't want to be there.
• 1:22:43
  Yeah, they're like being digested into the thing and
• 1:22:45
  they're just like working this way through the system.
• 1:22:47
  And then they are met with a skull, like a skeleton of a
• 1:22:50
  horse that has been eaten before.
• 1:22:52
  No, it's the fucking training. Was it the training horse?
• 1:22:55
  Horse. Horse, yeah.
• 1:22:56
  Oh, I thought it was like a skull, like an old horse, that.
• 1:22:58
  Was No, it's the statue because it hasn't been able to digest
• 1:23:00
  it. Ah, OK, that makes sense.
• 1:23:02
  Because we've kind of figured out it can only.
• 1:23:04
  Only digest organic matter. OK.
• 1:23:05
  That's why it spits out the other stuff.
• 1:23:09
  So I think whereas Jupe thought he was training the viewers aka
• 1:23:16
  Jean jacket, Jean jacket was actually training Jupe.
• 1:23:21
  Boom. Damn, dude.
• 1:23:22
  And it paid off big time for Jean Jacket, because that was a
• 1:23:26
  feast. That was Jean Jackets
• 1:23:28
  Thanksgiving. They confirm later on that it's
• 1:23:30
  like 40 some people that were there that it consumes.
• 1:23:34
  Yeah, yeah. So total devastation.
• 1:23:39
  OJ gets down to Duke's claim shortly after and sees it's all
• 1:23:43
  deserted and it's just total destruction.
• 1:23:45
  Things are knocked over and Lucky is still in the cage and
• 1:23:49
  he's OJ smart. He won't come out.
• 1:23:52
  He doesn't want to be a moving target.
• 1:23:55
  So he's like trying to call Lucky over to him, but Lucky's
• 1:23:58
  also smart and says I'm gonna stay right the fuck here with my
• 1:24:01
  head down. My glass box.
• 1:24:03
  I've been safe here this entire time.
• 1:24:04
  Don't think I'm going anywhere. Yeah, so then there's big, like
• 1:24:09
  the thing flies really close to him and we cut.
• 1:24:13
  Yeah, it tries to like suck him up and then it knocks him out
• 1:24:16
  and then he wakes up and it's night time suddenly.
• 1:24:18
  Yeah, So he gets up. It's raining.
• 1:24:23
  He gets. Lucky Lucky has finally come out
• 1:24:26
  now, which is how he knows that Jean Jacket's gone.
• 1:24:28
  So he gets Lucky into the trailer and he gets into the
• 1:24:30
  truck, calls him and he says I was right, it's not a ship.
• 1:24:34
  And Angel has also shown up over at their house again.
• 1:24:39
  No, because he was covering up the cameras and he said all
• 1:24:41
  right, well. He's inserted it himself once.
• 1:24:43
  He is leaving here. He's.
• 1:24:44
  Hinting for like an invitation to stay.
• 1:24:46
  And I was like, alright, see ya. He's like, I guess I'll come
• 1:24:50
  back tomorrow to unwrap the tarps.
• 1:24:52
  Unless you want to and she goes, Oh no, you're doing that shit.
• 1:24:55
  OK, so he gets in his car to try and drive off.
• 1:24:59
  To Corey Hart and I love that. This is like they make it
• 1:25:04
  actually creepy here, so it's like sunglass.
• 1:25:06
  I wear my sunglasses at night. And This is why I need you to
• 1:25:10
  finish watching A Future Man because.
• 1:25:13
  Is that song part of it? Yes, Okay.
• 1:25:15
  Well, it starts to slow down and it sounds like the song is
• 1:25:20
  malfunctioning, so it's like. It's like that time that you put
• 1:25:26
  on our. In Prince album, but it was on
• 1:25:29
  the wrong RPM. Yeah, So.
• 1:25:30
  And so it's going super slow, yeah.
• 1:25:32
  It looks crazy. I actually really liked it like
• 1:25:37
  that. Whatever.
• 1:25:38
  I heard it at its actual pace. I was like, yeah, he's kind of
• 1:25:43
  trapped in there, except he, well, he gets out and runs back
• 1:25:46
  into the house with him. Yeah, and OJ is still on the
• 1:25:51
  phone with him and he's saying. It's alive and it's territorial.
• 1:25:56
  It thinks this is its home. Yeah, so he really cuz he's
• 1:26:00
  spent his entire life training animals, so he sees the
• 1:26:02
  implications here. So Angel comes and hides in the
• 1:26:06
  house with M They can hear screaming.
• 1:26:09
  Stuff is being spit out at it. It's raining blood.
• 1:26:12
  Yeah, dear, like, not only is it?
• 1:26:14
  Blood. It's blood vomit.
• 1:26:16
  And that's just, like, gross. Like the time Talia ate cat poop
• 1:26:19
  and then threw that up Like. Insult to injury, man.
• 1:26:22
  Yeah, it's really nasty. OJ gets near the house and his
• 1:26:25
  truck dies and he like, it's raining really hard and then all
• 1:26:29
  of a sudden there's no rain and he like peeks his head out and
• 1:26:32
  realizes Jean jackets right above and he goes Nope.
• 1:26:34
  It just closes the toy, yeah? The training horse falls down
• 1:26:39
  and breaks the windshield almost.
• 1:26:42
  Takes OJ the fuck out. If it had been like a foot to
• 1:26:45
  the left, done so just. Like his dad, it would have.
• 1:26:49
  Gone right through his eyeball A.
• 1:26:51
  Fucking horse to the eyeball is way more than a coin.
• 1:26:55
  Like afterlife. He's like, I kind of went down
• 1:26:57
  more hardcore than you down. Yeah, sorry.
• 1:27:01
  So later on. Probably the morning because
• 1:27:06
  it's. Like it's morning now, Yeah.
• 1:27:08
  The power is back and they all run for Angel's van, but it's
• 1:27:15
  it's taken a minute to warm up. And like so, like the IT dies
• 1:27:19
  down again. And then as they are running to
• 1:27:22
  the van, Jean jacket returns and hovers over top of OJ.
• 1:27:26
  And then OJ has the instinct to look down, just look down and
• 1:27:29
  not look at it in the eye. So when he does that.
• 1:27:32
  Jean Jacket stays above him, but it doesn't suck him up.
• 1:27:35
  Yeah, so they all are hanging out at Angels and Angel and M
• 1:27:40
  are playing in an Oculus Rift. Yeah, they're pictures.
• 1:27:45
  Yeah. I feel like they develop a
• 1:27:47
  relationship like apart from OJ. I like, they're like.
• 1:27:52
  Unwilling friendship, You know what I mean.
• 1:27:55
  I like it whenever they're like after this, they go to like a
• 1:27:58
  restaurant or whatever and he's like.
• 1:27:59
  They're talking about the tar tar.
• 1:28:01
  The tar tar got that Tang. The tar tar got that makes.
• 1:28:04
  Fun of the way he's saying that. And then OJ is the fucking
• 1:28:08
  buzzkill. They're like, breathe the room.
• 1:28:11
  Nobody wants to talk about that. Meanwhile, sports fans are
• 1:28:14
  fighting on the sidewalk outside.
• 1:28:16
  You know, this is my absurd for the movie.
• 1:28:18
  There's so much going on and. This is I just love it, the tar
• 1:28:21
  tar got saying. You're just brakes are just like
• 1:28:23
  fucking tarry tarry guys saying. He, like he says every animal
• 1:28:28
  has rules and he's like, you know what, I didn't go back.
• 1:28:34
  Need to let Lucky out. Gotta feed the horses back to
• 1:28:38
  his little like reliable study. And like, he also realizes he's
• 1:28:41
  got an obligation to those animals.
• 1:28:42
  Yeah, I mean, I would do the same thing too.
• 1:28:44
  Like you gotta go take care of him, Yeah.
• 1:28:46
  Meanwhile, Antlers has what a fucking stupid name I know he
• 1:28:51
  has heard about the event at Jupiter's claim.
• 1:28:55
  Yeah, it's like a news broadcast going on talking about 40
• 1:28:57
  missing people. Nobody knows where they went to.
• 1:29:00
  And he heard Agua Dulce, which is where they mentioned they
• 1:29:03
  were at. Yeah.
• 1:29:04
  So when they get back to the ranch, he's there.
• 1:29:08
  And he's like, you've got a wheelchair on your roof.
• 1:29:11
  And their house looks like something out of fucking
• 1:29:14
  haunting in Connecticut or something, 'cause it's just
• 1:29:16
  drenched in blood. Yes, it's like it was like Evil
• 1:29:20
  Dead remake status there. Like raining Blood.
• 1:29:23
  Everything's covered in blood now.
• 1:29:25
  So they they're talking, they're trying to figure out how they
• 1:29:31
  can get this shot and they're like, well, we realize that he
• 1:29:35
  doesn't like the flags or the fake horse can't eat that fuck.
• 1:29:37
  Them up. That's why he had that whole
• 1:29:39
  rejection of everything. Yep.
• 1:29:42
  And he's like jupe tread. To tame this thing, you can't
• 1:29:45
  tame a wild animal. At the most you enter an
• 1:29:49
  agreement with it. So how do we enter an agreement
• 1:29:51
  with this? And they call it Jean Jacket,
• 1:29:54
  like that's what he names it. And it's meaningful sibling
• 1:29:58
  moment between the two of them. Because that was her horse,
• 1:30:01
  yeah. Which I like that Angel and
• 1:30:03
  antlers don't question it. They're like a horse people.
• 1:30:07
  Horses have weird names. I like all the like the names
• 1:30:10
  that they've given these horses. Out of horse names, these are
• 1:30:14
  all reasonable. Yeah, let's see.
• 1:30:16
  OJ is gonna act as bait. He refuses to use one of the
• 1:30:19
  horses. I like that.
• 1:30:20
  Yes, again, I like his ethical treatment of his animals.
• 1:30:24
  Yeah, I It's just so funny. As OJ for the Ethical Treatment
• 1:30:28
  of Animals. Yeah, Angel's like not gonna
• 1:30:31
  work horse people and and Torres is like, OK, whatever.
• 1:30:36
  Yeah, cuz that was Antler's suggestion.
• 1:30:39
  He is going to use a crank camera that he has and it's
• 1:30:43
  gonna be like on actual like a can of film.
• 1:30:45
  Yeah, he rigged it himself. He like, made it himself.
• 1:30:47
  Not digital camera. Yeah, so it.
• 1:30:49
  Won't die. And when he says that and was
• 1:30:52
  like, what did I tell you? I knew he was gonna come through
• 1:30:55
  and they like high 5 like five times.
• 1:30:58
  Another great sibling moment. Yeah, I feel that, Yeah.
• 1:31:02
  So. The most That's the most energy
• 1:31:03
  and excitement you see from OJ this entire movie.
• 1:31:06
  Like he matches her in that one moment.
• 1:31:08
  Yeah. So they spend the day prepping
• 1:31:10
  and they're gonna plan to quote UN quote break Jean jacket.
• 1:31:14
  They make a cover for the horse's eyes, they take the
• 1:31:18
  wacky waving inflatable arm filling tube men and they rig
• 1:31:21
  them up to the batteries of all of the people rip from Jupiter's
• 1:31:25
  claim that were eaten by Jean jacket.
• 1:31:28
  And I think that's really smart too, cuz like they've got the
• 1:31:31
  music going also as like an audio cue, but now they've got
• 1:31:35
  this visual cue too, for when the power goes.
• 1:31:37
  Yeah, you can see you can track it.
• 1:31:38
  It's really smart. Yeah, for real.
• 1:31:41
  And so they're starting their plan.
• 1:31:43
  The whole thing is that Oj's gonna go out there with Lucky
• 1:31:46
  and Lucky's little face cover so he doesn't have to, like, make
• 1:31:49
  eye contact with Jean Jacket. And she starts the music in the
• 1:31:54
  house with the really loud speakers, which she's made
• 1:31:56
  louder by putting them outside. Yeah.
• 1:31:59
  And then fucking TMZ. I like this, yeah, just like
• 1:32:03
  they're ready to roll and then all of a sudden somebody's
• 1:32:06
  riding up on an electric motorcycle of all things and
• 1:32:10
  anything like rolls up there and starts questioning him and.
• 1:32:14
  She tries to divert him. She's like it's quicker to go
• 1:32:17
  the other way to get there and. She radios up to them and
• 1:32:21
  they're like what happens when an electric bike going 60 miles
• 1:32:25
  an hour hits a mass of anti energy.
• 1:32:29
  And we get to witness that because you see it from a
• 1:32:31
  distance, it just stops and he goes flying.
• 1:32:33
  It's like he hit a wall. I feel like that was like the
• 1:32:35
  Wilhelm scream that we hear. And.
• 1:32:39
  He like falls and. Gets badly hurt.
• 1:32:44
  Good guy OJ. Yeah, OJ being the good guy that
• 1:32:43
  he is. Says he's going to go out there
• 1:32:46
  and rescue him. Except the guy is just like,
• 1:32:48
  he's a fucking asshole. He like, is your TMZ job paying
• 1:32:52
  you this much? That like, you're willing to
• 1:32:54
  sacrifice everything for it? Because he's like, get the
• 1:32:57
  camera, get the camera. See now I thought he has an
• 1:33:00
  interesting helmet and it's basically a reflective visor,
• 1:33:02
  like all the way around. And I thought that this was
• 1:33:05
  going to do something interesting.
• 1:33:07
  Where? It was going to direct Jean
• 1:33:10
  Jacket to look at itself, which is something that maybe it
• 1:33:13
  hadn't done before, and it doesn't eat anything that
• 1:33:16
  doesn't look at it. So what if it's looking at
• 1:33:17
  itself? You know, I but we don't really
• 1:33:20
  get to see that play out. He just.
• 1:33:22
  He just sees like because there's like a.
• 1:33:23
  Hole in the middle of the helmet.
• 1:33:25
  That. And so basically the helmet
• 1:33:26
  looks like a giant eyeball. Yeah, so that's enough to
• 1:33:28
  trigger a Jean jacket. And OJ doesn't sacrifice himself
• 1:33:31
  for him like he was willing to try and help him, but he's also
• 1:33:34
  not going to get. Well, the dude doesn't want,
• 1:33:35
  he's like, don't take a picture of me first.
• 1:33:37
  Like he's just like wanting insurance shit.
• 1:33:39
  Yeah, So he goes running on Lucky and he puts up his hood.
• 1:33:46
  He's got little eyes on the back of it.
• 1:33:49
  He throws out a parachute with flags on it that M had sewn
• 1:33:53
  together and it it kind of deflects Jean Jacket and they
• 1:33:58
  all think that they managed to get the shot of Jean Jacket
• 1:34:01
  chasing after him. And then this is where Antlers
• 1:34:05
  gets real fucking morbid and I was like, we don't deserve the
• 1:34:09
  perfect shot. And then he straps the camera to
• 1:34:11
  his belly. The mountain.
• 1:34:14
  Yeah, he was like antlers. Yeah, but he said.
• 1:34:15
  Just said some really cryptic shit walked up the hill.
• 1:34:18
  So I don't know what's. And we talked about this the
• 1:34:22
  beginning of the episode. But, you know, he says that we
• 1:34:24
  don't deserve the impossible. And then he basically is
• 1:34:26
  cranking all the way up inside of Jean Jacket.
• 1:34:29
  And I don't know, maybe we'll see that footage someday.
• 1:34:32
  It just gets. Maybe not.
• 1:34:33
  Eaten by him, Yep. So OJ.
• 1:34:38
  Yeah, no Jean Jacket. OK, Sorry.
• 1:34:40
  My handwriting's really messy. It's hard to tell the difference
• 1:34:42
  between OJ and JJ. Jean jacket attacks the house
• 1:34:46
  and is throwing stuff at them. Angel gets pulled up, but he is
• 1:34:51
  like wrapped up in the barbed wire fence, so it looks like
• 1:34:54
  maybe he got spit out. We don't get full resolution.
• 1:34:56
  On it. I think it like starts to eat
• 1:34:57
  the barbed wire, which it's like, I don't want that.
• 1:35:00
  And yeah, it's like I learned my lesson with the flags.
• 1:35:02
  Yeah, so it just spits it out. He's also like wrapped in a tarp
• 1:35:05
  too, so it covers him. Yeah, so OJ, no Jean jacket has
• 1:35:12
  now transferred into this like sky jellyfish.
• 1:35:16
  Yeah, I don't fully understand why it goes through this
• 1:35:18
  transition is this. Angry, man.
• 1:35:21
  He's big. Yeah, he's big.
• 1:35:22
  Well, I've read that it's like imitating like a camera too,
• 1:35:26
  with the way that it makes that like formation, like it's like a
• 1:35:29
  old school camera lens. Okay.
• 1:35:32
  I don't really know for sure. I don't know what they're going
• 1:35:34
  for with it. But yeah, it's just kind of
• 1:35:36
  turning into a gigantic, weird thing.
• 1:35:39
  Yeah, Em has gotten to the bike and that's.
• 1:35:44
  Another one of her skills is motorcycles.
• 1:35:46
  Yeah, she can motorcycle very well.
• 1:35:48
  If Oj's job is horse, Em's job is motorcycle.
• 1:35:52
  He's old school. She's new school, isn't it?
• 1:35:54
  So he's gonna get Jean Jacket far enough for the bike to
• 1:36:00
  actually work. So she.
• 1:36:01
  Manages to get it to work and starts to drive off, which gets
• 1:36:04
  Jean Jacket to chase her. Yeah, and she gets over to the
• 1:36:08
  we saw at the beginning, One of the attractions they have at
• 1:36:10
  Jupiter's claim is like this. Well, that you're looking down
• 1:36:13
  inside and you crank it and it's a camera.
• 1:36:16
  Yeah, and it'll just take a picture of you like in the sky,
• 1:36:18
  too. Yeah, so they managed to
• 1:36:21
  basically get Jean Jacket Overhead, she releases this
• 1:36:26
  giant balloon of Jupiter. Not before, though, the curious
• 1:36:30
  slide. Oh yeah, she does the fucking
• 1:36:32
  Akira slide. She like slides on the which I
• 1:36:35
  that that's important because Jordan pill.
• 1:36:38
  Is a fucking nerd. He loves the movie, yeah.
• 1:36:41
  And he was offered to do the live action version of it.
• 1:36:44
  Oh, OK, I did not know that part of it.
• 1:36:46
  Yeah, and I think he turned it down.
• 1:36:48
  She's got a word that she released this gigantic balloon
• 1:36:51
  that is Jupes thing. I guess it's like a giant jupe.
• 1:36:56
  Yeah. So it's flying into the sky, and
• 1:36:59
  she starts to. Put coins that she's found into
• 1:37:02
  the machine and is like cranking it, just taking pictures, hoping
• 1:37:04
  to get it just in time. And that balloon makes it up to
• 1:37:08
  the sky. And then Jean Jacket manages to
• 1:37:10
  swoop in and eat it. And she gets the picture, she
• 1:37:14
  does get the shot and we see the balloon go inside of Jean
• 1:37:17
  jacket, but it can't digest it and there's too much going on
• 1:37:21
  and they explode together. Yeah, you hear it like pop and
• 1:37:24
  then it just causes it to explode too.
• 1:37:26
  And then we hear reporters outside saying we're here live,
• 1:37:30
  witnessing, you know, whatever, like.
• 1:37:33
  Did they see that shit? Yeah, it sounds like it.
• 1:37:35
  And so The thing is like, it's like, did they get footage of
• 1:37:38
  that exploding? What happened?
• 1:37:40
  Did they know what they were looking for?
• 1:37:42
  They have the shot. So they do still have something.
• 1:37:45
  And so there's that moment of like, we went through all of
• 1:37:47
  this, Did we accomplish what we need to?
• 1:37:51
  And then you can also see like her wondering like.
• 1:37:55
  Who died? Yeah.
• 1:37:57
  And then, as the smoke clears, she sees OJ.
• 1:38:00
  On the OJ he like arrives all western like.
• 1:38:03
  And she gets this good smile right before the credits roll.
• 1:38:07
  I love his like entrance there. Yeah, yeah, he gets his bad ass
• 1:38:10
  cowboy moment. Yeah, he does, yeah.
• 1:38:12
  He's wearing, by the way, a Scorpion King crew hoodie.
• 1:38:16
  It's awesome. And that's how the movie ends,
• 1:38:18
  right? I'm keeping mine at a nine I.
• 1:38:23
  I love this movie. Yeah, I I loved it when we saw
• 1:38:26
  it in theaters, and I still think about it pretty regularly.
• 1:38:29
  And now that we just rewatched it again, I'm gonna be full of
• 1:38:33
  all kinds of thoughts again. It's one of those movies that
• 1:38:35
  does that to me. I really love it.
• 1:38:37
  I'm keeping it at A9. Yeah, I think I'm actually gonna
• 1:38:40
  bump into 925 because I think talking about it was really cool
• 1:38:44
  because I learned a lot of things in this episode and
• 1:38:47
  watching it last night, I had a lot of fun.
• 1:38:49
  Like it's just. It's just a good experience from
• 1:38:53
  start to finish. I don't feel bored on.
• 1:38:55
  Yeah, I mean, it's a 2 hour movie, but it's great the entire
• 1:38:58
  way through. Yeah, it's one of those that
• 1:38:59
  like, it feels exactly the right length to me.
• 1:39:02
  Like I'm glad it ended when it did.
• 1:39:04
  I think if it had dragged on any longer, it would have felt like
• 1:39:06
  it was dragging on. If it had ended sooner, there
• 1:39:09
  would have been too much unanswered questions.
• 1:39:11
  It would have cut up some of the like.
• 1:39:13
  The mood of the moment, the tone and everything.
• 1:39:16
  I think it's exactly the right length and I didn't feel it.
• 1:39:19
  Doesn't feel like it's two hours.
• 1:39:20
  No, it doesn't. Personally, I think that this is
• 1:39:24
  my favorite Jordan Pill movie out of the three that he's done
• 1:39:27
  so far. Get out and this one are good.
• 1:39:31
  US output US as kind of MID. I think Get out is very closely.
• 1:39:36
  They're just such different movies, it's almost impossible
• 1:39:39
  to compare them to me. I like that about him.
• 1:39:41
  I like that he's doing different things every single.
• 1:39:43
  Time and I agree, and I think I'm gonna speculate some.
• 1:39:47
  I know we haven't gotten to user reviews yet or listener reviews
• 1:39:50
  yet, but I think a lot people love Get out.
• 1:39:57
  It's a thriller. It's a socially important kind
• 1:40:02
  of story to tell, and you get an explanation for everything that
• 1:40:06
  happens, but not in a way that feels contrived, you know,
• 1:40:09
  because the bad guys are real human beings.
• 1:40:11
  You get the bad guy speech. That all makes sense.
• 1:40:13
  Then we get us, which is a little bit more experimental.
• 1:40:16
  My biggest problem with us is that we get way too much
• 1:40:18
  explanation about what's happening.
• 1:40:20
  I think if we had cut out a few of the scenes, I would
• 1:40:24
  absolutely adore us. As it is, I really like us.
• 1:40:28
  But I do have some problems with it.
• 1:40:31
  Then we get to Nope, which is like, all right, we're just
• 1:40:34
  going to get fucking weird and we're not going to get any
• 1:40:37
  explanation beyond what a human being in this moment would have.
• 1:40:40
  And I think a lot of people went from seeing Get Out, where you
• 1:40:43
  get the whole story laid out for you.
• 1:40:44
  It's a thriller. It's very like in our present
• 1:40:48
  setting. It's a thing most people can
• 1:40:50
  relate to. Yeah, not the brain transplant,
• 1:40:54
  but you know what I mean. Yeah, yeah.
• 1:40:56
  It's very grounded now. We've got this Hollywood
• 1:40:58
  setting, this Western setting and this galactic setting, and
• 1:41:04
  we don't get any explanation for things.
• 1:41:07
  And if you've come to expect explanations and you don't get
• 1:41:10
  explanations, it can be very jarring.
• 1:41:12
  If you've come to expect a more grounded setting and you don't
• 1:41:14
  get a super grounded setting, it can be very jarring.
• 1:41:16
  And I get why people want to compare all of his works,
• 1:41:18
  because he is a newer director, but I love that he is not afraid
• 1:41:24
  to do different things. I think that is fantastic about
• 1:41:28
  him and I hope he does more weird shit like Nope.
• 1:41:32
  Yeah, I'm really he is. So good at weird shit.
• 1:41:34
  I'm really, really curious to see what his fourth movie's
• 1:41:36
  gonna be. Yeah, and obviously, like, I
• 1:41:39
  fangirled really hard about Jordan Peele at the beginning of
• 1:41:42
  the episode. Like you said, we've been like
• 1:41:46
  fans of him from like a for a whole other thing for a long
• 1:41:48
  time. And that still stands.
• 1:41:44
  I. And then?
• 1:41:50
  I like that he made the dive into this and he's made such a
• 1:41:52
  big impact. Well, and I mean even in his Key
• 1:41:54
  and Peele days, he talked a lot about how much he loves horror.
• 1:41:56
  And his horror skits were like silly, but like silly in a way
• 1:42:00
  that like. A horror fan understands as.
• 1:42:03
  Tiger would say he's true. Yeah.
• 1:42:05
  He's true. Yeah, he's true.
• 1:42:07
  Okay. You know who else love this
• 1:42:09
  movie? Italians.
• 1:42:10
  Are we? Talia had a great time.
• 1:42:12
  Oh my God, this movie started and Talia just, like, wouldn't
• 1:42:15
  stop playing. She was like having a good time.
• 1:42:17
  She was finding all of the squeaky toys, and she even got
• 1:42:20
  to like her favorite squeaky toy.
• 1:42:21
  She started pulling out crinkles.
• 1:42:23
  We had to, you know, remove the plastics so that way she doesn't
• 1:42:25
  swallow it. And we also readjusted the
• 1:42:27
  crinkle or the squeakers so she can't pull it out right away.
• 1:42:31
  She did rest a little bit, but she, like her eyes, were wide
• 1:42:35
  open at the end and she sat. Straight up she was like.
• 1:42:37
  Holy shit, yeah. There was a wild ride for you,
• 1:42:40
  yeah. And Zoe was on the couch most of
• 1:42:42
  the movie. She was actually cuddled up on
• 1:42:44
  my lap for a good portion of it and then she moved to the dog
• 1:42:47
  bed. Yeah, whenever shit got real,
• 1:42:49
  she got closer to the TV. Yeah.
• 1:42:51
  Yeah, she does like to do that near the end of the movie.
• 1:42:53
  Like, she likes to lay on the floor.
• 1:42:54
  Like the dog bed is right in front of the TV.
• 1:42:56
  She likes to lay right there. Yeah.
• 1:42:58
  So I think Talia, she will give this a 9.5.
• 1:43:03
  She doesn't like the horse and chimpanzee death, but she
• 1:43:05
  doesn't really know any horses and chimpanzees, so it doesn't
• 1:43:08
  hit us personally. Well, she made the connection to
• 1:43:11
  her monkey, which we have named Funky Kong.
• 1:43:14
  Yes, she's like Gordie. Funky Kong, You know, OK, I've
• 1:43:18
  heard Gordie is currently stuck in a Lunchable toy.
• 1:43:21
  It's a little puzzle toy. She hasn't solved that puzzle
• 1:43:26
  yet. That's a.
• 1:43:27
  Tough one. OK, Travis.
• 1:43:29
  Who'd you relate to? Who did I relate to?
• 1:43:31
  Oh my God, I feel like I've related.
• 1:43:34
  There were parts of each of them that are related to.
• 1:43:37
  I think I'm gonna ultimately relate a little bit more to OJ
• 1:43:43
  because I've always been very much.
• 1:43:44
  I keep my head down and keep working even when shit is
• 1:43:48
  miserable. Kind of person.
• 1:43:51
  I am a person that tends to not assert my own like authority and
• 1:43:56
  knowledge on stuff, even when it is fully earned, which is the
• 1:43:58
  thing I'm working on as myself. I love my sisters.
• 1:44:03
  No okay. So I'm gonna relate to OJ purely
• 1:44:08
  for the fries scene walking through the store cuz I felt him
• 1:44:13
  in that moment there with me grabbing my Sour Patch Kids,
• 1:44:16
  complimenting random people I see.
• 1:44:19
  And then getting the dude that just doesn't give a shit at the
• 1:44:22
  counter. That was just such a real.
• 1:44:24
  Experience and I. Related.
• 1:44:25
  Hard to him in that moment all. Right.
• 1:44:28
  All right. Do we have a dream sequel for
• 1:44:31
  this? OK, so I want to see kind of a
• 1:44:35
  role reversal where OJ and M have this fame that M was
• 1:44:40
  looking for. OJ wasn't necessarily.
• 1:44:42
  He just wanted the ranch to be successful.
• 1:44:44
  Yeah, And now they've become kind of the animals that
• 1:44:47
  Hollywood's like trying to train.
• 1:44:49
  They're trying to get them, yeah.
• 1:44:51
  So like, you know, they get this fame, they become big names and
• 1:44:54
  everybody wants a piece of them and they have to learn how to
• 1:44:56
  navigate like the Hollywood stuff.
• 1:44:58
  OK, do aliens come into play? I don't know Aliens necessarily
• 1:45:03
  have to come in to play for it. OK, I I think it can be a very
• 1:45:08
  like a sequel based on the characters.
• 1:45:10
  Almost anthological, but not 100%.
• 1:45:14
  I like where you're going. I think I could also see a
• 1:45:16
  Tremors Esque type of deal where they had the first encounter.
• 1:45:20
  So anytime something happens, that's their thing.
• 1:45:22
  They are the wranglers of the aliens.
• 1:45:26
  Angel becomes the Burt Gummer. I mean, yeah, exactly, Yeah.
• 1:45:32
  Um, maybe they like, I guess like a weird thing where they,
• 1:45:35
  like, wrangle fucking aliens now, you know?
• 1:45:38
  You know, I do like that idea. Yeah, I mean, I mean I think
• 1:45:41
  that there's even and anybody could make a Nope tremors mash
• 1:45:46
  of work it would be Jordan. Peele Well, there's even one.
• 1:45:48
  I think I could be completely wrong about who this is.
• 1:45:51
  It could be Romero, but there's one where they have completely
• 1:45:54
  tamed the zombies and are using them for entertainment purposes.
• 1:45:58
  Where they have them for like sports or like TV, stuff like
• 1:46:02
  that. Shit, no, no, no.
• 1:46:05
  I know what you're talking about.
• 1:46:07
  Fuck. Yeah, I think it's a Romero one.
• 1:46:09
  I think it is. I could be wrong, but it could
• 1:46:11
  be like a like one thing that like threaten.
• 1:46:15
  Our existence no, no, no was. The end of shot of the dead.
• 1:46:18
  No, that is a thing. But this is like a whole movie.
• 1:46:21
  Okay around this, right? Okay.
• 1:46:23
  Okay. Yeah, where like one thing that
• 1:46:25
  could then I don't know what you're talking about.
• 1:46:26
  I just know. Shot of the dead.
• 1:46:27
  One thing that could be threatening our existence has
• 1:46:30
  now been flipped on its head and they people have taken control
• 1:46:35
  of it and are using it for entertainment, which is 100% the
• 1:46:38
  point of this movie. So it would be kind of a
• 1:46:39
  continuation of it. Yeah, so I can see.
• 1:46:41
  That, yeah. And that also does tie into the
• 1:46:43
  whole Tremors thing too, because we have the Tremors arcade game
• 1:46:46
  and then the Tourist thing in Tremors 3.
• 1:46:49
  Yeah, yeah. Exactly.
• 1:46:51
  Okay. All right.
• 1:46:54
  New tag line. What do you got?
• 1:46:56
  I had this at the beginning and I wanted to save it.
• 1:46:58
  Cool. What is it?
• 1:46:59
  Yep. Yep.
• 1:47:02
  I guess that's how I feel about this movie.
• 1:47:04
  That's like the. The like Southern like, no.
• 1:47:07
  Yeah. You know like how you do that?
• 1:47:09
  No, no. So this is like, no.
• 1:47:10
  Yeah means yes and yeah, no means no.
• 1:47:12
  Exactly. Yeah.
• 1:47:15
  Yeah. No.
• 1:47:16
  But yeah. Come on.
• 1:47:16
  Yeah. Yeah.
• 1:47:19
  Yep. Yep.
• 1:47:21
  Okay. All right.
• 1:47:23
  So Internet review. Alright, I wanna know what you
• 1:47:27
  got. And I knew we were both high on
• 1:47:29
  this movie, so. Yeah, I picked an actual critic
• 1:47:32
  this summer. OK, that's.
• 1:47:33
  I like that you did that. So I picked Mike Wassell.
• 1:47:38
  OK, I can't remember which publication he's with exactly,
• 1:47:43
  but you can look him up. He's probably the lowest rating
• 1:47:46
  I found for this movie out there.
• 1:47:49
  But OK, it's not a whole lot, but it's like a medium sized
• 1:47:52
  review. So let's dive into it.
• 1:47:56
  What Pill doesn't have a Nope is a story, or anything close to
• 1:47:59
  one. He has a situation, but it
• 1:48:01
  doesn't develop. It more or less stays where it
• 1:48:04
  starts, with grander and louder versions of essentially the same
• 1:48:07
  scene for the 1st 20 to 30 minutes, the audience waits for
• 1:48:11
  Nope to start. Then it realizes, Oh no, this is
• 1:48:14
  it. To compensate for the lack of
• 1:48:16
  story, Pill leans into his own considerable virtuosity.
• 1:48:20
  Nope. Has lots of digressions and lots
• 1:48:22
  of showing off. Pill is particularly fond of
• 1:48:26
  cutting all sound and having the screen go black.
• 1:48:28
  A showing off Spirit can be healthy and a director.
• 1:48:31
  Hitchcock was a show off, Scorsese was a show off.
• 1:48:33
  And who's a bigger show off than Quentin Tarantino?
• 1:48:36
  The main thing is never to confuse showing off or telling a
• 1:48:39
  story. Then he goes on to give examples
• 1:48:41
  of like Tarantino doing it. I'm not going to do that in
• 1:48:44
  terms of story. That's just about it.
• 1:48:46
  For the next 110 minutes, the Haywood's face an alien threat
• 1:48:49
  hiding it. Behind an unmoving cloud just
• 1:48:52
  above their property, everything that follows is people either
• 1:48:55
  talking about it or something irrelevant, or trying to do
• 1:48:59
  something about it. But no one can ever do much
• 1:49:02
  about anything. In the middle of a movie, the
• 1:49:05
  action must be stretched. There are a couple of good
• 1:49:08
  scenes. One involves A homicidal
• 1:49:10
  chimpanzee going on a rampage on the set of a sitcom.
• 1:49:14
  And a sardonic touch that feels very Jordan Pill and A+ sign
• 1:49:18
  flashes on and off in the background.
• 1:49:20
  Pill gets some humor out of Kaluuya's forewarn, dead pen and
• 1:49:24
  mileage out of the eeriness of an abandoned theme park.
• 1:49:27
  And the sky, pale blue and vast, beautiful and threatening,
• 1:49:31
  becomes an ongoing and unsettling sight.
• 1:49:33
  For those who want to feel smart, you can even distract
• 1:49:36
  yourself by catching movie references.
• 1:49:37
  For example, a sitcom actress whose face was destroyed by the
• 1:49:40
  monkey attack bears a distinct resemblance to Norman's mother
• 1:49:44
  in Psycho. But you know why we have time to
• 1:49:46
  look at the sky or notice movie references?
• 1:49:49
  It's because Nope is 135 minute bore with with Pill unable to
• 1:49:53
  make even an alien attack exciting.
• 1:49:57
  Every so often and obviously a talented person makes a bad
• 1:49:59
  movie and that's what we have. And Nope, the talent is there.
• 1:50:02
  The movie is dead on the screen. I think this is another case of
• 1:50:07
  somebody coming in with different expectations because
• 1:50:09
  again, like I said, with Nope and even with us, even if people
• 1:50:12
  didn't like us as much as they like to get out, those are both
• 1:50:15
  much more thriller and this is a different kind of movie.
• 1:50:20
  And I think people went into it with certain expectations.
• 1:50:23
  And you know, not only is it Jordan Peele who's done 2 hit
• 1:50:28
  thrillers, it's an Alien movie and aliens are always.
• 1:50:33
  Big explosion. We got to connect the computers
• 1:50:36
  to the alien spaceship science. And that's not what this movie
• 1:50:43
  is it. The alien is helping us tell a
• 1:50:47
  different story. It's not a story about an alien.
• 1:50:50
  It's a story about mankind's arrogance.
• 1:50:53
  And yeah, I know that makes me sound like a pretentious fucking
• 1:50:55
  twat, but I don't care. Because that is, that is the
• 1:50:59
  story. I get it.
• 1:51:00
  But, you know, I think that for people wanting that, I think
• 1:51:03
  it's a fair criticism. Yeah, I totally understand where
• 1:51:06
  this person is coming from. You want to watch an Alien movie
• 1:51:09
  and that's what you're going for?
• 1:51:11
  Absolutely. I can understand why this movie
• 1:51:13
  wouldn't work for you because it's not.
• 1:51:15
  Ultimately, it's not an Alien movie.
• 1:51:17
  That's not how I would describe it to anybody.
• 1:51:19
  You know what I mean? Well, I mean, I think that he
• 1:51:21
  makes a good point where like it is just like a bunch of
• 1:51:24
  situations. Like the story is that they want
• 1:51:27
  to, but that's what stories are. They want to take a picture of
• 1:51:31
  it and there's not a whole lot of developments other than that.
• 1:51:34
  It's just them having like multiple.
• 1:51:38
  Encounters with it and then that is the movie and then it ends
• 1:51:42
  with them having a final encounter where they managed to
• 1:51:44
  get the picture. But the point of those multiple
• 1:51:46
  encounters is that they learn more about it each time, and
• 1:51:49
  they are professional animal wranglers, so they learn about.
• 1:51:51
  Look, I get it Like I get where he's coming from.
• 1:51:54
  Yeah, no, I've I'm not. I'm trying to say like I get it.
• 1:51:57
  And that's not a wrong take, because I think that it's
• 1:52:00
  perfectly fair to have that. Feeling toward this movie?
• 1:52:04
  Yeah, they're making valid points.
• 1:52:06
  Yes. I just happen to like that about
• 1:52:09
  this movie. I think that it works for me.
• 1:52:11
  I think if you are a person that is looking for a fast-paced
• 1:52:15
  alien attack movie, this is not the movie for you and I would
• 1:52:18
  not recommend it to you. Yeah, I think it has its other
• 1:52:23
  merits, but I do understand why people would go in expecting one
• 1:52:26
  thing and be disappointed. It is a long movie and it is a
• 1:52:30
  long movie, so it's a big time commit.
• 1:52:31
  It's like what you're talking about with Skinner rank earlier.
• 1:52:33
  Like we both can tell just from what we've heard from it.
• 1:52:36
  It's not a movie that immediately appeals to us and to
• 1:52:39
  sink that much time into it is going to be a gamble.
• 1:52:43
  So we're trying to decide when we want to personally take that
• 1:52:46
  gamble. Yeah, I get it.
• 1:52:47
  So, yeah, So all right, So that was their take.
• 1:52:51
  Let's see what everybody on our social media had to say.
• 1:52:56
  So we'll start off on Twitter. We actually had one or not
• 1:52:59
  Twitter. Let's start off with Instagram.
• 1:53:00
  We had one come in while we were recording here.
• 1:53:04
  This just in It's Michael E Howard Okay, it says.
• 1:53:08
  Just finished note. I have put it off not knowing
• 1:53:12
  what exactly it's about and wow, I am pleasantly surprised.
• 1:53:15
  Did not expect the direction it went.
• 1:53:17
  This is definitely a nine out of 10 for me.
• 1:53:19
  Can't wait to hear your thoughts on it.
• 1:53:21
  Boom, boom, boom. Once again, Michael, right on
• 1:53:23
  our level. You're.
• 1:53:24
  Like always on the same. So crazy.
• 1:53:27
  Get out. Of our.
• 1:53:28
  Brains Man, The Horror Fried Podcast.
• 1:53:32
  We love the cast, but bet sheets aren't scary.
• 1:53:36
  I don't want to like it looks like bed sheets in the sky.
• 1:53:39
  Yeah, I told them it looked more like a cowboy hat then Yeah, I
• 1:53:44
  just think it does. I think it looks more like a
• 1:53:45
  bad. And I think sheets can be scary.
• 1:53:48
  I remember when Michael Myers was a bed sheet.
• 1:53:51
  Ghost Bob. Ghost Bob.
• 1:53:52
  That was scary. Like, yeah, I get it's a very
• 1:53:56
  fantastical representation of an alien and it's not particularly
• 1:54:00
  scary looking until you remember that it's like several 100 yards
• 1:54:04
  wide and into the sky. But it doesn't.
• 1:54:08
  It doesn't look like a thing that we see in real life.
• 1:54:10
  So. I think that makes it scary to
• 1:54:12
  me. It makes it scary to me.
• 1:54:14
  But I can understand why it's not scary to other people.
• 1:54:16
  Because they're like, this isn't realistic.
• 1:54:17
  Same reason people, some people don't like ghost movies because
• 1:54:19
  they're like, I don't believe in ghosts.
• 1:54:21
  Yeah, I get it. I'm afraid.
• 1:54:22
  I know ghosts. I'm kind of one of those people.
• 1:54:25
  I don't really find ghost stuff super scary because I can't
• 1:54:27
  really relate to the Super hard, but we have a lot of fun once
• 1:54:29
  you figure normally do. We do.
• 1:54:31
  I mean, those can be scary sometimes.
• 1:54:33
  It's just yeah. You gotta do it the right way,
• 1:54:37
  Robert, Tone says. Meh and I did follow up asking
• 1:54:41
  why, he said. Man say once again, Robert.
• 1:54:43
  I'm asking for more details. So I got here, says.
• 1:54:47
  I feel like it just never got into high gear for me.
• 1:54:50
  They just kind of went along, wanted to be skydraws, have us
• 1:54:53
  one or two likable characters. Good God, his sister should have
• 1:54:56
  died and just didn't give us a satisfying ending.
• 1:55:01
  But he did dig the Acura reference.
• 1:55:03
  OK, and again, that's fair. I feel like it didn't have
• 1:55:06
  necessarily a huge I wouldn't be able to pick a specific moment
• 1:55:10
  as the climax for the movie, except for maybe like the big
• 1:55:13
  chase scene where they do get the footage.
• 1:55:15
  That's got to be the climax, yeah.
• 1:55:16
  But it is a lot of like throughout the movie.
• 1:55:19
  You get those peaks and valleys which I think you need,
• 1:55:21
  especially in a 2 hour movie, you need to have that
• 1:55:23
  throughout. I can't just be like ramping up
• 1:55:25
  the whole way through and then dropping down.
• 1:55:26
  Yeah, definitely. Yeah, but yeah, I get his point
• 1:55:29
  with that. Cube Save says this is the first
• 1:55:32
  of his movies. I think I connected to.
• 1:55:33
  I like it and I also or. I also love alien stuff.
• 1:55:38
  Done well. So, all right, I like that.
• 1:55:41
  I like that this is somebody who likes the movie that also likes
• 1:55:44
  that it's an Alien movie. Yeah, me too.
• 1:55:46
  Especially after what we just said about not really caring
• 1:55:49
  that it's an alien. I like that perspective on it.
• 1:55:52
  OK, now over to Twitter. We have Aquali boobs, he says.
• 1:55:57
  I love Daniel. Cool.
• 1:55:58
  Yeah. He's a fantastic factor, but
• 1:56:00
  this movie was just all right for me.
• 1:56:02
  I was honestly more interested in the chimp story the whole
• 1:56:04
  time as opposed to the stupid alien cloud.
• 1:56:07
  It was OK, had its moments better than us, but doesn't
• 1:56:10
  touch get out. I think the problem with the
• 1:56:12
  chimp story, I think it serves a very important foil to foil is
• 1:56:19
  not the right word. It serves a very important, like
• 1:56:23
  thematic tie in to the Jean jacket stuff that we've already
• 1:56:29
  talked about, but. I feel like being it first.
• 1:56:33
  Yeah, It does kind of like ramp you up for that for the rest.
• 1:56:37
  Of the movie. I think it provides you more
• 1:56:40
  immediate fear compared to what else we get in the movie.
• 1:56:45
  Like, every time you get glimpses of that, it's like
• 1:56:48
  dread the entire time. OK, but here's also The thing is
• 1:56:51
  that accidents really do happen on movie sets.
• 1:56:55
  We really do have multiple cases of primates attacking humans.
• 1:57:00
  Like, you know, we've mentioned Travis and Harambe.
• 1:57:04
  Like, those are just two immediate, like, super popular
• 1:57:06
  instances. Aliens.
• 1:57:13
  I'm not gonna go into all of that, but I can see how, Like,
• 1:57:17
  you can't argue that chimps exist, You know what I mean?
• 1:57:21
  Yeah. It's true.
• 1:57:25
  It's a much more grounded type of.
• 1:57:22
  I mean, it's very factual. Thing very recorded, yeah.
• 1:57:28
  Yeah, we are actually ancestors kind of like we're related in a
• 1:57:31
  way. I'm sure there are chimp denials
• 1:57:33
  out there, chimp deniers out there.
• 1:57:35
  Yeah, same as the people that don't think birds are real.
• 1:57:37
  Man, these No. That's a satire.
• 1:57:40
  Conspiracy movement. I know.
• 1:57:42
  I'm OK. Yeah.
• 1:57:43
  So is this right here? I doubt people don't think
• 1:57:46
  chimps are real. I bet there's like, one person
• 1:57:48
  out there right now that's a conspiracy.
• 1:57:50
  There's just like don't take me seriously.
• 1:57:51
  They'll see you someday. OK, Kevin Calves says.
• 1:57:55
  Excellent cinema, everything. Hit acting, sound design,
• 1:57:58
  creature design, cinematography, script.
• 1:58:00
  It's a Banger. Fuck yeah, absolutely.
• 1:58:03
  I mean, they checked all those boxes for me too.
• 1:58:05
  Honestly, everything there just works for me.
• 1:58:08
  I can understand why it doesn't work for a lot of others, so,
• 1:58:10
  but I like, I mean, I know we've spent two hours waxing poetic on
• 1:58:13
  it, but I fucking love this movie.
• 1:58:15
  Yeah, for real. I agree with everything Kevin
• 1:58:17
  said, Yeah. Dr. Rhodes says, in my honest
• 1:58:20
  opinion, it was overhyped, could have been worse, could have been
• 1:58:23
  better. And I think that there is some
• 1:58:25
  truth to that because I do believe Jordan Pill is a great
• 1:58:29
  director, but I think that he kind of receives his fair share
• 1:58:33
  of a lot of hype, which kind of makes it hard for him to live up
• 1:58:38
  to certain people's expectations.
• 1:58:39
  Sometimes he has earned his flowers, and I think because of
• 1:58:43
  that, people expect him to do that every single time, which I
• 1:58:47
  think is kind of ironic because then we look at what like the
• 1:58:51
  the parable that this is in terms of like a Hollywood
• 1:58:54
  experience. Yeah, that this has become such
• 1:58:57
  a divisive movie for him. I think that's kind of funny.
• 1:59:00
  It's kind of blowing my mind. I didn't realize it was as
• 1:59:03
  divisive as it is, but you know, here we are.
• 1:59:07
  Let's see Paraffet, Bob Briggs. Says it was OK.
• 1:59:13
  It's clearly a bar bet movie. Like Jay Peel was in the bar and
• 1:59:17
  his friends were like, you can't make a movie about one eyed
• 1:59:20
  purple people eater and have people even care about it.
• 1:59:23
  I suspect the response by Jay Peel was Hold my beer.
• 1:59:27
  OK, I would like to take this moment to play the song for
• 1:59:29
  Travis and I probably won't play this on the air, but Travis last
• 1:59:34
  night when Antlers was quoting when I'd one hard flying purple
• 1:59:37
  People Eater, Travis is like, what is this real like is this
• 1:59:40
  the thing? And I was like, yeah.
• 1:59:41
  I've never heard it's on every Halloween fucking playlist ever.
• 1:59:48
  OK, I can see it. Yeah, I can totally see it.
• 1:59:52
  Yeah. So now Travis has heard at least
• 1:59:56
  part of that song. He knows it's real.
• 1:59:57
  Honestly, I love the concept of a bar bet movie.
• 2:00:01
  And you know what? If I would want anybody to do
• 2:00:04
  it, I would want it to be somebody like Jordan Peele, who
• 2:00:07
  I think can handle his shit. And even if it is a bar bet
• 2:00:10
  movie, he fucking wins on my judging.
• 2:00:13
  I mean, if it were a bar bet movie, I think that he did a
• 2:00:15
  great job making a movie about that, right there to like what
• 2:00:18
  it is. But I also think if you take a
• 2:00:20
  lot of movie concepts and like distill them down, it's easy to
• 2:00:24
  make them sound silly. Yeah, for real.
• 2:00:25
  But I'm sure that there are bar bet movies out there.
• 2:00:28
  I would love to hear like actual examples of 1 big Chungus.
• 2:00:32
  The perfect name. Nope is a Nope for me.
• 2:00:35
  That's like a fucking like that. That's on the poster right
• 2:00:38
  there. Yeah.
• 2:00:39
  I mean, that's really good coffee.
• 2:00:41
  But I would like to know more why Chungus is.
• 2:00:44
  I I get what you're saying. I respect your opinion.
• 2:00:48
  I would like to understand where your opinion comes from.
• 2:00:49
  That's like, really? We're not here to like either
• 2:00:52
  over praise movies or shit on movies.
• 2:00:54
  Like, we just want to understand why people do and do not like
• 2:00:56
  them. Yeah.
• 2:00:57
  So please, if you hear this, let us know.
• 2:01:00
  I would also like to know what a chungus is that tan.
• 2:01:04
  Denton says Nope, it's amazing. I saw it in IMAX and was so
• 2:01:09
  important that when it came out on Blu-ray, I bought it on disk.
• 2:01:13
  Listen, please don't guys, I'm begging you, please don't
• 2:01:16
  mention seeing things in IMAX. So Travis, he's really butt
• 2:01:18
  hurt. We don't have IMAX close to us.
• 2:01:20
  We don't have real IMAX. He's really sad about it and I
• 2:01:23
  have to hear about it often it. Is kind of upsetting, honestly.
• 2:01:26
  I would love to watch something in IMAX one day.
• 2:01:30
  Amanda, She says Three out of five could have been a much
• 2:01:33
  better short film or Twilight Zone episode.
• 2:01:35
  I'm beginning to think, get out with an accident.
• 2:01:37
  OK, I could see how this would be really great for a short or a
• 2:01:41
  Twilight episode, Twilight Zone episode, because it's one of
• 2:01:45
  those that if you have the mystery of it, it's really
• 2:01:47
  scary. I like what he did with it as a
• 2:01:50
  full story I can. I can see the potential for it
• 2:01:53
  being a short film as well. I think it's even funnier
• 2:01:55
  necessary. Go ahead.
• 2:01:56
  Oh no, I was just gonna say like, and if get out is your
• 2:01:59
  thing, I can also understand how this is not to be too funny.
• 2:02:04
  This is an alienating movie. Yeah, yeah.
• 2:02:09
  I mean, it's different. But, you know, I I like when
• 2:02:12
  directors do different things. You know what I mean?
• 2:02:14
  Like, it's cool that he's exploring what he wants to do.
• 2:02:17
  Something different. Not trying to like cash in and
• 2:02:21
  just like keep making the same shit over and over again.
• 2:02:24
  Yeah, but. And also I think it's funny that
• 2:02:28
  she says Twilight because or Twilight zone cuz he did like
• 2:02:31
  the twilight zone reboot thing. Well, I think that's maybe what
• 2:02:34
  she I hoped that she was. Yeah, maybe.
• 2:02:36
  Maybe. I heard it was really bad.
• 2:02:38
  So I'm glad that he didn't put it on Twilight Zone.
• 2:02:41
  Either way, I get it. I get it.
• 2:02:45
  Big Fat Media Bomb. Says slickly shy.
• 2:02:49
  Override mess alternates between pretension and
• 2:02:52
  incomprehensibility, thinks Antar, The Thing That Wouldn't
• 2:02:56
  Shut Up. Directed by Spielberg after a
• 2:02:58
  three day Bender Casanois, especially Pomeranian.
• 2:03:03
  I was on Team Jean jacket from the get go.
• 2:03:06
  Nope indeed. Thumbs down.
• 2:03:08
  OK, see, This is why I said that some people might find him
• 2:03:12
  obnoxious. Yeah, I can understand.
• 2:03:14
  I mean, and I guess for some people, she's not exactly like
• 2:03:17
  an endearing personality. I I like her.
• 2:03:19
  I find her very endearing. Yeah, I get it too.
• 2:03:21
  I mean, I also, I like Daniel Kaluuya's character too.
• 2:03:25
  I think that he's, he's the person that you would get to
• 2:03:30
  know. You know what I mean?
• 2:03:32
  Like I. Would like to know Tiki Palmer's
• 2:03:33
  character is one that, like, she will get to know you.
• 2:03:37
  Yeah. Daniel Kaluuya is is one that
• 2:03:38
  you get to know. Yeah.
• 2:03:40
  And I think that they're both, they're both people that I would
• 2:03:44
  be friends with. I would be like, I am friends
• 2:03:46
  with the Heywood siblings. That's how I would phrase it.
• 2:03:49
  I feel like everybody in the movie feels pretty real.
• 2:03:51
  I mean, they're all people that like personally I'm attracted to
• 2:03:55
  personality wise, like you know, like I want to get to know these
• 2:03:58
  types of people. But I totally understand that
• 2:04:01
  they're not your people. Yeah, I mean.
• 2:04:03
  Steven Yeun is kind of an asshole, so I get that one.
• 2:04:05
  Like, I'm glad he kind of gets a He had that one coming.
• 2:04:08
  Yeah, he's got little horsey munchables going up to an alien.
• 2:04:11
  That's Dick behavior. Yeah.
• 2:04:13
  I want to know Steven Yeun as a person though, cuz he just seems
• 2:04:15
  really. Nice.
• 2:04:16
  Exactly. He's too nice for this role.
• 2:04:17
  He seems like he gives really good hugs.
• 2:04:19
  And I'm not a hugger, but it just like, you know what I mean?
• 2:04:21
  Like. Maybe.
• 2:04:23
  I don't know if he's like the hugging type.
• 2:04:25
  I'm not the huggin type either. But like, sometimes you can just
• 2:04:27
  be like that person would give good hugs, you know what I mean?
• 2:04:29
  All right, well, to cap this all off, Speaking of huggin types,
• 2:04:32
  we have Chad here. Chad is our friend here.
• 2:04:38
  He he's a very all of this in for you Chad, because I know you
• 2:04:42
  listen, I just joked on my beer. Chad says my favorite pill movie
• 2:04:47
  and the only negative I had about it is this movie and it's
• 2:04:52
  alright. OK, my favorite pill movie and
• 2:04:54
  the only negative I have about this movie, and it's a complaint
• 2:04:57
  I never have about films, is that I wish it was actually a
• 2:05:00
  bit longer. Then Hoytoma or Hotima is only
• 2:05:04
  rivaled by Roger Deakins as the best cinematographer.
• 2:05:07
  Working Alright? Yeah.
• 2:05:08
  No. I feel like every time we see
• 2:05:10
  Chad Mandy, we talk about movies that we love because they're so
• 2:05:14
  short and, like, they know to be short.
• 2:05:16
  So yeah, we should have a like, discussion about movies that,
• 2:05:19
  like, earned their length. Yeah, for real.
• 2:05:21
  I mean, I do feel like this one did.
• 2:05:22
  I mean, I think it's the first guys Sunday and we'll talk about
• 2:05:25
  it that's. Right.
• 2:05:26
  I think that this movie is a perfect length.
• 2:05:28
  I don't think it's a second too long or too short.
• 2:05:31
  I think it did exactly what it needed to do.
• 2:05:32
  It did never say it's welcome. It didn't, like get things done
• 2:05:37
  too quickly. I guess I could see it being
• 2:05:39
  something like Midsummer, where that movie felt the perfect
• 2:05:42
  length, even if it was long in theaters.
• 2:05:44
  And then we watched the director's cut, and it was just
• 2:05:46
  like, my God, the. Three hour cut is really good.
• 2:05:48
  Yeah. And it adds so much.
• 2:05:49
  And even though it definitely is 3 hours, like you don't watch it
• 2:05:53
  and you're like wow, I'm watching a three hour movie.
• 2:05:55
  You're like. Yeah, The thing is with this
• 2:05:56
  right here, I feel like. There's so much that just
• 2:06:00
  doesn't get explained and I think it's good it doesn't get.
• 2:06:03
  Explained exactly. If you add more time and you're
• 2:06:05
  not offering explanations, I don't really feel like it serves
• 2:06:08
  a purpose at that point. But more flying cowboy hat is
• 2:06:13
  always good too. So yeehaw.
• 2:06:16
  Yeehaw. All right, well yeehaw for this
• 2:06:18
  episode. Y'all, cuz that's it.
• 2:06:20
  That's all of our reviews. Okay.
• 2:06:21
  So next week. We are starting our next
• 2:06:26
  franchise. We're talking about Saul.
• 2:06:29
  We are talking about Saul. And right now you can currently
• 2:06:32
  watch it on Pluto TV for free. YouTube with a prime time
• 2:06:38
  subscription stars Prime. Hulu with a premium subscription
• 2:06:43
  Sling TV with a premium subscription.
• 2:06:45
  YouTube TV, which I think already is a premium
• 2:06:48
  subscription. Philo Premium subscription.
• 2:06:52
  You can also rent it from Google Play, Red Box or Voodoo for
• 2:06:55
  $4.00 each. Or you could spend $4.00 on a 10
• 2:06:59
  pack of it at Walmart. Yeah, that's true.
• 2:07:01
  Yeah, you can get the whole. There's not even 10 movies yet,
• 2:07:05
  but you can buy a 10 pack. Of more, Yeah.
• 2:07:07
  They just give you another copy of the first movie.
• 2:07:09
  Yeah, now we're gonna have a lot to say about it.
• 2:07:13
  Yeah, I'm excited. I fucking love this series.
• 2:07:15
  I think we've watched this series so many times that we
• 2:07:18
  will have a lot to talk about, I think, yeah, so like, I'm so
• 2:07:23
  fucking ready for you, dude. Yeah, we've been waiting for the
• 2:07:25
  right time to like it's kind of like with Scream.
• 2:07:27
  Scream felt right when we dug into it, and it feels right to
• 2:07:30
  go into saw from that. This right here.
• 2:07:32
  OK, so we did. Friday 13th was our one.
• 2:07:36
  We were both like, kind of needing to explore our feelings
• 2:07:39
  on. It So we had that then we had.
• 2:07:42
  My franchise, then we went to your franchise and I feel like
• 2:07:44
  this one is actually our franchise together.
• 2:07:46
  I feel like we both have the same amount of, like we came
• 2:07:49
  with it with the same thing. Yeah, and like, I need you guys
• 2:07:52
  to understand how big of saw nerds we are.
• 2:07:54
  Like my glasses say piranha. And we have various piranha
• 2:07:58
  like. In our bathroom?
• 2:08:00
  Yeah, like a Piranha. Well, and part of that's Piranha
• 2:08:02
  3D, because we're also big Piranha 3D fans.
• 2:08:04
  Josh Stolberg, I'm so glad you're involved in Saw.
• 2:08:07
  XI love you. Yeah, he doesn't get involved
• 2:08:09
  until later, unfortunately. I wish he was in some of these
• 2:08:12
  early ones, but we'll talk about him soon enough.
• 2:08:14
  Yeah. So yeah, we're just, it's gonna
• 2:08:17
  be, this gonna be a really fun one for us.
• 2:08:19
  I feel like we're in our groove of things, so.
• 2:08:21
  Yeah, I'm excited. So watch it where you can and
• 2:08:25
  get prepared in the meantime though, if you want to be
• 2:08:29
  tested. Anything else?
• 2:08:30
  We are on social media. Yeah, you can find us on the
• 2:08:34
  various social needs under different names depending on
• 2:08:40
  what the character length is. So on Twitter we are at least
• 2:08:43
  fav pod. On Instagram and threads we're
• 2:08:45
  at least favorite Scary Movie Podcast, we're our full name on
• 2:08:48
  Facebook. You can find us on our website
• 2:08:50
  which are Least favorite Scary movie.com.
• 2:08:51
  And you can also e-mail us at least favorite
• 2:08:53
  scarymovie@gmail.com. We also have a Patreon where you
• 2:08:58
  can sign up for all kinds of perks like bonus episodes and
• 2:09:02
  other things that we have on there.
• 2:09:05
  Early access to episodes. Sometimes it's just a shout.
• 2:09:09
  Out we Sometimes it's voting power.
• 2:09:12
  It depends on what degree you subscribe to.
• 2:09:13
  They've also, you can cut this if you want, but started a thing
• 2:09:18
  where you can integrate it into Spotify, which we may be doing
• 2:09:21
  here soon. So yeah, we're trying to get a
• 2:09:23
  little bit more information on that.
• 2:09:25
  We want to make sure it doesn't mess up our Patreon feed for
• 2:09:27
  existing patrons. Yeah, Speaking of, if we'd like
• 2:09:30
  to give a special thank you to Eric and Baby if shaken, not
• 2:09:33
  scared Joe. Thank you guys so much for
• 2:09:39
  supporting the show. As is his name, Amber and
• 2:09:37
  Michael. We really appreciate y'all.
• 2:09:41
  Yes, it makes a big difference to us and if you want to support
• 2:09:44
  us in non financial ways, you can definitely do that by
• 2:09:48
  rating, reviewing and subscribing on whatever platform
• 2:09:51
  you listen to, especially if you listen on Spotify just because
• 2:09:54
  we host our show through what is it called now?
• 2:09:59
  Spotify for podcasts, Spotify for podcasters, formerly Anchor.
• 2:10:03
  So that makes a big deal for us. And if we have more subscribers
• 2:10:10
  and listeners then it helps the algorithm push.
• 2:10:14
  All platforms, yeah. On all platforms, but you know,
• 2:10:19
  especially where we host, it makes a big difference.
• 2:10:20
  Apple It also makes a really big difference just because that's
• 2:10:23
  where most of you are listening. Most people listen on Apple.
• 2:10:25
  That's the biggest podcast and platform, yeah, And we really
• 2:10:29
  like to get the reviews on there.
• 2:10:31
  It makes us feel nice and we read good reviews and we've got
• 2:10:34
  a really high rating right now and that makes us feel really
• 2:10:36
  good, so. Yeah.
• 2:10:37
  Thanks to everybody for doing that.
• 2:10:39
  We really appreciate it. Yeah.
• 2:10:40
  So we appreciate that. We appreciate you all.
• 2:10:43
  And we're really excited for things to come.
• 2:10:45
  All right. So TuneIn this weekend where we
• 2:10:47
  do our screen wrap up and then we'll be talking about so next
• 2:10:50
  week. All right.
• 2:10:51
  All right. See y'all.
• 2:11:10
  Jerk.