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Special Episode: Princess Diana: In Her Own Words · Naughty But Nice with Rob Shuter

• 0:08
  Speaker 1: Advice. Hello, welcome to the Naughty but Nice Show. We
• 0:16
  Speaker 1: have a really special episode today. We don't do many
• 0:19
  Speaker 1: of these special episodes because, to be honest, there's not
• 0:22
  Speaker 1: that many special people out there that I really want
• 0:25
  Speaker 1: to talk with. Today we have a treat. We have
• 0:27
  Speaker 1: an award winning filmmaker Tom Jennings who has the most
• 0:31
  Speaker 1: extraordinary new documentary about Princess Diana. It's called Diana in
• 0:36
  Speaker 1: her Own Words. And the reason it's called that is
• 0:39
  Speaker 1: this intimate story is basically told through the Princess's own recordings.
• 0:44
  Speaker 1: This is her voice, Tom, are you there? I am here, Rob,
• 0:49
  Speaker 1: Thank you so much for having me, and I love
• 0:53
  Speaker 1: to talk about how this film came to be. It's
• 0:55
  Speaker 1: very special. It's a once in a lifetime project. Let's
• 0:58
  Speaker 1: jump in right there. That's my very first question. How
• 1:01
  Speaker 1: did this happen? Well, it happened actually several years ago.
• 1:07
  Speaker 1: The whole process started several years ago, and it was
• 1:10
  Speaker 1: in ten that National Geographic Channel for which we do
• 1:15
  Speaker 1: a lot of work, asked us to do something for
• 1:19
  Speaker 1: the twentie anniversary of Diana's death, which was in anniversary,
• 1:26
  Speaker 1: and we have kind of perfected this format for them
• 1:29
  Speaker 1: and some other networks to where we do programs that
• 1:33
  Speaker 1: use only archive as you see in the Diana film,
• 1:37
  Speaker 1: and we don't have a narrator and we don't do
• 1:39
  Speaker 1: interviews do other films like that the traditional style, but
• 1:44
  Speaker 1: we really have kind of cornered the market on this,
• 1:47
  Speaker 1: and so they said, please come up with something for
• 1:50
  Speaker 1: the anniversary. They agreed with me that there were going
• 1:53
  Speaker 1: to be thirty or thirty five films coming out, documentary
• 1:57
  Speaker 1: nonfiction projects about the Diana and they said, well, you
• 2:02
  Speaker 1: need to find something different. You're a clever guy, Tom,
• 2:05
  Speaker 1: you'll figure it out. And my background is actually in
• 2:11
  Speaker 1: print journalism before I started making this, and so I
• 2:14
  Speaker 1: had known about a book that came out in by
• 2:19
  Speaker 1: the British author Andrew Morton. And Andrew Morton was pilloried
• 2:23
  Speaker 1: at the time because everyone said this book was full
• 2:26
  Speaker 1: of lies and it was all about how miserable Diana
• 2:29
  Speaker 1: was and the marriage was falling apart. And it wasn't
• 2:32
  Speaker 1: until after her death that he admitted that Diana had
• 2:36
  Speaker 1: been the source for the book, and still people didn't
• 2:40
  Speaker 1: believe him. And he said, oh, by the way, I
• 2:42
  Speaker 1: have the audio tapes that she made for me that
• 2:46
  Speaker 1: the book is based on and he wound up releasing
• 2:49
  Speaker 1: transcripts of those tapes and a couple of snippets in
• 2:53
  Speaker 1: two thousand and four, but no one had ever heard
• 2:56
  Speaker 1: the tapes before. In their entire there are seven hours
• 3:00
  Speaker 1: of tapes and just as a bit of background, the
• 3:03
  Speaker 1: way they did it is Diana had a mutual friend
• 3:06
  Speaker 1: named Dr James Coulthurst, who also knew Morton, and she
• 3:09
  Speaker 1: decided in that she wanted to tell her story. Morton
• 3:13
  Speaker 1: would write questions, give them the Colthurst, who would literally
• 3:18
  Speaker 1: ride his bicycle through the gates of Kensington Palace, not
• 3:22
  Speaker 1: kidding that's how he would go because he was a
• 3:24
  Speaker 1: friend of Diana. He would be waved through. They would
• 3:28
  Speaker 1: find some quiet turret in the palace and uh and
• 3:33
  Speaker 1: call Thurst brought a tape recorder and for several hours
• 3:37
  Speaker 1: each time, over the period of about six or seven months,
• 3:41
  Speaker 1: he would read questions from Morton. Diana would answer them,
• 3:45
  Speaker 1: and they sound very colloquial as you in the film,
• 3:48
  Speaker 1: because she's not talking to a journalist even though she's
• 3:51
  Speaker 1: answering the questions, She's talking to a very good friend
• 3:55
  Speaker 1: of and call Furst would leave the palace, they would
• 3:59
  Speaker 1: meet at some It's what Morton would call a busman's cafe,
• 4:04
  Speaker 1: someplace you wouldn't expect to find Royal reporters hanging out.
• 4:08
  Speaker 1: And he would get the tapes and start listening to
• 4:11
  Speaker 1: them and it was mind blowing. So what I did
• 4:15
  Speaker 1: is I tricked, because I knew those tapes existed. I
• 4:18
  Speaker 1: tracked down Andrew Morton and I called him up in
• 4:22
  Speaker 1: London and I told him who I was and what
• 4:25
  Speaker 1: I was doing, and he said, get in line, mate.
• 4:30
  Speaker 1: I was here about the two thousand producers asked me
• 4:32
  Speaker 1: to have access to these tapes, and they said, Andrew, Andrew,
• 4:35
  Speaker 1: wait a minute, we're doing this completely differently. There's no narrator,
• 4:40
  Speaker 1: and we're not going to interview anyone. If no one's
• 4:43
  Speaker 1: going to tell you what Diana was like, it's just
• 4:47
  Speaker 1: gonna be her. There was this long, long pause, and
• 4:51
  Speaker 1: I was waiting for a please please, biggest cross biggest crossed.
• 4:55
  Speaker 1: And you know what he said, Rock, He's telling no
• 4:58
  Speaker 1: one has ever asked me to do it that way before.
• 5:02
  Speaker 1: And then he said, how soon can you come to
• 5:05
  Speaker 1: London today? Two days later, I was in Los Angeles,
• 5:10
  Speaker 1: that's where we're based. Two days later I got on
• 5:14
  Speaker 1: a plane for the overnight to heat throw. I took
• 5:17
  Speaker 1: a cab and and the tube to get to his
• 5:21
  Speaker 1: publisher's office, which this day, I have to tell you
• 5:25
  Speaker 1: it was like a fairy tale in my life. His
• 5:28
  Speaker 1: publisher's office was, you know, a thatched roof of ivy
• 5:32
  Speaker 1: covered the whole country. It was. It was like walking
• 5:39
  Speaker 1: in a dream. Perfect. And so we went in. I
• 5:44
  Speaker 1: met Andrew. He brought out the real tape in the cassette,
• 5:50
  Speaker 1: which are he keeps in a bank box. He went
• 5:53
  Speaker 1: and got the box for me, but he had had
• 5:56
  Speaker 1: them digitized, which he kept in a very safe place.
• 6:00
  Speaker 1: And for the next seven hours we sat in this
• 6:04
  Speaker 1: very small room, very small office, pouring rain. I remember
• 6:08
  Speaker 1: there was a skylight so you could hear the rain,
• 6:11
  Speaker 1: drinking tea of course, and listening to Diana tell her
• 6:16
  Speaker 1: story like she was sitting in the room with us. Oh, Tom,
• 6:21
  Speaker 1: I'm so glad you pulled this off, because now we
• 6:24
  Speaker 1: get to hear those tapes. I should point out to
• 6:26
  Speaker 1: everybody listening. I've covered Diana for a long time, you
• 6:29
  Speaker 1: said a minute ago. There was about thirty documentaries around
• 6:34
  Speaker 1: her death. I was on twenty nine of them. So
• 6:36
  Speaker 1: they normally interview feels like me to talk about Diana.
• 6:40
  Speaker 1: I'd never heard these tapes. A lot of them have
• 6:44
  Speaker 1: never been broadcast. Before I knew about them. I didn't
• 6:48
  Speaker 1: know Andrew Morton would ever ever release them. When he
• 6:52
  Speaker 1: finally said yes, Tom, what did you do? Well? Before
• 6:56
  Speaker 1: he said yes, he he looked at me, you know, like,
• 7:00
  Speaker 1: what do you think when it all finished? And it
• 7:03
  Speaker 1: was extraordinary as you've heard, and he said, you know,
• 7:06
  Speaker 1: I was going to go to my grave and not
• 7:09
  Speaker 1: give these to anyone, But if you promise this is
• 7:12
  Speaker 1: how you're going to do it, I'll give them to you.
• 7:16
  Speaker 1: Do you think he was holding onto these tapes because
• 7:19
  Speaker 1: he was worried about Diana? Was she his friend? What
• 7:22
  Speaker 1: was the reason? I don't know that she was his friend?
• 7:26
  Speaker 1: They if they met, they hardly met it all, actually,
• 7:29
  Speaker 1: which is surprising. However, I think he just felt they
• 7:34
  Speaker 1: were so precious and so important that it wasn't up
• 7:40
  Speaker 1: to him to make the decision to release them, even
• 7:44
  Speaker 1: though Diana had recorded them knowing that the information would
• 7:48
  Speaker 1: be made public. That's why she made the recordings. He
• 7:52
  Speaker 1: just he was very protective of those tapes and he
• 7:56
  Speaker 1: needed to trust someone at the highest possible level to
• 8:01
  Speaker 1: do right by the tapes. And after meeting me and
• 8:05
  Speaker 1: I showed him some of my work on previous projects
• 8:07
  Speaker 1: where we had used only archive to tell stories. I
• 8:12
  Speaker 1: promised him at that time that that's how we would
• 8:14
  Speaker 1: do it, and we shook hands. I went back to
• 8:18
  Speaker 1: Los Angeles. I talked to National Geographic by the way,
• 8:22
  Speaker 1: I flew back that night. I was in London for
• 8:24
  Speaker 1: about fifteen hours. I had other things to do right,
• 8:30
  Speaker 1: but this is too important. Get those tapes back to America.
• 8:33
  Speaker 1: Tub We'll see the talent on the next trip. I'll
• 8:35
  Speaker 1: take you to booking them Palice sight seeing. Next tip.
• 8:37
  Speaker 1: So you got back to l A. Did you know
• 8:39
  Speaker 1: that you had hit gold? Yes, yes, I knew. I
• 8:43
  Speaker 1: knew what we had. We had to be very protective
• 8:46
  Speaker 1: of the tapes, and it was I felt a great
• 8:51
  Speaker 1: sense of responsibility. We do a lot of history programming
• 8:55
  Speaker 1: and sometimes we find recordings or footage that are very
• 9:00
  Speaker 1: dramatic or there the types of things that can change
• 9:06
  Speaker 1: how people think about history. In this case, Diana states,
• 9:10
  Speaker 1: don't they do that? And however, because we now had
• 9:17
  Speaker 1: all of her recordings and these really intimate stories in
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  Speaker 1: her voice instead of in print. I felt tremendous responsibility
• 9:28
  Speaker 1: to treat them with the greatest respect. When I add
• 9:31
  Speaker 1: also for her boys, U and I and I certainly
• 9:35
  Speaker 1: can't equate my life to theirs living in fame the
• 9:39
  Speaker 1: way they do. But I was eight years old when
• 9:44
  Speaker 1: my mother died, and um, so I know what that's like.
• 9:48
  Speaker 1: And you know a lot of people say, oh, it
• 9:49
  Speaker 1: was a long time ago, get over it. And for
• 9:52
  Speaker 1: a boy to lose his mother at a young age, um,
• 9:56
  Speaker 1: it never goes away. It crosses your mind at least
• 9:59
  Speaker 1: once a day, and it completely changes your worldview. So
• 10:04
  Speaker 1: not only did I feel a responsibility to Diana and
• 10:07
  Speaker 1: how we presented the material, but I felt a responsibility
• 10:11
  Speaker 1: to her son's because they may or may not have
• 10:15
  Speaker 1: watched this. I'm sure they've heard about it. If they
• 10:19
  Speaker 1: have watched it, i'd like to think that they thought
• 10:21
  Speaker 1: it was a right and proper job and how we
• 10:24
  Speaker 1: treated it, and I think we did. It's a beautiful,
• 10:27
  Speaker 1: beautiful documentary. Once again, I've seen every single one of
• 10:29
  Speaker 1: these documentaries type of documentaries. I've probably been on half
• 10:32
  Speaker 1: of them myself as a talking head. I sat down
• 10:35
  Speaker 1: to watch this yesterday. I was in tears by the
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  Speaker 1: end and I think you just explained something that I
• 10:40
  Speaker 1: didn't understand. This is not Diana being interviewed by a
• 10:44
  Speaker 1: fool like me. This is not Diana on the morning
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  Speaker 1: shows putting on a happy face. She I can imagine,
• 10:51
  Speaker 1: is sitting in her bedroom in the palace, maybe on
• 10:54
  Speaker 1: her bed, talking to a friend and they recorded. Do
• 10:59
  Speaker 1: you think that she would be upset that these are
• 11:03
  Speaker 1: now out in the public, I would hope not. I
• 11:06
  Speaker 1: think the way we treated them and the way we
• 11:10
  Speaker 1: presented them, and how we were very true to everything
• 11:15
  Speaker 1: she said we were. One thing we did is we
• 11:18
  Speaker 1: found stories that she talked about, as you saw in
• 11:22
  Speaker 1: the film, for example, early on the black Dress where
• 11:26
  Speaker 1: she went out and Charles had a problem with what
• 11:29
  Speaker 1: she was wearing, and she was only nineteen at the time.
• 11:33
  Speaker 1: We purposely chose stories, and there are many more that
• 11:37
  Speaker 1: are not in the film, but we purposely chose one
• 11:40
  Speaker 1: where we had images and footage to illustrate the exact story.
• 11:46
  Speaker 1: So it's as if she sat down in a narrator
• 11:51
  Speaker 1: booth and narrated the film for us, because we married
• 11:55
  Speaker 1: everything two images that really explained what she was talking
• 12:02
  Speaker 1: about and on purpose, if you recall, we chose news
• 12:06
  Speaker 1: reports that would help illuminate what was going on in
• 12:10
  Speaker 1: the time, and all the news reports were about how
• 12:14
  Speaker 1: happy they are and how loving, and especially that night
• 12:17
  Speaker 1: we were talking about with the black dress, um she
• 12:20
  Speaker 1: met Princess Grace and the news reporter is talking about, oh,
• 12:25
  Speaker 1: how lovely she looks with Princess Grace, and Diana on
• 12:28
  Speaker 1: the tapes of saying, I was absolutely horrified. I was sick.
• 12:32
  Speaker 1: I didn't know what to do. I'm meeting Princess Grace,
• 12:35
  Speaker 1: for God's sake, I didn't remember. She says, I didn't
• 12:38
  Speaker 1: know whether to hold my handbag in the left hand
• 12:41
  Speaker 1: or the right hand. There's another example, so there's many,
• 12:45
  Speaker 1: many examples, but she talks about the night that she
• 12:49
  Speaker 1: went to Camilla's forty birthday party in her own words,
• 12:54
  Speaker 1: what that felt like meeting the woman that you knew
• 12:58
  Speaker 1: was with your husband. And the example too that really
• 13:02
  Speaker 1: took my breath away is when we all got up
• 13:04
  Speaker 1: early to watch that royal wedding. She got up early too,
• 13:08
  Speaker 1: but her experience about it was very different, and she
• 13:11
  Speaker 1: talks about having a night before. Once again, this is
• 13:14
  Speaker 1: her talking. This is not a narrator. It's Diana the
• 13:17
  Speaker 1: night before, being up to the wee hours throwing up
• 13:20
  Speaker 1: her bulimia was out of control, and she said the
• 13:23
  Speaker 1: morning of the wedding, when everybody was going crazy, she
• 13:27
  Speaker 1: felt calm and her biggest priority was helping her dad
• 13:32
  Speaker 1: Dan the aisle, who seemed to be having more fun
• 13:35
  Speaker 1: there than she did. It is extraordinary. What is the
• 13:37
  Speaker 1: takeaway from this? What shocked you the most listening to
• 13:40
  Speaker 1: all seven hours of this, is there one thing that
• 13:43
  Speaker 1: stood at The fairy tale often is not true the
• 13:50
  Speaker 1: You know, we're all raised with the fairy tale, especially
• 13:54
  Speaker 1: British fairy tales. You know, it's the Arthurian legends, Shakespeare,
• 14:00
  Speaker 1: and we tend to believe the my day my Prince
• 14:04
  Speaker 1: will come storyline snow White Disney, and that's all well
• 14:10
  Speaker 1: and good as a fantasy. But she was and she
• 14:13
  Speaker 1: went into that one thing you noticed in the film
• 14:15
  Speaker 1: when she starts out when she's nineteen and let's all
• 14:19
  Speaker 1: remember what we were doing with nine Good Grief, and
• 14:24
  Speaker 1: then you see her evolve, for example, but even by
• 14:28
  Speaker 1: the time the wedding girls around, she has this doubt
• 14:32
  Speaker 1: behind her eyes, and she narrates that several years later
• 14:37
  Speaker 1: after the wedding about what she was actually feeling. I
• 14:40
  Speaker 1: think my biggest takeaway is that we we want to
• 14:44
  Speaker 1: believe in the fairy tale, and uh, people like Princess
• 14:48
  Speaker 1: Diana um were and others like her are not necessarily
• 14:56
  Speaker 1: living the most charmed of lives that we would like
• 14:59
  Speaker 1: to believe. We want them to be so that we
• 15:03
  Speaker 1: can continue to believe in fairy tales. But the reality
• 15:07
  Speaker 1: of it is very different. It certainly certainly is now
• 15:12
  Speaker 1: after all this research on this access that you've had
• 15:14
  Speaker 1: that really very few people in the world have had.
• 15:17
  Speaker 1: What do you think she would think about what's happening
• 15:19
  Speaker 1: today with her sons. Oh, that's a good question. I
• 15:24
  Speaker 1: think she'd be very proud of William. Uh. You know,
• 15:27
  Speaker 1: towards the end of the film, we use some statements
• 15:31
  Speaker 1: from her about how she's subtly behind the scenes trying
• 15:35
  Speaker 1: to change the monarchy to help William, knowing that William
• 15:38
  Speaker 1: would be next in line to the throne after Charles,
• 15:43
  Speaker 1: and she wanted the monarchy to modernize a bit. Um.
• 15:48
  Speaker 1: I would think regarding Harry and Megan, who are so
• 15:52
  Speaker 1: controversial right now, and this is only a personal guess
• 15:56
  Speaker 1: after having listened to the tapes and gone through so
• 16:00
  Speaker 1: much foot I mean hundreds of hours of footage and
• 16:03
  Speaker 1: thousands of skills to put this story together, I would
• 16:07
  Speaker 1: think she'd be happy for them, if they're happy, I
• 16:11
  Speaker 1: would think she would say, if this is what you
• 16:14
  Speaker 1: want to do, you know, it's not exactly how things
• 16:19
  Speaker 1: are done in the royal family, but if you're happy,
• 16:24
  Speaker 1: then go for it. That and that is my opinion,
• 16:26
  Speaker 1: I'm basically I mean, but it's somebody that has had
• 16:29
  Speaker 1: the access that you've had, You certainly now are entitled
• 16:32
  Speaker 1: to your opinion about this. So this is a cheeky question,
• 16:36
  Speaker 1: but after this extraordinary film, do you retire? Tom? Can
• 16:39
  Speaker 1: you top it? Who are you going to do next?
• 16:42
  Speaker 1: While we're doing other things for National Geographic I have
• 16:45
  Speaker 1: not been announced yet, however, I will say that we're
• 16:50
  Speaker 1: I've been talking with Andrew Morton and there's a fascinating
• 16:56
  Speaker 1: story that is yet to be told about this. And
• 16:59
  Speaker 1: it's not to go back to the same well twice,
• 17:02
  Speaker 1: but year that Diana Andrew Morton, Diana's friend and Morton's
• 17:09
  Speaker 1: publisher kind of conspired to make this book happen to
• 17:13
  Speaker 1: do the recordings to get the tapes to Andrew Morton.
• 17:18
  Speaker 1: Andrew Morton's office, for example, was broken into and ransacked.
• 17:22
  Speaker 1: James Coulthurst on his bicycle was moments after leaving Kensington
• 17:27
  Speaker 1: Palace after one of these recording sessions, was run off
• 17:31
  Speaker 1: the road by a mystery vehicle that sped away where
• 17:36
  Speaker 1: the book was secretly printed the first run to keep
• 17:39
  Speaker 1: it quiet in Sweden, and someone showed up at the
• 17:44
  Speaker 1: printer pretending to be Morton's publisher to basically stop the
• 17:49
  Speaker 1: presses because they needed to get a They needed to
• 17:52
  Speaker 1: get a look at the transcript or the galleys of
• 17:56
  Speaker 1: the book. So there's this year of intrigue that I
• 18:00
  Speaker 1: find fascinating. It's a smaller part of the story, but
• 18:03
  Speaker 1: it's certainly one that I'd love to tell. And I think, yeah,
• 18:07
  Speaker 1: don't forget. Next year is the anniversary of Diana's passing,
• 18:16
  Speaker 1: and it's also the thirtieth anniversary of Andrew Morton's book
• 18:19
  Speaker 1: coming out, so I think there's going to be renewed
• 18:23
  Speaker 1: interest in Princess Diana. Again. She never really goes away,
• 18:28
  Speaker 1: does she? In a wonderful way. I really appreciate this.
• 18:31
  Speaker 1: She's almost like an old friend. When I heard her voice,
• 18:35
  Speaker 1: it brought me back to feelings and nice, nice kind feelings.
• 18:39
  Speaker 1: What do you think ultimately her legacy is, well, I
• 18:44
  Speaker 1: think it's still evolving. You know, there for so long
• 18:48
  Speaker 1: she was viewed by some as the tragic victim and
• 18:54
  Speaker 1: by others how that she was manipulative. I'm sure you've
• 18:57
  Speaker 1: heard that before. Um, you took about it in the film.
• 19:00
  Speaker 1: You actually have. A reporter asked her that question in
• 19:04
  Speaker 1: the film and her response is extraordinary. Yes, yes, she
• 19:09
  Speaker 1: you know, she just she was trying to do some
• 19:11
  Speaker 1: good in the world after the marriage ended, and I
• 19:15
  Speaker 1: believe that to be true. I think she saw herself
• 19:19
  Speaker 1: as someone that could get things done because of her
• 19:22
  Speaker 1: prominence in the world, and she wanted to pick and
• 19:27
  Speaker 1: choose things that she believed in to try and make
• 19:30
  Speaker 1: a difference. I think years from now we'll look back
• 19:35
  Speaker 1: at her, as I know I will, as probably someone
• 19:40
  Speaker 1: who was greatly misunderstood, someone who was very very young
• 19:44
  Speaker 1: when she was brought into the fold of teen still
• 19:47
  Speaker 1: a teenager, still a teenager. I mean, it's remarkable to
• 19:51
  Speaker 1: look at those early pictures of her. You forget people
• 19:55
  Speaker 1: forget they think of Diana when she's dating Doughty Fai
• 20:00
  Speaker 1: and people forget what nineteen year old Diana was about.
• 20:05
  Speaker 1: And I think in the long run she will become
• 20:10
  Speaker 1: more cherished than she is now, and uh will people
• 20:15
  Speaker 1: will look back at her as a tragic figure that
• 20:20
  Speaker 1: died and left us much too early, and there will
• 20:23
  Speaker 1: always be a sense of wonder of what she would
• 20:27
  Speaker 1: have become and what she would have done in this
• 20:29
  Speaker 1: world if she had lived. I think you are right, Tom.
• 20:33
  Speaker 1: Where do people find this film? Now? Where can they?
• 20:36
  Speaker 1: Where can they watch it? Well? It's it went from
• 20:39
  Speaker 1: National Geographic to Netflix, as you know, and Netflix, god
• 20:44
  Speaker 1: bless them, paired it with season four of The Crown,
• 20:50
  Speaker 1: which is about Diana, and it exploded, as you know,
• 20:55
  Speaker 1: and it's now rotating off of Netflix and National gear
• 21:00
  Speaker 1: Graphic is it now a Disney company And it's already
• 21:03
  Speaker 1: on Disney Plus, so people who have Disney Plus can
• 21:07
  Speaker 1: watch it there. I'm going I think it's going to
• 21:11
  Speaker 1: live on there for a long time, and I'm sure
• 21:13
  Speaker 1: National Geographic will show it again at some point. It's
• 21:15
  Speaker 1: going to live for a very long time, Tom, because
• 21:18
  Speaker 1: it is extraordinary. It really is Diana in her own words.
• 21:23
  Speaker 1: It's an intimate story told entirely through the princess's voice
• 21:27
  Speaker 1: through very very rare recordings, most of which have never
• 21:31
  Speaker 1: been broadcast before. Tom Jennings, thank you for joining us
• 21:36
  Speaker 1: on a very special edition of The Naughty But Nice Show.
• 21:40
  Speaker 1: We're a production of I Heart Radio. Don't forget to subscribe.
• 21:43
  Speaker 1: Leave a comment if you can. Tom. We have a
• 21:46
  Speaker 1: little bit of audience participation at the end of every show,
• 21:49
  Speaker 1: so I'm gonna say, if you're going to be naughty,
• 21:52
  Speaker 1: you've got to be and we all say nice together. Tom,
• 21:55
  Speaker 1: got it, got it if you're guys. So it's so
• 21:59
  Speaker 1: the show, so silly. To have such a great, serious,
• 22:02
  Speaker 1: award winning filmmaker on this silly show still makes me smile.
• 22:06
  Speaker 1: But we'll play along. I have no problem at all.
• 22:10
  Speaker 1: I do not take myself to sion. I grew up
• 22:13
  Speaker 1: in Cleveland. I can't. If you're going to be naughty altogether, now,
• 22:18
  Speaker 1: you've got to be a nice, nice, take care of everybody.
• 22:22
  Speaker 1: Thanks time. It's not even nice with bro