Latest / DISGRACELAND / Bonus Episode – Upcoming Episodes, the Diddy Trial, and More Mount Rushmore

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Bonus Episode – Upcoming Episodes, the Diddy Trial, and More Mount Rushmore · DISGRACELAND

0:01
Speaker 1: Hey, Discos, need a little more disgrace Land in your life,
0:05
Speaker 1: just to touch to get you through. Yeah, me too.
0:08
Speaker 1: This is the podcast that comes after the podcast. Welcome
0:12
Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,
0:31
Speaker 1: a little thing we like to call the after party.
0:34
Speaker 1: This is the show after the show, the party after
0:36
Speaker 1: the party, the bridge to get you from one full
0:38
Speaker 1: episode of Disgraceland to the other, the backyard to dig
0:41
Speaker 1: into the dirt. On this bonus episode, we are talking
0:44
Speaker 1: about this week's episode subject Basquiat. We are previewing the
0:48
Speaker 1: coming Go Gos episode, talking about our upcoming slate of
0:52
Speaker 1: new subjects, and we get into your voicemails, text DMS,
0:56
Speaker 1: emails and as always, a whole lot of rosie. All right, Discos,
1:00
Speaker 1: let's get into it. If I could do anything in
1:14
Speaker 1: the world for a job, it would be this. It'd
1:16
Speaker 1: be to get up in the morning, make a cup
1:18
Speaker 1: of coffee, sit in my comfortable chair in my office,
1:21
Speaker 1: my dog at my feet, put some John Coltrane on
1:25
Speaker 1: on that turntable of mine, and just write. And that
1:28
Speaker 1: turntable is vintage. It's nineteen sixty four, and so are
1:32
Speaker 1: the subjects that I write about. They're vintage, and that
1:36
Speaker 1: often means that there's a limited audience for some of
1:39
Speaker 1: these subjects. But I'm okay with that. I don't care.
1:43
Speaker 1: It's what I'm into and I know you guys are
1:45
Speaker 1: gonna do it as well. I have an audience for
1:47
Speaker 1: what I write, and this is something that any writer
1:51
Speaker 1: would be blessed to have. I mean, it's not just
1:54
Speaker 1: that there's an audience for Disgraceline, but I get to
1:56
Speaker 1: come and I get to talk to you every week
1:58
Speaker 1: here in the after party. You guys talk to me,
2:00
Speaker 1: you call me, send me texts, talk on dms. All
2:03
Speaker 1: that it's beyond my wildest dreams or beyond it was.
2:07
Speaker 1: It is beyond the wildest dreams that I had as
2:10
Speaker 1: a kid thinking about what I would do when I
2:12
Speaker 1: grew up. And here I am. Stories that I write.
2:16
Speaker 1: As you guys know, they're dubbed music and true crime
2:19
Speaker 1: here in Disgraceland, but really the true crime bit it's
2:22
Speaker 1: always been a bit of a trojan horse. Disgraceland, as
2:26
Speaker 1: you know, is really a music history series. The hook,
2:30
Speaker 1: I guess, if you want to call it that is
2:32
Speaker 1: that I tell you, guys, these stories through the lens
2:34
Speaker 1: of true crime, which makes in my estimation of these
2:38
Speaker 1: stories more interesting not only for you, but for me too.
2:42
Speaker 1: Like you, guys, I've always been uninterested in the conventional stories.
2:47
Speaker 1: Not always, I should say, there was a time that
2:48
Speaker 1: I wasn't I was interested. That was a long time ago,
2:52
Speaker 1: because like you, I devoured the conventional stories when I
2:55
Speaker 1: was a kid. Thankfully, with time, we've been afforded the
3:00
Speaker 1: luxury of numerous artists, autobiographies, tell alls, documentaries, troves of
3:06
Speaker 1: information where well sourced alternative stories have emerged. I don't
3:11
Speaker 1: like that phrase alternative, but I don't have another another
3:15
Speaker 1: word for it. We've talked about this a lot. I'm
3:18
Speaker 1: not going to beat a dead horse. But there's the
3:20
Speaker 1: sort of accepted artist narrative in most cases, and then
3:24
Speaker 1: there's all of this other storytelling that springs up around
3:29
Speaker 1: these artists, around the history of these artists, from the
3:32
Speaker 1: people who knew them, sometimes from the artists themselves, and
3:35
Speaker 1: these stories are far more interesting, and because they present
3:39
Speaker 1: different sides of these subjects that we love, we've grown
3:43
Speaker 1: to love at least, and as you're well aware, it
3:46
Speaker 1: gives us a new view into the past and more dramatic,
3:51
Speaker 1: more exciting look at music history. I tell you all
3:56
Speaker 1: this because I'm really excited about what's coming in the
3:59
Speaker 1: next few weeks. We're bringing you some of our best
4:02
Speaker 1: episodes yet, new episodes from music history, unconventional stories from
4:07
Speaker 1: music history that either have not been told yet in podcasting,
4:10
Speaker 1: or if they have been told, I promise you that
4:13
Speaker 1: they have not been told the way that we are
4:15
Speaker 1: going to tell them. And that's a big thing here too.
4:18
Speaker 1: You know, it's like we're messing with a new medium
4:20
Speaker 1: here with podcasting. It's still new, even though it's been
4:23
Speaker 1: around for going on two decades at this point, I think.
4:26
Speaker 1: But we're using this new medium to tell these stories
4:29
Speaker 1: in a different way. So, yeah, you can go on
4:31
Speaker 1: YouTube and you can find the story of you know,
4:35
Speaker 1: Byorick or Marilyn Manson or whomever, but you're not going
4:39
Speaker 1: to find the story told the way that we're going
4:41
Speaker 1: to tell you in this podcast. Okay, So the new
4:46
Speaker 1: stories we have coming up, they either haven't been told
4:48
Speaker 1: at all, they haven't been told in podcasting, or they
4:50
Speaker 1: haven't told Again, I promise you they have not been
4:52
Speaker 1: told the way that we're going to tell them. The
4:53
Speaker 1: Disgraceland feed going forward got to be a little bit different.
4:58
Speaker 1: The Icon series is a actually over with this most
5:02
Speaker 1: recent Bascocht episode. Okay, from now on, all non music
5:06
Speaker 1: subjects will be featured in their own feed. Episodes on
5:09
Speaker 1: actors and actresses in Hollywood and true crime will only
5:12
Speaker 1: be found in the Hollywood Land podcast feed, which if
5:14
Speaker 1: you're not subscribed in Following Nazi chants, but back to Disgraceland,
5:18
Speaker 1: in the coming week's news stories are going to be
5:21
Speaker 1: about the Go Gos Okay, a band that was birthed
5:25
Speaker 1: in the city referred to at the time as the
5:28
Speaker 1: serial killer capital of the world. Very true Crimeing this
5:31
Speaker 1: episode Marilyn Manson, we have an episode on Marilyn Manson
5:34
Speaker 1: coming up. This could have been seriously five episodes. Manson
5:38
Speaker 1: is an artist Who's what I discovered when I was
5:41
Speaker 1: researching this the inhumanity of this guy. Okay, the inhumanity
5:46
Speaker 1: that's the theme of this Manson episode. At times it
5:50
Speaker 1: was not just shocking, it was incomprehensible and the most
5:57
Speaker 1: keep we keep running into this. The most shocking part, okay,
6:00
Speaker 1: the most shocking part about the Marilyn Manson story is
6:04
Speaker 1: that the artist himself documented most of this inhumane behavior
6:10
Speaker 1: in graphic detail, and we're gonna bring that to you,
6:13
Speaker 1: and we're gonna hang it on the theme of inhumanity,
6:15
Speaker 1: and we're gonna we're gonna merge it with the past
6:19
Speaker 1: few years, past decade plus I guess of sexual abuse
6:23
Speaker 1: allegations against Marilyn Manson and what came of those allegations.
6:29
Speaker 1: Pretty incredible story. I can't wait to talk to you
6:31
Speaker 1: guys about it. Byork this is another one. Now, this
6:34
Speaker 1: is one where this is one of those stories where
6:36
Speaker 1: you might hear what the story is about and you
6:38
Speaker 1: might go, wow, I had no fucking idea that happened.
6:41
Speaker 1: How did I miss that? Or you just as easily
6:44
Speaker 1: might hear what this story is about and you might
6:46
Speaker 1: say to yourself, that's old news. I've heard that before.
6:48
Speaker 1: I know about that. I saw fourteen YouTube videos about it.
6:51
Speaker 1: But again, you have not heard our version of it,
6:55
Speaker 1: all right, and what we're going to do with it
6:57
Speaker 1: in audio, and it's gonna be different. Byorke A truly
7:02
Speaker 1: one of a kind of artists whose life and career
7:06
Speaker 1: ran up against one of the most deranged music fans
7:10
Speaker 1: of all time. That's coming in a couple of weeks
7:13
Speaker 1: The Who Okay, we did an episode on the Who
7:15
Speaker 1: back in the day, was really a Keith Moon episode.
7:17
Speaker 1: We had to do that. Keith Moon is such a
7:19
Speaker 1: larger than life rock and roll history character. But what
7:23
Speaker 1: we did not do in that episode is get to
7:26
Speaker 1: the story about the Who, a band being at the
7:30
Speaker 1: center of one of the greatest tragedies in rock and
7:32
Speaker 1: roll history. So we're going to do that in the
7:34
Speaker 1: next coming weeks. Also episodes on the Replacements, Mark Lanagan, Fish,
7:39
Speaker 1: Kendrick Lamar, The Runaways, Pentagram MIAs A Potter from the
7:43
Speaker 1: gets Nikki six, and so many more. They are all
7:46
Speaker 1: coming in the weeks and months ahead, and I couldn't
7:48
Speaker 1: be more excited. A lot of those subjects that I
7:50
Speaker 1: just read to you came from you guys directly. They
7:53
Speaker 1: were suggested by you guys, either via email, text, voicemail,
7:57
Speaker 1: and the Patreon chat. And we tried really over the
8:00
Speaker 1: next few months to produce episodes that you guys have
8:05
Speaker 1: specifically asked for, So you're gonna start to see those
8:08
Speaker 1: rolling out. You're gonna be getting four new full episodes
8:12
Speaker 1: of Disgraceland every month, plus the bonus after party episode
8:17
Speaker 1: every week. As always, we're gonna be rewinding archive episodes
8:21
Speaker 1: weekly once over the weekend. Sometimes there are two parters,
8:25
Speaker 1: you know, if it's a two part episode, you're gonna
8:27
Speaker 1: get you know, two of those episodes. And sometimes, you know,
8:30
Speaker 1: as we release our new episodes, like the Nikki six one,
8:34
Speaker 1: for example, that we get coming up, we're gonna drop
8:37
Speaker 1: that Motley Cure episode in there next to it and
8:40
Speaker 1: create our own new two part or I guess you
8:42
Speaker 1: could say. So many of these artists that we've covered,
8:45
Speaker 1: we do thirty minute episodes. As you know, there's only
8:48
Speaker 1: so much you can get to and some of these stories,
8:51
Speaker 1: for example, the story of Nikki six dying, that could
8:54
Speaker 1: be its own episode in and of itself. We got
8:57
Speaker 1: to it in the Motley Creure episode. We spent about
8:59
Speaker 1: five hundred words on it maybe, and it just deserves more.
9:03
Speaker 1: So we're gonna start sprinkling those types of episodes in
9:06
Speaker 1: as we go here as well. You saw a little
9:08
Speaker 1: bit of that over the past month with Van Halen
9:09
Speaker 1: and Prince. Now this week, next to your feed, we're
9:12
Speaker 1: rewinding our episode on gg Allen New listeners, You're like,
9:16
Speaker 1: who the hell is Gigi Allen. I don't I've never
9:19
Speaker 1: heard this name before, or maybe it sounds vaguely familiar.
9:24
Speaker 1: If you have not heard this episode from our archive previously,
9:27
Speaker 1: get ready, okay, it might be the most shocking episode
9:30
Speaker 1: in our archive, quite possibly the most shocking artist in
9:34
Speaker 1: music history. And I'm talking about all of music history,
9:38
Speaker 1: going back to the depraved composers everything. Old listeners, give this,
9:42
Speaker 1: give this one a new spin. All right, it's gonna
9:45
Speaker 1: make you feel dirty. Bring some soap next week. Speaking
9:49
Speaker 1: of dirty, you might not associate that word with the
9:51
Speaker 1: Go Gos all Bright and Sonny and La and eighties neon. However,
9:57
Speaker 1: that was not at the core of who this band
10:00
Speaker 1: and was these women. In addition to being an incredible band,
10:03
Speaker 1: they were also as debaucherous as they come. And this
10:06
Speaker 1: story is wild. We go way beyond the documentary that
10:10
Speaker 1: came out a couple of years ago. And I'm pretty
10:11
Speaker 1: sure you're gonna get a fuller, wilder depiction of the
10:13
Speaker 1: band in this upcoming episode next week, as well as
10:16
Speaker 1: a darker look at the time and place that spawned
10:19
Speaker 1: the group. Los Angeles in the Go Gos episode is
10:22
Speaker 1: almost its own character in the story, The Go Gos.
10:26
Speaker 1: They did something it's worth mentioning here in advance. They
10:29
Speaker 1: did something that no other group of female musicians has
10:31
Speaker 1: ever done before, and you're going to hear about it
10:33
Speaker 1: in the episode, and that is going to prompt the
10:36
Speaker 1: question of the week. So when you're listening to the
10:38
Speaker 1: Go Gos episode, be asking yourself, are the Go Gos
10:42
Speaker 1: the greatest girl group of all time? And if they
10:44
Speaker 1: are not, then tell me who is six one seven
10:48
Speaker 1: nine oh six six six three eight Voicemail and text
10:51
Speaker 1: with your answers and you can be part of the show.
10:52
Speaker 1: I'll respond in next week's after party episode with your
10:55
Speaker 1: calls and messages as always, so lots of great content
10:58
Speaker 1: coming your way. Guys. I'm excited to be turning this page.
11:02
Speaker 1: Feels like we're turning a page in disgrace, and I'm
11:04
Speaker 1: super grateful to have you with me as always, along
11:07
Speaker 1: for the ride. Some of you have been with me
11:09
Speaker 1: since twenty eighteen. You don't know what that means. That
11:12
Speaker 1: is huge. Thank you. And new listeners, thank you, damn man.
11:17
Speaker 1: It's wild to be doing this for so long, and
11:19
Speaker 1: every single week I hear from new listeners who are
11:22
Speaker 1: excited about this show. I appreciate you as well much gratitude.
11:26
Speaker 1: Hang with me here for a minute. I'm back on
11:28
Speaker 1: the other side of the break with your answers to
11:30
Speaker 1: last week's question of the Week, your voicemails, texts, emails
11:34
Speaker 1: and more. All right, we are back six one seven
11:56
Speaker 1: nine oh six six six three eight. You know where
11:58
Speaker 1: I'm at. I'm in the phone booths. It's the one
12:00
Speaker 1: across the hall. I'm hanging on the telephone like Debbie Harry.
12:03
Speaker 1: By the way, I still I cannot get over the
12:07
Speaker 1: amount of people who message me and tell me that
12:10
Speaker 1: Debbie Harry is a liar, that Debbie Harry was not
12:13
Speaker 1: abducted by Ted Bundy as she claims. It is shocking
12:17
Speaker 1: to me, and it is shocking to me that they
12:19
Speaker 1: just claim that it has been it's been debunked. It
12:21
Speaker 1: has not been debunked. Okay, you don't know what the
12:24
Speaker 1: hell you're talking about. Define debunked. Okay. The person who
12:27
Speaker 1: said it happened to her continues to say it happened
12:30
Speaker 1: to her despite the weak, weak sauce evidence that it
12:36
Speaker 1: has not. Okay. Anyways, Debbie Harry inspired this segment, Hanging
12:40
Speaker 1: on the telephone six one, seven nine or sixty six
12:42
Speaker 1: six three eight. Let's go to the eight one eight.
12:46
Speaker 2: Hey, Jake, this is Keen from eight one eight. Thank
12:48
Speaker 2: you so much for doing an episode about an artist
12:52
Speaker 2: and not just musicians. I can't believe more people don't
12:57
Speaker 2: know who Baskia is. He's art world famous. The public
13:02
Speaker 2: doesn't know he is, even though he's the biggest name
13:05
Speaker 2: for artists who had a second act Bob Dylan. I
13:10
Speaker 2: know he's not exactly not doing music, but he's got
13:13
Speaker 2: a lot of amazing artwork, and a lot of artists
13:17
Speaker 2: the musicians do their own artwork. Tom York, which with
13:20
Speaker 2: Stanley Donwood, has done all of the album covers for Radiohead.
13:25
Speaker 2: Another guy, Nathaniel Russell, kind of underground guy, has done
13:28
Speaker 2: a lot of posters and stuff like that. Anyway, thank
13:31
Speaker 2: you so much, Tack care.
13:33
Speaker 1: Ken from the eight one eight. Great great voicemail. You
13:35
Speaker 1: encompassed a lot of the topics we've been talking about
13:38
Speaker 1: here over the last couple of weeks. Yeah, Boscot massively
13:42
Speaker 1: famous in the art world, culturally, very He's been very relevant,
13:46
Speaker 1: I would say, in a different new in a bigger
13:49
Speaker 1: kind of way, with a with a with a more
13:51
Speaker 1: pronounced relevance over the last decade or so, at least
13:55
Speaker 1: here in the States. And yeah, I wanted to get
13:59
Speaker 1: into basqueow because of that relevance, but also because of
14:03
Speaker 1: that wild Cia story and also because there's a music connection,
14:08
Speaker 1: and that was really the driving factor there. The way
14:10
Speaker 1: music influenced at Boscat was obviously a musician. You know,
14:14
Speaker 1: he considered himself a musician before he did an artist
14:16
Speaker 1: at some point. I know he's always he was always
14:18
Speaker 1: a graffiti artist and visual artist, but music was a
14:22
Speaker 1: big part of his come up. As for Bob Dylan
14:26
Speaker 1: as an artist, I've seen some of Dylan's art and
14:29
Speaker 1: I gotta say, I don't hate it. I like it.
14:32
Speaker 1: I haven't seen enough. I didn't know that about Tom York,
14:34
Speaker 1: thank you. I didn't realize that Tom York was involved
14:37
Speaker 1: with the artwork for the Radiohead albums. That's pretty awesome,
14:40
Speaker 1: all right, let's go to the three, one seven, Hey.
14:45
Speaker 3: Diesel from Indianapolis. I'm just I was a little disappointed
14:50
Speaker 3: that I didn't even get a mention about my Mount
14:54
Speaker 3: Rushmore with the you know, Django and Robert Johnson and
15:02
Speaker 3: the earlier some of the earlier guys and disabled guys.
15:07
Speaker 3: You know our real Mount Rushmore is. You know some
15:10
Speaker 3: Founding Fathers, early guys, George Washington, Thomas Jefferson, Lincoln you
15:16
Speaker 3: know was later on. But anyway, it's no worries, man,
15:21
Speaker 3: I still love the show. Keep doing it.
15:25
Speaker 2: Like I mentioned, I was.
15:26
Speaker 3: I'm blind, but I could really use a coffee cup.
15:31
Speaker 1: Brother Diesel, my man from Indianapolis. Thank you for the message.
15:36
Speaker 1: I didn't hear the original one that you sent or
15:40
Speaker 1: read it if you texted it. Apologize. I don't get
15:42
Speaker 1: to all of them within the week. I try to
15:44
Speaker 1: get to get to them all at some point. But
15:47
Speaker 1: I'm seeing this now, hearing this now, and I wanted
15:50
Speaker 1: to respond because Django needs to be mentioned, and Robert
15:53
Speaker 1: Johnson needs to be mentioned as well. And you know,
15:56
Speaker 1: I don't know how many of you are familiar with
15:58
Speaker 1: Robert Johnson. His guitar playing his music just the first
16:03
Speaker 1: time I ever heard it. I heard it in high school.
16:06
Speaker 1: I was driven to listen to it because the leads
16:09
Speaker 1: up and box set came out and the only new
16:12
Speaker 1: song on the box set was Traveling Riverside Blues, which
16:14
Speaker 1: was a cover of Robert Johnson, and I went and
16:18
Speaker 1: I was right around the time, I think there was
16:20
Speaker 1: a Robert Johnson box set that came out, so there
16:22
Speaker 1: was kind of a resurgence of Johnson going on. Similarly, anyways,
16:25
Speaker 1: I heard that version of the song. I think that
16:28
Speaker 1: was the first Robert Johnson piece I'd ever heard, and
16:32
Speaker 1: as I got deeper into the catalog, it struck me.
16:36
Speaker 1: When I was listening to him play guitar, it sounded
16:39
Speaker 1: like literally like three different guitars at points, definitely two
16:44
Speaker 1: throughout most of it, and I just could not believe
16:47
Speaker 1: what the hell I was hearing or how he was
16:48
Speaker 1: doing it. Now I have a technical understanding of what
16:51
Speaker 1: he was doing, I can't do it, but I have
16:52
Speaker 1: an understanding of how he was doing it at least,
16:54
Speaker 1: But then to my years, it just sounded like, how
16:56
Speaker 1: is one man making all of this sound? And as
16:59
Speaker 1: far as influence goes, Diesel, You're absolutely right, uh, I
17:03
Speaker 1: almost said, said George Jefferson. Robert Johnson deserves to be
17:08
Speaker 1: on the Mount Rushmore of course, and Django as well.
17:10
Speaker 1: You mentioned disabled guys. Tony Iomi as well. Didn't get
17:13
Speaker 1: a mention, but I just wanted to get at you here,
17:17
Speaker 1: get back to your Diesel. I appreciate the listeners. Thanks
17:19
Speaker 1: so much. Appreciate the call as well. You have great
17:22
Speaker 1: taste in guitar players. All right, let's go to the
17:25
Speaker 1: four h five.
17:26
Speaker 2: Hey, Jake, notorious RDG. It's from the four h five.
17:30
Speaker 4: Listen to one of your your after parties and you
17:33
Speaker 4: spoke on something's near and dear to my own heart.
17:35
Speaker 4: That is trial by Jerry. More specifically, we're talking about
17:38
Speaker 4: the Didy trial. Obviously you discussed how hard it was
17:42
Speaker 4: to listen to or how you've read how it's so
17:45
Speaker 4: heartless to the testimony. But I do want to point
17:47
Speaker 4: out though for the reader, they are not the juror
17:49
Speaker 4: they are not sitting there in the courtroom day eterday.
17:51
Speaker 4: There is a bit of a psychological aspect to it,
17:54
Speaker 4: in which the jur becomes somewhat conditioned as to what
17:57
Speaker 4: is normal for some people. The real truth will start
18:00
Speaker 4: to come out through the crucible of cross examination. Again,
18:03
Speaker 4: there's a huge psychological aspect of sitting in a jury
18:07
Speaker 4: listening to this testimony and what comes out on cross examination.
18:11
Speaker 4: Should the defense for present any defense, should they call
18:13
Speaker 4: any witnesses, it will shape the trial tremendously. Again, not
18:18
Speaker 4: trying to take sides for Ditty or anyone else in
18:20
Speaker 4: this aspect, but there is a certain psychological aspect to it.
18:23
Speaker 4: And the other aspect is for some people who are victims,
18:27
Speaker 4: there are many people who embrace it to the point
18:29
Speaker 4: where it becomes their identity. They want to be the spokesman,
18:32
Speaker 4: they want to do the newspaper articles, they want to
18:34
Speaker 4: do the magazine covers, and they are not so much
18:37
Speaker 4: as playing the victim as they gave them a sense
18:39
Speaker 4: of identity. And again, I am not trying to disparage
18:43
Speaker 4: anyone who's been abused, but by all means, there's such
18:46
Speaker 4: a psychological aspect, especially that comes to the matters of
18:50
Speaker 4: sexual accusations, sexual misconduct, sexual abuse. It does shape a
18:54
Speaker 4: lot of things. But also, you know, everybody does have
18:58
Speaker 4: their own freak and to that, to each your own. Oh,
19:01
Speaker 4: I don't like what I'm reading. You know, you gotta
19:03
Speaker 4: wait for the tread to finish. Thanks Jake talking Roll.
19:08
Speaker 1: Appreciate the call notorious R. Dg Over in the four
19:11
Speaker 1: oh five? Where is the four oh five? Wow? A
19:14
Speaker 1: lot there a lot to unpack, but you hit on
19:16
Speaker 1: something that I'd never really thought of before. Because I'm
19:20
Speaker 1: not a legal expert by any means. Sounds like sounds
19:23
Speaker 1: like you are, you have some you have some real
19:24
Speaker 1: insight into this, into the process. I guess it makes
19:29
Speaker 1: total sense that a jury, throughout the course of a trial,
19:34
Speaker 1: an ongoing trial like this, would have a level of
19:37
Speaker 1: disassociation where they can sort of remove themselves emotionally from
19:43
Speaker 1: the testimony, both the more difficult parts of the testimony,
19:47
Speaker 1: both in cross examination and when the defense is and
19:51
Speaker 1: when the prosecution is questioning. I never thought of that.
19:56
Speaker 2: To me.
19:56
Speaker 1: I'm just going into it as a lay person, and
19:59
Speaker 1: I'm reading what's being put forth, what's happening in the trial,
20:04
Speaker 1: and I'm shocked at first blush, And of course you're
20:07
Speaker 1: absolutely right. I can totally see how the jury would
20:10
Speaker 1: have a completely different experience, and that's good, that's obviously
20:16
Speaker 1: a good thing. We want all of our defendants, no
20:20
Speaker 1: matter how horrible they're alleged crimes, to get a fair
20:26
Speaker 1: shake at a fair jury, at a fair trial. However,
20:30
Speaker 1: that said, there is so much existing evidence already out
20:36
Speaker 1: in the world for Diddy right now, and although I
20:39
Speaker 1: have no idea what the jury is thinking, I have
20:42
Speaker 1: no idea how effective of a defense Diddy's team will mount.
20:47
Speaker 1: I have many thoughts on this trial, and they're all competing.
20:53
Speaker 1: And on the one hand, like we talked about last week,
20:56
Speaker 1: the details are disgusting. On the another thought I have
21:01
Speaker 1: as I just though he claims to be innocent, I
21:04
Speaker 1: do not believe that he is innocent.
21:05
Speaker 3: Now.
21:05
Speaker 1: I'm not saying he's guilty of everything they're saying he's
21:08
Speaker 1: guilty of, but the guy, on a certain level is
21:12
Speaker 1: a fucking monster, and nothing that happens in this trial
21:15
Speaker 1: is going to make me think otherwise. We just have
21:18
Speaker 1: too much evidence. The evidence of him beating Cassie is gross,
21:23
Speaker 1: full stop. But he's on trial for much more than that,
21:26
Speaker 1: and I don't know if it's all going to stick.
21:28
Speaker 1: I guess we're gonna find out. And you said something
21:30
Speaker 1: really interesting in here, RGB. You said, should the defense
21:33
Speaker 1: present any defense and quality witnesses, it'll shape the trial tremendously.
21:40
Speaker 1: You're right, it will. However, I don't think it's going
21:43
Speaker 1: to shape it tremendously in favor of Shawn Combs. I
21:46
Speaker 1: could be wrong. Now, I just want to say the
21:48
Speaker 1: final thought that I'm working toward here with Sean Combs,
21:51
Speaker 1: as this trial unfolds one. It is not capturing the
21:55
Speaker 1: moment the way that I thought it would. I expected
22:00
Speaker 1: this to be OJ Simpson light. It's not even that.
22:05
Speaker 1: And people are interested, They're not that interested. And yeah,
22:09
Speaker 1: I know TikTok's on fire every day with trial news
22:12
Speaker 1: and all that, but this is not capturing the zeitgeist
22:16
Speaker 1: the way that a real trial of the century captures
22:19
Speaker 1: the zeitgeist. So that's kind of shocking to me. And
22:21
Speaker 1: I think the reason isn't just because television cameras are
22:25
Speaker 1: not allowed. I think that's a big part of it.
22:27
Speaker 1: But I just think people are desensitized to this whole thing.
22:30
Speaker 1: We had such a lead up, we had so much conjecture.
22:34
Speaker 1: Now on that conjecture, the other thought I'm coming to is,
22:38
Speaker 1: I don't think we're going to get any blockbuster news
22:40
Speaker 1: out of this. I think we know what we know
22:42
Speaker 1: based on the indictments. We may get a couple surprises
22:47
Speaker 1: based on the witnesses I read this morning. I think
22:49
Speaker 1: the kid Cutty is going to testify, But I think
22:52
Speaker 1: this is going to be a relatively non newsy trial
22:57
Speaker 1: of the century, not even a trial of the century.
22:59
Speaker 1: I could be wrong, and we shall see all right. Anyways,
23:03
Speaker 1: thank you for the call four h five, Notorious RDG.
23:06
Speaker 1: You prompted a lot there. I appreciate you. Six one
23:09
Speaker 1: seven nine oh six six six three eight. You guys
23:11
Speaker 1: want to send me a voicemail send me a text.
23:13
Speaker 1: Four h five sent in a picture of a basquiacht
23:17
Speaker 1: hanging in their office. I'm going to assume four five
23:21
Speaker 1: that this is a print and not an actual bosk yacht.
23:25
Speaker 1: If it is, then I direct you to our Patreon
23:30
Speaker 1: Just kidding. That's cool? How big is that? I can't
23:33
Speaker 1: really tell four to three seven, hey, Jake to answer
23:35
Speaker 1: the question, who are the artists that represent their times
23:38
Speaker 1: the best? The Fujis, the Red Hot, Chili Peppers, the Strokes,
23:41
Speaker 1: the Killers, TV on the Radio, Tricky, Rage against the Machine,
23:45
Speaker 1: Trip called Quest, Salt and Peppa, Biggie Smalls, Tanya, Tanya,
23:49
Speaker 1: I quibble with some of your responses here, Salt and Peppa,
23:54
Speaker 1: that's an interesting one. I like it though, body like
23:57
Speaker 1: Arnold of the Denzel Face, I'll never forget that. Nine
24:00
Speaker 1: to two to zero writes in with some suggestions. Rage
24:03
Speaker 1: against the Machine episode Faith No More skid Row warrant warrant,
24:08
Speaker 1: warrant mm Anthrax, Dawcin Winger, Poison, Queen's Reich, and suicidal tendencies. Listen,
24:18
Speaker 1: the hair metal thing, right, I'm gonna get more. I'm
24:21
Speaker 1: gonna do some hair metal episodes at some point. Not
24:23
Speaker 1: my cup of tea and not my particular cup of tea.
24:26
Speaker 1: Didn't somebody from dawc and die from AIDS? Or am
24:29
Speaker 1: I am? I mistaken? Hold on? That feels like something
24:32
Speaker 1: I need to get right. I'm gonna look that up. No,
24:34
Speaker 1: it was not Dawkin. I apologize. I'm confusing that with
24:36
Speaker 1: Rat guitarist Robin Crosby did die of AIDS. Yikes. There's
24:43
Speaker 1: also def Leppard. I want to do that story as well,
24:45
Speaker 1: the Rick Allen thing with the arm six seven nine
24:48
Speaker 1: six six sixty three eight. You guys got some episode subjects.
24:50
Speaker 1: We're taking them. We're always taking them, always voicemail and
24:54
Speaker 1: text at Disgrace, LAMB Pod, Instagram, X and Facebook, Ian Brewer,
25:00
Speaker 1: Ian nine over on X right, rights in garage and
25:07
Speaker 1: you know, if you know, you know. Thanks, Ian yusuf
25:10
Speaker 1: Na gheb on Instagram, rights and right on. I'm eagerly
25:13
Speaker 1: anticipating the B York episode. Melissa Kohla writes let's fucking
25:18
Speaker 1: go in response to the episode subjects we laid out.
25:21
Speaker 1: I just want to say, also a special shout out
25:24
Speaker 1: to Lou from Sick of It All, who is cancer
25:28
Speaker 1: free and that is a great thing. Lou, of course
25:30
Speaker 1: is the singer a Sick of It All, one of
25:32
Speaker 1: the greatest hardcore bands of all time. Happy for you, Lou, godspeed.
25:38
Speaker 1: Big congratulations to Justin g Over on Instagram. His son
25:43
Speaker 1: is graduating high school and Justin psych Justin is also
25:46
Speaker 1: old as Justin indicates to me he started late with
25:50
Speaker 1: the kids, says his son is a rock and roll animal.
25:54
Speaker 1: Trenton his son. Congratulations Trenton, congratulations Justin. There you go
25:58
Speaker 1: at Disgrace slam pod on Instagram. On X on Facebook,
26:02
Speaker 1: you guys want to get in touch, and that includes
26:04
Speaker 1: you Pirates fans. You know, Red Sox aren't great, but
26:07
Speaker 1: the Pirates, I feel like all they got is the hat.
26:09
Speaker 1: That's it. That's when all you have is a hat,
26:11
Speaker 1: a cool hat to cling to. It's tough, you know,
26:16
Speaker 1: but you're in Pittsburgh. Okay, you have other options. I'm
26:20
Speaker 1: getting that pillbox hat for my kid. Thanks for everyone
26:23
Speaker 1: who brought that to my attention. The name that is
26:25
Speaker 1: pillbox hat, best hat in the game. What am I
26:27
Speaker 1: doing here? I can't what's happening? What's the recording software
26:31
Speaker 1: is doing? What?
26:32
Speaker 3: What?
26:32
Speaker 2: Who?
26:35
Speaker 1: I don't normally spend a lot of time talking about sports,
26:39
Speaker 1: but we do have a little thirty minute sports segment
26:41
Speaker 1: here in the after Party, and that that pirate's hat
26:44
Speaker 1: is on my brain, and I just want to say,
26:46
Speaker 1: tell the Red Sox fans out there. The Red Sox
26:48
Speaker 1: have won the last three games against, two of which
26:52
Speaker 1: were against the Mets, who are arguably the best team
26:54
Speaker 1: in baseball at the moment. And the Red Sox beat
26:57
Speaker 1: the Mets twice. They beat the Brain before that. Braves
27:01
Speaker 1: are about as mediocre as the Red Sox are, so whatever,
27:05
Speaker 1: but there's a common denominator amongst those wins, and it
27:11
Speaker 1: is the fact that Alex Korra, the manager of the
27:14
Speaker 1: Red Sox, thrown out of the game last night and
27:18
Speaker 1: was absent from the two games prior. I don't know.
27:22
Speaker 1: I don't know what that means. I don't know. I'm
27:25
Speaker 1: just putting it out there. You guys tell me, all right,
27:28
Speaker 1: I'll be back in the flash with your emails and
27:30
Speaker 1: the Hollywood Lamb Minute. All right, we are back and
27:47
Speaker 1: you know what time it is. It is time for
27:49
Speaker 1: the Hollywood land Minute, brought to you by the Hollywood
27:51
Speaker 1: Lamb Podcast. Don't know what the Hollywood Lamb Podcast is, Well,
27:54
Speaker 1: the Hollywood Lamb Podcast is hosted by me. Every week
27:58
Speaker 1: I tell you a story from the ni of Hollywood
28:00
Speaker 1: and true crime. And right now we get over forty
28:03
Speaker 1: episodes waiting for you. Episodes on Charlie Sheen, Danny Trejo,
28:06
Speaker 1: Marilyn Monroe, a whole bunch, Drew Barrymore, and we got
28:10
Speaker 1: one this week on Jack Nicholson, one of the coolest
28:13
Speaker 1: guys to ever do the whole Hollywood thing, also involved
28:18
Speaker 1: in some pretty fucked up things from Hollywood history, and
28:23
Speaker 1: he is a clip. The Boston Garden was electric, thousands
28:28
Speaker 1: of fans on their feet, screaming at the top of
28:30
Speaker 1: their lungs, green and white rally towels flapping in the
28:34
Speaker 1: humid air, sneakers up and down the parquet floor. Kareem
28:37
Speaker 1: Abdul Jabbar wiped the sweat from his goggles. Larry Bird
28:41
Speaker 1: thought about how good the first three Budweisers were gonna taste,
28:45
Speaker 1: and from a private box high above the action. Jack
28:48
Speaker 1: Nicholson was yelling. He was always yelling at Lakers games,
28:53
Speaker 1: and Jack Nicholson didn't miss Lakers games. He caught them
28:58
Speaker 1: courtside with the Forum in LA. He'd been the team's
29:01
Speaker 1: most vocal season ticket holder since the early seventies. But
29:05
Speaker 1: he couldn't be courtside because he was on set. He'd
29:07
Speaker 1: do everything in his power at a wrap production early so
29:10
Speaker 1: that he could catch the action on a TV set
29:12
Speaker 1: in his trailer. Jack didn't miss a game, even if
29:17
Speaker 1: that meant flying from Los Angeles all the way to
29:19
Speaker 1: Boston to catch Game seven, which is exactly what he
29:22
Speaker 1: did on June twelfth, nineteen eighty four. The Lakers climbed
29:27
Speaker 1: to the top of the heap year after year, division titles,
29:30
Speaker 1: conference titles, championships. Just like Jack was king of his
29:34
Speaker 1: own heap. He stood on top of that heap with
29:36
Speaker 1: an Academy Award in each hand. And also, like his
29:40
Speaker 1: precious Lakers, Jack Nicholson didn't take losing very well, so
29:45
Speaker 1: Jack was understandably beside himself as he watched his team
29:49
Speaker 1: fall to a fourteen point deficit in the fourth quarter.
29:52
Speaker 1: Jack wished he was an earshot of the refs like
29:54
Speaker 1: he was back home or the opposing team's coach on
29:57
Speaker 1: the sidelines near his coveted seat. He'd like to give
30:00
Speaker 1: Casey Jones a piece of his fucking mind. Right about now,
30:04
Speaker 1: the Lakers suddenly got their mojo back. They cut the
30:07
Speaker 1: Celtics lead to twelve points, then ten eight. With twenty
30:11
Speaker 1: six seconds to go, the Lakers were down by seven.
30:15
Speaker 1: Jack ran his fingers through his wild hair, and that
30:17
Speaker 1: devilish grin of his suddenly sprouted on his face. They
30:21
Speaker 1: were doing him climbing to the top of the heat,
30:25
Speaker 1: but not before the Celtics Dennis Johnson could wipe that
30:28
Speaker 1: grin off Jack's face. When he sank two free throws
30:31
Speaker 1: with only seconds left, the clock kind of down to
30:35
Speaker 1: zero and the buzzer sounded. The Lakers lost the championship game. Guys,
30:42
Speaker 1: make sure you are subscribed to Hollywood Land on Apple Podcasts, Spotify,
30:46
Speaker 1: or wherever you get your podcast. Next week, We've got
30:48
Speaker 1: an episode on Rocky Johnson's son. Okay, old school WWF
30:53
Speaker 1: fans know who I'm talking about. Of course, I'm referencing
30:55
Speaker 1: Dwayne the Rock Johnson. It's true crimey episode, but the
31:00
Speaker 1: Rocks days as a young hood prior to his come
31:02
Speaker 1: up in a lot more. But you're going to dig
31:04
Speaker 1: this one. Check it out. Make sure you subscribe to
31:07
Speaker 1: Hollywood Land On the email front disgrace slampod at gmail
31:11
Speaker 1: dot com, Dustin Brazinski writes in with the subject Fish,
31:17
Speaker 1: and the message is I would think someone with as
31:20
Speaker 1: much musical knowledge as you wouldn't be so dismissive of
31:24
Speaker 1: a band like Fish. They made a bigger impact on
31:28
Speaker 1: the industry than any of the other artists on this list.
31:31
Speaker 1: They have sold substantially more concert tickets than anyone on
31:35
Speaker 1: that list. The list is, of course, the Rock and
31:37
Speaker 1: Roll Hall of Fame list that Dustin is referring to.
31:41
Speaker 1: Fish invented the structure for the Modern Music Festival in
31:44
Speaker 1: nineteen ninety six with the Clifford Ball seventy thou attendees
31:48
Speaker 1: for a band with zero radio hits. The organizers of
31:50
Speaker 1: Bonnaru credited Fish for helping inspire their infrastructure. Fish held
31:55
Speaker 1: the largest ticket event in the world on New Year's
31:57
Speaker 1: Eve nineteen ninety nine and played a six hour set
31:59
Speaker 1: from midnight time sunrise. In addition to all that, they
32:02
Speaker 1: led one of the most debaucherous rock and roll lifestyles
32:04
Speaker 1: from about nineteen ninety seven until their long hiatus in
32:08
Speaker 1: two thousand and four. Finally, they're still killing it. Year
32:11
Speaker 1: after year they rank in the top ten bands for
32:14
Speaker 1: tour earnings. I think the rock and roll Hall of
32:16
Speaker 1: Fame should be about a lot more than just having
32:20
Speaker 1: a few radio hits. Me personally, well, you know, I
32:23
Speaker 1: agree with you there, Dustin Radio hits aren't the end
32:25
Speaker 1: all be hall. I don't know how I was dismissive
32:28
Speaker 1: of Fish. I'm not denying that I was. I'm sure
32:33
Speaker 1: I was. I don't really care for Fish, and yeah
32:39
Speaker 1: that's just me. That doesn't take away from anything they've done.
32:42
Speaker 1: You can't like every band, I mean, come on. I
32:44
Speaker 1: also think Fish is kind of silly as a band.
32:48
Speaker 1: I don't know. Might have to do with flip flops.
32:50
Speaker 1: Do they wear flip flops? I think flip flops have
32:52
Speaker 1: something to do. Okay, Sorry, you're gonna hate me. You're
32:53
Speaker 1: gonna hate me. I've seen Fish before, not on purpose,
32:57
Speaker 1: did not love them. I love, how however, the passion
33:01
Speaker 1: of their fans. I love their contribution to music. I
33:06
Speaker 1: fully understand and did not mean to be dismissive of
33:10
Speaker 1: what they have given, what they have achieved, how they
33:13
Speaker 1: have impacted people. I love all of that. Now does
33:17
Speaker 1: that mean I think they should be in the Rock
33:18
Speaker 1: and Roll Hall of Fame? I mean, come on, no,
33:22
Speaker 1: The correct answer is no. Of course they shouldn't be.
33:24
Speaker 1: And I don't know, maybe I'll change my mind. I'm
33:28
Speaker 1: partly saying this just to get a rise out of you,
33:30
Speaker 1: Dustin and the rest of the Fish fans out there,
33:33
Speaker 1: but partly because it's coming from a place. And I
33:36
Speaker 1: mean this of sincere ignorance, I don't know enough about
33:40
Speaker 1: fish beyond the surface level. We here are, however, doing
33:45
Speaker 1: a Fish episode. It's in the works right now. It's
33:48
Speaker 1: going to be out in a couple months. And some
33:51
Speaker 1: things were brought to our attention which are very true
33:53
Speaker 1: crime and super compelling. And here's what's going to happen, Dustin.
33:57
Speaker 1: I'm going to get into this episode, and as I'm
34:00
Speaker 1: producing it, I'm going to be walking through the world
34:03
Speaker 1: for a couple of weeks listening to Fish and a
34:06
Speaker 1: band that I it's not that I it's not that
34:08
Speaker 1: I'm not a fan of fish. I actively dislike fish.
34:13
Speaker 1: But what will happen here, Dustin, is as I'm doing
34:16
Speaker 1: this episode and putting together and walking through the world
34:18
Speaker 1: listening to Fish, there will come a point where I
34:20
Speaker 1: will become a fan of Fish. I guarantee it doesn't
34:23
Speaker 1: happen with every band that I'm not a fan of
34:25
Speaker 1: that we cover b of Fish. It's gonna happen. I
34:28
Speaker 1: just know the age I'm at, the time of year,
34:32
Speaker 1: all these different factors.
34:34
Speaker 2: You know.
34:34
Speaker 1: I like the Dead now, which I for years my
34:37
Speaker 1: whole life. Basically, I did not like the Grateful Dead.
34:39
Speaker 1: I've not. I get that they're different. So now, calm down,
34:42
Speaker 1: I get that they're different. I didn't mean to say
34:44
Speaker 1: that the Fish in the Great and the Grateful deads
34:47
Speaker 1: are the same. Okay, I get that they're different. However,
34:50
Speaker 1: you have to admit, Dustin, they occupy similar similar airspace.
34:55
Speaker 1: They really do. And I wasn't on the Dead plane before,
34:59
Speaker 1: but I'm on it now. So it's just a it's
35:01
Speaker 1: just a hop, skip and a jump right there on
35:03
Speaker 1: the tarmac over to the Fish plane. Okay, so I
35:06
Speaker 1: may be there, I may be there with you writing
35:08
Speaker 1: the same email to me in a couple months. That's
35:11
Speaker 1: my point, Dustin, appreciate you and I guess yeah, I
35:14
Speaker 1: appreciate fish. Disgrace sampod at gmail dot com. You guys
35:17
Speaker 1: want to get at me about anything, you want to
35:19
Speaker 1: reprimand me from my music taste, that is one hundred
35:22
Speaker 1: percent okay. I'm trying to think of other sacred cows
35:24
Speaker 1: that I don't like. Not the fish is a sacred cow.
35:27
Speaker 1: There's a while there I didn't like The Who I
35:29
Speaker 1: Know WHOA slow down, slow down. I felt that. I
35:32
Speaker 1: felt that. I felt you guys get immediately nish. I
35:38
Speaker 1: love the Who now, but there was a while when
35:41
Speaker 1: I was a kid. It had to do with just
35:43
Speaker 1: you know, the kids in high school who liked the
35:45
Speaker 1: Who and fucking Quadrophenia and just now, I think that's
35:51
Speaker 1: that stuff as cool as shit. But just back then
35:53
Speaker 1: I had my reasons.
35:54
Speaker 2: Ah right.
35:55
Speaker 1: If you guys want to support the show, you know
35:56
Speaker 1: how to do it. You can leave a review on
35:57
Speaker 1: Apple Podcasts. You can leave a review on spot And
36:01
Speaker 1: if I read your review here on the after Party,
36:03
Speaker 1: and you hear your review and you get in touch
36:05
Speaker 1: with me, I will send you a little disgrace land
36:08
Speaker 1: chosk whatever. We get lying around some pins, some shirts.
36:12
Speaker 1: Sometimes I even sign a book and send that out.
36:14
Speaker 1: These reviews are not just to inflate my ego, which
36:18
Speaker 1: they definitely do do. They are most certainly, first and
36:22
Speaker 1: foremost about creating a mechanism to help drive discovery for
36:28
Speaker 1: the show. Reviews help the algorithms, The algorithms get juiced,
36:32
Speaker 1: and they delivered the show to more listeners. This review
36:36
Speaker 1: on Apple podcast from am hosk eighty two says, Hey,
36:40
Speaker 1: Jake is such a good storyteller, and I'm always entertained
36:43
Speaker 1: when I've got this on. Luckily, lots of musicians do
36:46
Speaker 1: have a lot of dirt, so I'm hoping this podcast
36:48
Speaker 1: can continue for the foreseeable future. It can, and it
36:51
Speaker 1: will continue. There is no stopping us. There is no
36:55
Speaker 1: shortage of stories. And whether it's a good thing or
36:58
Speaker 1: a bad thing, I don't know. But news stories, they're
37:01
Speaker 1: happening all the time, all right. We have an endless
37:04
Speaker 1: well to pull from. Appreciate you, Thank you for the review.
37:06
Speaker 1: Get in touch, am hosk eighty two. That was from
37:10
Speaker 1: Apple Podcasts, where you can leave a review, or you
37:12
Speaker 1: can hit me up on Spotify. Like Ken Kinsley, who
37:15
Speaker 1: writes in in response to our bas Scout episode, thanks
37:18
Speaker 1: for shining a light on a visual artist. I didn't
37:20
Speaker 1: think there was much more to be said about JMB
37:23
Speaker 1: that hasn't already been said before, but you certainly found
37:25
Speaker 1: a way to do so with style. Welcome to the
37:27
Speaker 1: Visual Art Podcasting Club. Ken appreciate you. It's a short
37:31
Speaker 1: trip into the Visual Art Podcasting Club. Get in touch, guys,
37:34
Speaker 1: we'll hit you up with something. This episode is nearing
37:37
Speaker 1: its end. We've got let's see, we got a little
37:42
Speaker 1: more we're gonna do here and the bonus section of
37:44
Speaker 1: the after party for those all access members, And if
37:48
Speaker 1: you want to be an all access member, it's just
37:50
Speaker 1: five bucks until I got to do Go to disgrace
37:52
Speaker 1: sampod dot com slash membership and you can sign up there.
37:57
Speaker 1: Five bucks is gonna get you this little extra bit
37:59
Speaker 1: of the bonus episode, gonna get you ad free listening
38:02
Speaker 1: as well access to our Patreon chat where I'm in
38:05
Speaker 1: there blab in most days with the rest of the
38:08
Speaker 1: disco community. And it's also gonna get you an extra
38:11
Speaker 1: full episode exclusively for you guys from Disgraceland per month.
38:17
Speaker 1: All right, so you get that going for you. Disgracelandpod
38:20
Speaker 1: dot com slash membership all right, we are back. I'm
38:44
Speaker 1: sitting here. I'm spinning this big wheel here with this
38:46
Speaker 1: huge wheel. You can picture it's got. It's got like
38:48
Speaker 1: two hundred and thirty names of musicians on it, and
38:52
Speaker 1: it goes around and around and around, and then it stops.
38:55
Speaker 1: Every now and then it stops on a different artist
38:57
Speaker 1: from our archive. It just I just it. It's stupped
39:00
Speaker 1: on Merle Haggard. Great episode on Merle Haggard. You got
39:03
Speaker 1: to check that out from our archive. Also, I spun
39:05
Speaker 1: it at a different time and it landed on fifty cent.
39:07
Speaker 1: I don't know if you've heard the fifty cent episode.
39:09
Speaker 1: We got one episode on fifty cent. It should really
39:11
Speaker 1: be like ten episodes on fifty cent. Check that one out,
39:14
Speaker 1: jam packed episode. Yesterday, I was showing a friend and
39:17
Speaker 1: I came in here and I spun it again and
39:19
Speaker 1: it landed on Serge Gainsburg. You guys don't know who.
39:22
Speaker 1: Surge Gainsburg is tremendous, tremendous artist, French artists great, hugely
39:28
Speaker 1: influential on alternative music in America from the last three
39:31
Speaker 1: four decades. Just incredible story. Bridget Bardow his one time
39:36
Speaker 1: girlfriend was in the news this week. Pretty funny. Check
39:39
Speaker 1: that out. And again, you know I was, I was
39:41
Speaker 1: hanging out with some of the cooler people in my neighborhood,
39:43
Speaker 1: and you know I wanted to, you know, impress them,
39:45
Speaker 1: so I spun it in at Landed on Velvet Underground.
39:47
Speaker 1: They were like, oh wow, this guy knows a shit.
39:48
Speaker 1: Check out the episodes on Velvet Underground. I think it's
39:50
Speaker 1: a two parter, right, I think so. We definitely did
39:53
Speaker 1: a two parter on lou Reed. Anyways, you want access
39:56
Speaker 1: to these archive episodes, it's easy. They're free there, available
40:00
Speaker 1: on Spotify, They're available on Apple, They're available wherever you
40:03
Speaker 1: get your podcast. Mister Matt Boden, our producer extraordinaire, will
40:07
Speaker 1: have the specific episode information in the show notes of
40:11
Speaker 1: this after party bonus episode to make these easier for
40:13
Speaker 1: you to find. All right, let's recap, shall we. Number one,
40:16
Speaker 1: My other podcast, hollywood Land, is alive and kicking over
40:19
Speaker 1: in the hollywood Land Feed, So make sure you're subscribed
40:22
Speaker 1: and following hollywood Land on Apple Podcasts, Spotify, iHeart App,
40:25
Speaker 1: wherever you get your podcasts. Check out our recent episode
40:27
Speaker 1: on Jack Nicholson. Okay, in the hollywood Land feed number
40:32
Speaker 1: two right now in your disgrace, land Feed our episode
40:34
Speaker 1: on boscout number three coming tomorrow, our remind episode on
40:36
Speaker 1: gg Allen. I'm betting Boscot saw gg Allen play live.
40:39
Speaker 1: I am I. I don't have that for sure, but
40:41
Speaker 1: I don't know that lockdown, but I'm betting that happened.
40:43
Speaker 1: Number four, merch winners, get in touch. You know who
40:45
Speaker 1: you are. Number five. Remember, no one cares about preserving
40:48
Speaker 1: the true spirit of rock and roll more than you do.
40:49
Speaker 1: And well that is a disgrace, all right. In honor
40:52
Speaker 1: of this week's subject, Baskout, this is me reading you
40:55
Speaker 1: the Billboard charts for the day he died on August twelfth,
40:59
Speaker 1: nineteen eighty eight. Number one, Roll with It Steve Winwood
41:05
Speaker 1: last week one, peak position one weeks on chart ten.
41:10
Speaker 1: Number two, Hands to Heaven Breathe last week two, peak
41:16
Speaker 1: position two weeks on chart eighteen. Number three Make Me
41:22
Speaker 1: Lose Control Eric Kerman, last week forty peak position three
41:28
Speaker 1: weeks on number four. Sign your Name Terrence Trent Derby
41:36
Speaker 1: last week five peak position like four weeks on chart twelve.
41:41
Speaker 1: The number five one two three Gloria Estefan Miami Sound
41:46
Speaker 1: Machine last week six peak position five weeks.
41:56
Speaker 2: Quit talking and start mixing.