Latest / Midnight Mystery Stories / Ana Gasteyer _ Good Hang with Amy Poehler
Transcript
- 0:05Speaker 1: Hello, everyone.
- 0:05Speaker 2: Welcome to another episode of Good Hang. This is our
- 0:08Speaker 2: holiday episode. It's our Christmas episode, and we have an
- 0:12Speaker 2: incredible guest today who's going to celebrate Christmas with us.
- 0:15Speaker 2: And you should know, we are off next week, and
- 0:19Speaker 2: then we are right back. So don't be scared. We
- 0:21Speaker 2: just have one week down to give everybody a genuine break,
- 0:24Speaker 2: and then we're back in the new year. But we
- 0:27Speaker 2: are with Ana Gasteyer today. And Ana Gasteyer Writer, singer,
- 0:32Speaker 2: Broadway star, sketch comedian, does so many things well.
- 0:37Speaker 3: And a.
- 0:40Speaker 2: Sweet, dear friend who went through the same SNL. sausage
- 0:46Speaker 2: factory as we all did. And we talk about that.
- 0:49Speaker 2: We talk about being on the show and how fun
- 0:51Speaker 2: it was to bomb. We talk about Christmas and our
- 0:54Speaker 2: favorite Christmas songs. And we talk about Annie. Annie comes up,
- 0:58Speaker 2: thank God, as does Once Upon a Mattress. Um, and, uh, and,
- 1:03Speaker 2: and Anna's story about being in the White House. And,
- 1:07Speaker 2: and we also, uh, we talk about her record, Sugar
- 1:09Speaker 2: and Booze, a Christmas classic. So, um, It's a great episode,
- 1:13Speaker 2: and we're starting this episode with another titan, like a
- 1:16Speaker 2: genius comedic legend, a woman who has written some of
- 1:21Speaker 2: your favorite sketches at SNL. You know her from AP Bio,
- 1:24Speaker 2: from The Mapleworth Murders, from Wine Country, from Girls 5 Eva.
- 1:29Speaker 2: She is the one, the only Paula Pell. Paula, I
- 1:33Speaker 2: believe we're getting you in a car. This episode of
- 1:41Speaker 2: Good Hang is presented by Walmart Express Delivery, getting gifts
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- 1:55Speaker 2: to forget something, no judgment, you can even order gifts
- 1:58Speaker 2: up until 5 p.m. on December 24th.
- 2:00Speaker 4: Santa!
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- 2:04Speaker 2: or head to walmart.com and get your gifts delivered fast.
- 2:08Speaker 2: Subject to availability, terms and fees apply.
- 2:10Speaker 3: Paula. Hi.
- 2:23Speaker 2: Paula, can you see me and hear me?
- 2:25Speaker 5: Yes, I can see you and hear you. Oh, hold on.
- 2:29Speaker 5: I need to... Can you hear me? I think I need.
- 2:32Speaker 2: I hear you, but I don't see you.
- 2:34Speaker 5: I think I need to hit the. I thought I
- 2:39Speaker 5: hit the camera. Oh, hold on. Why isn't it working? Elaine.
- 2:46Speaker 3: Yeah.
- 2:48Speaker 5: Handing it to Janine to see if she can hear me.
- 2:50Speaker 3: Hi, Janine.
- 2:53Speaker 2: Janine Brito, Paula's beautiful wife.
- 2:56Speaker 1: There we go.
- 2:58Speaker 6: There's my beautiful wife with the new haircut.
- 3:02Speaker 2: Hi, Janine. Paula, it's so great that your beautiful wife
- 3:06Speaker 2: is also your IT. For a person who just got
- 3:09Speaker 2: off an airplane, you look beautiful.
- 3:11Speaker 6: Well, I just did a, which Tina Fey is very
- 3:15Speaker 6: familiar with, in a car, a full face makeup in
- 3:21Speaker 6: about two seconds because I did that in the cabs
- 3:24Speaker 6: on the way to work all the time.
- 3:25Speaker 3: Yep.
- 3:25Speaker 2: We are all pretty good at, I mean, most women
- 3:28Speaker 2: are at like getting... Throwing it on. Yeah, throwing it on.
- 3:31Speaker 5: I've gotten really good at just the feel.
- 3:33Speaker 6: Like I can almost, it's like love is blind, but
- 3:37Speaker 6: it's makeup is blind and you just have people do
- 3:40Speaker 6: a full makeover without by just feel.
- 3:44Speaker 2: Well, it looks great.
- 3:45Speaker 5: I'm also wearing my lesbian uniform in Los Angeles.
- 3:51Speaker 2: I love having you in Los Angeles, Paula.
- 3:54Speaker 5: It's so nice. It's so beautiful here. We left so
- 3:57Speaker 5: much snow.
- 3:58Speaker 2: Well, you know, this episode with Ana Gasteyer is going
- 4:00Speaker 2: to be technically our holiday episode. It's going to air
- 4:03Speaker 2: before Christmas.
- 4:04Speaker 7: Yay!
- 4:06Speaker 2: And we are going to talk.
- 4:06Speaker 5: You guys better carol. You better sing a carol.
- 4:10Speaker 2: I was like, I wish we could have you and Stude.
- 4:13Speaker 2: You love to carol, though.
- 4:15Speaker 4: I do.
- 4:15Speaker 5: I love to carol.
- 4:16Speaker 6: I love to harmonize more than anything on earth. If
- 4:20Speaker 6: someone said to me, this is your job for the
- 4:22Speaker 6: rest of your life is just to throw in that
- 4:24Speaker 6: alto line and just walk from group to group and
- 4:28Speaker 6: throw in that alto line, lay down that bass.
- 4:31Speaker 5: I would do it and be the happiest human being
- 4:34Speaker 5: on earth.
- 4:34Speaker 2: Although I have also heard you have a very fierce soprano.
- 4:37Speaker 2: You can also hit those high notes.
- 4:39Speaker 5: Well, sometimes.
- 4:40Speaker 6: I do think lately in my 60s, I have had
- 4:44Speaker 6: experiences where I thought I was nailing it and then
- 4:47Speaker 6: I listened to it back on a video.
- 4:49Speaker 5: Very mortifying. Just a little sharp.
- 4:51Speaker 6: And I like to sing a certain kind of sharp
- 4:55Speaker 6: for Janine that really makes her put her face down
- 4:57Speaker 6: in the cereal in the morning.
- 4:59Speaker 5: Because it's just a little bit. It's just a little overshoot.
- 5:04Speaker 2: Could you give us an example of it?
- 5:05Speaker 5: It's just the nearness of you. It's like finding it.
- 5:15Speaker 6: It's like a level, and you're always just finding it,
- 5:18Speaker 6: and then you finally get it.
- 5:19Speaker 2: Only as good of a singer as you, Paula Pell,
- 5:22Speaker 2: can do good, bad singing.
- 5:24Speaker 5: That's such a thing in comedy. You're always like, don't
- 5:27Speaker 5: try to sing bad. Don't try to sing bad.
- 5:31Speaker 2: It's funny. I want to talk to Ana about it. Like,
- 5:33Speaker 2: what is the difference between good singing and comedy singing?
- 5:38Speaker 2: It's a very fine line. So we're talking to Ana
- 5:42Speaker 2: Gasteyer today. What's great about Ana? Let's talk well behind
- 5:46Speaker 2: her back.
- 5:47Speaker 6: Ana is so many things at once, speaking of. And
- 5:53Speaker 6: she's such a multi, multi, multi hyphenate. It's like every
- 5:58Speaker 6: time you turn, she's doing a new job that's something
- 6:02Speaker 6: where it's like, oh my God, like just Broadway and
- 6:06Speaker 6: writing and movies. And, you know, she and Rachel writing
- 6:10Speaker 6: that hilarious Christmas movie. And then she's on really funny
- 6:15Speaker 6: television shows as really funny characters. And then she's like
- 6:20Speaker 6: playing the violin in a video she sends us to
- 6:22Speaker 6: crack us up. That's like incredibly skilled violin. Um, So
- 6:28Speaker 6: I just, I admire that so much in her, but
- 6:31Speaker 6: I also, she came and stayed with us to write
- 6:35Speaker 6: this Bobby and Marty recently for the 50th. And we
- 6:40Speaker 6: sat in our pajamas at my house, at our house,
- 6:44Speaker 6: and we just sat and just really broke it down.
- 6:47Speaker 6: She's so good at sitting and just really asking questions.
- 6:51Speaker 6: She's a curious, present friend.
- 6:53Speaker 5: She's really.
- 6:56Speaker 6: Such pure medicine to my soul to just really talk
- 7:00Speaker 6: about everything.
- 7:01Speaker 2: We should talk. We've been on many trips together. A
- 7:04Speaker 2: bunch of the SNL ladies have gone together on girl trips. Maya, you, me, Dratch, Tina, Anna, Spivey.
- 7:15Speaker 5: The Wine Country Gang.
- 7:17Speaker 2: The Wine Country Gang. And we have been, we're kind
- 7:20Speaker 2: of overdue for a trip.
- 7:22Speaker 5: Very overdue.
- 7:25Speaker 2: Yeah, we need it.
- 7:25Speaker 5: We're going to all bring our grandchildren next time. It's
- 7:30Speaker 5: just going to be a play date. We'll all be
- 7:32Speaker 5: there with our grandchildren.
- 7:33Speaker 6: And Janine and I will have our grand dogs because
- 7:36Speaker 6: we cloned Barbra Streisand style.
- 7:39Speaker 2: How are all the doggies doing? Can you name all
- 7:41Speaker 2: the doggies' names while.
- 7:42Speaker 5: We have you?
- 7:43Speaker 6: Yes, we have Ernie who used to have four buck
- 7:45Speaker 6: teeth and now he has nothing and no chin. Ernie
- 7:48Speaker 6: is a very obnoxious little chihuahua with a penis the
- 7:52Speaker 6: size of his legs. And then Gary is perfection. He's
- 7:56Speaker 6: a poodle mix. He's perfect, perfect child. And then we
- 8:00Speaker 6: have Dolly, who's like a shih tzu mix, who looks
- 8:04Speaker 6: like she's wearing a wig and she's very tender and gives.
- 8:06Speaker 5: A lot of side eye. And then we have our
- 8:10Speaker 5: only young dogs.
- 8:11Speaker 6: We always adopt old dogs. And now we've adopted a
- 8:14Speaker 6: younger dog who makes us say about 30 fucks before
- 8:18Speaker 6: 10 o'clock in the morning because she's so obnoxious, is Bunny,
- 8:22Speaker 6: a beagle basset. and she starts at about 5.30 and
- 8:25Speaker 6: stares at you in the dark, and you see her silhouette.
- 8:28Speaker 6: She goes, and just does that until you just go,
- 8:34Speaker 6: just get up, and you get up and feed them.
- 8:38Speaker 5: And then who am I missing?
- 8:39Speaker 6: And then Tallulah is in a wheelchair, a little wheel cart,
- 8:43Speaker 6: and she's an eight-pound, tiny, tiny little mix. She looks
- 8:48Speaker 6: kind of like a smooth-haired Pekingese a little bit, and
- 8:51Speaker 6: she has.
- 8:53Speaker 6: No feeling in her back half of her body and
- 8:56Speaker 6: is faster than any of the dogs, even without her wheels.
- 8:59Speaker 6: She flies through the air, just running on her front
- 9:04Speaker 6: two legs. And she used to despise me the first year.
- 9:07Speaker 6: And then I left for four months to shoot something
- 9:09Speaker 6: and I came back and she loves me now.
- 9:12Speaker 2: Okay, so any question you think we should ask Alana today?
- 9:16Speaker 6: I have a legit one and then I have just
- 9:19Speaker 6: one quick little funny one if you want to ask
- 9:22Speaker 6: her this. The funny one is her dog, Gloria, speaking
- 9:26Speaker 6: of dogs, eats things all the time that she's not
- 9:28Speaker 6: supposed to. I just wanted to know, I think we
- 9:30Speaker 6: should all be updated on what the latest thing that
- 9:33Speaker 6: she devoured and then has it come out yet.
- 9:36Speaker 2: Great.
- 9:37Speaker 5: And when it came out, was it recognizable? Great. And
- 9:43Speaker 5: then my real.
- 9:44Speaker 6: Question is, because she's such a multi-hyphenate, between writing, when
- 9:51Speaker 6: she's writing, or when she's singing, or when she's doing comedy,
- 9:58Speaker 6: which one of those makes her feel the most free
- 10:01Speaker 6: just glorious untethered euphoria which one gives her the biggest
- 10:09Speaker 6: shoulder that way.
- 10:10Speaker 2: Perfect thank you so much Paula love you can't wait
- 10:13Speaker 2: to talk to you in length one day and so
- 10:16Speaker 2: happy here love you love you bye bye woohoo This
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- 11:03Speaker 2: See site for details. What are you wearing?
- 11:07Speaker 1: I have my tartan. Oh, it's a bad angle.
- 11:09Speaker 2: There it is. Tartan shoe.
- 11:10Speaker 1: Does that look natural? I wore my holiday pumps.
- 11:15Speaker 2: Yeah, because I do try. I try to think about
- 11:17Speaker 2: what the guest is going to— It's tartan season. This
- 11:20Speaker 2: is our Christmas episode.
- 11:21Speaker 7: I know.
- 11:21Speaker 1: I got excited. How many times a year do you
- 11:24Speaker 1: think I can wear this sucker? Yeah, those are cute. Yeah,
- 11:26Speaker 1: aren't they cute?
- 11:27Speaker 2: Isn't it weird to wear it in sunny Los Angeles?
- 11:29Speaker 1: Yeah, it does feel weird. And it's a sweater-y texture.
- 11:31Speaker 1: It's a sweater-y tartan. I don't know if you can
- 11:33Speaker 1: see the texture. So it's very holiday.
- 11:36Speaker 3: Anyway.
- 11:37Speaker 1: This is going to be our Christmas episode. It's our
- 11:38Speaker 1: Christmas episode.
- 11:40Speaker 2: And I have so many things I want to talk
- 11:42Speaker 2: to you about today.
- 11:43Speaker 7: Okay, yeah.
- 11:43Speaker 2: Very excited that you're here. Thank you for doing it.
- 11:46Speaker 1: Never enough time. Always so much to talk about.
- 11:47Speaker 2: Never enough time. I know. But it's very exciting that
- 11:52Speaker 2: you are the Christmas episode because I do associate you
- 11:54Speaker 2: with Christmas in many ways. You have a Christmas album.
- 11:56Speaker 2: You go on tour at Christmas.
- 11:57Speaker 4: Yes.
- 11:57Speaker 2: And you yourself love Christmas.
- 11:59Speaker 4: Yes, I do.
- 12:00Speaker 2: What do you love about Christmas?
- 12:00Speaker 7: Well, I call myself the Duchess of Christmas. Um, actually
- 12:03Speaker 7: a nice gay called me that and I took it obviously. Um,
- 12:07Speaker 7: I love the, it's so weird. It's like, but it's, uh, a,
- 12:09Speaker 7: I love the holidays be, I mean like the, the
- 12:11Speaker 7: resume sort of leans in that direction. Cause I, my,
- 12:15Speaker 7: my like legacy moments at SNL were, uh, you know,
- 12:18Speaker 7: sweaty balls and, um, the Martha Stewart topless Christmas, which
- 12:21Speaker 7: was my first like thing that succeeded there.
- 12:23Speaker 1: Right. And they run every year on the Christmas episode.
- 12:25Speaker 7: So on that special, so, um, it comes up for people.
- 12:29Speaker 7: And then Dratch and I wrote that Christmas movie, which
- 12:31Speaker 7: is a parody of the, Hallmark films.
- 12:34Speaker 2: Tell everybody what it is again.
- 12:35Speaker 1: It's called A Clusterfunk Christmas, and it is a parody.
- 12:39Speaker 1: It's a perfect parody. It's a perfect parody.
- 12:41Speaker 7: The goal was to make the perfect parody for the
- 12:45Speaker 7: ultimate Hallmark lover.
- 12:47Speaker 5: Right.
- 12:48Speaker 1: Of which you are. You love Hallmark movies. I love
- 12:51Speaker 1: a Hallmark movie, and I love the holidays. I love
- 12:53Speaker 1: the holidays.
- 12:53Speaker 2: So what kind of decorations, because we're on a text chain,
- 12:57Speaker 2: we send each other our prep.
- 12:59Speaker 7: Yeah.
- 13:01Speaker 2: What decorations... Do you have up right now? What are
- 13:04Speaker 2: you looking forward to for like in the levels of
- 13:06Speaker 2: what's going on?
- 13:06Speaker 3: Right.
- 13:07Speaker 7: So it's all sort of contingent upon how much I'm
- 13:09Speaker 7: traveling and how exhausted I am by visual clutter that year.
- 13:12Speaker 1: So, which is fair, right?
- 13:14Speaker 7: So I'm actually going full tilt Thunder Hump on Friday.
- 13:18Speaker 1: The boxes are out.
- 13:19Speaker 7: I'm going to do New York for the first time
- 13:21Speaker 7: in a really long time. I haven't done it in
- 13:22Speaker 7: a long, long time. I've worked on Christmas a lot
- 13:25Speaker 7: because during the Broadway shows.
- 13:27Speaker 2: Because you're a pro, babe. And pros work on Christmas.
- 13:30Speaker 4: Christmas. Yeah.
- 13:31Speaker 1: So you end up.
- 13:32Speaker 7: A lot of my things are, which are so up
- 13:34Speaker 7: your alley. I know like they're sort of, um, hacks.
- 13:38Speaker 7: They're like hacks to still be festive and still enjoy
- 13:41Speaker 7: it and still be present in it, but maybe have
- 13:43Speaker 7: it not be sort of enslaved by it.
- 13:45Speaker 1: Do you know what I mean?
- 13:46Speaker 7: So that, um, so I have, for example, I can
- 13:49Speaker 7: go full tilt thunder hump, which I'm going to do
- 13:51Speaker 7: this year.
- 13:51Speaker 2: And I'm going to, you know, What does that mean?
- 13:54Speaker 1: That means like the trees.
- 13:55Speaker 7: And the lights and the garland and the swag and the,
- 13:58Speaker 7: you know, all the TikTok hacks, like with the curtain
- 14:02Speaker 7: rod and the, you know, garland going across it.
- 14:04Speaker 1: No, let's slow down. Woodland forests.
- 14:07Speaker 2: Let's slow down. I just heard one of my.
- 14:09Speaker 1: Favorite TikTok hacks.
- 14:10Speaker 2: TikTok hacks.
- 14:11Speaker 7: Yeah, I know.
- 14:12Speaker 2: And the garland goes where?
- 14:13Speaker 7: So you get yourself some like Walmart or, you know,
- 14:17Speaker 7: the tension rod.
- 14:18Speaker 2: Okay.
- 14:18Speaker 7: And you can put it like in a doorway, like
- 14:20Speaker 7: where you would hang things. And you can basically go
- 14:24Speaker 7: to Trader Joe's or Costco or whatever and get your
- 14:27Speaker 7: garland and you can make a really beautiful archway if
- 14:32Speaker 7: you use that tension rod.
- 14:33Speaker 1: So you get what you would put curtains. Right.
- 14:36Speaker 2: So you have to go buy that hardware.
- 14:37Speaker 1: But that's like $ 4.
- 14:38Speaker 2: And wrap it in garland.
- 14:40Speaker 4: Yeah.
- 14:40Speaker 2: And then put it in a doorway.
- 14:41Speaker 1: You just swag it around it and then hang it down.
- 14:43Speaker 7: Put a little teacup hooks. Do you know those little
- 14:47Speaker 7: teacup hooks that people, you can buy them at the
- 14:49Speaker 7: Five and Dime also at the Walmart.
- 14:51Speaker 1: You know, the Five and Dime.
- 14:52Speaker 2: At Woolworth's Five and Dime.
- 14:54Speaker 1: At Woolworth's, pat.
- 14:55Speaker 7: Down Woolworth's when you're doing your stockings. And you can
- 14:58Speaker 7: put your garland down it and you can do lights.
- 15:01Speaker 7: You can pre, Ikea has... or everybody now has, but
- 15:04Speaker 7: I do it and I cure on every holiday because
- 15:06Speaker 7: they're real cute.
- 15:07Speaker 2: Ana Gasteyer is here and she is telling us about Christmas.
- 15:09Speaker 2: I knew you would give me good stuff.
- 15:11Speaker 7: And I love a craft brown paper, just brown paper
- 15:13Speaker 7: packages tied up in strings.
- 15:16Speaker 2: Brown paper packages tied up in strings.
- 15:19Speaker 1: That's how you wrap. That's how I wrap.
- 15:21Speaker 2: I have a question about the brown paper. I find
- 15:23Speaker 2: it a little heavy sometimes for tape.
- 15:25Speaker 1: Because of the gauge. You've got to get a thinner gauge.
- 15:29Speaker 2: A thinner gauge paper.
- 15:31Speaker 1: Craft paper. It's called craft paper.
- 15:33Speaker 2: What are we talking tree?
- 15:34Speaker 7: I have a feather tabletop. I have a tinsel like
- 15:38Speaker 7: sort of medium. And then I finally am just going
- 15:41Speaker 7: to do live or bust.
- 15:43Speaker 1: You know what I mean?
- 15:43Speaker 4: Yeah.
- 15:44Speaker 2: And the one thing I'll say about live, I usually
- 15:46Speaker 2: do a real Christmas tree. I like that we're calling
- 15:48Speaker 2: it alive.
- 15:49Speaker 1: Live.
- 15:50Speaker 2: It's alive.
- 15:51Speaker 1: Live from Christmas. Bring it alive.
- 15:53Speaker 2: And I know there's ones where you can even have
- 15:55Speaker 2: ones that they repot.
- 15:56Speaker 1: In California.
- 15:57Speaker 2: Yeah.
- 15:57Speaker 7: You can't really find that on the East Coast.
- 15:59Speaker 1: I've tried.
- 16:00Speaker 2: Well, the thing that always bamboozles me about a real
- 16:03Speaker 2: Christmas tree, which I still do, is I think it's
- 16:05Speaker 2: going to smell so good, and it never does anymore.
- 16:08Speaker 1: Because they've been cut so long ago.
- 16:10Speaker 2: Christmas trees used to smell better. Now they don't smell
- 16:13Speaker 2: like they used to.
- 16:14Speaker 1: Well, yeah. That's, you know, that's genetic modification. Oh, God.
- 16:19Speaker 1: Right there. It's so true.
- 16:22Speaker 7: And I mean, sometimes you just got to do, well,
- 16:23Speaker 7: I use the, do you ever do like aromatherapy or?
- 16:26Speaker 2: Yeah, I'll put in a pine candle.
- 16:28Speaker 1: Yeah, pine candle. You know who's got a nice pine
- 16:30Speaker 1: candle this year?
- 16:31Speaker 4: Who?
- 16:31Speaker 1: Trader Joe.
- 16:34Speaker 7: I stopped by yesterday because again, California Trader Joe's are like.
- 16:37Speaker 1: I like that you said it singular.
- 16:39Speaker 2: Trader Joe.
- 16:39Speaker 7: Trader Joe has invested and it's at his eponymous shop.
- 16:48Speaker 1: I love, I love my Trader Joe's.
- 16:50Speaker 2: I do love Trader Joe's.
- 16:52Speaker 7: But I like, I like, I do love Christmas, but again,
- 16:54Speaker 7: I will not be overrun by it. Of course. I love, like,
- 16:59Speaker 7: this is why I made a holiday album. I love
- 17:01Speaker 7: my holiday album. It's very old fashioned. It's a little winky.
- 17:04Speaker 7: You've seen my show.
- 17:05Speaker 1: It's very like throwbacky.
- 17:06Speaker 2: Your holiday album, Sugar and Booze, is so great.
- 17:10Speaker 1: Thank you.
- 17:11Speaker 2: And your shows that you do to support it are
- 17:14Speaker 2: so fun.
- 17:14Speaker 1: It's a holiday spectacular.
- 17:16Speaker 2: Yes, tell us about them.
- 17:17Speaker 7: Well, I like to do, well, I like to perform
- 17:19Speaker 7: with a horn section. So that's for starters, because I
- 17:22Speaker 7: have a loud voice. And I like to wear a
- 17:23Speaker 7: tartan and get dressed up. And I like, it feels
- 17:27Speaker 7: very like, so my, how do I answer this succinctly?
- 17:31Speaker 1: Do you have to?
- 17:34Speaker 3: No.
- 17:36Speaker 2: I don't know.
- 17:36Speaker 1: It depends. Do we want to spend the whole hour
- 17:38Speaker 1: on this turd?
- 17:39Speaker 2: But I mean, this is a real good question, which
- 17:43Speaker 2: is like, talk however you.
- 17:45Speaker 5: Want, babe.
- 17:46Speaker 1: Okay. You're right. It's called good hang.
- 17:47Speaker 2: Yeah, good hang.
- 17:48Speaker 7: We're hanging.
- 17:48Speaker 1: We don't have to get it right. We don't have
- 17:49Speaker 1: to get it right.
- 17:50Speaker 2: You don't even have to be succinct.
- 17:51Speaker 7: No, we don't.
- 17:51Speaker 3: You're right.
- 17:52Speaker 1: We can cut it.
- 17:52Speaker 2: Yeah, we can cut the shit out of it.
- 17:54Speaker 3: We can cut it.
- 17:54Speaker 1: Let's cut the shit.
- 17:55Speaker 2: We can make this podcast six minutes.
- 17:57Speaker 1: You know what the name of this podcast should be called?
- 17:59Speaker 1: Cut the shit.
- 18:00Speaker 2: Cut the shit.
- 18:03Speaker 1: Cut the Shit with Amy Poehler and Friends.
- 18:04Speaker 2: We should do a clip show where we call it
- 18:06Speaker 2: Cut the Shit and it's all the stuff.
- 18:10Speaker 1: That we cut. And so.
- 18:14Speaker 7: Kind of in the 1959, early 60s entertainers era really
- 18:18Speaker 7: spoke to me because it was a time when a gal,
- 18:21Speaker 7: you know, Rosemary Clooney would probably be like the idol.
- 18:23Speaker 7: A gal who could tell a good story, could, you know,
- 18:27Speaker 7: belt to the rafters, play in front of a big band,
- 18:30Speaker 7: carry a band.
- 18:32Speaker 1: An evening of entertainment.
- 18:34Speaker 7: So when we set out to make the holiday album,
- 18:37Speaker 7: it was really to create a record that, you know,
- 18:40Speaker 7: wasn't kitschy or like, um, you know, it's not a comedy,
- 18:44Speaker 7: it's not a comedy record. It's not a campy record,
- 18:47Speaker 7: but it has, you know, it's me. So it's, there's
- 18:50Speaker 7: fun to it, but really it wanted it. The goal
- 18:52Speaker 7: was to have it play seamlessly with, you know, a
- 18:56Speaker 7: Frank Sinatra Christmas record or, you know, a classic Christmas
- 18:59Speaker 7: record while you're, making cocktails and wrapping presents.
- 19:03Speaker 1: It's a perfect record for that. Tree trimming.
- 19:05Speaker 2: Tree trimming. It is so good. Tree trimming a live tree.
- 19:08Speaker 1: Is it tree trimming a live tree? A live tree.
- 19:11Speaker 1: Or a balsam hill.
- 19:11Speaker 2: Or a balsam hill.
- 19:12Speaker 1: I don't want to, you know.
- 19:13Speaker 2: It is, it's such a good record. And it is,
- 19:17Speaker 2: it's just the right amount of like whimsy combined with really,
- 19:22Speaker 2: really good singing and many original Christmas songs, which is
- 19:25Speaker 2: hard to do to make an original Christmas song.
- 19:27Speaker 1: Really hard. And I love Christmas rec. I love Christmas songs.
- 19:31Speaker 2: But they're really, really hard.
- 19:31Speaker 1: What Christmas songs do you love?
- 19:33Speaker 7: Well, I like a lot of the ones that are
- 19:34Speaker 7: on the record. I love Sleigh Ride. I love Man
- 19:36Speaker 7: with a Bag, which I just think is a structurally... Man.
- 19:39Speaker 1: With a Bag. Oh, it's on your record. Yeah, it's
- 19:40Speaker 1: on the record.
- 19:41Speaker 7: There's some bad Christmas songs that we listen to every
- 19:44Speaker 7: year just because they're out there over and over again.
- 19:47Speaker 1: I have to say.
- 19:50Speaker 2: Deck the Hall is not my fave. No. And We
- 19:53Speaker 2: Wish You a Merry Christmas is not my fave.
- 19:54Speaker 3: It's boring.
- 19:55Speaker 5: It's boring. They're boring.
- 19:56Speaker 7: There's a lot of them. I mean, even Rockin' Around
- 19:59Speaker 7: the Christmas Tree is kind of a boring song.
- 20:01Speaker 1: Yeah. Structurally....
- 20:04Speaker 7: In the kind of carol canon, I think God Rest
- 20:06Speaker 7: Ye Merry Gentlemen has a really great rhythm.
- 20:08Speaker 1: We actually have a new arrangement of it this year,
- 20:10Speaker 1: which we're doing on stage. God rest ye merry gentlemen,
- 20:14Speaker 1: let nothing you dismay. Remember Christ our Savior was born
- 20:20Speaker 1: on Christmas Day. Bum, bum, bum. You can hear it, right?
- 20:23Speaker 7: Yes.
- 20:24Speaker 1: It's kind of nice.
- 20:24Speaker 7: To save us all from Satan's power when he was
- 20:28Speaker 7: gone astray.
- 20:29Speaker 2: Oh, tidings of comfort and joy.
- 20:34Speaker 1: It's a good song. It's a good tune.
- 20:36Speaker 7: But also, um, I, so we tried to write a
- 20:40Speaker 7: few songs that would fit into that. And so that was,
- 20:41Speaker 7: I wrote the title track show grim booze with that
- 20:43Speaker 7: in mind because I wanted it to feel like an
- 20:45Speaker 7: old fashioned song.
- 20:46Speaker 2: When you were, when you were growing up and now,
- 20:49Speaker 2: what are your like Christmas albums that are on rotation?
- 20:52Speaker 7: My parents are classical music people remember. So there's a
- 20:55Speaker 7: lot of Messiah jam, a lot of Messiah jams. Um,
- 20:59Speaker 7: You know, a lot of Ceremony of the Carols, you know.
- 21:02Speaker 1: Oh, wait, if you.
- 21:05Speaker 2: Do that, I remember my part from choir. If you
- 21:07Speaker 2: do the dun-dun-dun, ready?
- 21:08Speaker 4: Dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun-dun Ding dong, ding dong.
- 21:36Speaker 1: Here come the bells, so many bells.
- 21:38Speaker 2: Here come the bells, here come the bells, here come
- 21:40Speaker 2: the bells.
- 21:41Speaker 1: Can you rock a desk camp?
- 21:42Speaker 3: Oh, yeah.
- 21:43Speaker 1: Rock a desk camp.
- 21:44Speaker 2: What's the hallelujah one?
- 21:45Speaker 7: That O Come All Ye Faithful is what I was
- 21:46Speaker 7: just doing. That's the, okay, start singing O Come and
- 21:49Speaker 7: I'll do the desk camp.
- 21:50Speaker 2: Oh, come all ye.
- 21:53Speaker 1: You can go up a little higher.
- 21:55Speaker 2: Oh, come all ye faithful, joyful and triumphant.
- 22:05Speaker 4: Keep going.
- 22:07Speaker 1: Do the O come, let us adore him.
- 22:09Speaker 4: Okay.
- 22:09Speaker 1: Sorry, do O come. O come, let us adore him.
- 22:11Speaker 1: O come, let us adore him.
- 22:13Speaker 2: O come, let us adore him. O come, let us
- 22:18Speaker 2: adore him. Christ the Lord.
- 22:31Speaker 7: Ah!
- 22:32Speaker 3: Aced it!
- 22:32Speaker 1: You remember it! It's all in there. It's like your movie,
- 22:37Speaker 1: Inside Out. Those music things are all trapped in your brain.
- 22:39Speaker 1: They're all in there. I know.
- 22:41Speaker 5: They're all in there.
- 22:42Speaker 1: They're in the deep gray matter.
- 22:43Speaker 2: And they're so nostalgic.
- 22:45Speaker 1: They're so beautiful.
- 22:46Speaker 2: They're so melancholy.
- 22:47Speaker 7: I know.
- 22:47Speaker 2: They're so sad. See, okay, so I find Christmas sad.
- 22:51Speaker 4: Yes, I know.
- 22:54Speaker 1: I know. And by the way, a lot of people do.
- 22:56Speaker 2: I find it sad.
- 22:57Speaker 1: Including my mother.
- 22:58Speaker 2: And now I've gotten into, now I get into the
- 23:02Speaker 2: sadness of Christmas like a cozy blanket. I used to
- 23:04Speaker 2: fight it, fight it. Because sad is not my favorite state.
- 23:07Speaker 1: No, no.
- 23:09Speaker 2: It's often not where I want to, like I'm uncomfortable
- 23:12Speaker 2: sometimes in sadness. But Christmas allows me to get, well,
- 23:15Speaker 2: some people are just like a little bit more, they
- 23:18Speaker 2: can just tolerate it.
- 23:19Speaker 1: Yeah, they know it comes and goes a bit.
- 23:21Speaker 2: You know, like it's like sadness and anger. I'd much
- 23:23Speaker 2: rather be angry than sad.
- 23:24Speaker 7: Same.
- 23:25Speaker 1: And mostly am.
- 23:25Speaker 3: Totally. Totally.
- 23:29Speaker 2: So I get into the sadness of Christmas. Like I'm like,
- 23:33Speaker 2: I'm just like looking like, you know, when you're in
- 23:35Speaker 2: your music video and you look in the window.
- 23:38Speaker 1: I love the book.
- 23:39Speaker 4: Yeah.
- 23:41Speaker 1: That's your jam.
- 23:47Speaker 2: But let's talk about your classical music parents and your
- 23:52Speaker 2: little Ana's beginning into music. Cause I'm very interested in
- 23:56Speaker 2: that very like, that early time.
- 23:58Speaker 7: So thank you so I played the violin yes very
- 24:02Speaker 7: seriously it's so lonely it's the funniest thing and by
- 24:07Speaker 7: the way I'm grateful I'm very grateful for obviously the
- 24:11Speaker 7: sacrifice that I mean you know we spent all this
- 24:13Speaker 7: time resenting them and you realize the things that they've
- 24:15Speaker 7: done as you get older and they get older and
- 24:16Speaker 7: it's kind of a relief but I mean the schlepping
- 24:19Speaker 7: alone like just the amount of times to like practice
- 24:22Speaker 7: to lessons.
- 24:23Speaker 2: Why did you choose the violin do you remember or
- 24:25Speaker 2: was it chosen for.
- 24:26Speaker 7: You I think it was probably chosen for me. I
- 24:29Speaker 7: had an aunt that played, and I love her, so
- 24:31Speaker 7: I think I thought it was cool. And the violin
- 24:34Speaker 7: I still play to this day was my aunt's violin
- 24:37Speaker 7: that my grandfather was given in the Depression in lieu
- 24:41Speaker 7: of a payment.
- 24:41Speaker 1: Wow. for legal services at some point.
- 24:45Speaker 7: So it's like 150 year old violin, but it's, it's
- 24:47Speaker 7: not like fancy.
- 24:48Speaker 1: It's not like a, it's not a Stradivarius. It's not
- 24:51Speaker 1: a Strad.
- 24:52Speaker 7: Um, but I have had it like looked at because
- 24:55Speaker 7: it's kind of interesting as an instrument. And I still
- 24:56Speaker 7: play that instrument to this day. And I, um, I
- 24:58Speaker 7: took it to fiddle camp with me last summer.
- 25:00Speaker 3: Oh yeah.
- 25:00Speaker 2: Ana went to fiddle camp.
- 25:02Speaker 7: I did. It's a real conversation starter. Um, and by that, everybody,
- 25:08Speaker 7: everybody flees the area.
- 25:10Speaker 1: Um, my, my, Yes. Anyway, I played violin as a
- 25:14Speaker 1: little kid.
- 25:15Speaker 7: I started and I played until I was about 17.
- 25:18Speaker 1: And I was good and lazy.
- 25:22Speaker 7: I was a Gryffindor, which set up a lifetime of
- 25:26Speaker 7: talented laziness and sort of landing on your feet.
- 25:29Speaker 1: So I could fake it for a long, long time.
- 25:31Speaker 7: And then there becomes a breakage point in classical music.
- 25:35Speaker 2: It feels that way with music and athletics. Those two
- 25:37Speaker 2: things especially, where you are like loving it and you're
- 25:41Speaker 2: good at it. And then there's a moment where it's like, okay,
- 25:43Speaker 2: now you have to decide, am I going to the
- 25:45Speaker 2: next level? Am I playing in college? Am I going
- 25:47Speaker 2: to join an orchestra?
- 25:48Speaker 1: First of all, it's so solitary.
- 25:49Speaker 7: And it is, it's two things.
- 25:51Speaker 1: It's deeply solitary.
- 25:53Speaker 7: And it is, I have, I'm, I am a perfectionist
- 25:58Speaker 7: and it is, um, torture for perfectionists because even though
- 26:02Speaker 7: I was lazy, I was a perfectionist.
- 26:04Speaker 1: So it's a weird, I mean that, I mean that I'm,
- 26:06Speaker 1: I'm not lazy. I'm going to read.
- 26:08Speaker 7: Yeah.
- 26:08Speaker 1: Let's cut, let's cut the shit.
- 26:10Speaker 4: Yeah.
- 26:11Speaker 2: Let's cut the shit.
- 26:12Speaker 1: We'll be right back.
- 26:17Speaker 2: No, I want to reframe.
- 26:19Speaker 7: What I mean is that I wasn't passionate about violin.
- 26:24Speaker 7: So I didn't want to lock myself in a room
- 26:26Speaker 7: because truly like athletics, like you said, it's suddenly it
- 26:30Speaker 7: is eight hours a day, six hours a day, like
- 26:32Speaker 7: going to school, like, you know, it's not going to
- 26:34Speaker 7: school late or leaving early in the afternoon to practice, practice, practice,
- 26:36Speaker 7: practice till your hands fall off.
- 26:38Speaker 1: And it's lonely. It's really lonely. And unbelievably sad. It
- 26:43Speaker 1: is a sad instrument.
- 26:44Speaker 2: Violin is the saddest instrument ever. And that's, I do
- 26:47Speaker 2: kind of love that about it.
- 26:49Speaker 1: I mean, it's beautiful.
- 26:50Speaker 2: I'm realizing now that Christmas and violins are both the
- 26:53Speaker 2: way I get into my sad state. I love that.
- 26:55Speaker 1: Well, that's funny because I'm writing a song called Sad
- 26:58Speaker 1: Violin at Christmas.
- 26:59Speaker 2: Really?
- 27:00Speaker 4: Yeah.
- 27:00Speaker 7: I mean, you just made me come up with the title,
- 27:01Speaker 7: but that is, I've been thinking about a sad violin
- 27:04Speaker 7: because it's sad. It's a lonely, wistful, melancholic instrument. And
- 27:08Speaker 7: there's something incredibly powerful about it, obviously, but Um, so
- 27:11Speaker 7: then what I, in seventh grade, don't laugh. I had
- 27:16Speaker 7: my first star turn. I was legally blind also as
- 27:20Speaker 7: a kid. So I, I mean, I still am legally blind.
- 27:23Speaker 7: So I also had an eye patch a lot of
- 27:25Speaker 7: my childhood and I had a violin. So just put
- 27:27Speaker 7: all that together and put it through the comedy Play-Doh machine.
- 27:32Speaker 1: That's why.
- 27:33Speaker 5: Hot stuff.
- 27:33Speaker 2: And were we wearing the patch during the day?
- 27:35Speaker 1: We were rocking the patch.
- 27:36Speaker 2: Not at home.
- 27:36Speaker 1: We were rocking the patch.
- 27:37Speaker 7: So around, I went to camp for the violin, but
- 27:42Speaker 7: around seventh grade, I got cast, wait for it, as
- 27:45Speaker 7: Helen Keller in The Miracle Worker. So I was able
- 27:51Speaker 7: to pull a lot of my story into the part.
- 27:59Speaker 7: And that's when I was.
- 28:00Speaker 1: Like, I mean, by the way.
- 28:01Speaker 2: And you put that on your Tinder profile, yes?
- 28:03Speaker 4: Yes.
- 28:04Speaker 1: Yes, I do. Yes, I do. And my Grindr.
- 28:06Speaker 2: Yeah, and your Grindr. Tinder and Grindr.
- 28:08Speaker 1: You're on both.
- 28:09Speaker 2: And you're very unsuccessful on Grindr. Very unsuccessful on Grindr.
- 28:13Speaker 1: So far.
- 28:14Speaker 5: You're right.
- 28:14Speaker 1: Not after today.
- 28:15Speaker 2: Fingers crossed.
- 28:16Speaker 3: So.
- 28:21Speaker 7: And hilariously, Helen Keller in The Miracle Worker was like
- 28:24Speaker 7: my aha of I think this is really fun.
- 28:27Speaker 2: Right.
- 28:28Speaker 1: You got to perform. I got to perform.
- 28:30Speaker 2: And you found passion there.
- 28:31Speaker 4: Yes.
- 28:32Speaker 1: And so then it became Cleric at Sing.
- 28:34Speaker 7: So I did all the parts and everything in high school.
- 28:36Speaker 1: I'm sure you did too.
- 28:38Speaker 2: As a kid. Because you're an exuberant, kind of upregulated kid.
- 28:43Speaker 2: You're more extroverted than what... Then the patch and violin
- 28:48Speaker 2: would make me think. But were you an introverted kid?
- 28:50Speaker 2: What kind of kid were you?
- 28:51Speaker 1: I don't think of myself as an outgoing kid at all.
- 28:54Speaker 5: Got it.
- 28:54Speaker 1: Or even as an outgoing person, to be honest, or
- 28:56Speaker 1: upregulated or exuberant. On stage, I am. Interesting. And with you,
- 29:01Speaker 1: maybe I am.
- 29:01Speaker 4: Interesting.
- 29:02Speaker 1: But I don't know. Maybe I'm wrong. But I don't know.
- 29:04Speaker 5: Yeah, you are.
- 29:04Speaker 1: Nobody sees themselves clearly.
- 29:05Speaker 7: You feel how you feel about yourself. I mean, everyone
- 29:08Speaker 7: in my high school was super, super funny.
- 29:10Speaker 4: Yes.
- 29:11Speaker 1: And I was always friends with funny people. Yes. But
- 29:14Speaker 1: I always liked SNL and people were like, you're the
- 29:15Speaker 1: class clown. Were you a superlative? No, I was not
- 29:18Speaker 1: the class clown. Did you get a superlative? I was
- 29:19Speaker 1: the person in the back row who snickered and made jokes.
- 29:23Speaker 2: You've told this on many podcasts and things, but I
- 29:25Speaker 2: still think it's just fascinating that you were, among many
- 29:29Speaker 2: people that were your friends during that.
- 29:31Speaker 1: Time, you were friends with Amy Carter.
- 29:33Speaker 4: Crazy.
- 29:33Speaker 2: Amy Carter, the daughter of President Jimmy Carter.
- 29:35Speaker 5: Correct.
- 29:36Speaker 2: Who, for people who are not our age, Jimmy Carter
- 29:40Speaker 2: was a president.
- 29:41Speaker 4: Yeah.
- 29:41Speaker 3: But also....
- 29:43Speaker 2: The best ex-president we've ever had.
- 29:45Speaker 1: Yeah, for sure.
- 29:46Speaker 2: And Amy was so exciting as the presidential kid. She
- 29:50Speaker 2: was like our Sasha and Malia.
- 29:52Speaker 4: Yes.
- 29:53Speaker 2: Because he had young kids, Chip and Amy. Yeah, and
- 29:56Speaker 2: she was much younger than her siblings. I mean, my
- 29:59Speaker 2: name was Amy, so I was like blown away.
- 30:01Speaker 7: I know.
- 30:02Speaker 2: And she was just like this girl in the White House.
- 30:04Speaker 3: I know.
- 30:04Speaker 2: It was very exciting.
- 30:05Speaker 1: And she was normal. Well, probably for you, too. I
- 30:08Speaker 1: know you are a reader now. You were probably a
- 30:10Speaker 1: childhood reader. I was, too. She was a violinist.
- 30:13Speaker 5: I mean, boom.
- 30:14Speaker 2: She was a violinist.
- 30:16Speaker 7: Yeah, we were in an after-school GT program together and
- 30:20Speaker 7: became friends. I mean, it was just an instant, like, whatever, books, glasses,
- 30:25Speaker 7: and violins. Am I right?
- 30:26Speaker 3: Yeah.
- 30:28Speaker 1: Come on, guys.
- 30:29Speaker 3: Come on, let's party.
- 30:29Speaker 1: Let's party.
- 30:30Speaker 7: And everybody would get invited to these group events at
- 30:35Speaker 7: the White House, many of which were in the beautiful
- 30:38Speaker 7: East Ballroom, which has now been leveled.
- 30:41Speaker 2: Or made more beautiful, depending on who you talk to.
- 30:44Speaker 1: Great point.
- 30:45Speaker 2: It's going to be gorgeous, Anna.
- 30:47Speaker 1: You know what? I stand corrected. Let's wait and see
- 30:49Speaker 1: how it comes out.
- 30:50Speaker 5: I stand corrected.
- 30:50Speaker 1: I have a feeling it's going to be gorgeous. And
- 30:52Speaker 1: I just saw the Christmas decor, and you're right.
- 30:54Speaker 2: And it's gorgeous. It's warm as always.
- 30:56Speaker 1: It's always so warm. So warm. So warm and inviting.
- 30:59Speaker 2: You know what?
- 30:59Speaker 1: I wonder if it smells like French onion soup. Or wassail.
- 31:04Speaker 1: When you walk in. Gorgeous. Okay.
- 31:06Speaker 2: So, but you're going, you're going, you're going to like.
- 31:09Speaker 1: Multiple parties and things.
- 31:10Speaker 7: And one of my early memories, this was such an
- 31:13Speaker 7: extra double brain blow of like early synaptic development. The cast,
- 31:18Speaker 7: the original Broadway cast of Annie was performing at the
- 31:22Speaker 7: White House Christmas party.
- 31:22Speaker 6: Exactly.
- 31:23Speaker 1: Exactly. Exactly. Like the whole, it was too many things.
- 31:29Speaker 1: It was too many things.
- 31:31Speaker 2: I don't think I knew that.
- 31:32Speaker 1: Like four feet away from us.
- 31:34Speaker 7: It was like her little friends from her, you know,
- 31:35Speaker 7: Gift and Talented program and her friends from school and
- 31:38Speaker 7: various White House people's children.
- 31:40Speaker 4: Yeah.
- 31:40Speaker 7: And then like Andrew McArdle and actual Sandy right over there.
- 31:44Speaker 5: Oh my God.
- 31:44Speaker 1: And buckets, hard knock life in it.
- 31:47Speaker 7: Buckets.
- 31:48Speaker 1: And then I did Annie at the Hollywood Bowl like
- 31:50Speaker 1: five or six years ago.
- 31:51Speaker 7: What?
- 31:51Speaker 1: I didn't know this either. It was during, it was
- 31:54Speaker 1: right after Wine Country.
- 31:55Speaker 7: I think you were probably buried in editing.
- 31:57Speaker 2: And who, you miss Annie again?
- 31:58Speaker 5: Match?
- 31:59Speaker 1: Who else?
- 32:00Speaker 2: What a, I was Annie?
- 32:01Speaker 4: I was Annie.
- 32:06Speaker 1: I thought, why not?
- 32:08Speaker 2: Well, there is that other part, the we've got to,
- 32:10Speaker 2: you know, whether it's the Anne Rankin part.
- 32:13Speaker 7: Oh, yeah.
- 32:13Speaker 6: Oh, God.
- 32:13Speaker 3: Lily.
- 32:15Speaker 2: My mind is blown.
- 32:17Speaker 7: So mind-blowing wise, when I did Annie at the Bowl.
- 32:20Speaker 7: The same animal, there's one animal trainer on Broadway who
- 32:23Speaker 7: does all animal training.
- 32:25Speaker 2: And we've probably done, played her or him on SNL.
- 32:28Speaker 1: He's the most delightful person.
- 32:29Speaker 7: His name is Bill Berloni and he does, he adopted
- 32:32Speaker 7: the original Sandy from Animal Control and he trained her
- 32:35Speaker 7: for the Goodspeed production and then like traveled with every
- 32:38Speaker 7: Annie production ever. And then now has become like sort
- 32:41Speaker 7: of the Broadway. He does all Broadway animals, but he's
- 32:44Speaker 7: a wonderful person. And he, and he's a big advocate
- 32:47Speaker 7: for animal rights and you know, whatever.
- 32:50Speaker 1: He's not the type that we had at SNL that
- 32:51Speaker 1: would be like, I got a gecko in the van
- 32:54Speaker 1: if you need it.
- 32:54Speaker 2: You know, like, you gotta hit it with a stick
- 32:57Speaker 2: to let him let you go. I mean, can a
- 33:01Speaker 2: llama do that? I don't know, but.
- 33:03Speaker 1: She's got 17 out of van in her. So I
- 33:05Speaker 1: don't know if it's going to happen today.
- 33:06Speaker 6: Yeah.
- 33:08Speaker 2: This tortoise is going to bite you if you hold
- 33:10Speaker 2: it in the wrong way. What's the right way? Hell
- 33:13Speaker 2: if I know.
- 33:19Speaker 1: There was a donkey sketch. Were you there for the
- 33:21Speaker 1: donkey sketch? No, I wasn't there yet. You know, like
- 33:24Speaker 1: these donkeys like going down those floors. It's just the worst.
- 33:27Speaker 1: Oh my God.
- 33:28Speaker 7: And then they doped them. And then like by live,
- 33:30Speaker 7: they're like, And it's not moving.
- 33:35Speaker 1: It was a nightmare. Nightmare. Anyway, Bill Berloni has these
- 33:38Speaker 1: beautifully trained show dogs. Thank you, Bill. All things show.
- 33:41Speaker 7: It's funny. Even like Showbiz children, who I'm afraid of
- 33:43Speaker 7: and we all should be, are wonderful on Broadway because, again,
- 33:47Speaker 7: it's all work ethic on Broadway. Everything is routine and
- 33:50Speaker 7: work ethic. And so a lot of the sort of
- 33:52Speaker 7: like crazy, there's a different kind of crazy, but it's different.
- 33:55Speaker 7: It's more like a proper OCD crazy, which I'm comfortable with.
- 33:59Speaker 2: But just getting back, you're in the White House, Annie's performing.
- 34:02Speaker 1: So Bill Berloni had a picture.
- 34:04Speaker 7: That's why I brought Bill Berloni up, because he had
- 34:07Speaker 7: a picture from the 1977 White House Christmas party with.
- 34:10Speaker 1: Me, all these people. It's mind-blowing. You're in the picture?
- 34:13Speaker 7: It's insane.
- 34:14Speaker 1: Oh, do you have a copy of it?
- 34:15Speaker 4: No.
- 34:15Speaker 1: But he showed it to me.
- 34:17Speaker 2: He didn't even take it with your phone?
- 34:18Speaker 7: No, I shouldn't have brought it up now that I
- 34:19Speaker 7: think about it. I also got a picture once with
- 34:25Speaker 7: Paul McCartney and then lost my phone and don't have it.
- 34:27Speaker 1: Oh, well.
- 34:32Speaker 2: So, but it exists.
- 34:34Speaker 7: It exists.
- 34:34Speaker 1: Here's the Amy Carter story.
- 34:36Speaker 6: Okay.
- 34:36Speaker 7: That's the most, so all of it gets munched together
- 34:39Speaker 7: into this kind of crazy, like there was a movie
- 34:42Speaker 7: theater in the White House and you would go and
- 34:44Speaker 7: be like, please join us, you know, on the president
- 34:47Speaker 7: for a viewing of Pete's Dragon with Helen Reddy, you know, like, yeah,
- 34:50Speaker 7: things like that. That would be like, cause nobody, we
- 34:52Speaker 7: didn't have VHS or anything back then. It was like
- 34:54Speaker 7: the olden times.
- 34:55Speaker 3: Yep.
- 34:55Speaker 2: Sure was.
- 34:57Speaker 7: And then that's the crazy, crazy story is that I
- 34:59Speaker 7: went to the Camp David for the Camp David Accords
- 35:02Speaker 7: with the Carters.
- 35:04Speaker 1: And we played the violin, which was crazy.
- 35:06Speaker 7: And for the very first United States Middle East Treaty.
- 35:11Speaker 2: So you played violin for?
- 35:13Speaker 1: For Anwar Sadat and Menachem Begin and Jimmy Carter.
- 35:16Speaker 7: Wow.
- 35:17Speaker 1: And me and Amy. And it was all in just
- 35:19Speaker 1: one room.
- 35:19Speaker 7: And we played Suzuki violin after lunch.
- 35:22Speaker 1: Do you remember what you played?
- 35:25Speaker 7: She, um, I mean, it was literally like, yeah, lightly
- 35:30Speaker 7: row or something, you know, minuet and G or I
- 35:32Speaker 7: don't know something.
- 35:33Speaker 2: Oh, that must've been so tender.
- 35:35Speaker 4: Right.
- 35:37Speaker 7: Maybe as I've said before, maybe that, maybe that was
- 35:41Speaker 7: a little harder.
- 35:42Speaker 1: To make Middle East piece.
- 35:43Speaker 4: Yep.
- 35:43Speaker 1: It didn't work.
- 35:47Speaker 2: Um, and then you, am I right that you watched
- 35:49Speaker 2: star Wars there too?
- 35:50Speaker 4: Yeah.
- 35:51Speaker 1: We watched it with the sedats. True story.
- 35:54Speaker 2: Star Wars with the Sadats.
- 35:55Speaker 4: Yep.
- 35:56Speaker 2: And then you also watched SNL in the White House.
- 36:00Speaker 7: That is the most interesting of all of the stories. Because,
- 36:03Speaker 7: so President Carter was the president. You rarely saw him.
- 36:07Speaker 7: There were, you know, a little bit, but we were
- 36:10Speaker 7: there a lot though. Kids were at that house a lot,
- 36:12Speaker 7: you know, her various friends. So I have a very, very,
- 36:16Speaker 7: that's my first memory of Saturday Night Live because we
- 36:19Speaker 7: went to get a snack in the middle of the night.
- 36:23Speaker 1: And it felt like the middle of the night was
- 36:24Speaker 1: probably 1145.
- 36:25Speaker 7: Yeah. And, um, we went to, and we walked by
- 36:28Speaker 7: and the president who we hadn't seen very much was
- 36:30Speaker 7: sitting in a chair, uh, with a, I remember he
- 36:34Speaker 7: had like a snack and a beer and Aykroyd was
- 36:36Speaker 7: playing him on TV live on Saturday night.
- 36:41Speaker 1: And he was laughing hysterically at the impression of him.
- 36:44Speaker 7: And to me, that was the most powerful, um, whatever
- 36:49Speaker 7: you call that early building block or core memory of
- 36:52Speaker 7: putting in place the power of parody and the power
- 36:55Speaker 7: of comedy and the importance of being able to laugh
- 36:58Speaker 7: at yourself, you know, all of those things, which obviously
- 37:00Speaker 7: we're in a really different time around, but, um, super, super,
- 37:04Speaker 7: super impactful.
- 37:12Speaker 2: And so you get to Northwestern, we talk, you're a
- 37:15Speaker 2: voice major. What makes you go from Northwestern after you
- 37:18Speaker 2: graduate to LA?
- 37:20Speaker 1: A very bossy gay.
- 37:22Speaker 7: Great.
- 37:23Speaker 5: I mean, yeah.
- 37:24Speaker 2: Follow, follow.
- 37:25Speaker 1: Get in line. Wherever you tell me to go. My
- 37:29Speaker 1: friend Peter was like, you're going to.
- 37:31Speaker 7: So I knew, I mean, the other, I went to
- 37:36Speaker 7: go see the second city and there were two women
- 37:40Speaker 7: in that cast and they both played girlfriends at the time.
- 37:42Speaker 7: And I remember being like, I want to see the
- 37:44Speaker 7: girls like do something fun. And then I came out
- 37:47Speaker 7: here to LA and I went to a groundling show
- 37:50Speaker 7: and it was like, literally uh Coolidge Jennifer Coolidge Jennifer
- 37:56Speaker 7: Coolidge Kathy Griffin Lisa Kudrow this girl Heather Morgan I
- 38:00Speaker 7: mean there were so many crazy funny women wearing like
- 38:04Speaker 7: wigs and glasses and I you know I was in
- 38:07Speaker 7: the improv scene in Chicago and like those are you
- 38:09Speaker 7: know at Northwestern it was same as it ever is
- 38:11Speaker 7: which is just a bunch of smart quick wits guys
- 38:13Speaker 7: that were like I remember the like main big improv
- 38:17Speaker 7: guy was you know star guy was like you're more
- 38:19Speaker 7: character that's what he said to me you do more
- 38:22Speaker 7: like characters and I knew that that was an insult
- 38:25Speaker 7: like that they thought of that as an insult and
- 38:26Speaker 7: then I came out here and I saw all these
- 38:28Speaker 7: like wigs and glasses I was like that seems really fun.
- 38:30Speaker 2: And who did you meet in your early years.
- 38:32Speaker 3: At the.
- 38:35Speaker 7: We had an insanely talented group. So I was right
- 38:40Speaker 7: behind Will and Sherry. Will Ferrell, Sherry Oteri. Yeah, and
- 38:43Speaker 7: Will is who suggested me for SNL. And in my group,
- 38:49Speaker 7: I had Stephen Craig, Chris Parnell, Scott Wainio, a lot
- 38:54Speaker 7: of writers that came from our era as well. And
- 38:57Speaker 7: then right behind me was Maya Forte. will forte my
- 39:02Speaker 7: off like yeah i mean it was you know and
- 39:04Speaker 7: and and then i i befriended a bigger collective of
- 39:08Speaker 7: you know tim bagley and my kitchcock and.
- 39:11Speaker 2: And then we always love to talk about snl audition
- 39:14Speaker 2: stories on this show i know we like to i
- 39:17Speaker 2: know we don't have to but it is it is
- 39:19Speaker 2: interesting like you know with the 50th anniversary and like
- 39:22Speaker 2: us looking back and all of it do you feel
- 39:25Speaker 2: any differently about that like the story that you tell
- 39:28Speaker 2: yourself about your audition like do you feel badly about
- 39:30Speaker 2: your audition.
- 39:31Speaker 7: You know what I didn't even ever feel bad about
- 39:32Speaker 7: it um I'll tell you why because there have been
- 39:35Speaker 7: a couple of times in my life and um Wicked
- 39:37Speaker 7: was one of them and Saturday Night Live was another
- 39:39Speaker 7: and they were both incredibly challenging jobs in their and
- 39:42Speaker 7: difficult workplaces in their own ways both just in terms
- 39:46Speaker 7: of physical demand and artistic demand and just complicated creative workplaces,
- 39:54Speaker 7: as you know. Both times, SNL being one of them,
- 39:57Speaker 7: I left no stone unturned because I felt, and I
- 40:02Speaker 7: really believe this to this day, if you, so sort
- 40:05Speaker 7: of to totally double back on the lazy thing, like
- 40:08Speaker 7: if you give everything your all, if you give something
- 40:10Speaker 7: your all, you don't have regret. And if you don't
- 40:15Speaker 7: have regret, you can face any consequence.
- 40:18Speaker 1: For me. So I knew.
- 40:20Speaker 7: That if I did the best audition I could, I
- 40:23Speaker 7: would feel fine if I didn't get the job. Um,
- 40:26Speaker 7: because I, I wouldn't have left something on the table,
- 40:29Speaker 7: you know? And so Will Ferrell had told me famously
- 40:32Speaker 7: that they don't laugh. And we always, people whisper that
- 40:34Speaker 7: to one another in advance.
- 40:35Speaker 1: Did you know that?
- 40:36Speaker 7: Yeah.
- 40:37Speaker 2: I knew that they there's, it would be absolutely silent,
- 40:39Speaker 2: which it was.
- 40:40Speaker 1: Which it was. Yeah. Me too.
- 40:41Speaker 7: And, um, I told Parnell and so Charlie and my
- 40:44Speaker 7: now husband and I were engaged at the time I
- 40:46Speaker 7: got the job and, um, I wrote the whole thing
- 40:50Speaker 7: out as a monologue, and I would just run it relentlessly,
- 40:52Speaker 7: and he would sit like Mount Rushmore.
- 40:55Speaker 2: Oh, and practice not laughing?
- 41:00Speaker 7: Repeatedly, because it was all stuff I had been doing
- 41:02Speaker 7: at the Groundlings. So I needed to know what it
- 41:05Speaker 7: felt like. The cadence is so different if you have
- 41:08Speaker 7: a character that you're used to landing in a certain way.
- 41:10Speaker 1: Yeah, that's actually a really good point.
- 41:11Speaker 2: I think a lot of people don't know a lot
- 41:13Speaker 2: of standups and sketch performers, when they come and audition,
- 41:18Speaker 2: they're doing stuff that has succeeded somewhere else. And there's
- 41:21Speaker 2: a rhythm to it and laughs that you're used to.
- 41:23Speaker 1: Correct. Yeah, exactly right.
- 41:25Speaker 7: So I just rehearsed it in front of him and
- 41:27Speaker 7: I knew it you know, six different directions well.
- 41:30Speaker 2: What characters and or people did you do in your audition?
- 41:33Speaker 1: Do you remember?
- 41:34Speaker 7: Yes, I did the NPR lady who I ended up
- 41:37Speaker 7: doing on the show. And I, and I did kind
- 41:39Speaker 7: of a ridiculous pantyhose wearing woman.
- 41:42Speaker 1: And I did, who did not end up on the
- 41:43Speaker 1: show in a shocking twist. She was, she ended up
- 41:46Speaker 1: on Cut the Shit. She was on Cut the Shit.
- 41:48Speaker 2: Did you do any impressions?
- 41:49Speaker 7: Well, so somebody of course was like, they're going to
- 41:50Speaker 7: ask you in the 11th hour to do impressions, but
- 41:52Speaker 7: I didn't do impressions.
- 41:53Speaker 1: And right.
- 41:54Speaker 7: But I kind of knew that it might come because
- 41:56Speaker 7: I'd heard that it The people that were involved were
- 41:59Speaker 7: never particularly organized around the advanced.
- 42:04Speaker 1: Prep, shall we say?
- 42:05Speaker 6: Yeah.
- 42:05Speaker 7: So I just had it up my sleeve. So I
- 42:08Speaker 7: went and I knew that I liked Martha Stewart. I
- 42:11Speaker 7: thought she was funny and interesting, even though the Groundlings
- 42:14Speaker 7: doesn't really do impression-based comedy. And so I wrote an
- 42:18Speaker 7: introduction as Martha Stewart and I got a Martha Stewart wig.
- 42:22Speaker 7: And this was so funny to me. I did Cokie Roberts.
- 42:25Speaker 2: Oh, yeah.
- 42:25Speaker 1: I remember her.
- 42:26Speaker 5: But nobody.
- 42:28Speaker 7: It was like an NPR reference, literally. But she was
- 42:30Speaker 7: on ABC News, and so I did Cokie Roberts.
- 42:32Speaker 2: But Lauren is good friends with Cokie. I had dinner
- 42:35Speaker 2: with her last night, and it sounds just like that.
- 42:38Speaker 1: I think Cokie liked the impression. I talked to Cokie,
- 42:40Speaker 1: and she liked it. Cokie thought it was a winner.
- 42:44Speaker 2: Cokie thought it was a little mean. Your Martha impression
- 42:51Speaker 2: is so good.
- 42:52Speaker 1: Thank you.
- 42:53Speaker 2: What do you do vocally to get into Martha? How
- 42:56Speaker 2: do we do a Martha?
- 42:58Speaker 7: So much of Martha, it still is. She's so rehearsed
- 43:03Speaker 7: in front of the camera. You'll never have her do this.
- 43:06Speaker 2: Martha Stewart does stuff with Miss Piggy and she's a
- 43:09Speaker 2: little thrown by Miss Piggy.
- 43:10Speaker 4: Yes.
- 43:11Speaker 2: Because Miss Piggy is improvising and Martha doesn't love to improvise.
- 43:15Speaker 3: No.
- 43:16Speaker 7: And I've had a few situations with her. In fact-
- 43:19Speaker 7: Where I've had to dress up as her and be
- 43:22Speaker 7: with her.
- 43:22Speaker 2: Yeah.
- 43:23Speaker 1: Which is.
- 43:23Speaker 2: That's a very unique thing about SNL. I had that with... Yes,
- 43:27Speaker 2: Hillary Clinton, I'm sure. Hillary Clinton, where you are dressed
- 43:29Speaker 2: exactly like them standing next to them.
- 43:30Speaker 7: So I have had a few events with Martha. And recently,
- 43:34Speaker 7: I did the Drew Barrymore show.
- 43:35Speaker 1: Oh, right. And showed up as her.
- 43:37Speaker 5: And she.
- 43:41Speaker 1: It's just the worst. And you're just sitting there fully
- 43:43Speaker 1: dressed like a person.
- 43:45Speaker 2: Listen, this is why I love our people. This is
- 43:47Speaker 2: why I love sketch comedy. Sketch comedy is embarrassing.
- 43:50Speaker 1: So embarrassing.
- 43:51Speaker 2: Stand-up is cool. You go outside, you wear a leather jacket,
- 43:55Speaker 2: you smoke a cigarette, you put it out, you go
- 43:57Speaker 2: and do your set. Sketch, you have a frigging wig
- 44:00Speaker 2: and you're schlepping a box with a weird bow tie.
- 44:05Speaker 1: And it never ends.
- 44:06Speaker 2: And it never ends.
- 44:06Speaker 1: Don't think that I'm not still doing that.
- 44:09Speaker 7: There are days where I'm like, I still have a
- 44:12Speaker 7: wig area in my house.
- 44:15Speaker 1: I one time got pulled over for speeding and had
- 44:17Speaker 1: a wig in my glove compartment.
- 44:20Speaker 2: That could be considered dangerous.
- 44:22Speaker 1: It could be. It could be. Do you remember what
- 44:24Speaker 1: the wig was? No, it was during Growling's days, in fairness.
- 44:28Speaker 1: Just to have one around. It's just the schlepping. It's
- 44:31Speaker 1: so uncool.
- 44:31Speaker 2: The amount of props. It's so uncool. And that's why
- 44:35Speaker 2: I love people who do it because they're, to me,
- 44:37Speaker 2: the coolest people because they sit in the embarrassment and
- 44:40Speaker 2: the commitment of it. You have to be really committed.
- 44:43Speaker 7: Which is why the bombing is the funniest thing in
- 44:45Speaker 7: the whole world. Which is why Will Ferrell sitting into
- 44:48Speaker 7: a bomb is one of my favorite things I've ever
- 44:50Speaker 7: seen in the world.
- 44:52Speaker 2: It is. At SNL, we used to watch old sketches
- 44:55Speaker 2: that bombed and just love it in a way. It's
- 44:58Speaker 2: what the kids would call cringe, but it's even post-cringe.
- 45:01Speaker 2: It's beyond cringe. It's almost like a delicious... Yeah. What
- 45:05Speaker 2: would you call it? It's not a serotonin boost. It's
- 45:07Speaker 2: like a... I don't know.
- 45:09Speaker 1: It's the closest you feel to... It's like a community
- 45:11Speaker 1: therapy experience, really, is what it is. Yeah, it's like
- 45:13Speaker 1: a primal scream. Yeah, for sketch performers.
- 45:17Speaker 2: What are some fun sketches that you used to watch
- 45:20Speaker 2: that you loved watching that bombed?
- 45:21Speaker 7: So we did a zoo crew sketch once. Which is
- 45:24Speaker 7: like a DJ. Like morning DJs. And we wrote, I mean,
- 45:28Speaker 7: it was the loudest sketch ever. I mean, it was
- 45:31Speaker 7: just literally like.
- 45:35Speaker 7: Like every single thing was just like, everybody.
- 45:38Speaker 1: Like, go get them rock. Like nonstop. Everybody. It was
- 45:43Speaker 1: me and.
- 45:43Speaker 7: Parnell and somebody and the host.
- 45:47Speaker 1: I can't remember.
- 45:48Speaker 7: And we'll, and it was this basic premise, really loud
- 45:51Speaker 7: zoo crew. And then the, um, the, the weather chopper
- 45:54Speaker 7: goes down, like crashes.
- 45:55Speaker 3: Okay.
- 45:56Speaker 1: Really basic. And then everyone's like, we've lost weather chopper five.
- 46:01Speaker 7: Like just anyway, but, People at the table were screaming
- 46:04Speaker 7: with laughter.
- 46:05Speaker 1: So funny.
- 46:06Speaker 7: And then we set it up at home base. I mean,
- 46:10Speaker 7: a dramatic play. A Tony winning play. Pulitzer Prize winning
- 46:15Speaker 7: dramatic play about a zoo crew. I mean, it's deathly silent.
- 46:19Speaker 7: Like a wall, like the audience and age looked like
- 46:22Speaker 7: a painting. And the whole time you're like screaming and
- 46:26Speaker 7: it was the wall of sound.
- 46:28Speaker 1: Did you get giggles? I mean, yes, because it was
- 46:30Speaker 1: so embarrassing.
- 46:31Speaker 7: And it was also just hilarious because it was like
- 46:33Speaker 7: the whole time you're like, they don't think this is funny.
- 46:34Speaker 1: They listen to morning zoos.
- 46:36Speaker 3: Right.
- 46:36Speaker 1: Like there's nothing, this is what it sounds like.
- 46:38Speaker 7: If you like driving to work and listening to that,
- 46:40Speaker 7: then that's just kind of a pleasant thing for you.
- 46:41Speaker 3: Right. Um.
- 46:44Speaker 1: That was embarrassing. Do you remember the set that we
- 46:46Speaker 1: called Shit Can Alley?
- 46:47Speaker 4: Yeah.
- 46:47Speaker 2: So there's all these little areas at SNL where you
- 46:50Speaker 2: get to perform. Home base is like right in the
- 46:52Speaker 2: middle and it's kind of a prime spot. It's where
- 46:53Speaker 2: update is. And then there's some areas that like where
- 46:56Speaker 2: sketches go to die.
- 46:57Speaker 1: Right, because you have the audience and you have the balcony.
- 47:00Speaker 7: And so the main three sets, you know, where the
- 47:04Speaker 7: musical guest plays and whatever, you usually are going to
- 47:06Speaker 7: play things okay. There's one that's like way in the
- 47:09Speaker 7: back that has no immediate audience in front of it.
- 47:13Speaker 7: And really sketches go there to die. I mean, nothing
- 47:15Speaker 7: ever comes out of that corner.
- 47:16Speaker 2: And it's also a real vote of no confidence when
- 47:19Speaker 2: your sketch is put there. You're like, I see, I see.
- 47:22Speaker 2: This isn't going to make the show.
- 47:27Speaker 1: It's a sort of quietness of like, it's in shit can, Ellie.
- 47:31Speaker 1: It's in shit can. We're not going to.
- 47:33Speaker 2: I'm going to call my parents. It's not going to
- 47:37Speaker 2: make it. But you had so many hits. And NPR,
- 47:43Speaker 2: that NPR, that sketch remains.
- 47:46Speaker 7: There was no confidence in that sketch. That sketch was
- 47:49Speaker 7: supposed to bomb. And I knew because I'd played at
- 47:50Speaker 7: the groundlings at the quietness of it. That was the
- 47:52Speaker 7: comedy of it.
- 47:53Speaker 2: Yeah, it's so, so funny. And I should circle back
- 47:57Speaker 2: just quickly to Martha. When we're doing Martha, what are
- 48:00Speaker 2: we doing with our lips? And how do we talk?
- 48:02Speaker 1: Well, one of the things she does... so many of
- 48:07Speaker 1: what the things that she says and does are things
- 48:12Speaker 1: that she has learned to do on camera. And she
- 48:20Speaker 1: is very aware of how the camera is going to look.
- 48:28Speaker 3: On her.
- 48:31Speaker 2: It's a very barely moving mouth.
- 48:36Speaker 1: Almost nothing moves. Why should it? And nor should it.
- 48:43Speaker 2: We're going to make a Christmas meal and barely nothing is.
- 48:46Speaker 5: Going to move.
- 48:47Speaker 1: She's... I am obsessed with her.
- 48:49Speaker 2: Me too. I'm obsessed with her. I mean, Martha is... Martha, I.
- 48:56Speaker 2: I'm not going to invite you on the show because
- 48:58Speaker 2: I'm too scared. But please listen and know that you're
- 49:04Speaker 2: something else.
- 49:04Speaker 1: She also says, I love her rules. Amy, her rules
- 49:07Speaker 1: are so comforting. Her rules are so comforting when you
- 49:09Speaker 1: talk to her. Her rules? Her rules.
- 49:11Speaker 7: She's like, I don't take alcohol alone. I don't take
- 49:16Speaker 7: drinks if I'm alone. That's what she told me.
- 49:18Speaker 1: I don't take.
- 49:18Speaker 7: Do you remember when she briefly took over The Apprentice?
- 49:22Speaker 7: And we're so obsessed with this. She would zoom at
- 49:26Speaker 7: the end, but she was always handwriting a termination note.
- 49:30Speaker 1: That's a little touch of class. You're fired. I so enjoyed.
- 49:39Speaker 1: your contributions to The Apprentice.
- 49:42Speaker 2: But I'm here to tell you.
- 49:44Speaker 1: I sent her flowers. I sent her flowers for one
- 49:46Speaker 1: of her birthdays. Many of the years.
- 49:48Speaker 4: Anyway.
- 49:48Speaker 1: Cut it. Cut the shit. We'll cut the shit. Cut
- 49:51Speaker 1: the shit.
- 49:52Speaker 2: I want to talk about Bobby and Marty for a second.
- 49:53Speaker 4: The best.
- 49:54Speaker 1: And the Culp's.
- 49:55Speaker 2: Because those two characters that you and Will did, I
- 49:59Speaker 2: think are a perfect example of kind of combining all
- 50:02Speaker 2: of your talents. And before we get into them, what
- 50:05Speaker 2: is the difference between Good singing, like singing and then
- 50:09Speaker 2: comedy singing.
- 50:10Speaker 6: Ooh.
- 50:11Speaker 2: And is there one, I guess?
- 50:14Speaker 1: Well, it is interesting. It's an interesting question.
- 50:17Speaker 7: I definitely think the training informs what's fun about the characters,
- 50:22Speaker 7: meaning she's, you know, they're quintessential choir teachers.
- 50:25Speaker 1: So her technique is very important to her.
- 50:28Speaker 7: So I probably lean more into that, that quality of the,
- 50:31Speaker 7: of the, of the voice. And I've met people over
- 50:34Speaker 7: the years that are like music people who, I hit
- 50:36Speaker 7: notes as her that I would be very worried about
- 50:41Speaker 7: trying to hit as me. And I know this is
- 50:44Speaker 7: true because my friend Seth Rudetsky, who has the Sirius
- 50:46Speaker 7: XM radio Broadway show, who I met because he wrote
- 50:50Speaker 7: for the Rosie O'Donnell show at the same time as
- 50:52Speaker 7: I was in 8G.
- 50:53Speaker 1: A lot of people don't know when we were doing SNL,
- 50:55Speaker 1: Rosie was in her.
- 50:56Speaker 2: Studio right next door.
- 50:58Speaker 7: So we met in the NBC gym and he was like,
- 51:01Speaker 7: of a certain part of my life. Like I instantly
- 51:03Speaker 7: recognized him as a person who understood what that music
- 51:07Speaker 7: part of me that I didn't even talk about was.
- 51:09Speaker 7: And he, he said, he was like, Oh, I love
- 51:12Speaker 7: how consistently you go from a B flat to a C.
- 51:14Speaker 1: Like, again, I wouldn't have thought about it.
- 51:16Speaker 7: And I wouldn't have even thought that Bobby sings that high,
- 51:18Speaker 7: but she does all the time, which is kind of wild.
- 51:21Speaker 7: Like if you wanted to tell him, ask me to
- 51:22Speaker 7: hit a C, I would get like my butthole would
- 51:24Speaker 7: tighten up and I probably wouldn't be able to do it.
- 51:26Speaker 7: So there's something really fun about that. And I think there's, uh,
- 51:29Speaker 7: for me, I can't speak for other people. Like I
- 51:31Speaker 7: would never, there's a freedom around it and a chance
- 51:34Speaker 7: taking that I will play in character any day of
- 51:37Speaker 7: the week till very recently.
- 51:38Speaker 1: I wouldn't have done it as a vocalist. So cool.
- 51:41Speaker 2: Absolutely. And that is what you guys do as those characters. Also,
- 51:45Speaker 2: I just love Bobby and Marty's look. Their looks are excellent.
- 51:49Speaker 1: Their looks are fantastic. And we knew early on.
- 51:52Speaker 7: So they were disparaged by some of the men, by
- 51:55Speaker 7: the cool guys. People thought it was a medley bit
- 51:58Speaker 7: and thought it was dumb and hacky. But we had
- 52:01Speaker 7: so much fun rating their passive aggression as characters.
- 52:05Speaker 4: Yes.
- 52:05Speaker 7: The dynamic of the two of them, the people giving
- 52:08Speaker 7: them the finger all the time, and just the inherent
- 52:12Speaker 7: bummer of... of having those people perform at your prom
- 52:14Speaker 7: or whatever. Like we always loved, we always, that's what
- 52:18Speaker 7: was so joyful about it. And the music was fine.
- 52:20Speaker 7: Like the music was a super fun component of it,
- 52:23Speaker 7: but it wasn't the point ever. The point was, why
- 52:27Speaker 7: are these people performing at my, you know, sobriety birthday?
- 52:31Speaker 7: You know, it was always like finding the premise. And
- 52:33Speaker 7: so that's what made it so fun. I have to say, honestly,
- 52:36Speaker 7: like at the 50th, which was so special because like,
- 52:40Speaker 7: that was always my favorite thing to do at SNL.
- 52:42Speaker 7: It was the most fun writing it with Will and
- 52:44Speaker 7: with Paula. We would, we were infamous, infamous is the
- 52:47Speaker 7: term because we would, as you know, not start writing
- 52:50Speaker 7: until four o'clock in the morning and we would finish
- 52:52Speaker 7: at 10 AM. And it was always like a laugh
- 52:56Speaker 7: fest that was, that's so heavily featured procrastination.
- 53:00Speaker 1: It was extraordinary.
- 53:02Speaker 2: And, Well, it's very, very funny that you say that
- 53:05Speaker 2: because we do a thing on the show where we
- 53:08Speaker 2: talk to people who know our guests. We talk well
- 53:10Speaker 2: behind their back and we get a question to ask them.
- 53:13Speaker 2: And so I spoke to Paula Pell.
- 53:15Speaker 1: Uh-oh.
- 53:15Speaker 2: And for people that didn't see the SNL 50th music special,
- 53:19Speaker 2: which was amazing, there was like sketches in between acts
- 53:24Speaker 2: and a lot of musical sketches. And Bobby and Marty
- 53:27Speaker 2: came out and crushed it. That was not an easy audience.
- 53:32Speaker 2: It was an audience of truly every single person was
- 53:35Speaker 2: either performing or a performer or like it was a
- 53:39Speaker 2: cynical audience.
- 53:40Speaker 4: Yeah.
- 53:40Speaker 2: You guys crushed. What was that feeling to do that
- 53:45Speaker 2: that night?
- 53:47Speaker 1: It was so fun, for lack of a better word.
- 53:50Speaker 1: Like it was so....
- 53:54Speaker 7: There was something, you know, as you go back to
- 53:56Speaker 7: these reunions and you bring all of your... kind of
- 53:59Speaker 7: history and baggage and whatever with you. Again, just kind
- 54:04Speaker 7: of speaking to your point of the fact that this
- 54:06Speaker 7: is all just so embarrassing, because first.
- 54:08Speaker 1: Of all, like it's Radio City Music Hall. It's 6,000 seats.
- 54:12Speaker 1: I mean, it's a huge, epic space.
- 54:16Speaker 4: Yeah.
- 54:17Speaker 1: We followed Lauryn Hill.
- 54:19Speaker 3: Sure.
- 54:20Speaker 2: That's who you want to follow.
- 54:22Speaker 7: So you have to understand that in the wings, there
- 54:25Speaker 7: are like thousands of cool music people. I mean, my
- 54:29Speaker 7: dressing room was next to Jack White and his band,
- 54:32Speaker 7: and I'm dressed as Bobby Mohan Culp, okay? I've got
- 54:35Speaker 7: the giant glasses and my like striped dress, and Will's
- 54:39Speaker 7: got his bald paint and his.
- 54:40Speaker 1: You know.
- 54:42Speaker 7: We were rehearsing in the keyboard. So already, we're like
- 54:45Speaker 7: the losers in the wings.
- 54:47Speaker 1: Do you know what I mean?
- 54:47Speaker 3: Oh, yeah.
- 54:47Speaker 2: I mean, the winners for me, but yes.
- 54:49Speaker 1: It was fantastic.
- 54:50Speaker 2: I mean, actually, you're like, you've got the violin and
- 54:52Speaker 2: you've got the eye patch.
- 54:53Speaker 3: 100%.
- 54:53Speaker 1: And so we're already just like, what is happening?
- 54:57Speaker 7: What is happening?
- 54:58Speaker 1: Why are we here?
- 54:59Speaker 7: And who invited us? And then we just started to
- 55:02Speaker 7: giggle because we... It was so.
- 55:05Speaker 1: Cute because we.
- 55:06Speaker 7: doing the sketch and doing the, we just, it was
- 55:09Speaker 7: very easy to imagine how excited Bobby and.
- 55:12Speaker 1: Marty would have been. The people would have been to
- 55:14Speaker 1: be at Radio City.
- 55:16Speaker 2: And what was it like back then? What was it
- 55:18Speaker 2: like back then? Did you see Jack White? Who else
- 55:20Speaker 2: are you seeing?
- 55:20Speaker 3: Mayhem.
- 55:21Speaker 7: I mean, mayhem, like posses and people with like, you know,
- 55:24Speaker 7: music people. So They got, like, big, cool hair and
- 55:27Speaker 7: glasses and, like, Lauryn Hill's a fur coat and an afro. And, like,
- 55:31Speaker 7: everybody's got, like, floral pants that come up to here.
- 55:34Speaker 7: And there's posses and, you know, weed everywhere. You know,
- 55:38Speaker 7: Chris Martin's in the corner.
- 55:39Speaker 1: Like, cool people.
- 55:40Speaker 5: Cool people.
- 55:41Speaker 1: Actual cool people who just looked right past us. Like,
- 55:44Speaker 1: they did not know that we used to be on
- 55:46Speaker 1: Saturday Night Live. They were just like, who brought Granny
- 55:48Speaker 1: and Gramps? Like, just... right past us.
- 55:51Speaker 2: That actually probably was fun.
- 55:53Speaker 1: It was so fun.
- 55:54Speaker 2: That's fun.
- 55:55Speaker 7: And then going, and then we like, you know, going
- 55:57Speaker 7: out there and all that stuff just suddenly worked.
- 55:59Speaker 2: You're right. Now that I'm remembering, Lauryn Hill had a surprise,
- 56:03Speaker 2: incredible performance. Insane. And then it was.
- 56:07Speaker 2: There's like smoke.
- 56:09Speaker 1: And then it was like, test, test, test.
- 56:12Speaker 2: And you guys cried. And that's what I mean.
- 56:16Speaker 1: I knew it was streaming.
- 56:17Speaker 7: And I also knew, I mean, it was really funny
- 56:19Speaker 7: because we were like, they just, and all of their
- 56:21Speaker 7: stuff was about how they'd come to New York for
- 56:22Speaker 7: an ophthalmology appointment.
- 56:24Speaker 1: You know, they were just lucky to slip in. And
- 56:26Speaker 1: just everything about it was so fun. And so we're
- 56:28Speaker 1: sitting there.
- 56:29Speaker 4: Yeah.
- 56:30Speaker 1: And I did have the feeling. I was like, this
- 56:31Speaker 1: is streaming.
- 56:31Speaker 7: Because one thing about SNL for me, again, I don't
- 56:34Speaker 7: know if you ever had this, but it's a little
- 56:35Speaker 7: bit of an A student, you know, nerd girl thing.
- 56:38Speaker 1: I was always... My greatest regret about.
- 56:41Speaker 7: This show, not that you would go back in time,
- 56:43Speaker 7: is that I couldn't, I never like settled into it
- 56:45Speaker 7: and enjoyed it because I was always so aware of
- 56:47Speaker 7: the time and of running somebody, running down the clock,
- 56:51Speaker 7: somebody else's sketch is going to get cut.
- 56:52Speaker 1: Like I was always, and when we were there, it
- 56:54Speaker 1: was such a.
- 56:56Speaker 7: You know, like explosive surfeit of, of talent that there
- 57:00Speaker 7: were always three sketches a night that might not make it.
- 57:02Speaker 4: You know?
- 57:03Speaker 7: So I always felt like I had to like, keep
- 57:04Speaker 7: it moving, keep it moving. So I was suddenly very
- 57:07Speaker 7: aware that it was streaming and that I was not
- 57:10Speaker 7: going to be rushed.
- 57:12Speaker 1: And I was like, I'm going to be Bobby.
- 57:14Speaker 7: The funniest thing in the world to me is this
- 57:16Speaker 7: woman and this man, these, these choir teachers getting people
- 57:20Speaker 7: to settle. Because there's just nothing funnier than high school
- 57:23Speaker 7: teachers to settle.
- 57:24Speaker 2: So that's what they did is they just kept telling
- 57:26Speaker 2: people to settle.
- 57:26Speaker 1: I need you to settle.
- 57:29Speaker 7: I need quiet in the back. Hand goes up, mouth
- 57:31Speaker 7: goes shut. Hand goes up, mouth goes shut. I was
- 57:33Speaker 7: just like, I'm going to keep going until they settle.
- 57:36Speaker 7: I'm not going to worry about it. And if I
- 57:38Speaker 7: had been at 8-H, we.
- 57:39Speaker 2: Never would have done that. Right. Very good point.
- 57:42Speaker 7: But we took a full, probably 45 seconds to get
- 57:45Speaker 7: people to pipe it.
- 57:47Speaker 1: David Spade piped down.
- 57:48Speaker 3: Right.
- 57:49Speaker 1: That's right.
- 57:49Speaker 2: You guys called him out by name.
- 57:50Speaker 1: I don't want to hear it, Pierce Brosnan. So stupid. Okay.
- 57:58Speaker 2: We have so much more to talk about.
- 58:00Speaker 1: I'm sorry.
- 58:00Speaker 2: But Paula had two great questions.
- 58:04Speaker 1: Uh-oh.
- 58:05Speaker 2: One was a funny one, which was your dog, Gloria,
- 58:11Speaker 2: loves to eat things.
- 58:12Speaker 1: Yes.
- 58:13Speaker 2: And you often keep us updated as to what she eats.
- 58:16Speaker 1: I do.
- 58:16Speaker 2: What has she eaten lately and has it come out already?
- 58:19Speaker 2: And was it intact when it came out?
- 58:24Speaker 1: It never comes out. I don't know where it goes.
- 58:27Speaker 1: It's upsetting. Like you're like, it was a full hairbrush.
- 58:30Speaker 1: Where did it go?
- 58:32Speaker 7: And honestly, cause she's also like many dogs, like it's
- 58:34Speaker 7: the more personal, the better, you know?
- 58:36Speaker 1: So it's a retainer or a pair of underwear. She
- 58:39Speaker 1: would eat my IUD if she could. Pull it out.
- 58:42Speaker 1: She could get in there.
- 58:43Speaker 4: Yeah, sorry.
- 58:43Speaker 1: But it's true. Dogs are gross. It is gross.
- 58:46Speaker 7: Bras, all that kind of thing. Most recently, to answer
- 58:50Speaker 7: the question, it was a massive thing of cheese.
- 58:53Speaker 1: I mean, it was a Manchego.
- 58:54Speaker 7: It was a Costco Manchego wedge. You know those are
- 58:58Speaker 7: big ones for a party. And Charlie sent it to me.
- 59:02Speaker 1: I was out here.
- 59:03Speaker 7: And he'd taken out the cheese. He was going to
- 59:05Speaker 7: have himself a little snack.
- 59:07Speaker 1: Came back. The cheese was gone. He felt crazy. That's
- 59:09Speaker 1: always part of the story. He's walking around like, I
- 59:11Speaker 1: swear to God, I brought the cheese out. Where's the cheese?
- 59:13Speaker 7: And then hours later, there was like this much left,
- 59:17Speaker 7: which also I find upsetting because it means that she
- 59:19Speaker 7: has eaten– to the point of physical discomfort, which for
- 59:22Speaker 7: a dog is a long time.
- 59:23Speaker 6: Yeah.
- 59:24Speaker 1: I just, I want to know what happens in her
- 59:25Speaker 1: dog brain.
- 59:26Speaker 2: Or maybe there's some kind of evolutionary thing where they
- 59:29Speaker 2: show you just a little to be like, just to
- 59:33Speaker 2: be like, and I, and just, just to remind, just
- 59:37Speaker 2: a tiny bit of like a trophy of like, and
- 59:39Speaker 2: here's what I did.
- 59:40Speaker 1: She's such an asshole.
- 59:41Speaker 5: Um, okay.
- 59:42Speaker 2: And then Paula's, um, real question was, and it's kind
- 59:45Speaker 2: of what the theme of our interview today, which is
- 59:47Speaker 2: basically like, um, It's such a sweet Paula question, which is,
- 59:52Speaker 2: you know, between writing and singing and acting, which one
- 59:57Speaker 2: makes you feel the most free? It's an interesting word.
- 1:00:03Speaker 7: It's a great question. I think that inherently I'm the
- 1:00:09Speaker 7: most natural singer. I mean, I think that's like my
- 1:00:12Speaker 7: first gift, meaning like that it's just sort of beyond me.
- 1:00:14Speaker 1: And as I've gotten older and more into it, like
- 1:00:18Speaker 1: Even in the last couple of.
- 1:00:19Speaker 7: Years, I feel more comfortable just accepting that it's something
- 1:00:24Speaker 7: that came from somewhere besides me, and I got lucky
- 1:00:27Speaker 7: to have a career that kind of nurtured.
- 1:00:29Speaker 1: The muscles of it all, literally.
- 1:00:31Speaker 7: Writing is the most in the flow, I probably feel,
- 1:00:34Speaker 7: but I hate writing.
- 1:00:35Speaker 1: Mm-hmm. And I hate having to write. I love having written.
- 1:00:39Speaker 2: Yes, having had written is the best feeling in the world.
- 1:00:42Speaker 1: I feel like you're a more confident writer than I am.
- 1:00:43Speaker 2: Oh, God, no.
- 1:00:44Speaker 1: No, that's not true. You're very good about it. I've
- 1:00:46Speaker 1: got to... We have to go.
- 1:00:47Speaker 2: No, I've got to.
- 1:00:48Speaker 4: What?
- 1:00:50Speaker 1: Your Uber's here?
- 1:00:50Speaker 2: My Uber.
- 1:00:51Speaker 1: I'm so sorry.
- 1:00:52Speaker 2: My Uber's here. First of all, you are a member
- 1:00:54Speaker 2: of the Wickedverse.
- 1:00:55Speaker 3: Yeah.
- 1:00:56Speaker 2: You opened Wicked in Chicago.
- 1:00:58Speaker 4: Yeah.
- 1:00:58Speaker 7: I was the, you know, fourth overall Elphaba. So, you know,
- 1:01:02Speaker 7: so now when you go, like... last year, two years
- 1:01:05Speaker 7: ago was the 20th. And, um, again, I have people
- 1:01:09Speaker 7: in my wicked life. They're like, I'm not going back.
- 1:01:10Speaker 1: It was torture. Cause it is trauma bonding. It's a
- 1:01:12Speaker 1: really hard job.
- 1:01:13Speaker 7: It's a really, really, really, really hard job.
- 1:01:15Speaker 1: It's a hard role to play.
- 1:01:17Speaker 7: It is a physically demanding heart and it's incredibly hard
- 1:01:20Speaker 7: to sing. So I'm, I'm actually in retrospect, I was so,
- 1:01:25Speaker 7: I'm going to actually take a minute to tell a story.
- 1:01:27Speaker 6: Yes, please.
- 1:01:27Speaker 1: That's okay.
- 1:01:28Speaker 3: Of course.
- 1:01:29Speaker 7: Um, because I actually think it's so lifeless and important. I,
- 1:01:34Speaker 7: I'm so hard on myself. And again, I realized this
- 1:01:36Speaker 7: about myself recently. I'm not competitive. I'm a perfectionist.
- 1:01:41Speaker 1: So I actually hate competition, but I want to be
- 1:01:45Speaker 1: really good at things.
- 1:01:45Speaker 7: So it's a weird mix, but when you do a
- 1:01:49Speaker 7: Broadway show, everybody comes at the end because all your
- 1:01:52Speaker 7: friends or whatever, people want to see you before it
- 1:01:53Speaker 7: closes or you leave or whatever. And you know, whatever,
- 1:01:57Speaker 7: here's a Dina Menzel, the most incredible vocalist originated this
- 1:02:00Speaker 7: incredibly demanding vocal score.
- 1:02:02Speaker 5: Yeah.
- 1:02:04Speaker 7: When you take over in a role, you're thrown into
- 1:02:07Speaker 7: their tracks. So there's a lot of things that were
- 1:02:09Speaker 7: designed around Idina's instrument that other people have a harder
- 1:02:12Speaker 7: time with. Her phrasing, her lung capacity, things like that.
- 1:02:16Speaker 7: So I was sort of mercilessly hard on myself. And
- 1:02:19Speaker 7: I also just didn't have the Broadway credits that other
- 1:02:21Speaker 7: people did. So I felt like I was proving myself.
- 1:02:24Speaker 7: And especially then on Broadway, I think people felt like,
- 1:02:27Speaker 7: who's this TV bitch who just thought she could show
- 1:02:30Speaker 7: up and sing Elphaba? You know, there was not like
- 1:02:32Speaker 7: a I didn't feel like warmly welcomed into the Broadway community.
- 1:02:36Speaker 7: I felt like I was proving it, you know?
- 1:02:38Speaker 1: Sure. So every day.
- 1:02:39Speaker 2: Yeah.
- 1:02:40Speaker 1: And I, you know, that role is very, very challenging.
- 1:02:45Speaker 1: So my last like three weeks, cause I did Chicago.
- 1:02:49Speaker 7: And then I came and I did the three penny
- 1:02:50Speaker 7: opera on Broadway and then I did Wicked up on Broadway.
- 1:02:53Speaker 7: So my last like two, three weeks, Wicked, all these people,
- 1:02:58Speaker 7: you know, come out of the woodworks, composers I admire,
- 1:03:01Speaker 7: people I admire, people to see, want to see me
- 1:03:02Speaker 7: in the world before I left. And I was so
- 1:03:06Speaker 7: mercilessly cruel to myself. Every day I would come backstage
- 1:03:09Speaker 7: and I messed up the bridge on Defying Gravity or,
- 1:03:11Speaker 7: oh my God, I hate it. I didn't like my
- 1:03:15Speaker 7: upper register here, there. I was screaming in this part.
- 1:03:19Speaker 7: It was such an interesting experience because the sound engineer
- 1:03:24Speaker 7: gave me, like snuck me, I hope I'm not getting
- 1:03:28Speaker 7: him fired, recordings of my last 12 shows he had
- 1:03:33Speaker 7: just like stuck in a thing and recorded them I
- 1:03:36Speaker 7: didn't listen to them for 15 years because I was
- 1:03:39Speaker 7: so mortified I was like I don't want to hear
- 1:03:40Speaker 7: myself and then I cracked one open one day and
- 1:03:45Speaker 7: I started I wanted to listen to Defying Gravity to
- 1:03:47Speaker 7: see like if I could like Frankenstein the perfect version
- 1:03:50Speaker 7: together whatever and it was so.
- 1:03:55Speaker 1: Chilling how similar they were Oh, wow, Anna.
- 1:04:00Speaker 2: That's wild.
- 1:04:01Speaker 1: To listen to them in a row, it took my
- 1:04:06Speaker 1: breath away.
- 1:04:06Speaker 7: And I tell my kids this all the time now,
- 1:04:09Speaker 7: because Ulysses, my son, he's such a perfectionist. I'm like,
- 1:04:13Speaker 7: The difference between 98% and 100% is imperceptible to anyone
- 1:04:19Speaker 7: but you. And if you're hitting the general ballpark of
- 1:04:24Speaker 7: being able to, oh, I don't know, sing Elphaba, you're
- 1:04:27Speaker 7: probably cool. So you are not a reliable witness about yourself.
- 1:04:33Speaker 2: Oh, never. And that's why I give 75%. I don't
- 1:04:35Speaker 2: even get it.
- 1:04:36Speaker 1: But honestly, it can apply to anything. Oh, absolutely.
- 1:04:40Speaker 7: And making that decision of being like, did you show up?
- 1:04:43Speaker 1: Were you nice to people? Did you know your lines? Okay, check.
- 1:04:48Speaker 2: And also the way, the lovely way in which you
- 1:04:50Speaker 2: circled back and And you were able to kind of
- 1:04:53Speaker 2: like go back to that younger version of yourself and
- 1:04:55Speaker 2: be like.
- 1:04:56Speaker 7: Oh my God, I can't believe how unnecessarily relentlessly mean
- 1:05:00Speaker 7: I was to myself. Yes.
- 1:05:01Speaker 1: I mean, I don't know if I'm able to.
- 1:05:02Speaker 7: Take it now in everyday life, but it's such an important,
- 1:05:05Speaker 7: I don't know. It felt like such an important lesson.
- 1:05:06Speaker 7: And obviously like that's the SNL wisdom pearl. I'm like,
- 1:05:10Speaker 7: I wish I could have enjoyed it. Just enjoyed it.
- 1:05:12Speaker 7: It was a great experience, you know?
- 1:05:14Speaker 2: Yeah. I mean, the fact that you had physical evidence
- 1:05:18Speaker 2: that they weren't that different.
- 1:05:19Speaker 1: It was mind blowing. It was mind blowing.
- 1:05:20Speaker 2: Is something else, isn't it? The mind is a terrible place.
- 1:05:24Speaker 1: A real dick.
- 1:05:25Speaker 2: It's a terrible, terrible place.
- 1:05:27Speaker 4: Yeah.
- 1:05:27Speaker 1: The mind is a dick.
- 1:05:28Speaker 2: The mind is a raging dick. Okay, mean girls. What
- 1:05:31Speaker 2: are your memories about us doing mean girls together?
- 1:05:33Speaker 1: I remember being on the plane with you.
- 1:05:35Speaker 2: Yep, we were on the plane. We got in a
- 1:05:36Speaker 2: fight with a guy.
- 1:05:37Speaker 1: Yeah, you got in a fight with a guy.
- 1:05:39Speaker 7: And the baby, baby Francis was early empowering. Baby Francis
- 1:05:43Speaker 7: was on the plane with us.
- 1:05:43Speaker 1: Do you remember that?
- 1:05:44Speaker 2: Your baby Francis was now in her 20s.
- 1:05:47Speaker 7: 23, yeah.
- 1:05:48Speaker 2: She was on the plane. And I still got in
- 1:05:49Speaker 2: a fight with the guy with the baby around?
- 1:05:51Speaker 1: Yeah, I hope so.
- 1:05:52Speaker 7: Because the guy got mad that you were swearing in
- 1:05:54Speaker 7: front of the baby. Yeah, right. I was.
- 1:05:57Speaker 2: Yeah. It's a long story, but what happened was a very,
- 1:06:00Speaker 2: a guy who, like a first class guy. We were
- 1:06:04Speaker 2: in first class too. He was like, excuse me. I'm
- 1:06:06Speaker 2: trying to, you're being too loud in first class. And I,
- 1:06:09Speaker 2: my Boston came out.
- 1:06:10Speaker 1: Let's just say that. It was the best thing I've
- 1:06:11Speaker 1: ever seen.
- 1:06:11Speaker 2: Okay. But, but the shooting of Mean Girls, what do
- 1:06:14Speaker 2: you remember of it?
- 1:06:15Speaker 7: I remember hanging out with you in that hotel one
- 1:06:17Speaker 7: night and having drinks. I remember, I remember when Tina
- 1:06:20Speaker 7: was I have a memory of her sitting at the
- 1:06:23Speaker 7: table on 17 and saying, I think I'm going to
- 1:06:26Speaker 7: try to option this book.
- 1:06:27Speaker 1: Me too.
- 1:06:28Speaker 2: I have an image of her sitting at her computer
- 1:06:30Speaker 2: and being like, oh, and having the book near her
- 1:06:35Speaker 2: and just like working on it, being like, I'm writing
- 1:06:38Speaker 2: this movie.
- 1:06:38Speaker 1: It's incredible. And I was like, good luck with that.
- 1:06:40Speaker 2: I'm going to go write a sketch about a lady
- 1:06:46Speaker 2: who has a snake around her neck.
- 1:06:47Speaker 1: Have you ever heard of fart mouth? No.
- 1:06:53Speaker 2: And last question is, what are you listening to, watching?
- 1:06:56Speaker 2: Where do you go to laugh these days?
- 1:06:59Speaker 1: I am like... I am not very.
- 1:07:01Speaker 7: For all my quiet comedy, like, I am like Mel
- 1:07:04Speaker 7: Brooks is what makes me laugh.
- 1:07:05Speaker 1: Like, big, silly.
- 1:07:07Speaker 2: Okay, what's your favorite Mel Brooks?
- 1:07:09Speaker 4: I mean.
- 1:07:09Speaker 2: Let's Google it.
- 1:07:11Speaker 1: Well, I mean, Madeline Kahn and.
- 1:07:12Speaker 2: Should we go to the producers?
- 1:07:13Speaker 1: Young Frankenstein, producers.
- 1:07:16Speaker 7: I mean, when Dratch and I write together, it feels
- 1:07:18Speaker 7: like Mel Brooks is, you know, the.
- 1:07:20Speaker 1: Dratch is.
- 1:07:22Speaker 2: Yeah, Dratch is of the Mel Brooks world.
- 1:07:24Speaker 1: Yeah, so writing with her is very goofy and very fun.
- 1:07:27Speaker 2: You know what I love, and I know it's underrated?
- 1:07:29Speaker 2: I love Mia Spaceballs.
- 1:07:31Speaker 1: Oh, deeply underrated. God, Spaceballs made me laugh.
- 1:07:36Speaker 7: My friend Philip Tarotula does this character called Official Pam
- 1:07:40Speaker 7: Goldberg on Instagram. He plays a member of Actors' Equity
- 1:07:46Speaker 7: since 1968. I know my Uber is here, but I
- 1:07:49Speaker 7: have to see this. Yeah, you do.
- 1:07:51Speaker 2: Official Pam Goldberg.
- 1:07:52Speaker 4: Yeah.
- 1:07:52Speaker 1: Pam Goldberg here, and I'm recommending what to bring with
- 1:07:54Speaker 1: you to tech.
- 1:07:55Speaker 2: So here we go.
- 1:07:56Speaker 6: Snacks.
- 1:07:57Speaker 2: Don't rely on other people's snacks or anyone else bringing
- 1:08:01Speaker 2: snacks for you.
- 1:08:01Speaker 5: These are Crasdale peanuts.
- 1:08:03Speaker 7: I don't think they're organic.
- 1:08:05Speaker 1: Pam's telling us what to bring to tech. First, I
- 1:08:07Speaker 1: take good coffee.
- 1:08:08Speaker 7: I like this from Fairway.
- 1:08:10Speaker 2: They say in management, open coffee themselves, but life's too
- 1:08:12Speaker 2: short for Folgers.
- 1:08:14Speaker 7: Again, I recommend Bananagrams because it's.
- 1:08:16Speaker 1: Short and affordable. Don't open.
- 1:08:19Speaker 2: Banana grams are short and cordial. Also, Pam has got
- 1:08:23Speaker 2: a real severe haircut.
- 1:08:24Speaker 1: Real severe.
- 1:08:25Speaker 2: And a real squinty eye.
- 1:08:27Speaker 1: She's been a regional theater actress for a long time.
- 1:08:30Speaker 2: But anyway, Merry Christmas.
- 1:08:34Speaker 1: Thank you, friend. Thank you, friend. Merry Christmas to you.
- 1:08:39Speaker 2: Anna Gasteyer, thank you so much. That was so fun.
- 1:08:43Speaker 2: And that Time went by so fast, and I love
- 1:08:46Speaker 2: talking to you. And, you know, this is our holiday episode.
- 1:08:50Speaker 2: And for those of you celebrating the holiday in all
- 1:08:53Speaker 2: different ways, I just want to say thank you for
- 1:08:56Speaker 2: um giving us the gift of listening to this show
- 1:08:59Speaker 2: it's meant a lot to us and this is the
- 1:09:01Speaker 2: this has been an amazing year that we've launched it
- 1:09:03Speaker 2: so uh thank you we cannot wait to make more
- 1:09:06Speaker 2: of which we will be doing for you um and
- 1:09:08Speaker 2: it has been a real gift to do it so
- 1:09:11Speaker 2: um I'm going to end this episode and dive into
- 1:09:16Speaker 2: the polar plunge by sharing my favorite Christmas movie with you,
- 1:09:20Speaker 2: and that is a little-known classic, Emmett Otter's Jug Band Christmas.
- 1:09:25Speaker 2: I don't know a lot of people that know it,
- 1:09:28Speaker 2: but it was, look, I don't love puppets all the time,
- 1:09:34Speaker 2: but this one has the Muppet puppet family, Jim Henson's
- 1:09:40Speaker 2: workshop made it, and it is the cutest, most tender,
- 1:09:44Speaker 2: best music movie, Emmett Otter's Jug Band Christmas. Check it out.
- 1:09:50Speaker 2: It is basically the gift of the Magi. There is
- 1:09:53Speaker 2: an incredible bunch of villains called the River Bottom Nightmare
- 1:09:57Speaker 2: Band that is basically a snake and a weasel, and
- 1:10:01Speaker 2: they are incredible. So do yourself a favor, and I
- 1:10:05Speaker 2: don't even know where to find it. I think I
- 1:10:07Speaker 2: have it on VHS.
- 1:10:09Speaker 1: But.
- 1:10:10Speaker 2: But Merry Christmas. Happy Hanukkah. Whatever you celebrate. Thank you
- 1:10:18Speaker 2: for listening. And we can't wait to see you in
- 1:10:21Speaker 2: the new year.
- 1:10:22Speaker 3: Bye.
- 1:10:24Speaker 2: You've been listening to Good Hang. The executive producers for
- 1:10:27Speaker 2: this show are Bill Simmons, Jenna Weiss-Berman, and me, Amy Poehler.
- 1:10:30Speaker 2: The show is produced by The Ringer and Paper Kite.
- 1:10:33Speaker 2: For The Ringer, production by Jack Wilson, Kat Spillane, Kaya McMullin,
- 1:10:37Speaker 2: and Alea Zanaris. For Paper Kite... Production by Sam Green,
- 1:10:41Speaker 2: Joel Lovell, and Jenna Weiss-Berman. Original music by Amy Miles.