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Ester Dean Interview · The Breakfast Club

0:00
Speaker 1: I'm a real people, real celebrity, Real joined the Breakfast Morning.
0:07
Speaker 1: Everybody is DJ M, v Angela Ye, Charlemagne the Guy.
0:10
Speaker 1: We are the Breakfast Club Special guests in the building.
0:13
Speaker 1: Miss Esterday after Afterding got money. She got some money.
0:18
Speaker 1: No no, no no, she got real goal. I don't
0:22
Speaker 1: have real goal. Celebrity net worth is twenty four millions.
0:31
Speaker 1: Celebrity go on those things. Hit some songs that you
0:36
Speaker 1: produce that people might know you from. Rit produced and
0:38
Speaker 1: route oh a lot of I think here, Okay, express yourself.
0:49
Speaker 1: I did my first number one something was Rude Boy
0:52
Speaker 1: Boy Rihanna, and then after that was What's my Name? Rihanna,
0:56
Speaker 1: and then it was es and M and then fire
1:00
Speaker 1: works and then fire works like Katie Perry okay, and
1:05
Speaker 1: then super basically NIKKEI turn me on with David Gred
1:08
Speaker 1: and Nikki. He did put Postion Postion Beyonce. Well, I
1:14
Speaker 1: didn't get a hit out of Beyonce. I want to
1:15
Speaker 1: that's my dream. You didn't countdown? Then down that's my song?
1:20
Speaker 1: Yeah and yeah and then um, where have you been?
1:24
Speaker 1: So somethings like that, and I got the new Nikki song. Um,
1:27
Speaker 1: the night is still young and then I got the
1:29
Speaker 1: new song with her and David Guetta. Um, hey, mama,
1:32
Speaker 1: so you might be worth more than twenty four millions.
1:34
Speaker 1: I'm open million. You want to be an artist, you
1:38
Speaker 1: could be behind the scene. But Ja've been low as
1:41
Speaker 1: my song too though. Now let's keep it around. I
1:45
Speaker 1: can walk the street to do. I don't think you
1:47
Speaker 1: can't walk the streets. I think you call y'all. No, no, no, no, wrong.
1:52
Speaker 1: Now they're like, oh I see you. No, I don't.
1:56
Speaker 1: I like to do everything. I'm a busy body for real.
1:58
Speaker 1: I'm a real busy body. So I'm kind of like
2:02
Speaker 1: all over the place. So now I'm acting so yes.
2:05
Speaker 1: But the thing is, none of my artists or a
2:08
Speaker 1: songwriter ever got me here you know what I'm saying,
2:10
Speaker 1: or got me where I'm at, Like my faces all
2:13
Speaker 1: over the place. And that's because of movies. And that's
2:15
Speaker 1: you know, pitch perfect, pitch perfect. I know you love me?
2:20
Speaker 1: And she is that type casting is that it's kind
2:23
Speaker 1: of close, like I think they type cash you right,
2:27
Speaker 1: you know what I'm saying, Like I kind of come
2:29
Speaker 1: off Butcherie. You know I did not think that clothes,
2:35
Speaker 1: I dude, clothes nothing I bought her from the dude's store. Okay,
2:43
Speaker 1: I'm that. I tell my friend Mali unsex. He liked that.
2:49
Speaker 1: So anyways, use the new game is unisex. Yeah, can
2:53
Speaker 1: look out young THU dresses. He's not gay. He wears
2:55
Speaker 1: skirts and stuff like that. Yeah, leg no you don't. Yes,
2:59
Speaker 1: he do a lot of guys where jaggings? Now jaggings?
3:05
Speaker 1: I hope no guy where? Yes, they do, they all do. Now.
3:08
Speaker 1: I will continue you like a little. I like, I will.
3:11
Speaker 1: I don't like a little. I haven't had vagina. I haven't.
3:14
Speaker 1: I didn't even China yet. I don't mind thinking about it.
3:18
Speaker 1: You know, maybe one day man and my boy do
3:20
Speaker 1: some vagina and then I'll leave. But my new song
3:23
Speaker 1: has it's like I like vagina. It's called Keeper and
3:28
Speaker 1: He's And it's so funny because when I wrote it,
3:29
Speaker 1: everybody like I was supposed to sell it, and I
3:31
Speaker 1: was like, I'm not selling this. It's mine, right, and
3:33
Speaker 1: it's like, but it's about a girl. I was like,
3:35
Speaker 1: So I'm like, how many lesbians do you know? A
3:38
Speaker 1: lot of them? So I could sing whatever I want
3:40
Speaker 1: to say. So where you're from? Oklahoma? Okay? Okay? I
3:43
Speaker 1: don't know why I thought you was from the UK Noma.
3:50
Speaker 1: I thought Virginia with the fingerwaves, like I know, I love.
3:52
Speaker 1: It's not always like that. No, this is one new thing, right,
3:57
Speaker 1: I didn't know bringing them back? Okay, yeah, come onybody
4:00
Speaker 1: jump over missing. But it's so crazy because I had
4:04
Speaker 1: I had figures in the nineties, just like everybody else.
4:08
Speaker 1: But it's like when you have short hair, you gotta
4:09
Speaker 1: figure out are you gonna lace it with? We've what
4:11
Speaker 1: you mean the nineties? You like twenty five thirty three? Oh?
4:14
Speaker 1: I thought you was like, ok No, they lied one
4:17
Speaker 1: time on week media and I liked it. I let
4:19
Speaker 1: it go. That's how because everybody was so scared at
4:27
Speaker 1: the age. It was like talking about Beyonce, like is
4:29
Speaker 1: she older than I was like, just stick with twenty six,
4:32
Speaker 1: say it's work with that. Age is a blessing man,
4:34
Speaker 1: it is. I mean, what y'all see like the riots,
4:38
Speaker 1: It wasn't a riot, but y'all see, oh Monday last night,
4:41
Speaker 1: I like to call it non peaceful protest, which one
4:43
Speaker 1: is the ones in New York. It was so scary
4:46
Speaker 1: yea and twenty people got arrested. We came from the movies.
4:49
Speaker 1: It was so scared. Oh you mean the protest in
4:51
Speaker 1: New York. Yeah, yeah, yeah, yeah yeah. Now because I
4:53
Speaker 1: was on my way to the screening and all the
4:55
Speaker 1: trees were close down and blacked off. It was a
4:56
Speaker 1: lot of chapping because of the protest. The police make
4:58
Speaker 1: it looks so scary You're like, oh my god. It
5:02
Speaker 1: was like so many police people like running. I was like,
5:05
Speaker 1: if we get out of here right, yes, now, you're
5:08
Speaker 1: a well known ghostwriter for really popular people ghost exactly.
5:14
Speaker 1: But I tell you what, I getting mad when you
5:17
Speaker 1: talk about the hits you rule no because they the
5:20
Speaker 1: thing is okay. So when they say Nicki Minaj as
5:23
Speaker 1: the road nigga, I ain't never wrote a rap in life,
5:26
Speaker 1: but Nicki Minaj I don't. I just sat in the
5:28
Speaker 1: room with her and like and she's like, what I
5:30
Speaker 1: don't know, you know, I don't know you James and stuff.
5:34
Speaker 1: I'm like, this is intimidate takes that very But the
5:38
Speaker 1: thing is she should I write hooks? You know what
5:40
Speaker 1: I'm saying. Like with Rihanna, I write hook songs. Rihanna
5:43
Speaker 1: don't care. She's like, yes, you know. Clive David said
5:46
Speaker 1: he never let when he using them write a song.
5:48
Speaker 1: He saidcause you're not a songwriter. Nicki Minaj is a writer.
5:51
Speaker 1: She get write. We did Super Base together, so she
5:54
Speaker 1: does write all her stuff. I write hooks for people,
5:57
Speaker 1: which would give me the co write, and then I
5:59
Speaker 1: write songs. What you give me the whole song? You know?
6:02
Speaker 1: Can you stay still? No, because I'm nervous. I want
6:06
Speaker 1: you to go in and out of the night. Yeah,
6:09
Speaker 1: she's really writing that. It is good and I love
6:14
Speaker 1: these chairs. I know it's really writing. I know it's
6:19
Speaker 1: like it's cool with that puddle coming from just playing
6:26
Speaker 1: in my head. But they don't let anybody have writing
6:34
Speaker 1: credits to or producer credit. If you look at her,
6:38
Speaker 1: I'm married and got writing credits. So that's a lie,
6:40
Speaker 1: you know, Beyonce. It's very you know, particular about what
6:43
Speaker 1: she want to say. You cannot go and talk about,
6:47
Speaker 1: you know, breaking up with a boyfriend. She was like,
6:49
Speaker 1: I'm not on that. It's a nice song, thank you,
6:52
Speaker 1: I'm married. I'm married. And then whatever you speak come
6:54
Speaker 1: into this. You don't want to be singing about heartbreaking
6:56
Speaker 1: and I'll say you're like, oh shoot, it just really happened.
6:59
Speaker 1: So I get why she married don't talk about it either,
7:02
Speaker 1: so I get it. How do you write for Bee though?
7:04
Speaker 1: Like I mean, could you say you write whole song
7:05
Speaker 1: for running? You write whole songs with Beyonce? Well, one
7:08
Speaker 1: song start over. I wrote the whole song, and she
7:11
Speaker 1: chased some stuff and then countdown I wrote. We wrote
7:14
Speaker 1: that with a whole lot of people, and then the
7:16
Speaker 1: last time I went in, it's last time. We just
7:20
Speaker 1: did a lot of scratches and then she goes and
7:22
Speaker 1: see if she liked it. But I haven't gotten that
7:24
Speaker 1: on Beyonce in a while. I'm like, dang's up, Like
7:29
Speaker 1: you don't like my stuff? Do you have to start
7:31
Speaker 1: writing when you're doing movies? Like when you were filming
7:32
Speaker 1: pitch Perfect too? Was it just working on the film?
7:35
Speaker 1: I made myself do that though, like last movie. I
7:38
Speaker 1: did where have you been When? On Pitch Perfect But
7:41
Speaker 1: I was so unfocused and they was like, Esther, we
7:44
Speaker 1: need you to say, And I would wake up sleepy
7:46
Speaker 1: because I'm trying to stay at the studio and I
7:48
Speaker 1: just felt like because I didn't. When I went to
7:50
Speaker 1: do pitch Perfect one, it was so nervous. I thought
7:53
Speaker 1: that I was making a mistake because I was supposed
7:55
Speaker 1: to be with Rihanna and Ireland doing Talk to Talk,
7:58
Speaker 1: like doing that album, and I thought that I was
8:00
Speaker 1: like cheating on my career. Like if this didn't go
8:02
Speaker 1: to DVD, I'm gonna look stupid. I'm saying, like you
8:06
Speaker 1: like they didn't know that movie is gonna be as
8:08
Speaker 1: big as it wise really still didn't. I'm like, I
8:11
Speaker 1: hope that, like we break a lot of barriers. It's time.
8:13
Speaker 1: But this time I went to the set and I
8:16
Speaker 1: was like, no music, no music, no music, because I
8:19
Speaker 1: wanted to be an actress. You know, I didn't want
8:21
Speaker 1: to be an actress when I first did It's perfect.
8:23
Speaker 1: I wanted to do a voiceover and then they gave
8:25
Speaker 1: me that and I was like, okay, it's cool. You
8:27
Speaker 1: did vitalful ice age, right, Yeah, yeah, I got to
8:29
Speaker 1: be like a siren. But I feel like I got
8:31
Speaker 1: a voiceover voice yeah you do. It just won't grow,
8:36
Speaker 1: I know. I know. The songwriting got to be more
8:38
Speaker 1: lucrative though, so like why even waste your time on
8:40
Speaker 1: set when you could be getting that money and the
8:43
Speaker 1: song writer that's what all great song right, No, Because
8:46
Speaker 1: the thing is it's first of all, it's lonely. It's lonely.
8:49
Speaker 1: You go in the room, you see it is no
8:52
Speaker 1: matter what the money is, what you give you got
8:53
Speaker 1: a boom more than that. No, it's it's it's like
9:00
Speaker 1: you know, I think music writing music is like a
9:02
Speaker 1: saying asylum. It's like padded rooms that you singing to yourself.
9:06
Speaker 1: Nobody can't hear, but you think you're dope. You're like
9:08
Speaker 1: this is a crazy area. And then on a film set,
9:11
Speaker 1: you just you can. I would like come in here
9:13
Speaker 1: every day. That's thricee And like I talk to Charlotte,
9:16
Speaker 1: I can talk. I can talk to Angel. That's fun.
9:19
Speaker 1: But I go to studio when I go to study,
9:21
Speaker 1: just like now I feel you. But what about when
9:23
Speaker 1: you get that royalty check? Though that But it's not
9:25
Speaker 1: all about the money. And that to my mama, like
9:28
Speaker 1: the money is something that makes me mad because everybody
9:31
Speaker 1: you want, you gotta make definitely keep them. They make me.
9:41
Speaker 1: But it's like that's when people are like, why won't
9:43
Speaker 1: she give me? Like me having these clothes on my
9:45
Speaker 1: family would be like, what we just asked you for this?
9:48
Speaker 1: Why can't we get that you got to six hundred
9:50
Speaker 1: dollars shoes on you got four diamond areas on the side.
9:54
Speaker 1: You know what, No, it's like, don't talk. You know,
10:00
Speaker 1: it's it's the thing of feeling over and title. You know,
10:03
Speaker 1: you feel like you're guilty because you got it in
10:06
Speaker 1: the family don't got it, and you try to give
10:07
Speaker 1: them some and that ain't none of You gotta take
10:10
Speaker 1: your whole skin off and give it to him. You know.
10:12
Speaker 1: It's almost like you gotta give them where you have
10:14
Speaker 1: nothing left so they can't ask again. So the money
10:17
Speaker 1: becomes the problem, you know, in the success is what
10:21
Speaker 1: you want. So when I go and get to do
10:23
Speaker 1: movies a songwriter and I just kept off a tour Nikki,
10:26
Speaker 1: that was I mean, I cried when she said yeah,
10:29
Speaker 1: I could come in because I opened up for her
10:31
Speaker 1: and trade songs. And most of the artists I've worked
10:34
Speaker 1: with would never do that. It would never learn and
10:37
Speaker 1: it must be a good feeling, Like to go to
10:38
Speaker 1: the club and they playing your song I wrote that song,
10:42
Speaker 1: Can I get in here? Please? Well, hell, I don't
10:44
Speaker 1: go to the club. But I used to go to
10:46
Speaker 1: the club and it would make me depressed because if
10:48
Speaker 1: I didn't hear my song, I feel like I need
10:50
Speaker 1: to go back to the studio work, and I haven't
10:52
Speaker 1: heard some songs in a while because I stopped writing.
10:54
Speaker 1: So I'm like, I don't want to be in here right,
10:57
Speaker 1: I'm jealous. It's very intriguing. And you you say you don't
11:00
Speaker 1: go to the club. A lot of people feel like
11:01
Speaker 1: they have to be in the club to see what's
11:02
Speaker 1: going on to keep people. I'm moving to. I look
11:05
Speaker 1: at people's instagram. Now. I like movies because I have
11:10
Speaker 1: to tell a story, so I don't need music and
11:12
Speaker 1: music listening to music over and over again, I'm just
11:15
Speaker 1: constantly dictating it and like, what is that? That's terrible?
11:19
Speaker 1: Why do you do that? It's it's a headache and
11:21
Speaker 1: Pitts perfect. It is probably a perfect movie for you
11:23
Speaker 1: because you get to sing, you get to dance, you
11:25
Speaker 1: get to act. And it looked like y'all probably have fun,
11:27
Speaker 1: feeling we have a lot of fun because it's again
11:31
Speaker 1: it's like you're not just talking to the actresses. You're
11:33
Speaker 1: talking to the crafty, you talk to the light guy.
11:35
Speaker 1: You find friends everywhere, and we're in a middle baton rouge,
11:37
Speaker 1: so it ain't nowhere else to go. So we're just
11:40
Speaker 1: having a good time, though it's just more of a family.
11:42
Speaker 1: When it was time for me to God just cried.
11:43
Speaker 1: I was just like, you know, can I get on
11:46
Speaker 1: another movie? Or can I can I get you know
11:49
Speaker 1: what the hell? Cried crier. No, I'm an aries, you know,
11:56
Speaker 1: but that probably Pi and Mess when I'll be crying.
11:58
Speaker 1: You know, house you still very first dream house. They
12:02
Speaker 1: said you bought your first dream house recently. No, I
12:03
Speaker 1: got three houses. Pleased. I made my first dream house.
12:09
Speaker 1: So my first house was like in La and it
12:11
Speaker 1: was a condo, its beautiful stunt up. Then in my
12:19
Speaker 1: second house about the Georgia. And then in La I
12:22
Speaker 1: went to this area and I took got this house
12:25
Speaker 1: and I cut it it out. It was ugly. It's ugly,
12:27
Speaker 1: so I cut it out. And now it's my dream
12:29
Speaker 1: house because I made it my own. And it's like,
12:32
Speaker 1: but it feels a little bit too if it's lazy
12:34
Speaker 1: over there. I feel like I don't necessarily want to
12:37
Speaker 1: live there. I feel like it's a house that I
12:39
Speaker 1: should live in when I'm fifty. You can't just sit down.
12:41
Speaker 1: Huh know who's your boot? Oh? Is he is he
12:47
Speaker 1: in the business? What did he do? He is? Together?
12:52
Speaker 1: Is as rich as you. I don't know a lot
12:54
Speaker 1: of No. No, I'm sure my dog need math skills.
13:01
Speaker 1: That's your man, yes, okay, skills getting some let me
13:04
Speaker 1: see what he's network. He've been getting some money for
13:06
Speaker 1: a lot. Yeah, he's been getting some money. I know
13:09
Speaker 1: that was your man, very well writer. Yes, that's I
13:14
Speaker 1: think that's why. That's why he got the whole head
13:17
Speaker 1: thing because he's from VA. Know that was Joe math
13:22
Speaker 1: skills and tell math skills get her pregnant. Yeah, but
13:27
Speaker 1: I'm like, yeah, he's so sarcastic one Twitter. So I
13:31
Speaker 1: told him, like to calm down, man. Now he's a
13:33
Speaker 1: good due Okay, Now does he help you right because
13:37
Speaker 1: he's a very well known writer. Oh, we don't play
13:39
Speaker 1: those games. You don't want no confusion. How did you like,
13:44
Speaker 1: how did the night is still young? With Nikki? I'm
13:47
Speaker 1: sorry he does he get writing? Granting on that? Okay?
13:50
Speaker 1: How did you guys end up together? Though? Like y'all
13:52
Speaker 1: was working to get in the house and then I
13:54
Speaker 1: ran across him. I was like, because I don't like
13:57
Speaker 1: people to me, I don't. I try not to well
13:59
Speaker 1: at the time a songwriter too, And I was like, oh,
14:03
Speaker 1: because like, do you like me or you trying to
14:04
Speaker 1: get a you know. I know it's so weird because
14:11
Speaker 1: that's how even with my friends, I'd be like, what
14:13
Speaker 1: you want and they was like, everybody don't want them
14:15
Speaker 1: from me. I was like, yes they do, not, just
14:17
Speaker 1: just all about what you want, you know. So you know,
14:20
Speaker 1: we went to a moment that I had to really
14:22
Speaker 1: trust and then he showed it proved itself over and
14:25
Speaker 1: over again. He's like, I don't know how many time
14:26
Speaker 1: I go to get to prove to you that I
14:28
Speaker 1: don't care about what you do. I'm like, well, hey, finally, guy,
14:30
Speaker 1: we've been again for two years. Nice. I don't know,
14:33
Speaker 1: shotting them then you might want we can break up
14:35
Speaker 1: the exactly, but listen, that's happened. You just write all
14:39
Speaker 1: about write a song about it. My whole album is
14:41
Speaker 1: about him. Yeah, so you have boy, he got some
14:44
Speaker 1: masthew got some good round maud. I'll be telling this
14:51
Speaker 1: so so you happy on that? No? No, oh shoot, okay, no,
14:55
Speaker 1: it's not that. It's the emotion that he brought through.
14:58
Speaker 1: You know what I'm saying, because you're gonna go up
14:59
Speaker 1: and down with it. And one of us like, if
15:02
Speaker 1: you don't want to if you don't want to act right,
15:03
Speaker 1: if you don't be right, if let's just say it.
15:06
Speaker 1: And that was the time he was like going through it. Yeah,
15:08
Speaker 1: it wasn't And we go through a really quick like
15:10
Speaker 1: an hour, and then we talk it through and they
15:12
Speaker 1: were like, oh okay, y'all have a friendly competition, like
15:15
Speaker 1: I'm a better songwriter than you. Broll. He's DJ now
15:18
Speaker 1: doesn't go in the round with jazzy jaff where he
15:20
Speaker 1: used to. He used to now DJ. We just we
15:22
Speaker 1: did the Nikki tour together. Yeah, he was on turn.
15:24
Speaker 1: Yeah did you set that up? Boy? Well, I needed
15:26
Speaker 1: a DJ. I love it. It's so crazy because I'm
15:33
Speaker 1: so nervous to go out, but he rocked the crowd
15:35
Speaker 1: so good. I was like, oh my god, thank you
15:37
Speaker 1: so much because I'm so nervous. You killed two brothers
15:39
Speaker 1: one stone though. Your man got a gig and you
15:41
Speaker 1: get to keep an eye on yeah. Yeah, and then
15:43
Speaker 1: y'all only need one room so you save money. Man,
15:46
Speaker 1: I feel like we're speeding a little bit. You're from Oklahoma.
15:48
Speaker 1: How does the girl from Oklahoma? There ain't nothing Olahoma
15:51
Speaker 1: before it's still in the thunder. Yeah, So how do
15:54
Speaker 1: you younger from Oklahoma get to the level of SD well,
15:58
Speaker 1: I will left Oklahoma and I went to Atlanta. I
16:01
Speaker 1: drove myself to Atlanta eighteen hours. My mom took us
16:04
Speaker 1: to Nebraska. So I lived in Nebraska my high school years,
16:09
Speaker 1: so like from sixteen to nineteen, and then I left
16:12
Speaker 1: and went to Atlanta and I just went around to
16:15
Speaker 1: every studio and just like let him know I was here.
16:18
Speaker 1: And I worked with Tricky. Tricky signed me Tricky Stewart
16:22
Speaker 1: Ye didn't work with Jazzy Faye for like two years.
16:26
Speaker 1: And then one time I met Polo and he said,
16:28
Speaker 1: you know, you could come down here, and I was
16:30
Speaker 1: like okay, And then he called and he said can
16:33
Speaker 1: you come down here? And I was like yeah. He said,
16:35
Speaker 1: your priorities is messed up. He said, I just told
16:37
Speaker 1: you you could come down here and work because he's
16:40
Speaker 1: like at the time like super so big, so well
16:45
Speaker 1: as big as he was when I met him, and
16:47
Speaker 1: then he like, I love him so um. When I
16:51
Speaker 1: went to work with him, Jimmy ive said, who is
16:54
Speaker 1: this girl? Bring it to LA. This is only two
16:55
Speaker 1: weeks of working with him, and they kept me in
16:57
Speaker 1: La the whole time. Jimmy IV like, I got you
17:00
Speaker 1: stay here, You're making a sound really easy, So you signed.
17:03
Speaker 1: I slept at the studio. Though I slept at the
17:05
Speaker 1: studio in the California. It was a dirty, nasty ass
17:09
Speaker 1: shower next door to the studio, and I was so
17:12
Speaker 1: scared to lead a studio. Polo can make you scared.
17:15
Speaker 1: So I was so scared to leave the studio that
17:17
Speaker 1: I would literally sleep in the studio and at the
17:20
Speaker 1: time of the warehouse, so I sleep with a little heater,
17:23
Speaker 1: and then he would come in and like ding wa
17:25
Speaker 1: up and I would go in there and like monicat
17:28
Speaker 1: him and be in there and he's like, look, sing
17:30
Speaker 1: and I was singing something. He's I told you you dope,
17:32
Speaker 1: And then all of a a sudden you go back the
17:34
Speaker 1: hand that's going on here, like I'm puppet in it.
17:36
Speaker 1: So Polo gave you your first break? Who definitely? What
17:38
Speaker 1: was the first song? I'm not hit. What was the
17:41
Speaker 1: first song? Oh, my first song was through Tricky Stewart.
17:44
Speaker 1: That was Maya, this song called rotting yeah Lord, and
17:47
Speaker 1: then uh don't remember that, yeah, one of those after
17:53
Speaker 1: Maya fell off. Oh yeah, it was like you know,
17:57
Speaker 1: to get back, yeah, and I'm I'm appreciative that no
18:00
Speaker 1: matter what, because when people take your song, she's like,
18:02
Speaker 1: thank you. Ye had it back then. I mean it
18:04
Speaker 1: was maya. You like this my first song, so that's
18:06
Speaker 1: still huge. Please sing it. So then, Jimmy Ivean did
18:09
Speaker 1: sign you no? Well tocope? Yeah, because I didn't. When
18:12
Speaker 1: I met him, I wasn't an artist. I wasn't trying
18:15
Speaker 1: to be an artist like Mulla put dropping all out
18:17
Speaker 1: on his own. He was like, oh you here's your
18:19
Speaker 1: new single. No new single, you know. He's like, yes,
18:22
Speaker 1: you did this a song. I'm like, OK. So anyway,
18:26
Speaker 1: it was a lot of drama. They're passing us paper
18:29
Speaker 1: talking about they're asking to wrap it up. Oh yeah,
18:31
Speaker 1: you gotta go because your first time here. Yeah, I
18:35
Speaker 1: told you he was gonna be nack people, angry person
18:38
Speaker 1: you are. I'm a nice guy. He's a nice guy,
18:41
Speaker 1: but you made so much money you could crush him.
18:45
Speaker 1: And I'm not fooling with you because you got a
18:46
Speaker 1: whole crew of girls with finger with looking at you crazy.
18:53
Speaker 1: It's like, what's going on? Oh she will that's a
18:55
Speaker 1: pit bull, right, I gotta come in here. I'm like,
19:01
Speaker 1: I need to come in my sister d D. They'd
19:02
Speaker 1: be like, YO, can you tell you not talk crazy
19:05
Speaker 1: to people? I'm like, I kind of can't. She's here
19:08
Speaker 1: for things like she'd be like, I'm like, ooh, plus
19:12
Speaker 1: you talk my dogs, you like yessus that keep on
19:16
Speaker 1: helping me? Now, all right, but the movie is that making.
19:19
Speaker 1: It's perfect too, And I got a new single comment
19:22
Speaker 1: with three songs keeper Keeper as the Danus the Breakfast
19:26
Speaker 1: Club to mom, Hey, whoa