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RECALL Act 3 · Table Read

• 0:04
  Speaker 1: The weapons kept moving. Slouch and Bebop made contact in
• 0:07
  Speaker 1: the Everglades, Cia. They have pigs they're going in. Sally
• 0:14
  Speaker 1: Barnes came home to watch her father die, but she
• 0:17
  Speaker 1: found Leshinsky first. They sailed to cat and Kidd's Island,
• 0:22
  Speaker 1: stayed at night while the Colonel took his last breath
• 0:24
  Speaker 1: from the mainland. Now he's buried, Sally's gone, Patterson signed
• 0:30
  Speaker 1: papers he never wanted to sign, and the razor fiend
• 0:34
  Speaker 1: Crow the barber finally showed his hand. Lindquish shot him.
• 0:39
  Speaker 1: Now Slouch and Bebopper shipping out for Cuba, and whatever's
• 0:43
  Speaker 1: left of this place won't survive the summer. In Timmy
• 0:48
  Speaker 1: or Patterson's hot evening, the Commander is asleep in his
• 0:51
  Speaker 1: bump while the radio plays. A lion sleeps tonight. Through
• 0:55
  Speaker 1: the window, we see Sally and the Shinsky untying a
• 0:57
  Speaker 1: boat and pushing it off into the lagoon. Cut to
• 1:02
  Speaker 1: exterior Biscayne Bay afternoon. Sally and Li Shinske hoist the
• 1:06
  Speaker 1: sail and head off toward Captain Kids Island. Cut to
• 1:10
  Speaker 1: exterior Captain Kid's Island late afternoon. Sally is digging in
• 1:14
  Speaker 1: the sand under a palm tree. Leshinsky sits and watches
• 1:17
  Speaker 1: her my California.
• 1:20
  Speaker 2: I want to go to UCLA, study poly Side, Barry
• 1:23
  Speaker 2: Troy Donahue.
• 1:24
  Speaker 3: I don't know.
• 1:25
  Speaker 2: I need to get as far away from this graveyard
• 1:27
  Speaker 2: as possible.
• 1:29
  Speaker 1: It's not just a graveyard.
• 1:30
  Speaker 4: Look around you.
• 1:31
  Speaker 3: This is where everybody comes to die.
• 1:32
  Speaker 2: Or haven't you noticed Miami Beach the last sunset.
• 1:38
  Speaker 3: Your dad's pretty sick, Yeah, yeah, pretty sick.
• 1:46
  Speaker 1: What's gonna happen here? If you you.
• 1:49
  Speaker 2: Know, well, if he you know, it's not my department.
• 1:55
  Speaker 2: If I was you, I think about jumping Chip real soon.
• 1:59
  Speaker 2: You could come with me to California. You could marry
• 2:01
  Speaker 2: Sandra d but you'd have to change that bow hunk
• 2:04
  Speaker 2: name of yours.
• 2:06
  Speaker 1: Lashinsky rolls over in the sand and stares at the sky.
• 2:10
  Speaker 1: Charles Brons's name is Charlie Boshinski.
• 2:14
  Speaker 3: No fooling'.
• 2:15
  Speaker 5: This is a neat hideout.
• 2:17
  Speaker 3: Yeah, it was.
• 2:18
  Speaker 2: Better before there were so many buildings out there, just
• 2:21
  Speaker 2: the Fountain Blue and a couple of others.
• 2:25
  Speaker 3: This was my island paradise. I used to run around
• 2:30
  Speaker 3: naked and wait to be rescued.
• 2:32
  Speaker 5: And here I am, and here you are. I could
• 2:38
  Speaker 5: stay here forever.
• 2:40
  Speaker 1: Sally points to the sailboat drifting away.
• 2:44
  Speaker 3: We might have to we gotta swim back. These waters
• 2:49
  Speaker 3: are infested with barracudas.
• 2:51
  Speaker 4: Are you serious?
• 2:52
  Speaker 1: Sally sits next to him in the sand.
• 2:54
  Speaker 3: Don't you believe me?
• 2:55
  Speaker 5: So we're stuck here.
• 3:02
  Speaker 3: I'm afraid of the dark.
• 3:04
  Speaker 1: Maybe dissolved To exterior Barnes House night, Commander Patterson knocks
• 3:10
  Speaker 1: on the door. He turns to Wheeler and Linquist and
• 3:13
  Speaker 1: dismisses them. Madam Butterfly comes to the door.
• 3:16
  Speaker 5: Come in, Commander Hia Blossom. How's the colonel?
• 3:21
  Speaker 6: Not good?
• 3:22
  Speaker 1: Patterson enters interior Barnes House night. Madam Butterfly ushers Patterson
• 3:28
  Speaker 1: into Barnes's room. There's a wash with oxygen bottles, intravenous injections,
• 3:33
  Speaker 1: and all the accouterments of a death watch.
• 3:35
  Speaker 5: I'll only stay a minute.
• 3:37
  Speaker 1: Marico and Patterson watch the sleeping figure of Barnes in
• 3:40
  Speaker 1: his bed. She looks at Patterson and leaves the room.
• 3:43
  Speaker 1: Patterson walks around, looking at military souvenirs and memorabilia. He
• 3:48
  Speaker 1: sits for a moment and watches the colonel's frail breathing.
• 3:51
  Speaker 1: His eyes scan the photos of the colonel and Sally
• 3:54
  Speaker 1: as a child. There are photos of the colonel's wife,
• 3:57
  Speaker 1: a photo of Patterson, a buxom blonde, and the colonel
• 4:01
  Speaker 1: drinking beer. They're all dressed in World War Two uniforms.
• 4:06
  Speaker 1: Patterson opens a box of cigars, smiles and closes it.
• 4:12
  Speaker 7: Take them Romeo and Juliet Moroka got him from Havana.
• 4:20
  Speaker 5: How you feeling, Daryl, Saint Sally? Not tonight. We had
• 4:26
  Speaker 5: a nice talk the other day.
• 4:30
  Speaker 7: She's a handful.
• 4:32
  Speaker 5: What do you expect. She's your daughter.
• 4:37
  Speaker 7: Keep you an eye on her bed. Honey to the bees.
• 4:42
  Speaker 5: I guess so a lot of bees around. You Gotta
• 4:48
  Speaker 5: talk to her, Daryl. That's why she's here.
• 4:52
  Speaker 1: There's nothing left to say that. That's a bit said.
• 4:57
  Speaker 7: Your turn being daddy their mother like that.
• 5:04
  Speaker 5: I was down on the range this afternoon checking out
• 5:07
  Speaker 5: the new ar fives.
• 5:09
  Speaker 7: Yeah, very flexible weapons.
• 5:14
  Speaker 5: Made the boys a lot happier than those and ones.
• 5:18
  Speaker 5: They're only six pounds firepower. You wouldn't believe jamming problems though.
• 5:22
  Speaker 5: They need to work out. Pat I need.
• 5:31
  Speaker 7: Armies calling us chips in what chips?
• 5:35
  Speaker 5: Oh?
• 5:36
  Speaker 8: She bang?
• 5:39
  Speaker 7: Disbanding the farm Property Ordinance. Everything they're taking us down, Jesus,
• 5:51
  Speaker 7: what about the boys? Yeah, I'm afraid it's over. Nothing
• 6:00
  Speaker 7: left here. I need here, John Hancock. When the time
• 6:06
  Speaker 7: comes and needs you to sign the papers over there,
• 6:15
  Speaker 7: think I can make it. Dam Ron will notarize the
• 6:20
  Speaker 7: damn thing.
• 6:21
  Speaker 1: Patterson goes to the dresser and looks at the papers.
• 6:25
  Speaker 5: He can't do this now, I don't want it. Give
• 6:29
  Speaker 5: it the damn Ron. He's almost a damn lawyer, if.
• 6:33
  Speaker 7: You're noticing, he always looks like you just sucked a lemon.
• 6:41
  Speaker 7: This place will be a high rise in three months. Anyway,
• 6:46
  Speaker 7: I need you to button up.
• 6:47
  Speaker 5: Here, pat.
• 6:50
  Speaker 7: Better you than Sally. And there's an envelope for her.
• 6:56
  Speaker 5: Nice of you to let me know.
• 7:00
  Speaker 7: Need to know basis bat.
• 7:04
  Speaker 5: Now you know, thanks little goddamn late for that. Now
• 7:10
  Speaker 5: you're a damn fool to think I can do this, no.
• 7:13
  Speaker 1: Choice about.
• 7:16
  Speaker 5: And you to start thinking ahead?
• 7:20
  Speaker 9: Button her up.
• 7:23
  Speaker 1: I'm sorry.
• 7:25
  Speaker 7: Never been very good at contingencies. The case on's keep rolling.
• 7:35
  Speaker 5: Where are they gonna go? Still? Just babies, most of them.
• 7:41
  Speaker 5: This was your dream, your selfish bestard, not mine. There
• 7:46
  Speaker 5: was a time I could have done more than just
• 7:48
  Speaker 5: clean up your shit. Helped. There was a reason for
• 7:53
  Speaker 5: respect trust at this place.
• 7:55
  Speaker 1: It was you.
• 8:00
  Speaker 5: What do I do now? Huh? Only home for most
• 8:06
  Speaker 5: of them, though, gonna die on me now, you God
• 8:11
  Speaker 5: damn coward.
• 8:14
  Speaker 1: The colonel hasn't heard. He's asleep or drifting towards another place.
• 8:20
  Speaker 1: Fade to interior Aunt Selina's house, day dawn. Be Bop
• 8:25
  Speaker 1: is asleep on the living room sofa. The TV is
• 8:27
  Speaker 1: blaring away with a Yogi Bear cartoon. The front door
• 8:31
  Speaker 1: opens and a man enters carrying a pink stuffed alligator.
• 8:34
  Speaker 1: He sees be Bop on the sofa and places the
• 8:36
  Speaker 1: alligator next to him. The man takes off his shoes
• 8:39
  Speaker 1: and Hawaiian shirt and tiptoes upstairs. Interior Selena's bedroom. Day
• 8:46
  Speaker 1: Selena and Sloucher asleep like two spoons. Golden morning sun
• 8:50
  Speaker 1: coming through the curtains. You can almost hear the bluebirds.
• 8:55
  Speaker 1: Interior living room Day. Bebop wakes up at a sound
• 8:58
  Speaker 1: on the stairs. De Wood, It doesn't Gaza. The man
• 9:03
  Speaker 1: on the stairs turns and tries to quiet Beebop. He is,
• 9:06
  Speaker 1: of course, Uncle Raoul.
• 9:08
  Speaker 4: Sh It's doesn't gaza.
• 9:14
  Speaker 1: Interior Selena's room. Slouch bolts up right in the bed
• 9:17
  Speaker 1: and looks at Selena, who is all eyes as well.
• 9:20
  Speaker 6: You know it's Si a ventro a supermercal a las
• 9:25
  Speaker 6: Lemoniana Seio bought up up Ciga.
• 9:29
  Speaker 1: Heels slouching Aunt Selena in a panic, grabbing at clothing
• 9:33
  Speaker 1: as they scurry around the room. Interior the stairway day.
• 9:38
  Speaker 1: Uncle Raoul is melting the stairs. The bedroom door atop
• 9:43
  Speaker 1: of the stairs bursts open and Slouch runs out naked.
• 9:47
  Speaker 1: He's carrying his clothes in a blanket that he throws
• 9:50
  Speaker 1: over Uncle Raoul. As Uncle Raoul tumbles down the stairs,
• 9:56
  Speaker 1: Slouch grabs a stuffed alligator from Bebop and smacks Uncle
• 9:59
  Speaker 1: Raoul with it. Bebop and Slouch charge out the front
• 10:03
  Speaker 1: door and down the street. Angle Aunt Selena if the
• 10:07
  Speaker 1: top of the stairs, holding a sheet up to her
• 10:09
  Speaker 1: otherwise naked body. She looks down at Raoul.
• 10:12
  Speaker 10: Bo cut to exterior.
• 10:18
  Speaker 1: The school Dawn Hargrave sounds readily. Patterson by the dock
• 10:22
  Speaker 1: spots the empty drifting dinghy dissolved to interior. A company
• 10:27
  Speaker 1: Barrack's day. The boys are preparing for inspection. Sea cow dresses,
• 10:32
  Speaker 1: linquists and dress whites. Slouch is trying to borrow a
• 10:35
  Speaker 1: pair of pants.
• 10:36
  Speaker 11: All right, Come on, Sea Count, be a pow man.
• 10:39
  Speaker 4: I mean, we'll all be stuck in here if I
• 10:41
  Speaker 4: got no pants on.
• 10:42
  Speaker 1: Sea Cow throws his pants at slouch. Thanks. Cut to Angle,
• 10:47
  Speaker 1: Sea Cow and Linquist.
• 10:49
  Speaker 9: If anybody ask you anything at all, just say no
• 10:52
  Speaker 9: excuse sir?
• 10:53
  Speaker 5: Can you all say that? Hopeless?
• 10:58
  Speaker 1: Bova is looking out the indoor at the lagoon. He
• 11:01
  Speaker 1: grabs Slo's binoculars and looks at something out the window.
• 11:05
  Speaker 1: Through the binoculars, we see Patterson, Sally, and Lashinsky returning
• 11:09
  Speaker 1: to the lagoon and a dinghy.
• 11:11
  Speaker 9: Because Lisiysky looks like he gets the gold coy.
• 11:15
  Speaker 1: Cut to exterior lagoon Day. Sally sees the boys of
• 11:18
  Speaker 1: a company watching through binoculars and whooping it up on shore,
• 11:22
  Speaker 1: calling way to go, Lashinsky. She looks at Leshinsky blankly,
• 11:28
  Speaker 1: her feelings of humiliation lost in a greater pain. Cut
• 11:32
  Speaker 1: to exterior lagoon Day. Slow snatches the binoculars from Bova
• 11:37
  Speaker 1: as the boys rush to get a look. Cut to
• 11:40
  Speaker 1: boat dock Day. As soon as the dinghy lands, Sally
• 11:43
  Speaker 1: runs towards her father's house. Angle, Patterson, and Lashinsky get
• 11:48
  Speaker 1: to your barracks.
• 11:49
  Speaker 5: And keep your mouth shut about the Colonel Sally on
• 11:54
  Speaker 5: the double.
• 11:55
  Speaker 1: Son, Leshinsky heads off in the direction of the barracks.
• 11:59
  Speaker 1: Cut to interior a company barrack's day. As Lishinski enters,
• 12:02
  Speaker 1: a loud cheer goes up from the boys. Lashinsky is
• 12:08
  Speaker 1: stunned and silent as he stands at the door.
• 12:11
  Speaker 9: Well, well, well, Lizhinsky, never know you had a deal o.
• 12:17
  Speaker 1: Bahama Mama drapes a sheet over his shoulders and raises
• 12:20
  Speaker 1: the makeshift laurel wreath above his head.
• 12:22
  Speaker 9: Barracks ten.
• 12:24
  Speaker 1: The boy snapped to attention as Bahama Mama waddles through
• 12:27
  Speaker 1: the bunks toward the stun Leashinsky. The gold coin is
• 12:30
  Speaker 1: held high above his head for all to see.
• 12:33
  Speaker 12: Oh, Private Stephen Lishinsky has won the coveted award for
• 12:38
  Speaker 12: spearing the White Whale. Sally Barnes has received the Honorable
• 12:44
  Speaker 12: Seaman Award.
• 12:46
  Speaker 1: Bahama Mama rests his arm on Lashinsky's shoulder. Lishinsky knocks
• 12:49
  Speaker 1: it away.
• 12:50
  Speaker 5: Your hands off me? Shit, can hey, what's wrong with you?
• 12:54
  Speaker 9: Who's the matter?
• 12:55
  Speaker 3: This?
• 12:55
  Speaker 5: He led the rud the below eponent.
• 13:02
  Speaker 1: Lishinsky punches bear in his huge laughing face, and the
• 13:06
  Speaker 1: whole barracks is into it. Cut to angle Major Damron.
• 13:13
  Speaker 1: He enters the barracks.
• 13:15
  Speaker 11: Barracks ty not.
• 13:18
  Speaker 13: Inspection before the parade will be conducted by a representative
• 13:21
  Speaker 13: of the US Army this weekend, so I need not
• 13:25
  Speaker 13: stress the importance of being on your best behavior as
• 13:30
  Speaker 13: you were.
• 13:31
  Speaker 1: He exits, dissolved to exterior Barnes porch day. A porch
• 13:37
  Speaker 1: light is still on. Sally opens the door to her
• 13:40
  Speaker 1: father's room. Barnes lies covered. Patterson and Norico come up
• 13:45
  Speaker 1: behind her as she stands motionless.
• 13:47
  Speaker 6: I called peabodies. They pick them up when you say too.
• 13:51
  Speaker 5: We'll make the announcement when the boys get back from
• 13:53
  Speaker 5: the parade tomorrow. No sense alarming anybody right now. After
• 13:58
  Speaker 5: they leave, we can go down and make the arrangements.
• 14:03
  Speaker 6: I'm so sorry, baby girl, the okay, just.
• 14:08
  Speaker 3: Gimme a minute.
• 14:10
  Speaker 1: She closes the door behind her. She looks at the
• 14:13
  Speaker 1: pictures on the dresser. A five year old girl salutes
• 14:16
  Speaker 1: her daddy. She opens the envelope pours it on the counter.
• 14:20
  Speaker 1: It contains a cashier's check and two medals, the Army's
• 14:24
  Speaker 1: silver star and a purple heart. She sits in the
• 14:28
  Speaker 1: bedside chair, holds her father's cold hand. She won't cry.
• 14:35
  Speaker 3: Who's the deserter?
• 14:36
  Speaker 1: Now dissolved to exterior parade field. Today, Patterson stands at
• 14:43
  Speaker 1: the podium overseeing the inspection. A US Army colonel and
• 14:47
  Speaker 1: two Cuban civilians look on. The platoons are lined up,
• 14:50
  Speaker 1: with the squad leaders checking the boys inspection arms. The
• 14:55
  Speaker 1: boys release the bolt mechanisms of their weapons. As they do,
• 14:58
  Speaker 1: a thirty caliber bullet fly eyes up and hits Sollow
• 15:01
  Speaker 1: in the chest, then falls to his feet. Sawow reaches
• 15:05
  Speaker 1: down and picks up the shell at the feet of Linquist.
• 15:07
  Speaker 9: Where in the hell did you get this?
• 15:09
  Speaker 1: Linquist smiles and points to his name tag, which reads
• 15:12
  Speaker 1: Combs Jesus. But before Sauw can pursue an investigation company
• 15:17
  Speaker 1: ten the company comes to attention as a distracted Patterson
• 15:21
  Speaker 1: and the Army colonel rush through a haphazard inspection of
• 15:24
  Speaker 1: a company. As they move on to B company, the
• 15:27
  Speaker 1: colonel talks quietly to the Cubans, gesturing toward the AMMO dumps.
• 15:31
  Speaker 1: That was easy angle on Patterson. Later the inspection is.
• 15:36
  Speaker 5: Over, we'll be proceeding down one hundred and thirty fifth
• 15:40
  Speaker 5: Street until we reach the fair grounds. We will follow
• 15:43
  Speaker 5: the Fort Lauderdale majurettes.
• 15:48
  Speaker 7: You were.
• 15:50
  Speaker 5: We will then proceed with our drill angle trencher. I
• 15:55
  Speaker 5: like the drill, the manager it following the drill. You
• 16:00
  Speaker 5: will have three free hours at the fair. At eighteen
• 16:04
  Speaker 5: hundred hours, we will reform at the parking lot, where
• 16:07
  Speaker 5: buses will bring us back to the school. Anybody not
• 16:11
  Speaker 5: at the parking lot at the appointed hour will be
• 16:14
  Speaker 5: considered a wall and will be given a subsequent E five.
• 16:18
  Speaker 5: I look forward to honorable behavior from each of you, gentlemen.
• 16:24
  Speaker 5: All right, Colonel, move them out.
• 16:26
  Speaker 1: Argimento shouts from the podium, Group.
• 16:30
  Speaker 9: Company, Platoon, squad, right face, and.
• 16:34
  Speaker 1: The parade marches off through the gate. The drum and
• 16:36
  Speaker 1: bule corps play the Stars and stripes. Exterior Miami Street
• 16:41
  Speaker 1: Day Parade montage. The boys march along the streets of Miami.
• 16:46
  Speaker 1: It's a spectacular site. Ribbons and banners adorn the roofs
• 16:50
  Speaker 1: of the building. Everywhere is a glint of brass and
• 16:53
  Speaker 1: the sound of marching bands. Cut to exterior Street Day dusk.
• 16:59
  Speaker 1: Uncle Raoul is standing among the spectators lining the street.
• 17:02
  Speaker 1: He searches the faces of the boys in the parade
• 17:05
  Speaker 1: as the Miami Military Academy passes. Cut to exterior Fairgrounds
• 17:10
  Speaker 1: day dusk. An announcer is poison scaffolding overlooking the fairgrounds.
• 17:16
  Speaker 11: Entering the fairgrounds is the Upper Dania High School Marching Band.
• 17:20
  Speaker 1: The band marches smartly through the arch over the fairground entrance.
• 17:24
  Speaker 1: They perform SUSA Badly.
• 17:27
  Speaker 11: Followed by the Druger Department Store Sauerkraut Band.
• 17:30
  Speaker 1: Cut to exterior Fairground parking lot day. The Miami Military
• 17:34
  Speaker 1: Boys are in a holding pattern outside the fairgrounds. They
• 17:37
  Speaker 1: are marking time behind the Fort Lauderdale majorrettes.
• 17:41
  Speaker 5: Who's twenty you lucky lazy?
• 17:45
  Speaker 1: We're gonna try that again. Who's tun of you lucky ladies?
• 17:49
  Speaker 9: You'd like to ride the w mouse? Who's it gonna be?
• 17:52
  Speaker 5: Waldmouse? Waldmouse?
• 17:53
  Speaker 1: A major at Leonora is disgusted with bear.
• 17:56
  Speaker 5: So be disgusting.
• 17:58
  Speaker 3: I'm gonna wants to even look at your wild mouse.
• 18:01
  Speaker 5: No, no, no, it's a.
• 18:03
  Speaker 4: Ride, some ride, I'll bet turn brains well.
• 18:09
  Speaker 3: He's kind of culle Lenora.
• 18:10
  Speaker 8: You've never seen them without their uniforms. Sound like Pillsbury
• 18:13
  Speaker 8: dough boys, Oh white and fuzzy.
• 18:16
  Speaker 11: And now the Fort Lauderdale majorrettes.
• 18:20
  Speaker 1: And the girls begin to move out and into the fairground.
• 18:23
  Speaker 11: Eleanor I like your mustache.
• 18:26
  Speaker 1: Without losing a beat. Leonora catches Bear in the groin
• 18:29
  Speaker 1: with her baton. He writhes in pain. As Leonora puts
• 18:33
  Speaker 1: on her biggest smile for the crowd, he drops his
• 18:36
  Speaker 1: rifle and doubles up.
• 18:38
  Speaker 7: Company did four War march and back by popular request
• 18:45
  Speaker 7: the Miami Military Academy.
• 18:47
  Speaker 1: There is a resounding booth the spectators.
• 18:53
  Speaker 9: Hey call me crazy, but I think they're starting to
• 18:55
  Speaker 9: get to like us.
• 18:56
  Speaker 1: Cut to interior Fairgrounds Day. The boys march through the
• 19:00
  Speaker 1: gates to the tune of Stars and Stripes. They perform
• 19:03
  Speaker 1: their varied military maneuvers in front of the grand stand,
• 19:06
  Speaker 1: Bear managing as best he can with an exploding nutsack.
• 19:11
  Speaker 1: Cut to exterior Midway day the games of Chance, rides
• 19:15
  Speaker 1: and amusements. The boys are at play. Slouch and Beebop
• 19:19
  Speaker 1: are sharing Merry go Round with a couple of major X.
• 19:23
  Speaker 1: Exterior the Stockyards Day, Sea Cow and Linquist are taking
• 19:27
  Speaker 1: in the animal husbandry exhibits, people grooming sheep, cows and goats.
• 19:32
  Speaker 1: A milkmane is grooming a prize jersey cow.
• 19:35
  Speaker 6: That's a good look at it's Oh.
• 19:38
  Speaker 1: That's right.
• 19:39
  Speaker 9: Hostings have the longer warns.
• 19:42
  Speaker 8: I don't think so Jerseys are brown and Holsteins are
• 19:44
  Speaker 8: usually black and white. Another thing, Jerseys get about twelve
• 19:47
  Speaker 8: percent more butterfly one more time.
• 19:48
  Speaker 2: Holstein's not Hollstein's Jewish.
• 19:59
  Speaker 8: I don't think so jerseys are brown and Holsteins are
• 20:01
  Speaker 8: usually black and white. Another thing, Jerseys give about two
• 20:04
  Speaker 8: percent more.
• 20:05
  Speaker 1: Butterfat cut two angle Linquist. As he wanders away from
• 20:09
  Speaker 1: sea cow and the milk made over to the sheep exhibit,
• 20:12
  Speaker 1: he watches the sad face of his sheep straddling a
• 20:14
  Speaker 1: shearing block. Cut to exterior midway day, the clang of
• 20:19
  Speaker 1: a bell a wider angle reveals Bear, Sollow, Bova, and
• 20:23
  Speaker 1: hard Graves, all smoking fat cigars and laughing like fools.
• 20:27
  Speaker 1: The disgruntled Carny is trying to discourage Bear from taking
• 20:30
  Speaker 1: another swing with the hammer.
• 20:32
  Speaker 14: Tons of limit, Give me the hammer, you what's the
• 20:36
  Speaker 14: side eight off?
• 20:37
  Speaker 1: Give me that hammer. One price to customer. All the
• 20:40
  Speaker 1: while Bear is pounding away with the huge hammer and
• 20:43
  Speaker 1: the bell at the top of the pole keeps ringing.
• 20:46
  Speaker 1: They attract a crowd. The spectator's boo as the barker
• 20:49
  Speaker 1: tries to get the hammer from Bear. Finally, Bear just
• 20:55
  Speaker 1: tosses the hammer on the ground and walks away. Cut
• 20:58
  Speaker 1: to exterior midway Wheeler in Patterson as they stroll along
• 21:02
  Speaker 1: past the ring toss and other games of chance. Then
• 21:05
  Speaker 1: announcement comes over the PA system.
• 21:08
  Speaker 11: Five minutes fusand.
• 21:14
  Speaker 5: Five minutes well the Kingston trio. Let's go, Commander, Nah,
• 21:20
  Speaker 5: I hate that rock and roll stuff.
• 21:22
  Speaker 4: Not rock and roll the Kingston Trio.
• 21:24
  Speaker 7: Come on.
• 21:25
  Speaker 1: He tugs at the commander, pulling him in the direction
• 21:27
  Speaker 1: of the grand stand. Cut to exterior midway Wild Mouse
• 21:30
  Speaker 1: Ride day.
• 21:32
  Speaker 8: Look, I apologize, thought you were just being rude.
• 21:34
  Speaker 5: David.
• 21:35
  Speaker 3: Can you walk? Okay?
• 21:36
  Speaker 14: Oh, no, big thing, I mean fun. I mean you
• 21:41
  Speaker 14: just caught one of them another one. The other one
• 21:45
  Speaker 14: is fine, not like crippled or nothing.
• 21:49
  Speaker 8: Okay, Well, maybe you should sit in front.
• 21:51
  Speaker 7: Okay, I've been looking forward to this all year.
• 21:55
  Speaker 1: Cut to interior sheet Pen day. Then Quist releases the
• 21:59
  Speaker 1: catch on the pen and watch the sheep roam out
• 22:01
  Speaker 1: onto the midway. He herds them out of their tents
• 22:04
  Speaker 1: and claps to stampede them.
• 22:06
  Speaker 7: Hey and boys, stop them sheeps stop that.
• 22:10
  Speaker 1: Several people try to intercept the sheep as they escape.
• 22:13
  Speaker 1: Lindquist looks proud. The man grabs Linquist by the neck.
• 22:18
  Speaker 1: Cut to exterior grand Standee, Patterson and Wheeler are leaving
• 22:22
  Speaker 1: the stands.
• 22:23
  Speaker 4: Great music Hall.
• 22:23
  Speaker 5: Commander, Where's Arthur?
• 22:26
  Speaker 4: He's a sea cow.
• 22:27
  Speaker 15: Looking at the animals, I'm allergic animals, all animals.
• 22:31
  Speaker 5: We better check.
• 22:33
  Speaker 1: Cut to midway, Bebop and Slouch. They are eating cotton
• 22:36
  Speaker 1: candy and smoking cigars like Pinocchio and lamp Wick at
• 22:40
  Speaker 1: Pleasure Island. Midway another angle converging.
• 22:44
  Speaker 4: Hey, you get your heads off.
• 22:47
  Speaker 1: Bear, Bova, Sollow and hard Graves see the scuffle with Linquist,
• 22:50
  Speaker 1: who his pin face first and a dirt by the
• 22:52
  Speaker 1: irate man.
• 22:53
  Speaker 5: Let's go.
• 22:54
  Speaker 1: Wheeler rushes up and gets another fist to the nose.
• 22:57
  Speaker 1: Suddenly Bear jumps in and heaves the man onto a
• 23:00
  Speaker 1: popcorn stamp. A carne jumps on Bear, which brings Solo
• 23:04
  Speaker 1: and Bova into it. Slouch him Bebop dive in our Grace,
• 23:08
  Speaker 1: puts his bugle to his lips and blows call to arm.
• 23:12
  Speaker 1: Cut to another angle. The sheep stampede the midway, heading
• 23:15
  Speaker 1: into the fight, Tawnys condects, sheep, Farmers, Carnies all into it.
• 23:20
  Speaker 1: Now Chaos reins. A beefy Carney is pummeling Bova and
• 23:25
  Speaker 1: there's about to deal in the series blow when a
• 23:27
  Speaker 1: large arm reaches in and swirls a carnee around. The
• 23:30
  Speaker 1: arm punches a Carney and sends him sprawling among the
• 23:33
  Speaker 1: puzzled sheet. It's Patterson, who has become John Wayne Cross.
• 23:40
  Speaker 1: Fade to Interior Army bus night. Patterson is leading the convoy,
• 23:44
  Speaker 1: driving with Wheeler and Linquists also in the front. Behind them.
• 23:48
  Speaker 1: In the rows we can see the rest of the
• 23:50
  Speaker 1: boys from a company. Bova holds an ice pack to
• 23:53
  Speaker 1: his cheek. There has one on his crotch.
• 23:56
  Speaker 4: So, Commander, would you like best at the fair?
• 24:00
  Speaker 15: Ah?
• 24:00
  Speaker 5: The music, I guess yeah, the Kingston Trail.
• 24:04
  Speaker 7: They're all that.
• 24:06
  Speaker 5: Old Woody Go three. Song they did was something else?
• 24:09
  Speaker 15: No, No, they wrote all their own music and stuff.
• 24:11
  Speaker 15: They got an album everything.
• 24:13
  Speaker 5: Ruben James, that's an old song wood he wrote. What
• 24:18
  Speaker 5: were their names? Tell me what were their names? Did
• 24:22
  Speaker 5: you have a friend on the good Ruben James, No
• 24:26
  Speaker 5: fool's In fact, I knew a fellow on the Ruben James.
• 24:32
  Speaker 5: Two fellas actually the Cisco brothers, Johnny and Billy Cisco.
• 24:37
  Speaker 5: He and his brother used to come up to the
• 24:39
  Speaker 5: cabin I had in Stockbridge. We were the first nudist
• 24:44
  Speaker 5: stuff there.
• 24:46
  Speaker 4: Uh oh.
• 24:47
  Speaker 5: We were in the Merchant Marines together, me and Billy
• 24:49
  Speaker 5: and Johnny. Then the two of them got stationed down
• 24:53
  Speaker 5: the destroyer the Ruben James. Johnny was killed when they
• 24:59
  Speaker 5: got torpedo off Iceland, first casualties of the war, even
• 25:03
  Speaker 5: before Pearl was hit another ocean away. Johnny was in
• 25:10
  Speaker 5: the engine room when they got it and Billy was
• 25:13
  Speaker 5: on deck. That's the way I heard it. Anyway, Billy
• 25:17
  Speaker 5: kept jumping out of the lifeboat near drowned, trying to
• 25:21
  Speaker 5: dive down and save his dead brother.
• 25:23
  Speaker 11: Je sounds cold.
• 25:27
  Speaker 5: They had to sit on him to keep him from
• 25:29
  Speaker 5: jumping out of the boat. I ran into Billy in
• 25:33
  Speaker 5: a bar up in Stockbridge after the war forty nine.
• 25:38
  Speaker 5: We'd been drinking a lot of toasting a lot, and
• 25:43
  Speaker 5: I got up and said to the memory of one
• 25:47
  Speaker 5: of the finest men ever to die in the war,
• 25:50
  Speaker 5: Johnny Cisco. Well, Billy depped me. I was out cold
• 25:56
  Speaker 5: for a long time, and when I came to. He
• 25:59
  Speaker 5: was is bending over me and crying and saying he
• 26:02
  Speaker 5: was sorry. Then we drank some more. But to his
• 26:09
  Speaker 5: dying day, he never believed that Johnny drowned. Thought in
• 26:14
  Speaker 5: his mind that he was a prisoner of war. Somewhere,
• 26:18
  Speaker 5: I guess.
• 26:19
  Speaker 1: Wheeler is asleep and Linquist's arms.
• 26:24
  Speaker 5: He okay.
• 26:25
  Speaker 1: Lindquist nods and holds Wheeler like a teddy bear, slouch
• 26:29
  Speaker 1: smiles to himself. Be Bob has lost in thought. Exterior
• 26:35
  Speaker 1: Bayfront day in the early morning, the flag at half mast.
• 26:40
  Speaker 1: The entire school is assembled and dressed whites on the bayfront.
• 26:44
  Speaker 1: Patterson and Sally and his skiff sell out of the lagoon.
• 26:48
  Speaker 1: Entering the mouth of the bay, Hard Graves plays taps.
• 26:52
  Speaker 1: Sally in his stern pour his ashes.
• 26:54
  Speaker 5: From an urn.
• 26:56
  Speaker 1: She is wearing an Army silver star and a purple
• 26:59
  Speaker 1: heart tied with a ribbon around her neck. Angle Leshinsky
• 27:05
  Speaker 1: as he watches Sally from the ranks. The band begins
• 27:09
  Speaker 1: to play down the road. Dissolved to exterior barracks night.
• 27:14
  Speaker 1: It's dark except for a light from the doorway. The
• 27:17
  Speaker 1: school is asleep. Cut to interior latrine night. Lieutenant Wheeler
• 27:23
  Speaker 1: sits on the can. He's in his pajamas, yet still
• 27:26
  Speaker 1: wearing his sword. The sound of footsteps entering the darken latrine.
• 27:30
  Speaker 1: A shadow moves along the wall and stops the sink.
• 27:33
  Speaker 1: Cut too close shot the sink. A hand comes in
• 27:37
  Speaker 1: and picks up the soap. Another hand em beds a
• 27:40
  Speaker 1: razor blade deep into the bar of soap. Cut two.
• 27:43
  Speaker 1: Wheeler sitting quietly in his door, watching the figure at
• 27:46
  Speaker 1: the sink. Wheeler picks up his flashlight and aims the
• 27:49
  Speaker 1: light on the figure at the washstand. It is Crow,
• 27:52
  Speaker 1: the barber.
• 27:54
  Speaker 4: Crow, what do you do?
• 27:55
  Speaker 1: Crow fumbles the razor blades and they fall on the
• 27:57
  Speaker 1: white tile floor. He bolts for the.
• 27:59
  Speaker 4: Door, razervn razor fe.
• 28:02
  Speaker 1: He tries to get his pants up. His Crow runs
• 28:04
  Speaker 1: out the front door of the La Trees. Wheeler and
• 28:06
  Speaker 1: hop pursuit leaps onto the back of the fleeing crow.
• 28:10
  Speaker 1: Cut to exterior A company barracks night. The entire barracks
• 28:14
  Speaker 1: is awake and running to see what is happening outside.
• 28:17
  Speaker 1: Wheeler is on Crow's back and trying to bring him
• 28:20
  Speaker 1: down like a steer. Crow gets tangled and Wheeler's sword.
• 28:24
  Speaker 1: They tumble to the ground. Exterior parade fields. Night Crow
• 28:29
  Speaker 1: has managed to get Wheeler's sword away from him, and
• 28:31
  Speaker 1: he's about to slice him in half when a shot
• 28:33
  Speaker 1: rings out. Crow yelps, grabs his arm, dropping the sword,
• 28:38
  Speaker 1: and topples to the ground. Angle Mango Tree Night we
• 28:43
  Speaker 1: see Linquist sitting in the trees, cradling his smoking rifle.
• 28:47
  Speaker 1: He's terrified. Cut to exterior infirmary. Night Patterson is taughting
• 28:53
  Speaker 1: to Earl the ambulance drivers. He closes the back of
• 28:56
  Speaker 1: the ambulance. Norico stands by.
• 29:00
  Speaker 5: He left me no choice, Earl. It was either him
• 29:03
  Speaker 5: or one of my boys.
• 29:04
  Speaker 11: He's always had a screw loose past.
• 29:07
  Speaker 5: I can't say you weren't worn.
• 29:09
  Speaker 1: I knew he tried something.
• 29:10
  Speaker 5: If you let him come back here, Earl, about writing
• 29:13
  Speaker 5: this up, God, forget about it. For all our sakes.
• 29:18
  Speaker 11: We'll patch him up and they'll keep their mouth shuts.
• 29:21
  Speaker 5: They know what's good for him. He's not hurt all
• 29:23
  Speaker 5: that bad.
• 29:24
  Speaker 1: Earl signals to his sidekick.
• 29:27
  Speaker 11: Hey, come on, Hector, another cowboy for the ranch.
• 29:30
  Speaker 1: Crows in the back of the ambulance.
• 29:32
  Speaker 5: Don't make me go back, Commander.
• 29:36
  Speaker 1: I'm so sorry.
• 29:38
  Speaker 5: I think it's best John. They can take better care
• 29:41
  Speaker 5: of you there than we can. Commanda, he can't have
• 29:49
  Speaker 5: you hurting the boys.
• 29:50
  Speaker 1: John, Hector, and Earl get into the ambulance. Crow huddles
• 29:54
  Speaker 1: up to the window behind the cab.
• 29:56
  Speaker 6: We'll take good care of you, Johnny.
• 30:02
  Speaker 5: Is ethel still there?
• 30:03
  Speaker 7: Yeah, she's been asking for you.
• 30:07
  Speaker 1: Both the drivers chuckle. Outside the ambulance, the boys are
• 30:12
  Speaker 1: peering in the windows.
• 30:13
  Speaker 5: A Crow, he's an old boy.
• 30:16
  Speaker 9: I remember when he graduated an hour.
• 30:18
  Speaker 3: Why'd you do it?
• 30:19
  Speaker 5: Crow?
• 30:20
  Speaker 4: What'd you do it for?
• 30:24
  Speaker 11: Because sometimes boys have to be disciplined, the ones who
• 30:29
  Speaker 11: have lost the way.
• 30:31
  Speaker 1: The boys are pressing to get a last look at Crow.
• 30:33
  Speaker 1: As the ambulance pulls away.
• 30:35
  Speaker 5: Back to kiss Dorothy.
• 30:38
  Speaker 1: Hermon, Marico places a hand on Patterson's shoulder.
• 30:43
  Speaker 6: Sorry, Pat, sometimes you must let boys go.
• 30:48
  Speaker 5: Well, No more haircuts.
• 30:50
  Speaker 1: Dissolved to exterior Administration building. Day. Wheeler is talking on
• 30:54
  Speaker 1: the payphone, slouching. Bebop A rushing him to get off.
• 30:58
  Speaker 15: Put a sock into Edison and us in four minutes,
• 31:01
  Speaker 15: we're traveling light. If she wants us to wear them
• 31:03
  Speaker 15: greaseball Sivy's, she could buy us each a wardrobe.
• 31:05
  Speaker 1: Woman, get there, slouch and Bebop check their watches as
• 31:09
  Speaker 1: they listen to Wheeler Drone on.
• 31:11
  Speaker 15: His name is Arthur Linquist. I sent you a picture,
• 31:13
  Speaker 15: so get mom to take care of the passports.
• 31:16
  Speaker 4: Hell, I don't know. She did it for the goomba.
• 31:18
  Speaker 4: She could do it for me. Twelve hundred dollars sharp Monday.
• 31:22
  Speaker 1: He hangs up the phone.
• 31:23
  Speaker 15: If it ain't the Gunnerrhea Twins get lost Toesa Peko.
• 31:28
  Speaker 1: Cut two Interior a company barracks. Night boys are in
• 31:32
  Speaker 1: study halls, sitting on folding chairs at their desks. Leslie
• 31:36
  Speaker 1: Gore's It's My Party plays on the radio. Bear is
• 31:39
  Speaker 1: reading a stroke book to Linquist.
• 31:42
  Speaker 14: She walked through the doorwaar in a neglige that looked
• 31:45
  Speaker 14: like a week's work for a small spider. She had
• 31:49
  Speaker 14: a deep throaty laugh, like the sound a dog makes
• 31:53
  Speaker 14: before it throws up.
• 31:56
  Speaker 1: Sallow grabs the book from Bear.
• 31:58
  Speaker 11: Study Something none left to study?
• 32:01
  Speaker 1: I finished on my test. Find something Cut to Exterior
• 32:05
  Speaker 1: Administration Building. Night Bebop on the payphone. Slouch huddles next
• 32:09
  Speaker 1: to him.
• 32:12
  Speaker 5: Dig me see Webby in We're going in Vicon. I
• 32:19
  Speaker 5: grew up on the beaches. You're my aid.
• 32:21
  Speaker 1: That's a lot of cubano. Now no going back, so
• 32:27
  Speaker 1: here we go. Dissolved to exterior Barnes Front porch. Night
• 32:32
  Speaker 1: Sally sits on the steps. Leshinsky joins, Sir, get lost.
• 32:38
  Speaker 5: I am lost.
• 32:40
  Speaker 1: I was wondering if you could help me find the
• 32:41
  Speaker 1: bay so I could jump in.
• 32:43
  Speaker 3: You're not lost, You're a loser. You come up here
• 32:45
  Speaker 3: to win another medal. I think you're a pig.
• 32:48
  Speaker 10: Sally as god as my witness, oh scarlettle hair, and
• 32:52
  Speaker 10: now I'm sorry for everything you, your dad, everybody seemed
• 33:01
  Speaker 10: to you know, respect him. Shut up.
• 33:06
  Speaker 3: Please you're also useless.
• 33:07
  Speaker 4: Please just go away.
• 33:10
  Speaker 5: I can't do that.
• 33:12
  Speaker 1: I won't. She lets out a sob, then the dam burst.
• 33:17
  Speaker 1: L Shiski sits helplessly beside her for a long time.
• 33:21
  Speaker 1: Finally she folds into his arms. Dissolved to exterior boat.
• 33:27
  Speaker 1: Doc Knight Patterson sits on the bench and lights up.
• 33:31
  Speaker 1: After a moment, he sees slouch in Biba. There's an
• 33:34
  Speaker 1: open fishing boat tied up nearby. The two boys pull
• 33:38
  Speaker 1: their duffels out of the bushes and sling them on
• 33:40
  Speaker 1: their shoulders. Uncle Raoul, the Guel, Sanchez and Anita wait
• 33:45
  Speaker 1: for them. Uncle Raoul sees Patterson. Raoul salutes Patterson with
• 33:49
  Speaker 1: two fingers. Patterson pulls a forty five from his belt
• 33:53
  Speaker 1: and aims at.
• 33:54
  Speaker 5: At Raoul, as you were a commander.
• 33:57
  Speaker 1: Patterson turns to see the army colonel, now a civilian clothes,
• 34:00
  Speaker 1: and his three Cuban officials from the parade inspectrum.
• 34:05
  Speaker 7: I believe Colonel Barnes put you in charge.
• 34:08
  Speaker 5: What's going on? Colonel?
• 34:11
  Speaker 7: Retrieving army ordinance? Commander?
• 34:13
  Speaker 5: You got papers?
• 34:15
  Speaker 7: Actually, Commander, we're not even here.
• 34:18
  Speaker 5: Boys. Get back to your barracks.
• 34:20
  Speaker 1: Raoul steps forward.
• 34:21
  Speaker 5: Mano's leaving school a little early.
• 34:23
  Speaker 4: His family needs him.
• 34:25
  Speaker 5: I'm out of here, to Commander. I gotta do this.
• 34:30
  Speaker 5: Where'd you get those keys? Son?
• 34:34
  Speaker 7: Sorry, there's no time for this right now. Step aside, Commander,
• 34:38
  Speaker 7: that's an order.
• 34:39
  Speaker 5: I ain't in your army, mister.
• 34:41
  Speaker 1: Patterson struggles for his gun as Miguel slams him to
• 34:44
  Speaker 1: the ground. Another holds a wet cloth over his face. No,
• 34:48
  Speaker 1: what are you doing, Patterson goes limb.
• 34:51
  Speaker 7: Don't worry, he'll be good as new in a few hours.
• 34:57
  Speaker 5: You coming in love a boy? Come on, Slash, you
• 35:01
  Speaker 5: can't stay here now.
• 35:03
  Speaker 1: Exterior boat Biscayne Bay Night be Bop and slouch watched
• 35:07
  Speaker 1: from top side as Miami Military Academy is lost in
• 35:10
  Speaker 1: the distance. Dissolved to interior Barracks night. Linquist lies on
• 35:16
  Speaker 1: Coombs's bed, gazing out the window toward the boat shed.
• 35:20
  Speaker 1: A light is flashing Morse code for the boat shed window.
• 35:24
  Speaker 1: SOS cut to exterior boat dock Night. Linquist prize the
• 35:29
  Speaker 1: lock off the boat shed door. Patterson sits in a stupor,
• 35:33
  Speaker 1: bottle in one hand, flashlight another ammo dump keys at
• 35:37
  Speaker 1: his feet.
• 35:39
  Speaker 5: Must have locked myself in just between us okay.
• 35:44
  Speaker 1: Linquist nods. Dissolved to exterior Biscayne Bay.
• 35:48
  Speaker 5: Day.
• 35:49
  Speaker 1: A sail boat race. Lishinski and Bearer in one boat,
• 35:52
  Speaker 1: Wheeler and Linquist in another, racing against the teams from
• 35:56
  Speaker 1: B Company. As they reached the final leg back from
• 35:59
  Speaker 1: Captain Kids Eyele, Wheeler and Linquist are in the lead.
• 36:02
  Speaker 1: The schools gathered along the shore cheering them onward. Wheeler
• 36:06
  Speaker 1: works the sail while Linquist controls the tiller. They are
• 36:09
  Speaker 1: very excited as they cross the finish line. Dissolved to
• 36:14
  Speaker 1: interior Barnes' House Day. Sally stands in the darkened living room,
• 36:18
  Speaker 1: sheets cover the remaining furniture. She retrieves a final carton
• 36:23
  Speaker 1: and exits. Cut to exterior Barnes House day. Patterson is
• 36:28
  Speaker 1: standing by on the porch. Sally locks the house door
• 36:31
  Speaker 1: and hands him the key, then takes a frame picture
• 36:34
  Speaker 1: from the carton.
• 36:38
  Speaker 3: I think this was my birth announcement. I want you
• 36:43
  Speaker 3: to have it.
• 36:44
  Speaker 1: It's the picture of Sally's mom. Barnes and pat beers
• 36:47
  Speaker 1: raised in a toast on a jubilant evening.
• 36:51
  Speaker 5: I'll hold on to it for you.
• 36:55
  Speaker 3: I guess I'm your job now for real. Always best
• 37:00
  Speaker 3: to your mom if I see her first.
• 37:03
  Speaker 1: She kisses him and walks down the steps. Leshinsky is
• 37:07
  Speaker 1: standing beside Sally's van. It's packed for the road. He
• 37:11
  Speaker 1: hands her a small box tied up with a ribbon.
• 37:14
  Speaker 1: Sally opens it and holds up the brass coin suspend
• 37:17
  Speaker 1: it on her ribbon. The note says twenty four carrot gold.
• 37:22
  Speaker 3: Keep polish in your brass. You never know.
• 37:26
  Speaker 1: She kisses him sweetly, then starts to drive away. She
• 37:30
  Speaker 1: waits patiently as a cadet raises the barrier. The two
• 37:33
  Speaker 1: men watch her disappear through the archway.
• 37:36
  Speaker 9: Farewell, thou art too did for my possession, and like
• 37:41
  Speaker 9: enough thou known stein estimate.
• 37:44
  Speaker 1: Interior a company night taps sounds. The boys are in
• 37:49
  Speaker 1: their bunks.
• 37:51
  Speaker 5: If Coombs don't come back and link with graduates, who's
• 37:54
  Speaker 5: going to win the pot?
• 37:56
  Speaker 1: We didn't think of that, did we? Crossfade to interior
• 37:59
  Speaker 1: inass Leshinsky lost in thought.
• 38:03
  Speaker 9: For how do I hold thee? But by thy granting?
• 38:06
  Speaker 9: And for that great riches, where is my deserving?
• 38:09
  Speaker 1: Cross fade to exterior boat dock. Patterson nips a pint,
• 38:13
  Speaker 1: stares across the bay. Crossfade to exterior highway. Day Sally
• 38:19
  Speaker 1: drives along with the wind, blowing her hair like a whip.
• 38:22
  Speaker 9: For I have loved thee as a dream, doth flatter
• 38:26
  Speaker 9: and sleep a king, but waking no such matter.
• 38:30
  Speaker 1: Dissolved to exterior doc Evening. Patterson sits on his bench,
• 38:35
  Speaker 1: bleary eyed and vacant. Wheeler approaches.
• 38:38
  Speaker 4: You need it up at the barrack, Sir, We got
• 38:40
  Speaker 4: a discipline problem.
• 38:41
  Speaker 5: Something you can handle, sun You can't.
• 38:43
  Speaker 4: You sit on your ass the rest of your life, sir,
• 38:45
  Speaker 4: We need your commander.
• 38:47
  Speaker 1: Cut to interior a company barracks night. Patterson walks into
• 38:51
  Speaker 1: the dark and barracks. He fumbles for the light switch
• 38:54
  Speaker 1: and flicks it on. Party streamers fly across the room.
• 39:00
  Speaker 1: The barracks breaks into songs.
• 39:08
  Speaker 12: There's nobody kN tonag Happy Memorial Day, Commander kid him
• 39:14
  Speaker 12: very well celebrated without her hero.
• 39:16
  Speaker 5: I'd forgot well, boys, okay, but no underage drinking.
• 39:25
  Speaker 9: Got everything right here, sir. Party hats pin the tail
• 39:28
  Speaker 9: and a donkey and coconut rum.
• 39:30
  Speaker 5: Well, but not for the youngsters.
• 39:33
  Speaker 1: Wheeler and Linquist re enter the barracks with a silver
• 39:36
  Speaker 1: Martini shaker and a doctor pepper. They both are wearing
• 39:39
  Speaker 1: sat and dinner jackets.
• 39:41
  Speaker 4: Hate to taste, Commander. Besides, someone has to keep frosty.
• 39:44
  Speaker 5: Hey, Commander, on the level, we'll be back next year.
• 39:48
  Speaker 9: Well, thank you, Commanders, will afloat for next year.
• 39:51
  Speaker 5: Well on a level, it don't look good. I just
• 39:55
  Speaker 5: I don't know, Fellas. I'm sorry. I just have to
• 39:58
  Speaker 5: hope and hang on to keep afloat. Don't know where
• 40:02
  Speaker 5: that'll take us, but whatever it is, you boys will
• 40:07
  Speaker 5: always make me proud.
• 40:09
  Speaker 9: I'm sure you'll think of something.
• 40:10
  Speaker 5: Commander, Well, who knows things have a way of changing
• 40:14
  Speaker 5: in the blink of an eye.
• 40:16
  Speaker 4: Were coming back, and I'll tell you this I'm going
• 40:19
  Speaker 4: to be a captain and kick them.
• 40:20
  Speaker 11: Sorry ass, Wheeler, lernt your song, sir?
• 40:24
  Speaker 15: Have you heard of a ship called the Good Reuben
• 40:27
  Speaker 15: James men by.
• 40:29
  Speaker 1: Hard Patterson is visibly touched. The boys pass soft drinks,
• 40:33
  Speaker 1: but lace them with contraband.
• 40:34
  Speaker 15: Boots, stripes of the land of the Free, but tonight
• 40:37
  Speaker 15: cheese in her grave at the bottom of the sea.
• 40:42
  Speaker 4: Tell me what bro their names?
• 40:44
  Speaker 15: Tell me?
• 40:44
  Speaker 3: What were their names?
• 40:46
  Speaker 15: Did you have a friend on the good Boob and James?
• 40:50
  Speaker 3: What were their names?
• 40:52
  Speaker 15: Tell me what was his name?
• 40:54
  Speaker 4: Did you have a friend on the Good Boob and James?
• 41:00
  Speaker 4: Will one hundred men went down in the dark watery grave?
• 41:04
  Speaker 1: Crossfade to exterior ship night slouch on a ship deck,
• 41:08
  Speaker 1: watching the horizon, a sliver of land ahead. Cross Fade
• 41:12
  Speaker 1: to exterior parade field, Graduation day, montage, Damn Ron at
• 41:17
  Speaker 1: the podium. The words duty, honor, and country weave through
• 41:21
  Speaker 1: his speech, recall sounds, The boys march and review. Patterson
• 41:26
  Speaker 1: and Faculty return their salute from the reviewing stand. The
• 41:30
  Speaker 1: boys throw their hats in the air. Crossfade to exterior
• 41:34
  Speaker 1: vents day. Wheeler and Linquist are standing at the cyclone
• 41:37
  Speaker 1: fence talking with missus Lindquist. Wheeler is gesturing at length
• 41:41
  Speaker 1: to the puzzled woman who might as well be in Iowa. Finally,
• 41:45
  Speaker 1: Lindquist kisses her and the boys run off. Edison waits
• 41:49
  Speaker 1: for them by the limo. Crossfade to exterior Bleachers Day.
• 41:54
  Speaker 1: Aunt Selina sits alone in the bleachers. Left again, crossfade
• 41:59
  Speaker 1: to exterior high Sally heads west on Root sixty six.
• 42:03
  Speaker 1: Exterior Bay of pigs Day. Slow motion, gunfire, smoke, and
• 42:09
  Speaker 1: chaos as a band of Cubans hit the beach. Bebop
• 42:13
  Speaker 1: is hit as he steps on to the sand. He
• 42:16
  Speaker 1: falls face first in the water. Blood colors the water
• 42:19
  Speaker 1: as bombs explode. Slouch rushes to him. Slouch cradles the
• 42:25
  Speaker 1: bleeding Bebop. A shadow stands over him, A heavily armed
• 42:29
  Speaker 1: Cuban gestured toward the forest where other captured and wounded
• 42:32
  Speaker 1: are being led. Exterior the school day. Leshinski is under
• 42:37
  Speaker 1: the archway of the school. He turns around and looks
• 42:40
  Speaker 1: up to the Eagle and the globe nearby. On the
• 42:43
  Speaker 1: bench by the bus stop and Arico sits with a
• 42:45
  Speaker 1: suitcase waiting for the j bus. Interior Patterson's hut Bay
• 42:52
  Speaker 1: of pigs, fiasco, un condemns action. US pulls air support
• 42:58
  Speaker 1: headlines the Miami Herald. The paper falls from Patterson's hands.
• 43:02
  Speaker 1: He fights back, tears Exterior parade field dusk. The academy
• 43:07
  Speaker 1: appears deserted, wind blows the palms. The camera leads us
• 43:13
  Speaker 1: to exterior parade field dusk. Commander Patterson, US Navy, Retired
• 43:18
  Speaker 1: takes a flag down and folds a try corner military fashion.
• 43:22
  Speaker 1: He tucks it under his arm and walks down by
• 43:25
  Speaker 1: the day by the bay. Fuck me, exterior parade field dusk.
• 43:33
  Speaker 1: Commander Patterson, US Navy, Retired takes the flag down and
• 43:37
  Speaker 1: folds a tri corner military fashion. He tucks it under
• 43:41
  Speaker 1: his arm and walks down by the bay. Exterior boat
• 43:46
  Speaker 1: dock dusk. Patterson sits on the bench under a palm tree,
• 43:51
  Speaker 1: watching five Huey gunship helicopters flying low over the bay
• 43:54
  Speaker 1: into the sun. Then the bench is empty. In the background,
• 44:01
  Speaker 1: bulldozers begin plowing into a company barracks as we fade out.
• 44:10
  Speaker 1: Dedicated to Stephen M. Leshinsky, Junior, Private first Class first
• 44:15
  Speaker 1: Cavalry USARV Ground Casualty, kuang Nam Province, South Vietnam, nineteen
• 44:24
  Speaker 1: forty five to nineteen sixty eight.
• 44:28
  Speaker 5: The honor in forty years no government money. Forty years ago,
• 44:45
  Speaker 5: Vietnam VET named Shad miyshad started a phone line. One rule,
• 44:49
  Speaker 5: veterans answer the calls. No bureaucrats, no contractors, veterans. The
• 44:57
  Speaker 5: National Veterans Foundation has done this since nineteen eighty five,
• 45:02
  Speaker 5: twenty years before the government even had a crisis line.
• 45:07
  Speaker 5: Now the VA is overwhelmed. They're sending overflow calls to
• 45:11
  Speaker 5: the National Veterans Foundation, a small nonprofit doing part of
• 45:16
  Speaker 5: their job without their budget. Twenty two veterans die by
• 45:21
  Speaker 5: suicide every day. The National Veterans Foundation needs your help
• 45:27
  Speaker 5: to keep answering the phone NVF dot org eight eight
• 45:33
  Speaker 5: eight seven seven seven four four four three