Latest / Blerd’s Eyeview / S13E014: Animation, gaming and more with Black Lion and Cubs!

Transcript

S13E014: Animation, gaming and more with Black Lion and Cubs! · Blerd’s Eyeview

• 0:06
  All systems go Captain ten nine eight seven, six five four three two four
• 0:32
  seven. Hey, everybody is back again for another episode of Blurd's eye View
• 2:38
  after this three day weekend for some people took a four day weekend. But
• 2:42
  it's Tuesday, nonethelesson because we're bringing you another live show. I want to
• 2:46
  thank everybody for tuning in. Thank you everybody for showing your supporter on the
• 2:49
  YouTube, pitch channel, the IG channel, showing up for always press record,
• 2:53
  and so much more. We have a lot of news coming down the
• 2:55
  way for Blurred Station, stay tuned for that. We also have a lot
• 3:00
  of other good things going down. You also want to stay tuned for that
• 3:04
  as well. But I want to thank you for those who are supporting us.
• 3:07
  Also, I want to thank those who are first time viewers, first
• 3:10
  time visitors. Trust me, it won't be your last time. We won't
• 3:15
  let you down without further ado. I'm your man, Chris Furry, the
• 3:17
  Man on the Wall, Captain of the Ship, and we got left off.
• 3:23
  Lady Mendelor, Hello, how are you? How is everyone out there?
• 3:29
  She's got that. She did that on purpose. It's just a little
• 3:35
  something I picked up my uh courtesy of Sir Julius cosplay. Oh god,
• 3:46
  that man is congratulations. Also Lord David number three, yes, oh good
• 3:54
  Lord. Don't know where he finds the time, but he finds he has
• 3:59
  a Laurien somewhere else just where I swear you look. This is this the
• 4:10
  completion of yours. For those who are listening, this is why you watch.
• 4:15
  But for those who are listening or will be listening, Lady Mandelor is
• 4:19
  sporting a very nice, elegant headdress that is worn by none other than our
• 4:24
  very own goddess of weather, the weather which are self the just the region
• 4:31
  of soul, you know storm. If it's well, it's well? Is
• 4:39
  this well? I mean, I'm just it's a little it's my head's a
• 4:44
  little crooked, but you know if it's me perfect. The crown fits most
• 4:48
  women, and it should and it looks well on you. Thank you.
• 4:56
  I doing it so uh without further Ado grilled the horrors in the building.
• 5:01
  What's happening, Lanny? What's up Laney Lane? If you're not on you,
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  ay, I'm not you. You're not You're not on you? And
• 5:11
  I think I'm not scrolling either. No, No, it's a it's a
• 5:15
  good day. I'm not on me. What's up? Is it? Is
• 5:19
  it a special Is it a special day for you? When was the last
• 5:23
  day school for you? The twenty sixth June. You thought you thought I
• 5:30
  was coming with you like next week, last week and something else. They
• 5:34
  six, she's putting in good work. You already know she's putting in good
• 5:41
  work. Shout out to all the educators out there who are hustling and bustling.
• 5:46
  They need to pay you guys more, flat out, no questions asked.
• 5:49
  No, that part, I believe isn't the word of the of the
• 5:55
  month. Sat down? Just for those who have not seen the SML sketu
• 6:04
  me to check that one out. Sat down, that's the word of today.
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  Oh my god, my tail is back high? What's going on all
• 6:17
  you sexy people? And of course we're in the presence of royalty and everything.
• 6:23
  The crown is quite phenomenal. But then again, both queens are wearing
• 6:27
  crowns, so you know it doesn't even matter. You know what I'm saying,
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  Black Ashcatchum said the best lady mandlord, let them mind your weather and
• 6:32
  let them weather in your mind. That's right. So so I submitted my
• 6:41
  first lines to Josh for Welcome to the Family. Oh, scared as hell,
• 6:55
  not gonna lie because Lord, I can only imagine sitting in front of
• 6:59
  the microphone because he gave me my instructions of okay, great, and then
• 7:01
  my brain went du and everything went aside and you got back on. It's
• 7:10
  always it's like stage on the stage, yeah, because it's like I'm waiting
• 7:15
  for someone to go all right, this is garbage again. That was great.
• 7:19
  That was great, But I need more feeling. Oh yeah, Josh
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  is a great director. Great director, very very very very great director.
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  He is like three that I met, but I want more like Yeah,
• 7:38
  Tray Trey Moseley is the hero fan speak speak of the devil all the way
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  out from Vague, good old Las Vegas. The man, the specialist himself,
• 7:54
  that man. If y'all ever have a conversation with Trey, just know
• 7:57
  that you're gonna be caught up for quite a man. Creative Oh my gosh,
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  we got so many concrete comics. Is over in the I g chat.
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  What's going on? Everybody? Hi, everybody's back from that damn con
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  what we considering yesterday was the last day. I'm like, wow, because
• 8:20
  they shifted it Monday was the last day of the con. Oh really,
• 8:26
  so they went with they went four days? Then? Yes? Yeah?
• 8:28
  Or where Monday was the last day? Okay, yeah, I think momo
• 8:33
  might be something we might want to check out next year. It seemed like
• 8:35
  everybody was at Momo Con, even even even though very crazy. The Great
• 8:39
  was like, couldn't make it this year. But I'll bet he said it
• 8:48
  too. Then here's some here's some some last year memories. I want to
• 8:52
  shout out six. Yes, making it official. Her reaction was the best.
• 9:05
  Shoot. He got her, He got her so good. Yeah,
• 9:09
  making making it official. They are officially engaged. But we all said that.
• 9:13
  U Tafari said it. He was like, screw that they were engaged
• 9:16
  and they were already LinkedIn a blurry count. I didn't care, especially the
• 9:20
  way they came in last year. What's happening to JG? What's going on
• 9:26
  in gorgeous those two? So we got a special guest with us tonight.
• 9:31
  This brother, Me and him stay in contact, but it's been about it's
• 9:35
  been a while since he's been on. But this brother has been moving in
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  ways undeniable. He is an educator, he is an entrepreneur, he is
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  he has his own anime, he has his own video game, he has
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  his own comic book. This man is out here and he's teaching the youth.
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  My man Hotel from Black Lion and Cubs is in the building. What's
• 9:58
  going on, brother, what's going on? People? It's good to be
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  yes blurred blurred's eye few. What's going on? Family? I need to
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  give you this because every time you know everything you do, I'm sharing everything
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  you do. I'm sharing but everything you do, and I'm like, it's
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  moving where he needed to move. Its moving where he needed to move.
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  And for that, my brother, m hmmmm hmm. People just talk about
• 10:31
  thank you so much, man, and thank you Chris. You you you've
• 10:35
  been a blessing man. All of you guys have been a blessing to me
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  ever since I launched a Bland the brand officially in July last year. And
• 10:46
  man, it's just good to be back with you guys almost a year later.
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  The hustle is real with you, my guy. Every time I turned
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  around, he was like, he's at another function. He's got something that's
• 10:58
  something else in the chamber. Okay, all right, So in the year
• 11:03
  that you last was on, what have you been up to man everything that
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  right, everything right back man, peace man, peace man, peace listen.
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  I it's easier for me to answer what I haven't been up to because,
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  you know, to be the honest truth is, whatever you guys have
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  seen publicly on IG only represents about twenty percent of actually what I've been building
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  and developing over this time. I'm very cautious about what I share and make
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  public, and I'm constantly working in the backgrounds. As much as I try
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  to stay public, I work a lot, you know, I work more
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  in the backgrounds. That being said, publicly. You know I've developed,
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  so I'm up to five video games right now. We have five official video
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  games for Black Line and Cubs. You know. The graphic novels are things
• 12:05
  that I'm excited about. The graphic novels have coming from the printer and they'll
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  be delivered on Thursday of this week, just in time for my first official
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  con to have them on display in Augusta, Georgia. So I'm excited about
• 12:20
  that. We have two graphic novels for season one, and so I have
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  graphic novels that go along with the anime. As you guys know, I
• 12:28
  started with the anime first, I started with the cartoon and I'm working my
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  way expansively outward from there. So there's two seasons to the anime, and
• 12:37
  for those two seasons, I've also developed and published graphic novels to go along
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  with them. So those graphic novels are what are arriving on Thursday. And
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  a reading book. I published a reading book with the characters called Rara Like
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  a Lion. Hopefully I get a chance to show some of this stuff to
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  you guys, But I have a reading book called Ror Like a Lion that's
• 13:00
  really been crushing it. Man, that book, you know, in the
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  meantime, while I've been waiting on the graphic novels, I published the book.
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  It was a lot easier for me to do that. And man,
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  that book has just been crushing that. The artwork is amazing, and people
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  have just just loved, you know, loved the story, loved the characters.
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  I also directed and directed a short film, uh it. Actually the
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  short film started as just the origin story for black lining cubs, leading into
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  the context of how how everything got to where it is. But the people
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  took to the origin story so so well that I decided not to just make
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  it a story, but to make it an officially official short film, and
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  that short film Man is being submitted to film festivals around the country, submitted
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  to Actually it's been submitted to Disney. Man. We had an opportunity with
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  Disney, and so yeah, it's been submitted to Disney as well. So,
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  uh, stay tuned for that story and you know what could happen potentially
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  with that story. And the biggest thing and most recent thing, has been
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  our official introduction of the Black Line and Cubs anime family friendly anime brand to
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  the international world, the IP to the international world at the Licensing Expo in
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  Vegas last week. And so that's really been the big event that I've been
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  building up to. Like a lot of the activity that I've been doing was
• 14:31
  designed to lead up until last week, and I have to say it has
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  been. It was everything I wanted it to be and a lot more.
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  So. I'm grateful to you guys for being early supporters of what's going to
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  become the next biggest thing since Dragon Ball Z. As I always said it
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  was. So I want to show the clips you sent me what I said,
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  I don't remember what I said. Okay, how the world again?
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  And uh, just just to give people a taste of what you've been doing
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  behind the scenes, and people, you're gonna love this. Uh, And
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  then we'll get to the questions in a future much closer than most think.
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  The event long predicted by top scientists occurred. The world ended. Yes,
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  Mankind's unsatiable appetite to create, replicate, and improve life ironically led to his
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  own demise, But different than most anticipated, artificial intelligence and other forms of
• 15:54
  future tech did not take over for long. Within a few short decades after
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  humans retreated to the deepest caves and most remote areas across the planet, the
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  ultra advanced technology suddenly imploded. It seems the intelligence we invented was unwittingly programmed
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  with the same faulty logic as its creator, and therefore befelt an identical tragic
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  outcome self destruction. As a result of their inability to rely on technology,
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  mankind was forced to look at themselves for the answers. A small, esoteric
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  group of people began to rise to power. They represented the fraction of one
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  percent of every population who can access much higher percentages of the brain's function.
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  Over time, these people began to display abilities once considered to be magic,
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  myth and fiction. Telekinesis, telepathy, mind reading, energy manipulation, levitation,
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  telemutations all became commonplace among them. It was through their example that humanity
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  be learned the wisdom once known by the highest civilizations of the ancient world,
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  true power comes from within. These new leaders were called lumineers engineers of light.
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  Together, they built a new world underground. This new world's society's formed
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  caste systems based on an individual's powers of luminescence. Those with the highest abilities
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  ruled, those with the lowest became slaves. That was the way of what
• 17:56
  became known as the Ancient New World. Since it required a specialized knowledge and
• 18:04
  mental capacity to luminess, education became the most prized commodity. Therefore, education
• 18:14
  was reserved for the rich or royal few, so they could maintain power in
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  what was considered a harmonious balance of order. In this ancient New world,
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  all machines and every form of artificial intelligence had become outlawed, because these were
• 18:33
  the tools of the desperate, uneducated poor, attempting to mimic the power of
• 18:41
  luminescence. Anything that could not be fashioned by hand or manifested by the mind
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  became obsolete. Eventually, humans ascended from the caves and converged around the world's
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  ancient ruins, the only places built strong enough to withstand the scorched earth.
• 19:03
  The most intact structures were those surrounding the great pyramids of ancient Nubia and Egypt,
• 19:11
  which is where the most powerful nations of the ancient New World formed.
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  All civilians were given the option to live within the predetermined social strata or leave
• 19:23
  to build their own kingdoms. Some stayed, many left. Unfortunately, the
• 19:33
  lower nature of the least educated and therefore less able people led to jealousy,
• 19:41
  envy, and greed. It wasn't long before they started developing weapons and building
• 19:49
  armies. Soon humanity was once again at war with itself. It is in
• 19:56
  this futuristic dystopian world that we begin our story. That split that hot fire,
• 21:15
  Oh yeah, that one. God, there are standing ovations going on
• 21:21
  in my head right now. That look them, get that out of there,
• 21:27
  because that's something that's that's a wild stuff. You got going, My
• 21:33
  god, really cooking in that lab? Whatn't you it? Just well again,
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  it was really just an attempt for me. There were a lot of
• 21:42
  questions that people had for for season one about how the world became what it
• 21:51
  was at the time of the start of that first episode, and so I
• 21:56
  said, well, let me explain it to you. And so that's really
• 21:57
  what led me on the journey to to create that context. And that's why
• 22:03
  you know that the short film just led into this is where the world,
• 22:07
  This is where the world is as our story begins. And so there's a
• 22:11
  lot of I don't know, you know, if you guys really get deep
• 22:12
  into the storytelling of things. But there was a lot of implications that I
• 22:18
  built into that story that really people caught on to the implications of what it
• 22:22
  would mean if these things happened or so that's kind of what Retty brought on,
• 22:27
  the idea that it should be more than just an origin story, but
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  turn it into a short film that we could shop into something more expansive when
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  it comes to the black line of Cobs universe. That's what I'm talking about.
• 22:38
  Trey Moseley voice actor, actor, Supreme the Specialist, mself nominated Emmy
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  nominating exactly exactly. I want to play a bad guy, yes, my
• 22:55
  brother, Yes, I got plenty of bad guys in this story. So
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  uh and have plans now that the story took off in the way that it
• 23:03
  did. You know, have so much opportunity and room for, like I
• 23:07
  said, a more expansive universe that is beyond just you know, the black
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  lining Cubs characters. So yeah, thank you, my brother. Congratulations Tray.
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  What I want to say before we get to the questions is that watching
• 23:22
  you move in the fashion that you've been moving has been nothing short of inspiring
• 23:29
  than you. You're You're putting something out that's not just fodder, right,
• 23:36
  and the inspiration where your kids and just seeing something that needed to be passed
• 23:41
  on to the next generation. And dude, I got to congratulate you.
• 23:47
  You know you you are the epenemy of what they mean by standing on business
• 23:52
  like like me and me, Me and told. Hotel has spoken on many
• 23:56
  occasions and when he say he gonna do something he knew it, it's probably
• 24:04
  it's more likely done already. Yeah, true, true, true. Well,
• 24:08
  you know, one of the things that I'm really starting to move forward
• 24:11
  with is the idea that you know, you know, the idea that look,
• 24:15
  I haven't I don't come to play, I come to win, you
• 24:18
  understand, And that's why you and I connected is. You know, when
• 24:21
  I started in this space and introduced myself as a person that's about to make
• 24:26
  some move, significant moves in the anime, comic world, manga world and
• 24:30
  such, I came to you. I said, listen, man, you
• 24:32
  know, please know I have a history of creation. I have a long
• 24:37
  history in entrepreneurship. And don't get a twisted that just because I'm a newcomer
• 24:40
  to the anime space. Don't think I'm gonna come at it, you know,
• 24:42
  anything short of with black excellence, you know. And that's what I
• 24:47
  hope I've demonstrated thus far. And you know, you guys are seeing what
• 24:51
  I've done in a year, and I'm just getting started. Man. And
• 24:53
  like I said, what you see, what you've seen is only twenty percent
• 24:56
  of what's already already been developed. Know, So thank you for that,
• 25:00
  my brother. Thank you. And to your point, I hope I'm glad
• 25:04
  it's inspiring to other people, you understand, because I really hope that I
• 25:08
  can use myself in my journey as an example to other people in the creative
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  spaces as to what can be accomplished, how soon it can be accomplished,
• 25:18
  you know who, and with or without it can be accomplished. So that's
• 25:23
  really one of my goals is to blaze a trail and set an example that
• 25:29
  other people can follow. Uh. Question, I'm trying to still formulate it.
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  I know you said that you don't want to give too much away,
• 25:45
  so I'm trying. I'm still trying to break this question down in my head
• 25:47
  so it doesn't come out that way. It's about the short. I'm all
• 25:51
  good, you know what I'm saying. Yeah, no, no, it's
• 25:53
  not about short. Shout out to Chad single to and who is writing for
• 26:03
  one of your projects by the way, it's my good buddy. But my
• 26:07
  question is what made you decide to choose to present your work to Disney only?
• 26:17
  I only asked this because they I would be nervous to give them my
• 26:22
  infant, my IP and have them said no, we don't, we don't,
• 26:29
  we don't, We're not gonna use it. And then five years later
• 26:32
  I see something very similar to something that I put up, and that goes
• 26:37
  for any major network or studio. What made you feel safe enough to go
• 26:44
  ahead and do that? Now, that's a great question. And so as
• 26:48
  as Chris mentioned, you know I stand on business. You understand not just
• 26:52
  creation, not just artistry. And you know, so one of the things
• 26:57
  that I spent significant time doing is making sure that I port trademarks in place
• 27:03
  and copyrights in place, like for for the short story, for example,
• 27:07
  I have the copyright. I have the paperwork already. So uh, not
• 27:11
  to say that that would stop somebody from trying to steal it, but I
• 27:15
  hope Disney tries to steal it, you know what I'm saying, because that's
• 27:18
  just that's just more marketing for me. I'm going to go in and you
• 27:22
  know, get you know, my publicist and you know, a team of
• 27:25
  people to you know, put it out there. And so you know,
• 27:27
  even if and that's part of the reason why you know, to submitted that
• 27:32
  Disney was okay when I got the paperwork in place. And two, I'm
• 27:36
  a notorious person. I'm notorious for understanding the opportunities and publicity. So when
• 27:42
  somebody like like like Drake and Kendrick Lamar, you understand, like you know,
• 27:47
  you want to battle. You know, battle is great publicity, you
• 27:49
  understand. So if I got to battle with Disney and I got to let
• 27:52
  the world know Disney stole my stuff, well that's just you know, that's
• 27:56
  just gonna perk uple you guys don want to interview me and tell the story
• 27:59
  about it, and you know all the major networks as well are gonna say,
• 28:02
  well, who is this guy? You know that that claims that Disney
• 28:03
  sold the story? And that's just gonna put me on a whole nother level
• 28:07
  again. So I'm good with that. My man said that any publicity you
• 28:11
  want to give, hes gonna flip it. That's that's what he's saying.
• 28:15
  He's gonna you want to you want to be Kendrick in that scenario, not
• 28:21
  that I don't know what what what our brother Drake is gonna do. I
• 28:27
  don't know. I mean, it's not like he needs to do anything right,
• 28:30
  but as far as the battle, and this is Julian War, he's
• 28:37
  lost. I'm just saying, and keep it moving, bro, keep it
• 28:42
  moving. So maybe you got a question, actually I do. First of
• 28:48
  all, my man, this I had a chance to do some check some
• 28:52
  background on you. Let me tell you everything that you've done. I love,
• 28:55
  I love the message. I love what you're trying to but you've created
• 29:00
  and what you're trying to put out there so that more people can be exposed
• 29:03
  to this. The only question that I would have is with what you've created,
• 29:12
  would you would you say that you want other creators that are in the
• 29:22
  same vein to do the same thing as far as creating something that will spread
• 29:27
  across all recial lines, as also education wise, because I remember seeing something
• 29:33
  you said about how you like anime but you wanted it to be appropriate,
• 29:37
  because not all anime is appropriate for everyone, and I stand behind that because
• 29:44
  you cannot. You can't. You can't give Blue Girl to an eight year
• 29:48
  old. That's just not gonna work. You can't show a Kira to a
• 29:52
  five year old during the motorcycle scene and just expecting to go, oh yeah,
• 29:56
  motorcycles. No, there's a lot more going on there. So would
• 30:00
  you want others to take the same message of creating something worthwhile and appropriate versus
• 30:07
  just trying to put something out there to be seen. That's a great question,
• 30:11
  and thank you for asking it. That's not really my intention for other
• 30:15
  creatives in regards to setting an example. On one level, sure, I
• 30:22
  would like to see more positivity and uplifting and empowering things for all people,
• 30:29
  absolutely, but that's not really what I mean by setting an example. What
• 30:33
  I mean by setting an example is one getting creative people to step outside of
• 30:42
  the starving artist mode. Right, Like, in every industry, I come
• 30:47
  from the music industry first and foremost. I went from music to filmmaking.
• 30:49
  I went from filmmaking and publishing books, and so in all these industries you
• 30:53
  have this mentality amongst creative people that you know, keeps them in a place
• 31:00
  where, yeah, they're very creative and talented, but they're not making any
• 31:03
  money. They don't understand the commerce and the business of things. And in
• 31:06
  fact, for many of them, for many of them, it requires from
• 31:11
  any of us. You know, it requires two different minds or parts of
• 31:15
  our brain to be developed. Right, you got the creative mind, you
• 31:18
  got the business mind creativity. The creative mind is always, hey, let
• 31:22
  me create something new, let me create something different, let me create something,
• 31:25
  you know, just for the love and all that kind of stuff.
• 31:27
  So you get a lot of love, you don't get a lot of money,
• 31:30
  you understand. The business mind is discipline, commitment, timetables, schedules,
• 31:37
  you know, repetition, all those different things. So oftentimes what you
• 31:41
  find is the creative mind and the business mind are either two different people or
• 31:47
  two different parts of our brain, right, we either left the right brain,
• 31:51
  and so that's why you find many creative people struggling with the commerce and
• 31:55
  the business side of things. In two thousand and five, my little brother
• 31:59
  came to me. I was producing music mainly at this time, and I
• 32:01
  played this beat for him and he said, Yo, holds up my lot
• 32:05
  of music that you make? He said, mean, I see this whole
• 32:07
  studio I had, You know, I had all the discs, and back
• 32:08
  then in two thousand and five, we were still using discs, right,
• 32:12
  And he came to me and said, Yo, listen, man, what
• 32:14
  he said, I hear all this music that should be on the radio.
• 32:15
  He said, why do you keep making new music when you haven't done nothing
• 32:19
  much with what you already have? And man, that question really changed my
• 32:24
  life, you understand, because I'm sitting there at the studio all this equipment,
• 32:29
  all these beats and such, but I hadn't done anything really sign difficant
• 32:34
  with what I had created. But I was creating more and more new,
• 32:36
  new, new and new and new, right, And so that's when I
• 32:38
  sat down and made a conscious decision to focus on how I can monetize and
• 32:44
  properly if you want to use the term exploit, right, or expound upon
• 32:49
  what I've created in a way that's going to bring money, in the way
• 32:52
  that's going to bring fulfillment to me. You know what I'm saying beyond the
• 32:55
  fact that hey, I made a beat, you understand, and being in
• 33:00
  that community of people that hey, you know, let me play this be
• 33:02
  for you, you'll let me listen to that beat, right, And the
• 33:05
  same thing is in every industry, Oh, I wrote a book, here's
• 33:07
  a story. Let me share my story people, you know. So my
• 33:10
  main thing is I found that to be consistent in all creative worlds and creative
• 33:15
  industries. And so what I'm attempting to do, hopefully is that to demonstrate
• 33:20
  to people that one, you don't just have you don't have to be a
• 33:23
  star of an artist. Uh. And two uh, there's in every industry
• 33:29
  pimps and purists, right. And like I said earlier, the pimps,
• 33:34
  right, the pimps do it for the for the money, right, Purists
• 33:37
  do it for the love. I'll say pimps. Pimps do for the money,
• 33:43
  Purists do it for the love. And so what happens is pimps get
• 33:46
  into every industry and they get money, and you're like, yo, who
• 33:50
  are these people. They're not that nice, you know, they're not that
• 33:52
  you know, they're not They don't have the talent that you have, they
• 33:54
  don't have the love that you have, but they're getting the money. And
• 33:57
  these people started to start dictating the industry because they have the money. Meanwhile,
• 34:01
  you have purists who have the talent, have the skill, have the
• 34:06
  love and the passion, but aren't getting any money. And what has to
• 34:08
  happen in every creative industry, what has to happen is the creative people,
• 34:15
  the purists have to understand the game of the pimps. You understand so you
• 34:20
  don't have to be you don't have to become a pimp yourself, but you
• 34:22
  have to understand what pimps are doing to create the commerce aspect, you have
• 34:27
  to understand the business side of things so that you can start now dictating the
• 34:31
  industry. I'm an educator, I'm a purist as an educator. When I
• 34:36
  got into educational consulting, when I left the classroom, I got into a
• 34:39
  world of commerce as an educator, and I saw all these clowns out here
• 34:44
  at these conferences, sharing their books and their materials and curriculum and their trainings.
• 34:49
  I'm like, yo, these clowns are garbage, man, They're not.
• 34:51
  They're horrible teachers. They're horrible trainers. Their curriculum is garbage. But
• 34:54
  they're getting money, you understand. And so I said, you know,
• 34:58
  we purist. And see what happens is when the pimp and the purists have
• 35:04
  to display what they have before the audience. The audience always loves the purists,
• 35:08
  right, The audience always responds more to the purest right. So what
• 35:13
  has to happen is the purists have to put themselves on in a space,
• 35:16
  in spaces in places where the pimps are so they can show the world the
• 35:21
  truth. We need to do that in the hip hop industry, we need
• 35:23
  to do that in the you know, the in the book publishing industry,
• 35:28
  and we need to do that in the anime, manga, animation art industry
• 35:34
  as well. And so that's what I'm attempting to demonstrate to people, uh,
• 35:37
  you know, what it means to be a purist but also be learned
• 35:39
  the lessons from the pimps and be able to operate on the scale of the
• 35:44
  pimps and knock them. You know, I'm not gonna curse, but knock
• 35:45
  them out the box. You understand, knock them out the box and show
• 35:49
  the world what the truth is. See, I'm so glad you said that.
• 35:53
  I'm so glad you said that, because what would Lady Mandalor stated?
• 36:00
  Yeah, that's Kate dot in Aubury. Uh, that's what E is.
• 36:10
  Do you sorry? I'm an elector. Don't hold back. Now, come
• 36:19
  on, now, do you feel like, and I ask you this question
• 36:24
  for the sake of the audience and people out there watching, do you feel
• 36:28
  like you weren't ready to show your art as far as the music goes,
• 36:32
  because that was still your baby. You were still protecting it. You didn't
• 36:36
  want anybody else coming in and saying anything or doing anything negative to it.
• 36:44
  No, that wasn't the case for me. You see, this is this
• 36:49
  is another This is something else that I want to lead by example and demonstrate
• 36:52
  for people, particularly in the anime blurred space nerd space. Right. I
• 36:59
  come from the hip hop industry and culture, right, which is different from
• 37:02
  the blurred space. If you will to this extent, if you in the
• 37:07
  hip hop community, in order to you know, especially when you're an artist,
• 37:14
  right, a hip hop art or rapper, if you will. It
• 37:16
  requires a level of confidence, It requires a level of bravado. You're in
• 37:22
  and you're in a space where you battling. You understand, you're battling other
• 37:24
  people. You're you're competing with other people for the mic, and you know
• 37:29
  all that kind of stuff. So you have to build up your confidence and
• 37:34
  your self esteem and your your willingness to get up out there and improve who
• 37:37
  you are. So improved. That was language that we used to use,
• 37:40
  so improved. So I find that to be very unique in the space of
• 37:46
  the hip hop community, and well, at least where I come from,
• 37:49
  come from the eighties, you know, the eighties culture. So that's what
• 37:52
  we did. We battle you know, you're battling now, But you know,
• 37:53
  my point is that's that's what was necessary in order for you to be
• 37:58
  successful in that space when I So that's what differentiated me from people in the
• 38:04
  film industry, right, because a lot of people in the film industry that
• 38:07
  you you know, they tend to be more reserved and interest you know,
• 38:10
  what's the word, just uh, you know, in the in the author
• 38:17
  world, in the filmmaking world, and yes, in the anime blurred space,
• 38:22
  you can be you know, they find people to be more more reserved,
• 38:24
  more what's the term, sometimes more awkward, you understand, not restraint.
• 38:31
  What's the world when you're internal, when you're not when you're not outgoing
• 38:39
  and introverted. Yeah. Yeah, I find people to be a lot more
• 38:44
  introverted in the author spaces, in the filmmaking spaces, and in the anime
• 38:47
  manga spaces. It's like people utilize in these spaces, people utilize their product
• 38:53
  to speak for them, right, because they don't like being in front of
• 38:55
  the camera. They don't like speaking like that themselves. So that's another thing
• 39:00
  that I find differentiates me and a few other people in the space because I'm
• 39:04
  not afraid to get up there and speak. You know what I'm saying.
• 39:06
  I'm used to sales. Sales is what I do. So I'm good with
• 39:08
  sales. I'm good with speaking with people. You know, I'm outgoing and
• 39:13
  you know that I'm that type of person. So to your that's a long
• 39:16
  answer to your question, Uh, Lady Mandalor. But but you know,
• 39:22
  so it was never an issue for me. I wanted to put it out
• 39:23
  there. I wanted people to see it. I wanted to compete. I
• 39:25
  was confident enough for myself. You'll say something and I'll prove you otherwise.
• 39:30
  You understand, So come on, come with it. You understand. So
• 39:34
  it's kind of off, kind of off putting the people in this space now
• 39:37
  because you don't find you don't it's not as common as it is in the
• 39:40
  commit in the hip hop community. You understand what I'm saying. So uh,
• 39:44
  anyway, so them know it wasn't a problem. So just like now,
• 39:46
  the only reason why I'm more reserved with stuff is because I want to
• 39:50
  pace things in a certain way. When I share my artwork, was share
• 39:52
  my stories, I don't want to put it all out there to the world
• 39:57
  all at one time because I want to keep the momentum and the build up
• 40:00
  going. So I want to pace it in a certain way. So I
• 40:05
  know, I'm glad you mentioned the part of you being the educator and having
• 40:07
  that being in an educator space, because lady, because are very on greed
• 40:10
  or horror, Laney, she also is in the educating space and I know
• 40:15
  that kind of rang true for her. So maybe what's up? What up?
• 40:24
  Yeah? Well, first of all, like my I would love to
• 40:28
  be in the space that you're in, like five years and be like,
• 40:30
  you know what, I'm not going to work at Tollymore. I'm going to
• 40:34
  do this and five years, what's gonna take five years? Maybe I need
• 40:40
  help planning. I'm going to be sooner, but right now, you know,
• 40:47
  being a being pace Bill so but not, I just I think you
• 40:53
  hit differently for me, because like, seriously, I see what can be,
• 41:00
  you know what I mean. So even the fact that you were saying
• 41:02
  consulting, like I said, that's another Top four another day, because I'm
• 41:06
  kind of interested in that too. But again that's another top four another day.
• 41:08
  I think my question for you is that you said that you have done
• 41:14
  a lot now within this year. You've you know, made music, You've
• 41:17
  made videos, You've made your anime and also your video games. Which one
• 41:25
  do you think represents your characters in the best way and why? M That's
• 41:30
  a great question, man. That's part of the reason why I've created so
• 41:37
  many iterations of my characters and expressed them in so many different ways because I'm
• 41:44
  not really sure, to be honest with you, I personally I like them
• 41:47
  all, you know what, I'm saying I have fun with the video games.
• 41:50
  I love the reading book, I have coloring activity book. The anime
• 41:53
  is amazing and puts me on a whole another space where a lot of people
• 41:57
  are not want to be. And then on in addition, I have the
• 42:01
  the graphic novels. The reason why I have so many different expressions is because
• 42:07
  I don't I'm not committed to any one of them over any other. Like,
• 42:12
  one of the things that I found interesting is while the animation, the
• 42:15
  full color animation costs the most and is you know, takes the most amount
• 42:21
  of work to do because it's inclusive of all different formats of artwork, some
• 42:27
  people like the motion manga better, you understand. Like, so it's like,
• 42:30
  man, that's black and white. That ain't cost me nothing, you
• 42:34
  know, it cost me not point it is certainly didn't cost as much as
• 42:37
  the full length feature you know, full length color animation. But some people
• 42:40
  like the motion manga. And so that's the thing for me as a newbie
• 42:45
  in this space and also as a long as a seasoned businessman, is you
• 42:49
  have to appreciate that whatever you create and whatever you intend to happen with your
• 42:53
  creation, chances are things aren't going to happen the way you planned it to
• 42:58
  go. You know what I'm saying. People aren't respond all the time the
• 43:00
  way you intend it to be. You're gonna learn new lessons, You're gonna
• 43:04
  see things happen differently, and that's good. That's the opportunity you have to
• 43:07
  keep in mind as a businessman and someone that's attempting to be successful in your
• 43:13
  field, the variety of opportunities that come with every obstacle, right, And
• 43:19
  so for me, I created all these things to test. Really, that's
• 43:22
  what I've been doing over the last year is just testing different formats. Well,
• 43:27
  here are my characters. Number one for me was the development of strong
• 43:30
  characters. This is where I know a lot of people in the creative fields
• 43:37
  lose, right. They come out the gate and they have one hundred different
• 43:39
  characters, and they quick to talk about their whole universe and they have you
• 43:43
  know, and you know they don't understand that less is oftentimes more. You
• 43:47
  understand, like, you don't need to have a hundred characters in your universe
• 43:51
  to pop. Chances are if you spend more time investing in fewer characters,
• 43:55
  you can develop them more. You can develop them better, you understand,
• 44:00
  And that's ultimately what companies, big business companies respond to. They don't respond
• 44:05
  to the fact that you got to hold universal all these No, they want
• 44:07
  one, two, three, four characters, teenage mutant, ninja turtles right
• 44:10
  that, you know, So they want the development of a few characters that
• 44:15
  are well developed, well designed. So that's number one that I spent my
• 44:19
  time. Spent my time doing that development of characters. Number two is development
• 44:22
  of the depth of story behind these characters and expanding that story because again,
• 44:29
  in order to develop great characters, you have to have great design, but
• 44:31
  also a great background story behind them as well. Once I did that,
• 44:37
  then the question is how many different ways can I express these characters? Right?
• 44:40
  Do people want to see them in video games? What kind of video
• 44:44
  game is going to be best? Do they want to see them in black
• 44:46
  and white? Do they want to see them in color? Right? Do
• 44:50
  they want to hear voices you know, you know, with voiceover actors?
• 44:54
  Or can I get away with the narration? Right? Because that's when my
• 45:00
  stories are, you know, they're they're narrated, you know. And then
• 45:02
  the other thing is you know, which for which style of artwork is best?
• 45:10
  So as you guys go to my i G page, for example,
• 45:14
  you see my characters in a variety of different art styles. And that's on
• 45:17
  purpose. That's not uh, you know, ai artwork. That's me hiring
• 45:23
  a multitude of different artists to draw my characters. So I can look back
• 45:28
  and say, man, I like that style. But see me as a
• 45:30
  creative person, as an artist myself. Man, I'm always I like art.
• 45:37
  Man, I like great art. So I have several I have a
• 45:38
  good five to seven artists that I call upon, you know, on a
• 45:43
  regular basis to draw my characters. And when I create a new character,
• 45:46
  I ask every one of my artists to draw that same character so I could
• 45:51
  see, you know there there, you know they're not you know, the
• 45:54
  way they draw their interpretation of my character. And so these are things,
• 46:00
  and that's part of the reason why I have so much content, right is
• 46:02
  because when I have a plan for a character or or something, I'm hiring
• 46:07
  multiple people to do the same thing so I can sit back and make a
• 46:12
  decision about which way I like it, or so that I can share it
• 46:15
  with my audience, and my audience tells me what they like, and so
• 46:20
  I can narrow it down from them. But I try not to make that
• 46:22
  decision myself on the front end, because you know, I just don't know.
• 46:27
  I'm new and man art is one of the funniest things that people.
• 46:30
  You know, it's up to interpretations. So what I can like something all
• 46:35
  day. What I like is that you mentioned something that I think a lot
• 46:44
  of major corporations are just catching onto is it's not about quantity, It's about
• 46:51
  quality. If you have good art, if you have good story, you
• 46:57
  know, a story build up, character, story building. If you have
• 47:00
  just a good representation the story, the book, the product, the game,
• 47:07
  the movie, the TV show, it sells itself after that because you
• 47:10
  know, perfect example, we just watched got done watching X Men ninety seven,
• 47:15
  and here you had a show that was literally thirty to thirty three minutes
• 47:21
  long and still managed to tell a very cohesive story in ten episodes, right,
• 47:28
  a very prime example of showing quantity or quality over quantity. And what
• 47:35
  you've managed to do with black Lining Cubs is exactly that it's telling this story
• 47:39
  of father sons, and there's backstory, there's stuff to build off of,
• 47:44
  and the lumineers and everything else, and not everybody can not everybody can boast
• 47:49
  that. You know, it's it's all about just let's get it out.
• 47:53
  Let's get out the next big thing. Let's get out the next big thing.
• 47:57
  And they keep miss and they missed the mark. And this is where
• 47:59
  that burnout happens. You know. Any people like, oh, I don't
• 48:01
  want to see this again. I'm like, well, you're not seeing ends
• 48:06
  on both ends because they're pushing so hard to create something just so they can
• 48:09
  say, hey, we're captivating the viewers, but you're insulting the intelligence of
• 48:15
  the viewers thinking they're going to just be limits to watch anything. So when
• 48:17
  they do rebel, oh now you've got a clash of the Titans going on.
• 48:22
  Instead of just saying hey stop, make something worthwhile, they'll come to
• 48:25
  you. Another example is this anime called Windbreaker, which I love, but
• 48:32
  they were smart about it and made the story entrancing enough that, okay,
• 48:37
  it's not done well, people are going to come back and watch it.
• 48:39
  Same thing with X Men ninety seven. Episodic storylines, characters as you can
• 48:45
  relate to, and just engaging and that's what we need more of, and
• 48:50
  that's that's what you're doing. That's what you're creating. And I firmly I
• 48:54
  enjoy what you're doing. I stand behind this. I want to see everybody
• 48:59
  come on board and show that love and support for what you've been doing.
• 49:02
  Thank you, my brother, thank you. You know, it's a principle.
• 49:05
  So you know, I used to teach entrepreneurs and I call it going
• 49:09
  deeper and not wider. Right, Too many people are trying to go wide.
• 49:15
  You know. I used to meet people in the business industry. Oh,
• 49:16
  I got this business, I got that business. I got Now the
• 49:19
  reason why you got seven businesses because you ain't making no money in any of
• 49:22
  them. You see what I'm saying. Why they do that, right,
• 49:24
  it's actually you know, so you know I would tell them listen, man,
• 49:30
  you know, focus focus on one. You know, get that popping
• 49:35
  you know. And what you find is once you when you focus on one,
• 49:38
  whatever you focus on, beginns to expand. Right. The mind is
• 49:43
  an amazing thing, and so you can, you know, go deeper,
• 49:46
  not wider. And when you go deep, you start to see, wow,
• 49:50
  I can express that same character that you can. Just a lot of
• 49:54
  our artists right now, and this is part of the reason why they don't
• 49:57
  have animation is because they got too many characters. It'd be way too expensive
• 50:00
  for them to animate all those characters. If you took and this is my
• 50:05
  advice to everybody is watching it's all my creatives out here. Focus on one,
• 50:09
  right, Get one character, the one that you believe is the one.
• 50:14
  Go deep in that character you know, and spend your time building and
• 50:17
  developing that one character. You don't have to have a million, Focus on
• 50:21
  that one, and then do it. Get that one character animator you could.
• 50:24
  You might be able to afford one and get a great animation done for
• 50:30
  five seconds, right, just a five second anime. You don't need people
• 50:35
  trying to hit home runs out the box and that you know that it takes
• 50:37
  too long. And chances are even if you I know people that you know
• 50:42
  first time out the gate, they want to write one hundred page manga story.
• 50:45
  I'm like, this is your first one, and it's taking you and
• 50:47
  it's taking you years, right, I know people have that are spending years
• 50:52
  to write this one one one hundred page mangas taking you know, three years
• 50:58
  in the game, they're still working on it right now. Meanwhile, you
• 51:00
  saw what you hear what I've done in one year, right, so that
• 51:07
  in three years, one one hundred page manga story, you could have just
• 51:12
  taken one page with one character paid, you know, an amazing artist to
• 51:17
  you know, a repount, you know, to represent that for you and
• 51:21
  just start marketing and developing that one character. Especially a time like now with
• 51:25
  social media, you don't need a lot. Doesn't take a lot. I
• 51:28
  know. I see some other people. They have a trailer, and their
• 51:31
  trailer is just one little movement of a character. But it looks so good.
• 51:36
  People are following them, people have an interest in them. I see
• 51:38
  another guy. He has a character, one character, and he's spending so
• 51:42
  much time talking about this one character. He has ten thousand followers, even
• 51:45
  way more than me, right, and all he's doing is telling little stories
• 51:49
  about his one character. That is, you know, people are following that.
• 51:52
  So it doesn't take a lot to really, you know, get the
• 51:54
  momentum built for you as an artist. And see, that's what I appreciate
• 51:58
  about the short film you show that we just showed because I was looking at
• 52:02
  the art, you know, and I was paying attention to the sale shading
• 52:06
  and everything else, and it was giving me old school vibes, right,
• 52:08
  and I said it. You know, once again quality quality. You know,
• 52:15
  it's telling that story and it's and it's putting something out there, and
• 52:20
  it's just like Wow. When you have someone who loves comics like yourself and
• 52:23
  myself in Mantel, and you get you get a flavor, you'd be like,
• 52:28
  oh, I haven't seen this kind of art in a while. I
• 52:30
  kind of I actually kind of miss it opposed to this over exuberant stuff,
• 52:35
  you know, or I like how this character is being developed over opposed to
• 52:39
  just being oversaturated like you just mentioned. So having that level of storytelling in
• 52:46
  any in any form is refreshing when you wait, when it's told correctly.
• 52:52
  Some in most movies or shows, you don't need to two and a half
• 52:57
  hours. Sometimes you can tell a damn good show a day, good story
• 53:01
  in ninety minutes and leave them wanting more. Yo, Chris, you're saying
• 53:07
  it, she like, And that's really what I know, what I believe.
• 53:09
  I mean, I said what I believe artists need to get in the
• 53:13
  habit of doing. You know, the Jizz in one of his songs in
• 53:16
  his first album said, you know something about making something half long, twice
• 53:22
  strong, Right, This is This is the mentality. This is the mentality
• 53:27
  that all the great ones you know understand, even you think about Premiere.
• 53:30
  When DJ Premier makes a beat, it's very simple, but it's masterful,
• 53:37
  you know he has He only uses about, you know, four or five
• 53:39
  tracks to make a masterpiece. You got some people out here with her,
• 53:43
  you know, twenty thirty different tracks to make a beat, and that sounds
• 53:45
  like garbage, right, Yeah, So if you look at my short film
• 53:49
  for example, let me just let me put you guys on game and then
• 53:52
  put you guys down on how you can think. So that was the first
• 53:54
  thing. My first thing was, you know, think in a business mind
• 53:58
  to get out of that starving artists meant. But the other thing I want
• 54:00
  to demonstrate for other people is how they can think outside of the box.
• 54:05
  Right, stop following the typical industry way. It's a mistake that all artists
• 54:09
  do in every industry, right and whatever your art is so in this industry.
• 54:15
  So let me just give you an example of what I mean by how
• 54:17
  I've really been able to think outside of the box and push myself in my
• 54:22
  IP and my brand to a space that you know, people only dream about.
• 54:25
  Look at think about the short film for a moment. When people think
• 54:29
  of short film, they think of typically live action. They think of you
• 54:35
  know, dialogue and you know, high quality, high level animation, special
• 54:38
  effects and all that. You don't see that with my short film. What
• 54:42
  you're seeing is I had an artist draw a black and white comic for me.
• 54:47
  Right. I hired an art I think it was twelve pages that I
• 54:51
  had. It was black and white. I had them draw it for me
• 54:54
  right now. I took the pages of my of the that he made,
• 55:00
  I separated them into the panels, right, and I used each panel as
• 55:05
  a frame for my short film. It's not animated, it's not it's just
• 55:09
  still pictures being stream you know. Together. I used a blue filter to
• 55:15
  give it that color. Right, So think about how much it's cost to
• 55:19
  do right. While some people are taking years because they're trying to raise funds
• 55:22
  or kickstarters to do this. Look what I did. I took a twelve
• 55:27
  page comic, separated the panels. It's static, right, black and white.
• 55:35
  I just changed the filter for you know, for in the video software.
• 55:38
  And you guys, you know, the video software is cheap and easy
• 55:40
  to use a lot of it's free then I then I took an animation that
• 55:46
  I already had and put it at the end, right, So that animation
• 55:50
  it looked kind of funny on your screen. I don't know what it looked
• 55:52
  like. I look funny on my side. I don't know if it looked
• 55:54
  funny it was delayed on my side. But in any case, I took
• 55:59
  an animation that I already had and repurposed it at the end of that story.
• 56:04
  But my point is the twelve page how much is it cost to get
• 56:07
  a twelve page comic with three panels each page? You see what I'm saying,
• 56:09
  It don't cost much at all. You understand it's definitely cheaper than you
• 56:14
  know, full color, right, It's definitely cheaper than a full animation.
• 56:17
  I didn't even animate the still pictures for that, and I narrated it myself.
• 56:24
  Right. How much music is out there free that you can use to
• 56:28
  you know, sound for the soundtrack together. So my point is it doesn't
• 56:31
  take a lot. And what I didn't just different from a lot of people.
• 56:36
  I just gonna put it on YouTube. I ain't just you know,
• 56:38
  put it out there on ig or Facebook for everybody to watch. No,
• 56:42
  I said, you know what, I'm going to call this a short film.
• 56:45
  You understand, I'm gonna treat it with the difference in respect that I
• 56:49
  believe my work deserves. So, you guy, you know some other people,
• 56:52
  not you guys, but you know, you know other creators. They'll
• 56:55
  create something massiveful and just put it out for the world and just miss you
• 56:59
  know, and treat it like you know what I'm saying. No, this
• 57:01
  is a protect it. Yeah, I gotta protect it. I copyrote it.
• 57:06
  You understand a copyrote because people responding to the story in such a way.
• 57:09
  And so my point is it doesn't take a lot. But and when
• 57:14
  you when you focus on fewer, when you focus on quantity unhuman quality,
• 57:21
  it allows you to go into the depths of the weeds of the storyline,
• 57:25
  the character creation, the character design it, and create something masterful that people
• 57:30
  will respond to forever life. X Men. I used to read the X
• 57:36
  Men copy. The reason why X Men ninety seven is popping today is you
• 57:38
  can because you have well developed characters. Did they did they? Did they
• 57:44
  create other mutants in their story? Absolutely? But you know what, the
• 57:46
  majority of those mutants ain't worth nothing. Right. I hate to disrespect,
• 57:51
  but the majority of the mutants that Marvel created ain't worth nothing. That's why
• 57:54
  they have They keep coming back to colosses, Wolverine, Storm, Professor x
• 58:01
  Sideclops. Right, those are some of the some of those characters were developed
• 58:05
  in the seventies. You understand, you're talking about again, you're talking about
• 58:08
  less. They try to do the new mutants and all these other people,
• 58:13
  but no one cares about none of They want Wolverine, they want Storm,
• 58:17
  They want the same characters because they were well developed. Right, And so
• 58:21
  again that's just a testament to the power of taking your not taking your time,
• 58:25
  but investing your time and energy in less and making it more right,
• 58:32
  telling that fresh story, or telling from a different angle, something to that
• 58:37
  effect. Yeah, so, Snoopy, I'm sorry, go ahead. No,
• 58:40
  no, no, no. And that's that's the perfect example, because
• 58:45
  how often in me, Lady Mandlord, we're actually all of us here.
• 58:49
  We're huge fans of Storm. We want that, we want that story.
• 58:52
  She deserves that shine. You know, you know, you get those Wolverine
• 58:57
  stories, and a lot of them are really good. You know, you
• 59:00
  know, you get some of these back end stories because you're telling things that's
• 59:04
  happening. No one expects, here's a fresh perspective on something. This is
• 59:08
  what happened around this time, you know, or this is what's going on
• 59:12
  with this character. Like you said, when you give those characters depth,
• 59:16
  it changes everything because you become extremely invested. Yes, yes, and so
• 59:23
  that's the reason why you know And again I don't. I didn't approach this
• 59:28
  project as you know, someone that is trying to create an anime and many
• 59:34
  as you see on my sogn here it says a family friendly anime brand.
• 59:38
  Right, So I always approach this as me creating a brand, not just
• 59:44
  an anime, not just a manga, but a brand that's centered or anchored
• 59:49
  around these three characters. Right. Uh O, what do you have planned
• 59:54
  next for black lining Cups? Well, I finished the big Licensing Expo and
• 1:00:01
  by the way, for you guys, some of your colleagues, I would
• 1:00:04
  highly recommend this. And this isn't me just beating my chest right now,
• 1:00:08
  beat your chest, brother, That Licensing Expo is an international level marketplace for
• 1:00:23
  the business of art, for the business of creativity. I'm in a space.
• 1:00:30
  I was in a space for that week down the hall, down the
• 1:00:36
  aisle from Nintendo, and I wasn't there as a attendee. I was an
• 1:00:42
  exhibitor. You understand, I was an exhibitor at this space. I spent
• 1:00:45
  a lot of money invested to this place, and I'm glad I did.
• 1:00:49
  It was worth every penny. I'm down the aisle from Crayola. In front
• 1:00:53
  of me is Peanuts brand. I mean all the brands that you grew up
• 1:00:58
  on that we all know. The Crunchy role was there, Naruto was there,
• 1:01:02
  dragon ball Z was there. Not like the comic cons Like see a
• 1:01:07
  lot of my peers, like we all talked about earlier, a lot of
• 1:01:08
  our contemporaries, they're at MomoCon right, They're selling comic books and all that.
• 1:01:13
  That's fine, that's cool. This is a whole nother level of busyness
• 1:01:17
  of monetization of artwork. And that's why I mentioned Charlie Brown for example.
• 1:01:23
  I mean Charlie Brown. They had to sign up in there, and these
• 1:01:25
  displays were incredible. They had to sign it. Charlie Brown is celebrating seventy
• 1:01:30
  five years. Can you imagine creating something one little character and seventy five years.
• 1:01:37
  People are spending tens hundreds of thousands of dollars to license your artwork,
• 1:01:45
  your character that you created seventy five years ago. That's the power of branding
• 1:01:52
  and licensing that a lot of our colleagues know nothing about. They just want
• 1:01:57
  to sell a com I'm not saying there's anything wrong with selling the comic book.
• 1:01:59
  I told you on Saturday, I'm gonna be selling comic books too.
• 1:02:01
  But you can think on a larger level. So what's next for me is
• 1:02:06
  the follow up, right with a lot of these companies and agents that took
• 1:02:10
  an interest in Black Line and Cubs. You see. And the thing I
• 1:02:15
  didn't know about us It was a gamble for me because I didn't know how
• 1:02:19
  people would respond, right, And I can tell you right now, the
• 1:02:22
  response to Black Line and Cubs in this space where I'm down to halt down
• 1:02:25
  the aisle from Nintendo and Creola and c Peanuts was phenomenal. I'm talking about
• 1:02:30
  people not just not just bad black people, because there weren't a lot of
• 1:02:35
  black people there, you know what I'm saying. I'm talking about people from
• 1:02:37
  Italy, people from France, people from South Africa that represented the South African
• 1:02:43
  market. I met people that represent the Middle Eastern market. You know,
• 1:02:46
  people from Dubai that represent this market, people that strictly represent video games and
• 1:02:52
  say, hey, we can license your characters in video games. I'm interested
• 1:02:55
  in doing that, you see. So I'm talking to people that are interested
• 1:02:59
  in taking my brand and and uh and licensing it in a variety of different
• 1:03:04
  properties. You know. In film, I bet I just have an email
• 1:03:07
  from a filmmaker he said, hey, listen, we're interested in in in
• 1:03:10
  you know, developing a full full length film around black Line and cubs and
• 1:03:15
  you know. So these are the kind of conversations I'm having that I to
• 1:03:19
  my point. I'm saying all this to say, if you guys haven't seen
• 1:03:22
  the full expo experience that I that I have on YouTube, please watch it,
• 1:03:27
  share it with your friends. Many of us have heard of licensing,
• 1:03:31
  but very few people are in the room and in the spaces where the licensing
• 1:03:37
  deals are happening. And that's what's happening at this export. People are sitting
• 1:03:39
  down having meetings to talk about how we can make that happen in these markets
• 1:03:44
  and in these media formats. Okay, So I just want to share it's
• 1:03:47
  a different not a different perspective, it's just a different space that a lot
• 1:03:52
  of us talking about what never are in you know what I'm saying. So
• 1:03:54
  anyway, it's another level. It's another level the level my brother is.
• 1:04:00
  So that's that's what's next for me for black Lining Cubs is licensing right and
• 1:04:04
  finding as many different ways and places it can be licensed. So for those
• 1:04:10
  who are just now tuning in or watching, you can follow my Man Hotel
• 1:04:14
  in black Line and Cubs at black Lining Cubs on I g H. We're
• 1:04:18
  going to cut the commercial ODEP. Can you steek around while we talk about
• 1:04:21
  the news? No? Absolutely, and give me a say, I just
• 1:04:24
  need to step away from while you watch play the commercial. Oh you better
• 1:04:29
  not go anywhere, you bet. I'm back in two minutes, so we'll
• 1:04:33
  be right back. What's that hair longer? Money? Ain't so paying attention?
• 1:04:44
  The last couple of seasons on the show have been very busy, and
• 1:04:46
  just to make navigating that easier for you all, I've taken it upon myself
• 1:04:49
  to go ahead and clean up the channel a little bit. However, if
• 1:04:51
  you are here for just any specific type of content or you're new, he
• 1:04:55
  don't want to see what we're about. Highly recommend our playlist section for you.
• 1:04:58
  If you want to see US Reactor review movies, trailers, video games,
• 1:05:00
  and whatnot, that's up there. I get it. Not everybody can
• 1:05:03
  sit through a two hour podcast, so if you just want to see what
• 1:05:06
  the best or funniest bits were from each episode, that's gonna be our highlight
• 1:05:10
  section. If you want to see some of the cool guests we've had on
• 1:05:12
  for interviews up here. If you want to see some of the cool guests
• 1:05:15
  we've got to interview, I r l over here. Also, yes,
• 1:05:24
  please do all three of those now. If you excuse me, still looking
• 1:05:30
  for answers on that Blurd's eye View is a proud affiliate of a Taco Noir.
• 1:06:25
  Used the cold Blurd's eye View for ten percent off on all items with
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  a different nerding box filled with items made by talented Blurds across the country.
• 1:06:33
  You surely will not be disappointed. Go to a tacodowar dot com at Taco
• 1:06:38
  Noir, the number one Blurred Mystery Box company. So I'm not sure if
• 1:07:40
  how much of the crew has actually seen the beta version of what's been going
• 1:07:44
  on with Blurred Station, but there's a lot of good news that's coming down
• 1:07:49
  the pipe. I want to get everyone's first thoughts and reaction of what we've
• 1:07:56
  been seeing behind the scenes. I love it. I never knew, I
• 1:08:03
  never knew. Fine, So we'll start with you, lady man the Lord.
• 1:08:12
  So what project has stuck out to you? And that says, uh
• 1:08:16
  wow, I'm ready for this? Am I allowed to talk about the things
• 1:08:23
  that I saw? We can we can talk not in detail, not too
• 1:08:27
  much detail, but we can sure enough give them some teasers. We can
• 1:08:30
  name that. We can name some things and can I say the V word?
• 1:08:35
  Yes, you can? Okay, So like Valerie, there's a there's
• 1:08:40
  a Valerie. There's a Valerant show that we're gonna get that's on there.
• 1:08:46
  Yeah, that's gonna be fun. There's a black Ass Black and the Black
• 1:08:50
  Black, Black Ass Black black show. Pardon me, po tap, I
• 1:08:55
  don't mean the curse that that was on a very prominent UH streaming site that
• 1:09:02
  has recently gotten rid of a lot of black and black black black things,
• 1:09:08
  including their cartoons. It has three letters in it. I don't know if
• 1:09:12
  I can give you any more explanation. It got canceled because because the direction
• 1:09:21
  it was going, that's that's gonna be on there, it's black. It's
• 1:09:29
  real black. It's like I wanted it to be black, but the amount
• 1:09:35
  of black. I'm like, I'm sinking in it, and it's comfortable.
• 1:09:39
  It's a it's a bath. It's a luxurious tub where you can sprawl out
• 1:09:48
  and and sink and and be and be at one and at piece with yourself
• 1:09:53
  and nobody. Anybody knock on the door, you can't hear them. You
• 1:09:56
  got your headphones in the whole thing. Is that kind of were in it
• 1:10:00
  type of feel She's gonna fall off telling you right now, you're gonna hear
• 1:10:04
  a thud and a bounce. She's gonna fall off the bed again. So
• 1:10:06
  it may be what are your first reaction and thoughts of the beta that we
• 1:10:12
  have for Blurred Station? For real, the more that I see that blur
• 1:10:16
  Station is coming out, the more that I see I get excited. The
• 1:10:23
  kidding me is like every Saturday morning is coming because we are creating something and
• 1:10:30
  all of us are coming together with something and it's looking so so delicious.
• 1:10:35
  Oh my goodness. If you are hungry for something that belongs to us with
• 1:10:40
  the creatives, ah words escape me right now. When I get excited,
• 1:10:44
  all I do is go, oh, give me no ship, And that's
• 1:10:46
  just pretty much how it goes. That's how it goes. I'm loving this.
• 1:10:51
  How can you not get excited for this? Though it's so it's not
• 1:11:00
  to be yea like the background in my mind in these recesses in my mind,
• 1:11:08
  I'm thinking, all right, anything is better than to be, anything
• 1:11:12
  is better than to be. This is so far and beyond the concern of
• 1:11:17
  it being close to to be that. Kevin, what you've been doing,
• 1:11:23
  Homie? What? What? What you've been up to? My guy?
• 1:11:25
  You you cooking? You cooking? So uh great? A horror and too
• 1:11:32
  far I have y'all been able to look at it. I'll be quiet a
• 1:11:35
  little bit. That's a little bit. I'm online because that said a little
• 1:11:42
  bit. If I want to a lot, and I've been Diamond, I
• 1:11:47
  am seeing some car stuff. What I did see so you can tell me
• 1:11:55
  if I missed is my little girl that is the makeup artist. I want
• 1:12:00
  to see her stuff. If I missed that, Dakota. Okay, I'm
• 1:12:08
  looking at I'm looking at Lady Mandor. Something must be missing out, like
• 1:12:13
  I need to go in and Okay, too far, I haven't glanced through
• 1:12:21
  the whole thing. But as somebody used to be on Wicks a lot in
• 1:12:25
  college, at least, like the layout of the formula were using. It
• 1:12:29
  was easy to navigate through, so I was able to find what I'm looking
• 1:12:32
  for a lot of the stuff that I know we even had our hands on
• 1:12:36
  in there. So, like I said at the end of every show,
• 1:12:41
  we're not fa all money. That's that's this is true. There are two
• 1:12:45
  particular looking forward to. One is the Mighty Python, which I had seen
• 1:12:55
  several years ago and was wondering where was the rest of this uh project that
• 1:13:00
  And now I'm glad to say that it's come over the blurred station and that's
• 1:13:04
  one. And the other one is Master, and Master stood out and if
• 1:13:12
  you like across the Spider Verse and the animation that they have in there,
• 1:13:16
  you're gonna get that in Masters. Oh yeah, tay, looking at that
• 1:13:27
  one. That one, the live action trailer that they have for Unit four
• 1:13:31
  is a great standout that that's one of the first ones that's away. Yeah.
• 1:13:40
  So it's it's one of those things where I'm just like, Okay,
• 1:13:44
  we are at a stage where things are coming, things are happening, you
• 1:13:49
  know, the launch is coming soon. You will all be able to get
• 1:13:54
  a chance to view these projects very soon. Uh yeah, so sorry.
• 1:14:02
  Definitely for the culture, like definitely for the culture. Kevin Murphy's in the
• 1:14:08
  building, co founder and uh a Blurred Station and h CEO of Katie Is
• 1:14:15
  Entertainment. So yeah, this is Chef's Kiss. The layout easy to navigate,
• 1:14:24
  it's not overwhelming, and this is just the beta. This is just
• 1:14:27
  the beta. You know, things are happening and it needs whoa when we
• 1:14:33
  really get to talking about it and showing you what we got. So and
• 1:14:38
  one of those projects which is not on there just yet but will be is
• 1:14:43
  being in was being in Blurred News Network. You're looking, you're speaking too
• 1:14:47
  well, you're not speaking to but you're listening to the nerves news director of
• 1:14:50
  Blurred News Network, along with these lovely teammates of mine and several others.
• 1:14:57
  And we are coming. When I say press or, I mean convention,
• 1:15:03
  I mean appearances, I mean the whole nine. We're coming as an army.
• 1:15:13
  You don't know where, you don't know how we're there. I could
• 1:15:17
  go to San Diego. I'm so afraid here. I don't want y'all come.
• 1:15:29
  We go in to my favorite spot to eat, and we're gonna just
• 1:15:31
  stare at the Convention Center together, listen, stare at and then we're gonna
• 1:15:38
  go inside. I was just saying, like, what, that's the whole
• 1:15:42
  reason I'm nervous. I don't want to miss nothing. Oh my god,
• 1:15:45
  So I don't. So there has been and we we've all seen the Justice
• 1:15:55
  League, right, we've seen that. We've also seen what could have been
• 1:16:01
  in death Stroke. Correct, Yeah, yeah, talk about waste of potentials.
• 1:16:09
  So Joe Manngianello says that the DC Universe Studios had James Gunn has told
• 1:16:15
  him to let death Stroke go. He told him let it go. However,
• 1:16:21
  gun does have some plans for death Stroke. Please let it be somewhere
• 1:16:29
  lining up with the Teen Titans or the Titans of which please, because so
• 1:16:41
  they are working on a Teen Titans. Uh. It will begin shooting late
• 1:16:45
  this year. They're working on that. He said that is yet to be
• 1:16:51
  the Super Mari Hilmer has yet to be confirmed the project as in development and
• 1:16:56
  responded with know any questions about the start date was put to him. But
• 1:17:00
  that was the details so far that they thought it was gonna shoot later this
• 1:17:03
  year. I should say the person who's actually writing on Supergirl Woman of Tomorrow,
• 1:17:12
  which is I can't really pronounce it, and a Noguera that's put it
• 1:17:17
  like that. I think I got her name right. Noguera. Uh,
• 1:17:20
  she's been tapped to right teen Titans because they were so impressed with her work
• 1:17:26
  on Supergirl Woman of Tomorrow, the write up that she's done for that.
• 1:17:30
  Hm. So yeah, James Gunn says he's happy or he's he's happy with
• 1:17:40
  his stories. He is not for play with his stories at all. You
• 1:17:44
  could be different, but have your stuff together. Yeah, Marvel, and
• 1:17:54
  I would love him. Sorry, pardon me, So I do know.
• 1:18:01
  I want them to do better. I just want I just want us this
• 1:18:05
  quality we're talking about. So he look less. I'm sorry, go ahead,
• 1:18:14
  no, no, no, great. Last night I noticed that Madam
• 1:18:17
  Webb was on Netflix. I was so curious, like, you know,
• 1:18:21
  I saw, you know, I saw the trailer for it in the theaters
• 1:18:24
  before, and I said, I never watched it. I saw it.
• 1:18:28
  I watched it last night, and I was like, yo, what the
• 1:18:34
  exactly I'm not gonna do it because you know, one of my teacher friends
• 1:18:39
  might be watching this. I gotta keep my professional No, you gotta tell
• 1:18:41
  truth. You gotta tell the truth. Wait, just that movie was so
• 1:18:53
  horrible. I was like, what what is this? I'm like, who
• 1:18:56
  who green likes? This? Is? What? This is? Why?
• 1:18:58
  You know there's something going on because who green lights these stories? I mean,
• 1:19:02
  it had all the money, it had all the effects, it had
• 1:19:05
  everything it needed to be a great film, speaking of the great story and
• 1:19:11
  so on, and so I'm gonna stop, you know, but I was
• 1:19:13
  like, just speaking about you know, quantity over quality. So our cousin
• 1:19:18
  Nix is in the chat. He's your cousin. That's the family tree right
• 1:19:32
  now, you know what? You know what? Yes, tray Man who
• 1:19:39
  been in as death stroke, it was actually a really good pick as well.
• 1:19:43
  Who was on Errol was actually damn could pick so cousin Nicks brother and
• 1:19:54
  he liked this one too. He Nicks has caped for Madam Webb. He
• 1:20:02
  said, it's not the trunk of garbage juice that we made it out to
• 1:20:08
  be. Mind you, Knicks is a DC fan. So I'm just gonna
• 1:20:12
  put that out. It's hot, That's all I gotta say. Blessed not
• 1:20:17
  the blessing is hard, not the blessing is hard. I did have the
• 1:20:24
  unfortunate, Like like you go Hotel, I had the unfortunate. I watched
• 1:20:31
  that and was extremely disappointed for so many reasons, and I said, you
• 1:20:36
  know what, Ninja Turtles Too, Out of the Shadows is on here.
• 1:20:40
  I'm gonna watch that instead, and was much more appreciated watching that because I'm
• 1:20:47
  like, when you look at the tool probably I'm like, I'll take these
• 1:20:54
  Ninja Turtles over that. I'm just I'm just saying. After watching it,
• 1:21:00
  I looked up the reviews. I'm like, because you know, I wasn't
• 1:21:03
  privy to all the I typed in the reviews and I said, okay,
• 1:21:12
  I'm not the only one feeling this way, you know. So I'm not
• 1:21:15
  eleven percent on Rotten Tomatoes. I'm surprised I got eleven. Oh my goodness,
• 1:21:21
  that should have definitely been single digits. I don't understand that it's it's
• 1:21:26
  bad in so many ways that it it's just poorly put together, you know,
• 1:21:32
  it was, it's poorly put together, you know what. The best
• 1:21:38
  way I explained it to my wife because my wife watched it way before I
• 1:21:41
  did, and I explained it to her. She was like, so,
• 1:21:44
  what's the hangout because you know she's not as well versed in the comic world
• 1:21:47
  as I, and I said, imagine. I was like, you watch
• 1:21:50
  the Matrix and she said yes. I said, remember who Tank is and
• 1:21:54
  she was like who And I said, exactly, sidecare it's a side character.
• 1:22:01
  And it's like, it's nothing major about the kid. And when you
• 1:22:06
  start lining things up and yes, spoiler alert here, it comes when you
• 1:22:12
  have four people who have spider based powers and Peter Parker is literally born at
• 1:22:18
  the end of this film, you mean to tell me by the time this
• 1:22:21
  kid is sixteen born that no one says, you know what, there was
• 1:22:29
  like four women who ran around it with spider powers before you were even around
• 1:22:32
  in this world. That that that's a conversation that never came up. Yes,
• 1:22:39
  I was trying to figure out what because I heard the ben I said,
• 1:22:41
  Okay, I'm assuming this is a pre supposed to be a prequel story.
• 1:22:44
  Yeah. It was just it was just disgusted, and you know,
• 1:22:47
  and that's the thing, you know, like I as a creative, as
• 1:22:50
  a fellow creative, I know the type of work it takes to put something
• 1:22:55
  like that together. And for us to be able to just turn around and
• 1:22:59
  just do you know, dismissed it or just say it was garbage worse than
• 1:23:02
  eleven percent. It's got to be heartbreaking to anyone that worked on that film
• 1:23:08
  and endorsed it and put blood, sweat and tears and that I just hate
• 1:23:11
  that I feel that way about someone's creation. But someone should have told them
• 1:23:15
  nah like this, like like you said, madam Webb, who why?
• 1:23:19
  Like anyway, who's madam Webb? Who? Do you know? Stop?
• 1:23:23
  Don't do it? And I think and I think they were you know,
• 1:23:27
  maybe Marvel well uh, you know, maybe they were attempting to ride the
• 1:23:30
  wave of you know, women's empower and you know female, the future is
• 1:23:35
  female and all that kind of stuff. But I you know, some the
• 1:23:39
  women I watched did not appreciate it either, So show didn't know. We
• 1:23:44
  did not. And it's something you put to Johnson in lead. I have
• 1:23:48
  such I was already tell you that, like she is the worst and the
• 1:23:55
  most driest and boriant actress ever. Don't hold back, tell me how you
• 1:24:00
  really feel, because nobody else it should have never put her as as the
• 1:24:06
  lead. No, no, nobody else was going to say yes, to
• 1:24:11
  that script. I think that I take that back. Who knows? Who
• 1:24:16
  knows what they actually wrote as the first draft or that that's the question.
• 1:24:23
  There is no way on this planet because everybody this happened with, This happened
• 1:24:30
  with Ben Ramsey when he did the dragon Ball Evolution film. That wasn't That
• 1:24:35
  wasn't his draft that we see that. That wasn't his draft. He said
• 1:24:42
  he wrote several different versions before they got to that version. That's not his
• 1:24:46
  version. He said. His version was so much closer to the source material,
• 1:24:51
  it's ridiculous. So you're right, lady Mandelor what was the original looking
• 1:25:00
  like? Because the minute the minute they said, oh you can't use this,
• 1:25:05
  I'm like, but it's in that universe, So what is it?
• 1:25:09
  We can we plan around it? Can we do something like because we we
• 1:25:15
  thought Morbius was bad? Yes, yes, poor Jared Little they just pieced
• 1:25:23
  that together. Literally, when you sit back you look at Morebius, you're
• 1:25:27
  saying, Okay, that's believable. But it's the fact that it was so
• 1:25:30
  misleading. It was so misleading because the trailers was misleading, and it wasn't
• 1:25:36
  even Jared Lettle, it wasn't Matt Smith. It was the fact that you
• 1:25:42
  said, oh, they're gonna be mentioning Spider Man. You know there,
• 1:25:46
  there's gonna have the Spider Man poster saying Spider Man's murderer because of what happened
• 1:25:51
  with Mysterio it and then you get the finished product never happened ride and that's
• 1:26:01
  sight like a week before. That's a good question. So TMB says,
• 1:26:11
  do you think Disney is using Spider Man as the new Mickey? Just the
• 1:26:15
  thought, because the Spider Reverse can take on any character type. I wouldn't
• 1:26:18
  say as the new Mickey, but think of it as else world. Spider
• 1:26:25
  Man is a flagship Marvel character. Yeah, you know, so, of
• 1:26:30
  course a lot of a lot well not a lot of what we've been seeing
• 1:26:33
  lately over the past couple of years, but a lot for that character.
• 1:26:38
  Yeah, there's gonna be certain things. And when you look at the product
• 1:26:42
  that's being pushed out, like no one's asking for a anti hero Craven.
• 1:26:51
  What is this? What are we doing? I feel like they just put
• 1:26:56
  their hands in They just put a bunch of names on a piece of paper,
• 1:26:59
  put them all in a ball. Had somebody named no Malcolm stirred around.
• 1:27:04
  They had someone in Carolyn preach your hand and grabbing four or five different
• 1:27:08
  names because this is what we're going to make. That's how it feels,
• 1:27:11
  because there's no rhyme or reason that any of these projects whatsoever, sir,
• 1:27:18
  Sure I had I had my doubts about ant Man. I'm like ant Man,
• 1:27:23
  who who was really rocking with ant Man? I mean, he was
• 1:27:26
  part of the team, but like, why developed, like of all the
• 1:27:30
  characters anyway, you know, I don't want to get into it, but
• 1:27:33
  but it was developing, but we've seen I was surprised, No, no,
• 1:27:39
  and Man wasn't wasn't a bad series. I was just surprised that they
• 1:27:42
  brought him into the whole mix at all. You know that just you know
• 1:27:45
  anyway, that's just a personal thing. But I'm thinking a good job.
• 1:27:49
  Oh m hmm, because Chris not like that session. Brother Nick, please
• 1:28:13
  defend your case. Brother doesn't Nicks everyone. I am going to say this,
• 1:28:25
  Oh God, why did you give him? We don't give him the
• 1:28:30
  floor because we got to go into a reaction. You why did you here?
• 1:28:33
  I am I am a gracious captain. You are I'm gonna leave you.
• 1:28:40
  You're such a great Captain through to your escape pods at once, to
• 1:28:44
  all your escape evacuating you shut the hell up anywhere, order order shout shot.
• 1:28:59
  Chris shouts the guest. Hi, sir, you the media listen.
• 1:29:03
  I just can't defend myself and I'm gonna be out. Okay, look,
• 1:29:08
  this is all I said. Okay, this is all I said. All
• 1:29:11
  I said was watched the movie, and all I said was it is the
• 1:29:17
  cup of garbage juice that everyone makes it out to be. That's all I
• 1:29:24
  said. I didn't say it was dark Knight. I didn't say it was
• 1:29:28
  Soldier. Okay, I didn't say it was all that. I just said
• 1:29:30
  it wasn't. You didn't exactly. All I said was it wasn't the garbage
• 1:29:39
  truck juice that they were made it out to be. It was, but
• 1:29:43
  it was. It wasn't the cup. It was more of a gallon or
• 1:29:45
  a picture dumps from a comic book perspective, From a comic expective, it
• 1:29:58
  was garbage. Don't get me wrong. The movie. The movie is really
• 1:30:01
  good. Are you talking about It's not a good movie. It's really not.
• 1:30:06
  But I have seen worse movies. I've seen worse, Like I watch
• 1:30:12
  x ME in Dark Phoenix, but it has a moment. I was surprised.
• 1:30:21
  Yeah, I thought that was good. The Trains Phoenix still outshines the
• 1:30:32
  entirety of Math. Take one scene where that just tells me, Yo,
• 1:30:41
  that's what's up. Oh my god, I can't wait to watch it again
• 1:30:45
  with my family. That's what you want me to say at some point,
• 1:30:48
  like in a drunken stupor or integrated on some of drugs. That's the only
• 1:30:55
  way I might consider making those ain't no way. Hey, listen, monkeys
• 1:31:00
  and bad movies go together. Not that bad, not that bad, you
• 1:31:05
  damn bad watching him? Okay, then we got a behind and drunk that
• 1:31:11
  will mess up be high? What just so you can figure out which one
• 1:31:21
  was the worst? What? What? Why? Did Was it the movie
• 1:31:25
  or was it the liquor? I don't know. Lord, Yeah, I
• 1:31:32
  gotta go with my lord. Then garbage? Oh my god. But but
• 1:31:43
  she stopped to think about it for a second. That's what we're trying to
• 1:31:45
  say. I did. I did. My wife wants me to retract stated
• 1:31:49
  completely because she thinks, Thattie now that I need to throw away my whole
• 1:31:57
  platform. I need to give my geek card up because I credibility. No,
• 1:32:00
  we all have our down moments. We don't have our down moments,
• 1:32:04
  so you know, I mean we have We still have the transcripts of what
• 1:32:08
  he said. Do we need to read it aloud for the class? No,
• 1:32:11
  sir, I mean he didn't say it was He didn't. He didn't
• 1:32:16
  say it was the top tier. So he's correct. I will defend him
• 1:32:21
  on that one. It's not the couple. It's not the couple. It's
• 1:32:27
  not the couple of garbage juice. It's just it's more of a picture.
• 1:32:30
  Yeah. I didn't say, you know, I didn't say that. I
• 1:32:33
  ain't ship slap. I didn't say it was like, oh my god,
• 1:32:36
  this was great. No it was. It was bad. It was bad.
• 1:32:41
  It's just I've seen worse movies. My thing. I have a question,
• 1:32:45
  guys, can somebody you know, I'm one of those people that actually
• 1:32:50
  enjoyed Dark Phoenix, And when I looked up the reviews, I said,
• 1:32:55
  man, a lot of people going in on Dark Phoenix like and I couldn't
• 1:32:58
  see it. Why. I couldn't see why. Can somebody explain to me
• 1:33:00
  what the problem was that people have with Dark Phoenix? Because I didn't see
• 1:33:04
  it. Ioy it. I actually enjoyed it. It's the way they pieced
• 1:33:11
  the story together. Yeah. The the pacing is one thing that I just
• 1:33:16
  completely hate about Dark Phoenix. The way they paced that movie out. It
• 1:33:20
  had its like high moments, but it wasn't enough to salvage the movie.
• 1:33:26
  It really wasn't and not to mention, it felt really piecemeal. And on
• 1:33:30
  top of that, we've seen Dark Phoenix down on screen before, Like,
• 1:33:33
  you could have gave us any other X Men story. I mean, as
• 1:33:35
  we know shot Bodemayo, we have a plethora of explatories that we can have
• 1:33:41
  done. Why do you have to repeat this one again? It didn't It
• 1:33:45
  didn't make sense. There's certain scenes that definitely stand out. Oh yes,
• 1:33:51
  you know, and you're just like, okay, the train scene, that's
• 1:33:54
  a good scene. That is a great scene, you know, but she
• 1:33:59
  got guys. Yeah. Anyway, there's some very standout scenes in that film.
• 1:34:03
  But once again, when you start changing certain narratives, like that man,
• 1:34:08
  that guy was supposed to be scrolls. It was supposed to be scrolls,
• 1:34:10
  but they said they couldn't do it because Captain Marvel had scrolls. And
• 1:34:13
  I'm like what if Disney just pushed that button a little sooner, they could
• 1:34:17
  have bought that like, but they couldn't pull that trigger yet, So it's
• 1:34:23
  just little pieces here to follow, having to follow days of future past and
• 1:34:28
  Logan the bar was that kind of high. Logan was a dark dark Phoenix.
• 1:34:35
  It had potential, but it kind of played off as we got a
• 1:34:40
  contract trying to lose his license, so throw some Yeah, oh it's stuff
• 1:34:46
  already, Like everyone stopped being mad at Dark Phoenix because twenty twenty we got
• 1:34:51
  the new mutants, So that that was that one's Yeah, that was that
• 1:35:00
  was our watch. I'm not gonna lie. I will never not say here
• 1:35:04
  comes love and thunder, but it has valkyrie and got nothing. Think bas
• 1:35:18
  by two point two seconds. I've got nothing, I've got nothing. I've
• 1:35:24
  got nothing. They had a whole bunch of gods being murdered. But no,
• 1:35:31
  I mean so we we we lit, we lit, next have the
• 1:35:36
  floor. Thank you, I appreciate. I appreciate that, my card.
• 1:35:45
  I would like to read some of the replies that was given by Masses to
• 1:35:50
  uh Nix's statement. So we have spartan, sir, how cold is that
• 1:35:55
  tree branch? By yourself. We have many replies from mister Holt, you
• 1:35:58
  put this online? What the whole internet? Boy? The f is you
• 1:36:01
  own? Delete this? They're not gonna believe this. Guard a face.
• 1:36:06
  I don't know how to explain you. I came here to laugh at you.
• 1:36:10
  Let's see, we have Chris with what from coming to America. We
• 1:36:15
  have the cinematic Assassin morebviously at least had Matt Smith and joined the hell out
• 1:36:20
  of his time there, Samuel Jackson again, we have Lady Nick. You
• 1:36:27
  are extremely knowledgeable, but gonna have to disagree for him. Then we have
• 1:36:30
  Cinematic Assassin again, so this comment section isn't going the way you planned.
• 1:36:36
  Then finally we have a lady Mandelor. I came over here just to see
• 1:36:40
  if the statement was true. Here are you hell? I think y'all?
• 1:36:56
  Yeah, y'all keep me shut. I appreciate all you all right, because
• 1:37:00
  I will catch you all another. I'm sending them off from the shutter.
• 1:37:19
  Love that though. That's my brother. I gotta love him. I gotta
• 1:37:23
  love him. I wanted to take you did you did you want to do
• 1:37:27
  that? Oh my god. So we got a couple reactions to check out
• 1:37:33
  Oh my god, that was that was love. So we have special look
• 1:37:45
  at the Acolyte, which should be coming out pretty soon. Actually, I
• 1:37:47
  can't believe it is almost over. Uh and it stays a week yeah yeah,
• 1:37:55
  and uh here's a special look right now. Mm hmm running Uh you
• 1:38:11
  let love you a back made without Mandl Why yeah, oh you got uh
• 1:39:16
  before we before we go. I want to thank Hotel for jumping in for
• 1:39:20
  black lines and cub what's coming on? Thank you brother, Thank you brother,
• 1:39:26
  Thank you brother, keep doing Thank you, Chris, thank you,
• 1:39:29
  thank you all you guys. Man listen, I want to shout you out
• 1:39:33
  as you guys run a well produced show. Man iverythink I remember you telling
• 1:39:40
  me Chris a year ago when we talked and first met, you said,
• 1:39:43
  it's not just a podcast, it's a show. And you're so right.
• 1:39:46
  Even since last year, you know, you did it great. You guys
• 1:39:48
  did a good you know it was great last year, but you've really just
• 1:39:51
  stepped up the production quality, the level, you know, the format is
• 1:39:56
  amazing. You guys are doing a phenomenal job. And shout out forgetting keen
• 1:40:00
  and up on here man like yo, you know, like you know,
• 1:40:03
  listen, this is it shots you out? Because you know, one thing
• 1:40:06
  I experienced when I was at the licensing xpo is you know, and on
• 1:40:12
  the higher levels of things in business and commerce, people don't even care about
• 1:40:16
  your likes and views, right. And the reason why is because I remember
• 1:40:20
  your post when keing on ig at least and I was like yo, these
• 1:40:26
  cats got keen and up on here and like yo, there should be a
• 1:40:31
  million views. You know what I'm saying, Like this, like this is
• 1:40:34
  a big deal. And sometimes you know, people just take things for granted
• 1:40:38
  or I don't know about the algorithm. I don't know what it is,
• 1:40:41
  but I'm gonna say it, man, you guys are running a phenomenal show.
• 1:40:45
  It's well produced. You are not in competition with these other people that
• 1:40:49
  have that little rinky think show and they little not in you all on a
• 1:40:54
  whole nother level. And I want to encourage you guys to if you're not
• 1:40:59
  all ready, I want to encourage you to start networking with people that are
• 1:41:02
  on that broadcast level, the real big networks. You know what I'm saying,
• 1:41:06
  You guys are a big fish. You're You're a big fish in a
• 1:41:12
  small pond, and it's time for you guys to get out of the small
• 1:41:15
  pond and start swimming in the ocean, because that's where you all belongs,
• 1:41:18
  learned from the entrepreneur and the teacher himself. Hotel, I got to give
• 1:41:24
  you this for the respect. Thanks you coming through, brother. You know
• 1:41:26
  this door is always open. But be saved, my brother. I will
• 1:41:33
  talk to you soon. Thank you, Okay, thank you. So back
• 1:41:46
  in the lab, I go after this the acolyte. Just from that little
• 1:41:51
  minute and some change. I want to see it. I can't wait.
• 1:41:55
  I want to see it. I can't wait, definitely, only for lonely.
• 1:42:04
  I see you over there, that motherfucker cooker and a crock pot over
• 1:42:15
  there making some Hey, stop asking him when he does. Get you,
• 1:42:18
  get get out the kitchen, the kitchen. Don't answer that man when he's
• 1:42:25
  done. You know better. You know how black folks is in the kitchen.
• 1:42:28
  Don't don't ask me when when the food done. He's simmering on low.
• 1:42:31
  Okay, he's simming on low. He had kind of walked away from
• 1:42:34
  him, said it's gonna work at you. He got the seasoned iron skille
• 1:42:38
  it over there, the mixed grease in the back of the stove. He
• 1:42:44
  got he got one from the chicken, and he knows what he's talking about.
• 1:42:49
  He knows what he's doing. Lets go bucket, stay out the kitchen.
• 1:42:54
  Uh So, first thoughts, first thoughts, first thoughts, Okay,
• 1:43:03
  you're gonna put me on because you want to go last. I'm excited.
• 1:43:13
  I love if this is just not a snippet, If this is just a
• 1:43:16
  small piece of this entire cake, that thing's gonna be delicious and you're gonna
• 1:43:21
  want more. And I can't wait to see it because I'm always excited to
• 1:43:28
  see a character of color not relegated to the to the back as person on
• 1:43:34
  the street. Number four, we'll talk about main character with the natural hair
• 1:43:38
  and got the skills and just helping to make this story and and and of
• 1:43:46
  course the scene not ladies and gentlemen, not a rim of paper or napkin.
• 1:43:49
  In'say, ladies and gentlemen, and still convey emotion. It's screwing out
• 1:44:00
  quite if you want to crease a certain show her force braiding that hair.
• 1:44:11
  I ain't seen it yet. M bring back Moses. I'm just I'm just
• 1:44:16
  saying that as much as time as that probably took, if she just goes,
• 1:44:20
  I'm a fan. Only a lot of men could understand what you just
• 1:44:30
  so so late. I agree on a horror what do you think? Oh
• 1:44:33
  my god, I'm so psyched, especially like Naby said, I mean,
• 1:44:36
  first of all, again, I haven't bagging for things that are outside of
• 1:44:42
  the sky the Skywalker saga and all that, and and that is what is
• 1:44:47
  so much more exciting to me, because we're talking about higher public. So
• 1:44:50
  we're talking about basically before even Phantom Phantom Metas episode one, right, So
• 1:44:58
  we're getting things that people who don't have time to read the books like like
• 1:45:02
  I do. We're getting Oh no, Obi is calling again? Did the
• 1:45:16
  whole board get thrown off? Because they Okay, we're all here in the
• 1:45:26
  endless clasping right there. I am not that was me last time? Remember
• 1:45:31
  I told you, I'm like, I hear it, and y'all was like,
• 1:45:33
  no, it's not on there. That was me last time. I'm
• 1:45:38
  endless. Applause right now, So did the dark Side of the four second
• 1:45:44
  lady? She said, I land, this is the second scene that I
• 1:45:51
  have seen where there have been little to no use of lightsabers for an extended
• 1:45:58
  period. And that's why well, sister, understand. I'm just saying things
• 1:46:15
  be hidden when you don't and then you don't know that they're hitten when they
• 1:46:18
  hidden. Just like this Hours series around Town l getting nipple made Bama's day.
• 1:46:34
  Uh you know, don't do it Bama already. Girl in this show
• 1:46:45
  is really good with the hands. Could she be a window ancestor yeah?
• 1:46:48
  Now you know? Okay, I don't, but based Okay, so I
• 1:47:00
  have not read all the books. I do not know all of the books.
• 1:47:01
  However, I have delved into a lot of the research in order to
• 1:47:04
  know about all of the books. The people that are bitching about the direction
• 1:47:13
  or the lack of use of those legend books should the fuck up to look
• 1:47:18
  up? Just shoot me into making it work, to be clear, Okay,
• 1:47:25
  so real quick. When Disney bought them, they said, okay,
• 1:47:29
  we're taking everything, all right, everything from here from this point whenever the
• 1:47:33
  fuck they bought it and back. We're good. But all this other shit
• 1:47:39
  that y'all were doing is is legend. Y'all can keep the books, but
• 1:47:42
  we ain't mixing the peanut butter and the jelly over here. Okay, it's
• 1:47:45
  just just really yeah, because it's too much. There's too much to try
• 1:47:48
  to figure out and come through. But what they were actually saying is that
• 1:47:54
  they're going to start bringing some of that shit in in order to make it
• 1:47:58
  a better sandwich. You can't have all this random uh authors and stuff putting
• 1:48:03
  these stories together. It's that is not going to work. That is not
• 1:48:09
  going to work. Well, Okay, So they wanted to control and that
• 1:48:12
  makes sense because they want to control of the narratives because if they're bringing back
• 1:48:15
  in the way that they think that it should be handled, and they think
• 1:48:19
  it should so I get that, but I want them. I just wanted
• 1:48:23
  to make sure that that Legends was before Disney acquisition. Correct too far,
• 1:48:30
  lady, I just asked them. I just want to point out that she
• 1:48:35
  that they're using. They're using the Harrimba African tribe and I remember Himba tribe
• 1:48:43
  with old girl's hair. That is an African tribe of from na media.
• 1:48:47
  I think it's that is that Amanda. The only reason why that's not her
• 1:48:59
  hair, no reason why is because she was in body's bodies, bodies and
• 1:49:05
  she had this. So that's why I was like, well, maybe look
• 1:49:10
  at that was a two years ago bodies. She had the same kind of
• 1:49:14
  hairstyle. But that's why I was like, maybe that's I only say I
• 1:49:18
  only say no because of the way her hair was during Star Wars celebration two
• 1:49:25
  years ago, she had to slip back definitely. Nobody asked, Nobody asked,
• 1:49:31
  nobody asked. Nobody asked about that. Though, though Nicole, my
• 1:49:34
  guy, my guy, what what are we doing? We we that's cool,
• 1:49:41
  that's cool. Though she did was going to come back no matter what,
• 1:49:48
  was going to come back. So I just want to know who's holding
• 1:49:55
  the saber whips and who's getting hit with it. That's my question. I
• 1:50:01
  like that it was purple, so I'm hoping you would like that question.
• 1:50:04
  Lord, I like, I like that question. Just for let me see
• 1:50:09
  somebody force braids from there and let me make sure it's just one of us
• 1:50:13
  holding the purple thing. That's all I'm asking. But I will say,
• 1:50:16
  this show comes out soon. The Black Cons are in July, so y'all
• 1:50:20
  got time to study and get your costumes ready. Key word is study,
• 1:50:25
  study, study, don't be a dick, And you gotta say, don't
• 1:50:35
  be a dick. It will be cool, thank you. I feel like
• 1:50:39
  I'm the only one who says that in my head because he be lowering it
• 1:50:42
  down nowadays, just like that said, it is an octave, you gotta
• 1:50:51
  hit it octave. I can't hold them type of octaves. So we have
• 1:50:59
  another piece of fine cinema to show this one, this one we actually been
• 1:51:08
  waiting for. M here's a preview. He warned, it's intense. I
• 1:51:30
  can't believe Grandpa is dead. That is hard. Yeah, sometimes I think
• 1:51:34
  life is harder. When I was a teenager, a trickster demon terrorized our
• 1:51:47
  entire family and tried to force me to marry him. I believed he was
• 1:51:56
  gone forever until you found this in the attic. Who's Beetlejuice? Don't ever
• 1:52:02
  say that name beetlejuice, Oh Astra, I am serious. If you say
• 1:52:09
  the same three times, you will appear Beetle. I'm tearing these is loose.
• 1:52:19
  I'm going to make you so happy. The living the dead? Can
• 1:52:31
  they coexist? That's what we're here to find out. Or are you why
• 1:52:49
  a d beatle? You feel afraid you'll express yourself. Don't be afraid.
• 1:53:04
  You're a figment of my imagination? Really is this figment of your imagination?
• 1:53:12
  M hm hmm, I says, I can't wh I cannot wait. I'm
• 1:53:29
  not gonna lie. I cannot wait wait on that one. Uh huh,
• 1:53:39
  that a little All you see is Joy's bikes. That's what honestly said.
• 1:53:43
  But no, that's it's true. Oh my god, it's been that long.
• 1:53:47
  Yes, yes, exactly. Yes. So here's here's a nice little
• 1:53:55
  table of information. There are character posters out right now. And one of
• 1:53:59
  those character posters is Monica Balucci, who who's playing a woman who's missing a
• 1:54:04
  ring finger mm hmm. And what did he do in the first movie?
• 1:54:11
  Yes, he did, Yes, he did nothing at all. Let's go
• 1:54:21
  No, that is very much a thing. That is what you mean the
• 1:54:28
  call if that is the thing, that is a call back the Nightmare before
• 1:54:40
  Christmas. She's got a little bit of that look a little bit like Sally
• 1:54:43
  A little Yeah. I think it's because of the scar. Really, yeah,
• 1:54:49
  I you know what I am looking so forward to. I'm not gonna
• 1:54:55
  lie. Generally, I don't like it takes such huge breaks that it just
• 1:54:59
  kind of mess up the storyline. But Beetle Juice is just one of those
• 1:55:01
  films that you just like, I got it. You don't realize how quick
• 1:55:05
  it goes the original, how how fast it's on it gets right to it,
• 1:55:12
  and damn is it fun? And I need to watch it again.
• 1:55:16
  It's Michael Keaton, come on it is. That was one of my favorite
• 1:55:20
  movies of all time growing up. That was like, that was like blockbuster
• 1:55:25
  for me. Who's been voted as the best live action Batman? So,
• 1:55:31
  and I'd be a fool to disagree. Somebody just all of Michael Keaton's old
• 1:55:39
  costumes. It was just like, get him back in. So who all
• 1:55:42
  right, the guy Jeffrey I can't think of his last name, but Jeffrey
• 1:55:45
  Jones, I want to say, was the person who played the father.
• 1:55:48
  And yes, there are allegations of behavior, and so this is why.
• 1:55:58
  Yeah, yeah, so this is why we Uh that's what they had to
• 1:56:05
  kill. Yeah, whoops, gotta go. Uh. You know, I'm
• 1:56:13
  not gonna lie. You're right, You're right. Anything that Keaton has been
• 1:56:15
  in, I'm not gonna lie. Anything Keith's been in I've actually enjoyed.
• 1:56:19
  Even when he's not the lead. It's done. I can still watch the
• 1:56:24
  other guys and he's quoting TLC. The Flash was the shining moment for me.
• 1:56:34
  It's It's Keaton and defaone. Neither one of them have do neither one
• 1:56:39
  of them have given like a bad performance and anything. Lately. He made
• 1:56:45
  me check out The Norseman. I had no interest in that film. Yeah,
• 1:56:48
  that is so long though, mister momb multiplicity. Multiplicity is just playing
• 1:56:58
  hilarity. I just I like pizza Steve. Oh, this is weird.
• 1:57:05
  It would be so weird. But yeah, that that. I'm looking forward
• 1:57:10
  to that one. That just looks like a lot of fun. Uh.
• 1:57:14
  Jenna Artega is making a lot of moves. I think she's found her lane.
• 1:57:17
  This is right up her. I feel like this is all that she
• 1:57:23
  did. She she likes creepy shit. She said it. I think,
• 1:57:26
  ye, this is her lane and I'm for it. Oh yeah, clean
• 1:57:33
  and sober. Wow, I forgot about cleaning sober, I said, I
• 1:57:38
  said, that is a good one. That's a good one. Well,
• 1:57:41
  yeah, I'm definitely looking forward to this one. I don't think it took
• 1:57:45
  them much. He's probably sitting there. He probably was like, I was
• 1:57:47
  waiting on you to ask me almost thirty years ago. I think he said
• 1:57:55
  no a couple of times because the script just wasn't right. I think he
• 1:57:58
  did say that, like way ways back, I think he said he said
• 1:58:02
  that about doing a third Batman film. Yeah, like it didn't want it
• 1:58:09
  right Hawaii or something like That's yeah, it was something crazy and it might
• 1:58:15
  have been like right after the cartoon that cartoon flat too. I watched that
• 1:58:19
  cartoon as well. Hey, talking about talking about cartoon entroes that really go
• 1:58:26
  in and just like, oh, this should not be hitting, like it's
• 1:58:29
  hidden, but it's hidden. So we have one more. We have one
• 1:58:38
  more, uh trailer reaction to check out. Marcus and Mike are back again
• 1:58:47
  for another round of ship that they just need to retire and sit down now.
• 1:58:54
  But you know, black Dom crack unless your name is Danny Glover.
• 1:58:57
  Uh, so here it is bad Boys. Ride to Die Boys trailer is
• 1:59:03
  coming out right now, right now, right right now, yeah, right
• 1:59:08
  now, right now, right now. Check it out. It's hot.
• 1:59:12
  Come on, Mike, slowan, we are late. My stomach, Mike.
• 1:59:15
  I need a ginger ale. Get a ginger rail and nothing else.
• 1:59:23
  And those dogs fresh for the man yesterday, Give me one. Put some
• 1:59:27
  relists on that motherfucker, a registered stuff like that that skittles on the counter
• 1:59:32
  markets. This ain't my Mike. Yes, it is Marcus getting the car.
• 1:59:35
  He has a gun to my head. Want to deal with him?
• 1:59:38
  You want to deal with me? Sorry, sir, but I gotta call
• 1:59:44
  nine one one. Want you the police. Ain't Reggie you eat my snacks?
• 1:59:49
  No, sir, you ain't my snacks. Didn't You need to get
• 1:59:53
  a job. I'm a US Marine, sir, but then you need to
• 1:59:56
  deploy. Look, we now have evidence that the late capt Than Conrad Howard
• 2:00:00
  of Miami p D was working directly with drug cartels for years. Captain Howard's
• 2:00:08
  being franked. What the hell he's texting us from the other side. No,
• 2:00:14
  he's not Marcus. If you're seeing us, I'm probably dead. Fuck
• 2:00:18
  factors, Fuck them all. I don't know how high up this ship goes.
• 2:00:24
  But don't trust anybody. You're my bad voice here my name. You
• 2:00:30
  should be careful. They're being set up different as mob and we got two
• 2:00:45
  suspects, Lowry and Burnett. They're armed, in dangerous in bod while you're
• 2:01:00
  gonna some terrible fucking fugitives. I can any resumes on your head. I
• 2:01:11
  guess Cherry, I mean Matthew, Mike, fat boy, I got this
• 2:01:18
  what's your Yanko mad are y'all still in our clothes just because we're black.
• 2:01:35
  Were still in your ship and you're the light the war fucking Wild sings riba
• 2:01:42
  song paying your favorite. I'm a Woma, I'm a strong black bar because
• 2:01:48
  she's not black. Yes, what you're gonna do? What's you gonna I
• 2:01:54
  ain't know. It's from her mixtape that's right around the corner. Yo,
• 2:02:03
  you are in time out because get out of out of my head, because
• 2:02:10
  that's exactly what I thought when I saw it and saw the opening, I'm
• 2:02:13
  like, oh damn, they got the bigeon bige and I don't know how
• 2:02:15
  to say it. Line up, they got that vig Vigian black guy I'm
• 2:02:23
  seeing. I've seen Will with a full beard, Like like, yo,
• 2:02:27
  damn, Will, you're making me feel bad. I do cut some of
• 2:02:31
  that away. Don't like Leon Sanders, like Jamaine Jackson, Uh, everyone
• 2:02:40
  who says bad Boys for Life was right there for a title. I can't
• 2:02:44
  unsee it now. I do like that we kept Reggie because he was like
• 2:02:48
  a running gag for about what twenty years now? Reggie is still a running
• 2:02:51
  gag because it was is the way he's looking u but yeah, I'm this
• 2:03:00
  next week. Yeah, and they even up in the promo game. They
• 2:03:04
  got everybody from keV on stage, the King, Vader, the KB Lane
• 2:03:10
  promoting the film in it. I wouldn't be surprised if they have a small
• 2:03:15
  part. Please let keV play the most opposite gangst the thug something. I
• 2:03:23
  know Vader's Vader's definitely in it. Yeah, yeah, is it? Yeah?
• 2:03:28
  Yeah, because I know that he has a little the promo short that
• 2:03:31
  they're doing, but I don't know he's in it. Oh yeah, they
• 2:03:34
  don't give you that much. They gave him promo time. I saw.
• 2:03:41
  I saw the skin he did, and I keep forgetting that boy six ft
• 2:03:44
  hell because he made both of them look short. Well that's because Vader is
• 2:03:50
  actually quite tall. He's taller than him. Yeah, he's taller than hell
• 2:03:57
  smam. The dude makes me look short. Really Yeah. Yeah, Yeah,
• 2:04:10
  I'm glad we got more bad boys. It seems like it seems like
• 2:04:12
  everybody who's had a lot like genuine fun making the film, so I'm all
• 2:04:16
  for it. I'm hoping that they just kind of stay away from the from
• 2:04:20
  some of the plot points from the last one because I actually wasn't that crazy
• 2:04:26
  about it. I think, I'll be honest. I forgot that Will's character
• 2:04:30
  had a son. I completely I forgot. It was so out of left
• 2:04:33
  field, and the way that they even developed that, not in relationship,
• 2:04:38
  but just developed that character, and what happened at the end just kind of
• 2:04:41
  made no sense at all. So if they kind of stay away from that
• 2:04:44
  and then just really focus on exactly what it seems like they're going to focus
• 2:04:47
  on, it's just like I forgot the detectives name, but him being set
• 2:04:51
  up to be at our bad Cop, Yeah, I mean it looks like
• 2:04:57
  they I mean, he's in there, and he's obviously in there. He's
• 2:05:00
  the one that says, you make the worst, you know, fugitive,
• 2:05:02
  so he's it's obviously like, okay, we're on the run, we're being
• 2:05:06
  arrested, I need to talk to somebody who can help me. And my
• 2:05:12
  kid is already in prison. So whoever's behind this, he knows. So
• 2:05:18
  I mean this and a fully summer buddy cop films are back this year.
• 2:05:23
  It seems it really is feels kind of good, feels kind of good.
• 2:05:30
  Maybe I'm good, Okay, all right, it's not just me, okay,
• 2:05:41
  yeah, no, I'm good. Thank you for coming. God blessing,
• 2:05:45
  good night. It's the only thing I can think of. I'm interested.
• 2:05:48
  Overly dyed middle aged man comes for you. Oh my god. I
• 2:05:55
  know that. I know they're trying to make these cinematic comebacks, but Yo,
• 2:06:00
  there are just some properties that just need to be left, like fast
• 2:06:03
  and furious. I mean fast and furious fourteen in space we go. Yeah,
• 2:06:09
  just leave. Lord, don't give them ideas. That's the tag behind
• 2:06:18
  I'm telling you straight up. But no, I plug them for trying to
• 2:06:21
  do it. But it's not my cup of tea. I'm not Maybe maybe
• 2:06:29
  it changed his mind. He was like, well, maybe I can dive
• 2:06:30
  out that car moving moving vehicles. Nope, not going to do that.
• 2:06:34
  I'm not stupid. I will slow this car down to a slow coastal movement
• 2:06:39
  and put the emergency breake off. I speed like a fool. I guess
• 2:06:42
  what if I can't get home and watch my crunchy bro all that shit hashtag
• 2:06:50
  a little bit? Oh, I got so. Uh we're coming into the
• 2:06:58
  end of the show. Uh want to thank you. I want to thank
• 2:07:00
  our guests for stopping through hotel for black lining and cubs. You need to
• 2:07:03
  go show your support and show and show him love. He is really out
• 2:07:08
  there doing the thing. But without further ado wrapper protocol initiated, Captain.
• 2:07:17
  All right, Lady Mandalor is up to bat Hi. Good evening, ladies
• 2:07:24
  and gentlemen. He was like, it's always me first, It's always I
• 2:07:31
  was ready this evening. I would like to say at the end of the
• 2:07:34
  show, before you go on, oh are you're you're saying something positive or
• 2:07:39
  you're unloading the chamber? Which one unloading the chamber, captain, and you
• 2:07:44
  have to do it? We here at blurred station or excuse me, well,
• 2:07:49
  also bird station. We do not limit people's opinions or their ability to
• 2:07:58
  stick their craniums in their rectum. Feel free to leave whatever comments you would
• 2:08:03
  like in the live It brings us great joy to ignore them. But you
• 2:08:09
  can say what you want and then you know, fuck off. Buttercups.
• 2:08:22
  All right, now, there's a reason before. There's a reason why I
• 2:08:26
  let the command handle that. Because she's a lady. She has a delivery
• 2:08:33
  unlike my own. Because the deep voice will come off listening gas stop sucking
• 2:08:41
  around, all right, that's that's me being that's New York hera. Don't
• 2:08:48
  don't do it, stop stop it, read the comments. Just just go
• 2:08:58
  back on the comments. Just by all means that is also my thing.
• 2:09:09
  I am here on the things that are the web Instagram. I almost said
• 2:09:15
  Kung Fu Kenny, but you can find me on Lord Instagram, Twitch and
• 2:09:30
  Lord something else YouTube because I have a show that I do on Sundays at
• 2:09:33
  seven pm Eastern Standard Time. Nerd culture is toxic. I fully welcome you
• 2:09:39
  to come over to me. I appreciate it. I waited, it's gonna
• 2:09:41
  be fun. Yeah, do it? I want it. Yeah. That's
• 2:09:50
  me and I am in the middle of recording some voice acting stuff for Talk
• 2:09:56
  Story to Me with the always lovable Josh Evans as director, along with my
• 2:10:03
  co hosts over here. These two right there, they're doing some work on
• 2:10:07
  that too. Okay, I know you get but I'm gonna wait. Are
• 2:10:13
  you gonna say or can I say? I don't know what to saying?
• 2:10:16
  What are we say? Say? It? So realful birds, as of
• 2:10:20
  May twenty eighth, in the Year of Our Lord twenty twenty four, is
• 2:10:24
  officially fucking trademarked. And I got enough to look at it. That's when
• 2:10:37
  I grow up. It feels I didn't grown up, grow up baby jails
• 2:10:50
  up for bets, I wouldn't be like here when I grow one day I'll
• 2:10:54
  get a get a trademark. But you know what, No, I just
• 2:10:56
  had to do the beard. But the ladies and gentlemen, boys and girls,
• 2:10:58
  blood of all a get even go on a good afternue. Once again,
• 2:11:01
  it is a frost to be able to blow the cornet and nerd culture.
• 2:11:03
  Fuck you. You can follow me here on all platforms on social media,
• 2:11:11
  kiss my ass, and what you can do is follow me on the
• 2:11:16
  youtubes. I got stuff coming out on there. Coming back on Twitch,
• 2:11:18
  I will be playing Side Night Happiness Free Apocalypse because their second installments coming out
• 2:11:24
  and I'm hoping that they sponsored me to play their second installment. So because
• 2:11:28
  the the development team has been coming through and it's been awesome and definitely I
• 2:11:33
  am now officially part of talk story to me with these these amazing people right
• 2:11:39
  here. I did my first bits this week, y'ad. I was nervous,
• 2:11:45
  so definitely shout out to to Josh forgive me a shot and Trey for
• 2:11:50
  being my coach. I appreciate that So if I can say real quick,
• 2:11:54
  I always talk about support, but let's support imagination. We got too many
• 2:11:58
  people out here who don't want creativity to thrive because they're too weak minded to
• 2:12:01
  do their own shit. So guess what. If somebody is being creative,
• 2:12:05
  they're being imaginative, they're doing something wonderful, give them that support, show
• 2:12:09
  them that you see them, that you acknowledge them, and that you are
• 2:12:13
  hoping that they go for the best. Secondly, embrace your passion. Don't
• 2:12:16
  let not one of these sorry motherfuckers out here keep you from following what your
• 2:12:20
  heart is telling you to do, especially if it's something that makes you happy.
• 2:12:22
  Okay, So embrace your passion and most importantly, ignore these haters out
• 2:12:28
  here, because again, you make them thrive. So you remove your energy
• 2:12:31
  from them, they will go anywhere you give it to. Where it's gonna
• 2:12:35
  go. It can be reciprocated, you know, and all the nerd culture
• 2:12:39
  people out there, they can kick a bunch of dicks across the curve and
• 2:12:41
  we can keep on. So in the meantime, stay nerdy, stay geeky,
• 2:12:46
  and stay sexy. I am in too far. Hey, you can
• 2:12:52
  officially find me when I'm whenever I get done in the Dexter's laboratory over here,
• 2:12:58
  so I'm officially here on all platforms. I do skid some my own
• 2:13:03
  channel. I post some Mondays to make them less terrible. I also do
• 2:13:05
  the editing here, so a lot of behind the scenes work. For Blurred's
• 2:13:09
  eye View. We post Monday, Wednesdays and Fridays and just to make sure
• 2:13:11
  they'll miss anybody, Momo Cole was a lot of fun so heard about it
• 2:13:16
  a litted to the hype. I will say probably the best, definitely the
• 2:13:20
  best press and content creator experience I've had, and all my history go on
• 2:13:24
  the cons the bar has officially been raised very high. So with that,
• 2:13:28
  shout outs to Momo Kak, thank you for the invite. Shout out to
• 2:13:33
  Aggie We're never beating the famous allegations. Shout out to Azzi and that nerd
• 2:13:37
  named Biz. Shout out to Clyde mcdoone, Pandadonia and Cup of Kawai,
• 2:13:41
  Swist Strings PC, Fantastic, Frankie Mark and the whole Blornography team, Stephanie
• 2:13:46
  Williams again, Black Viking and the entire Cycle Image Films team. Congrats again
• 2:13:52
  six raikag and At for Cocoa Puffs, Kuma, Nerdy Breath Studios, Midnight
• 2:13:56
  Comics blurred over Tony we were junior, and then congrats and thank you again
• 2:14:03
  to A J. Beckles and a Nightties Cannis, and whoopte for letting me
• 2:14:07
  trash on her couch because that was next year. WOOTI I hope you get
• 2:14:11
  room. Uh, there's room. We can do a whole makeshift podcast down
• 2:14:20
  there with Crest. I'll sleep in the razor Crest. It's fine, corner.
• 2:14:28
  I'll bring my own blanket. There we go. Yeah, I still
• 2:14:30
  have editing to do, but be on the lookout. We have interviews coming
• 2:14:33
  out with Cloudy McDoom, Stephanie Williams, A Nighties Cannis, which if I
• 2:14:37
  don't know, that's the voice of Merco from My hero Academia, and then
• 2:14:41
  her fiance A J. Beckles, who also is a voice actor and a
• 2:14:43
  lot of big name anime. So stay tuned. Tony Weaver to Tony Weaver
• 2:14:48
  is also coming on. He'll actually be on the show in a couple of
• 2:14:50
  weeks. Got a promo we're doing with him that I have to record and
• 2:14:54
  then I can't talk about it yet. Still waiting on paperwork, but we
• 2:14:58
  also have another prom and unboxing to do when I get home. Space for
• 2:15:03
  everyone. Let loving the air rings by the way, right, I just
• 2:15:18
  want to say I'll be nice there and say that, you know, ladies
• 2:15:22
  in the forest can kick ass to so yeah, dammit. And also I'm
• 2:15:31
  excited about that too because Tony were hopefull're gonna be at my school next week,
• 2:15:37
  so I'm gonna talk to him tomorrow for that. About to say,
• 2:15:41
  Lanny has entered the famous Lady realm Lady beat our Body, but you have
• 2:15:52
  entered the baby happy ship that listen you got. They get to see another
• 2:15:58
  adult other than me be learning and that's what it's all about. That I
• 2:16:05
  mean series reach one. So yes, I am lady Heart. I run
• 2:16:13
  Geek by Heart along with my husband. We are at geek by Heart on
• 2:16:16
  YouTube. I g TikTok. We talk about movies and trailers. He streams
• 2:16:22
  regularly. I shream when I can. He's doing God of War now,
• 2:16:26
  he's on part three. He's trying to do the whole series for y'all,
• 2:16:30
  so join him. On Fridays around six thirty you will find him streaming and
• 2:16:35
  I should be writing another article by the end of the week on sting so
• 2:16:39
  that this weekend loved it actually and I want to talk about it. I'm
• 2:16:46
  sorry an article for a brd's I view that was dumb, but okay,
• 2:16:54
  please go to Bird's Eye to see that article along with other people who are
• 2:16:58
  writing for the website. Yes, ah so YEAHM nerve culture is toxic.
• 2:17:11
  Enough said over here we protect ours over here, we protect our nerdom,
• 2:17:22
  our culture and most of all our women's that don't come over here with that
• 2:17:28
  bullshit courtesy of not only the captain but uh uncle Fierry himself. Who do
• 2:17:39
  you think you are? Come let you down? I can I say I'm
• 2:17:48
  chopping this south the hard way that oh we we want we want to we
• 2:17:54
  want to torture and name that's why. Uh. But other than that,
• 2:18:01
  Bill welcome to continue watching and supporting. Uh. It does. But I
• 2:18:11
  want to thank the team. I want to thank Hotel from Black Line and
• 2:18:13
  Cubs for stopping through. Go show him some love, go show him support.
• 2:18:18
  This brother is out there really doing things and teaching. He's an entrepreneur,
• 2:18:22
  he's an educator. He's a man about music, about content, about
• 2:18:26
  quality, not quantity. And continue doing that. He raises the bar,
• 2:18:31
  the man stands on business and whatever he has said that he's doing, he's
• 2:18:37
  probably already done it and just going to another level to do it. So
• 2:18:39
  go show you support the Black Line and Cubs. Thank you to the screw.
• 2:18:45
  As you see, we always back each other like there's no small fries
• 2:18:56
  over here. Don't don't make me go get the ship right please over here.
• 2:19:03
  We believe in big Max over here. So uh, thank you to
• 2:19:07
  everybody who has been watching and showing much support, much respect and much more
• 2:19:13
  and just having fun in the chat room and continue doing so. Thank you
• 2:19:18
  to our guests. Thank you to the crew once again. You can check
• 2:19:20
  us out Tuesdays and Thursdays, not this Thursday graduations graduate lame. I mean,
• 2:19:26
  okay, yeah, yeah Thursday. But we're off every day. But
• 2:19:39
  we've never been on the right. We just but yeah, we're off this
• 2:19:46
  Thursday because graduations. I have to attend direct graduations and there's no telling you
• 2:19:50
  exactly if I'll get here in time. So we're just going to take the
• 2:19:54
  day off. Don't need meat stressing out about making sure. But other than
• 2:20:01
  that, you can catch us Tuesdays and Thursdays at eight pm on YouTube Twitch
• 2:20:05
  and I G. I G likes to cut off after an hour, so
• 2:20:09
  you know, go to the YouTube channel and go over to the Twitch channel.
• 2:20:11
  Show your love and support. Thank you to Trey Moseley stopping through.
• 2:20:15
  Thank you to Huh Black Lion and Coug. Thank you to brother cousin Nix.
• 2:20:22
  We gave you the ground. Brother. We can back off now.
• 2:20:28
  Oh no, his life, I got the time already, that's going up.
• 2:20:33
  Oh God, I know where he lives. I'm just gonna come around
• 2:20:37
  over there. Well, we're gonna have a time over whooped these houses next
• 2:20:41
  year. Oh we're gonna live like pirates con like. Thank y'all so much.
• 2:20:52
  Y'all are like just the kindest most like sweetest human beings. And I
• 2:20:56
  know y'all y'all really busted y'all ass to get the interviews that we did get,
• 2:21:00
  so appreciate youall. Shout out the blood because Mark was Mark was everywhere
• 2:21:05
  this weekend. That dude was killing it. Yes, so shout out shout
• 2:21:09
  out to skip a blurred over. He has a he has a convention pretty
• 2:21:13
  soon. Uh, he should be coming on. We'll talk. We gotta
• 2:21:16
  get our dates together, so he can come on and talk about that.
• 2:21:20
  But uh, like too far. As I said, He's like, I'm
• 2:21:22
  not used to seeing several. I thought Skip was just by himself. I'm
• 2:21:26
  like, no, skip that, cip the whole team and skip the crew.
• 2:21:31
  Yeah, start the press, start XPO on June twenty second. Yes,
• 2:21:37
  so we got we got people out here. We make for the bad
• 2:21:41
  because mine definitely popped on the damn floor. We ain't the only space pirates
• 2:21:46
  out here. Uh so somebody see somebody space, somebody laying you know,
• 2:21:54
  but we out here. Yeah, that sounds about right anyway. We remember
• 2:22:00
  to educate yourself and others, entertain yourself anothers, most of all, encourage
• 2:22:03
  yourself and others. I'm Chris Ferry, the man on the wall. Thank
• 2:22:05
  you for tuning in, thank you for having a blast with us, and
• 2:22:11
  most of all, thank you for being the support sharing us. Free share
• 2:22:16
  with your friends, your loved ones, Tell them come check us out,
• 2:22:20
  Tell them to behave in the comments section and they might just be seen else
• 2:22:24
  they get ripped the shreds. And on that note, are you okay