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They Come Up For Air Every So Often (S3 E14 "Swan Song”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Oh, I am all in with
• 0:18
  Speaker 1: Scott Patterson and I heart radio podcast. Listen. Uh, this
• 0:23
  Speaker 1: episode was unbelievably funny. Uh wait a minute, Tara, Hi,
• 0:33
  Speaker 1: I'm good. Well I was sick one week and then
• 0:36
  Speaker 1: I was fourth of July, so I'm back. Well, welcome back.
• 0:41
  Speaker 1: You have been missed. Thank you guys. So we're gonna
• 0:45
  Speaker 1: talk about this take us away. I mean, you're gonna
• 0:48
  Speaker 1: do your You gotta you gotta come back and just
• 0:51
  Speaker 1: give us the big intro. You gotta give us the
• 0:53
  Speaker 1: whole deal. Well, I'll have my moment. This is Danielle's moment.
• 0:56
  Speaker 1: Oh god, Oh, Danielle's doing it. But should we give
• 0:59
  Speaker 1: Tara another a moment since I took over her pop
• 1:01
  Speaker 1: culture moment last time? No? Sure, all right, I'm just
• 1:07
  Speaker 1: going for it because I want to get into this episode.
• 1:09
  Speaker 1: So this is season three, episode fourteen. Swan Song, original
• 1:14
  Speaker 1: date February eleventh, two thousand three. In the synopsis, Emily
• 1:18
  Speaker 1: wants to meet Jess and invites him to a Friday
• 1:21
  Speaker 1: night dinner. He reluctantly agrees, but shows up with a
• 1:24
  Speaker 1: black eye and Rory questions how it happened, but Jess
• 1:28
  Speaker 1: only tells Luke the real story. Lorela goes to New
• 1:32
  Speaker 1: York with Alex, Suki, and Jackson and starts to wonder
• 1:35
  Speaker 1: if leaving Rory at home by herself with Jess is
• 1:38
  Speaker 1: a good idea. Dun, dun, dun. Plus Lane and Day's
• 1:42
  Speaker 1: relationship cover is almost blown by Lorelai and Mrs Kim
• 1:47
  Speaker 1: so good, so good, so good. I have one going
• 1:55
  Speaker 1: to pick with this episode, but I will I will
• 1:57
  Speaker 1: reserve that till we get I do to Actually, I
• 2:00
  Speaker 1: do too. It's the same bone. Does it start with
• 2:05
  Speaker 1: an Emily? It does not. Oh, we have two bones
• 2:10
  Speaker 1: to pick. I have zeros. It kind of flows from Emily,
• 2:17
  Speaker 1: but I don't know that it really has much to
• 2:20
  Speaker 1: do with Emily. Should we say our bones or should
• 2:23
  Speaker 1: we wait till we get to them? You decide, Scott.
• 2:27
  Speaker 1: I think let's let's put the bones on the shelf
• 2:30
  Speaker 1: for now. Okay, okay, And let's let's let's let's look.
• 2:33
  Speaker 1: We got all these race horses in the starting gate.
• 2:35
  Speaker 1: Let's let's let him run. So all right, I mean,
• 2:40
  Speaker 1: let's start with the Friday night dinner with Emily is
• 2:44
  Speaker 1: so pissed about Graham, and they say Graham needs a fella.
• 2:49
  Speaker 1: Grand needs a fella. Emily just wants Grand not to
• 2:53
  Speaker 1: be on her back. That's why she was to try
• 2:55
  Speaker 1: to find Grant again. Is that what she was? She
• 2:57
  Speaker 1: was she going to find a boyfriend for Well. It
• 3:00
  Speaker 1: did have one of the funniest lines in the episode
• 3:02
  Speaker 1: when Laurel says Richard didn't want a new daddy. Huh,
• 3:06
  Speaker 1: because basically I think they talked about how Grand was
• 3:10
  Speaker 1: seeing someone there was a time and then Emily really
• 3:14
  Speaker 1: wants her to find a dude because she's driving Emily batty.
• 3:20
  Speaker 1: I also thought she was just like talking to herself
• 3:24
  Speaker 1: like everyone's just like all right, great, and she obviously
• 3:29
  Speaker 1: knew about Dean oh yeah, but pushes Rory so that
• 3:33
  Speaker 1: Rory tells her about Jess. So that was kind of
• 3:35
  Speaker 1: typical Emily. But this is not my bone. This is
• 3:37
  Speaker 1: not my bone to pick with Emily. That comes later.
• 3:40
  Speaker 1: It was a good, long opening. It's a Dan Palatino
• 3:43
  Speaker 1: written episode. Can so you know you're gonna get the
• 3:46
  Speaker 1: great set up and you're gonna get the great jokes
• 3:48
  Speaker 1: and it's uh, you know, I love Dan. He never
• 3:52
  Speaker 1: gets too heavy. He waits, He waits for the right moment. Yeah,
• 3:58
  Speaker 1: you know, that's so good at that. That's how do
• 4:00
  Speaker 1: you say that? Signature? Right, Scott? I bet if you
• 4:04
  Speaker 1: watch the episodes. Never looked at the credits, but watch
• 4:07
  Speaker 1: the episodes, you would be able to pick out the
• 4:10
  Speaker 1: episodes he wrote, even this many years later. Yeah, I'm
• 4:15
  Speaker 1: starting to be able to distinguish. Yeah, he's got a
• 4:18
  Speaker 1: he's got a style. It's it's a unique style. I love.
• 4:23
  Speaker 1: I love his episodes. I mean, I love all of them,
• 4:25
  Speaker 1: but I can tell when he's written in episodes. I
• 4:28
  Speaker 1: don't need to live at the credits. Yeah, there is
• 4:30
  Speaker 1: a sort of tone vibe that they have and there
• 4:33
  Speaker 1: they are typically funnier. I believe they are. Yeah, I
• 4:38
  Speaker 1: was in a terrible mood today. I mean, just so
• 4:42
  Speaker 1: busy with the show I'm doing, and and we're you know,
• 4:45
  Speaker 1: things are just kind of chaotic because COVID, and it's
• 4:48
  Speaker 1: just it's it's really difficult sometimes even though this is
• 4:52
  Speaker 1: a great production. We're having a great time, we're doing
• 4:54
  Speaker 1: some great stuff. It's all great, right, and then COVID
• 4:57
  Speaker 1: hits and it's all of a sudden, somebody goes down
• 4:59
  Speaker 1: and another person goes down, and it's chaos, and the
• 5:03
  Speaker 1: schedule gets blown up and it's all the stuff. So
• 5:06
  Speaker 1: I just I was by, you know by the time
• 5:08
  Speaker 1: it rolled around to just watch the episode, and I
• 5:11
  Speaker 1: was exhausted from it all. Uh and uh and I
• 5:16
  Speaker 1: sat down watch the episode and man, it made me
• 5:18
  Speaker 1: feel so much better. I literally it gave me energy.
• 5:23
  Speaker 1: I was laughing at my face off it. Literally that
• 5:27
  Speaker 1: makes me like get like tears because I think you
• 5:30
  Speaker 1: just summed up the magic of the show and why
• 5:34
  Speaker 1: people watch it and watch it and it changes their
• 5:36
  Speaker 1: mood or it gives them something they enjoy at night.
• 5:40
  Speaker 1: Like I really think you nailed it. That's why we
• 5:43
  Speaker 1: all love this and watch it. I mean people watch
• 5:47
  Speaker 1: it all the way through and just started again and
• 5:48
  Speaker 1: I get it. I'm gonna watch this one again too,
• 5:52
  Speaker 1: just for the chuckles. Performances are so good, right, all right?
• 5:59
  Speaker 1: So how do you you want you want to do? Chronological?
• 6:01
  Speaker 1: You want you want to run? Yeah, let's keep going chronologically.
• 6:04
  Speaker 1: The Friday night dinner scene, it's really interesting, Like it
• 6:07
  Speaker 1: just was the open and stood out to me even
• 6:10
  Speaker 1: just how really with Emily saying you abruptly stopped mentioning
• 6:13
  Speaker 1: him eleven dinners Ago diner, Who's counting, Emily, godmar is counting.
• 6:20
  Speaker 1: I think my favorite I'll just say my favorite line
• 6:22
  Speaker 1: now because it's in this scene when she was like, oh,
• 6:24
  Speaker 1: do you have the same friends as Dean? Or it
• 6:26
  Speaker 1: was like something along the lines of like, oh, because
• 6:27
  Speaker 1: what if I invite Dean to a wedding? But he's
• 6:31
  Speaker 1: it's like, I mean, ever happened? I have three lines
• 6:34
  Speaker 1: from this opening scene when she says nice, it will
• 6:37
  Speaker 1: be nice, It'll be a nice night, it will be
• 6:40
  Speaker 1: and then Lorel not so nice for the Lamb's great,
• 6:48
  Speaker 1: wasn't it great? How Emily just set up Rory. It's
• 6:52
  Speaker 1: inevitable that she Jess was coming to the dinner Friday
• 6:56
  Speaker 1: night dinner. Just oh well, well then in that case
• 6:59
  Speaker 1: we'll plants. So think when Richard Sale will get the minister,
• 7:01
  Speaker 1: we'll get the past, I'll get some of my cousins,
• 7:04
  Speaker 1: we'll get some of the ladies from the d A R.
• 7:05
  Speaker 1: And then they can all meet him. She goes, you
• 7:07
  Speaker 1: know what, I think he can come Friday. Just beautiful, beautiful,
• 7:11
  Speaker 1: beautiful stuff. Great opening, and then yes, the lamb joke
• 7:16
  Speaker 1: was good. That landed. Well, then then then what are
• 7:19
  Speaker 1: we getting into? So then we go back to Lorelai
• 7:22
  Speaker 1: and Rory's and they're at the table in the kitchen.
• 7:25
  Speaker 1: I think this was maybe where Lorela had her sticky note.
• 7:29
  Speaker 1: One comment about that because when I was watching that scene,
• 7:33
  Speaker 1: there's one person I thought of, and that one person
• 7:36
  Speaker 1: is in this podcast right now. Who is it? Amy
• 7:42
  Speaker 1: sugar Man. Amy does the same thing Lorelai does with
• 7:46
  Speaker 1: the post it's in her planner, and I could not
• 7:49
  Speaker 1: stop laughing, like, that's so Amy. There's no greater compliment
• 7:56
  Speaker 1: you could give me than to say I'm anything like
• 7:58
  Speaker 1: Loria Lai. I love her and I want to be here,
• 8:01
  Speaker 1: like I literally wrote, gosh. Her low Rise pants were
• 8:04
  Speaker 1: also my favorite. Did you guys nectually were in the
• 8:07
  Speaker 1: low Rise pants and I'm like, god, I love her. Yeah,
• 8:10
  Speaker 1: that scene. That scene was filled with dialogue and filled
• 8:14
  Speaker 1: with detail. I had to watch it a couple of times.
• 8:16
  Speaker 1: You had no idea what they were talking about. You know.
• 8:19
  Speaker 1: At first, I was like, what are they doing? As
• 8:24
  Speaker 1: it was like too fast? I was like wait, you know,
• 8:28
  Speaker 1: I agree. I was like what's happening? And the only
• 8:31
  Speaker 1: way I knew like, oh, we're right after dinner is
• 8:33
  Speaker 1: because they were still in the same outfits otherwise I
• 8:35
  Speaker 1: was like, wait, is this tomorrow? Is it today? Okay,
• 8:39
  Speaker 1: So then we go to Rory and Jess on a
• 8:42
  Speaker 1: bench talking about the book, which I thought that was
• 8:45
  Speaker 1: a great, great moment, Yeah, moment to see them bonding
• 8:50
  Speaker 1: over that, and you see a whole different side of Jess,
• 8:54
  Speaker 1: very pealing. Uh. You know, they're talking about the Beatnicks
• 8:57
  Speaker 1: and there's a book boys reading. Uh. But then I
• 9:01
  Speaker 1: love the fact that she didn't give it to him
• 9:03
  Speaker 1: and he called her a book tease. You're totally they're
• 9:07
  Speaker 1: very physically affectionate in a very subtle way. He puts
• 9:09
  Speaker 1: his arm on her. It's really subtle. I don't know
• 9:13
  Speaker 1: if they did it or if a director told them too,
• 9:17
  Speaker 1: but it's so nuanced. But you really see like they're
• 9:20
  Speaker 1: really together, really dating in real life. Yeah nobody. Well,
• 9:30
  Speaker 1: then we get Miss Patty who grabs you know, Rory
• 9:34
  Speaker 1: in and Dean's there and this was just typical Gilmore
• 9:38
  Speaker 1: cuckoo nous with Miss Patty doing her one woman show
• 9:43
  Speaker 1: and dragging the town into evaluate it. Um, yeah she
• 9:49
  Speaker 1: got that. They got to snip at the lane stretch
• 9:52
  Speaker 1: a little bit. It's like that. But about the bitterness, yeah,
• 9:55
  Speaker 1: and then Kirk is the director. It's just like is
• 9:59
  Speaker 1: half betting in here making all the obvious choices and
• 10:05
  Speaker 1: we kind of knew, Oh, Jess is going to be
• 10:07
  Speaker 1: irritated by this. Yeah, you would think that, like Rory
• 10:12
  Speaker 1: would just go tell him, like she made that mistake once.
• 10:16
  Speaker 1: Why does it just be like, hey, guess what happened today?
• 10:18
  Speaker 1: Miss Patty pulled me in sat next to Deen. Just
• 10:20
  Speaker 1: want to let you know, you know what. I didn't
• 10:23
  Speaker 1: think I had a bone to pick with this episode
• 10:25
  Speaker 1: up until now, and that's the bone to pick. I
• 10:27
  Speaker 1: need Rory to stop doing that. I just need her
• 10:29
  Speaker 1: to just tell her significant other what's going on. That's it. Yeah,
• 10:36
  Speaker 1: I mean, like you didn't even think about it because
• 10:38
  Speaker 1: it's like she basically got kidnapped in there. I don't know,
• 10:42
  Speaker 1: but I get where you guys are coming from. It's like,
• 10:43
  Speaker 1: but she's she's a kid. Come on. It's a little
• 10:48
  Speaker 1: bit of like three company for me with the one
• 10:51
  Speaker 1: that's a misunderstanding, you know, like a break. She's six,
• 10:58
  Speaker 1: she's accountable for the most part, but in this area
• 11:02
  Speaker 1: of her life, this is new for her, so she's
• 11:04
  Speaker 1: not an expert at this and I think you've got
• 11:06
  Speaker 1: to especially give kids credit or give them the benefit
• 11:10
  Speaker 1: of the doubt, or give him a break, you know,
• 11:11
  Speaker 1: for us in that wacky town. She's like, she's sixteen.
• 11:15
  Speaker 1: She doesn't want to report into everybody just because she
• 11:17
  Speaker 1: bumps into some time. How exhausting, everybody, chill out, but
• 11:25
  Speaker 1: just get in a in a kerfuffle over Dean. I
• 11:31
  Speaker 1: was gonna say, if it was anyone else, I don't
• 11:33
  Speaker 1: think just would care. It's the fact that it's Dean specifically.
• 11:38
  Speaker 1: But it's a small town. She's going to run into Dean,
• 11:42
  Speaker 1: I mean, you know, but again, it's it's unrealistic to
• 11:45
  Speaker 1: expect him as what is he eighteen in this seventeen
• 11:49
  Speaker 1: in this for him to be like a grown up guy.
• 11:52
  Speaker 1: And I mean, look, guys in their thirties and forties
• 11:55
  Speaker 1: can't handle that stuff, right, But I tell you women
• 11:59
  Speaker 1: what Also, how quick? How quick did they put it
• 12:04
  Speaker 1: in the paper? Like it was like flyers around town
• 12:07
  Speaker 1: within two seconds? I did think that was hilarious when
• 12:10
  Speaker 1: they're like, you know, Rory Gilmore said this is the
• 12:13
  Speaker 1: five star show, Like it's just like so then okay, juicy,
• 12:24
  Speaker 1: we're back at Rory Laurel Eze and Rory's like either
• 12:27
  Speaker 1: watching TV or studying. We hear this weird noise and
• 12:30
  Speaker 1: then oh no. She opens the door to her mom
• 12:34
  Speaker 1: and Alex kissing and was like, oh god, well know,
• 12:41
  Speaker 1: did that bother you or were you? Like, I'm cool,
• 12:44
  Speaker 1: I like this dude. I like the guy I think.
• 12:47
  Speaker 1: You know, I don't blame her right now, I get it,
• 12:54
  Speaker 1: you know. Now, It's like, okay, yeah, that's that's Yeah.
• 12:57
  Speaker 1: He's like a very likable guy. You know. I don't
• 13:02
  Speaker 1: think I'm spilling secrets. This is like, weirdly his last episode,
• 13:06
  Speaker 1: but we don't really get any closure with them, and
• 13:09
  Speaker 1: they seem to be I mean, I'm sure there's an explanation.
• 13:12
  Speaker 1: I can't totally remember, but yeah, because he was working
• 13:14
  Speaker 1: all the time and he wasn't available for he was
• 13:17
  Speaker 1: getting Twilight, but they're so likable. Maybe I guess the
• 13:23
  Speaker 1: writers just felt like it ran its course. I don't know, No,
• 13:27
  Speaker 1: he wasn't available, he was working on other stuff. Well,
• 13:32
  Speaker 1: I know he was doing twenty four around the same time,
• 13:34
  Speaker 1: because he's such a jerk on that. But what year
• 13:36
  Speaker 1: was Twilight? Twilight was like a little bit a little bit,
• 13:43
  Speaker 1: but also I can't think of anything worse than opening
• 13:46
  Speaker 1: a door and seeing your mom kissing someone. So Twilight
• 13:51
  Speaker 1: was way later. Okay, pardon me, he might have been
• 13:53
  Speaker 1: filming Twilight. I mean what years. No, we're only in
• 13:57
  Speaker 1: like two thousand in three years, right, he hasn't even
• 14:01
  Speaker 1: gotten the job. That movie didn't have that much Ignore
• 14:06
  Speaker 1: he did a bunch of other work before Twiline. He
• 14:09
  Speaker 1: was working guys busy guy. Yeah. Yeah, I mean it's
• 14:13
  Speaker 1: weirdly I'm binging Gilmore and twenty four and he's right
• 14:16
  Speaker 1: on season two. Wait, so back on this. I guess
• 14:20
  Speaker 1: everyone had married parents because I don't know what it
• 14:23
  Speaker 1: would be like to see that. That would make I
• 14:25
  Speaker 1: don't need back even if he's my parents, Like, that's true,
• 14:32
  Speaker 1: but like I feel like if it was your parents
• 14:35
  Speaker 1: that were together, you usually I don't know, have you
• 14:38
  Speaker 1: ever seen your parents? No, like I've seen the maids
• 14:41
  Speaker 1: like like that, like not make out gross. I can't
• 14:45
  Speaker 1: even think about it. No, no, no, it's stopped. Do
• 14:54
  Speaker 1: you this is a personal question. Do you and your
• 14:57
  Speaker 1: wife like make out and your kids ever? Know? Scot's
• 15:02
  Speaker 1: thinking about it. We try to contain ourselves, but sometimes
• 15:06
  Speaker 1: we uh, you know, he's seen it. You know, he's
• 15:11
  Speaker 1: seen it. He always said something. He says, oh gross, yeah, yeah, yeah,
• 15:18
  Speaker 1: Well I did think it was funny because this is
• 15:19
  Speaker 1: where they say, oh, we need a signal, and then
• 15:21
  Speaker 1: I think we get a call back to that when
• 15:24
  Speaker 1: Laura Lai catches them at list in Luke's apartment. What
• 15:29
  Speaker 1: kind of signal do they? Like? Like? What do like
• 15:33
  Speaker 1: throw some layers and like? So listen here, I have
• 15:39
  Speaker 1: more than one bone to pick with this episode. Here,
• 15:42
  Speaker 1: here's my first bone. Ready, here's bone number one. I
• 15:47
  Speaker 1: may have jumped the gun. Here we too soon, but
• 15:49
  Speaker 1: Laura Lee goes into the loops and then she goes
• 15:51
  Speaker 1: up when she gets those two right, are we too
• 15:53
  Speaker 1: soon for this? You can do it? We'll do it?
• 15:56
  Speaker 1: So yeah, look sits there and lists her freaking wardrobe.
• 16:04
  Speaker 1: That was that was over the top. What was that?
• 16:11
  Speaker 1: I got? What the point was that he knows her? What?
• 16:14
  Speaker 1: How was he sitting there like you know you got properly.
• 16:19
  Speaker 1: It was all of a sudden he's an expert on her.
• 16:24
  Speaker 1: That was not that way. No, I disagree. This was
• 16:28
  Speaker 1: I mean, as a first timer, this is this was
• 16:30
  Speaker 1: my like kind of okay, there he really does like her.
• 16:34
  Speaker 1: I knew that already, but he's definitely he pays attention
• 16:38
  Speaker 1: and he is like very okay, So maybe maybe I
• 16:42
  Speaker 1: didn't act it right. Maybe I needed to make a
• 16:44
  Speaker 1: different acting choice because I just listed it. You know, look,
• 16:53
  Speaker 1: I think you acted it fine, and I get what
• 16:56
  Speaker 1: they were doing, like the writers were saying, like we're
• 16:59
  Speaker 1: showing how well he knows her, but it was so
• 17:03
  Speaker 1: out of character for Luke. That was not Luke. This
• 17:07
  Speaker 1: wasn't even my bone. But I'm gonna go with it.
• 17:10
  Speaker 1: Luke wouldn't not He might have thrown out one or
• 17:12
  Speaker 1: two you always look great where your black sweater, but
• 17:15
  Speaker 1: like fifty things knowing her closet, like he was like
• 17:18
  Speaker 1: some kind of stylist, Like, yes, he becomes he becomes
• 17:23
  Speaker 1: a stylist. He did. It was so weird. It was Yeah,
• 17:27
  Speaker 1: I was like, what am I watching it that? I
• 17:32
  Speaker 1: agree that's a bone to pick, and I'm interested and
• 17:35
  Speaker 1: I'm sure they will tell us. But everyone listening if
• 17:38
  Speaker 1: they thought that was absurd because I was like, I
• 17:42
  Speaker 1: roll emoji he yea. And also, Luke is way too
• 17:48
  Speaker 1: cool for that. He's gootting. No, Yeah, that's that's number one.
• 17:55
  Speaker 1: I don't think. I would love to hear how you
• 17:57
  Speaker 1: could have acted it different because it was like just
• 17:59
  Speaker 1: kind of no, okay, so would I would have had
• 18:03
  Speaker 1: to have slowed it down and been more uncomfortable revealing
• 18:07
  Speaker 1: it a little sort of stumble on everything, and you know,
• 18:12
  Speaker 1: but I don't remember trying to do that. But I'm
• 18:17
  Speaker 1: I'm pretty sure if I tried to do that and
• 18:20
  Speaker 1: it was working, well, um, they may have let it in.
• 18:24
  Speaker 1: But they may not have let it in because it
• 18:26
  Speaker 1: wasn't going fast enough, you know what I'm saying. Yeah, totally,
• 18:30
  Speaker 1: it's very interesting here if there would have been a
• 18:33
  Speaker 1: way to pull that off where it wasn't. To me,
• 18:36
  Speaker 1: it was so lame. But Danielle, you liked it. I
• 18:38
  Speaker 1: kind of thought that I liked it, but it was
• 18:40
  Speaker 1: like a moment for me to be like, oh, he's
• 18:42
  Speaker 1: like really into her. M h. You know, I knew
• 18:47
  Speaker 1: that already, but it was more just more icing on
• 18:50
  Speaker 1: top of the case, right, I get that, or maybe
• 18:52
  Speaker 1: a line from her that acknowledges that suddenly become an
• 18:57
  Speaker 1: extra on my words. I was come in here, you know,
• 19:00
  Speaker 1: cover to be able to recover from it, you know,
• 19:04
  Speaker 1: acknowledge that it was awkward and then recover from it.
• 19:06
  Speaker 1: But they didn't have that. It's just kind of strange
• 19:08
  Speaker 1: for me, So I agree. The only scene we skipped,
• 19:13
  Speaker 1: I think that the scene before that was where they're
• 19:17
  Speaker 1: all at the bands in the kitchen and this is
• 19:20
  Speaker 1: where why makes her mistake? Oh god, and to play
• 19:26
  Speaker 1: a love so that that was the funniest. That was
• 19:29
  Speaker 1: the funniest moment of the series so far, Like covering
• 19:35
  Speaker 1: it up. Yeah, she was like, you take the V
• 19:37
  Speaker 1: and the heat from Dave's name and the it's love, Like, yeah,
• 19:42
  Speaker 1: it makes sense. And then she booked right the hell
• 19:45
  Speaker 1: out of there. I mean, she was so uncomfortable. It
• 19:48
  Speaker 1: was so funny. And I'm telling you that that type
• 19:52
  Speaker 1: of that type of skill to do it that quickly,
• 19:56
  Speaker 1: stumble over it at the same time, to create this
• 20:00
  Speaker 1: sense so that she's really caught. She's got to catch
• 20:04
  Speaker 1: up and she's got to cover up this mistake she
• 20:06
  Speaker 1: made by revealing this relationship. It was just artistry at
• 20:09
  Speaker 1: it's fine, it's craft at its finest. And I replayed
• 20:12
  Speaker 1: that scene five times before I went on because I
• 20:16
  Speaker 1: was busting out leven. She is so good at that.
• 20:19
  Speaker 1: That's that's where her her comedy Supremacy displays itself. I mean,
• 20:25
  Speaker 1: it's just there's not a lot of people that could
• 20:28
  Speaker 1: do that. I did write a note that if anybody
• 20:31
  Speaker 1: can tell me what's on Lorealize shirt, I'd love to
• 20:33
  Speaker 1: know that too, And I tried so hard to tell
• 20:36
  Speaker 1: So maybe an eaglelliede uh fan can help me because
• 20:40
  Speaker 1: I thought her her shirt was cool, but I was like,
• 20:43
  Speaker 1: what's on there? But anyway, Yeah, so that was a
• 20:46
  Speaker 1: great scene. Great scene. God, that was funny. I think
• 20:53
  Speaker 1: I think we actually have a picture of it on
• 20:56
  Speaker 1: our rundown. Are you serious? Yeah? You can me share
• 21:00
  Speaker 1: my screen. Oh oh my god, positive this is the
• 21:07
  Speaker 1: same shirt because it's somebody, but I don't know who
• 21:11
  Speaker 1: it is. I think I even wrote a note in
• 21:14
  Speaker 1: that scene, Scott, and I think it's what you're talking about.
• 21:16
  Speaker 1: It's like where she says, guys, I'm sorry, Oh yeah,
• 21:20
  Speaker 1: how do we even have this? Oh? You know what's
• 21:23
  Speaker 1: so funny? I didn't notice the shirt, but I noticed
• 21:25
  Speaker 1: the juicy contour jacket. What what is that shirt? Can
• 21:32
  Speaker 1: we put it up on the Instagram so people can
• 21:34
  Speaker 1: help us, because doesn't it look like it says one
• 21:37
  Speaker 1: six s San Francisco SF maybe San Francisco four? And
• 21:43
  Speaker 1: then there who is that woman? And then I can't read?
• 21:47
  Speaker 1: I can't read it? Is that a T? And does
• 21:50
  Speaker 1: that say queen? What does that say? I think this
• 21:56
  Speaker 1: is Cracker? No, that's an R C K E R.
• 22:05
  Speaker 1: I thought that wasn't you guys? Do you see Jennifer Cracker, Firecracker?
• 22:15
  Speaker 1: This is Prior Crier Cracker? Good eye, good eye, Danielle,
• 22:19
  Speaker 1: Who is that Jennifer Cracker? What are you talking about?
• 22:27
  Speaker 1: I already feel like I need glasses, And then I'm like,
• 22:30
  Speaker 1: I have classes on and I can't do I'm reading
• 22:32
  Speaker 1: Jennifer Cracker. This lady somebody, one of one of our
• 22:38
  Speaker 1: somebody's gonna slooth is going to figure out who this
• 22:40
  Speaker 1: lady is. Yeah, it looks like Liz Taylor meets Loraly.
• 22:47
  Speaker 1: It looks like Mary Elizabeth Master Antonio like a little
• 22:52
  Speaker 1: squattier love. If anyone's making a shirt with Mary Elizabeth,
• 22:59
  Speaker 1: I she is rather glorious. How did you have that
• 23:03
  Speaker 1: picture like that so fast? It was in our in
• 23:06
  Speaker 1: our rundown, And why was it in the rundown because
• 23:09
  Speaker 1: we do Gummer's fashion and one of our producers picked
• 23:12
  Speaker 1: that crack team, Which is so funny that you noticed
• 23:17
  Speaker 1: the shirt, because the whole time I was like, I
• 23:19
  Speaker 1: don't think Lorela would own a juicy gaitour like vulor
• 23:22
  Speaker 1: jacket that she's wearing. I do too, that's the really
• 23:27
  Speaker 1: with her lowrider pants. You wouldn't wear a full Farris
• 23:30
  Speaker 1: Hilton juicy guitar sweatsuit. True. True, she's gonna put that
• 23:34
  Speaker 1: jacket with those guys going off on the fashion nap ahead. Okay,
• 23:43
  Speaker 1: so we get now know I'm not saying we'll go
• 23:48
  Speaker 1: back to the fashion, Well, we want to keep you entertaining.
• 23:50
  Speaker 1: I'm just going to move into it more comfortable. So
• 23:53
  Speaker 1: we go now to Lorly going upstairs to get the
• 23:56
  Speaker 1: book that Luke has recommended to her, and whoa man
• 24:03
  Speaker 1: that some teenage making out let me tell you right
• 24:09
  Speaker 1: on the couch, just awkward city. Yeah, well you know
• 24:15
  Speaker 1: then I did love Luke, who already's like I got
• 24:19
  Speaker 1: this girl. Every time I've got I go up there.
• 24:21
  Speaker 1: Every ten minutes, I collected the stuff, put it in
• 24:24
  Speaker 1: the box, and then I started all yeah, it took
• 24:29
  Speaker 1: me about ten minutes to make Rory and that includes
• 24:32
  Speaker 1: changing after and Luke just panic straight panic. That was hilarious,
• 24:41
  Speaker 1: so good. Luke had a couple of laugh out loud
• 24:44
  Speaker 1: things totally. That whole thing was amazing. And I know
• 24:49
  Speaker 1: we'll talk about in pop culture, but the gen Ben
• 24:52
  Speaker 1: reference that's relevant. So good, Oh my good. So yeah,
• 24:59
  Speaker 1: so I love Luke's line. They come up for every
• 25:02
  Speaker 1: so often. Oh good. I got up there every ten minutes.
• 25:08
  Speaker 1: You know what I thought was crazy? She paid? So
• 25:11
  Speaker 1: I noticed Laurela. I don't remember what she ordered, but
• 25:15
  Speaker 1: she paid at the diner. And I really rarely see
• 25:19
  Speaker 1: them pay. I always assumed he sort of calms everything,
• 25:24
  Speaker 1: no sudden, I don't know what they're they're like four
• 25:34
  Speaker 1: times a day exactly, and they better get tips for
• 25:38
  Speaker 1: all the crap they give them and they take two
• 25:41
  Speaker 1: bites and walk away, seriously, fake bites, the fake eating.
• 25:52
  Speaker 1: Are you like in the drawing room of the mansion somewhere,
• 25:56
  Speaker 1: like yeah, So, first of all, I look absolutely horrendous
• 26:01
  Speaker 1: because the lighting in here is so bad. So I'm
• 26:03
  Speaker 1: just dreading anything that's on the Instagram. But I'm in Tahoe.
• 26:07
  Speaker 1: But I'm in my bedroom and so I made the
• 26:09
  Speaker 1: bed and I'm sitting. I have my levered got your
• 26:15
  Speaker 1: animal prints going on there. Yeah, you can pretend I'm
• 26:19
  Speaker 1: in I'm in like a family, I'm at the Gilmore's,
• 26:21
  Speaker 1: I'm at Richard and Emily's in their manner. So, okay,
• 26:24
  Speaker 1: we go back to Rory and Laurelize and loyalized packing
• 26:29
  Speaker 1: and I thought that was sort of interesting because she
• 26:30
  Speaker 1: had no issues packing because Alex and Lorela I had
• 26:33
  Speaker 1: it all planned, so she knew every outfit. She was
• 26:38
  Speaker 1: gonna wear her stretchy jeans with the Bunny Ranch T shirt.
• 26:41
  Speaker 1: Speaking of fashion, Jesus um I that's okay. So that
• 26:50
  Speaker 1: scene for me really really pointed out and illustrated. You know,
• 26:55
  Speaker 1: I want people to know, and I'm sure they do,
• 26:58
  Speaker 1: but I just want to point it out. I want
• 26:59
  Speaker 1: to highlight that scene because you know, that's a high
• 27:02
  Speaker 1: degree of difficulty. That's a ton of dialogue or has
• 27:05
  Speaker 1: to spit out, and she's with such ease and doing
• 27:09
  Speaker 1: all those actions and folding the clothes and changing her
• 27:12
  Speaker 1: clothes and all that stuff. She's got to repeat all
• 27:15
  Speaker 1: that stuff, uh for a couple of hours. You know.
• 27:18
  Speaker 1: That's that scene is like they do a master shot
• 27:21
  Speaker 1: and then they move in a little closer and they
• 27:22
  Speaker 1: move in a little closer, and then they move in
• 27:24
  Speaker 1: a little closer, and then they do one side, they
• 27:28
  Speaker 1: do the next side. So that's a couple of hours
• 27:31
  Speaker 1: to do that, and she's got to do it over
• 27:33
  Speaker 1: and over over. She gotta remember everything, every little movement
• 27:37
  Speaker 1: she made on what particular word that movement was made.
• 27:41
  Speaker 1: I mean, it is, it is. It can make you
• 27:43
  Speaker 1: go crazy, you know. But I'll tell you why, because
• 27:49
  Speaker 1: there's a script supervisor has the most thankless job on
• 27:53
  Speaker 1: the set. Because the script supervisor sits there and she
• 27:57
  Speaker 1: makes marketing or he is usually a woman, but some
• 28:00
  Speaker 1: tongues of guy. Guys just can't handle guys melt down.
• 28:03
  Speaker 1: They need they need, you know, intelligent, a dedicated women
• 28:09
  Speaker 1: to be there and mark down. Uh, you know, her
• 28:12
  Speaker 1: hand touched the blouse on the corner over here on
• 28:16
  Speaker 1: this line. And then if she's doing a close up
• 28:20
  Speaker 1: and it's an emotional scene and she doesn't do it
• 28:21
  Speaker 1: on the take, they can't use the take. Honestly, that
• 28:24
  Speaker 1: sounds like the worst job ever. It's the worst job
• 28:26
  Speaker 1: because actors, when they see this with we call them scripty.
• 28:30
  Speaker 1: So when we're there and we think we've really nailed something,
• 28:32
  Speaker 1: that scripty comes from video village, their heading toward us.
• 28:36
  Speaker 1: We're going on no, because Scripty is always the bearer
• 28:42
  Speaker 1: of bad news. Scripty never shows up saying, man, you're
• 28:46
  Speaker 1: really nailed it. Just want to tell you that that
• 28:49
  Speaker 1: never happens. Now, they say, listen, like, if you've been
• 28:53
  Speaker 1: there for twelve and fourteen hours and you got along
• 28:55
  Speaker 1: scene and script he keeps showing up, that can just
• 28:58
  Speaker 1: wear you down. You gotta lift the cup up on
• 29:00
  Speaker 1: this line, and then you have to be over here
• 29:02
  Speaker 1: when you were a little and then oh, there's a
• 29:04
  Speaker 1: couple of other things Scott on the next page. You know,
• 29:08
  Speaker 1: you started walking on this lee. You walked a little
• 29:10
  Speaker 1: too soon, and then you put down the cup on
• 29:12
  Speaker 1: the wrong table, and you know, we gotta get this,
• 29:15
  Speaker 1: and so you just keep shooting and shooting and shooting,
• 29:18
  Speaker 1: and then Scripty doesn't show up anymore, and you're like,
• 29:20
  Speaker 1: please don't show up. Stripping it's so funny. Really, this
• 29:27
  Speaker 1: is the greatest job ever, meaning even being an actor.
• 29:29
  Speaker 1: You're like, oh my god, that just looks so fun
• 29:32
  Speaker 1: Then when I learned about it, I'm like, it seems awful.
• 29:36
  Speaker 1: It's it's definitely hard work. You know, you're there and
• 29:41
  Speaker 1: it's got it's exacting work, because the editors will scream
• 29:47
  Speaker 1: and Amy and Dan that this. You know, the script
• 29:51
  Speaker 1: supervisor isn't doing her job. I can't cut this thing together.
• 29:55
  Speaker 1: Get somebody in there that knows how to do the
• 29:57
  Speaker 1: job right. Right, well, just so specific and tedious. It's tedious. Yes,
• 30:04
  Speaker 1: it's exacting work. So you become very good at economizing
• 30:11
  Speaker 1: your movements right so that you don't That's how you
• 30:17
  Speaker 1: keep script your way right. If you get in there,
• 30:22
  Speaker 1: if you do a hole to do, you're you know,
• 30:24
  Speaker 1: you're doing the dance of the seven Veales and think
• 30:26
  Speaker 1: of you're being brilliant, and then you've got to remember
• 30:29
  Speaker 1: all that stuff and you're like that, I would hate
• 30:33
  Speaker 1: that job. I would hate you question I have so
• 30:36
  Speaker 1: like you're talking about that line they came up for
• 30:37
  Speaker 1: air every so often, and how hilarious it is. How
• 30:40
  Speaker 1: do you make something hilarious when you said it thirty
• 30:42
  Speaker 1: seven times? Yeah? Right, you don't you do it if
• 30:51
  Speaker 1: it's a thirty seven time, you're about thirty takes beyond
• 30:54
  Speaker 1: when you were funny? Like, you know why I like
• 30:56
  Speaker 1: this show because we just do it once. We don't
• 31:01
  Speaker 1: have to map to anything like if it's bad, We're like, well,
• 31:05
  Speaker 1: I don't cut it. It was bad, Like let's just
• 31:08
  Speaker 1: keep going. It's like that's why I love live because
• 31:11
  Speaker 1: you're just like ope, so he's brewed up. Oh well,
• 31:14
  Speaker 1: like I don't even remember what you did yesterday, Like
• 31:18
  Speaker 1: I don't think I could do what you do. You could,
• 31:24
  Speaker 1: you could know if okay, you could, because if you
• 31:26
  Speaker 1: loved it and you really studied it and you really
• 31:30
  Speaker 1: love to do it, then you do the you know,
• 31:33
  Speaker 1: the all the little things that it takes to do
• 31:35
  Speaker 1: it well, just like any other job. If you love
• 31:39
  Speaker 1: the job, you're gonna do all the little things. You're
• 31:42
  Speaker 1: gonna learn all those little things and do them as
• 31:44
  Speaker 1: as best you can because you love to do it
• 31:46
  Speaker 1: and you want to continue to do it. But yesterday, listen,
• 31:49
  Speaker 1: yesterday we're shooting something big emotional scene and the boy
• 31:53
  Speaker 1: script you was visiting me. So that's what I was
• 31:57
  Speaker 1: going to ask you, was Gil Murger. It's script e
• 32:01
  Speaker 1: always on every show, like Girls, continuity is everything, that's
• 32:07
  Speaker 1: your continuity person. So they have to nail people for wardrobe,
• 32:13
  Speaker 1: they have to nail people for movements, everything, everything, And
• 32:17
  Speaker 1: is this the case on the hardest job on the set?
• 32:20
  Speaker 1: Is this the case one show? Because I don't totally
• 32:22
  Speaker 1: get what the difference is. But there's multi camera and
• 32:25
  Speaker 1: single is it called single camera? No? Multi cameras? Is
• 32:28
  Speaker 1: sitcom that's filmed before live audiences? Four cameras? And do
• 32:32
  Speaker 1: you have to have the script e? Is that easier
• 32:35
  Speaker 1: because script e? Because you're doing it just like once,
• 32:39
  Speaker 1: you still have a script E to remind you. But
• 32:42
  Speaker 1: you don't have to do it. I mean, they'll move
• 32:45
  Speaker 1: the cameras around a little bit. But if they've got
• 32:47
  Speaker 1: four angles and a couple of close at the same time,
• 32:50
  Speaker 1: then on a four cameras four cameras sitcom which Seinfeld
• 32:54
  Speaker 1: multi cameras four camera sitcom, uh, Will and Grace, that
• 32:58
  Speaker 1: kind of things, those are four cameras. You don't want
• 33:01
  Speaker 1: to do a single camera sitcom because I mean, take
• 33:05
  Speaker 1: the work yet do it. But those are tough because
• 33:07
  Speaker 1: it's just like being on a one hour Using a
• 33:11
  Speaker 1: single camera means that you just have to repeat everything
• 33:15
  Speaker 1: over and over and over and over again. Sometimes like
• 33:18
  Speaker 1: Skilmore Girls. What's Gilmore Girls that was considered a single
• 33:22
  Speaker 1: camera well, you know it's a drama. Is Sometimes they
• 33:24
  Speaker 1: set up two cameras. Sometimes they set up one camera
• 33:28
  Speaker 1: and a stead camera the guys walking around right right right.
• 33:32
  Speaker 1: Sometimes they just have a stead camera on a walk
• 33:34
  Speaker 1: and talk shot, like all those walking talk shots. That's
• 33:36
  Speaker 1: a steadicam. Or they put the big eight camera on
• 33:40
  Speaker 1: a dolly really long train track called a Dolly track. Yeah,
• 33:44
  Speaker 1: back it up, um, but you know, it's a lot
• 33:47
  Speaker 1: of steadicam work on film. A sitcom easier. Oh god.
• 33:54
  Speaker 1: You So that's kind of like it's like a play.
• 33:57
  Speaker 1: You go in, you do it, they catch it, rehearse.
• 33:59
  Speaker 1: You rehearse Monday through Friday, just like a regular job.
• 34:04
  Speaker 1: And then but Friday, you're going in a little later
• 34:06
  Speaker 1: your film. On Friday night. You're there until midnight, one
• 34:08
  Speaker 1: o'clock on Friday night. You film taping in front of
• 34:11
  Speaker 1: live on it and it's fun. Yeah. So on Gilmore Girls,
• 34:18
  Speaker 1: is the rehearsal on the same day as you shoot. Yeah,
• 34:23
  Speaker 1: so you come out of your trail. Uh, they're ready
• 34:25
  Speaker 1: for rehearsal. You go and you block it out and
• 34:28
  Speaker 1: then uh they invite the crew on to watch what
• 34:33
  Speaker 1: you've blocked out. They can figure out how to shoot
• 34:36
  Speaker 1: it and light it. Okay. Then you then you go
• 34:38
  Speaker 1: away back to your trail, and while those guys lighted,
• 34:41
  Speaker 1: they set up the lighting and that's it took a
• 34:44
  Speaker 1: while on Gilmore with some dps um because you know,
• 34:49
  Speaker 1: it had a very specific look lighting. You know, good
• 34:52
  Speaker 1: lighting takes a long time. Yeah, so we're in the
• 34:54
  Speaker 1: trailer waiting, waiting, waiting, and all right, they're ready, We're
• 34:57
  Speaker 1: ready to shoot. So you go in and then you
• 35:00
  Speaker 1: you show camera. You do a rehearsal for the numbers
• 35:04
  Speaker 1: for cameras so they can do the camera moves without
• 35:06
  Speaker 1: you having to say the dialogue because you don't want
• 35:08
  Speaker 1: to blow it out before you need to um. And
• 35:11
  Speaker 1: that's like the feeling of getting into starting gate as
• 35:14
  Speaker 1: a racehorse and like, you know, the tension building up
• 35:17
  Speaker 1: and it's you know, here we go. We're gonna do
• 35:18
  Speaker 1: the first take. It's like here we go. Here, the
• 35:20
  Speaker 1: adrenaline is pumping and and just go go, go interesting.
• 35:24
  Speaker 1: So it seems like I'm more cut out to be
• 35:26
  Speaker 1: on like friends. I should have been. Okay, wait, so
• 35:32
  Speaker 1: we didn't talk about the Rory Lorelai sort of sex
• 35:35
  Speaker 1: talk with no words? What did you thank you guys?
• 35:39
  Speaker 1: I knew exactly what was coming all the way at
• 35:43
  Speaker 1: the end, no one when they're in the couch and
• 35:46
  Speaker 1: they're sort of so not the one at the end,
• 35:48
  Speaker 1: the one before where she was kind of talking about
• 35:51
  Speaker 1: how she was a little nervous that when they were
• 35:55
  Speaker 1: packing and talking or whatever. But because she's like, oh,
• 36:00
  Speaker 1: don't you want to just stay at Grandma's, Like why
• 36:04
  Speaker 1: is Jess going to drop you up? You know, kind
• 36:06
  Speaker 1: of like I don't want you here. I'm not going
• 36:07
  Speaker 1: to be here right, But she's kind of like, don't
• 36:10
  Speaker 1: worry about it. Okay. So then we get to Friday
• 36:15
  Speaker 1: night dinner. I guess it was Friday night without lor Lye,
• 36:18
  Speaker 1: and Rory's there and Jess is late and Emily doesn't
• 36:25
  Speaker 1: have a cell phone. Emily's being cool. She's like the
• 36:27
  Speaker 1: four was jammed, so it could be that maybe stuck
• 36:31
  Speaker 1: in traffic. See how um you see how the tolerant
• 36:38
  Speaker 1: Emily was because she likes Rory so much that she
• 36:43
  Speaker 1: was willing to tolerate Jess behaving. And this is my
• 36:47
  Speaker 1: bone to pick with the episode. So but I thought, listen,
• 36:52
  Speaker 1: I thought, you know, I think I think Kelly was
• 36:55
  Speaker 1: wonderful in that scene totally. But and I couldn't even
• 37:00
  Speaker 1: let on that she was bothered by Jess. That's how
• 37:03
  Speaker 1: good she was covering it totally to save face for Rory.
• 37:09
  Speaker 1: I think I did not even get an inkling that
• 37:13
  Speaker 1: that Emily was horrified. That's why I was so pissed
• 37:17
  Speaker 1: when she yelled at Laura Lae. No, No, that was
• 37:22
  Speaker 1: a huge payoff. It was a great It was greatness.
• 37:28
  Speaker 1: Hey man, your bone is my met you know. And
• 37:31
  Speaker 1: oh that did come out right. Sorry, I get it.
• 37:35
  Speaker 1: It was like for one second, for one second, you
• 37:38
  Speaker 1: were like, maybe Emily is still going to be cool
• 37:41
  Speaker 1: to Laura La and then you're like, nope, Emily, Oh
• 37:45
  Speaker 1: I hated it. I hated it. Oh I loved it.
• 37:51
  Speaker 1: I thought I thought Laura La I deserved both barrels,
• 37:55
  Speaker 1: and she got them because Emily's right, how do you
• 38:00
  Speaker 1: let that guy into her? But but the thing that
• 38:03
  Speaker 1: Emily doesn't understand is the complexities of life in a
• 38:08
  Speaker 1: small town with the with the middle classes, right, the
• 38:13
  Speaker 1: middle class of America, it's different. It's they don't have
• 38:18
  Speaker 1: those kinds of it's not it's not like a cast
• 38:20
  Speaker 1: system anymore. For God's said, you know, it's like people
• 38:24
  Speaker 1: accept people at that level, and life is better at
• 38:28
  Speaker 1: that level, and there people are real at that level.
• 38:31
  Speaker 1: And we vetted Jeff. I've had my talks with Jeff.
• 38:38
  Speaker 1: Jeff respects me, and Emily still doesn't respect her. It's
• 38:41
  Speaker 1: just like it all it takes is But I mean,
• 38:43
  Speaker 1: a kid shows up, he's kind of short with everybody's
• 38:47
  Speaker 1: got a black eye, and uh, you know, it just
• 38:51
  Speaker 1: all went down. Hire. I look, I did not like
• 38:54
  Speaker 1: the scene when those when those two talked in the
• 38:56
  Speaker 1: study h and he took off. I didn't think it
• 38:59
  Speaker 1: was well act. Oh. I did think it was best
• 39:02
  Speaker 1: performance ever by a portrait though. I just thought again
• 39:18
  Speaker 1: it was a little threes company, the one with the misunderstanding.
• 39:21
  Speaker 1: It's like, just tell her you got pecked by a swan?
• 39:24
  Speaker 1: Was that? That was my issue? Like why couldn't even
• 39:27
  Speaker 1: if you don't want to say the swan thing, just
• 39:28
  Speaker 1: make it up. I got hit in the in the
• 39:30
  Speaker 1: face with a baseball or what you know, whatever it was,
• 39:32
  Speaker 1: just make something up. He was so angry that like
• 39:35
  Speaker 1: he had to be there. Just suck it up for
• 39:37
  Speaker 1: one hour. But like, maybe I'm missing something, But does
• 39:41
  Speaker 1: anyone else not believe it was a swan? No? I
• 39:45
  Speaker 1: think it was a swant really a million billions? Oh no,
• 39:50
  Speaker 1: it was definitely the swan. The funny part of the
• 39:52
  Speaker 1: whole thing he did, what do you think it was?
• 39:57
  Speaker 1: I think it was maybe actually Dean and they're both
• 39:59
  Speaker 1: just no fronted. I totally was on the same page
• 40:09
  Speaker 1: as Rory and thought it was Dean, and then that
• 40:11
  Speaker 1: Dean was just being a schmuck in the grocery store
• 40:14
  Speaker 1: and that I know, I'm going ahead, and then freaking
• 40:17
  Speaker 1: Jess was like a football, like that's why Luke and
• 40:21
  Speaker 1: Jess go back out in that rowboat and they see
• 40:24
  Speaker 1: the swan. It was definitely the swan, and Luke couldn't
• 40:28
  Speaker 1: have been more hilarious just making fun of Jess. I
• 40:32
  Speaker 1: still don't think it was real. I don't know why.
• 40:35
  Speaker 1: I still think Jess is covering for something. What are
• 40:38
  Speaker 1: you talking? Suddenly Daniel's like, I'm watching Cso it's not
• 40:46
  Speaker 1: just your No, Daniel, you're just not buying that that
• 40:51
  Speaker 1: could ever possibly have like like for real. Because he
• 40:55
  Speaker 1: tells Luke that thing on the robot. I totally remember
• 40:58
  Speaker 1: that scene, but I was just kind of that's a
• 41:01
  Speaker 1: that's a cover. And then he goes on later and
• 41:03
  Speaker 1: tells Rory something totally different. It lies again, and I'm
• 41:09
  Speaker 1: so confused, Like it couldn't have just been a swan.
• 41:13
  Speaker 1: I don't think that's the funniest part. But I agree
• 41:15
  Speaker 1: with Tara, like why didn't he just say this but
• 41:19
  Speaker 1: I got packed by a swan and a nice dinner
• 41:22
  Speaker 1: and enjoy the raisins in the salad because because he's uh,
• 41:26
  Speaker 1: it would be humiliating for him. Yeah, he's too tough
• 41:29
  Speaker 1: for that. He's a tough a tough guy that you
• 41:33
  Speaker 1: know that reads Jack Cure Wack books. You know. I
• 41:37
  Speaker 1: also agree with you, Scott, like the fact that he
• 41:39
  Speaker 1: left that's really gnarly. Yeah, that was pretty bad, Like really, dude, Yeah,
• 41:46
  Speaker 1: I agree. You know what, I agree with you. That
• 41:48
  Speaker 1: whole thing was a bit forced, I thought, but you know,
• 41:53
  Speaker 1: it looked it provided some pretty hilarious stuff. Yeah. Yeah,
• 41:59
  Speaker 1: you know, Luke had some good moments in the boat
• 42:01
  Speaker 1: because of that situation. And I really think it's it's
• 42:06
  Speaker 1: apropos for the show because the show is a little
• 42:08
  Speaker 1: bit absurd, let's face it. Well, so agree, so totally.
• 42:15
  Speaker 1: So I'm gonna will jump around even though I still
• 42:17
  Speaker 1: want to go back to New York with Jackson and Suki.
• 42:21
  Speaker 1: But how about the scene in station Wagon with the
• 42:25
  Speaker 1: band bumping into them. Oh my god, that's a good scene.
• 42:35
  Speaker 1: She didn't want to Adam to be shocked. Maine has
• 42:40
  Speaker 1: a crush on you. She's playing me sometimes. That was
• 42:47
  Speaker 1: so hello. David was so good and the two dudes
• 42:52
  Speaker 1: in the band are like, don't speed, don't see so good?
• 43:03
  Speaker 1: That was actually, I think of all the scenes that
• 43:06
  Speaker 1: that's my favorite scene in a long time. That was hysterical.
• 43:10
  Speaker 1: That was Emily Corona at her best best. That's what
• 43:17
  Speaker 1: I'm saying. It's like comedy. Oh god, how long we've
• 43:21
  Speaker 1: been talking and we there's a million scenes we haven't
• 43:24
  Speaker 1: even talked about yet. It's like, this's just so much.
• 43:28
  Speaker 1: And then they go back and Lane thinks she's been
• 43:31
  Speaker 1: made do you know what I mean? And really they're
• 43:35
  Speaker 1: just like, oh, Dave, we're proud of you for liking
• 43:37
  Speaker 1: Christian music. It's good. Or you're Christian, that's fine. And
• 43:43
  Speaker 1: the two of them just don't get like it goes
• 43:45
  Speaker 1: right over their heads. Hopely and Adam Brody is so good.
• 43:54
  Speaker 1: That just played fuddled like great, I am accept you
• 44:02
  Speaker 1: as a Christian musician. You do that's so good. And
• 44:07
  Speaker 1: then he haven't even talked about the scene where Jess
• 44:10
  Speaker 1: reveals to Luke like he beaked me. Do you know
• 44:14
  Speaker 1: what I mean? Like when he says he beaked me,
• 44:18
  Speaker 1: but the swan he beaked him. He made like a word.
• 44:24
  Speaker 1: I mean, I can't get over the station wagon beaked me.
• 44:32
  Speaker 1: And like that whole thing was hilarious. Yeah. Look, had
• 44:36
  Speaker 1: a good line where you take the Baster or the
• 44:41
  Speaker 1: Ladel or something. I don't take the Ladel's BRANDO take
• 44:44
  Speaker 1: the baster. Oh my god, that's right, good god. There
• 44:50
  Speaker 1: are so many good moments in this episode. Well, and
• 44:54
  Speaker 1: then we have the scene okay, so we haven't talked
• 44:56
  Speaker 1: about Alex and Laura lyon. So we're in New York
• 44:59
  Speaker 1: when No, Luke was pretty rough with him. I mean
• 45:02
  Speaker 1: Luke got physical with Jess. Oh yeah, wait, this is
• 45:06
  Speaker 1: what I like about Luke. It's like, all right here,
• 45:09
  Speaker 1: that's old school. You grab somebody, pull him into the backroom,
• 45:15
  Speaker 1: said no, you stay there. And that's what I really like, Luke.
• 45:20
  Speaker 1: You know, I really can because it's right. You need
• 45:24
  Speaker 1: a dad and I'm gonna be your dad. Just dragging.
• 45:27
  Speaker 1: You're not getting away with this garbage with me, you know,
• 45:30
  Speaker 1: and I'm gonna get a little angry about it, and
• 45:31
  Speaker 1: I'm gonna I'm gonna be a little bit physical with you.
• 45:34
  Speaker 1: I'm not gonna hurt you. I'm not gonna hit you.
• 45:37
  Speaker 1: I'm dragging you back in there because I'm the boss,
• 45:39
  Speaker 1: having a little authority, right right, right. And then Jess
• 45:44
  Speaker 1: tells the truth. So, Danielle, to your point, I think
• 45:47
  Speaker 1: because Luke was being so father figure e and firm,
• 45:51
  Speaker 1: Luke's like, tell me what is going on? And Jesse's like,
• 45:55
  Speaker 1: you're not gonna believe me, but I'll tell you it
• 45:56
  Speaker 1: was a swan and it beat me because because it's
• 46:03
  Speaker 1: important to establish that you are not going to lie
• 46:07
  Speaker 1: to me, because if you get away with line to
• 46:10
  Speaker 1: me once, you're going to do it repeatedly. I'm laying
• 46:14
  Speaker 1: it down here, man, I'm a brick wall. You're telling
• 46:17
  Speaker 1: me the truth or you're out. And that's what he means. Okay,
• 46:20
  Speaker 1: So here's the question of the day. Maybe to everyone listening,
• 46:25
  Speaker 1: shouldn't Jess have just told Rory he got beaked instead
• 46:29
  Speaker 1: of like it was a football, Like what do you think?
• 46:32
  Speaker 1: Because he was because they first of all that that's
• 46:35
  Speaker 1: how they set up the joke. They had to keep
• 46:37
  Speaker 1: doing that and you know, playing that. He's humiliated by it,
• 46:41
  Speaker 1: so I doesn't want to talk about it. Yeah. I
• 46:43
  Speaker 1: think he's too embarrassed to tell Rory like he's still
• 46:45
  Speaker 1: like in her eyes, he's like this tough guy. He's
• 46:49
  Speaker 1: trying to keep that image. Here's what I find. So, Okay,
• 46:54
  Speaker 1: first of all, we'll go back to New York and
• 46:55
  Speaker 1: there is that very cute scene with the four of
• 46:57
  Speaker 1: them with Alex law a lie Suky Jackson outside the
• 47:02
  Speaker 1: theater acknowledging Okay, this play was so bad, but they
• 47:06
  Speaker 1: faked it. They're like, oh, maybe Alex like this, right,
• 47:09
  Speaker 1: and then Melissa McCarthy is so hilarious, and then I
• 47:11
  Speaker 1: think they talked about going to get food and it
• 47:13
  Speaker 1: was just very very cute scene. You know. We also
• 47:17
  Speaker 1: see Laura La in the hotel room. You want to
• 47:20
  Speaker 1: talk about fashion a little bit. Yeah, I thought I
• 47:24
  Speaker 1: thought that hat she had on the hat sorry didn't
• 47:27
  Speaker 1: work for me. Agree. I thought it look kind of bizarre. Actually,
• 47:33
  Speaker 1: uh you know what, it had a big rose on it. Yeah,
• 47:36
  Speaker 1: it was bad. I didn't like that, really bad. I
• 47:40
  Speaker 1: mean with that hat, right, I'm shocked they put her
• 47:43
  Speaker 1: in that bad hat. That's just that that I definitely thought, okay,
• 47:51
  Speaker 1: because we don't see Alex in the hotel room, but
• 47:54
  Speaker 1: we do see Laura Lie, but I think we're to
• 47:55
  Speaker 1: assume they obviously shared the hotel room. That's when she
• 47:59
  Speaker 1: calls Rory to say, how was the night, and Rory says,
• 48:03
  Speaker 1: I'm at Grandma's and Grandma was a saint blah blah blah.
• 48:06
  Speaker 1: And then that's when Emily just place down the takedown
• 48:14
  Speaker 1: totally just well, no, not totally justified, but from her
• 48:19
  Speaker 1: point of view, it was totally justified, I guess. But
• 48:21
  Speaker 1: you know, Laura, I just held the phone away like
• 48:23
  Speaker 1: a were going. Right. The complexity of my relationship with
• 48:28
  Speaker 1: my mother encapsulated in one image of me, of her
• 48:31
  Speaker 1: ranting through a phone and ME like, just exactly, that's
• 48:35
  Speaker 1: you literally disnailed it. She's like, well, also, they knew
• 48:40
  Speaker 1: it wasn't gonna be pretty like in the beginning. They're like, oh,
• 48:43
  Speaker 1: like you know, when they she said, oh, you shouldn't
• 48:45
  Speaker 1: invite us over, they were both hesitant, so they knew
• 48:48
  Speaker 1: something was going to happen. I was just like expected it, right,
• 48:52
  Speaker 1: So then I thought this was sort of interesting. So
• 48:55
  Speaker 1: Alex brings lowly you do, sorry I started to cut
• 48:58
  Speaker 1: you off, now please go ahead, Tara, you think that
• 49:03
  Speaker 1: that Laurel I was was being so kind and respectful
• 49:07
  Speaker 1: and appreciative of what her mother. Uh So you thought
• 49:12
  Speaker 1: that she was just trying to soften blow she knew
• 49:14
  Speaker 1: that Emily was going to blow up at her. No, No,
• 49:16
  Speaker 1: she knew that Jess wasn't going to be who Emily
• 49:19
  Speaker 1: wants at first, right, Okay, So you think Laurel I
• 49:23
  Speaker 1: was genuinely thanking her mother? Yeah, yes, I mean yeah
• 49:29
  Speaker 1: I did. I did, I think, yeah before she went
• 49:33
  Speaker 1: off on her. Yeah, yeah, yeah, that's what made it
• 49:36
  Speaker 1: so good. Yeah. Yeah, I think Laurel I was like
• 49:40
  Speaker 1: I expected you to fully freak out in front of
• 49:44
  Speaker 1: Rory and you didn't. Thank you right right right, and
• 49:48
  Speaker 1: I'll take the bullet. So it's it's it's Lauraa taking
• 49:51
  Speaker 1: the bullet for her daughter again. Yeah, I just didn't think. Look,
• 49:55
  Speaker 1: I guess this is the whole point Scott, what you're saying,
• 49:58
  Speaker 1: and it makes sense. I just thought was so unfair
• 50:01
  Speaker 1: of Emily to blame Laureli for this whole thing. And
• 50:05
  Speaker 1: I guess you're saying, yeah, but it tracks. That's Emily.
• 50:08
  Speaker 1: That's why they have this strained relationship. Listen, I had
• 50:12
  Speaker 1: three sisters, Okay, sometimes two of those sisters who were
• 50:18
  Speaker 1: closer in age to me, I would bring home disasters.
• 50:26
  Speaker 1: We would sit there and my mother would She wouldn't
• 50:30
  Speaker 1: say much. She just needs very fast and she always
• 50:37
  Speaker 1: ate very fast, and she was done in five minutes.
• 50:39
  Speaker 1: It was main um. She would all her hands and
• 50:45
  Speaker 1: just sort of stare at my sister. Kind of smart
• 50:48
  Speaker 1: a little bit, you know. She wouldn't say much, but
• 50:50
  Speaker 1: that man, oh there's going to be a conversation again. Wow.
• 51:00
  Speaker 1: Oh yeah. There were some doozies. There were some real dizzies.
• 51:03
  Speaker 1: So I completely sympathize with with Emily. I do. I do,
• 51:09
  Speaker 1: even though I think Laurel is a great mom, and uh,
• 51:13
  Speaker 1: no question, she's an outstanding person, a strong, loving single
• 51:19
  Speaker 1: mother doing a fantastic job of raising your daughter. I
• 51:23
  Speaker 1: don't so let adjust into the life of your daughter,
• 51:27
  Speaker 1: you know, your precious daughter. Boy, that's that's a tough
• 51:30
  Speaker 1: one for a mother. That's a tough one for a
• 51:32
  Speaker 1: mother to swallow. I'm having some flash forwards, which I
• 51:35
  Speaker 1: won't say too much. But I'm thinking about Emily and
• 51:40
  Speaker 1: how she is, you know, so kind to Rory. And
• 51:45
  Speaker 1: then I'm thinking about some later seasons when I can
• 51:49
  Speaker 1: see tar space. Well we'll just move on from that.
• 51:51
  Speaker 1: So here's what I think is really interesting. So Alex
• 51:54
  Speaker 1: brings laurea Lie home and Rory comes out and gets
• 51:58
  Speaker 1: the suitcase. I think a lor Like touches Alex. You
• 52:02
  Speaker 1: have to rewatch it. She sort of touches him in
• 52:04
  Speaker 1: a very like affectionate, cute way. So I'm sort of
• 52:08
  Speaker 1: shocked that this was Billie Burke's last appearance. I don't
• 52:12
  Speaker 1: remember it that way. I mean, I know it because
• 52:14
  Speaker 1: we read about it. So I don't know why they
• 52:19
  Speaker 1: don't work, but I guess we'll find out because he
• 52:22
  Speaker 1: got booked on other gigs and it wasn't available for
• 52:26
  Speaker 1: the fifth time. But I think it was just nice
• 52:28
  Speaker 1: to see Lorela like happy for a couple, you know,
• 52:33
  Speaker 1: couple episodes. Listen to dude, dude, that cool and that good.
• 52:38
  Speaker 1: An actor is not going to be available for a
• 52:41
  Speaker 1: little can you come in? It's like, oh, for me,
• 52:45
  Speaker 1: a goddamn contract and leave me alone, you know, this
• 52:50
  Speaker 1: little one here and one there. Crap, So then you
• 52:54
  Speaker 1: know what I mean. Yeah, but now because it was
• 52:57
  Speaker 1: an ass, just give us a six year deal if
• 53:00
  Speaker 1: we're gonna muck around television. Nobody wants to muck around television,
• 53:04
  Speaker 1: or at least like Billy and I old school guys
• 53:07
  Speaker 1: a little older than him. But we didn't. Never wanted
• 53:10
  Speaker 1: to muck around television. Want to do films. Everybody wants
• 53:12
  Speaker 1: to do films. I feel like that's fully changed now,
• 53:16
  Speaker 1: completely changed. In fact, nobody really wants to do film
• 53:19
  Speaker 1: because you can't make any money in it, right right,
• 53:23
  Speaker 1: you know, they like it's like there's you know, the
• 53:25
  Speaker 1: Rock makes fifty million and then you know, you get
• 53:28
  Speaker 1: paid like a dollar Rady stuff. So there's a there's
• 53:34
  Speaker 1: a huge disparity in film. You can yeah, you can
• 53:36
  Speaker 1: get paid TVA. This leads us to sort of a
• 53:45
  Speaker 1: very significant moment between Rory and Laurel Eze. So this
• 53:49
  Speaker 1: is when she says, I'm not too busy to think
• 53:51
  Speaker 1: about it. What did you guys think of that? Are
• 53:57
  Speaker 1: we at the end now at the end? Yeah? Yeah,
• 53:59
  Speaker 1: the big moment. That was a huge Boy, that was
• 54:04
  Speaker 1: a real button on that episode. My god, to say whoa,
• 54:10
  Speaker 1: you know, it was heavy. It was see, that's the
• 54:12
  Speaker 1: Dan Paladino trick. He really gets you. He gets your
• 54:18
  Speaker 1: laughing harder than you thought you could ever laugh. He's
• 54:21
  Speaker 1: creating this wonderful he's he's he's refreshing. He's putting a
• 54:26
  Speaker 1: new code of pain on the Gilmour characters. You know,
• 54:30
  Speaker 1: and uh, you know when things were getting heavy and
• 54:33
  Speaker 1: then he comes in and lightens everything up and puts
• 54:35
  Speaker 1: a fresh coat of pain on everybody, gets your laughing
• 54:38
  Speaker 1: and then bumb boom. Yeah, you know, Scott big life moment.
• 54:43
  Speaker 1: Somebody would have to go back and do the research.
• 54:46
  Speaker 1: But you're right, every episode he writes has a boom boom,
• 54:51
  Speaker 1: and you're like, just but just think about the fear
• 54:55
  Speaker 1: on Laurelized face and her thoughts and all she didn't
• 54:59
  Speaker 1: even have to verbal is anything. She's so good that
• 55:01
  Speaker 1: you can just read her thoughts. And the situation is
• 55:04
  Speaker 1: is screaming, so they don't have to do much. And
• 55:06
  Speaker 1: it's like, you know, how cute did did Alexis look
• 55:10
  Speaker 1: just eating her little food all of instantly, and she
• 55:12
  Speaker 1: was oblivious to you know what Laura I was going
• 55:16
  Speaker 1: through her mother. It's like, I'm gonna lose my daughter
• 55:18
  Speaker 1: is my she's not gonna be here much longer. She's
• 55:21
  Speaker 1: gonna start having sex, and she might she might get
• 55:24
  Speaker 1: pregnant to screw up her life, Like I know what
• 55:26
  Speaker 1: happened to me, and is it's so bad? No, I
• 55:28
  Speaker 1: have a great kid, but Jesus, I wanted to go
• 55:30
  Speaker 1: to Yale and I want to go to whatever she does.
• 55:33
  Speaker 1: So that moment was just so full and at the
• 55:37
  Speaker 1: same time, in that moment where you can totally tell
• 55:40
  Speaker 1: Laura lies having those thoughts, but she's also like, I
• 55:42
  Speaker 1: have to remain calm, like you know, like I want
• 55:45
  Speaker 1: to because she asked Rory to tell her and Rory did,
• 55:51
  Speaker 1: so you can't come down when they're doing exactly what
• 55:55
  Speaker 1: you asked. But it's like it's also innocence lost, and
• 55:59
  Speaker 1: it's it's a huge thing for a mother and a father, right,
• 56:02
  Speaker 1: I mean, it's like my baby, that's my little girl,
• 56:06
  Speaker 1: and now she's she's going to be entering a new
• 56:08
  Speaker 1: phase of her life that and I'm going to lose
• 56:13
  Speaker 1: she was going to lose control of her baby now
• 56:17
  Speaker 1: like she done her job. It's like she was not
• 56:19
  Speaker 1: that she was obsolete, but it's a whole new phase
• 56:22
  Speaker 1: of motherhood. Right, right? Did she prepared? And what's just
• 56:29
  Speaker 1: the moment? That's what you call the Dan Palladino meatball.
• 56:33
  Speaker 1: That is a serious that is a tasty, heavy, delicious meatball.
• 56:39
  Speaker 1: But man, it just sits there on your plates there
• 56:42
  Speaker 1: and not you doesn't. Yeah. One of my friends describes
• 56:45
  Speaker 1: it as like watering her kids, Like she's watered them
• 56:48
  Speaker 1: for years and years and now can they like go
• 56:51
  Speaker 1: on their own. And it's just like, Oh, she given
• 56:57
  Speaker 1: her all the info she needs to make the right decisions.
• 57:01
  Speaker 1: Terrifying moment. Also in this scene, I think we've talked
• 57:06
  Speaker 1: about eating so much in this show that I had
• 57:08
  Speaker 1: to watch it twice because I was like, they actually
• 57:11
  Speaker 1: had to eat in this scene, like there was enough
• 57:13
  Speaker 1: except Laura I did mix her like chicken around a
• 57:17
  Speaker 1: little longer than like usual, but she had to put
• 57:19
  Speaker 1: like she had to put that chicken in her mouth,
• 57:21
  Speaker 1: and I was just like, this podcast has made me
• 57:23
  Speaker 1: think of the way people eat on shows. I had
• 57:25
  Speaker 1: to watch it twice because I didn't pay attention the
• 57:27
  Speaker 1: first time. I'm like, like on the story one and
• 57:33
  Speaker 1: then like one P. I know they often think that
• 57:36
  Speaker 1: one P. It's like, oh my god, yeah, question you
• 57:40
  Speaker 1: think they look forward to going to dinner there for
• 57:42
  Speaker 1: the food, they like the food there, or they eat
• 57:45
  Speaker 1: a bunch of stuff before they go. Wait wait, I'm confused.
• 57:51
  Speaker 1: I'm confused. I was trying to think, Wait, you mean
• 57:55
  Speaker 1: Friday night dinner work? Like eat before Friday night dinners?
• 58:02
  Speaker 1: Do you think they eat before? They love that food?
• 58:04
  Speaker 1: I think that food fine dining. Like I'm still thinking
• 58:07
  Speaker 1: about the prime rib. Then, just didn't get what they
• 58:11
  Speaker 1: stir their food so much when they're talking instead of
• 58:13
  Speaker 1: eating right, because they don't want to have to match it.
• 58:17
  Speaker 1: Totally totally good. Well, they really got to take out
• 58:23
  Speaker 1: Friday night dinners like the real deal. Yeah, is the
• 58:29
  Speaker 1: dinner that you make sure you eat a salad for
• 58:31
  Speaker 1: lunch before? Y. Yeah, you guys have to rewatch Oceans
• 58:34
  Speaker 1: eleven because I swear Brad pay is eating in every scene.
• 58:38
  Speaker 1: He must have eaten because if they had to match it,
• 58:41
  Speaker 1: and you know what, no, no, do you know why
• 58:43
  Speaker 1: he made that choice? I just read the article. Do
• 58:46
  Speaker 1: you know why he made that choice? Tell me? Because
• 58:48
  Speaker 1: he was a guy who was busy. He was he
• 58:52
  Speaker 1: was in constant motion. He was flying all over the place.
• 58:55
  Speaker 1: He was in one place, one minute, the next place,
• 58:57
  Speaker 1: the next minute, So he was always eating on the go.
• 59:02
  Speaker 1: That was a character choice that was much discussed with director.
• 59:07
  Speaker 1: That was so Scott, let me ask you this question.
• 59:10
  Speaker 1: So if Brad Pitt, let's say he's got like a croissant,
• 59:12
  Speaker 1: let's just pretend it to croissant, so he bites the croissant.
• 59:15
  Speaker 1: Then do they take that away and when they start
• 59:17
  Speaker 1: the scene again, give him a new croissant because he
• 59:21
  Speaker 1: can't have a bite out of the croissant. Right. Yes,
• 59:24
  Speaker 1: I shot a scene the other day where I'm eating
• 59:29
  Speaker 1: the last part of a muffin. Okay, So the the
• 59:34
  Speaker 1: prop guy kept coming up to me after every take
• 59:38
  Speaker 1: and offering me another, you know, slice of muff okay
• 59:44
  Speaker 1: because the action pop it and show it up. Did
• 59:48
  Speaker 1: you have to eat like a lot of muffins? I
• 59:51
  Speaker 1: ate a lot of muffins, but I don't mind because
• 59:56
  Speaker 1: I you know, I like to eat you know. Okay,
• 1:00:00
  Speaker 1: anything that could get me compared to Brad Pitt, but
• 1:00:08
  Speaker 1: it was called for in the script. Imagine your job
• 1:00:10
  Speaker 1: is to keep track of the croissant that Brad pittsy
• 1:00:14
  Speaker 1: you're Christie, does scripty do that? And this is the
• 1:00:20
  Speaker 1: prop guy in cahoots with script E. They have to
• 1:00:25
  Speaker 1: be right, have to need buddies, right. It was like
• 1:00:28
  Speaker 1: script He's like, yo, I need a new over there.
• 1:00:33
  Speaker 1: Let me tell you something. Our prop guy up here
• 1:00:36
  Speaker 1: is so great. He's so great. You know what his
• 1:00:38
  Speaker 1: name is. You know, you know his name is Proppy Pickles. Pickles,
• 1:00:45
  Speaker 1: So Pickles and script E they do collaborate. They do collaborate.
• 1:00:51
  Speaker 1: I'll tell you the job. I could never do script
• 1:00:55
  Speaker 1: never scripty. No, it's too intense. I don't have the
• 1:01:00
  Speaker 1: my brain couldn't do that. It's too intense. And we
• 1:01:03
  Speaker 1: I Silk. We drove scripty crazy the other yesterday because
• 1:01:10
  Speaker 1: I think multiple script ease, we're on our second question.
• 1:01:16
  Speaker 1: Someone already quit one script. He's like, I'm out. I
• 1:01:19
  Speaker 1: mean I mean multiple scripts in the sense of like, alright,
• 1:01:23
  Speaker 1: one you keep track of a little scripty two. No, no, no, no, no, no, no,
• 1:01:30
  Speaker 1: oh my god. We went so many script supervisors on Gilmore.
• 1:01:34
  Speaker 1: It was like it was almost like there was a
• 1:01:35
  Speaker 1: new script supervisor every every day. I literally can think
• 1:01:39
  Speaker 1: of myself going, Danielle, can you do that? Because I
• 1:01:43
  Speaker 1: can't do it. I could do it for one person.
• 1:01:46
  Speaker 1: That's what I'm saying I could. I could do it
• 1:01:47
  Speaker 1: for one person, but I can't know there's so many people,
• 1:01:51
  Speaker 1: and figure it out. I have a great story. I'm
• 1:01:56
  Speaker 1: a great story. Ready. This is this is how bad
• 1:01:59
  Speaker 1: it was for scripted. The other day she's new. Okay,
• 1:02:02
  Speaker 1: she's new. It's a third day or second day. So
• 1:02:05
  Speaker 1: we're out there. The scene changed. You know, we got
• 1:02:07
  Speaker 1: any rehearsal scene change. It was rewritten the whole thing.
• 1:02:11
  Speaker 1: It was a delay, the whole thing. Uh and um,
• 1:02:15
  Speaker 1: so it I was pacing a lot in the scene.
• 1:02:19
  Speaker 1: It was a big scene. I was frustrated in the scene.
• 1:02:21
  Speaker 1: So I was kicking gravel and I was pacing back
• 1:02:24
  Speaker 1: and forth, and and so and so. Scripty had no idea.
• 1:02:28
  Speaker 1: She thought that we were doing the scene that was
• 1:02:30
  Speaker 1: written when she didn't know it was rewritten. So she
• 1:02:34
  Speaker 1: was She come up and she goes, what are you
• 1:02:36
  Speaker 1: guys saying? It's not it's like this told him, just
• 1:02:39
  Speaker 1: you guys, you're not doing the scene. I said no, no,
• 1:02:42
  Speaker 1: I got rewritten. She goes, oh, why don't the page?
• 1:02:44
  Speaker 1: She goes, all right, well we'll get you the pages afterwards, right,
• 1:02:48
  Speaker 1: she goes, but what she said back a little bit,
• 1:02:52
  Speaker 1: so the pages kind of came in. We didn't really
• 1:02:55
  Speaker 1: need it because it's like a page and half scene,
• 1:02:57
  Speaker 1: so we knew what we were gonna say and how.
• 1:03:02
  Speaker 1: But and then I and so I was trying to
• 1:03:04
  Speaker 1: fly her in a couple of couple of pages when
• 1:03:06
  Speaker 1: they came in from one of the trailers where they
• 1:03:09
  Speaker 1: have a printer, and and she goes, oh, no, I'm
• 1:03:13
  Speaker 1: not I don't need them now. I'm just sort of
• 1:03:15
  Speaker 1: tracking your movements. And she had these lines, she was
• 1:03:19
  Speaker 1: drawing lines you a black piece of paper, like this
• 1:03:22
  Speaker 1: is where Scott's walking on the link, and this is
• 1:03:24
  Speaker 1: where Scott's walking on the next one. Oh, what terrible job.
• 1:03:29
  Speaker 1: How did we do that? From multiple people at one time?
• 1:03:32
  Speaker 1: I don't understand. He's so good at her job. But
• 1:03:36
  Speaker 1: she didn't have she didn't have the she have the
• 1:03:39
  Speaker 1: pages in front of so she couldn't do her job.
• 1:03:41
  Speaker 1: So she was kind of she was a little nervous,
• 1:03:42
  Speaker 1: and I don't blame her, but I was just like,
• 1:03:45
  Speaker 1: let's just shoot this and we'll get you the words.
• 1:03:47
  Speaker 1: After her, Oh my god, but I don't know. I can't,
• 1:03:51
  Speaker 1: I can't. Can't you mean a partner on her foal.
• 1:03:57
  Speaker 1: We shot a great scene. We shot a great scene.
• 1:03:59
  Speaker 1: So I what she's gonna have to do is she's
• 1:04:02
  Speaker 1: gonna go have to take the dialogue off the daily
• 1:04:07
  Speaker 1: would sounds so bad? How much work God? Script? That's
• 1:04:16
  Speaker 1: what I have to say. No, we see you, we
• 1:04:20
  Speaker 1: hear you. So I think I've said my favorite lines.
• 1:04:24
  Speaker 1: I mean I had a thousand in this one. Nice
• 1:04:28
  Speaker 1: will be nice and a nice night it will be
• 1:04:31
  Speaker 1: not so nice for the lamb. I mean, right from
• 1:04:34
  Speaker 1: the start, what do y'all? What are y'all's favorites? I
• 1:04:38
  Speaker 1: like the Dave Lane equals one, but my second one
• 1:04:45
  Speaker 1: is from Emily to Lora Lie and she goes, how
• 1:04:48
  Speaker 1: can you let your daughter be with that abominable thug?
• 1:04:51
  Speaker 1: Like on Emily God. I also like the one from
• 1:05:00
  Speaker 1: Mrs Kim where she said, who are all these unwashed boys?
• 1:05:05
  Speaker 1: Mrs Kim, I'm gonna clap it out for you. Yeah,
• 1:05:09
  Speaker 1: what an episode. It's my favorite. Mrs Kim Uh telling
• 1:05:15
  Speaker 1: Dave Uh that she didn't want him to be shocked
• 1:05:23
  Speaker 1: has a crush on you. I don't I want to
• 1:05:24
  Speaker 1: tell you because I don't want to be shocked for me.
• 1:05:28
  Speaker 1: Honorable mention goes to the degrees poster that's still on
• 1:05:32
  Speaker 1: the wall at Grandma's and then that portrait with Rory
• 1:05:36
  Speaker 1: just reading the books. Oh god, somebody around for a
• 1:05:40
  Speaker 1: while to get a screenshot of that for the Instagram.
• 1:05:43
  Speaker 1: Oh god, what a great episode, good one, you know,
• 1:05:49
  Speaker 1: so well, so well, So we'll wrap this up so
• 1:05:52
  Speaker 1: I can go watch the episode again. Yeah's next week?
• 1:05:58
  Speaker 1: I need what's Yeah? What's next week? What's going on?
• 1:06:00
  Speaker 1: This episode? Face off is because Nick Cage and John
• 1:06:08
  Speaker 1: Travolta so screams, and Dean I think so too. I
• 1:06:13
  Speaker 1: think such another Dan Peladino masterpiece. Um, you know, everyone watching,
• 1:06:21
  Speaker 1: tell us what you think, because because we love this episode,
• 1:06:24
  Speaker 1: I laughed so hard. I mean this was just like
• 1:06:28
  Speaker 1: there were at least ten belly laughs out of this one,
• 1:06:31
  Speaker 1: at least like big tent tent you know, you know
• 1:06:35
  Speaker 1: movies feature films, comedy films make twenty million dollars per
• 1:06:40
  Speaker 1: laugh right, big laughs. This could have made this was this?
• 1:06:44
  Speaker 1: Was it? What? This is a two million dollar comedy
• 1:06:47
  Speaker 1: film and you're getting it for free on a small screen.
• 1:06:51
  Speaker 1: It's only taken an out. That's how good that episode was. U. Hi, everybody,
• 1:06:56
  Speaker 1: Thanks to downloading best friends on the planet and we
• 1:07:00
  Speaker 1: will see you next time for bas off face off,
• 1:07:06
  Speaker 1: ye base off. Hi everybody, love you bye guys. Hey everybody,
• 1:07:40
  Speaker 1: and don't forget Follow us on Instagram at I Am
• 1:07:44
  Speaker 1: all In podcast and email us at Gilmore at I
• 1:07:48
  Speaker 1: Heart radio dot com. Oh you gil More fans. If
• 1:07:51
  Speaker 1: you're looking for the best cup of coffee in the world,
• 1:07:53
  Speaker 1: go to my website for my company scott ep dot com,
• 1:07:57
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• 1:08:00
  Speaker 1: com Grade one especially coffee. Yeah h