Latest / DISGRACELAND / Bonus Episode: Oozing Cool, Busting Out the Pills, and "You're Playing With the Big Boys Now"

Transcript

Bonus Episode: Oozing Cool, Busting Out the Pills, and "You're Playing With the Big Boys Now" · DISGRACELAND

0:00
Speaker 1: Hey discos, you can listen to an extended version of
0:02
Speaker 1: this after Party episode by becoming a member of Disgraceland
0:06
Speaker 1: All Access. Just go to disgracelamdpod dot com slash membership
0:11
Speaker 1: for more details and to sign up. Hey guys, welcome
0:14
Speaker 1: to the Disgracelam podcast, which is brought to you by
0:17
Speaker 1: Double Elvis. This week, we have a brand new episode
0:20
Speaker 1: on Steve McQueen in the Disgraceland feed. Also have an
0:23
Speaker 1: exclusive Hunter S. Thompson episode available to our All Access
0:27
Speaker 1: members and our Patreon and Apple subscription feeds, and a
0:30
Speaker 1: new episode coming next week for All Access members as
0:32
Speaker 1: well on Lane Staley and Alison Chains. So be sure
0:35
Speaker 1: to make sure you're all signed up for our all
0:37
Speaker 1: access content either on Apple Podcasts or on Patreon. All right,
0:41
Speaker 1: let's get into this bonus episode, Hey discos, need a
0:47
Speaker 1: little more Disgraceland in your life, just to touch to
0:50
Speaker 1: get you through? Yeah, me too. This is the podcast
0:54
Speaker 1: that comes after the podcast. Welcome to Disgraceland The after Partie.
1:12
Speaker 1: Welcome to the Disgraceland bonus episode. A little thing we
1:15
Speaker 1: like to call the after party. This is the show
1:18
Speaker 1: after the show, the party after the party, the bridge
1:21
Speaker 1: to get you from one full episode of Disgraceland to
1:23
Speaker 1: the other, the backyard to dig into the dirt. On
1:27
Speaker 1: this episode, we are talking about our brand new episode
1:30
Speaker 1: on Steve McQueen. The sources we used for this episode
1:34
Speaker 1: which helped us uncover a wild story, wild involving John F.
1:38
Speaker 1: Kennedy and of course your voicemails, text, dms and more
1:42
Speaker 1: and as always, a whole lot of rosie. All right, discos,
1:45
Speaker 1: let's get into it. We place it's an outsized amount
2:01
Speaker 1: of importance on the concept of cool in our culture,
2:04
Speaker 1: and here at Disgraceland we're probably more guilty than most.
2:07
Speaker 1: But is that a bad thing? I don't know. I'm fascinated.
2:10
Speaker 1: I've always been fascinated by the concept of coolness relative
2:13
Speaker 1: to the subjects that we discuss here. How cool is perceived,
2:18
Speaker 1: how cool is expressed, how it's maintained, how it's misinterpreted,
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Speaker 1: how it's exploited. Cool is, of course, not something that
2:26
Speaker 1: you can actually aspire to. It's something that simply is.
2:30
Speaker 1: It's born out of a potent mix of authenticity, taste,
2:33
Speaker 1: and not giving a fuck. It's hard to define, easy
2:36
Speaker 1: to spot, and it's eternal it's simple, it's also complicated.
2:41
Speaker 1: You can be so uncool that you are in fact cool.
2:44
Speaker 1: Makes sense, Yeah it does. You know it. I know it.
2:47
Speaker 1: You know it because you're cool. That's that's how that's
2:49
Speaker 1: how you guys know it. You also know that this
2:51
Speaker 1: week's subject to Disgraceland Steve McQueen is one of the
2:55
Speaker 1: coolest to ever do I was about to say one
2:57
Speaker 1: of the coolest ever do it, but the reality is
3:00
Speaker 1: he's one of the coolest to ever do anything. He was,
3:03
Speaker 1: of course, one of the biggest actors of his era,
3:05
Speaker 1: but he was also a race car driver, a speed
3:08
Speaker 1: demon of all different stripes, the prototype for masculinity in
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Speaker 1: his day, and it seemed effortlessly cool. But being cool,
3:15
Speaker 1: despite how we define it, it's not actually effortless. It
3:20
Speaker 1: in fact takes a lot of effort. The trick, of course,
3:24
Speaker 1: is not letting anyone see you try. But that's so
3:27
Speaker 1: disingenuous that it hurts for me to even say it.
3:30
Speaker 1: Steve McQueen did not seem like he cared at all.
3:34
Speaker 1: He used he used cool. I was gonna say charisma,
3:38
Speaker 1: but it wasn't an accident. It was all very calculated.
3:41
Speaker 1: He knew the single most important thing in show business.
3:43
Speaker 1: Know what your audience wants and give it to them
3:46
Speaker 1: over and over against. Steve McQueen knew what his fans wanted.
3:50
Speaker 1: He knew exactly who his audience expected to see on screen,
3:54
Speaker 1: how they wanted him to act like a tough guy
3:56
Speaker 1: or some would even say an asshole. He knew exactly
3:59
Speaker 1: how they wanted him to look like, he didn't care,
4:01
Speaker 1: like he was both part of the era but apart
4:03
Speaker 1: from it. At the same time, Steve McQueen could just
4:06
Speaker 1: as easily been smoking a joint with his fans backstage
4:09
Speaker 1: at Woodstock as he could have been pounding shots with
4:11
Speaker 1: their parents at an Elks lodge. Effortlessly, that's how it
4:15
Speaker 1: all seemed. But like I said, it wasn't effortless. It
4:18
Speaker 1: was calculated. It just came off as effortless, and that's
4:21
Speaker 1: the trick. I guess. I don't know. I'm not that cool.
4:23
Speaker 1: That's why I'm a podcaster and not an iconic star
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Speaker 1: of the screen like Steve McQueen. But it's all fascinating
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Speaker 1: to think of. I came to step McQueen. I came
4:32
Speaker 1: to being a Steph McQueen fan late late in life.
4:35
Speaker 1: I was always more of a Paul Newman guy, not
4:38
Speaker 1: because of hud or cat on a hot tin roof,
4:40
Speaker 1: but because of late era, older Paul Newman stuff, slap shot,
4:44
Speaker 1: the Verdict, Nobody's fool, the damaged, ornery Paul Newman. I
4:50
Speaker 1: think Paul Newman learned that attitude that he developed in
4:52
Speaker 1: those later years. I think he learned that coolness from
4:55
Speaker 1: Steve McQueen. Though, That's what I've come to learn, or
4:58
Speaker 1: come to think. Earlier in Paul's career he looked a part, sure,
5:02
Speaker 1: but he didn't have that effortless thing that Steve seemed
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Speaker 1: to come out of the womb with. Again I'm putting
5:08
Speaker 1: air quotes around effortless, and again keyword being seemed. Who
5:12
Speaker 1: did Steve McQueen learn his cool from. It wasn't Merlin Brando.
5:15
Speaker 1: And I can't think of one actor from an earlier
5:17
Speaker 1: generation that is a direct influence on Steve McQueen, if
5:20
Speaker 1: you can let me know. And by the time, though
5:23
Speaker 1: Steve McQueen made The Getaway in the early seventies, I
5:25
Speaker 1: think it came out in nineteen seventy two. By the
5:29
Speaker 1: time he made that movie, whatever his influences were, they
5:32
Speaker 1: all coalesced into a holy, unique, wildly compelling, impossible to
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Speaker 1: ignore a character. Steve McQueen's Don McCoy in The Getaway.
5:41
Speaker 1: It's it isn't a unique character so much as as
5:46
Speaker 1: Don McCoy, the guy that Steve McQueen is playing, is
5:49
Speaker 1: made unique by the character of the actor Steve McQueen
5:53
Speaker 1: playing the role, if that makes sense. Like, I'm sure
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Speaker 1: the Don McCoy character in the script did not come
5:59
Speaker 1: off as dynamic as it does on screen with Steve
6:04
Speaker 1: McQueen in that role, or as it would have come
6:06
Speaker 1: off with anyone else in the role. I can't think
6:08
Speaker 1: of any other actor on the planet who could have
6:10
Speaker 1: made you root for that character in that story up
6:12
Speaker 1: on that screen in that movie like Steve McQueen did.
6:14
Speaker 1: Maybe Al Pacino. That's the only one I was trying
6:17
Speaker 1: to think of before I came on the mic here,
6:19
Speaker 1: But not really, not at all. Actually, Don McCoy is vicious.
6:24
Speaker 1: He is a bad dude, but his coolness makes you
6:27
Speaker 1: look past that, and somehow there's something within him that
6:30
Speaker 1: you recognize as broken, eternally broken, that makes you empathize
6:34
Speaker 1: with him. The real Steve McQueen was vicious, in a
6:37
Speaker 1: lot of ways too. He was a horrendous person to
6:39
Speaker 1: be involved with romantically for many, many problematic reasons that
6:43
Speaker 1: we aren't going to litigate here, but to say that
6:45
Speaker 1: perhaps his broken childhood, that that imprinted his character, his
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Speaker 1: persona with some slight tinge of vulnerability to offset that
6:53
Speaker 1: famous hard assic stereo that was all too real. That
6:56
Speaker 1: is what I think is going on. That is what
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Speaker 1: I think Steve McQueen had that no one else had.
7:01
Speaker 1: Only so much though can be taken from watching Steve
7:03
Speaker 1: McQueen's movies. They're obviously a blast. I didn't even I've
7:07
Speaker 1: been talking for ten minutes here. I didn't even mention Bullet,
7:09
Speaker 1: I didn't mention The Great Escape. Just iconic movies. And
7:14
Speaker 1: we of course watched these films when we were putting
7:16
Speaker 1: together this episode, and we also, of course did a
7:19
Speaker 1: ton of research into Steve McQueen from various sources to
7:22
Speaker 1: help us paint the picture that we paint in the
7:24
Speaker 1: recent Disgrace sand episode. I'm going to take a quick
7:27
Speaker 1: break and I'm going to be back in a flash
7:28
Speaker 1: to discuss some of those sources. All Right, there's a
7:51
Speaker 1: bunch of books out there about Steve McQueen, and we
7:54
Speaker 1: used a handful of them for this episode, including but
7:57
Speaker 1: not this episode you're listening to now if you're new,
7:59
Speaker 1: there's a full episode, scripted sound design all on Steve McQueen. Okay,
8:03
Speaker 1: that's the episode I'm talking about that we used a
8:05
Speaker 1: handful of episodes, sorry, a handful of books to research for. Okay,
8:10
Speaker 1: biographies written by Mark Elliott, Marshall Terrell and Darwin Porter,
8:15
Speaker 1: not to mention an awesome documentary from twenty seventeen titled
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Speaker 1: Steve McQueen American Icon. Now you may be asking yourself
8:24
Speaker 1: why so many books? Why not one biography? Won't one do?
8:27
Speaker 1: I'll tell you why. And we come across this all
8:29
Speaker 1: the time in our research, various points of view on
8:32
Speaker 1: the subject that we are covering. You want to know
8:35
Speaker 1: when you're writing, even if you don't share the point
8:37
Speaker 1: of view, you want to know what those points of
8:38
Speaker 1: view are. You want to know what the other points
8:40
Speaker 1: of view are so that you can make sure that
8:42
Speaker 1: you're on the right side of history. You can make
8:43
Speaker 1: sure you can honestly, you can develop your own take
8:46
Speaker 1: on it. You take these varying points of view and
8:47
Speaker 1: you measure them up against each other, and you go
8:49
Speaker 1: with what you think is actually the truth of the
8:52
Speaker 1: story based on who the source is, how credible they are,
8:55
Speaker 1: what their agenda is, how they were incentivized by writing
8:59
Speaker 1: what they wrote or say what they said, et cetera,
9:01
Speaker 1: et cetera, et cetera. You often get different takes in
9:04
Speaker 1: different stories when you read an autobiography versus a biography
9:08
Speaker 1: okay written by somebody else, And of course then you
9:10
Speaker 1: have authorized biographies and unauthorized versions, and they all differ.
9:14
Speaker 1: They can differ quite a bit. What we try to
9:17
Speaker 1: avoid is the situation where you outline and write an
9:22
Speaker 1: episode of Disgraced Land, only to find out later that
9:25
Speaker 1: there were other sources with better information that we completely
9:29
Speaker 1: missed that would have provided us with a different point
9:32
Speaker 1: of view, would have molded how how we meld the
9:35
Speaker 1: source material that we get into to form our own take.
9:39
Speaker 1: This is, you know, and oftentimes there's just nuggets. If
9:44
Speaker 1: you go wide in the research and deep as opposed
9:47
Speaker 1: to just deep, there's often stories that have fallen to
9:51
Speaker 1: the wayside, great stories, great stories. One that comes to
9:55
Speaker 1: mind is in researching Charles Manson, and you know, you're
9:59
Speaker 1: sick of me talking about it. I know, but I've
10:00
Speaker 1: read a lot about Charles Manson. I've watched a lot
10:03
Speaker 1: about Charles Manson. I'm sure some of you have as well.
10:05
Speaker 1: A ton too much more for one person in one lifetime. Frankly,
10:10
Speaker 1: I'm sick of reading about and talking about Charles Manson, Okay,
10:14
Speaker 1: even though I just did it in the last Steve
10:15
Speaker 1: McQueen episode. However, I came upon this story two years
10:20
Speaker 1: ago from a Michael Kaine biography. Autobiography, by the way,
10:25
Speaker 1: written by Michael Kain. It is very hard to find,
10:28
Speaker 1: and that did not go unnoticed by me, and I
10:31
Speaker 1: think the reason that it is now hard to find
10:33
Speaker 1: is because of the Charles Manson story within it. And
10:36
Speaker 1: I've talked about this in the past, and it's a
10:38
Speaker 1: story where Michael Kain is at a pool party at
10:42
Speaker 1: Mama cass Elliott's house, I believe, and he runs into
10:46
Speaker 1: none other than Charles Manson and members of the family
10:49
Speaker 1: and Roman Polanski is at this party. Okay, that's huge.
10:54
Speaker 1: It puts Charles Manson at the same party with one
10:58
Speaker 1: of his victims husband's and I'm losing the thread now
11:03
Speaker 1: in my head with all the different stuff that's floating
11:05
Speaker 1: around in there, but I believe Sharon Tate might have
11:07
Speaker 1: been there as well. Nonetheless, even without Sharonate, it is
11:09
Speaker 1: a wildly interesting story part of the Manson Lord that
11:13
Speaker 1: is not in much of any of the other Charles
11:18
Speaker 1: Manson materials that you would normally go to. Another example
11:21
Speaker 1: of this is the Jimmy Hendrix episode that we released recently.
11:25
Speaker 1: There's the great story about Jimmy Hendricks getting kidnapped. Okay,
11:28
Speaker 1: this isn't in any of the Hendricks biographies because it's
11:31
Speaker 1: mainly a story about his manager. The best version of
11:34
Speaker 1: this story comes from the guy who's credited with saving
11:38
Speaker 1: the day here, Okay, who's like a gangster who told
11:40
Speaker 1: his story I believe to Rolling Stone back in the
11:42
Speaker 1: nineties or early two thousands. But I'm getting off track.
11:45
Speaker 1: The point is there's a lot of different material out there,
11:48
Speaker 1: and we try to scrape as much of it together
11:50
Speaker 1: as possible before we put these episodes down on tape
11:54
Speaker 1: or down on digital file. And of course we found
11:57
Speaker 1: this to be true with the Steve McQueen story, which
11:59
Speaker 1: is why we dove into the three separate biographies that
12:01
Speaker 1: I mentioned, the one by Darwin Porter. However, Steve McQueen,
12:04
Speaker 1: King of Cool Tales of a Lurid Life, that title
12:08
Speaker 1: a Foolin'. I don't think this is actually a very
12:11
Speaker 1: good book, so I'm not necessarily recommending that you read it.
12:14
Speaker 1: But this is the book where we dug up that
12:17
Speaker 1: very salacious tidbit about the supposed rivalry between Steve McQueen
12:22
Speaker 1: and John F. Kennedy, a standing bet that they had on. Well,
12:27
Speaker 1: you're gonna have to listen to the episode if you
12:29
Speaker 1: haven't already to hear about what Steve McQueen and John F.
12:31
Speaker 1: Kennedy bet on, a bet that was made when jfk
12:34
Speaker 1: was still just the junior senator from Massachusetts, which in
12:37
Speaker 1: my opinion makes it all the more believable than Hattie
12:39
Speaker 1: made the bet had he been present at the time,
12:42
Speaker 1: which he did he was senator junior senator, and which
12:45
Speaker 1: supposedly continued until he died in Dallas in nineteen sixty three. Great, great,
12:49
Speaker 1: great tidbit of information. Story is incredible. It's incredible to
12:53
Speaker 1: think of given that when these both men met, they
12:55
Speaker 1: weren't yet the icons that they were to become, just
12:57
Speaker 1: two dudes, almost literally having a dick measuring contest and
13:01
Speaker 1: a bathroom together. I want to know your thoughts aside
13:04
Speaker 1: from that. That was one of those sentences you say
13:07
Speaker 1: and you realize how silly it sounds after you say it,
13:10
Speaker 1: and that's why I'm laughing. But aside from that, I
13:12
Speaker 1: want to know what your thoughts are on Steve McQueen. Okay,
13:16
Speaker 1: John F. Kennedy Dick measuring contests. Aside with Steve McQueen,
13:19
Speaker 1: the king of cool as he has come to be known,
13:21
Speaker 1: was there a cooler actor in your estimation from back
13:25
Speaker 1: in the classic days of Hollywood in the sixties and
13:27
Speaker 1: the seventies, a cooler actor than Stephen McQueen. Is it
13:32
Speaker 1: Paul Newman? I don't think so, is it Burt Reynolds,
13:36
Speaker 1: Clint Eastwood? Can any modern leading man compare to Steve McQueen,
13:41
Speaker 1: or perhaps I would shine him? Brad Pitt, Tom Cruise,
13:43
Speaker 1: Leonardo DiCaprio. Dare I say Timothy Shallamy? I'm not going
13:47
Speaker 1: to say Timothy Shallamy or Tom Holland maybe who who
13:50
Speaker 1: falls into the same category, the same cool category as
13:53
Speaker 1: Steve McQueen, from either the past or the present. Six
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Speaker 1: one seven nine oh six six six three eight to
14:00
Speaker 1: let me know, just like this, text from the nine
14:03
Speaker 1: to one five. Yeo, Jake, it's Jim from the nine
14:06
Speaker 1: one five. Awesome, awesome, awesome Steve McQueen and the best
14:09
Speaker 1: of the best men miss him dearly, but you did
14:11
Speaker 1: him justice. Take care, Jake, peace out. All right, Well
14:14
Speaker 1: we know what Jim thinks. To Steve McQueen. That came
14:16
Speaker 1: quick asking you shall receive eight six to oh, right
14:19
Speaker 1: to your magnificent bastard. I've been hoping for this McQueen
14:21
Speaker 1: episode for months. I just watched Bullet last week and
14:24
Speaker 1: my thoughts were, one, back in the day, littler guys
14:27
Speaker 1: could still play convincing tough guys, whereas today it's all
14:30
Speaker 1: Helmsworth's and Rocks. That's a really interesting point. Even you
14:35
Speaker 1: you're smaller guys like I don't know, like Mark Wahlberg
14:39
Speaker 1: or something like, he's still jacked even though he's not
14:41
Speaker 1: very tall. Number two, Holy cow, does the camera adore
14:45
Speaker 1: Jacqueline Bissett, Yes, it does. I think immediately here this
14:49
Speaker 1: is me talking about number two here from the eight
14:52
Speaker 1: six oh. When you say Jaqueline Bisset eight six oh,
14:54
Speaker 1: I'm immediately thinking about that scene where they're out on
14:59
Speaker 1: that date and they're in that little like cafe. Is
15:02
Speaker 1: it a cafe? Is it a bar? There's like a
15:05
Speaker 1: band with a flute plane or something in bullet. I
15:07
Speaker 1: don't know what the fuck is happening there, what kind
15:09
Speaker 1: of place that is. But there's no there's no dialogue.
15:14
Speaker 1: I don't think you just you just trained on these
15:17
Speaker 1: two beautiful people, Steve McQueen and jack Lin Bessett. You
15:19
Speaker 1: can't take your eyes off of the number three. Robert
15:21
Speaker 1: Vaughn is the best smarmy bad guy. Uh is that
15:25
Speaker 1: a statement? Looks like a statement? And uh yeah, Robert
15:28
Speaker 1: Vaughn is really really dislikable as a character. All right,
15:35
Speaker 1: all right six one seven nine oh six six six
15:39
Speaker 1: three eight. You want to send me a text, that's
15:42
Speaker 1: how you do it. We shall also take your voicemail
15:44
Speaker 1: six one seven nine o six six six three eight.
15:48
Speaker 1: I'm gonna take a quick break though, back in a flash.
16:06
Speaker 1: All right, we are back and approaching the end of
16:08
Speaker 1: this week's after party. But if you, like me, don't
16:11
Speaker 1: want the after party to end just yet. If you
16:13
Speaker 1: need more of this, more behind the scenes stuff, more
16:15
Speaker 1: holy shit moments, more engagement, more interaction between me, between you,
16:19
Speaker 1: between you, and your fellow discos, more voicemails, more texts.
16:23
Speaker 1: We do a little bit of everything over in the
16:25
Speaker 1: Disgraceland All Access Membership feed that's on Patreon. Okay, head
16:30
Speaker 1: to disgracelandpod dot com slash membership just for five bucks
16:34
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Speaker 1: an annual membership, you will get not only an extended
16:40
Speaker 1: version of this here After Party each week, but one exclusive,
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Speaker 1: fully scripted episode of Disgraceland every month, like the all
16:46
Speaker 1: access only episode on Hunter S. Thompson that's waiting for
16:49
Speaker 1: you right now, and future episodes like the one on
16:51
Speaker 1: Lane s Daily from Alison Chains which is coming next week. Boscout.
16:54
Speaker 1: We get another one on Boscout, another one on Chris Cornell.
16:57
Speaker 1: Those are coming up in the months to come. Plus
17:00
Speaker 1: used to subscribe via Patreon. Like I mentioned before, you
17:03
Speaker 1: will get access to an always on chat with me.
17:05
Speaker 1: I'm in there every day pretty much and all the
17:07
Speaker 1: other discos. We're in there talking about music, we're talking
17:10
Speaker 1: about movies, We're talking about everything we're talking about in
17:12
Speaker 1: this Year After Party. It's just more of it. I'm
17:15
Speaker 1: in there answering questions, asking questions, sharing playlists, getting recommendations,
17:20
Speaker 1: all kinds of stuff. You can guess what we're doing
17:22
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17:40
Speaker 1: dot com slash membership. To sign up for disgrace Land
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Speaker 1: all access and get more disgrace Land in your life.
17:46
Speaker 1: Like I said, this extended version of the After Party
17:48
Speaker 1: where we are going to be talking about the quote
17:50
Speaker 1: unquote holy shit moment. And that's Steve McQueen biography, not
17:53
Speaker 1: involving jfk okay, involving Elvis Presley. So if you want
17:57
Speaker 1: to go deeper with us, you want to go deeper,
17:59
Speaker 1: you got to get this all access version of the
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18:05
Speaker 1: gets you all this hank tight back in the flash.
18:24
Speaker 1: All right, let's recap, shall we Number one? There is
18:26
Speaker 1: more after party you'll listen to right now. All you
18:29
Speaker 1: gotta do is go to disgrace lampod dot com slash
18:31
Speaker 1: membership and sign up to become an All Access member.
18:34
Speaker 1: But if that ain't your bag, then number two right
18:36
Speaker 1: now in your feed. A brand new episode on Steve
18:39
Speaker 1: McQueen number three coming tomorrow. A rewind episode on Agchy
18:43
Speaker 1: Pop number four. Over in the Badlands Feed, we got
18:46
Speaker 1: an episode from the archive on Sunny List to number five.
18:48
Speaker 1: Next week in the Disgrace Land Feed, a brand new
18:50
Speaker 1: episode on Van Halen number six. My number six one seven,
18:54
Speaker 1: nine oh six, six sixty three eight calling on the
18:56
Speaker 1: telephone or text me number seven. Remember, no one cares
18:58
Speaker 1: about the music you love more than you doing well.
19:00
Speaker 1: That's a disgrace. And now my moment of bliss in
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Speaker 1: honor of this week's episode on Steve McQueen. Hailing from
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Speaker 1: Beech Grove, Indiana, just outside of Indianapolis, me reading you
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Speaker 1: the Indianapolis city directory from the year of McQueen's birth
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Speaker 1: nineteen thirty. Betna Student R four one two five Broadway,
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Speaker 1: Indirez Betty R one three three eight, Columbia av Missus
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Speaker 1: Betty Dishwasher R one five two eight, mil H Bingham
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Speaker 1: two three zero one and a half. Bellefonte dom Birdie
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Speaker 1: six one three North Senate Avenue, Sharwin bionce h five
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Speaker 1: four four East nineteen five two eight Missus beyonce h
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Speaker 1: two three four six s boyer h three one two
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Speaker 1: six one thirteen part had I in dear r we
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Speaker 1: boycation each one one two seven round see back each
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Speaker 1: two one. Quit talking and start mixing