Latest / The Bootleg Kev Podcast / #43 - Wack 100

Transcript

#43 - Wack 100 · The Bootleg Kev Podcast

• 0:03
  Speaker 1: We own a motherfucker. We own a motherfucker bout lick.
• 0:07
  Speaker 1: We own a motherfucking boot lick. Kiare podcast, Yes, we
• 0:10
  Speaker 1: are ladies and gentlemen. Hey, look, welcome to the show.
• 0:13
  Speaker 1: Another edition of the Boutlet Kip podcast presented by odd Socks.
• 0:18
  Speaker 1: Approaching episode fifty shortly, man, you know what I'm trying
• 0:21
  Speaker 1: to do for episode fifty, I'm trying to get Freddie
• 0:23
  Speaker 1: Gibbs to pull back up on the podcast because he
• 0:26
  Speaker 1: was episode number one. I'm actually going to be heading
• 0:29
  Speaker 1: to Austin, Texas with Freddie Gibbs next week. He's going
• 0:32
  Speaker 1: to do a big podcast based in Austin. I don't
• 0:35
  Speaker 1: want to say who he's gonna be on with, well,
• 0:38
  Speaker 1: very big podcast that's based in Austin, Texas. So I
• 0:43
  Speaker 1: will be accompanying him because the person whose podcast it
• 0:46
  Speaker 1: is I am extremely excited to meet. So yeah, hopefully
• 0:51
  Speaker 1: we get Gibbs on for episode number fifty. What what
• 0:54
  Speaker 1: episode is this? Who are we introducing? No? No, but
• 0:58
  Speaker 1: like who who's who? We got? Like ten? We're sitting
• 1:01
  Speaker 1: on all right? So look, how let me drink this water?
• 1:09
  Speaker 1: Oh let me just say this, man, you know what
• 1:12
  Speaker 1: I mean? No, this would be whack. Yes, okay, okay,
• 1:20
  Speaker 1: so this is whack. This is well. Look, we got
• 1:21
  Speaker 1: a bunch of shit in the can. We got big
• 1:23
  Speaker 1: U coming up. We gotta snow the product. We're gonna
• 1:27
  Speaker 1: drop the Paul Stewart audio only episode SETI Hendrix might
• 1:32
  Speaker 1: end up only being audio only because we can't find
• 1:34
  Speaker 1: the fucking video. And some dope freestyles coming up. We
• 1:38
  Speaker 1: just dropped the o MBPS freestyle, which is Dope Wap
• 1:42
  Speaker 1: Dad interview, which is going crazy. Shout out to Gap Dad.
• 1:46
  Speaker 1: We're gonna talk to Whack one hundred on the podcast today.
• 1:50
  Speaker 1: Whack is a guy who you know, I've considered a
• 1:52
  Speaker 1: homie for a long time, very polarizing guy in hip hop,
• 1:56
  Speaker 1: someone who I respect, though, is someone who you know
• 1:59
  Speaker 1: is definitely an executive manager and also extremely extremely quick
• 2:08
  Speaker 1: to call out whatever the fuck he considers some bullshit
• 2:10
  Speaker 1: on Instagram. So Whack one hundred is on the podcast
• 2:16
  Speaker 1: and also got a shout out to our sponsors odd Socks.
• 2:20
  Speaker 1: Make sure you check out odd socksofficial dot com keyword
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  Speaker 1: go to vapincbd dot com. If you're into the CBD
• 3:05
  Speaker 1: lotions and potions, you know, maybe you're like, uh he
• 3:08
  Speaker 1: you know, like a little smoke, a little CBD before bed,
• 3:10
  Speaker 1: you know what I mean. Nicole likes to smoke the
• 3:12
  Speaker 1: pole before bed. Uh. By the way, our new producer
• 3:15
  Speaker 1: Nico Blitz is officially this is you know, it's been
• 3:18
  Speaker 1: it's been a nice little, uh introductory couple of weeks.
• 3:21
  Speaker 1: You know, Nico Blitz, go follow my Instagram and check
• 3:25
  Speaker 1: out his Twitch. You'd be twitching on that motherfucker. He
• 3:29
  Speaker 1: literally twitches on Twitch. It's a body roll though, right, Yeah,
• 3:34
  Speaker 1: it's interesting. People seem to enjoy it though, so go
• 3:37
  Speaker 1: check it out. All right, let's get into the episode
• 3:40
  Speaker 1: number whatever the fuck forty something featureing Whack one hundred.
• 3:44
  Speaker 1: Let's go Boutle Cab Podcast special guests. Man, my guy,
• 3:48
  Speaker 1: Whack one hundred is here. Yo, Man, that fucking duct
• 3:51
  Speaker 1: tape on your mouth? keV. I don't like this ship,
• 3:53
  Speaker 1: you know, Man, find the motherfucker did that? Man, it's
• 3:57
  Speaker 1: a problem, Whack. You know it's crazy because you're not
• 4:02
  Speaker 1: been wanting to get you on the podcast for a while. Yeah,
• 4:04
  Speaker 1: I know. So, I know that there's some some shit
• 4:06
  Speaker 1: going on on the internet right now, but I want
• 4:08
  Speaker 1: you to That's not why you're here. We're gonna talk
• 4:09
  Speaker 1: about it. But you know, I've been wanting to have
• 4:12
  Speaker 1: you on here for a long time. What I want
• 4:14
  Speaker 1: to start is give me what you're like. I feel
• 4:17
  Speaker 1: like there's many misconceptions about Whack. Yeah, well you know,
• 4:21
  Speaker 1: I'm I'm kind of who I want you to know. Then,
• 4:24
  Speaker 1: know who you are? You know, like with you every time.
• 4:28
  Speaker 1: It's a phone called. It always been a cave. I
• 4:31
  Speaker 1: got something for you. Can you know what I'm saying,
• 4:34
  Speaker 1: you know, because I really see the future in you,
• 4:35
  Speaker 1: I don't you know, I think you on your rise.
• 4:38
  Speaker 1: You I haven't even gotten nowhere near to what you know,
• 4:41
  Speaker 1: where you're gonna becoming. I've always been of big on relationships,
• 4:45
  Speaker 1: you know what I'm saying. I've always been big on
• 4:48
  Speaker 1: you know, if you're in a position to do something
• 4:50
  Speaker 1: for somebody to do it and don't keep count with it,
• 4:53
  Speaker 1: you know what I mean. Well, you know you're a
• 4:55
  Speaker 1: lot of people don't know this, but you're one of
• 4:56
  Speaker 1: the reasons I got hired in l a man exactly.
• 4:58
  Speaker 1: I was in Tampa. You put the word in I called.
• 5:01
  Speaker 1: I was in the meeting and they was Doc Winners
• 5:04
  Speaker 1: and everybody they was putting, you know, putting together the
• 5:07
  Speaker 1: structure of uh, the real ninety two three. Yeah what
• 5:11
  Speaker 1: it even came And I was like, yo, you know
• 5:13
  Speaker 1: what I mean. You know our boy Bootleg, we fucked
• 5:16
  Speaker 1: with him, everybody fuck when he be fit, you know
• 5:18
  Speaker 1: what I mean? And ship you know, Doc, I put
• 5:20
  Speaker 1: you online with him and yeah, you know it's crazy. Yeah,
• 5:23
  Speaker 1: they couldn't at the time, they couldn't hire me because
• 5:25
  Speaker 1: I was under contract. But it ended up working out. Yeah,
• 5:27
  Speaker 1: it was under contract at the time. But you know
• 5:29
  Speaker 1: that Seed was planning. I appreciate that you did. It
• 5:32
  Speaker 1: was already doing. Do you remember when I was in
• 5:35
  Speaker 1: Tampa you threatened to kill me. I gotta refresh, I
• 5:39
  Speaker 1: gotta refresh your memory on this. This was remember coming
• 5:42
  Speaker 1: through No, no, no, no no. It was over the phone.
• 5:44
  Speaker 1: So let me this is whenever people tell me crazy
• 5:47
  Speaker 1: act stories. I'm like, I got one, and that this
• 5:49
  Speaker 1: was after it was behind a game or something. So
• 5:52
  Speaker 1: let me tell you what happened. I was out with
• 5:54
  Speaker 1: Dante from you one one night. Oh yeah, Dante be
• 5:57
  Speaker 1: fucking roundt. So what happened was Dante's telling me about
• 6:01
  Speaker 1: this Meek Mill record for game right, and He's like, Yo,
• 6:05
  Speaker 1: this is about to be crazy whatever coming out there
• 6:06
  Speaker 1: E one And I'm like cool. Maybe two hours later
• 6:08
  Speaker 1: we're still out. I think we're out at the club
• 6:10
  Speaker 1: or something. Some Twitter page tweets me at Bootleg keV
• 6:14
  Speaker 1: leaked brand new game Meet Meal record with a link.
• 6:17
  Speaker 1: I show it to Dante, I say, yo, there's this.
• 6:20
  Speaker 1: This page is tweeting every DJ in the country. Right,
• 6:23
  Speaker 1: I'm like, is this it? And he's like, yes, screenshot
• 6:25
  Speaker 1: that so I can send it to Whack. So he
• 6:27
  Speaker 1: screenshot it and sent it to you and it's and
• 6:30
  Speaker 1: if you read it out loud, it said at bootleg
• 6:32
  Speaker 1: keV leaked brand new game meet Mill song. So the
• 6:35
  Speaker 1: next day I get a call from you saying that
• 6:38
  Speaker 1: I leaked your shit, and I'm like, bro, Whack. I
• 6:42
  Speaker 1: was with Dante last night and that was the one
• 6:46
  Speaker 1: time I got a bed shit roll downhill. I must
• 6:49
  Speaker 1: have got a call from Game. I don't know, but
• 6:52
  Speaker 1: I was like, that page is tweeting everybody, like I
• 6:55
  Speaker 1: don't know that. Everybody got to understand, like I probably
• 6:58
  Speaker 1: understand like thirty percent of social media. Yeah, that was
• 7:02
  Speaker 1: the one. You know what I'm saying, I'm still learning ship, Yeah,
• 7:06
  Speaker 1: like you know what I mean, I'm still learning how
• 7:08
  Speaker 1: to hit a hat. I could how the research had
• 7:11
  Speaker 1: to I got to ask my kids, you know what, Well,
• 7:13
  Speaker 1: then what Dante did, because I was like, Dante, you
• 7:15
  Speaker 1: got to fix this, bro, Like I was with it,
• 7:17
  Speaker 1: like he's Dante's and Tampa, this is the motherfucker song leaked. Yeah,
• 7:20
  Speaker 1: it was leaked, but I didn't leak it. It was something.
• 7:22
  Speaker 1: You know, what I started finding out a lot of
• 7:25
  Speaker 1: the labels was doing back then is they were servicing
• 7:29
  Speaker 1: the ship overseas, and the overseas platform was always twenty
• 7:33
  Speaker 1: four hours. They had an odd platform. So what happened
• 7:36
  Speaker 1: is once bloggers know that they're reaching over there grabbing it,
• 7:40
  Speaker 1: and then it's over here because a lot of people
• 7:42
  Speaker 1: don't know iTunes platform overseas, it's totally different than all
• 7:46
  Speaker 1: over here. It's a whole other game. It's a whole
• 7:48
  Speaker 1: nother game. But you know what, you know what's crazy.
• 7:51
  Speaker 1: I but the next time I talked to you, it
• 7:52
  Speaker 1: was like, I was like, it was like it never
• 7:54
  Speaker 1: happened because you know why this is. And I'm glad
• 7:56
  Speaker 1: you said yeah, because the ship wasn't personal, was business.
• 8:00
  Speaker 1: That's fair. Like I didn't. It wasn't a thing that
• 8:03
  Speaker 1: Bootleg Cab. It was like, this is the situation this
• 8:07
  Speaker 1: who did it? Address them? So probably when I called
• 8:10
  Speaker 1: you the next time, it was probably it was like
• 8:12
  Speaker 1: it was like nothing ever happened because I didn't. It
• 8:15
  Speaker 1: wasn't in my mind, it wasn't a problem with Bootleg Cab.
• 8:19
  Speaker 1: It was problem right here behind door number one got you.
• 8:23
  Speaker 1: You know what I'm saying. So that's what that was,
• 8:25
  Speaker 1: because it's always been in love with you. You always
• 8:28
  Speaker 1: know for sure it's back when cool and you know,
• 8:31
  Speaker 1: you know, you're really a part of our coach, our culture.
• 8:34
  Speaker 1: Everybody in the part of our culture, all the DJs
• 8:36
  Speaker 1: and the part of our culture. People that you know
• 8:39
  Speaker 1: you're gonna see all the time and not just see
• 8:42
  Speaker 1: because you got to hit record. You know you're gonna
• 8:44
  Speaker 1: see cav On. You know, I want to pull up
• 8:46
  Speaker 1: on Jim Jones cave On to say, you know what
• 8:49
  Speaker 1: I'm saying, You're gonna see cab out. You're gonna see
• 8:51
  Speaker 1: So I just ran into uh big screening. Uh yeah,
• 8:55
  Speaker 1: I didn't seen you twice in the last couple of weeks.
• 8:57
  Speaker 1: Fact and Melrose. Yeah you screening Jim Jones and friend Saul.
• 9:02
  Speaker 1: You know what I mean. But you know you you
• 9:05
  Speaker 1: know you're gonna pull up. That's why you and DJ
• 9:07
  Speaker 1: Head made it such a great duo because he the
• 9:10
  Speaker 1: same way you're gonna see him. He's yeah, for sure,
• 9:13
  Speaker 1: like cav we got some new ship pull up. He
• 9:14
  Speaker 1: pulling up to the studio. Cab didn't been in there
• 9:17
  Speaker 1: with thirty wolves. Yeah, he don't get you know what
• 9:21
  Speaker 1: I'm saying. He gonna pull up by hisself, come in
• 9:24
  Speaker 1: and that's what. Where the fuck are you from anywhere?
• 9:26
  Speaker 1: Phoenix man? Yeah, yeah, that's why I always get Phoenix.
• 9:30
  Speaker 1: I've been moving around though. You know the radio at
• 9:32
  Speaker 1: the station down there, what's the homie name? Always Power
• 9:34
  Speaker 1: ninety eight point three. The homie if you used to
• 9:36
  Speaker 1: fly back to New Mexico to go home, Mike there
• 9:39
  Speaker 1: you Mikey. Mike's still down there. Nah, he's in Boise.
• 9:42
  Speaker 1: He's he got Bois. Yeah, got you. Yeah, that's family man.
• 9:45
  Speaker 1: Shout out to Mikey for But yeah, Phoenix man, let's
• 9:49
  Speaker 1: get to the juicy. Listen, let's just get out. Let's
• 9:51
  Speaker 1: get that out of the way. All right, man, listen
• 9:53
  Speaker 1: right now people you you viral? Right now? When is
• 9:57
  Speaker 1: this song coming out? And they mixing that? Sit down
• 10:00
  Speaker 1: right now? So I got my producer, you know what
• 10:02
  Speaker 1: I'm saying, uh, Swiss cheese. Yeah, So let's talk about
• 10:05
  Speaker 1: this man. You know what what I what I It's
• 10:09
  Speaker 1: entertaining to me that at times you will speak on
• 10:11
  Speaker 1: the ship that don't got nothing to do with you,
• 10:13
  Speaker 1: but it stirs up a lot of shit. You know what.
• 10:17
  Speaker 1: I really wasn't gonna say nothing at first, right talking
• 10:20
  Speaker 1: about the Meek Mills situation. Yeah, but see what I
• 10:22
  Speaker 1: don't like. I'm gonna call the spade a spade, right,
• 10:24
  Speaker 1: whether it's in favor of me or not. Right. And
• 10:27
  Speaker 1: it's like, what I've been noticing about this industry is
• 10:30
  Speaker 1: that people tended because of who you are. They sweep
• 10:36
  Speaker 1: shit under the rug, but if the same from somebody
• 10:39
  Speaker 1: else committed the same act, they're crucified. And I believe
• 10:43
  Speaker 1: you know, hey, everybody gotta be held accountable for what
• 10:47
  Speaker 1: they do, you know what I mean. Like, for instance,
• 10:51
  Speaker 1: you know, I got mixed feelings about this little kid,
• 10:53
  Speaker 1: you know what I mean, because yeah, he did what
• 10:55
  Speaker 1: he did, but on the sixth nine, Yeah, on the
• 10:58
  Speaker 1: same note, he shouldn't never been in position to do
• 11:01
  Speaker 1: what he did, you know what I mean. You know
• 11:03
  Speaker 1: this thing we got in the streets, right, it ain't
• 11:05
  Speaker 1: for everybody, And it's just not a free for all.
• 11:08
  Speaker 1: It ain't like fucking magic mountain you show up by
• 11:11
  Speaker 1: a ticking and get in. There's certain things you got
• 11:13
  Speaker 1: to go through, certain things you got that has to
• 11:15
  Speaker 1: be proven before somebody is allowed to come in, you know,
• 11:19
  Speaker 1: and the fact that they allowed him to come in
• 11:21
  Speaker 1: is with you know, him being inside of it is
• 11:25
  Speaker 1: what gave him information. You know, they chose to bring
• 11:28
  Speaker 1: him into it. Once you brought him in and you
• 11:30
  Speaker 1: allowed him to see certain things, you're discussing certain things,
• 11:33
  Speaker 1: you know what I mean. He shouldn't have never had
• 11:37
  Speaker 1: the information that he had when he got put up
• 11:40
  Speaker 1: under that light, you know what I mean. Everything ain't
• 11:42
  Speaker 1: for everybody, and I really think he was he was
• 11:45
  Speaker 1: in Uh, he was in character the whole time. He
• 11:48
  Speaker 1: was using the block boys street cred. You know, everything
• 11:51
  Speaker 1: about the kid just like what he said he was.
• 11:54
  Speaker 1: You know that. You know, the the gay community has
• 11:58
  Speaker 1: adopted the rainbow as as pretty much like yeah, they're
• 12:03
  Speaker 1: flag right, the kid got rainbow head. I mean, we
• 12:07
  Speaker 1: do the bath on everything about the kid. It totally
• 12:10
  Speaker 1: defines you know, what they allowed him to do, you
• 12:13
  Speaker 1: know what I mean, So already know what they did.
• 12:16
  Speaker 1: They do what they always do. They press play on
• 12:18
  Speaker 1: the kid. They let the kid hear things that was
• 12:21
  Speaker 1: going on and you know, behind his back and because
• 12:24
  Speaker 1: he don't fall up under that script. But he don't
• 12:26
  Speaker 1: fall up under that real cold no matter I can hear.
• 12:29
  Speaker 1: Somebody can press play and showed me a dude running
• 12:32
  Speaker 1: a train on my wife, and this the dude that
• 12:36
  Speaker 1: killed my brother, and this this this the cold. Say,
• 12:39
  Speaker 1: whatever it is is going on, I gotta deal with that.
• 12:42
  Speaker 1: How I gotta deal with that. I don't deal with
• 12:43
  Speaker 1: that through the law. I gotta keep my mouth shutting
• 12:47
  Speaker 1: when I get you handle it exactly. But again that's
• 12:51
  Speaker 1: me and and I think that they put this kid
• 12:53
  Speaker 1: in the situation that he shouldn't have been in, and
• 12:57
  Speaker 1: what he did was he just went back to who
• 13:00
  Speaker 1: he really was. He took the costume off. So it's
• 13:03
  Speaker 1: it's I got mixed emotions that what we call this
• 13:05
  Speaker 1: kid to snitch because I believe civilians don't snitch. They
• 13:10
  Speaker 1: tell the truth. So we're looking. I mean, they don't snitch,
• 13:13
  Speaker 1: they tell the truth. They put this dude in this
• 13:16
  Speaker 1: situation that he shouldn't have been in, right, so he
• 13:19
  Speaker 1: did what he did. And I believe even right down today, Uh,
• 13:24
  Speaker 1: he uses what he does as a marketing tool because
• 13:29
  Speaker 1: he has no obligation to the politics of the streets.
• 13:35
  Speaker 1: He has none. He don't care how it goes. He
• 13:39
  Speaker 1: just you know, a little kid playing and doodling, and
• 13:45
  Speaker 1: it's and he is allowed, they allowing it to happen,
• 13:49
  Speaker 1: you know what I mean. You know, I think he
• 13:50
  Speaker 1: got a death wish. I think he want to go
• 13:52
  Speaker 1: out to Martyl one day. You know, it's funny because
• 13:56
  Speaker 1: because that's what I like being. Had always had these
• 13:59
  Speaker 1: discussions about like that word snitching, right, and it applies.
• 14:03
  Speaker 1: They could never be a snitch because because we are
• 14:06
  Speaker 1: not in that world. My son, my son is not
• 14:09
  Speaker 1: a game member, right, he's a civilian. He's taught to
• 14:13
  Speaker 1: tell the truth. Civilians and people who live by that
• 14:16
  Speaker 1: code are such total different things. You can't like even
• 14:20
  Speaker 1: with this music game, right, And I gotta tell people
• 14:22
  Speaker 1: right when they say, Yo, wack man on some real
• 14:25
  Speaker 1: g shit. Man, these motherfucking DJs, motherfuckers, and these bills
• 14:28
  Speaker 1: they ain't keep it. Really, look at this this baggy
• 14:30
  Speaker 1: shit they doing all this shit. I'm like, yo, bro,
• 14:32
  Speaker 1: check this out. Can they bring the things they doing
• 14:35
  Speaker 1: the building to the projects? Hell no, I said, because
• 14:38
  Speaker 1: it's rules and regulations that we created in the projects. Right, Okay, great?
• 14:41
  Speaker 1: Check Once upon a time, gods like you and gods
• 14:44
  Speaker 1: like me. We weren't allowed in the building. So if
• 14:46
  Speaker 1: you think that you're gonna go in the building and
• 14:49
  Speaker 1: force those people that be conducting business the way they've
• 14:52
  Speaker 1: been conducting business for fifty sixty seventy years to adapt
• 14:56
  Speaker 1: to all way of conducting business, you sadly mistaken. It
• 14:59
  Speaker 1: ain't on work like that. You gotta find equal medium.
• 15:02
  Speaker 1: You know, the industry is a bullshit it's a bullshit party.
• 15:07
  Speaker 1: People will see you, hey, hey, yeah, yeah, let's make
• 15:09
  Speaker 1: it out. Yeah, let's put it together. What happens all
• 15:11
  Speaker 1: the time a week? Does that? They be like, then,
• 15:15
  Speaker 1: I don't fuck with that motherfucker. You know what I'm saying.
• 15:17
  Speaker 1: That's just what it is, right, that has to happen
• 15:20
  Speaker 1: to you five six times away. But I put it
• 15:22
  Speaker 1: like this, out of every twenty people that do that, right,
• 15:26
  Speaker 1: if I get one or two that live up to
• 15:29
  Speaker 1: what they say, that's great. I take those one and two,
• 15:33
  Speaker 1: I plug them in to all the other one and twos,
• 15:35
  Speaker 1: and then I create my team like that. It takes
• 15:38
  Speaker 1: time to create a team in this industry. Of course,
• 15:41
  Speaker 1: that's real shit. So you said earlier you like to
• 15:44
  Speaker 1: call a spade a spade, So why why did you
• 15:46
  Speaker 1: feel the need to call out media because like, for instance, right,
• 15:50
  Speaker 1: I look at six nine and I'm like, okay, you
• 15:53
  Speaker 1: just you violated did this? Did that? Right? That's it, right,
• 15:56
  Speaker 1: I'm not pressing who's promoted six nine. I'm not pressing academics.
• 16:01
  Speaker 1: Its all you know, popping up on club outs and
• 16:03
  Speaker 1: shit like you know, cousin. Motherfucker's like you you know,
• 16:06
  Speaker 1: supporting this, this, this you need to be and all this.
• 16:08
  Speaker 1: So they definitely pressed him. I'm not doing I'm not
• 16:11
  Speaker 1: doing all that right. Okay, you asked me your dude violated.
• 16:14
  Speaker 1: Some of them people are my comrades. That's in jail.
• 16:16
  Speaker 1: You know what I'm saying, shout out to nuke that
• 16:18
  Speaker 1: you know some of them dudes just is I know personally,
• 16:22
  Speaker 1: but I'm never It's never came out of my mouth
• 16:24
  Speaker 1: that his own. When we catch your motherfucking asks what
• 16:28
  Speaker 1: it's gonna be, right, I hate to say it. Six
• 16:31
  Speaker 1: nine made history again because the prey pulled up on
• 16:36
  Speaker 1: the predator, and that's unheard of. See, usually the predator
• 16:41
  Speaker 1: controls the narrative because he can talk that shit and
• 16:44
  Speaker 1: deep down inside he know he ain't gonna do nothing right.
• 16:46
  Speaker 1: So what he does is if he know his prey
• 16:49
  Speaker 1: is over there, he just don't go over there. He
• 16:51
  Speaker 1: stays away from him. So it's never a situation. In
• 16:55
  Speaker 1: this situation, the prey pulled up on the predator, and
• 16:58
  Speaker 1: how that's supposed to work once you didn't set the
• 17:01
  Speaker 1: stage and say it's on, you're gonna dress the motherfucker
• 17:03
  Speaker 1: when they see you when they pull up on you. Right, hey,
• 17:07
  Speaker 1: bro with six skinheads have pulled up on me and
• 17:09
  Speaker 1: called me, and I could have said, oh, it's six
• 17:13
  Speaker 1: of them, and I stayed in the car and got on.
• 17:15
  Speaker 1: You know what a lot of people would have said,
• 17:17
  Speaker 1: Oh what do y'all expect? It's six of them. But
• 17:19
  Speaker 1: see the rules and code of the streets where I
• 17:22
  Speaker 1: come from. Whether it's in favor or not in favor,
• 17:26
  Speaker 1: you gotta handle your business, win, lose a draw. It
• 17:29
  Speaker 1: been situation where it's more of us than them. It
• 17:32
  Speaker 1: been situation where it's even steven. It's been a situation
• 17:35
  Speaker 1: where was it's me by myself. I have to remain
• 17:39
  Speaker 1: who I'm supposed to be. So on the flip side,
• 17:43
  Speaker 1: when that man pulled up with his squad, and let's
• 17:47
  Speaker 1: for the note, little dude, ain't no house arrest no more.
• 17:50
  Speaker 1: There's no police with that, dude. I know a few
• 17:53
  Speaker 1: of them dudes. They're not police, right, and you in Florida,
• 17:56
  Speaker 1: it's standing your ground. The fact we all know about that.
• 18:00
  Speaker 1: So at the end of the day, the whole situation,
• 18:02
  Speaker 1: people saying, oh me gonna go to jail, Hey little
• 18:04
  Speaker 1: check this out. If you are worried about concerning yourself
• 18:08
  Speaker 1: what jail or or in the backlash of it, then
• 18:13
  Speaker 1: don't speak on it. Don't involve yourself to that capacity
• 18:16
  Speaker 1: to where you pressing this dude and pressing people around
• 18:19
  Speaker 1: this dude. Say the dudes are right, I don't gree
• 18:21
  Speaker 1: with what the fuck he did, and keep it moving.
• 18:23
  Speaker 1: But you set the stage to where it's song. When
• 18:26
  Speaker 1: Meek and Game was going at it right when we
• 18:29
  Speaker 1: bump its home, they say, yo, y'all can't do that,
• 18:33
  Speaker 1: showing Philly. We be there at seven o'clock, two Bustlos
• 18:37
  Speaker 1: deep firing the cars deep. Well, it's gonna beat whatever
• 18:40
  Speaker 1: it's gonna be. And we went and had a cheese
• 18:42
  Speaker 1: steak afterwards. We see you in song. Ain't no talking,
• 18:46
  Speaker 1: ain't none of that. This is the irrational rules. We
• 18:50
  Speaker 1: live by right, So you can't okay today in the
• 18:54
  Speaker 1: good day because I might get caught. Nah, motherfucker, this
• 18:57
  Speaker 1: is what this is. You sign up for this. You
• 19:02
  Speaker 1: gotta take what come with that? Okay, now look it's here,
• 19:06
  Speaker 1: his squad pull up. It ain't no talking. Get off.
• 19:10
  Speaker 1: That's it. That's how that go. If you gotta a
• 19:12
  Speaker 1: squad with you that ain't gonna move with you, then
• 19:14
  Speaker 1: maybe you know, change them up because they had no problem.
• 19:22
  Speaker 1: Off on Safari. They chased that man down like a dog.
• 19:25
  Speaker 1: And he ain't did no Instagram ship, he ain't. He
• 19:28
  Speaker 1: ain't called you no pussy, he ain't called you nothing.
• 19:31
  Speaker 1: You know, Ship. You took his woman while you mad
• 19:35
  Speaker 1: at him, you know what I'm saying. So you had
• 19:38
  Speaker 1: no problem. You know you can't be I call a
• 19:41
  Speaker 1: selective politicking. You want to pick and choose when you
• 19:44
  Speaker 1: want to do this and do this and do that. Nah.
• 19:48
  Speaker 1: So let me ask you this Devil's advocate. Let's say
• 19:52
  Speaker 1: Meeks evolved as a as a as a professional, as
• 19:54
  Speaker 1: a as a human, as a as a action supposed
• 19:57
  Speaker 1: to represent that, you know what I'm saying, It's supposed
• 20:02
  Speaker 1: to represent that. Okay, for instance, Uh, uh, what's my
• 20:07
  Speaker 1: man my sign? My son speaks strongly against six Now
• 20:11
  Speaker 1: he's a fucking rat boy. My son going to a club,
• 20:14
  Speaker 1: he don't want to hear the music all that. But
• 20:16
  Speaker 1: you never heard my son say when I catch this
• 20:19
  Speaker 1: little motherfucker, this is what this is. Because my son
• 20:21
  Speaker 1: is a community leader now, like you know what I'm saying.
• 20:23
  Speaker 1: But he a real street again. So if my sign
• 20:27
  Speaker 1: was to walk in the same building, room six nine,
• 20:29
  Speaker 1: and I'm not expecting my sign to do ship you're saying,
• 20:33
  Speaker 1: unless that man becomes a threat. Because the man put
• 20:35
  Speaker 1: that out there, put that out there, you say, this
• 20:37
  Speaker 1: is what it is. Yeah, I got you like like
• 20:40
  Speaker 1: he put it out there. You're whack. I want I
• 20:42
  Speaker 1: want you to pull up on me. Okay, cool, hold
• 20:45
  Speaker 1: them words, because see I'm not six nine. I'm gonna
• 20:48
  Speaker 1: force you to get out. You're gonna have to get
• 20:52
  Speaker 1: down your squad, your team, your whatever it is because me.
• 20:57
  Speaker 1: You said that. Now, you said that all I did
• 20:59
  Speaker 1: was to dress your actions with this kid. Right. You
• 21:04
  Speaker 1: chose to get away from Matt and said, well, you know,
• 21:06
  Speaker 1: and I've seen you meet like two three times, I've
• 21:08
  Speaker 1: seen you. You know you called me to squash the
• 21:11
  Speaker 1: game beef. I'll let you in Game do that. You
• 21:14
  Speaker 1: know what I mean. Game was a gentleman about it.
• 21:16
  Speaker 1: He said, look, I'm going a different way of my life.
• 21:18
  Speaker 1: I just got out. I don't want to be beefing
• 21:20
  Speaker 1: with nobody. Game said. We said, I ain't no bully, homie.
• 21:23
  Speaker 1: If that's your energy, it's cool. Keep my name out
• 21:25
  Speaker 1: your mouth, keep it respectful. Me good, and he kept
• 21:27
  Speaker 1: it moving. I've seen you two three times BT weekend.
• 21:30
  Speaker 1: You shook my hand. You're making comments about Nipsey my nigga.
• 21:33
  Speaker 1: That's kind of you, a Philly dude. You know what
• 21:35
  Speaker 1: I'm saying. I don't know what you're talking about, the
• 21:36
  Speaker 1: Nipsy shit, right, but I've seen you since the Nipsy
• 21:40
  Speaker 1: shit right, face to face. All you had to do,
• 21:43
  Speaker 1: and anybody know, all you gotta do is show me
• 21:46
  Speaker 1: any signs of aggression to say what you're gonna say, right,
• 21:48
  Speaker 1: and we're gonna get to it. I got attorneys and
• 21:50
  Speaker 1: bail bondsman and my wife that been with me thirty years.
• 21:53
  Speaker 1: You know what to do. I'm gonna go in there,
• 21:55
  Speaker 1: go to sleep, do a couple of pushups, come home.
• 21:57
  Speaker 1: But then that's what that is, right, but you know,
• 22:00
  Speaker 1: don't put that out there that that's what it is.
• 22:02
  Speaker 1: And then when it comes at you, you go to
• 22:05
  Speaker 1: talking about, oh, you're trying to send me to jail. Well,
• 22:07
  Speaker 1: you know what, that's what happens when you agitate violence
• 22:13
  Speaker 1: and disrespecting anybody rat no rat, gay, not gay, punk
• 22:17
  Speaker 1: no punk. If you disrespect somebody in the back of
• 22:20
  Speaker 1: your head, you gotta expect something might happen, even if
• 22:23
  Speaker 1: they don't commit to act. The bags make things happen,
• 22:27
  Speaker 1: and it's just real shit. So if you are an
• 22:29
  Speaker 1: advocate of nonviolence, then you shouldn't in the world. You
• 22:34
  Speaker 1: shouldn't even be addressing it. I don't even say nothing
• 22:37
  Speaker 1: about it because ultimately it's a bunch of New York dudes.
• 22:41
  Speaker 1: It's in jail. That ain't Philly business. That's facts, and
• 22:47
  Speaker 1: that's all that was. You know, he turned into a
• 22:49
  Speaker 1: personal thing. I just call a spade a spade. Yeah,
• 22:52
  Speaker 1: I mean I think that you know, Meek obviously, I
• 22:56
  Speaker 1: think you know he wants to control then narrative and
• 23:00
  Speaker 1: he wanted he wants the rules to be his rules.
• 23:02
  Speaker 1: But Meek, you ain't you been in the game like
• 23:05
  Speaker 1: you like you're like thirty three years thirty four years old. Bro,
• 23:07
  Speaker 1: Yeah you ain't. You ain't nobody to dictate the control
• 23:10
  Speaker 1: the rules that have been there before you. Well, I
• 23:12
  Speaker 1: was gonna say I think some people might say, were like, whack,
• 23:15
  Speaker 1: why even call Meek out in that? What do you?
• 23:19
  Speaker 1: I mean you could just hear when I started to
• 23:20
  Speaker 1: see people started to say, oh because of who Meek is.
• 23:25
  Speaker 1: You know, he didn't not no no, no, no no.
• 23:27
  Speaker 1: Let me remind everybody press play on this song. He
• 23:30
  Speaker 1: didn't kill three hundred niggas in first ten verses talking.
• 23:34
  Speaker 1: You know that that's what it is. You at this kid.
• 23:37
  Speaker 1: You attacking people around this kid, And if that's what
• 23:41
  Speaker 1: you want to do, I respect it. But that kid
• 23:46
  Speaker 1: came out. You're supposed to handle your business. I would
• 23:49
  Speaker 1: hope that from this point on Meek because of you
• 23:54
  Speaker 1: know how what he's saying. He's an advocate of peace
• 23:56
  Speaker 1: and non violence. Doning address shit that that brings violence.
• 24:02
  Speaker 1: Let somebody else do that, you know. I mean, look,
• 24:06
  Speaker 1: if you think of like someone like jay Z right
• 24:08
  Speaker 1: and here jay Z they pivoted away. I mean, if
• 24:10
  Speaker 1: you listen to Jay's early ship. Once Jay became that
• 24:13
  Speaker 1: guy his music, and that even when him and Nas
• 24:16
  Speaker 1: weren't at it, it was in the music. You never
• 24:18
  Speaker 1: heard jay Z do interviews saying when I catch NAS's
• 24:22
  Speaker 1: own right right, right left with music, that was music.
• 24:25
  Speaker 1: That's what that was. A minute you come away from
• 24:28
  Speaker 1: music and go to talking about what is gonna be right,
• 24:30
  Speaker 1: and you got you got to stand up on that,
• 24:33
  Speaker 1: which is what me did with with Siyah. You know,
• 24:35
  Speaker 1: at the end of the day, I don't want to
• 24:37
  Speaker 1: see nothing. Look, I had nothing personal against me nothing.
• 24:41
  Speaker 1: I didn't talk to the dude on the phone. He
• 24:42
  Speaker 1: didn't did music with Chuck since then in my studio
• 24:47
  Speaker 1: right real ship. He didn't been right here with us.
• 24:51
  Speaker 1: But you know, I'm a I'm a spade guy, and
• 24:53
  Speaker 1: all my comrades know that when you do something that's
• 24:56
  Speaker 1: I have killed him out of pocket. I'm gonna call
• 24:58
  Speaker 1: you and I'm not gonna my son. Ain't do some
• 25:00
  Speaker 1: ship and I'm out here to tell you, son, that's
• 25:02
  Speaker 1: some punk shit. You just did what you're doing, that's
• 25:04
  Speaker 1: my son. I'm gonna say, well, that's my son. You know,
• 25:06
  Speaker 1: people are there, they have opinion about everybody else, but
• 25:09
  Speaker 1: as soon as it's they people. They want to kind
• 25:11
  Speaker 1: of like sweep under rut. That ain't how I moved.
• 25:14
  Speaker 1: I'm gonna call the spade a spade. Bro. You know
• 25:16
  Speaker 1: what I'm saying. You're doing some function. You're doing some function,
• 25:18
  Speaker 1: You're doing some real ship. You're doing some real ship.
• 25:21
  Speaker 1: And that's just what it is. Nothing personal, bro, It's
• 25:24
  Speaker 1: just that's the polities of the situation. They broke you
• 25:27
  Speaker 1: was talking that ship dude pulled up on you. It's
• 25:30
  Speaker 1: you should have went what you do. I think that
• 25:34
  Speaker 1: the other thing too, is and if you know my squad,
• 25:36
  Speaker 1: Aldam motherfucker pulled up on us. We're going. We didn't
• 25:41
  Speaker 1: have the Samoans, we didn't have all kind of ship
• 25:45
  Speaker 1: pulled up on us. Your track record is on video
• 25:50
  Speaker 1: for years. That's just like broke. Hey, Stitch just pulled
• 25:53
  Speaker 1: up nine police in Miami. I got tazed hit me
• 26:01
  Speaker 1: the first time I got up. They had to hit
• 26:03
  Speaker 1: me again. It's just what it is. I mean, death
• 26:06
  Speaker 1: road days, broke like squads pull up. I swear to
• 26:09
  Speaker 1: God up, shout out the big faith from Long Beach Insae.
• 26:12
  Speaker 1: It just come on from doing like ten fifteen years, right,
• 26:15
  Speaker 1: we go to the SA Monica he was there on
• 26:17
  Speaker 1: the after party. They in there, we rolled in. We
• 26:21
  Speaker 1: locked up like wild bulls. It was like fifty sixty
• 26:23
  Speaker 1: o us ain't no. It was police, all kind of shit,
• 26:27
  Speaker 1: security pulling guns, y'all do what y'all do. But we
• 26:30
  Speaker 1: know it's on on site. You know what I'm saying.
• 26:33
  Speaker 1: I watched Faide put in major work and he was
• 26:35
  Speaker 1: on the other side of it. I'm watching Faith knock
• 26:38
  Speaker 1: motherfuckers out. That's with me. I'm seeing it, so I
• 26:41
  Speaker 1: respect the man's gangster, whether he's with me or not.
• 26:43
  Speaker 1: I'm gonna call a spade a spade, but that's what
• 26:46
  Speaker 1: that is. Nowadays, we pull up, they see us, we
• 26:49
  Speaker 1: see them. It's all love, it's no problems. But when
• 26:52
  Speaker 1: you established it's a problem in his own like that,
• 26:55
  Speaker 1: when it come at you, you gotta deal with it. Unfortunately,
• 26:58
  Speaker 1: certain things come with that. Sometimes it's depth, sometimes it's jail.
• 27:02
  Speaker 1: Sometimes you injured. You might win, you might lose. If not,
• 27:05
  Speaker 1: don't fuck with it, leave it alone. Do you think
• 27:08
  Speaker 1: that because you're obviously a CEO, you're you're an executive,
• 27:13
  Speaker 1: you're one of the most successful independent motherfucker in this
• 27:17
  Speaker 1: rapt And I got a ged straight up. I was
• 27:20
  Speaker 1: gonna say, do you think at certain what point in
• 27:22
  Speaker 1: time do you think some of this shit is just
• 27:24
  Speaker 1: beneath you? Whack? What you gotta understand, by the way,
• 27:27
  Speaker 1: it's entertaining, because I really I do enjoy a time
• 27:29
  Speaker 1: like your ig be very entertaining. Understand, as long as
• 27:32
  Speaker 1: I'm in this music industry, this music industry, right, and
• 27:35
  Speaker 1: even the execs to tell you, right, the X is
• 27:37
  Speaker 1: in the bill. You don't see the UMG execs and
• 27:40
  Speaker 1: the Sony execs coming out of here into the streets
• 27:42
  Speaker 1: to scout nobody. Right. They leave it up to people
• 27:45
  Speaker 1: like me to go scout them and then bring them
• 27:47
  Speaker 1: back to the building. Right. So it's just like you know,
• 27:50
  Speaker 1: preparing for a trip. You're going into the jungle, right,
• 27:54
  Speaker 1: you know, when when can you change? I gotta respect
• 27:58
  Speaker 1: the laws and the rules of the jungle, and the
• 28:00
  Speaker 1: bear over there, the snake over there, the lines over there.
• 28:03
  Speaker 1: So for Whack to say, you know, after all these
• 28:06
  Speaker 1: years I've been a part of this thing, well you
• 28:09
  Speaker 1: know what it's beneath me. I just mean a social
• 28:11
  Speaker 1: media aspect, well, well, you know, social media is like
• 28:14
  Speaker 1: a coloring book to me. I don't care about it, right,
• 28:18
  Speaker 1: you gonna pull up all the new artists I signed.
• 28:20
  Speaker 1: They got a blue check. No, I got a blue check,
• 28:22
  Speaker 1: because why I got him a blue check? Whack, don't
• 28:24
  Speaker 1: got a blue check. I don't care about it, like
• 28:27
  Speaker 1: it's a coloring book. They can shut that shit down.
• 28:29
  Speaker 1: I was who I was before fucking social media. You know,
• 28:34
  Speaker 1: we'd have had social media back. Can you imagine we
• 28:36
  Speaker 1: had social media back on a game and fifty was
• 28:38
  Speaker 1: beefing or the death row time. I think about it
• 28:40
  Speaker 1: all the time. She was crazy. So a lot of
• 28:42
  Speaker 1: these kids understand. Look, we were doing some other shit
• 28:45
  Speaker 1: way before this shit. So it's like, but dude needed
• 28:50
  Speaker 1: to be a dress and I really think on some
• 28:52
  Speaker 1: real shit, I really think I helped him become a
• 28:55
  Speaker 1: better person because I think in the near future, when
• 28:59
  Speaker 1: things come up, if it doesn't directly involve me, he
• 29:02
  Speaker 1: won't speak on it. I think he's gonna leave that alone.
• 29:06
  Speaker 1: Which which again, so you know I might have if
• 29:10
  Speaker 1: you look at it another way, you know I might
• 29:12
  Speaker 1: have did him a favor because he might have put
• 29:14
  Speaker 1: his nose in some other ship that led to some
• 29:17
  Speaker 1: other ship. That's fair talk about you know, you obviously
• 29:24
  Speaker 1: for people who don't know you originally when you you
• 29:28
  Speaker 1: got out of jail, the first artist that you worked with,
• 29:32
  Speaker 1: uh was the first art I worked directly with my project.
• 29:35
  Speaker 1: That was ray J. That was was that around the
• 29:38
  Speaker 1: Sexy can I era. That was my project. So that
• 29:40
  Speaker 1: was like peak ray J. That me and me, Me
• 29:43
  Speaker 1: Shaquille O'Neill and at that time sug and I. I said, whack,
• 29:47
  Speaker 1: you need to go rebuild with our tore down, get
• 29:50
  Speaker 1: the New York plugs right. And that's when I met
• 29:52
  Speaker 1: Kay Slay All Star Weekend in Vegas and me and
• 29:55
  Speaker 1: Kate Slay started politicing and we created this movement called
• 29:58
  Speaker 1: Bridging the Gap. Go to YouTube and pull it up.
• 30:00
  Speaker 1: You'll see. I would bring Slay out here, take him
• 30:03
  Speaker 1: to all the neighborhoods, crips and bloods, both sides, and
• 30:05
  Speaker 1: he would work with artists and then I would send
• 30:07
  Speaker 1: artists out there with them and he would do their mixtapes,
• 30:10
  Speaker 1: put them on the show. J Malone, Jay Rock, k
• 30:13
  Speaker 1: Doting a Bridge from Nipsey, all that, all them dudes.
• 30:19
  Speaker 1: First time on New York Radio was Wax situation with
• 30:23
  Speaker 1: k Slay, the Drama King, Right, Yeah, he would take
• 30:25
  Speaker 1: them out there. We'll do the thing with him, and
• 30:27
  Speaker 1: then Slayer send artists out there you wanted to do videos.
• 30:30
  Speaker 1: So we was crossing over in each other's culture, making
• 30:33
  Speaker 1: it safe again. So it was cool because at one
• 30:35
  Speaker 1: time it was on you know what I mean, we
• 30:37
  Speaker 1: get caught out there slipping. They was at us and
• 30:39
  Speaker 1: it was the same thing. So it was that like
• 30:41
  Speaker 1: six o seven. I was like, I mess Slay about
• 30:44
  Speaker 1: five and then we did this ray J project O
• 30:46
  Speaker 1: six o seven kse Slay actually and art that whole project.
• 30:51
  Speaker 1: We leaked Sexy cannot behind the label's back listen, kse
• 30:54
  Speaker 1: Slay is. I used to make a lot of your
• 30:57
  Speaker 1: bootlet cav That's how I got my name, but slanging
• 30:58
  Speaker 1: mixtapes at the Swaman when I seventeen, big brother mentor teacher,
• 31:02
  Speaker 1: We argue, we fuss, fight, we do everything. Ship. I
• 31:05
  Speaker 1: live across the street from you and in Jersey, I
• 31:07
  Speaker 1: gotta spot on. And in respect to his, uh just
• 31:10
  Speaker 1: relationships with the porn bitches, because I would always see
• 31:13
  Speaker 1: all the magazine, Straight magazine, all the porn bitches on
• 31:16
  Speaker 1: the cover, always on the Shape forty five shows. Yeah, definitely,
• 31:20
  Speaker 1: So you know, I gotta, you know, I do this
• 31:23
  Speaker 1: music thing because I feel like that's a need for
• 31:25
  Speaker 1: me here because a lot of these kids is like
• 31:27
  Speaker 1: nobody's gonna run the field with them. Well, I feel
• 31:30
  Speaker 1: like you obviously went from ray J and then you know,
• 31:35
  Speaker 1: working with Game, I feel like in the last four
• 31:38
  Speaker 1: or five years though, you really hit your stride as
• 31:40
  Speaker 1: an executive. Find a new talent, you know, because that's
• 31:44
  Speaker 1: you know, ray J was already someone we knew, you
• 31:47
  Speaker 1: know when you came along, and obviously was he hit
• 31:49
  Speaker 1: the peak of his career with you. Game already established name,
• 31:52
  Speaker 1: but you've shown people that that's on the shelf. Game
• 31:56
  Speaker 1: was this was this the Gaffing era? Yeah, they tried
• 31:59
  Speaker 1: to shove Game right after he figured probably about the
• 32:02
  Speaker 1: Jesus Peace ere he owed him another eye and they
• 32:04
  Speaker 1: tried to put him on the shelf. Wow. And that's
• 32:06
  Speaker 1: when we went to Miami and cooland Drey shout out
• 32:10
  Speaker 1: to Cooling Dra. They opened up their studio for us
• 32:12
  Speaker 1: for like two months. He went in and started recording.
• 32:15
  Speaker 1: I just I was in and out. I was jumping
• 32:17
  Speaker 1: on planes and getting releases here and doing this here
• 32:20
  Speaker 1: and doing that. Then find another situation here. That's what
• 32:23
  Speaker 1: you've seen. Year the Wolf came in, and right after
• 32:27
  Speaker 1: Year in the Wholf, I dropped documentary two and two
• 32:29
  Speaker 1: point five a double sea. I remember Year the Wolf
• 32:31
  Speaker 1: was an obligation doing negotiation that I had to do
• 32:35
  Speaker 1: to get him. Wasn't that more like a compilation or
• 32:37
  Speaker 1: was supposed to be right? I had to do that
• 32:39
  Speaker 1: to release him. He put all this everything into the
• 32:42
  Speaker 1: doc two in two point five, So the game was
• 32:44
  Speaker 1: like he was in one of those contracts with them
• 32:47
  Speaker 1: there ten years and they tried to shelf him, and
• 32:50
  Speaker 1: I just kind of used my resources and who I
• 32:53
  Speaker 1: was and what should taught me to do and get
• 32:55
  Speaker 1: him out of that. Well that like when you say
• 32:58
  Speaker 1: what should taught you to do? We think of some
• 33:00
  Speaker 1: of those should night antics that might have Well, you know,
• 33:03
  Speaker 1: I don't think it was anti you know, I think
• 33:05
  Speaker 1: Sugar gets to the shortened of the stick because the persona.
• 33:11
  Speaker 1: But if you was to ask Jo to see, if
• 33:12
  Speaker 1: you was to ask you know, Mary Jay, of you
• 33:15
  Speaker 1: was asked the kid that did the ice ice Baby
• 33:18
  Speaker 1: beat about Sug's business, They'll tell you all he did
• 33:24
  Speaker 1: was make the wrong right, you know what I mean?
• 33:28
  Speaker 1: Sug turned thirty cents. I mean the album selling for
• 33:33
  Speaker 1: ten dollars and the artists getting thirty cents off the
• 33:37
  Speaker 1: saide was crazy to thirty percent, right, He turned thirty cents,
• 33:41
  Speaker 1: which was the old motown ship and all the old
• 33:44
  Speaker 1: day shit right to thirty percent. So now you're thirty
• 33:47
  Speaker 1: cents and it don't be a group like the alcoholics
• 33:50
  Speaker 1: reduce ten cent apiece. Now he turned that to three dollars, right. So,
• 33:58
  Speaker 1: and I've always seen you try to deal with things
• 34:01
  Speaker 1: the right way out the box. But unfortunately, even in America,
• 34:06
  Speaker 1: has been proven. You know, our world we come from
• 34:09
  Speaker 1: in these violence, that's what people respect, you know what
• 34:14
  Speaker 1: I mean? I hate to say it, You know what
• 34:15
  Speaker 1: I mean? Like if you're walking down the street you
• 34:17
  Speaker 1: see a yard that says beware a dog, and then
• 34:19
  Speaker 1: another yard with the gate open, and you done made
• 34:22
  Speaker 1: a decision. You going to somebody backyard. The mere thought
• 34:25
  Speaker 1: of that dog back there says you're gonna go on it.
• 34:27
  Speaker 1: You're gonna go with the gate over. You know what
• 34:30
  Speaker 1: I'm saying That that's just the world we come from.
• 34:33
  Speaker 1: It's a reason why you know, a childa won't launch
• 34:35
  Speaker 1: on us, and we won't launch on it. We owe
• 34:37
  Speaker 1: them people out of money. You know that it's the
• 34:41
  Speaker 1: threat of the violence that could happen. So you know,
• 34:46
  Speaker 1: sometimes when you've exhausted everything else, you know you gotta
• 34:50
  Speaker 1: go another way with it. And he only went there
• 34:53
  Speaker 1: if you force him to go there. Other than that,
• 34:55
  Speaker 1: he was very protective of his family, and he was
• 34:58
  Speaker 1: very protective of his employe ease as well as his
• 35:01
  Speaker 1: well as his artists, you know what I mean talking
• 35:03
  Speaker 1: about Game. I feel like somehow in history Game has
• 35:07
  Speaker 1: ended up underrated because when we think of Game and
• 35:10
  Speaker 1: his consistency with just putting out bodies of work that
• 35:14
  Speaker 1: are like front to back, I feel like part of
• 35:17
  Speaker 1: it is fault. Part of is not because Game, believe
• 35:21
  Speaker 1: it or not. He was in it for the passion
• 35:25
  Speaker 1: of rap, the passion of being the advocate of voice
• 35:29
  Speaker 1: for the streets. He wasn't in it for the superstardom, right.
• 35:33
  Speaker 1: You know, I bring Game a deal and he told
• 35:37
  Speaker 1: me why you had to show away. I'll be on
• 35:39
  Speaker 1: every billboard, every goddamn bus, every motion picture. Man, Listen,
• 35:43
  Speaker 1: I ain't that. That's not what I want. I want
• 35:44
  Speaker 1: to be able to go places. Even though you know
• 35:47
  Speaker 1: he's crazy as hell. He still gets up and moves
• 35:49
  Speaker 1: around like he's normal. But like, bro, he's stood up
• 35:52
  Speaker 1: still with Steven Spielberg twice. Wow, real shit. Like Game
• 35:57
  Speaker 1: never wanted the superstardom. He'll tell you that, Like he
• 36:00
  Speaker 1: never wanted that, Like you know, so if if he
• 36:03
  Speaker 1: would have wanted that, he could. It's a lot of
• 36:06
  Speaker 1: things that he turned down. Eighteen movie, that was his role.
• 36:09
  Speaker 1: He's like, oh, wow, you know it was all kind
• 36:11
  Speaker 1: of shit. The game, the shoot there, he walked away
• 36:16
  Speaker 1: from that. They didn't walk away from him. Wow, you
• 36:18
  Speaker 1: know what I mean. They're like, man, you gotta wear
• 36:19
  Speaker 1: this shit every time on stage. You're like, yo, bro,
• 36:21
  Speaker 1: I'm gonna wear with the game, want to wear it,
• 36:23
  Speaker 1: but I feel like wearing this out wear it. Other
• 36:25
  Speaker 1: than that, I'm also Chuck Taylor gonna put these all
• 36:27
  Speaker 1: stars on my feet. Right. So it was like Game never,
• 36:30
  Speaker 1: you know, wanted that stardom, that superstardom. Like he didn't
• 36:34
  Speaker 1: shut me down millions of times, like ship that we
• 36:38
  Speaker 1: do this at least of this, at least that, at
• 36:40
  Speaker 1: least of this. He like that, ain't well, I want
• 36:43
  Speaker 1: let's let's stick to the music. Let me go and
• 36:45
  Speaker 1: make another dope album. Well, let me do this too,
• 36:47
  Speaker 1: a tribute to that that that Now, let me make
• 36:49
  Speaker 1: another dope alblem. Let me stay focused on, you know,
• 36:51
  Speaker 1: being a messenger to the people from the streets. So
• 36:54
  Speaker 1: that's what that boy? What is uh? What's the other?
• 36:57
  Speaker 1: You know, there's there. There's been all this to discussion
• 37:00
  Speaker 1: over the years. I remember you put fifty in game
• 37:02
  Speaker 1: together and that was the Monster. I remember seeing that
• 37:07
  Speaker 1: picture and it was like, yo, this is crazy, Like
• 37:10
  Speaker 1: I just be thinking, like how different the history of
• 37:13
  Speaker 1: our three times? Three times I got him together, you know.
• 37:17
  Speaker 1: But my team out there, BPE teammate Dollar Relatives was
• 37:22
  Speaker 1: at the time was fifty. He had a security brother
• 37:25
  Speaker 1: named Monster, a real solid dude. And through our relationship,
• 37:29
  Speaker 1: I was able to have conversation with fifty in our
• 37:32
  Speaker 1: backyard and I kind of it was crazy because I
• 37:34
  Speaker 1: went to fifty. We was in was the aods over
• 37:36
  Speaker 1: there on Monday night. We in there, fifty in there.
• 37:40
  Speaker 1: You know, gangs said y'all need to holland fifty. You know,
• 37:44
  Speaker 1: once you tell me you want to do something, he spoiled.
• 37:46
  Speaker 1: You know, I got to make make it happen. So
• 37:48
  Speaker 1: I go over there, come in Monster, clear it up, Hollo, fifty,
• 37:52
  Speaker 1: he trust me, Big Game. When I holler at you
• 37:54
  Speaker 1: like wa saying the ride environment you deep, we deep,
• 37:56
  Speaker 1: it's gonna turn into something. I said, Now I'm gonna
• 37:58
  Speaker 1: bring Game over here to you. So you're gonna bring
• 38:01
  Speaker 1: him over here just y'all. So I said, yeah, just
• 38:02
  Speaker 1: us too. I said, I'm gonna stand behind you and
• 38:05
  Speaker 1: Monster gonna stand behind Game and y'all do some funny shit.
• 38:08
  Speaker 1: You had a disadvantage, Masa. You would have set up
• 38:10
  Speaker 1: definitely would it. And that's when you saw them. I
• 38:13
  Speaker 1: think Charisma shout out to Charisma was djaing that night
• 38:15
  Speaker 1: and they talked and you know whatever they was talking
• 38:17
  Speaker 1: about and shook hands and laughed and giggled a little bit,
• 38:20
  Speaker 1: and then you know it was cool. Yeah. I just
• 38:23
  Speaker 1: think like that's one of the like like vivid memories
• 38:27
  Speaker 1: in hip hop history, like high school when the documentary,
• 38:29
  Speaker 1: Like the first time I heard How We Do was like,
• 38:32
  Speaker 1: that's one of my favorite songs ever, And I just like, like,
• 38:34
  Speaker 1: how different would hip hop have been had that conflict
• 38:38
  Speaker 1: never happened? Definitely definitely crazy movement. You know, Game had
• 38:41
  Speaker 1: his reasons and Fifty had his reasons, and you know,
• 38:45
  Speaker 1: some of it might have been business, some of it
• 38:47
  Speaker 1: might have been maybe some reasons of selfishness, and the
• 38:50
  Speaker 1: reasons of ego. Yeah, you know, I really think that
• 38:53
  Speaker 1: it was a situation where it was teaching student and
• 38:57
  Speaker 1: I think out of the whole g Unit crew, and
• 38:59
  Speaker 1: you know, shout out to Tony Yayo, that's a real
• 39:02
  Speaker 1: comrade of mind. I think Game was a teacher in
• 39:06
  Speaker 1: the making, you know what I mean. And if somebody
• 39:10
  Speaker 1: is gonna come out of that shell, you can't keep
• 39:12
  Speaker 1: him there too long. And then Fifty, being the general
• 39:15
  Speaker 1: minded guy he is, he run his ship with an
• 39:17
  Speaker 1: iron fist. So I think it was a clash going on.
• 39:21
  Speaker 1: And before fifty kind of realized it, Game kind of
• 39:24
  Speaker 1: scene that it's this is gonna restrict me. I gotta
• 39:30
  Speaker 1: I gotta get away from this, and and and and
• 39:32
  Speaker 1: that's how that went, you know what I mean. But nevertheless,
• 39:37
  Speaker 1: they both gave hip hop and sustance we needed because hey,
• 39:40
  Speaker 1: three the bars are running fifty fifty fifty allowed that
• 39:44
  Speaker 1: collaboration to happen. And then through it all, you know
• 39:48
  Speaker 1: what I mean, they was able as men, you know,
• 39:51
  Speaker 1: to kind of like come back together and show that
• 39:53
  Speaker 1: that mutual respect. One do you think like the Jimmy
• 39:56
  Speaker 1: Henschman like element of that dynamic was like like like
• 40:00
  Speaker 1: maybe added to that divide a bit. Well, Jimmy Henchman
• 40:03
  Speaker 1: was needed at the time. You know what I mean,
• 40:05
  Speaker 1: you got the biggest anything you can be in. I
• 40:09
  Speaker 1: always say the two biggest rappers of all times. A
• 40:12
  Speaker 1: peak snoop that would that Jimmy Henchman element was what
• 40:16
  Speaker 1: gave Game his edge because Pop Ru was gonna stand
• 40:19
  Speaker 1: behind him out here on the West Coast, and then
• 40:22
  Speaker 1: he had part of his head security, uh Bonnie Hunters
• 40:26
  Speaker 1: to tie and Bonnie Hunters and uh chief Magic from
• 40:29
  Speaker 1: aight eight avalon. So it was a mixture of everything
• 40:31
  Speaker 1: we represented out here standing with him anyway, right, So
• 40:35
  Speaker 1: that Jimmy Hinchman element kind of gave Game the edge,
• 40:38
  Speaker 1: like that extended clip, because Jimmy Hinchman was who he
• 40:42
  Speaker 1: was in New York, right. So now you look up
• 40:44
  Speaker 1: and Jimmy Hinchman's politists got Game and a big ass
• 40:47
  Speaker 1: billboard in middle south side Queens, right, and Game lands
• 40:50
  Speaker 1: in New York because he got to come to New York.
• 40:52
  Speaker 1: Jimmy Henchman squad is there the movement around to protect him.
• 40:55
  Speaker 1: So you know, I don't Jimmy. Jimmy did what he
• 40:59
  Speaker 1: was posed to do, and he did this ship well,
• 41:03
  Speaker 1: he did it great, you know, and he stood with
• 41:05
  Speaker 1: Game as Game still with him. So I don't take
• 41:09
  Speaker 1: nothing from Jimmy. You know, Jimmy was a solid dude. Uh.
• 41:12
  Speaker 1: He got a situation himself over there where some paperwork
• 41:15
  Speaker 1: going on, and he gonna deal with that. He gotta
• 41:18
  Speaker 1: deal with that. But what he did for Game, Jimmy,
• 41:21
  Speaker 1: we did right by him. He did right by It's
• 41:25
  Speaker 1: funny because there was this big uproar about people being
• 41:28
  Speaker 1: mad that Game said that he thinks he's the greatest
• 41:30
  Speaker 1: rapper ever come out of Compson, And I'm like, he's
• 41:31
  Speaker 1: supposed to say that, like like well because he was
• 41:34
  Speaker 1: on he was on Clubhouse and and and what he's
• 41:37
  Speaker 1: what he said about, like, Yo, I'm the hardest ever
• 41:39
  Speaker 1: come out of Comps. I'm gonna tell you listen, I'm
• 41:41
  Speaker 1: gonna kind of give you some insight on that, right
• 41:43
  Speaker 1: because first thing people are gonna think is Kendrick Lamar Well.
• 41:47
  Speaker 1: I personally think Kendrick as from a fan and I
• 41:51
  Speaker 1: think I think Game's right there. I'm gonna tell y'all,
• 41:53
  Speaker 1: but Game should say that, right, I'm gonna tell you
• 41:55
  Speaker 1: why he says that. Before it was a Kendrick Lamar
• 41:59
  Speaker 1: was a Kat, right, the kid Katt Now we go
• 42:04
  Speaker 1: back to the game fifty situation, was a student of Games.
• 42:09
  Speaker 1: Now took him on tour LX door. Anybody knew who
• 42:12
  Speaker 1: he was, and all this right was up Kate out,
• 42:18
  Speaker 1: as humble as he is, he probably would never answer
• 42:21
  Speaker 1: the question because I really think Kate is in a
• 42:24
  Speaker 1: lane of his own, a mountain of his own. You
• 42:25
  Speaker 1: talking two different type of rappers. Kut is a legend.
• 42:30
  Speaker 1: My book is coming out the West Coast, and he
• 42:32
  Speaker 1: still got a whole lot of life in him. Shout
• 42:35
  Speaker 1: out to TD, top Dog and the whole family over there.
• 42:37
  Speaker 1: But Game is always he's like, like, you won't catch
• 42:42
  Speaker 1: You can't get Top Dog to say, I'm a bigger
• 42:46
  Speaker 1: record executan sug Knight and he's moved some numbers, right,
• 42:52
  Speaker 1: because sug Knight was a teacher to us all. He's
• 42:57
  Speaker 1: somebody we watched it, we talked to that, we consulted. Right.
• 43:00
  Speaker 1: As big as top Dog is, he won't say that right,
• 43:04
  Speaker 1: And he got some real stats that he can stand on.
• 43:09
  Speaker 1: So when it comes to Game, when he sees Kendrick,
• 43:11
  Speaker 1: no matter how big he gets, its kind of like
• 43:14
  Speaker 1: my son, my son taller than me, getting bigger than me,
• 43:17
  Speaker 1: that's still my son. I'm gonna respect him because he's
• 43:20
  Speaker 1: my son. He's a product of me. Not to say
• 43:22
  Speaker 1: Game bill Kendrick, but he was a vital tool and
• 43:27
  Speaker 1: the growth of Kendrick well, I mean, I remember that
• 43:31
  Speaker 1: that moment, that moment on stage when Kendrick officially got
• 43:36
  Speaker 1: past the torch, when Kendrick cryn't even have to do that,
• 43:39
  Speaker 1: that was a big moment. Listen, snoop there, stoop already
• 43:43
  Speaker 1: he's of course, you know, he ain't even rapped on
• 43:45
  Speaker 1: rap his eye coming right cube everybody there at the time.
• 43:49
  Speaker 1: Game was still grinding. But Game did that because this
• 43:54
  Speaker 1: is one of his mans. You know what I'm saying.
• 43:57
  Speaker 1: I want to see you grow, you know what I mean.
• 43:59
  Speaker 1: So he's never gonna itself behind Kendrick, And I don't
• 44:02
  Speaker 1: think Kendrick will ever put itself ahead of Game. I
• 44:05
  Speaker 1: think it's really a mutual respect to the teacher student
• 44:09
  Speaker 1: thing to you know, the big homie, little homie type
• 44:12
  Speaker 1: type situation, as if I don't think Kendrick will ever
• 44:15
  Speaker 1: talk down on j Rock. Of course not because he
• 44:18
  Speaker 1: was once j Rock's hype man. Now we look at numbers,
• 44:21
  Speaker 1: we'll say, oh, Kendricks and j Rock, right, But without
• 44:25
  Speaker 1: that j Rock element, what j Rock is the first
• 44:28
  Speaker 1: guy is to kick the whole shit off. Went out
• 44:30
  Speaker 1: that j Rock element, right, they would there wouldn't have
• 44:35
  Speaker 1: been that initial seeding for nurturing of Kendrick Lamar. You
• 44:41
  Speaker 1: know what I'm saying. So it's certain things that people
• 44:43
  Speaker 1: just not gonna say, whack. I want, you know, history
• 44:45
  Speaker 1: behind I look up to you in a lot of
• 44:47
  Speaker 1: different ways, but I know when it comes to finances, investing,
• 44:53
  Speaker 1: certain types of financial literacy, things that you're very good with.
• 45:01
  Speaker 1: You know, you had explained to me something kind of
• 45:05
  Speaker 1: like a life hack, how to use your credit and
• 45:08
  Speaker 1: your and credit cards to help Oh, I was giving
• 45:13
  Speaker 1: you the American expresses. He was giving me some game
• 45:16
  Speaker 1: I wanted to I thought that that was it. Could
• 45:18
  Speaker 1: you share that with everybody? Because I feel like it's
• 45:20
  Speaker 1: a lot of people something super practical. People tell you
• 45:22
  Speaker 1: a lot of people to creditors, it's kind of like
• 45:24
  Speaker 1: they want to put you in a situation that you
• 45:26
  Speaker 1: can't get out of, right, so you got to know
• 45:28
  Speaker 1: how to manipulate them, right. And first and foremost, let
• 45:31
  Speaker 1: me say shout out to my my financial advisor, who
• 45:33
  Speaker 1: has enhanced my intelligence. Travis Wilson tried for the stars
• 45:38
  Speaker 1: on Instagram. That's my financial guy. He's great with numbers,
• 45:42
  Speaker 1: he's at He's enhanced everything that I've known times a million. Right.
• 45:47
  Speaker 1: But like, if you got credit cards, right, you got
• 45:49
  Speaker 1: a card here, it's you know, five thousand dollars, right,
• 45:53
  Speaker 1: and you got five dolli dollars of bills, right, I'm
• 45:56
  Speaker 1: gonna tell you pay your bills with your credit card, right,
• 45:59
  Speaker 1: and then money that you was gonna use from your
• 46:01
  Speaker 1: bank account pay your credit card back. So what the
• 46:04
  Speaker 1: credit is gonna say is, oh shit, okay, increasing you ten, right,
• 46:08
  Speaker 1: pay the same five and keep doing it. You'll look up.
• 46:11
  Speaker 1: I got credit cards in my pocket right now. I
• 46:13
  Speaker 1: can literally go buy Rose Royce right now, no problem
• 46:18
  Speaker 1: because everything I do instead of using my primary bank account, right,
• 46:22
  Speaker 1: I use the credit card, and I put the money
• 46:24
  Speaker 1: back on the bank account, and you build credit into
• 46:27
  Speaker 1: all my cast is in the streets. I'm gonna keep
• 46:29
  Speaker 1: it real with you. This is the way I think.
• 46:32
  Speaker 1: In my pocket, I probably got about four or five
• 46:34
  Speaker 1: millions of credit cards, right that if I want to today,
• 46:37
  Speaker 1: I can go pull that cash down. Right, So I
• 46:41
  Speaker 1: think business and I think street shit, get weird, to
• 46:45
  Speaker 1: get funny. I can look what they can get on
• 46:47
  Speaker 1: whatever you're gonna put on my credit. It's cool because
• 46:49
  Speaker 1: if it's that bad, when they catch me, it ain't
• 46:50
  Speaker 1: gonna matter anyway, right right, if it's that bad, and
• 46:53
  Speaker 1: I can't use a credit card because that's a paper trail,
• 46:56
  Speaker 1: but I can work off this cast. So all my
• 46:59
  Speaker 1: street guard, y'all, y'all take and keep that in effect, right,
• 47:01
  Speaker 1: but U and then keep your keep your credit at
• 47:04
  Speaker 1: like a twenty five percent utilization. Yeah yeah, you got
• 47:07
  Speaker 1: a thousand dollar of a limit, you know, don't never
• 47:09
  Speaker 1: pay it off. Pay it down to two fifty, you
• 47:11
  Speaker 1: know what I mean, because that would help your credit score,
• 47:15
  Speaker 1: you know. And then real estate, man, you know, real
• 47:17
  Speaker 1: estate is always great. Always invests in real estate. Don't
• 47:20
  Speaker 1: be scared to buy real estate because the down payments
• 47:23
  Speaker 1: like it's I can say it's account. It's still there.
• 47:26
  Speaker 1: That's why I try to tell people like. People who
• 47:28
  Speaker 1: don't understand, like they'll be like man like. I always
• 47:31
  Speaker 1: tell people to look at real estate, not even one
• 47:34
  Speaker 1: that you live in, but but just look at it
• 47:36
  Speaker 1: as your bank instead of keeping the banking you know,
• 47:39
  Speaker 1: your checking account. It's in that crib. You can pull
• 47:41
  Speaker 1: that out at any time. The only the best part
• 47:44
  Speaker 1: about it is you get positive cash flow on homes
• 47:46
  Speaker 1: bro that I remember, I haven't paid one hundred and
• 47:48
  Speaker 1: ten thousand. I go check they worth six one hundred
• 47:50
  Speaker 1: thousand dollars. How many houses do you own? I mean,
• 47:53
  Speaker 1: or you know if you do? Right now, I'm down
• 47:55
  Speaker 1: to like thirteen. I used to be like twenty three
• 48:00
  Speaker 1: A liquidated when the away shit here. Of course got
• 48:02
  Speaker 1: off a few of them. But you know, real estate
• 48:05
  Speaker 1: is good. Land is good too as well. Of course,
• 48:07
  Speaker 1: sometimes you can go to the city hall and then
• 48:10
  Speaker 1: look at the ten year projection and they'll tell you
• 48:12
  Speaker 1: what we're looking into a Walmart here, shopping center here,
• 48:15
  Speaker 1: and it's like empty land. Go buy the land and
• 48:17
  Speaker 1: getting away have you? How how how yeah they you
• 48:21
  Speaker 1: know around it? Or they gotta buy you. They gotta
• 48:24
  Speaker 1: buy you out. That's some real shit, you know what
• 48:27
  Speaker 1: I'm saying how much of them? Like you know when
• 48:30
  Speaker 1: it comes to just being a source of knowledge for
• 48:32
  Speaker 1: guys like blue Face. I know because I remember the
• 48:35
  Speaker 1: first time I'm at blue Face. I think you and
• 48:37
  Speaker 1: your wife were taking him to look at houses like
• 48:38
  Speaker 1: the day be Bro. I made sure blue Face was
• 48:40
  Speaker 1: a homeowner. The first sixty days he was signed to me,
• 48:43
  Speaker 1: he had a four to thirty fighter score, got his
• 48:45
  Speaker 1: credit up me and Travis about a seven twenty seven thirty.
• 48:49
  Speaker 1: He brought his first home in his name, his aim
• 48:51
  Speaker 1: only no co signers. He played, you know, a million
• 48:54
  Speaker 1: five or so forth, you know what I mean. And
• 48:57
  Speaker 1: then seven eight months later, tax issues. So I wouldn't
• 49:02
  Speaker 1: put into another home, rut another home, you know what
• 49:04
  Speaker 1: I mean, paid like a million two for that. So
• 49:06
  Speaker 1: you know, I'm gonna make sure my artists are all homeowners.
• 49:08
  Speaker 1: I brought him his first car force me and Bird
• 49:11
  Speaker 1: mean did that, you know what I mean? So he
• 49:13
  Speaker 1: didn't have to go in his pocket, you know, the
• 49:15
  Speaker 1: first watches and rings. You know, I do those things
• 49:17
  Speaker 1: for my artists cause I want to see him win.
• 49:19
  Speaker 1: Is there ever an instance, because you know there's there's
• 49:21
  Speaker 1: sometimes with rappers, there's tax issues or there's legal shit
• 49:25
  Speaker 1: where you've stepped in and been like, yo, it's in
• 49:28
  Speaker 1: my name, so you're safe, because you know, I feel
• 49:31
  Speaker 1: like there's well, I always protect my artists. Nothing's ever
• 49:34
  Speaker 1: in their name anyway, you know what I mean. I
• 49:37
  Speaker 1: don't even pay him in their name. First thing I
• 49:38
  Speaker 1: do when I signed him is I buy him with
• 49:41
  Speaker 1: court put it in your name. I set up a corporation.
• 49:43
  Speaker 1: This is all in the LLC. They can't touch it.
• 49:46
  Speaker 1: It's theirs. But I've never paid any of my artists direct.
• 49:49
  Speaker 1: I've always paid corporation. I set to that form. So
• 49:53
  Speaker 1: I'm I'm always teaching my artists, you know, how to
• 49:55
  Speaker 1: protect themselves, and I'm setting them up. Yeah. I think
• 49:57
  Speaker 1: it's the game people need because medical Like when I
• 50:00
  Speaker 1: saw Blueface, medical insurance, you know, life insurance, all these
• 50:04
  Speaker 1: things and things that I went out and made sure
• 50:06
  Speaker 1: that that he had you know, life insurance and his
• 50:10
  Speaker 1: car insurances, and make sure he was he was protected.
• 50:13
  Speaker 1: That's just what I do, because it's kind of like
• 50:15
  Speaker 1: a you know, a father thing with me too as well.
• 50:18
  Speaker 1: You know, I want to see everything and anything abround me.
• 50:21
  Speaker 1: Win I'm gonna get old one day I'm gonna need
• 50:23
  Speaker 1: somebody to push that wheelchair block or two every now
• 50:25
  Speaker 1: and then, you know what I mean. And I want
• 50:27
  Speaker 1: people to remember, you know, I'm an overdue before I underdo.
• 50:31
  Speaker 1: So I live in the valley. I live kind of
• 50:33
  Speaker 1: sun Valley. Essentially been to Pacoima a bunch to get
• 50:37
  Speaker 1: great Mexican food. I think that can you kind of
• 50:42
  Speaker 1: break down the difference between coming up in the valley,
• 50:47
  Speaker 1: because I feel like the valley is kind of like
• 50:49
  Speaker 1: LA's kind of like step brother, what a valley? You
• 50:52
  Speaker 1: got the valley right, and you got you know, you
• 50:55
  Speaker 1: got those two teen babies, right, you got Pacoima, you
• 50:58
  Speaker 1: got it's like Panoram City and all that around there.
• 51:01
  Speaker 1: Right then you have like Woolen Hills and chest Worth
• 51:04
  Speaker 1: and all that. Right. I never even knew how to
• 51:06
  Speaker 1: get over there till I was like twenty one, right right,
• 51:09
  Speaker 1: anything pretty much crossed Rosco on the four five and
• 51:13
  Speaker 1: then you know that one eighteen that being shot on
• 51:16
  Speaker 1: up to Glenos Boulevard on around the Highs one or
• 51:18
  Speaker 1: two ten. That's kind of our pocket. If you go
• 51:21
  Speaker 1: over there, you're fined about four or five projects, you
• 51:23
  Speaker 1: know what I mean. If I blindfold you and took
• 51:26
  Speaker 1: you from South Central and took the blindfold off when
• 51:28
  Speaker 1: I got you to Pacoima. You wouldn't know the difference. Listen,
• 51:31
  Speaker 1: when I first moved out here, I went to buy
• 51:33
  Speaker 1: something off offer up and I had no idea about
• 51:35
  Speaker 1: like like I was like, went to percoinment. I was like,
• 51:38
  Speaker 1: oh shit, it's real over here. The only difference is
• 51:41
  Speaker 1: when you're dealing with South Central Compton, Washington, LA. Is
• 51:45
  Speaker 1: that the amount the gangs. Right, there's more gangs than
• 51:48
  Speaker 1: these areas, right, so do the politics ever cross. It's
• 51:54
  Speaker 1: a little more dangerous for us now today because we're
• 51:57
  Speaker 1: pretty much the only black gang over there, and with
• 52:00
  Speaker 1: all the racial tension, we're surrounded by Hispanic gangs. Right,
• 52:04
  Speaker 1: So now that's the internal beasts. When I grew up,
• 52:07
  Speaker 1: we shared the projects together, you know what I mean.
• 52:09
  Speaker 1: We wouldn't let the enemies get in through the through
• 52:12
  Speaker 1: the back, and they wouldn't let the crips come through
• 52:14
  Speaker 1: through the front. Right now, it's kind of like that generation.
• 52:18
  Speaker 1: Now they're at each other's throat. So that's the difference
• 52:21
  Speaker 1: between when you're dealing with the greater South Central Washing Englewood.
• 52:25
  Speaker 1: There gangs and more it's more of them. You know,
• 52:28
  Speaker 1: you go across the street, you enemy across the street,
• 52:30
  Speaker 1: and this is this, and that we kind of had
• 52:31
  Speaker 1: the liberty of controlling our ship out there. And and
• 52:35
  Speaker 1: even that was a problem in our her because the
• 52:38
  Speaker 1: drug trade was so great, people coming out there trying
• 52:41
  Speaker 1: to take over blocks and now were going at it
• 52:43
  Speaker 1: with games from La and because they didn't know we
• 52:46
  Speaker 1: was there until they found out. You know, y'all got
• 52:48
  Speaker 1: to get up out of here. And then there's like
• 52:50
  Speaker 1: Tohunga and Sunland, which is where a bunch of the
• 52:52
  Speaker 1: biker gangs and ship where a lot of white people
• 52:55
  Speaker 1: angels and ship those angels and ship like. That's a
• 52:57
  Speaker 1: whole another element that we had to deal with as kids,
• 53:00
  Speaker 1: because boy, they catch you slipping late. Now it was
• 53:02
  Speaker 1: gonna be a situation. But then you had once you
• 53:05
  Speaker 1: got the chess word. Canoga Park and even parts of
• 53:08
  Speaker 1: Kunoga Park is rare because you got a lot of
• 53:10
  Speaker 1: Hispanic gangs over there. Willett Hill, I didn't know what
• 53:13
  Speaker 1: the fuck Calabasas was until like two thousand and eight.
• 53:17
  Speaker 1: That's some real shit. I didn't know what that ship. Well,
• 53:20
  Speaker 1: we didn't go over there so year valley people think
• 53:23
  Speaker 1: to paning them all and all that because they come
• 53:26
  Speaker 1: in and they go left, they going at one on one.
• 53:28
  Speaker 1: But I think it's like that strip. It's like Sun Valley,
• 53:29
  Speaker 1: pacoimaus San Fernando on the Panorama City because the valley
• 53:35
  Speaker 1: is just all the valley is. If you come on
• 53:37
  Speaker 1: the four or five freeway right, you know, it's when
• 53:39
  Speaker 1: you get to the top and you start coming down.
• 53:41
  Speaker 1: The valley is just a city that's surrounded by the mountains. Yep,
• 53:44
  Speaker 1: that's all by definition. If you sit in l A
• 53:47
  Speaker 1: and look as far as you can see, you won't
• 53:49
  Speaker 1: see the mountains. So it's kind of like even at
• 53:52
  Speaker 1: San Gravel Valley area passing in, you know, the cities
• 53:55
  Speaker 1: that's surrounded by by mountains, so that that's really all
• 53:57
  Speaker 1: it is. But we got on little pocket over there.
• 54:00
  Speaker 1: You know, it's been there forty some years away. We've
• 54:05
  Speaker 1: been into it. You know a lot of people from
• 54:07
  Speaker 1: la and from down south migrated that way because it
• 54:11
  Speaker 1: was foreign country back then, and then it just took
• 54:13
  Speaker 1: like any place else, it turns in with it turned
• 54:16
  Speaker 1: you look at you do the research on cops George
• 54:17
  Speaker 1: bush Lett and cop that it's crazy. I didn't know
• 54:20
  Speaker 1: George Bush. Let you know what I'm saying. I know
• 54:21
  Speaker 1: it started off. A lot of people didn't move out
• 54:23
  Speaker 1: on the Black Star Company. So that what it is.
• 54:27
  Speaker 1: Talk to me, because you know, I think that you've
• 54:29
  Speaker 1: been h you know, we've had a very interesting last
• 54:34
  Speaker 1: four or five years in our country as far as
• 54:36
  Speaker 1: just racial tension relations. I think you know, Trump being
• 54:42
  Speaker 1: president magnified a lot of stuff that was already there,
• 54:45
  Speaker 1: and Big Homie was in office. Yeah, right, and you
• 54:50
  Speaker 1: recently had a situation where you knocked too motherfuckers out
• 54:53
  Speaker 1: on video. I mean, but you know that, like I
• 54:56
  Speaker 1: wake up every day in my life expecting something to
• 54:58
  Speaker 1: go wrong, prayer for the worst, I hope for the
• 55:01
  Speaker 1: best of prepared for the worst. So it's like, you know,
• 55:03
  Speaker 1: that's why I tell our people like, man, it's some
• 55:05
  Speaker 1: good people in this world. There's some crazy ass people
• 55:08
  Speaker 1: in this world. You know, some people over there came
• 55:10
  Speaker 1: back from the ward's you know gone, it's some it's
• 55:12
  Speaker 1: you know, believe it or not, on those worst Nigga
• 55:14
  Speaker 1: did away with long term mental health care. So a
• 55:18
  Speaker 1: lot of these people at the end of these freeways,
• 55:20
  Speaker 1: in these parking lots. They could really get away with murder, right,
• 55:23
  Speaker 1: they're gonna lock them over forty eight hours and let
• 55:25
  Speaker 1: them go. So you know, it's not even just a
• 55:28
  Speaker 1: gang element with me. It's just a worldly element that
• 55:30
  Speaker 1: we live in because you never know if you're gonna
• 55:32
  Speaker 1: be in a restaurant, dude gonna stand We naturally stand
• 55:35
  Speaker 1: up in the movies starts shooting, so you gotta really
• 55:38
  Speaker 1: pay attention. You can't live in the world that we
• 55:40
  Speaker 1: live in, happy go lucky. It's always some shit going on,
• 55:43
  Speaker 1: but it's a drug driver, whether it's a kid running out.
• 55:46
  Speaker 1: And what happened that day though where where ible was
• 55:48
  Speaker 1: in line bullshit and I was trying to get me
• 55:51
  Speaker 1: a damn bot with avocado seasoned fries and the raspberry ice. Okay, okay,
• 55:56
  Speaker 1: and the little dude was behind me. You know, they
• 55:58
  Speaker 1: smoke rubbers in these little dogs charges to challenge your cars,
• 56:01
  Speaker 1: So I kind of leaned out and asked, I don't
• 56:03
  Speaker 1: want you to lose control of your car. He was
• 56:05
  Speaker 1: a skinhead dude too, but he was cool. He like
• 56:08
  Speaker 1: I ain't cool, no problem. Two dudes on the pickup said,
• 56:11
  Speaker 1: mind you been this nigger now? Once again watched it
• 56:15
  Speaker 1: back to the meet meal situation. It's five, six of
• 56:18
  Speaker 1: them in the parking lot. I could have said it
• 56:23
  Speaker 1: was six of them, and it was one to me,
• 56:25
  Speaker 1: so I left. Nah, the politics I come from, they
• 56:29
  Speaker 1: just so happened to catch me on the day. Got
• 56:31
  Speaker 1: I by myself. I gotta get out. This is what
• 56:37
  Speaker 1: this is. I could have pulled out in the world,
• 56:39
  Speaker 1: would have never known. Those white dudes ain't on social media.
• 56:42
  Speaker 1: They probably know who I was, but the politics embedded
• 56:46
  Speaker 1: in me, I gotta get out. However it turned out.
• 56:52
  Speaker 1: I don't know if they got knives on them, guns,
• 56:53
  Speaker 1: I don't know what they got on them. I didn't
• 56:56
  Speaker 1: even realize it was three four more over there in
• 56:57
  Speaker 1: the corner. As you've seen them walk up, you know
• 57:00
  Speaker 1: what I'm saying. So it's kind of I ain't even
• 57:01
  Speaker 1: with that. I was more of them on the deepense thing.
• 57:03
  Speaker 1: I couldn't really attack like I wanted to because I
• 57:06
  Speaker 1: saw them walking up, so I had to get back
• 57:07
  Speaker 1: to the vehicle, you know, in case it went somewhere else. Right.
• 57:11
  Speaker 1: So that's just what it is, bro. And you know
• 57:15
  Speaker 1: I'm the first one to tell you. Kids don't gain bang, right,
• 57:20
  Speaker 1: it's some irrational ship that won't get you nowhere. There's
• 57:23
  Speaker 1: no retirement plan, you know what I mean. Your homeboy's
• 57:26
  Speaker 1: gonna hate on you when you go to jail. They
• 57:28
  Speaker 1: gonna tell your girlfriend about your other bra and they
• 57:30
  Speaker 1: gonna be at her too, and that something I'm gonna
• 57:32
  Speaker 1: tell on you and all that. Right. Be a civilian,
• 57:36
  Speaker 1: be able to live life the worldly way, be able
• 57:39
  Speaker 1: to say, you know what, let me put off you
• 57:41
  Speaker 1: know what, let me go make a report that that's
• 57:43
  Speaker 1: the peaceful way. Cause it's ship that we under. Its irrational,
• 57:46
  Speaker 1: is unreasonable, and it's dangerous and I don't wish it
• 57:50
  Speaker 1: on nobody, but it's like this, it's just what it
• 57:53
  Speaker 1: is with me. I chose it, so I got to
• 57:55
  Speaker 1: stand in it. You know, people say, whack man, what
• 57:58
  Speaker 1: you know? You you this age and you still man,
• 58:00
  Speaker 1: I've never seen a Christian retirement. This ain't no, this
• 58:04
  Speaker 1: is not a funny game thing. To me, this ship
• 58:06
  Speaker 1: for real, this is this is this is my way
• 58:09
  Speaker 1: of life. Hey man. You know what I really admire
• 58:11
  Speaker 1: about you is the relationship you got with your wife.
• 58:14
  Speaker 1: That's thirty years. I think that, you know, I've never
• 58:18
  Speaker 1: seen any I just you know, she's like your partner. Bro. Yeah,
• 58:21
  Speaker 1: she's the opposite of me, but she is me and
• 58:24
  Speaker 1: she deals with all the whack shit she she's with.
• 58:27
  Speaker 1: She didn't been with me since we've been fourteen, Bro,
• 58:29
  Speaker 1: she didn't see some ship. She was with me when
• 58:31
  Speaker 1: I earned the name whack. You know, whack in my
• 58:33
  Speaker 1: age has been some other ship today. It means what
• 58:35
  Speaker 1: it means. You know what I mean, you had to
• 58:37
  Speaker 1: earn that name. But yeah, as a kid, it was
• 58:38
  Speaker 1: like you whack up, mother fucker, you know. Yeah, you
• 58:40
  Speaker 1: know what I'm saying. So it's looking so yeah, she's
• 58:43
  Speaker 1: my balance. Yeah, Like like how important is that to
• 58:46
  Speaker 1: have to you know? Because my wife is a woman
• 58:49
  Speaker 1: like me, I'll be up on the alcatraz. She's my balance.
• 58:53
  Speaker 1: She she's gonna talk some since, she's gonna give me
• 58:55
  Speaker 1: another way of looking at it. You know, she's not
• 58:57
  Speaker 1: scared of me. She understands me, you know what I mean.
• 58:59
  Speaker 1: So it's like, and you need that, and then you
• 59:02
  Speaker 1: definitely want somebody that you feel you can't live without.
• 59:05
  Speaker 1: So that's what kind of controls that anger. Because any
• 59:10
  Speaker 1: real ol G that come up banging in these streets,
• 59:12
  Speaker 1: all of us have an anger problem. That's what fuels
• 59:16
  Speaker 1: the viciousness, you know what I'm saying. So you need
• 59:19
  Speaker 1: something that to think about, whether it's her, the children,
• 59:23
  Speaker 1: you know what I mean, things like that. You gotta
• 59:25
  Speaker 1: have something to think about to to bring you down,
• 59:27
  Speaker 1: you know, I mean, she's my motivation. Man. She you know,
• 59:29
  Speaker 1: she's my biggest fan. She cheers me all. You know,
• 59:32
  Speaker 1: she lets me know how smart she thinks. You know,
• 59:35
  Speaker 1: men need that, would need that encourage me also to
• 59:37
  Speaker 1: like she takes a lot off your plate, Like she's
• 59:42
  Speaker 1: I initiate in our clothes, all the middle work, all
• 59:44
  Speaker 1: the all the flight booking, the producer agreements, the studio
• 59:49
  Speaker 1: time booking, all that she controls so I can pass
• 59:52
  Speaker 1: it and then go on to the next one. So
• 59:54
  Speaker 1: your labeltament cash Money, West cash Money, Man, I'm VP
• 1:00:00
  Speaker 1: of at one hundred Entertainment. I'm actually running two labels
• 1:00:03
  Speaker 1: at the same time. Yeah, you got cash Money West
• 1:00:06
  Speaker 1: one Entertainment. So, uh, Coyote, Coyote, True Car, Flash Gotti,
• 1:00:13
  Speaker 1: all those up on the one hundred Entertainment. Blue Faces
• 1:00:15
  Speaker 1: on cash Money, West Side Face cash Money. It was
• 1:00:17
  Speaker 1: originally Savvy third and blue Face. I got a few artists.
• 1:00:21
  Speaker 1: I'm just waiting to see what Birdmen want to do
• 1:00:23
  Speaker 1: because he gets the first pick or whatever it is.
• 1:00:26
  Speaker 1: That's just what that is, kiddo carry out of Chicago
• 1:00:29
  Speaker 1: and probably just Mikey probably gonna end up on the
• 1:00:32
  Speaker 1: cash money on West Side. So just waiting on bird
• 1:00:35
  Speaker 1: Man to give me the green light on that. So, uh,
• 1:00:38
  Speaker 1: what is what do you look for man like like
• 1:00:40
  Speaker 1: when it comes to talent, when it comes to an
• 1:00:42
  Speaker 1: artist like, you know, what are the qualities that the
• 1:00:45
  Speaker 1: true car was stood out to me? Was I thought
• 1:00:47
  Speaker 1: it was from the souths some wats, some watts, and
• 1:00:51
  Speaker 1: you know, you got to respect it. The South got
• 1:00:53
  Speaker 1: the torch right. Now, a lot of people from New
• 1:00:55
  Speaker 1: York and LA don't want admit it, but the South
• 1:00:56
  Speaker 1: got the torch right. They've been having a to they've
• 1:00:58
  Speaker 1: been having a torch about twenty years, about fifteen years.
• 1:01:03
  Speaker 1: So you know, he was different, you know what I mean?
• 1:01:05
  Speaker 1: You know they got this auto tune sound thing going
• 1:01:07
  Speaker 1: on it. They're saying the same thing, just in a
• 1:01:09
  Speaker 1: auto tune way. So you can find that Adama doesn't.
• 1:01:12
  Speaker 1: He was different and I respected the fact that actually
• 1:01:14
  Speaker 1: we can bring him in here. Want to I respected
• 1:01:18
  Speaker 1: the fact that he was grew up in Watson and lived.
• 1:01:23
  Speaker 1: He's actually up the street they called a dome Block
• 1:01:25
  Speaker 1: one hundred and tenth, which is not actually inside the
• 1:01:28
  Speaker 1: projects but the outer streets outside of the projects. But
• 1:01:31
  Speaker 1: I respected the fact that he didn't game bang. He
• 1:01:35
  Speaker 1: grew up around it. His family's around it, but he
• 1:01:38
  Speaker 1: he's not from Bounty Hunters. Everybody around him is, but
• 1:01:42
  Speaker 1: he not. And I respected that, you know what I mean.
• 1:01:44
  Speaker 1: So I kind of look at and his work ethic
• 1:01:47
  Speaker 1: is crazy, like I've never owned the studio. I go
• 1:01:49
  Speaker 1: book one out, block one out. He running so hard.
• 1:01:52
  Speaker 1: I had to actually go kid a studio, shout out
• 1:01:55
  Speaker 1: the stack quote, look at man, you know what I mean?
• 1:01:58
  Speaker 1: Stack quot and DJ they blessed me with my with
• 1:02:01
  Speaker 1: my situation. I got over there and let me take
• 1:02:03
  Speaker 1: over and just put it together how I wanted to,
• 1:02:05
  Speaker 1: you know what I mean. So shut the stack quote.
• 1:02:07
  Speaker 1: So he his work at it like he minds me
• 1:02:09
  Speaker 1: a game game going knockout four or five joints tonight, right,
• 1:02:13
  Speaker 1: And they was in there last night and it was
• 1:02:15
  Speaker 1: crazy because it's a game, snoop. We just did it
• 1:02:20
  Speaker 1: last night. Okay, we got a true call in the hood.
• 1:02:23
  Speaker 1: The game of Snoop on the versus that's gonna be
• 1:02:25
  Speaker 1: on the evolution of Banging on Wax? Is that gonna
• 1:02:28
  Speaker 1: be the compilation you were telling me about what Asia
• 1:02:30
  Speaker 1: and Tyger. Yeah, Asia and Todd Donalds. They got a
• 1:02:32
  Speaker 1: big record the singles Bloods, Crips, par Rule with mazi O,
• 1:02:35
  Speaker 1: t Genesis, Game, Blue Face on that that's coming out
• 1:02:38
  Speaker 1: through Uh, I'm working that through three one nine cash Money.
• 1:02:42
  Speaker 1: The distribution you said evolution to Banging on Wax, People
• 1:02:44
  Speaker 1: don't remember that that was the crips and blood was
• 1:02:47
  Speaker 1: crips on one side, bloods on one side, which was
• 1:02:50
  Speaker 1: a red rum and and big why and stretch. They
• 1:02:55
  Speaker 1: did that situation, but the crips was dissing the bloods
• 1:02:58
  Speaker 1: on one side, and Bloods was dissing the cris So
• 1:03:00
  Speaker 1: once since then, we've kind of evolved to where this
• 1:03:03
  Speaker 1: blood and crip thing has went across the United States,
• 1:03:06
  Speaker 1: and how we're doing it is making sure everybody got
• 1:03:10
  Speaker 1: to understand it, especially in this music industry, to minimize
• 1:03:12
  Speaker 1: the violence. So the evolution side of it, which came
• 1:03:16
  Speaker 1: from Wacko, from West Side Parlo one hundred and forty
• 1:03:18
  Speaker 1: second Street. His whole thing was to let's show the
• 1:03:21
  Speaker 1: evolution of it to where now we got bloods and
• 1:03:24
  Speaker 1: crips on the same songs, doing great music together, getting
• 1:03:28
  Speaker 1: along the evolution of it. So we promoted the bullshit
• 1:03:31
  Speaker 1: back then, fucked these niggas, Kill these niggas. Twenty five
• 1:03:34
  Speaker 1: years later, we're still here standing. Hey. Listen, our politics
• 1:03:38
  Speaker 1: all crossed, our land, on your block, you in my city,
• 1:03:41
  Speaker 1: you and my studios. It's all love is cool, vice versas.
• 1:03:45
  Speaker 1: So that's what that is. Oo, that's all all right.
• 1:03:47
  Speaker 1: So look you you actually you've been busy. Hell yeah,
• 1:03:50
  Speaker 1: working working for Sofa. So we got won't coming this week.
• 1:03:53
  Speaker 1: Wat's up? Wys up? So yep, we had to do
• 1:03:55
  Speaker 1: it for the city. So yeah, you've you've you've got
• 1:03:58
  Speaker 1: some big features. Obviously the Richard Kid record, you Bro
• 1:04:02
  Speaker 1: Freddy shout Out, the Bank Caller, the Ray, Draco, Drac Mazi,
• 1:04:09
  Speaker 1: saw you with Drake. We got wont coming with Sweetie.
• 1:04:13
  Speaker 1: Oh here you told me. It's got the old school
• 1:04:15
  Speaker 1: sample on the right. We took games, let's ride and
• 1:04:17
  Speaker 1: flipped it. Flipped it. They did that. A scout stories
• 1:04:21
  Speaker 1: came and touched it. For us did to be shout
• 1:04:24
  Speaker 1: out the story. So, hey, when when this guy originally
• 1:04:26
  Speaker 1: calls you, how did y'all how did you find him?
• 1:04:29
  Speaker 1: And how did the initial conversation? Blue face and told
• 1:04:32
  Speaker 1: me you wanted to do a remix on the song,
• 1:04:34
  Speaker 1: and he said, can you find him? This is his name?
• 1:04:36
  Speaker 1: Sent me his instagram by d M D. You know,
• 1:04:40
  Speaker 1: you know some people wake up see DM DM for me,
• 1:04:42
  Speaker 1: don't know how to take that ship right, So I
• 1:04:44
  Speaker 1: d M him and he sent me his number. I
• 1:04:47
  Speaker 1: called him, I told him what it was. He pulled
• 1:04:50
  Speaker 1: up in the studio. Blue Face knocked it out. I said, look,
• 1:04:53
  Speaker 1: whoever you're working with? Asked him who he was signed to?
• 1:04:55
  Speaker 1: We said nobody, and asked Hi where he was from.
• 1:04:58
  Speaker 1: He said, watch grew around the and guards. So first
• 1:05:01
  Speaker 1: thing got my mind respect for my brother top Dog.
• 1:05:03
  Speaker 1: I'm like, have you reached out the top Dog and
• 1:05:05
  Speaker 1: tde right? So he was like he was trying to
• 1:05:08
  Speaker 1: get some you know, things that way or whatever. So
• 1:05:10
  Speaker 1: I said, I'm gonna call over there. So before that,
• 1:05:12
  Speaker 1: I told him, I said, look, whatever you're working with,
• 1:05:14
  Speaker 1: just telling him we do in your favor enhancing your music.
• 1:05:17
  Speaker 1: Gonna let you use blueface platform. It's all love, no
• 1:05:20
  Speaker 1: strings attached. But I warned him, when you tell him
• 1:05:24
  Speaker 1: you came in with me, they gonna feel some type
• 1:05:27
  Speaker 1: of way and they gonna get different with you. And
• 1:05:29
  Speaker 1: I think because I told him what was gonna happen
• 1:05:32
  Speaker 1: before it happened, when it happened, he called me back
• 1:05:35
  Speaker 1: and said, I need to come talk to you, and
• 1:05:37
  Speaker 1: he pulled up on me. I was working in the
• 1:05:38
  Speaker 1: studio on Glendale at the Mint Room. He said, Man,
• 1:05:41
  Speaker 1: as soon as I told him that you know I
• 1:05:43
  Speaker 1: was over here with you, everything changed. I said, well,
• 1:05:45
  Speaker 1: you know you want to come over here and work,
• 1:05:47
  Speaker 1: you can work. Because what I like to do. I
• 1:05:49
  Speaker 1: let allist come to my studio, use the studio for
• 1:05:52
  Speaker 1: free two three months. Whatever you want to do a record.
• 1:05:55
  Speaker 1: I want you to want to work with me. I
• 1:05:57
  Speaker 1: don't force contracts, so I don't dank on home in
• 1:06:00
  Speaker 1: front of you. If you comfortable with me, and you
• 1:06:03
  Speaker 1: can come to my office and then we can map
• 1:06:05
  Speaker 1: out what we want to do. And he'll tell you
• 1:06:07
  Speaker 1: that he was over there free fall two three months.
• 1:06:11
  Speaker 1: I never no paperwork, neverning when he felt he was ready.
• 1:06:18
  Speaker 1: Because far as I'm concerned him being able to come
• 1:06:20
  Speaker 1: to my studio for those eight hours or ten hours.
• 1:06:24
  Speaker 1: He got more chance in life. He ain't over there
• 1:06:27
  Speaker 1: on the block. Ain't nothing happening to these kids. So
• 1:06:29
  Speaker 1: I'm giving you an outlet, someplace to go. Whether you
• 1:06:32
  Speaker 1: got any money or not, I'm gonna pay for the
• 1:06:34
  Speaker 1: room anyways. There I got a couple of rooms, So
• 1:06:36
  Speaker 1: even if some kids just come to hang out, you know,
• 1:06:38
  Speaker 1: it's an outlet, and and you know, and I give
• 1:06:43
  Speaker 1: him that because I feel like, hey, I think that's
• 1:06:45
  Speaker 1: another misconception about you that you just kind of squashed that.
• 1:06:47
  Speaker 1: Like I think a lot of people look at you
• 1:06:48
  Speaker 1: it's like, whack is this big? But I think that
• 1:06:54
  Speaker 1: you need to you know, it's good that you're promoting that,
• 1:06:56
  Speaker 1: because I don't think people understand like the shit you
• 1:06:58
  Speaker 1: be doing for people that we don't even know about.
• 1:07:00
  Speaker 1: You will never find nobody that can say whack supervisor
• 1:07:04
  Speaker 1: orchestrate any kid getting put on the street game. I
• 1:07:09
  Speaker 1: learned at an early age. I was sent to the
• 1:07:11
  Speaker 1: penitentiary at sixteen, solid that that this shit is some bullshit.
• 1:07:16
  Speaker 1: But I was too so far, too late. It was
• 1:07:18
  Speaker 1: what it was. So I told myself. I'm never gonna
• 1:07:21
  Speaker 1: put this on nobody else's child, because I know what
• 1:07:24
  Speaker 1: this is. I believe what you put in the universe
• 1:07:26
  Speaker 1: is gonna come back. I know I had a son
• 1:07:28
  Speaker 1: on the way, and you know, I'm not gonna do
• 1:07:31
  Speaker 1: this to somebody. Then one day something happened to mine
• 1:07:33
  Speaker 1: because of what I orchestrated over here. So they all
• 1:07:36
  Speaker 1: tell you, I got all kind of shit in my building.
• 1:07:38
  Speaker 1: It be shipped. My building ain't supposed to be in
• 1:07:40
  Speaker 1: the build at the same time. Like who they killing
• 1:07:42
  Speaker 1: right now? And they blocks, but they right here, three
• 1:07:45
  Speaker 1: four different neighborhoods getting along. So now when they see
• 1:07:49
  Speaker 1: each other, you know what I mean, maybe they let
• 1:07:51
  Speaker 1: each other live even if Wack's not there, because through
• 1:07:54
  Speaker 1: Whack they develop a relationship, which is great exactly. Well, look, Whack,
• 1:07:59
  Speaker 1: I know you know you were supposed to be out
• 1:08:00
  Speaker 1: he at three o'clock. We're running later. Yeah, I gotta go.
• 1:08:02
  Speaker 1: I got daddy duties. I gotta take that door to this.
• 1:08:05
  Speaker 1: But you know we got True Car. He's coming, Blue Faces,
• 1:08:09
  Speaker 1: coming games Coming. I got a thirty for thirty playlist
• 1:08:13
  Speaker 1: type album that we're releasing shared a True Car based
• 1:08:17
  Speaker 1: on a true story. It's coming on. That's like mar
• 1:08:21
  Speaker 1: you got he a freestyle. So I told him, yeah,
• 1:08:25
  Speaker 1: I ain't seen him write nothing yet. He comes come
• 1:08:27
  Speaker 1: off the top, off the top, you know what I mean.
• 1:08:30
  Speaker 1: But like you know, shout out to everybody that's been there,
• 1:08:32
  Speaker 1: my man j R. Running my market and E one
• 1:08:34
  Speaker 1: Ha's been there. Also the diapers. You got incredible, incredible diapers.
• 1:08:38
  Speaker 1: They launching the June the only minority own dot Nick
• 1:08:42
  Speaker 1: Cannon in the universe, Nick Cannon, Nate Cannon. Gonna need
• 1:08:47
  Speaker 1: those diapers too. My man is out here, popul Nick said,
• 1:08:50
  Speaker 1: he's trying to He's getting down for sure. You know,
• 1:08:53
  Speaker 1: he allowed me to use his name. I was trying
• 1:08:55
  Speaker 1: to come up with his name, and I was in
• 1:08:57
  Speaker 1: the rut and I was like, you know, uh, doble diapers.
• 1:09:00
  Speaker 1: I like the ring of it. So I called it perfectly,
• 1:09:02
  Speaker 1: like whack go ahead. Do you think he wouldn't even
• 1:09:04
  Speaker 1: take no money from me? But I still rolled it up.
• 1:09:06
  Speaker 1: He gave him, gave him this percentage. He doesn't have
• 1:09:09
  Speaker 1: to do anything. I have been asked me for no
• 1:09:10
  Speaker 1: funding and that you know, I'm pretty sure when it
• 1:09:12
  Speaker 1: comes down to marketing and promoting. He definitely be there
• 1:09:15
  Speaker 1: for me. But you know, definitely, you know, we're moving
• 1:09:17
  Speaker 1: things in other ways and to empower ourselves so we
• 1:09:21
  Speaker 1: don't need the other people to do the things that
• 1:09:22
  Speaker 1: we do. Music facts, well, look appreciate you pulling up Whack.
• 1:09:26
  Speaker 1: It's about time man, definitely, and we're gonna have. I
• 1:09:29
  Speaker 1: talked to uh to the Coyote dudes because they've been
• 1:09:32
  Speaker 1: them dudes can rap like so hard. I've been talking
• 1:09:38
  Speaker 1: to him bout pulling up. We don't do a freestyle
• 1:09:39
  Speaker 1: with them, do a freestyle with you and and definitely
• 1:09:42
  Speaker 1: boom entertainment when we go on that problem. Yeah, boom
• 1:09:47
  Speaker 1: oh love West Up.