Latest / For All Nerds Show / Is Deadpool & Wolverine A Good Movie, Or A CameoFest? (Deadpool & Wolverine: Review, Recap & Reactions)

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Is Deadpool & Wolverine A Good Movie, Or A CameoFest? (Deadpool & Wolverine: Review, Recap & Reactions) · For All Nerds Show

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  Speaker 1: Welcome to The For All Nerds Show and What's up y'all,
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  Speaker 1: and welcome to another episode of The All Nerd Show,
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  Speaker 1: that song. That's a classic. It's a sting joint Englishman.
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  Speaker 2: real song.
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  Speaker 1: Yeah, that's the real song. No, I mean not you, Yeah,
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  Speaker 2: By Tatiana King, the Grand Dusches of Tech also known
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  Speaker 2: as Flex Luthor, Global Look Rod, squall Up City and
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  Speaker 2: Tatiana Kang the Conqueror, Colders, Winter Soldier Ever Doc Acky
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  Speaker 2: Dark Chocolate Phoenix, Little Mermaid, Trash Cash, Them and the
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  Speaker 2: Ting of the North.
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  Speaker 1: Just realized neither of us had any real Deadpool related akas.
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  Speaker 1: I was trying to come up with one real quick,
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  Speaker 1: but I didn't. But we didn't have any Deadpool related akas.
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  Speaker 1: But as you've read by the title now seen the thumbnail,
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  Speaker 1: you already know that this is the full on spoilery,
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  Speaker 1: full review, full full spoilers, as if there was much
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  Speaker 1: plot to spoil of Deadpool and Wolverine now in theaters
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  Speaker 1: have been out two weeks. I think made a bluecool
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  Speaker 1: amount of money the first week. Not really sure how
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  Speaker 1: this is the second weekend? Oh yeah, second week, get
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  Speaker 1: hammered on something too. It's still number one.
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  Speaker 2: Yeah, came up. This is second two week two.
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  Speaker 1: Yeah, and it beats something out for a number for
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  Speaker 1: a second week too, so it's still number one, all right.
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  Speaker 2: It says it's heading towards a one billion box office
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  Speaker 2: by weekend three, so we're going actually going towards weekend three.
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  Speaker 1: Yeah, but we do that. I just didn't know the
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  Speaker 1: billion was coming that quickly.
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  Speaker 2: Yeah, they said right now is about eight hundred and
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  Speaker 2: fifty million. Yeah, yeah, yeah, yeah, yeah, yeah, yeah, stupid, stupid,
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  Speaker 2: does I guess the only thing that is it's that
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  Speaker 2: has been beating everything is Inside Out too, that's already
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  Speaker 2: made over a billion.
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  Speaker 1: So I've seen that.
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  Speaker 2: That's going crazy. It's amazing. It's amazing. Inside Out two
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  Speaker 2: is one point five five.
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  Speaker 1: Yeah, I still haven't seen I honestly don't know if
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  Speaker 1: I've seen Inside Out all the way through. I've read
• 3:30
  Speaker 1: it and I was so like blown away by the
• 3:34
  Speaker 1: script fit. Yeah, it's one of the things that I
• 3:37
  Speaker 1: saw in my head as I read it, and I
• 3:38
  Speaker 1: think I've seen most of it since then, but I've
• 3:41
  Speaker 1: read it. Yeah, you know, once you read it, you
• 3:43
  Speaker 1: don't need to It's it's a it's you know, it's
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  Speaker 1: like reading any good script. If it's if it's that good,
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  Speaker 1: you see the movie.
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  Speaker 2: I understand the respect on that. I also say to
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  Speaker 2: watch it because I'm going to.
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  Speaker 1: See the second one, the animation. I know, yeah, i'll
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  Speaker 1: see the second one because I haven't had a chance
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  Speaker 1: to read that. But I've read it and see enough
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  Speaker 1: for the first one where I'm good like i've seen it.
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  Speaker 1: You know, I've seen most of the movie. I just
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  Speaker 1: haven't seen it all the way through. I don't think
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  Speaker 1: m hm, what I have seen all the way through
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  Speaker 1: is uh Deadpool and Wolverine. I got to see it
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  Speaker 1: early at a streaming with a bunch of critics. I
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  Speaker 1: think that affected my general first views. Like we said, though,
• 4:22
  Speaker 1: this is the spoiler field review, so we're gonna talk
• 4:25
  Speaker 1: about everything. If you haven't seen it, you probably want
• 4:27
  Speaker 1: to wait and watch this later because I'm gonna go
• 4:29
  Speaker 1: all the way in. When I first came out, my
• 4:32
  Speaker 1: first reaction was like, this was my favorite of the three,
• 4:36
  Speaker 1: and I think that was due to me being in
• 4:38
  Speaker 1: a theater full of people who were super hype. We
• 4:40
  Speaker 1: were all super hype. You know. It was a good,
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  Speaker 1: solid movie overall, the jokes for funny. I still stand
• 4:46
  Speaker 1: by at I think, you know, the humor is there.
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  Speaker 1: I think Ryan Reynolds is pretty much born to play Deadpool,
• 4:51
  Speaker 1: just like Hugh Jackman's born to play Wolverine. Absolutely, And
• 4:56
  Speaker 1: the longer I've sat with it, and then I got
• 4:59
  Speaker 1: to see it again and I was like, it's a
• 5:02
  Speaker 1: big bag of nothing, like it's it's it's. Ryan Reynolds
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  Speaker 1: even said this earlier. He tweeted, it's something about like
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  Speaker 1: this movie is inconsequential. It means nothing. You know, it's
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  Speaker 1: a summer popcorn film. But I feel even on that level,
• 5:16
  Speaker 1: it's like Independence Day two and not Independence Day.
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  Speaker 2: Oh wait, we're not going to disrespect Independence Day talking
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  Speaker 2: about it.
• 5:27
  Speaker 1: I said Independence Day too, you can.
• 5:29
  Speaker 2: But Independent Day two doesn't even touch the hem of
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  Speaker 2: the garment of Independence Day.
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  Speaker 1: No, it doesn't. And I don't feel like this touches
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  Speaker 1: the hem of the gard like I feel like this.
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  Speaker 1: I feel like this has a lot of like flash
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  Speaker 1: and no substance.
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  Speaker 2: Okay, so I will start the same way you started.
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  Speaker 2: So I did not go to the screening because I
• 5:52
  Speaker 2: was actually out of town on a family reunion. So
• 5:54
  Speaker 2: when I actually watched I watched it with the general audience,
• 5:57
  Speaker 2: so I actually bought a ticket. I accidentally bought three
• 6:00
  Speaker 2: D version of it. I was mad about that because
• 6:02
  Speaker 2: I don't give a fuck about the three D and
• 6:05
  Speaker 2: I won't say really enhanced experience. Either didn't make it worse,
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  Speaker 2: but also didn't enhance it. So if you were thinking
• 6:10
  Speaker 2: about three D, don't save the money. That said, I
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  Speaker 2: didn't go in with critics. I went in with regular
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  Speaker 2: regular people. Moms with they kids, you know, a little
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  Speaker 2: older type kids, not like little kids, but not with
• 6:24
  Speaker 2: day kids, Families, friends, you know, like literally the entire
• 6:29
  Speaker 2: spectrum of people you could think of. And I think
• 6:33
  Speaker 2: that was interesting because that is a reflection of what
• 6:35
  Speaker 2: is doing at the MOX office right now. Anybody, and
• 6:39
  Speaker 2: anyone save for your moms that don't like cussing in
• 6:43
  Speaker 2: all the other stuff, anybody wanted to see this. Everybody
• 6:47
  Speaker 2: who was just in any demographic pretty much was interested
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  Speaker 2: in this film in some way, shape or form. So
• 6:53
  Speaker 2: I took that that was one takeaway from that, and
• 6:55
  Speaker 2: then as far as my overall thoughts about it, while
• 6:58
  Speaker 2: I do agree and I'm glad even Ryan said, but
• 7:01
  Speaker 2: Ryan's not an idiot, right He knows what it is,
• 7:03
  Speaker 2: and much like his character, he's gonna break the fourth
• 7:08
  Speaker 2: wall of the fifth wall at this point and say
• 7:10
  Speaker 2: what it is that. I know this movie is just
• 7:12
  Speaker 2: here to pay my mortgage. I know it's just a
• 7:16
  Speaker 2: literally it's a cameo fest, and that's the only point
• 7:19
  Speaker 2: of it. In terms of being absolutely a bag of nothing.
• 7:25
  Speaker 2: I slightly disagree. I think it's a good sandbox. By sandbox,
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  Speaker 2: I mean for people who program, for example, there is
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  Speaker 2: a production environment and a sandbox environment. The sandbox environment
• 7:40
  Speaker 2: allows you to test and do pretty much anything without
• 7:44
  Speaker 2: with knowing that you're not gonna hurt the real system.
• 7:47
  Speaker 2: You're not gonna hurt the system that people you and
• 7:48
  Speaker 2: I will end up using. Right, you can experiment, you
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  Speaker 2: can make changes, you can do whatever the fuck you
• 7:53
  Speaker 2: want to do, knowing that you're not gonna disrupt, in
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  Speaker 2: this case, a sacred timeline. Right, you're not gonna disrupt anything.
• 7:59
  Speaker 2: You can do what you to do in order to
• 8:01
  Speaker 2: play around it and possibly make something better. Right. And
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  Speaker 2: I think where I viewed Deadpool this way as a
• 8:08
  Speaker 2: almost a Marvel sandbox where they're gonna where they could
• 8:11
  Speaker 2: also besides just waste time and and make billions. You
• 8:15
  Speaker 2: can also do that to test ideas and to test
• 8:19
  Speaker 2: approaches and to test reactions from the audience as well
• 8:26
  Speaker 2: to varying degrees of success or failure. What I have you,
• 8:32
  Speaker 2: I took it that way, and the reason why is
• 8:33
  Speaker 2: because I felt Deadpool had glimmers of a lot of
• 8:37
  Speaker 2: good ideas, but it was all wrapped in this shit
• 8:41
  Speaker 2: don't matter, this is a joke, so on and so forth.
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  Speaker 1: So you're saying that this is the beta version of
• 8:47
  Speaker 1: a movie.
• 8:47
  Speaker 2: Basically, it's I think in a way it's a it's
• 8:51
  Speaker 2: it's both the real Deadpool movie, because that's what Deadpool is, right.
• 8:55
  Speaker 2: Deadpool is all this random bag of everything and nothing right.
• 8:59
  Speaker 2: And it could also be a big attesting ground because
• 9:01
  Speaker 2: they were doing shit and saying shit in this movie
• 9:03
  Speaker 2: that they would never do or say. In a quote
• 9:06
  Speaker 2: mainstream Marvel movie m.
• 9:13
  Speaker 1: I was reading this article about Kanye's latest album, Vultures Too,
• 9:17
  Speaker 1: and they were like, this is how he can fix it,
• 9:19
  Speaker 1: you know, And then like, you know, Kanye has been
• 9:25
  Speaker 1: you know, fixing all these albums since you know, the
• 9:28
  Speaker 1: Life of Parablo.
• 9:29
  Speaker 2: She's fixing it over it over, And I'm like, but
• 9:31
  Speaker 2: then all.
• 9:31
  Speaker 1: Those albums since the Life of Poplo have been terrible,
• 9:33
  Speaker 1: like but.
• 9:34
  Speaker 2: That approach is just it's an unfinished product that you're
• 9:37
  Speaker 2: constantly iterating while it's still out. You're not in the sandbox,
• 9:40
  Speaker 2: you're in production. You're literally changing the shit that I'm using.
• 9:44
  Speaker 2: I'm on his website and the fucking pictures are moving
• 9:47
  Speaker 2: as I'm trying to click on them. That's not what's
• 9:49
  Speaker 2: necessarily happening here. This is a mutable space that what's happened,
• 9:54
  Speaker 2: what's happened? And really, I think I have mentioned this
• 9:55
  Speaker 2: why I mentioned to somebody else I said, the movie
• 9:58
  Speaker 2: ended where it started. Yeah, there were no nothing happened
• 10:03
  Speaker 2: at the end of the day. Nothing happened, nothing changed, nothing,
• 10:07
  Speaker 2: everything stayed the same. Nothing was real. The other reason
• 10:11
  Speaker 2: just about me calling it a sandbox area is the
• 10:14
  Speaker 2: fact that they threw in so many different characters and
• 10:20
  Speaker 2: calls and egg Easter eggs and things like that that
• 10:23
  Speaker 2: not only would you not necessarily find in other movies,
• 10:25
  Speaker 2: but they knew that if they threw it in another movies,
• 10:28
  Speaker 2: it would fuck up everything else. There's no way you
• 10:30
  Speaker 2: can put Cassandra Nova in the regular fucking timeline and
• 10:35
  Speaker 2: then show and then show her op in that way
• 10:38
  Speaker 2: and think everything's gonna be good. Like we complain a
• 10:42
  Speaker 2: lot about when they put in overpowered characters but then
• 10:47
  Speaker 2: nerf them. Right, Cassandra is beyond what based on how
• 10:53
  Speaker 2: they portrayed her. Cassandra is beyond a lot of the
• 10:56
  Speaker 2: other different quote villains that you've seen, And it's just
• 10:58
  Speaker 2: like what would stop her, like if you forget Deadpool,
• 11:02
  Speaker 2: what would generally stop her? Right, That's why they came
• 11:04
  Speaker 2: up with this mcguffin with this machine and the machine
• 11:07
  Speaker 2: destroyed because they like they couldn't keep her alive.
• 11:10
  Speaker 1: Yeah, but I had to just argue and say, that's
• 11:13
  Speaker 1: just a waste of Cassandra Nova and the character I'm saying,
• 11:17
  Speaker 1: that's what they did. Yeah, and that's what I'll say.
• 11:19
  Speaker 1: That's why I just I think where it's like, no,
• 11:23
  Speaker 1: you could have had Cassandran Nova in a movie just
• 11:26
  Speaker 1: like you had like one For people who don't know
• 11:28
  Speaker 1: the comics from Santrun, Nova is Professor X's evil twin sister,
• 11:32
  Speaker 1: and she is opied in the comics as well. She's
• 11:36
  Speaker 1: like unnaturally powerful. She just it never even really explained
• 11:40
  Speaker 1: how she does the thing she does. It's just she
• 11:42
  Speaker 1: didn't just do pretty much whatever she needed to do
• 11:45
  Speaker 1: in an instance.
• 11:46
  Speaker 2: And that fits Deadpool like this means anything nothing, see that,
• 11:49
  Speaker 2: That's what I'm saying.
• 11:50
  Speaker 1: But in the comments it wasn't everything and nothing. That's
• 11:52
  Speaker 1: why it's like Cassandra doesn't fit Deadpool. You know, Cassandra
• 11:56
  Speaker 1: fits the X Men and Professor X being there, so
• 11:59
  Speaker 1: there can be this battle and a philosophical thing and
• 12:02
  Speaker 1: it can end in the way that it possibly ended
• 12:04
  Speaker 1: in the comics, where they do use things to defeat
• 12:07
  Speaker 1: her in the comics.
• 12:09
  Speaker 2: Yeah, and the way that they've done the MCU thus far.
• 12:11
  Speaker 2: Do you think she fits.
• 12:13
  Speaker 1: Yeah, it's like the same way that like you you
• 12:16
  Speaker 1: Fanos in with the Infinity on it. She's not Thano's
• 12:19
  Speaker 1: level powerful one. You know, she's powerful up to a
• 12:22
  Speaker 1: range of space. She can't like change the universe like Thanos.
• 12:26
  Speaker 2: But Dano's does that by way of the Stones, not
• 12:28
  Speaker 2: by the way of his.
• 12:29
  Speaker 1: Personal personally can't do that no matter what. So she's
• 12:34
  Speaker 1: not that powerful. She's powerful to Deadpool because he's Deadpool,
• 12:39
  Speaker 1: you know what I mean. But on a scale of
• 12:41
  Speaker 1: fighting the X Men, where a bunch of other will
• 12:43
  Speaker 1: make a level of mutants, it becomes much more of
• 12:45
  Speaker 1: a battle.
• 12:46
  Speaker 2: It could, But I want to make sure we are
• 12:48
  Speaker 2: comparing MCU version of and what these caps have been
• 12:51
  Speaker 2: shown to do versus another MCU, not what they did
• 12:55
  Speaker 2: in comic books.
• 12:55
  Speaker 1: I'm saying what they did in the combook, I'm telling,
• 12:57
  Speaker 1: But what they showed her to do in this is
• 12:59
  Speaker 1: still the same levels of power that she had in
• 13:01
  Speaker 1: the comic books. It wasn't anything different. It was the
• 13:03
  Speaker 1: same things she did, all that crazy shit you see
• 13:06
  Speaker 1: and crazier. She turns Wolverine to nothing at one point, damn,
• 13:11
  Speaker 1: like strips his flesh off him. She forms a suit
• 13:13
  Speaker 1: of mech armor around herself out of thin air. She
• 13:17
  Speaker 1: just keeps doing weird shit, and it was unexplained. It
• 13:20
  Speaker 1: was just like whatever she needed at that moment, she
• 13:22
  Speaker 1: just kept doing. But the X Men do find a
• 13:24
  Speaker 1: way to defeat her. It was like yeah, because it
• 13:27
  Speaker 1: wasn't yeah that if I'm saying, so, why even it
• 13:31
  Speaker 1: becomes this thing. It's like, why put these characters in
• 13:34
  Speaker 1: this if you're just going to waste them, you know,
• 13:36
  Speaker 1: if you're just trying to use it as like oh
• 13:39
  Speaker 1: fuck Cassandronova, you know, and me, honestly, I really don't
• 13:41
  Speaker 1: care either way. Cassandronova isn't that big of a villain
• 13:44
  Speaker 1: where it's like you had to have her, you know,
• 13:46
  Speaker 1: I had to have the art from the comics, It
• 13:48
  Speaker 1: doesn't matter. My problem more with this movie is the
• 13:52
  Speaker 1: fact that it's just you don't have to have a
• 13:55
  Speaker 1: summer movie and not have some sense, you know, not
• 13:58
  Speaker 1: have something taken away from it. Like I felt like
• 14:01
  Speaker 1: the first Step, who has a lot of heart to it,
• 14:03
  Speaker 1: has a lot of things to it that this didn't.
• 14:06
  Speaker 1: It was why I hated the second so much, Like
• 14:09
  Speaker 1: I just vehemently hate the second film because they Fridge
• 14:15
  Speaker 1: Vanessa's character. Yeah yeah, in this one, they don't really
• 14:19
  Speaker 1: have Vanessa, but at least he's searching for her and
• 14:22
  Speaker 1: for that relationship, so I like that. And because they
• 14:24
  Speaker 1: have his buddy buddy romance with Wolverine, it kind of
• 14:27
  Speaker 1: replaces that Vanessa stuff. So that worked for me. But
• 14:31
  Speaker 1: beyond that, nothing was well.
• 14:35
  Speaker 2: Yeah, And my thing is, while it's not the best
• 14:40
  Speaker 2: Depo movie nor the best Marvel movie, like I thought
• 14:43
  Speaker 2: it was good for what it was, and I think
• 14:45
  Speaker 2: that's why I just give it a pass, because it
• 14:48
  Speaker 2: wasn't purporting itself to be anything than what it was,
• 14:50
  Speaker 2: which was literally it was tongue in cheek. Hey this
• 14:54
  Speaker 2: is a mortgage movie.
• 14:56
  Speaker 1: Yeah, but you.
• 14:56
  Speaker 2: Told me what it was in the beginning, so I
• 14:58
  Speaker 2: expected that you would throw anybody in there and it
• 15:01
  Speaker 2: not matter. Like I get trying to respect it and
• 15:04
  Speaker 2: like you said, oh, you're wasting casm, I'm like, is
• 15:06
  Speaker 2: it really a waste that they accomplish what they set
• 15:08
  Speaker 2: out to do?
• 15:09
  Speaker 1: No? But see that's the difference. See, then we're going
• 15:11
  Speaker 1: back to why I said, Uh, there's a famous Michael
• 15:13
  Speaker 1: Kine quote where he talks about Piranha to the movie right,
• 15:17
  Speaker 1: corono two, you already know what we're talking about, you know,
• 15:19
  Speaker 1: And the nigga said, I've never seen it, but I've
• 15:21
  Speaker 1: seen the house that it bought, you know. And so
• 15:24
  Speaker 1: it's like, if you're making Piranha two level of entertainment,
• 15:27
  Speaker 1: then I and that's why I say this is Piranha
• 15:31
  Speaker 1: two level. This ain't even Piranha, which ain't even you know,
• 15:34
  Speaker 1: a high level of entertainment. But this is like, this
• 15:37
  Speaker 1: is just bad, you know, with a bunch of cameos
• 15:41
  Speaker 1: to make it seem like it's something. But it's like,
• 15:44
  Speaker 1: just because it's a summer movie doesn't mean it has
• 15:46
  Speaker 1: to be stupid, and just you know, like that's why
• 15:48
  Speaker 1: my problem with this is just not did.
• 15:50
  Speaker 2: You feel little stupid than I'm trying to also understand
• 15:54
  Speaker 2: your sentiment. It's like in one way, you're just like, okay,
• 15:57
  Speaker 2: some stuff is like don't I don't know if you're
• 15:59
  Speaker 2: saying like overall you just thought it was a bad
• 16:01
  Speaker 2: movie or what.
• 16:02
  Speaker 1: Like I just thought it was not not inconsequential, it's
• 16:05
  Speaker 1: something I saw one it was a commercial for toys.
• 16:09
  Speaker 2: Inconsequential was actually a good part because we literally just
• 16:12
  Speaker 2: said nothing mattered, So that means inconsequential, right.
• 16:15
  Speaker 1: It's a commercial for me to buy some Marvel Legends
• 16:17
  Speaker 1: if I want something. You know, that's my problem, Like
• 16:19
  Speaker 1: it's just it's not a plot. It's not a movie.
• 16:22
  Speaker 1: And then like when you talk about that Sadbot ship,
• 16:26
  Speaker 1: that's where it gets back to the whole multiverse thing, right,
• 16:28
  Speaker 1: and they do all the living life out of the
• 16:30
  Speaker 1: multiverse in the movie, but then they fall prey to
• 16:33
  Speaker 1: the same things about it. So it's just it's one
• 16:36
  Speaker 1: of things like I don't like things like that when
• 16:39
  Speaker 1: you're like talking about something and then you use those
• 16:42
  Speaker 1: same tricks, you know, but it's like because we talked,
• 16:44
  Speaker 1: thought about it, you know, now we can do it. No, no, man,
• 16:47
  Speaker 1: you can't do that. You know.
• 16:48
  Speaker 2: You seem not like that style of comedy too. Like
• 16:50
  Speaker 2: in a way you could say they felt in one way.
• 16:53
  Speaker 2: On one hand, you could say they fell to the
• 16:56
  Speaker 2: to the trap of their own you know, of their
• 16:58
  Speaker 2: own making. But then in another way to say they
• 17:00
  Speaker 2: did it on purpose.
• 17:01
  Speaker 1: They didn't.
• 17:02
  Speaker 2: You just you said they don't. You don't like when
• 17:04
  Speaker 2: people do it on pre because you think they went
• 17:05
  Speaker 2: more clever.
• 17:06
  Speaker 1: They feel like you're not more clever, clever. If you
• 17:08
  Speaker 1: were clever, you would write a better story, You would
• 17:11
  Speaker 1: write a movie that mattered. You can have all these
• 17:14
  Speaker 1: dumb jokes. You can do all I'm trying to think of.
• 17:16
  Speaker 1: I mean, most Marvel movies to fill with dumb jokes,
• 17:19
  Speaker 1: you know, like let's say Iron Man three, my favorite,
• 17:21
  Speaker 1: it's filled with dumb jokes, you know, but it's jot.
• 17:23
  Speaker 1: Hart Tony has an arc, you know, things happen, you know,
• 17:27
  Speaker 1: like Iron Man one, you know, Spider Man. There's arcs,
• 17:30
  Speaker 1: like there is nothing not a character has an arc
• 17:34
  Speaker 1: in this film that's really like.
• 17:36
  Speaker 2: Do you feel like you wasted your time? Like? Yeah,
• 17:38
  Speaker 2: I almost want to understand when I say, yeah, I
• 17:41
  Speaker 2: want to see how do you feel? Because I feel
• 17:42
  Speaker 2: like because they're saying is beyond what a typical movie
• 17:46
  Speaker 2: go over would even contemplate. Like and when I say
• 17:49
  Speaker 2: the things you're saying, I'm talking about, you're talking about
• 17:50
  Speaker 2: the art behind it, and yeah, reason and intention and
• 17:54
  Speaker 2: know a lot of people don't care about that. They
• 17:56
  Speaker 2: just want to go someplace and be entertained for two
• 17:59
  Speaker 2: and a half hour or more.
• 18:00
  Speaker 1: Yeah, twenty five. If you're ever going to go back
• 18:03
  Speaker 1: to it again, that's my thing. Oh, I'm not going
• 18:05
  Speaker 1: back Like, That's what I'm saying this. That's why I
• 18:08
  Speaker 1: say this is Independence Day too, you know, because I
• 18:11
  Speaker 1: could have been entertained by Independence Day too. I'm never
• 18:13
  Speaker 1: going back to it. I don't even think I've seen
• 18:15
  Speaker 1: the whole thing. But you know what I mean, I
• 18:16
  Speaker 1: walked out on it, you know, I walked out.
• 18:19
  Speaker 2: I think I think I got maybe twenty twenty five
• 18:22
  Speaker 2: minutes and I.
• 18:23
  Speaker 1: Said, no, I could have walked out on this, you
• 18:26
  Speaker 1: know what I mean. That's how I pretty much feel
• 18:28
  Speaker 1: like after especially after the Blade, shit, I could have bounced,
• 18:31
  Speaker 1: and I'm like, I would have missed nothing.
• 18:33
  Speaker 2: No, you wouldn't miss nothing.
• 18:33
  Speaker 1: Yet.
• 18:34
  Speaker 2: I mean my thing is just going back to that
• 18:36
  Speaker 2: whole approach of Sandbox and like just literally and making
• 18:40
  Speaker 2: and instead of the the engineer version of Shambox, let's
• 18:44
  Speaker 2: go to the literal version of Sandbox. A kid playing
• 18:47
  Speaker 2: around with a bunch of toys. Yeah, just doing shit. Yeah,
• 18:52
  Speaker 2: video game you And that's okay that you feel that
• 18:55
  Speaker 2: it's insulting, But I mean that's also how this is
• 18:58
  Speaker 2: taken by a lot of fans. Like it's literally, now
• 19:01
  Speaker 2: I get all my favorite toys to just do shit,
• 19:03
  Speaker 2: like all my while there's dreams that were you know,
• 19:06
  Speaker 2: while there's jokes I should say I can do right here,
• 19:09
  Speaker 2: all the ship that they wouldn't say, all the stupid
• 19:11
  Speaker 2: trolley things that happen on on Instagram and Twitter and
• 19:15
  Speaker 2: elsewhere where they talk about, oh Fox should have did this,
• 19:18
  Speaker 2: and all this character that, like literally all of that
• 19:21
  Speaker 2: stuff got thrown into this movie. And that's why, in
• 19:23
  Speaker 2: the literal sense, I could see this being very enjoyable
• 19:27
  Speaker 2: to a lot of people because it's just like all
• 19:29
  Speaker 2: all the all the ship I say online is now
• 19:31
  Speaker 2: they're showing it and they're.
• 19:32
  Speaker 1: Agreeing with me in this I think we're we're missing
• 19:35
  Speaker 1: something here. Is like I'm not saying I didn't enjoy it.
• 19:38
  Speaker 1: You know, I did enjoy it. I was in the theater, laughing,
• 19:40
  Speaker 1: cheering all that. You know, human tortures up. Oh shit, hilarious.
• 19:44
  Speaker 1: You know he start this person in the Boston. That
• 19:46
  Speaker 1: sent great. I just never want to see it again.
• 19:48
  Speaker 2: You know.
• 19:48
  Speaker 1: My favorite part of the film was the ending when
• 19:51
  Speaker 1: they had that end credit sequence where they was showing
• 19:53
  Speaker 1: all that you know, that was emotional.
• 19:55
  Speaker 2: Yeah, that was emotional. When they were showing the old
• 19:57
  Speaker 2: school X Man and yeah.
• 19:58
  Speaker 1: That was emotional. Nothing in this film ever had any emotion,
• 20:01
  Speaker 1: That's what I'm saying. So it's like that's not like
• 20:04
  Speaker 1: that's sad to me, you know, Like that's that's where
• 20:07
  Speaker 1: I get into this, Like, you know, that's content. That's
• 20:11
  Speaker 1: why I get into this bulls Like we're we're like, yeah,
• 20:15
  Speaker 1: and that's a problem, fam Like that's like you know
• 20:18
  Speaker 1: what I mean, Oh my god. You know, it's like
• 20:19
  Speaker 1: we shouldn't have to suffer like this, you know, like
• 20:23
  Speaker 1: you it defin I mean it doesn't have to be
• 20:25
  Speaker 1: like this. You know, you can have a good ass
• 20:29
  Speaker 1: movie that has an arc, has a story, and it
• 20:31
  Speaker 1: can still be inconsequential. It can still mean nothing to
• 20:34
  Speaker 1: the larger Marvel universe. It can still you know, tell
• 20:37
  Speaker 1: a billion jokes, have all the cameos in the world.
• 20:40
  Speaker 1: I mean, No Way Home is a cameo fest. A
• 20:42
  Speaker 1: good example of No Way Home is a cameo fest.
• 20:45
  Speaker 1: And it's still a film.
• 20:48
  Speaker 2: You know, a cameo fest that has cameos.
• 20:53
  Speaker 1: Watch it at home and you'll see what I mean.
• 20:55
  Speaker 1: It stops when these niggas walk into the room, like
• 20:58
  Speaker 1: you know, every Peter Parker. It gives you twenty ten
• 21:01
  Speaker 1: seconds to clap like that's bad. You know, like that's bad.
• 21:05
  Speaker 1: The movie stops so you can clap. You know, it's
• 21:08
  Speaker 1: a cameo fest.
• 21:09
  Speaker 2: It is.
• 21:09
  Speaker 1: It's it's right there with this one. Come on, it's
• 21:12
  Speaker 1: based on Tom Holland and them. You know, all these
• 21:15
  Speaker 1: niggas being around.
• 21:16
  Speaker 2: Say this is with Deadpool, that is I won't say
• 21:19
  Speaker 2: No Way Home or which one or whatever that was
• 21:21
  Speaker 2: is with on a Depp level of camera strangers. I
• 21:26
  Speaker 2: don't know. I wouldn't the reason why I wouldn't say
• 21:28
  Speaker 2: the Spider Man one is because there's actual If you're
• 21:31
  Speaker 2: gonna use your logic, it's actual heart. That's me.
• 21:34
  Speaker 1: No, that's what I said.
• 21:34
  Speaker 2: You know I played on that.
• 21:36
  Speaker 1: See that what I'm saying, you could have a cameo fest,
• 21:38
  Speaker 1: which No Way Home is, and still have heart. That's
• 21:41
  Speaker 1: my difference. So that's just a cameo fest. Think it
• 21:44
  Speaker 1: has Jamie Fox, you know, like it's not everybody, it's
• 21:49
  Speaker 1: a cameo. I forgot about the villains. I'm not even
• 21:52
  Speaker 1: thinking about the villains.
• 21:53
  Speaker 2: The reason why I didn't consider it because it's a
• 21:58
  Speaker 2: lot of people that show up. But it makes necessary.
• 22:01
  Speaker 2: It's really aligned to what's going on the movie versus
• 22:04
  Speaker 2: in Deadpool. Anybody and anything was in that movie.
• 22:07
  Speaker 1: And that's my point. That's all I said. That's all
• 22:11
  Speaker 1: IM said.
• 22:12
  Speaker 2: Like this is like trying to give me an example,
• 22:13
  Speaker 2: and yeah, no, there isn't.
• 22:15
  Speaker 1: That's my example. There's a movie versus a cameo fest.
• 22:19
  Speaker 1: They could have made Spider Man No Way Home into
• 22:21
  Speaker 1: a cameo fest if they had it written a somewhat
• 22:24
  Speaker 1: good story. I don't think Spider Man No Home is
• 22:26
  Speaker 1: the best story, but I think it's at least an arc,
• 22:29
  Speaker 1: you know. I think it's still a story. This is
• 22:31
  Speaker 1: not These niggas didn't give a shit, you know, and
• 22:34
  Speaker 1: that's my problem. And I feel like Brian Reynolds is
• 22:37
  Speaker 1: a very cynical dude at his heart, you know, because
• 22:40
  Speaker 1: he's the type of person will be like, oh, yeah,
• 22:41
  Speaker 1: you know, here you go, now, let me get this billion,
• 22:45
  Speaker 1: you know, Hugh Jackman kind of the same way. Let
• 22:47
  Speaker 1: me show up and do logan light, you know, and
• 22:50
  Speaker 1: get this money.
• 22:51
  Speaker 2: Like but they said as much. And I think that's
• 22:53
  Speaker 2: the only reason why I'm that's so wildly less emotionally
• 22:57
  Speaker 2: invested in it, because like I don't almost I don't
• 23:01
  Speaker 2: find but saying disrespect like those are emotional terms and
• 23:04
  Speaker 2: that's okay. Yeah, I don't disagree with you, just like
• 23:08
  Speaker 2: I'm detached from it because I'm like, y'all told me
• 23:10
  Speaker 2: what it was from the jumpt Yeah.
• 23:11
  Speaker 1: And see, I don't forget people for telling me that
• 23:13
  Speaker 1: you're about to do a magic triate, you know. I
• 23:16
  Speaker 1: don't forget people for telling me you're about to tell joke.
• 23:19
  Speaker 1: You know, if the joke is bad, it's still a
• 23:22
  Speaker 1: bad joke, you know, Like, oh, I'm about to give
• 23:25
  Speaker 1: you a bad movie.
• 23:27
  Speaker 2: Okay, I will give you a thing. I'll give you
• 23:31
  Speaker 2: my view of when it comes to Deadpool, what worked
• 23:34
  Speaker 2: and what didn't because we both agree that it was
• 23:38
  Speaker 2: still an enjoyable movie. But again just varying experience. Okay, yeah,
• 23:45
  Speaker 2: it's an enjoyable rid through the universe. What worked for
• 23:55
  Speaker 2: me was and and this is just me plucking different
• 23:59
  Speaker 2: because it is a content move, a contact film, content experience.
• 24:03
  Speaker 2: I'm not even going to talk about the story. I'm
• 24:04
  Speaker 2: just going to talk about things that happen or things
• 24:06
  Speaker 2: and so all so work work for me. All the
• 24:08
  Speaker 2: different Wolverines I loved seeing I thought that was cool
• 24:11
  Speaker 2: seeing all the different multi verse Wolverines and how each
• 24:15
  Speaker 2: one didn't work out or could have worked out.
• 24:18
  Speaker 1: But you know what I mean, Henry Caville as so distrusting.
• 24:26
  Speaker 2: I love Harry Cavell, so seeing him and anything, I'm
• 24:30
  Speaker 2: just like, I just like seeing him. That worked for me.
• 24:33
  Speaker 1: That was me, say I will what Let's not want
• 24:39
  Speaker 1: to mute love because you know, just for future references,
• 24:43
  Speaker 1: what do you do?
• 24:45
  Speaker 2: All right?
• 24:45
  Speaker 1: Well, the thing that everyone knows is that he dated
• 24:48
  Speaker 1: Jina Corano, and you can take everything that you wanted
• 24:50
  Speaker 1: that and he's British and a white man, and he's
• 24:53
  Speaker 1: a big fan of Warhammer forty thousand, which is the
• 24:55
  Speaker 1: fastest you know, supporting game every and you can, you know,
• 25:01
  Speaker 1: what's the word, extrapolate from that, and that's fine.
• 25:05
  Speaker 2: I still like him as a there we go, there
• 25:07
  Speaker 2: we go still like, Okay.
• 25:09
  Speaker 1: I'm just trying to keep it cool.
• 25:11
  Speaker 2: Things I don't know.
• 25:12
  Speaker 1: Somebody don't.
• 25:13
  Speaker 2: I don't know the man from a Cannabian's okay. I
• 25:17
  Speaker 2: like him as an actor. I enjoy his work, so
• 25:22
  Speaker 2: I like seeing him.
• 25:24
  Speaker 1: I'm surprised he was in this movie, That's all I'll
• 25:26
  Speaker 1: say that it was. It was rare, no, I mean,
• 25:28
  Speaker 1: I was surprised that Marvel put him in this movie.
• 25:31
  Speaker 1: To be surprised, because this nigga is there's a lot.
• 25:35
  Speaker 2: Of niggas like that. But in multiple movies.
• 25:38
  Speaker 1: What do you mean, there's only you know, there's there's levels,
• 25:41
  Speaker 1: you know, like when when people start eating people and
• 25:43
  Speaker 1: things of that nature, they they vanished out of movies,
• 25:45
  Speaker 1: you know. And there's a reason why he stopped being
• 25:50
  Speaker 1: Superman and why he's you know, vanished after that kind
• 25:52
  Speaker 1: of he.
• 25:53
  Speaker 2: Didn't really vanished. He went on to become Garreld, and
• 25:56
  Speaker 2: then that whole situation happened with garyl of Riviera and
• 25:59
  Speaker 2: that wasn't his. That was a disagreement and approach, and man,
• 26:05
  Speaker 2: you know.
• 26:06
  Speaker 1: They also moved on.
• 26:08
  Speaker 2: Okay, what else? What else? Said? What else? Worked with
• 26:14
  Speaker 2: dead Pool? One of the things that matter to me. Yeah,
• 26:17
  Speaker 2: Blade was cool, like obviously seen Wesley's as Wesley snic
• 26:21
  Speaker 2: was real cool. Why are you saying one four because
• 26:23
  Speaker 2: I'm not screaming, Oh my god, I'm crying. I thought
• 26:25
  Speaker 2: it was cool, Like yeah, like that's what worked for me,
• 26:30
  Speaker 2: aout work. I'm gonna let you talk about that. Then,
• 26:33
  Speaker 2: since that mattered, that was a big bulletpoint for you.
• 26:35
  Speaker 2: I thought all that ship was cool for what was
• 26:37
  Speaker 2: a bullet point for me? What was the bullepoint for me,
• 26:40
  Speaker 2: even though it was on the pretense of a joke,
• 26:43
  Speaker 2: was Gambit.
• 26:44
  Speaker 1: Now.
• 26:44
  Speaker 2: The reason why it was a big bulletpoint for me
• 26:46
  Speaker 2: is because Gambit is one of my favorites. He's my
• 26:49
  Speaker 2: top five when it comes to Gests Marvel characters. He's
• 26:51
  Speaker 2: always been since I was a kid. So I was
• 26:55
  Speaker 2: part of that group of people dying, crying, going carrying
• 26:59
  Speaker 2: on for year after year talking about why you not
• 27:01
  Speaker 2: putting Gambit in the X Men films, why you're not
• 27:04
  Speaker 2: putting Gambit anywhere in the film period. A good, good version,
• 27:07
  Speaker 2: excuse me, live action version of Gambit, because.
• 27:11
  Speaker 1: In one of them, right, yeah, he gets killed and
• 27:13
  Speaker 1: he looks.
• 27:14
  Speaker 2: Like fucking clockwork Orange. I'm good.
• 27:17
  Speaker 1: So, oh wait, what's yeah?
• 27:23
  Speaker 2: I wanted to see Gambit okay, for real. So even
• 27:27
  Speaker 2: though again this is wrapped in the pretense of jokes,
• 27:29
  Speaker 2: and I understand that it is also tongue in cheek,
• 27:31
  Speaker 2: I love seeing comic book accurate Gambit. That that did
• 27:35
  Speaker 2: it for me. I love just to even just forget
• 27:36
  Speaker 2: everything else that went along, just the way he looked.
• 27:39
  Speaker 2: I actually liked seeing that finally real life on screen
• 27:42
  Speaker 2: number one, number two. I like seeing because this was
• 27:45
  Speaker 2: his dream, Channing Tatum. This is his dream for ten
• 27:48
  Speaker 2: plus years to be Gambit. Now, whether or not he's
• 27:51
  Speaker 2: actually gonna ever be Gambit ever getting m so you
• 27:53
  Speaker 2: probably never got. But the fact that he got his
• 27:56
  Speaker 2: wish and it actually fucking happened, kudos to you. I'm
• 28:00
  Speaker 2: glad he got to do it again. It was a joke,
• 28:03
  Speaker 2: but I was crying and so happy with how they
• 28:06
  Speaker 2: did the whole thing with an accent, because that was
• 28:09
  Speaker 2: that was real. That was like on some like when
• 28:11
  Speaker 2: even when they made the joke about the dialect coach
• 28:13
  Speaker 2: and stuff like that, I thought that was hilarious because
• 28:16
  Speaker 2: that was actually one of the things that people would
• 28:17
  Speaker 2: always say about Channing. It was like, Channing can't do it,
• 28:19
  Speaker 2: cause Channon would do things like like I think he
• 28:22
  Speaker 2: in back the day, he would do like a couple
• 28:24
  Speaker 2: like doing the voice, and people would talk about how
• 28:27
  Speaker 2: his dialect sucks at trying to do be a Cajun man.
• 28:30
  Speaker 2: And then to kind of bring that to the movie,
• 28:31
  Speaker 2: I thought that shit was great. All the jokes aside,
• 28:36
  Speaker 2: they actually showed his power set very fucking good. And
• 28:40
  Speaker 2: this is why it takes me back to the engineer
• 28:42
  Speaker 2: virgion of why I call this the sandbox. This is
• 28:44
  Speaker 2: they also kind of say, hey, you can if you
• 28:46
  Speaker 2: have if you've been having problems showing how to show
• 28:49
  Speaker 2: how Gamut moves his powers that shit like that, here's
• 28:51
  Speaker 2: an example of how to do it and do it well.
• 28:54
  Speaker 2: All the jokes aside, he actually looked good fucking fighting.
• 28:57
  Speaker 2: He actually looked good with you know, charging up the
• 28:59
  Speaker 2: cards and blow growing up niggas the nigga. Even though
• 29:01
  Speaker 2: it was Deadpool up type violence and it was like cartoonish,
• 29:04
  Speaker 2: he still looked good. Like the effects. Everything looked like, Okay,
• 29:08
  Speaker 2: this could actually go somewhere if y'all took this serious.
• 29:11
  Speaker 2: And that's what for me it was. It was just like,
• 29:13
  Speaker 2: if y'all took this ship seriously, y'all may have something
• 29:16
  Speaker 2: in your hands, but this is Deadpool and this was
• 29:18
  Speaker 2: all a joke anyway.
• 29:22
  Speaker 1: Yeah, I mean I thought he was cool. I don't disagree.
• 29:25
  Speaker 1: I thought, you know, I thought it was great that
• 29:27
  Speaker 1: Channing Franny got to do it. I thought he looked
• 29:30
  Speaker 1: personally just a little weird to me in the suit.
• 29:32
  Speaker 1: I thought the suit looked good. Gig, Yeah, because he's
• 29:35
  Speaker 1: big and Gambit should be slim, you know, And that
• 29:37
  Speaker 1: was my Channing got the brown face, So it just
• 29:41
  Speaker 1: don't work Gambit he's that super slim like, you know,
• 29:44
  Speaker 1: especially in that mask.
• 29:46
  Speaker 2: But again, I know it works in this movie, right.
• 29:49
  Speaker 1: Yeah, No, it works in this movie because everybody look ridiculous,
• 29:51
  Speaker 1: Blade looks ridiculous, or letter look ultra ridiculous. Are old.
• 29:58
  Speaker 2: Because y'all was in fucking Alliance land, right, you wait?
• 30:01
  Speaker 2: So what else worked with this film?
• 30:04
  Speaker 1: I wanted to say, though, I still think that I
• 30:08
  Speaker 1: think that idea that you know this is like that
• 30:11
  Speaker 1: Sandbot's idea is giving it too much pretter Like X
• 30:15
  Speaker 1: ninety sevens right there. We've all seen how to do Gambit.
• 30:18
  Speaker 1: You can it's animation can translate to live action. So
• 30:21
  Speaker 1: it's like, that's that's no excuse for this. It looked good. Yeah,
• 30:24
  Speaker 1: but again it goes back to that give me a
• 30:25
  Speaker 1: movie with it.
• 30:27
  Speaker 2: What else worked well with this movie? I mean those
• 30:34
  Speaker 2: were the I mean, and I don't mean everything else was.
• 30:41
  Speaker 2: I just mean, like the stuff that really stood out
• 30:43
  Speaker 2: to me.
• 30:44
  Speaker 1: I loved Chris Evans as Human Torch.
• 30:48
  Speaker 2: Oh yeah, yeah, Chris was funny.
• 30:50
  Speaker 1: Yeah, because I was hoping for Human Torch and so
• 30:54
  Speaker 1: when he actually turned in Human Torch, I thought that
• 30:56
  Speaker 1: was break because I thought that that fantastic four of
• 30:59
  Speaker 1: those two movies are underrated to me, and I thought
• 31:01
  Speaker 1: he was definitely so great as Human Doors.
• 31:05
  Speaker 2: I love Leslie Elgins in this as as blind Out always.
• 31:09
  Speaker 2: I always liked her and also because she's a you know,
• 31:11
  Speaker 2: she's just she's a more legendary black woman. I just
• 31:14
  Speaker 2: like seeing her in the mix and getting her bag.
• 31:16
  Speaker 1: So I like seeing her doing a commercial. That was
• 31:17
  Speaker 1: what I was very hyped for when I saw her
• 31:19
  Speaker 1: getting a check, like, I.
• 31:20
  Speaker 2: Was like, yes, right, I like seeing Laura. I was
• 31:22
  Speaker 2: seeing X twenty three again. I like seeing the grown
• 31:24
  Speaker 2: up version of her, growing more grown version. I mean
• 31:27
  Speaker 2: not say growing up, but more grown yea. And that
• 31:31
  Speaker 2: idea that you know, all the characters, the general idea
• 31:34
  Speaker 2: that all the characters that am to you abandoned or
• 31:38
  Speaker 2: Fox and all this other stuff, they're just sitting in
• 31:40
  Speaker 2: the fucking void, because that's also what they were saying,
• 31:41
  Speaker 2: Like you know, if you want to get explanation of well,
• 31:44
  Speaker 2: what happened it is and what happened in this version
• 31:45
  Speaker 2: of Quick Silvering, they're in the void or they probably
• 31:48
  Speaker 2: got eight by alife, like you know what I mean,
• 31:50
  Speaker 2: Like at least you give a more canon explanation for
• 31:53
  Speaker 2: what the fuck happened and white people change and so
• 31:55
  Speaker 2: on and so forth besides the multiverse, right, So I
• 31:58
  Speaker 2: like I like that. Other guys, there were things that again,
• 32:03
  Speaker 2: otherwise the movie was fine, but I also think there
• 32:06
  Speaker 2: were stuff that really did not work. For me, and
• 32:09
  Speaker 2: this is just this Deadpool level type humor and stuff
• 32:12
  Speaker 2: like that. I don't like gratuitous like nastiness and gratuitous
• 32:17
  Speaker 2: and I won't say gratuitousvinus. I Watcheddudace Viinus all the time.
• 32:19
  Speaker 2: I don't like gratuitous like disgusting things happening. So there
• 32:24
  Speaker 2: was lots of that ship, you know, the whole the
• 32:25
  Speaker 2: dog looking in the mouth and I'm gonna you know,
• 32:28
  Speaker 2: I'm gonna stab you in the ass, and you know
• 32:31
  Speaker 2: the ass, you know, all the concept references.
• 32:34
  Speaker 1: It just constant what pegging like that. It just like
• 32:38
  Speaker 1: that was great in the first movie when Vanessa peg disassed.
• 32:41
  Speaker 1: I thought that was amazing because it showed, you know,
• 32:43
  Speaker 1: central diversity, a lot of things we don't see on film.
• 32:46
  Speaker 1: But then when you know, the TV rolls up on
• 32:48
  Speaker 1: the me and he was like, all right, let's take
• 32:49
  Speaker 1: it down the hallway because I want to peg you off.
• 32:51
  Speaker 2: It's just like it comes off. And I don't mean
• 32:53
  Speaker 2: to sign sound elitist when I say this, but the
• 32:55
  Speaker 2: consistent low brow humor. It's okay to have lower our
• 32:58
  Speaker 2: humor when done right, because that's what a Deadpool films
• 33:01
  Speaker 2: have done. But it's like it's just you're just doing
• 33:03
  Speaker 2: it for fu's sake.
• 33:04
  Speaker 1: Yeah, you're doing it because you're Marvel now, and so
• 33:06
  Speaker 1: it's like, let's be as extreme as possible and that.
• 33:09
  Speaker 2: Yeah, Like I'm like, Okay, you're not doing it because
• 33:11
  Speaker 2: you have an intention or reason. You're just doing it
• 33:13
  Speaker 2: because you can. I guess. And I wasn't really jacking
• 33:16
  Speaker 2: that I didn't care about the fifty eleven Deadpools. I
• 33:20
  Speaker 2: mean maybe because I go to comic conk have been
• 33:23
  Speaker 2: done better. You have comic cont every year and I
• 33:24
  Speaker 2: literally see that every fucking year in real life. So
• 33:27
  Speaker 2: maybe I just was like, okay, whatever, and yes, it
• 33:29
  Speaker 2: could have been done better.
• 33:30
  Speaker 1: I wish they'd given them all time, you know, like
• 33:32
  Speaker 1: at least just second.
• 33:34
  Speaker 2: Or two main ones time.
• 33:36
  Speaker 1: Yeah, Like you know, like Matthew McConaughey was the cowboy,
• 33:39
  Speaker 1: and I didn't, you know, say it was Yeah, that's
• 33:41
  Speaker 1: what I'm saying, Like there was a bunch of people
• 33:43
  Speaker 1: in those suits. Yeah, but Blake lived whatever she was, Yeah,
• 33:49
  Speaker 1: but Matthew somebody was the little head, you know, like,
• 33:54
  Speaker 1: and they didn't give you enough with them, like I
• 33:56
  Speaker 1: would have, you know, given me a Mathew moment, you know,
• 33:58
  Speaker 1: just a second even ride. Yeah, you know it would
• 34:04
  Speaker 1: have been dumb, but it would have been you know,
• 34:05
  Speaker 1: it would have been perfect for this.
• 34:07
  Speaker 2: Yeah yeah, what did I say? Like he did it
• 34:09
  Speaker 2: in a cowboy accent. That would have been hilarious, right
• 34:12
  Speaker 2: to the stupidity. The the Murderous Gang of dead Pools
• 34:16
  Speaker 2: didn't work for me. I didn't care about that. And
• 34:18
  Speaker 2: and of course just Di died that it wasn't even
• 34:19
  Speaker 2: really a story.
• 34:20
  Speaker 1: It was just I loved what do you call it though,
• 34:23
  Speaker 1: what Gladpool.
• 34:26
  Speaker 2: Happy pool or whatever? Yo?
• 34:28
  Speaker 1: I when when he had shot and he's like, so,
• 34:32
  Speaker 1: when do you regenerate?
• 34:33
  Speaker 2: He's like, what's that?
• 34:39
  Speaker 1: Yeah?
• 34:39
  Speaker 2: Yeah, yeah that was cool. That was fun.
• 34:42
  Speaker 1: That was and then he uses a business child again
• 34:45
  Speaker 1: after that.
• 34:46
  Speaker 2: Yeah, and it's kind of like the movie. It's interesting
• 34:49
  Speaker 2: as I'm thinking about the movie. The other reason why
• 34:52
  Speaker 2: the movie doesn't matter because it canceled itself out. Like
• 34:55
  Speaker 2: for every clever joke in position easter egg, whatever, they
• 35:01
  Speaker 2: came with, its counter its mirror image of stupidity. For
• 35:06
  Speaker 2: every good joke that was a dumb ass, low brow
• 35:08
  Speaker 2: joke that was said fifty times, for every good cameo
• 35:11
  Speaker 2: that actually made sense. There was someone there like why
• 35:13
  Speaker 2: the fuck are you here? Why the is jogging out there?
• 35:16
  Speaker 2: Besides to say he needed his helmet, like what was
• 35:19
  Speaker 2: the point? And then they showed other random like what's
• 35:22
  Speaker 2: in k Kirk Wagner's cousin them the red one? Yeah,
• 35:27
  Speaker 2: like okay, and they didn't even use him like that,
• 35:30
  Speaker 2: like don't put Aziel on the screen and don't really
• 35:34
  Speaker 2: use him like that, like that's the character. Like I
• 35:36
  Speaker 2: want to see what they when they banff and do
• 35:39
  Speaker 2: that shit.
• 35:39
  Speaker 1: Like come on, Like okay, they went up in there.
• 35:44
  Speaker 2: If you wanted to write, and that's what I'm saying,
• 35:46
  Speaker 2: if you wanted to have a clever cameo, put dar
• 35:48
  Speaker 2: on on in that bitch. If you want to talk
• 35:50
  Speaker 2: about Fox, you want to talk about Fix. That means
• 35:53
  Speaker 2: you are listening to us, You're listening to the regular people.
• 35:56
  Speaker 2: That means cause to me, they've pulled a lot of
• 35:58
  Speaker 2: tweets and trolls and that's come from the Internet. So
• 36:01
  Speaker 2: if you know that, that means you are very well
• 36:02
  Speaker 2: versed and very deep into what the internets and streets
• 36:05
  Speaker 2: are saying. So you know about how we feel about
• 36:07
  Speaker 2: all these black people, how we feel about Darwin. You
• 36:10
  Speaker 2: understand it's not a so so that's that's just you
• 36:14
  Speaker 2: just aligning more with my point that it was like
• 36:17
  Speaker 2: for every good point they had, they had counterpoint and
• 36:19
  Speaker 2: to cancel itself out, they balance their own fucking equation
• 36:23
  Speaker 2: and blip themselves out of existence. That's what this movie
• 36:26
  Speaker 2: was to me, because I had a great time and
• 36:29
  Speaker 2: there was stuff I was like, ad whatever, canceled out
• 36:31
  Speaker 2: and I'll never see the film again.
• 36:33
  Speaker 1: Yeah, And that's my feeling, Like that's what I'm saying.
• 36:35
  Speaker 1: I think we both pretty much had the same consensus
• 36:37
  Speaker 1: on the movie. I had a great time. I don't
• 36:39
  Speaker 1: want people to think that because like when I you know,
• 36:41
  Speaker 1: when he pulls Happy Pool up again as a shield,
• 36:44
  Speaker 1: I'm crying. I'm crying, you know, when Johnny Storm gets
• 36:48
  Speaker 1: his skin ripped off him, I'm crying, you know at
• 36:52
  Speaker 1: the whole Blade Blade, And you know, I know it
• 36:55
  Speaker 1: wasn't that bit to you, but it was bigger for
• 36:57
  Speaker 1: me because you know, Blade is one of them definitive films,
• 36:59
  Speaker 1: and Blade is.
• 37:02
  Speaker 2: The father of Marvel Let's of the mc U. It's
• 37:05
  Speaker 2: not that it wasn't a big deal to me. I'm
• 37:06
  Speaker 2: just talking about things that were major highlights. Me. I
• 37:09
  Speaker 2: thought that was great, but I'm not gonna like I
• 37:10
  Speaker 2: wasn't crying screaming.
• 37:11
  Speaker 1: About it, so okay, well yeah, that was the moment
• 37:13
  Speaker 1: for me. And then him turn into the camera and
• 37:15
  Speaker 1: saying there's only one Blade, ain't gonna be no other Blade.
• 37:18
  Speaker 2: Was looking to the camera like and like, I'm looking
• 37:22
  Speaker 2: at your.
• 37:23
  Speaker 1: Yeah it's and it's looking more and more likely because.
• 37:28
  Speaker 2: It is dead. Blade is vaporware. The new Blade movie
• 37:32
  Speaker 2: is vapor where it does not fucking exist and will not.
• 37:34
  Speaker 1: Exist because with Waters. I saw the film before San
• 37:38
  Speaker 1: Diego Comic Con, and then the San Diego Comic Con
• 37:40
  Speaker 1: when they announced the next two years, there's no mention
• 37:43
  Speaker 1: of Blade, and Blade spost be out net year.
• 37:46
  Speaker 2: So it reports every I don't know quarter, so and
• 37:56
  Speaker 2: so dropped out, there's a new there's a new writer,
• 37:59
  Speaker 2: so and so d there's a new director. Like, there's
• 38:02
  Speaker 2: no way, y'all are tech and juggling all of these
• 38:07
  Speaker 2: different important roles and people cast and crew for you
• 38:12
  Speaker 2: to say, oh, it's still coming out. No, it's not happening.
• 38:16
  Speaker 2: It is what it is.
• 38:17
  Speaker 1: The thing is, most films go through this type of thing,
• 38:20
  Speaker 1: you know, or not most, but a lot of them
• 38:22
  Speaker 1: go through no there we go. There's a big difference.
• 38:25
  Speaker 1: But like most films go through, you know, directors hopping
• 38:28
  Speaker 1: on and off well you know, especially in pre production.
• 38:31
  Speaker 1: You know, stars, yeah, niggas, and then you know it's like,
• 38:35
  Speaker 1: you know, nigga's fall in love with the movie, then
• 38:36
  Speaker 1: they fall in love with someone else, you know, and
• 38:38
  Speaker 1: so like they gotta jump on that to like, but publicly, publicly.
• 38:42
  Speaker 2: Is a different story. And that's why I'm like, also,
• 38:44
  Speaker 2: I'm like, it's like self, someone's self sabotaging because somebody
• 38:47
  Speaker 2: just don't want this shit to happen for us to
• 38:49
  Speaker 2: know so much.
• 38:51
  Speaker 1: It's also though that Marvel does so much publicly. That's
• 38:55
  Speaker 1: the that's the difference between them and other studios, Like
• 38:58
  Speaker 1: especially like they've they've change their tone now like at SCCC,
• 39:02
  Speaker 1: they just did the next two years, you know, real tight,
• 39:05
  Speaker 1: but before you knew seven years of their movies. So
• 39:08
  Speaker 1: that's different, you know, like another studio doesn't have that problem.
• 39:11
  Speaker 1: They're not like, you know, four years from now, we
• 39:12
  Speaker 1: got this coming out. Oh fuck, the director changed, you know,
• 39:15
  Speaker 1: Like that was the difference. So Marvel isn't a unique
• 39:19
  Speaker 1: and weird position because of that. So but so Blade
• 39:23
  Speaker 1: could still have it?
• 39:24
  Speaker 2: Do? I think it is doubt? And I think the
• 39:27
  Speaker 2: other reason why I didn't have such a more more
• 39:32
  Speaker 2: outsize reaction to seeing Electra and Blade and all that
• 39:35
  Speaker 2: stuff it was because of the leaks that Ship was
• 39:38
  Speaker 2: because remember I didn't see until like a week. Yeah,
• 39:41
  Speaker 2: damn you were, so even though I didn't, people didn't
• 39:43
  Speaker 2: leak the story because let's fasically there was no story.
• 39:46
  Speaker 2: I saw definitely almost the entire Gambit fight I saw
• 39:51
  Speaker 2: on Twitter.
• 39:52
  Speaker 1: Oh damn. Yeah. See, like I saw a lot.
• 39:55
  Speaker 2: Of stuff, so I knew, but I still felt.
• 39:57
  Speaker 1: You know more, Yeah, because yeah for that, Like me,
• 40:00
  Speaker 1: all of this was hope for me because I didn't
• 40:02
  Speaker 1: know Ship, and so I was hoping for Gambit and
• 40:06
  Speaker 1: I don't I don't even think I was thinking about Blade. Honestly,
• 40:09
  Speaker 1: it wasn't about nobody. I wasn't think abou Blade because
• 40:12
  Speaker 1: I know that behind the scenes and how much Ryan
• 40:14
  Speaker 1: and Wesley did not get along on that film. So Trinity, Yeah,
• 40:19
  Speaker 1: on Trinity, So I did not you know, that was like,
• 40:21
  Speaker 1: ain't no fucking way this dude showing up for this,
• 40:23
  Speaker 1: and I didn't think.
• 40:24
  Speaker 2: You know, Ryan would ask after all these years. I
• 40:26
  Speaker 2: think that's the thing, after all these years, unless Ryan
• 40:29
  Speaker 2: was really in his ass, being like a dick.
• 40:32
  Speaker 1: Ryan was in his ass and Wesley was on his
• 40:34
  Speaker 1: ship because from what I know, Wesley was going around
• 40:37
  Speaker 1: saying til that cracker comes and said, well, I think it's.
• 40:40
  Speaker 2: Also just Wesy. I just think that's his personality, white
• 40:45
  Speaker 2: person the cracker. And also, let's be fucking about it.
• 40:50
  Speaker 2: Let's be real. A bag will change things. I can
• 40:53
  Speaker 2: get along with my worst stop in the world if
• 40:56
  Speaker 2: you're paying me to do it.
• 40:57
  Speaker 1: Yeah, bag need so you know, there we go. Yeah,
• 41:03
  Speaker 1: so I so it being a complete shock for Wedsley
• 41:07
  Speaker 1: Snipes to walk on screen, that's fine for me. Yeah,
• 41:11
  Speaker 1: and then and then and then you knew the blade
• 41:13
  Speaker 1: line too, and like that's a big shot.
• 41:15
  Speaker 2: Now. It was good to make the connection cause I
• 41:17
  Speaker 2: didn't know why they were saying it. So yeah, movie,
• 41:20
  Speaker 2: I was all right, cool, but I knew was there what.
• 41:23
  Speaker 1: I'm saying it was there.
• 41:25
  Speaker 2: I did not know about Electra.
• 41:28
  Speaker 1: I didn't care, not that you.
• 41:29
  Speaker 2: I didn't was caring.
• 41:31
  Speaker 1: I know, I'm to tell you, like for me me
• 41:35
  Speaker 1: not knowing in her and her walking on screen.
• 41:37
  Speaker 2: I was like, I was like, cool, know how to
• 41:39
  Speaker 2: swing before? Yeah?
• 41:41
  Speaker 1: Not really, but you know really but who was the way?
• 41:47
  Speaker 1: There was one? Okay I wanted up with.
• 41:49
  Speaker 2: The reaction was twenty three? I really happy to see
• 41:51
  Speaker 2: come on, I was really excited me to see her.
• 41:54
  Speaker 1: You already know how I feel about my you know,
• 41:56
  Speaker 1: like Daphney Kane is like, you know, protect with my Yeah,
• 42:02
  Speaker 1: like I protect her. You know, that's Jackie, that's Laura.
• 42:06
  Speaker 1: That's what's.
• 42:08
  Speaker 2: The thing the movie you keep talking about? Yeah?
• 42:10
  Speaker 1: What God? How can I remember her name? And the
• 42:13
  Speaker 1: philm because it's a little way how he says it
• 42:15
  Speaker 1: all I can't remember. But yeah, that's my girl for life.
• 42:20
  Speaker 2: Yeah.
• 42:20
  Speaker 1: I love her in every role she's ever done. I've
• 42:22
  Speaker 1: always loved her.
• 42:23
  Speaker 2: Did you like, oh, what's the face from Loki? Uh?
• 42:27
  Speaker 2: Go ahead?
• 42:28
  Speaker 1: No, go ahead.
• 42:30
  Speaker 2: I'm happy that you care about right. I thought it
• 42:33
  Speaker 2: was again strange placement, but I'm like, fuck it, you
• 42:36
  Speaker 2: got some money, get a bag, black woman getting money? Great,
• 42:39
  Speaker 2: go ahead, strange.
• 42:40
  Speaker 1: This is my question. What was the reaction to Wolverine
• 42:44
  Speaker 1: putting on the mask in your theater? Because mine was
• 42:46
  Speaker 1: that was the first time I was trying to like
• 42:48
  Speaker 1: m it wasn't the full on rad.
• 42:52
  Speaker 2: I'll answer that question, and I will also add on
• 42:54
  Speaker 2: another like comment to it. So there wasn't really a
• 42:58
  Speaker 2: reaction at all. And again remember I was there with
• 43:00
  Speaker 2: regular deggers. I went and like o'clock in the afternoon,
• 43:03
  Speaker 2: regular deg There's probably people with exception, maybe the younger ones,
• 43:06
  Speaker 2: people who don't care about Marvel comics or really all
• 43:09
  Speaker 2: the films like that. It just went along because it
• 43:12
  Speaker 2: is what it is. So it wasn't much a reaction.
• 43:14
  Speaker 2: Like if there was, it was like two people, right,
• 43:16
  Speaker 2: it was a full theater. But when I said reaction,
• 43:19
  Speaker 2: I mean like audible someone's like gas being screaming and
• 43:23
  Speaker 2: all going carrying on. None of that happened. That's that
• 43:26
  Speaker 2: what happened to yours?
• 43:28
  Speaker 1: No that, And I think you just you explained it
• 43:30
  Speaker 1: so perfectly, because that's a moment that only fucking matters
• 43:33
  Speaker 1: to nerds, you know, because like the majority of people
• 43:36
  Speaker 1: have never given a shit that he hasn't worn this
• 43:38
  Speaker 1: yellow and blue costume in the movies. Most people do
• 43:41
  Speaker 1: not care that that is only like my favorite moment
• 43:44
  Speaker 1: for the whole thing was seeing the burn costume, you know,
• 43:47
  Speaker 1: the brown yellow, because that's like Wolverene yellow and blue
• 43:50
  Speaker 1: is always like some goofy shit.
• 43:51
  Speaker 2: It's funny that you said nerds because when he put up,
• 43:54
  Speaker 2: when I saw the cost and I was like, oh
• 43:56
  Speaker 2: I did, I just said, I said it quietly to myself,
• 43:58
  Speaker 2: I said, like it matters. I'm a Nerds, so it
• 44:03
  Speaker 2: matters to me.
• 44:04
  Speaker 1: Yeah. Well, like and like every other moment in my
• 44:07
  Speaker 1: theater was a stream, you know, like every different Wolverine
• 44:10
  Speaker 1: multi verse, you know, people screaming, streaming brown suit, screaming apocalypse,
• 44:14
  Speaker 1: age of apocalypse friends.
• 44:18
  Speaker 2: Their critics were fan critics and that.
• 44:20
  Speaker 1: But then that was the funny thing. When you put
• 44:21
  Speaker 1: on the mask, it was like, well, and that.
• 44:25
  Speaker 2: That leads me to the comment that I wanted to say,
• 44:28
  Speaker 2: At least I want to say, I thought the construction
• 44:31
  Speaker 2: of that mass and consme was a little off to
• 44:34
  Speaker 2: the more Hawkman than proportion. I don't know what. It
• 44:43
  Speaker 2: wasn't big enough or with angle was weird. It was
• 44:47
  Speaker 2: giving Hawkman and it was giving. It wasn't giving what
• 44:54
  Speaker 2: I know from X Men, the animated series, like you
• 44:56
  Speaker 2: know what, it wasn't maybe the it wasn't enough curve, I.
• 45:00
  Speaker 1: Think because they're larger. You know, I'm especially in the comments,
• 45:03
  Speaker 1: they always be drawing them, you know, outrageous.
• 45:05
  Speaker 2: It gave it gave speed skater fit with wings, That's
• 45:08
  Speaker 2: what I got. So I was like, oh, even on.
• 45:11
  Speaker 2: But then when I was looking at I was like, huh,
• 45:13
  Speaker 2: that looks kind of funny. Yeah, kind of weird. It
• 45:16
  Speaker 2: wasn't it, and it wasn't horrible, but I was just like,
• 45:18
  Speaker 2: this don't look quite right.
• 45:20
  Speaker 1: No, it's that first iteration, like most of the constants,
• 45:23
  Speaker 1: the first time they do it, it's like, ah, okay,
• 45:26
  Speaker 1: I see what you were trying to do. Yeah, but
• 45:29
  Speaker 1: this don't really work as well as you thought it did.
• 45:31
  Speaker 1: Like that's the thing because when you make the match,
• 45:33
  Speaker 1: you're like okay, and then you put on screen to
• 45:34
  Speaker 1: start shooting from different angles and it's like, damn, we
• 45:37
  Speaker 1: could have done this, we could have done that, and
• 45:38
  Speaker 1: so you know, I'll forget them for that. But that
• 45:40
  Speaker 1: was like the one reaction. And I think also the
• 45:43
  Speaker 1: eyes being wided out throws.
• 45:45
  Speaker 2: It off a bit, But the eyes being whited out
• 45:48
  Speaker 2: was because.
• 45:48
  Speaker 1: It was weird because you're used to see huge eyeshole
• 45:51
  Speaker 1: movie and then suddenly this doesn't seem.
• 45:54
  Speaker 2: Eyes And that's a big that was jarring. That was
• 45:57
  Speaker 2: jarring on a Canny Valley type shit because it was
• 45:59
  Speaker 2: just who is that now, like even tho, it's the
• 46:02
  Speaker 2: same guy. It was on some Clark Kent shit, like well,
• 46:04
  Speaker 2: who the fuck is that?
• 46:05
  Speaker 1: Right?
• 46:05
  Speaker 2: Like he just wanted some glasses and right, right, But
• 46:09
  Speaker 2: but no, I'm happy you mentioned that. I did find
• 46:12
  Speaker 2: that on top of this shaping and all that stuff,
• 46:14
  Speaker 2: I did find the white out eyes weird in the
• 46:17
  Speaker 2: comments in the in the cartoon, yes, but we've never
• 46:20
  Speaker 2: seen that. So to see that and then juxtaposed next
• 46:23
  Speaker 2: to Deadpool's white eyes, and I'm like, you pupilist fucks
• 46:26
  Speaker 2: are just suck at each other.
• 46:27
  Speaker 1: It was, and it's like anybody. And then it's like
• 46:32
  Speaker 1: we're used to I'm trying to think what heroes in
• 46:34
  Speaker 1: the MCU where Captain America, you know, Captain America has
• 46:38
  Speaker 1: a mask and you see his eyes, so it's like,
• 46:41
  Speaker 1: why would I not see Wolverine's eyes? Me?
• 46:43
  Speaker 2: Right, So it's giving weird, but I just gave it
• 46:47
  Speaker 2: a pass. I was, like anything else in this film,
• 46:49
  Speaker 2: like whatever it is, what it is.
• 46:51
  Speaker 1: The second time I saw it, I had to say,
• 46:52
  Speaker 1: it didn't bug me as much. So it's like, I
• 46:54
  Speaker 1: think it's the first time. It's like, what the.
• 46:58
  Speaker 2: What it's jarring.
• 47:00
  Speaker 1: Yeah. So, like we said, I think that's pretty much
• 47:05
  Speaker 1: all we can say about this job.
• 47:06
  Speaker 2: You know, is there is there like nobody else nothing.
• 47:09
  Speaker 2: You already said it earlier about that the first set
• 47:12
  Speaker 2: of mid credit cambios, not cameos, but seen where they
• 47:15
  Speaker 2: were shown all the old reels. I love them behind
• 47:19
  Speaker 2: the scenes, I will say that I love and I
• 47:21
  Speaker 2: kept and the first thing I said was, oh my god,
• 47:22
  Speaker 2: they're so young, like when you saw young young Hugh Jackman,
• 47:26
  Speaker 2: like you see like these these people were technically babies
• 47:28
  Speaker 2: when all this stuff was just come ahead and going together.
• 47:31
  Speaker 2: So I thought that was nice, that was sentimental. I
• 47:34
  Speaker 2: was like, oh it was worth the way.
• 47:36
  Speaker 1: Yeah, that was great. Yeah.
• 47:40
  Speaker 2: I knew about the jabs of twenty century Fox. It
• 47:43
  Speaker 2: was just like, hm, it was like I expected a lot,
• 47:47
  Speaker 2: and perhaps that's why I feel it. I already expected this,
• 47:50
  Speaker 2: and for me, all.
• 47:51
  Speaker 1: Those jabs like that's that's that whole thing. It's like
• 47:53
  Speaker 1: when people talk about, oh, what they couldn't put him
• 47:56
  Speaker 1: in the suit. No, nigga, they couldn't put him in
• 47:58
  Speaker 1: the suit back then because nobody would have balled this ship.
• 48:00
  Speaker 2: You know.
• 48:00
  Speaker 1: It's like it takes time, It takes you know, things,
• 48:03
  Speaker 1: and maybe they could have.
• 48:05
  Speaker 2: Why do you think they were all black because they
• 48:07
  Speaker 2: thought the suit's comic scoop suits looks stupid. I'm talking
• 48:11
  Speaker 2: about like the old X Men film they put him
• 48:13
  Speaker 2: in black fucking leather. Now I forgot which film it
• 48:16
  Speaker 2: was where they made a joke like what do you
• 48:17
  Speaker 2: think you're gonna I would wear black leather? Like yeah,
• 48:20
  Speaker 2: like cause you know what I mean.
• 48:21
  Speaker 1: Like it's they were coming off the Matrix, which made
• 48:23
  Speaker 1: all the money, so he has a different time. It's
• 48:26
  Speaker 1: like I get it, And who cares? Those movies are
• 48:28
  Speaker 1: still pretty good, you know, or they're pretty bad. It
• 48:31
  Speaker 1: ain't the suits that changes that, you know that.
• 48:33
  Speaker 2: I'm like, how the fuck he reminds me of Christen Cole?
• 48:36
  Speaker 2: How the fuck does he make every fucking movie Toad
• 48:40
  Speaker 2: Toad will not fucking die.
• 48:42
  Speaker 1: And I don't think either.
• 48:44
  Speaker 2: I don't care.
• 48:45
  Speaker 1: What is that him?
• 48:47
  Speaker 2: Him as a character, He's always around, He's been in
• 48:51
  Speaker 2: the old Ass Different Man or not. He's been in
• 48:54
  Speaker 2: the Old Ass's Men movies. He gets in the Middle
• 48:56
  Speaker 2: RANGEX movie and now here he is again.
• 48:58
  Speaker 1: Yeah, Niggas loved him and told I think it's that
• 49:03
  Speaker 1: distrustingness of it that people like, you know whatever.
• 49:07
  Speaker 2: Uh oh, seeing Negasna teenage warhead, I just like.
• 49:11
  Speaker 1: Her or them, I mean, yeah, but see that that
• 49:13
  Speaker 1: goes back to my like, God, damn, y'all played, Yeah,
• 49:18
  Speaker 1: you can't show me Vanessa and negasnic and give them
• 49:20
  Speaker 1: one line and my man, don't even Louis can't even speak.
• 49:25
  Speaker 2: But man, I was crying laughing because when I seen
• 49:28
  Speaker 2: him and I saw that red wiggy out on, I said, Rufio.
• 49:32
  Speaker 1: Don't get you dressed this zigg up looking like an idiot,
• 49:36
  Speaker 1: and you don't even let him talk.
• 49:39
  Speaker 2: I did the Leo DiCaprio on me. I said, that's
• 49:41
  Speaker 2: Lewis laughing.
• 49:43
  Speaker 1: You're disuspect, yo. They killed him off in the last
• 49:46
  Speaker 1: film and then bring him back and don't even let
• 49:49
  Speaker 1: him speak.
• 49:50
  Speaker 2: We also many years ago, we were not many, but
• 49:53
  Speaker 2: years ago we interviewed Lewis tan So make sure y'all
• 49:56
  Speaker 2: look for that. But you got to see.
• 49:58
  Speaker 1: Colossus, all this excitment. Yeah, I know, that the all right,
• 50:05
  Speaker 1: we're done here? Could that all this is just making
• 50:07
  Speaker 1: me more disgusting because the fact that you showed me
• 50:10
  Speaker 1: Vanessa and Negasna, two of my favorite people from these films,
• 50:13
  Speaker 1: and gave me nothing with them, was you know, completely disrespect.
• 50:18
  Speaker 1: Goes back to the first one, doesn't She was in
• 50:21
  Speaker 1: the second You mean I thought she was in the
• 50:24
  Speaker 1: first one. Yeah, because that when they couldn't afford nobody,
• 50:28
  Speaker 1: because that's what he made the joke, like, that's why
• 50:30
  Speaker 1: she's in it, because they the very first one. Yeah,
• 50:33
  Speaker 1: that's how far she goes back. Yeah, because in the
• 50:35
  Speaker 1: second one, it's all cable. Remember they eliminated about everybody
• 50:39
  Speaker 1: from the first one, So it's the first one lossus
• 50:41
  Speaker 1: and her.
• 50:41
  Speaker 2: You're right, because they were talking about SuperH and all
• 50:44
  Speaker 2: this stuff. Yeah, and that's yukioh. She's with Nega Sonic,
• 50:47
  Speaker 2: with Yukio. Ye yeah, Yukio Okay, overall.
• 50:53
  Speaker 1: How that's Yukio in the you know in the comics
• 50:56
  Speaker 1: Yukio dates Storm.
• 50:58
  Speaker 2: Oh but well in the in the first in the
• 51:00
  Speaker 2: movie where Nigga Sonic first showed up, she was with Yukio.
• 51:02
  Speaker 1: Yeah. I didn't realize that was Yukia. You know, I
• 51:05
  Speaker 1: didn't realize they used that name, like because you Kiel
• 51:07
  Speaker 1: is much older. In the comments, she's a wild Japanese girl.
• 51:10
  Speaker 1: But she's the one who turns Storm out basically like
• 51:13
  Speaker 1: Storm meets her and then comes back with the mohawk.
• 51:15
  Speaker 2: And I see that she was in the in the
• 51:17
  Speaker 2: Wolverine movies. Again, I don't know if that's the same
• 51:20
  Speaker 2: person but this time around or the same character even,
• 51:23
  Speaker 2: but with.
• 51:24
  Speaker 1: Her it's in the first end those movies.
• 51:26
  Speaker 2: Yeah she is, but I don't know if that's her
• 51:28
  Speaker 2: the same person now.
• 51:30
  Speaker 1: So why the focused? When when did she meet Nega Sonic?
• 51:33
  Speaker 2: I know, I don't know. I'm just wait a minute,
• 51:40
  Speaker 2: I don't know because she was in.
• 51:42
  Speaker 1: Japan in the w all right, whatever? Cool they dating
• 51:49
  Speaker 1: now it's like Black Panther and Storm, like you know,
• 51:52
  Speaker 1: Japanese characters together.
• 51:53
  Speaker 3: You know, I really want to know now the first
• 51:58
  Speaker 3: one because she was in the second one, because yu
• 52:02
  Speaker 3: Kio is the woman who tells Wolverine that he's gonna
• 52:04
  Speaker 3: die with her heart.
• 52:06
  Speaker 1: Oh, you're right, with her heart in her hand, with
• 52:09
  Speaker 1: his heart in her hand, in his hands. He's the one.
• 52:12
  Speaker 1: She's the one who says that great line that eventually
• 52:14
  Speaker 1: when he dies holding Laura, you know, he's holding his
• 52:17
  Speaker 1: heart in his hands.
• 52:18
  Speaker 2: Yeah, so yeah, when the fuck do they meet? I
• 52:23
  Speaker 2: could again, I could be she was. She was there
• 52:26
  Speaker 2: in the first film, in.
• 52:28
  Speaker 1: The first Deadpool or in the first wolverne.
• 52:30
  Speaker 2: Deadpool, Deadpool, My woe. I'm looking at her standing right
• 52:35
  Speaker 2: next to Nega Sonic. Well it's the first or second.
• 52:37
  Speaker 2: I don't fucking know. My point is u Kyo is
• 52:39
  Speaker 2: standing next to Nega Sonics and that's not this rule movie.
• 52:43
  Speaker 2: And I don't know again, I don't know who this
• 52:46
  Speaker 2: other little girl is in Wolverine in this let me
• 52:50
  Speaker 2: get me back, because you're confusing the latest one that
• 52:54
  Speaker 2: we just saw a few days ago. I don't know
• 52:57
  Speaker 2: who that little girl is. I she was?
• 53:00
  Speaker 1: Oh so we're not even sure that was you Kio
• 53:03
  Speaker 1: in that scene. We're not sure, Okay, but you Kio
• 53:07
  Speaker 1: was in the first Dead Wool correct, All right? Who cares?
• 53:16
  Speaker 2: Okay?
• 53:16
  Speaker 1: Ben?
• 53:16
  Speaker 2: So what do you rate this?
• 53:18
  Speaker 1: Oh? God, I can't What do you raise this?
• 53:21
  Speaker 2: Let's get a letter grade?
• 53:23
  Speaker 1: Mm hmm.
• 53:24
  Speaker 2: Deadpool and Wolverine?
• 53:25
  Speaker 1: Is this?
• 53:26
  Speaker 2: Is this what we're calling this?
• 53:28
  Speaker 1: Yeah? Deadpool versus Deadpool Tomatoes. Is what do we do
• 53:32
  Speaker 1: on rotten tomatoes? Since we are now officially rotten tomatoes,
• 53:35
  Speaker 1: we are.
• 53:36
  Speaker 2: Rotten tomatoes approves?
• 53:38
  Speaker 1: What they go five or no?
• 53:40
  Speaker 2: It's it's really just do you give it a splat?
• 53:42
  Speaker 2: Do you give it a tomato splat? Means you fucking
• 53:44
  Speaker 2: hated it? Uh? Tomato? Is it was fresh? That's what
• 53:48
  Speaker 2: it is. But then you you it's really just yes
• 53:51
  Speaker 2: or no. But then you flesh it out with your explanation, right,
• 53:54
  Speaker 2: because you can get somebody tomato. But then be like,
• 53:56
  Speaker 2: well there's some things I didn't really fuck with and
• 53:58
  Speaker 2: that's why why Wow, Okay, that's I want to do
• 54:01
  Speaker 2: letter grades to give us some nuance.
• 54:03
  Speaker 1: Let me give us some nuance and say it's a
• 54:05
  Speaker 1: C plus B minus.
• 54:10
  Speaker 2: Speaking of rotten tomatoes plus for a summer, speaking of
• 54:13
  Speaker 2: rotten tomatoes. It has a seventy nine percent critic review
• 54:16
  Speaker 2: and a ninety six percent audience review.
• 54:19
  Speaker 1: I believe that, yeah, I'd say about saying nine percent
• 54:23
  Speaker 1: C plus Yep.
• 54:26
  Speaker 2: Yeah again, whether or not I'm giving them too much credit,
• 54:32
  Speaker 2: I still think it was a good experiment place to
• 54:35
  Speaker 2: experiment things, but it also was not a true film,
• 54:39
  Speaker 2: it was it was a TikTok. So it's like it's
• 54:46
  Speaker 2: a TikTok. And from that, I think it's anywhere between
• 54:53
  Speaker 2: a C plus and a B minus, depending on if
• 54:57
  Speaker 2: you're talking about the first half of the Last Time
• 54:58
  Speaker 2: of the film, because that's one thing I forgot to say.
• 55:00
  Speaker 2: I did fall asleep at one point.
• 55:02
  Speaker 1: Oh God, damn you.
• 55:04
  Speaker 2: And you know when I fell asleep? You know when
• 55:06
  Speaker 2: I fell asleep? God do you know when I fell asleep?
• 55:09
  Speaker 2: And when I fell asleep, I don't mean like all
• 55:11
  Speaker 2: the way asleep. I met like and you were doing
• 55:13
  Speaker 2: them like and it was brief because the whole film
• 55:18
  Speaker 2: when Wolverine was talking to Laura, I dozed to Laura.
• 55:22
  Speaker 1: Yeah, when they when they did like you camp fire, Yeah,
• 55:25
  Speaker 1: I would have fellow sleep at that bullshit.
• 55:27
  Speaker 2: Because it was just like stop happening, stop happening talking
• 55:30
  Speaker 2: and this this like forced trying to be emotional interaction,
• 55:36
  Speaker 2: you know, more bullshit. So I was just like, I
• 55:38
  Speaker 2: literally just started dozing because I was like, this is boring.
• 55:41
  Speaker 1: But uh.
• 55:44
  Speaker 2: I did that, oh ship in the movie. But yeah,
• 55:48
  Speaker 2: I give it. I would give it.
• 55:49
  Speaker 1: Set now you can't even be plus if if it
• 55:52
  Speaker 1: if it, if it dozed you, you gotta keep and
• 55:55
  Speaker 1: then it does me.
• 55:55
  Speaker 2: It was literally that one minute Sceneedlus plus. Yeah, what
• 56:03
  Speaker 2: I recommend it if if you want to watch them
• 56:05
  Speaker 2: ship that has no bearing on the rest of the
• 56:07
  Speaker 2: MCU have a blast if you want to go there
• 56:11
  Speaker 2: and like have something smart and something that gives you
• 56:16
  Speaker 2: pause and thought and things like that. This is not
• 56:18
  Speaker 2: the film for you.
• 56:19
  Speaker 1: No what I recommend it. I would say, out of
• 56:22
  Speaker 1: every summer movie I've seen this year, it's still the
• 56:26
  Speaker 1: probably lowest on my Listen. I haven't seen Twisters, and
• 56:29
  Speaker 1: I feel like Twisters would be a better U see
• 56:30
  Speaker 1: your tongue.
• 56:31
  Speaker 2: Oh damn.
• 56:32
  Speaker 1: I mean I think Twisters is probably entertaining, you know
• 56:35
  Speaker 1: what I mean.
• 56:35
  Speaker 2: You haven't even seen it yet, and it could be
• 56:37
  Speaker 2: something they could be on their bullshit like Independent Day too.
• 56:40
  Speaker 2: We don't know this yet. Ain't nothing touching. You are
• 56:42
  Speaker 2: not touching the ham of the garment of Twister. We're
• 56:45
  Speaker 2: not doing that, not yet. I know.
• 56:47
  Speaker 1: No, You're not. Twisted is great, but you know, like
• 56:50
  Speaker 1: Furiosa is definitely you know leagues, but is Ship.
• 56:52
  Speaker 2: You know, so you can't even compare. You can't compare
• 56:56
  Speaker 2: that that's s a T level words versus.
• 57:00
  Speaker 1: You know, elementary ab I think that's our view of
• 57:06
  Speaker 1: Deadpool and Wolverine. Thank you as always to everybody listening
• 57:10
  Speaker 1: out there. Make sure you're following us on all those
• 57:13
  Speaker 1: various social media's. I'm at DJ Ben, I mean that's
• 57:15
  Speaker 1: Tatana King. You can follow at for All Nerds on
• 57:19
  Speaker 1: athing out there. You can also hit us up on
• 57:22
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• 57:27
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• 57:29
  Speaker 1: some new patrons lately. Thank you to everybody who's been
• 57:32
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• 57:35
  Speaker 1: they used to say, a cup of coffee a day
• 57:37
  Speaker 1: will help the four All Nerds mission. So you know
• 57:39
  Speaker 1: what I mean, head over to Patreon dots. Look, I
• 57:44
  Speaker 1: ain't got it, you know. I mean, I know I
• 57:48
  Speaker 1: got a book coming out, but them checks is gone. Yeah.
• 57:53
  Speaker 1: On that note though, you know, as you see by
• 57:55
  Speaker 1: my beautiful T shirt and behind me, pick this up
• 58:00
  Speaker 1: it up so you can see it right here in
• 58:02
  Speaker 1: stores in comic bookstores nets week allegedly, but I don't
• 58:08
  Speaker 1: know anymore. This is all this whole publishing, you know,
• 58:11
  Speaker 1: having a book published for me is all brand new
• 58:14
  Speaker 1: to me and I really don't understand how it works,
• 58:16
  Speaker 1: but allegedly right now, we're recording this on August seventh,
• 58:20
  Speaker 1: and from what I understand, August fourteenth. If you pre
• 58:23
  Speaker 1: order from a comic book shop, it will be in
• 58:25
  Speaker 1: shops August fourteenth, so you can head out there next
• 58:29
  Speaker 1: week and get your copy. If you ordered from like
• 58:33
  Speaker 1: Amazon or a big bookstore, the big real you know,
• 58:37
  Speaker 1: like grand release date, it's still August twenty seventh. We're
• 58:40
  Speaker 1: still doing a signing and anyone comments the night of
• 58:43
  Speaker 1: August twenty seventh is gonna be lit. Titanna gonna be there,
• 58:47
  Speaker 1: all kind of motherfucker's gonna be there. I mean, the
• 58:49
  Speaker 1: list is growing every day. It's gonna be popping. So
• 58:52
  Speaker 1: August twenty seventh, come out and celebrated. Anyone comments with me,
• 58:56
  Speaker 1: I've got a copy in my hands. It's absolutely beautiful.
• 58:59
  Speaker 1: Shout out to BJ at Comics or Dope. I did
• 59:03
  Speaker 1: an interview with them last night. They loved that they
• 59:05
  Speaker 1: were one of the first people to read it, and
• 59:06
  Speaker 1: they were really praising it. So I'm really high and
• 59:09
  Speaker 1: really happy that people are getting it. Hardcovers went out
• 59:12
  Speaker 1: to review people now, So if you would like to
• 59:15
  Speaker 1: review it, hit me up and I'll see what I
• 59:17
  Speaker 1: can do about getting you a copy.
• 59:18
  Speaker 2: Nice.
• 59:20
  Speaker 1: Yeah, it's about it.
• 59:21
  Speaker 2: Yeah, make sure you're subscribed following us on all the
• 59:25
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• 59:29
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• 59:31
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• 59:40
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• 59:43
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• 59:45
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• 59:47
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• 59:49
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• 59:54
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• 59:56
  Speaker 2: something stupid, but but we do encourage the discourse, especially
• 1:00:02
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• 1:00:05
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• 1:00:07
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• 1:00:09
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• 1:00:15
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• 1:00:18
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• 1:00:23
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• 1:00:26
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• 1:00:28
  Speaker 2: the button. We need the play we need the views.
• 1:00:31
  Speaker 2: We appreciate you, so, thank you, everybody. This has been
• 1:00:34
  Speaker 2: a review of Deadpool and Wolverine Deuces.
• 1:00:39
  Speaker 1: Just like Wolverine told Deadwood end of that problem. Won't
• 1:00:42
  Speaker 1: see me again, and so Sa