Latest / The Breakfast Club / FULL SHOW: Yo Gotti Interview, What Hip-Hop Album Would You Tell The Aliens About? Roxy Romeo Cohosts and More!
Transcript
- 0:00Speaker 1: Good morning in the USA.
- 0:01Speaker 2: Yo yo yo yo yo yo yo yo yo yo
- 0:03Speaker 2: yo yo yo yo yo yo yo yo yo yo
- 0:05Speaker 2: yo yo yo yo yo yo yo yo yo.
- 0:06Speaker 1: Yo yo yo Charlemagne, Peas to the planet is Friday. Yes,
- 0:13Speaker 1: so we got our guest hosts, our special guest hosts
- 0:15Speaker 1: back with us.
- 0:16Speaker 3: Roxy Romeo, welcome back.
- 0:18Speaker 4: Yeah, good morning.
- 0:19Speaker 5: Thank you for getting her name right this man, I'm
- 0:21Speaker 5: glad it took you a whole day to get it right,
- 0:23Speaker 5: but thank you.
- 0:23Speaker 1: I got it after the first five man, Thank you
- 0:26Speaker 1: very much. I'm sure she appreciates that.
- 0:28Speaker 2: Good morning, Roxy, Good morning, Charlmagne. How are you feeling.
- 0:30Speaker 4: I'm good. It's Friday, Definitely Friday.
- 0:33Speaker 5: It's definitely the weekend. Man, it feels good to be here.
- 0:35Speaker 5: I don't know what we're doing this weekend. Probably my
- 0:38Speaker 5: favorite thing to do. Nothing that's straight you already you
- 0:41Speaker 5: know now that I just thought about it, I was like,
- 0:43Speaker 5: I have let me do this weekend.
- 0:44Speaker 2: Last we're gonna have to go to Dallas and had
- 0:46Speaker 2: to go to Vegas.
- 0:47Speaker 5: I do have my book bag drive this Saturday in
- 0:50Speaker 5: Monks Corner, South Carolina at Berkeley High School, my annual
- 0:52Speaker 5: But you.
- 0:52Speaker 4: Definitely have something to do this weekend.
- 0:54Speaker 2: Well, it's this book back drive. It's my book back drives.
- 0:59Speaker 2: That's right.
- 1:00Speaker 1: He didn say he was gone. That don't mean I
- 1:02Speaker 1: won't be there, but he's just saying it's his book
- 1:04Speaker 1: back drive.
- 1:05Speaker 2: That's right, Lannel.
- 1:06Speaker 5: You know, we give away school supplies and book bags
- 1:08Speaker 5: and free haadcuts and it's a fish fry and it's
- 1:11Speaker 5: going on from a twelve to three tomorrow at Berkeley
- 1:14Speaker 5: High School and monks going to South Carolina.
- 1:15Speaker 3: That's right.
- 1:16Speaker 1: And we gotta say happy birthday to hip hop. It's
- 1:18Speaker 1: the fiftieth anniversary to Wow. August eleventh, nineteen seventy three
- 1:23Speaker 1: was the day that we believe hip hop was created.
- 1:26Speaker 5: Dropping the clues bombs for hip hop, we would not
- 1:29Speaker 5: be here right now, that's right.
- 1:31Speaker 2: Well, we might be. It could be R and B.
- 1:34Speaker 5: It could be an R and B station. Yes, it
- 1:36Speaker 5: could be jazz, you know what I mean. Disco might
- 1:38Speaker 5: still be a thing maybe if hip hop never came around.
- 1:40Speaker 1: I don't know.
- 1:41Speaker 4: I don't know about that.
- 1:42Speaker 2: Yeah, I don't know.
- 1:43Speaker 5: Because hip hop wasn't just a musical genre. It's something
- 1:46Speaker 5: that shaped the whole culture.
- 1:47Speaker 2: It's the way we dressed.
- 1:48Speaker 5: It's the way we we talk, you know what I mean,
- 1:50Speaker 5: It's even the things we consume as far as like
- 1:52Speaker 5: eating and.
- 1:53Speaker 2: Drinking and everything.
- 1:53Speaker 1: It's not life. It's hip hop is life. It's everything
- 1:56Speaker 1: that we've embodied. So shout to salute to DJ cool Herk.
- 2:01Speaker 1: If you don't know how hip hop was created, we'll
- 2:03Speaker 1: break it down a little bit. In the room is
- 2:05Speaker 1: and I think it's you got it Up, You got
- 2:07Speaker 1: it Up. I wanted to hear Shiit Ones this morning.
- 2:10Speaker 1: That's one of my favorite hip hop records. Classic. What's
- 2:15Speaker 1: your favorite hip hop record?
- 2:16Speaker 3: Sall?
- 2:17Speaker 5: Why be asking me these stupid as in the morning.
- 2:19Speaker 5: That's such a broad question.
- 2:20Speaker 1: It's hip what's your favorite record?
- 2:23Speaker 5: I don't know if I have a favorite hip hop record?
- 2:25Speaker 5: I don't know if I could narrow it down to
- 2:27Speaker 5: just one record, Which one record do you like? You
- 2:31Speaker 5: probably like Luke I want to rock? Come on now,
- 2:34Speaker 5: I'm talking about language now. I mean that is that
- 2:37Speaker 5: is one. That is one.
- 2:38Speaker 3: What about you rock?
- 2:40Speaker 6: Man?
- 2:40Speaker 4: I mean this is the same thing. There's a few.
- 2:42Speaker 4: I mean, I love the method of Mary J.
- 2:45Speaker 1: Lauren Hill wedding.
- 2:48Speaker 2: Wedding song Me and my wife wedding song. That's what
- 2:51Speaker 2: we dance to.
- 2:53Speaker 1: Yeah, I like I like hik Ones. Shick Ones is
- 2:55Speaker 1: always one of my favorite hip hop records. Of course,
- 2:57Speaker 1: Juicy this is just a great.
- 2:59Speaker 2: Meaning and that makes you think of me.
- 3:02Speaker 1: No, no, no, why.
- 3:06Speaker 2: If that's so called juicy because the sample is juicy fruit.
- 3:08Speaker 3: Okay, all right now today Yo Gotti will be joining us.
- 3:13Speaker 5: Dropping the clues bonds for Yo Gotti, him and one
- 3:16Speaker 5: of his new producers, Young D.
- 3:18Speaker 2: Yeah, Young D. Young D did the new.
- 3:20Speaker 5: Well did a lot of He executive produced the new
- 3:22Speaker 5: project that Yo Gotti has out right now against the
- 3:24Speaker 5: Girls with DJ Drama called Up.
- 3:25Speaker 2: I showed you, I showed you.
- 3:27Speaker 3: So he's produced a lot for money Bag Yo, He's
- 3:30Speaker 3: he did the joint well.
- 3:31Speaker 1: For two Dug and Uh Future.
- 3:35Speaker 2: Uh.
- 3:35Speaker 1: So he's done a lot of joints. So I mean thinking,
- 3:37Speaker 1: what is my favorite hip hop record?
- 3:38Speaker 6: I don't know.
- 3:39Speaker 5: That's such a broad question. He ain't hip hop. This
- 3:42Speaker 5: is one of my favorite record of hip hop. It's
- 3:44Speaker 5: married J Blige, be happy, this is just.
- 3:46Speaker 1: Barry is hip hop?
- 3:47Speaker 2: Andre Herald coined her the Queen of hip hop.
- 3:50Speaker 4: So yes, exactly, it's the joint with Math.
- 3:52Speaker 1: Let's do the joint with Math. You're you're all I need.
- 3:54Speaker 1: Let's see if we can find out Right now.
- 3:56Speaker 2: I feel like y'all should go older being at this
- 3:58Speaker 2: to you know, birthday popping hip pop is fifty.
- 4:01Speaker 1: That's what I felt.
- 4:02Speaker 2: But you know.
- 4:04Speaker 4: Out there what you got, This is what I do.
- 4:09Speaker 3: This is this the one Roxy pick me and my wife.
- 4:10Speaker 2: This is me and my wife wedding.
- 4:11Speaker 1: So all morning long, I'm gonna be blamed doing little mixes.
- 4:14Speaker 1: So I'm gonna be getting the sugar Hill Gangs on
- 4:16Speaker 1: the run, DMCs, the outcast, the n w a's, and
- 4:18Speaker 1: we'll be getting.
- 4:19Speaker 5: Everybody taking cholesterol medication once a day like I have.
- 4:23Speaker 5: I know all of those people you just named taking
- 4:25Speaker 5: the letter colecterol medication just like me.
- 4:28Speaker 1: Baby, Happy birthday Pop. Front page News is next at
- 4:33Speaker 1: the breakfast club. Good morning, let's go all that romance
- 4:35Speaker 1: crap morning. Everybody is dj n V charlamagnea gud. We
- 4:40Speaker 1: are the breakfast Club. Now let's get in some front
- 4:42Speaker 1: page news. We got our special guest host, Roxy Romeo,
- 4:47Speaker 1: and then we got Tesla Figero go on to test.
- 4:49Speaker 4: Good morning, DJ Envy, Good morning, Roxy.
- 4:51Speaker 7: Good morning, God, whisper tesling figure.
- 4:56Speaker 1: Let's let's jump right into it. Joe Manshion, what's going on?
- 5:00Speaker 6: Yeah, no, oh man.
- 5:01Speaker 8: Senator Joe Manchin said Thursday he is thinking seriously about
- 5:05Speaker 8: dropping his affiliation with the Democrat Party and becoming an independent.
- 5:09Speaker 4: Exactly.
- 5:10Speaker 8: I want to know who took him serious as a
- 5:12Speaker 8: serious Democrat. Let's listen to what he had to say
- 5:14Speaker 8: and we'll talk about on the other side.
- 5:16Speaker 7: You've said many times that you're not like the Democrats
- 5:18Speaker 7: today or the National Democratic Party, You're not like the
- 5:21Speaker 7: National Republican Party.
- 5:23Speaker 2: Why not just say, you know what, I'm going to
- 5:24Speaker 2: be an independent.
- 5:25Speaker 9: You thought about that absolutely? Absolutely?
- 5:29Speaker 2: Are you going to do it?
- 5:29Speaker 9: Because well, I'm thinking, seriously, what's the best of it
- 5:33Speaker 9: for me? I have to have peace of mind. Basically,
- 5:36Speaker 9: the brand has become so bad, the D brand and
- 5:39Speaker 9: our brand in West virginia's the D brand because it's
- 5:41Speaker 9: nationally brand. It's not the Democrats in West Virginia. It's
- 5:44Speaker 9: the Democrats in Washington or the Washington policies of the Democrats.
- 5:48Speaker 9: You've heard me say a million times I'm not a
- 5:50Speaker 9: Washington Democrat.
- 5:52Speaker 5: This might come to the shock tho all of y'all.
- 5:53Speaker 5: But Joe Manchin been left a Democratic partner. Okay, absolutely,
- 5:57Speaker 5: that's a relationship with Physically he was dead, but he'd
- 5:59Speaker 5: been mentally all right, Absolutely, that man been a Dino
- 6:03Speaker 5: a Democratic name only and Tez. You know we've been
- 6:05Speaker 5: telling the Democratic Party to call that fool out forever and.
- 6:10Speaker 8: That's exactly you know, I was gonna definitely good get
- 6:13Speaker 8: on my soap box a minuted about that.
- 6:15Speaker 10: Uh.
- 6:15Speaker 8: You know, when you ask the necessary tough questions, you know,
- 6:18Speaker 8: everybody got upset. You know, Oh I can't believe as
- 6:20Speaker 8: Oh yes, honey, he told you. But then now who's
- 6:23Speaker 8: telling you now at the end of the day, Joe
- 6:25Speaker 8: Manchin has set here and pimp.
- 6:27Speaker 4: Then let's just be clear about a pimp.
- 6:28Speaker 8: The Democrat Party ran interference on multiple uh policy they
- 6:33Speaker 8: were trying to push, like the Inflation Reduction Act, the
- 6:36Speaker 8: Biden's Environmental Protection Agency got involved in that, got involved
- 6:40Speaker 8: with the infrastructure bill.
- 6:42Speaker 4: Just set there and caused all type of chaos.
- 6:45Speaker 8: Nobody called him out, didn't want to say what it was.
- 6:48Speaker 8: And now he's leaving you and possibly running for the
- 6:50Speaker 8: Democrat of running for a president to once again, uh
- 6:53Speaker 8: take votes away from the Democrat Party. So I really
- 6:56Speaker 8: want to know you know what Democrats have said about
- 6:58Speaker 8: this Charlemagne, because they had it all figured out and
- 7:00Speaker 8: now he has left you in the wet spot.
- 7:04Speaker 5: Remember when I had the Vice president, uh you know,
- 7:06Speaker 5: Kamla Haas on my late night talk show and I
- 7:08Speaker 5: was pushing there on getting Joe Mansion on the same page,
- 7:11Speaker 5: and everybody got upset with me.
- 7:13Speaker 2: I did something wrong?
- 7:15Speaker 8: Sure did Lord?
- 7:16Speaker 2: Sure did?
- 7:17Speaker 1: They got upset?
- 7:18Speaker 8: And oh he told you say yes, honey yas.
- 7:21Speaker 1: So where are yet yet?
- 7:22Speaker 6: Where's the yes Comen team?
- 7:23Speaker 11: Yeah?
- 7:24Speaker 6: That team?
- 7:25Speaker 2: Yeah, Democratic Party team? Yes? What is all right?
- 7:29Speaker 1: Well that is Front Page News says We'll see in
- 7:31Speaker 1: a couple of minutes. Everybody else. Let's open up the
- 7:34Speaker 1: phone lines. Get it off your chest. Eight hundred five
- 7:36Speaker 1: eight five one o five one. If you need to
- 7:38Speaker 1: vent phone lines wide open again. Eight hundred five eight five.
- 7:41Speaker 3: One oh five to one.
- 7:42Speaker 1: It's the Breakfast Club.
- 7:43Speaker 3: Good morning, the Breakfast Club.
- 7:50Speaker 2: Ray right, Ray yo, Charlotte mack yafy.
- 7:53Speaker 11: What up are we lying?
- 7:54Speaker 1: This is your time to get it off your chest.
- 7:56Speaker 11: I got an indoor pool.
- 7:58Speaker 1: We want to hear from you on the breakfast love.
- 8:00Speaker 11: Get on the phone right now.
- 8:01Speaker 12: He'll tell you what it is.
- 8:03Speaker 1: Hello, who's this?
- 8:06Speaker 13: What's vy?
- 8:07Speaker 1: What's up?
- 8:08Speaker 13: I know my name is trying to do on the
- 8:10Speaker 13: one and only. I just want to get on chest,
- 8:12Speaker 13: say what great your job? They're doing that? One of
- 8:15Speaker 13: five point one on Rockster Romeo, any Charlot man guard
- 8:18Speaker 13: and everybody at one of one.
- 8:23Speaker 2: Trauma dog actually name trauma dog.
- 8:25Speaker 3: That said tron Tron Dog's this?
- 8:31Speaker 11: Leave?
- 8:32Speaker 2: What up?
- 8:32Speaker 1: Get it off your chest, bron, what's going on?
- 8:35Speaker 11: I just want to say, good.
- 8:36Speaker 1: Morning, y'all.
- 8:37Speaker 2: Well, good morning, my brother reading, good morning, good morning.
- 8:41Speaker 2: We appreciate it.
- 8:42Speaker 11: We all have a good weekend.
- 8:44Speaker 12: I'm out here and I got something for you.
- 8:45Speaker 1: Every ready that he shout out all the truck drivers
- 8:50Speaker 1: out there, man, you'd be safe out there on that road.
- 8:53Speaker 2: Yes, Robberts can't wait to call it him blow for envy.
- 8:57Speaker 1: It's not it's not like that. Rocks. You have been
- 8:59Speaker 1: on the road and a long road trip with your
- 9:02Speaker 1: family and you see the truck drivers.
- 9:03Speaker 4: You may that's whether everybody's done that.
- 9:05Speaker 3: That's right.
- 9:07Speaker 1: Trying to make it jealous every time a truck driver
- 9:09Speaker 1: comes in and does that.
- 9:10Speaker 2: I just said, like the calling and blow for you?
- 9:12Speaker 2: What's wrong?
- 9:13Speaker 3: Hello?
- 9:13Speaker 11: Who's this? What's going long?
- 9:18Speaker 3: Get off your chest?
- 9:19Speaker 13: Oh?
- 9:19Speaker 2: Listen all ryo, I don't know what happened.
- 9:23Speaker 5: Sounds like you just got a dumb sound like you
- 9:24Speaker 5: just got a duty that they put their hand over
- 9:26Speaker 5: your mouth.
- 9:26Speaker 2: What happened? Ario?
- 9:28Speaker 3: All right?
- 9:28Speaker 11: You know they can't. I can't shot here man, But anyway, listen.
- 9:32Speaker 11: Happy with your birthday the hip hop?
- 9:34Speaker 2: Yes? Absolutely, all right.
- 9:36Speaker 11: Listen Envy they coming up? You want to pull I'm
- 9:40Speaker 11: wanna pay Glloying on a six.
- 9:43Speaker 1: That's right, Virgo Nation.
- 9:47Speaker 14: Of course.
- 9:47Speaker 11: So absolutely he'll talk into us. I wish you last
- 9:51Speaker 11: year Jackson grill at Whiskeys, but I'm catching if we
- 9:54Speaker 11: come this year, we're gonna have a nice time to ball.
- 9:56Speaker 3: Yeah, we definitely come.
- 9:58Speaker 11: That's what I's about music, when you get on your
- 10:00Speaker 11: lips and do cares one. I'm gonna minded that is
- 10:06Speaker 11: the first person that introduced me to the Royal Rip Park.
- 10:09Speaker 1: I'm gonna get all that on this morning. I'm gonna
- 10:11Speaker 1: get some criminal minds on. I'm gonna get some uh
- 10:14Speaker 1: some uh chuck d public Enemy on. I'm gonna get
- 10:17Speaker 1: some sugar Hill gang on. I'm gonna get some lls,
- 10:19Speaker 1: some run I'm gonna go all over the gaming with
- 10:21Speaker 1: I'm gonna get some outcasts on, some goodie mar some
- 10:24Speaker 1: n w A, some little We're gonna go all over.
- 10:26Speaker 13: Man, try ice tea stakes in the morning, all right, brother.
- 10:29Speaker 2: I got you, get them in the morning. Police at
- 10:31Speaker 2: my dough.
- 10:32Speaker 1: Get it off your chest. Eight hundred and five eight
- 10:34Speaker 1: five one o five one. If you need to vent
- 10:36Speaker 1: hit us up now. It's the breakfast Club.
- 10:38Speaker 15: Good morning, the breakfast Club. Wait, this is your time
- 10:47Speaker 15: to get it off your chest. Eight hundred and five
- 10:49Speaker 15: five one five one. We want to hear from you
- 10:51Speaker 15: on the breakfast Club.
- 10:53Speaker 3: Hello, who's this you tell?
- 10:55Speaker 11: Andrey Charlotte Madeler god Rocks, Good morning, Good morning, what's happening?
- 11:01Speaker 13: What's happening?
- 11:02Speaker 2: Lives with Man?
- 11:03Speaker 11: Happy birthday the hip hop for the years of hip hop.
- 11:07Speaker 11: Birthday today and said, you already know what it is man,
- 11:09Speaker 11: it's hard time. Let's go check it out. I said,
- 11:13Speaker 11: let's if there's a new cat on the board. Time
- 11:16Speaker 11: to navigate and cast away all week link. Let me
- 11:19Speaker 11: demonstrate see the same movie too many times to stick
- 11:22Speaker 11: me in here?
- 11:23Speaker 12: To show the guard my style of raw swipt in
- 11:26Speaker 12: the title shot, Wat's how I feel when I bring
- 11:28Speaker 12: the heat. Watch some castle all repeat off the poppy
- 11:32Speaker 12: sheet hanything I hit, I despoil and whatever's next to
- 11:35Speaker 12: it something like a chemical mixed thing with ampartment through
- 11:38Speaker 12: and watch our mainteain with the next It's.
- 11:40Speaker 11: Off to it.
- 11:41Speaker 12: How you put a season bet and get some fresh
- 11:43Speaker 12: feet looking like the three am for more than track
- 11:46Speaker 12: me me. I'm at the fight down load see laying
- 11:49Speaker 12: steaming as a breadlan this be cast doted with Hark Bradler.
- 11:52Speaker 12: I got that Bruce lee Burn drove to set a
- 11:55Speaker 12: death bro raing on you and.
- 11:56Speaker 11: Your faculty, Now throw down. This is how it was
- 11:59Speaker 11: staring with through Town is such a concert?
- 12:02Speaker 1: Who glos absolutely not?
- 12:07Speaker 2: I got some balls.
- 12:08Speaker 1: I got some balls, Oh ge ryck with mer. Two
- 12:12Speaker 1: years ago, a friend of mine asked me to say
- 12:16Speaker 1: some MC rhymes. So I said this rhyme I'm about
- 12:19Speaker 1: to say. The rhyme was deaf, and Charlomagne's gay took
- 12:22Speaker 1: the test to become an MC and Orange Crust became
- 12:25Speaker 1: amazed at me. So Larry put me inside his Cadillac
- 12:28Speaker 1: Charlemagne got my back and he's always fat.
- 12:32Speaker 2: Oh my god, let's go.
- 12:35Speaker 5: Okay, okay, okay, okay, okay. Hip hop is fifty like cent.
- 12:41Speaker 5: We heard Kanye got a scent stink and these brown
- 12:44Speaker 5: eye winks don't blink o. The ship will sink. Cast
- 12:47Speaker 5: Away brief Club cast is gay. So hey, hey, oh.
- 12:55Speaker 3: Oh oh, g man, you have a good weekend.
- 13:01Speaker 11: Brother, y'all have a good week yeah, man, Peter bless y'all.
- 13:06Speaker 3: Roxy show you ain't got no balls.
- 13:07Speaker 4: I definitely don't know.
- 13:11Speaker 3: Get it off your chest. Eight hundred five eight five,
- 13:13Speaker 3: one oh five one. Now we got rumors on the way.
- 13:15Speaker 3: What we're talking about coming up?
- 13:16Speaker 16: Of course, we got to talk about the fact that
- 13:18Speaker 16: hip hop is fifty years old and Tyrese suing home
- 13:21Speaker 16: Depot for a million dollars.
- 13:23Speaker 5: That sounds so Tyrese tyres headline, Tyrese is suing Home
- 13:28Speaker 5: Deepo for a million dollars.
- 13:30Speaker 1: Maybe it's legit, Jesus Christ, I'd love to hit a story.
- 13:33Speaker 1: All right, we'll get to it next.
- 13:34Speaker 3: Don't move.
- 13:35Speaker 1: It's to Breakfast Club on b et the Breakfast Club.
- 13:41Speaker 3: Everybody is DJ MV Charlamagne the guy. We are the
- 13:44Speaker 3: Breakfast Club.
- 13:44Speaker 1: We got our special guest host roxy A Romeo with
- 13:47Speaker 1: us this morning, and let's get to the rumors. He
- 13:53Speaker 1: is the rumor Report.
- 13:55Speaker 2: Rocky and ihol Mafiay.
- 13:59Speaker 16: If you want to know something is like cool or
- 14:01Speaker 16: if it's hips, the only way that you're gonna know
- 14:03Speaker 16: is if somebody from the culture, the black culture.
- 14:05Speaker 1: Co signed day on the Breakfast Club.
- 14:09Speaker 16: So we are going to learn something together today because
- 14:12Speaker 16: I definitely didn't know this, and we started schooling me
- 14:15Speaker 16: earlier this morning.
- 14:16Speaker 4: Of course, you know, today is hip.
- 14:18Speaker 16: Hop's fiftieth birthday, So where did hip hop actually first start?
- 14:23Speaker 16: So fifty years ago August eleventh, nineteen seventy three, a
- 14:26Speaker 16: young lady named Cindy Campbell wanted to throw a back
- 14:29Speaker 16: to school party in her Bronx apartment recreation center. In
- 14:33Speaker 16: an attempt to save money, Cindy asked her brother to
- 14:35Speaker 16: DJ the party since he had this incredible sound system
- 14:38Speaker 16: that he was known for. Well, Cindy's brother wanted to
- 14:40Speaker 16: play music all night long so that people could dance
- 14:43Speaker 16: the entire time, so he played the breakbeats from all
- 14:46Speaker 16: the biggest records on a continuous loop on two turntables.
- 14:49Speaker 16: Cindy's brother, who DJ that party in the Bronx is
- 14:52Speaker 16: now widely known as DJ Coolherk Cool Herk, And that
- 14:56Speaker 16: was the inception of hip hop. From that point on,
- 14:59Speaker 16: that became the party culture in New York City. Seven
- 15:02Speaker 16: years later, hip hop got its first commercial hit in
- 15:04Speaker 16: nineteen eighty with rappers Delight by Sugarhill Gang and the
- 15:07Speaker 16: name hip hop came directly from the song, which I
- 15:10Speaker 16: think we have a clip.
- 15:12Speaker 3: Yeah, shout to Sylvia Robinson.
- 15:14Speaker 1: That happened actually in nineteen seventy nine, but shout to
- 15:16Speaker 1: the sugar Hill Records team and Gang out in Jersey.
- 15:20Speaker 2: I mean it, it happened in nineteen seventy nine.
- 15:22Speaker 1: Seventy nine is when that record came out.
- 15:24Speaker 2: Oh oh, okay, got You, Got You? Yeah.
- 15:25Speaker 5: It changed the course of all of our lives. You know,
- 15:27Speaker 5: we are all here because of hip hop. I'm wondering
- 15:29Speaker 5: why we just celebrating hip hop's fiftieth all right? Why
- 15:32Speaker 5: do we celebrate hip hops birthday every year?
- 15:34Speaker 6: Right?
- 15:34Speaker 3: I mean, it's one of those things.
- 15:36Speaker 1: I think hip hop is one of those genres where
- 15:38Speaker 1: it's they always say it's a young person's game, and
- 15:41Speaker 1: if you're listen to rock and roll, or you listen
- 15:43Speaker 1: to pop, or you listen to even R and B.
- 15:46Speaker 3: Or reggae, like they celebrate good music and we don't
- 15:50Speaker 3: a lot.
- 15:50Speaker 1: Of times, like we don't hear none of those records.
- 15:52Speaker 2: When they got classic rock stations.
- 15:53Speaker 1: Yeah, but even on the chassy rock stations, they still
- 15:55Speaker 1: play old records. Like if you listen to the pop stage,
- 15:58Speaker 1: they still play Yeah, they'll STI play Nirvana. At the
- 16:00Speaker 1: new pop station, they'll still play those type of records.
- 16:02Speaker 1: Even R and B and an R and B station,
- 16:03Speaker 1: they'll play new and old. But a lot of times
- 16:05Speaker 1: we don't. So but definitely salute to hip hop. If
- 16:07Speaker 1: it wasn't for a hip hop and in the creation
- 16:09Speaker 1: of it, I mean I wouldn't be here today. I
- 16:11Speaker 1: wouldn't be a DJ. I wouldn't be doing the thing
- 16:13Speaker 1: that I love. So I always salute the ogs and
- 16:15Speaker 1: the people that came before me.
- 16:17Speaker 4: So it is twenty twenty three hip hop's fiftieth birthday.
- 16:20Speaker 16: Hip Hop has become a culture shifting, worldwide influencer from
- 16:24Speaker 16: music to fashion, which Charlemagne you talked about hair and
- 16:28Speaker 16: even the.
- 16:28Speaker 4: Way we speak.
- 16:29Speaker 16: So today we salute DJ cool Hark, who is now
- 16:32Speaker 16: reportedly sixty years old and still active.
- 16:34Speaker 3: Yes, and you know what envy.
- 16:35Speaker 16: I feel like part of the reason is you would
- 16:37Speaker 16: look at a lot of like influential people in this
- 16:40Speaker 16: industry that may not necessarily be artists, Like I know,
- 16:43Speaker 16: I've definitely heard Jermaine Dupre talk about the fact that
- 16:46Speaker 16: hip hop.
- 16:46Speaker 4: Is a young man's game at LA Read. So when
- 16:48Speaker 4: you have people that are that.
- 16:49Speaker 16: Influential saying that, then you know people are gonna start
- 16:52Speaker 16: believing it.
- 16:53Speaker 1: I wouldn't say that Jermaine Dupri came up as a
- 16:55Speaker 1: dancer for Houdini, so he's he embodies everything hip hop
- 16:59Speaker 1: and he's one of the main people that have lasted
- 17:01Speaker 1: decades in this industry. So when I see all this
- 17:04Speaker 1: like LL cooj who was here this week whols, I mean,
- 17:07Speaker 1: when did Ll put out his first record eighty something?
- 17:09Speaker 2: He was sixteen.
- 17:09Speaker 5: I mean, saying hip hop is still relas game is
- 17:11Speaker 5: just a cliche thing to say, because the reality is,
- 17:13Speaker 5: if you take a step back and you look at
- 17:15Speaker 5: hip hop and its totality, it's not just a young
- 17:18Speaker 5: man's game anymore. But we just, like, like Biggie said,
- 17:21Speaker 5: whoever thought hip hop would take it this far. Nobody
- 17:23Speaker 5: probably thought hip hop would get to fifty years old
- 17:26Speaker 5: and you would still have people in their forties, late forties,
- 17:29Speaker 5: over fifty. That's still relevant and still you know, you know,
- 17:33Speaker 5: doing things in a very impactful way for our culture.
- 17:37Speaker 1: Yeah, you got Gray Master Flash that's that's still out there.
- 17:39Speaker 1: You got DJ red Alert that's still out there. You
- 17:41Speaker 1: got some of these OG's and icons from Slick Rick
- 17:44Speaker 1: to run DMC to Houdini to Jermaine Duprie. That's still
- 17:48Speaker 1: out there, still relevant, still making music, still torring, still
- 17:51Speaker 1: doing well.
- 17:52Speaker 5: So but I was thinking about the you know, the
- 17:53Speaker 5: people like the jay Z's and the nass and you
- 17:56Speaker 5: know the Doctor Dre's and the diddies who are doing
- 17:59Speaker 5: so many amazing things in the business world. Right, but
- 18:03Speaker 5: it's all rooted COOLJ. But it's all rooted in the
- 18:06Speaker 5: foundation of hip hop.
- 18:08Speaker 16: How important do you think it is for the younger
- 18:11Speaker 16: hip hop artists to know the history, because you know
- 18:14Speaker 16: that most of them don't. I'm wondering if they even
- 18:16Speaker 16: have ever heard that song.
- 18:18Speaker 5: Well, it's very important, and you know, you always have
- 18:21Speaker 5: room to learn. But what I think is more important
- 18:23Speaker 5: for these younger artists is one thing that hip hop
- 18:25Speaker 5: being fifty has shown us is in order to be
- 18:29Speaker 5: truly great, right to be considered it truly a.
- 18:32Speaker 2: Legend, you gotta have longevity.
- 18:34Speaker 5: Because you're talking with the people we just name have
- 18:36Speaker 5: been around for twenty five thirty plus years.
- 18:39Speaker 2: Yeah, so in order to.
- 18:40Speaker 5: Really be considered a great, to really be considered a legend,
- 18:43Speaker 5: you can't just be hot for a few years.
- 18:45Speaker 2: You gotta have that longevity. You gotta have a decade
- 18:48Speaker 2: a veteran to me personally.
- 18:51Speaker 3: Yeah, more than ten years, though, I think to be
- 18:53Speaker 3: that twenty.
- 18:55Speaker 2: Even get in the conversation, and then you got to
- 18:57Speaker 2: have a decade.
- 18:58Speaker 1: Like you look at Snoop, you look at mass you
- 19:00Speaker 1: look at Doctor Dre, you look at Outcast, you look
- 19:02Speaker 1: at t I. You know, those brothers have been doing
- 19:05Speaker 1: it for a long time and still relevant, still active.
- 19:07Speaker 5: So I have no problem entertaining conversations about Drake being
- 19:12Speaker 5: one of the goats, Kendrick being one of the goats,
- 19:14Speaker 5: called being one of the goats even the future, because
- 19:16Speaker 5: they got a decade in You know, if you got
- 19:18Speaker 5: a decade a veteran, you can.
- 19:20Speaker 2: Be in the conversation.
- 19:21Speaker 5: Because hip hop has shown us that you got to
- 19:24Speaker 5: have longevity in order to be considered a legend.
- 19:28Speaker 1: That's right, And all morning long, I'm gonna be doing
- 19:30Speaker 1: mixes that's representing hip hop. Whether it's Naughty by Nature
- 19:33Speaker 1: or it's Outcast, or it's t I, or it's Doctor
- 19:37Speaker 1: Dre Nwa, Run DMC, l OKUJ, sugar Hill, Gang, Kris
- 19:42Speaker 1: One Nas. I'm gonna be doing mixes all morning long.
- 19:44Speaker 1: I'm gonna be sprinkling them all in Luke Trick, Daddy
- 19:47Speaker 1: and all that. Can Can we get one on right now? Yes?
- 19:50Speaker 4: Take it to the three or five.
- 19:52Speaker 1: I mean it's hip hop man. Let's let's can we
- 19:53Speaker 1: get one of mixes on now? He's gonna gonna load
- 19:56Speaker 1: up a mix and then when we come back, Teslin
- 19:58Speaker 1: Figuro will be joining us. Got front page News, and
- 20:01Speaker 1: then Yo Gotti will be here. We good, Eddie, he said,
- 20:04Speaker 1: give me one second. You know you had fifty years
- 20:10Speaker 1: playing this, Eddie. Okay, he's got fifty years old, but
- 20:13Speaker 1: you did have some time at least had you at
- 20:15Speaker 1: least had a year, at least had a year.
- 20:16Speaker 2: You'll figure this out.
- 20:17Speaker 3: You good, We get in it. We're good, he said, two.
- 20:21Speaker 4: Wait one minute.
- 20:22Speaker 5: Second hip hop will be fifty all day. He said,
- 20:26Speaker 5: hip hop will be fifty all day. I got you
- 20:28Speaker 5: at some point today.
- 20:30Speaker 1: I got you.
- 20:31Speaker 3: Okay, all right, we'll play Top of the Hour and
- 20:32Speaker 3: then we'll get that on.
- 20:33Speaker 2: So don't move.
- 20:34Speaker 1: It's the Breakfast Club. Good morning. Then Tesla will be
- 20:36Speaker 1: joining us the Breakfast Club. Your mornings will never be
- 20:40Speaker 1: the same. Our Audible pick of the day is the
- 20:43Speaker 1: Space Within.
- 20:44Speaker 2: Jessica Chastain, Bobby Cannibal and all Star Caps are on
- 20:47Speaker 2: board for this supernatural audio thriller. Listen when you sign
- 20:50Speaker 2: up for a free trial at audible dot com. Slash
- 20:52Speaker 2: Breakfast Club.
- 20:53Speaker 1: Everybody is DJ Envy, Charlamagne to God, we are the
- 20:56Speaker 1: Breakfast Club.
- 20:58Speaker 3: We have our special guest host with us, Romeo.
- 21:01Speaker 1: She's back and let's get back into some front page news.
- 21:03Speaker 8: Hey, Test, Hey, good morning, DJ Envy, Good morning Roxy
- 21:07Speaker 8: and Charlomagne the guide.
- 21:09Speaker 1: Now let's jump right in. So let's talk about this
- 21:11Speaker 1: teenage girl with autism. What happened with this young lady.
- 21:14Speaker 8: Yeah, this was a real interesting story.
- 21:17Speaker 1: It happened in the UK.
- 21:18Speaker 8: But we have similar bills as well that protect the
- 21:22Speaker 8: LGBT community. So I thought this was really interesting to
- 21:25Speaker 8: look at. Police have been accused of heavy handedness after
- 21:28Speaker 8: an incident evolving involving West Yorkshire in Leeds of a
- 21:33Speaker 8: sixteen year old who suffered from scoliosis and autism. She
- 21:36Speaker 8: was dragged out of her home for making a comment
- 21:39Speaker 8: that the police officer looked liked her lesbian nana. So
- 21:43Speaker 8: she was dragged away, kicking and screaming. Now, let me
- 21:45Speaker 8: just kind of break down what happened. The mother said
- 21:48Speaker 8: that the officer took the comment the wrong way and
- 21:50Speaker 8: that she was not homophobic. They entered at home and
- 21:53Speaker 8: the daughter had pandic attacks and they were trying to
- 21:55Speaker 8: tell her listen, she's autistic. She didn't mean anything by
- 21:58Speaker 8: the comment, and the officer basically said, we don't care.
- 22:01Speaker 8: We're going to arrest her for homophobic offense. Now, just
- 22:04Speaker 8: backing up a little bit. They brought her home because
- 22:06Speaker 8: she was out apparently intoxicated somewhere. So when they brought
- 22:09Speaker 8: her home and she made the statement, that's when the
- 22:12Speaker 8: female officer got offended.
- 22:14Speaker 10: And it's the audio.
- 22:15Speaker 8: I have some audio here of just her explaining, you know,
- 22:19Speaker 8: with the mother trying to plead with her, saying she's autistic,
- 22:21Speaker 8: now while this you can see this video on TikTok.
- 22:24Speaker 8: While the mother is telling her listen, she's autistic. The
- 22:27Speaker 8: girl is hiding in a corner, and so she's pleading
- 22:30Speaker 8: with the officers, and you can hear the officers. They
- 22:33Speaker 8: have a very strong accent, but you can hear the
- 22:34Speaker 8: officer saying, you know, I don't care she's going to jail.
- 22:36Speaker 4: Let's take a listen.
- 22:41Speaker 1: I'm having.
- 22:55Speaker 17: Somebody, anybody say the word Let's be her number. She's
- 23:09Speaker 17: probably she's not on the phone.
- 23:12Speaker 10: Go away from my.
- 23:16Speaker 5: First of all, they start arresting people in America for
- 23:18Speaker 5: homophobic public offenses, it will be a lot of people
- 23:21Speaker 5: in jail. And police officers all over the world need
- 23:23Speaker 5: higher emotional intelligence because because your ego is so fragile
- 23:27Speaker 5: that somebody saying you look like they're lesbian, Nana cause
- 23:30Speaker 5: you causes you to react like that. I would actually
- 23:32Speaker 5: say that the police officer is the homophobic one.
- 23:35Speaker 2: If the word lesbian triggers you that much to cause
- 23:38Speaker 2: you to react like that, I would say you're the
- 23:40Speaker 2: homophobic one. Dare you call me that?
- 23:44Speaker 4: Do you know what's happened?
- 23:44Speaker 8: Since she was arrested, so right now, the family is
- 23:49Speaker 8: saying that, you know, they're trying to do what they
- 23:51Speaker 8: can to say that these officers overreacted and literally it
- 23:54Speaker 8: was seven officers guys that came and dragged this. If
- 23:57Speaker 8: you go watch it on on TikTok, it's very disturbing.
- 24:00Speaker 8: The girl is literally screaming, you know, they're kicking, pulling
- 24:03Speaker 8: her out, kicking and screaming. I just can't imagine. You know,
- 24:06Speaker 8: I'm a mother, I know you are as well, and
- 24:08Speaker 8: all of us are parents. Imagine you know your disabled child,
- 24:11Speaker 8: you know that's literally having a panic attack and they're
- 24:15Speaker 8: taking her out because she said somebody looked like a lesbian.
- 24:18Speaker 8: And I wanted to flip this, add this into the conversation.
- 24:21Speaker 8: What about the Disabilities Act? You know, what about protecting
- 24:23Speaker 8: those who have disabilities? You know, when when does that
- 24:26Speaker 8: come into play? Which one trumps the other? So I
- 24:29Speaker 8: just found this is really disturbing and just as fy
- 24:31Speaker 8: public order, a homophobic public order offense is generally something
- 24:35Speaker 8: related to actions that disrupt public peace and harmony. And again,
- 24:40Speaker 8: this was not disrupting public peace. The girl said it
- 24:43Speaker 8: in her house, but it does include verbal abuse. Harassment
- 24:47Speaker 8: threats are violence directed in individuals or groups, but again
- 24:50Speaker 8: in the public, and that's what the mother kept saying.
- 24:52Speaker 8: She said this in the home. Why are you taking
- 24:55Speaker 8: my child to jail for saying that you look like
- 24:57Speaker 8: her lesbian?
- 24:59Speaker 2: Now is not a slur, by the way that I
- 25:02Speaker 2: thought it was a real turn.
- 25:04Speaker 5: That's just a descriptive of me, because the opposite doesn't
- 25:06Speaker 5: look like somebody's lesbian there now, she actually looks like
- 25:08Speaker 5: a gay young man.
- 25:10Speaker 2: She looked like jail the picture I saw, she looked
- 25:15Speaker 2: like a gay young man. That's what she looked like
- 25:16Speaker 2: to me.
- 25:17Speaker 16: We all know that cops are not always right to
- 25:19Speaker 16: begin with. I mean, so that's number one. But I mean,
- 25:23Speaker 16: this is just absolutely horrible. They haven't apologized, has she
- 25:27Speaker 16: been released, Like are they even claiming any you know,
- 25:30Speaker 16: fault at all?
- 25:32Speaker 8: The police, I mean, the officer said that again, this
- 25:35Speaker 8: is legal, uh, you know, to make these these types
- 25:38Speaker 8: of comments. So I'll follow and see, you know what
- 25:41Speaker 8: else happens with it. But this this is a breaking story,
- 25:43Speaker 8: so it just happens. So we don't have the information
- 25:45Speaker 8: that's available to us. But again, I thought it was
- 25:48Speaker 8: interesting because when you start setting presidents for these types
- 25:51Speaker 8: of things, you know, how does it follow and how
- 25:53Speaker 8: does it follow the United States? Of course, the United
- 25:55Speaker 8: States does have uh, you know, a federal hate crime
- 25:58Speaker 8: that does address LGBTQ plus community, but that is usually
- 26:03Speaker 8: something related to an actual crime. Canada does have provisions
- 26:07Speaker 8: about hate speech, and obviously the United Kingdom does. So
- 26:11Speaker 8: I was just really just started digging into this yesterday
- 26:14Speaker 8: because I wanted to see, you know, how far does
- 26:16Speaker 8: this happen, You know, how has this happened in the
- 26:18Speaker 8: United States, And so far I haven't seen anything similar
- 26:21Speaker 8: in the United States right now. I think it's over
- 26:23Speaker 8: twenty three states that do recognize this type of crime,
- 26:26Speaker 8: but again it's usually more related to what we would
- 26:30Speaker 8: consider criminal, not just a statement.
- 26:31Speaker 2: Yeah, I think the officer is the homophobic one here.
- 26:34Speaker 5: Like if getting called a lesbian offends you that much,
- 26:37Speaker 5: if getting called a lesbian triggers you that much, you
- 26:40Speaker 5: got deeper issues, That's right, you.
- 26:41Speaker 2: Know what I mean? That don't have nothing to do
- 26:43Speaker 2: with that young autistic girl.
- 26:46Speaker 1: All right, Well that is front page news. And let
- 26:48Speaker 1: me send a resting peace and condolences to anybody that
- 26:51Speaker 1: has family or that's lost somebody out in Maui in Hawaii.
- 26:56Speaker 3: They say in the.
- 26:56Speaker 1: Death told roads to over fifty five already and there's
- 26:59Speaker 1: over a thousand people missing that they can't get in
- 27:01Speaker 1: contact with. They were saying people had to jump in
- 27:03Speaker 1: in water to avoid the fire. So I just want
- 27:05Speaker 1: to send condolences and definitely rest in peace. They saying
- 27:08Speaker 1: it's going to cost billions of dollars to rebuild Maui.
- 27:12Speaker 1: So all right, Oh and.
- 27:14Speaker 5: Listen, make sure you subscribed to Tesling figureos podcast. Just
- 27:16Speaker 5: great shot, no chase of podcasts on the Black Effect.
- 27:18Speaker 5: iHeart radio podcast network, and follow Tesling on all social
- 27:22Speaker 5: media platforms. Anything you heard her talk about this week
- 27:24Speaker 5: in front phaged News, She'll be breaking down on her
- 27:27Speaker 5: podcast this weekend.
- 27:28Speaker 1: All right, and when we come back, Yo Gotti will
- 27:31Speaker 1: be joining us. It's the Breakfast Club. Good morning, It's
- 27:34Speaker 1: the Breakfast Club. I'm celebrating fifty years a hip.
- 27:40Speaker 3: Hop owning everybody.
- 27:41Speaker 1: It's DJ n V, Charlamagne to God. We are the
- 27:44Speaker 1: Breakfast Club. We got some special guests joining us today.
- 27:46Speaker 1: We got Yo Gottay and produce Young d.
- 27:50Speaker 3: Welcome, Welcome, Welcome, said, how's it feeling? How you feel?
- 27:53Speaker 3: A got you. We just went on a toll for
- 27:55Speaker 3: your birthday.
- 27:56Speaker 2: Man.
- 27:57Speaker 1: Every time we have Gotti up here, I just loved it.
- 28:00Speaker 1: The first interview of Gotti where Gotty. We had Gotty
- 28:02Speaker 1: for thirty minutes. He might have said five words, And
- 28:04Speaker 1: now God has opened up, he's traveling. He's just a CEO.
- 28:07Speaker 1: I just love to see the transformation of Gotty. So
- 28:10Speaker 1: how's it been being ceo less music? I know you
- 28:12Speaker 1: got a mixtape out now, but really, oh.
- 28:16Speaker 6: Shot the young d Man he executive produced that joint.
- 28:19Speaker 1: Yeah, that's it been developing those acts opposed to diving
- 28:23Speaker 1: into the music as much as you were before.
- 28:25Speaker 7: I mean, I think I got the same passion for both,
- 28:27Speaker 7: you know what I mean. I always had it from
- 28:28Speaker 7: the beginning. I just knew, like you know, it's it's
- 28:31Speaker 7: a time for everything. I had to get to a
- 28:32Speaker 7: sun's point and the artistry point to you know what
- 28:35Speaker 7: I'm saying, to go to the executive, But I think
- 28:37Speaker 7: it's the same satisfaction for me. You know what I'm saying,
- 28:40Speaker 7: Like seeing an artist win that I work with is
- 28:43Speaker 7: like I get the same like validation of seeing myself.
- 28:45Speaker 7: I think that's why I'm so like passionate about it.
- 28:48Speaker 7: You know what I mean, it's so into it, into
- 28:50Speaker 7: the details of artists I work with. It's just like
- 28:54Speaker 7: if it was myself. I'm like selfless when it comes
- 28:57Speaker 7: to that, you know what I mean. Like I see
- 28:58Speaker 7: it as the same.
- 28:59Speaker 2: How do you know it's time to take the executive
- 29:01Speaker 2: jacket off and get back in the trenches as an artist?
- 29:04Speaker 2: Like how did you know this is time to do?
- 29:05Speaker 2: I showed you show It's just energy.
- 29:07Speaker 6: I go off energy.
- 29:08Speaker 7: I'm still like a fan of music at the same time,
- 29:11Speaker 7: so when I'm listening to music, I can hear when
- 29:14Speaker 7: I feel like something is missing, you know what I mean.
- 29:16Speaker 7: So you know, if I feel like I can, you know,
- 29:18Speaker 7: try to deliver it. I tried, you know what I'm saying. So,
- 29:22Speaker 7: and I feel like to me, like this mixtape to
- 29:24Speaker 7: me is like outside music.
- 29:26Speaker 14: You know.
- 29:26Speaker 7: I feel like a lot of music like laid back
- 29:29Speaker 7: and your feelings and get high music or you know
- 29:33Speaker 7: what I'm saying, Like I feel like it's a hustle
- 29:37Speaker 7: music is kind of like missing, you know. So what
- 29:39Speaker 7: I do what jeez, do you know what I'm saying?
- 29:42Speaker 7: Like in that era, I feel like I ain't no
- 29:43Speaker 7: like get money music.
- 29:46Speaker 6: You feel me. I feel like, you know, we need
- 29:48Speaker 6: to get money music out.
- 29:49Speaker 2: I can feel with this one.
- 29:51Speaker 1: I was gonna say, what made you go back to
- 29:52Speaker 1: the element of the mixtape because you could have did
- 29:54Speaker 1: an album, but could have did an EP, but you
- 29:55Speaker 1: decided to link up with with drama and do a
- 29:58Speaker 1: gangster grill version.
- 30:00Speaker 7: Ain't go about that whole get money error that this
- 30:02Speaker 7: world took me back to, you know what I'm saying,
- 30:04Speaker 7: like it's the whole era. I'm like, you're making fun
- 30:07Speaker 7: like it ain't that serious really for me at this point,
- 30:10Speaker 7: Like I want to make like like it ain't no
- 30:12Speaker 7: ten songs on her so that this is like it's
- 30:15Speaker 7: like the shortest project I ever put out since I've
- 30:17Speaker 7: been doing music. So it ain't about like, you know,
- 30:21Speaker 7: putting a lot of tracks on any like an art piece,
- 30:24Speaker 7: you know what I mean? Ten songs only to write
- 30:26Speaker 7: ten songs not nothing. That's just feeling me in like
- 30:30Speaker 7: if we felt like it want hard, don't put it
- 30:32Speaker 7: on her. So we felt like we had number eight
- 30:34Speaker 7: hard song.
- 30:35Speaker 6: We don't put eight.
- 30:37Speaker 2: You know, you said on the project that you're not
- 30:39Speaker 2: doing no more albums. You don't care about the charge
- 30:43Speaker 2: and you feel that way, Yeah, of course, why you
- 30:45Speaker 2: don't got no, clearly you don't have no more album obligations.
- 30:48Speaker 6: Then no, no, no, I'm one hundred percent independent.
- 30:51Speaker 2: Wow, So why why not do an album? It's too
- 30:54Speaker 2: much pressure of.
- 30:55Speaker 6: Nah, I just think, like I think that's a mental
- 30:57Speaker 6: thing too. Though for me too.
- 30:59Speaker 7: It's like I say I'm doing a mixtape. I don't know,
- 31:01Speaker 7: it's just like I've been a different mind stake when
- 31:04Speaker 7: I say I'm doing an album. You know, most of
- 31:06Speaker 7: time when I do a mixtape, I don't spend a
- 31:08Speaker 7: lot of time on it. Like I may do it
- 31:10Speaker 7: in a week, you know what I'm saying, ten days,
- 31:12Speaker 7: nine days, something like that. You know, you may be
- 31:14Speaker 7: working on your album for six months, eight months, you
- 31:17Speaker 7: know what I'm saying, like going bagging forth. So I
- 31:20Speaker 7: think it's kind of like when I came up in
- 31:22Speaker 7: the mixtape era, mixtape was almost like practice. He was like, Man,
- 31:26Speaker 7: I'm gonna do this before the album. Like it's kind
- 31:28Speaker 7: of like the Walk, Yeah, this is a warm up
- 31:30Speaker 7: before the album, but they always be special, you know
- 31:33Speaker 7: what I mean.
- 31:33Speaker 6: So it's kind of like, well, I'm on.
- 31:35Speaker 3: What made you get Glorilla? A?
- 31:36Speaker 7: Madbag Trump, glowball, first car not too long ago, Like
- 31:40Speaker 7: you know, it's crazy, like the whole like probably your run.
- 31:43Speaker 6: She didn't even have a car, you know what I'm saying.
- 31:45Speaker 6: Not that she can't afford it.
- 31:46Speaker 7: Of course she could buy a car, but she wasn't
- 31:48Speaker 7: even like glowing bitch, she don't even really be on that,
- 31:51Speaker 7: you know what I'm saying. So I wanted to buy
- 31:53Speaker 7: that type of coca, she probably wouldn't even bought it.
- 31:55Speaker 6: Take it in paper.
- 31:57Speaker 2: That's golilla money anyway. So you just spend money out
- 32:00Speaker 2: of her budget.
- 32:01Speaker 6: I mean, I mean, we don't have budgets. It's more
- 32:04Speaker 6: definitely my money, you know what I'm saying.
- 32:06Speaker 2: You feel, Yeah, she's not She's not gonna look at
- 32:08Speaker 2: a statement later on and be.
- 32:10Speaker 7: Like, uh and if you know, I'm the type of
- 32:14Speaker 7: person they're like, we don't really have them type of issues.
- 32:16Speaker 7: Them the type of person they're like, we just don't
- 32:18Speaker 7: have them type of issues.
- 32:19Speaker 6: You know what I'm saying.
- 32:19Speaker 7: It's too much pay for, it's too much paper flowing around,
- 32:23Speaker 7: have money issues.
- 32:25Speaker 1: Another time you put it on social media that I
- 32:28Speaker 1: think it was a couple of million dollars for any
- 32:29Speaker 1: lawyer that can help you get four two out?
- 32:31Speaker 6: Yeah, shuret too.
- 32:33Speaker 1: How did anybody call? Did anybody reach out? What's the
- 32:35Speaker 1: process was going on for?
- 32:36Speaker 6: Everybody reached out? You know what I'm saying, But they
- 32:38Speaker 6: can't really do nothing. But Doug already? You know we
- 32:41Speaker 6: rock with who Doug lay?
- 32:42Speaker 11: Is?
- 32:42Speaker 6: He good?
- 32:43Speaker 7: He was good from the beginning, you know what I'm saying.
- 32:45Speaker 7: Just we thought we could get him home earlier. We
- 32:47Speaker 7: would have bust and move you said, he shure. So
- 32:49Speaker 7: you're coming on soon?
- 32:50Speaker 6: Yeah, you know, like sixty eighty days or something like.
- 32:54Speaker 2: Oh world, Well okay, okay, what's before the end of
- 32:56Speaker 2: the year? Young? Did this whole project?
- 32:59Speaker 6: Well, most of here is executive produced it.
- 33:00Speaker 7: He produced most of the records, but the executive produced
- 33:03Speaker 7: the whole project, meaning like I worked with him, like
- 33:06Speaker 7: you know, even if I got to be from another
- 33:08Speaker 7: producer on you know, the type of energy and tempos
- 33:11Speaker 7: and stuff like that we was going at.
- 33:13Speaker 2: Was it a lot of pressure? H D A lot
- 33:16Speaker 2: of pressure? Okay. I'm just always just meeting my style
- 33:18Speaker 2: with his staff.
- 33:19Speaker 1: Where he's from.
- 33:19Speaker 2: D Jackson, Tennessee, Tennessee. How y'all connected?
- 33:23Speaker 6: Yeah, you know, we found him. He was he was
- 33:24Speaker 6: fourteen years old.
- 33:25Speaker 3: I would say, d look young.
- 33:27Speaker 6: Yeah, he's seventeen, sixteen or seventeen now he's seventeen. Now
- 33:31Speaker 6: we met him. He was fourteen on Instagram live.
- 33:35Speaker 1: She made on Instagram like he was on live and
- 33:36Speaker 1: he said them up.
- 33:37Speaker 7: Beach and he sent them some beats. Oh and it
- 33:41Speaker 7: count of rock from there like and he sent bags
- 33:43Speaker 7: and beats. And then me and Bad was talking about
- 33:45Speaker 7: him like you know the number fourteen, and me and
- 33:47Speaker 7: Bad actually collaborated and signed them together when he was fourteen.
- 33:51Speaker 1: What did your what did your parents say? When you
- 33:53Speaker 1: have the most parents look at the rap grave, the
- 33:56Speaker 1: rap game is as now, it's not gonna be It's
- 33:58Speaker 1: gonna take a long time and you're not gonna be successful.
- 34:00Speaker 1: So what do your parents say? With both these platinum
- 34:02Speaker 1: martists at the time, so I want to sign you.
- 34:04Speaker 1: They would lead in front of jump and they let
- 34:06Speaker 1: you go at me, do me really? Do we do?
- 34:09Speaker 6: You need to travel with us him and his dad
- 34:11Speaker 6: to pull up to the studio.
- 34:12Speaker 2: Yeah, young, you got to have a conversations with the
- 34:15Speaker 2: parents just to let them know.
- 34:17Speaker 7: Yeah, you know you got even when you're doing business
- 34:20Speaker 7: at that young the parents got to be involved in
- 34:22Speaker 7: all that. But Dad it was, you know, super supportive,
- 34:24Speaker 7: would travel with them to the studio session and everything.
- 34:27Speaker 7: And when we would cook up, we had these CMG sessions.
- 34:30Speaker 7: He'll come to them where you cook up live in
- 34:32Speaker 7: the studio, it's dad.
- 34:34Speaker 5: Or bring them down though, Man one record you got
- 34:36Speaker 5: on the album Man with money Bag, Yo, mind my business,
- 34:39Speaker 5: I swear man. That's how everybody feel when they come
- 34:42Speaker 5: from a certain environment, you know what I mean, Because
- 34:44Speaker 5: you want to help, but sometimes.
- 34:46Speaker 2: You don't feel like your help is appreciated. Then you
- 34:48Speaker 2: don't really know what you can do. So sometimes you
- 34:50Speaker 2: just like, I'm just gonna mind my business. People.
- 34:53Speaker 7: It's always been me. Yeah, it's always been me. I
- 34:56Speaker 7: think that's like one of the things streets teach you
- 34:59Speaker 7: in the beginning. Like you know, I call it just
- 35:01Speaker 7: survival skills, you know what I'm saying, Like a lot
- 35:03Speaker 7: of people survive long as just staying out of people busding,
- 35:06Speaker 7: you know what I'm saying, Like this man, just I
- 35:08Speaker 7: don't hear nothing, don't see nothing, know nothing.
- 35:11Speaker 6: I ain't even got no opinion on nothing absolute.
- 35:14Speaker 5: But then when you somebody like yourself, who is a
- 35:16Speaker 5: figure you know what I mean, and comes from the street,
- 35:20Speaker 5: you probably can't change.
- 35:21Speaker 2: A lot of the next generation's lives are showing a
- 35:24Speaker 2: better way.
- 35:24Speaker 7: I think we put it. We put in work to
- 35:27Speaker 7: make change is what we can. It's still a lot
- 35:29Speaker 7: of stuff we do do. You know what I'm saying.
- 35:32Speaker 7: It's a lot of stuff we do do that we
- 35:34Speaker 7: do think is effective to help, you know what I mean.
- 35:37Speaker 7: But I think it's a line, right, It's a line
- 35:39Speaker 7: where you can do that, and it's a line where
- 35:41Speaker 7: like a backfound you or you just you need to
- 35:44Speaker 7: stay man your business, you know what I'm saying.
- 35:46Speaker 3: All Right, we got more with Yo Gotti when we
- 35:48Speaker 3: come back, so don't move.
- 35:49Speaker 1: It's the Breakfast Club, Good morning. Everybody is Deed MV
- 35:52Speaker 1: and Charlamagne the God. We are the Breakfast Club's still
- 35:55Speaker 1: kicking it with Yo Gotti. I was gonna ass with
- 35:57Speaker 1: with fifty years of hip hop being this week. You
- 35:59Speaker 1: know what got you into hip hop? Being a young
- 36:02Speaker 1: hustler from Memphis, Like what made you say this is
- 36:05Speaker 1: where I want to be? What made you fall in
- 36:06Speaker 1: love with it?
- 36:07Speaker 6: I mean I was just a fan of it from
- 36:09Speaker 6: the gate. Since a kid. You know what I'm saying.
- 36:10Speaker 7: I remember standing in front of the Flow Model TV's
- 36:13Speaker 7: just looking at videos that was out, and I just
- 36:16Speaker 7: always thought it was dope and fly. I just was,
- 36:18Speaker 7: you know, a fan of hip hop from the beginning,
- 36:20Speaker 7: you know what I'm saying. Before I even knew that
- 36:22Speaker 7: I would begin it, I was a fan of it.
- 36:24Speaker 1: And did you know that was gonna be your way
- 36:25Speaker 1: out of what you were doing?
- 36:26Speaker 6: Or it was just actually didn't know it, you know
- 36:28Speaker 6: what I'm saying.
- 36:29Speaker 7: Even when I first started rapping, I didn't believe it
- 36:31Speaker 7: was possible actually happened because coming from where I'm from,
- 36:34Speaker 7: we didn't know anybody famous. We didn't know like nobody
- 36:36Speaker 7: that had made it, like from rapping, from being an
- 36:39Speaker 7: NFL player, being an NBA player talk host.
- 36:42Speaker 6: You know what I'm saying.
- 36:43Speaker 7: We didn't know like anybody that made it, you know
- 36:45Speaker 7: what I'm saying, other than you know, the dope boys
- 36:47Speaker 7: from my neighborhood were at fly calls and Juror Feli
- 36:50Speaker 7: out Fitz and you know what I'm saying. Like, so,
- 36:53Speaker 7: you know, even when I was doing it, it was
- 36:54Speaker 7: kind of like it was just something to do. I
- 36:56Speaker 7: didn't really think that like it can really you know
- 36:58Speaker 7: what I'm saying, turn it to what it turned to?
- 37:00Speaker 1: When did you realize to be like, you know what,
- 37:02Speaker 1: I got to move where people don't see me because
- 37:04Speaker 1: a lot of people don't want what's best for me.
- 37:06Speaker 7: It took me a while to understand that, you know
- 37:08Speaker 7: what I'm saying, And I think it's older I gotta
- 37:11Speaker 7: understood them more, you know what I'm saying, because you know,
- 37:14Speaker 7: because like like you just said, like I didn't understand
- 37:16Speaker 7: when I was young why I didn't see.
- 37:18Speaker 2: Them, you know what I mean.
- 37:19Speaker 6: Like I remember being in Mifficing. They were telling me
- 37:20Speaker 6: like I'm stay in LA and I'm like l A,
- 37:24Speaker 6: Like I'm like, but now I get it, saying like
- 37:31Speaker 6: but I ain't.
- 37:31Speaker 7: When I was young, I ain't really you know, like
- 37:33Speaker 7: I'm man enough to say that, Like you know, it's
- 37:35Speaker 7: like you just changed mindsets, you know what I'm saying.
- 37:37Speaker 7: That you learn and mature and you see things differently.
- 37:40Speaker 7: But when I was younger, I most definitely was one
- 37:42Speaker 7: of them. Uh probably like with the young guys, just
- 37:44Speaker 7: tell you you feel me, you know what I'm saying.
- 37:46Speaker 7: So I was I I used to think like that
- 37:48Speaker 7: and didn't understand some of the things.
- 37:50Speaker 1: I want to talk about your pockets a little bit.
- 37:52Speaker 1: Your part owner of an MLS team right there. How
- 37:56Speaker 1: did did you ever have any like, maybe I should invest.
- 37:59Speaker 2: In DC United?
- 38:00Speaker 6: Yeah, you said, you said, because.
- 38:03Speaker 1: Back then this is this is before I mean, it's
- 38:05Speaker 1: a soccer team. Did you ever think to yourself, maybe
- 38:07Speaker 1: I shouldn't invest in this. What made you say this
- 38:09Speaker 1: is I'm put my money in this.
- 38:10Speaker 7: I never thought I shouldn't invest it. And it was
- 38:12Speaker 7: more so like can I invest more? You know what
- 38:14Speaker 7: I'm saying. I knew it was to play. You know
- 38:17Speaker 7: what I'm saying for multiple reasons, Like you know, I
- 38:19Speaker 7: do my research. For one, I got the right business
- 38:21Speaker 7: team around me, so we do all the right fact
- 38:24Speaker 7: checking and making sure that the business and the right standpoints,
- 38:28Speaker 7: so that alone, on paper, it was the right business move.
- 38:31Speaker 6: But my passion for.
- 38:33Speaker 7: Diversifying and growing and accomplishing different things as a hustler
- 38:39Speaker 7: also was a big part of it. And then soccer
- 38:42Speaker 7: was like the only sport my son ever played.
- 38:45Speaker 6: That's how I even know. You didn't seem like I
- 38:49Speaker 6: never even seen it.
- 38:49Speaker 7: And I told them that when we were when I
- 38:51Speaker 7: was getting into the team that I never even seen
- 38:54Speaker 7: a soccer field when I was a kid. When I
- 38:57Speaker 7: seen a soccer ball, I thought it was a flat football.
- 38:59Speaker 7: We just basketball with a soccer ball because just because
- 39:02Speaker 7: there was a ball, you know what I'm saying, and
- 39:03Speaker 7: we just thought like, man, why the ball flat? So
- 39:08Speaker 7: we had no exposure to soccer and the way I
- 39:11Speaker 7: grew up, you know. So but my son different and
- 39:14Speaker 7: went to different type of schools, right, so they had
- 39:16Speaker 7: a soccer feeling in school, and it's the sporty play.
- 39:19Speaker 7: So between going to practices and games, you know, I
- 39:22Speaker 7: learned what the sporty or so on the opportunity presenting
- 39:25Speaker 7: itself out familiar with the sport.
- 39:27Speaker 2: How far he moved? Do you feel like you are
- 39:29Speaker 2: from the street all the way?
- 39:30Speaker 6: Okay, okay, I'm already moved from the street one.
- 39:33Speaker 3: Thousand, two thousands.
- 39:37Speaker 6: You know what I mean?
- 39:38Speaker 7: I think streets is not like an action, you know
- 39:41Speaker 7: what I'm saying. I think it's a way of thinking,
- 39:44Speaker 7: meaning like, I don't think this a certain way of
- 39:46Speaker 7: thinking whatever, like leave my mindset meaning like, and it's
- 39:51Speaker 7: just from like a protection standpoint or coming since standpoint
- 39:55Speaker 7: or street since standpoint, meaning like just knowing how to
- 39:58Speaker 7: move right so I can stay behind and three security
- 40:01Speaker 7: guard gates or whatever.
- 40:03Speaker 6: I still pull up to the house the same way.
- 40:05Speaker 7: You know what I'm saying. I still look, but I
- 40:07Speaker 7: pull up. If it's too dog, I may not go
- 40:09Speaker 7: in the house. You know what I'm saying that that's
- 40:11Speaker 7: what I mean by street mentality.
- 40:12Speaker 6: You know what I'm saying. I mean like it's a feel.
- 40:14Speaker 6: You know what I mean.
- 40:15Speaker 7: It's still to today. Rob pull up to the house
- 40:17Speaker 7: sometimes and I just look and I keep going. I
- 40:19Speaker 7: just don't feel it safe to go in. Tonight, I
- 40:21Speaker 7: go to the hotel room. But that's somebody. That's a
- 40:23Speaker 7: trade I got from in the street.
- 40:24Speaker 2: Right, Do you feel what you mean?
- 40:27Speaker 1: But do you still feel that way?
- 40:28Speaker 3: Like after this day?
- 40:29Speaker 2: Yeah, you got cameras and how you look at your phone?
- 40:31Speaker 6: I got everything.
- 40:31Speaker 2: You know what I'm saying.
- 40:32Speaker 7: You got cameras, I got twenty four hour guards, I
- 40:35Speaker 7: got animals.
- 40:36Speaker 1: You know what I'm saying.
- 40:37Speaker 6: I got every form of protection you have. You know
- 40:39Speaker 6: what I'm saying. I still move like that.
- 40:41Speaker 1: Damn, that's PTSD broat with everything that's that's going on
- 40:46Speaker 1: and you look at your career and you look at
- 40:47Speaker 1: your life, and I remember you putting out the record
- 40:49Speaker 1: and you just do a shot out there for Angela
- 40:52Speaker 1: Simmons and to see it three sixty and now that
- 40:54Speaker 1: you're actually dating, what was that original conversation?
- 40:57Speaker 11: Like?
- 40:57Speaker 1: Was it a joke?
- 40:58Speaker 2: Was it like what you mean?
- 41:00Speaker 7: You know, like the first first coming Absolutely, the very
- 41:02Speaker 7: first time I ever said anything to it was it
- 41:04Speaker 7: was after the song and I just told her I
- 41:06Speaker 7: was serious, you know what I'm saying because I seen
- 41:08Speaker 7: her and then it was like a joke and I'm like, nah,
- 41:10Speaker 7: like find I'm serious, serious, choke, you know what I'm saying. Heard. Yeah,
- 41:22Speaker 7: that was the first thing I ever told her, first
- 41:24Speaker 7: time I ever said Did she take you serious?
- 41:26Speaker 6: Think so?
- 41:27Speaker 1: Yeah?
- 41:28Speaker 6: I think so.
- 41:29Speaker 5: On the album you said I ain't never I ain't
- 41:31Speaker 5: never lost the crush. I missed the follow up. I'm
- 41:34Speaker 5: pretty consistent. I'm pretty consistent.
- 41:38Speaker 2: Is the record is the one? Is that about her?
- 41:41Speaker 6: Oh?
- 41:41Speaker 14: Yeah?
- 41:41Speaker 7: Yeah?
- 41:41Speaker 6: It was inspired by for Shure. You know what I'm saying.
- 41:44Speaker 7: She was in the studio with me. You know, when
- 41:46Speaker 7: I record, I come off the top on right. So
- 41:49Speaker 7: when I loaded the beat up and I was in
- 41:51Speaker 7: the booth, like she was in the studio. One nobody
- 41:53Speaker 7: in the studio, me hunt somebody else, you know, That's
- 41:55Speaker 7: what came out.
- 41:57Speaker 1: I was being a bit so so public because usually
- 41:59Speaker 1: you was been very private about your private life, whether
- 42:02Speaker 1: it's whoever you would dat you or family members. So
- 42:04Speaker 1: I was it to have your life on front street.
- 42:07Speaker 1: This is been difficult.
- 42:08Speaker 6: It's different. I mean, I ain't gonna say it's difficult,
- 42:10Speaker 6: but it's different.
- 42:11Speaker 3: People judge you too much?
- 42:12Speaker 1: Or is it always?
- 42:13Speaker 6: Don't culling about none of that.
- 42:14Speaker 7: Bro Again, I come from with like I don't think
- 42:17Speaker 7: these type of like judgments and opinion, like none of
- 42:19Speaker 7: that can really hurt me. I come from like the
- 42:21Speaker 7: worst already, you know what I mean. So it ain't
- 42:24Speaker 7: it's just different. It's just different. And I think the
- 42:26Speaker 7: reason why I was never public it wasn't because an
- 42:30Speaker 7: issue with the people or nothing, you know what I'm saying,
- 42:32Speaker 7: more like a safety thing, you know what I'm saying.
- 42:34Speaker 7: You know what I'm saying, Or like you don't really
- 42:35Speaker 7: want nobody to know where your family is?
- 42:37Speaker 6: You know what? I think? The difference is you already
- 42:39Speaker 6: know she is, You already know who I am, and
- 42:41Speaker 6: you know what I'm saying.
- 42:42Speaker 2: You think you would get married? I don't know? Said
- 42:46Speaker 2: she one is?
- 42:48Speaker 6: You know what I'm saying.
- 42:49Speaker 7: So we gotta see it's about time got you.
- 42:53Speaker 2: Yeah, you listen, you that dude right now you bossed
- 42:56Speaker 2: up on a different level. Ain't nothing like having that
- 42:58Speaker 2: whole unit together, you know what I mean?
- 43:00Speaker 7: Yeah, hopefully get you may or you can give me
- 43:02Speaker 7: some pointers and some information about that.
- 43:04Speaker 2: You know, I just got good at it.
- 43:07Speaker 6: Ye give me some.
- 43:11Speaker 2: You know.
- 43:12Speaker 7: Unfortunately again coming from where we come from, and a
- 43:15Speaker 7: lot of our people ever does. So it's like, you
- 43:18Speaker 7: know what I'm saying, Like I ain't got nothing against it.
- 43:19Speaker 7: Were still coming for where we come from and what
- 43:21Speaker 7: we know.
- 43:22Speaker 6: You know what I'm saying. So we know love, we
- 43:24Speaker 6: know loyalty, but just the end goal I can.
- 43:27Speaker 5: Say, I can say being married and actually doing right
- 43:29Speaker 5: by my wife, you know in color purple and Seiy
- 43:31Speaker 5: pointed at you and see he sa, ain't no good
- 43:33Speaker 5: gonna come.
- 43:33Speaker 2: To you till you do right by me. When you
- 43:35Speaker 2: do right by your wife, absolute your life. Just man,
- 43:38Speaker 2: you think you're doing it now? Oh my god, everything
- 43:41Speaker 2: everything else, everything.
- 43:44Speaker 1: You had a conversation with run Cander kind of, it's
- 43:48Speaker 1: still gotta be awkward, nobody.
- 43:50Speaker 7: I gotta, I gotta sit down with him. So yeah,
- 43:53Speaker 7: it's lined up though.
- 43:54Speaker 2: To see that that mean it's about to get serious.
- 43:57Speaker 6: I respect.
- 43:59Speaker 2: The song No Fake Love, man, you feel like all
- 44:01Speaker 2: love is fake.
- 44:02Speaker 7: For real, not at all, but a lot of it,
- 44:04Speaker 7: most of it. I think we're in an opportunitist world.
- 44:07Speaker 7: So I feel like, you know, people love you for
- 44:09Speaker 7: what you could do for them, and once you stop
- 44:11Speaker 7: doing it, or once you can't do it, you will
- 44:13Speaker 7: see that soon that it's a different relationship with a
- 44:16Speaker 7: different type of relationship, whether y'all hustling together, whether y'all
- 44:20Speaker 7: just friends. A lot of situations, you know what I'm saying.
- 44:23Speaker 7: People confuse love and opportunity.
- 44:26Speaker 1: How we got more with Yo Gotti when we come back.
- 44:28Speaker 1: Of course, it's hip Hop's fiftieth birthday and we're doing
- 44:31Speaker 1: mixed all morning long, So let's get on another mix. Man,
- 44:33Speaker 1: let me know your favorite hip hop joint. What joint
- 44:36Speaker 1: do you love? It's the Breakfast Slub. Good morning pinting everybody.
- 44:38Speaker 1: It's DJ Envy, Charlamagne the Guy. We are the Breakfast
- 44:42Speaker 1: Club we're still kicking it with Yo Gotti Charlamagne.
- 44:44Speaker 5: When you have an artists, right because you've had so
- 44:46Speaker 5: much success with different artists. If one of the artists
- 44:49Speaker 5: don't take off, what's that conversation?
- 44:51Speaker 6: Like we tried? You know what I mean?
- 44:53Speaker 7: Like I tell all my artists is from the beginning,
- 44:56Speaker 7: we can win together. We can lose together. Like if
- 44:58Speaker 7: I can go to the bank with you, I can
- 45:00Speaker 7: with you too. I ain't tripping, you know what I'm saying.
- 45:02Speaker 7: Long as we both tried our bitch to do what
- 45:04Speaker 7: we thought we're winning. You win some, you lose some.
- 45:07Speaker 7: You know what I'm saying, Like I ain't tripping.
- 45:09Speaker 2: You know how you know when it's time to move on,
- 45:11Speaker 2: though at most time, I only.
- 45:13Speaker 7: Move on if we ain't like seeing on the same page.
- 45:15Speaker 7: It ain't really a monetarial standpoint, you know what I'm saying,
- 45:19Speaker 7: Because we can figure out how to adjust the numbers,
- 45:22Speaker 7: keep getting the artist shots and it still makes sense.
- 45:24Speaker 6: So we're not losing too much, you feel me as long.
- 45:28Speaker 7: As I feel like we're still in it together and
- 45:31Speaker 7: we're still trying together. You know what I'm saying that
- 45:33Speaker 7: if we ain't on the same page. We just wasting
- 45:35Speaker 7: each other time you.
- 45:36Speaker 1: Look at artist as ever being a little lazy. Because
- 45:39Speaker 1: of the social media era, they got a lot of
- 45:41Speaker 1: things that you didn't have, right. So I remember seeing
- 45:43Speaker 1: you come up and the things that you had to do,
- 45:45Speaker 1: whether it was going to every homecoming, All Star event,
- 45:48Speaker 1: super Bowl where you would travel with all your cars
- 45:50Speaker 1: to make it a movie. Like I remember seeing that,
- 45:53Speaker 1: and it's seeing the grind.
- 45:54Speaker 6: I talk about this all the time more partnering them.
- 45:57Speaker 7: They're like, it's just a different error, Like well we
- 45:59Speaker 7: done to promote and what we've done to get in position.
- 46:03Speaker 7: I just don't think new artists today could even do that.
- 46:05Speaker 14: Bro.
- 46:05Speaker 7: I remember I used to go to New Orleans to
- 46:08Speaker 7: holler burn Man. We used to wait ten hours just
- 46:11Speaker 7: to talk to him, Like you know what I mean. Like,
- 46:13Speaker 7: imagine if you tell the artists come to meet you
- 46:15Speaker 7: today and they take take you ten hours to talk
- 46:18Speaker 7: to them, dispected like.
- 46:20Speaker 6: Man Win thirty minutes.
- 46:21Speaker 1: You know what I'm saying?
- 46:22Speaker 7: Like you know, we would go to a video shoot
- 46:25Speaker 7: and beat her all day to be in a two
- 46:27Speaker 7: second cameo. We ain't had no trailer, no budget style
- 46:31Speaker 7: it budget again, Man, invite a artist to the video
- 46:34Speaker 7: and he ain't ready to shoot them when he pull up.
- 46:36Speaker 6: You know what I'm saying. You know what I'm saying,
- 46:39Speaker 6: it's just different, like you know what I mean.
- 46:41Speaker 7: So, but I also think those are things that make
- 46:43Speaker 7: people like me, like stronger on a different level, Like
- 46:47Speaker 7: I can take more. I'm not bother easily, you know
- 46:50Speaker 7: what I'm saying, Like I'm not really like I ain't
- 46:52Speaker 7: phased by nothing. I already done it the hardest way
- 46:54Speaker 7: you can do it. I haven't already been through the look,
- 46:57Speaker 7: you know what i mean. Like, so, like, what's some
- 46:59Speaker 7: serious somebody's like it's a joke to be tripping off
- 47:02Speaker 7: like you painted it?
- 47:04Speaker 6: You fitted by there?
- 47:05Speaker 2: Like what's Young D done that made you be like,
- 47:08Speaker 2: come on, bro.
- 47:09Speaker 7: D ain't done nothing, Bro like cooler? Yeah, Young D
- 47:12Speaker 7: like just getting started and he onto a great start.
- 47:15Speaker 6: You know what I'm saying.
- 47:15Speaker 7: He done like Doug record made Bag of Future, a
- 47:19Speaker 7: lot of money Bag records at an early age. So
- 47:22Speaker 7: I think he kind of ahead of his time, you
- 47:24Speaker 7: know what I'm saying. I think he's creating a sound
- 47:26Speaker 7: that's probably gonna be like this c MG sound for
- 47:28Speaker 7: the next you know, next way, you.
- 47:29Speaker 5: Got your first hundred bands yet, d Yeah, yeah, sure,
- 47:36Speaker 5: yeah that's what That's what god. He said on the
- 47:39Speaker 5: first hundred band said his first hundred bands felt like
- 47:41Speaker 5: a million.
- 47:41Speaker 2: So what did a million feel like? Then? Guy?
- 47:43Speaker 7: Man, you know it's crazy because it's like, I mean,
- 47:46Speaker 7: y'all got a lot of money. Man, yeah, I'm saying,
- 47:49Speaker 7: but it's like, you know when you first get that
- 47:51Speaker 7: first hundred that honey in the hood, you were like
- 47:54Speaker 7: a mean hear the hood, you know what I'm saying.
- 47:55Speaker 7: Then in Memphis, you know, yeah, like you might be
- 47:58Speaker 7: one point five. You know what I'm saying, because it's
- 48:02Speaker 7: like just how I feel, you know what I'm saying
- 48:04Speaker 7: when when you get it the first time, it's a
- 48:06Speaker 7: it's a special feeling. And I think, you know, it's
- 48:08Speaker 7: crazy that I think we all from a coach that
- 48:11Speaker 7: just wanted to be a millionaire at some point because
- 48:14Speaker 7: that seemed like the end goal, like, man, if I
- 48:16Speaker 7: can become a millionaire, that was it, right until you
- 48:18Speaker 7: get the million.
- 48:19Speaker 3: Then you realize like, oh manmore.
- 48:21Speaker 6: Yeah, like this ain't the same what I thought. It was, like,
- 48:24Speaker 6: you feel me, I need a lot more than you.
- 48:27Speaker 7: You know what I'm saying, so, I just think it's
- 48:29Speaker 7: different tempoles you hit like I think the honey band,
- 48:32Speaker 7: the first hundred band is special.
- 48:34Speaker 6: You know what I'm saying.
- 48:34Speaker 7: In the street really too, I think it's also different.
- 48:37Speaker 7: I don't know this, but I think if you got
- 48:38Speaker 7: one hundred thousand dollars job, it may don't feel the
- 48:42Speaker 7: same at the one hundred thousand dollars, five tens and
- 48:45Speaker 7: twenties in your hand in the street, like what I'm
- 48:47Speaker 7: breakfacing to, you know what I'm saying, because then what
- 48:50Speaker 7: I think. You know what I mean, I never had
- 48:51Speaker 7: a six fitt of job, you know, like they paid.
- 48:53Speaker 6: It the job.
- 48:55Speaker 2: There's really like fifty sixty.
- 48:59Speaker 6: All that money, the first hundred bands and five tens
- 49:03Speaker 6: and twenties, and it looks good.
- 49:04Speaker 7: And you got to you know how you got stacked up,
- 49:06Speaker 7: whether it's in ten thousan dollars stacks or one thousand
- 49:09Speaker 7: dollar stacks.
- 49:10Speaker 6: You know what I'm saying.
- 49:11Speaker 2: You know I can't wait to field.
- 49:12Speaker 7: We to man, we used to earn them. I used
- 49:14Speaker 7: to earn my money. Put the small bills over here
- 49:16Speaker 7: and yeah, you feel me?
- 49:17Speaker 6: So I can't spend You know, you.
- 49:21Speaker 7: Got one hundred thousand, a hundred downtime. You know, Come on, man,
- 49:27Speaker 7: what you learning from.
- 49:28Speaker 5: Hole at this point in the game, Because on the
- 49:29Speaker 5: album you say you feel like you're right there with Hole. Yeah,
- 49:32Speaker 5: I said, you feel like you're right there.
- 49:34Speaker 7: With I'm your rappers favorite rappers something like that. Uh,
- 49:37Speaker 7: I'm damned on J level, but not literally. Yeah, but
- 49:40Speaker 7: then I make sure I tell you not literally, because
- 49:42Speaker 7: that's that's a different level.
- 49:44Speaker 1: That's a billion billion conversations.
- 49:46Speaker 7: Yeah, but I say that in what I'm learning from
- 49:49Speaker 7: Jay Now, I think it's about and it's my opinion,
- 49:52Speaker 7: I think everything with Jay rock Nation is about impact
- 49:55Speaker 7: at this point, you know what I mean.
- 49:57Speaker 6: I feel like, of course they are all the money
- 49:58Speaker 6: in the world.
- 49:59Speaker 7: Right for me too, It's like trying to see how
- 50:01Speaker 7: much impact can you give, you know what I'm saying,
- 50:03Speaker 7: whether that's happening a young deal that's helping another artist,
- 50:06Speaker 7: or whether it's creating jobs in the city, or whether
- 50:08Speaker 7: it's just you know, helping somebody with information. You know,
- 50:11Speaker 7: I do a lot of that, only they're probably never
- 50:14Speaker 7: be public, you know what I mean. It's so many
- 50:16Speaker 7: artists it's not signed to me that I get nothing
- 50:18Speaker 7: off of that, I talk to every week different artists
- 50:21Speaker 7: that I just you know, get information, to give advice,
- 50:24Speaker 7: to help them with different situations. You know what I'm saying,
- 50:26Speaker 7: try to help them go to the next level. That
- 50:28Speaker 7: I have no financial interest in, just impact. I think
- 50:31Speaker 7: everything is information. I take in a lot of information,
- 50:34Speaker 7: but I also give their information back out, you know
- 50:36Speaker 7: what I mean.
- 50:37Speaker 6: So I think I'm just at a point.
- 50:38Speaker 7: Where I'm trying to figure out how many things I
- 50:40Speaker 7: can touch, how much impact I can lead in the legacy.
- 50:43Speaker 2: I can't.
- 50:44Speaker 5: I can't think of no artists who's got a better
- 50:46Speaker 5: roster of artists, you know, when we've seen different people
- 50:49Speaker 5: have different rosters at certain times. I'm talking about right now,
- 50:52Speaker 5: at this moment, I can't think of nobody who got CMG.
- 50:55Speaker 6: Yeah, we blessed.
- 50:58Speaker 2: They always say that in Memphis, if you're not CMG,
- 51:00Speaker 2: is not co work.
- 51:01Speaker 6: No, that's not true.
- 51:02Speaker 7: There's a lot of artists it's not CMG from Memphis,
- 51:04Speaker 7: their work, you know what I'm saying.
- 51:06Speaker 6: You know, we like them too. There's a lot of
- 51:08Speaker 6: young cats right now that's killing it.
- 51:10Speaker 7: You know what I'm saying. Who I think they're killing it?
- 51:12Speaker 7: On the street already. I think they're gonna be the
- 51:14Speaker 7: next wave. And they signed the different people. You know
- 51:16Speaker 7: what I'm saying, Nah, yeah, you.
- 51:18Speaker 2: Give them information? Do you give like that those other labels?
- 51:21Speaker 6: Anybody, bro?
- 51:22Speaker 7: Anybody who hit me like I'm an open book, you
- 51:24Speaker 7: know what I'm saying, Like, I ain't hard to reach,
- 51:27Speaker 7: so anybody can get information from me.
- 51:29Speaker 2: Do you want new artists? Do you want more people?
- 51:32Speaker 6: The right ones? The right one we got. We got
- 51:35Speaker 6: a lot going on right now.
- 51:36Speaker 7: So a bunch of artists we can't afford to be
- 51:39Speaker 7: like if you ain't really like, if you ain't serious
- 51:41Speaker 7: about hustling, we ain't.
- 51:42Speaker 6: We ain't trying to get no quick check or not.
- 51:44Speaker 1: Just you remember the artist got some glovella money bag?
- 51:48Speaker 3: Yo is t G four two Doug black Gangster?
- 51:50Speaker 2: What all the artists you have?
- 51:51Speaker 7: Anybody were forgetting a big bugeyl Esus Christ I forgot
- 51:55Speaker 7: a big boogey with something. Yeah, pop off, big booge
- 51:58Speaker 7: popping off. Well, I just was on the phone you
- 52:02Speaker 7: a minute ago. He's good youngster business man, bro. He
- 52:06Speaker 7: like you actually work on a lot of other stuff.
- 52:08Speaker 7: You know what I'm saying, a lot of real estate stuff,
- 52:10Speaker 7: a lot of different different hustles.
- 52:12Speaker 6: You know, little paper. We got a little pop, a
- 52:14Speaker 6: little pop from Jacksonville, Florida, from the West coast.
- 52:18Speaker 2: I ain't nobody do with CMG.
- 52:19Speaker 6: Yeah, man, somebody feel you.
- 52:21Speaker 2: Need somebody from the Carolinas. May you need somebody from
- 52:23Speaker 2: South Carolina.
- 52:24Speaker 6: We're looking.
- 52:25Speaker 2: Oh you got Okay, Okay, you're looking.
- 52:27Speaker 6: We're looking.
- 52:27Speaker 14: No.
- 52:28Speaker 7: I can't say that they might grab the might they
- 52:30Speaker 7: might grab before. But we won't work somebody from Carolina,
- 52:35Speaker 7: New York. We won't work with somebody from New York, Atlanta. Yeah,
- 52:40Speaker 7: there's certain markets. We always wanted to like find the right.
- 52:43Speaker 2: Artists because you know that South Carolina got always had
- 52:46Speaker 2: big love for you. You know what I mean.
- 52:48Speaker 7: South Carolina like a big part of our like our
- 52:51Speaker 7: success for real, you know what I'm saying. Like if
- 52:54Speaker 7: you if you took the Carolina's out of the picture,
- 52:57Speaker 7: maybe you'll take a lot of high paper.
- 53:01Speaker 6: You take a lot of people out there after what
- 53:04Speaker 6: are we What are you talking about? Show money?
- 53:06Speaker 7: We're talking about records, streams. A lot of it comes
- 53:09Speaker 7: from the Carolina.
- 53:10Speaker 2: Because Arnold Taylor was a big part of your.
- 53:12Speaker 6: My dog is My dog. It's my dog for sure.
- 53:16Speaker 3: All right, well the album watch said the gangster the
- 53:17Speaker 3: Girls mixtape.
- 53:19Speaker 1: I showed you so you can pick it up now,
- 53:21Speaker 1: young d We appreciate you for joining us, and of
- 53:24Speaker 1: course YO got it. Thank you brother, it's the Breakfast.
- 53:31Speaker 6: Went on.
- 53:31Speaker 1: Answer was cockroaches everywhere hit the rumor is the report.
- 53:48Speaker 11: Rock.
- 53:48Speaker 16: If you want to know if something is like cool
- 53:50Speaker 16: or if it's hip, the only way that you're gonna
- 53:52Speaker 16: know is if somebody from the culture.
- 53:54Speaker 1: The black culture co signed on the Breakfast Club.
- 53:59Speaker 3: Alright, Rocks, let's get to it.
- 54:00Speaker 4: So Charlemagne, this is for you.
- 54:02Speaker 16: We are talking tyresee suit home depot for one million dollars.
- 54:07Speaker 2: All right.
- 54:07Speaker 16: So this is what happened. He was there with two
- 54:10Speaker 16: of his associates. They were shopping and people started recognizing him.
- 54:15Speaker 16: So they were at the cashier and he basically told
- 54:18Speaker 16: the cashier listen, people know me. I'm going in the car.
- 54:21Speaker 16: Just it's okay, go ahead and swipe the credit card.
- 54:23Speaker 16: He went in the car and then the cashier decided, no,
- 54:26Speaker 16: I'm not swiping the credit card.
- 54:27Speaker 4: I need ID.
- 54:28Speaker 16: So they facetimed him and he was like, I was
- 54:31Speaker 16: just in there five minutes ago. Like, go ahead and
- 54:34Speaker 16: swipe the credit card.
- 54:34Speaker 4: It's fine.
- 54:35Speaker 16: And I think we actually have audio of him on
- 54:38Speaker 16: FaceTime talking to the cashier.
- 54:41Speaker 1: Can you please include that information. I was just there.
- 54:45Speaker 2: I just walked.
- 54:48Speaker 18: If you're going to talk to your manager, tell your
- 54:50Speaker 18: manager the truth. I was just in the store and
- 54:53Speaker 18: I gave my guys my credit card in front of
- 54:55Speaker 18: your staff and team member, and I walked off. Don't
- 54:58Speaker 18: say that I'm not there with no ID. You can
- 55:01Speaker 18: pull up the cameras. I was there five minutes ago.
- 55:03Speaker 18: This is completely unnecessary what you're.
- 55:06Speaker 1: Doing right now.
- 55:09Speaker 2: I'm not answering what.
- 55:12Speaker 18: Man should I have the CEO of Home Depot to
- 55:15Speaker 18: call you tomorrow because he's my neighbor.
- 55:19Speaker 2: I mean, let's be clear.
- 55:20Speaker 5: Tyres is famous, you know, fast and furious, but he
- 55:22Speaker 5: does look like one version of several different people. So
- 55:25Speaker 5: I'm just saying, you know, dawskin ball head, that fits
- 55:29Speaker 5: a lot of descriptions. Yeah.
- 55:30Speaker 1: But the problem is if and I don't know if
- 55:31Speaker 1: the young lady knew who he was, but the young lady,
- 55:35Speaker 1: you know, is certain those regulations that you have to
- 55:37Speaker 1: do if somebody comes with a credit card, you need
- 55:39Speaker 1: in identification in a lot of a lot of cases,
- 55:42Speaker 1: and especially if the person is not there on FaceTime,
- 55:45Speaker 1: that doesn't work.
- 55:46Speaker 5: And I understand that is a point of inconvenience in
- 55:48Speaker 5: that moment for Tyree's But what if his credit card
- 55:50Speaker 5: was actually stole?
- 55:51Speaker 1: Yeah? Right, if it was stolen or somebody like Charlemagne
- 55:53Speaker 1: was on FaceTime. It was like, I'm Tyree. They kind
- 55:55Speaker 1: of look like that's my point.
- 55:57Speaker 5: I just said that he looks like one version of
- 55:59Speaker 5: several different people, ballhead, Darwskin, you know, can fit a
- 56:02Speaker 5: lot of descriptions.
- 56:03Speaker 2: I just want to know how Tyree's got to the
- 56:04Speaker 2: million dollar number. Well, that's what I wanted them.
- 56:07Speaker 4: So he feels like this is discrimination?
- 56:09Speaker 9: Uh?
- 56:09Speaker 16: They all three of the men actually filed the suit
- 56:12Speaker 16: saying that they have suffered shame, humiliation, and mental suffering
- 56:17Speaker 16: and the million dollars that they're asking for is to
- 56:20Speaker 16: cover the amount of money Tyree said he has spent
- 56:22Speaker 16: in home Depot over the years, along with punitive damages.
- 56:27Speaker 4: So Home Deepot did release a statement, yes, this.
- 56:30Speaker 16: This is yes, they said, nigga, please what they say
- 56:33Speaker 16: diversity and respect for all people, our core to who
- 56:37Speaker 16: we are and We do not tolerate discrimination in any form.
- 56:40Speaker 16: We value mister Gibson as a customer, and in the
- 56:42Speaker 16: months since this happened, we've reached out to him and
- 56:44Speaker 16: his attorney several times to try to resolve his concerns.
- 56:46Speaker 4: We will continue to do so.
- 56:47Speaker 5: He's going to go to court dress like he was
- 56:49Speaker 5: in Baby Boy with a bunch of Mexicans, and he
- 56:51Speaker 5: gonna really claimed discriminate.
- 56:52Speaker 1: He's stupid.
- 56:53Speaker 2: He's stupid. But I will say treated me wrong an essay.
- 56:56Speaker 1: But I will say me, I mean, these businesses got
- 56:59Speaker 1: to protect their sound, right, because I'm sure a lot
- 57:01Speaker 1: of people can go to these stores and these businesses
- 57:03Speaker 1: and say, hey, that wasn't me that charge that card,
- 57:05Speaker 1: And when they go to the camera, if that person
- 57:06Speaker 1: is not there charging that card, they're not live, they're liable,
- 57:09Speaker 1: you know.
- 57:10Speaker 4: So and that's essentially what the kasher said, like this
- 57:12Speaker 4: is policy.
- 57:13Speaker 2: Right, Like how we notice ain't tight Diggs, that's all ye,
- 57:17Speaker 2: all right?
- 57:17Speaker 16: So I saw this story yesterday, and you know, I'm
- 57:19Speaker 16: always drawn to mom's stories. So we have seen Rihanna
- 57:24Speaker 16: through her past two pregnancies, wearing the sexiest outfit, showing
- 57:29Speaker 16: off her baby.
- 57:29Speaker 4: Bump in the biggest way.
- 57:31Speaker 16: So Serena Williams just posted a picture on her you know,
- 57:34Speaker 16: ig wearing this like little Gucci outfit, a little skirt
- 57:38Speaker 16: with like a top, and her.
- 57:39Speaker 4: Belly is on blast, and for some reason, she is
- 57:42Speaker 4: not getting the love that Rihanna.
- 57:43Speaker 16: God, she was getting criticized by a lot of people saying, oh,
- 57:46Speaker 16: she's dressing like Rihanna, she need to put on clothes,
- 57:48Speaker 16: even though yes, she did get support from her followers,
- 57:51Speaker 16: but she was also getting a lot of heat.
- 57:53Speaker 4: So I just feel like, why is it okay for
- 57:55Speaker 4: Rihanna and now Serena. I don't get it.
- 57:59Speaker 5: I need more context. Why do you need more I
- 58:02Speaker 5: don't understand. I mean I don't understand either, Like, what's
- 58:04Speaker 5: the problem?
- 58:05Speaker 3: Doesn't even there is?
- 58:06Speaker 4: There should not be a problem.
- 58:07Speaker 5: To be honest, Serena has always intimidated people though, you
- 58:11Speaker 5: know what I'm saying, because she's she's a beautiful woman
- 58:13Speaker 5: with her muscular appearance, her physique, that's always intimidated people.
- 58:18Speaker 2: That made people uncomfortable. So I think that's probably what
- 58:20Speaker 2: it is.
- 58:20Speaker 4: It should it should not be. It should not be.
- 58:22Speaker 16: And if you look at her outfit, she actually has
- 58:25Speaker 16: on more clothes than Rihanna normally does, so it should not.
- 58:27Speaker 5: Be back in the conversation we was having another day
- 58:29Speaker 5: where we were talking about, uh, you know when when
- 58:31Speaker 5: black women, you know, are a certain shape, they can
- 58:36Speaker 5: have one a regular thing that a woman they can
- 58:38Speaker 5: have on the same out of the woman can have
- 58:40Speaker 5: the same shape, and it makes people uncomfortable.
- 58:43Speaker 4: And I think there's been like a few cases that
- 58:45Speaker 4: that has popped up.
- 58:47Speaker 6: Was it a home depot or I don't know what
- 58:50Speaker 6: it was that was having a conversation.
- 58:54Speaker 4: All right, do we have time for one more?
- 58:56Speaker 1: Okay, never mind that is.
- 58:58Speaker 3: Your rumor reports? Shall I mean donkey to day? Well,
- 59:00Speaker 3: give me a donkey two man.
- 59:01Speaker 2: For after the hour.
- 59:02Speaker 5: I need a young brother named Seth Berman to come
- 59:04Speaker 5: to the front of the congregation. We like to have
- 59:06Speaker 5: a word with him. And we're also going to have
- 59:08Speaker 5: a nice conversation about the target effect. Y'all know what
- 59:10Speaker 5: the target effect is? Right when you go on target,
- 59:14Speaker 5: you can't just get one.
- 59:16Speaker 1: Yeah, all right, we'll discuss we'll get to that next
- 59:18Speaker 1: and uh, we got a new record that we're about
- 59:20Speaker 1: to get on this DJ Khalid Future Little Baby and.
- 59:23Speaker 5: The new record yeah, because cald has been making a
- 59:26Speaker 5: different version of the exact same song for a long time.
- 59:29Speaker 1: Well you listening and tell us.
- 59:30Speaker 2: I already heard it. That's why I hate that comment.
- 59:32Speaker 15: It's the breakfast over the morning, the breakfast Club. Your
- 59:35Speaker 15: mornings will never be the same.
- 59:38Speaker 1: Our orderable pick of the day is DJ Drama's gangst
- 59:41Speaker 1: the Grill podcast. Here, DJ Drama and some legendary artists
- 59:44Speaker 1: breakdown hip hop mixtape history. Listen when you sign up
- 59:47Speaker 1: for a free trial at audible dot com. Slash DJ Drama.
- 59:54Speaker 3: Damn heg, it's time for.
- 59:58Speaker 1: I mean trying to be dunky the day no more.
- 1:00:00Speaker 5: They should be embarrassed by what they already did. I'm
- 1:00:03Speaker 5: not making these people do these days.
- 1:00:04Speaker 3: Called Donkey of the day, and it really caught me
- 1:00:07Speaker 3: off guard.
- 1:00:07Speaker 8: Damn Charlamagne, who got the donkey out of the day
- 1:00:10Speaker 8: to day?
- 1:00:12Speaker 5: Well, donkey today for Friday, August eleventh goes to Seth Berman.
- 1:00:15Speaker 5: Seth Berman is thirty four years old and he hells
- 1:00:17Speaker 5: from the Great City of Atlanta, Georgia. Seth is suffering
- 1:00:21Speaker 5: from what psychologists call the target effect. Everybody in America's
- 1:00:25Speaker 5: suffers from the target effect. Doesn't matter what your financial
- 1:00:27Speaker 5: status is. The reality of the situation is none of
- 1:00:30Speaker 5: us can go into Target and get one thing. I know,
- 1:00:33Speaker 5: I'm speaking directly to you right now. You feel seen,
- 1:00:35Speaker 5: don't you, maybe even triggered? Trust me, I understand every
- 1:00:38Speaker 5: single emotion you are dealing with. I get and psychologists
- 1:00:42Speaker 5: do too.
- 1:00:42Speaker 2: It's a real thing.
- 1:00:43Speaker 5: You're going to Target to buy one thing, maybe you know,
- 1:00:46Speaker 5: a good fellow T shirt. Next thing, you know, you
- 1:00:48Speaker 5: walking out with one hundred dollars worth of stuff and
- 1:00:49Speaker 5: you have no idea how that happened.
- 1:00:52Speaker 2: All right. Target does that to humans, so much so
- 1:00:54Speaker 2: that clinical psychologists have released tips on how to stage
- 1:00:59Speaker 2: your own target interventions.
- 1:01:00Speaker 5: Okay, Target is a trap, all right, because the story
- 1:01:03Speaker 5: isn't the actual target you are. Do you realize that
- 1:01:06Speaker 5: everything in Target is strategically placed there to keep you there,
- 1:01:11Speaker 5: everything from the lighting, the bright colors. They say it
- 1:01:13Speaker 5: brightens your effect and you tend to have a pretty
- 1:01:16Speaker 5: good time there. So it's conducive to buying. You know,
- 1:01:19Speaker 5: of course you're gonna you know, spend more in a
- 1:01:21Speaker 5: place that you spend more time. And not to mention,
- 1:01:23Speaker 5: it's a Starbucks in all of them, so that adds
- 1:01:25Speaker 5: another addiction.
- 1:01:27Speaker 2: Okay, Starbucks, heroin same thing. Target also places things in
- 1:01:30Speaker 2: strategic places to boost cross selling. And then they have
- 1:01:33Speaker 2: these things called lifestyle settings that help you visualize the
- 1:01:36Speaker 2: goods in your home. Once you see it, once you
- 1:01:39Speaker 2: can see it in your place of residence, you want
- 1:01:41Speaker 2: it in your place of residence. Okay.
- 1:01:43Speaker 5: And I'm not even gonna get into the psychological pricing
- 1:01:45Speaker 5: Target does. Oh, they make you think you're getting a
- 1:01:48Speaker 5: deal just because it's a nine at the end of
- 1:01:51Speaker 5: the price. If it has a nine on the end
- 1:01:53Speaker 5: of the price, it appears to be on sale. Therefore
- 1:01:55Speaker 5: you can't pass it up. Those are just a few
- 1:01:57Speaker 5: of the reasons the Target effect is real. And that's
- 1:02:00Speaker 5: the reason why you can never leave Target with just
- 1:02:03Speaker 5: one thing. And step Berman, he fell victim to that.
- 1:02:06Speaker 5: See he went to Target for one thing, but like
- 1:02:08Speaker 5: most of us, couldn't leave with just one thing.
- 1:02:11Speaker 2: Let's go to Fox five Atlanta for the report police
- 1:02:13Speaker 2: this there's an also released.
- 1:02:14Speaker 14: New video of a shoplifting suspect being arrested.
- 1:02:17Speaker 1: Take a look.
- 1:02:18Speaker 14: This is the Target located on Caroline Street.
- 1:02:22Speaker 6: Atlanta.
- 1:02:22Speaker 14: Police say an officer was flagged down by a security guard.
- 1:02:25Speaker 14: That guard told authorities that the man stole two televisions
- 1:02:29Speaker 14: from the store.
- 1:02:30Speaker 1: They say when the man was.
- 1:02:31Speaker 14: Caught outside the store, he fought the officer until backup arrived.
- 1:02:35Speaker 14: Both the suspect and officer suffered minor injuries.
- 1:02:39Speaker 5: Now, police say he was on drugs during all of this.
- 1:02:41Speaker 5: But this wasn't weed, it wasn't shrooms, it wasn't Rihanna's
- 1:02:44Speaker 5: makeup he was using. This man was under the influence
- 1:02:47Speaker 5: of target.
- 1:02:47Speaker 2: Okay, the target effect is a stronger drugg than all
- 1:02:50Speaker 2: those things mentioned. That's why he went back to the
- 1:02:52Speaker 2: scene of the crime because mentally he never left. See
- 1:02:55Speaker 2: if you only get one thing from target, you hear
- 1:02:58Speaker 2: Kobe Bryant in your brain.
- 1:02:59Speaker 1: Saying, job's not finished. Job finished. I don't think so,
- 1:03:04Speaker 1: that's right.
- 1:03:04Speaker 5: The target effect is so real that when his brother
- 1:03:06Speaker 5: got caught leaving the store with the TV, he didn't
- 1:03:09Speaker 5: think about running away.
- 1:03:11Speaker 2: He thought about running back into the store.
- 1:03:13Speaker 6: Okay.
- 1:03:14Speaker 5: That's like an animal that's been locked in the cage
- 1:03:15Speaker 5: and instead of running off into the wild to get free,
- 1:03:17Speaker 5: they run back into the zoo. I know y'all want
- 1:03:20Speaker 5: to blame drugs, but trust me, this is the target effect. Okay,
- 1:03:23Speaker 5: as I'm doing this, donkey right now, there's someone pulling
- 1:03:25Speaker 5: up the target for one thing and they gonna come
- 1:03:28Speaker 5: out thirty minutes later with at least three to five items.
- 1:03:31Speaker 2: Okay, Now let's talk about Seth as a thief. He
- 1:03:33Speaker 2: simply got too greedy because he did successfully steal one TV.
- 1:03:38Speaker 2: He was free and clear, but his greed made him
- 1:03:41Speaker 2: go back to steal another one. This is a prime
- 1:03:44Speaker 2: example that we get too greedy. Okay, he successfully stole
- 1:03:46Speaker 2: one TV, he was free and clear, with his greed
- 1:03:49Speaker 2: mixed with the target effect made him go back to
- 1:03:52Speaker 2: get another sixty five inch TV.
- 1:03:54Speaker 5: Why did he need another TV? I know football season
- 1:03:57Speaker 5: on the way, but damn what you building the sports box?
- 1:04:00Speaker 5: You need to have more than one TV to have
- 1:04:01Speaker 5: more than one game on at the same time. Maybe
- 1:04:03Speaker 5: he wanted to play Call of Duty and watch The
- 1:04:05Speaker 5: Breakfast Club on BT at the same time. I don't
- 1:04:07Speaker 5: know what, Seth, did you have to go back to
- 1:04:10Speaker 5: the same exact targets you stole from the first time.
- 1:04:13Speaker 5: I did some research, and by research I mean Google,
- 1:04:16Speaker 5: and it's at least eight targets in the Atlanta area.
- 1:04:19Speaker 5: You're telling me the target effect is so scrump that
- 1:04:21Speaker 5: you couldn't even leave the target you was.
- 1:04:24Speaker 2: At to go to another one. Huh, you stuck on
- 1:04:27Speaker 2: stupid like a woman who's addicted to a terrible man
- 1:04:30Speaker 2: with good penis. All right, this man ain't got no job,
- 1:04:33Speaker 2: no ambition. He cheats on you constantly, had another baby mammy.
- 1:04:35Speaker 2: He's still sleeping with.
- 1:04:36Speaker 5: But you still end up under him every other day,
- 1:04:40Speaker 5: letting him sweat on you. That had nothing to do
- 1:04:42Speaker 5: with anything. I just wanted to make you feel bad.
- 1:04:44Speaker 5: But still sleeping with that brother under modification or for short,
- 1:04:48Speaker 5: you can just call.
- 1:04:48Speaker 1: Him a bummer.
- 1:04:49Speaker 2: Please give seth Berman to sweet sounds of the Hamiltons.
- 1:04:52Speaker 19: Oh no, you are the dog of the day, all
- 1:05:00Speaker 19: the doggie, all the day.
- 1:05:06Speaker 7: Ye.
- 1:05:10Speaker 2: I wonder what triggered people more during that donkey today
- 1:05:12Speaker 2: realizing that you know, we all have been victims of
- 1:05:14Speaker 2: the target effect, are realizing that you are still sleeping
- 1:05:17Speaker 2: with a terrible man with good penis?
- 1:05:20Speaker 1: Which one for you?
- 1:05:21Speaker 2: Hm hm.
- 1:05:25Speaker 1: M h.
- 1:05:27Speaker 3: All right, well bet e t thank you. We'll see
- 1:05:29Speaker 3: y'all on money.
- 1:05:30Speaker 5: That I almost told people you the bum that I'm
- 1:05:32Speaker 5: sleeping with now I almost told people that I might.
- 1:05:36Speaker 2: Have just did now what now what?
- 1:05:40Speaker 1: Mm hmmm, sir, I'm not a bum.
- 1:05:42Speaker 2: Yeah, you're a beige on the modification.
- 1:05:50Speaker 1: It's getting awkward and strange. Okay, been awkward and strange.
- 1:05:56Speaker 1: Welcome Roxy, all right, I feel like all right, everybody
- 1:06:04Speaker 1: else again? Shot to b e t everybody else. Let's
- 1:06:07Speaker 1: open up the phone lines. Today. We are celebrating fifty
- 1:06:10Speaker 1: years of hip hop. So we're asking eight hundred five
- 1:06:13Speaker 1: eight five one five one. Our little niece, Nyla. She
- 1:06:18Speaker 1: popped up and great question. She said when No, she
- 1:06:24Speaker 1: said when, She didn't say when, she said if? When
- 1:06:26Speaker 1: she said when? She said, if aliens touched down, When
- 1:06:30Speaker 1: the aliens touched down and you had to explain hip hop,
- 1:06:34Speaker 1: what album would you use to explain hip hop to them?
- 1:06:38Speaker 2: What album would I give them to say this is
- 1:06:40Speaker 2: hip hop?
- 1:06:40Speaker 1: Correct?
- 1:06:41Speaker 2: Okay?
- 1:06:41Speaker 1: Eight hundred five five one o five one easy call?
- 1:06:45Speaker 1: Not when?
- 1:06:46Speaker 4: No, I think it's when it's not?
- 1:06:48Speaker 1: When? When it's only a matter of time, If aliens
- 1:06:50Speaker 1: touchdown on Earth and they wanted to say hip hop, Oh,
- 1:06:56Speaker 1: I can't wait till they cancel you for teacher, what's
- 1:06:58Speaker 1: going to happen when the aliens come and they become
- 1:07:01Speaker 1: a part of our society. They're gonna go back to
- 1:07:03Speaker 1: this four or five years from now and they're gonna
- 1:07:05Speaker 1: cancel you for mocking them.
- 1:07:07Speaker 2: Say do it again? Do it against what?
- 1:07:09Speaker 3: That's hip?
- 1:07:10Speaker 13: What did they do?
- 1:07:13Speaker 1: That's what they sound like.
- 1:07:16Speaker 2: I don't know. I'm keeping all my thoughts to myself.
- 1:07:20Speaker 3: Eight hundred and five five discussion.
- 1:07:23Speaker 2: That's not like no alien to me. Did y'all the
- 1:07:29Speaker 2: aliens and aliens to get this off?
- 1:07:31Speaker 1: But the other day, aliens we want to know what
- 1:07:34Speaker 1: hip hop is. I don't know. I'm not messing with
- 1:07:38Speaker 1: you with them, but I'm not.
- 1:07:46Speaker 15: It's topic times called eight hundred five five, one oh
- 1:07:49Speaker 15: five one to join into the discussion with the Breakfast Club.
- 1:07:53Speaker 3: Good morning everybody at ce j n V.
- 1:07:56Speaker 1: Charlamagne the God. We are the Breakfast Club. We got
- 1:07:58Speaker 1: our special guest host, Roxy Romeo, and today, of course
- 1:08:02Speaker 1: is fifty years of hip hop. Now, our niece Snyler
- 1:08:05Speaker 1: Simona's up here and she asks, you know, if aliens
- 1:08:08Speaker 1: came and touched down on Earth and you had to
- 1:08:10Speaker 1: explain hip hop, what album would you give them that
- 1:08:13Speaker 1: would you know?
- 1:08:14Speaker 3: Pretty much break down hip hop? So that is the question.
- 1:08:17Speaker 3: Eight hundred and five eight five one on five is
- 1:08:19Speaker 3: one album?
- 1:08:21Speaker 1: If this one don't start, I'm gonna start just one album,
- 1:08:25Speaker 1: one album.
- 1:08:26Speaker 2: This was an easy call for me. I thought it
- 1:08:28Speaker 2: was gonna be tougher than it was. But when the
- 1:08:29Speaker 2: extraterrestrials get here, our family from other planets, the album
- 1:08:33Speaker 2: I'm going to give them is Let's get It Thug
- 1:08:36Speaker 2: Motivation one on one by Young Jeez. That feels like
- 1:08:39Speaker 2: a good welcome to Earth album.
- 1:08:42Speaker 5: And when you hear the first song on that album,
- 1:08:45Speaker 5: the Thug Motivation one on one, the way that beat
- 1:08:48Speaker 5: comes in and Jez's ad libs, and then when the
- 1:08:50Speaker 5: beat drops and he was I used to hit the
- 1:08:52Speaker 5: kitchen lights. It was cockroaches everywhere. That just feels like
- 1:08:55Speaker 5: a good welcome to Earth album. I feel like that
- 1:08:57Speaker 5: sets the tone for those you know, beings from other
- 1:09:01Speaker 5: other planets.
- 1:09:02Speaker 1: What about you?
- 1:09:03Speaker 16: This is very cliche, but I got to go with
- 1:09:06Speaker 16: my ladies. It is definitely the Miseducation of larn Hill. Okay,
- 1:09:10Speaker 16: like beginning to end, you can't skip this. You don't
- 1:09:12Speaker 16: need to skip one song. All of it is amazing O.
- 1:09:14Speaker 2: Great album, fantastic album, but what if the aliens are misogynistic?
- 1:09:17Speaker 2: They mean I want to hear that.
- 1:09:19Speaker 1: Yeah, well, well for me, nas illmatic, I just think
- 1:09:24Speaker 1: that that represents hip hop. I mean, because you know,
- 1:09:28Speaker 1: they can have a song for aliens all the aliens
- 1:09:30Speaker 1: locked up, which is well love, because I'm sure that
- 1:09:33Speaker 1: some aliens locked up. Then as far as the world
- 1:09:36Speaker 1: is yours for the aliens out there, that really might
- 1:09:38Speaker 1: not have you know, they need.
- 1:09:39Speaker 5: The super ass song to play for the aliens. Now,
- 1:09:41Speaker 5: that is the dumbest song to play for aliens. It's
- 1:09:45Speaker 5: not theirs, you idiot.
- 1:09:47Speaker 1: But they can grow and they can say the world
- 1:09:49Speaker 1: is yours, young alien, you could get out there and
- 1:09:51Speaker 1: do it.
- 1:09:51Speaker 2: They'd be like, all y'all know is the world.
- 1:09:53Speaker 5: We know the whole universe, and we been traveling worlds,
- 1:09:56Speaker 5: the little bum ass hurtling.
- 1:09:57Speaker 1: And then the way that the aliens move is like
- 1:09:59Speaker 1: a New York state of militant, fast, strong, aggressive, Like
- 1:10:02Speaker 1: that's the New York state of mind.
- 1:10:03Speaker 5: No, yes, and they've seen the old universe and they're
- 1:10:06Speaker 5: not gonna be impressed by New York.
- 1:10:07Speaker 3: And they gotta represent.
- 1:10:09Speaker 1: Represent, represent represent alien nations, represent represent.
- 1:10:13Speaker 3: That, you know what I mean, so I think I
- 1:10:15Speaker 3: think it is illmatic.
- 1:10:18Speaker 5: You defended the aliens. You offended them by mocking them,
- 1:10:20Speaker 5: all right, that's number one. That's number one. You offended
- 1:10:23Speaker 5: them by saying the world is yours, and you know,
- 1:10:24Speaker 5: actually they're gonna be like, you know what, this is ours,
- 1:10:26Speaker 5: We're gonna take this over.
- 1:10:28Speaker 2: That's number one. And number three, you're gonna tell them
- 1:10:30Speaker 2: in the New York state of mind, when they've seen
- 1:10:31Speaker 2: the whole universe, they've seen.
- 1:10:33Speaker 16: All these place like sure they're here already anyway, New
- 1:10:38Speaker 16: York milky waist.
- 1:10:41Speaker 1: Now we have our young nieces. We're about to do
- 1:10:44Speaker 1: pasts in a little bit.
- 1:10:45Speaker 3: But what is your album? Aliens come to you and
- 1:10:48Speaker 3: sayt nyla, tell us what you like?
- 1:10:50Speaker 20: Tell me what I like the album item that breaks
- 1:10:53Speaker 20: down hip hop trying. I feel like it covers young
- 1:10:57Speaker 20: and the old.
- 1:10:58Speaker 10: I feel like it's what up Alien?
- 1:11:01Speaker 7: What up?
- 1:11:02Speaker 10: Gangster?
- 1:11:02Speaker 1: Okay, yeah, they were like that.
- 1:11:04Speaker 10: Okay, I'm going with fifty.
- 1:11:06Speaker 20: But you said, miss Education, that's a really good one too.
- 1:11:09Speaker 16: Like I'm thinking of like the albums that like the
- 1:11:12Speaker 16: few albums for me that are like my top and
- 1:11:15Speaker 16: so some of the other ones I feel like, that's
- 1:11:16Speaker 16: what you that's what you.
- 1:11:17Speaker 10: Was the other ones because you had me nervous when
- 1:11:19Speaker 10: you saw much your list.
- 1:11:20Speaker 4: Uh so I talked about it yesterday. Nipsey Victory Live
- 1:11:25Speaker 4: great one.
- 1:11:26Speaker 2: Yeah, gonna be with them on the wheel.
- 1:11:28Speaker 5: Promise you Nipsey on the wheel, Honorable oliged Muhammad, All
- 1:11:32Speaker 5: on the wheel right now.
- 1:11:33Speaker 3: Guarantee with the Aliens, just trust me, all right, trust them.
- 1:11:39Speaker 2: I've visited by them.
- 1:11:40Speaker 20: Them all the time the Aliens were aliens.
- 1:11:44Speaker 2: It was going on, not like I used.
- 1:11:46Speaker 1: That's how I know.
- 1:11:50Speaker 2: How I know.
- 1:11:51Speaker 1: Sorry, aliens All Chris, we're talking about the Aliens come down?
- 1:11:56Speaker 3: What record would you give them?
- 1:12:00Speaker 11: Hey? All right, so good morning. First of all, breakfast
- 1:12:02Speaker 11: being king. I want to say, I say, ready to
- 1:12:06Speaker 11: die notorious.
- 1:12:08Speaker 2: And what if they say we were thinking the same thing?
- 1:12:11Speaker 14: I think.
- 1:12:16Speaker 11: I'm just thinking of it. I also want to say,
- 1:12:18Speaker 11: what we gotta war about us? What if they ask
- 1:12:20Speaker 11: the Karen?
- 1:12:21Speaker 2: What if they asked Karen about hip hop?
- 1:12:24Speaker 11: We will be completely lost.
- 1:12:27Speaker 5: Yeah, you're right, because soon as you passed that Higga
- 1:12:29Speaker 5: is the album, they wipe it out in the lid.
- 1:12:34Speaker 2: If it was hard to I'll be fronting on nig
- 1:12:36Speaker 2: you'll be fronting on the.
- 1:12:38Speaker 20: Karens aren't gonna pick Iiggy though, they'd probably pick like
- 1:12:41Speaker 20: somebody super big, like a big drink.
- 1:12:44Speaker 1: Yeah yeah, I was thinking, like nig Patrick, going down,
- 1:12:48Speaker 1: what's going on?
- 1:12:50Speaker 3: Talk to us? The aliens come and say, give me
- 1:12:52Speaker 3: one album?
- 1:12:53Speaker 6: What are you?
- 1:12:53Speaker 1: What are you doing?
- 1:12:54Speaker 11: My one album would be Daisy to Black. I believe
- 1:12:57Speaker 11: being body hip hop and.
- 1:12:58Speaker 1: The two thousands he is hip hop this dude, I mean,
- 1:13:02Speaker 1: it's not just mirror, the swag, all that everything they
- 1:13:07Speaker 1: on one album.
- 1:13:09Speaker 2: I would let the alien and it would be a
- 1:13:12Speaker 2: It would be a black album.
- 1:13:13Speaker 12: Yeah, the black Well, I mean, you go with any
- 1:13:15Speaker 12: album with days, but I love the black album.
- 1:13:17Speaker 2: Pers Okay, all right, thank you man.
- 1:13:19Speaker 3: Eight hundred five eight five one O five one.
- 1:13:21Speaker 1: You know, we're celebrating fifty years of hip hop and
- 1:13:23Speaker 1: we're asking if the aliens came to Earth and said,
- 1:13:27Speaker 1: what is this thing hip hop? And you have to
- 1:13:28Speaker 1: describe hip hop in one album, what would the album be?
- 1:13:31Speaker 3: That is the question.
- 1:13:32Speaker 1: Eight hundred five eight five sound like a robot.
- 1:13:35Speaker 10: You don't sound like an alien. You just sound like
- 1:13:37Speaker 10: a robot.
- 1:13:40Speaker 2: So why you keep disrespecting them. They're gonna be amongst
- 1:13:43Speaker 2: us soon.
- 1:13:43Speaker 5: Okay, they're gonna have a lot of power.
- 1:13:47Speaker 2: Then they can tell they're gonna definitely cancel you.
- 1:13:49Speaker 20: You're gonna be about it here face on the if
- 1:13:53Speaker 20: you see this guy wants it.
- 1:13:56Speaker 1: Eight hundred five eight five one five one is the
- 1:13:58Speaker 1: breakfast slogan morning anybody, DJ NV.
- 1:14:01Speaker 3: Charlamage the guys.
- 1:14:02Speaker 1: We are the breakfast club now if you're just joining us.
- 1:14:05Speaker 1: Today is fifty years of hip hop. Alright, we're celebrating
- 1:14:08Speaker 1: fifty year hipop. It's also my daughter's Brooklyn's birthday today too.
- 1:14:12Speaker 1: When we're asking eight hundred five five one five one,
- 1:14:15Speaker 1: if the aliens touched down in the earth on Earth
- 1:14:18Speaker 1: and said, describe hip hop? What album would you give
- 1:14:20Speaker 1: them to describe hip hop?
- 1:14:21Speaker 5: Already told you I'm giving him Thug Motivation one on
- 1:14:23Speaker 5: one by Young Jesus. I feel like that album is
- 1:14:26Speaker 5: just a perfect welcome to Earth album.
- 1:14:28Speaker 3: To mine is illmatic, nas Roxy.
- 1:14:31Speaker 4: Mis educational, Lauren Hill, Nilo.
- 1:14:34Speaker 10: Mine's Get Richard I trying.
- 1:14:36Speaker 2: I like Get Richard. I trying too.
- 1:14:37Speaker 5: Because of the intro when that quarter dropping that what
- 1:14:40Speaker 5: up gangs to the aliens like oh, it's popping here,
- 1:14:42Speaker 5: you know what I mean. And it's the same thing
- 1:14:44Speaker 5: with that Gezy when that thug motivation intro dropo A.
- 1:14:49Speaker 2: Like turn the lights on.
- 1:14:51Speaker 5: You think aliens use drugs, they probably got something that
- 1:14:55Speaker 5: so amazing. Oh my god, probably better than Iawa Washington.
- 1:15:00Speaker 1: Hello's this?
- 1:15:02Speaker 2: Hey?
- 1:15:02Speaker 13: This is around Dave Man?
- 1:15:03Speaker 11: I mean and I represented Openland, Ohio.
- 1:15:08Speaker 1: Aliens come down.
- 1:15:09Speaker 3: They want one album. How are you gonna describe hip
- 1:15:12Speaker 3: hop on one album?
- 1:15:13Speaker 1: Brother?
- 1:15:13Speaker 11: Uh?
- 1:15:14Speaker 2: Easily?
- 1:15:14Speaker 11: N w A show the best out straight out of contents.
- 1:15:19Speaker 11: Also with hip hop, it's not about the hot one.
- 1:15:21Speaker 11: It's about the branch. It's about the camp. It's about
- 1:15:23Speaker 11: easy e with bone TuS, it's about with the Big
- 1:15:26Speaker 11: three Doctor Dre, one of the greatest of all time,
- 1:15:29Speaker 11: the branch, to show what hip hop can do and
- 1:15:32Speaker 11: you they can movies and sports and stuff like that.
- 1:15:35Speaker 11: So the n w A is the perfect album.
- 1:15:37Speaker 2: I like that.
- 1:15:39Speaker 1: Hello, Who's this?
- 1:15:40Speaker 11: Oh neat?
- 1:15:43Speaker 9: Yeah?
- 1:15:44Speaker 19: Man?
- 1:15:44Speaker 14: Hell, If I had to choose my album, it'll eisither Be.
- 1:15:48Speaker 2: Snoop Dogs, Doggy Stynd or kench Lamar's good kid Man.
- 1:15:52Speaker 2: Those are good ones, either one of those.
- 1:15:56Speaker 5: But we also have to remember one thing, right, Either
- 1:15:58Speaker 5: the aliens don't know anything about us, or they know
- 1:16:01Speaker 5: everything about us. And we know the music that influence
- 1:16:03Speaker 5: We know how music influences people. So some of these
- 1:16:06Speaker 5: records that we're going to be introduced to, introducing them
- 1:16:09Speaker 5: to influenced us.
- 1:16:10Speaker 2: Wrong, do you really want the aliens?
- 1:16:12Speaker 1: But see, I don't know why. When I think of aliens,
- 1:16:14Speaker 1: I kind of think of robots, like I can see
- 1:16:16Speaker 1: an alien do it hip hop?
- 1:16:20Speaker 13: You know you don't?
- 1:16:23Speaker 4: Yeah, I don't know I'm doing that.
- 1:16:26Speaker 2: All of this is gonna change in a few years
- 1:16:28Speaker 2: when they amongst us, they remember and all of this.
- 1:16:30Speaker 2: You can be the first president of your canceled by aliens.
- 1:16:32Speaker 4: They're gonna come looking for you first.
- 1:16:34Speaker 2: First one.
- 1:16:35Speaker 1: Hello, who's this?
- 1:16:38Speaker 3: Hey, Mama, So we're talking about aliens? Touchdown? What's song
- 1:16:42Speaker 3: with album?
- 1:16:42Speaker 1: You're giving the mama?
- 1:16:43Speaker 2: I will give them any one on the Corn album?
- 1:16:46Speaker 6: You can't?
- 1:16:48Speaker 3: Okay?
- 1:16:48Speaker 2: So Wayne, he might be one of them.
- 1:16:53Speaker 10: He's trying to tell us that.
- 1:16:55Speaker 2: He's even saying here, Marshall for a long time might
- 1:16:58Speaker 2: be one of them already already with the mob. That's
- 1:17:03Speaker 2: right with the mob?
- 1:17:06Speaker 13: Hello?
- 1:17:06Speaker 1: Who's this?
- 1:17:08Speaker 14: Mark?
- 1:17:09Speaker 1: Mark from seven five to seven. Now aliens touched down
- 1:17:12Speaker 1: in the seven five seven. They want to hear what
- 1:17:15Speaker 1: what hip hop is without me giving them.
- 1:17:17Speaker 11: You gotta give it to them, just like they know
- 1:17:19Speaker 11: you gotta give him now at Aliens.
- 1:17:22Speaker 2: That's one that's a good one. That's a good one
- 1:17:25Speaker 2: that maybe like Andre one of us and been with
- 1:17:30Speaker 2: us for a long time.
- 1:17:31Speaker 3: Shoot more caller, Hello, who's this right? Elives?
- 1:17:36Speaker 1: What's up? The Aliens touched down where you from Brooklyn?
- 1:17:40Speaker 2: All right?
- 1:17:41Speaker 1: I mean there's a lot of Aliens in Brooklyn right now,
- 1:17:42Speaker 1: I think, But anyway, Aliens touchdown in Brooklyn, right they say,
- 1:17:46Speaker 1: all right, give me one song, one album that describes
- 1:17:50Speaker 1: hip hop? Which one you doing?
- 1:17:52Speaker 11: J Cole for until draw talk about social issues?
- 1:17:56Speaker 3: Okay?
- 1:17:57Speaker 11: The Jenis song for the first Time.
- 1:18:01Speaker 18: Love You.
- 1:18:03Speaker 11: Everything.
- 1:18:04Speaker 1: That loves that because she's been so influenced by J Cole,
- 1:18:07Speaker 1: So she loves that. Even though you didn't pick that album, I.
- 1:18:09Speaker 10: Love that album. Well yeah, because other albums have impaed
- 1:18:12Speaker 10: on I got to that.
- 1:18:13Speaker 3: Okay, Well, thank you brother.
- 1:18:14Speaker 2: Why you ain't saying that? Why somebody else had to
- 1:18:17Speaker 2: watch somebody from Brooklyn had to say far as he'll
- 1:18:19Speaker 2: drive now as much as you've been impacted by that album. Man, Wow,
- 1:18:23Speaker 2: look you're letting J Cole down the way he letting
- 1:18:25Speaker 2: down you know what I'm saying.
- 1:18:27Speaker 1: Wow, God, that's so mean that the truth you.
- 1:18:31Speaker 2: Be letting j co Wow, you said get rid of
- 1:18:34Speaker 2: died trying because J Cole said it was better than Thriller.
- 1:18:37Speaker 1: This week this is.
- 1:18:43Speaker 20: Actually actually if you guys would listen to my podcast
- 1:18:50Speaker 20: that's all the Black Fact Network, the What hip Hop
- 1:18:52Speaker 20: pod featuring Me and Mouse Jones, produced by Karen and
- 1:18:57Speaker 20: A King. We had a conversation about this already and
- 1:19:00Speaker 20: I picked get Richard I try it, and then for
- 1:19:02Speaker 20: a song, I picked com and I used to love her,
- 1:19:04Speaker 20: so I had already knew my answer.
- 1:19:07Speaker 3: You love so much that she don't never pick them.
- 1:19:10Speaker 2: She loves J Cole so much that she don't never
- 1:19:13Speaker 2: pick them for nothing.
- 1:19:14Speaker 3: What's the morrow of the story, guys, The mold the.
- 1:19:17Speaker 2: Story is win.
- 1:19:18Speaker 5: I cannot wait till they get here. The aliens are
- 1:19:20Speaker 5: on their way. They're in Peru right now, ripping people's
- 1:19:23Speaker 5: faces off.
- 1:19:24Speaker 14: You know that.
- 1:19:25Speaker 2: I just read about it this morning. There's a whole.
- 1:19:27Speaker 5: Village in Peru that is saying these seven foot green
- 1:19:30Speaker 5: aliens are peeling off people's face.
- 1:19:33Speaker 3: Yes, did they talk like this?
- 1:19:36Speaker 2: He keep playing, boy, keep playing?
- 1:19:40Speaker 10: Is it a real article from a valid source.
- 1:19:44Speaker 4: It is a real article, it really is.
- 1:19:48Speaker 1: Sorry, I was joking, now, joking, joke, all right, when
- 1:19:54Speaker 1: we come back, he got past the aucs. That's when
- 1:19:57Speaker 1: our niece DJ Nihlis Simone, she puts us onto music
- 1:19:59Speaker 1: that we be up on. I will do that. Next,
- 1:20:01Speaker 1: it's the Breakfast Club, the Morning Boring Everybody. It's j
- 1:20:04Speaker 1: n V Charlamagne the God. We are the Breakfast Club.
- 1:20:07Speaker 1: Now we got our special guest co host Roxy Romeo
- 1:20:11Speaker 1: with us. And now it's time for past the US.
- 1:20:23Speaker 1: It's time for a fast DJs.
- 1:20:33Speaker 10: What's up, guys.
- 1:20:35Speaker 20: Happy birthday, it's our birthday, birthday, correct.
- 1:20:40Speaker 3: Part of it?
- 1:20:40Speaker 20: Okay, But for today, I'm gonna start with Cg's new
- 1:20:45Speaker 20: joint called a Moment with Gotti.
- 1:20:48Speaker 1: Okay, that's dope.
- 1:20:51Speaker 10: That's a fact. That's a fact.
- 1:20:52Speaker 3: Okay.
- 1:20:53Speaker 20: Next, I'm gonna go with Holly's new record. I think
- 1:20:57Speaker 20: this is her first single she's actually dropped.
- 1:20:58Speaker 10: It's called Angels.
- 1:20:59Speaker 1: Myn't how it alleged cousin.
- 1:21:02Speaker 10: Yes, but the record is super dope.
- 1:21:05Speaker 20: I love like the message behind it because I feel
- 1:21:07Speaker 20: like black women just don't really get records like this
- 1:21:10Speaker 20: that are that uplifting. And also sonically, it's not I
- 1:21:13Speaker 20: wouldn't say like traditional something we would play. Okay, that
- 1:21:19Speaker 20: sounds like something that should be on a sound track,
- 1:21:22Speaker 20: very theatrical.
- 1:21:26Speaker 5: I don't know if that's something that you just release
- 1:21:27Speaker 5: and tell people to listen to and that should come
- 1:21:30Speaker 5: on at the end of a movie or something.
- 1:21:32Speaker 10: I don't know. I've been bumping it on a stage regular.
- 1:21:36Speaker 3: And we're praying for help age.
- 1:21:39Speaker 10: Okay.
- 1:21:40Speaker 20: I can see cinematically why it would be good.
- 1:21:42Speaker 10: But just because she got range don't mean she can't
- 1:21:44Speaker 10: be played in the regular days.
- 1:21:45Speaker 20: I think we're just used to people who aren't so talented,
- 1:21:49Speaker 20: who can't do things like this.
- 1:21:51Speaker 10: So when we get it, it's like.
- 1:21:54Speaker 20: I'm just saying she's mad talented.
- 1:21:57Speaker 10: She has a good range.
- 1:21:58Speaker 20: So it's like this sounds like it gotta be like, no,
- 1:22:00Speaker 20: it's just a good record, let's just play it in rotation.
- 1:22:03Speaker 10: I'm not mad at that, Okay, cool last record is in.
- 1:22:07Speaker 3: This show Cousin That is legend.
- 1:22:14Speaker 2: Props to say that the record feels big, like it
- 1:22:16Speaker 2: should be a part.
- 1:22:16Speaker 5: Of a movie, be on the soundtrack fair enough, Like
- 1:22:19Speaker 5: that Rihanna record that comes on to the end of
- 1:22:21Speaker 5: blackmanther too.
- 1:22:22Speaker 1: Yes, you only want to hear that at the end
- 1:22:24Speaker 1: of Black. But we were playing on on on the radio,
- 1:22:33Speaker 1: which makes no sense. What do you want? Which one?
- 1:22:38Speaker 10: I do feel like? Yeah, I don't know why that
- 1:22:40Speaker 10: record was in rotation.
- 1:22:41Speaker 20: But nonetheless, lastly, I'm gonna go with Childish Major. He
- 1:22:45Speaker 20: has a new joint called First Lady and Childish Major
- 1:22:48Speaker 20: is a well known producer, but he's getting more into,
- 1:22:51Speaker 20: you know.
- 1:22:51Speaker 10: His artistry.
- 1:22:52Speaker 1: That's hard.
- 1:22:53Speaker 2: I hear, I hear that. Did he sample Bobby Valentino?
- 1:22:56Speaker 10: It does sound like it does sound like slow down.
- 1:23:00Speaker 2: That's hard.
- 1:23:01Speaker 10: Don't get hi jammed up. I don't know if that
- 1:23:03Speaker 10: was the thing.
- 1:23:04Speaker 1: That's hard.
- 1:23:05Speaker 2: That sounds very fresh, sounds very refreshing.
- 1:23:07Speaker 4: He sounds really young to me. Oh no, he's like
- 1:23:10Speaker 4: my age. Okay, she finally.
- 1:23:18Speaker 20: Turn turn what nothing, I'm almost thirty, Okay, she's twenty eight.
- 1:23:24Speaker 10: I'm almost thirty. Really God, why are you putting my
- 1:23:27Speaker 10: whole information like that?
- 1:23:29Speaker 2: You're not almost thirty almost thirty?
- 1:23:31Speaker 4: Almost round up?
- 1:23:32Speaker 10: Twenty five minutes.
- 1:23:33Speaker 2: No, no, enjoy the last two years.
- 1:23:35Speaker 20: Nonetheless, Joy last nonetheless. If you guys rock with the singles,
- 1:23:39Speaker 20: make sure you guys follow the past the OCS playlist
- 1:23:41Speaker 20: and follow me on Instagram at nilsim n y l
- 1:23:44Speaker 20: A s y M O n E E E. Now,
- 1:23:47Speaker 20: last week I came and said that pasted like this
- 1:23:49Speaker 20: is happening on August twenty fifth, and it's actually getting
- 1:23:51Speaker 20: pushed back because I'm getting more artists and I'm also
- 1:23:55Speaker 20: changing the venue. Is a vibe no, because I'm waiting
- 1:23:58Speaker 20: on hang on the I have three days in mind,
- 1:24:02Speaker 20: but I'm waiting for the artists to confirm. So actually,
- 1:24:04Speaker 20: if you're listening to this, can you text me back
- 1:24:06Speaker 20: so I can buck in the arts?
- 1:24:08Speaker 5: The artists that are you waiting to confirm Friday and
- 1:24:11Speaker 5: Friday and who they Friday and day Friday and they
- 1:24:14Speaker 5: gotta put pressure on y'all. You're confirmed, that's right, so
- 1:24:17Speaker 5: we can lock the date. Okay, okay, Now I can't
- 1:24:19Speaker 5: commit until y'all commit.
- 1:24:21Speaker 1: There you go, all right? All right, Well, thank you Nyla.
- 1:24:23Speaker 3: Yes, of course, all right.
- 1:24:25Speaker 10: And happy birthday, Happy birthday to us.
- 1:24:28Speaker 3: That's right, all right, when we come back. We got
- 1:24:29Speaker 3: the People's choice mix. You know, we're throwing it back.
- 1:24:31Speaker 3: It's a Friday, It's hip Hop, hip Hop fifty, It's
- 1:24:33Speaker 3: Breakfast lu Goo Morning.
- 1:24:35Speaker 1: The Breakfast Club. Your mornings will never be the same.
- 1:24:39Speaker 1: Are you someone who knows you don't have to sacrifice
- 1:24:41Speaker 1: comfort for quality? Someone who lives large in life and
- 1:24:45Speaker 1: in the bedroom, Then live large and now thinner with
- 1:24:48Speaker 1: new Magnum Raw Condoms, the thinnest Magnum condom available where
- 1:24:52Speaker 1: condoms are sold Owning Everybody's DJ.
- 1:24:54Speaker 3: Env Charlamagne the God we are the Breakfast Club.
- 1:24:58Speaker 1: Roxy Romeo is our special guest host, And thank you
- 1:25:01Speaker 1: for hanging out the last two days. Did you enjoy yourself?
- 1:25:03Speaker 11: I did?
- 1:25:04Speaker 4: Thank you for having me.
- 1:25:05Speaker 1: I know it's a lot of craziness up here.
- 1:25:08Speaker 16: I mean it's pretty similar Philly, but yeah, well maybe
- 1:25:11Speaker 16: a little crazier.
- 1:25:11Speaker 3: I bet you're gonna have husbands in Philly. Oh, husbands
- 1:25:14Speaker 3: were husbands?
- 1:25:16Speaker 5: Rock Don't Pay Him Not The Riseing Grind Morning Show.
- 1:25:19Speaker 5: How did they feel about not having you the last.
- 1:25:21Speaker 2: Couple of days?
- 1:25:22Speaker 4: They missed me.
- 1:25:22Speaker 16: They missed me, but you know they they're happy that
- 1:25:25Speaker 16: I got the opportunity and they were excited for me.
- 1:25:27Speaker 2: You gotta shot them out, Yeah, send them a.
- 1:25:28Speaker 16: Law to a Mikey dread geninitely got a shout out
- 1:25:32Speaker 16: to mother Nos.
- 1:25:33Speaker 2: Mother Nos. What's happening?
- 1:25:35Speaker 3: That's right, all right? When we come back. We got
- 1:25:37Speaker 3: the positive notice to Breakfast Club. Good morning, owning everybody.
- 1:25:39Speaker 3: It's DJ Envy Charlamagne to God. We are the Breakfast Club.
- 1:25:43Speaker 2: Just again.
- 1:25:44Speaker 1: Want to say happy birthday to hip hop. Hip hop
- 1:25:46Speaker 1: fifty means a lot. We wouldn't be here right now
- 1:25:48Speaker 1: if it wasn't for hip hop. A lot of us
- 1:25:50Speaker 1: wouldn't have the jobs that we have and been able
- 1:25:52Speaker 1: to do the things that we enjoyed because of this
- 1:25:54Speaker 1: thing that we call hip hop. So I just want
- 1:25:56Speaker 1: to salute to the founder's Cool Hirk and some of
- 1:25:59Speaker 1: the people. Let's taking it to other levels, whether it's
- 1:26:01Speaker 1: Grand Master Flash, whether it was a Funky four plus one,
- 1:26:04Speaker 1: whether it's Herbie Hancock, whether it's Deaf jim Rick Rubin,
- 1:26:08Speaker 1: Russell Simmons, Run dmc ll Cool, J Salt and Pepper,
- 1:26:11Speaker 1: Uh of course Curtis Blow, the Fat Boys, Uh, so
- 1:26:16Speaker 1: many people, Jazzy, Jeffery Fresh, Prince Jay Z of course,
- 1:26:20Speaker 1: nah's fifty.
- 1:26:21Speaker 2: I know you ain't about to try to shout out
- 1:26:22Speaker 2: all that he like you bound to miss somebody, right,
- 1:26:27Speaker 2: Come on, man, listen. I do want to say to
- 1:26:30Speaker 2: salute to everybody who found very unique and creative ways
- 1:26:35Speaker 2: to celebrate the fiftieth anniversary of hip hop.
- 1:26:38Speaker 5: You know what I mean, because a lot of people
- 1:26:39Speaker 5: got it very wrong. A lot of people did nothing
- 1:26:41Speaker 5: at all, you know what I mean? And the people
- 1:26:44Speaker 5: like the book a whole, the library, the book and
- 1:26:46Speaker 5: public Library, they definitely got it right.
- 1:26:49Speaker 2: Ll COOLJ. What they did with Rock the Bells, they
- 1:26:50Speaker 2: got it right.
- 1:26:52Speaker 10: Amazon Music definitely got it right.
- 1:26:54Speaker 5: Yea, Quessions and that's showing Atlanta that they're doing. I
- 1:26:57Speaker 5: can't remember the name of it right now. With everybody
- 1:27:00Speaker 5: on there, it's like every atl artist past and present.
- 1:27:04Speaker 10: My birth game.
- 1:27:05Speaker 2: Oh my god, the guys.
- 1:27:06Speaker 5: On there, easy geezy. I can't remember what's the name
- 1:27:09Speaker 5: of that show? I can't remember right now. But all
- 1:27:11Speaker 5: of y'all got it right, So I'm.
- 1:27:13Speaker 4: Gonna tell you. But I don't know if that's this
- 1:27:14Speaker 4: When you're trying to write about one fest, is it one?
- 1:27:17Speaker 2: I think it is one fast one Fest. I think
- 1:27:20Speaker 2: it is one fest.
- 1:27:20Speaker 5: But Saluta, everybody who you know just just got it
- 1:27:23Speaker 5: right in regard to just celebrating hip hop. And I
- 1:27:26Speaker 5: think we should do this every year. I think, being
- 1:27:28Speaker 5: that we know hip Hop's birthday is August eleventh, we
- 1:27:31Speaker 5: should just celebrate Afour's birthday every year. Wouldn't that be dope?
- 1:27:34Speaker 2: I think?
- 1:27:34Speaker 13: So?
- 1:27:34Speaker 10: Yeah, we do celebrate it every year. It is gonna
- 1:27:37Speaker 10: be this big.
- 1:27:38Speaker 5: I've never heard hip hop's birthday. No, we don't celebrate it,
- 1:27:43Speaker 5: not like you wait telling fifty to throw me a
- 1:27:45Speaker 5: birthday party. You just missed my sixteen twenty first, all that,
- 1:27:52Speaker 5: but you love me.
- 1:27:54Speaker 1: Okay, all right, well leave us on a positive note.
- 1:27:57Speaker 2: Oh first, I want to tell everybody.
- 1:27:58Speaker 5: Remind everybody to tomorrow Monks Corner, South Carolina my back
- 1:28:03Speaker 5: to school book back drive and fish Fry. We give
- 1:28:05Speaker 5: away free food, free backpacks and school supplies and free headcuts.
- 1:28:09Speaker 2: Make sure your kids heads are clean.
- 1:28:11Speaker 5: Your kids heads are clean, Okay, Tomorrow from twelve pm
- 1:28:14Speaker 5: to three pm, all right, at the Berkeley High School
- 1:28:16Speaker 5: student parking lot and Monks Corner, South Carolina. We're gonna
- 1:28:19Speaker 5: have local vendors on site and all that, so we'll
- 1:28:22Speaker 5: see y'all tomorrow in Monk's Corner, South Carolina. Now the
- 1:28:24Speaker 5: positive notice simply, this patience is not simply the ability
- 1:28:29Speaker 5: to wait. It's how we behave while we're waiting.
- 1:28:32Speaker 2: Remember that breakfast club bitches, we don't finish for y'all done,