Latest / Abide Meditation App / The BEST Story to Fall Asleep to_ Big Ideas at Bedtime_ Balance 😴 FALL ASLEEP FAST
Transcript
- 0:01Speaker 1: Welcome to Get Sleepy, where we listen, we relax, and
- 0:09Speaker 1: we get sleepy. My name's Thomas, and I'm your host.
- 0:17Speaker 1: Thank you so much for tuning in to tonight's episode. Shortly,
- 0:23Speaker 1: we'll return to our series, Big Ideas at Bedtime, to
- 0:28Speaker 1: explore the idea of balance. In our first installment of
- 0:33Speaker 1: this series, we looked at animal intelligence and all of
- 0:38Speaker 1: the intricacies of the subject. If you'd like to go
- 0:42Speaker 1: back and listen to that episode, you'll find it on
- 0:46Speaker 1: our feed, released on July 7th, 2025. As for tonight,
- 0:54Speaker 1: we'll get curious about how balance is reflected in the
- 0:58Speaker 1: world around us, and how it might guide us towards
- 1:02Speaker 1: happiness and a life well lived. We'll consider a range
- 1:08Speaker 1: of ideas and practices, from the religious beliefs of the
- 1:13Speaker 1: ancient Egyptians, to a philosophy in modern day Sweden. Okay
- 1:22Speaker 1: my friends, let's prepare for our story, and settle down.
- 1:29Speaker 1: in our comfortable havens of rest. Know that, as you
- 1:38Speaker 1: listen along, there are thousands of other people all over
- 1:42Speaker 1: the world doing the same thing. Whatever it is that
- 1:49Speaker 1: brings you to this place, be it the sense of
- 1:53Speaker 1: calm and reassurance we try to nurture, the intrigue of
- 1:58Speaker 1: our stories themselves, the familiarity of our voices, or just
- 2:05Speaker 1: for the helping hand to ease racing thoughts and welcome
- 2:10Speaker 1: relaxation when you come to bed. Know that you are
- 2:16Speaker 1: far from alone with that. We've all come to this
- 2:24Speaker 1: place for a good night's rest, That's a beautiful thing
- 2:31Speaker 1: to share in with one another. Who knows, maybe you've
- 2:39Speaker 1: crossed paths with a fellow Get Sleepy listener when you've
- 2:43Speaker 1: been out and about in your day-to-day life. Maybe there
- 2:48Speaker 1: are even one or two people that you know well
- 2:51Speaker 1: that have checked out a few of our episodes in
- 2:54Speaker 1: the past. or that are regular listeners, like you may
- 2:59Speaker 1: well be. And it's funny really, because even I have
- 3:05Speaker 1: had those pretty mind-blowing moments where I've been telling a
- 3:09Speaker 1: new friend what I do for work, and they'll say
- 3:13Speaker 1: to me, wait, that's you. And they might go on
- 3:18Speaker 1: to say that either they've listened to the show, or
- 3:21Speaker 1: their partner or someone in their family, Now I'm sorry
- 3:27Speaker 1: if this is coming across like some sort of brag,
- 3:30Speaker 1: but I promise that's not my intention. It's just that
- 3:34Speaker 1: I like to re-emphasize the widespread community that we have
- 3:38Speaker 1: with this show. And there are many people that may
- 3:41Speaker 1: listen to other podcasts or apps and sound machines and
- 3:46Speaker 1: whatever else. Ultimately, we're all in the same boat. Everyone
- 3:54Speaker 1: who comes here is seeking that source of familiarity and routine,
- 4:00Speaker 1: and the comfort that just nudges us in the right
- 4:04Speaker 1: direction when it comes to getting a good night's sleep. So,
- 4:12Speaker 1: with that being said, let's all enjoy a couple of deep,
- 4:17Speaker 1: relaxing breaths, breathing in to the count of five, Holding
- 4:28Speaker 1: for a moment, then exhaling to the count of seven.
- 4:39Speaker 1: Breathe in again for one, two, three, four, five. And out, two, three, four, five, six, seven.
- 4:58Speaker 1: Feel free to maintain that rhythm of breathing for as
- 5:03Speaker 1: long as you like. And gently invite your natural rhythm
- 5:09Speaker 1: to return whenever you're ready. And now, you can snuggle
- 5:19Speaker 1: in and listen to the sound of my voice as
- 5:23Speaker 1: we begin our story. considering the value of balance in
- 5:30Speaker 1: our lives. Chances are that at some point in your life,
- 5:54Speaker 1: you've reflected on the importance of balance. Perhaps you were
- 6:01Speaker 1: trying to stick to a budget to buy nothing more
- 6:06Speaker 1: than what you really needed. Maybe you've aimed for a
- 6:12Speaker 1: more balanced diet with more fruits and vegetables. And at
- 6:20Speaker 1: some point, you've probably tried to create more balance in
- 6:24Speaker 1: your life overall. So it's not all about work and responsibilities.
- 6:35Speaker 1: Concepts like the elusive work-life balance might seem, at first,
- 6:42Speaker 1: like very modern phenomena. But these are things we've been
- 6:48Speaker 1: thinking about for millennia. even if the specifics have changed.
- 6:57Speaker 1: From the earliest civilizations, humans have noticed the prevalence of
- 7:04Speaker 1: balance in nature. Different cultures have valued this concept, aspiring
- 7:14Speaker 1: towards it in many areas of life. This is what
- 7:22Speaker 1: we're exploring tonight. What people through time have believed about balance,
- 7:32Speaker 1: and how these beliefs have affected their lives. Let's begin
- 7:41Speaker 1: in ancient Egypt, a civilization that began around 5,000 years ago.
- 7:53Speaker 1: The Egyptians were a deeply religious people and balance was
- 7:58Speaker 1: key to their beliefs and culture. They observed that nature
- 8:07Speaker 1: often happened in cycles and that these cycles kept everything working.
- 8:17Speaker 1: Warm seasons were balanced out with the cold and daytime
- 8:23Speaker 1: was followed by night. Then there was the river Nile,
- 8:32Speaker 1: the lifeblood of Egypt, which provided the nation with its
- 8:37Speaker 1: food and water. It made the land fertile after an
- 8:45Speaker 1: annual flooding, which balanced out the dry seasons and allowed
- 8:51Speaker 1: crops to grow. Balance was at the center of Egyptian
- 8:59Speaker 1: religious beliefs. Beliefs about nature and the cosmos, life and
- 9:08Speaker 1: the afterlife. The goddess Mat was the embodiment of balance,
- 9:18Speaker 1: as well as harmony, order, truth, and justice. The Egyptians
- 9:28Speaker 1: believed the world had been born out of chaos, until Atum,
- 9:34Speaker 1: or Ra, created himself and his children, and structured the
- 9:41Speaker 1: world into sky, earth, and air. Once there was structure,
- 9:52Speaker 1: Mart came into play. She was the force that held
- 9:57Speaker 1: the new world together. Mart was both a goddess and
- 10:06Speaker 1: a cosmic principle, the opposite of chaos, injustice, and evil.
- 10:16Speaker 1: As Egyptians saw it, It was their duty to maintain
- 10:21Speaker 1: this balance. By doing this, they would keep chaos at bay.
- 10:33Speaker 1: A healthy society was a society in balance, one which
- 10:40Speaker 1: upheld the ideal of marked. Laws were written, with social
- 10:48Speaker 1: harmony in mind. Judges promised to rule with fairness and justice.
- 11:00Speaker 1: The Egyptian pharaoh at the head of society was thought
- 11:05Speaker 1: to be the living representation of Maat. They handed out
- 11:14Speaker 1: pardons and punishments for the good of the community and
- 11:19Speaker 1: played a vital role in maintaining order. Regular citizens had
- 11:29Speaker 1: to do their part too, by honouring March at religious
- 11:34Speaker 1: festivals and through daily rituals. They might also show their
- 11:43Speaker 1: devotion by living a life of virtue and aligning their
- 11:48Speaker 1: behavior with the principles Mart stood for. This meant being
- 11:57Speaker 1: honest and living with integrity, being respectful of other people
- 12:06Speaker 1: and the world around them. Living a life of balance
- 12:14Speaker 1: was fundamental to the Egyptians Not just for their daily life,
- 12:21Speaker 1: but their afterlife as well. The Egyptians saw death as
- 12:29Speaker 1: the beginning of another chapter. Just another stage in a
- 12:35Speaker 1: continuous cycle. After death, a person's soul journeyed to the afterlife.
- 12:46Speaker 1: where their worthiness would be judged in the Hall of Mart,
- 12:52Speaker 1: also known as the Hall of Truth. There, they had
- 12:59Speaker 1: to recite the 42 negative confessions with statements of denial, like,
- 13:08Speaker 1: I have not committed sin, and the more specific declarations,
- 13:15Speaker 1: I have not polluted the water. Next, the god Anubis
- 13:24Speaker 1: would judge a person's soul using a giant balancing scale
- 13:30Speaker 1: with a plate at either end. At one end, he
- 13:37Speaker 1: weighed the heart, the home of a person's conscience. At
- 13:45Speaker 1: the other, there was a feather, the symbol of Mart.
- 13:52Speaker 1: If a person had lived a life of dishonesty and wrongdoing,
- 13:58Speaker 1: it would show up on the scales as a heavy heart.
- 14:05Speaker 1: The heart would subsequently be eaten by the creature Amit,
- 14:11Speaker 1: and the soul would be destroyed. A heart that weighed
- 14:18Speaker 1: the same as a feather, or less, was the sign
- 14:23Speaker 1: of a life lived in harmony with Mart. And thus,
- 14:30Speaker 1: a person could travel on to the afterlife, their reward
- 14:35Speaker 1: being entry into the field of reeds. On an individual level,
- 14:46Speaker 1: A life of balance brought immortality. For the wider society,
- 14:53Speaker 1: it brought peace and prosperity. Balance for the Egyptians was
- 15:03Speaker 1: the blueprint of life, the natural and cosmic order which
- 15:10Speaker 1: mankind must align with. The ancient Egyptians were far from
- 15:20Speaker 1: alone in putting balance at the center of their worldview.
- 15:28Speaker 1: Similar themes can be found in philosophies and religions across
- 15:33Speaker 1: all six continents, from tiny tribes to great empires. In India,
- 15:45Speaker 1: there's a concept that's strikingly similar to Mart. Known as Rita,
- 15:54Speaker 1: it's the principle of truth, order, and balance. A concept
- 16:01Speaker 1: at the core of the ancient Vedic religion. Today, we're
- 16:10Speaker 1: more familiar with what Rita evolved into. namely the concepts
- 16:16Speaker 1: of Dharma and Karma. These are central to many Eastern religions,
- 16:26Speaker 1: including Hinduism, Buddhism, and Sikhism. Each religion differs on the
- 16:36Speaker 1: specifics of these concepts, but in Buddhism, Dharma is the
- 16:43Speaker 1: principle of cosmic order. It illustrates how societies should govern
- 16:51Speaker 1: and make laws, how people should behave to keep the
- 16:57Speaker 1: world in balance. It's closely entwined with the concept of karma,
- 17:08Speaker 1: which is about the moral weight of our words, thoughts,
- 17:12Speaker 1: and actions. In simple terms, dharma is the right way
- 17:21Speaker 1: to live, and karma is the result of what we
- 17:26Speaker 1: actually do. Some of us might know karma by its
- 17:33Speaker 1: most basic and westernized description. Do good things, and good
- 17:42Speaker 1: things happen. Do bad things, and bad things happen. It's
- 17:51Speaker 1: the version that's been popularized, sometimes leading to misconceptions. One
- 17:59Speaker 1: being that karma is a reward or punishment. In fact,
- 18:08Speaker 1: it isn't personal in any way. Generating karma is a
- 18:15Speaker 1: natural consequence of acting. And there is no good or
- 18:20Speaker 1: bad karma, just karma itself. It's no more personal than
- 18:30Speaker 1: how a ball falls back down after it's been thrown
- 18:35Speaker 1: into the air. Nor is it a case of bad
- 18:40Speaker 1: things happening to bad people. At least, not in the
- 18:46Speaker 1: sense that we might like to see it. Most Hindus,
- 18:54Speaker 1: for instance, believe in a cycle of rebirth, in which
- 18:59Speaker 1: karma plays a key part. The energy a person generates
- 19:06Speaker 1: influences their next life. What form they take, how intelligent
- 19:14Speaker 1: they might be, and how rich or healthy. So, even
- 19:23Speaker 1: if a person who behaves badly seems to be doing well,
- 19:29Speaker 1: misfortune might await them in their next life. A common
- 19:38Speaker 1: analogy compares life to a garden. When we do the
- 19:45Speaker 1: right thing, when we're kind or honest, a good seed
- 19:50Speaker 1: is planted into the soil. When we intentionally harm others
- 19:58Speaker 1: with words or deeds, a bad seed is planted, creating
- 20:04Speaker 1: weeds instead of flowers. Karma isn't fate, it's a matter
- 20:15Speaker 1: of free choice. The gardener is free to plant the
- 20:21Speaker 1: seeds they choose, but the resulting garden, with its weeds
- 20:27Speaker 1: or flowers, will eventually come to harvest in this life
- 20:34Speaker 1: or the next. Interestingly, gardens have often been used as
- 20:44Speaker 1: a literal representation of balance and harmony. The ancient Egyptians,
- 20:53Speaker 1: who we heard about earlier, created temple gardens as an
- 20:58Speaker 1: expression of mart. Trees planted in rows, and plants in
- 21:07Speaker 1: geometric patterns, were a visual reflection of the sacred order.
- 21:16Speaker 1: Pools symbolized life and purity, while plants stood for regeneration.
- 21:27Speaker 1: The symmetry of the garden was reflected in the pool's surface,
- 21:33Speaker 1: which only enhanced the sense of harmony. Thousands of years later,
- 21:44Speaker 1: in the 17th century, the French formal garden displayed similar themes.
- 21:53Speaker 1: The most notable example is at the Palace of Versailles,
- 21:59Speaker 1: the home of King Louis XIV. Straight gravel pathways connect
- 22:08Speaker 1: a network of gardens which are square-shaped or rectangular. The
- 22:18Speaker 1: walkways are laid out symmetrically and flanked with lines of
- 22:23Speaker 1: identically pruned trees. Water features reflect rows of neatly trimmed hedges. However,
- 22:38Speaker 1: gardens like Versailles weren't a reflection of the cosmic order. Instead,
- 22:46Speaker 1: they were designed to showcase their owner's power. At Versailles,
- 22:55Speaker 1: the king showed that he could even tame nature, bringing
- 23:01Speaker 1: order and balance to the wildest landscapes. This style of
- 23:11Speaker 1: design couldn't be more different from the Japanese gardens that
- 23:16Speaker 1: are still popular today. Here, balance can be found by
- 23:25Speaker 1: embracing the irregularity of nature, by finding beauty in its
- 23:32Speaker 1: impermanence and unpredictability. Pathways, plants, and water features are intentionally
- 23:45Speaker 1: placed in asymmetrical patterns. For instance, a rock might be
- 23:54Speaker 1: placed opposite a lantern. Although they're not the same, they
- 24:01Speaker 1: complement one another. These designs are rooted in Eastern religion
- 24:10Speaker 1: and philosophy, Zen Buddhism, Shinto, and Taoism. They are also
- 24:21Speaker 1: indirectly influenced by Chinese philosophy, in particular, the concept of
- 24:29Speaker 1: yin and yang. This represents complementary opposites. Both are needed
- 24:41Speaker 1: to keep the world in balance. You might be familiar
- 24:48Speaker 1: with the yin and yang symbol, black and white teardrop
- 24:52Speaker 1: shapes interconnected within a circle. Japanese gardens express this concept
- 25:04Speaker 1: by providing contrast in a number of ways. Areas of
- 25:13Speaker 1: empty space are balanced out by those with plant life,
- 25:19Speaker 1: and there are patches of light alongside shaded sections. Water
- 25:28Speaker 1: and stone provide opposing elements and textures, Flowing water is movement,
- 25:39Speaker 1: while the rocks are stillness. These gardens also illustrate the
- 25:48Speaker 1: philosophy of wabi-sabi, which balances beauty alongside decay. A weathered
- 25:59Speaker 1: wooden bench or a moss-covered stone These things reveal beauty
- 26:08Speaker 1: in both age and imperfection. Gardens are a microcosm of
- 26:17Speaker 1: the natural order, a small-scale version of the outside world.
- 26:27Speaker 1: Rocks are sometimes used to symbolize islands or mountains. Patches
- 26:35Speaker 1: of sand might be the sky, and pools of water,
- 26:40Speaker 1: the ocean. The Japanese garden isn't just there to be
- 26:48Speaker 1: looked at. It's designed to be experienced, to be felt
- 26:56Speaker 1: as well as seen. A common meditation involves taking a
- 27:04Speaker 1: rake to sand or gravel, forming wave-like patterns to create
- 27:11Speaker 1: a sense of flow. Time in the garden might offset
- 27:19Speaker 1: how the other hours are spent, working, thinking, socializing, and doing.
- 27:31Speaker 1: These gardens are like a form of living artwork, designed
- 27:37Speaker 1: to foster spiritual harmony between people and nature. The same
- 27:47Speaker 1: is true of some traditional art forms, not only in Japan,
- 27:54Speaker 1: but across the world. One example is the geometric designs
- 28:03Speaker 1: that originated in the Islamic world from around the 8th
- 28:08Speaker 1: century onwards. Colorful patterns tile the walls of buildings, like
- 28:18Speaker 1: the Alhambra in Spain. Designs and colors are often symmetrical,
- 28:28Speaker 1: including precise geometric shapes which interlock or overlap. But as
- 28:39Speaker 1: pretty as these are, they're about more than decoration. They're
- 28:46Speaker 1: a visual representation of Islamic beliefs. the viewer might reflect
- 28:55Speaker 1: on the divine order when looking at shapes so mathematically precise,
- 29:02Speaker 1: or the Prophet Muhammad's teachings about balance and moderation when
- 29:09Speaker 1: taking in the symmetry of shapes and colors. Balance is
- 29:19Speaker 1: also a theme in Christian artwork. particularly during the European Renaissance,
- 29:27Speaker 1: around the 15th and 16th centuries. Perhaps you've seen The
- 29:36Speaker 1: Last Supper, a painting by the Italian artist Leonardo da Vinci.
- 29:45Speaker 1: It depicts Jesus and his disciples at their dramatic last meeting,
- 29:52Speaker 1: after he's told the group that one of them will
- 29:56Speaker 1: betray him. Leonardo places Jesus at the exact center of
- 30:04Speaker 1: the table. With his arms outstretched, he forms the shape
- 30:11Speaker 1: of a triangle. The artist uses light, as well as
- 30:20Speaker 1: lines in the backdrop, to make Jesus the focal point,
- 30:26Speaker 1: a source of calm amidst the chaos. Leonardo also created
- 30:35Speaker 1: the Vitruvian Man, an iconic image which sets out the
- 30:41Speaker 1: proportions of the body. In this drawing, precise measurements, ratios,
- 30:50Speaker 1: and angles show the human anatomy as a reflection of
- 30:55Speaker 1: the divine. It points to an equilibrium between body and soul,
- 31:05Speaker 1: between faith and logic, and science and nature. The figure's
- 31:14Speaker 1: placement within a square and an outer circle reflects the
- 31:20Speaker 1: earthly and spiritual worlds that mankind is linked to. These
- 31:31Speaker 1: ideas weren't new in the 15th century. Leonardo's Vitruvian Man
- 31:40Speaker 1: was inspired by the works of Vitruvius, a Roman architect
- 31:46Speaker 1: and engineer who lived in the 1st century BCE. In
- 31:55Speaker 1: his volumes on architecture, Vitruvius had explained that buildings should
- 32:02Speaker 1: reflect the proportions of the human body. Temples should be
- 32:08Speaker 1: symmetrical and perfectly proportioned to mirror the composition of the
- 32:15Speaker 1: human anatomy. If you've ever seen the ruins of a
- 32:22Speaker 1: classical temple or one of the Renaissance buildings inspired by
- 32:28Speaker 1: classical designs, then you might well have noted a sense
- 32:33Speaker 1: of visual balance. Something along the lines of white marble columns,
- 32:42Speaker 1: positioned evenly around a rectangular base, and a triangular pediment
- 32:50Speaker 1: creating symmetry at the front, as if there's a mirror
- 32:55Speaker 1: down the centre of the building. In classical architecture, balance
- 33:05Speaker 1: meant beauty. In temples in particular, it reflected a belief
- 33:13Speaker 1: in the divine order. Temples were built to honor the gods,
- 33:22Speaker 1: deities who valued balance just as much as mortals. Such
- 33:31Speaker 1: buildings were only possible thanks to complex mathematics and formulas
- 33:38Speaker 1: like the Golden Ratio, discovered in ancient Greece around 300 BCE.
- 33:50Speaker 1: Ever since, this ratio has been used by artists and
- 33:55Speaker 1: architects to create the ideal proportions between two quantities or measures.
- 34:06Speaker 1: This allows for a display of balance that is aesthetically pleasing.
- 34:15Speaker 1: According to some scholars, the golden ratio is behind the
- 34:21Speaker 1: architecture of the Parthenon. It's what makes the Mona Lisa
- 34:28Speaker 1: so pleasing to the eye. Today, the ratio pops up
- 34:37Speaker 1: in a number of different ways and has inspired the
- 34:41Speaker 1: designs of many well-known symbols. For instance, think of the
- 34:50Speaker 1: logos for Apple and Pepsi. These brand logos might not
- 34:58Speaker 1: strictly adhere to the golden ratio, but with their simple
- 35:04Speaker 1: elegance and sense of proportion, there's a clear visual balance,
- 35:12Speaker 1: one that the ancient Greeks would likely have approved of.
- 35:21Speaker 1: What's particularly fascinating about the golden ratio is how it
- 35:27Speaker 1: appears in nature. There are multiple examples in the natural world.
- 35:36Speaker 1: For instance, the spiral patterns on the skin of a
- 35:41Speaker 1: pineapple often match the Fibonacci sequence. If you look closely
- 35:49Speaker 1: at the skin and count the spirals of scales in
- 35:54Speaker 1: opposite directions, you might find patterns of numbers such as
- 36:00Speaker 1: 8 and 13. The ratio of consecutive Fibonacci numbers approaches
- 36:10Speaker 1: the golden ratio. Interestingly, honeybees also follow the Fibonacci sequence
- 36:21Speaker 1: in their reproduction patterns. Each male bee has one parent,
- 36:31Speaker 1: while each female has two. If you trace their ancestry
- 36:39Speaker 1: over generations, you get Fibonacci numbers. The ratio of these
- 36:47Speaker 1: numbers gradually gets closer to the golden ratio. Snail shells
- 36:57Speaker 1: are another intriguing example. Although they don't necessarily follow the
- 37:04Speaker 1: golden ratio, they grow in the form of logarithmic spirals.
- 37:12Speaker 1: Each new chamber of a snail shell is proportionally larger
- 37:17Speaker 1: than the last. This allows the shell to expand without
- 37:24Speaker 1: changing its shape. The same balanced growth of logarithmic spirals
- 37:34Speaker 1: can also be seen elsewhere in nature, from hurricanes to galaxies.
- 37:46Speaker 1: On a general level, all plants and animals rely on
- 37:51Speaker 1: balance in the natural world. There needs to be balance
- 37:57Speaker 1: between predators and the prey that make up their ecosystem,
- 38:04Speaker 1: between sunlight and water, and between space to roam and shelter.
- 38:16Speaker 1: Even the cells that make up all living organisms work
- 38:21Speaker 1: to maintain a steadiness within. From temperature to pH levels,
- 38:30Speaker 1: a cell's growth and functioning depend on balance. Human biology
- 38:40Speaker 1: works in much the same way. On a cellular level,
- 38:46Speaker 1: across organs and systems, automatic processes work to keep things
- 38:52Speaker 1: in balance. When we exercise, we sweat to cool ourselves down.
- 39:03Speaker 1: If we swim in cold water, we shiver and heat up.
- 39:12Speaker 1: Consider the makeup of the human body, the symmetry of
- 39:17Speaker 1: the skeleton, and the way bones grow in proportion. The
- 39:25Speaker 1: structures of the inner ear keep us upright and steady,
- 39:31Speaker 1: alongside our vision and our sense of awareness. When you
- 39:39Speaker 1: bend your knee, you use antagonistic muscles. The hamstrings contract
- 39:48Speaker 1: and the quadriceps relax. The opposite happens when you straighten
- 39:55Speaker 1: your leg. The quads contract and the hamstrings relax. Balance
- 40:07Speaker 1: is also integral to our understanding of physics. What we
- 40:13Speaker 1: know about energy, motion, and stability. This knowledge has been
- 40:22Speaker 1: applied practically across numerous fields, from mechanics and architecture to
- 40:31Speaker 1: electrics and engineering. For example, skyscrapers use counterweights to keep
- 40:42Speaker 1: them steady during a storm or earthquake, The electricity we
- 40:50Speaker 1: depend on runs on balanced voltage. A car's brakes will
- 40:57Speaker 1: only work if its braking force is balanced between the
- 41:01Speaker 1: front and back wheels. And in order to fly straight
- 41:07Speaker 1: and level, a plane needs dynamic equilibrium, a balance between
- 41:15Speaker 1: vertical and horizontal forces. The Goldilocks principle is a term
- 41:26Speaker 1: sometimes used by designers and engineers across various fields. It's
- 41:35Speaker 1: a reference to the fairy tale Goldilocks and the Three Bears,
- 41:41Speaker 1: in which a young girl visits a bear's empty cottage.
- 41:48Speaker 1: As the story goes, Goldilocks enters the kitchen and finds
- 41:54Speaker 1: three bowls of porridge laid out on the table. The
- 42:00Speaker 1: first is too hot, and the second too cold. But
- 42:07Speaker 1: the third bowl is just right. Similarly, when she sits,
- 42:16Speaker 1: she finds the first chair to be too big, the
- 42:21Speaker 1: next one is too small, But the third one is perfect.
- 42:29Speaker 1: And again, when she's sleepy and ready for bed, it's
- 42:34Speaker 1: the third one that's just right. Neither too hard, nor
- 42:41Speaker 1: too soft. In its modern usage, the Goldilocks principle is
- 42:51Speaker 1: about finding a happy medium An engineer, for example, might
- 42:59Speaker 1: use the principle when designing a particular product. It guides
- 43:06Speaker 1: them to find a sweet spot between competing requirements like cost, safety, performance,
- 43:15Speaker 1: and sustainability. Economists might talk about a Goldilocks economy meaning
- 43:25Speaker 1: one that's ideal for steady growth. Unemployment rates are low
- 43:32Speaker 1: and inflation is stable. Indeed, the Goldilocks principle pops up
- 43:42Speaker 1: in all kinds of places, in politics and education, in
- 43:49Speaker 1: business and marketing, and even in space travel. Planet Earth
- 44:00Speaker 1: has been called a Goldilocks planet because it's the perfect
- 44:04Speaker 1: distance away from the sun. Any closer and the seas
- 44:11Speaker 1: would evaporate. Further away, the seas would freeze. Earth is
- 44:22Speaker 1: in the exact right position to enable liquid water to exist.
- 44:29Speaker 1: which is why life is able to grow and thrive
- 44:32Speaker 1: on the planet. So, balance is crucial to the survival
- 44:41Speaker 1: of our world and every living thing on Earth today.
- 44:50Speaker 1: It's a theme across our societies and our thinking as individuals.
- 44:58Speaker 1: in how we work, travel, live, and feel alive. And yet,
- 45:10Speaker 1: as much as mankind has progressed in leaps and bounds,
- 45:15Speaker 1: many people today struggle to find balance. Advances in technology
- 45:25Speaker 1: have helped to blur the boundaries between our careers and
- 45:29Speaker 1: life outside of work. With such busy lives, it can
- 45:37Speaker 1: be hard to find time for the things that matter.
- 45:44Speaker 1: In part, perhaps this explains the increasing curiosity about other
- 45:51Speaker 1: cultures and other ways of living. Globalization has seen the
- 45:58Speaker 1: spread of different wisdom and rituals, and Eastern traditions have
- 46:04Speaker 1: become popular in the West. Once upon a time, you'd
- 46:14Speaker 1: have had to visit India if you wanted to learn
- 46:17Speaker 1: about or practice yoga. But today, you can find a
- 46:24Speaker 1: video at the click of a button and perform the
- 46:28Speaker 1: movements that balance mind, body, and spirit. Tai Chi originated
- 46:39Speaker 1: in China hundreds of years ago as a means of
- 46:44Speaker 1: harmonizing yin and yang within the body. As a physical activity,
- 46:53Speaker 1: it's somewhat similar to yoga. Slow, flowing movements synchronized with
- 47:01Speaker 1: the breath and poses performed with a sense of focus.
- 47:11Speaker 1: Other martial arts are more physically demanding, but they are
- 47:16Speaker 1: similarly known to encourage balance within. Core stability is required
- 47:24Speaker 1: across all kinds of disciplines, whether striking, kicking, evading or attacking.
- 47:36Speaker 1: In sports like judo, practitioners try to break their opponent's balance.
- 47:44Speaker 1: That's when they go for a throw or takedown. A judoka,
- 47:52Speaker 1: or judo practitioner, must remain aware of their own weight distribution.
- 48:00Speaker 1: They have to keep their own balance while disrupting their opponent.
- 48:08Speaker 1: These activities balance the mind as well as the body.
- 48:15Speaker 1: They help to master difficult emotions. Practitioners might walk a
- 48:22Speaker 1: tightrope between fear and aggression. But with practice, they learn
- 48:31Speaker 1: to go with the flow. Of course, there are also
- 48:40Speaker 1: other ways of encouraging inner balance, pastimes which require a
- 48:47Speaker 1: lot less movement. Ikebana, for example. is a Japanese tradition
- 48:56Speaker 1: which centers around the process of arranging flowers. Like the
- 49:03Speaker 1: Japanese gardens that we heard about earlier, it emphasizes asymmetry, irregularity,
- 49:12Speaker 1: and space to reflect the reality of nature. Putting the
- 49:21Speaker 1: flowers together requires a level of concentration. It calms the
- 49:29Speaker 1: mind while cultivating patience. It might be likened to mindfulness
- 49:38Speaker 1: meditation which itself is a concept brought over from the East.
- 49:49Speaker 1: Rooted in the traditions of Asia, mindfulness has been widely
- 49:55Speaker 1: embraced in the West. Mindfulness practices and meditations have made
- 50:03Speaker 1: their way into homes, workplaces, and even schools. They're aimed
- 50:13Speaker 1: at encouraging a sense of inner balance across body, mind, thoughts,
- 50:21Speaker 1: and emotions. One might offset a hectic day with a
- 50:30Speaker 1: few minutes of breathing, balancing out the busyness with a
- 50:36Speaker 1: calming slowness, or regain equilibrium by bringing awareness to the body,
- 50:45Speaker 1: feeling and noticing, rather than thinking. A person can gain
- 50:55Speaker 1: a more balanced mindset by becoming aware of negative patterns
- 51:00Speaker 1: of thinking. They learn to see things as they are,
- 51:08Speaker 1: without attaching a story, or falling into the trap of
- 51:13Speaker 1: negative thinking. Over time, this can help with mental equilibrium.
- 51:25Speaker 1: By practicing mindfulness, we might learn to become less reactive
- 51:31Speaker 1: and steadier in our thoughts, words, and actions. Mindfulness can
- 51:41Speaker 1: take many different forms, from meditation, sitting still with our
- 51:47Speaker 1: eyes closed, to going about our day with our eyes open.
- 51:56Speaker 1: It's as easy as paying attention to our senses and surroundings,
- 52:04Speaker 1: noticing what's happening in the present moment. but it's about
- 52:12Speaker 1: more than any one practice. Mindfulness might be considered a lifestyle,
- 52:21Speaker 1: a way of being that brings balance. In Sweden, a
- 52:33Speaker 1: balanced approach to living is encapsulated in the concept of Lagom.
- 52:42Speaker 1: The Swedes frequently score highly in studies on global happiness,
- 52:49Speaker 1: and many cite Lagom as one of the reasons. The
- 52:56Speaker 1: word means just right, not too much, not too little.
- 53:07Speaker 1: At a glance, it's similar to the Goldilocks Principle. but
- 53:13Speaker 1: it runs far deeper as a life philosophy. Largom encourages
- 53:22Speaker 1: us to find perfection in simplicity, to practice moderation, taking
- 53:30Speaker 1: only what's sufficient. But it doesn't carry any of the
- 53:36Speaker 1: negative connotations that we sometimes associate with words like adequate.
- 53:47Speaker 1: It isn't about avoiding what you really want, missing out,
- 53:51Speaker 1: or self-restricting. Lagom is about taking only what you need,
- 54:00Speaker 1: because that's what brings the most joy and pleasure. It
- 54:09Speaker 1: steers people away from any kind of extreme, in what
- 54:14Speaker 1: we eat and drink, and how we work, rest, and play.
- 54:23Speaker 1: Enough is as good as a feast, is how the
- 54:26Speaker 1: Swedes often put it. When eating, for instance, people should
- 54:35Speaker 1: listen to their body, so as not to eat too
- 54:39Speaker 1: much or too little. And it isn't necessarily about health. Rather,
- 54:49Speaker 1: it's a case of enjoying every bite. A balanced diet
- 54:57Speaker 1: also makes room for indulgence, for which the Swedes have
- 55:03Speaker 1: the custom known as fika. It's a cross between a
- 55:10Speaker 1: coffee break and a mindfulness meditation, with the addition of
- 55:16Speaker 1: a sweet treat such as a cake or pastry. Lagom
- 55:25Speaker 1: and fika are close companions. A cardamom bun, for instance,
- 55:33Speaker 1: might be described as lagom. because it offers a balance
- 55:37Speaker 1: of sweet and spicy flavours. And on a deeper level,
- 55:46Speaker 1: the overall ritual of Vika offers a moment to pause,
- 55:52Speaker 1: a break in the busy day. Lagom is frequently used
- 56:01Speaker 1: as a descriptive term. It's an item of clothing that
- 56:08Speaker 1: fits and feels perfect. Or a joke that provokes laughter
- 56:15Speaker 1: without crossing too many boundaries. It's easy listening music that's
- 56:24Speaker 1: melodic but not distracting. Or a sunny day with a
- 56:31Speaker 1: cool breeze. The interior of a home might be called lagom,
- 56:41Speaker 1: if it reflects the middle ground between ostentatious and minimalistic.
- 56:50Speaker 1: Imagine a typically Scandinavian room, neither cluttered nor bare, both
- 56:58Speaker 1: calming and cozy. On a broader scale, There's another element too,
- 57:09Speaker 1: a comment on overspending and modern consumerism. A Largom lifestyle
- 57:19Speaker 1: emphasizes ease over excess. There's no need to buy two
- 57:26Speaker 1: things when one is enough. It also runs counter to
- 57:36Speaker 1: what's sometimes called hustle culture, in which overworking is accepted
- 57:43Speaker 1: or even admired and work is prioritized above everything else.
- 57:54Speaker 1: To the Swedes, this is the path to imbalance and unhappiness.
- 58:01Speaker 1: Work is important, but it shouldn't consume you. A lagom
- 58:09Speaker 1: approach to work allows for healthy boundaries. Blocks of focused
- 58:17Speaker 1: work are interspersed with breaks and staff go home at
- 58:22Speaker 1: a reasonable hour. Rest time is not only respected, but encouraged.
- 58:34Speaker 1: After all, happy people make for dedicated workers. A well-rested
- 58:42Speaker 1: workforce is a productive one. Swedish attitudes are not too
- 58:53Speaker 1: dissimilar to the idea of work-life balance. This concept emphasizes
- 59:01Speaker 1: the need for rest and boundaries. Modern approaches to work-life
- 59:10Speaker 1: balance often draw inspiration from Eastern cultures. Workers might try
- 59:19Speaker 1: yoga and mindfulness as a means of finding calm and
- 59:25Speaker 1: unloading any stress. In recent years, some companies have implemented
- 59:35Speaker 1: a four-day work week, giving workers a longer weekend without
- 59:41Speaker 1: reducing productivity. Such experiments are surely bound to continue as
- 59:51Speaker 1: part of our quest for balance. A quest, perhaps, that
- 59:58Speaker 1: isn't meant to be completed. We might think of our
- 1:00:05Speaker 1: lives as a Japanese garden, not a goal to be achieved,
- 1:00:13Speaker 1: but rather something to be cared for, worked on, and nurtured,
- 1:00:22Speaker 1: one day at a time.
- 1:02:42Speaker 2: Thank you for watching. Thank you for watching.
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- 1:04:51Speaker 2: You Thank you.
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- 1:26:11Speaker 2: You you Thank you.
- 1:28:30Speaker 4: For watching.
- 1:29:00Speaker 2: Thank you for watching. This is the first time that
- 1:29:30Speaker 2: I have seen this.
- 1:29:31Speaker 3: Kind of thing.
- 1:30:01Speaker 4: Thank you.
- 1:30:27Speaker 2: Thank you.
- 1:30:46Speaker 4: Thank you. Thank you.
- 1:32:50Speaker 2: Thank you for watching.
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- 1:33:55Speaker 4: Thank you. you Thank you.
- 1:36:44Speaker 2: Thank you. Thank you. Thank you.
- 1:40:21Speaker 3: You can also use the power of your imagination. You
- 1:40:23Speaker 3: can also use the power of your imagination.
- 1:41:00Speaker 5: You Thank you. Thank you for watching. Thank you.
- 1:45:22Speaker 2: You you you.
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- 1:49:11Speaker 2: You Thank you. Thank you. Thank you.
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- 1:58:00Speaker 3: Thank you.
- 1:59:05Speaker 2: This is the first time that I have seen this.
- 1:59:06Speaker 2: I have never seen anything like this. This is the
- 1:59:09Speaker 2: first time that I have seen this. I have never
- 1:59:12Speaker 2: seen anything like this. This is the first time that
- 1:59:14Speaker 2: I have seen anything like this. Thank you for watching.
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