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Film Crew Watches Their Short For The First Time · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on, Artists on Artists.
• 0:08
  Speaker 1: You know what indie filmmaking is all about, but do
• 0:10
  Speaker 1: you know what it feels like to watch the first
• 0:13
  Speaker 1: cut of your short film? Today we're going to figure
• 0:16
  Speaker 1: out exactly how that feels.
• 0:18
  Speaker 2: We did a very special thing for all of our
• 0:22
  Speaker 2: listeners and viewers here on Artists on Artists and Artists
• 0:24
  Speaker 2: and Artists. We got four indie filmmakers who made a
• 0:27
  Speaker 2: short film together. We showed them the first cut of
• 0:31
  Speaker 2: the short film that they spent a lot of time
• 0:33
  Speaker 2: and money on, and we turned the mics on to
• 0:37
  Speaker 2: see exactly what they thought and what's going to happen
• 0:41
  Speaker 2: after this now that they've seen a V one of
• 0:44
  Speaker 2: their movie.
• 0:46
  Speaker 3: Every film has to start somewhere, and every filmmaker has
• 0:50
  Speaker 3: to start somewhere, and often that starting.
• 0:53
  Speaker 4: Point is a V one cut of a short film.
• 0:58
  Speaker 5: So let's buckle up, take a deep breath, and see
• 1:02
  Speaker 5: where we're at in the process.
• 1:03
  Speaker 6: Let's listen in h.
• 1:14
  Speaker 1: So, yeah, I love it. Yeah, I think yeah, yeah, totally,
• 1:27
  Speaker 1: uh huh, I mean right, I.
• 1:29
  Speaker 3: Think it's I think it's doing what we want to do.
• 1:34
  Speaker 7: Big, shut out, big, shut up, big shout out to
• 1:37
  Speaker 7: the other.
• 1:37
  Speaker 2: I mean putting a big shout out to the other
• 1:39
  Speaker 2: for putting all together and think that's that's great to
• 1:42
  Speaker 2: see it all together.
• 1:43
  Speaker 7: You know.
• 1:45
  Speaker 5: Obviously, like I'm have some notes and I know we
• 1:49
  Speaker 5: should like all go into order, and.
• 1:54
  Speaker 3: Yeah, I mean, I'm super and I'm I'm I'm super excited.
• 1:58
  Speaker 3: Obviously this is like really involved. But I think we're
• 2:00
  Speaker 3: in an amazing spot right now.
• 2:02
  Speaker 4: I mean, just like.
• 2:04
  Speaker 1: I don't want to.
• 2:05
  Speaker 4: Be like to ahead of ourselves.
• 2:07
  Speaker 3: And I know we set we set a we set
• 2:11
  Speaker 3: an October deadline, and I know there's some doubts on
• 2:17
  Speaker 3: whether or not we'll reach that, but I'm feeling really good.
• 2:21
  Speaker 3: I don't know if you guys are feeling good, but
• 2:22
  Speaker 3: I'm feeling.
• 2:23
  Speaker 1: And I'm like, I don't have a lot of notes
• 2:27
  Speaker 1: or like I think this should be really quick.
• 2:29
  Speaker 5: Actually, like and just feeling like our October deadline was
• 2:32
  Speaker 5: also really foolish. It's a month and a half after
• 2:36
  Speaker 5: the Sundance deadline, Like why did we do that?
• 2:38
  Speaker 6: We're gonna have to wait here?
• 2:40
  Speaker 1: Yeah, we have time, so we have time.
• 2:43
  Speaker 7: Actually, I mean we're just trying to get well.
• 2:44
  Speaker 2: Like I know that some people have a goal for
• 2:47
  Speaker 2: for Sundance. My main goal is Jazzy Fest. But uh,
• 2:52
  Speaker 2: that's like, yeah, I mean we can talk about that.
• 2:55
  Speaker 2: I don't think talking about festivals is the best use
• 2:58
  Speaker 2: of our time currently after watching V one.
• 3:00
  Speaker 5: Sorry, that's like, I'm a producer, So I'm a producer
• 3:04
  Speaker 5: on the project, right, so as the producer, I am
• 3:07
  Speaker 5: like already thinking about distribution and like where this goes
• 3:12
  Speaker 5: and that's what and you guys let me have a
• 3:14
  Speaker 5: space in the editing day as the producer. So I'm sorry,
• 3:18
  Speaker 5: but that's a part of the discussion. Now this was
• 3:24
  Speaker 5: it in the writing and now it.
• 3:25
  Speaker 1: Is feel like it was. I definitely thought it was
• 3:29
  Speaker 1: in the writing.
• 3:30
  Speaker 6: So so the what I'm also the what say it?
• 3:33
  Speaker 2: Well, you're also the one that told this podcast they
• 3:34
  Speaker 2: could give us microphones and they're telling us to introduce
• 3:36
  Speaker 2: ourselves for the project.
• 3:37
  Speaker 6: Because I thought it would be great for PR.
• 3:39
  Speaker 5: I thought it would be great for PR, like how cool, like.
• 3:42
  Speaker 6: And it's a first look deal.
• 3:43
  Speaker 5: This podcast has like so many filmmakers on, like they
• 3:46
  Speaker 5: have really important filmmakers.
• 3:48
  Speaker 1: They just just like us.
• 3:49
  Speaker 7: Like yeah, so well they just has to introduce ourselves.
• 3:53
  Speaker 7: So if we just want to go around like, let's
• 3:55
  Speaker 7: do it, Let's do it.
• 3:56
  Speaker 4: Sure, amazing. Hi.
• 3:58
  Speaker 3: I'm Daisy Ray McFee. I am the star of this
• 4:04
  Speaker 3: little our little baby that we've been working on. I
• 4:09
  Speaker 3: went to uh Laxa and then I went to RADA,
• 4:17
  Speaker 3: and I studied in the UK for a little bit
• 4:19
  Speaker 3: in London Town, and then I met these beautiful people
• 4:26
  Speaker 3: in a night out at Zebulon and so a lot
• 4:33
  Speaker 3: of things came together to make this project, and a
• 4:36
  Speaker 3: lot of people and a lot of heartbreak, a lot
• 4:38
  Speaker 3: of blood and sweat and tears went into it. And
• 4:42
  Speaker 3: so we're so excited to look at this V one
• 4:44
  Speaker 3: and I'm really excited to be on this journey with
• 4:47
  Speaker 3: you guys.
• 4:48
  Speaker 1: M hm, totally, yeah, totally. Hey guys, what's up. I'm
• 4:53
  Speaker 1: Daniel fort Myers and I am one of the main actors.
• 4:58
  Speaker 1: I don't have a lot of lines. I'm one of
• 5:01
  Speaker 1: the actors. And because I we kind of made a
• 5:04
  Speaker 1: deal that I could edit it if I got to
• 5:06
  Speaker 1: act in it. So I'm also the editor of the project.
• 5:10
  Speaker 1: I'm working with another guy.
• 5:11
  Speaker 6: Who do you want to say that you did it
• 5:12
  Speaker 6: on iMovie?
• 5:13
  Speaker 1: I don't want to say that, but I think.
• 5:16
  Speaker 5: We should tell them that's where we are in the process,
• 5:18
  Speaker 5: that we did it on iMovie.
• 5:19
  Speaker 1: Well that's not true actually, so like what actually is true?
• 5:23
  Speaker 6: You know, you edited it on iMovie.
• 5:24
  Speaker 1: I tried to learn it on premiere and I just
• 5:28
  Speaker 1: couldn't get through a lot of those tutorials because they
• 5:30
  Speaker 1: were taking forever in the project kept on crash and
• 5:31
  Speaker 1: you tried cap cut, So I tried cap cut, and
• 5:34
  Speaker 1: so we finally landed on iMovie. And I think it's
• 5:37
  Speaker 1: pretty good. And you know, I've been getting a lot
• 5:40
  Speaker 1: of like notes and feedback because the thing is, we decided,
• 5:43
  Speaker 1: like pretty early on, was this would be a communal edit,
• 5:47
  Speaker 1: so I can just the guy with the mouse. We
• 5:50
  Speaker 1: were all in the room the whole time, yeah, trying
• 5:53
  Speaker 1: to watch it and edit it and giving notes. And
• 5:55
  Speaker 1: some people were in the room at certain times, and
• 5:57
  Speaker 1: some people would leave, and some notes would you know,
• 6:00
  Speaker 1: contradict and stuff. So but it's you know, it's really
• 6:03
  Speaker 1: it's really interesting and I think it's really great.
• 6:06
  Speaker 3: Well, we also wanted it to be fair, I would say,
• 6:08
  Speaker 3: and so we divided up parts of the movie so
• 6:12
  Speaker 3: certain actors could only look at certain parts of the
• 6:17
  Speaker 3: movie and so we didn't want like one person's fingerprints
• 6:20
  Speaker 3: to be on like like we wanted to divide it
• 6:24
  Speaker 3: up sort of like in a newquitable share.
• 6:26
  Speaker 1: And you barely wanted my fingerprints on it too, So
• 6:29
  Speaker 1: that was.
• 6:30
  Speaker 7: You don't have to say that.
• 6:31
  Speaker 2: I mean, we're not saying we got your fingerprints, like
• 6:33
  Speaker 2: you there's those this thing that's barely a fingerprint.
• 6:35
  Speaker 7: It's you know what I mean, Like it's barely a fingerprint.
• 6:37
  Speaker 2: No, a fingerprint means that you're illegal, like you did
• 6:40
  Speaker 2: something illegal, Like a fingerprint is enough to arrest, so
• 6:42
  Speaker 2: barely mouth.
• 6:44
  Speaker 7: Yeah, like like it's you're like super involved. What's some guys.
• 6:47
  Speaker 2: My name is Gus Dunt and I did sound and
• 6:51
  Speaker 2: I did lighting, and I did gaffing and I did
• 6:54
  Speaker 2: I did was first a d and I was also
• 6:58
  Speaker 2: crafty and and I also did greens and yeah, so
• 7:04
  Speaker 2: I was kind of like I did a lot of
• 7:05
  Speaker 2: work for this and we're really really hard. I'm also
• 7:08
  Speaker 2: doing the mix on it, and I'm also going to
• 7:09
  Speaker 2: be doing the coloring once it's done.
• 7:14
  Speaker 7: Great. Yeah, great to see you guys too. Who's next?
• 7:16
  Speaker 1: No, it's great, no, no, no, no.
• 7:20
  Speaker 7: If you were done the crowd goes silent.
• 7:22
  Speaker 2: I mean, I could talk about all the other things
• 7:23
  Speaker 2: that am not officially on on the on the role
• 7:25
  Speaker 2: for it, because there's a lot of stuff that.
• 7:27
  Speaker 6: I did that's hilarious. That's hilarious, that's hilarious.
• 7:30
  Speaker 2: Like I was, I was obviously, you know I was.
• 7:31
  Speaker 2: I was Daisy's makeup artists when she was crying that
• 7:33
  Speaker 2: day on set. We can talk about that.
• 7:35
  Speaker 1: Okay, that's great.
• 7:37
  Speaker 7: Okay.
• 7:37
  Speaker 1: I think we're just trying to get through the interest.
• 7:39
  Speaker 1: I think we're just trying to get through the interest.
• 7:40
  Speaker 2: No, I mean we can talk about how I'm c
• 7:42
  Speaker 2: g I on Daniel's bathing suit scene because his balls
• 7:44
  Speaker 2: was so fucking big in that speedo.
• 7:45
  Speaker 7: I don't know what.
• 7:46
  Speaker 6: You can't ball shame here. You cannot ball shame.
• 7:49
  Speaker 7: I can't ball shame.
• 7:50
  Speaker 1: And actually a lot of girls like that, so we
• 7:53
  Speaker 1: had to change it because it was so unbelievable. Let's
• 7:58
  Speaker 1: just get interesting.
• 8:01
  Speaker 3: Shout out the fact that you were able to see
• 8:03
  Speaker 3: GI something on iMovie is really impressive.
• 8:05
  Speaker 7: Thank you, And no one's talking about that.
• 8:08
  Speaker 2: You know what if I if you guys have this
• 8:10
  Speaker 2: energy with me, I'll go sit in the electric truck
• 8:12
  Speaker 2: like I'll you know that I have an electric truck.
• 8:14
  Speaker 1: All good vibes, Like it's all positive, it's all good.
• 8:16
  Speaker 1: This is like the process, guys, Like edit is not anything.
• 8:19
  Speaker 1: It's like the first edit. So there's like room to
• 8:21
  Speaker 1: grow from it. So like like let's get through these
• 8:24
  Speaker 1: interests and we can like dive in and like and
• 8:25
  Speaker 1: I'm just like my goal is to like get art there.
• 8:29
  Speaker 1: You get the art there, you know.
• 8:30
  Speaker 5: Okay, Yeah, Hi, my name is Gianna. I am the
• 8:37
  Speaker 5: producer on the film. Executive producer is the one that
• 8:39
  Speaker 5: had the idea. I know you're wondering, like, who's the
• 8:41
  Speaker 5: writer here. There is no writer because we use the
• 8:43
  Speaker 5: original text of Taming of the Shrew.
• 8:47
  Speaker 1: So yeah, so it was like all of us wrote
• 8:50
  Speaker 1: re kind of but we just use Taming of the Shrew.
• 8:52
  Speaker 1: So it's the like we kind of try to condense
• 8:54
  Speaker 1: Taming of the Shrew as much as we could, yeah.
• 8:57
  Speaker 6: Telling it.
• 8:58
  Speaker 5: We're using the text and we're telling a different story,
• 9:00
  Speaker 5: but we're using the tags. There is no writer on
• 9:02
  Speaker 5: this project, just a lot of minds and a lot
• 9:04
  Speaker 5: of actors that are putting on this.
• 9:06
  Speaker 1: It's genius. It's like a really genius actually I think
• 9:09
  Speaker 1: we're all really excited about it.
• 9:11
  Speaker 7: It's really really good.
• 9:12
  Speaker 6: Is Gianna. I've been in the short film space for
• 9:15
  Speaker 6: a while.
• 9:17
  Speaker 5: I I sorry, I'm just like I think I thought
• 9:23
  Speaker 5: this podcast would be great, and I think I've just
• 9:26
  Speaker 5: never really seen like a cut after a movie I've
• 9:28
  Speaker 5: worked on, especially movie that I used my parents' inheritance on.
• 9:33
  Speaker 2: So well, this is the first Yeah, this is the
• 9:36
  Speaker 2: first cut of a movie you've ever made, because you've
• 9:38
  Speaker 2: never made movies before.
• 9:39
  Speaker 6: So yeah, so this is okay. So I said I
• 9:41
  Speaker 6: was in the short film space as an actor.
• 9:43
  Speaker 5: I've never made a movie before, and I use a
• 9:47
  Speaker 5: lot of.
• 9:48
  Speaker 6: My aunt's money. My aunt gave me money and we.
• 9:52
  Speaker 1: Made I think we're kind of like, yeah, we all
• 9:55
  Speaker 1: pitched in, Like.
• 9:57
  Speaker 6: We had a movie night. Yeah, we had a movie
• 9:59
  Speaker 6: night and we watched some of us.
• 10:01
  Speaker 3: Pitched in our talents and yeah, we watched She's the Man.
• 10:05
  Speaker 7: And some of us pitch our equipment.
• 10:10
  Speaker 5: People don't realize that like She's the Man is based
• 10:13
  Speaker 5: off of Twelfth Night, and we had a movie night.
• 10:16
  Speaker 5: We were celebrating Amanda Bynes's work because we think she's
• 10:19
  Speaker 5: being slammed in the media.
• 10:21
  Speaker 6: It's so dope watching.
• 10:24
  Speaker 2: I can't believe that is one thing we all have
• 10:26
  Speaker 2: in common. I can't believe the campaign that's happening against
• 10:29
  Speaker 2: Amanda Bynes.
• 10:30
  Speaker 1: It kind of bonded us. It bonded us at Zebulon
• 10:33
  Speaker 1: because like, well, the thing is like Daisy and I
• 10:35
  Speaker 1: are in acting class together. So we were kind of
• 10:38
  Speaker 1: talking and then we kind of just started talking to
• 10:40
  Speaker 1: you guys about it, and Amanda Biden came up and
• 10:42
  Speaker 1: there was like this moment where we all were like,
• 10:44
  Speaker 1: how do we feel about her? Are we on the
• 10:46
  Speaker 1: same page? And immediately like the fact that we were
• 10:48
  Speaker 1: all on the same page, and we were like doing
• 10:49
  Speaker 1: like bits like right, like I don't know if the
• 10:52
  Speaker 1: audience does what a bit is, but like we were
• 10:54
  Speaker 1: doing these.
• 10:54
  Speaker 7: Things and everybody knows me.
• 10:56
  Speaker 2: Everybody knows me, and Zebulan is the guy that kind
• 10:58
  Speaker 2: of joins in your bits out of nowhere. I come across,
• 11:00
  Speaker 2: I come from across the bar, and I come joined in,
• 11:03
  Speaker 2: and I'm kind of a charming, funny guy.
• 11:04
  Speaker 6: It just felt like so.
• 11:06
  Speaker 5: Like magical when Gus came in there, because then Gus
• 11:09
  Speaker 5: gave us a ride home from Semon in his in
• 11:11
  Speaker 5: his grip truck.
• 11:12
  Speaker 7: Yeah, we're fully shit.
• 11:14
  Speaker 2: Like I strapped you guys in with ratchet straps on
• 11:16
  Speaker 2: the wall, and I think.
• 11:17
  Speaker 3: Yeah it So it's kind of the magic of la
• 11:20
  Speaker 3: for me is like, yeah, we get to be in
• 11:23
  Speaker 3: this environment where there are like so many creatives around
• 11:26
  Speaker 3: us everywhere we look, and it's just it's like, exactly,
• 11:32
  Speaker 3: we're already and I know we can talk about the
• 11:34
  Speaker 3: specifics of what we just watched, which, by the way,
• 11:37
  Speaker 3: I think is amazing, but like we're already on a
• 11:40
  Speaker 3: V one cut of a short film that we made
• 11:44
  Speaker 3: together that is twelve thousand steps ahead every other person.
• 11:50
  Speaker 5: I'm sorry that, I'm sorry, I have to stop you. Daisy,
• 11:53
  Speaker 5: what is that ringing in the background of the entire movie?
• 11:57
  Speaker 6: What is that?
• 11:58
  Speaker 4: Well? I think we can get ridd What is that so?
• 12:02
  Speaker 1: Well? That was actually like a choice that we talked about,
• 12:05
  Speaker 1: like we needed like some like background walla or like
• 12:09
  Speaker 1: some yeah ground sounds.
• 12:10
  Speaker 2: And also like, first of all, hold on a minute, Jana,
• 12:13
  Speaker 2: you're giving notes to Daisy when this is this is
• 12:15
  Speaker 2: the thing you always do. You give notes to Daisy
• 12:18
  Speaker 2: in their notes for me, I am sound, I am
• 12:21
  Speaker 2: I am in charge of design.
• 12:23
  Speaker 6: See if she also heard the ringing.
• 12:25
  Speaker 2: But you know that it was my fault, and so
• 12:27
  Speaker 2: if you want to talk about it, it was an artistic choice.
• 12:29
  Speaker 2: Ringing is a sign of tonightis, and I thought our
• 12:31
  Speaker 2: Petruchio has tonightis. That's what I was, That's what I
• 12:34
  Speaker 2: was emphasizing. I think tonight's is a scourge. I've gone
• 12:38
  Speaker 2: to Coachella every year since I was eight, and I
• 12:40
  Speaker 2: have tonightis, and so it's actually very intensitive for you
• 12:43
  Speaker 2: to say something about that. I first felt tonightas when
• 12:47
  Speaker 2: I saw Vampire Weekend in two thousand and eight there,
• 12:49
  Speaker 2: and it's never gone away. Okay, So how about we
• 12:53
  Speaker 2: have a little bit more respect, and if you have
• 12:54
  Speaker 2: a note for me, you can give it directly to
• 12:55
  Speaker 2: meet Gianna.
• 12:56
  Speaker 1: How's that sound Okay, then get the ringing out of this,
• 12:59
  Speaker 1: Like I don't think that's so. Think notes should go
• 13:01
  Speaker 1: to all of us. That's what we agreed, Like, yeah, okay,
• 13:03
  Speaker 1: one for all, all for one, Like there's no can't
• 13:05
  Speaker 1: be we can't be personal here. It's like about yeah,
• 13:09
  Speaker 1: it's like about the process. We're like all doing it together.
• 13:12
  Speaker 7: Okay.
• 13:12
  Speaker 3: As someone who really like this film is so critical
• 13:16
  Speaker 3: to the real that I'm working on for next year,
• 13:21
  Speaker 3: and so I think that, like I really want to
• 13:24
  Speaker 3: be in the loop for every decision, even if it's
• 13:27
  Speaker 3: that nitty gritty, right, Like I want.
• 13:29
  Speaker 4: To be in it.
• 13:30
  Speaker 2: So, Daisy, Daisy, I do know that this reel is critical.
• 13:34
  Speaker 2: The manager that's been hit pocketing you called me and
• 13:36
  Speaker 2: said that this reel is critical.
• 13:38
  Speaker 7: Okay for you to.
• 13:39
  Speaker 6: Get it's crazy he won't just sign you already. I
• 13:41
  Speaker 6: think it's crazy.
• 13:42
  Speaker 1: It's actually kind of crazy crazy.
• 13:44
  Speaker 3: It's we're basically signed, like we're so it's like he
• 13:49
  Speaker 3: sends me on auditions every once in a while, and
• 13:52
  Speaker 3: like I'll send him, you know, like sort of ideas
• 13:55
  Speaker 3: that I've been thinking about and then we just like
• 13:56
  Speaker 3: haven't put it on paper. But when this comes out
• 14:01
  Speaker 3: and this film, which looks incredible, is on my reel,
• 14:06
  Speaker 3: then I think it's going to help us solidify that
• 14:08
  Speaker 3: relationship starting in twenty twenty five.
• 14:12
  Speaker 2: Well congrats, But but I do want to say, if
• 14:15
  Speaker 2: we're giving notes that aren't personal, I do have a
• 14:17
  Speaker 2: note for you, Daniel, if that's okay.
• 14:20
  Speaker 1: Yeah, no, yeah, go ahead, all the scenady, I'm like,
• 14:23
  Speaker 1: let me out since you did edit all of the
• 14:26
  Speaker 1: scenes between you and Daisy. You use shots of yourself
• 14:32
  Speaker 1: for all the coverage, so she's.
• 14:33
  Speaker 5: Not any time every time she's talking, we're watching you listening.
• 14:37
  Speaker 1: Uh huh.
• 14:38
  Speaker 7: So she's an off screen character basically for the whole movie.
• 14:41
  Speaker 1: Not distracting.
• 14:42
  Speaker 6: It's really distracting with ringing going on.
• 14:45
  Speaker 5: She's okay, and it looks like you're listening to the ringing,
• 14:48
  Speaker 5: not her speak.
• 14:49
  Speaker 2: She's playing Catherine, right, So this is like a really
• 14:51
  Speaker 2: huge character. And it's kind of the maining Bonca yeah
• 14:55
  Speaker 2: and Beyonca and yeah, and we have a man can
• 14:57
  Speaker 2: playing Petruchio.
• 14:58
  Speaker 7: It's very tongue in cheek. It takes place to set
• 15:00
  Speaker 7: a pool party. It's Timmy the Shoe of a pool party,
• 15:04
  Speaker 7: of the pool.
• 15:05
  Speaker 3: Yeah, it's called the Pool Well, Taming of the Pool
• 15:09
  Speaker 3: party or Taming of the Pool.
• 15:11
  Speaker 4: And I'm more so.
• 15:15
  Speaker 7: My favorite pitch true. I like true, and I really
• 15:18
  Speaker 7: think that we should use that.
• 15:19
  Speaker 6: So I love Pool of the Shop.
• 15:21
  Speaker 1: That's a note I can totally take. And I hear you, guys,
• 15:24
  Speaker 1: I didn't really see it, but like I'll totally like.
• 15:26
  Speaker 3: I don't think that the exposure that my reel is
• 15:28
  Speaker 3: going to get us would like it would be critical
• 15:31
  Speaker 3: if I were in Yeah, well.
• 15:33
  Speaker 1: That's the thing, Like I really try to show Daisy more.
• 15:36
  Speaker 1: But like the actual footage that we have of Daisy,
• 15:40
  Speaker 1: like just it didn't turn out on the day, so
• 15:42
  Speaker 1: we might have to just reshoot some of that. What
• 15:44
  Speaker 1: do you mean it.
• 15:44
  Speaker 7: Didn't turn out?
• 15:45
  Speaker 6: What do you mean it didn't turn out?
• 15:47
  Speaker 1: Well, you know that mine was like perfectly lit and
• 15:50
  Speaker 1: it was like very clear focus, and I think Gus
• 15:53
  Speaker 1: and Gihanny, you guys were fighting about who would do
• 15:56
  Speaker 1: follow focus And so Daisy's footage comes in and out
• 16:00
  Speaker 1: of focus so many times. And there's also like clearly
• 16:04
  Speaker 1: a lamp, like a big light in the back of
• 16:07
  Speaker 1: our footage. So I didn't really know what to do
• 16:10
  Speaker 1: well that.
• 16:11
  Speaker 6: Lamp to represent loneliness in the back.
• 16:13
  Speaker 7: Yeah, I know.
• 16:14
  Speaker 2: And he told me that when we were shooting, you
• 16:16
  Speaker 2: brought a lamp in in the middle of the shot.
• 16:20
  Speaker 6: You know what, you don't even hear me. You see
• 16:21
  Speaker 6: my mouth going, this represents loneliness, and you can't even
• 16:24
  Speaker 6: hear me say it. You can't see, you can't.
• 16:29
  Speaker 7: You can't see.
• 16:30
  Speaker 2: Threw off the fucking white balance the second you brought
• 16:33
  Speaker 2: that lamp in.
• 16:33
  Speaker 7: And that's what happened.
• 16:34
  Speaker 1: I wanted to say, like the white balance, I'm confused.
• 16:38
  Speaker 1: I actually this is actually great becaus like because we're here,
• 16:41
  Speaker 1: I have all the footage on this hard drive. We
• 16:42
  Speaker 1: can actually just kind of watch some of these takes
• 16:44
  Speaker 1: and like you guys can see, it'll actually probably be
• 16:46
  Speaker 1: really interesting for the podcast to like see what a
• 16:49
  Speaker 1: takes looks like behind the scenes.
• 16:51
  Speaker 2: And I also want to say before we watch this,
• 16:53
  Speaker 2: butt it because I love to our DP Neo couldn't
• 16:55
  Speaker 2: be here because he booked the Dune TV show and
• 16:57
  Speaker 2: I'm congrats to him on being the second second.
• 16:59
  Speaker 7: That's aw, he's gonna have so much fun.
• 17:01
  Speaker 2: I heard he's been escorting people to and from set
• 17:03
  Speaker 2: as they're dressed like forem and it rocks.
• 17:05
  Speaker 4: I think.
• 17:06
  Speaker 2: Yeah.
• 17:06
  Speaker 5: But also before we play this clip, and want Daniel
• 17:08
  Speaker 5: and Daisy like we should tell the audience like this
• 17:11
  Speaker 5: is based off of Act one, scene three, So if
• 17:14
  Speaker 5: you guys want to pull that clip up Act one,
• 17:17
  Speaker 5: scene three.
• 17:18
  Speaker 3: Act it's actually an interesting thing about Taming of the
• 17:23
  Speaker 3: Shrew that sorry to butt in with some context. There
• 17:25
  Speaker 3: actually is no Act one, scene three of Taming of
• 17:28
  Speaker 3: the shrew. So there's act seen one and scene two,
• 17:32
  Speaker 3: but that too we have named act to scene one.
• 17:39
  Speaker 1: Act one one, scene three.
• 17:42
  Speaker 3: Because we think that it actually was a continuation of
• 17:45
  Speaker 3: the first act and Shakespeare like and he must have
• 17:49
  Speaker 3: had a reason for ordering that in the way that
• 17:51
  Speaker 3: he did. But we actually think that that it makes
• 17:54
  Speaker 3: more sense folded into the first act.
• 17:57
  Speaker 4: So that's why we.
• 17:58
  Speaker 1: Are so smart. It's yeah, and this is why we like.
• 18:00
  Speaker 1: I love acting with you in class.
• 18:02
  Speaker 4: I have such a nerd about this stuff, and so
• 18:04
  Speaker 4: it's been yeah to work with you guys.
• 18:07
  Speaker 7: All right, well let's watch let's can we watch the
• 18:11
  Speaker 7: clip please.
• 18:12
  Speaker 2: Daniel you're obviously Bianca, and Daisy you're obviously Catherine.
• 18:16
  Speaker 7: So let's go ahead and watch the did.
• 18:18
  Speaker 1: Some okay, Yeah, let's let me just call sorry, let
• 18:21
  Speaker 1: me pull it up and let me press space bar
• 18:23
  Speaker 1: on the hard drive files so you can see it and.
• 18:25
  Speaker 2: I'll describe what's going on. So yeah, go ahead. Catherine
• 18:29
  Speaker 2: enters and Bianca has her hands tied.
• 18:32
  Speaker 1: Good sister, wrong me, not nor wrong yourself to make
• 18:36
  Speaker 1: a bond made and slave of me that I disdain,
• 18:39
  Speaker 1: But for these other goods, unbind my hands. I'll put
• 18:42
  Speaker 1: them off myself. Yay, all the raiment to my petticoat,
• 18:47
  Speaker 1: or what you will command me, will I do so?
• 18:52
  Speaker 8: Well?
• 18:52
  Speaker 1: I know my duty to my elders.
• 18:57
  Speaker 4: Of all thy suitors. Here I charge thee.
• 19:02
  Speaker 3: Tell whom thou lovest best see thou disassemble.
• 19:08
  Speaker 1: Not believe me, sister, of all of all the men alive,
• 19:15
  Speaker 1: I never yet beheld that special face which I could
• 19:19
  Speaker 1: fancy more than any other.
• 19:23
  Speaker 6: Minion.
• 19:24
  Speaker 3: Thou liest ist, not hortensio banana.
• 19:31
  Speaker 1: Okay, so that was the clip. So you guys called
• 19:35
  Speaker 1: cut right after that. I just can't early.
• 19:38
  Speaker 2: So my guess my biggest note, and you guys will
• 19:40
  Speaker 2: never answer me. Why do we pick this scene?
• 19:43
  Speaker 4: Uh?
• 19:43
  Speaker 7: To kind of do most of it just feels so
• 19:46
  Speaker 7: strange to me.
• 19:48
  Speaker 1: Yeah, well, yeah.
• 19:50
  Speaker 4: It was interesting. I mean this was like part of
• 19:53
  Speaker 4: you know, when you have no writers.
• 19:55
  Speaker 3: You're going off of like yeah, like every actor's instinct.
• 19:59
  Speaker 3: And I picked this scene for your No, well, I
• 20:06
  Speaker 3: thought it was important to the story.
• 20:08
  Speaker 6: Yeah it was.
• 20:09
  Speaker 5: So it was, and I think, like, I think here's
• 20:11
  Speaker 5: the thing people know that like we had that night
• 20:13
  Speaker 5: we watched that Amanda Bines movie and we were inspiredment right,
• 20:16
  Speaker 5: But then I also were like, we want to make something,
• 20:17
  Speaker 5: who wants to write it? Nose Goes and all literally
• 20:20
  Speaker 5: put our hand on our nose at the exact same time.
• 20:23
  Speaker 7: We slowed it down. It was exactly the same.
• 20:26
  Speaker 3: It was.
• 20:28
  Speaker 6: The history of my Life scene and Nosegoes be equal.
• 20:32
  Speaker 4: Yeah, it's been this amazing device thing.
• 20:34
  Speaker 3: And I picked this scene specifically because it had a
• 20:36
  Speaker 3: lot of sarcastic lines in it.
• 20:38
  Speaker 1: Yeah, it was. You did it so well too. I
• 20:40
  Speaker 1: just like, I like when we were shooting, like even
• 20:43
  Speaker 1: though I was off camera and it was your footage there, like,
• 20:45
  Speaker 1: I just like felt this crazy connection, like you just
• 20:48
  Speaker 1: were dialed in.
• 20:49
  Speaker 2: You were like, yeah, dialed in, Daniel, speaking of dialed
• 20:52
  Speaker 2: don't you talk about my focus pulling.
• 20:54
  Speaker 7: If you're about to bring up my book, I'm gonna
• 20:56
  Speaker 7: be so mad.
• 20:57
  Speaker 5: I'm talking about a different dialed in. I'm talking about
• 20:58
  Speaker 5: the fucking ringing.
• 21:00
  Speaker 1: The fucking ring Well, I could hear the as you
• 21:02
  Speaker 1: guys can see. I'm I'm really trying my best here
• 21:05
  Speaker 1: to edit around. I don't know if you guys heard
• 21:07
  Speaker 1: that randomly. What was the banana there? What was a
• 21:10
  Speaker 1: it's kund of like a minion saying banana.
• 21:13
  Speaker 2: She says minion, and I thought we were updating it and
• 21:16
  Speaker 2: making it relevant, so I said, she says the word minion,
• 21:19
  Speaker 2: so I added banana, and I was trying to tell you.
• 21:22
  Speaker 1: I was trying to tell you we will edit that
• 21:24
  Speaker 1: in later.
• 21:25
  Speaker 6: You don't need to do it on the movie. That's
• 21:27
  Speaker 6: the only part of the movie that's not bumping for me.
• 21:29
  Speaker 6: It's the only part of the movie that's not bumming
• 21:31
  Speaker 6: for me.
• 21:31
  Speaker 2: Can I be honest, Daniel, I know you guys were
• 21:33
  Speaker 2: mad at me every time I did that.
• 21:35
  Speaker 7: That was the only time I had fun on this set.
• 21:40
  Speaker 7: That was the only time I had fun.
• 21:43
  Speaker 1: This is such a lie. This is such a lie. No, actually,
• 21:46
  Speaker 1: I actually have to stand up for this. I'm going
• 21:48
  Speaker 1: to show you a clip and the first couple of
• 21:51
  Speaker 1: sentences are gonna be like the like we kind of
• 21:53
  Speaker 1: like some What happened was somebody accidentally pressed record too early,
• 21:58
  Speaker 1: and so when we went to record, they accidently turned
• 22:00
  Speaker 1: it off, and so when we went to end it,
• 22:02
  Speaker 1: they accidentally turned it on again. Yeah, so instead of
• 22:06
  Speaker 1: so but this is like you can hear like we
• 22:08
  Speaker 1: filmed for five minutes that just read until we noticed
• 22:11
  Speaker 1: that we had to go reshoot it back. But you
• 22:13
  Speaker 1: can hear Gus and Gianna like talking a lot because
• 22:15
  Speaker 1: like we were kind of done. You guys, we're hearing
• 22:18
  Speaker 1: us note and Gus, your your vibe was so different
• 22:20
  Speaker 1: on set and I need, actually I need you to
• 22:22
  Speaker 1: hear what your vibe was, if you, if you this
• 22:27
  Speaker 1: is this is actually important to me because I found
• 22:30
  Speaker 1: it and I was like, wow, Gus has been talking,
• 22:32
  Speaker 1: so let me just play it so like this is
• 22:34
  Speaker 1: the last couple of lines and here let me press
• 22:36
  Speaker 1: space bar to play it off of the hard drive
• 22:38
  Speaker 1: and space.
• 22:40
  Speaker 6: Okay, so I think I think maybe we.
• 22:42
  Speaker 7: Go look, Johanna, look a fruit rolls a tongue. Isn't
• 22:46
  Speaker 7: that funny?
• 22:46
  Speaker 5: Okays? I love that, Gus, that's really fun. But I
• 22:51
  Speaker 5: think we should stay on task here. We have so
• 22:53
  Speaker 5: much more.
• 22:54
  Speaker 7: Jianna, you don't have to Last night we were having
• 22:56
  Speaker 7: so much fun. You don't have to act like this
• 22:57
  Speaker 7: just because I'm.
• 23:01
  Speaker 2: Done, I know, but I was like, we're having fun
• 23:03
  Speaker 2: together like I've never like, you know, I don't know,
• 23:07
  Speaker 2: like we can have fun and we can make something.
• 23:09
  Speaker 6: I can't do it. The ringing is in the in
• 23:10
  Speaker 6: the BTS as well.
• 23:12
  Speaker 2: This, this is actually a breach of trust. This should
• 23:15
  Speaker 2: have been burned. I talked to Goby. I talked to Goby,
• 23:18
  Speaker 2: who is who's dumping our footage? I can't, I said,
• 23:20
  Speaker 2: dump this hardby.
• 23:25
  Speaker 6: Our sound guy. And then and then we have a
• 23:27
  Speaker 6: full guy for dumping the footage.
• 23:29
  Speaker 7: And I'm pissed. It's because it's but we nobody trusts Goby.
• 23:32
  Speaker 1: But everybody likes Goby and just good vibes on set,
• 23:36
  Speaker 1: Like he'll say, like time to dump, who's tall gonna dump?
• 23:39
  Speaker 2: Now?
• 23:39
  Speaker 1: It's just really funny.
• 23:40
  Speaker 7: I fucking hate him.
• 23:41
  Speaker 2: But that shouldn't even that doesn't even that's negligible. That's like,
• 23:44
  Speaker 2: that is out of context for what that was.
• 23:46
  Speaker 6: No, I think you had such a good vibe on set.
• 23:48
  Speaker 5: That's why I think since we started post like you
• 23:51
  Speaker 5: have become like this like other type of person, gus
• 23:54
  Speaker 5: and like, I don't get it. I think it's maybe
• 23:57
  Speaker 5: you realize that you played an MP three of a
• 24:00
  Speaker 5: phone ringing throughout the entire movie to represent tonight Is,
• 24:03
  Speaker 5: and it actually ruined all the footage.
• 24:05
  Speaker 2: Can I be honest? I wasn't playing an MP three.
• 24:08
  Speaker 2: I was playing that sound that everybody heard in middle
• 24:11
  Speaker 2: school that only little kids could hear past a certain age.
• 24:15
  Speaker 2: So if you are hearing it, then you have young ears.
• 24:18
  Speaker 2: And that's what I'm saying.
• 24:19
  Speaker 6: Okay, so you're calling me a toddler.
• 24:21
  Speaker 2: Yeah, it's your temperament. You're coming in with a fight
• 24:24
  Speaker 2: every single time. When you came in this morning, you
• 24:26
  Speaker 2: gotta in a huge fight with us because we had
• 24:29
  Speaker 2: every type of bagel. You were mad because you you
• 24:31
  Speaker 2: wanted a more limited bagel selection.
• 24:33
  Speaker 6: It's a literal misuse of funds.
• 24:36
  Speaker 5: We cannot hunt pay anyone, yet we buy every flavor
• 24:41
  Speaker 5: of bagel.
• 24:42
  Speaker 1: Well, we just don't know what everybody wants until the
• 24:44
  Speaker 1: day up.
• 24:44
  Speaker 6: Okay, and you can take orders, guys, and I really
• 24:47
  Speaker 6: can take.
• 24:48
  Speaker 1: I think we're being too hard on this edit. Like
• 24:50
  Speaker 1: I think it's actually really good. Like when I think
• 24:53
  Speaker 1: what we should do is just like kind of like
• 24:54
  Speaker 1: get through it, Like let's get all our notes out there.
• 24:56
  Speaker 1: Let's not stop and like really dissect the notes. Let's
• 24:59
  Speaker 1: just like call kind of like list the notes that
• 25:01
  Speaker 1: we have, right.
• 25:02
  Speaker 6: I mean, Daisy, you said you loved it. Do you
• 25:04
  Speaker 6: have any notes at all?
• 25:05
  Speaker 4: No? I think we should export.
• 25:09
  Speaker 3: I think we I think we should just export and
• 25:11
  Speaker 3: send it because, honestly, because this industry is moving so
• 25:14
  Speaker 3: fast and I think it's we should just like get
• 25:17
  Speaker 3: it out, Daisy.
• 25:18
  Speaker 2: Persons going to cut no one's going to beat us
• 25:21
  Speaker 2: to this. Don't worry, no one's doing this center all. Daisy,
• 25:26
  Speaker 2: You're not in this. It's all coverage of Daniel.
• 25:30
  Speaker 7: You don't want to be in this.
• 25:33
  Speaker 3: I mean, I didn't want to bring this up because
• 25:35
  Speaker 3: I didn't want people to think that I had an
• 25:37
  Speaker 3: ulterior motive in this. But I am working on a
• 25:40
  Speaker 3: voice voice of a reel as well, so I.
• 25:44
  Speaker 6: Was hoping to use you.
• 25:46
  Speaker 1: Didn't wait, da you didn't tell me that.
• 25:51
  Speaker 4: To use some of this in it.
• 25:56
  Speaker 5: We would have been like, she has an ulterior motive,
• 25:58
  Speaker 5: She's okay to maga.
• 25:59
  Speaker 6: V gets a Daisy.
• 26:02
  Speaker 1: But we told each other everything crazy.
• 26:05
  Speaker 7: Hold on a minute.
• 26:06
  Speaker 2: I understand that people feel betrayed and upset, Daisy. Even
• 26:10
  Speaker 2: if we can see your face in this, you can
• 26:13
  Speaker 2: still use it as a voice over. Real, don't you
• 26:15
  Speaker 2: understand you can use that.
• 26:17
  Speaker 3: My face would be so distracting that it wouldn't like
• 26:20
  Speaker 3: make sense for a voice over.
• 26:21
  Speaker 1: You're not gonna be No, You're not sending a video actor.
• 26:24
  Speaker 3: Gus, you're not an actor, Gus, you that's for reel
• 26:28
  Speaker 3: doesn't have your face in it.
• 26:30
  Speaker 7: A voice of reel doesn't have any face. It's an
• 26:32
  Speaker 7: audio file. Daisy. You don't have to say. You don't
• 26:36
  Speaker 7: have to just hit footage.
• 26:37
  Speaker 1: You can only you only just an three everything.
• 26:40
  Speaker 3: You don't understand us everything video now everything. Just look
• 26:44
  Speaker 3: at TikTok, look at Instagram, look at what Actually I.
• 26:48
  Speaker 6: Actually in here.
• 26:49
  Speaker 5: I'm actually gonna butt in here and say, guys, you
• 26:52
  Speaker 5: you are not an actor, right, and you're just like
• 26:54
  Speaker 5: coming in here. You're coming in here, and you want
• 26:57
  Speaker 5: to tell Daisy what to do. And there were times
• 27:01
  Speaker 5: where I remember you gave her a literal line reading.
• 27:04
  Speaker 7: Okay, well let's talk about the line reading this want
• 27:07
  Speaker 7: to talk about it?
• 27:08
  Speaker 1: Yeah, I actually I actually have the clip.
• 27:12
  Speaker 7: Okay, let's do it because okay, okay, I think I
• 27:15
  Speaker 7: think this was Act four, scene four.
• 27:18
  Speaker 4: I don't know so our but our Act three scene three.
• 27:23
  Speaker 7: Oh yeah, so our X three seed three.
• 27:26
  Speaker 1: All right, let's move into it. I'll just press hold on.
• 27:28
  Speaker 1: Let me go find that clip. Luckily I've labeled all
• 27:31
  Speaker 1: these clips really and so this is.
• 27:33
  Speaker 4: Me playing Trannio in this part and.
• 27:36
  Speaker 1: This and this clip is called our Act three, Scene
• 27:39
  Speaker 1: three Daisy coverage. Okay, and I'm going to press spacebar.
• 27:43
  Speaker 4: Now, sir, this is the house? Please it you that
• 27:49
  Speaker 4: I call?
• 27:51
  Speaker 7: Hey, how about you try? Please think you that I call?
• 27:55
  Speaker 8: What?
• 27:57
  Speaker 4: Okay? I kind of I just did a lot of
• 27:59
  Speaker 4: work to get it that way.
• 28:00
  Speaker 7: But all right, fuck me. Then go ahead, guys.
• 28:03
  Speaker 4: I'll try it. I'll try it.
• 28:04
  Speaker 3: I'll try it, sir. This is the house. Please it
• 28:09
  Speaker 3: you that I call?
• 28:11
  Speaker 4: It doesn't work?
• 28:13
  Speaker 7: Moving on?
• 28:14
  Speaker 4: No, No, we have to set up again. What's unfortunate again?
• 28:18
  Speaker 6: Stop the clip, Daniel. What's unfortunate is everything?
• 28:22
  Speaker 5: Everything works the clip clip?
• 28:27
  Speaker 1: Sorry, there's an error. I got the is not reacting,
• 28:32
  Speaker 1: My fighter is not reacting. Off my finder, my finger
• 28:36
  Speaker 1: is dropping. I don't know.
• 28:37
  Speaker 4: Please it you that I call?
• 28:39
  Speaker 7: I think it's off.
• 28:40
  Speaker 1: I'm trying. Okay, it's off. It's it's off. It's off.
• 28:43
  Speaker 1: It's off.
• 28:45
  Speaker 6: What I hate about this?
• 28:46
  Speaker 1: Sorry? Sorry, too many times the house pleasing you that
• 28:53
  Speaker 1: I sorry, I'm the trunk.
• 28:55
  Speaker 2: You know this off?
• 28:56
  Speaker 7: Sorry?
• 28:56
  Speaker 3: Sorry?
• 28:56
  Speaker 1: Okay, it's okay, I quit find her. I somehow forced
• 28:59
  Speaker 1: cl okay, hold on. I'm just I'm like the hard Drive,
• 29:06
  Speaker 1: it shouldn't come up. That was weird out of the
• 29:11
  Speaker 1: hard Drive. No, it's good. It should be done. It
• 29:13
  Speaker 1: should be done.
• 29:14
  Speaker 5: What I hate about this movie is every good clip
• 29:16
  Speaker 5: we have, we have Gus screaming locked.
• 29:20
  Speaker 1: Yeah, he says it right after too, so it's really
• 29:22
  Speaker 1: hard to edit around. There's no locked, it's nothing long. Yeah,
• 29:26
  Speaker 1: it's on it. Yeah, it's like you don't say locked,
• 29:29
  Speaker 1: but it's like somebody will finish the line and just
• 29:31
  Speaker 1: at the last second of the locked. So a lot
• 29:32
  Speaker 1: of the clips throughout the short from you here before
• 29:36
  Speaker 1: I have to cut away, and.
• 29:37
  Speaker 3: Sometimes it messes up the scanchin right, like the syllables
• 29:42
  Speaker 3: are now wrong because you've added a lock.
• 29:46
  Speaker 5: What people don't realize is Daisy is doing scanchon while
• 29:49
  Speaker 5: also being sarcastic.
• 29:50
  Speaker 6: So that's like doumble.
• 29:53
  Speaker 4: It's actually like quite a lot of work because the original.
• 29:56
  Speaker 1: Was crazy talented, like it was insane actually to watch
• 29:59
  Speaker 1: for me. Actually, we're so bad for each other, Like
• 30:02
  Speaker 1: this is crazy. What huh?
• 30:05
  Speaker 4: What did you say?
• 30:06
  Speaker 2: No?
• 30:06
  Speaker 1: Like, because like we just have this vibe. It's just like, oh,
• 30:09
  Speaker 1: we are bad news for each other.
• 30:11
  Speaker 4: You know bad news.
• 30:12
  Speaker 3: Oh I hadn't. I, Oh, I didn't already, Daisy, Okay,
• 30:19
  Speaker 3: so much.
• 30:21
  Speaker 6: He has so much footage of you on his phone
• 30:23
  Speaker 6: on his laptop, and the.
• 30:24
  Speaker 5: Reason why his laptop is spinning out is because he
• 30:27
  Speaker 5: plays this footage of you oh.
• 30:29
  Speaker 6: And over and over again. And it's time you realize.
• 30:32
  Speaker 1: No, I want you to know. That's what editors do, Gianna. Actually,
• 30:35
  Speaker 1: I'm going to put my foot down. That's just what
• 30:38
  Speaker 1: editors do. I have to I don't know, do you
• 30:41
  Speaker 1: guys say? I keep on saying, well, maybe we can
• 30:43
  Speaker 1: take turns looking at the footage, and you guys say,
• 30:45
  Speaker 1: I don't know. I don't want to. I can't figure
• 30:47
  Speaker 1: that out. So I have to be the one watching
• 30:49
  Speaker 1: all the footage, pulling all the good parts into iMovie
• 30:52
  Speaker 1: because I could not figure out how to export into
• 30:54
  Speaker 1: import into Adobe.
• 30:56
  Speaker 3: Daniel, we're friends. I want you to be honest with me.
• 31:00
  Speaker 3: Are you watching footage of my coverage.
• 31:07
  Speaker 1: Again? Yes, that's what editors do.
• 31:11
  Speaker 7: I'm going to be one side for this.
• 31:15
  Speaker 1: It's not a weird I don't know if he doesn't
• 31:17
  Speaker 1: do that, dude.
• 31:20
  Speaker 2: You guys, you guys, fundamentally, what do you can you
• 31:23
  Speaker 2: explain what an editor is if it's not looking at
• 31:25
  Speaker 2: footage of women.
• 31:26
  Speaker 6: Organize the slates.
• 31:29
  Speaker 4: Boyfriend, Daniel, I have a boyfriend.
• 31:31
  Speaker 3: Like, we have to set some boundaries if we're gonna
• 31:34
  Speaker 3: make this film together.
• 31:35
  Speaker 4: Like I have to know that I could trust you
• 31:37
  Speaker 4: to not watch my.
• 31:38
  Speaker 1: Footage, Okay, Like I know you have a boyfriend and
• 31:42
  Speaker 1: like that he's really good, good guy in our acting class,
• 31:45
  Speaker 1: and he's like dark and drives a motorcycle, dark hair
• 31:48
  Speaker 1: and all that stuff and like, but like, as an editor,
• 31:51
  Speaker 1: I have to watch your footage like it's just in
• 31:54
  Speaker 1: order for this film to be maze.
• 31:56
  Speaker 6: I can't tell you this enough. That's not what editors do.
• 31:58
  Speaker 2: I can tell you this. I can tell you this
• 32:01
  Speaker 2: even more times. This is exactly what editors to do.
• 32:03
  Speaker 4: I think we should have a production meeting. I think this.
• 32:08
  Speaker 1: Is that. Okay, don't it is whatever, whatever, it's fine,
• 32:11
  Speaker 1: I'll stop watching your footage. The hard thing is, like
• 32:14
  Speaker 1: I had to spend so much time trying to convert
• 32:18
  Speaker 1: because we shot in film and film and it's.
• 32:23
  Speaker 6: My aunt gave me so much money to buy authentic.
• 32:25
  Speaker 2: Film and gave it price.
• 32:30
  Speaker 1: He does not understand how to dump film and we.
• 32:33
  Speaker 2: Were using old film, we were using celluloid, and my
• 32:35
  Speaker 2: fucking truck caught on fire.
• 32:37
  Speaker 1: Yeah, so so a lot of this is ed, like
• 32:39
  Speaker 1: maybe we have to think about reshooting. I think we
• 32:42
  Speaker 1: should just do rapid fire notes. Like let's just like
• 32:45
  Speaker 1: because I think we get I can get through it.
• 32:48
  Speaker 1: I can even do the edit right now, and like
• 32:50
  Speaker 1: we can just figure it out and get to V two.
• 32:55
  Speaker 3: I'd like to bring into the space before we begin, though,
• 32:57
  Speaker 3: is let's maybe originate these notes from of what's possible
• 33:01
  Speaker 3: instead of what's wrong, And.
• 33:04
  Speaker 1: If you guys could be just a little more positive,
• 33:06
  Speaker 1: that would actually be very helpful because like I don't
• 33:08
  Speaker 1: really respond, like a lot of it's being put on me,
• 33:11
  Speaker 1: but like a lot of it was your suggestions already,
• 33:13
  Speaker 1: So like let's like a lot of it were you
• 33:15
  Speaker 1: guys sitting there going no, no, no, no, no, not that.
• 33:17
  Speaker 1: So like let's just try to make it positive and
• 33:19
  Speaker 1: then we can get through this.
• 33:20
  Speaker 2: I'm gonna try, but I'm real and you guys have
• 33:22
  Speaker 2: always known that, So let's go ahead. But okay, my
• 33:25
  Speaker 2: first note is the blueperreal is twice as long as
• 33:27
  Speaker 2: the short.
• 33:28
  Speaker 1: I think that's so funny, right, it's so.
• 33:32
  Speaker 7: It's funny, but it's out of context. I mean, it's just.
• 33:34
  Speaker 6: Put my foot down there. That's one of my darlings
• 33:36
  Speaker 6: that I will not kill. I will not kill that darkling.
• 33:39
  Speaker 4: Let's just play.
• 33:40
  Speaker 1: Let's just play it really quick again. Let's say you
• 33:42
  Speaker 1: guys can see it. Just say we can see it. Okay,
• 33:44
  Speaker 1: let me play I what else? And but me?
• 33:47
  Speaker 3: I deceive, deceive, see I went British.
• 33:53
  Speaker 1: You are so bad?
• 33:54
  Speaker 6: But was that put them in the shot? Gus, there's
• 33:57
  Speaker 6: a fucking boom in the fucking shot.
• 34:00
  Speaker 7: The shot and stick up your ass. I'm trying my
• 34:03
  Speaker 7: fucking hardest.
• 34:04
  Speaker 1: Wait.
• 34:04
  Speaker 4: I'm trying to wait as well, and hold your own.
• 34:08
  Speaker 1: Wait, I'm trying. What sorry, I'm waiting. What are we going? Wait?
• 34:12
  Speaker 7: What plane? Plane? Plane? Hold hold for plane?
• 34:22
  Speaker 1: But dearly, oh, is this what makes your minfe for Oh?
• 34:26
  Speaker 1: Defence didn't open to the Daniel go to the gate, defense.
• 34:35
  Speaker 6: Daniel, go to the fucking gate.
• 34:38
  Speaker 7: My actors don't curse my fucking actress. She on her.
• 34:41
  Speaker 1: So that was such a funny bloo, I think it's yes.
• 34:46
  Speaker 6: That's one of my darlings. I won't cut that. I
• 34:48
  Speaker 6: won't cut it.
• 34:49
  Speaker 1: I was gonna put under it.
• 34:52
  Speaker 2: I don't think it looks good on us, guys. I
• 34:53
  Speaker 2: think it's a bad look. And you don't need to
• 34:55
  Speaker 2: put a soundtrack to the Blooper reel.
• 34:57
  Speaker 5: Okay, next note, Next note, let's move o's get positive.
• 35:00
  Speaker 1: Next note, thank you?
• 35:02
  Speaker 4: Okay, what's possible is maybe?
• 35:04
  Speaker 8: Uh?
• 35:05
  Speaker 3: The invocation of less black and white footage uh, sort
• 35:11
  Speaker 3: of placed randomly anytime the character is experiencing a.
• 35:15
  Speaker 2: Negative emotion, non negotiable. Boon Well is one of my favorites,
• 35:18
  Speaker 2: and I'll always emulate him.
• 35:20
  Speaker 5: Okay, next on, next note, Okay, cut the dance.
• 35:26
  Speaker 3: No no, no, I'm in no, no, absolutely not no.
• 35:30
  Speaker 1: I really like that.
• 35:31
  Speaker 6: There's nothing sarcastic about it. You don't need it for
• 35:33
  Speaker 6: your real Well, that dance isn't.
• 35:35
  Speaker 3: Sarcastic, and I'm gonna need it for the dance portion
• 35:38
  Speaker 3: of the reel.
• 35:39
  Speaker 6: A motive, no another ulterior.
• 35:42
  Speaker 7: Listen it's it's but no no daisy. Listen.
• 35:44
  Speaker 2: It's to say so dance from Doja Kat from twenty twenty,
• 35:47
  Speaker 2: and we can't use doja Cat.
• 35:49
  Speaker 3: We're updating it. We're updating it. It's fair use you, guys.
• 35:53
  Speaker 3: I sent you a link to fair use copyright law
• 35:56
  Speaker 3: and you won't look at it, and that you won't
• 35:59
  Speaker 3: read it.
• 36:00
  Speaker 2: You sent us a Wikipedia article, but that song is
• 36:02
  Speaker 2: from four years ago.
• 36:05
  Speaker 3: But like, if we reach out to her, that's what
• 36:08
  Speaker 3: I'm saying, a place of what's possible if we reach
• 36:10
  Speaker 3: out to dojacat.
• 36:11
  Speaker 4: And tell her that we're artists just like her. She
• 36:14
  Speaker 4: is an artist.
• 36:14
  Speaker 3: It's going to understand, right, she's maybe I can cut it.
• 36:19
  Speaker 1: Down from the full song to maybe just half of
• 36:21
  Speaker 1: the song.
• 36:22
  Speaker 4: Okay, that's something we could talk about.
• 36:24
  Speaker 1: That's fine, Okay, next note, I'm taking notes, thank you.
• 36:29
  Speaker 1: I guess a note that I have for you guys is,
• 36:31
  Speaker 1: like I think it would be a lot faster, is
• 36:34
  Speaker 1: if you guys don't try to like come up and
• 36:36
  Speaker 1: try to touch the mouse when I'm pulling her up
• 36:39
  Speaker 1: a click farther. And well, for me, it's in the clapping,
• 36:44
  Speaker 1: like when you say now, snap and clap right in
• 36:47
  Speaker 1: my ear, about like when a cut should be like
• 36:49
  Speaker 1: now now now.
• 36:51
  Speaker 2: Like okay, well, then Daniel, you tell us what gets
• 36:53
  Speaker 2: through to you, because it seems like none of it is.
• 36:55
  Speaker 4: That's so true, Like I'm trying my best.
• 36:58
  Speaker 1: I'm actually trying my best because.
• 37:00
  Speaker 6: Your fucking little pea brain head.
• 37:01
  Speaker 1: Okay, that is not positive or uhay, so.
• 37:05
  Speaker 5: Daniel, how the fuck do I communicate with a fucking idiot?
• 37:09
  Speaker 1: So I don't feel like I'm an idiot and I'm
• 37:12
  Speaker 1: trying because you guys keep on. This is the thing.
• 37:15
  Speaker 1: Like you guys are sitting there on my couch yelling
• 37:19
  Speaker 1: at me and snapping at me and telling me exactly
• 37:21
  Speaker 1: what to do, and I'm just trying my best here,
• 37:23
  Speaker 1: Like I told.
• 37:24
  Speaker 5: You, if I think you're a fucking stalker because you're
• 37:26
  Speaker 5: looking at Daisy's coverage all the time.
• 37:30
  Speaker 8: That's what editors do. That's what editors do. They watch footage.
• 37:39
  Speaker 7: I have to.
• 37:41
  Speaker 3: I really think we should schedule a production meeting because
• 37:45
  Speaker 3: this is really upsetting to hear.
• 37:47
  Speaker 4: As a friend.
• 37:48
  Speaker 1: I'm sorry, that's what this is. I did not mean
• 37:51
  Speaker 1: to yell. I'm sorry, guys. I'm just really under stressed.
• 37:53
  Speaker 1: I had I didn't tell you guys this, but I'm
• 37:56
  Speaker 1: actually editing another project and I like kind of can yeah.
• 38:01
  Speaker 6: What what are you editing?
• 38:04
  Speaker 1: My friends are trying to I'm trying to edit a
• 38:06
  Speaker 1: skit on for TikTok for my friends.
• 38:09
  Speaker 7: That doesn't go anywhere. Why are you doing that? That's
• 38:11
  Speaker 7: a dead end. You need to be going short films.
• 38:13
  Speaker 4: Yeah, that's that. Yeah, Just what is that going to
• 38:16
  Speaker 4: do for you?
• 38:18
  Speaker 1: Well, it's actually a very funny skit, and like I
• 38:21
  Speaker 1: think we're actually going to build it into something like
• 38:24
  Speaker 1: become like a I don't know, like a group that
• 38:26
  Speaker 1: does gits on TikTok.
• 38:27
  Speaker 6: I'm like quite literally getting light headed.
• 38:29
  Speaker 5: I'm like, I've never seen rage like come out of
• 38:32
  Speaker 5: my body.
• 38:32
  Speaker 7: Well it's crazy.
• 38:33
  Speaker 1: Yeah, But like they don't yell at me. They're just
• 38:35
  Speaker 1: all positive. They say like, hey, that's all right, you
• 38:38
  Speaker 1: can learn.
• 38:39
  Speaker 7: I take it.
• 38:39
  Speaker 2: Now, Hold on a minute, Danielle. First of all, the
• 38:42
  Speaker 2: only person that yelled is you just now. And I
• 38:44
  Speaker 2: was going to let you know there's a lot of
• 38:46
  Speaker 2: paternalism in you and you need to be reading some
• 38:48
  Speaker 2: bell hooks. That's the first thing I want to let
• 38:50
  Speaker 2: you know. I think it would be really important for
• 38:52
  Speaker 2: you to pick up some bell hooks because this is
• 38:54
  Speaker 2: like really upsetting and it's always going to get in
• 38:56
  Speaker 2: your way. You have to be a positive and you
• 38:58
  Speaker 2: have to understand the patriarchal plications of what we're doing. Here,
• 39:01
  Speaker 2: so you be very careful with that. And second of all,
• 39:03
  Speaker 2: I just think comedy is the past. You know, I
• 39:05
  Speaker 2: don't see people making big comedies and so you know,
• 39:10
  Speaker 2: I don't know whatever I mean, good luck, but I
• 39:12
  Speaker 2: think you can do two things at once, you know
• 39:14
  Speaker 2: what I mean?
• 39:15
  Speaker 1: When my skill at editing, I don't think I can.
• 39:18
  Speaker 1: So I'm just trying my best. Well is let's just
• 39:27
  Speaker 1: let's just end on a positive note.
• 39:29
  Speaker 7: Great.
• 39:30
  Speaker 1: Is there anything that you guys liked about the first cut?
• 39:34
  Speaker 1: Why don't we talk about what rather than like what
• 39:36
  Speaker 1: to cut, what to change? What if we just try
• 39:39
  Speaker 1: to champion it and what do we like and what
• 39:42
  Speaker 1: do we want to say?
• 39:43
  Speaker 6: Okay, fine, Daniel. There was a moment where you spiked
• 39:45
  Speaker 6: the camera.
• 39:46
  Speaker 5: I think it was during one of your speeches, and
• 39:48
  Speaker 5: it actually read quite beautiful to me.
• 39:50
  Speaker 7: I must admit it was epic. It was good.
• 39:52
  Speaker 3: Yeah, it was like like a soliloquy, like truly how
• 39:56
  Speaker 3: it was written on the page.
• 39:58
  Speaker 5: And it was like from a Fleabag moment. It was
• 39:59
  Speaker 5: like very fleaback. Have you seen the show Fleabag?
• 40:02
  Speaker 4: Well that's something I think, like I've been thinking this
• 40:05
  Speaker 4: from the beginning.
• 40:06
  Speaker 3: It should be kind of flee back, and maybe that's
• 40:09
  Speaker 3: something we can implement in the edit if we can.
• 40:12
  Speaker 1: I think like a voiceover, like what if what if
• 40:16
  Speaker 1: Days has a voice over and then you can use
• 40:18
  Speaker 1: that for a voice over.
• 40:19
  Speaker 7: Real, Okay, who's the gonna who's gonna write that?
• 40:23
  Speaker 6: Well, okay, who's going to write that?
• 40:27
  Speaker 1: Two? Three nose goes all literally exactly the time. That's
• 40:34
  Speaker 1: what he's.
• 40:34
  Speaker 6: Getting in the way of this. That's what keeps happening.
• 40:37
  Speaker 7: I have a positive note.
• 40:38
  Speaker 2: I think the the way that Uh Gianna uh did
• 40:43
  Speaker 2: the practical thunderstorm was really really creative and really cool
• 40:46
  Speaker 2: when it came out really good. You mean, that's exactly
• 40:55
  Speaker 2: what I mean.
• 40:57
  Speaker 1: And I thought, I know this is crazy, but Gianna
• 41:01
  Speaker 1: and Gus, you guys like really connected on the lighting
• 41:03
  Speaker 1: of the the nighttime scene, and I think the lighting
• 41:09
  Speaker 1: it's really good.
• 41:11
  Speaker 7: Yeah, we both connected on how dark it should be,
• 41:14
  Speaker 7: really dark.
• 41:15
  Speaker 1: And I guess what I'll say is, like Daisy, working
• 41:18
  Speaker 1: with you was like absolutely amazing, Like I felt like
• 41:21
  Speaker 1: we really connected as actors and not I'm not saying
• 41:24
  Speaker 1: anything else, Like I just felt like acting with you
• 41:27
  Speaker 1: was fantastic and I would love to be your sister
• 41:32
  Speaker 1: in real life, Like that's.
• 41:34
  Speaker 4: Because I felt you want to be my sister.
• 41:38
  Speaker 1: No, like, you know, if there's more, I mean, like, well.
• 41:44
  Speaker 3: Okay, I mean I thank you, thank you for bringing
• 41:46
  Speaker 3: that into the space. And I do have a boyfriend.
• 41:52
  Speaker 3: And to be honest, the way that you're doubling down
• 41:56
  Speaker 3: after already admitting to looking at my footage as making
• 42:01
  Speaker 3: me I'm experiencing just sort of like like I'm kind
• 42:06
  Speaker 3: of I'm just processing all of this, and I'm seeing
• 42:10
  Speaker 3: if it might be best if you know, if we
• 42:15
  Speaker 3: maybe contact my brother's friend who knows Premiere.
• 42:22
  Speaker 7: I think that's amazing.
• 42:26
  Speaker 2: And I wasn't listening to you because you're just a
• 42:28
  Speaker 2: little quieter than I'm used to, But now that I'm
• 42:30
  Speaker 2: seeing what's going on, it would be I think it's.
• 42:33
  Speaker 7: A really good idea.
• 42:35
  Speaker 4: Yeah, I hate to offer, but.
• 42:37
  Speaker 1: I think, honestly, this is such this is such a relief.
• 42:41
  Speaker 1: Anybody knows Premiere, let's use them. I kind of was
• 42:46
  Speaker 1: trying to suggest that. Maybe I didn't say it clearly,
• 42:48
  Speaker 1: but I was trying to suggest that from the beginning,
• 42:50
  Speaker 1: I think we should hand it off to somebody else,
• 42:52
  Speaker 1: and like maybe guys, I think there's a chance we
• 42:55
  Speaker 1: can release this really soon.
• 42:57
  Speaker 7: Jazzy would please.
• 42:59
  Speaker 6: Hell, yeah, guys, to admit you I released it?
• 43:04
  Speaker 1: What what?
• 43:06
  Speaker 6: I just released it.
• 43:08
  Speaker 7: That's a violation. Don't you can do that.
• 43:10
  Speaker 6: I'm released.
• 43:12
  Speaker 4: It's on our Vimeo page.
• 43:15
  Speaker 1: Oh my god, seventeen Oh my god, that's too many.
• 43:21
  Speaker 1: We can't take it down now.
• 43:24
  Speaker 6: I want I wanted to end the cycle.
• 43:26
  Speaker 1: So I have Oh, I was really help.
• 43:29
  Speaker 3: Yeah.
• 43:29
  Speaker 1: I was hoping this would turn out like all the
• 43:30
  Speaker 1: other short films I've worked on.
• 43:32
  Speaker 2: Congrats on release, guys, Congrats on the release. See you
• 43:35
  Speaker 2: guys at the fucking premiere that the see you guys
• 43:38
  Speaker 2: at the fucking rap.
• 43:40
  Speaker 1: Oh my god, let's do rapid zebulon.
• 43:43
  Speaker 7: Let's see. There's so many bits. I'm gonna run across
• 43:48
  Speaker 7: the bar to I.
• 43:50
  Speaker 6: Can't wait to pat you guys.
• 43:51
  Speaker 7: My other idea wait, I can't wait. I'm in it's
• 43:53
  Speaker 7: a song.
• 43:55
  Speaker 1: This is actually crazy. I've got an idea. What if
• 43:57
  Speaker 1: we made a film about making a short film.
• 44:00
  Speaker 7: That's a great idea.
• 44:00
  Speaker 4: God, we have to get on this schedule a production.
• 44:03
  Speaker 7: Let's do it.
• 44:04
  Speaker 1: I just probably I would love that.
• 44:05
  Speaker 7: I just bought four black Magic so I'm way in.
• 44:07
  Speaker 7: I'm so in.
• 44:08
  Speaker 1: God not more. Film black are just so much easier
• 44:11
  Speaker 1: to use than film cameras.
• 44:12
  Speaker 7: Let's use it, my gotom, I'll put it in my truck.
• 44:14
  Speaker 4: This is amazing.
• 44:15
  Speaker 3: I have so many pitches and they all involve Midsummer
• 44:19
  Speaker 3: Night's stream reimagined Dear Body of Water.
• 44:23
  Speaker 7: This is awesome, and I'm gonna I'm going to force
• 44:25
  Speaker 7: us to use a jib. I'm so fucking staked, guys,
• 44:27
  Speaker 7: We're ready for a jib. We're ready, all right? Hell yeah,
• 44:31
  Speaker 7: I knew it. It's sometimes it's just good to get
• 44:33
  Speaker 7: something out there.
• 44:34
  Speaker 1: Uh huh.
• 44:36
  Speaker 6: I just got a notification Vimeo took it down. Oh no, why.
• 44:43
  Speaker 3: Is it because of the slowed down Wheezer saw we
• 44:45
  Speaker 3: use that a different movie did.
• 44:47
  Speaker 2: These No, guys, don't be discouraged. These streaming services are
• 44:51
  Speaker 2: taking down some of the best projects. This is happening
• 44:54
  Speaker 2: in this industry left and right. This is just a
• 44:58
  Speaker 2: sign of like, we're you're making art. That's important.
• 45:01
  Speaker 5: I think it's because after the Blooper reel, we cut
• 45:03
  Speaker 5: to Zutopia.
• 45:05
  Speaker 1: And it's just all of the movies. Try everything from
• 45:09
  Speaker 1: Zutopia featuring Shakira I thought we were just trying to
• 45:13
  Speaker 1: use the music, and I just left it in there.
• 45:15
  Speaker 1: I accidentally exported it with it left in there. You guys, ignored, ignored, ignored,
• 45:20
  Speaker 1: Ignore it.
• 45:22
  Speaker 7: This has been artist answering the question.
• 45:24
  Speaker 2: Now.
• 45:24
  Speaker 7: That's why they call it Chope is good night Hollywood.
• 45:31
  Speaker 9: Hey guys, if you want to see more of whatever
• 45:33
  Speaker 9: this was, but you kind of want to see it
• 45:35
  Speaker 9: more chill, more relaxed, and maybe more.
• 45:37
  Speaker 6: Intimate, we have a Patreon.
• 45:39
  Speaker 3: We have a Patreon where there's bonus episodes and more
• 45:42
  Speaker 3: fun and fun and games, and you never know what's
• 45:44
  Speaker 3: gonna happen, like like right now.
• 45:47
  Speaker 4: Switch hats.
• 45:50
  Speaker 9: Oh my god, now you're seeing me exposed, the real
• 45:52
  Speaker 9: Angela and now I have a.
• 45:54
  Speaker 4: Hat on what's going on. You can do this at
• 45:57
  Speaker 4: the Patreon, so come on by.
• 45:59
  Speaker 6: It's really fun.
• 46:00
  Speaker 9: We have a fun group of people who are like
• 46:01
  Speaker 9: besties on a group thread see there.
• 46:04
  Speaker 2: Artists on Artists on Artists on Artists is an improvised
• 46:06
  Speaker 2: Hollywood roundtable podcast created, performed, and produced by Kylie Braikman,
• 46:10
  Speaker 2: Jeremy Colhayne, Angela gier Atana, and Patrick McDonald's music is
• 46:14
  Speaker 2: by Gabrielle Ponton. The opinions expressed on this podcast do
• 46:18
  Speaker 2: not reflect the opinions of anyone who works on it,
• 46:20
  Speaker 2: not even the performers, because this is an improvised podcast
• 46:23
  Speaker 2: and we're stupid. Full video versions of AOAOAOA are available
• 46:27
  Speaker 2: on YouTube, so please like and subscribe and leave us
• 46:30
  Speaker 2: a five star review. Wherever you get your podcasts, good night,
• 46:33
  Speaker 2: Hollywood or