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IT CAME FROM SCREAMBOX!: Evil Dead Trap! · WASD and Beyond

0:20
Happy a couple different types of days before we get into this
0:22
episode. Happy South Park day 1st and
0:25
fore will you let one RIP while we go live?
0:29
Very good. Happy.
0:30
It it never picks it up, I wasn't worried.
0:32
Glad to YouTube, but anyways, happy South Park day everybody.
0:36
And then yesterday was Alien Earth Day.
0:40
Phenomenal stuff. I know a lot of people.
0:42
We were trying to do a watch party that did not really go
0:48
well for everybody is where it is.
0:52
The quality? Yeah.
0:55
The stream quality, I don't know.
0:56
Alien Earth. Jawbreaker.
0:58
I'm really excited. Look, look at that.
1:00
Oh, it's yeah. Oh shit.
1:04
You got to break my desk. It is sweet.
1:06
Down 10 points. What are you doing?
1:12
Oh, oh, OK. I see.
1:14
I see. I see, I see.
1:15
I see. I was like, are you doing stocks
1:16
while we while we're live, dude? You know what we should do?
1:19
This would be a fun idea for the stuff for content.
1:21
You have one of these, right? Yeah.
1:24
So we both sit down with Alien Earth, the entire radio, and see
1:31
if we can. Let's see if we can get through
1:36
these jaw Breakers, the time that it takes to watch Alien
1:39
Earth. I hate candy that's not
1:41
chocolate. Oh, OK, fine.
1:43
I don't like Sour patch Kids, I don't like Skittles, I don't
1:45
like fucking nothing unless it's chocolate or Nutella.
1:48
You Romanian bastard. Nutella bro, I got Landon.
1:51
I got Landon in Nutella today do.
1:54
You have your desk do. You have your desk Toblerone
1:57
chillin. That's Christmas.
1:59
Toblerone is during Christmas time.
2:02
I have. And you've seen, you know I do.
2:04
So why even ask? You're like, I know, bitch.
2:08
All right, so we are back to form.
2:10
Before we get into it, we are sponsored by Final Boss and
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Screambox. For the best merch in gaming,
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check out Final Boss link down below.
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And for all the awesome horror movies that you can stomach, go
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to screambox.com. Yeah, screambox.com.
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screambox.com. That sounds right.
2:29
All right, go Screambox links down below.
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Check it out. Code SB38.
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You get screen box for the entire year of $38.
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Check it out. Soon to be coming to screen box.
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The entire Troma catalog seemingly.
2:42
That's insane. Final Boss, all of their Belmont
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Drop is coming in and getting shipped out.
2:49
So if you bought the Castlevania or the Belmont Drop, get ready
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because you're about to get some awesome final Boss stuff.
2:56
I am wearing the steam final boss shirt.
2:59
I got final boss all over my room.
3:00
Check it out check it out check it out links down below.
3:03
Also while you're at it, go check out WAC and beyond every
3:06
Friday or Saturday depending on when screen box drops.
3:09
Check out Brody's show roll for deception and then also check
3:13
out the spawn camp. All links down below.
3:15
Now this week Alex picked an ass beater of a fucking movie that
3:20
I'm I'm not going to say what it is.
3:23
Great click. It was a great.
3:25
Place you read the title. Brother, brother.
3:30
What name are we going to live? Because there's a bunch of
3:32
names. Then let's do the name as it
3:35
appears on screen. The It's the American title.
3:37
Yeah, Do the American title, because I'm going to say this.
3:41
When the when it first rolled, I was like, oh, OK.
3:46
There was a part of me I just, I was so dismissive of it at first
3:48
for some reason. Does that, does that make sense?
3:51
Like, I don't know why I was so like.
3:52
Yeah, it was kind of a slow start.
3:56
Well, I thought it was going to be a different thing than it
3:59
turned out to be. I think Nick and I both thought
4:01
it was a certain part of a series.
4:05
I, I knew it wasn't. I knew it was.
4:07
I thought it was like a RIP off. Well, see, I agree.
4:10
All right, so introduce the movie Alex.
4:12
Yes. This week I chose a Japanese
4:16
horror flick called Evil Dead Trap.
4:18
Who we? And man, it's a banger it it
4:22
really is. This is a great film.
4:24
I've never seen it. These gents have never seen it.
4:28
I can't even lie. The only reason why I clicked
4:31
and watched the trailer is because it had Evil Dead in the
4:33
title. Because I'm a sucker for Evil
4:36
Dead. Now I thought, I thought it was
4:40
going to be like like an offshoot like fan made
4:45
potentially Evil Dead movie like set in the Evil Dead universe.
4:49
Is that what you thought, Dick? Yeah, I thought this was going
4:52
to be some like knock off like Walmart foreign Evil Dead type
4:57
thing where they're like, we'll just take a lot of that idea and
5:01
let's put it into this film, which honestly they a lot of the
5:05
camera work was very reymiesque. Yes, it was.
5:09
It was very Sam. Isn't it?
5:11
It's called Evil Dead because the translation is a bit weird,
5:16
right? Trap of the dead spirits.
5:19
Right. So it's not even like it's kind
5:22
of a crazy, but it's kind of a crazy coincidence.
5:25
I also seen another title for it as Tokyo Snuff.
5:31
That's even sweeter. But like I think what they did,
5:35
yes, the translation thing probably is accurate.
5:38
Noah. What I think they did here was
5:41
they took the word they they they knew, calling it evil dead
5:46
trap in America, people be like, oh, that's a new evil dead film,
5:49
guaranteed, guaranteed. And even to this day people are
5:53
like, oh, that's that's it's not like an evil dead thing I've
5:55
never seen in my life. I thought that Alex thought that
5:58
and we're evil dead like diehards.
6:00
I was like, oh, that's weird. Have I not?
6:02
How have I not seen that? Literally why I clicked on it
6:05
was because of. Like if there was an Evil Dead
6:07
thing, that's sort of a stop because I was like, I don't know
6:10
much about Evil Dead, but I know that these guys do.
6:13
So it's like if this was actually Evil Dead, they would
6:15
say something. Neither of you said anything.
6:19
Not related whatsoever. No, but man, it was great.
6:25
Go watch it. Go pause this, go watch it come
6:27
back because we're you know it right into spoilers.
6:30
I I think you should man, like this movie was, I want to, I
6:33
want Alex, I want you to go really first on this, But all
6:36
I'm going to say is man, this movie was fucking balls to the
6:38
wall. OK, so synopsis TV show host
6:46
Nami asked her viewers to send in home movies.
6:50
She receives A snuff film shot as a DIS shot at a disused
6:55
military base. She takes her friends and camera
6:58
crew out to investigate and they're murdered.
7:01
One by one, one person with a camera.
7:04
And they're murdered one by one in a grizzly fashion until Nami
7:08
remains. That's it.
7:12
This is this is like, what's that?
7:14
What's that game that you get? Every kid gets it on Mousetrap.
7:20
This is like Mousetrap for adults with like the kooky crazy
7:25
fucking wild traps that are set up throughout this fucking
7:28
house. Like I was like watching.
7:31
I'm like God damn dude. Like who thought The Who fucking
7:33
thought of that? Which is funny 'cause the one
7:37
character he kept saying this isn't a playground for adults.
7:43
Yeah, yeah, exactly. It's it's like, what are you
7:46
going this this movie will subvert.
7:53
You think it's just a typical like slasher gore flick and it's
7:57
really not. This movie is like so many
8:00
twists and turns and like hidden messages and like hidden
8:03
meanings. And I'm not saying it's fucking
8:06
deep. That's not what I'm saying.
8:07
I mean, there's parts of that are deep really, but like.
8:12
They definitely they had some interesting ideas that they were
8:15
touching on there. Yeah, it, it, it was like I
8:20
thought I knew what was going on like 3 times in the movie and it
8:23
kept on changing. I was like, I was like, well,
8:25
hold on a second. I had in my on my other monitor,
8:28
I had it pulled up because I was trying to go back and like look
8:31
at the subtitles because it's not, there's no dub for this.
8:33
You have to watch it in. Japanese.
8:35
Yeah, that's another thing. But this like, even though like
8:39
the first, like second of it where it's got like the VHS
8:42
effect and it's like cutting back and forth with these like
8:46
shots and the person like editing it with the, with the
8:49
big ass machine that you need to do it.
8:52
Yeah, I I was just gripped like, and just the style of everything
8:58
was crazy right off the RIP. Nick brought up at one point
9:02
that this would be like a good possible like remake, but like.
9:06
I don't think so. I don't think it would.
9:08
Cause OK. Some of how how this film was
9:11
shot, I don't think they would do a lot of that stuff nowadays.
9:16
After watching the entirety of the film, I said this what
9:19
halfway through the movie? Not even.
9:21
Probably like a. Quarter.
9:23
So I think it was after the first big kill I said this.
9:29
I don't think it should be touched and remade.
9:34
I don't. I think it would be disingenuous
9:37
given how that movie was probably made.
9:40
It's all practical. It's gorilla style fucking
9:44
camera work at times it looks like to me.
9:46
It it, it was wild. It's a fucking cool, crazy ride
9:50
that I don't think could be replicated in today's day and
9:53
age. I really don't that and with how
9:57
violent the movie is. This movie is being put out by
10:00
Unearthed. Unearthed is the same people who
10:02
who have put out for American audiences at least Guinea Pig,
10:08
American Guinea pig series. They put out.
10:12
They put out those films, which I like, the Guinea Pig series to
10:17
a degree because I'm just kind of weird.
10:21
But like, if that's any indication of what type of film
10:24
you're going to see, Unearthed is the ones who are distributing
10:27
it. I will say that this film does
10:30
not it it has some tough scenes, but it is not nowhere near as
10:36
bad as the American Guinea pig or the Guinea pig flicks.
10:40
Some parts I didn't think anything was like necessarily
10:43
too much. There is a couple.
10:45
There's one like there's like a sexual assault scene that goes
10:49
on for a little, a little while. But however, yeah, you know, I
10:53
mean, but, but however, there is important information that is
10:58
said in there, which gave me my first theory about one of the
11:02
characters. Was it the two, one of two, or?
11:07
Yeah. That's why that they dropped
11:09
that there. Look at this, it's like you
11:12
wouldn't expect it. Well, but he said they.
11:16
Yeah. Yeah.
11:17
They'll let me go and I caught that.
11:19
I was like. What?
11:19
Who's. Yeah, he says, well, I have it
11:21
in my notes. He says if I kill you, they'll
11:24
let me go. And then he said, and then she
11:27
asked him during this attack that she's like, what are you
11:31
talking about? They is it a group?
11:33
And he says they are two, but two and one.
11:37
Yeah, dude, that it's cool. That shit's so sweet.
11:42
The movie is incredibly cryptic in those senses, but it's not up
11:45
its own ass like it's it's leading you somewhere.
11:49
I did think I that was a very long sexual assault scene.
11:59
It was. But what it leads up to is quite
12:04
gratifying. Like it's a bit tough to watch
12:07
during that scene, but the end result of him, it's like, Oh
12:14
yeah, that's sweet as fuck. Like you got yours, you Dick
12:16
head, you know what I mean? Like, like that was cool.
12:19
It's it's cool that that he got take.
12:21
I mean, she didn't win either, to be honest, because she gets
12:24
fucking caught up in this. Like it's like noose.
12:27
Like a wire. Yeah, like a wire noose thing.
12:29
And she gets lifted up over the van and then just dropped flat
12:33
in her head and it's just light on her.
12:34
Foot we we are all over the place here.
12:37
Dude is it is this movie? Is that movie?
12:39
That's what Really. Fucking all right, we're going
12:41
to be like, so. We're just really get back on
12:44
pace. We're going to we're get back on
12:45
track so they all like. Yes.
12:47
It it's sort of just like going on like they get the like snuff
12:51
film and then they Nami is like, we should go, I think I know
12:54
where this is shot. We should go there and like look
12:56
for whoever did this. First of all, stop.
12:59
What are you like? What are you thinking?
13:01
We're not doing that. She sees what happens in the
13:03
video and it's a woman being like brutally killed.
13:07
Like cut to pieces. Yeah.
13:09
And she's like, let's go there, I want to go there.
13:13
She takes all of her Co workers and they're all like yeah let's
13:15
pile in the the fucking awesome. The Mitsubishi.
13:19
Mitsubishi Pajero. I don't know how you say that.
13:23
Turbo wagon. Fucking sweet, sweet little
13:26
Jeep. That was Noah's main focus.
13:30
Yeah, I was like, I want to need that Jeep.
13:32
It's yeah, it's sick, but they drive on out there and they're
13:36
kind of like they split up and look for clues.
13:39
Second problem, don't do that. Nope.
13:42
And then kind of like from there it, it gets into like the
13:48
slasher trapped in trapped in the murder house kind of thing
13:54
where there's like trap set and there's maybe secret people
13:59
walking around and there's like a killer and there's like
14:05
characters will break off and they go do their own thing. 2
14:08
characters break off to go to go hang out for a little bit
14:12
together, have some alone time. Which that's also a lot.
14:18
That was like I. Yeah, that went on for a.
14:20
While too I was sitting there I'm like, I wonder if they're
14:22
actually fucking. I think they are because well.
14:26
That was like passionate. What I read was that they used
14:33
actual Japanese porn stars in this film.
14:36
I think there's a chance that. Mayhaps there?
14:39
It's just rapes. I don't.
14:40
Know, mayhaps, and I hear what you're telling me, I'm still a
14:43
fat fucking fat fucking virgin. Not anymore.
14:47
Yeah, no, not that. Yeah, that was a long sex scene.
14:51
I was like, because there's like different like angles and
14:54
positions for a minute there I was like, all right.
14:58
But but then, yeah, it goes right back to like the all
15:00
right, well, you broke. I mean, technically it followed
15:03
the rules. They they did The Dirty and they
15:06
got, they got done dirty. Yeah.
15:10
One of you don't even see but his death is like pretty
15:13
gruesome but it's all implied. You don't actually see it, but
15:18
just talk about the first death, the first kill.
15:21
Is that is that what the fucking yeah.
15:23
It's with the with the spikes. The the girl that sat in the
15:26
chair. Who wants to talk about this
15:28
first? Because that was a wild ride.
15:31
I got, I got you. OK, so first, did she even did
15:37
she even sit down in the chair on her own or did she just?
15:40
I thought she likes fall into pushed.
15:42
Yeah, I think she like. Script into.
15:43
I have it here. He's our Marcus Parks dude.
15:50
Yeah, I got it here, Sparks. Sparks.
15:53
Yes. OK, so she she's walking into
15:58
this room by herself. Stop.
16:00
What are you doing? This is Ray, I think.
16:03
Yep. There's like a Ree and a Ray.
16:06
There's 2 characters. They spell their names slightly
16:09
differently, but she notices like bugs on the ceiling or on
16:12
the floor. And then she looks up and
16:13
they're falling from the ceiling.
16:15
And then she bumps into a closet and like a corpse falls out, and
16:19
then she gets like backed up against the wall and then the
16:22
spike just comes up out of the floor.
16:25
You fall. Yep, she fell into the chair and
16:27
then that giant spike came in and just under the floor and
16:30
just impaled it right into the chest.
16:33
Then another one comes from an angle, goes right back through
16:36
her chest again, and then another one from the wall behind
16:40
her. Correct.
16:41
Yes, yeah, comes in from like, like right up here.
16:45
Through the shoulder down and then just the the the wiggling
16:50
she does while all this. It's a It's such a good effect.
16:54
It is really good. And the spikes are like so long
16:57
like it it pills her to go through and it like it just
17:00
keeps going like it keeps on feeding.
17:03
Pushing it more and more in. Which is great.
17:06
As if, like, as if she was going to get out of it, you know?
17:09
No, no. And they look so solid too.
17:12
I'm like damn that looks gnarly as fuck.
17:15
Yeah, all the effects in this movie.
17:17
Are sound incredible for that too were like were like your
17:21
typical like super sentai like sword sounds.
17:26
Yeah, they're all like the blade, like a scratching on the
17:29
chalkboard kind of sound. What?
17:31
Every time, that one song that was like a very present song in
17:39
this and you knew bad shit was happening when that was La La
17:42
la. But there are two.
17:44
Tracks in the Yeah, yeah, there's the soundtrack of this
17:47
movie. But the problem is immediately I
17:51
went the kisses from the sun don't know.
17:57
And then Noah went fuck you, fuck you.
18:02
For the next hour. But it's so catchy.
18:07
It was so fucking catchy. All right, moving along with
18:10
this voice. Wait, what you're going to be
18:15
for? You're Marcus Parks.
18:16
Oh, OK. Well, yeah, because I was doing,
18:18
yeah, I got the notes here. I don't know if we were just
18:20
going to sort of read them down and go for it.
18:23
But so the rest of the group, they're walking around and they
18:26
see like a a silhouette, like a figure, and it's like moving
18:30
towards them. And you can hear like a pulley
18:32
sound, like a squeaky wheel sound.
18:34
And it's Ray on a hook and swinging at them.
18:38
And then that's when they all like they run even they split up
18:42
at that point. Just the one girl split up.
18:45
Just the one. Oh yeah, because she trips on
18:48
her heel too, though. Oh, right, right, right, because
18:51
she goes back to the car. She goes back to the car and
18:53
then. That's when so they, they, they
18:54
all kind of run from that and then they, they do split up and
18:58
what is it like three of them fall in a hole. 2 Fall in the
19:03
hole. Two of them fall in the hole and
19:04
then one of them gets out, just goes to the car and that's where
19:08
she gets attacked. Yes, by the that guy who attacks
19:11
her. You remember the beginning where
19:13
it shows like that? It's a blink and you'll miss it,
19:16
but they're all standing in front of a well.
19:18
There's a guy in the well. Oh, he had.
19:21
A ball gag. He's got the ball gag in his
19:22
mouth. Yes, Yeah, yeah, yeah, yeah.
19:24
OK. Yep, and that's the guy who
19:26
attacks the woman in the car. Yeah.
19:30
Well, like prior to that too, like the that whole scene is
19:33
very well done. It is.
19:35
She has a camera and it falls from her hands and the entirety
19:40
of it is basically him. No, wait, is that the girl who
19:46
gets her palm slice open? Yeah, yeah, yeah, yeah.
19:50
So that's be OK. So she gets her she she drops
19:53
her camera and he's using the flash against her.
19:57
No, that the girl that get her her palm slice open was not the
20:00
one that went. No, she said.
20:01
Like Oh my God, dude, I'm getting mixed up.
20:04
There's a lot. Of that happen, there's a lot of
20:06
good kills. In this, there's a lot going on.
20:07
In this, we didn't even talk about the mystery man because at
20:12
this point, Nami has already met the mystery man.
20:15
She's already met the mystery man.
20:16
He's brought him up biggies. So you see at that point you've
20:20
seen the mystery man and you've seen the killer, the slasher
20:23
character and you see the mystery man, he's talking to the
20:29
ball gag guy. Like tell him to like shut up.
20:32
Like you're going to, you're going to give us away.
20:34
Yeah. But then so they split up and
20:38
they, a couple of them fall in the hole and then the one of
20:40
them gets out and she goes to the car.
20:43
She's trying to like, leave, yeah, go get help.
20:46
But then she gets attacked by the guy in the car and there's
20:48
the sexual assault that happens there.
20:51
Again, that's mixed up because Nami was the one that fell in
20:55
the hole. No, yeah, Nami and the guy fall
20:59
in the hole. Nami isn't the one that ran to
21:01
the car that got assaulted. No, I know.
21:05
OK, cool. OK, OK, OK.
21:07
No, we're, we're there's, there's so much going on in this
21:11
movie. And it's it was a little.
21:12
But it's not really that confusing.
21:14
No, we're just explaining it poorly.
21:16
Yeah, but yeah, like it. There's 5 characters that all
21:26
are moving around in this facility at the same time.
21:29
But when they're running, that's also when you see the sign that
21:31
says US Air Force installation, which tells you what sort of
21:37
building this is. So after you have that, the
21:42
attack in the car where he's the ball gag guy is attacking.
21:48
I don't know her name, but he says that like important bit of
21:52
information. But I think when they put it in
21:54
a scene like that, they do it like they don't necessarily want
21:58
you to like be listening out for it.
22:02
They think they're using that scene to divert your attention
22:06
to the horrific shit that's happening.
22:08
So when he's talking, you're just going, dude, shut the fuck
22:11
up. Like you're speaking nothing
22:13
right now. Almost like that's kind of like
22:16
the trick there, right? And it works because I was like,
22:18
Oh my God, this fucking psycho is just doing this crazy shit.
22:21
Just jammer and on. But then like, you know it, it
22:26
works because later on the movie you figure out like, Oh my God,
22:29
this is fucking crazy. But that that right there was
22:32
one of my favorite fucking kills.
22:34
That not really how he dies. How he dies is good, but it's
22:38
how she dies in that instance where it's the fucking wire
22:41
noose that just like we were talking about earlier, pulls her
22:44
up and just chokes her out, pulls her up over the car, drops
22:46
her on her fucking like head. Yeah, breaks my neck.
22:50
God damn. Brutal.
22:52
So you. Think Who do you think shot the
22:55
guy? Well, he did.
22:59
This this last. Mystery man.
23:01
Yeah, Mystery man did. Oh yeah.
23:03
Get the gun, mystery man did the Oh yeah?
23:05
Well, it's like a crossbow. Yeah, it'd be.
23:08
It would have been him. So like what, 22 really sum
23:14
movie up. It is a House of twisted fucking
23:17
bullshit that these five people go to and one is left.
23:23
That's Nami. It's a final girl.
23:26
So we'll leave some of the we'll leave some of this for our
23:28
viewers to figure out. Go see this movie.
23:30
But this we have to talk about. We have to talk about let's.
23:34
Just say, are you cutting cutting us off right now?
23:36
No, no, we're, I don't care if we go over, we're talking about
23:39
the twist. Homeboy's got a his little
23:42
brother inside. There's a whole plot at this
23:46
point of him and his little brother.
23:50
He got his little brother in the fuck side of him bro.
23:52
Well, OK, so that that was the part where all of my theories
23:57
and stuff, I they went out the windows sorted because he he's
24:01
saying like there's only two people in this facility.
24:03
We only see, we see three people.
24:05
We see the mystery man, the slasher and the ball gag guy.
24:10
The ball gag guy is dead at this point.
24:11
He's talking. He's like, it's just me and my
24:13
brother, but I don't know where my brother is.
24:15
And then he like he throws like the lighter down and he says
24:19
like, his brother's name is Hideki.
24:21
And he's like, oh, Hideki, stop, we know it's you.
24:23
And then he like goes down to pick it up and his like, posture
24:27
shift and I'm like, oh, no, he's he is Hideki.
24:31
He is the brother. Like this is a split
24:33
personality. What's the the doctor from South
24:35
Park who has the split personalities?
24:37
Oh my God. Who?
24:38
Yeah, yeah. Who tells him?
24:40
Yeah, he's tricking Butters. Yeah, but like, I was like, oh
24:44
shit. Like that's what it is.
24:45
Like he doesn't know, but he's also the killer.
24:48
But then at the end it's revealed that his brother is
24:53
inside him, so to speak. But it's like he is physically
24:58
inside of him. But and it's and it had his
25:02
Pedecki has like a bit of like a have you you both have seen
25:05
Akira, right? No.
25:08
You have to see Akira now he has like a bit of an Akira thing
25:11
going on because it's able to like.
25:13
It can take control of his mind. It well that in the elements
25:17
it's it's creating lightning, it's creating fire, it's fucking
25:20
able to go through walls, it's able to go supersonic speeds and
25:24
that camera work right there as well.
25:26
When it's moving at it is awesome.
25:28
Crazy good. So good.
25:30
I my thing I what I think now is that Hideki is like a demon
25:35
creature. Yeah.
25:37
And maybe the mystery man had a brother who was like killed by
25:42
this demon thing. And now it's like a part of him
25:46
because he like knows it And he's like, he's trying to keep
25:49
Hideki under his control. But you can see they're like
25:52
fighting over his body. But then like it's then it he it
25:57
the mystery man is like killed. But then he gets up and at that
26:00
point it's Hideki who's in control.
26:04
Fuck it. So crazy.
26:05
Shit. Dude so crazy this.
26:07
Movie. Look how happy this guy is.
26:09
It's a great fit. This was a great flick.
26:11
Like I'm like great random pick. It was good.
26:15
Oh man. There's a lot to like about this
26:17
and there's like 3 more movies too in the series so like.
26:20
I know it might not be on screen box but we're going to review.
26:25
We're we're going to, we're going to have to watch them.
26:28
We have to like we're in now. Well, the third one has nothing
26:31
to do with the 1st 2:00. Well, the second one looks
26:34
crazy. We watched the trailer
26:36
yesterday. Yes.
26:38
Like that movie looks insane. It gave me a.
26:40
Lot of vibes of it gave me a lot of vibes of Sleep Away camp just
26:45
for the sense in the sense that like it's a normal ish horror
26:49
movie, but there's this like one element that you can see through
26:53
the whole movie that's just like really, really interesting.
26:56
Yeah, yeah. Oh yeah.
26:59
I don't know if you guys got. That very parasite Eve.
27:02
Yeah, yeah, yeah, absolutely, absolutely.
27:06
God damn, Alex. If you know parasite eve.
27:12
If you know parasite Eve. Yeah, absolutely.
27:15
All right, boys, let's wrap it up with how we felt about this
27:20
movie in our own words. Alex, it's your pick.
27:24
So you can go first or you can throw the ball to somebody.
27:27
You choose. I'll go first.
27:29
Fuck yeah. I love this like this was very
27:32
good. I will watch this again.
27:33
I will try to find this on DVD and add it to my wall of movies.
27:39
Fuck yeah. Practical effects top tier.
27:44
Come to find out, I'm going to throw this in there real quick.
27:46
The dude who did the practical effects went on to make all the
27:50
monster suits for Godzilla films.
27:53
That's awesome. Sick dude.
27:56
Yeah, it was the same dude. He made a lot of the later still
28:00
like the original run but some of the later Godzilla suits.
28:05
So good. Other than that though, I give
28:08
this, I'll give this A5 out of five, straight up.
28:11
Hell yeah. Recommend it?
28:15
Sign up for Screen Box. Go watch this film now.
28:19
We were right. We were talking a lot in The
28:23
Trouble with Tessa about a movie not explaining everything and
28:27
how we love that. This movie is so perfect in that
28:31
regard. It doesn't explain too much that
28:33
lets you think about it. Maybe, I mean, I don't, I don't
28:38
know, but maybe if you didn't have to read the subtitles, you
28:40
might be able to get things. I definitely think I'd get less
28:44
information having to read the subtitles.
28:47
Maybe a little bit because you're you're trying to follow
28:50
along while trying to see what's on the screen and while
28:52
watching. Yeah, yeah.
28:54
So. But I I would give it, I'd give
28:56
a four out of five, really awesome.
28:58
Oh yeah. Just four out of five because it
29:01
was a bit long. Yeah, OK.
29:04
Kind of goes on for a while if I had to give it a criticism, but
29:07
definitely worth a watch. Definitely like a a weird one.
29:11
Yeah, man, this. So again, I like what Unearthed
29:19
puts out and I liked what came out in the 80s and the 90s from
29:23
those like shock movies and the gore flicks from Japan and you
29:27
know, like all of that. Like I love those films, like as
29:31
a young teenager and everything. So this movie, I cannot believe
29:35
I've not seen this movie. I can't believe it.
29:37
This movie is awesome. Evil Dead Trap from 88 is a
29:42
fantastic what up? What up what?
29:46
The direct the director also made Angel guts.
29:50
Oh no shit. Yeah, that'd make sense.
29:52
Sorry. Go ahead.
29:53
That that makes total sense. But no, this movie special
29:56
effects are perfect. The practice, like the practical
29:58
effects itself are done so well. The gore is at the crank to a
30:02
million at times. It's just the the the traps
30:07
themselves in this space are so well thought out.
30:11
The kills because of the traps are well thought out.
30:14
The movie feels antagonistic, but not like it's not trying to
30:18
fucking force you away. It's just trying to push the
30:20
boundaries of what the film can do to its audience, which I
30:24
like. Oh my God.
30:28
And then there was like a moment where Noah and myself just went
30:31
one more through the head and then at the same time and that
30:35
was that. Cracked me up dude.
30:37
This movie was a good time to watch with friends.
30:40
I wish more people would have stuck around to watch it.
30:42
That's fine, it's 4.5. It did go on a bit long and the
30:46
sexual assault scene was pretty fucking long, so I think that
30:50
might steer some people away when they get there.
30:54
I think if you made it that far though, you're probably going to
30:56
see it through. You should be able to see it
30:59
through. But I, I, I know people who
31:00
would go, OK, man, it's, it's too much like it is exploitation
31:04
at that point. It's, it's, it's, it's, it's
31:06
pushing its boundary. But again, that's the point of a
31:09
movie like this. It's to push its boundaries.
31:12
I did read something about a scene that we did not see.
31:18
In this version, there's a scene that was cut of a woman
31:22
crucified naked and her titties were cut off.
31:27
Where is this? I don't know.
31:30
I'm just like what they did put in the movie and then they were
31:32
like, no, that's where we're drawing the line.
31:34
I. Don't know they have like a
31:37
little fetus guy at whatever. That is.
31:40
Sick. We need to find that deleted
31:42
scene. We get that, Hideki.
31:44
Prop Yo dude the. That has to exist.
31:48
That has to exist somewhere. We'll do some deep diving after
31:51
the episode. There's not a lot of information
31:54
about this movie. I couldn't even find a budget.
31:56
There's no publicly available budget information either.
32:00
It's one of those flicks, man. Like, I'm happy a movie like
32:03
this exists, and I'm happy we're talking about it and.
32:06
Now it's on screen box. Yeah, screen box.
32:08
Thank you for that. That was.
32:09
Because we would we would never have found this.
32:12
No, I would never see this if it weren't for screen box.
32:15
No, So thank you. Screen Box, man.
32:17
Oh, fucking man. Evil Dead Trap.
32:19
Great pick, Alex. He's so fucked.
32:23
All right, that's where. Screen Box.
32:26
It's going to end it tonight, boys.
32:27
It came from screen boxes. So back go check out our
32:31
episodes with Dennis Callow and Bethany Watson.
32:35
That was last week. We interviewed the showrunners
32:37
for The Trouble with Tessa. Great conversation.
32:40
They showed off a lot of the props on the show.
32:42
They talked about some behind the scenes, some things to look
32:45
for in the show. It all together.
32:47
They're just awesome people and you should support them by
32:49
checking out The Trouble with Tessa.
32:51
It's a fantastic time. It's a great ride with your
32:54
friends. It's a great ride alone.
32:56
It's just an awesome, awesome show.
32:58
So go watch that. Check out all the awesome movies
33:01
on screen box. Check out the awesome
33:02
merchandise on our sponsor final boss's website as well.
33:07
Go check them out. And guys, until next week.
33:10
Well, till some, you know, Friday, Saturday, whatever.
33:13
Check out WSD roll for deception.
33:15
But oh, you know what? Time out TO put the brakes.
33:20
If you got movie suggestions or if you watched Evil Dead Trap,
33:24
e-mail us at wasdbeyond@gmail.com.
33:28
Let us know your thoughts. And then if you didn't watch it,
33:31
but you don't want us to watch a movie, tell us what to watch.
33:34
Give us your recommendations. Yeah, dude, tell us. e-mail us.
33:38
Tell us what to watch. Tell us how you felt about the
33:40
movie. Movie we watched.
33:43
OK, I got that plug. We're going to work on that.
33:44
I'm going to iron that out. We'll figure it out, but you
33:47
were good for remembering. Hey.
33:50
But I was literally typing a message like don't forget the
33:53
e-mail. The thing is, you guys forget.
33:55
I can't even look at my messages.
33:57
If I do that then I mess up the YouTube folks.
33:59
Yeah, that's right. All right, guys, till next week,
34:01
take it easy, be safe and thank you screen box.
34:04
Thank you screen. Box.
34:05
Thank you.