Latest / The Breakfast Club / INTERVIEW: Chloe Bailey and Malcolm D. Lee Talks New Movie 'Strung', Love Vs. Control, red Flags, Horror Resurgence + More

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INTERVIEW: Chloe Bailey and Malcolm D. Lee Talks New Movie 'Strung', Love Vs. Control, red Flags, Horror Resurgence + More · The Breakfast Club

• 0:01
  Speaker 1: Every day a week ago.
• 0:04
  Speaker 2: The Breakfast Club. You don't finish for y'all done.
• 0:08
  Speaker 1: Morning.
• 0:09
  Speaker 3: Everybody is d j en Vy, Jess hilarious, Charlamagne, the
• 0:12
  Speaker 3: gud We are the breakfast Club. Law la Uses here
• 0:15
  Speaker 3: as well. We got some special guests in the building. Indeed,
• 0:17
  Speaker 3: we have cousin Chloe Bailey, she's back, and we have
• 0:21
  Speaker 3: Malcolm Lee.
• 0:22
  Speaker 2: Welcome.
• 0:23
  Speaker 3: How y'all feeling excellent?
• 0:25
  Speaker 2: Excellent?
• 0:25
  Speaker 1: How are you guys doing?
• 0:26
  Speaker 2: Bles's black and Holly Favoritechoe? What was you doing with
• 0:28
  Speaker 2: that lady's ousan in this movie?
• 0:30
  Speaker 4: Don't you know she was? That's not Clo.
• 0:33
  Speaker 5: Bringing back movie.
• 0:38
  Speaker 1: The movie is strong and it comes out right. Let's
• 0:44
  Speaker 1: go over.
• 0:46
  Speaker 3: You have a new film called Struck, which comes out
• 0:48
  Speaker 3: on the twenty six. Would it be would you consider
• 0:50
  Speaker 3: it a scary movie?
• 0:52
  Speaker 5: I would consider it a thriller, psychological erotic thriller.
• 0:56
  Speaker 1: Okay, now what is it now?
• 0:58
  Speaker 3: I feel like, especially this generation loves thrillers, love these
• 1:02
  Speaker 3: horror type of movies. What is it about it? It
• 1:05
  Speaker 3: seems like it's making resurges.
• 1:07
  Speaker 1: I don't know.
• 1:07
  Speaker 5: I mean, why do people want to be scared roller
• 1:13
  Speaker 5: coaster rides? I mean the same thing you know, like, listen,
• 1:16
  Speaker 5: I don't I'm not a horror person that this is not.
• 1:18
  Speaker 1: I didn't do this movie because it's a hard movie.
• 1:19
  Speaker 1: It's a thriller. I love thrillers.
• 1:21
  Speaker 5: You know Fail Attraction, for instance, one of my favorite
• 1:23
  Speaker 5: movies of all time. And I was like, okay, you
• 1:26
  Speaker 5: know that people like these kind of like they want
• 1:28
  Speaker 5: to be on the edgency that they want to guess
• 1:30
  Speaker 5: what's going to happen, but they can't guess what happens.
• 1:32
  Speaker 5: It's particularly in this movie. I think people are going
• 1:34
  Speaker 5: to be surprised. They're definitely gonna be surprised, like they're
• 1:37
  Speaker 5: going to be gagged.
• 1:40
  Speaker 1: I think.
• 1:40
  Speaker 6: So that's a crazy thing because when you said that,
• 1:42
  Speaker 6: I'm thinking about Leila and all of this stuff and.
• 1:45
  Speaker 4: See how it ties into the plot.
• 1:46
  Speaker 1: Yeah, give too much?
• 1:47
  Speaker 7: Well, I would think about the part with her on.
• 2:01
  Speaker 4: Him.
• 2:06
  Speaker 1: What do you think is the biggest message in the movie.
• 2:09
  Speaker 8: The biggest message is one wrong move could alter your
• 2:12
  Speaker 8: entire life, so be careful.
• 2:14
  Speaker 4: That's what the message of this film to me is.
• 2:16
  Speaker 1: And all money and good money.
• 2:18
  Speaker 3: Yes, what's the premise of the movie For people that
• 2:20
  Speaker 3: don't know. Right now, you've got a movie strung. What
• 2:22
  Speaker 3: is it abouout giving? Because we seen the movie so.
• 2:26
  Speaker 5: An inspiring musician played by Chloyd Bailey, uh it gets
• 2:30
  Speaker 5: the opportunity to tutor a young troubled girl in music
• 2:34
  Speaker 5: by a very affluent, rich family you know, played led
• 2:38
  Speaker 5: by lind Woodfield. And you know as she gets into
• 2:41
  Speaker 5: the house, things start to unravel and secrets gets revealed
• 2:46
  Speaker 5: and things like that.
• 2:48
  Speaker 2: You don't have to give lynd wid Field no motivation
• 2:50
  Speaker 2: to be.
• 2:54
  Speaker 1: Believe it and always rich.
• 2:58
  Speaker 4: Word came up.
• 3:00
  Speaker 1: Y oh yeah in this case, deph like she came up
• 3:02
  Speaker 1: no doubt.
• 3:03
  Speaker 5: Yeah, no, listen, Len's a phenomenal actress and I've been
• 3:06
  Speaker 5: waiting to work with her for a long time. And
• 3:07
  Speaker 5: to be able to pair up with her on this
• 3:10
  Speaker 5: and with Chloe was was a dream.
• 3:12
  Speaker 1: Now, Chloe, did you do your own stunts?
• 3:14
  Speaker 7: Like?
• 3:14
  Speaker 1: Could you get hit with a lot of things in
• 3:15
  Speaker 1: I did?
• 3:16
  Speaker 4: I did do my own stunts.
• 3:17
  Speaker 8: Shout out to the incredible stunt doubles for the extra
• 3:20
  Speaker 8: hard falls.
• 3:21
  Speaker 4: That I'm gonna do without injuring myself.
• 3:23
  Speaker 8: But I'm such an adrenaline junkie, I know, Like when
• 3:26
  Speaker 8: we had the rehearsal week of prep and we had
• 3:29
  Speaker 8: the stunt. I was extra excited for that, Like that
• 3:31
  Speaker 8: was my favorite part in Miss Lynn is the exact
• 3:34
  Speaker 8: same way, Like I was scared to do certain stunts
• 3:36
  Speaker 8: with her and she was like, oh no, you give
• 3:38
  Speaker 8: me your full energy.
• 3:39
  Speaker 4: And we were really tussling on the floor.
• 3:41
  Speaker 8: Really yes, I had bruise on my thigh from her
• 3:44
  Speaker 8: sixth ins to letto heel. We were going yes, we
• 3:48
  Speaker 8: were going yes, And I was.
• 3:52
  Speaker 4: Like, I really don't want to hurt you.
• 3:54
  Speaker 8: And I said, please make sure it's extra pat and
• 3:55
  Speaker 8: she's like, go come on, come on, bring it on,
• 3:57
  Speaker 8: and we.
• 3:57
  Speaker 4: Were just laughing in between takes.
• 3:59
  Speaker 1: It was a time.
• 4:00
  Speaker 5: I will say that Chloe, like she is in this
• 4:02
  Speaker 5: movie from beginning to end and everything, and she has
• 4:05
  Speaker 5: so much to do in this movie, like emotion, stunts,
• 4:10
  Speaker 5: some of the erotic stuff. You know, it's really and really,
• 4:14
  Speaker 5: I mean just tremendous, tremendous performance from her. And like
• 4:17
  Speaker 5: we shot for thirty six days and she did not
• 4:20
  Speaker 5: have a day off.
• 4:21
  Speaker 2: I mean, somebody erotic stuff. I had to close my
• 4:23
  Speaker 2: eyes like what the hell are you doing?
• 4:29
  Speaker 1: Exactly nothing was shown.
• 4:31
  Speaker 4: She had a ban do and a full boxer brief on.
• 4:38
  Speaker 2: I don't want to ask one question that won't give
• 4:39
  Speaker 2: anything away.
• 4:40
  Speaker 7: Yes, everybody says they want love, but a lot of
• 4:43
  Speaker 7: people really want control.
• 4:44
  Speaker 1: That what's the difference interesting love and control? I don't know, Like,
• 4:51
  Speaker 1: is that really true?
• 4:53
  Speaker 4: Yes?
• 4:54
  Speaker 3: Wow, I know that's right, Chloe, break it down, Chloe,
• 4:56
  Speaker 3: in my experience, break it down.
• 5:00
  Speaker 8: As a virgo rising myself to you know, I have
• 5:04
  Speaker 8: to kind of dial that back as well. And I'm
• 5:07
  Speaker 8: even now like I'm learning I can't control another human being.
• 5:10
  Speaker 8: The only thing that I can control is myself. So
• 5:12
  Speaker 8: I do find that very true, to be honest, what
• 5:15
  Speaker 8: you said.
• 5:16
  Speaker 6: So you're learning it now, what was the recent experience
• 5:18
  Speaker 6: that told you that?
• 5:19
  Speaker 4: Just learning through life?
• 5:21
  Speaker 8: Like you can never change people or try to fit
• 5:22
  Speaker 8: them into the mold that you want them to be in,
• 5:24
  Speaker 8: Just like I don't want people to do that to me.
• 5:26
  Speaker 4: So when you said that, I was like, preach it.
• 5:28
  Speaker 2: You don't feel like this in this movie? Would after control?
• 5:31
  Speaker 4: Oh?
• 5:32
  Speaker 1: Yeah, in this movie?
• 5:33
  Speaker 5: I thought you were talking about random.
• 5:39
  Speaker 1: Sometimes I'm not sure about you.
• 5:40
  Speaker 5: Sometimes what I want.
• 5:44
  Speaker 1: I'm like, okay, these got your questions are what? Yeah? No, no,
• 5:47
  Speaker 1: I think certainly in this movie.
• 5:49
  Speaker 5: I don't think anybody's looking for love necessarily, they are
• 5:51
  Speaker 5: looking completely looking for control.
• 5:53
  Speaker 1: I think I think I think that Layla is looking
• 5:55
  Speaker 1: for love.
• 5:56
  Speaker 5: But and if she finds it in this little girl
• 5:58
  Speaker 5: and real attach that that, you know, in a bond
• 6:01
  Speaker 5: with her because she's dealing with a trauma of her
• 6:03
  Speaker 5: of her own, well last leader.
• 6:05
  Speaker 3: To control, right, because you think you love something so
• 6:07
  Speaker 3: much you want to control it so it never goes away.
• 6:10
  Speaker 5: Wow, I think I don't I can't love in this movie.
• 6:15
  Speaker 5: Is I don't think much of a thing. Although I
• 6:18
  Speaker 5: think I think she's looking for connection and she does
• 6:22
  Speaker 5: find connection, you know, with with Marcus, you know through music.
• 6:26
  Speaker 5: That's their love language and and and that's his love
• 6:28
  Speaker 5: language as well. We find out us other things as well.
• 6:30
  Speaker 4: But you know, is it.
• 6:32
  Speaker 9: True that you had to learn how to play violin
• 6:33
  Speaker 9: for this movie? I mean, I know you been knew
• 6:35
  Speaker 9: how to play with you had to take extensive classes.
• 6:37
  Speaker 8: Yes, So I played in fifth and sixth grade and
• 6:40
  Speaker 8: I was like no problem.
• 6:41
  Speaker 4: Yeah.
• 6:41
  Speaker 8: So the very first scene we shot was the sequence
• 6:45
  Speaker 8: at the beginning where Leila's playing the Mendelssohn so shout
• 6:48
  Speaker 8: out to Stephanie who was my tutor in La who
• 6:50
  Speaker 8: helped like crash course me for a week and a
• 6:53
  Speaker 8: half before we went to South Africa to film, and
• 6:55
  Speaker 8: then shout out to Tony who was also the musical
• 6:57
  Speaker 8: tutor in South Africa.
• 6:59
  Speaker 4: And I'm the person.
• 7:00
  Speaker 8: Who's always watching the movies and I'm like, the lip
• 7:02
  Speaker 8: syncing's not accurate, the breathing is off, the plane's not right,
• 7:05
  Speaker 8: wrong cord on the keys. So I was like, Okay,
• 7:07
  Speaker 8: I really can't mess this up. And I remember I
• 7:09
  Speaker 8: would text and call Malcolm. Malcolm, I don't think I
• 7:11
  Speaker 8: could do this in a week, but we pulled it off.
• 7:14
  Speaker 1: So as we did, she did, she did.
• 7:16
  Speaker 6: Every time you see you playing, that's like one hundred yeah.
• 7:20
  Speaker 2: Yeah.
• 7:20
  Speaker 3: Do you ever read the comments from like when you
• 7:22
  Speaker 3: dropped the trailer and the first coming is always Chloe.
• 7:25
  Speaker 3: If I would have walked in the house and they
• 7:26
  Speaker 3: asked me to train that girl, I would have walked
• 7:28
  Speaker 3: that out.
• 7:30
  Speaker 1: Do you feel that way?
• 7:30
  Speaker 3: Because as soon as I see that girl pop up
• 7:32
  Speaker 3: out and be like nah, I'm good.
• 7:34
  Speaker 8: Of course, I'm a I'm a huge scaredy cat, So
• 7:36
  Speaker 8: I would have turned the other way.
• 7:38
  Speaker 5: Yeah, But I mean, you know, sometimes you look at
• 7:40
  Speaker 5: the opulence, and you look at the at the at
• 7:42
  Speaker 5: the where you could possibly live, and kind of money
• 7:45
  Speaker 5: they're offering is kind of it's particularly someone in these
• 7:48
  Speaker 5: days and times trying to get a foothold, you know,
• 7:51
  Speaker 5: and trying to like teat something that you actually studied.
• 7:54
  Speaker 5: I mean, you know, like, Okay, maybe it's something's weird
• 7:57
  Speaker 5: certainly about this girl creepy, but you know, I need
• 8:01
  Speaker 5: the money. I might need this money at least try
• 8:03
  Speaker 5: it out and see.
• 8:03
  Speaker 7: But she's also not the only person in the house
• 8:05
  Speaker 7: wearing a mask, physically wearing That's exactly what we.
• 8:09
  Speaker 5: All wear, a mask, Charlottmagne, and certainly in this movie,
• 8:12
  Speaker 5: that's what the little girl tells the grandmother yours first, what.
• 8:17
  Speaker 6: About Because there's a lot of ancestor talk, right, like
• 8:20
  Speaker 6: trust and the ancestors, and then there's like the African
• 8:22
  Speaker 6: like the mask and the heart talk a bit about
• 8:25
  Speaker 6: the observation there, like what that is supposed to read
• 8:28
  Speaker 6: to the audience who's watching it.
• 8:29
  Speaker 5: You know, I was really taken by the script by
• 8:32
  Speaker 5: Alan McElroy and a lot of that was embedded in
• 8:34
  Speaker 5: the storytelling, and you know, I think that that's really true.
• 8:38
  Speaker 1: I mean I think I think our answers are talking
• 8:39
  Speaker 1: to us all the time.
• 8:41
  Speaker 5: You know, and and you know, I love that line
• 8:43
  Speaker 5: the little girl says, you know that the instincts are
• 8:47
  Speaker 5: messages from from the ancestors, and so I think that
• 8:50
  Speaker 5: that's you know, a lore throughout and and that not
• 8:53
  Speaker 5: only traces back to like there are current answers, but
• 8:56
  Speaker 5: the ones that are from way way back.
• 8:58
  Speaker 1: In you know, in the motherland.
• 9:00
  Speaker 5: Well, so we have a lot of African lore in
• 9:02
  Speaker 5: this in this uh, in this film.
• 9:04
  Speaker 6: I thought it was crazy how it's like that that
• 9:06
  Speaker 6: ancestor talking. That's what protects you guys at a certain
• 9:08
  Speaker 6: point in the movie. But at the same time, your answer,
• 9:11
  Speaker 6: not your ancestors, but your generational like lineage just right
• 9:14
  Speaker 6: there with you is what you're fighting against at the
• 9:16
  Speaker 6: same time. Like that play I thought was cool, Thank
• 9:19
  Speaker 6: you very much, you walk. I don't know if that
• 9:20
  Speaker 6: was purposely done.
• 9:22
  Speaker 5: I mean, you know, I try to like take exactly
• 9:25
  Speaker 5: what's in the script and then enhance it and try
• 9:28
  Speaker 5: to like bring forth a vision that you know, it's
• 9:30
  Speaker 5: going to be as as full as possible, and representation
• 9:33
  Speaker 5: as representational as possible, and authentic as possible, even in
• 9:37
  Speaker 5: like a you know, a genre movie. You know, it's
• 9:38
  Speaker 5: particularly when you're just you know, dealing with black people.
• 9:41
  Speaker 5: You just want to make sure that that all the
• 9:43
  Speaker 5: images and all the all the messages feel like authentic.
• 9:49
  Speaker 3: But you are scaredy cat, you said, right, yes, what
• 9:51
  Speaker 3: brought you to this movie?
• 9:53
  Speaker 8: Well, I have never seen musical instruments being used as weapons.
• 9:59
  Speaker 8: I'd that was just so fun and it was done
• 10:02
  Speaker 8: in a non corny way, and of course the script
• 10:06
  Speaker 8: and I loved it immediately, and I was really drawn
• 10:09
  Speaker 8: to Layla.
• 10:10
  Speaker 4: You know.
• 10:10
  Speaker 8: Layla's like this goodie two shoes who's really focused on music,
• 10:13
  Speaker 8: and her friends are like, come on, you're a stickler,
• 10:15
  Speaker 8: like come on, come out, have a one night stand.
• 10:18
  Speaker 4: She has the wrong one night stand and the rest
• 10:20
  Speaker 4: is history.
• 10:21
  Speaker 8: But I really loved this script, and Malcolm was such
• 10:25
  Speaker 8: a phenomenal director. And then when I heard bee Lynn
• 10:29
  Speaker 8: Whitfield was attached, I just was like, Okay, this is
• 10:32
  Speaker 8: even more special than I could have ever imagined.
• 10:35
  Speaker 4: And then when they told.
• 10:36
  Speaker 8: Me Coco was my best friend and we're we've been
• 10:39
  Speaker 8: good friends since I was twelve. Like Callie and I
• 10:41
  Speaker 8: played the choir girls, behind her and let it shine.
• 10:44
  Speaker 8: So it's really cool that we all get to come
• 10:47
  Speaker 8: up together and shout out to Lucian who was just
• 10:49
  Speaker 8: phenomenal as Marcus and the entire cast Anna So and
• 10:53
  Speaker 8: Romy like she was just the perfect Zury And I
• 10:56
  Speaker 8: just loved the innocence that she brought to the film
• 10:59
  Speaker 8: and the love and I have.
• 11:01
  Speaker 4: To shout her out as well. She actually learned how
• 11:03
  Speaker 4: to play piano for this film. She did it before,
• 11:06
  Speaker 4: so like.
• 11:06
  Speaker 8: Knowing like the little musician in me. I was just
• 11:09
  Speaker 8: so enamored by her with that.
• 11:11
  Speaker 7: What made you cast the Partisan Fontaine's and the Coco
• 11:14
  Speaker 7: Joneses and Chloe's Like, what made you the musical artist?
• 11:19
  Speaker 5: Well, Coco, we really wanted to be in the film,
• 11:22
  Speaker 5: like you know, she's got a great comedic timing and
• 11:25
  Speaker 5: it would be a good foil you know for Laila.
• 11:28
  Speaker 5: As far as Partisan, I mean, it was like, you
• 11:30
  Speaker 5: know a lot of people auditioned for this role. When
• 11:32
  Speaker 5: I saw him, I was like, oh, that dude. I
• 11:35
  Speaker 5: didn't know who he was, right, and then I saw
• 11:37
  Speaker 5: who's he.
• 11:38
  Speaker 1: Because he seems very authentic. He seems real.
• 11:40
  Speaker 5: Like a lot of times there's the actors that have
• 11:41
  Speaker 5: tried to play rappers or rappers who can't really act
• 11:44
  Speaker 5: or whatever. This guy could. You know, he had he
• 11:46
  Speaker 5: had a bravado. He had, he had, you know, a
• 11:48
  Speaker 5: presence that I thought they'll be very strong for the movie.
• 11:51
  Speaker 5: And particularly because you know, he's kind of like a
• 11:53
  Speaker 5: hero in the movie, you know, like you know, like
• 11:55
  Speaker 5: like somebody that like you know, we don't get to
• 11:57
  Speaker 5: see a whole lot but only in flashback. And I
• 12:00
  Speaker 5: thought he was, you know, I had a very strong presence,
• 12:02
  Speaker 5: and I thought, Okay, he he's the he's.
• 12:05
  Speaker 1: The right, the right fit for this role.
• 12:07
  Speaker 4: I thought that was dope. You said you were a
• 12:09
  Speaker 4: scaredy kid.
• 12:09
  Speaker 1: How did you do the Exorcism?
• 12:11
  Speaker 4: Because you played let me tell you, I have not
• 12:14
  Speaker 4: watched that to this day. Then when I had eight R,
• 12:17
  Speaker 4: so eight R. You guys know what it is.
• 12:19
  Speaker 8: But for anyone who doesn't, it's like when you go
• 12:20
  Speaker 8: and overdub the parts.
• 12:22
  Speaker 4: That the mic didn't catch right.
• 12:23
  Speaker 8: I had to ask him to turn the TV off
• 12:25
  Speaker 8: and I'll just follow it with the beeps.
• 12:27
  Speaker 4: That's how scared I was. Yes, and I don't know
• 12:31
  Speaker 4: how I did that. We were filming. It was fine,
• 12:33
  Speaker 4: but you killed I hope I did, because I still haven't.
• 12:37
  Speaker 1: Why do you accept the role?
• 12:38
  Speaker 4: I'm sorry wrong, but how why did you accept the
• 12:42
  Speaker 4: role for exicism? So I thought the script was really dope.
• 12:44
  Speaker 8: It was, and the Russell Crowe, I mean, like, why
• 12:47
  Speaker 8: would I not act alongside him? And he was so
• 12:50
  Speaker 8: kind it was really fun to be honest.
• 12:59
  Speaker 2: One night thing and the yes.
• 13:00
  Speaker 7: So it's one red flag that people ignore just because
• 13:03
  Speaker 7: they're attracted to somebody.
• 13:05
  Speaker 8: I think the word you said control, I think, not
• 13:08
  Speaker 8: just in men, but also women. I think we have
• 13:11
  Speaker 8: to allow ourselves to enjoy the other for who they
• 13:15
  Speaker 8: are completely.
• 13:15
  Speaker 4: I think that's one red flag.
• 13:17
  Speaker 8: I think another red flag is if they're rude to
• 13:19
  Speaker 8: service people, waiters, you know, anyone cleaning anything like that.
• 13:23
  Speaker 8: If I see that, it's an instant turn off and
• 13:25
  Speaker 8: I don't want to talk to you anymore.
• 13:26
  Speaker 2: So you just stayed for the money in the movie
• 13:28
  Speaker 2: because they was all treating you.
• 13:29
  Speaker 6: Terrible that I know, not at first though, Like I
• 13:34
  Speaker 6: feel like when you meet him at first, even though
• 13:35
  Speaker 6: y'all don't.
• 13:36
  Speaker 4: Even I can't give it away, not him else in
• 13:38
  Speaker 4: the house.
• 13:39
  Speaker 6: But even when she the first couple, like the first
• 13:41
  Speaker 6: like a couple of days you got into the house,
• 13:43
  Speaker 6: it was like the family. Yeah, there was a very
• 13:47
  Speaker 6: like whimsical feel to him to the family, and then
• 13:50
  Speaker 6: things just like changed. It's like, how would you have
• 13:52
  Speaker 6: known that there were flags? Like eventually we started seeing them,
• 13:56
  Speaker 6: but at first she don't.
• 13:57
  Speaker 5: But she's also I'm sorry, it's okay, No, she's also
• 14:00
  Speaker 5: attached to the little girl.
• 14:01
  Speaker 2: Right.
• 14:02
  Speaker 5: Obviously there's there's some there's some past trauma that she
• 14:04
  Speaker 5: hasn't really dealt with, and she's seeing that in this
• 14:07
  Speaker 5: little girl. And that was, you know, one of the
• 14:10
  Speaker 5: relationships in the movie that we had to make sure
• 14:12
  Speaker 5: we underlined and make sure that that felt real and authentic,
• 14:14
  Speaker 5: that that she had a kinship to this little girl
• 14:17
  Speaker 5: and she was advocating for her because there was something
• 14:19
  Speaker 5: that's not just wrong with her, but something that was
• 14:22
  Speaker 5: causing that that that pain. And we find out later
• 14:25
  Speaker 5: on that you know, about attachment to her to her
• 14:27
  Speaker 5: biological father, played bipartisan, that there's something more than meets
• 14:33
  Speaker 5: the eye.
• 14:34
  Speaker 8: And I love how art imitates life because that's with everyone,
• 14:37
  Speaker 8: you know, they don't really show their full selves until
• 14:39
  Speaker 8: they can't right cover it up anymore.
• 14:42
  Speaker 4: Like the habit.
• 14:44
  Speaker 8: It just goes away like this is who I really am.
• 14:46
  Speaker 8: The facade melts away and you see, oh, this is
• 14:49
  Speaker 8: who I've really been dealing with. So I think that's
• 14:51
  Speaker 8: with everyone in this world, to be honest, And I think.
• 14:54
  Speaker 4: It showed a really great way in the film.
• 14:57
  Speaker 2: Yeah.
• 14:57
  Speaker 7: I liked how it showed how happy you were to
• 14:59
  Speaker 7: get to the jail up right, And then there's a point
• 15:01
  Speaker 7: in the movie where you like, I knew this was
• 15:02
  Speaker 7: too good to be true, and it just had me thinking,
• 15:04
  Speaker 7: like joy shouldn't be a red flag for black Like
• 15:07
  Speaker 7: when things finally start going right, that shouldn't be a.
• 15:09
  Speaker 5: Red Like I'm with I'm with Chris Rock on this,
• 15:13
  Speaker 5: Like I was like, you know, like you know, I
• 15:14
  Speaker 5: keep a bag by the door, like somebody might take
• 15:17
  Speaker 5: this away.
• 15:21
  Speaker 6: Crazy, Like why would you just move in on people
• 15:23
  Speaker 6: house you don't know? No, this it had to be
• 15:25
  Speaker 6: too good to be true, Like I just knew, like.
• 15:26
  Speaker 8: Well, she didn't have a place to live. She was
• 15:28
  Speaker 8: couch surfing. She was on her best friend's.
• 15:30
  Speaker 1: Couch, who's a single mom.
• 15:33
  Speaker 4: Yeah, so she's like, oh, this is God answered prayers.
• 15:37
  Speaker 1: She's on the come up right, He's on to come up.
• 15:39
  Speaker 4: How did you How did pivot into this genre.
• 15:42
  Speaker 9: Right of like thriller, suspense stretch you as a director,
• 15:45
  Speaker 9: because you know, we know you feel like drama, comedy,
• 15:48
  Speaker 9: all of that.
• 15:49
  Speaker 5: Yeah, you know, I never want to be a one
• 15:51
  Speaker 5: trick pony. I don't want to just you know, do
• 15:54
  Speaker 5: one thing. Like some of my favorite directors are like
• 15:56
  Speaker 5: Steven Soderberg and Angley you just you just you know,
• 15:58
  Speaker 5: you don't know what they're gonna come up with next.
• 16:00
  Speaker 5: And so when I read the script, I was like, oh,
• 16:02
  Speaker 5: I want to do this, this is this is un
• 16:04
  Speaker 5: necessarily necessarily up my alley. But in terms of like
• 16:07
  Speaker 5: depictures of black people and try and do a different
• 16:10
  Speaker 5: kind of thing, it wasn't a huge stretch in terms
• 16:13
  Speaker 5: of like my approach to this, you know, establishing tone first.
• 16:17
  Speaker 5: I want to do the tone, make sure the characters
• 16:20
  Speaker 5: are grounded, you know, talk to the actors, you know,
• 16:23
  Speaker 5: tell my my vision to my my crew, same thing
• 16:26
  Speaker 5: with the actors, and make sure we have you know,
• 16:28
  Speaker 5: enough time to discuss all those things. And then you know,
• 16:30
  Speaker 5: also do a little research, you know, like you know,
• 16:32
  Speaker 5: look at some Hitchcock movies, look at you know, fail track,
• 16:35
  Speaker 5: look at some of the Blumhouse pictures and see, okay,
• 16:36
  Speaker 5: what's the rhythm of those movies? Because a lot, a
• 16:38
  Speaker 5: lot of times it was nice not to first of all,
• 16:41
  Speaker 5: not nice not to have to cut to the joke,
• 16:43
  Speaker 5: you know, because that gets that's very difficult, right, Not
• 16:45
  Speaker 5: to say that this wasn't a difficult process. It was
• 16:48
  Speaker 5: a nice challenge actually to like you know, not have
• 16:50
  Speaker 5: to like cut cut, cut, cut cut, and just like
• 16:53
  Speaker 5: let things kind of breathe and let actors kind of
• 16:55
  Speaker 5: like do their thing in the movie.
• 16:56
  Speaker 1: So and then you know, the the rhythm of.
• 16:59
  Speaker 5: A scare or a jump scare and a laugh are
• 17:02
  Speaker 5: very similar, so you just it's it's you just have
• 17:05
  Speaker 5: to you know, establish the right tone.
• 17:07
  Speaker 7: And then you said, the laugh and the scare similar.
• 17:10
  Speaker 1: In terms of like the anticipation.
• 17:12
  Speaker 5: You gotta set up set up something, you know, whether
• 17:14
  Speaker 5: you plant something early in a joke, you know, okay,
• 17:17
  Speaker 5: you you said something up and then like okay, like
• 17:19
  Speaker 5: for on Girls Trip, like oh I have to pee,
• 17:21
  Speaker 5: and then like you know, on the Zip blunch gets
• 17:23
  Speaker 5: out there, Oh my god, what's gonna happen?
• 17:25
  Speaker 1: Same thing with a scare.
• 17:26
  Speaker 5: You gotta you gotta like you know, set it up
• 17:28
  Speaker 5: and then like pay it off later on. So it's
• 17:30
  Speaker 5: it's it's a similar rhythm and you know, but it's
• 17:34
  Speaker 5: these aren't It's not a huge amount of jump scares
• 17:36
  Speaker 5: in this movie, but it does have a lot of
• 17:39
  Speaker 5: tension and it just you know, it keeps you on
• 17:40
  Speaker 5: the edge of your seat. So like that, I like
• 17:42
  Speaker 5: that part especially, you know, and it gets really crazy
• 17:44
  Speaker 5: towards the end.
• 17:46
  Speaker 3: Now, Tyler Perry is part of the movie. He's a
• 17:47
  Speaker 3: director with a producer.
• 17:49
  Speaker 1: How involved was he doing this? Not very he was.
• 17:52
  Speaker 5: He was in I know that he was integral in
• 17:55
  Speaker 5: getting this script out or or you know, development of
• 17:57
  Speaker 5: the script, and he bought the script.
• 17:59
  Speaker 1: But you know, between Blumhouse and Tyler.
• 18:03
  Speaker 5: Perry, like there they just set the playground up and
• 18:06
  Speaker 5: then it's up to me to like, you know, drive
• 18:08
  Speaker 5: it all the way home.
• 18:10
  Speaker 7: What relationships taught you about storytelling relationships?
• 18:13
  Speaker 1: Huh? I don't know.
• 18:16
  Speaker 5: I mean, I think everything that's happened in my in
• 18:20
  Speaker 5: my entire life and entire career, like I let it's
• 18:23
  Speaker 5: gonna sound a little bit woo woo, but like I
• 18:25
  Speaker 5: let God kind of like you know, flow through me
• 18:27
  Speaker 5: and he gives me the answers for a lot of stuff,
• 18:30
  Speaker 5: and I do a lot.
• 18:30
  Speaker 1: Of my own research and studying and things like that.
• 18:33
  Speaker 5: And then you know, you know, God puts certain people
• 18:36
  Speaker 5: in my life and you know they're they're in your
• 18:39
  Speaker 5: life for a reason or a season, right, And so
• 18:41
  Speaker 5: like it's just I think this is really true, And
• 18:43
  Speaker 5: like I learned something from from relationships from friends, and
• 18:46
  Speaker 5: I infuse it into everything that I do and.
• 18:48
  Speaker 7: I think about like from best Man the Girl's Trip
• 18:50
  Speaker 7: to even you know, Strong, It's like there's always some
• 18:53
  Speaker 7: type of romantic relationship.
• 18:56
  Speaker 2: I supposed to be romantic relationship center that senate that.
• 18:59
  Speaker 5: Yeah, you know, I think that I love romance, you know,
• 19:02
  Speaker 5: I love love, you know, and particularly you know, I
• 19:04
  Speaker 5: love when when when black people are in love and
• 19:06
  Speaker 5: seeing that on screen.
• 19:07
  Speaker 1: I think that you know, we we we need to
• 19:09
  Speaker 1: see that, you know.
• 19:12
  Speaker 5: Amongst you know ourselves and like and and know what's
• 19:14
  Speaker 5: possible or at least think that there's something possible, that's
• 19:17
  Speaker 5: something hopeful as possible.
• 19:18
  Speaker 1: And so I like doing that.
• 19:21
  Speaker 5: And again it's nothing about what's positive or whatever. I
• 19:23
  Speaker 5: just want to do something that feels authentic, what makes
• 19:26
  Speaker 5: your storytelling so amazing.
• 19:27
  Speaker 3: You know, watching a lot of movies recently, sometimes the
• 19:31
  Speaker 3: story it doesn't you don't get it. But with your storytelling,
• 19:34
  Speaker 3: from the Best Man to Girls Trip to.
• 19:35
  Speaker 1: This like, people get your storytelling. So what makes yours?
• 19:39
  Speaker 5: I want to make it very I want first of all,
• 19:41
  Speaker 5: I want to entertain people, right. I want to make
• 19:43
  Speaker 5: people to to to see themselves. I want them to
• 19:45
  Speaker 5: see I want them to understand it. Like I remember
• 19:50
  Speaker 5: in high school, you know, I would see these films
• 19:53
  Speaker 5: that that the people would make and I'd.
• 19:55
  Speaker 1: Be like, what what is what do they do? What
• 19:56
  Speaker 1: does that mean? I don't I don't get it right.
• 19:58
  Speaker 1: I want films to be ex accessible, right, I want them.
• 20:01
  Speaker 5: I want you to understand where where the story is
• 20:04
  Speaker 5: coming from, and that you can you see yourself in
• 20:07
  Speaker 5: those characters and all these things that we all go through,
• 20:09
  Speaker 5: writes of passage.
• 20:10
  Speaker 1: And falling in love or what have you.
• 20:13
  Speaker 5: You know, I think that those are things that that
• 20:14
  Speaker 5: I want people to kind of understand and make it plain,
• 20:17
  Speaker 5: not to make it, not to dumb it down, and
• 20:19
  Speaker 5: then you know, elevated.
• 20:21
  Speaker 4: You know, we resonate with it. You know, we can
• 20:24
  Speaker 4: see ourselves in.
• 20:25
  Speaker 3: It is it more difficult now because it feels like
• 20:29
  Speaker 3: the short movies or the short things are happening, right
• 20:32
  Speaker 3: you see these three movies or you see these uh
• 20:36
  Speaker 3: kids watching YouTube or two time speed and things like that.
• 20:40
  Speaker 3: Is that more difficult when it comes to write in
• 20:42
  Speaker 3: because I miss the movies like usual suspects where it
• 20:45
  Speaker 3: has to play out. Are people not staying that long
• 20:48
  Speaker 3: for the end?
• 20:49
  Speaker 5: Or I think, you know, you got to get people
• 20:52
  Speaker 5: a reason to go to the movies or to even
• 20:54
  Speaker 5: you know, sit through something, right, I mean, because there's
• 20:57
  Speaker 5: so many distractions out there, but you got to get them.
• 20:58
  Speaker 1: Something that that's gonna hook them in.
• 21:00
  Speaker 5: And I think that this generation of filmmakers, and you
• 21:03
  Speaker 5: can see it right now with like you know, obsession
• 21:06
  Speaker 5: and back rooms. You know, these kids are making and
• 21:10
  Speaker 5: I'm mean to call them kids, but these young folks
• 21:13
  Speaker 5: are finding their voice and they're putting it out there,
• 21:16
  Speaker 5: and I think that's great.
• 21:16
  Speaker 1: I think that there'll be more of that.
• 21:18
  Speaker 5: You know that we're going to see you know, the
• 21:21
  Speaker 5: Breakfast Club, and we're going to see Feris Virualless Day
• 21:24
  Speaker 5: Off and and movies like that that are going to
• 21:26
  Speaker 5: come back or come to speak to this generation.
• 21:28
  Speaker 1: I think we're in a place where where.
• 21:31
  Speaker 5: It's you know, consumerism or and and or people just
• 21:35
  Speaker 5: looking at stuff, you know, very very quickly.
• 21:38
  Speaker 1: Their attention spans are.
• 21:39
  Speaker 5: Just like like this because they're just you know, they
• 21:43
  Speaker 5: don't know how to be bored.
• 21:44
  Speaker 2: Do you believe in the micro dramas?
• 21:47
  Speaker 1: Believe in them? They're here?
• 21:49
  Speaker 2: Yeah, I mean is it a fad? Is it something
• 21:51
  Speaker 2: that I don't know?
• 21:52
  Speaker 5: I mean, like you know, like I think maybe like
• 21:55
  Speaker 5: seven eight years ago there was a there was a
• 21:57
  Speaker 5: company called Quibbi.
• 21:58
  Speaker 1: Quib but they weren't ready for it.
• 22:01
  Speaker 5: But now now they're doing quick and like the quip
• 22:03
  Speaker 5: is happening right now, so I mean people are looking
• 22:05
  Speaker 5: at them.
• 22:05
  Speaker 2: Yeah.
• 22:06
  Speaker 9: I think it's gonna like circle back around to you know,
• 22:09
  Speaker 9: the long form and.
• 22:10
  Speaker 4: Like everything repeats.
• 22:12
  Speaker 9: So I think it's a it's a phase right now
• 22:14
  Speaker 9: that we're gonna go back to seeing that long form
• 22:17
  Speaker 9: bodies of work where you can watch you know, Like,
• 22:20
  Speaker 9: I don't know, I don't think verticals is here to stay.
• 22:22
  Speaker 1: They might be. I mean that they'll just they'll just
• 22:24
  Speaker 1: have their place.
• 22:26
  Speaker 5: And you know, and and and everything will kind of
• 22:28
  Speaker 5: like you know, I think people are still going to
• 22:29
  Speaker 5: the movies, and and and and and as long as
• 22:31
  Speaker 5: it feels like it's an event, I think listen, I
• 22:33
  Speaker 5: think that COVID, you know, accelerated like watching things at
• 22:38
  Speaker 5: home and you know, and and then I think some
• 22:41
  Speaker 5: bad things came out of with with the with the
• 22:42
  Speaker 5: with the writers strike, Some bad you know, movies were
• 22:45
  Speaker 5: made and people are like, eh, now, I think it's
• 22:48
  Speaker 5: kind of bad.
• 22:48
  Speaker 3: Movies Amade and and and I think that's because people
• 22:51
  Speaker 3: are staying home so much.
• 22:52
  Speaker 1: Some of these movies.
• 22:53
  Speaker 3: It's just it's just too fast, Like you can see
• 22:55
  Speaker 3: the writing is not there, the shots are not there.
• 22:57
  Speaker 1: I feel like they're not even editing, but like he
• 22:58
  Speaker 1: didn't even wear that yes.
• 23:02
  Speaker 4: To get it out?
• 23:02
  Speaker 5: Yeah yeah, yeah, yeah yeah. But I think I think
• 23:04
  Speaker 5: the industry is writing itself again. It's it's it's like
• 23:07
  Speaker 5: like you said, it's it's it's it goes through waves
• 23:10
  Speaker 5: and ebbs and flows.
• 23:12
  Speaker 2: Yeah, you know, you know Chloy.
• 23:13
  Speaker 7: People of course have watched you grow up, right, and
• 23:15
  Speaker 7: everybody got opinions about who you should be. When you
• 23:17
  Speaker 7: see a role like this, yes, where you you know,
• 23:20
  Speaker 7: busting it open for another woman, Jesus, and you've questioned
• 23:23
  Speaker 7: the role like and how people might receive it.
• 23:26
  Speaker 4: Layla's doing that, but she.
• 23:32
  Speaker 8: But she's also a violinist and she's trying to really
• 23:37
  Speaker 8: make something of herself. Like we talk about that at
• 23:39
  Speaker 8: the forefront, but we're not talking about how she's busting
• 23:42
  Speaker 8: her behind and she's sacrificing her well being just to
• 23:45
  Speaker 8: make ends meet so that she could live out her dreams.
• 23:48
  Speaker 4: So, yes, she is doing that, but she's also doing this.
• 23:50
  Speaker 8: And we are all multi layered as not only women
• 23:53
  Speaker 8: but men as well. And I mean, if we're going
• 23:56
  Speaker 8: to create art that reflects.
• 23:59
  Speaker 4: Life, we have to be honest and real about it.
• 24:01
  Speaker 8: I mean, I think people because people have grown up
• 24:04
  Speaker 8: with me, which I am so grateful for, and the
• 24:07
  Speaker 8: fans and it feels like family. I'm happy that they
• 24:11
  Speaker 8: feel nostalgia when they look at me, and I'm happy
• 24:13
  Speaker 8: that now they're learning to appreciate who I am as
• 24:16
  Speaker 8: a twenty eight year old woman in two weeks, so
• 24:19
  Speaker 8: I'm two years from thirty, and I'm also an actress.
• 24:21
  Speaker 1: Oh Russia, stay in the twenties.
• 24:24
  Speaker 4: Yes, it's all right.
• 24:25
  Speaker 8: I'm grateful I have changed my perspective. I'm grateful for
• 24:27
  Speaker 8: another year of life and I'm learning so much. So yeah,
• 24:31
  Speaker 8: Layla did that, but she also doing the other things
• 24:33
  Speaker 8: as well. She was also playing the mental sin as
• 24:35
  Speaker 8: a black woman. In the opening sequence, she.
• 24:38
  Speaker 1: Was also open, but talk about it.
• 24:41
  Speaker 4: I mean, hello, we saw the blood splatter around.
• 24:44
  Speaker 1: Let's talk about that.
• 24:46
  Speaker 2: Your sense of self.
• 24:48
  Speaker 8: My sense of self, whoo Jesus. Definitely the people that
• 24:53
  Speaker 8: I surround myself with, prayer, Definitely my godmom, who's my manager,
• 24:58
  Speaker 8: my family. I love being an auntie.
• 25:01
  Speaker 4: I love Halo Hallie. Birth the greatest blessing.
• 25:05
  Speaker 8: I have so many little like to be honest, knowing
• 25:08
  Speaker 8: that I have little young ones who look up to me,
• 25:11
  Speaker 8: it has changed my perspective in a way, like coming
• 25:14
  Speaker 8: to certain things that I wear, or even certain lyrics
• 25:17
  Speaker 8: like I'm still a woman and I have every right
• 25:19
  Speaker 8: to talk about my experiences, but there are some there
• 25:22
  Speaker 8: are more artful ways to say things, or I can
• 25:25
  Speaker 8: still be sexy and show curve, but you know, it
• 25:28
  Speaker 8: doesn't have to be all out there. So I don't
• 25:30
  Speaker 8: regret how I, you know, introduce myself as a young
• 25:34
  Speaker 8: woman into the world. But now that I'm about to
• 25:37
  Speaker 8: be twenty eight, I definitely I'm want to find too
• 25:40
  Speaker 8: and be like okay, boom boom bomb, ma'am.
• 25:42
  Speaker 6: I feel like with the visuals I was watching from
• 25:44
  Speaker 6: the things that you put out under your mixtate with
• 25:46
  Speaker 6: Temple Resurrection, right, Yes, yes, it gives that. I mean
• 25:48
  Speaker 6: I think that you've always given up, but it gives
• 25:50
  Speaker 6: that though, like I'm seeing you, it's like storytell around
• 25:53
  Speaker 6: like the elevated sexy Thank you.
• 25:55
  Speaker 4: I appreciate that. Yes, that's exactly it. Thank you?
• 25:58
  Speaker 6: Do you when you put those things out there though?
• 26:00
  Speaker 6: I saw you have a conversation with people about body insecurity.
• 26:03
  Speaker 6: It was extra one of the outlets. Yes, when you
• 26:05
  Speaker 6: put those things out there, people respond to you about
• 26:07
  Speaker 6: different things like what are you What are you telling
• 26:10
  Speaker 6: yourself to not respond to those people because I see
• 26:13
  Speaker 6: you in the comments sometimes too.
• 26:15
  Speaker 8: Oh yes, so the thing about me cancer emotional. Of
• 26:18
  Speaker 8: course things are going to get to me sometimes, but
• 26:21
  Speaker 8: I have changed my perspective to instead. I used to
• 26:24
  Speaker 8: be like, oh my gosh, they're talking so much crap
• 26:27
  Speaker 8: about me. No, I'm like, thank you, thank you for
• 26:29
  Speaker 8: talking about me. I'm happy that you care, like I know,
• 26:32
  Speaker 8: and of course certain comments will still dig at me,
• 26:35
  Speaker 8: but you know, I'm just happy that they're talking. To
• 26:38
  Speaker 8: be honest, that's kind of the place that I'm in
• 26:40
  Speaker 8: because I need that for the job that I'm in.
• 26:42
  Speaker 2: But I know the difference.
• 26:44
  Speaker 6: Yeah, yeah, And in the movie, like even when you're
• 26:46
  Speaker 6: in the fighting scenes and when you're in the brown
• 26:49
  Speaker 6: at the end of the movie, I was like, Oh,
• 26:50
  Speaker 6: she looks good. But then you're talking about like you
• 26:53
  Speaker 6: were talking about like your arms and stuff.
• 26:54
  Speaker 1: I'm like, girl, what.
• 26:56
  Speaker 4: You thank you baby?
• 26:57
  Speaker 8: So the thing is, yes, I want to show the
• 26:59
  Speaker 8: best version of myself.
• 27:01
  Speaker 4: Like the nice edited snatch with the corset.
• 27:04
  Speaker 8: I want to show that I feel great showing that,
• 27:08
  Speaker 8: but I also want to show yeah I have cellu
• 27:10
  Speaker 8: light stretch marks, Yeah, I have dimples in my arms,
• 27:13
  Speaker 8: certain things that I am insecure about. You can have
• 27:16
  Speaker 8: insecurities but still celebrate your body at the same time,
• 27:19
  Speaker 8: And I think that's why I'm so vocal about certain things,
• 27:21
  Speaker 8: because yes, I want to show the best side and
• 27:23
  Speaker 8: version of myself. But I don't want the generation coming
• 27:28
  Speaker 8: up to think that that's all there is because it's
• 27:30
  Speaker 8: a facade. This is my job, like this is me,
• 27:33
  Speaker 8: but this is me with a glam team. This is
• 27:35
  Speaker 8: me done up, Like I have two versions. When I'm home,
• 27:38
  Speaker 8: I have no makeup on, I look almost like.
• 27:40
  Speaker 4: A boy, and then I have this version.
• 27:42
  Speaker 8: So I want to be honest about both, Like if
• 27:45
  Speaker 8: I'm putting this side out, I want to put that
• 27:47
  Speaker 8: side out as well.
• 27:48
  Speaker 4: I get it.
• 27:49
  Speaker 6: The people be tough, though, but I get it.
• 27:51
  Speaker 5: I think I would have said Chloe is a bundle
• 27:53
  Speaker 5: of positivity. Seriously, every day on set, she you know,
• 27:58
  Speaker 5: even though she was tiring, but you know, I'm called
• 28:00
  Speaker 5: force calls. You're supposed to give your actress, you know,
• 28:03
  Speaker 5: a certain amount of time that to turn around. We're like, okay,
• 28:05
  Speaker 5: we need you to come and set. She was always
• 28:07
  Speaker 5: like okay, hey, good morning everyone. You know, just just
• 28:10
  Speaker 5: always positive. So like I you know, I'm very proud
• 28:12
  Speaker 5: of the work she did in this movie. She's fantastic. Really,
• 28:16
  Speaker 5: like what the the true leading lady had to do? Everything, physical, emotional.
• 28:24
  Speaker 1: I can cry on a dime. I mean, a phenomenal actress.
• 28:28
  Speaker 2: I did.
• 28:29
  Speaker 7: I feel sorry for Layla, just like I felt sorry
• 28:32
  Speaker 7: for the young lady in Obsession too, because they both
• 28:35
  Speaker 7: got manipulated, yes by men that caused them to act crazy.
• 28:40
  Speaker 1: Not just men, well not in this movie.
• 28:44
  Speaker 2: That's a good that's an interesting point. The title is
• 28:46
  Speaker 2: strung Is that just about love?
• 28:49
  Speaker 1: Well, it has a number of meanings, right, like strung along.
• 28:53
  Speaker 5: Strung out, strong, like the strings violent, exactly, exactly, a.
• 28:59
  Speaker 6: Little bit from the friend group a little bit too,
• 29:02
  Speaker 6: not like they like they pressured you into some things
• 29:04
  Speaker 6: that I think when you're vulnerable and you're trying to
• 29:09
  Speaker 6: figure out love, that doesn't always mean you're looking for
• 29:10
  Speaker 6: a man. Like you're dealing with a loss and you're
• 29:12
  Speaker 6: depending on your girlfriends and they're like, oh, we should
• 29:15
  Speaker 6: be over here doing it.
• 29:15
  Speaker 2: But she also told them how good to dig with.
• 29:24
  Speaker 4: Well intended you know.
• 29:26
  Speaker 8: I think the friends were like, Okay, this isn't helping,
• 29:28
  Speaker 8: this isn't helping.
• 29:29
  Speaker 4: Maybe a man, but the night will help.
• 29:31
  Speaker 2: You know.
• 29:32
  Speaker 4: Sometimes you need a good distraction, That's what I think.
• 29:34
  Speaker 5: And by the way you left the club, Layla left
• 29:38
  Speaker 5: the club, she was like, I'm trying to go do
• 29:39
  Speaker 5: my music.
• 29:40
  Speaker 6: She went to the Commons place ever, and was like,
• 29:42
  Speaker 6: you know what, we're about to get crazy after this.
• 29:45
  Speaker 1: Good extraction there they have to go. They have to go.
• 29:54
  Speaker 1: Ladies definitely check out.
• 29:55
  Speaker 3: The movie comes out on the twenty six this Friday,
• 29:59
  Speaker 3: and we appreciate you guys joining us. Thank you so much. Baily,
• 30:02
  Speaker 3: Malcolm d Lee and it's the Breakfast Club.
• 30:04
  Speaker 1: Good morning, Thank you guys.
• 30:05
  Speaker 2: That was fun.
• 30:08
  Speaker 1: Every day a week ago. Pack your glass up the
• 30:10
  Speaker 1: Breakfast Club finish for y'all.
• 30:12
  Speaker 2: Done,