Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: The Green Flame (EP1373)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:34is your host, Adam Graham. If you have a comment, send it
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- 0:56you know that this show is brought to you by the financial support of our
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- 1:17access to the premium set as we do with all donations of seven dollars or
- 1:21more, and you can support the show at support do Great Detectives dot net.
- 1:27Well, now it's calm for us to take a listen to an episode
- 1:30of the Adventures of Philip Marlowe. The program original larity March twenty six,
- 1:37nineteen forty nine, and the title was The Green Flame. When it started,
- 1:42it was simple, just the loss suit for damages. But before it
- 1:46was over it was far from simple, and the damages were murder all because
- 1:49of a redheaded woman, a ghost writer with ambition, and a match that
- 1:53burned with a bright green flame. From the pen of Raymond Chandler, I'm
- 1:59standing author of crime fiction comes his most famous character as Cbas presents The Adventures
- 2:05of Philip Barlowe. Now with Gerald Moore starred as Philip Marlowe, we bring
- 2:19you tonight's exciting story, The Green Flame. It had been the kind of
- 2:34early start, late finish, crowded in between day that had made breakfast,
- 2:38coffee, lunch, a hand sandwich on the run, and dinner nothing.
- 2:42So by the time it finally ended, it was pushing nine o'clock and I
- 2:45was both a little tired and a lot hungry, all of which made the
- 2:47feast I could imagine spread out in front of me over an emerald green table
- 2:52flog something better than good enough to eat, blue pointe oysters on a half
- 2:55shell of caesar salad, veal scallopiniat up with mushrooms the size of silver dollars.
- 3:01Oh oh, I was ready for it. Yes, yes, well,
- 3:07the oysters once again became a blue ash trade. The scallopean notebook,
- 3:10a green cloth underneath all my desk blotter. Hello Marlow speaking Tony Whitmaar Mallow,
- 3:17Have you heard me? I have, I've also heard you own half
- 3:21a dozen screen magazines, a local radio station, and a daily published for
- 3:24the motion picture industry called the Hollywood Trades that covering not quite today. I
- 3:29acquired something else, a libel suit for one hundred thousand were just slapped against
- 3:32the Trades by a half been actor named Bradford Colby, which mollow is the
- 3:37reason I'm calling you, Uh, drop whatever you're doing, boying, get
- 3:40over here to the Whitma Building. Whitmo Building. We're on El Centro near
- 3:45Gawa and closed tomorrow Sunday. The edition figures when the night walksman lets you
- 3:49in turn left, keep walking till you get to an office number one sixteen.
- 3:53You got that, yeah, one sixteen. But if you don't mind,
- 3:54miss Whitmer, I'd like to do something I'd like to eat. First,
- 3:57make a coffee and ham sandwich at the outside and get a coffee.
- 4:00Looks I'm stopping. Hello. How much do you get a day twenty five
- 4:04and expenses? Why? I'm willing to pay one hundred and twenty five and
- 4:06you keep track of the expenses. Now what do you say, boy boy
- 4:11says, coffee in a ham sandwich and leave him stuffed. Good by,
- 4:13Miss whitmles, sit down over here, and if you smoke, the guys
- 4:27don't. I can't stand them. Drink no thanks, mallow our ay.
- 4:31One gossip calumnist Stanley McGrath had this to say in today's edition of the Trade.
- 4:36The sometimes actor Bradford Colbey won't call it quits. When refused a part
- 4:42by an independent producer who's shot on funds, Colby offered to hawk all and
- 4:46come up with twenty thousand if the producer would change his mind. The producer
- 4:49wouldn't end a quote and beginning of noise from Colby. Yes, the clamor
- 4:54that we can only silence by proving that McGrath what he said is true,
- 4:58which shouldn't be impossible because Max was a thorough man and never heard of the
- 5:01word rooms. Wait a minute, Wait a minute, what do you mean?
- 5:03Was a thorough man? He died of a stroke Marlow at five this
- 5:08morning, en route to the hospital, age sixty one. His column,
- 5:12as usual, arrived here yesterday afternoon. In the mail. He always wrote
- 5:15from his home, which is a junk filled cracker box upon North Bronton and
- 5:20now you're being sued by Colby for damages. Huh. The late mister McGrath
- 5:25isn't around approve what he said is true. Catch and being very unpopular with
- 5:29producers by myself these past thirty years, Mallow, I have no chance of
- 5:32any help from the one who actually turned Colby down for that part, whoever
- 5:36he is, all of which makes my job what precisely this fine Max source
- 5:41of information. Come in, Larry, Larry North Marlow my editor and anybody's
- 5:46Napoleon Larry meet mister Marlow. How do you do? How do you don't
- 5:50he I've just found out that old Max only lakeman, a quid duck named
- 5:53Lyndard Phipps left town sometime yesterday was San Diego, may or may not be
- 5:56back by Now where's malno gonna stack? Well? Id ol Max plays Slarry
- 6:00and I have already checked them allow eight three twelve not front and maybe you'll
- 6:03grab onto something that we overlooked. Here's the key. Thanks Mac lived alone,
- 6:08don't get wrapped up in his notes that gibberish. And remember my lawyers
- 6:12are sure that we lose this case if we can through what Max said was
- 6:15the truth. Well, yeah, as soon as you get a lead,
- 6:17and if I'm out, Larry'll be in his office next door, and Mallow
- 6:20don't waste any time. There's a lot at Steak Boy. What Dodye Whitmard
- 6:32labeled the cracker Box turned out to be a five room, slightly beat down,
- 6:35almost square house, set back some fifty carelessly landscaped feet from a high
- 6:40stuck a wall that said the late mister McGrath had lived alone and liked it.
- 6:44When I edited and went to his study, where I turned on a
- 6:46desk lamp, I saw what my client had meant by junk. There were
- 6:49the odds and ends that a man collects in a lifetime on his desk autonished
- 6:54Loving Cup for Excellence in Reporting, dated nineteen twenty seven. Beyond that on
- 6:58the mantelind autograph picture of Teddy Roosevella. Next to it a paperweight from Niagara
- 7:02Falls. And then then a nightem I hadn't expected. In the shadowed corner
- 7:08of the room, there was somebody else, a tall, gaunt somebody else
- 7:12wearing horn rim glasses and papers sticking out of every pocket. It was slowly
- 7:15an inch at a time backing off me into the circle of light in which
- 7:18I stood. I took one casual step towards the desk and then get your
- 7:26off. Why take a start running with the line at trips? How do
- 7:29you know I'm psychic? I also know you just got back from San Diego,
- 7:31and I don't know is what you're doing here? Now come on talk,
- 7:33Let don't leave me alone. I'll talk. Got nothing to hide from
- 7:39the right party. Who are you, Philip Marlow, private detective was working
- 7:42for Doty with my lady. Impatient to know which producer McGrath was talking about
- 7:46in that article on Colby this morning. How do I qualify? Yes,
- 7:48yes, yes, of course we're both after the same piece of information,
- 7:51mister Morrow. Oh I want to find that answer to and then whispered into
- 7:55doughies just to save her one hundred thousand bucks, No, just to get
- 7:59a chance to film a graf's shoes and don't glass because I've been ghosting that
- 8:03column for the past month now. Didn't my grass right this morning's column himself?
- 8:05No he didn't. I did, But the piece on cold he was
- 8:09not mine. Mc grath must have added that himself. The fool you don't
- 8:13sound like you're happy in your work, Phipps, I wasked, Mac was
- 8:16up tired. I put up with him because he promised sooner or later let
- 8:20Dody Hutmar know that I was doing his work. Don't be too bit oft,
- 8:24Phipps. Make couldn't have known exactly when he was going to die.
- 8:26But to get back to the subject, have you any idea where we can
- 8:28get a hold of something real to go on? Yes, yes I do.
- 8:31Out there in the living room, follow me, Marlow if you can
- 8:35in the door. I'm not there. By the time I got to my
- 8:45feet, Phipps was gone. I found another lamp and the dog turned it
- 8:48on and started for the telephone. But then I stopped. The center of
- 8:52the floor, where it must have fallen when the leg man made his wild
- 8:54break, was a wrinkled piece of paper, and I picked it up and
- 8:58turned it over. I was suddenly glad that mister Phips had gotten away,
- 9:00because in his hurry to leave, he ha dropped his check off list for
- 9:03Operation Bradford Colby. There were a half a dozen producers crossed off above the
- 9:07notation max Place. But below that, and not yet discounted, was a
- 9:11name I'd never heard before Sherry Sheldon. At that I called Dody Whitman,
- 9:16gave her a quick rundown on what had happened with Phips, and then tossed
- 9:18the name Sherry Sheldon in. She talked it over with Larry North before she
- 9:22answered, but when she did, I knew that finally we were all getting
- 9:26someplace. Oh, oh, this is good. Larry tells me that Sherry
- 9:30Sheldon is the ex Missus Bradford Covid. Oh better than that. A redhead
- 9:33was temperament to match that kind of tough m any idea where this item lives?
- 9:37Yes, a bungalow on sharrym Oyer. Larry says it's a quiet,
- 9:43dead end street. But not to let that throw you, because from what
- 9:46he's heard about the lady herself, she's very much alive. You'll play a
- 9:48smart boy, You probably is a big time now. Good luck of prolongs
- 10:00the bungalow on Cherym mo Oya. So when I pulled up and parked away
- 10:01from number fifty eight hundred, I was still wondering exactly what play it smart
- 10:05boy meant. And the lady in question was known far and wide as a
- 10:09shock of red hair. Capping so much dynamite. But a minute later,
- 10:13as I walked toward the house, I labeled that thought introspection, dismissed it,
- 10:16and concentrated instead on an acre of tweed jacket that was unfolding out of
- 10:20a long honeycolored sedan parked a little ahead of me. When it straightened up
- 10:24to something over six and a half feet, slammed his car door shut and
- 10:28stumped inch thick soled brogannes Off and a king sized up. I knew that
- 10:33this was an angry man, and in the next second I knew that it
- 10:37and the thespian Bradford Colby were one and the same. When Colby got the
- 10:39Sherry's doorbell and jad added impatiently for attention, I ducked below a hedge nearby.
- 10:46The door opened and then slam shut again. I left the hedge in
- 10:48favor of an on the bias palm tree. The bowed toward my lady's chamber,
- 10:52where I could both see and hear what had to be an exciting reunion.
- 10:56That you knew something, it couldn't fail to intrigue me on this of
- 10:58all days. So now that I'm here, start intriguing Sherry does all right,
- 11:03how's this for a starter? I want to the penny exactly one half
- 11:07of the money you are going to get from Doddy Witmark. Oh, Sherry,
- 11:11how now, why in the name of the great American dollar do you
- 11:15think I'd give you so much as a sly glance at that delightful little fun
- 11:18For two reasons. The first, I deserve it from putting up with both
- 11:22you and You're abominable. Can see for exactly one year, Darling. Go
- 11:26on keep laughing, mister Caleb. They keep laughing while I like my cigarette
- 11:31was one of these matches, these cute ones that burn with a green flame.
- 11:37Where did you get those? Aha? In a little known lodge out
- 11:41beyond malib we call the green flame. Don't you remember, Darling? I
- 11:45ran into you there one day last week when you were having lunch with a
- 11:48mysterious stranger whom you tried to keep me from seeing, you nasty little sneak,
- 11:52Sherry, when you were so engrossed in keeping yourself between me and your
- 11:54guest that you left the souvenir book of matches at the bar after you great
- 12:00lit my cigarette for me. What of it? They give those matches out
- 12:03by the foul that they do. But Bread, dear, they all don't
- 12:05have numbers pentled on the inside. Numbers. Ah, what numbers are talking
- 12:11about? Now? Who's being dron What are you getting at, Sherry?
- 12:16This? I had a call a minute before I got in touch with you
- 12:20from a delightful gentleman who's very interested in what I'm getting at. So here,
- 12:26take your stupid book of matches and get out. No, I don't
- 12:28need them anymore. No, wait, Sherry, not Bread. I am
- 12:33going to have exactly one half of that easy money that's coming your way.
- 12:37And after the gentlemen I mentioned and I get together, I may want more,
- 12:41but don't say anything. You'll be sorry for later on. Just get
- 12:45out now, don't come back until I send for you, dear Bread.
- 12:52It was the better part of a minute before Kobe the act to quit running
- 12:54the gamut of theatrical expressions index town, they hate and Kolbe the man stop
- 12:58biting down hard on his lower lip, And without another word, he slammed
- 13:01out of his apartment, ran to his car and start off. He waited
- 13:05long enough for steam in the room to condense, and then I walked to
- 13:07the front door and rang the bell delicately, the way I imagined a delightful
- 13:11gentleman like mister Leonard Phipps. Mike, Yes, can I help you?
- 13:16I think so, Micheldon. It's only a matter of a simple question.
- 13:18Did you give that Brad Colby's story to McGrath yesterday? Wait a minute,
- 13:22who are you why? Leonard Phipps? Of course I talked to you on
- 13:26the phone, remember, oh oh yeah, it was only half an hour
- 13:31ago, mister Phipps. And yet in those thirteen minutes, it's surprising how
- 13:35your voice has gone from keena right down to bass. Good night, Not
- 13:37so fast, baby, it's hot on my shoe. Shine all right,
- 13:43come in, I'll tell you what you want to know. I did give
- 13:46that story to McGrath. I did it for revenge. I hate cold and
- 13:52when your revenge boomerang and the ex came out one hundred thousand ahead of you,
- 13:56decided to cut back in. Is that it? Yeah, minute,
- 14:00you've been listening. How else would you know all this about Brad and me?
- 14:03Same way? I know you're a liar about giving mc grath that story.
- 14:05You're in, honey, is strictly something different, like a book of
- 14:07matches that burn with a green flame and accidental meeting at the lodge of the
- 14:11same name. Let's take it from there. Yes, why don't you right
- 14:13outside? We're both you and it fall on. Good night, mister Marlow,
- 14:18Marlow, Philip Marlow, Sherry, But tell me why the hurry anxious
- 14:22to party? You knows before mister Phips arrived. Frankly, Philip, I'm
- 14:26anxious to do just about anything that doesn't involve talking. Come on a curb
- 14:35and that scream sounded pretty good, pretty bad? Yes, yeah, that
- 14:46can mean only one thing to you, baby, to me, why who
- 14:50is it? You're late day? Sherry one, mister Leonard Phipps in just
- 15:05a moment, the second act of the Adventures of Philip Marlowe. But first
- 15:11on a special program One Great Hour Later tonight on CBS, President Harry S.
- 15:15Truman will be joined by Gregory Peck, Ila Loipino, and Quentin Reynolds
- 15:20to tell the story of what American religious groups are doing to bring relief to
- 15:22the world's war stricken people. Be sure to hear One Great Hour tonight at
- 15:28ten o'clock Eastern Standard Time over most of these same CBS Network stations. Now
- 15:35with our star Gerald Moore. We return to the second act the Philip Marlowe
- 15:39and Tonight's story The Green Flame, as the Redhead Sophisticate Knights teared down at
- 15:54what seconds ago had been Leonard Fipps, the sound of a powerful car that
- 15:58had slammed the life out of him, word into silence. Far down the
- 16:00streets. All that was left of standing the grass over ambitious leg Man was
- 16:04a twisted, broken scarecrow sprawl over the curve and half up on the sidewalk.
- 16:11It wasn't pretty, and the sight of it cracked Sherry's self assurance like
- 16:15a rock through a window pane. When she stopped pressing the knuckles at one
- 16:18hand against her mouth and looked at me. She was scared clear through this
- 16:23horrible thing. It was an accident, wasn't. Oh sure sure? But
- 16:29his accidental was if they'd use a sledgehammer on him. Oh yes, I
- 16:33only wish it was an accident because you're next in line and you know it.
- 16:36Remember he was on his way to see you when this happened to him.
- 16:37I mean, it's a high priced game, baby, and they're playing
- 16:41for keeps, so you better level with me and fast. What's so important
- 16:44about those green matches. You're a liar. You're gonna wind up looking like
- 16:48phips here before the sun comes up. It's called me because he thought I
- 16:55might have given the Grass that story I'm Bread, but I didn't. And
- 16:57why was Pip still interested? Why want to talk to you? Because I
- 17:00told him I'd seen Bred with someone at the Green Flame last weekend, and
- 17:03the Bread was very upset when he found me there. All right, who
- 17:06is he with? I don't know. That's not the impression you gave your
- 17:07ex husband, beautiful. I was swinging in the dark, Marlowe. Five
- 17:11people at the Green Flame at the same time. I couldn't tell which one
- 17:15had been with Bread, but I know them if I saw them again,
- 17:18and Tips thought that together we could figure out who it was. Go on,
- 17:21what about the numbers in that book of green matches? What were they?
- 17:23Eight one, one, eight eleven? What does that fit a hotel
- 17:26room? I don't know that is you mean it was just another swing in
- 17:30the dark. Yes, but it connected, Marlowe. It's scared him what
- 17:33I mentioned it, so it must be important. Yeah, take another look
- 17:37at Fips, baby, see how important it is. And I'll try again,
- 17:40real hard. Remember what eight eleven means, Matola, I just don't
- 17:44know. Please believe me. Maybe it just thick, Maybe you got too
- 17:48much nerve. But I'll tell you one thing, Sherry, I wouldn't be
- 17:52in your spot for ten times one hundred grand because I don't think you're going
- 17:55to live until morning. Well I didn't think that, perhapn go this far?
- 17:57What what I've told you is to do that? But I wait a
- 18:00minute, shut up, somebody's coming. It might be Bradford. Now you
- 18:03get out of here. I don't have my cars. Take mine that coop.
- 18:06Here are the keys. Go down to the office of the Hollywood Trades.
- 18:07He won't show his face around there. Find Larry North of Dody.
- 18:11All right, come on, will you beat it? I stepped into the
- 18:15shadows of the trees that bought at the walk and waited. I heard Sherry
- 18:19slam the door on my car and burn five bucks worth of rubber off my
- 18:22new fist tires getting away. Second lay to the visitor I was expecting showed
- 18:26up, But it wasn't Bred Cold. It was Larry North. He ran
- 18:32three bustling steps out into the street and watched my coop scoot out of sight.
- 18:37And then he spotted the corpse. His mouth fell open, and he
- 18:40tiptoed slowly toward it, like he was afraid he might wake it up.
- 18:44And I moved out into the light. He saw me and turned tomorrow.
- 18:47Do you know about this? Who is it? Slended? Phips Hips?
- 18:51A grass league man? Yeah, drive it in so much as look back,
- 18:55stinking break tips in a h rub accident at a time like this.
- 18:57Look, you jump to your conclusions and I'll jump to mine. Eh,
- 19:00what do you mean? Hips? Knew something fishy about that atam in mcgrat's
- 19:03column, and Sherry Sheldon knew something fishy about Colby. So from where I
- 19:08stand, Kobe couldn't afford to let him get together, no accident. That's
- 19:11a daring observation, Marlow. For one hundred thousand bucks, I know plenty
- 19:15of guys that do a thing like this every day in the week. You
- 19:17and buy a lot of distance with that kind of money. Hey, you're
- 19:19right, of course, what exactly does the Sheldon girl know? Did you
- 19:22find out only partly? Bradford's mixed up with someone else on this deal?
- 19:26Sherry doesn't know who. But if we can get the other tie and she'll
- 19:30be able to identify that person on site. Did she? Did she have
- 19:33anything else? Number eight eleven in a book of matches? Mean anything?
- 19:40Hey, come on, nor quit staring at him. You making yourself sick.
- 19:41Let's get out of here. Yes, I guess I better. Bradford
- 19:45Colby must be out of his mind. Maybe I'll let you know. I'm
- 19:49going to drop in on him now before the cops do, and check my
- 19:52theory over with him. Where does he live? On Willcox a bill in
- 19:55the Midcliffe Gardens? Mono, I'm going in and talk to Sherry. Maybe
- 19:57I can find out who Kobe's She's not here. I sent it down to
- 20:02the paper in my car to stay with you, Adoty until things. Doty
- 20:04isn't there. She would off for some reason right after you called. There's
- 20:07no one there now but the night watchman. Oh great, now, look
- 20:11drop me off at Kobe's place, and you get down there and find Sherry.
- 20:15She's worth a hundred thousand bucks, the Doty whitma, but only if
- 20:18she lives. Let's go. While the natty little Napoleon in elevator scurried off
- 20:25to fetch his car, I ran inside put a fast call through to the
- 20:27police and submitted the shortest report on record of a hit and run death.
- 20:32By the time I got back, North was waiting at the curb with the
- 20:33door open. I piled in beside him in ten minutes later, we glided
- 20:37to a stealthy stop on Wilcox, the ivycovered archway over the Midcliffe Garden gates.
- 20:42Meat slices of amber light poured through a big Venetian blind on the window
- 20:45of a villa at the rear of the court. The s North identified as
- 20:48Koby's, and the same breath reminded me that the actor was a strapping six
- 20:52six and a desperate man. He urged me to be careful, and I
- 20:56urged him to hurry, And as he left, I walked off the big
- 21:00window and saw Breadford inside, slump deep in the lap of a Swede easy
- 21:03chair doing a solo with a bottle of Paul my Son champagne, looking about
- 21:08it as desperate as a sleepy Saint Banana. I walked around to the front
- 21:12door, decided to try this shock treatment to blast him out of his glasnitude.
- 21:18Yes, what do you want? Get inside? Take your hands off
- 21:22me. You might have gotten away with that Clupp up suit for damages Coldby,
- 21:25But you're not gonna get away with murder. You kill Leonard Phips,
- 21:27didn't you? What are you raving about? Who's Leonard Phipps? And who
- 21:30are you? Name's Marlowe And I'll tell you something Coldby the only reason I'm
- 21:33not busy knocking your head off at this minute is because I want to hear
- 21:37a whole story right from the top. First, who wrote that item in
- 21:41McGrath's column? Point you, mad McGrath wrote it himself. A venomous little
- 21:44creature. He and Doughty whit me use that to damage my reputation and how
- 21:48they're going to pay? Stop it? Not your reputation into a cocked head
- 21:52every time you step in front of a camera. Well, your damage suits
- 21:53are phonny and you know it. Where's that book of matches with the famous
- 21:57eight eleven inside eight Lady Latin? Hm oh oh yes, those that burn
- 22:04with a green flame you've been talking with my imagine to the ex wife.
- 22:08I see she's burning with quite a green flame herself, isn't she? How
- 22:12that woman hates to see me? Get it? Never mind? Where is
- 22:15it? If you'll allow me? Marlo I'll just answer this Bradford Colby speaking.
- 22:22I see, yes, I heard. That's right. I'll do my
- 22:30best, Darling, at least ten goodbye, Helen, just an old friend,
- 22:37Marlow. You can let your eyebrow down again. Helen. You know
- 22:41you always were a lousy actor. I'm getting a little sick of you,
- 22:45Colby, and I've got a hunch I'm do for quite a star, So
- 22:48start talking. Where's that book of matches? Easy? Take it easy?
- 22:53Here it is, let's see it. Of course here. Take a good
- 22:56look. Now what character? I'd be a chin in trouble and you make
- 23:02way lousy snoop hole? That does it? Tough guy, you're not leaving,
- 23:08Molly, You're staying right here. And just to make sure I don't
- 23:11call me Saka, should have loosen your corset. I waded through the chance
- 23:19of glaze ceramics to Kobe had smashed on my head and worked hard. The
- 23:23whole bank of the wave of darts kept rising up under me until I made
- 23:27it to the kitchen. But I splashed a few quarts of cold water on
- 23:30my face, and then I went back. Kolbe was still holding down the
- 23:36hooked rug he landed on in the book of matches that had started the argument
- 23:37was on the floor beside him. I picked it up and opened it.
- 23:41The number was there inside, written in blue wax pencil. But I thought
- 23:45I had made a mistake, until I realized that maybe Sherry Sheldon made the
- 23:51mistake, and that idea hit me. It brought another one along, and
- 23:53I remember that Colby had received daughters by phone that delay me, and I
- 23:57knew i'd better hang onto my head. Didn't move but fast. I hulled
- 24:02him over and found the keys to his car. Was halfway out the door.
- 24:06When he came to I stopped. Come back. You can't leave here.
- 24:08My exit, not yours, hand borne, good night. It took
- 24:18all of five minutes to get from Wilcox to our central and Kobe's long honeycolored
- 24:22span and a hunch, I drove down the alley to the back door of
- 24:25the Whitman building. A hunch paid off because I had stopped and turned on
- 24:30the parking lights when the door opened and I saw exactly what I'd expected.
- 24:34The watchman was on the floor, out cold, and the little Napoleon in
- 24:38elevated shoes were staging a big exodus for his arms. Full of a very
- 24:41limp redhead named Sherry Sheldon. As soon as he saw the honeycolored car,
- 24:45he started talking, idiot, I told you to stay hold to do it.
- 24:51No, she's only unconscious. There wasn't time. We'd have to finish
- 24:53it someplace house. Put her in the backseat right now, let's get out,
- 25:00Marble. Don't move, little man. I'm too tired for any more
- 25:03trouble. I'll shoot first. So you're the boy on the inside with all
- 25:07the brains. Huh. You cook this whole thing up with Colby. He
- 25:11gets libel and sues Dordy Whitman for damages, and then you two split the
- 25:14settlement between you. Correct me if I'm wrong. Now, if you got
- 25:17your chance when McGrath died after turning in his copy, all you had to
- 25:21do is write that one libel asside him included McGrath's column, and nobody could
- 25:25ever explain where the story had come back. Stupid fool Bradford. I could
- 25:27never trust him to do anything right. Is that why you killed Phipps?
- 25:30Yes, Brad, Colby had held on to you for another five minutes,
- 25:34I would have had time to get out of here, Yes and tell Cherry,
- 25:38are you all right? No? Y, Well, he and Brad
- 25:45are going Marlow, I'd never get another chance to even the score. Oh,
- 25:48baby, you handle a spiked heel like Babe Ruth handled a bat.
- 25:52He's out. Yeah, but Phil, you should see where what he hit
- 25:56me with. Oh, come on, beautiful, it's time to turn out
- 26:00the lights. Get in touch with Doughty and call the law. Let's go,
- 26:14well, let's go, Yes, thank you, good night, good
- 26:18night. I'm glad those cops and the cigars are gone. Here kids,
- 26:22help yourself. You both look like you needed this. You can say again,
- 26:26oh I need it. Marlow, you could have slid me through the
- 26:30whole in the life saver when you said my own editor, Lara and off
- 26:33was it gave me a Joe too, Doti. Yeah, me the hard
- 26:37way. But Phila, I am sorry about that mistake I made. I
- 26:41could have saved us some trouble. What mistake is this wall? To see?
- 26:45Honey? We knew that whoever was working with Kobe had written down a
- 26:48number for him in a book of matches. Sherry here thought it was eight
- 26:49eleven. When I saw it, it was upside down from that, so
- 26:52it came out one eighteen one eighteen. Why that's Larry's office number and phone
- 26:57extension check. Yours is one sixteen and his was right next door. I
- 27:00remember, so when eighteen? Was it? That? Couple with the fact
- 27:04that it was written in blue pencil, which is standard equipment for all editors,
- 27:08gave me the tip? Honest, now, sil did you figure that
- 27:11out? Or was that? Luck? Well, it's a trade secret.
- 27:17You know something I missed dinner to night? You know I'm starving. Well,
- 27:22I know a wonderful place. They have matches like this, see it
- 27:26burns with a green flame. Will you join us, Dodi? Yes,
- 27:32yes, we would love to have you. You'd rather have hooping colls.
- 27:37Go on, you get out of here and good night, good night Doty
- 27:41all end. It will be from here on in. I guarantee it.
- 28:00A wonderful supper was waiting for us at the Green Flame restaurant. It was
- 28:03all arranged by a call from Dodie, and it waited until it got cold
- 28:08because we didn't show up to eat it. There was something about the moonlight
- 28:15glinting on the ocean, a certain stillness in the morning air that made food
- 28:21seem somehow unimportant. So when I finally dropped Sherry off at her place on
- 28:29Chery Moyer went home to my Apopa, not Franklin. It was either very
- 28:33late or very early, depending on the viewpoint. There was just one lonely
- 28:40sardine and a cold baked potato and the refrigerator. So I ate and I
- 28:45sat down on my bed to light my last cigarette. That wasn't disappointed when
- 28:51the match fled into an ordinary yellow flame. Good Night, sim Happy Marlow.
- 29:22The Adventures of Philip Marlow created by Raymond Chandler, star Gerald Moore and
- 29:26are produced and directed by Norman McDonald. Script is by Meldon la Robert Mitchell
- 29:32and Gene Levitt. Featured in the cast were Faye Baker, Larry Dapkin,
- 29:34brah Marsh, Howard mcneer, and Parley Bear. The special music is by
- 29:38Richard o'urant, Assuring me with us again next week. When Philip Marlow sell
- 29:49it was a grim joke that started when six airs came to an ugly house
- 29:52on a rain swept island to hear a madman's will. But the jokes soon
- 29:56turned to murder, and in the end it was hard to tell who had
- 30:00the last life. Tomorrow Night, Helen Hayes stars and the famous comedy The
- 30:17Farmer Takes a Wife on CBS's Electric Theater, and Eve Arden stars as America's
- 30:22favorite school Mistress. Are Miss Brooks. You'll delight in the expert comedy of
- 30:26these two great feminine stars when the Electric Theater and our Miss Brooks come your
- 30:33way Tomorrow night. Over most of these same CBS Network stations, this is
- 30:37Roy Rowan speaking. Now stay tuned for Gangbusters, which follows immediately Over most
- 30:44of these same stations, this is CBS the Columbia Broadcasting Systems Welcome back.
- 31:11Well, quite an end for one of the conspirator's ex wife, particularly since
- 31:18she was willing to join in the conspiracy against the magazine publisher in exchange for
- 31:26a cut. She wouldn't have brought forward her evidence. But I guess it's
- 31:30in Marlowe's contract that no matter what happens, he has to have at least
- 31:36two other people with which he can explain how he solved the mystery at the
- 31:40end of the case. And I guess to be out of the lawsuit just
- 31:44happy enough. Beyond the imparts and the parts of a little repetitive eye,
- 31:49did find this a pretty just a pretty enjoyable episode. It may not have
- 31:55been the best episode of Philip Marlowe, but that's still a pretty high standard
- 32:00what we've come to expect from Gerald Moore and production. Now on to some
- 32:06listener comments and feedback. Merth says, I love your show and I am
- 32:10glad I found it, and pastor Lisa says that I want to say again
- 32:21that I absolutely love your podcast the Great Detectives of Old Time Radio. I
- 32:24subscribe to several of them, and yours is the only one that provides a
- 32:29daily program, and I look forward to tuning in every day. I especially
- 32:31enjoy the variety of shows that you air, as well as your commentaries.
- 32:37And Aaron says happy to support the great detective shows. Thanks for all you
- 32:42do from Aaron in New York. Thanks Aaron, and I appreciate everyone who
- 32:47gave for the first time and also those who just continue to give and support
- 32:52of the show. It really is appreciated, all right. Well, we
- 32:57also turn into some specific Philip marlow comments on Facebook, with Ella writing,
- 33:04I love Philip marlow and I want my saying Philip Marlow is right up there
- 33:08with Johnny Dollar in my book, Last Time says I was thinking the same
- 33:15thing, only I like Johnny Dollar a little better. But Marlow is one
- 33:19of the best and lorient sis. He is classic. Indeed, he is
- 33:24well. I will do it for today. Join us back here tomorrow when
- 33:29we'll bring you Nick Carter Master Detective. And then be sure and listen again
- 33:35next Wednesday for the ventures of Philip Marlow. And remember coming next Tuesday,
- 33:40easy Money. In the meantime, send your comments to Box thirteen at Great
- 33:45Detectives dot net, follow us on Twitter at Radio Detectives, and become one
- 33:51of our friends on Facebook, Facebook dot com, slash Radiodetactives. From Boise,
- 33:55Idaho, this is your host, Adam Graham's son and Off