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One on One: Tanc Sade · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all In, I Kiss You, I Am all
• 0:17
  Speaker 1: In with Scott Patterson, an iHeartRadio podcast.
• 0:20
  Speaker 2: Everybody Scott Patterson I Am all In Podcast one eleven
• 0:24
  Speaker 2: Productions iHeartRadio one on one interview with none other than
• 0:29
  Speaker 2: Tank Sade. He was born in Sydney, Australia, named a
• 0:35
  Speaker 2: young emerging Colony, worked in the theater before moving to
• 0:38
  Speaker 2: Los Angeles in two thousand and four, and he rose
• 0:42
  Speaker 2: to prominence on the show as Finn in The Death Brigade.
• 0:48
  Speaker 2: Sade rose to international attention playing the quirky role of
• 0:51
  Speaker 2: Finn in the cult series Gilmore Girls. Amy Sherman Palladino
• 0:55
  Speaker 2: took a liking to Sade and created the role after
• 0:58
  Speaker 2: he auditioned for the love interest of Logan Huntsberger. He
• 1:03
  Speaker 2: starred in the series Roady's one hour drama written directed
• 1:06
  Speaker 2: by Cameron Crohn, produced by JJ Abrams for Showtime, which
• 1:09
  Speaker 2: lasted one season. He starred opposite Nicholas Cage in the
• 1:12
  Speaker 2: movie Stolen, and has appeared on Sons of Anarchy, The Mentalist,
• 1:17
  Speaker 2: Body of Proof nine O two one zero CSI Miami, CSI,
• 1:21
  Speaker 2: New York. He wrote and directed Flowers and Weeds, starring
• 1:23
  Speaker 2: Academy Award nominee and Golden Globe winner Terrence Stamp and
• 1:28
  Speaker 2: music from Academy Award winner Glenn Hansard. He first appeared
• 1:37
  Speaker 2: as Tank Sod in episode three, season five, Written in
• 1:40
  Speaker 2: the Stars. His last appearance season six, episode twenty two Partings.
• 1:45
  Speaker 2: He was in fifteen episodes from two thousand and four
• 1:47
  Speaker 2: to two thousand and six. He appeared in A Year
• 1:50
  Speaker 2: in a Life in Fall. Shall we bring in? Mister
• 1:54
  Speaker 2: Tank said, Tank, how are you? Thanks for joining us?
• 1:57
  Speaker 2: Excited to have you. The fans are excited so appreciate
• 2:02
  Speaker 2: your time. Good sceneing you. We never met I never
• 2:05
  Speaker 2: met you on the set.
• 2:07
  Speaker 3: I don't think we ever did a scene together.
• 2:08
  Speaker 2: No, we never did a scene together. I never I
• 2:10
  Speaker 2: don't know that I ever. Did I ever do a
• 2:12
  Speaker 2: scene with Logan? I can't even remember. Well, anyway, how
• 2:17
  Speaker 2: did you get your career started? How did it all begin?
• 2:21
  Speaker 3: I started in Australia. I worked in the theater for
• 2:23
  Speaker 3: a few years and there was very limited opportunities there
• 2:26
  Speaker 3: for like film and TV at the time, so I
• 2:29
  Speaker 3: thought it was time to make the jump. I moved
• 2:31
  Speaker 3: to La just kind of want to win. Didn't have
• 2:35
  Speaker 3: didn't have much money to know a visa. So yeah,
• 2:39
  Speaker 3: I just came out here. I was crashing on couches
• 2:43
  Speaker 3: and I got an agent, and that agent going this
• 2:47
  Speaker 3: audition for sure. I called Gilmore Girls, which at the
• 2:49
  Speaker 3: time I never heard of, and they said to me, look,
• 2:54
  Speaker 3: we want to give you this audition just to let
• 2:56
  Speaker 3: you know. I've already pretty much cast the guy, but
• 2:59
  Speaker 3: they want to see some other guy, so we're just
• 3:00
  Speaker 3: going to send you, but just let him be known
• 3:04
  Speaker 3: they've got. So I'm like, all right, great, So go
• 3:07
  Speaker 3: in there and I meet the casting directors and there
• 3:09
  Speaker 3: wonderful and I meet Amy and the role was for
• 3:14
  Speaker 3: Logan and at the time, Matt Zuker was already in
• 3:18
  Speaker 3: the room, and he was in the room for probably
• 3:22
  Speaker 3: about forty five minutes.
• 3:25
  Speaker 2: After take take that's a that's a bad feeling when
• 3:29
  Speaker 2: you're sitting waiting to go. That is not a good feeling.
• 3:32
  Speaker 4: I've been there before, but I already knew that that
• 3:35
  Speaker 4: they had the guy, So for me, it was just
• 3:38
  Speaker 4: kind of like a ghost sing, you know, back in
• 3:40
  Speaker 4: the day, that's the way I was going to make
• 3:41
  Speaker 4: the casting director.
• 3:44
  Speaker 3: So I went in there. You know, I was in
• 3:45
  Speaker 3: the ninety seconds tops, and I swalked out the door.
• 3:52
  Speaker 3: And then Amy called up my agent and they said,
• 3:55
  Speaker 3: you know, we want to write a role for him.
• 3:57
  Speaker 3: He's going to be Logan's friend. And and it was
• 4:00
  Speaker 3: supposed to be I think one episode, one or two episodes,
• 4:03
  Speaker 3: and then it just kind of just kind of grew
• 4:05
  Speaker 3: from that.
• 4:05
  Speaker 2: Was Amy in the room. Do you remember Amy? Do
• 4:08
  Speaker 2: you remember who was in the room. Jamie and Mara
• 4:12
  Speaker 2: casting directors, right.
• 4:14
  Speaker 3: Yeah, and yeah Amy was in the room.
• 4:17
  Speaker 2: Yeah, yeah, those rooms. Man, you just can't tell sometimes,
• 4:24
  Speaker 2: you know, you think you're tanked and then you got
• 4:26
  Speaker 2: the job, no pun intended, or you think you did great,
• 4:30
  Speaker 2: and you're just like, yeah, no, they don't remember you.
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  Speaker 3: You know, I have no idea. I was so Australian,
• 4:39
  Speaker 3: you know. I mean not that I'm less Australian, but
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  Speaker 3: I just didn't understand how it worked in America. I
• 4:44
  Speaker 3: mean I walked in barefoot, like, because you know, I
• 4:48
  Speaker 3: come out of the theater. I was like, until I've
• 4:49
  Speaker 3: got the roll, I don't wear shoes, and I was
• 4:51
  Speaker 3: what I had. I had flip blocks on and I
• 4:55
  Speaker 3: walked in. I just kicked my flip flops off started
• 4:58
  Speaker 3: doing the audition and Jane to this daye she was like,
• 5:00
  Speaker 3: I'll never forget that kid walked in the room with
• 5:02
  Speaker 3: nice shoes.
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  Speaker 2: There you go, that's it, you know, that's the moment
• 5:07
  Speaker 2: they knew, right, So it was originally written for Logan.
• 5:14
  Speaker 2: So tell us what happened after the audition.
• 5:20
  Speaker 3: I went home. My agent called me up a few
• 5:21
  Speaker 3: days later. They said they want you to do this show.
• 5:24
  Speaker 3: I'm like, great, let's do it. But they want you
• 5:27
  Speaker 3: to be Australian and I said no, and they said
• 5:31
  Speaker 3: what do you mean now? I was like, like, I
• 5:32
  Speaker 3: just got here. I don't want to be known playing
• 5:34
  Speaker 3: Australian character. I just want to just you know, come
• 5:37
  Speaker 3: in under the the American like everyone else. And they
• 5:40
  Speaker 3: went back and they said he doesn't want to do
• 5:42
  Speaker 3: it because he wants to be American. And they said, no,
• 5:44
  Speaker 3: we want him Australian. And then they I went back
• 5:47
  Speaker 3: and forth. My agent just went, you're an idiot, not
• 5:51
  Speaker 3: in the Union, you don't have a visa, may just
• 5:55
  Speaker 3: take it. I was like, and uh, there's you know,
• 5:59
  Speaker 3: the best decision, right.
• 6:01
  Speaker 2: And it's just for the one episode, but you ended
• 6:02
  Speaker 2: up doing gosh, let me look, I knew how many
• 6:05
  Speaker 2: episodes you did? Fifteen episodes.
• 6:10
  Speaker 3: Well, we were supposed to do the seventh season as well.
• 6:15
  Speaker 3: We were written into Oh really yeah, yeah, we were
• 6:18
  Speaker 3: all in the seven Yeah, because I already knew. Oh,
• 6:22
  Speaker 3: I was in the first three episodes of season seven,
• 6:25
  Speaker 3: and then Amy parted ways, right, I did rewrise and.
• 6:29
  Speaker 2: I took us out. That's all right, that's what was missing, man.
• 6:35
  Speaker 2: You kick it off with the Light and Death Brigade
• 6:38
  Speaker 2: and you got something there, man. That was Those were
• 6:41
  Speaker 2: the those episodes were just they sparkled. They were so
• 6:45
  Speaker 2: much fun.
• 6:46
  Speaker 3: It was you know, it was fun.
• 6:48
  Speaker 2: Tell us about it. Tell us about shooting that stuff
• 6:51
  Speaker 2: and being on location and outside and jumping off that
• 6:54
  Speaker 2: platform and all that. Tell us about that.
• 6:57
  Speaker 3: You know, I didn't know any better. You know, I'd
• 7:00
  Speaker 3: come out of very very small budget. You know, a
• 7:05
  Speaker 3: high budget film in Australia was two million dollars and
• 7:10
  Speaker 3: it sulted if you were an actor in Australia. It's
• 7:13
  Speaker 3: because you want it to be, you know, because you weren't.
• 7:17
  Speaker 3: You weren't making any money. You know, you tread the boards.
• 7:21
  Speaker 3: You're lucky to scrape by a couple hundred bucks a week.
• 7:23
  Speaker 3: You know, our furniture was milk rates, and you know,
• 7:26
  Speaker 3: it was just everything was so small, and and coming
• 7:30
  Speaker 3: out to America and then going to Warner Brothers, and
• 7:32
  Speaker 3: I remember one of the first scenes I had was
• 7:35
  Speaker 3: in exterior at Yale. So I kept thinking, well, God,
• 7:40
  Speaker 3: we're in la where are they going to shoot this,
• 7:42
  Speaker 3: Where are they going to find that kind of you know,
• 7:44
  Speaker 3: sandstone kind of building. And we go in and they
• 7:48
  Speaker 3: just built it on bloody set like this is America,
• 7:53
  Speaker 3: you know this. It was insane. It was just you
• 7:57
  Speaker 3: just you don't know until you know it, you know it.
• 8:00
  Speaker 3: And the first director I had was Kenny or Taga.
• 8:03
  Speaker 2: Oh wow, that's good, look good, good fortune right there?
• 8:09
  Speaker 3: Yeah, Kenny. I mean, you know Kenny. Kenny comes from
• 8:11
  Speaker 3: this big musical background, you know, and you know, with
• 8:17
  Speaker 3: Michael Jackson did all these these musical films and dancing
• 8:21
  Speaker 3: films and whatnot. And and so the note I was
• 8:26
  Speaker 3: given was before I had started, was we want to
• 8:30
  Speaker 3: give the show a little bit of a little bit
• 8:35
  Speaker 3: of spunk, a little bit of spark, like a little
• 8:37
  Speaker 3: bit of grit, Like we wanted to bring something a
• 8:40
  Speaker 3: little different. And so I was like, all right, you know.
• 8:44
  Speaker 3: So I painted my nails and I was just trying
• 8:48
  Speaker 3: to just be loose and free, and Penny kept saying bigger,
• 8:53
  Speaker 3: you know, just go with it. Because I said big
• 8:57
  Speaker 3: he told me to rein it in wherever you want.
• 8:58
  Speaker 3: He was just just go go for it, all right,
• 9:02
  Speaker 3: this is the director. Do what he tells me. They're like, yeah,
• 9:05
  Speaker 3: it's like Fear and Loathing Las Vegas, and I haven't
• 9:08
  Speaker 3: seen the show, right, I'm just doing it and uh
• 9:13
  Speaker 3: and then like a week later, my agent calls and says,
• 9:16
  Speaker 3: you know, the studio, the studio just called us and
• 9:19
  Speaker 3: name just wanting to rain it in. I'm going to
• 9:27
  Speaker 3: get fired man. Oh so yeah. I was like, you know,
• 9:32
  Speaker 3: I was devastating such an I was like, well, I
• 9:36
  Speaker 3: just deal with The director told me said, yeah, nah,
• 9:40
  Speaker 3: don't do that. So I was like all right, but
• 9:42
  Speaker 3: we kind of just had fun. We could do it.
• 9:45
  Speaker 3: Amy just let us run a mark, anything we could add.
• 9:49
  Speaker 3: She let us do it, like any kind of physical stuff.
• 9:52
  Speaker 3: She let us do it.
• 9:53
  Speaker 2: So Kenny didn't even direct you to do like, well
• 9:56
  Speaker 2: we got the big takes, let's do sort of one
• 9:58
  Speaker 2: with a little less. No, it was all just go
• 10:01
  Speaker 2: go go right the other way. Oh man, Well it
• 10:08
  Speaker 2: all worked out like fifteen episodes. Pretty good, you know,
• 10:12
  Speaker 2: coming from a small role like that and you made
• 10:14
  Speaker 2: it your own and you made it bigger, and good
• 10:18
  Speaker 2: on you for that. So you'd been you'd been mostly
• 10:23
  Speaker 2: in the theater before. Did you find that it was
• 10:26
  Speaker 2: a hard transition coming into you know, had you been
• 10:29
  Speaker 2: in front of a camera before, a movie camera before?
• 10:32
  Speaker 3: I had limited I had, so I kind of got
• 10:37
  Speaker 3: the nuances of it. But the style of film and
• 10:43
  Speaker 3: TV in Australia is very very different to America. And
• 10:48
  Speaker 3: I don't want to say very very different to America,
• 10:50
  Speaker 3: what I will say is very very different to Gilmore Girls.
• 10:53
  Speaker 3: You know, as you know, Gilmore Girls was about you know,
• 10:56
  Speaker 3: getting the lines word perfect and being you know, on
• 11:00
  Speaker 3: the money, on the mark, and it was just there
• 11:02
  Speaker 3: was a rhythm to it. Whereas in Oz the performance
• 11:06
  Speaker 3: was less about you know, here's the close up on you,
• 11:11
  Speaker 3: here's a close up on me. It was more about
• 11:14
  Speaker 3: what was happening in between. They really wanted authenticity. They
• 11:18
  Speaker 3: wanted that organic kind of performance, and there was a
• 11:22
  Speaker 3: rawness to it and it meant that, you know, if
• 11:27
  Speaker 3: if there was a little ad lb or if you
• 11:30
  Speaker 3: armed an ard or stepped on each other's lines, that's
• 11:33
  Speaker 3: what they wanted. So then that was gold. So it
• 11:38
  Speaker 3: took me a little while to adjust when I came
• 11:40
  Speaker 3: here with that stuff, you know, Like I remember saying
• 11:45
  Speaker 3: something like, you know, I'm going to the park and
• 11:51
  Speaker 3: on the set they came up to me and said, no,
• 11:53
  Speaker 3: I am you know like that sort of stuff. In
• 11:56
  Speaker 3: the first couple episodes, I'm good. I got that a lot,
• 12:00
  Speaker 3: and so that was an adjustment for me. Yeah, it
• 12:03
  Speaker 3: took me a second to figure that all out. And
• 12:06
  Speaker 3: also I think it took them a second to figure
• 12:08
  Speaker 3: out writing for Finn because I don't think they'd ever
• 12:12
  Speaker 3: heard an Australian before, so he was kind of his
• 12:18
  Speaker 3: manner was and his dialogue was more British, and it
• 12:23
  Speaker 3: was and it was oddly because as as it progressed,
• 12:26
  Speaker 3: I would find things that I was saying to the
• 12:28
  Speaker 3: crew all of a sudden appearing in the script, like
• 12:31
  Speaker 3: certain little words that I'm you know, like they were
• 12:33
  Speaker 3: picking up on the vernacular. And then apparently America had
• 12:39
  Speaker 3: at this scene with my accent, they couldn't understand me.
• 12:43
  Speaker 3: So I was doing a lot of ad r in
• 12:44
  Speaker 3: the beginning, and then people were complaining that I had
• 12:48
  Speaker 3: the worst Australian accent ever.
• 12:53
  Speaker 2: You got me and you're just getting re reamed from
• 12:55
  Speaker 2: the you can't win.
• 12:58
  Speaker 3: But you know, we figured it and it's kind of
• 13:00
  Speaker 3: like a happy meeting. But it took a couple of episodes,
• 13:02
  Speaker 3: I think in the beginning.
• 13:09
  Speaker 2: So what did you like about playing Fan? What did
• 13:12
  Speaker 2: you really thrive on?
• 13:15
  Speaker 3: You know, he was he was kind of like lovable song,
• 13:22
  Speaker 3: you know, and they have such fun characters to play
• 13:26
  Speaker 3: because there's that there's that depth. You know, most a
• 13:30
  Speaker 3: lot of the times, as you know, you you read
• 13:32
  Speaker 3: a character on the page and he's the good guy
• 13:35
  Speaker 3: or he's the bad guy. But when you have a
• 13:39
  Speaker 3: guy that kind of sort of does douchey things but
• 13:42
  Speaker 3: has a good heart, there's some sort of complexity to that.
• 13:45
  Speaker 3: There's there's a contrast. And it was just fun. It
• 13:50
  Speaker 3: was play. It was always play, and I got away
• 13:54
  Speaker 3: with murder and I think it was just because I
• 13:56
  Speaker 3: was Australian and I didn't know any better. I mean,
• 13:59
  Speaker 3: there was there was this thing on on set always
• 14:02
  Speaker 3: like somebody yell out why does he do it? And
• 14:05
  Speaker 3: the crew would go because he's Australian. I just go,
• 14:08
  Speaker 3: I'm sorry, you know, you know, and you couldn't get
• 14:14
  Speaker 3: away with half the stuff we did on set back then.
• 14:17
  Speaker 3: But yeah, it was it was good. I mean, the
• 14:22
  Speaker 3: nights were long, as you know, they liked they like
• 14:25
  Speaker 3: to do another.
• 14:26
  Speaker 2: Take, thirty more, forty more.
• 14:29
  Speaker 3: Sure, Yeah, I'm sure you got a lot more of it. Yeah.
• 14:32
  Speaker 3: When we did the reunion, we're doing night shoots for
• 14:36
  Speaker 3: the dream sequence and we're in the middle of it
• 14:39
  Speaker 3: and uh and Amy goes one more and I'm like,
• 14:44
  Speaker 3: I'm like fifty feet away. I'm like amen, and she's
• 14:48
  Speaker 3: like yeah, and I go, We'll do as many as
• 14:51
  Speaker 3: you want, but we all know you don't want one more,
• 14:57
  Speaker 3: you know, And of course you did twenty more takes. Yeah,
• 15:02
  Speaker 3: God love. I mean, I owed my career to that woman.
• 15:06
  Speaker 3: She wrote a role for me and she never gave
• 15:10
  Speaker 3: me a single note, not one.
• 15:13
  Speaker 2: Yeah, you know, you're you're right about that. All the
• 15:17
  Speaker 2: main cast does too, especially because they this studio wanted names,
• 15:24
  Speaker 2: they didn't want unknowns. And that was right about two
• 15:28
  Speaker 2: thousands of a time that film actress were crossing over
• 15:30
  Speaker 2: into TV. It wasn't so for voting anymore. And and
• 15:37
  Speaker 2: there was a lot of competition. I mean, it's just
• 15:40
  Speaker 2: like you couldn't get a TV roll. It was like, Oh,
• 15:43
  Speaker 2: Benjamin Bratt's gonna do it, and this guy's going to
• 15:45
  Speaker 2: do it, and this film guy's going to do it.
• 15:46
  Speaker 2: It's like, okay, So she fought for every single one
• 15:50
  Speaker 2: of us. So yeah, we owere our careers as well.
• 15:54
  Speaker 2: I mean, I know I feel you on that one,
• 15:55
  Speaker 2: bud uh So you jump I jump jack big episode
• 16:02
  Speaker 2: you got introduced life and Death Brigade. What do you
• 16:05
  Speaker 2: remember about filming that? Where did you film it? What
• 16:09
  Speaker 2: do you remember about filming it?
• 16:12
  Speaker 3: We filmed it somewhere in the valley. You're gonna know this.
• 16:19
  Speaker 3: I don't remember it because I just moved to La
• 16:22
  Speaker 3: then and I've actually been around there. I want to
• 16:25
  Speaker 3: say it's somewhere around there's a lot somewhere around Agra Hills, Calabasas,
• 16:30
  Speaker 3: somewhere out there apparently Pleasantville out there or something. I'm
• 16:34
  Speaker 3: sure you've shot there.
• 16:35
  Speaker 2: Oh yeah, there's there is. There is a movie ranch
• 16:38
  Speaker 2: out there somewhere.
• 16:40
  Speaker 3: Near Malibu Lake at this property there. The one thing
• 16:47
  Speaker 3: I do remember is we we had a lot to
• 16:52
  Speaker 3: shoot that day and we weren't going to get it
• 16:54
  Speaker 3: in the can. We're running out a lot and we
• 16:57
  Speaker 3: had the skirmish sequence, which involved couple of us shooting
• 17:02
  Speaker 3: with paintball guns, these guys flying through the air.
• 17:05
  Speaker 2: Funniest stuff. I mean, that was one of the funnier
• 17:08
  Speaker 2: things I've seen on that show.
• 17:10
  Speaker 3: Yeah, it was fun. And I believe the cinematographer said,
• 17:16
  Speaker 3: we don't have any time to shoot this. We're going
• 17:21
  Speaker 3: to shoot it. And the cinematographer said, to the best
• 17:24
  Speaker 3: of my knowledge, or we can't, and I think Amy said,
• 17:29
  Speaker 3: well we are, so you can go home. And we
• 17:34
  Speaker 3: shot the entire sequence in a oneer.
• 17:38
  Speaker 2: Oh my, A wanner for the audience is there are
• 17:43
  Speaker 2: no cuts. It's like you're getting everything in one shot,
• 17:47
  Speaker 2: which is impossible to do. Everything has to come together
• 17:52
  Speaker 2: to accomplish that. Very courageous.
• 17:54
  Speaker 3: Anyway, go ahead, And I you know, we were told
• 17:58
  Speaker 3: we had like fifteen minutes worth of life. So the
• 18:02
  Speaker 3: way it was the scene is basically and I'm going
• 18:05
  Speaker 3: to I'm going to tell you the scene from my
• 18:07
  Speaker 3: perspective because frankly, that's all I know is, you know,
• 18:12
  Speaker 3: I think Logan and Rory walk over. I have a
• 18:15
  Speaker 3: skirmish gun. I shoot some guy that's flying through the air.
• 18:21
  Speaker 3: I have one or two lines of dialogue with Logan
• 18:23
  Speaker 3: and Rory, and then I say something to effective. I
• 18:25
  Speaker 3: want to have a turn, as in being shot out
• 18:27
  Speaker 3: of the cannon. So then I run off camera. I
• 18:34
  Speaker 3: rip my jacket off, I take my shirt off, I
• 18:37
  Speaker 3: put another shirt on with squibs, and then they throw
• 18:41
  Speaker 3: me onto a gurney and then they run me straight
• 18:45
  Speaker 3: back through the scene. So I do it like a
• 18:48
  Speaker 3: costume change while they're shooting their dialogue, and we come
• 18:51
  Speaker 3: back through, and then they just went, yep, yeap, grab
• 18:55
  Speaker 3: some cutaways here, great, let's roll, and we a scene
• 19:00
  Speaker 3: with people flying through the air, props skirmish guns. Nick
• 19:06
  Speaker 3: had to hit him like Nick was the guy shooting
• 19:10
  Speaker 3: the gun and he had to hit the flying bodies.
• 19:13
  Speaker 3: If he didn't, we didn't have it. And then dialogue
• 19:16
  Speaker 3: for four characters in fifteen minutes flight.
• 19:21
  Speaker 2: Isn't it amazing what you can accomplish on a film
• 19:24
  Speaker 2: set when you have to, You have to right, everybody
• 19:27
  Speaker 2: figures it out. Suddenly there's no time, let's get it done.
• 19:32
  Speaker 2: I think that's what I think some of the really
• 19:35
  Speaker 2: great indie directors do that on their films. It's like
• 19:40
  Speaker 2: you listen, guys, you have one take. We're going to
• 19:42
  Speaker 2: do it in a wan er. We got to move on,
• 19:44
  Speaker 2: let's go, and then then the performances are just brilliant.
• 19:48
  Speaker 3: Right Clint, someone done m Clint Eastwood only does one tape.
• 19:53
  Speaker 2: That's what I right, I was. I was thinking of him, Yeah, yeah, yeah.
• 19:58
  Speaker 3: But also like you know, if you if you're on
• 20:00
  Speaker 3: a if you're in a film and you know you
• 20:03
  Speaker 3: got twenty days shoot or whatever, or you've got three
• 20:07
  Speaker 3: months shoot, you're still getting the movie in the camp
• 20:10
  Speaker 3: one way or another.
• 20:10
  Speaker 2: Yeah, you got to do it all right. Here Sarah
• 20:15
  Speaker 2: from des Moines, Iowa wants to know what your favorite
• 20:20
  Speaker 2: line was that you had to deliver it as a finn.
• 20:26
  Speaker 3: Oh wow, oh buttercup.
• 20:32
  Speaker 2: And in what kind of explain the context?
• 20:35
  Speaker 3: There's a scene where Rory is coming to the hospital
• 20:41
  Speaker 3: and Logan's in the hospital bed and I have a
• 20:47
  Speaker 3: scene with Allen who played Colin. But it took me
• 20:55
  Speaker 3: probably I think in the two years on Gilmore Girls,
• 21:00
  Speaker 3: I was happy with three scenes maybe two and one
• 21:05
  Speaker 3: was with Ed and one was with Allen and that
• 21:08
  Speaker 3: was it. And we have this chunk of dialogue and
• 21:11
  Speaker 3: Rory's in and she's all mad at us, and I
• 21:16
  Speaker 3: can't remember the lines exactly, but there was a bit,
• 21:19
  Speaker 3: but we were we were on, you know, you know,
• 21:22
  Speaker 3: there's that magic in the bottle and sometimes you're on
• 21:24
  Speaker 3: and be a long while to figure it out. But
• 21:27
  Speaker 3: that scene, yeah, I mean, all the classic lines that
• 21:31
  Speaker 3: people quote from Finn Why you don't know at the time, right,
• 21:37
  Speaker 3: You're just you're just doing your dialogue and then and
• 21:42
  Speaker 3: then they come out and then all of a sudden,
• 21:43
  Speaker 3: they're like there. You know, they're still quoted fifteen years later.
• 21:46
  Speaker 2: They're on T shirts and they're on coffee cups and yeah. Right,
• 21:51
  Speaker 2: so you worked you worked with Matt on The Resident.
• 21:55
  Speaker 2: What was it like working with him again?
• 21:58
  Speaker 3: Great? Yeah, great? He is Matt is the consummate professional.
• 22:05
  Speaker 3: He's the hardest worker I've ever met. I like to
• 22:10
  Speaker 3: think I'm a very hard worker. I take my job
• 22:14
  Speaker 3: very seriously. I like to do a lot of research,
• 22:21
  Speaker 3: and I just feel lazy when I'm around that. He's
• 22:27
  Speaker 3: just so on point. He does so much homework and
• 22:32
  Speaker 3: he just bangs it out, you know, he just drills,
• 22:35
  Speaker 3: drills it, and I I'm still a part of me
• 22:40
  Speaker 3: just has a bit of fun. You know, Math's consummate professional.
• 22:46
  Speaker 3: I have a lot of time for him. He's he's
• 22:49
  Speaker 3: he's been a good.
• 22:50
  Speaker 2: Friend, you know, brilliant, brilliant gay.
• 22:54
  Speaker 3: He's done so much work that you can't help. But
• 22:57
  Speaker 3: you know, there have been times when you know, I'll
• 22:58
  Speaker 3: be on set with him and I'll say, hey, you know,
• 22:59
  Speaker 3: what to a take on this? Or what do you
• 23:01
  Speaker 3: think about this? Or you know, and that was all
• 23:03
  Speaker 3: that on the resident. So he's shot. You know, I
• 23:05
  Speaker 3: was coming on just doing a guesting right.
• 23:09
  Speaker 2: Yeah, we we love him over here. We've had him
• 23:11
  Speaker 2: on a couple of times and he's just the top guy. Gosh,
• 23:15
  Speaker 2: top guy and great performances, logan, just fantastic perform I
• 23:21
  Speaker 2: think that gets lost in all of the you know,
• 23:25
  Speaker 2: the fan reaction to you know, where he comes from.
• 23:29
  Speaker 2: He's a guy of privilege. He's breaking Rory's heart, he's
• 23:33
  Speaker 2: manipulating her all of the stuff. And what I'm trying
• 23:36
  Speaker 2: to focus on is like this guy's performance is epic.
• 23:41
  Speaker 2: I mean, just the work. Look at the work, look
• 23:43
  Speaker 2: at how everything just trips off his tongue and it's
• 23:46
  Speaker 2: just like the timing of it is so perfect. You
• 23:49
  Speaker 2: guys were all great together. Man, that was those those
• 23:52
  Speaker 2: were the most fun scenes to watch so far. I mean,
• 23:55
  Speaker 2: among the most fun. Uh. And so is there. Keep
• 24:00
  Speaker 2: in touch with everybody and the and the brigade.
• 24:03
  Speaker 3: Alan Matt every now and again we'll send each other
• 24:05
  Speaker 3: a text. But one thing I think part of that
• 24:10
  Speaker 3: fun is, you know, we were blessed. We I think
• 24:13
  Speaker 3: we kind of got given certain liberties that that you
• 24:16
  Speaker 3: guys didn't, you know, because you guys were driving, you know.
• 24:21
  Speaker 3: But when we met, it was very clear, at least
• 24:24
  Speaker 3: clear to me, that we had to develop this camaraderie
• 24:28
  Speaker 3: and we had to be very very close. So we
• 24:32
  Speaker 3: hung out all the time in the beginning, like outside of it,
• 24:36
  Speaker 3: you know, after that first day of shooting, we had
• 24:40
  Speaker 3: pokon ice, the boys had cigar and nights. I was there,
• 24:43
  Speaker 3: but I just don't smoke. We'd hang out anytime we
• 24:47
  Speaker 3: were on set. We all hung out one trailer. It
• 24:49
  Speaker 3: was you know, you know a site you go to
• 24:51
  Speaker 3: set and you just go to do your own thing.
• 24:54
  Speaker 3: That we'd all get one trailer. We're bringing some guitars.
• 24:56
  Speaker 3: We'd start jamming or whatever. He wanted to get that
• 24:59
  Speaker 3: kind of of kingship really quickly. And I think you
• 25:03
  Speaker 3: see it. I think you see it on camera.
• 25:05
  Speaker 2: Yeah, it's it definitely translates it. It really really helps.
• 25:11
  Speaker 2: Let's talk about Yellowstone. So you're in we're starring on
• 25:20
  Speaker 2: the spin off nineteen twenty three.
• 25:22
  Speaker 3: Yes, yes, so we wrapped that. I want to say
• 25:27
  Speaker 3: January February.
• 25:28
  Speaker 2: Okay, that's season one.
• 25:30
  Speaker 3: Season one. They picked up a season two. Good at
• 25:37
  Speaker 3: least that's what I heard when they wrapped in January.
• 25:42
  Speaker 3: But that was mate. I have never I don't. I'm
• 25:45
  Speaker 3: sure you have. I've never been to Montowner guy and boy,
• 25:50
  Speaker 3: are they right that is the most magical place on
• 25:53
  Speaker 3: the planet something. Yeah, I spent I spent a bit
• 25:57
  Speaker 3: of time up there, and you know, I had to
• 25:59
  Speaker 3: learn how to write a That's always the way I like.
• 26:01
  Speaker 3: Can you ride a horse? Yeah?
• 26:02
  Speaker 2: Absolutely, yeah, grow up riding horse. Yeah.
• 26:06
  Speaker 3: They have cowboy camp. They call it cowboy Camp and
• 26:09
  Speaker 3: they send it up and you just go on a
• 26:13
  Speaker 3: ranch and you ride a horse for five six hours
• 26:15
  Speaker 3: a day and you get your own instructor and they
• 26:19
  Speaker 3: just you know, run you through the drills and I
• 26:22
  Speaker 3: mean it's it's hard work, but it's great work. You know,
• 26:26
  Speaker 3: when I was looking into horse essons out here and
• 26:28
  Speaker 3: I speak to people and they go, yeah, we we
• 26:30
  Speaker 3: typically do thirty to sixty minute lessons. I go, is
• 26:34
  Speaker 3: that it and they go yeah, because there's quite a
• 26:37
  Speaker 3: big cognitive load and you'll get tired, you'll be fatigued,
• 26:40
  Speaker 3: and you know it's better that way to keep them sure.
• 26:44
  Speaker 3: You know, Rock up to Montown it's like.
• 26:45
  Speaker 2: All day, yeah, end of it.
• 26:49
  Speaker 3: And they had to ride a horse.
• 26:52
  Speaker 2: So when's that gonna, when's that gonna, where's it going to?
• 26:55
  Speaker 2: Uh extreme? And when's it coming out?
• 26:58
  Speaker 3: The streams? On Paramount Class it's out now. It seems
• 27:04
  Speaker 3: to have gone some great reviews. I think they're in
• 27:07
  Speaker 3: some you know, talks about Emmys and whatnot, and you
• 27:12
  Speaker 3: know they're in consideration all that sort of stuff. But
• 27:14
  Speaker 3: you know, Harrison Ford and Helen Mirror images, right, you.
• 27:18
  Speaker 2: Know, they're insane, absolutely amazing. Did you get to meet
• 27:23
  Speaker 2: Taylor Sheridan? Was was he on set? Did he film
• 27:26
  Speaker 2: some stuff with you guys because he likes to be
• 27:28
  Speaker 2: in his own productions.
• 27:30
  Speaker 3: Yeah, it wasn't in my episodes, and I know I'm
• 27:37
  Speaker 3: not sure where he was, but I know he has
• 27:38
  Speaker 3: like nine shows in production.
• 27:40
  Speaker 2: Yeah, yeah, that we know of, right, yeah, yeah, yeah.
• 27:44
  Speaker 3: And twenty three was being shot in South Africa, Montana, Gibraltar,
• 27:51
  Speaker 3: I think, yeah, and Walter at the same time, so
• 27:58
  Speaker 3: I'm sure he was in one of the contents.
• 28:01
  Speaker 2: Unbelievable the guy. The guy is a marvel. I mean,
• 28:05
  Speaker 2: he's just it's just I don't know how he does it,
• 28:09
  Speaker 2: but he does it. So now we're going to jump
• 28:17
  Speaker 2: into a segment of this episode called rapid Fire. I'm
• 28:21
  Speaker 2: going to ask you some really silly, superfluous questions about
• 28:25
  Speaker 2: the show, and you're going to answer them to the
• 28:27
  Speaker 2: best of your ability. Good luck. How do you like
• 28:31
  Speaker 2: your coffee?
• 28:32
  Speaker 3: I don't drink coffee.
• 28:35
  Speaker 2: Have you binged the entire Gilmore Girls series.
• 28:39
  Speaker 3: I've only seen one episode and it was with my
• 28:42
  Speaker 3: wife and it was about six weeks ago. It was
• 28:45
  Speaker 3: the first time I've ever seen an episode. What do
• 28:48
  Speaker 3: you think I should really enjoyed it?
• 28:52
  Speaker 2: That's good? Are your team Logan, Team Jess or Team Dean?
• 28:58
  Speaker 2: Do you know what that is?
• 29:00
  Speaker 3: Yes? Ok, same life.
• 29:03
  Speaker 2: There you go. And which Gilmore Girl's character would you
• 29:09
  Speaker 2: not want to go on a road trip? With oh
• 29:14
  Speaker 2: h Rory's mother Emily, right, gotcha, that's all.
• 29:20
  Speaker 3: The character character? Oh yeah, Emily.
• 29:25
  Speaker 2: You'd stay in good hotels though, don't you think that
• 29:28
  Speaker 2: would be true?
• 29:29
  Speaker 3: Yeah?
• 29:29
  Speaker 2: Great service?
• 29:31
  Speaker 3: The size thing is a free lunch.
• 29:35
  Speaker 2: What would you order at Luke's diner? There you go,
• 29:41
  Speaker 2: Harvard or Yale?
• 29:44
  Speaker 3: Oh my, Yael.
• 29:47
  Speaker 2: Luke's nickname in high school was Butch. What's your nickname? Who?
• 29:56
  Speaker 2: From Gilmore? Would you not want to be stuck on
• 30:01
  Speaker 2: a desert island with? Basically the same question, road trip
• 30:06
  Speaker 2: or a desert island? Now we're on a desert island
• 30:08
  Speaker 2: with somebody? Who? Do you not want to be on
• 30:09
  Speaker 2: a desert island with? Ed?
• 30:12
  Speaker 3: What's it's character's name?
• 30:14
  Speaker 2: Richard?
• 30:15
  Speaker 3: Richard? Yeah, I don't think you'd be very useful on
• 30:18
  Speaker 3: an island.
• 30:18
  Speaker 2: Right. There you go, boy, something in your life. You
• 30:23
  Speaker 2: are all in on My wife, thanks said, pleasure to
• 30:30
  Speaker 2: talk to you. Thank you so much for the time.
• 30:35
  Speaker 2: You are one of the most asked about, in demand
• 30:40
  Speaker 2: characters in this series. We are very grateful that you
• 30:44
  Speaker 2: came on, and we hope you will consider coming on
• 30:47
  Speaker 2: again because we are going to get into more episodes
• 30:52
  Speaker 2: that you are in and we are enjoying them very much,
• 30:55
  Speaker 2: so thank you so much for coming on.
• 30:57
  Speaker 3: Thanks Mine, I appreciate it.
• 30:58
  Speaker 2: Take care, Tank, thanks so much, Thank you very much, Buds, Hey, everybody,
• 31:30
  Speaker 2: and don't forget Follow us on Instagram at I Am
• 31:34
  Speaker 2: All In Podcast and email us at Gilmore at iHeartRadio
• 31:39
  Speaker 2: dot com