Latest / The World of Phil Hendrie / Episode #3536 The New Phil Hendrie Show

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Episode #3536 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: Phil Henry. Here for the world Famous Phil Henry Show
• 0:02
  Speaker 1: backstage pass now in its whatever year, this is what
• 0:07
  Speaker 1: ninety nine, nineteen ninety nine we began our website, so
• 0:10
  Speaker 1: that would be the twenty six years, twenty six You
• 0:13
  Speaker 1: get a kidding, miss any twenty six years, No, twenty
• 0:16
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• 0:18
  Speaker 1: a long time. You're right. I don't mean it's a
• 0:20
  Speaker 1: smart ass bud, but twenty six years. Yeah, and weren't
• 0:23
  Speaker 1: you there? I forget anyway, twenty six years ago we
• 0:26
  Speaker 1: started our website. Twenty six years ago, we had a
• 0:29
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• 0:32
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• 0:35
  Speaker 1: for a month, and that was around twenty ten, twenty eleven.
• 0:38
  Speaker 1: Since then, it's remained the same price. And we're very
• 0:41
  Speaker 1: proud of that, very very proud of it, even though
• 0:43
  Speaker 1: we're in the poorhouse. Yeah no, you're not. Exkiddy, Get
• 0:48
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• 0:50
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• 1:00
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• 1:04
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• 1:06
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• 1:09
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• 1:12
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• 1:14
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• 1:16
  Speaker 1: you're in clover, my man. You are feeling good for
• 1:19
  Speaker 1: the first time in your life. You feel like you've
• 1:21
  Speaker 1: got a chance. Yeah, yeah, wait a way, you asked me,
• 1:25
  Speaker 1: mister Henry. Yes, the world famous Phil Henry Show at
• 1:28
  Speaker 1: Phil Henryshow dot com, the greatest value online other than porn.
• 1:32
  Speaker 1: Today we have part two of the Great Jean Jabell Beatings,
• 1:37
  Speaker 1: Jean Jebel, the country dis jockey who is number one
• 1:42
  Speaker 1: with all the country artists around the country. We're in
• 1:45
  Speaker 1: the United States and that's a country, right So here
• 1:47
  Speaker 1: is Jeane Bell Part two, Jean Jabell, a guy who's
• 1:50
  Speaker 1: had his ass kicked by some of the greatest artists
• 1:53
  Speaker 1: in all of country music, that country being the United States.
• 1:56
  Speaker 1: Get out of here. The following is a collect Phil
• 2:00
  Speaker 1: Henry Show on gore Proof Worces Hi, everybody. This is
• 2:03
  Speaker 1: Jinge of Bell with Ginge of Bell's Country USA playing
• 2:06
  Speaker 1: the top country hits. I've played the top country hits
• 2:09
  Speaker 1: and I've gotten my ass kicked by the top country artists.
• 2:12
  Speaker 1: You know, everybody. I've been in country music my whole life.
• 2:14
  Speaker 1: It's a great way to make a living. It's a
• 2:16
  Speaker 1: fantastic life. I know some of the great stars of
• 2:18
  Speaker 1: all times because I'm a country artist. Many many country
• 2:21
  Speaker 1: artists are very very friendly with country disc jockeys. When
• 2:23
  Speaker 1: I call myself a country i'm country disc jockey. Sometimes
• 2:25
  Speaker 1: I confuse it. Sometimes I think I'm the artist and
• 2:27
  Speaker 1: they're the disc jockeys. Who knows. But I'm Ginge Bell
• 2:29
  Speaker 1: and now I'm selling this beautiful, beautiful collection of country
• 2:33
  Speaker 1: music hits. They aren't really the hits. They're just the
• 2:35
  Speaker 1: titles of the hits. When you put the needle on
• 2:37
  Speaker 1: the record or when you slip it into the CD
• 2:38
  Speaker 1: or when you put the tape on, what you're gonna
• 2:39
  Speaker 1: hear is me talking about the song, what the lyrics are, about,
• 2:42
  Speaker 1: what the song sounds like, and the artist the things
• 2:44
  Speaker 1: that I know about the artist. I won't be talking
• 2:45
  Speaker 1: about getting my ass kicked by them, because I do
• 2:47
  Speaker 1: that here on the radio show, and frankly it's humiliating,
• 2:49
  Speaker 1: but it is a way to sell the CD and
• 2:51
  Speaker 1: to sell the album. So yet this great compilation, it's
• 2:54
  Speaker 1: Ginge of Bell's great Country Hits, the top one hundred
• 2:56
  Speaker 1: country hits of all time. Where I don't play them,
• 2:58
  Speaker 1: I just talk about them, just described them, describe the artists,
• 3:01
  Speaker 1: and then I go on to the next one of
• 3:02
  Speaker 1: the next one, and the next one of the next one.
• 3:04
  Speaker 1: Is it interesting? Is it exciting? Most likely not. I
• 3:06
  Speaker 1: haven't even had the guts to listen to it, but
• 3:08
  Speaker 1: I'll tell you what it's selling. Like a mofo excuse
• 3:10
  Speaker 1: my language, that stands for you know, I'm Ginge Bell.
• 3:12
  Speaker 1: Jingja Bell get the top twenty country Hits of all time?
• 3:16
  Speaker 1: Or b square Jinge of Bell's Top Country Hits of
• 3:19
  Speaker 1: all time? Right too, jing A Bell Top Country Hits
• 3:22
  Speaker 1: care of all time. Jane of Bell, California. Here's a
• 3:25
  Speaker 1: great one from Brooks and Dune. She ain't the cheating guy.
• 3:27
  Speaker 1: And let me tell you what she's dressed to kill
• 3:30
  Speaker 1: in address he bought her. She wouldn't care get me
• 3:35
  Speaker 1: walked in and called her She's called the dance a
• 3:39
  Speaker 1: dancer too, and tearing what by the time the night
• 3:44
  Speaker 1: is all right? Brooklyn done here Ginge Bell here Country, USA.
• 3:47
  Speaker 1: Do you love that song or not? I love that
• 3:49
  Speaker 1: song that is coming in number one here on a
• 3:51
  Speaker 1: Ginge Bel memory chart here for this beautiful, beautiful Wednesday
• 3:55
  Speaker 1: here in Ginger Bell Country in Nashville, Tennessee. Boy, I
• 3:58
  Speaker 1: tell you want to thank Brooks and Done. By the way,
• 4:00
  Speaker 1: they were out at the Jeans of Bell Country Fair,
• 4:03
  Speaker 1: a big charity event we have every year, and Brooks
• 4:05
  Speaker 1: and Dunn were there. They're helping raise money, and I
• 4:08
  Speaker 1: want to say to them personally, thank you very much.
• 4:10
  Speaker 1: I'd also like to say to them personally that I
• 4:12
  Speaker 1: very very much regret that we did not have an
• 4:14
  Speaker 1: accounting right there is that right, Bob didn't have the
• 4:16
  Speaker 1: right one didn't have the right accounting at that time.
• 4:19
  Speaker 1: And it turned out that both of the gentlemen found
• 4:22
  Speaker 1: me with money in a briefcase that I was taking
• 4:25
  Speaker 1: and trying to put into the trunck of my car
• 4:27
  Speaker 1: before anybody could see what I was doing. And at
• 4:29
  Speaker 1: that time Brooks, I think it was mister Brooks, or
• 4:31
  Speaker 1: could have been mister Dunn. You know well about the
• 4:34
  Speaker 1: playing playing right, It felt the same. Mister Brooks came
• 4:37
  Speaker 1: over and hit me with the right handy, pretty good
• 4:39
  Speaker 1: shot right to the right side of my jaw. And
• 4:42
  Speaker 1: then as I dropped, he hit me with a cowboy boot.
• 4:44
  Speaker 1: He just brought the boot up, just that pointy toe
• 4:47
  Speaker 1: boot to the soft of the neck. And I don't
• 4:48
  Speaker 1: know if you've ever been kicked in the throat with
• 4:51
  Speaker 1: a cowboy boot with that point of toe, but I
• 4:53
  Speaker 1: can tell you it really does choke up. It choked
• 4:56
  Speaker 1: me in more ways than one, let me tell you that. Yeah,
• 4:58
  Speaker 1: and so kicked me. And then I think it was
• 5:01
  Speaker 1: Brooks who came along put me in a headlock, and
• 5:03
  Speaker 1: that's when he hit me two good shots in the jaws.
• 5:05
  Speaker 1: You know, you get somebody in the jaw or hit
• 5:07
  Speaker 1: me in the nose too, that'll knock you right out.
• 5:10
  Speaker 1: And I was blacking out. I was kind of browning
• 5:11
  Speaker 1: out and blacking out. And then Brooks came over again,
• 5:14
  Speaker 1: grabbed me by the nose, lifted me up by the nose,
• 5:16
  Speaker 1: hit me again with that cowboy boot. Ridney the Adam's apple.
• 5:19
  Speaker 1: So I had a very difficult time breathing. And then done,
• 5:22
  Speaker 1: came along, belded me in the gut, hit me a
• 5:25
  Speaker 1: couple of shots in the back, hit me a couple
• 5:27
  Speaker 1: of kidney shots. Took my head then and drove me
• 5:31
  Speaker 1: full force right into a brick wall that just happened
• 5:34
  Speaker 1: to be off the side there my Cadillac where I
• 5:36
  Speaker 1: had it parked. My head actually did go through the
• 5:39
  Speaker 1: brick wall, not through it, but it did crack a
• 5:41
  Speaker 1: couple of the mortar bricks there, the Mason bricks, and
• 5:44
  Speaker 1: I dropped and I started to get up again with
• 5:46
  Speaker 1: a suitcase under my hand, I under my arm right,
• 5:48
  Speaker 1: I had the money there in the suitcase. And that's
• 5:50
  Speaker 1: when mister Dunn came along, grabbed the suitcase and grabbed
• 5:53
  Speaker 1: my head again, and then drove my head into another
• 5:55
  Speaker 1: Mason block that comprised that wall. And at that point
• 5:59
  Speaker 1: I did be into brown out, I will say, and
• 6:01
  Speaker 1: I'm very proud of this. I did not blackout entirely,
• 6:03
  Speaker 1: but I did brown out quite a bit. So I
• 6:06
  Speaker 1: do again, thank Brooks. I'm done for that little bit
• 6:08
  Speaker 1: of lesson there in Larcenay. Has I tried to make
• 6:10
  Speaker 1: off with the money from the charity event there the
• 6:11
  Speaker 1: other night here on the ginger Bells show here, ginger
• 6:14
  Speaker 1: bell here. Hey how about this one? Huh? You remember
• 6:17
  Speaker 1: this one? I don't. I didn't. I didn't like it
• 6:19
  Speaker 1: when I first heard it, and now I still don't
• 6:21
  Speaker 1: like it. Oh yeah, this is this guy, this Van Dijk, Oh,
• 6:25
  Speaker 1: this ass. I told him. I said, I don't like
• 6:27
  Speaker 1: the way you're sing. He said, what are you talking about? It?
• 6:29
  Speaker 1: Going like you tomorrow? I said, you sound like you
• 6:32
  Speaker 1: have Hodgkinson's disease. You sound like you had part one
• 6:35
  Speaker 1: of those is it called Parkinson's. He said, I don't
• 6:37
  Speaker 1: know what you're talking about. I said, when you sing,
• 6:39
  Speaker 1: you sound like you don't have control over your nervous system.
• 6:42
  Speaker 1: Your nervous system. Well, he just kept looking at me quizzically.
• 6:45
  Speaker 1: It had all one of those Ryanstone suits and that
• 6:47
  Speaker 1: stupid looking guitar. I said, get out, okay, take that
• 6:51
  Speaker 1: gay ass suit your guitar and blow jack blow. And
• 6:54
  Speaker 1: when I say blow, I don't mean what you would prefer.
• 6:57
  Speaker 1: I mean blow as in leave. Two years later, walk
• 7:01
  Speaker 1: on by by Leroy van Dyke was a smash hit.
• 7:04
  Speaker 1: Is that Van Dyke or Dike? I forget it was
• 7:06
  Speaker 1: a smash hit. Well, I went ahead and place to
• 7:09
  Speaker 1: call him. I said, hey, Lee, or do you remember me?
• 7:10
  Speaker 1: I'm Jeane jabel I'm the guy that He said, yes,
• 7:12
  Speaker 1: I do remember you. Please come over. Do you want
• 7:14
  Speaker 1: to sign me to a management deal? I said, you better.
• 7:16
  Speaker 1: You bet your sweet ass, you know, the ass that
• 7:19
  Speaker 1: you had your thumb parked up. I said, yes, you
• 7:21
  Speaker 1: beat that. I mean, you can bet that. He said,
• 7:24
  Speaker 1: I beat what. I said. Well, anyway, I got over
• 7:26
  Speaker 1: there and he was standing there with a big spot
• 7:27
  Speaker 1: on his face, a big crap eating grin in his face.
• 7:30
  Speaker 1: He said, Jeane Zabelle. I said, yeah, he says, you
• 7:32
  Speaker 1: want to sign me to a man? It's a deal? Huh?
• 7:34
  Speaker 1: I said, yes, I do. As a matter of fact,
• 7:35
  Speaker 1: I do. Smoke, Come on and let's talk about it.
• 7:37
  Speaker 1: He had it all laid out there on the coffee table,
• 7:39
  Speaker 1: and we had pens, and he had coffee and even
• 7:41
  Speaker 1: had a bottle to toast the final signing of the deal.
• 7:44
  Speaker 1: So we signed it, and then he took it and
• 7:45
  Speaker 1: set fire to it and stuck it in my pants. Well, naturally,
• 7:50
  Speaker 1: I was screaming because I had a flaming wad of
• 7:52
  Speaker 1: paper in my pants, and apparently he had poured some
• 7:55
  Speaker 1: kind of flammable tar over it, so now it was
• 7:57
  Speaker 1: on fire in my pants. It was adhering to my skin,
• 8:00
  Speaker 1: and I was screaming like he just streaming bloody murder
• 8:03
  Speaker 1: as I ran down the street in flames way on
• 8:08
  Speaker 1: the corner. Jean Jabell, Jabel Country Music USA. When a
• 8:12
  Speaker 1: feature right now a song by D. L. Monard. This
• 8:14
  Speaker 1: is called the back Door, you know. After Minard hit
• 8:16
  Speaker 1: it big with a song on the back Door, I
• 8:18
  Speaker 1: decided to track him down to some shack in a bayou.
• 8:20
  Speaker 1: I offered to manage D. L. Monard, And then I
• 8:22
  Speaker 1: saw Manard's beautiful twenty two year old wife with a
• 8:25
  Speaker 1: big ass, and I wanted her to show me the
• 8:26
  Speaker 1: back door, you know. And anyway, Dell and his brothers
• 8:29
  Speaker 1: took turns beating me with two by four steel pipes,
• 8:32
  Speaker 1: masonry blocks, and an alligator skull. I was thrown into
• 8:35
  Speaker 1: the swamp and I was tacked by alligators and my
• 8:37
  Speaker 1: body was found by the authorities a few weeks later,
• 8:40
  Speaker 1: partially devoured. Abi Ganejabell, David get my ass kicked here
• 8:47
  Speaker 1: in Country Music USA? Jane Gibil, Yeah, it's Country Music
• 8:53
  Speaker 1: USA with me. Jean Jebel. Here's a song going way
• 8:56
  Speaker 1: way back to the day's of Patsy Climb when she
• 8:57
  Speaker 1: actually did fall to pieces in a plane crash. All right,
• 9:01
  Speaker 1: patsy Clin, when I fall to pieces here on the
• 9:03
  Speaker 1: Jean ju Bel Country at USA show. And I'll tell
• 9:05
  Speaker 1: you I started to stutter step a little bit there
• 9:07
  Speaker 1: when I was thinking about all the great things that
• 9:09
  Speaker 1: I had in mind for patsy Cline's estate. Patsy Clin,
• 9:11
  Speaker 1: of course, was very, very famous. When I was just
• 9:13
  Speaker 1: a little boy, I was a paper boy and I
• 9:14
  Speaker 1: hated country music. I listened to R and B anyway.
• 9:18
  Speaker 1: I went to patsy Cline's estate planning people. Then I said, listen,
• 9:20
  Speaker 1: I know that you are in control, in control of
• 9:22
  Speaker 1: patsy Clines of State and said, yes, we are. What
• 9:24
  Speaker 1: do you want? I said, oh, whoa, whoa, whoa. I'm
• 9:26
  Speaker 1: about to make you a lot of money, a lot
• 9:28
  Speaker 1: of money. I held up a little bubble head doll.
• 9:30
  Speaker 1: I said, how about the Patsy client bubble head doll?
• 9:32
  Speaker 1: And just for laugh the head comes off, and I said,
• 9:34
  Speaker 1: I'm only kidding, and only kidding. As they began to
• 9:36
  Speaker 1: get up from their chairs, they were moving toward me
• 9:37
  Speaker 1: in a rather menacing way, and I said, Okay, who
• 9:39
  Speaker 1: whoa whoa who who who whoa? I said, I'm only kidding.
• 9:41
  Speaker 1: Here is a patsy Cline vegiomatic. It chops things up
• 9:44
  Speaker 1: well into pieces. I said, but that's not the joke.
• 9:46
  Speaker 1: They began moving toward me even closer. I said, hold on,
• 9:48
  Speaker 1: hold on, here's the little patsy Cline balsa wood rubber
• 9:51
  Speaker 1: band airplane. Just fly it right into the mountain. And
• 9:54
  Speaker 1: that's when I felt hands grabbed me about the shoulders,
• 9:57
  Speaker 1: my belt, and my legs. I felt hand was lifting
• 10:00
  Speaker 1: me off the ground. It was very relaxing. I felt like, oh,
• 10:02
  Speaker 1: I think I could take a nap. Maybe that's what
• 10:03
  Speaker 1: they want me to do. Or they're gonna hoist me
• 10:05
  Speaker 1: over their shoulders and say hey for Jean Jabel. Well,
• 10:08
  Speaker 1: in point of fact, they did not. They took me
• 10:10
  Speaker 1: out onto a deck, a deck that was overlooking a
• 10:13
  Speaker 1: driveway and a swimming pool. This is where they usually
• 10:15
  Speaker 1: had cigarettes and coffee and whatever. They had cocktails at
• 10:17
  Speaker 1: the end of the day, and they lifted me up
• 10:19
  Speaker 1: high over their heads. There were about five of them,
• 10:21
  Speaker 1: five members of patsy Clines Estate planning group, and they
• 10:24
  Speaker 1: lifted me up and they threw me right down onto
• 10:26
  Speaker 1: the concrete driveway. But that wasn't all. There was someone
• 10:29
  Speaker 1: waiting downstairs in a car. They'd sent him ahead, and
• 10:32
  Speaker 1: as soon as I hit he backed the car over
• 10:34
  Speaker 1: top of me. What kind of a car? A hummer?
• 10:37
  Speaker 1: It didn't feel good. Well, as I tried to stagger
• 10:39
  Speaker 1: to my feet, it was very, very difficult. I finally
• 10:40
  Speaker 1: did get to my feet. The guy that had backed
• 10:42
  Speaker 1: over me saw that I'd stood up. He got the
• 10:44
  Speaker 1: high sign from upstairs. The guy gave him the big
• 10:46
  Speaker 1: thumbs up. When he saw me stand up, he said, yeah,
• 10:48
  Speaker 1: do it. The guy floored it and ran over me again.
• 10:53
  Speaker 1: I staggered on my feet again. He backed the humpy
• 10:56
  Speaker 1: back over top of me. I staggered on my feet again,
• 10:57
  Speaker 1: and he drove it over top of me again. And finally,
• 11:00
  Speaker 1: when my head was in a perfect position because I
• 11:02
  Speaker 1: was falling, getting up and falling and getting up, my
• 11:04
  Speaker 1: head was in a perfect position, they closed the electric
• 11:06
  Speaker 1: garage door on my head. Well, I must have screamed
• 11:11
  Speaker 1: for well into six hours or so, because the cops
• 11:14
  Speaker 1: didn't show up till well after midnight. I said why
• 11:16
  Speaker 1: are you here? They said, because of the screaming. I said,
• 11:18
  Speaker 1: when was it reported? They said, about five minutes ago.
• 11:21
  Speaker 1: The garage door closed on my head at a half
• 11:23
  Speaker 1: past five. Ye change you will country music usay, really
• 11:32
  Speaker 1: horrifying thing has happened. Stephen Tyler, who used to sing
• 11:35
  Speaker 1: for the group Aerosmith, has come out with a country
• 11:37
  Speaker 1: record called Love Is Your Name and You Kisses. Well
• 11:43
  Speaker 1: you can hear how rotten it is. And I confronted
• 11:45
  Speaker 1: Stephen about this on the phone just the other day, say, Stephen,
• 11:49
  Speaker 1: I'll tell you this song, Love is Your Name is
• 11:52
  Speaker 1: really rotten. Don't you think? No, I don't think it is.
• 11:56
  Speaker 1: I think, oh, you got some balls on you. When
• 11:59
  Speaker 1: I pased, that was Stephen Tyler and he's singing forrest.
• 12:03
  Speaker 1: Now Love is Your Name got a really terrible run?
• 12:07
  Speaker 1: You mean? But I caught up with Steven Tyler when
• 12:12
  Speaker 1: he got to town and I said that song still stinks,
• 12:14
  Speaker 1: ha ha ha. And it was then that he hit
• 12:17
  Speaker 1: me with a right hand and I dropped, and then
• 12:19
  Speaker 1: he got into his truck and backed it over my legs. Well,
• 12:23
  Speaker 1: when that very very heavy truck backed over my legs,
• 12:27
  Speaker 1: I went ah, because it hurt. It hurt really bad.
• 12:30
  Speaker 1: But Jean ja Bell ever the professional, even when I
• 12:34
  Speaker 1: have a truck backing over my legs, I'm very professional
• 12:37
  Speaker 1: with the way. I screamed, and I think angered mister Tyler.
• 12:40
  Speaker 1: I said ah, And he looked down and he said
• 12:44
  Speaker 1: that should really hurt you to the point where you
• 12:46
  Speaker 1: lose all semblance of any kind of countenance and you
• 12:49
  Speaker 1: just scream in agony. So he got back into his
• 12:52
  Speaker 1: truck and then drove it forward over my legs. But
• 12:54
  Speaker 1: again I went ah, And that really started pissing him off.
• 12:58
  Speaker 1: So he went into the bed of his truck and
• 13:00
  Speaker 1: opened up a big tool big toolbox that he had there,
• 13:03
  Speaker 1: and he found a wrench and he began hitting my knees,
• 13:06
  Speaker 1: each knee, and then the shin bones and then the feet,
• 13:09
  Speaker 1: and I was going, oh, it really hurts. And he said,
• 13:13
  Speaker 1: you know what, I can't stand this any longer, and
• 13:15
  Speaker 1: he backed the truck again over my legs, and then
• 13:18
  Speaker 1: once again went forward over my legs at I would say,
• 13:21
  Speaker 1: roughly sixty five miles an hour Jean Jabbel's Country, USA.
• 13:29
  Speaker 1: We'll be right back. Hey, Everybody's Jean Jabbell with you
• 13:34
  Speaker 1: here on the top country out us of all time.
• 13:36
  Speaker 1: But I've beaten my ass. Bloddy. Here's Kelsea, Ballerini and
• 13:39
  Speaker 1: Dibbs anybody wants. I wanted to have DIBs on her career,
• 13:44
  Speaker 1: but no, I didn't have DIBs on her career. Somebody
• 13:46
  Speaker 1: else side her said, come on, Chelsey, you know you
• 13:48
  Speaker 1: want and you need and you know that you desired
• 13:51
  Speaker 1: Jean Jabbelle. She said, let me show you how much
• 13:53
  Speaker 1: I want and desire you. She said, have you ever
• 13:55
  Speaker 1: been shrimping? I said, matter of fact, I have. She said,
• 13:58
  Speaker 1: let's go on out to that pier in Coco Beach,
• 13:59
  Speaker 1: will go shrimp. And I said that's fine with me.
• 14:01
  Speaker 1: And I realized I had it in here because she
• 14:03
  Speaker 1: loved shrimping and deep sea fishing. I didn't really. I
• 14:06
  Speaker 1: can't stand the smell of fish. I can't stand the ocean.
• 14:09
  Speaker 1: I can't stand having anything to do with, you know,
• 14:11
  Speaker 1: working class people. But hey, if she wanted to go
• 14:13
  Speaker 1: out there and go shrimp, and I said sure. I
• 14:15
  Speaker 1: brought a big net and I had a head on
• 14:17
  Speaker 1: my you know, extra special dungarees. I was looking good
• 14:20
  Speaker 1: looking right Saturday night. I went out there and she
• 14:22
  Speaker 1: said you know what the best way to shrimp is
• 14:24
  Speaker 1: to go in and get them. I said, what do
• 14:27
  Speaker 1: you mean, going and get them? Well, here's what I mean,
• 14:28
  Speaker 1: and she pushed me off the pier. Tnnyfoot dropped. I
• 14:31
  Speaker 1: hit the water and I was okay. Find with me
• 14:34
  Speaker 1: and I started swimming out on the strip. But I
• 14:35
  Speaker 1: finally got out of there with the shrimp. I must
• 14:37
  Speaker 1: have had about a half a dozen to a dozen.
• 14:38
  Speaker 1: Finally got about twenty twenty four or thirty four shrimp.
• 14:41
  Speaker 1: I got out and went up out of the pier. Well,
• 14:43
  Speaker 1: she was long gone. She'd been gone for a full hour.
• 14:45
  Speaker 1: The limousine was gone, and we were a good fifty
• 14:48
  Speaker 1: miles away from Orlando, which is where I had gotten
• 14:50
  Speaker 1: off the plane. I got a hotel and that was
• 14:52
  Speaker 1: where I was going to meet her. Now I had
• 14:53
  Speaker 1: to hitchhike all the way back because my phone got
• 14:55
  Speaker 1: wet when I fell into the end of the service.
• 14:57
  Speaker 1: I finally made my way back there. I said, Kelsey,
• 14:59
  Speaker 1: that wasn't very funny. She said, no, it wasn't. Here's
• 15:01
  Speaker 1: one that's funny. She said, would you mind going in
• 15:03
  Speaker 1: the kitchen there and getting me a cold drink? I said, sure,
• 15:06
  Speaker 1: so I walked in, but she had somebody behind a door,
• 15:08
  Speaker 1: and they went, excuse me, bang slammed it right into
• 15:11
  Speaker 1: my face. I fell backwards, and I fell backwards into
• 15:14
  Speaker 1: a cat box that they were cleaning, or were about
• 15:16
  Speaker 1: to clean, and they positioned it just where my head
• 15:18
  Speaker 1: would fall. So my head fell right into a warm, warm,
• 15:22
  Speaker 1: brand new cat turn. Jean, youbell tell you that was
• 15:29
  Speaker 1: very funny. Ha ha. I still smell it it, I
• 15:34
  Speaker 1: guess still smell it. If you got a heart and
• 15:37
  Speaker 1: afraid you to love me, afraid to bring Hey dad,
• 15:41
  Speaker 1: I'm really hungry tonight. Where are we gonna go eat?
• 15:43
  Speaker 1: How about Winston Harlow's Barbecue. That's right, that's the third
• 15:46
  Speaker 1: different name now for our restaurant, Winston Harlow's Barbecue in
• 15:49
  Speaker 1: downtown Nashville. If you go to downtown Nashville and see
• 15:52
  Speaker 1: Winston Harlow's Barbecue, well, I guess you found a place. Huh.
• 15:56
  Speaker 1: I don't have time for a whole lot of fancy talk.
• 15:58
  Speaker 1: I don't have time to be a nice guy, to
• 16:00
  Speaker 1: be a gracious guy, to be a gracious host. Sit
• 16:03
  Speaker 1: your ass down. I'll stick some ribs in front of you.
• 16:05
  Speaker 1: If it isn't good. Fine, get up and get out,
• 16:08
  Speaker 1: because I can guarantee you there's some others smuck some
• 16:11
  Speaker 1: forget it Winston Harlow's barbecue, Say dad, that sounds pretty good,
• 16:15
  Speaker 1: go uppy and called hey, GJ bel here Country music USA.
• 16:21
  Speaker 1: Getting my ass kicked by some of the top names
• 16:23
  Speaker 1: and country music. You know. I showed up in an
• 16:24
  Speaker 1: Alabama ANDAACP convention in blackface. Let me tell you about it.
• 16:28
  Speaker 1: The original artist singing this song was Emmitt Miller, and
• 16:30
  Speaker 1: he performed this song in blackface. So I showed up
• 16:33
  Speaker 1: at the NAACP concert in blackface, saying the hold on
• 16:35
  Speaker 1: for a minute. The country music idiom. The country music
• 16:38
  Speaker 1: genre has a great tradition of blackface featuring Emmon Miller.
• 16:42
  Speaker 1: Don't you understand? I was beaten with lead pipes, chairs
• 16:45
  Speaker 1: and benches. I was thrown in the back of a
• 16:46
  Speaker 1: pickup truck and I was driven to a junkyard. I
• 16:49
  Speaker 1: was put into a car crusher with a sixty nine
• 16:51
  Speaker 1: Lincoln and crushed into a metal cube. Yeah. Tim McGraw
• 16:56
  Speaker 1: here in hubbloedo kind which he isn't, by the way,
• 16:58
  Speaker 1: geez under the man childhood Starshine always say humble and
• 17:07
  Speaker 1: Tim mcgrouther and he is not humbling kind when I
• 17:09
  Speaker 1: said to him, you know, when I first met him,
• 17:10
  Speaker 1: I said, you know, hey, why don't you come back
• 17:12
  Speaker 1: when you tune your guitar. Kid, I didn't know who
• 17:13
  Speaker 1: he was, some punk was playing some dump some dive
• 17:15
  Speaker 1: of the south side of town. But it turned out
• 17:18
  Speaker 1: that he was a big hit and a big star.
• 17:19
  Speaker 1: And I went over to his office and I said, wow,
• 17:21
  Speaker 1: look at you. You got an office. I said, yes,
• 17:23
  Speaker 1: I do, mister Joel. I said, well, now I'd like
• 17:24
  Speaker 1: to sign to that management deal and he said I'm sorry,
• 17:26
  Speaker 1: I've already signed to a manager. And I said, you're
• 17:28
  Speaker 1: a back stab and Roube, you're a back stabing hicic.
• 17:31
  Speaker 1: You'd stab me Jeanejabel in the back. And that's when
• 17:34
  Speaker 1: he had two big oafs, two big torpedoes, picked me
• 17:37
  Speaker 1: up and throw me down two flights of stairs, and
• 17:39
  Speaker 1: then they kicked me at the door and then pushed
• 17:42
  Speaker 1: me across it would look like a wrought iron fence
• 17:44
  Speaker 1: and right into a mud puddle. And I got up
• 17:46
  Speaker 1: and my face was covered with mud. In the front
• 17:48
  Speaker 1: of my suit was covered with mud. And I turned
• 17:50
  Speaker 1: and I said, thanks a lot, Tim, come gja bel
• 17:54
  Speaker 1: Air with a big, big hit here on cut for USA.
• 17:56
  Speaker 1: That's called Humbling Kind. And as I said, humbling cind
• 18:00
  Speaker 1: just what I am not, Tim McGraw, It's what I
• 18:02
  Speaker 1: am not, Tim McGrath. Lovely and Angel cover Laurie Class Life.
• 18:15
  Speaker 1: You know the story of this song, don't you, Everybody?
• 18:21
  Speaker 1: Strange things happening in this world. I'll tell you, strange
• 18:29
  Speaker 1: things do happen in this world. Ginger Bell here Country, USA.
• 18:31
  Speaker 1: There he is the great Dicky Lee and Laurie. I
• 18:34
  Speaker 1: met Dickie Lee and he had brought to me a
• 18:35
  Speaker 1: man by the name of William Prescoll. You remember William.
• 18:38
  Speaker 1: William was a wonderful man. This is a man who
• 18:40
  Speaker 1: had lost his daughter. He lost his daughter in a
• 18:43
  Speaker 1: trucking accent of sun Kind, who was a lumber truck
• 18:45
  Speaker 1: and the lumber had slid out the back of the
• 18:47
  Speaker 1: flatbed of the truck and it had caved in on
• 18:49
  Speaker 1: a car that they were following in very very close behind.
• 18:52
  Speaker 1: Horrible action. The man had lost his daughter. And Dickie
• 18:54
  Speaker 1: had introduced this man to me, and I said, well,
• 18:57
  Speaker 1: did you lose your daughter? And in this act he
• 18:59
  Speaker 1: said yes, I did. I said, I'm very sorry to
• 19:01
  Speaker 1: hear that. I said, And as a joke, I said,
• 19:03
  Speaker 1: you know, last night I went to a dance and
• 19:05
  Speaker 1: I met a girl and he told me what his
• 19:07
  Speaker 1: daughter's name was. And I said, you didn't do that,
• 19:09
  Speaker 1: did you? Oh? Come on, I said, oh, I danced
• 19:12
  Speaker 1: for the young lady by that name, and I thought
• 19:14
  Speaker 1: of bringing her home to you, but I thought I
• 19:16
  Speaker 1: knew it was going to happen. You see, your daughter
• 19:18
  Speaker 1: died and I took her to the graveyard. I went
• 19:20
  Speaker 1: head and buried her there anyway, because I knew that
• 19:22
  Speaker 1: that's where she below. I thought that was very, very funny.
• 19:24
  Speaker 1: And he said, you think that's funny, I said, I
• 19:27
  Speaker 1: sort of do. He did three stooges. He fainted with
• 19:30
  Speaker 1: the two fingers like he was going to lay him
• 19:31
  Speaker 1: into my eyeballs, and I thought, whooa, you know, this
• 19:33
  Speaker 1: is a lot of fun I said, where'd you find
• 19:35
  Speaker 1: this guy, Dickie? This guy's great. By that point, Dicky
• 19:37
  Speaker 1: had retreated. He had backed up over toward a lemonade
• 19:40
  Speaker 1: stand that we had there, and he was just going
• 19:42
  Speaker 1: to get himself a lemonade and see what transpired. So
• 19:44
  Speaker 1: I realized that was on my own. And this man
• 19:47
  Speaker 1: tried to faint. He fainted like he's going to do
• 19:48
  Speaker 1: two fingers into the eyeballs. But then he grabbed me
• 19:50
  Speaker 1: by the nose. He hooked me with those two fingers
• 19:53
  Speaker 1: in each nostril, and he brought my face, the full
• 19:56
  Speaker 1: of my face, right down on a knee that he
• 19:58
  Speaker 1: was driving up with equal force. Say that knee at
• 20:01
  Speaker 1: the point that it hit my face was doing a
• 20:03
  Speaker 1: good thirty five to forty bars an hour. There's no
• 20:05
  Speaker 1: question in my mind if I'd had a clock on it,
• 20:08
  Speaker 1: I swear to Almighty got if you could imagine your
• 20:10
  Speaker 1: face going to what you guys need, it's going forty
• 20:12
  Speaker 1: miles an hour. It doesn't feel good, I can tell
• 20:14
  Speaker 1: you that. And I looked up in the mirror and
• 20:15
  Speaker 1: I said, that was a good one, man, It really was.
• 20:16
  Speaker 1: I looked at him, I congratulated him, shook his hand.
• 20:18
  Speaker 1: I looked in the mirror, and when your face is
• 20:20
  Speaker 1: flattened by a man's knee, you look almost ape, like
• 20:23
  Speaker 1: you've got the noses sticking up, like you're a monkey.
• 20:26
  Speaker 1: And I went, man, you put a monkey. I said,
• 20:27
  Speaker 1: you put the monkey on me. He said, I haven't
• 20:29
  Speaker 1: even finished. He said, I'm going to go ape on you.
• 20:32
  Speaker 1: I said, you put a monkey on me, you go ape.
• 20:34
  Speaker 1: He said, it's called Baker's Field Chimp. And that's when
• 20:36
  Speaker 1: he grabbed me and he began to I would say,
• 20:39
  Speaker 1: in a pile driving motion, just repeatedly boom boom boom
• 20:42
  Speaker 1: boom boom. My head into a metal post that was
• 20:45
  Speaker 1: there just underneath the grandstands there at walke Keagan coll
• 20:48
  Speaker 1: a scene where we had seen the show. And I
• 20:50
  Speaker 1: dropped and I started as stagger to my feet, and
• 20:52
  Speaker 1: I said, where are the proceeds from the show tonight?
• 20:54
  Speaker 1: Because I was making a joke where the proceeds from
• 20:56
  Speaker 1: the shouder night? Because I want to make it to
• 20:57
  Speaker 1: my car and try to get away from this this sucker.
• 21:00
  Speaker 1: And that's when he grabbed me again. Boom boom boom
• 21:02
  Speaker 1: boom into the post. I slid down again. I started
• 21:05
  Speaker 1: to stag it at my feet. He hit me with
• 21:07
  Speaker 1: a gut shot, hit me with another kidney shot. He
• 21:09
  Speaker 1: took my head and started to twist it and I
• 21:11
  Speaker 1: started to kind of in a fake way, go ah,
• 21:14
  Speaker 1: like it was hurting me, but it really wasn't what
• 21:16
  Speaker 1: it was hurting me, but by that point all the
• 21:18
  Speaker 1: pain had gone because I think he severed some nerves,
• 21:20
  Speaker 1: and I think the spinal cord was really injured and
• 21:22
  Speaker 1: had I couldn't feel my hands, I couldn't feel my feet.
• 21:24
  Speaker 1: And that's when he just laid me there and he
• 21:26
  Speaker 1: took what looked like a desk. And when I say
• 21:28
  Speaker 1: it looked like a desk, I couldn't imagine lifted up
• 21:30
  Speaker 1: a desk. But he lifted the desk up and he
• 21:32
  Speaker 1: dropped it on me. He dropped it in the small
• 21:34
  Speaker 1: of my back and then picked it up again, dropped
• 21:37
  Speaker 1: it at the large of my back, and then picked
• 21:38
  Speaker 1: it up again, and he dropped it on top of
• 21:40
  Speaker 1: my head. And that's why I learned my list. And
• 21:41
  Speaker 1: I said, Bob, but don't you ever don't get between
• 21:43
  Speaker 1: a dog and his meat. And sure as hell, don't
• 21:45
  Speaker 1: start making fun of a man's daughter if she'd had
• 21:47
  Speaker 1: a lumber truck back into her and kill her very
• 21:50
  Speaker 1: night before. Don't start making jokes about how you went
• 21:52
  Speaker 1: dancing with her and who she wanted my jacket, I
• 21:53
  Speaker 1: put it on a grapestone ginger bell Country USA. We
• 21:57
  Speaker 1: played the great country songs and I get my ass,
• 22:00
  Speaker 1: but a great country artists. I even get my ass
• 22:02
  Speaker 1: kicked by some of the great female country artists, thin Danny.
• 22:06
  Speaker 1: All right, that's enough of that whaling pill head. Now
• 22:08
  Speaker 1: I can tell you something about Tammy Whine. And I
• 22:10
  Speaker 1: came to her house and I said, Tammy, I think
• 22:12
  Speaker 1: you are phenomenal. I know you were married to an
• 22:13
  Speaker 1: alcoholic by the name of George Jones. I think George
• 22:15
  Speaker 1: is a very fantastic artist, a wonderful artist. It's too
• 22:17
  Speaker 1: bad about his drinking. And she said, well, what do
• 22:19
  Speaker 1: you think about this. I've been in the hospital, in
• 22:21
  Speaker 1: and out of the hospital with all kinds of pill problems,
• 22:23
  Speaker 1: all kinds of problems like that. I said, you know what, Tammy,
• 22:24
  Speaker 1: it doesn't make any difference to me because I'm jean
• 22:26
  Speaker 1: Ja Belle Country USA. I signed some of the great
• 22:28
  Speaker 1: artists of all time. She said, I also heard you
• 22:30
  Speaker 1: get your ass kicked by some of the great artists
• 22:32
  Speaker 1: of all time. I said, Tammy, that's true. She said,
• 22:34
  Speaker 1: did you know that I'm working out now? I said no,
• 22:35
  Speaker 1: I didn't know that. She said, I'm using these little
• 22:37
  Speaker 1: these little weights. See this little barbell here. I said, yeah,
• 22:40
  Speaker 1: what's that? About a twenty potter. She said, yes, it is,
• 22:42
  Speaker 1: but you can tell me for sure, and she brought
• 22:44
  Speaker 1: that thing crashing down on top of my head. She
• 22:46
  Speaker 1: uses two hands and she just cracked that thing right
• 22:49
  Speaker 1: down on top of my skull. She said, Gene, I
• 22:51
  Speaker 1: heard you got a thick skull like an artillery shell.
• 22:54
  Speaker 1: I said, I think I do, because I was stunned.
• 22:58
  Speaker 1: She said, nope, not hard enough, and she cracked it
• 23:01
  Speaker 1: down on my head one more time. That's when blood
• 23:03
  Speaker 1: began filling my ears and my eyes and I went,
• 23:07
  Speaker 1: damn me, well, you sign a deal with me. She said, ah,
• 23:11
  Speaker 1: oh my god. I can't stop Jean Jabell. He's like
• 23:14
  Speaker 1: a raging freak, like a raging monster or something. I
• 23:18
  Speaker 1: gotta get out of here. That's when Tammy Wynette, the
• 23:21
  Speaker 1: great Contriatist, ran out of her house and I went
• 23:23
  Speaker 1: staggering after her. Someone tripped me and dropped me to
• 23:26
  Speaker 1: the ground, and that's when they began beating me with
• 23:28
  Speaker 1: the butt of a rifle. I looked up and I
• 23:30
  Speaker 1: realized it was a bodyguard, and I turned and I
• 23:32
  Speaker 1: grabbed the rifle, but he pushed my hands away and
• 23:34
  Speaker 1: kept beating my face in with the butt of this rifle.
• 23:37
  Speaker 1: Somebody else came along with another rifle, stuck it right
• 23:39
  Speaker 1: into my solar plexus and said, I swear to Almighty God,
• 23:42
  Speaker 1: I'm gonna pull the trigger if you don't get out
• 23:44
  Speaker 1: of here, I said, clearly. I got up and started
• 23:47
  Speaker 1: to stagger after Tammy Wynette. She got into a car.
• 23:49
  Speaker 1: She drove about two miles down the road. She got
• 23:51
  Speaker 1: out of her car. She wrote it, she just ran
• 23:53
  Speaker 1: into an office. Well, I don't know how, but I
• 23:55
  Speaker 1: was there already, just staggering along. I must be staggering
• 23:58
  Speaker 1: about thirty miles an hour. I finally there. I knocked
• 24:00
  Speaker 1: on the door. She said, ah, how could you be
• 24:02
  Speaker 1: here in this much time? And I said, Timmy, it's
• 24:04
  Speaker 1: change a Bell and I never give up. Only it
• 24:06
  Speaker 1: sounded more like Tammy Jane Bell. Nah, God, God got.
• 24:11
  Speaker 1: I heard the distinct cocking of a shotgun, and then
• 24:14
  Speaker 1: I felt the butt shot go into my ass. Jane
• 24:31
  Speaker 1: A Bell. Here's a great man. You're a George Jones,
• 24:33
  Speaker 1: A great man, A great loss, a great loss to
• 24:35
  Speaker 1: the country. When we lost George Jones, we lost George Jones.
• 24:38
  Speaker 1: Though it was just one less guy with a pill
• 24:40
  Speaker 1: problem and an alcohol problem right off the front pages.
• 24:42
  Speaker 1: Now a lot of people said to me, Ginger Bell,
• 24:44
  Speaker 1: you're a cruel You're a cruel and sad man. How
• 24:47
  Speaker 1: dare you You will never be even one third of
• 24:49
  Speaker 1: the man the George Jones is. I said, well, she's,
• 24:51
  Speaker 1: dear George Jones will never now be one third the
• 24:53
  Speaker 1: man I am, because there ain't nothing left of him now,
• 24:56
  Speaker 1: is there. And they said that's really kind of swine like,
• 24:59
  Speaker 1: and they need me in nuts, and then kneed me
• 25:01
  Speaker 1: in the forehead and pushed me down the steps of
• 25:03
  Speaker 1: the church this was a memorial for George Jones. Rolled
• 25:07
  Speaker 1: me down another set of steps, down onto the sidewalk,
• 25:09
  Speaker 1: and then everyone just kind of jumped on me and
• 25:11
  Speaker 1: started pummeling me with fists. Somebody picked up what looked
• 25:14
  Speaker 1: like a campaign sign. I don't know who it was for,
• 25:17
  Speaker 1: but it had a good wooden base to it, and
• 25:19
  Speaker 1: they picked that up and ben slamming it in my
• 25:21
  Speaker 1: head and breaking over the back of my head till
• 25:23
  Speaker 1: finally they rolled me right out of the gut or
• 25:25
  Speaker 1: the street, right in front of the church where they
• 25:26
  Speaker 1: were having this memorial for George Jones. I got up
• 25:29
  Speaker 1: and I said and they said, well, you can't sign
• 25:33
  Speaker 1: George Jones to a management contract because he's dead. He's dead,
• 25:38
  Speaker 1: And I said, thank you for reminding me, because i'd forgotten.
• 25:41
  Speaker 1: That's why I was here to sign him to a
• 25:43
  Speaker 1: management contract. And I realized this is a memorial service.
• 25:46
  Speaker 1: He's dead, So thank you. No need to get angry.
• 25:50
  Speaker 1: Bell always comes around. Just today, I am Gene Belle.
• 25:55
  Speaker 1: You know what, I always always always come to my
• 25:57
  Speaker 1: senses here to Ginge of Bell's country Us childon there
• 26:00
  Speaker 1: was Sangree. You know. Back when I was promoting the
• 26:02
  Speaker 1: dance show, I went to the Nashville Predator hockey team
• 26:04
  Speaker 1: and I said, I want to get out there under
• 26:05
  Speaker 1: the ice and I'd like to I'd like to do
• 26:08
  Speaker 1: a little skater around for my listeners. If that's okay.
• 26:10
  Speaker 1: I think it's kind of a fun thing. They said, whatever,
• 26:12
  Speaker 1: you know, we're not open on we don't have a
• 26:14
  Speaker 1: game on Sundays. Watch you bring him on out there. Well,
• 26:15
  Speaker 1: one of the young people who was out there skating
• 26:17
  Speaker 1: that day was Blake Shelton. I'll never forget because I
• 26:19
  Speaker 1: thought he was some kind of a slob out there.
• 26:21
  Speaker 1: He wasn't dressed very well. He had a young lady
• 26:23
  Speaker 1: with him. I said, don't you know how to dress?
• 26:25
  Speaker 1: He said, boy, mister Jabelle, I think you're fantastic. I
• 26:27
  Speaker 1: hope one day to get one of my records on
• 26:28
  Speaker 1: your show. And I said, well you are not only
• 26:30
  Speaker 1: you're not going to get a record on my show,
• 26:32
  Speaker 1: but I'm throwing your ass off the ice right now.
• 26:34
  Speaker 1: What are those cheap creep dungarees you're wearing? And what
• 26:37
  Speaker 1: kind of a shirt is that with the plaid and
• 26:39
  Speaker 1: the tail hanging out? You look like some kind of
• 26:42
  Speaker 1: a bum. You look like a Nashville grunge slash hip
• 26:46
  Speaker 1: hop I don't know, some kind of an asshole. And
• 26:49
  Speaker 1: I had them throw him out. And a few years later,
• 26:52
  Speaker 1: I ran into Blake Shelton at that very ice arena.
• 26:54
  Speaker 1: He was there to promote a Nashville Predator game and
• 26:57
  Speaker 1: he was out skating around with the Nashville Predators doing
• 26:59
  Speaker 1: a kind of a skater ing, know how a lot
• 27:01
  Speaker 1: of the stars do. And so I put on some skates.
• 27:03
  Speaker 1: I said, I got to go out and I want
• 27:04
  Speaker 1: to talk to Blade Shelton. And they said you're not
• 27:05
  Speaker 1: allowed out of the ice, and I said, well, hold on,
• 27:07
  Speaker 1: I know him very very well because we've talked. And
• 27:09
  Speaker 1: they said please get away from him, and I said,
• 27:11
  Speaker 1: you don't understand. So Blake turned, he saw me coming
• 27:13
  Speaker 1: toward me, recognized me. He got fright for some reason,
• 27:16
  Speaker 1: and I said, Blake, remember me, I'm jing a Bell.
• 27:18
  Speaker 1: He turned and began to skate away from me. Well,
• 27:20
  Speaker 1: as I skated after my trip, and as my face
• 27:22
  Speaker 1: fell forward, okay, the back of his skate hit my
• 27:26
  Speaker 1: mouth full, knocking out all of the upper row of teeth,
• 27:29
  Speaker 1: I blacked out. When I came to, I basically had
• 27:32
  Speaker 1: no teeth in my mouth at all, the lower row
• 27:34
  Speaker 1: having been knocked out by a second swing of the skate.
• 27:37
  Speaker 1: So my face went down hit the first skate bounced off,
• 27:40
  Speaker 1: the ice went up in the air, and the second
• 27:42
  Speaker 1: skate hit me full of the mouth, not only the
• 27:45
  Speaker 1: skate shoe, but the blade itself, so the back end
• 27:48
  Speaker 1: of the blade and I had lacerations that made it
• 27:50
  Speaker 1: almost look as if I'd been given the Chelsea grin.
• 27:53
  Speaker 1: I looked like the Joker with the blood coming down
• 27:55
  Speaker 1: and my eyeballs bulging out. And I said, hey, big
• 27:58
  Speaker 1: blog will flog me. And again he said, you sound
• 28:02
  Speaker 1: like an insensible ghoul. Get away from me, get away
• 28:04
  Speaker 1: from everyone that I know, And I said you oh.
• 28:07
  Speaker 1: I got up. I escaped the restraints of the medical people,
• 28:11
  Speaker 1: and I began again to lurch toward him. I had
• 28:13
  Speaker 1: on skates, and so I was doing a half lurch,
• 28:15
  Speaker 1: half skate toward him. He screamed and tried to get
• 28:18
  Speaker 1: out of the arena. There he got off the ice.
• 28:20
  Speaker 1: His security people came over. One of them popped me
• 28:23
  Speaker 1: with the right hand. The other hit me with a left.
• 28:25
  Speaker 1: The full effect of that was almost like a sandwiching
• 28:27
  Speaker 1: of those two fists, and that knocked the final two
• 28:31
  Speaker 1: or three teeth the back molers out of my mouth.
• 28:33
  Speaker 1: It also cracked the jaw, the upper part of my mouth,
• 28:36
  Speaker 1: and it also fractured the jaw near the hairline. As
• 28:41
  Speaker 1: I fell, my nose hit the ice, so I broke
• 28:43
  Speaker 1: my nose in two places. And then when I got
• 28:45
  Speaker 1: up one more time to try to lurch and grab
• 28:47
  Speaker 1: a hold of Blake Shelton's leg, someone came along and
• 28:50
  Speaker 1: stepped on my hand and that broke the wrist flattened
• 28:54
  Speaker 1: a few bones in that right hand. I came over
• 28:56
  Speaker 1: with the left hand to try to grab his other leg,
• 28:58
  Speaker 1: and someone took a baseball bat and basically they pulverized
• 29:00
  Speaker 1: all the bones in that hand. The screaming, they say,
• 29:04
  Speaker 1: went on for at least ten minutes. I don't remember.
• 29:06
  Speaker 1: I was in almost kind of a fugue state, you know,
• 29:09
  Speaker 1: but I heard someone screaming. They told me later it
• 29:11
  Speaker 1: was me. And that went on for a good ten
• 29:13
  Speaker 1: to fifteen minutes until they finally picked me up, threw
• 29:16
  Speaker 1: me in the back of a looked like one of
• 29:18
  Speaker 1: those old milk wagons. They didn't have an ambulance. They
• 29:20
  Speaker 1: didn't really want to waste the time of an ambulance.
• 29:22
  Speaker 1: They threw me in the back of a milk wagon
• 29:24
  Speaker 1: pulled up still rolling in front of the hospital. As
• 29:27
  Speaker 1: they were moving along about twenty miles an hour, pushed
• 29:29
  Speaker 1: me out the back door. I fell onto the circular
• 29:31
  Speaker 1: driveway there of the hospital. I got up, staggered, and
• 29:34
  Speaker 1: lurched into the emergency room. Excuse me, and I said,
• 29:38
  Speaker 1: I deserve and nay, nay, not only do I deserve,
• 29:40
  Speaker 1: but I demand service right now. Of course, I was
• 29:43
  Speaker 1: saying this again through a mouth filled and clotted with blood,
• 29:46
  Speaker 1: so it sounded like this. It sounded like well, I've
• 29:51
  Speaker 1: heard the tape recording and it's quite striking. It's quite
• 29:54
  Speaker 1: quite interesting. It's really really quite interesting, Blake Chilton. What
• 29:59
  Speaker 1: it brings as the Johnny is Johnny, one of the great, great,
• 30:01
  Speaker 1: great country out his voltail of the great song Ride
• 30:03
  Speaker 1: my Thumb to Mexico. Well, when he came to my office,
• 30:07
  Speaker 1: he said, hey, mister Jabel, I need a manager. I
• 30:09
  Speaker 1: got a song. Is what's it called? I said, Riding
• 30:10
  Speaker 1: my Thumb to Mexico. I said, what makes you think
• 30:12
  Speaker 1: that people north of the border, Johnny, okay, north of
• 30:16
  Speaker 1: the border, when I hear you talk about your thumb
• 30:18
  Speaker 1: parked up your ass. Said well, mister Jabel, it's not
• 30:21
  Speaker 1: exactly like that. I said, that's exactly what it is.
• 30:24
  Speaker 1: It's a song about you having your thumb parked in
• 30:26
  Speaker 1: your ass, and guess what, it's still parked up there.
• 30:28
  Speaker 1: Get out, get out and do the gardening on your
• 30:31
  Speaker 1: way out. About a year, Ride my Thumb to Mexico
• 30:34
  Speaker 1: was a smash hit all across the country, all across
• 30:37
  Speaker 1: the world, as a matter of fact. So I called
• 30:39
  Speaker 1: up Johnny's manager and I got a bodyguard. I called
• 30:41
  Speaker 1: up the bodyguard and asked him to connect me to
• 30:43
  Speaker 1: the manager, and then the manager connected me to the agent.
• 30:45
  Speaker 1: The agent connected me to the record company. The record
• 30:48
  Speaker 1: company connected me to the internal security of Johnny's organization.
• 30:52
  Speaker 1: I talked to the internal security of Johnny's organization. They
• 30:54
  Speaker 1: connect me to the record producer. The record producer then
• 30:55
  Speaker 1: connected me to Johnny's immediate family. Then they in turn
• 30:58
  Speaker 1: did not connect me to Johnny, and I asked why not.
• 31:00
  Speaker 1: They said, because you're a pain in the ass. Frankly,
• 31:03
  Speaker 1: we don't want to have to smell you. Okay, because
• 31:05
  Speaker 1: Johnny tells us it ain't too good. I said, come on,
• 31:08
  Speaker 1: give me a break. I hadn't slept all night, but
• 31:10
  Speaker 1: drink it all night. I probably had bet. Oh, but
• 31:13
  Speaker 1: I'm here to make a big, big sale. And I said, sure, Jeane,
• 31:16
  Speaker 1: come on over. So I got all dressed up, I
• 31:18
  Speaker 1: got on a limousine. I drove over to Johnny's place.
• 31:20
  Speaker 1: I walked in the door and Johnny said, Hi, you're
• 31:22
  Speaker 1: Ginge Bell. I said, yeah, you remember me. I'm the
• 31:24
  Speaker 1: guy that told you. And mid sentence, once again, here
• 31:27
  Speaker 1: comes the lid of a piano. My head had been
• 31:29
  Speaker 1: laid down inside the piano and they were slamming the
• 31:32
  Speaker 1: piano lid on my head repeatedly. Oh Gane of Bells
• 31:37
  Speaker 1: had his ass kicked by some of the top names
• 31:39
  Speaker 1: in country music. Are you one of them? Send us
• 31:43
  Speaker 1: up self addressed, stamped envelope and a postcard telling us
• 31:45
  Speaker 1: how you beat Ginge Bell almost to death. Tell us
• 31:48
  Speaker 1: who you are, your record label, and your hit record,
• 31:51
  Speaker 1: and we'll be happy to include you on Jeane of
• 31:54
  Speaker 1: Bell's Top country Artists of all time getting his ass
• 31:57
  Speaker 1: beat fans Jeanja Bell here. I'll be out there at
• 31:59
  Speaker 1: the Small Playgrounds that's the sport Book Playgrounds, and that
• 32:02
  Speaker 1: will be on the first, second, third, fourth, eight, ninth, tenth,
• 32:06
  Speaker 1: and fifteenth of February. Don't ask me. I wanted it
• 32:08
  Speaker 1: that way, and I think it's going to be a
• 32:09
  Speaker 1: fantastic time the Spa Playground. And if you come early
• 32:12
  Speaker 1: you get a ginge Bel baseball cap. You'll also get
• 32:14
  Speaker 1: a Ginga Bel mask and a ginger Bel pair of tight, tight,
• 32:17
  Speaker 1: very very tight leather pants so tight you can see
• 32:19
  Speaker 1: every single solitary crack and indentation. That's the Ginga Bell
• 32:25
  Speaker 1: Jingabel pants. Come on out to see me Jinga Bell
• 32:28
  Speaker 1: at the Split Playground. And that'll be on the first, third, fifth.
• 32:30
  Speaker 1: I forget the dates, but it will be next month.
• 32:32
  Speaker 1: Jing of Bell Country Music USA, come on out and
• 32:35
  Speaker 1: see Gene next month. The steps come these two guys,
• 32:39
  Speaker 1: two dudes, had looked like they had just fallen right
• 32:41
  Speaker 1: out of a cat's rear end. They had a banjo,
• 32:43
  Speaker 1: a guitar, some jazz. I said, what's with you guys?
• 32:45
  Speaker 1: I said, well, we got a country group and we'd
• 32:47
  Speaker 1: like you to maybe manage us. I started making fun
• 32:50
  Speaker 1: of the guys. Stutter he's going and mister Gidel, I said, yeah, yez.
• 32:53
  Speaker 1: What's the name of your group? He goes, It's Rascal
• 32:57
  Speaker 1: Flats and I'm laughing. I don't even know if the
• 32:59
  Speaker 1: guy really stutters up, and that's how I remember it.
• 33:01
  Speaker 1: I said, well, play a song for me, and they
• 33:03
  Speaker 1: put out about two or three notes of a song
• 33:05
  Speaker 1: and I said, it's stinks. Get out, and I went
• 33:07
  Speaker 1: back to counting my casher seats. They said, mister Jabell,
• 33:09
  Speaker 1: you should treat people better than that. We had a
• 33:11
  Speaker 1: whole song we wanted to do. And I looked up
• 33:13
  Speaker 1: and I said, are you do I hear some I
• 33:14
  Speaker 1: think I hear that's not a cat. That's not a mouse,
• 33:17
  Speaker 1: that's you still talking right? He said yeah. I said,
• 33:19
  Speaker 1: I told you to get out of here, and that's
• 33:21
  Speaker 1: when I pulled a gun and I pointed it directly
• 33:22
  Speaker 1: at his head and that's when he turned around and said,
• 33:24
  Speaker 1: I'm sorry, mister Jabell and the other guy and they
• 33:26
  Speaker 1: walked out into the street, and just as they were
• 33:28
  Speaker 1: walking out onto the street, I said, hey, turn around,
• 33:31
  Speaker 1: I got something for you. And they turned around. I said, look,
• 33:33
  Speaker 1: it's not even loaded. What a couple of chump chimps.
• 33:37
  Speaker 1: That's when they decided they're going to come after me.
• 33:39
  Speaker 1: And that's when I brought an Igor, my bodyguard, and
• 33:41
  Speaker 1: that's when he laid them out. With one punch. He
• 33:44
  Speaker 1: hit the guy in front. The other guy fell down
• 33:46
  Speaker 1: just by looking at that punch. The two of them
• 33:47
  Speaker 1: were out for hours. I decided, hey, why not we
• 33:51
  Speaker 1: rolled them out in the street and backed by Cadillac
• 33:54
  Speaker 1: over top of them. About a year later, I'm listening
• 33:57
  Speaker 1: to the radio and here comes this song. It's called
• 33:59
  Speaker 1: back to Life. I said, yeah, I'm back to life.
• 34:01
  Speaker 1: What back from the dead? And I think one of
• 34:03
  Speaker 1: the guys from my office said, don't you realize that's
• 34:05
  Speaker 1: Rascal Flats. You drove your car over top of them.
• 34:08
  Speaker 1: I said, you know what, You're right, this is a
• 34:09
  Speaker 1: good song. And so we drove to where their offices
• 34:11
  Speaker 1: were and I said, I'm Jean Jabelle. Hi, I'm when
• 34:14
  Speaker 1: of country music's great disc jockeys. And they said, okay,
• 34:16
  Speaker 1: and what is this about. I said, I'm going to
• 34:18
  Speaker 1: manage Rascal Flats. First they're going to do is change
• 34:20
  Speaker 1: the name, but that's okay. And they said okay, hold on,
• 34:22
  Speaker 1: and they brought out the two guys that I've been
• 34:24
  Speaker 1: talking to and I said, oh, it's Jane of Bell.
• 34:26
  Speaker 1: Do you remember when you came to my office with
• 34:27
  Speaker 1: that crap can song? And I said yeah. I said,
• 34:28
  Speaker 1: well I want to manage you now. They said really,
• 34:30
  Speaker 1: I said yeah. So they escorted me into their office
• 34:32
  Speaker 1: and said would you like to have a cigar something
• 34:34
  Speaker 1: to drink? I said sure, why not? Well, they gave
• 34:36
  Speaker 1: me a drink and it was laced with date rape
• 34:38
  Speaker 1: drug take. I also had a knockout pill in it. Well,
• 34:43
  Speaker 1: when I awoke, my pants were down. You got I
• 34:49
  Speaker 1: don't want to go any further. Rascal Flats puts it
• 34:54
  Speaker 1: to Jean jabel I said, okay, you guys had your fun,
• 34:57
  Speaker 1: all right, let me pull my pants up. Now, let's
• 34:59
  Speaker 1: sign and manage deal and let's get serious. And I said, sure,
• 35:03
  Speaker 1: we'll sign the management deal. About five feet beyond that window,
• 35:06
  Speaker 1: I looked down ten stories up. I said, will you
• 35:09
  Speaker 1: sign it? They go yeah. I said, I crawled out
• 35:12
  Speaker 1: on the window ledge. They said, keep going, keep going.
• 35:14
  Speaker 1: Well I fell ten stories to the cement. I said,
• 35:18
  Speaker 1: you guys did They said, we didn't have a chance
• 35:20
  Speaker 1: because you were out. And you know there's a thing
• 35:22
  Speaker 1: called gravity. You picked. When I said the word prick,
• 35:26
  Speaker 1: I knew I'd messed up, because here it came the
• 35:28
  Speaker 1: butt end of a pool queue into my mouth. The
• 35:31
  Speaker 1: other butt end of a pool queue. Well, when a
• 35:33
  Speaker 1: husband's at home and he's watching the kids, the girls
• 35:35
  Speaker 1: go out and they had themselves a big Friday night
• 35:37
  Speaker 1: drinking him Margaerita is the holiday and guess who the
• 35:39
  Speaker 1: disc jockey is. You got that me, y'all. When I
• 35:43
  Speaker 1: say those girls come home went out to close, that
• 35:45
  Speaker 1: is the truth. And that's when a husband come looking
• 35:47
  Speaker 1: for me. And that's when I generally what happens in
• 35:50
  Speaker 1: I get beaten up in a parking lot. After everybody's
• 35:52
  Speaker 1: gone home, there's maybe three or four people stand around
• 35:54
  Speaker 1: to watch you, to see what happens with the smart
• 35:56
  Speaker 1: ass disc jockey as he gets a car door slammed
• 35:58
  Speaker 1: on his head about six times. Then it's his head
• 36:00
  Speaker 1: bounced off the hood of the car, and then he
• 36:02
  Speaker 1: gets run over. Not by one, two or three, he
• 36:04
  Speaker 1: gets run over by about six or seven cars until
• 36:08
  Speaker 1: he has to drag himself to a payphone because his
• 36:11
  Speaker 1: cell phone is broken, and drags himself to a payphone,
• 36:14
  Speaker 1: fumbles around for coins because his hands are bloody, puts
• 36:16
  Speaker 1: it up there and says, I need nine to one one,
• 36:18
  Speaker 1: I need the emergency. I had my ass kicked because
• 36:20
  Speaker 1: I was coming on to a bunch of guys wives
• 36:22
  Speaker 1: while they were stripping their clothes off in the bathroom,
• 36:24
  Speaker 1: drinking tequila, having themselves a good time. He said, just
• 36:26
  Speaker 1: Ginge of Bell Country, USA. I said, yeah, I said,
• 36:29
  Speaker 1: you on your own die. Motherfucker died on last two
• 36:33
  Speaker 1: long jing a bell If the DJ puts bond me,
• 36:42
  Speaker 1: anybody here is a little big town near Ginger Bell Country,
• 36:45
  Speaker 1: is that crush hat two in me? And he has
• 36:52
  Speaker 1: a song about lesbian love girl crush there's a chick
• 36:56
  Speaker 1: there who's in love with another chick. And I told
• 36:57
  Speaker 1: him early on, I said, you know, you ain't gonna
• 36:59
  Speaker 1: make it in this time with kind of lesbian stuff.
• 37:01
  Speaker 1: And they said, you don't understand the beautiful music that
• 37:04
  Speaker 1: we make. And I said, yes, I do a couple
• 37:05
  Speaker 1: of dikes like you. It just ain't gonna happen unless
• 37:09
  Speaker 1: you got Ganja Bell at the wheel of your career.
• 37:12
  Speaker 1: And if you'll let me handle the wheel of your career,
• 37:15
  Speaker 1: believe me, my hands won't go anywhere else but the
• 37:18
  Speaker 1: wheel of your career, especially looking at you two diesel dykes.
• 37:24
  Speaker 1: That's when I went into the studio and I had
• 37:26
  Speaker 1: a very special recording made of that diesel dike in well,
• 37:31
  Speaker 1: I wasn't long. It wasn't long at all before I
• 37:33
  Speaker 1: met those chicks one fine night and we were in
• 37:36
  Speaker 1: a diner. They were out there, just been singing, and
• 37:38
  Speaker 1: they decided to stop it and get themselves something to eat.
• 37:41
  Speaker 1: And I saw them and say, hey, look at that
• 37:43
  Speaker 1: there they are a little big town. You girls are
• 37:45
  Speaker 1: doing real real good, huh. And they said, yeah, we're
• 37:47
  Speaker 1: doing real good, but it won't keep us from beating
• 37:49
  Speaker 1: and robbing you, and I said, what are you talking about?
• 37:52
  Speaker 1: Your big stars? I said, come on outside, I said, haha, Well,
• 37:55
  Speaker 1: they beat me up, beat the living hell out of me,
• 37:57
  Speaker 1: took my wallet, took all my money, all my credit cards,
• 38:00
  Speaker 1: and just dropped them around town. Next thing you know,
• 38:03
  Speaker 1: I was having charges wrung up on all of my
• 38:05
  Speaker 1: credit cards by every hobo and bum that found those cards. Meanwhile,
• 38:09
  Speaker 1: all of my cash has gone, and they dropped me
• 38:10
  Speaker 1: off in the middle of you guessed it, the black
• 38:13
  Speaker 1: part of town. And as I got up and tried
• 38:17
  Speaker 1: to scramble out of there with no pants because they'd
• 38:19
  Speaker 1: robbed those two, and I saw some people coming at me,
• 38:22
  Speaker 1: I went, ah, well, I ran out of there, and
• 38:25
  Speaker 1: what do you know, I'm running right into the Mexican
• 38:28
  Speaker 1: part of town. And I started screaming again, and I
• 38:31
  Speaker 1: ran out of there. And where did I run into?
• 38:33
  Speaker 1: You got it? The Asian part of town. And then
• 38:35
  Speaker 1: I ran out of there, and I finally got out
• 38:37
  Speaker 1: of the white part of town, and I was happy,
• 38:38
  Speaker 1: except everybody there was Jewish, and that was bad too.
• 38:41
  Speaker 1: And I went, yeah, well, I'll tell you I never
• 38:44
  Speaker 1: did really find it into a territory in that city
• 38:46
  Speaker 1: that I would be comfortable, and that would be lily white,
• 38:49
  Speaker 1: and I mean so white almost alby no white. I
• 38:53
  Speaker 1: never could find that section of town, and I wound
• 38:55
  Speaker 1: up getting my ass kicked by four different ethnic groups
• 38:59
  Speaker 1: that night because little Big Town couldn't take a joke.
• 39:03
  Speaker 1: But I said, why don't you diesel dykes do something
• 39:05
  Speaker 1: with your lives like repair jets gee's instead of singing?
• 39:08
  Speaker 1: And then they belted me, robbed me, and dropped me
• 39:10
  Speaker 1: off into that you know, bad part of town. I
• 39:12
  Speaker 1: say bad. It was the black part of town. I say,
• 39:15
  Speaker 1: you know black. It was also Asian Jewish and well,
• 39:18
  Speaker 1: I forget what else Mexican and I went, ah, yeah,
• 39:25
  Speaker 1: how about that Billy Currington here Jinge Bell Country Usay,
• 39:28
  Speaker 1: that's called donut huh ah, yeah, Billy Currington. I grabbed
• 39:34
  Speaker 1: his girlfriend's I think it was the right butt cheek
• 39:38
  Speaker 1: of his girlfriend in a very It was one of
• 39:40
  Speaker 1: those spontaneous moves. Okay. It was a party that we
• 39:43
  Speaker 1: were that we were at that had been thrown by
• 39:45
  Speaker 1: the record company, and I grabbed that butt cheek and
• 39:48
  Speaker 1: I said, feels good, don't it. Now understand I'd had
• 39:51
  Speaker 1: an awful lot to drink, and I had already explained
• 39:54
  Speaker 1: that to to Billy's management. I had explained that to
• 39:56
  Speaker 1: his agent, and I'd explained it to the record company.
• 39:58
  Speaker 1: I'd also explained it to the general advantage of our
• 40:00
  Speaker 1: radio station, K Country and the Ginge Bell Country USA sponsors.
• 40:04
  Speaker 1: So everyone knew that I was drunk, that I had
• 40:07
  Speaker 1: been drinking a particularly strong, strong version of absinthe, that
• 40:11
  Speaker 1: I had been on pills, and I was weaning myself
• 40:15
  Speaker 1: off of a variety of pills. So I was not
• 40:17
  Speaker 1: really in any particular frame of mind, I would say,
• 40:21
  Speaker 1: to be behaving in a normal way. Everyone knew. Everyone
• 40:25
  Speaker 1: was unnoticed. So that what I did. Finally see Billy's girlfriend,
• 40:28
  Speaker 1: and she had on a nice tight pair of leather pants.
• 40:31
  Speaker 1: I squeezed one butt cheek and I said, feels good,
• 40:34
  Speaker 1: don't it. She came around with At that time, I
• 40:37
  Speaker 1: didn't know she was holding on to it. She'd taken
• 40:39
  Speaker 1: off a real heavy belt that she'd been wearing, made
• 40:41
  Speaker 1: of a combination of real thick, heavy heavy leather and
• 40:45
  Speaker 1: some very very thick metal pieces. And she came around
• 40:48
  Speaker 1: with this metal belt and she cracked that across my nose.
• 40:52
  Speaker 1: Now the nose had been broken to two times before,
• 40:55
  Speaker 1: as you know, in my encounter there with I think
• 40:58
  Speaker 1: it was Blake Shelton. Well, now the nose was busted
• 41:00
  Speaker 1: in two more places, and now as I looked at
• 41:03
  Speaker 1: it in the mirror, blood beginning to emerge from my nostrils.
• 41:05
  Speaker 1: I could see that I had one of those Dave
• 41:08
  Speaker 1: Tiger Smith noses where you can bite a wall. The
• 41:11
  Speaker 1: nose completely flattened. I looked like some sort of a
• 41:15
  Speaker 1: punch drunk pug, a guy with a flat nose and
• 41:18
  Speaker 1: about two cents worth of brains. And as I turned
• 41:21
  Speaker 1: to look to her, I said, you know something, I
• 41:24
  Speaker 1: paid you a compliment, and all you can do is
• 41:26
  Speaker 1: crack me across the face with a belt. Don't you
• 41:29
  Speaker 1: understand that now with my nose flatter, I can make
• 41:32
  Speaker 1: more headway between your thighs. And that's when she took
• 41:35
  Speaker 1: both of her hands and popped them across my ears.
• 41:39
  Speaker 1: I'm sure you've seen that in the movies where they
• 41:40
  Speaker 1: slapped both ears. She slapped both of my ears. I
• 41:43
  Speaker 1: went deaf immediately. At both ears, I saw blood literally
• 41:48
  Speaker 1: beginning to squirt from both both ears, and I began
• 41:52
  Speaker 1: to realize that this girl meant business. So I'm trying
• 41:55
  Speaker 1: to explain to her. No, you don't get it, she said, Jesus,
• 41:58
  Speaker 1: she turns she wasn't even talking to me. She went
• 41:59
  Speaker 1: into the kitchen, and as I came around the corner
• 42:02
  Speaker 1: to follow her to explain things, one of the ladies
• 42:04
  Speaker 1: in there screamed because I looked in the mirror and
• 42:06
  Speaker 1: what I saw I barely recognized as my own face.
• 42:09
  Speaker 1: A flattened nosed, blood coming out of my nostrils, blood
• 42:11
  Speaker 1: now pouring out of both ear drums, and it looked
• 42:13
  Speaker 1: like I had a little bit of a laceration across
• 42:16
  Speaker 1: the front of my head. And I said, hey, I'm blake,
• 42:18
  Speaker 1: excuse me, I'm bleak show. My name is Jane Bell.
• 42:20
  Speaker 1: Blake Shelton. Last week is a guy that did damnage.
• 42:22
  Speaker 1: He broke my nose twice. See the nose right here
• 42:25
  Speaker 1: has been broken by none other than Billy Carrington's girlfriend.
• 42:28
  Speaker 1: And the lady screamed and asked what I wanted. I said,
• 42:31
  Speaker 1: my name's Jinga Bell country Ussay. She said, no, you aren't.
• 42:34
  Speaker 1: You look like a freak. You look like something out
• 42:37
  Speaker 1: of a carnival side show. And I said, I can
• 42:39
  Speaker 1: prove it to you. And as I moved toward her
• 42:42
  Speaker 1: to give her a little bit more of the disc
• 42:44
  Speaker 1: jockey wrap, she pulled out a knife, was a big
• 42:47
  Speaker 1: steak knife, and she slashed at my mouth, cutting my mouth.
• 42:50
  Speaker 1: And then when I said, no, wait a minute, you
• 42:52
  Speaker 1: know you're making a mistique flouting, and so I started
• 42:58
  Speaker 1: to sound almost like a mad donald, and both women
• 43:01
  Speaker 1: screamed and retreated. What's more, And that's finally when Billy
• 43:05
  Speaker 1: came into the room and he looked at me and
• 43:06
  Speaker 1: he said, what is it? And they said, we think
• 43:09
  Speaker 1: it's Geene Jabelle. I said, good Jean, I'm trying to
• 43:17
  Speaker 1: say it was Ginge Bell. So Billy took my head
• 43:19
  Speaker 1: and he basically threw my head down on his left knee,
• 43:23
  Speaker 1: lifted my head up and threw it down on my
• 43:25
  Speaker 1: right on his right knee. Now you can recall i'd
• 43:28
  Speaker 1: been through this treatment once before, so I know what
• 43:30
  Speaker 1: had felt like. I know, here comes again. After the
• 43:32
  Speaker 1: first two cracks, I knew there'd be at least three
• 43:34
  Speaker 1: or four more, and I counted them. Bam, there went
• 43:36
  Speaker 1: my face into his knee. Bam, my nose broken yet
• 43:39
  Speaker 1: again into the other knee. Bam, now I can feel
• 43:42
  Speaker 1: that the the both eye sockets are crushed. Bam, there
• 43:45
  Speaker 1: goes my cheekbone. Bam, there goes my jaw. And when
• 43:48
  Speaker 1: I hit the floor and I hit it face first,
• 43:51
  Speaker 1: I rolled over on my back and I said bah fuck.
• 43:58
  Speaker 1: And right out of a page from Sexy Beast, one
• 44:02
  Speaker 1: of the ladies came in from the bedroom. She had
• 44:04
  Speaker 1: a bureau drawer, a very very heavy wood drawer with
• 44:08
  Speaker 1: lots and lots of meaningless stuff inside of it, and
• 44:11
  Speaker 1: she just dropped it. Didn't throw it down, didn't bring
• 44:14
  Speaker 1: it down, dropped it onto my face. So it sounded
• 44:17
  Speaker 1: like this Paul Faith uh wah wah wah wa. Well,
• 44:23
  Speaker 1: here's that. Bobby Bear came back with Detroit City. This
• 44:26
  Speaker 1: is the one he said, This is the one that
• 44:28
  Speaker 1: he said he was gonna be a big hit. And
• 44:29
  Speaker 1: I said, are you kidding me? Or something about some
• 44:31
  Speaker 1: slob that goes north and doesn't even have the balls,
• 44:34
  Speaker 1: doesn't have the guts to make it the North, some
• 44:36
  Speaker 1: good tough Southern boy he goes listen to I will
• 44:39
  Speaker 1: get Well. It turns out it was a hit record.
• 44:42
  Speaker 1: So what I did was I called him up and
• 44:44
  Speaker 1: I said, hi, Bobby this is Ginger Bell. Let's get
• 44:46
  Speaker 1: this out of the way. I said that I thought
• 44:48
  Speaker 1: Detroit City was the biggest piece of dung that I've
• 44:50
  Speaker 1: ever heard in my life. You know who I am,
• 44:52
  Speaker 1: He said, not really, I don't recall you. You don't really.
• 44:54
  Speaker 1: I guess you don't leave much of an impression. I said,
• 44:56
  Speaker 1: I was the guy that came into your office and
• 44:57
  Speaker 1: I said, Hi, Bobby, I'm Ginga Bell. I think Detroit
• 45:00
  Speaker 1: City is something that would drop out of my ass,
• 45:02
  Speaker 1: not necessarily something i'd hear on the radio. He said, oh, yeah,
• 45:05
  Speaker 1: now I remember you. And that's when I filled a
• 45:06
  Speaker 1: boot hit me just below my testicles, not right directly
• 45:10
  Speaker 1: on them, but just behind my testicles. That hurt, but
• 45:12
  Speaker 1: didn't hurt near as bad as the next one. That's
• 45:15
  Speaker 1: when someone lifted me up by my ears, swung me
• 45:18
  Speaker 1: outside a window that was six stories above the street,
• 45:21
  Speaker 1: and began dangling me, just sort of swinging me back
• 45:24
  Speaker 1: and forth by the ears, with me one hand holding
• 45:26
  Speaker 1: my balls and the other one going au au au awow.
• 45:29
  Speaker 1: And then I was dropped. I dropped, and I plummeted
• 45:31
  Speaker 1: six stories all the way to the street. And when
• 45:32
  Speaker 1: I hit the street, I actually cracked the cement. I
• 45:35
  Speaker 1: went through one block of cement and I went down
• 45:37
  Speaker 1: into what I think was some kind of a catwalk
• 45:39
  Speaker 1: for the sewer. And there's where I lay for about
• 45:42
  Speaker 1: the next six Well, you know what I mean. Eg
• 45:44
  Speaker 1: In Detroit City from the letters, everybody's widdy hits and
• 45:53
  Speaker 1: Genji Ball has got no taste. He's a no count slab,
• 45:55
  Speaker 1: a slam ball. He is the rudest motherfucker that I've
• 45:58
  Speaker 1: ever heard in my lap. I wouldn't have that son
• 46:00
  Speaker 1: of it. I wouldn't have him. I wouldn't have him
• 46:03
  Speaker 1: clean the urn out after they cremate me, you know,
• 46:06
  Speaker 1: and put me into a really good urn. I wouldn't.
• 46:08
  Speaker 1: I wouldn't give him that. I wouldn't give him that responsibility.
• 46:10
  Speaker 1: He's a low life, no good, scum sucking dog. And
• 46:15
  Speaker 1: that's why he will be hosting the sixteenth Annuel Little
• 46:18
  Speaker 1: Willy Hickson Blues and Country Parlor Monkey Show by nobody.
• 46:22
  Speaker 1: Nobody ever had a monkey put on him or a
• 46:24
  Speaker 1: chimpanzee put on him like Jeana Bell. Check it out,
• 46:27
  Speaker 1: Jean Jabell. He's gonna be hosting the show this coming
• 46:30
  Speaker 1: Saturday night at the Little Willie Hickson Blues and Country Parlor.
• 46:34
  Speaker 1: That's writ about Gingo Bell right here, man, And I've
• 46:36
  Speaker 1: had my kisser knocked in so many times, you'd swear
• 46:38
  Speaker 1: to God you're looking at it. Bidy Jael Young, Jean Gabel,
• 46:49
  Speaker 1: Country USA Grass here from the Nashville Bluegrass band. This
• 46:54
  Speaker 1: is a group that I said I would never sign
• 46:56
  Speaker 1: because they were bluegrass. I said, there ain't nobody in
• 46:59
  Speaker 1: bluegrass at least. Guy said, well almost, Jabell, you're making
• 47:01
  Speaker 1: a big mistake. We're a great bluegrass band. And bluegrass
• 47:03
  Speaker 1: is country. I said, it ain't country. It's not country
• 47:06
  Speaker 1: the way cool country is. Ay, is that any of that?
• 47:09
  Speaker 1: You know? Mickey Gilly's kind of country? Man, it's not
• 47:13
  Speaker 1: that country polotan stuff. Man, Come on, give me a break,
• 47:16
  Speaker 1: will you get out of here, you hill billy? You. Well,
• 47:19
  Speaker 1: it turns out they were making a hell of a
• 47:20
  Speaker 1: lot of money there in Nashville as they were playing
• 47:22
  Speaker 1: the bluegrass circuit. So I said, tell you what I'm
• 47:23
  Speaker 1: gonna do for you, guys. I'm gonna do you a
• 47:25
  Speaker 1: big favor. I'm gonna I'm gonna do you a real
• 47:27
  Speaker 1: good turn, and I'm going to sign you guys to
• 47:29
  Speaker 1: a management contract. How does that sound to you? Well,
• 47:31
  Speaker 1: they said it doesn't sound good at all. We already
• 47:33
  Speaker 1: have a manager. You're the guy that's so you know,
• 47:35
  Speaker 1: you're the guy that said we sounded like a dog
• 47:37
  Speaker 1: shit And I said, I don't think I ever used
• 47:39
  Speaker 1: the word dogshit. They said, yes, you did. I said,
• 47:41
  Speaker 1: on second thought, yeah, you're right, I did not. So
• 47:43
  Speaker 1: I said, why don't you get out of here? Well?
• 47:44
  Speaker 1: A gettin was good? I said, are you threatening me?
• 47:46
  Speaker 1: Are you threatening Jean Jabel Country, USA? Yes, I've had
• 47:49
  Speaker 1: my ass kicked by some of the big country artists,
• 47:50
  Speaker 1: but I've never had my ass kicked by a bluegrass band.
• 47:54
  Speaker 1: They said, well, we don't kick asses in bluegrass, as
• 47:57
  Speaker 1: you well know. Did you ever see Deliverance? And I went, ah, no, Well,
• 48:05
  Speaker 1: six hours later I walked out of there, not even
• 48:08
  Speaker 1: a better man, not even a wiser man. I just
• 48:11
  Speaker 1: walked out of there, or should I say I waddled
• 48:13
  Speaker 1: out of there? Jean Jaboo about that Canaan Smith and
• 48:18
  Speaker 1: love you like that? Canaan Smith. Another great star here
• 48:20
  Speaker 1: the Jingebel Country, USA. Sh I'll tell you what. Canaan
• 48:24
  Speaker 1: Smith is a star here on the Jean Jebel Country
• 48:27
  Speaker 1: USA Show and that song love You Like That when
• 48:31
  Speaker 1: it came out. It was a song very very little known.
• 48:34
  Speaker 1: Canaan had written the song, and he'd written the song
• 48:36
  Speaker 1: for a very very special lady in his life at
• 48:39
  Speaker 1: the time. I met Caanaan Smith and I was there
• 48:41
  Speaker 1: with Mandy. I saw his girlfriend. She was very fetching,
• 48:44
  Speaker 1: very lovely, very nice the way I like him, the
• 48:46
  Speaker 1: way I like him all right, And I said to Caanaan,
• 48:48
  Speaker 1: do you like her? I think at the time, I
• 48:50
  Speaker 1: said do you like it? And he said I do.
• 48:52
  Speaker 1: I love her very much, mister, mister Jabelle. I said, well,
• 48:56
  Speaker 1: let me just tell you. She's got a great butt,
• 48:58
  Speaker 1: she's got nice big boobs, she's got that kind of
• 49:01
  Speaker 1: dumb look on her face. I love something like that.
• 49:04
  Speaker 1: And let me tell you what if you can't love
• 49:06
  Speaker 1: her like that. I looked at her and I said,
• 49:08
  Speaker 1: I'll love you like that. And she said like what?
• 49:10
  Speaker 1: And I said, well, you know, and I was pointing,
• 49:12
  Speaker 1: I was casting around. I said, well, you know like that.
• 49:14
  Speaker 1: I saw two dogs out in the out in an
• 49:16
  Speaker 1: alley and they were just out the back door. There
• 49:18
  Speaker 1: they were emptying some trash and there were two dogs
• 49:20
  Speaker 1: fornicating right there, and the you know, having their sexual
• 49:23
  Speaker 1: relations as dogs will. And I said, well, how about
• 49:25
  Speaker 1: like that? And I'll never forget what Caanan said. He said,
• 49:28
  Speaker 1: you know something, mister Jabell, I may be a small
• 49:31
  Speaker 1: guy now, but when I get big, I'll never forget
• 49:33
  Speaker 1: the way you treated me. I said, why don't you
• 49:35
  Speaker 1: piss off and die and take that hag with you.
• 49:38
  Speaker 1: I said, if you want her to have any kind
• 49:41
  Speaker 1: of a life, leave her with me, and I'll break
• 49:42
  Speaker 1: her in for you. And he walked off with steam
• 49:44
  Speaker 1: coming out of his head. Well guess what. Love You
• 49:47
  Speaker 1: Like That became a big hit and we've made it
• 49:49
  Speaker 1: number one on the Jean Jabelle survey. And I called
• 49:51
  Speaker 1: him up personally. I said, I want to tell you something, Canaan,
• 49:53
  Speaker 1: how you been buddy? You know you and I talked
• 49:55
  Speaker 1: outside that holiday inn or that bar wherever it was.
• 49:58
  Speaker 1: He says, yes, I do remember that very very much.
• 49:59
  Speaker 1: A I've made Love You Like That that is now
• 50:03
  Speaker 1: our number one hit on the Jean Jebel Country USA survey.
• 50:07
  Speaker 1: And he said that my father had made it with
• 50:11
  Speaker 1: some kind of an orangutang or something. He said that
• 50:13
  Speaker 1: then the orangutang turned around and made it with the
• 50:15
  Speaker 1: kimono dragon, and then they made it anally with some
• 50:19
  Speaker 1: other animal and I was born and I said, you
• 50:22
  Speaker 1: are some kind of guy. I said, look, I want
• 50:24
  Speaker 1: to come over and I want to sign a personal
• 50:25
  Speaker 1: services contract with you right now. I want to promote
• 50:27
  Speaker 1: all your shows in America. He said, you come on
• 50:30
  Speaker 1: right over. You do that, You do that, Ginge Bell,
• 50:32
  Speaker 1: I said, see what I'm saying, Mandy. She said, Gene,
• 50:34
  Speaker 1: please watch out. I said, don't worry about it. When
• 50:36
  Speaker 1: I get back here, there'll be money in the bank.
• 50:38
  Speaker 1: And I went over there and Canaan said, so you're
• 50:40
  Speaker 1: the guy that said you were going to break my
• 50:42
  Speaker 1: girlfriend in said she had a nice butt. You humiliated
• 50:44
  Speaker 1: her in front of everyone. I said, hey, cana let
• 50:46
  Speaker 1: me tell you how it's Let me tell you how
• 50:47
  Speaker 1: it's played. Let me tell you how this business is. Okay.
• 50:50
  Speaker 1: When you talk to a guy like Jane Jabell, you
• 50:51
  Speaker 1: better have your shit together. And I use those words,
• 50:54
  Speaker 1: and I use those words to you right now here
• 50:55
  Speaker 1: on the Ginge bel Digital Show. And you want to
• 50:57
  Speaker 1: know why because I told him, I said, your girlfriend
• 50:59
  Speaker 1: inca to edit out her clearing her throat after she
• 51:02
  Speaker 1: swallows my load. I said that. And then six eight
• 51:06
  Speaker 1: months later, when I said to him, I'd like you
• 51:08
  Speaker 1: to sign his personal services contract, he said, do you
• 51:11
  Speaker 1: remember what you said about my girlfriend? Do you remember
• 51:13
  Speaker 1: what you said about my life? Do you remember what
• 51:14
  Speaker 1: you said about my guitars? Do you remember what you
• 51:16
  Speaker 1: said about my music? And I said, I knew I
• 51:18
  Speaker 1: was gonna love your girlfriend like that. You know I
• 51:20
  Speaker 1: was kidding, you know that I was just having some fun.
• 51:23
  Speaker 1: I'm Jean Jabell doing Country USA. Why don't we spend
• 51:26
  Speaker 1: some time together? He said, I don't want you anywhere
• 51:28
  Speaker 1: near my home. And he picked up a can of Raid,
• 51:31
  Speaker 1: and he shoved the nozzle into my mouth because I
• 51:33
  Speaker 1: was saying, hey, why don't you and I? And right
• 51:36
  Speaker 1: when I said the word I, he shoved the nozzle
• 51:39
  Speaker 1: of the raid into my mouth and depressed that thing
• 51:41
  Speaker 1: and filled the back of my throat, tongue, the inside
• 51:44
  Speaker 1: of my mouth with insecticide, with poisonous insecticide. Then I
• 51:48
  Speaker 1: began to gag on and I began to choke on,
• 51:50
  Speaker 1: and then he pulled it back, sprayed both of my
• 51:52
  Speaker 1: eyeballs flush with raid insecticide. Raid. I think it was
• 51:56
  Speaker 1: the flying ant and roach killer Raid. I dropped to
• 51:59
  Speaker 1: my knees, screaming and holding my eyes in my mouth,
• 52:02
  Speaker 1: screaming for air, screaming because the pain was searing. And
• 52:06
  Speaker 1: that's what he lit a butane lighter, bent over and
• 52:09
  Speaker 1: farted in my face. The buttane cut the methane gas
• 52:13
  Speaker 1: coming from his ass, and it burned all of the eyebrows,
• 52:17
  Speaker 1: all of the mustache. I had a mustache that I
• 52:19
  Speaker 1: was very proud of, had a handlebar mustache and a
• 52:22
  Speaker 1: fort blast. A flaming ass torch took that mustache off
• 52:28
  Speaker 1: right out of the ass. End of Canaan Smith. Well,
• 52:31
  Speaker 1: what do you do, ladies and gentlemen, when you are
• 52:33
  Speaker 1: just just stain't tough enough. I'll tell you what you do.
• 52:36
  Speaker 1: You name yourself Sue, and then you get yourself into
• 52:38
  Speaker 1: another ass kicking. This is the jeans of bell Rocket
• 52:41
  Speaker 1: to the top, a boy named Sue. Wait till you
• 52:44
  Speaker 1: hear how this song winds up. Oh you think you've
• 52:46
  Speaker 1: heard this song? You have? Where did you hear it? Case?
• 52:48
  Speaker 1: He's running here, Johnny Cashken this song, he said, I
• 52:50
  Speaker 1: got a song called a boy named Sue, And I said,
• 52:52
  Speaker 1: are you out of your mind, a boy? What does
• 52:54
  Speaker 1: that mean? He began to explain himself. Don't explain it
• 52:56
  Speaker 1: to me, I said, I realized that we're getting more
• 52:58
  Speaker 1: gay tolerant. I realized we're more LGBT he tolerant here, Johnny.
• 53:01
  Speaker 1: But you're gonna just you're gonna ruin your career in
• 53:03
  Speaker 1: country music. I'm not doing a song about a cross dresser.
• 53:05
  Speaker 1: He said, it's not. And by then I'd slammed the
• 53:07
  Speaker 1: door in his face and I hear him going. I said,
• 53:10
  Speaker 1: get out of here, Johnny, before I called the cops.
• 53:13
  Speaker 1: And nine months later, I hear this song. It's a
• 53:15
  Speaker 1: hit record. He's on all the big shows he's singing,
• 53:17
  Speaker 1: and I realized, oh, I see it was a guy
• 53:19
  Speaker 1: who's a head ofosexual name sou Well. I still didn't
• 53:21
  Speaker 1: get it. When I went over to Johnny's house, I said, hey,
• 53:23
  Speaker 1: is Sue here? And that's when the lights went out.
• 53:26
  Speaker 1: When I woke up, June Carter was standing over me.
• 53:28
  Speaker 1: She had a bucket of water. She said, you better
• 53:29
  Speaker 1: get lost because Johnny doesn't like you and doesn't want
• 53:31
  Speaker 1: you around. I said, June, you're still just as gorgeous
• 53:34
  Speaker 1: as ever you've still got that great ass. That's what
• 53:37
  Speaker 1: I felt. Something else hit me. I can't really be
• 53:39
  Speaker 1: sure what it was. It was either a ball, paen hammer,
• 53:42
  Speaker 1: a man's fist. It could have been a plate of taketos.
• 53:45
  Speaker 1: I don't know what it was. But the lights went
• 53:47
  Speaker 1: out again on the street. When I woke up, the
• 53:49
  Speaker 1: sun was shining. It was very, very hot. There was
• 53:51
  Speaker 1: cactus around. There was a dusty highway nearby. I'd been
• 53:54
  Speaker 1: taken to Arizona. Well, I knew that snake was my
• 53:57
  Speaker 1: own sweet dad. Well, the rest is history. I staggered
• 54:00
  Speaker 1: himself to his feet. I walked over to I walked
• 54:02
  Speaker 1: over to a phone booth which just happened to be,
• 54:04
  Speaker 1: you know, there in the middle of the desert, and
• 54:05
  Speaker 1: I called Uber and a guy took me over to
• 54:07
  Speaker 1: a you know, Airbnb, and I spent the night and
• 54:09
  Speaker 1: as long as I was there, and decided to go
• 54:10
  Speaker 1: out and find some laughs. But I was in King
• 54:12
  Speaker 1: of Arizona, and there's nothing nothing to do there the family.
• 54:17
  Speaker 1: I found something hard. It cost me fifty bucks an hour,
• 54:20
  Speaker 1: but I found something to do in my surprise. Guess
• 54:23
  Speaker 1: what come up with the number. Name was Johnny, my
• 54:25
  Speaker 1: ear Cheange g Bill Country Music USA. He chrished through
• 54:30
  Speaker 1: the wall and into the street, kigging in the godget
• 54:33
  Speaker 1: in the mud, and the Blaus gingermet Country Music USA.
• 54:35
  Speaker 1: Get him My ask Kid, but the Big Stars and
• 54:37
  Speaker 1: Country Music is executive produced by Phil Henry for c
• 54:40
  Speaker 1: Empri Incorporated. All rights reserved on podcast lot Lack of
• 54:44
  Speaker 1: Crocodile gene. I hate you, I it's my announcer and
• 54:48
  Speaker 1: slugs Martin. No, I do it. It's gone the pull
• 54:50
  Speaker 1: fantastic sluit there looking. I hate Jean Jebel. Oh, I'm smiled.
• 54:54
  Speaker 1: He said, do something about your breath. Though. Okay, this
• 54:57
  Speaker 1: world is rough. The man's going to make it. He's
• 54:59
  Speaker 1: got vita, and I know I wouldn't be there to
• 55:02
  Speaker 1: help you. Well, I can tell you right now, Patsy
• 55:06
  Speaker 1: Klin never kicked my ass because she was dead. Before
• 55:09
  Speaker 1: I ever even thought about it. I was a paper boy.
• 55:11
  Speaker 1: I think when Patsy Cline's plane hit that mountain, hush yeah.
• 55:16
  Speaker 1: But I can tell you something. She was a fantastic artist.
• 55:18
  Speaker 1: When I finally started listening to country music, and Patsy
• 55:21
  Speaker 1: Clan was so damn good that I decided that you know,
• 55:23
  Speaker 1: I wanted to do a deal with her management. I
• 55:25
  Speaker 1: wanted to do a deal with their estate, show them
• 55:27
  Speaker 1: what I could do in terms of posters, in terms
• 55:29
  Speaker 1: of books, in terms of you know, bumper stickers. I
• 55:32
  Speaker 1: wanted to do a Patsy Cline doll and. I also
• 55:34
  Speaker 1: had a Patsy Clin bubble head doll and. So I
• 55:36
  Speaker 1: went to the management there and I said, listen, we
• 55:38
  Speaker 1: all know that Patsy is in pieces. I tried to
• 55:40
  Speaker 1: break the ice just well. They didn't like the joke.
• 55:43
  Speaker 1: And a lot of these country music managers, I'm a manager,
• 55:46
  Speaker 1: I'm a country music manager. I got a sense of humor.
• 55:48
  Speaker 1: But a lot of the country music managers that I
• 55:49
  Speaker 1: worked with, they have no sense of humor. So there
• 55:51
  Speaker 1: they are, the people that managed the Patsy Clin's of State.
• 55:53
  Speaker 1: I didn't even get their names, just a bunch of people.
• 55:56
  Speaker 1: I started making jokes about the plane crash, blah blah blah.
• 55:59
  Speaker 1: They tied me up. Well, I met Patsy's family, members
• 56:03
  Speaker 1: of her family. They took turns whipping me, whipping me
• 56:06
  Speaker 1: with a piece of rope that had tied into it
• 56:09
  Speaker 1: broken glass, and they stabbed me. Then they poured gasoline
• 56:17
  Speaker 1: on me and lit me on fire. You bill, Well,
• 56:22
  Speaker 1: I kind of threw myself to the ground and rolled
• 56:24
  Speaker 1: around on the ground, tied up, and I put the
• 56:26
  Speaker 1: fire out. I got up, I began scrambling down the stairs.
• 56:29
  Speaker 1: I scrambled out into the streets, screaming, AH helped me. Ah,
• 56:32
  Speaker 1: that kind of stuff. Had a big laugh. The cops
• 56:35
  Speaker 1: stopped and turned a hose on me, and they put
• 56:36
  Speaker 1: me in an ambulance. And well, here I am today.
• 56:40
  Speaker 1: Each times me your name of Ammond Miller. He's actually white,
• 56:50
  Speaker 1: but he used to put on black face and sing
• 56:52
  Speaker 1: as a black man. And I know that it's politically incorrect,
• 56:55
  Speaker 1: but this is kind of an interesting little piece of
• 56:57
  Speaker 1: music from the old days of country music. A white
• 56:59
  Speaker 1: guy putting on black face and prancing around. And I
• 57:01
  Speaker 1: thought it would be interesting when I went to the
• 57:03
  Speaker 1: NAACP convention, because I was there to hand out ginger
• 57:06
  Speaker 1: bell bumper stickers because I think that black people enjoy
• 57:08
  Speaker 1: country music. Of course they do, And I decided to
• 57:11
  Speaker 1: break the ice. So I dressed up in black face
• 57:13
  Speaker 1: and I started going. I got the honky Tonk blue Hoo.
• 57:16
  Speaker 1: As soon as I hit the note blue Hoo. Hoo.
• 57:19
  Speaker 1: A car backed over one of my feet. Someone got
• 57:21
  Speaker 1: out punched me. I couldn't go anywhere because there was
• 57:24
  Speaker 1: a tire resting on my foot, and then people began
• 57:26
  Speaker 1: hitting me with bags of ball, bearings, all kinds of things.
• 57:30
  Speaker 1: When I came to the parking lot was empty. It
• 57:32
  Speaker 1: was the middle of the night. There was a moonlit
• 57:33
  Speaker 1: over the sky and looked at me, either dingoes or
• 57:36
  Speaker 1: wild giraffe. Something was very hungry and it was breathing
• 57:39
  Speaker 1: on me. Yeah. I woke up in my testicles had
• 57:44
  Speaker 1: been shoot off. No bomber. Now in a moment, what
• 57:50
  Speaker 1: presumption these motherfuckers had in those days. Guy gets into
• 57:53
  Speaker 1: black face, it starts singing. Just when you thought summer
• 57:56
  Speaker 1: couldn't get any hotter.
• 57:58
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