Latest / DA CREW Podcast / SC BOOKGAL & FRIENDS CHAT 22525

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SC BOOKGAL & FRIENDS CHAT 22525 · DA CREW Podcast

1:00
Speaker 1: Ladies and gentlemen, lay, I have your attention.
1:07
Speaker 2: Please.
1:09
Speaker 1: The show starts in seven life eight seven six, five
1:22
Speaker 1: four three two one go.
2:05
Speaker 3: It's said, hold up, hey, everyone, welcome the sc book.
2:10
Speaker 3: Guys in friends Chat. It's a Tuesday night and I'm
2:13
Speaker 3: bringing you an all author but as soon to be
2:17
Speaker 3: released book. Okay, so y'all remember about October maybe November
2:26
Speaker 3: last year that a friend of mine, a real good friend,
2:30
Speaker 3: close friend, y'all know it is release a book. Well,
2:36
Speaker 3: guess what, you guys were coming back with another book,
2:40
Speaker 3: his second release. But it's a total different from the
2:45
Speaker 3: first book. So the first book we had love and
2:49
Speaker 3: romance and drama and drugging and and some baby mask
2:57
Speaker 3: and some fighting and some chattiness sen some all kind
3:01
Speaker 3: of drama. But in this next one, we are bringing
3:06
Speaker 3: it to the streets. This next book is what you
3:11
Speaker 3: can consider a street urban novel. Now I know y'all
3:16
Speaker 3: think of street urban novel. What is she talking about?
3:19
Speaker 3: We'll discuss that later on. That's another show because we're
3:22
Speaker 3: gonna break down this African American genre, okay, because books
3:27
Speaker 3: just ain't an African American but we love back in.
3:32
Speaker 3: I want to introduce you guys to author the Kendrick Northern,
3:36
Speaker 3: and he's gonna talk about his soon toy release book,
3:40
Speaker 3: Born from the Streets. Hello, miss Northern, how are you good? Dead?
3:49
Speaker 3: And how are you sir?
3:54
Speaker 4: So?
3:57
Speaker 3: I had the chance to read this new novel Born
4:00
Speaker 3: from the Streets, and I have to admit it is
4:04
Speaker 3: a three sixty. Well I'm sorry from Flowers of be
4:10
Speaker 3: So before we go any further and we talk about
4:12
Speaker 3: this one, tell us a little bit about yourself.
4:17
Speaker 4: Well, but like my.
4:17
Speaker 2: Kids are knowing, uh the time, at the time, just
4:21
Speaker 2: write down you know what I'm saying. I try to
4:23
Speaker 2: express the back then they got some different respect from Wow,
4:28
Speaker 2: I'm trying to away. Uh.
4:31
Speaker 4: You know, I've been writing for quite a while.
4:34
Speaker 2: But like I said, he's first two editions supported class
4:37
Speaker 2: was really.
4:38
Speaker 4: My first, my first baby.
4:40
Speaker 2: So you have your first thing, you know, I'm saying,
4:43
Speaker 2: look at him and look at a difference. You want
4:45
Speaker 2: to get him out there, but you got people the
4:47
Speaker 2: ball they lighted enough. I just did want to get
4:50
Speaker 2: that out and held my ounther cove. Uh work the transition.
4:56
Speaker 2: You know, I'm not saying that you ain't gonna like
4:58
Speaker 2: the person you t.
5:02
Speaker 3: Well, I must say that I saw on Facebook that
5:07
Speaker 3: there's some people who are currently reading Flowers of Eve
5:10
Speaker 3: and I'm seeing nothing but great reviews from it. How
5:14
Speaker 3: do you think your readers are going to feel about
5:17
Speaker 3: Born from the Streets?
5:21
Speaker 4: Well, people have a different chies. How do you know?
5:29
Speaker 2: You know, I'm not gonna just strict fail to get them.
5:32
Speaker 2: Both are how you get into perspective read Bought from
5:40
Speaker 2: the Streets, they'll be like, well, you know, I say,
5:43
Speaker 2: it's it's pretty much bake, don't you know? But well,
5:47
Speaker 2: the ministreets you don't pay one and don't drugs and robbery,
5:50
Speaker 2: you know, struggle, you know, things like that, struggling up
5:54
Speaker 2: in the clime.
5:58
Speaker 3: And yes, that is true. When reading both of them,
6:03
Speaker 3: I do think that Born in the Streets is more
6:08
Speaker 3: of a male novel. But I do not like categorizing books,
6:15
Speaker 3: but for words sake, we will say that it's more
6:23
Speaker 3: of a male novel. Is that where you was going
6:27
Speaker 3: for or you just wanted to create this novel because
6:34
Speaker 3: you had that You had that vision for this book.
6:39
Speaker 3: Was it gearly on first wrote for men? Or was
6:43
Speaker 3: it just a vision.
6:46
Speaker 2: Vision of a reason of my incartoration? Say I had
6:52
Speaker 2: read a book. It was occupied this guy to have
6:56
Speaker 2: it like having the same first to day he went
7:00
Speaker 2: through and you know that's a whole lip story, just
7:05
Speaker 2: playing with it, like you know what I'm saying for
7:09
Speaker 2: because when I read the work, I've seen he going
7:11
Speaker 2: to going through the confident and put him up.
7:14
Speaker 4: You know what I'm saying. I feel like that I
7:16
Speaker 4: can do this because.
7:18
Speaker 2: The cloth you said street, I mean the street I'm saying.
7:23
Speaker 2: It's like, really DC, they don't get up one of
7:25
Speaker 2: the mind, you know what I'm saying. So everything pretty
7:26
Speaker 2: wasn't say because people have a different experience. So I
7:30
Speaker 2: feel you know, you don't work till the street story,
7:32
Speaker 2: you know what I'm saying. So I said, I'm getting
7:34
Speaker 2: shot because I had a dream and I've seen the
7:37
Speaker 2: group in my dream, you know what I'm saying.
7:39
Speaker 4: So everything's fine.
7:41
Speaker 3: Keep the writer, Okay, Okay, So you saw that you
7:45
Speaker 3: sat did the cover in your dreams and that means
7:49
Speaker 3: you write the book. How did you started your character development?
7:55
Speaker 3: Like I think, okay, okay.
8:00
Speaker 2: Like the other side of the characters and that book
8:03
Speaker 2: is pretty much you know, like the personalities and any
8:08
Speaker 2: character that I came up in the streets. Now when
8:11
Speaker 2: you read it, don't think that you know they're grinding,
8:14
Speaker 2: but you know he is the personality and the prism
8:16
Speaker 2: and stuff that's going. And they have the hand to
8:19
Speaker 2: teach themselves.
8:20
Speaker 4: In the books.
8:21
Speaker 2: So it's kind of like experience that I went through myself,
8:24
Speaker 2: you know what I'm saying, And you know, just let it.
8:26
Speaker 2: We don't take any proper imagination to a little extra
8:30
Speaker 2: little soup, you know there.
8:32
Speaker 3: Okay, so tell us about the main characters of your book.
8:38
Speaker 4: But the main characters.
8:39
Speaker 2: If if a guy named nothing, you know, and uh
8:43
Speaker 2: he had he had the girl, you know that they
8:46
Speaker 2: might do a little separation.
8:47
Speaker 4: But it's hard as I was.
8:48
Speaker 2: You know, that's a teenager, you know, get in a
8:51
Speaker 2: little trouble, you know what I'm saying in the streets,
8:53
Speaker 2: and you could wait for a little while out there
8:55
Speaker 2: and got and everything change.
8:58
Speaker 4: So he's trying to do good.
9:00
Speaker 2: He takes the problem, you know, the shot because you
9:03
Speaker 2: don't have a mother and father, you know what I'm saying.
9:06
Speaker 2: Reading in beginning, you understand why.
9:09
Speaker 3: Right, And grandma's name was Nita, right Nita. Okay, So Dante,
9:20
Speaker 3: I'm just calling deep because he got on my nerve,
9:24
Speaker 3: And the reason why he got on the nerve is
9:26
Speaker 3: because I felt like he kept looking for trouble. That's
9:34
Speaker 3: the bob that I got.
9:37
Speaker 4: Were you.
9:40
Speaker 2: A lot of people would leave that, but if you
9:42
Speaker 2: play what was going on in it? Yeah, he had
9:46
Speaker 2: a design to know his father and in the streets
9:49
Speaker 2: a lot of me. So I'm saying father present. You know,
9:55
Speaker 2: I'm saying so a lot of times you may have mothers.
9:58
Speaker 2: They have no prayers in the street. And y'all heard
10:01
Speaker 2: the credit from his father saying credit. So he walked
10:06
Speaker 2: until a day you know that he had it. So
10:10
Speaker 2: he had he was struggled with that book. You know
10:12
Speaker 2: what I'm saying. It's a big struggle, a lot of friction,
10:16
Speaker 2: and he'll be fine when.
10:20
Speaker 3: Yeah, because when you're gonna talk about how you make
10:22
Speaker 3: the guy script naked and shot him, Like why you
10:26
Speaker 3: got a script on naked to shoot him?
10:28
Speaker 2: Like, I'm not about action, you know, relation streets. You
10:33
Speaker 2: have so much time on the street and running certain things.
10:36
Speaker 2: You know what I'm saying, it's it's just did you
10:38
Speaker 2: know just.
10:41
Speaker 4: Up you know it's just with something typical people?
10:46
Speaker 3: Did you just say typical people? Typical people Okay, I'm
10:52
Speaker 3: about to shoot you, so get naked. Like that's crazy.
10:55
Speaker 3: And I had to read that twice. I was like, yo,
10:58
Speaker 3: in in the cat, I'm not gonna tell y'all all
11:01
Speaker 3: the characters. I'm not gonna do that, okay, because there's
11:04
Speaker 3: a lot of characters in the books, and you see
11:09
Speaker 3: you see the not coming together and how not has strands,
11:14
Speaker 3: and you see it coming together when you read the book.
11:17
Speaker 3: So I'm not gonna do that, Flowers, and you even
11:19
Speaker 3: give y'all all the details. But this character, the scene
11:25
Speaker 3: of him being killed jumped out me because he was begging.
11:30
Speaker 3: He already knew he was going to die, all right,
11:33
Speaker 3: he was begging. But I saw that he didn't have
11:37
Speaker 3: any remorse for his death, Like why would he do
11:39
Speaker 3: that when he okay, the same person we talked when
11:49
Speaker 3: he told him to get naked and he killed him
11:52
Speaker 3: like he was begging, He's like, you don't have to
11:55
Speaker 3: do this, man. Why did you feel that humiliating him
12:00
Speaker 3: in the book was so important in that scene? Like
12:06
Speaker 3: you've killed other people off in the book, But why
12:09
Speaker 3: humiliating that character that way? Was there a reason for that?
12:15
Speaker 2: Is simple fact that he's trying to play the role
12:18
Speaker 2: of his other you know things that it's just the
12:21
Speaker 2: point we had over there, and that they didn't like, okay,
12:25
Speaker 2: and certain certain people.
12:27
Speaker 4: In like that.
12:30
Speaker 2: I'm saying, once you get some big, get so big
12:33
Speaker 2: you don't say anybody street code really really except gun
12:38
Speaker 2: people gonna get it because the time, man, it miss
12:44
Speaker 2: if it was breaking there. So when you when you
12:45
Speaker 2: said a president in the street, you gotta gotta do
12:50
Speaker 2: what you have to do.
12:52
Speaker 3: And he had to kept him like that. I mean,
12:54
Speaker 3: he had to do that. But how about Lisa. Lisa
12:59
Speaker 3: is my definition of it's true. And I know we've
13:01
Speaker 3: all heard it before, righty died. Tell us a little
13:06
Speaker 3: bit about her?
13:09
Speaker 2: Well, obviously do I said he was not school makes
13:11
Speaker 2: you know, uh, he did what he did when you know,
13:15
Speaker 2: he expected her to hold him down. But you know,
13:17
Speaker 2: you know you're young like he was in the transformation
13:22
Speaker 2: in his you got how he came to the typical
13:25
Speaker 2: world were so I did to scratch you know how
13:27
Speaker 2: they take crabs on the button. I'm saying, so so
13:29
Speaker 2: I couldn't scratch him that so he had just covering
13:32
Speaker 2: a few things about it, okay, But at the same time,
13:35
Speaker 2: once she came back into her life, you know, I'm saying,
13:38
Speaker 2: so he makes her don't think differently even though she
13:41
Speaker 2: had own little world, thanks, but he had his own
13:44
Speaker 2: real page.
13:45
Speaker 4: They still had connect.
13:48
Speaker 2: Understanding. Yeah, he end up had the first thing he had,
13:52
Speaker 2: But he had to realize, you know, I'm depected on the.
13:55
Speaker 3: Street, the street, fright, you know I'm saying, yeah, yeah,
14:01
Speaker 3: but in some cases I felt at Lista it was
14:04
Speaker 3: very naive, like they h all of all of everything
14:13
Speaker 3: that was going on in a novel. She just was
14:19
Speaker 3: this a pillar. But why did she have to endure
14:26
Speaker 3: so much?
14:30
Speaker 4: Well, you know, like like I.
14:32
Speaker 2: Try to keep my doors like kind of like piss
14:36
Speaker 2: really going on the street. And uh, I think that
14:39
Speaker 2: that love love in the streets, Like I'm saying, it's
14:43
Speaker 2: kind of different love back in the day, you know
14:46
Speaker 2: what I'm saying.
14:46
Speaker 4: So it's kind of like this on yourself. They're just
14:49
Speaker 4: want to feel love, you know, And she had her
14:52
Speaker 4: own find out it can't do that.
14:58
Speaker 2: One we would see Okay, we're equal that, you know,
15:04
Speaker 2: he said. You know, she didn't want to exposed, but
15:07
Speaker 2: she can do.
15:11
Speaker 3: Okay, I can see that. I can see that now,
15:15
Speaker 3: Grandma or mother mis Neita, she played a big factor
15:22
Speaker 3: in the beginning of the book. Why did you feel
15:24
Speaker 3: that it was very important to have that older female
15:28
Speaker 3: figure in the beginning setting of the book. Was that
15:33
Speaker 3: planned or she's just let me put her in there
15:36
Speaker 3: as a fuller or you know, what's the purpose of her?
15:41
Speaker 2: I got to say, I try to keep everything you know.
15:44
Speaker 2: You know, it'd be kind of a vision dans king
15:46
Speaker 2: about everything, you know, but I try to kind of
15:49
Speaker 2: like really, so you know, we all callow the guys
15:53
Speaker 2: in the street out there when they want to hit
15:56
Speaker 2: it at night. You got big Mama got their mumble man,
16:01
Speaker 2: they got in the streets mumble praying I'm saying for
16:03
Speaker 2: the baby come home and like something, because you know,
16:06
Speaker 2: we we have Doug, you know, thinking we're grown and
16:10
Speaker 2: we're doing this, but they have to have a praying
16:12
Speaker 2: for ourselves and then turn over new me, you know,
16:14
Speaker 2: saying so it's like you got to show the type
16:17
Speaker 2: of little.
16:19
Speaker 4: Messing that we know.
16:22
Speaker 2: Man, they just want to say this and say that,
16:24
Speaker 2: you know, and then they don't know what's going on
16:26
Speaker 2: and what we go up through at the same time
16:28
Speaker 2: they do. They can't do it too say they did
16:30
Speaker 2: evolved to a better person. They try to show up
16:33
Speaker 2: and then how it goes.
16:35
Speaker 4: And what you come up with the.
16:36
Speaker 2: Fact and they know that, hey, you know I can
16:39
Speaker 2: do better. I needs but I can change my life,
16:42
Speaker 2: you know, saying So that's.
16:43
Speaker 4: How they time to put it in there like that.
16:46
Speaker 3: Yeah, it's like it's like they knew how it was
16:51
Speaker 3: when they were younger, and they know that this is
16:54
Speaker 3: something that you're going to have to find for your own.
16:57
Speaker 3: That that Agel song saying, you know it was Grandma's prayers.
17:05
Speaker 3: You know, everybody has their mom, but it's something about
17:07
Speaker 3: that granny prig That granny prayer is something. And I
17:11
Speaker 3: love my granny and I miss both of them, so
17:13
Speaker 3: I totally understand that. But let's go back into the
17:17
Speaker 3: family dynamics between d and not having his father. That
17:25
Speaker 3: is the typical fine in an African American street novel.
17:32
Speaker 3: How does that fair with your novel? I don't want
17:38
Speaker 3: you to tell the story, but how does that become tenfold?
17:43
Speaker 1: Like?
17:44
Speaker 3: Is it soft? Does it lead to something else? I
17:47
Speaker 3: will tell you guys, this is a cliffhanger. This book
17:52
Speaker 3: is a cliffhanger because I still want to know what
17:54
Speaker 3: happened at the end one day, got a little almost caught.
17:58
Speaker 3: But we ain't say nothing about that.
18:00
Speaker 2: Huh, So.
18:03
Speaker 3: Is that intention? Like, like, how are you going to
18:06
Speaker 3: resolve the relationship that he did not have.
18:11
Speaker 4: Well coming up in the street.
18:14
Speaker 2: You know I'm saying, he don't start saying like like
18:16
Speaker 2: he was young when he went in, when he.
18:18
Speaker 4: Came out, he was still young.
18:19
Speaker 2: So like I say, this book, uh, like I say,
18:22
Speaker 2: was my first one, so I kept it in that
18:24
Speaker 2: in that range. I think he came out here when
18:27
Speaker 2: I first wrote it, So I have a more to
18:31
Speaker 2: come with it for us at three parts.
18:33
Speaker 4: So man, p train, you know, like I.
18:37
Speaker 2: Ain't gonna say what's going on? But as he played,
18:39
Speaker 2: it's gonna be I didn't. Right, they can take it
18:41
Speaker 2: off solst he as he grow in this child if
18:44
Speaker 2: girl wrote everybody involved or what the story don't get better?
18:48
Speaker 2: You know what I'm saying as far as like how
18:50
Speaker 2: he gets folved every thing he experience, you know what
18:52
Speaker 2: I'm saying, And he don't see things that a father
18:55
Speaker 2: wants to do, the thing that he missed out on.
18:57
Speaker 2: You know, I'm trying to take that for sometimes trying
19:05
Speaker 2: to get.
19:05
Speaker 4: Away with them.
19:11
Speaker 3: So what advice would you have for those who are
19:15
Speaker 3: trying to leave the streets but seems like they still
19:19
Speaker 3: keep pulling back. Now, the reason why accident, I know
19:24
Speaker 3: you guys are wondering if you don't mind, mister nor
19:27
Speaker 3: then we can tell him a little bit back about
19:30
Speaker 3: your background situation.
19:31
Speaker 4: Is that?
19:31
Speaker 3: Okay?
19:34
Speaker 4: Yeah, yeah, okay.
19:38
Speaker 3: The reason why because I know you guys are wondering, like,
19:40
Speaker 3: why do we not see him? Okay, he is currently
19:43
Speaker 3: incarcerated in Texas and that's why you don't see him
19:50
Speaker 3: on the string. But guess what, that incorporation ain't stopping this, gentlemen.
19:54
Speaker 3: And I'm gonna tell y'all, I am afraid when he
19:56
Speaker 3: touched down, Okay, And it's not afraid like, oh my god,
20:01
Speaker 3: what he's going to do. It's oh my god, what
20:03
Speaker 3: he is not going to do, because I can tell
20:07
Speaker 3: by the determination in him through the process of getting
20:11
Speaker 3: this book published when you are incarcerated. But first of all,
20:16
Speaker 3: I'm proud of you. I know the process was hard.
20:20
Speaker 3: I know when we have spoken before, there were people
20:23
Speaker 3: that take advantage of you, but you kept going and
20:26
Speaker 3: I know that there were times you felt like this
20:29
Speaker 3: is getting on my last nerve, but you saw it through.
20:34
Speaker 3: What advice would you give to those who feel that
20:37
Speaker 3: the street is trying to pull them back.
20:39
Speaker 2: In my safe and now you're saying it want to
20:49
Speaker 2: go up through the situation that gave me a life,
20:54
Speaker 2: you know I'm saying really like saying that. But I
20:59
Speaker 2: tell you now, I had to go off the delisting
21:02
Speaker 2: through so Uh, I had had to go through a
21:05
Speaker 2: husband and stage in my life, I'm saying, and going
21:08
Speaker 2: through the different spirits and seeing what happened the streets. Uh,
21:11
Speaker 2: listen to my father's you know the thing she she's
21:14
Speaker 2: just late night, you know what I'm saying, worry and pray.
21:16
Speaker 4: By me or something.
21:17
Speaker 2: You know what I'm saying. Now that I see it
21:19
Speaker 2: back and I see out, you know, it's it's a
21:21
Speaker 2: whole different, you know.
21:23
Speaker 4: What I'm saying.
21:23
Speaker 2: Like, so now that I see things and I have
21:27
Speaker 2: to decide it and not that that sail, you know,
21:30
Speaker 2: just letting up there in the chain. A couple lot
21:32
Speaker 2: of time me comes to prison, that's when the fire
21:34
Speaker 2: academics can't find who they are, you know what I'm saying.
21:37
Speaker 2: So it's kind of like a say It's like say
21:40
Speaker 2: so I just tell the brothers out there then you know, uh,
21:44
Speaker 2: say yourself now, for I have to save yourself later.
21:46
Speaker 4: Man eight clocks we decided, now you know what I'm saying.
21:50
Speaker 4: So no, that's what I see. All right, So.
21:57
Speaker 3: Let's go back to this book. How the way you
22:04
Speaker 3: I don't want to talk about it, but I do
22:05
Speaker 3: want to talk about it because of this mad creative.
22:11
Speaker 4: H the.
22:16
Speaker 3: I don't know how to without giving it away.
22:21
Speaker 4: The ending.
22:22
Speaker 3: Let's just say the ending. How in the world did
22:24
Speaker 3: you come up with that ending of them acting like
22:28
Speaker 3: they was in this situation but it wasn't. If you
22:33
Speaker 3: if you understand what I'm saying.
22:37
Speaker 2: Well about being read in the book, you know he
22:42
Speaker 2: had he had a group of so it just behind
22:44
Speaker 2: a lot of that tide in the streets, you know,
22:46
Speaker 2: and Rock, which is you know that he came up
22:49
Speaker 2: in the book the way the book was brought up.
22:54
Speaker 2: You know what I'm saying. You just can't tell them
22:56
Speaker 2: anything on the streets something You'll be like had kind
23:02
Speaker 2: of your point that's going to because to certain things
23:05
Speaker 2: you said. So right, so we had to make a plan,
23:09
Speaker 2: made himself saying he had to make it consision.
23:11
Speaker 4: So he had strategically no operation.
23:16
Speaker 2: It did.
23:18
Speaker 3: And y'all when he said just truth, I can never
23:20
Speaker 3: say that word strategically he means that. I actually re
23:26
Speaker 3: read that part because I was like, anyway, let's just
23:29
Speaker 3: say I D Channel. So if you know you're an
23:33
Speaker 3: I D Channel watcher, you know exactly what I'm talking about.
23:37
Speaker 3: And I'm still trying to figure out like how to
23:39
Speaker 3: grow and how the devil they got away with it?
23:41
Speaker 3: But they did, they did. So when are you wanting
23:48
Speaker 3: to release this one? What is your target date of release?
23:56
Speaker 2: Well, I'll live by the end of the watch or
23:59
Speaker 2: you yeah, you know kind of want to go back
24:02
Speaker 2: because I gotta say it was my first book, and
24:04
Speaker 2: you know, if it was back in nine and now
24:07
Speaker 2: my first my first problem.
24:09
Speaker 4: It's not outdated like that.
24:10
Speaker 2: It's just you know, certain take ready to see No, say,
24:14
Speaker 2: let me go out the time and keep it that way,
24:16
Speaker 2: because I got to see three book series, so you
24:18
Speaker 2: know that the family well, and so you know that's
24:24
Speaker 2: that's pretty much I want the time of hope. Okay,
24:27
Speaker 2: get to cover everything because you get everything straight up there.
24:30
Speaker 3: It's my understanding is right now you're currently just working
24:33
Speaker 3: on the cover art right, right, Okay, so now this
24:39
Speaker 3: book too. Are you currently working on this book too?
24:45
Speaker 4: Yeah, I'm I'm gonna saying with it.
24:47
Speaker 2: I already got everything everything. It's pretty bad a thing.
24:51
Speaker 2: It's already to make it ex actually time, he says,
24:54
Speaker 2: you know, think everything resurrection. You know what I'm saying
24:58
Speaker 2: in the subbody uh day walking.
25:05
Speaker 3: Exactly. You couldn't have named that better dead Man Walking?
25:08
Speaker 4: You did that.
25:10
Speaker 3: You couldn't have named that book better because that's exactly. Yeah,
25:14
Speaker 3: dead Man Walking, That's it, so miss.
25:19
Speaker 4: But I change it.
25:22
Speaker 3: I can see trust no man but that dead Man Walking,
25:26
Speaker 3: especially how to Way you in did book one. Yeah,
25:30
Speaker 3: that's right, that's totally right. So missus the Kendrick before
25:36
Speaker 3: we close out, let me ask you a question. Anything
25:39
Speaker 3: else you're working on?
25:42
Speaker 4: Yeah, work on the uh things?
25:44
Speaker 2: You know.
25:45
Speaker 4: I gotta.
25:48
Speaker 2: Working on a special three h I have a book.
25:56
Speaker 4: Cheers and book.
25:58
Speaker 2: I got a book favorable A Detective Murder.
26:02
Speaker 4: So I think I take it there. Just let everybody
26:05
Speaker 4: know I'm gonna stuck on that.
26:07
Speaker 3: Just you know.
26:08
Speaker 2: When I came to the writing eventually, that's what I was,
26:15
Speaker 2: and I feel I can write about anything. I can
26:18
Speaker 2: have something for everybody.
26:22
Speaker 3: And that's good because I would say African American genre
26:26
Speaker 3: and I'm just gonna keep on putting that in quote.
26:28
Speaker 4: You got.
26:30
Speaker 3: It's spready like right now. The newest thing out is
26:34
Speaker 3: the Afro futurism, which is African American main characters in
26:41
Speaker 3: a futuristic fantasy type setting. Okay, So let's say a
26:47
Speaker 3: little bit of Octavia Butler, uh teeny that type of novels. Okay,
26:56
Speaker 3: So we have your social media information and we see
27:01
Speaker 3: if you can be found on Facebook, Blue Sky, Instagram.
27:06
Speaker 3: What would you like to say to close us out
27:09
Speaker 3: to your new and old readers.
27:13
Speaker 2: Well, I just wanted to know, man, just give that
27:16
Speaker 2: uh you know the way I can give my foot
27:18
Speaker 2: storia just alone. I think that you got to figure
27:24
Speaker 2: out get it out. So I'd like you to go
27:28
Speaker 2: party your surprise but everything, can you know, just just deal.
27:34
Speaker 3: With that, all right. Well, we would like to thank
27:38
Speaker 3: you for being on with us tonight, and before we
27:43
Speaker 3: leave you, guys, I'm gonna go ahead and give you
27:45
Speaker 3: the heads up for next month. Y'all knows woman's his
27:49
Speaker 3: three months, right mm hmmm, So, ladies, it's our times
27:55
Speaker 3: every Tuesday in the month of march, I get to
27:59
Speaker 3: end it, you a lady. I have missus Tracy Small's
28:03
Speaker 3: coming through, Missus Millie Groves coming through.
28:07
Speaker 4: I have.
28:10
Speaker 3: Do Do Do Do Do Do do? Miss Robinson coming
28:13
Speaker 3: through her new novel. And I have miss uh Patilli
28:20
Speaker 3: Patelli coming through with her novel. So next month, like
28:24
Speaker 3: Queen Latita said, it is ladies first, that fly will
28:28
Speaker 3: be out tonight. You guys, y'all know how I do
28:31
Speaker 3: it catch the replay of this show. It will be live,
28:36
Speaker 3: well not live. It would be able to catch the
28:39
Speaker 3: replay as soon as we get off, like as soon
28:42
Speaker 3: as we get off. Okay. Also, remember all of the
28:46
Speaker 3: great author opportunities that we have going on with aspiring authors,
28:51
Speaker 3: the rep your state. We still have states available. You
28:54
Speaker 3: can have your own cover. Check our Facebook pages, our
28:59
Speaker 3: social media outlooks. We also have the one hundred authors.
29:05
Speaker 3: And let me tell you something about this one hundred
29:07
Speaker 3: inspiring authors. Y'all. The information that is being shared, it
29:13
Speaker 3: is like a mini community. You cannot beat that. It's
29:17
Speaker 3: like you have all these other friends that are helping
29:22
Speaker 3: me market it. It is that we have killed the
29:26
Speaker 3: crabs in a barrel, okay, because we all in this together,
29:30
Speaker 3: So if you want to be a part of any
29:32
Speaker 3: of those projects, please contact us and we will give
29:36
Speaker 3: you information. Okay, watch out next Tuesday. Ladies. First, but
29:43
Speaker 3: remember you guys before we leave. There is no such
29:46
Speaker 3: thing as an old book because not everyone has read
29:50
Speaker 3: every book. See you next Tuesday. Bye, ladies. First, lady,
30:00
Speaker 3: that's good.