Latest / Hip-Hop Now Podcast / Sleepers in the Catalog 2

Transcript

Sleepers in the Catalog 2 · Hip-Hop Now Podcast

0:01
Speaker 1: Welcome to hip Hop Now Podcast. Ask did you from
0:06
Speaker 1: the future? You know what? The studie is your ass
0:09
Speaker 1: ode of, so disrespect the leg black leg hip hop
0:16
Speaker 1: can say this today, Let's get rightful to the business.
0:20
Speaker 1: What up, y'all? I am your host Vegas and this
0:23
Speaker 1: it's hip Hop Now Podcasts, a podcast specifically designed to
0:26
Speaker 1: keep you caught up on all things hip hop, music
0:31
Speaker 1: and culture that happened throughout the week. This is a
0:35
Speaker 1: bonus episode of hip Hop Now Podcast. But first and foremost,
0:40
Speaker 1: before we get into it, big shout out to those
0:44
Speaker 1: who have been listening to Hip Hop Now Podcasts for
0:48
Speaker 1: ten years, because twenty twenty six is the tenth year
0:53
Speaker 1: anniversary of this podcast in audio form. By the way,
0:57
Speaker 1: audio okay, video videos kind of new, but shout out
1:03
Speaker 1: to you, and shout out to those who have been
1:06
Speaker 1: watching on YouTube right hip Hop Now Pod. I appreciate
1:11
Speaker 1: the subs. Definitely make sure you hit that like button,
1:16
Speaker 1: Definitely hype the videos you like. But probably most importantly
1:21
Speaker 1: for this episode and episodes like it, become a member now.
1:27
Speaker 1: To become a member of this YouTube channel is in
1:29
Speaker 1: the description of this episode, so all the details about
1:32
Speaker 1: it are there. Essentially, it is to support the podcast
1:39
Speaker 1: by donating to the podcast, whether that's a super chat
1:42
Speaker 1: or you become a monthly member, and all proceeds received
1:48
Speaker 1: on this podcast go right back into the production of
1:52
Speaker 1: this podcast. You're not gonna buy my next bottle of blands, okay,
1:57
Speaker 1: you're not. You're not gonna buy me albums and stuff
2:02
Speaker 1: like that, Well, pay for my clothes anything, Right, It's
2:05
Speaker 1: strictly about going right back into the type of content
2:11
Speaker 1: you are interested in right from this perspective. So again,
2:16
Speaker 1: shout out to those who already have become members, and
2:20
Speaker 1: today might be your opportunity to become a member and
2:23
Speaker 1: receive special access, timed exclusive access to episodes just like this.
2:32
Speaker 1: Now back a couple of months ago, I did I
2:37
Speaker 1: did a Sleepers in the Catalog episode right, and essentially
2:42
Speaker 1: what it was was me talking about albums within artist's
2:48
Speaker 1: catalog that I feel people kind of sleep on. And
2:52
Speaker 1: one of the reasons why I feel like people sort
2:55
Speaker 1: of sleep on these specific albums is because they're just
3:00
Speaker 1: better albums in the catalog that people are more tied
3:05
Speaker 1: to that maybe at some point they fell off listening
3:10
Speaker 1: to this artist's music, or they heard a single or
3:15
Speaker 1: a record or they stopped checking, whatever it may be.
3:18
Speaker 1: But I'm here to tell you they got some heat
3:22
Speaker 1: and you may be overlooking the album of two. So
3:25
Speaker 1: let's get right into this list. And again this is
3:28
Speaker 1: part two, so I'll make sure to link part one
3:33
Speaker 1: so you can check out those albums in this episode.
3:36
Speaker 1: But first up, The Game nineteen ninety two is the
3:42
Speaker 1: name of the album. It was released in twenty sixteen.
3:47
Speaker 1: There were thirteen tracks or items, because you know sometimes
3:53
Speaker 1: their skits fifty three minutes in length. This album, well,
3:59
Speaker 1: let me just say this about Game first. Game's catalog
4:05
Speaker 1: is slept on in general. I think his antics have
4:09
Speaker 1: somewhat have someone to do with that, right, Whether that
4:14
Speaker 1: and that's that's a lot of different things, right, nothing
4:17
Speaker 1: about really the music and the rapping, but more about
4:21
Speaker 1: what he does outside of that, right, what he says,
4:24
Speaker 1: you know, certain activities before he became a rapper. You
4:28
Speaker 1: know some things he did after right, putting out dis
4:32
Speaker 1: records towards like Eminem and Kendrick and getting ignored. Right,
4:36
Speaker 1: it just makes it seem like, why would I listen
4:39
Speaker 1: to a new project from Game? He's laying but you
4:44
Speaker 1: know what they lied, He's not. I'll just say this
4:48
Speaker 1: before I get a little bit deep into this album.
4:52
Speaker 1: I wasn't the biggest fan of the documentary because of
4:55
Speaker 1: the name drop it. It was almost like, Yo, does
4:58
Speaker 1: this cat like this? He is just like a straight
5:01
Speaker 1: up fan rapping, Like who is he as a rapper?
5:04
Speaker 1: Because all he did was name drop and then he
5:07
Speaker 1: dropped Doctor's Advocate and I was like, Okay, this is
5:10
Speaker 1: a little bit better. And some name dropping happens in
5:13
Speaker 1: rap in general, but it was like on a documentary,
5:16
Speaker 1: it was like that's all he did. And then as
5:19
Speaker 1: he started to release more albums later on, I was like, Yo,
5:24
Speaker 1: this dude is really dope, and I feel like people
5:28
Speaker 1: are somewhat sleeping. And one of those records that was
5:32
Speaker 1: slept on to me big time is nineteen ninety two.
5:35
Speaker 1: I've talked about it on this podcast before. It's an
5:38
Speaker 1: album that game essentially just took everything that was going
5:44
Speaker 1: on in nineteen ninety two and made it the concept
5:48
Speaker 1: for this album. And from a West Coast standpoint, so
5:52
Speaker 1: from things with bloods and crips to the Rodney King
5:55
Speaker 1: situation to you know O. J. Simpson right, like everything
6:04
Speaker 1: was here and if you were around in nineteen ninety two,
6:07
Speaker 1: and especially if you were watching OJ get Chased by
6:11
Speaker 1: the Cops on the Highway live. You know, the Rodney
6:15
Speaker 1: King situation, the fallout, the riots. Even if you were
6:20
Speaker 1: into the West Coast early nineties West Coast hip hop
6:24
Speaker 1: culture like I was heavy on the music side, but
6:26
Speaker 1: then there was also films like Boys in the Hood
6:29
Speaker 1: and Manister Society. And think about it this way, like
6:34
Speaker 1: you think about a game like Grant that photo san
6:37
Speaker 1: Andres that plays off of that early nineties West Coast
6:42
Speaker 1: vibe lingo everything game put together a fantastic album. I
6:50
Speaker 1: don't even say work. I don't use words like that,
6:54
Speaker 1: you know, I usually yo, it was hot lit, whatever,
6:57
Speaker 1: five whatever. Fantastic album about all the things I just said.
7:04
Speaker 1: And it opens up with a track called Savage Life
7:07
Speaker 1: with they use a lot of like audio from back then,
7:11
Speaker 1: from different events. It's just one of those concept albums
7:16
Speaker 1: that you get into it and you kind of like,
7:21
Speaker 1: especially from a nostalgia standpoint, you're kind of like, damn,
7:24
Speaker 1: this is dope. But even if you weren't around too,
7:28
Speaker 1: you know, you wasn't born or you wasn't listening to
7:31
Speaker 1: hip hop in ninety two, or whatever, or any of
7:33
Speaker 1: the things I mentioned. This is just an artist taking
7:38
Speaker 1: a concept, speaking from a perspective of somebody who grew
7:43
Speaker 1: up in that world around the nineties. And what's also
7:47
Speaker 1: dope is the album cover I believe is the same
7:51
Speaker 1: artists that drew the album cover for Doggie Style, which
7:55
Speaker 1: dropped in nineteen ninety three. So again the game nineteen
7:59
Speaker 1: ninety TI to I think incredibly slept on album in
8:04
Speaker 1: his catalog. Next up Outcasts Idlewild. I know, I know,
8:12
Speaker 1: I know. To some people the last Outcast album was
8:18
Speaker 1: speaker Box The Love Below, and to some people Idle
8:24
Speaker 1: Wild the movie was hot garbage. I don't disagree with
8:30
Speaker 1: you on the second one. The movie was not great
8:35
Speaker 1: in some ways. It kind of feels like Sinners before Sinners.
8:38
Speaker 1: But I'm just saying, but it just wasn't really that
8:42
Speaker 1: good of a movie. But the soundtrack we're gonna talk
8:47
Speaker 1: about it, right, So Idlewild was released in two thousand
8:53
Speaker 1: and six, would be the twentieth anniversary of this album,
8:58
Speaker 1: so definitely a time for you to check it out.
9:02
Speaker 1: There were a ton of songs. I think they were
9:05
Speaker 1: close to what do we have here? Like fourteen Wait,
9:12
Speaker 1: I have duplicates on here, which messes things up but
9:19
Speaker 1: skits everything like that or whatever. Sleepy Brown appears on
9:23
Speaker 1: his album Dude names Scars on his album I Think
9:27
Speaker 1: That's it for features. No Snoop Dogg, and Lil Wayne
9:31
Speaker 1: was on a track called Hollywood Divorce. Janelle Money was
9:35
Speaker 1: on here. Killer Mike, Yeah, I forgot about some of these.
9:38
Speaker 1: Macy Gray was on here. Macy Grave believe was in
9:41
Speaker 1: the film also. But I'll say this, if you watch
9:49
Speaker 1: the movie and thedn't get through it because it was trash,
9:52
Speaker 1: I get it. If you didn't watch the movie but
9:55
Speaker 1: you heard the movie was trash and ignore the album,
9:58
Speaker 1: I get it. But if you didn't watch the movie
10:03
Speaker 1: or you like the movie being tied to the soundtrack,
10:08
Speaker 1: I don't think the music is bad. The music is excellent.
10:12
Speaker 1: And the only reason why I say this is because
10:14
Speaker 1: again it's like the step Child in the Outcast catalog.
10:18
Speaker 1: It's quite literally the last Outcast album and it wasn't
10:24
Speaker 1: necessarily whack. And I say this because when you look
10:27
Speaker 1: at Outcast's albums, right, none of them sound the same.
10:32
Speaker 1: Each one has a different vibe. Southern Playlistics doesn't sound
10:37
Speaker 1: like at Aliens at Aliens doesn't sound like Stankonia or
10:43
Speaker 1: a Quimini speaker. Box of Love Below don't sound like anything.
10:47
Speaker 1: They don't sound like each other, and they don't sound
10:49
Speaker 1: like anything else they're released. That's the same thing with Idle.
10:52
Speaker 1: While it's a clear vision of the blues right some
11:00
Speaker 1: I guess some Biloxi blues too, a little bit of jazz,
11:04
Speaker 1: but it's not all that. It's really like they took
11:09
Speaker 1: the vibe of a juke joint right from back in
11:13
Speaker 1: the days and they just did it Outcast style. And
11:17
Speaker 1: I know maybe for some people that didn't work, maybe
11:20
Speaker 1: they didn't want to hear any harmonicas, but you've heard
11:22
Speaker 1: them before in Outcast music. You can't say you like
11:27
Speaker 1: stink one or something else and then say well, yeah,
11:30
Speaker 1: I didn't like when they use this, like this is
11:34
Speaker 1: what they do. Outcast had basically a techno record in
11:38
Speaker 1: ghetto music, and I loved it at first. When I
11:41
Speaker 1: heard it, I was like, what is this? But it
11:43
Speaker 1: was it wasn't all that was on the album. And again,
11:47
Speaker 1: Outcast just provides a variety. So I feel like, if
11:50
Speaker 1: you're a big Outcast fan and somebody told you Idle
11:54
Speaker 1: while the movie was whack, I agree with him, but
11:59
Speaker 1: someone told you all of it was whack. I disagree.
12:03
Speaker 1: The soundtrack is banging, it is, so check that out.
12:10
Speaker 1: Next up, Little Brother Get Back. Now, I call this
12:15
Speaker 1: a sleeper only because generally speaking, when people talk about
12:21
Speaker 1: Little Brother, they talk about the debut, the listening, and
12:25
Speaker 1: the follow up, the Minstre Show, right, the Men's Show
12:29
Speaker 1: being my favorite album from a Little Brother, But Get
12:34
Speaker 1: Back was the follow up, I believe, the follow up
12:40
Speaker 1: to the Minstre Show. And this is when Ninth Wonder
12:46
Speaker 1: left the group, so to speak. Right, I think he
12:49
Speaker 1: might have provided a beat or two for this project,
12:52
Speaker 1: but he's not on the album cover, so he wasn't
12:54
Speaker 1: a part of the trio like he was with the
12:57
Speaker 1: first two albums. And this album was released in two
13:01
Speaker 1: thousand and seven. Eleven tracks, forty nine minutes. Features included
13:09
Speaker 1: a couple of people I believe, but one of this well,
13:12
Speaker 1: Lil Wayne was on here for sure, Carla Duran was here,
13:17
Speaker 1: and a couple of records. Darien Brockington was here. A
13:23
Speaker 1: couple of people on here. But this is this That's
13:25
Speaker 1: not the point. The point is what I said. Every
13:29
Speaker 1: time people think about Little Brothers catalog, and I'm not
13:32
Speaker 1: talking about super fans. They only think about those first
13:35
Speaker 1: two albums and maybe separate equal like the mixtapes and
13:40
Speaker 1: stuff like that. But when I heard get Back, I
13:44
Speaker 1: was I was sad prior to that, like Damn Ninth,
13:47
Speaker 1: not in a group no more, what is this going
13:49
Speaker 1: to be? But then when I heard it get Back,
13:52
Speaker 1: I was like, Oh, we're just gonna turn it up
13:55
Speaker 1: a little bit. That's all we do, you know what
13:57
Speaker 1: I'm saying. So and I heard this album and this
14:01
Speaker 1: is when I was really going heavy with my like
14:05
Speaker 1: being in the gym and a lot of times I
14:07
Speaker 1: was just to get through workouts. I would just listening
14:09
Speaker 1: to music. This was like a go to for me,
14:13
Speaker 1: Like the track with a Little Way Breaking my Heart
14:16
Speaker 1: is so ill, like it's a dope joint. Good Clothes
14:22
Speaker 1: is like a typical this had to be Fonte's idead,
14:26
Speaker 1: typical like let Me put on my good clothes, typical
14:30
Speaker 1: Fonte type track for Little Brother or Little Brother type track.
14:34
Speaker 1: To be honest, So many dope records on here, but again,
14:40
Speaker 1: I just don't hear enough people talking about this one.
14:43
Speaker 1: In particular. I thought it was dope. Now I get
14:46
Speaker 1: it sometimes, like I said with the outcast situation, if
14:52
Speaker 1: you strayed from a sound that people are comfortable with
14:57
Speaker 1: and a formula meaning three members of the group as
15:01
Speaker 1: opposed to two, some people feel like it's never the same,
15:05
Speaker 1: you know what I'm saying, Like they would have preferred
15:08
Speaker 1: to know that Ninth did all those tracks and Ninth
15:11
Speaker 1: is on the cover with them. But I'm telling you this,
15:14
Speaker 1: if you like Little Brother for Beats and Bars, when
15:18
Speaker 1: you listen, it does not matter. The record is dope,
15:22
Speaker 1: so check it out. So here's an album that admittedly
15:28
Speaker 1: I slept on, but I slept on probably within the
15:31
Speaker 1: same year was released, which was two thousand and five,
15:35
Speaker 1: and it's Snoop Dogg's Rhythm and Gangster RNG the Masterpiece,
15:41
Speaker 1: and it was it was sort of like Snoop's version
15:45
Speaker 1: of I'm gonna make an album for the ladies and
15:49
Speaker 1: the players, right, but not so much on some not
15:54
Speaker 1: Father m C style, you know what I'm saying, but
15:57
Speaker 1: Snoop style, right, something that's not necessary severally just gangster
16:01
Speaker 1: are hard edge, and I think around two thousand and
16:04
Speaker 1: five this is this is after Snoop is Off No Limit.
16:09
Speaker 1: I believe. Yeah, no, yeah. The Last Male was his
16:12
Speaker 1: No Limit record, but and this was this probably would
16:18
Speaker 1: have been considered a double album back then. It was
16:21
Speaker 1: released in November of two thousand and four. Twenty tracks
16:26
Speaker 1: on here, but some of those skits one hour and
16:30
Speaker 1: eighteen minutes. Now, I will say this for this album,
16:34
Speaker 1: there are songs on here that I skip. And I'm
16:37
Speaker 1: not saying that the other albums I you know, went
16:39
Speaker 1: through them, you know, straight, without skipping a record or
16:44
Speaker 1: two I didn't like. But on Head there are some
16:47
Speaker 1: strong records and then there's some that's kind of like, man, whatever.
16:53
Speaker 1: But the strong records are strong on here, right. And
16:57
Speaker 1: if you're wondering, like, well, what's what's the standard out
17:01
Speaker 1: single off of this album? Which is what you call it,
17:07
Speaker 1: drop it like It's hot. That was the standout single
17:09
Speaker 1: off of this album. But there was so much more here.
17:13
Speaker 1: And I think when Snoop went to No Limit and
17:17
Speaker 1: that first album was like Snoop wrapping over No Limit
17:21
Speaker 1: beats and it just it just wasn't the same as
17:24
Speaker 1: him being on Death Row. I think people just wrote
17:27
Speaker 1: him off album wise at that point in time, and
17:32
Speaker 1: even when he was still on No Limit, he was
17:35
Speaker 1: able to master p was able to recapture that sound
17:39
Speaker 1: by bringing in dre and more West Coast production, especially
17:44
Speaker 1: on the last Meal, which I think is also kind
17:47
Speaker 1: of slept on, or maybe it's not slept on. I
17:49
Speaker 1: think most people know you know if you know, you know.
17:53
Speaker 1: But as Snoop continued to drop albums like Costs to
17:58
Speaker 1: What Does It Paid? The Cost to Be the Boss?
18:00
Speaker 1: And records like that and then Rhythm and Gangster, I
18:04
Speaker 1: think some people were sleeping and they just heard the
18:07
Speaker 1: singles uh this album like obviously drop is drop It
18:11
Speaker 1: like is Hot is dope? Standout record. I love the
18:16
Speaker 1: song ups and downs like I love it. The business
18:21
Speaker 1: is cool, Let's get blown produced by Pharrell is my joint?
18:26
Speaker 1: Like yo again this album my bad almost press play
18:33
Speaker 1: on this this album again. If you're looking for doggie
18:37
Speaker 1: styles Snoop, no, no, you got the wrong album fans,
18:44
Speaker 1: That's not what this is. If you're looking for uh
18:49
Speaker 1: beautiful right, which it wasn't on this album but was
18:53
Speaker 1: produced by Pharrell like that kind of Snoop rapping over
18:58
Speaker 1: beats that feel like that and again, drop It like
19:01
Speaker 1: It's Hot is on here, So not all of it
19:02
Speaker 1: sounds like that. But in general, if you were looking
19:05
Speaker 1: for an idea of what the rhythm part right of
19:10
Speaker 1: this R and B sounding album is, That's beautiful is
19:16
Speaker 1: one of those examples. But it's a dope album, and
19:20
Speaker 1: I think it's one of the slept on albums in
19:22
Speaker 1: Snoop's catalog. And lastly, now here's album that I've definitely
19:28
Speaker 1: talked about before. Ray Kwan's Chilin Versus Wu Tang, released
19:37
Speaker 1: in twenty eleven, seventeen tracks, forty nine minutes. This was
19:46
Speaker 1: the album. Well, let me say this real quick. Features
19:50
Speaker 1: included method Man, ghost Face, Spected, Deck Estelle, Busta Rohm's,
19:56
Speaker 1: Jim Jones, Nas Rahim de von On, Rick Ross, and
20:02
Speaker 1: Black Thought. Yes, all those people were on this album.
20:06
Speaker 1: And also this was the follow up to Only Built
20:11
Speaker 1: for Cuban Links Too, right. He had released that people
20:15
Speaker 1: were back on board, like Yo raised back, and he
20:19
Speaker 1: released his album right after that, and I felt like
20:22
Speaker 1: his momentum was going up after that, because now this
20:28
Speaker 1: wasn't a sequel album. This was a brand new album
20:32
Speaker 1: with a ton of dope features. But yet somehow it
20:37
Speaker 1: don't get talked about like that, right, And I'm talking
20:40
Speaker 1: about like most people loved only built for Cuban links too.
20:46
Speaker 1: So when he announces a new album, Sha Lin Versus
20:50
Speaker 1: Wu Tang, which is a title reminiscent of the roots
20:53
Speaker 1: of you know, Ray Kuan and everybody Wu Tang, I
20:58
Speaker 1: was like, okay, let me listen. Oh, Lloyd Banks is
21:01
Speaker 1: on here. Also, I'm like, let me listen, right, And
21:05
Speaker 1: then you look at the features. The free features work.
21:08
Speaker 1: All the Woo members are here, right, ghost is on
21:10
Speaker 1: two songs, but then there's also Nases here and a
21:14
Speaker 1: couple of other features. What could go wrong? Well, people
21:19
Speaker 1: just slept on it. People didn't listen standout records on here.
21:24
Speaker 1: For me, Sharlin Versus Wu Tang, it sounds like it
21:28
Speaker 1: was lifted from a Wou Tang album, right, Silver Rings
21:32
Speaker 1: with ghost face Ray and ghosts doing what they do best.
21:37
Speaker 1: I think what might have killed some of that momentum
21:41
Speaker 1: was the fact that the lead single was a joint
21:43
Speaker 1: called Button Knives, and I felt like that. I felt
21:48
Speaker 1: like that title and the record just being okay made
21:53
Speaker 1: some people feel like, oh, he going backwards, But it's
21:57
Speaker 1: not true. It's not true. When you listen right rich
22:01
Speaker 1: in Black feature in nas if you said tomorrow a
22:06
Speaker 1: Nas and Ray Kwan album was coming out, right, master
22:09
Speaker 1: appeal you hear me? Imagine that Exhibit Exhibit A, Okay,
22:15
Speaker 1: exhibit A. They those two sounds. I know y'all want
22:19
Speaker 1: Nas and Azy, but Nas and Ray Kwan would be crazy.
22:24
Speaker 1: I'm telling you go listen to Rich and Black Hook
22:30
Speaker 1: is crazy beats crazy. Nas is stellar performance by Nas.
22:38
Speaker 1: You know who else had a stellar performance on him
22:40
Speaker 1: and you probably wouldn't expect it because maybe you're a
22:42
Speaker 1: hater or you know, he with the police or something
22:45
Speaker 1: like that. But the song called Molasses featuring Rick Ross
22:50
Speaker 1: and ghost Face Killer Rick Ross versus Crazy He and
22:54
Speaker 1: Pocket Like, yo, I'm like when I first saw this
22:58
Speaker 1: lineup and I was like, okay, Black thought makes sense,
23:00
Speaker 1: blah blah blah, it makes sense. I'm like Rick Ross,
23:02
Speaker 1: I don't know, Nah, Ricross get busy on this. And again,
23:09
Speaker 1: this is one of those albums where unfortunately because Ray
23:17
Speaker 1: had you know, he had slip up early, right he
23:20
Speaker 1: released only Built for Cuban Links in nineteen ninety five, classic,
23:26
Speaker 1: all time classic, It's Ray Kwan's illmatic. But then he
23:32
Speaker 1: dropped Immobilarity, which was such a drop off a steep
23:37
Speaker 1: drop off that most people are like, oh no, like
23:42
Speaker 1: it's over. He really only had that one and it
23:45
Speaker 1: can And then when you see how popular Ghost was
23:49
Speaker 1: as a soloist, some people were even starting to say
23:52
Speaker 1: without Ghosts, Ray albums aren't that great, which is not true. Right,
23:58
Speaker 1: Immobilarity was, but Lex Diamond's was dope, but people were
24:05
Speaker 1: kind of sleeping on it because it didn't say purple
24:08
Speaker 1: tape right and them. Mobilarity to them was just like,
24:13
Speaker 1: I can't do it. Too much time has passed, I
24:15
Speaker 1: can't do it. But again, coming off the heels of
24:18
Speaker 1: only Built for Cuban Links two and you drop this
24:24
Speaker 1: and most people are like, okay again, I'm not calling
24:28
Speaker 1: any of these albums classics. I'm just saying if you're
24:32
Speaker 1: a hip hop head and you're a fan of any
24:35
Speaker 1: of these artists, but you either don't know these albums,
24:39
Speaker 1: or you didn't hear them, or you were kind of skeptical,
24:42
Speaker 1: you're sleeping way up and check these joints out. What
24:46
Speaker 1: do you feel about these albums that I mentioned? You know,
24:49
Speaker 1: do you like any of them? Maybe you have a
24:52
Speaker 1: very good reason for why you thought it wasn't that good.
24:55
Speaker 1: Leave your comments in a comments section below. Like the
24:59
Speaker 1: episode because that definitely helps me out. On YouTube again,
25:05
Speaker 1: Subscribe to get more content like this, hype the video.
25:08
Speaker 1: Become a member to get timed exclusive just like this,
25:13
Speaker 1: and remember this, but say it all the time. I'm
25:18
Speaker 1: not a critic, I'm a fan.