Latest / The Karel Show / It’s Christmas — Let’s Dance! 🎄💃 | Karel Cast

Transcript

It’s Christmas — Let’s Dance! 🎄💃 | Karel Cast · The Karel Show

• 0:00
  Speaker 1: Old time is here. No time to fear. Corella is
• 0:04
  Speaker 1: so near because.
• 0:05
  Speaker 2: Show time is here. So on with the show. Let's
• 0:09
  Speaker 2: give it a go. Carella is the one that you
• 0:12
  Speaker 2: need to know. Now.
• 0:16
  Speaker 3: It's show side.
• 0:29
  Speaker 4: To all both that celebrate and absolutely Marry Marry Mary, Mary, Merry, merry,
• 0:34
  Speaker 4: Merry Christmas, Merry, merry, merry, Merry Christmas. Today. It's music
• 0:39
  Speaker 4: all day, my music. Gonna share it with you on
• 0:43
  Speaker 4: the Correll Cast.
• 0:45
  Speaker 5: Uncensored, unfiltered, fun hinged.
• 0:49
  Speaker 6: It's the Correll Cast. Listen daily on your favorite streaming service.
• 0:59
  Speaker 4: Hello, Oh, it is the Carell Cast. I'm Carell and Mary.
• 1:03
  Speaker 4: Merry Christmas to each and every one of you that celebrates,
• 1:07
  Speaker 4: Happy Hanukkah, Happy Kwansa, first day of Kwansa, so many
• 1:11
  Speaker 4: different celebrations. I from my heart just want to tell
• 1:15
  Speaker 4: you what a gift each and every one of you
• 1:17
  Speaker 4: is to me. I can't thank you enough for being
• 1:20
  Speaker 4: here today and each and every day as we celebrate
• 1:24
  Speaker 4: the crazy thing called the Corell Cast. You know, I
• 1:27
  Speaker 4: was thinking a lot about what to do for today's show,
• 1:29
  Speaker 4: and I know that listenership is down because of the holiday,
• 1:33
  Speaker 4: but you know, Christmas is about wishes and about dreams.
• 1:38
  Speaker 4: Christmas is about hope and renewal. And one thing that
• 1:46
  Speaker 4: I will regret, I have regrets, is that I've never
• 1:49
  Speaker 4: taken my singing one billion percent serious. I always had
• 1:55
  Speaker 4: other things to do, talk, radio, live, comedy, writing, you know,
• 2:01
  Speaker 4: all these other things, and I never concentrated just on
• 2:05
  Speaker 4: my singing, and so many of my friends did. And
• 2:09
  Speaker 4: there have been times where I really doubted that I
• 2:12
  Speaker 4: had a great voice, because you know, maybe I didn't
• 2:14
  Speaker 4: have a number one single or whatever. And those self
• 2:19
  Speaker 4: doubt times, that imposter syndrome made it to where it
• 2:24
  Speaker 4: took me sixty three years of life to have songs
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  Speaker 4: that are charting now today, as we today, as we
• 2:34
  Speaker 4: sit here, I have written a top five dance single
• 2:39
  Speaker 4: for thea Austin called We're Not Going Back, and my
• 2:44
  Speaker 4: new single I Dance because it is already reaching on
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  Speaker 4: the year end charts of many record pools around the
• 2:53
  Speaker 4: country and around the world, naming it one of the
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  Speaker 4: best dance singles of twenty twenty five. Took sixty three
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  Speaker 4: years for that, because I finally stopped caring what people
• 3:05
  Speaker 4: thought about my voice. Yes, I sing in falsetto. I
• 3:10
  Speaker 4: was raised on R and B and in particular R
• 3:14
  Speaker 4: and B divas and the stylistics. I was raised on
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  Speaker 4: music that my falsetto needed to sing, and then when
• 3:23
  Speaker 4: I met Well. I first heard Sylvester when I was
• 3:28
  Speaker 4: seventeen years old, sixteen years old, nineteen seventy eight, this big,
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  Speaker 4: glamorous queen singing you make me feel mighty real or
• 3:37
  Speaker 4: disco heat. I knew. I just knew that I had
• 3:43
  Speaker 4: to sing like that. I had to have a bigger
• 3:46
  Speaker 4: than life PERSONA. Talk radio has been very good to me,
• 3:51
  Speaker 4: very look at this house. Talk radio has been very
• 3:54
  Speaker 4: good to me. But my heart of hearts, I always
• 3:58
  Speaker 4: wanted to be barbar sound. I wanted to be a
• 4:02
  Speaker 4: singer who acts. I wanted to be a singer who writes,
• 4:08
  Speaker 4: a singer who does now she always wanted to be
• 4:10
  Speaker 4: an actress who sings. I wanted to be a singer
• 4:14
  Speaker 4: who acted, and a singer who did television and had
• 4:18
  Speaker 4: a TV show like Dinah Shore. She is a singer.
• 4:22
  Speaker 4: So I always dreamed that I'd have a TV show
• 4:25
  Speaker 4: where I sang and then interviewed people and then wrote books.
• 4:29
  Speaker 4: And I've kind of mixed that up in my life.
• 4:32
  Speaker 4: But you know, and I'm doing this show today to
• 4:36
  Speaker 4: maybe inspire you all you know and show you the
• 4:40
  Speaker 4: evolution of where I came from musically. I've never done this.
• 4:46
  Speaker 4: I've never devoted a show to my music. Now, my
• 4:51
  Speaker 4: very first professional recordings I don't have anymore. I rented
• 4:55
  Speaker 4: a studio in Santa Anna, California, and I sang two
• 4:58
  Speaker 4: songs I shouldn't have. I sang Patty the Bells, kiss
• 5:01
  Speaker 4: Away the Pain, and I really I don't remember the
• 5:05
  Speaker 4: second song that I recorded. I do remember kiss Away
• 5:08
  Speaker 4: the Pain had notes I could have never hit at
• 5:10
  Speaker 4: that age, but I did it. And then I met
• 5:15
  Speaker 4: Vesta Williams, and I started working with Vesta as a publicist,
• 5:21
  Speaker 4: as an assistant, as whatever she needed, writer, whatever she needed,
• 5:26
  Speaker 4: and as a thank you. As a thank you for that,
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  Speaker 4: Michael Eckhart, who I had interviewed and I introduced him
• 5:36
  Speaker 4: to Vesta and he did some songs with Vesta. To
• 5:41
  Speaker 4: thank me, he brought me into the studio and recorded
• 5:45
  Speaker 4: my very first real professional single that I then released
• 5:50
  Speaker 4: on my own record label or a bit record, and
• 5:54
  Speaker 4: it actually sold eighty thousand copies of a twelve month single.
• 5:58
  Speaker 5: If you're not visiting really Corell dot com daily you're
• 6:03
  Speaker 5: missing out. Get the podcast videos in the blug including
• 6:06
  Speaker 5: recipes at really Correll dot com. That's really ka r
• 6:10
  Speaker 5: e l dot com.
• 6:13
  Speaker 1: Show Time is here. No time to fear. Correll is
• 6:18
  Speaker 1: so near because show time is here. So on with
• 6:21
  Speaker 1: the show.
• 6:22
  Speaker 2: Let's give it a go. Correll is the one that
• 6:26
  Speaker 2: you need to know.
• 6:29
  Speaker 4: So Michael Eckhart, thanking me for introducing him to Vesta,
• 6:33
  Speaker 4: brought me into the studio and we recorded a song
• 6:37
  Speaker 4: called Everybody Get On Up, and it ended up on this,
• 6:42
  Speaker 4: my first album called Correl Dancer. Else Andrew did this
• 6:48
  Speaker 4: album cover. I call it My Meryl Streep Days with
• 6:50
  Speaker 4: the little hood around it, and on the back I
• 6:53
  Speaker 4: had an age ribbon because remember this was when nineteen
• 6:58
  Speaker 4: ninety five is when this kate, when I finally did
• 7:01
  Speaker 4: an album. I worked with not just Michael Ecord on this,
• 7:05
  Speaker 4: but I worked with let's see Andrew Sonic. I worked
• 7:10
  Speaker 4: with Sabby Sebastian Reyes, and then Michael Eckhart. There were
• 7:15
  Speaker 4: two songs off of here that I did videos for,
• 7:19
  Speaker 4: and the album contains Hipster Lipstein Martin, which I love.
• 7:23
  Speaker 4: You can find that online. My version of live to
• 7:26
  Speaker 4: tell which you're gonna see Get It Up, which was
• 7:30
  Speaker 4: a great song, Turn Up the House by Saby, keep
• 7:33
  Speaker 4: On Doing It, Free Love, Everybody, Get On Up l
• 7:36
  Speaker 4: O v Er a song about having a gay partner
• 7:40
  Speaker 4: in the nineties. And by the way, get It Up
• 7:43
  Speaker 4: on here was written by Holland Doser Holland. That's right,
• 7:49
  Speaker 4: Eddie Holland from Holland Doser Holland of the Supremes wrote
• 7:52
  Speaker 4: a song for me on this record. This record took
• 7:56
  Speaker 4: two years to create, gather all the songs. We recorded
• 7:59
  Speaker 4: it in garages and major studios. Oh my god. And
• 8:05
  Speaker 4: when I went in to record get On Up, Oh
• 8:07
  Speaker 4: my god, all I'm sorry, Yeah, get on Up, Get
• 8:12
  Speaker 4: it Up. I'm sorry. There's two songs, Everybody get on
• 8:14
  Speaker 4: Up and then get it Up. When I recorded Get
• 8:17
  Speaker 4: It Up with Eddie Holland and a full choir, I
• 8:21
  Speaker 4: was so scared by the way I recorded Everybody Get
• 8:24
  Speaker 4: On Up. In the eighties and I needed to do
• 8:27
  Speaker 4: a music video, so I went to a gay bar
• 8:31
  Speaker 4: in Buena Park, California, owned by Body Kohler, who owned
• 8:35
  Speaker 4: the DK West, and they let me film in there
• 8:38
  Speaker 4: and we shot on a cannon high eight I had
• 8:42
  Speaker 4: Karen be my keyboardist, and she had a student from
• 8:46
  Speaker 4: her class be my drummer. I stopped on a street
• 8:50
  Speaker 4: corner in south central LA on my way home from
• 8:54
  Speaker 4: working with Vesta and bought an outfit that was hanging
• 8:57
  Speaker 4: on a fence from a street purveyor. I had no money,
• 9:02
  Speaker 4: you know. We had to just do this video anyway
• 9:05
  Speaker 4: we could, and it ended up being my very first
• 9:08
  Speaker 4: music video. It's called Everybody get on Up, and here
• 9:13
  Speaker 4: it is.
• 9:37
  Speaker 3: Out. Everyone can do up what we don't done? Something
• 9:44
  Speaker 3: world don't count and make it clup? Why didn't can
• 9:48
  Speaker 3: be wro? What about that.
• 10:04
  Speaker 7: Joe coming and in that holloway.
• 10:45
  Speaker 8: The fool with the face n everybody shirt?
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  Speaker 3: I not to hold.
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  Speaker 9: Them, don't want you, don't do trun up, don't bot
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  Speaker 9: you don't do trunhold up, hyeh.
• 12:28
  Speaker 10: Yeh yeh held up.
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  Speaker 4: Oh my gosh, that is everybody get on up. By
• 13:01
  Speaker 4: the way, some of these videos are gonna be bad.
• 13:03
  Speaker 4: I had to download him from the internet. I don't
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  Speaker 4: even have copies of my own video. So that big hair,
• 13:08
  Speaker 4: all that makeup, I was fat, but there I was
• 13:12
  Speaker 4: my very first music video with Karen Dittman. In it
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  Speaker 4: as my keyboardist one of her students as my drummer
• 13:18
  Speaker 4: at a gay club in Buena Park. The song did well,
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  Speaker 4: It charted, It charted on some dance club around the country,
• 13:26
  Speaker 4: and it actually sold eighty thousand copies, and it sold
• 13:29
  Speaker 4: enough so I could do another song. I met a
• 13:32
  Speaker 4: producer named Larry Larry Pace, I believe, and he wanted
• 13:36
  Speaker 4: me to do a cover of Madonna's Live to Tell.
• 13:41
  Speaker 4: And I really felt that song was about HIV AIDS
• 13:45
  Speaker 4: in my own mind, and I wanted to do a
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  Speaker 4: video that reflected what I was seeing at the clubs,
• 13:51
  Speaker 4: people literally washing down their AIDS medication with alcohol. I
• 13:55
  Speaker 4: didn't understand it at the time. I condemned it at
• 13:58
  Speaker 4: the time, but now I get it. They were in
• 14:01
  Speaker 4: pain and they were trying to medicate. We got permission
• 14:05
  Speaker 4: from you know, we got a license, it's called a
• 14:07
  Speaker 4: mechanical license to do the song, and we did it,
• 14:13
  Speaker 4: and I was just so amazed that, you know, I
• 14:18
  Speaker 4: was doing another video. Now, I cut myself viciously. There's
• 14:23
  Speaker 4: a scene in the video where I throw out, very
• 14:25
  Speaker 4: dramatically smash all of these bottles. We didn't use Hollywood
• 14:30
  Speaker 4: bottles because we couldn't afford them. We used real empty bottles,
• 14:34
  Speaker 4: and the bar that I was doing it on had
• 14:36
  Speaker 4: a lip, and the bottles caught and my hands went
• 14:39
  Speaker 4: all across the broken. There's a scene in here where
• 14:43
  Speaker 4: I'm singing in a black velvet top with my arm
• 14:45
  Speaker 4: off to the side, and that someone was holding pressure
• 14:51
  Speaker 4: on a four inch wound on my hand. So we
• 14:55
  Speaker 4: could finish the video at Newport Station in Newport Beach,
• 14:59
  Speaker 4: Californi Newport Station. So let's say Bertie was in it,
• 15:05
  Speaker 4: a local hottie that and Bert my departed friend, Bert Critchfield.
• 15:11
  Speaker 4: He plays a bartender in it, So he is in it,
• 15:17
  Speaker 4: a departed friend of mine, Bert Cridgefield. And Bertie that
• 15:21
  Speaker 4: was what we called him, Birdie b r Dieu. He
• 15:24
  Speaker 4: plays the AIDS patient. Again, the video is going to
• 15:27
  Speaker 4: be choppy, it's not going to be the best quality.
• 15:30
  Speaker 4: Oh and there's two actual prostitutes behind a glass in
• 15:35
  Speaker 4: a steamy shower scene and they actually had sex on
• 15:39
  Speaker 4: my I found out later they they actually had sex
• 15:42
  Speaker 4: with each other after my video, and and I didn't.
• 15:47
  Speaker 4: I was like, wait a minute, it's my video, what
• 15:50
  Speaker 4: the hell? All right? So we'll play that when we
• 15:53
  Speaker 4: come back Live to Tell by Madonna, and I can't
• 15:57
  Speaker 4: wait for you to see it. So we'll be Are
• 16:00
  Speaker 4: we taking a break? I think we're taking a break.
• 16:03
  Speaker 4: Uh maybe not. I think we are. We should well
• 16:07
  Speaker 4: maybe not. Well, I guess my time is wrong. Well
• 16:11
  Speaker 4: we'll go to the video and if it if it
• 16:13
  Speaker 4: cuts out, uh, then well we'll finish the video afterwards.
• 16:17
  Speaker 4: But this is my version of Madonna's Live to Tell,
• 16:20
  Speaker 4: which I did about aids uh. And you know I
• 16:24
  Speaker 4: try to be topical uh in in these things.
• 16:37
  Speaker 8: If I ran away, I never have to drink to
• 16:43
  Speaker 8: go over from? How could they.
• 16:49
  Speaker 10: Mile? Will then? How will they?
• 17:02
  Speaker 8: When will they?
• 17:03
  Speaker 2: When will they?
• 17:10
  Speaker 11: They hooking talker, they head taker. They hug your day
• 17:14
  Speaker 11: cooking Tucker. They hug your day cooking Tucker. They hug
• 17:18
  Speaker 11: your day hooking Tako. They hug your day cooking Tucker.
• 17:21
  Speaker 11: They hug your day cooking Tucker. They hugger day comb Tucker.
• 17:25
  Speaker 11: They come you Tucker, they hoping, They up and talking.
• 17:29
  Speaker 11: They they come and Tucker.
• 17:31
  Speaker 3: They hop you.
• 17:31
  Speaker 11: They up and Tupper. They they humming Tucker. They hunt
• 17:35
  Speaker 11: and they Copingnooker, They coming Nupper, They.
• 17:39
  Speaker 10: Home you ny.
• 17:41
  Speaker 8: Okay, sometimes so hard had.
• 17:56
  Speaker 2: I the ball.
• 18:02
  Speaker 8: To bad to the writing on.
• 18:06
  Speaker 11: The wall.
• 18:12
  Speaker 3: Thousand listen.
• 18:18
  Speaker 8: To show by until then they open inside me.
• 18:46
  Speaker 10: To the.
• 18:50
  Speaker 12: Pass one side of your game that you could never seen,
• 19:06
  Speaker 12: they shine inside.
• 19:07
  Speaker 8: I can't take that for me.
• 19:15
  Speaker 2: Never Bobby did well.
• 19:20
  Speaker 1: But if you know.
• 19:23
  Speaker 10: I have will.
• 19:27
  Speaker 8: Ever have a chance again? I rana where never? How
• 19:46
  Speaker 8: could they? Being of my.
• 19:53
  Speaker 10: Will?
• 19:54
  Speaker 2: Wrote?
• 20:01
  Speaker 10: How will?
• 20:03
  Speaker 2: When will that?
• 20:12
  Speaker 10: Tucker day? And they come and Tucker?
• 20:16
  Speaker 9: Don't know how cover.
• 20:23
  Speaker 10: Other thing?
• 20:24
  Speaker 3: They and Hooker.
• 20:40
  Speaker 11: Coper? Can they come in couker thing? How can they
• 20:44
  Speaker 11: come in?
• 20:44
  Speaker 10: Hunka the can they come in?
• 20:46
  Speaker 4: Coup thing?
• 20:47
  Speaker 11: And they come and Tucker?
• 20:49
  Speaker 10: And they come in?
• 20:50
  Speaker 11: Tucker?
• 20:50
  Speaker 3: Thank How can they.
• 20:51
  Speaker 11: Come and Tucker?
• 20:52
  Speaker 13: They can they come?
• 20:54
  Speaker 6: And Tucker?
• 20:54
  Speaker 11: They can they come in?
• 20:57
  Speaker 8: That's problem.
• 21:10
  Speaker 3: In ways? Swat day you day?
• 21:36
  Speaker 9: Keep the street.
• 21:44
  Speaker 3: Now it's show side.
• 21:59
  Speaker 4: Okay. Well you got to see most of it, and
• 22:01
  Speaker 4: I gotta tell you a lot of that footage we
• 22:04
  Speaker 4: had to reshoot. It was one of those horrible, horrible
• 22:07
  Speaker 4: situations where we shot it on film and the film
• 22:12
  Speaker 4: got destroyed in processing, and so we went back with
• 22:17
  Speaker 4: a video camera and reshot a lot of that film.
• 22:20
  Speaker 4: Both those dancers are now gay once said he wasn't
• 22:23
  Speaker 4: for a long time, then came out. And of course
• 22:25
  Speaker 4: that's the Austin in there that led me to Jellyban Benicez.
• 22:31
  Speaker 4: I was starting to do public gigs touring. Billboard magazine,
• 22:37
  Speaker 4: very supportive, named this album the number one dance album
• 22:41
  Speaker 4: or one of the top ten dance albums of the
• 22:42
  Speaker 4: year for nineteen ninety five. Larry Flick, who is still
• 22:47
  Speaker 4: my friend, had me perform around the country, and one
• 22:50
  Speaker 4: of the things he had me do was the Dance
• 22:52
  Speaker 4: Music Summit in Chicago. Jelly Bean Benicez saw me and
• 22:56
  Speaker 4: in a fairy tale moment. When I got back to
• 22:58
  Speaker 4: my hotel room, which had fax machine, there was a
• 23:01
  Speaker 4: fax contract from Jellybean Records, Jellybean, of course the person
• 23:05
  Speaker 4: behind Madonna and so many others, asking if I wanted
• 23:10
  Speaker 4: to do a single or a couple singles on his label.
• 23:13
  Speaker 4: The first one we did was I Am Andrew did
• 23:16
  Speaker 4: all the catering for the video. They flew me to
• 23:19
  Speaker 4: New York. I recorded with Brinsley Evans and others. We
• 23:22
  Speaker 4: stayed at the Mayflower Hotel. It was a dream come
• 23:25
  Speaker 4: true for me and Andrew. I was finally in New
• 23:28
  Speaker 4: York for me, not for somebody else riding in limos
• 23:31
  Speaker 4: being taken to parties, but with jelly Bean, hanging out
• 23:35
  Speaker 4: with Jellybean and all of his friends, very famous friends.
• 23:38
  Speaker 4: It was a fantasy, of course. We recorded in Brooklyn
• 23:44
  Speaker 4: in a studio apartment, but we did it. And then
• 23:48
  Speaker 4: I talked jelly Bean into helping me with the video.
• 23:51
  Speaker 4: He gave me twenty five hundred dollars. So we went
• 23:53
  Speaker 4: to the desert, me and THEA and my friend used
• 23:57
  Speaker 4: to take care of tour buses and he took care
• 23:59
  Speaker 4: of Sylvester Stallons, and we used Sylvester Stallone's tour bus
• 24:06
  Speaker 4: and we went up to the desert and we filmed
• 24:09
  Speaker 4: this video for I Am and out in the middle
• 24:15
  Speaker 4: of the desert, having no business whatsoever. The single did
• 24:19
  Speaker 4: very well. It charted as well. I don't know why
• 24:21
  Speaker 4: I did seven. I'm a charted single. I have it
• 24:23
  Speaker 4: charted in the dance pools and such. I just haven't
• 24:25
  Speaker 4: had one recently, but back in the nineties, I Am
• 24:28
  Speaker 4: did chart. The video got played on the box on
• 24:32
  Speaker 4: everything but MTV, every other video service, cash box, they
• 24:36
  Speaker 4: all played the video and it it really burst me
• 24:42
  Speaker 4: onto the scene. It got me more music coverage, more
• 24:44
  Speaker 4: magazine coverage. And it was an original song written by
• 24:49
  Speaker 4: Brinsley Evans and others, and I think Jellybean did some
• 24:52
  Speaker 4: part of it too. It's called I Am. And we
• 24:56
  Speaker 4: filmed this in the desert Andrew cooked like a hundred
• 24:58
  Speaker 4: chickens for the crew.
• 25:00
  Speaker 10: Uh.
• 25:01
  Speaker 4: And it was directed by Ricardo Martin and he was
• 25:06
  Speaker 4: this crazy European that I met and he was just
• 25:11
  Speaker 4: so European.
• 25:13
  Speaker 14: Uh.
• 25:14
  Speaker 4: It was something. But it's called I Am, and here
• 25:16
  Speaker 4: it is.
• 25:22
  Speaker 14: You're not gonna go there, are you?
• 25:24
  Speaker 15: Oh?
• 25:24
  Speaker 4: Yes, I am.
• 26:01
  Speaker 10: The same spot.
• 26:36
  Speaker 14: Sup per la perla, pierola, pierola, perla perla.
• 28:56
  Speaker 4: In that final shot of me walking in the road
• 28:59
  Speaker 4: with all that flowyes, if there's a truck coming, I
• 29:03
  Speaker 4: had to like jump out of the way. It was
• 29:06
  Speaker 4: so funny. Ricardo he edited that at the Dela Reente
• 29:10
  Speaker 4: Studios overnight for free with an editor who was working
• 29:14
  Speaker 4: on a movie with David Swimmer but had some downtime.
• 29:17
  Speaker 4: All of these videos were like for no money, called
• 29:20
  Speaker 4: in favors. That was me doing I Am by Jellybean Benitos.
• 29:26
  Speaker 4: Now all of this led to my biggest charting single
• 29:29
  Speaker 4: in the nineties, which was Don't Stop, a cover with
• 29:33
  Speaker 4: by Sylvester cover of Sylvester by being with Theia Austin
• 29:38
  Speaker 4: and Jeanie Tracy on background, Genie, who sang on the
• 29:41
  Speaker 4: original record, who still sings on my records.
• 29:44
  Speaker 16: It's broadcasting from a completely different point of view yours.
• 29:50
  Speaker 16: Listen daily to the Corell cast on your favorite streaming service.
• 30:00
  Speaker 2: Old time is here, no time to fear.
• 30:03
  Speaker 1: Corrall is so near because show time is here, So
• 30:07
  Speaker 1: on with the show.
• 30:08
  Speaker 2: Let's give it a go. Corella is the one that
• 30:12
  Speaker 2: you need to know.
• 30:15
  Speaker 10: Now it's show time.
• 30:29
  Speaker 4: I did a cover of Sylvester's Don't Stop. That's coming
• 30:32
  Speaker 4: up next. This is my musical journey. There are other
• 30:35
  Speaker 4: songs in between, but these are the highlights. I hope
• 30:38
  Speaker 4: you're enjoying it on this Christmas Day and having a
• 30:40
  Speaker 4: happy Christmas, just dancing away with me watching some of
• 30:43
  Speaker 4: these certainly.
• 30:45
  Speaker 5: Uncensored, unfiltered, fun hinged.
• 30:49
  Speaker 6: It's the Corral cast. Listen daily on your favorite streaming service.
• 30:59
  Speaker 4: So I didn't have a video done for Don't Stop,
• 31:01
  Speaker 4: which is odd because it was my biggest charting single.
• 31:04
  Speaker 4: Was remixed by the Factory Team in Europe and Steve
• 31:08
  Speaker 4: Bronsky of Bronsky Beat because I opened for Bronsky Beat,
• 31:12
  Speaker 4: then they had me sing with them. It was a
• 31:14
  Speaker 4: dream come true. And then he remixed the single for
• 31:17
  Speaker 4: me along with the Factory Team in Europe, and all
• 31:20
  Speaker 4: of them became hits. It went to number ten in Europe. So, yeah,
• 31:25
  Speaker 4: I have charted before, haven't I guess? I say it
• 31:27
  Speaker 4: took me sixty three years to chart. I've actually charted.
• 31:30
  Speaker 5: See.
• 31:30
  Speaker 4: I take my music so not seriously that I forgot
• 31:33
  Speaker 4: that I charted with a lot of these things, and
• 31:36
  Speaker 4: Don't Stop certainly did chart a point of trivia. The cover,
• 31:40
  Speaker 4: which I don't have in front of me, was a
• 31:42
  Speaker 4: gallium scan that Andrew had because all this time Andrew
• 31:45
  Speaker 4: was fighting HIV AIDS and he went and had a
• 31:48
  Speaker 4: gallium scan and I thought it was such a cool
• 31:50
  Speaker 4: graphic that I used it as the cover. And there's
• 31:53
  Speaker 4: a dog hair on it and we left it there
• 31:55
  Speaker 4: because that was Owen's hair so immortalized on the Don't
• 31:59
  Speaker 4: Stop cover. Geenie Tracy, who did sing on the original
• 32:02
  Speaker 4: song for Sylvester and the Austin who was singing with me,
• 32:06
  Speaker 4: always did this now I didn't have a video, but
• 32:10
  Speaker 4: about two years ago, while bored here at the house,
• 32:12
  Speaker 4: I did a little performance video of it, and I'll
• 32:15
  Speaker 4: show you just a piece of that, and you can
• 32:18
  Speaker 4: go and find the actual song. It's out there. You
• 32:21
  Speaker 4: can find it on iTunes. It was a great honor
• 32:23
  Speaker 4: to sing this song. When Genie walked into the studio
• 32:26
  Speaker 4: she heard me singing, she thought it was Sylvester. She asked,
• 32:30
  Speaker 4: when are you going to take Sylvester off the track?
• 32:33
  Speaker 4: That was the biggest honor that anyone could ever pay me.
• 32:37
  Speaker 4: And you know, I've sung this song all over It
• 32:40
  Speaker 4: got me gigs all over the United States. Dallas, It's
• 32:43
  Speaker 4: where I opened with ru Paul and ended up not
• 32:45
  Speaker 4: liking him. All kinds of you know, different dates that
• 32:49
  Speaker 4: I got to do because of this song. And I
• 32:52
  Speaker 4: got to work more with Steve Bronsky because of this song.
• 32:55
  Speaker 4: So this song means a lot to me. It's called
• 32:57
  Speaker 4: don't Stop. Here's just a piece of it.
• 33:01
  Speaker 17: Honnatty, don't know, don't Sun?
• 33:57
  Speaker 10: You know?
• 33:59
  Speaker 3: I thought, I come then, bat be sunny happening.
• 34:04
  Speaker 4: One look and I gave you my heart?
• 34:11
  Speaker 17: Have you there was an attraction?
• 34:14
  Speaker 3: How why your reaction not up.
• 34:19
  Speaker 4: Just a second to stop.
• 34:23
  Speaker 3: The atop.
• 34:26
  Speaker 18: Don't just stop, don't stop no more then your moment me,
• 34:40
  Speaker 18: don't stop.
• 34:43
  Speaker 3: Babe, just stop your moment.
• 34:46
  Speaker 9: Your moment made.
• 34:51
  Speaker 18: Your eyes since no invititing your lips, you're so exciting.
• 34:57
  Speaker 17: Your touch you what I are you.
• 35:04
  Speaker 18: Morel it's your father taking mama's dreams?
• 35:08
  Speaker 3: Is that yourbule drink? And Jesus I love before? Don't you.
• 35:20
  Speaker 10: Go to die? Don't just.
• 35:25
  Speaker 7: You'll go there.
• 35:26
  Speaker 2: You're look at me.
• 35:33
  Speaker 3: Don't you doing?
• 35:34
  Speaker 10: No? No?
• 35:34
  Speaker 4: No, maybe don't just stop no no, Then you're cooking me.
• 35:49
  Speaker 3: Brus some of the movements.
• 35:54
  Speaker 17: Stop stop.
• 35:59
  Speaker 6: You really Corell dot com day you're missing out.
• 36:04
  Speaker 5: Get the podcast videos in the blug, including recipes at
• 36:07
  Speaker 5: really Correll dot com.
• 36:09
  Speaker 6: That's really K A R e l dot com.
• 36:13
  Speaker 2: Show Time is here. No time to fear.
• 36:17
  Speaker 1: Correll is so near because show time is here.
• 36:20
  Speaker 2: So on with the show. Let's give it a go.
• 36:24
  Speaker 2: Carrell is the one that you need to know.
• 36:29
  Speaker 4: So that was a little piece of don't stop. And
• 36:32
  Speaker 4: that song did did great for me and got me
• 36:35
  Speaker 4: more gigs and got me more notoriety. But then, just
• 36:40
  Speaker 4: as that song was happening, talk radio happened, Talk rate,
• 36:45
  Speaker 4: big talk radio happened, uh, and suddenly singing sort of
• 36:51
  Speaker 4: took a background. It really did. Right as that song
• 36:55
  Speaker 4: was taking off, I didn't do a follow up single
• 36:59
  Speaker 4: because all of a sudden we were doing different after dark,
• 37:03
  Speaker 4: we were doing Triangle broadcasting, and then of course KFI
• 37:09
  Speaker 4: and that just consumed everything, and I didn't do a
• 37:13
  Speaker 4: follow up single for a very very very long time.
• 37:18
  Speaker 4: I did parody songs, which a lot of you have
• 37:21
  Speaker 4: heard on the shows. I Lived to Walk My Dogs
• 37:24
  Speaker 4: and all of that, Medicated and songs like that. But
• 37:28
  Speaker 4: I didn't do a commercial single, and I regret that
• 37:33
  Speaker 4: I should have kept recording, especially on the heels of
• 37:36
  Speaker 4: a successful dance single like Don't Stop. So it took
• 37:41
  Speaker 4: me a long time to get inspired again to go
• 37:44
  Speaker 4: back into the studio, but I did. I heard Michelle
• 37:48
  Speaker 4: Obama say when they go low, we go high, and
• 37:51
  Speaker 4: I said, that's a song. And I called up Morgan Mallory,
• 37:57
  Speaker 4: Daniel Charleston who has now passed, and THEA and I said,
• 38:01
  Speaker 4: you know, I'm going to write a song about how
• 38:05
  Speaker 4: we shouldn't be all divided politically. We should be together,
• 38:10
  Speaker 4: We should be stronger together, Morgan wrote the music, Leo
• 38:14
  Speaker 4: Frapier did the remix, and Brandon Riley Miller did the video.
• 38:19
  Speaker 4: And again the song did okay. It didn't really chart,
• 38:24
  Speaker 4: didn't chart a lot, but it was well received and
• 38:27
  Speaker 4: got me a lot of media. And more importantly, the
• 38:31
  Speaker 4: video is an homage to Harvey Milk. And here is me, THEA,
• 38:37
  Speaker 4: the late Daniel Charleston and Morgan Mallory doing Stronger Together,
• 38:42
  Speaker 4: a song I wrote because of Michelle Obama saying when
• 38:45
  Speaker 4: they go low, we go high. Remember when she said
• 38:48
  Speaker 4: that I do.
• 39:00
  Speaker 10: Stop talk sick gat.
• 39:06
  Speaker 6: When they go along, we go.
• 39:11
  Speaker 10: Strong.
• 39:14
  Speaker 6: You start forcing to the sky.
• 39:19
  Speaker 10: Strong.
• 39:22
  Speaker 13: We must rem the Junie for strong, strong, even in
• 39:30
  Speaker 13: the docks and bust.
• 39:36
  Speaker 10: Song strong sim game time with me.
• 39:45
  Speaker 3: Strong, sim get strong, sim Ga to deal with the
• 40:09
  Speaker 3: well say.
• 40:13
  Speaker 10: Please don't know me.
• 40:22
  Speaker 13: Woice because it's the wist.
• 40:51
  Speaker 2: If you went to.
• 41:00
  Speaker 19: Ang ing aloud?
• 41:10
  Speaker 3: Right? Song is that so Christ.
• 41:21
  Speaker 10: Story?
• 41:24
  Speaker 3: Chick Chick so song chick.
• 42:27
  Speaker 4: The end of that of course the funeral or the
• 42:29
  Speaker 4: memorial for Harvey Milk and now I'm on the wall
• 42:32
  Speaker 4: in his plaza. That Stronger Together, written by me and
• 42:35
  Speaker 4: Morgan Mallory, was the first song that I ever wrote
• 42:39
  Speaker 4: that got sung by other people. Absolutely incredible experience to
• 42:43
  Speaker 4: hear all of them singing that song, and I got
• 42:48
  Speaker 4: to tell you, to this day, I'm very, very proud
• 42:50
  Speaker 4: of that song. So then I remember the the you know,
• 42:55
  Speaker 4: fight for gay marriage and the sanctity of marriage and
• 42:59
  Speaker 4: all of that, and I saw these married men that
• 43:03
  Speaker 4: were well fooling around, including the then president Donald Trump,
• 43:08
  Speaker 4: you know who would Stormy Daniels that had just come out,
• 43:10
  Speaker 4: and of course the fall Wells and just everybody that
• 43:13
  Speaker 4: said that gay marriage would hurt people. But then they're
• 43:16
  Speaker 4: out there dorking around. And I remembered a very important
• 43:19
  Speaker 4: album to me that Bette Midler actually hates thighs and
• 43:23
  Speaker 4: whispers from Bette Midler, and there was a song on
• 43:26
  Speaker 4: there called married Men. And I was my first year
• 43:29
  Speaker 4: in Vegas, so this is seven years ago, almost eight
• 43:33
  Speaker 4: years ago, and Brandon came up and me and Stephen
• 43:36
  Speaker 4: Brandon had such a good time filming around Vegas, and
• 43:41
  Speaker 4: I did Bette Midler's Married Men to sort of show
• 43:45
  Speaker 4: the hypocrisy. You can see the pictures of the married
• 43:48
  Speaker 4: men who are hypocrites in the video if you watch closely.
• 43:52
  Speaker 4: Because the world is full of married men. The modest
• 44:22
  Speaker 4: soul of married men with wives never understand. They're looking
• 44:30
  Speaker 4: for someone.
• 44:30
  Speaker 2: To share the upside.
• 44:33
  Speaker 10: Then have a love, and just as.
• 44:36
  Speaker 20: Soon as they find you, if they wind you in dying,
• 44:39
  Speaker 20: you fly on, hoping the romance or.
• 44:44
  Speaker 8: The end of the world, just another girl like a
• 44:48
  Speaker 8: married man.
• 44:51
  Speaker 20: Oh they too went, they too when they too were
• 44:54
  Speaker 20: They to wait again and again, Now they too w
• 45:00
  Speaker 20: They do.
• 45:00
  Speaker 2: Well they do where they do it?
• 45:03
  Speaker 4: The merry pen can we can feel so young?
• 45:10
  Speaker 6: But why is still.
• 45:14
  Speaker 4: He promises to marry you. Yeah, just as soon as
• 45:18
  Speaker 4: his divorce comes through.
• 45:21
  Speaker 3: Well, you're not just playing.
• 45:23
  Speaker 19: He's west, will find the love that will last side.
• 45:28
  Speaker 20: But as he's driving away, you know it's true what
• 45:31
  Speaker 20: they say about it. They say they do when they
• 45:37
  Speaker 20: do well they do when they do wet again and again?
• 45:43
  Speaker 4: Will they do when they do when they do?
• 45:46
  Speaker 2: When they do it?
• 45:48
  Speaker 8: The merry pan.
• 46:06
  Speaker 20: Yeah, when the scandal it's too hot to handle, you'll.
• 46:10
  Speaker 2: Say he just wants to be friends.
• 46:13
  Speaker 4: Because that he'll walk out your line and go all
• 46:16
  Speaker 4: to his wife.
• 46:17
  Speaker 3: God he then.
• 46:21
  Speaker 10: Go.
• 46:21
  Speaker 4: Your love is a secret. You've got to keep it
• 46:25
  Speaker 4: long and you can't.
• 46:29
  Speaker 10: Don't cry for your love.
• 46:30
  Speaker 4: There's always another.
• 46:33
  Speaker 3: Marry man man man.
• 46:37
  Speaker 8: They do, they do well, they do marry married man.
• 46:44
  Speaker 20: Scroll they do when they do, when they do, when
• 46:47
  Speaker 20: they do it, the married man.
• 46:52
  Speaker 2: The world is full of them.
• 46:55
  Speaker 3: Girls and boys. Now listen, Come on.
• 47:01
  Speaker 2: Then, don't you know?
• 47:05
  Speaker 10: I know the wading them.
• 47:07
  Speaker 3: They marry married man.
• 47:16
  Speaker 19: They do when they do, where they do, when they
• 47:20
  Speaker 19: do it, we'll do it again.
• 47:28
  Speaker 2: They'll love you, they'll leave you, they'll mind you.
• 47:30
  Speaker 4: They're not when they do they do when they.
• 47:35
  Speaker 10: Do, they can't tell me love it.
• 47:47
  Speaker 4: And that is married Man, filmed right here in Las Vegas.
• 47:51
  Speaker 4: Then Kamala Harris came to Las Vegas and she said, America,
• 47:55
  Speaker 4: we're not going back. And you know what, I said,
• 47:58
  Speaker 4: that's a song. And I wrote it and I sent
• 48:01
  Speaker 4: the lyrics into AI and it gave me a tune
• 48:04
  Speaker 4: and Leo Frapier turned that tune into a song, and
• 48:07
  Speaker 4: then thea Austen sang it, and when they sent me
• 48:10
  Speaker 4: the vocals, I cried. I released it and then it
• 48:14
  Speaker 4: sat around and then it got remixed by very famous
• 48:17
  Speaker 4: remixers and as we speak it is number five in
• 48:20
  Speaker 4: the UK on the Music Music Week chart. My highest
• 48:24
  Speaker 4: charting single to date thea Austin We're not going back, but.
• 48:30
  Speaker 3: America, we are not going back.
• 48:39
  Speaker 15: We're a going there werenae wea though said, because I
• 48:47
  Speaker 15: will it we winna go in that we'rena get in.
• 48:53
  Speaker 10: How you Joe so bad?
• 48:55
  Speaker 3: So liais.
• 48:58
  Speaker 15: You see the world so different, the very weird worldview.
• 49:03
  Speaker 15: You don't want to real progress for anyone, but you
• 49:08
  Speaker 15: you say we must go bad re chrishing to the past.
• 49:12
  Speaker 15: We say we must smok forward to make thy union
• 49:16
  Speaker 15: lest we're not going back.
• 49:19
  Speaker 2: We're not getting it.
• 49:21
  Speaker 15: We have thought side because well with thy went, Well,
• 49:26
  Speaker 15: we're not going back.
• 49:28
  Speaker 2: We're not getting it.
• 49:30
  Speaker 3: How are your.
• 49:31
  Speaker 10: Jury is so right?
• 49:32
  Speaker 11: So we fight and went.
• 49:36
  Speaker 15: The past that you remember from then it wasn't afraid.
• 49:40
  Speaker 15: The past that you remember was not to fill with hate.
• 49:45
  Speaker 15: So we are look forward.
• 49:48
  Speaker 3: The future is the keep just to one another another.
• 49:54
  Speaker 15: We're not going that. We're not getting it. We have
• 49:59
  Speaker 15: gone like go with I went where we're not going back.
• 50:06
  Speaker 6: We're a kid in.
• 50:08
  Speaker 10: Ho you t is so bad?
• 50:10
  Speaker 15: So we're spiling went so take away your pay are
• 50:34
  Speaker 15: your last contempt? Then hey, just smile your whole dead
• 50:38
  Speaker 15: business and let us strap coffee, a future, heathy bright
• 50:44
  Speaker 15: if we sing.
• 50:45
  Speaker 3: As one loving care.
• 50:47
  Speaker 15: That a song with me, so so take away your
• 50:52
  Speaker 15: kay us, take it away, your last contempt and hey,
• 50:57
  Speaker 15: you just smile your old day business staying your name.
• 51:05
  Speaker 3: Let us craft.
• 51:06
  Speaker 4: That's the Austin with You're not We're not going back.
• 51:09
  Speaker 4: My largest charting single to date, a song I love
• 51:12
  Speaker 4: in a door and it's very relevant. Now we'll finish
• 51:15
  Speaker 4: up this musical journey in just a moment. Merry Christmas.
• 51:18
  Speaker 4: I hope you're enjoying it. If you're not, so whatt
• 51:20
  Speaker 4: it one d out of the year that I'm being
• 51:22
  Speaker 4: self And so there we go. When we come back,
• 51:25
  Speaker 4: I only have one question. Do you want to do?
• 51:28
  Speaker 3: You swat stay? No show side?
• 52:00
  Speaker 4: So after we're not going back, I took a minute.
• 52:02
  Speaker 4: I concentrated on the show, and then I decided it
• 52:05
  Speaker 4: was time to do another Sylvester cover, one that I've
• 52:08
  Speaker 4: been wanting to do my entire life, and I couldn't
• 52:11
  Speaker 4: do it without Genie Tracy. The song was inspired by
• 52:14
  Speaker 4: Genie Tracy while back when Patrick Cally wrote it was
• 52:18
  Speaker 4: because Sylvester had said he heard her say something about
• 52:23
  Speaker 4: funk in a recording session she was having, and so
• 52:26
  Speaker 4: I said, Genie, you're the inspiration. You got to sing
• 52:28
  Speaker 4: it with me, and she said I'd love to, and
• 52:31
  Speaker 4: Leo Frapier did a mix, and suddenly I was singing
• 52:35
  Speaker 4: a song that I had sung on the dance floors
• 52:37
  Speaker 4: in the eighties with so many friends that had gone
• 52:40
  Speaker 4: on and just like I dance. Because my latest single,
• 52:44
  Speaker 4: which does not have a video yet, so you're not
• 52:46
  Speaker 4: going to hear it today, Do you want to Funk? Happened.
• 52:50
  Speaker 4: I recorded my vocals here in Vegas. They recorded the
• 52:53
  Speaker 4: backgrounds up in San Francisco with Leo Frapier and Genie Tracy.
• 52:57
  Speaker 4: We then mixed it. Matt Consola released did on Swishcraft
• 53:01
  Speaker 4: Records out of Portland, Oregon. I met Matt thirty years ago.
• 53:04
  Speaker 4: I interviewed him or no, he interviewed me for Dance
• 53:07
  Speaker 4: Music Authority when Don't Stop came out, That's when we
• 53:10
  Speaker 4: met uh and he ended up thirty years later releasing
• 53:14
  Speaker 4: this single do you Want to Funk? By Me, a
• 53:18
  Speaker 4: cover of the Sylvester song. Now, remember the word is
• 53:22
  Speaker 4: f U n K funk? Honey? Do you want to funk?
• 54:00
  Speaker 9: You're so turn.
• 54:07
  Speaker 3: What did you want to fuck.
• 54:16
  Speaker 2: Whoa you tap?
• 54:20
  Speaker 3: You wanna fucking let the show.
• 54:25
  Speaker 10: With me?
• 54:28
  Speaker 3: Fuck with me?
• 54:36
  Speaker 10: No? So that.
• 54:45
  Speaker 3: The reader?
• 54:49
  Speaker 15: Oh where were you dying?
• 54:59
  Speaker 10: Child?
• 55:02
  Speaker 16: What what.
• 55:04
  Speaker 3: You tek? You wanna fucking let the show? Who talk?
• 55:57
  Speaker 10: There?
• 55:59
  Speaker 3: Popping you? You let me show?
• 56:24
  Speaker 15: You?
• 56:25
  Speaker 3: Let her shot.
• 56:29
  Speaker 16: For me?
• 56:32
  Speaker 4: For I shot that video here in this room. I
• 57:01
  Speaker 4: edited it right out there at that desk. I was
• 57:03
  Speaker 4: the only person, the camera person, I was the sound person,
• 57:06
  Speaker 4: I was everything. But I got it done. I hope
• 57:09
  Speaker 4: you've enjoyed this little musical trip with me on this
• 57:12
  Speaker 4: Christmas Day. I hope you've had a great Christmas Day
• 57:14
  Speaker 4: so far or will continue to have a great Christmas Day.
• 57:18
  Speaker 4: I'll be back next week for the New Year's week.
• 57:21
  Speaker 4: And you know, music, it binds us, It's universal, it
• 57:26
  Speaker 4: is it replenishes our soul. And I have been so
• 57:32
  Speaker 4: lucky now that I've watched I've never sat down and
• 57:34
  Speaker 4: watched all of these and reflected, ever, never done it.
• 57:39
  Speaker 4: And now that I have, you know, I wasn't so bad.
• 57:45
  Speaker 4: I'm not so bad. I actually a little proud of
• 57:49
  Speaker 4: myself after watching all of this and watching the evolution.
• 57:54
  Speaker 4: And so if you have a dream, if you have
• 57:57
  Speaker 4: something that you love to do.
• 57:58
  Speaker 16: Do it.
• 58:00
  Speaker 4: Don't let the world tell you you're good enough or
• 58:02
  Speaker 4: bad enough, you know for married men. I had a
• 58:05
  Speaker 4: record pool person come back and say it's a great song.
• 58:07
  Speaker 4: You should have a woman singing. Thanks, guess you won't
• 58:11
  Speaker 4: be playing it. There's a lot of negative comments that
• 58:15
  Speaker 4: came in about all that music, but a lot of
• 58:17
  Speaker 4: positive ones too. I hope you were able to see this.
• 58:21
  Speaker 4: I hope YouTube didn't ban my video because of all
• 58:23
  Speaker 4: these other videos. It's done that before, but I own
• 58:26
  Speaker 4: them all. I mean, it's all me, but you know
• 58:29
  Speaker 4: who knows. So I hope you got to see this,
• 58:32
  Speaker 4: and I hope again that you've had a great Christmas Day,
• 58:34
  Speaker 4: because you are the gift that keeps me going all year,
• 58:38
  Speaker 4: particularly all you patrons at Patreon. You are the gift.
• 58:42
  Speaker 4: And if you want to become a patron, hey it's
• 58:44
  Speaker 4: patreon dot com forward slash Early Correll. When you become
• 58:47
  Speaker 4: a patron, you don't just support me, you support the
• 58:52
  Speaker 4: music as well. I will leave you, however, today with
• 58:57
  Speaker 4: the graphic for I Dance Because and a little bit
• 59:00
  Speaker 4: of the song since it is the latest uh and
• 59:04
  Speaker 4: I would hope that you will stream as much of
• 59:06
  Speaker 4: my music as you can. All these videos are at
• 59:08
  Speaker 4: my YouTube YouTube dot com forward slash really Carrell uh
• 59:13
  Speaker 4: And you know who knows what I'm gonna do next musically,
• 59:16
  Speaker 4: Well I do. I'm doing a song called thank You.
• 59:19
  Speaker 4: Thank It's called it set Me Free. That's the name
• 59:22
  Speaker 4: of the song, and it's about a person that blocked
• 59:24
  Speaker 4: me and showed me the kind of person they really were,
• 59:27
  Speaker 4: that set me free. Happy, Happy Christmas and Holidays. I
• 59:31
  Speaker 4: am carell be who you want to be and let's
• 59:35
  Speaker 4: continue on our journey together, musical and otherwise. For the media,
• 59:39
  Speaker 4: shall we. I hope we do. I hope we can.
• 59:43
  Speaker 4: All right, thank you.
• 59:44
  Speaker 16: It's broadcasting from a completely different point of view yours.
• 59:50
  Speaker 16: Listen daily to the CORELL cast on your favorite streaming service.