Latest / Murder Files Unsealed / “Black Widow” Hit List: The Calculated Murder of John Davis
Transcript
- 0:00Speaker 1: So I want you to picture the biting like bone
- 0:03chilling cold of a Pennsylvania winter night.
- 0:05Speaker 2: Oh that damp cold.
- 0:07Speaker 1: Yeah exactly. It's December seventeenth, two thousand and one, literally
- 0:10exactly one week before Christmas.
- 0:12Speaker 2: Right.
- 0:13Speaker 1: People are rushing home doing all their last minute shoping.
- 0:15The neighborhoods are all lit up, and right in the
- 0:17middle of all this this holiday anticipation, there is a
- 0:22sprawling David's Bridal warehouse.
- 0:25Speaker 2: Out in White Marsh Township, right just outside of Philly.
- 0:28Speaker 1: Yeah exactly. And normally, you know, a place like that
- 0:31is kind of the ultimate symbol of optimism.
- 0:32Speaker 2: Sure, it's wedding dresses, right.
- 0:34Speaker 1: It's where thousands of gowns are shipped out. You associate
- 0:37it with new beginnings, nervous brides, families coming together. But
- 0:41in the dimly lit employee parking lot of this massive
- 0:44distribution hub, that narrative just violently.
- 0:47Speaker 2: Shifts, it really does.
- 0:48Speaker 1: This place becomes the site of a chilling, like, highly
- 0:51calculated execution.
- 0:52Speaker 2: It's the ultimate contrast. You have this industry built entirely
- 0:56on romantic hope serving as the backdrop for a crime
- 0:59driven by honestly the darkest, most twisted manifestation of romantic obsession.
- 1:05Speaker 1: Yeah, that's exactly what it is.
- 1:07Speaker 2: We are looking at a scenario where the everyday, mundane
- 1:11reality of warehouse logistics collides with just a terrifying level
- 1:15of paranoia. When you read through the investigative reports and
- 1:19the court records detailing this case, they read less like
- 1:22a standard robbery and more like a psychological thriller.
- 1:25Speaker 1: And we're going to dive straight into the mechanics of
- 1:28that thriller today.
- 1:29Speaker 2: Absolutely.
- 1:30Speaker 1: We are pulling from the book The Black Widow hit List,
- 1:33Murder and David's Bridle, which reconstructs the case through court records,
- 1:37news reports, and interviews from true crime documentaries. But we
- 1:40are going beyond those tabloid headlines today.
- 1:43Speaker 2: Yeah, specifically that Moniker the Black Widow hit.
- 1:45Speaker 1: List, right, because that was plastered all over the news
- 1:48at the time.
- 1:48Speaker 2: It really was. But our mission for this deep dive
- 1:51is to dissect the actual anatomy of a deeply toxic relationship.
- 1:55We need to explore how unfulfilled ambition, insidious coercive control,
- 2:00an extreme, unchecked paranoia culminated in a bizarre, handwritten five
- 2:06man hit list.
- 2:07Speaker 1: It is so bizarre and without giving away all the
- 2:10twists right out of the gate. This story takes us
- 2:13to some very strange intersections.
- 2:15Speaker 2: It really goes everywhere it does.
- 2:17Speaker 1: I mean, we start in warehouse logistics, but we are
- 2:19going to find ourselves diving deep into the vibrant Philadelphia
- 2:24R and B music scene of the nineteen nineties, which
- 2:26is wild. Okay, let's unpack this. Let's go right back
- 2:29to that freezing December night in two thousand and one
- 2:32and look at the physical reality of the crime scene.
- 2:35Speaker 2: So we're in White Marsh Township. The police arrive at
- 2:38the parking lot and the victim is John A. Davis Junior. Okay,
- 2:41he's thirty six years old and he's a supervisor at
- 2:44this David's Bridal warehouse. And the scene is well, it's
- 2:48essentially frozen in time.
- 2:50Speaker 1: What do you mean by frozen?
- 2:51Speaker 2: Davis is slumped in the driver's seat of his Nissan van.
- 2:54But the detail that gives you pause is the state
- 2:57of the vehicle. Right the engine is still running, blowing
- 3:00warm air into the cold night, and Davis's foot is
- 3:03still pressed firmly on the brake pedal.
- 3:04Speaker 1: Oh wow, so he hasn't even shifted into gear to leave.
- 3:07Speaker 2: No, not at all.
- 3:08Speaker 1: He is literally interrupted mid departure. If you're a detective
- 3:13walking up to that van, what does that physical posture
- 3:16tell you before you even open the door.
- 3:19Speaker 2: It tells you immediately that this was an ambush. He
- 3:22just didn't see it coming. I mean, human instinct when
- 3:25confronted with a threat while behind the wheel is flight right,
- 3:28you punch the gas exactly, Yeah, you take your foot
- 3:30off the brake, you hit the gas, you tried to duck,
- 3:34or you throw the car into reverse. The fact that
- 3:37his foot is still resting heavy on the brake means
- 3:39his brain didn't even have the millisecond required to register
- 3:43a threat.
- 3:43Speaker 1: That is terrifying.
- 3:45Speaker 2: It really is. He was sitting there, likely waiting for
- 3:47the engine to warm up, maybe listening to the radio,
- 3:50and his life simply stopped. And then there's the second
- 3:53detail that changes the entire trajectory of the night for
- 3:56law enforcement.
- 3:57Speaker 1: A wallet.
- 3:57Speaker 2: Yes, his wallet is still in his pocket. It contains
- 4:00approximately seven hundred dollars in cash, untouched.
- 4:04Speaker 1: Okay, See that changes everything. Yeah, because if you hear
- 4:06about a shooting in an industrial park late at night,
- 4:09your brain naturally goes to a.
- 4:11Speaker 2: Mugging sure, a robbery gone wrong, right, But.
- 4:14Speaker 1: If a guy has seven hundred dollars in his pocket
- 4:16and the killer doesn't even bother to check, you have
- 4:18to throw the robbery theory right out the window. You
- 4:21did if the wallet is there, wipull the trigger well.
- 4:24Speaker 2: The untouched money forces investigators to look at the ballistics
- 4:27to understand the intent. And Davis was shot a total
- 4:30of three times. Okay, one shot was delivered to the
- 4:33back of the head at very close range. Two more
- 4:35shots were fired into his torso, but from slightly different angles,
- 4:38and all three bullets were fired from the exact same firearm.
- 4:42Speaker 1: Let's analyze that sequence. One in the back of the
- 4:45head at close range, two in the torso. That is terrifyingly.
- 4:49Speaker 2: Precise, highly precise.
- 4:51Speaker 1: A close range headshot is basically an execution. It's someone
- 4:55walking right up to the glass. If I'm a detective
- 4:58looking at a guy with untouched cash and an execution
- 5:01style shooting, my mind jumps immediately to a professional.
- 5:04Speaker 2: Hit, like an organized crime element exactly.
- 5:07Speaker 1: But at the same time, this is a warehouse manager
- 5:09at a bridal company. So how do investigators pivot from
- 5:12thinking professional assassin to deeply personal vendetta because they can
- 5:19look eerily similar on paper.
- 5:21Speaker 2: They do look similar, but the underlying energy is completely different.
- 5:24And that's what detectives look for. A professional kills with detachment.
- 5:28It's just a job to them, right, nothing personal exactly.
- 5:31They want it done quickly and quietly and sure. The
- 5:34close range headshot mimics that, but highly personal vendettas often
- 5:38mimic professional hits when there is an extreme obsessive level
- 5:42of jealousy or hatred involved. I see an obsessed individual
- 5:46kills with a desperate need for finality. They want to
- 5:49make absolutely sure the person is gone. The two follow
- 5:52up shots to the torso from different angles suggest.
- 5:55Speaker 1: Movement like panic or adrenaline.
- 5:56Speaker 2: Adrenaline yes, or maybe even a secondary participant. When the
- 6:00money is left behind and the victim is someone whose
- 6:03life doesn't brush up against organized crime or high stakes finance,
- 6:07the investigator knows they are looking for a personal.
- 6:09Speaker 1: Connection, a motive rooted in emotion, not business, which means
- 6:13they have to dissect John Davis's life to find out
- 6:16who could possibly hate him this much. And that brings
- 6:20us to the tragedy of who John Davis actually was.
- 6:22Speaker 2: Yeah, his background makes this so much harder to process.
- 6:26Speaker 1: When you read the accounts of the people who worked
- 6:28with him, the violence of his death seems even more incomprehensible.
- 6:33This was a thirty six year old guy whose entire
- 6:36career was built around logistics and people management.
- 6:39Speaker 2: He was a supervisor, right.
- 6:41Speaker 1: He oversaw the distribution of formal wear across the entire
- 6:45Northeast region. That is a high stress, fast paced environment
- 6:49with a million moving parts. Absolutely, you expect a manager
- 6:52in that role to be a bit of a tyrant
- 6:53just to get things done, but he wasn't the opposite.
- 6:57Speaker 2: Actually, there's a great quote from one of his coworkers,
- 6:59Bobby Ways, who described Davis as being exceptionally good at
- 7:03team building and motivating people.
- 7:05Speaker 1: That's rare in that kind of setting.
- 7:06Speaker 2: It is he had this rare ability to inspire confidence
- 7:09in his warehouse staff. He was the kind of boss
- 7:11who made a vast, demanding, physically exhausting warehouse feel like
- 7:15a supportive community. He was known for staying late, helping
- 7:19load trucks if they were behind schedule, and he actually
- 7:22knew the names of everyone's kids.
- 7:24Speaker 1: That's the mark of a really good guy.
- 7:26Speaker 2: Hmmm.
- 7:26Speaker 1: And outside of work, he was a dedicated father. He
- 7:30had a positive, healthy relationship with his ex wife, which
- 7:33I think speaks volumes about his emotional maturity.
- 7:36Speaker 2: I really does.
- 7:37Speaker 1: He had zero known enemies, He wasn't involved in gambling,
- 7:41he wasn't in debt, he wasn't wrapped up in illicit activities.
- 7:45He was a beacon of stability, cletely clean. So how
- 7:48does a guy with no dark secrets end up executed
- 7:53in a van?
- 7:53Speaker 2: To answer that, we have to introduce a name from
- 7:55his past. Vernelle Jones, Okay, Brunel Jones. She was a
- 7:58former employee at the David's Bridal warehouse. She had worked
- 8:02there alongside John Davis before she eventually left the company. Now,
- 8:06the source material is very explicit about this boundary, and
- 8:09it's crucial to establish it right now. Definitely, the relationship
- 8:12between John Davis and Vernelle Jones was strictly professional. It
- 8:16was friendly, yes, because Davis was a friendly, approachable manager,
- 8:19But there was absolutely zero romantic involvement between them.
- 8:23Speaker 1: That is a vital point to underline. There was no affair,
- 8:27no secret romance, no inappropriate workplace dynamic at all. None.
- 8:32He was just being a supportive former boss and the
- 8:36heartbreaking part is that friendly nature is exactly what set
- 8:40the trap. Yes, because on the evening of December seventeenth,
- 8:43the night of the murder, Davis gets a voicemail on
- 8:46his cell phone is from Vernelle.
- 8:48Speaker 2: Jones, right out of the blue.
- 8:49Speaker 1: Yeah, she suggests they reconnect, grab a drink, catch up,
- 8:52and you.
- 8:52Speaker 2: Have to think about the psychology of receiving a message
- 8:55like that. Davis actually mentions this voicemail to a coworker
- 8:58before he leaves his shift. Oh really Yeah, He expresses
- 9:02a little bit of apprehension. He's wondering why a former
- 9:04employee wants to meet up out of the blue, But
- 9:08ultimately his nature wins out. He decides to be nice,
- 9:11He decides to be polite. He expresses an openness to it.
- 9:14Speaker 1: I mean, think about your own daily life. How many
- 9:17times have you gotten a text from an old coworker
- 9:19wanting to grab coffee or pick your brain. You never
- 9:21assume you're walking into an ambush. You assume they need
- 9:24a reference, or they just want to vent about their
- 9:26new job. It exploits normal, everyday politeness, exactly the very
- 9:32qualities that made John Davis so well loved his approachability,
- 9:36his willingness to connect with people were weaponized against him.
- 9:40If he had been a colder person, if you just
- 9:42deleted the voicemail from the former employee, he would still
- 9:46be alive.
- 9:46Speaker 2: He was lured precisely because he was a decent human being.
- 9:50But to understand why Vernelle Jones was calling him, and
- 9:53why that call led to a bullet in the back
- 9:55of his head, we have to look past the victim
- 9:57and the bait. We have to focus on the person
- 10:00the strings, the man who orchestrated this entire nightmare.
- 10:03Speaker 1: Let's bringing Kenny Burnout Junior. He's in his early thirties
- 10:07at the time of the murder, and his background is
- 10:09where the story takes this massive, unexpected left turn away
- 10:13from warehouse logistics and straight into the Philadelphia music scene.
- 10:17Speaker 2: This part is always so shocking to me.
- 10:19Speaker 1: It is wild. Berno had deep ties to the vibrant
- 10:23Philly R and B scene in the late eighties and
- 10:26early nineties. In fact, he was a former member of
- 10:28a vocal group called Unique Attraction.
- 10:32Speaker 2: Unique Attraction, Yes, and.
- 10:34Speaker 1: For anyone who doesn't know music history, Unique Attraction is
- 10:37the group that eventually evolved into the internationally massive diamond
- 10:40selling R and B group boys to.
- 10:43Speaker 2: Him men, that context is staggering when you consider the
- 10:46trajectory of his life.
- 10:47Speaker 1: He was right there. He was at the genesis of
- 10:49one of the biggest music acts of the entire decade.
- 10:52But Berno didn't ride that wave to stardom. No, he didn't.
- 10:56The sources indicate he left the group due to personal responsibilities. Specifically,
- 11:02a former girlfriend of his got pregnant and he had
- 11:04to step away to provide to the family. So he leaves,
- 11:07and the guys who was singing harmonies with go on
- 11:08to sell millions of records, win Grammys, and tour the world.
- 11:12Speaker 2: What's fascinating here is how that specific flavor of thwarted
- 11:15ambition alters a person's psychology. We aren't just talking about
- 11:19someone who wanted to be famous and failed.
- 11:21Speaker 1: It's way deeper than that.
- 11:22Speaker 2: We are talking about someone who was on the exact
- 11:24precipice of global fame, immense wealth, and adulation and had
- 11:30to walk away from mundane everyday responsibilities.
- 11:34Speaker 1: Yeah.
- 11:34Speaker 2: His brother Lamar was interviewed later and claims that Burno
- 11:37didn't hold any bitterness toward the other guys in the group,
- 11:41but psychologically speaking, when a person has that magnitude of
- 11:45unfulfilled ambition when they have to watch their peers achieve
- 11:49their exact dream. That energy rarely just dissipates. If it
- 11:54isn't processed in therapy or channeled into a healthy creative outlet.
- 11:58Speaker 1: It ferments, It turns into something thing ugly.
- 12:00Speaker 2: It mutates into a desperate need for significance and control.
- 12:04Speaker 1: So if he has all this prustrated energy from missing
- 12:06out on boys the seconds, he doesn't just start a
- 12:09new band. He takes it out on the people closest
- 12:11to him. Unfortunately, Yeah, he enters into a relationship with
- 12:14Vernelle Jones, who crucially was an aspiring singer herself.
- 12:18Speaker 2: Right she harbored dreams of musical stardom.
- 12:21Speaker 1: And Berno saw an opportunity there. He positioned himself not
- 12:25just as her boyfriend, but as her promoter, her manager,
- 12:29her gateway into the industry. He essentially took his thwarted
- 12:32career goals and projected them entirely onto her.
- 12:35Speaker 2: He created a dynamic where he was the sole arbiter
- 12:38of her success, and in doing so, he demanded absolute,
- 12:43terrifying control over her life.
- 12:44Speaker 1: It's like Burno, is this frustrated theater director.
- 12:46Speaker 2: That's a good way to look at it.
- 12:48Speaker 1: He got kicked out of a massive Broadway hit right
- 12:50before opening night, and instead of moving on, he decides
- 12:54he is going to violently stage manage real life instead.
- 12:57Speaker 2: Wow.
- 12:57Speaker 1: He treats Arnelle like an understudy or her entire where
- 13:00reality is bounded by the stage he builds, He dictates
- 13:03her wardrobe, who she talks to, where she goes total
- 13:05control right, and if she steps off his stage by
- 13:08talking to a former lover or even a friendly former boss,
- 13:11she ruins the production. So he forces her to write
- 13:14those characters out of the script permanently.
- 13:16Speaker 2: That analogy gets right to the core of the narcissistic
- 13:19control at play here. A director believes they are the
- 13:22omnipotent creator of the world on stage. Burno believed he
- 13:26should have that same omnipotence in his relationship.
- 13:29Speaker 1: Which is terrifying.
- 13:30Speaker 2: It is a hallmark of these abusive dynamics is the
- 13:32dual PERSONA Berno came from a close, seemingly supportive family background.
- 13:38Oh really, yeah, he could present a completely normal, even
- 13:41charming facade to the outside world. He could walk into
- 13:44a room and be the charismatic music manager but behind
- 13:47closed doors, the volatility was extreme. He maintained a tyrannical,
- 13:51violent dictatorship over Jones.
- 13:54Speaker 1: Let's talk about the reality of that dictatorship. Yeah, because
- 13:56how do we get from a controlling boyfriend who dictates
- 13:59who she talks to to a literal hit list in
- 14:02a David's bridal parking lot.
- 14:04Speaker 2: It's a huge escalation, it is, and that brings us to.
- 14:06Speaker 1: The introduction of Vernell Jones and the Moniker. The media
- 14:09is slapped on this case.
- 14:11Speaker 2: The black widow, so Vernelle Jones was in her early
- 14:13thirties desperate for that gateway into the music industry. She
- 14:17believed Burno was the key, but the price of admission
- 14:20was enduring a horrific daily reality. The testimony later revealed
- 14:24that Jones was subjected to intense physical, emotional, and sexual
- 14:28abuse by Burno. Jesus, we aren't just talking about a
- 14:31toxic relationship. We were talking about systematic dismantling of her agency.
- 14:36Speaker 1: And layered on top of that physical abuse is Burno's extreme,
- 14:41almost hallucinatory paranoia regarding Jones's past.
- 14:45Speaker 2: The jealousy was out of control.
- 14:46Speaker 1: He becomes obsessed with her prior romantic history. He demands
- 14:51to know everything about anyone she had ever been involved with,
- 14:54or anyone he perceived she might have been involved with.
- 14:57Speaker 2: Right perception was everything.
- 14:58Speaker 1: It doesn't matter if it was a serial his boyfriend,
- 15:00or just a guy who smile at her in a
- 15:02warehouse three years ago. This obsession culminates in a physical artifact,
- 15:07a handwritten list the hit list, Yes, a hit list
- 15:10of five men identified only by their initials.
- 15:13Speaker 2: This is where the psychological manipulation reaches its absolute zenith.
- 15:16Burno presents Jones with an ultimatum. He tells her she
- 15:19has to eliminate the men on this list to prove
- 15:22her loyalty.
- 15:22Speaker 1: To him, to literally kill them.
- 15:24Speaker 2: Yes. If she doesn't, the relationship is over, and by extension,
- 15:28her dreams of a music career are over. But more implicitly,
- 15:32given the physical abuse, if she disobeys, her own life
- 15:35is likely in danger.
- 15:37Speaker 1: It is a deadly test of loyalty.
- 15:38Speaker 2: It is, but the mechanism of this test is vital
- 15:41to understand. Burno engineered a chilling ritual of shared culpability.
- 15:46Speaker 1: What do you mean by that?
- 15:47Speaker 2: According to the accounts and forensic reconstruction, Burno was the
- 15:51one who planned the hit on Davis, he drove her
- 15:54to the scene, he fired the initial fatal shot into
- 15:57the back of John Davis's head, okay, and then he
- 16:01handed the gun to Jones and forced her to fire
- 16:03the additional rounds into the victim's Torso I.
- 16:06Speaker 1: Really want to pause here and debate the media's framing
- 16:09of this, because the prosecutors use the term, the documentaries
- 16:12use the term, and even our source material highlights the
- 16:15black widow label.
- 16:16Speaker 2: Yeah, it's everywhere, But when I hear black.
- 16:18Speaker 1: Widow, the implication is a woman who is a cold,
- 16:21calculating predator, a woman who intentionally lures man into her
- 16:25web and kills them for her own financial game or
- 16:29malicious enjoyment. But based on the mechanics you just described,
- 16:33the physical abuse, the forced participation, that doesn't fit the reality,
- 16:37not at all. So by calling her a black widow,
- 16:41isn't the media using a catchy, misogynistic misnomer that actually
- 16:46obscures the very real, very dark reality of severe domestic abuse.
- 16:52Doesn't it sort of let Burno off the hook by
- 16:54framing her as the mastermind seductress.
- 16:57Speaker 2: You're exactly right about the media sensationalism of scaring the truth,
- 17:01But legally and ethically we still have to grapple with
- 17:03the fact that she was a willing participant in pulling
- 17:06the trigger.
- 17:06Speaker 1: Right.
- 17:07Speaker 2: The black widow trope is incredibly seductive for tabloids because
- 17:09it fits a recognizable narrative archetype. It sells papers, of
- 17:13course it does, but sociologically it fundamentally misrepresents the power
- 17:17dygritics of coercive control. When you look at the mechanics
- 17:19of domestic violence, particularly the extreme cases, forcing a victim
- 17:23to participate in a crime is the ultimate tool of
- 17:26an abuser.
- 17:27Speaker 1: Because it binds them to you legally exactly.
- 17:30Speaker 2: It's about manufacturing inescapable complicity. Why force her to fire
- 17:35the gun after the victim is already dead or dying,
- 17:38to make her part of it. Yes, because once her
- 17:40finger pulls that trigger and her DNA is potentially on
- 17:43that weapon, or she knows she is an accessory to murder,
- 17:47she can never go to the police. Wow, she can
- 17:50never leave him. She is now a murderer too. She
- 17:53is trapped in his web. If anyone is the spider
- 17:56in this scenario, it's burnout.
- 17:57Speaker 1: That makes total sense.
- 17:59Speaker 2: The black widowly diminishes her status as a victim of
- 18:02profound course of control and elevates her to an orchestrator,
- 18:06which contradicts the physical evidence of Bernau initiating the violence.
- 18:09Speaker 1: But again, we can't ignore it. She didn't warn Davis, No,
- 18:12she did. She made the phone call, she set.
- 18:14Speaker 2: The bait, right coerced or not, She made a choice
- 18:17to protect herself over the lives of the men on
- 18:19that list, and John Davis, as tragic as it is,
- 18:22was actually victim number two.
- 18:24Speaker 1: Oh wow, wait, victim number two.
- 18:26Speaker 2: Yes. To really understand how they arrived at that David's
- 18:30bridal parking lot and how this dynamic escalated, we have
- 18:33to look backward. We have to look at the terrifying
- 18:35trial run that happened months earlier.
- 18:37Speaker 1: Okay, let's get into that.
- 18:39Speaker 2: We need to flash back to October of two thousand
- 18:42and one, so two months before John Davis was murdered.
- 18:45This brings us to target number one on Bernau's handwritten list.
- 18:48Target number one, a man named Ronald Humphrey.
- 18:51Speaker 1: Okay, so Humphrey's profile is very different from Davis's because
- 18:55Humphrey was a Philadelphia firefighter and crucially, he was actually
- 18:59an ex lover of Vernell Jones, right. It wasn't just
- 19:02a friendly former co worker. There was a documented romantic
- 19:06history there which placed him squarely in the center of
- 19:09Berno's paranoid delusions exactly.
- 19:11Speaker 2: And the incident in October is chaotic. There is an
- 19:14encounter inside Humphrey's truck in Philadelphia, Jones is present and
- 19:18Humphrey is shot. Oh man, But there is one critical
- 19:22world altering difference between this incident and what happened to
- 19:26John Davis.
- 19:27Speaker 1: What's up?
- 19:28Speaker 2: Ronald Humphrey survived.
- 19:29Speaker 1: Oh thank god he lived to tell the tale he did,
- 19:32and the quote he gave to the police from his
- 19:34hospital bed is incredibly blunt and leaves zero room for misinterpretation.
- 19:39Speaker 2: It's a very direct quote.
- 19:40Speaker 1: Yeah he told the detectives quote that bitch shut me unquote.
- 19:44Speaker 2: That's survival, and that direct identification is monumental, I bet,
- 19:49because not only did he survive to point the finger,
- 19:52but that October shooting provided the ultimate forensic link for
- 19:56the entire investigation. The bullet that was recovered from humphrey
- 19:59shooting was analyzed by the crime lab.
- 20:01Speaker 1: So let's talk about how that works in two thousand
- 20:04and one, because it's not like TV where a computer
- 20:06spits out a match in ten seconds.
- 20:07Speaker 2: No, not at all. In two thousand and one, ballistics
- 20:09matching is a very meticulous physical process. Right When a
- 20:13bullet travels down the barrel of a gun, the rifling,
- 20:16the spiral grooves inside the barrel that make the bullet
- 20:19spin for accuracy, leaves distinct microscopic scratches.
- 20:24Speaker 1: On the metal of the bullet, like little lines.
- 20:26Speaker 2: Yes, these are called striations. Every single gun barrel leaves
- 20:29a slightly different pattern of striations, almost like a fingerprint,
- 20:33due to the manufacturing process and general wear and tear. Okay,
- 20:36ballistics experts look at the bullet recovered from Humphrey under
- 20:39a comparison microscope side by side with the bullets recovered
- 20:43from John Davis, and they just line them up exactly.
- 20:46They are looking to see if those microscopic scratches line
- 20:49up perfectly, and in this case they did.
- 20:52Speaker 1: Wow.
- 20:52Speaker 2: It proved definitively that the exact same gun was used
- 20:56in both crimes.
- 20:58Speaker 1: So we have a botched attempt in October where the
- 21:01victim lives and names the shooter, and a successful execution
- 21:04in December. If you are analyzing the psychological escalation here.
- 21:11What does that timeline tell you? It's very telling, because
- 21:13common sense says, if you try to shoot someone and
- 21:15they live and they know who you are, you go
- 21:18into hiving, you panic, you throw the gun in a
- 21:20river and skip town. But Burno and Jones didn't.
- 21:23Speaker 2: No, they didn't panic, and that speaks to the absolute
- 21:26delusion in arrogance driving Kenneth Burno.
- 21:28Speaker 1: Arrogance is the right word.
- 21:30Speaker 2: If we extrapolate from the psychology of coercive control and narcissism.
- 21:34Humphrey's survival didn't serve as a deterrent. It served as
- 21:37a brutal learning curve.
- 21:39Speaker 1: Oh that is so dark.
- 21:40Speaker 2: It made Berno refine his methods. Think about the mechanics
- 21:43of the two crimes. The first attempt in the truck
- 21:46was chaotic, close quarters, perhaps impulsive in its execution. So
- 21:51for target number two, John Davis, they change the plan entirely.
- 21:55They use bait. They lure him to a dark, isolated,
- 21:58familiar parking lite, so premeditated. Burno takes the lead to
- 22:02ensure the first shot is lethal from behind. They learn
- 22:05from their failure, and we know this wasn't going to stop.
- 22:08Speaker 1: Why because of what Burno said, Yes.
- 22:10Speaker 2: After Davis was murdered, Burno reportedly uttered an absolutely shilling
- 22:14sentence to Jones. He said, one down, four.
- 22:17Speaker 1: To go, one down, four to go. That is sick.
- 22:20It is he didn't even count Humphrey because Humphrey lived.
- 22:23Davis was the first success in his twisted mind.
- 22:26Speaker 2: Exactly.
- 22:26Speaker 1: He is basically gamifying murder. But going back to the investigation,
- 22:31you have a surviving victim in Philadelphia who names Vernell Jones,
- 22:35and you have a bullet from that shooting that matches
- 22:37a bullet in a brand new homicide in Montgomery County.
- 22:40Speaker 2: It's a gold mine for a detective.
- 22:42Speaker 1: A surviving victim and a matching bullet is an absolute
- 22:46dream scenario, which shifts the narrative directly into the investigative breakthrough.
- 22:52How did the police start putting these pieces together?
- 22:54Speaker 2: It's a rapid, methodical unraveling from there the investigation into
- 22:58the Davis murder. Prosecutor in the region, okay, I know that,
- 23:10as we discussed earlier, they looked at the crime scene,
- 23:12the running car, the untouched money, and immediately pivoted away
- 23:17from a robbery motive.
- 23:18Speaker 1: They know it's personal, so they do what you do
- 23:20in the early two thousands. They go straight to the
- 23:22cell phone record exactly. It's not smartphones with GPS tracking yet,
- 23:26but they can pull the call logs and there it is,
- 23:29sitting right there on John Davis's phone records, the voicemail
- 23:34from Vernelle Jones left on the very evening he was killed.
- 23:37Speaker 2: The bait, the bait. That voicemail is the thread they
- 23:40start pulling. It gives them the name they need. They
- 23:43look up Vernelle Jones, they see she's a former employee.
- 23:46The connection is established, so the police reach out and
- 23:49ask her to come in for an interview. Now, under
- 23:52normal circumstances, a suspect and a murder investigation might try
- 23:57to play it cool. Sure, they might bring a lawyer,
- 23:59or they might just feign complete ignorance and answer questions politely.
- 24:04But Vernell Jones makes a crucial, bizarre mistake.
- 24:08Speaker 1: What did she do?
- 24:09Speaker 2: She brings Kenneth Burno with her to the police station.
- 24:12Speaker 1: Let's analyze that. Yeah, why on earth would you bring
- 24:16your abusive, murderous boyfriend to the police station when you
- 24:20were being questioned about a murder you both just committed.
- 24:23Speaker 2: It makes no sense.
- 24:24Speaker 1: Was it him demanding to go to keep an eye
- 24:27on her to make sure she didn't crack under the pressure.
- 24:29Speaker 2: Almost certainly, it circles entirely back to that coercive control.
- 24:33Berno couldn't trust her to be out of his site,
- 24:35especially not in a room full of experienced homicide detectives.
- 24:38He needed to manage the narrative. He needed to be
- 24:40the director of the scene too, But in doing so,
- 24:43he trips his own wire. How so well The sources
- 24:47detail how Burno's behavior in the waiting room and during
- 24:49the interview process was overly inquisitive.
- 24:52Speaker 1: Oh, he has too many questions, way too many.
- 24:55Speaker 2: He wasn't acting like a supportive boyfriend comforting a grieving
- 24:59former call. He was asking the detectives too many questions typical.
- 25:04He was trying to figure out exactly what the police knew,
- 25:08what physical evidence they had recovered from the parking lot,
- 25:10who they were talking to.
- 25:12Speaker 1: It's the sheer arrogance of the narcissist. He genuinely thinks
- 25:16he's the smartest guy in the room.
- 25:17Speaker 2: Always.
- 25:18Speaker 1: He thinks he can counter interrogate seasoned homicide detectives and
- 25:21they won't notice. But all he's doing is shining a massive,
- 25:25flashing spotlight on himself precisely.
- 25:28Speaker 2: Narcissism often demands that the individual feels superior to authority.
- 25:33Burno couldn't resist the urge to probe the detectives, believing
- 25:36he could outsmart them and steer the investigation away from them.
- 25:39Speaker 1: But cups pick up on that immediately.
- 25:41Speaker 2: They recognize that behavior instantly. A grieving friend doesn't try
- 25:45to cross examine the police about ballistics or timelines. No,
- 25:48they just try exactly a guilty party does the questioning.
- 25:51His behavior gave the detectives the gut instinct they needed
- 25:54to look closer at him.
- 25:56Speaker 1: Here's where it gets really interesting. Though. You have Burno
- 25:59acting highly suspicious in Montgomery County where the Davis murder happened, right,
- 26:03But you also have the Philadelphia Police Department dealing with
- 26:06the Ronald Humphrey shooting from October. These are two different jurisdictions.
- 26:11How often do neighboring police departments actually communicate effectively, especially
- 26:15back in two thousand and one, It can be.
- 26:17Speaker 2: A challenge, for sure, But when a firearm is involved,
- 26:20ballistics databases are the bridge. The interagency cooperation here is
- 26:25what locked the trap ah the bullets. Yes, Montgomery County
- 26:29has the Davis homicide, the suspicious voicemail, and the bizarre
- 26:33behavior of Bernou and Jones. Right PHILLYPD has the Humphrey
- 26:37survival and the direct accusation against Jones. Once the crime
- 26:41labs run the bullets and confirm the match, the jurisdictions
- 26:44realize they are working the exact same conspiracy. Wow, the
- 26:48physical evidence connects the chaotic domestic violence incident in October
- 26:52and Philadelphia to the cold blooded execution in December in
- 26:56White Marsh Township.
- 26:57Speaker 1: So the evidence just becomes an avalanche cell phone records, ballistics,
- 27:01a surviving eye witness. So by late December two thousand
- 27:05and one, just weeks after John Davis is killed, the
- 27:08couple is arrested.
- 27:09Speaker 2: The countdown has stopped.
- 27:10Speaker 1: Yeah, the reign of terror is over. Before they can
- 27:12move on to target number three on that handwritten list.
- 27:15And with their arrest, the narrative moves from the dark
- 27:17streets and parking lots into the stark, fluorescent reality of
- 27:21the courtroom.
- 27:22Speaker 2: And this is where their toxic bond of forced loyalty
- 27:25completely shatters. Obviously, the timeline of justice here moves steadily
- 27:29from two thousand and two to two thousand and four.
- 27:31Once in custody, the illusion of Berno's omnipotence vanishes for Fornell.
- 27:35Speaker 1: Jones, right, he can't control her from another cell.
- 27:37Speaker 2: Exactly Faced with the reality of prison, the physical separation
- 27:41from him, and perhaps finally out from under his constant
- 27:44coercive control, she breaks. In two thousand and two, she
- 27:48pleads guilty in the Ronald Humphrey shooting case and agrees
- 27:51to become a cooperating witness for the prosecution against Kenneth
- 27:54Burno oh.
- 27:55Speaker 1: Man, the ultimate betrayal in Berno's eyes, the woman he
- 27:59forced to kill to prove her loyalty is now the
- 28:01star witness against him.
- 28:03Speaker 2: Poetic justice in a way, it really is.
- 28:06Speaker 1: So we get to Berno's trial in two thousand and four,
- 28:09and you have to look at the defense strategy his
- 28:12team employees, because it is incredibly revealing what to do.
- 28:16They don't just argue he's innocent or he wasn't there.
- 28:19They attempt to shift the entirety of the blame onto
- 28:22Vernell Jones.
- 28:23Speaker 2: Oh wow.
- 28:24Speaker 1: Yeah, they lean completely into that black widow trope we
- 28:29were discussing earlier.
- 28:30Speaker 2: I mean, it was realistically their only viable play given
- 28:33the mountain of forensic evidence in her testimony, but it
- 28:35was profoundly.
- 28:37Speaker 1: Cynical, extremely cynical.
- 28:38Speaker 2: The defense tried to paint Jones as this hyper jealous,
- 28:41malicious instigator. They pointed to the Humphrey shooting and argued
- 28:45that she was the one with the violent history against.
- 28:47Speaker 1: Former lovers right because of Humphrey.
- 28:49Speaker 2: And they said that Berno was just a bystander caught
- 28:51in her web. They tried to leverage the misogynistic archetype
- 28:55of the deadly seductress to excuse a man with a
- 28:58documented history of severe domestic abuse and control.
- 29:01Speaker 1: They essentially asked the jury to believe that an aspiring
- 29:04singer manipulated a former R and B star into a
- 29:07murderous rampage.
- 29:09Speaker 2: Which is absurd.
- 29:10Speaker 1: But the jury saw right through the theatrics. They didn't
- 29:14buy the black widow defense for a second. The text
- 29:17notes that the jury deliberated very quickly. I'm not surprised
- 29:20they convicted Kenneth Burno a first degree murder and conspiracy.
- 29:25For anyone listening who isn't a lawyer, break down exactly
- 29:28what first degree murder means in Pennsylvania and why that
- 29:31specific charge is so important.
- 29:33Speaker 2: Here sure. In Pennsylvania, first degree murder is a criminal
- 29:36homicide committed by an intentional, willful, deliberate, and premeditated.
- 29:41Speaker 1: Act, premeditated being the keyword exactly.
- 29:44Speaker 2: The prosecution had to prove that Berno didn't just snap
- 29:47in a moment of passion. They had to prove he
- 29:49planned it out right. The handwritten hit list, the acquisition
- 29:53of the firearm, the use of Jones to leave the
- 29:55bait voicemail, the driving to the specific location, the running vehicle,
- 29:59all all of that demonstrates extensive premeditation.
- 30:02Speaker 1: It's textbook premeditation.
- 30:04Speaker 2: Because of that conviction, he was sentenced to two concurrent
- 30:07life sentences. He is never getting out of prison.
- 30:09Speaker 1: Good And what about Vernell Jones? She was coerced, yes,
- 30:15but she still pulled the trigger. How did the justice
- 30:17system hander her culpability?
- 30:20Speaker 2: Fornelle Jones was held accountable for her actions, but the
- 30:23law recognized the nuance of her situation through a plea deal. Okay,
- 30:28she pleaded guilty to third degree murder for her role
- 30:31in Davis's death.
- 30:32Speaker 1: What's the difference there?
- 30:33Speaker 2: Third degree murder in Pennsylvania is essentially any murder that
- 30:37isn't first or second degree. It involves malice, but not
- 30:41necessarily the specific premeditated intent to kill that first degree requires.
- 30:46I think in the context of a plea deal, accepting
- 30:49a third degree charge often reflects a compromise. The prosecution
- 30:53gets her vital testimony to lock away the mastermind burnout right,
- 30:57they need her to get him, and in exchange, they
- 30:59acknowledge them mitigating factors of her severe abuse and coercion,
- 31:02which lowers her sentence from life without parole.
- 31:05Speaker 1: She received a sentence of seventeen to thirty five years,
- 31:08which was added to her prior sentence for the Humphrey shooting.
- 31:11Speaker 2: That's a long time.
- 31:12Speaker 1: It's a long stretch, but she did eventually serve her
- 31:15minimum time. The sources indicate she was paroled in December
- 31:18of twenty eighteen.
- 31:19Speaker 2: I can imagine that was controversial.
- 31:21Speaker 1: Oh naturally, that parole sparked a lot of mixed reactions
- 31:25because on one hand, you have psychological experts who understand
- 31:28coercive control. They recognized that she was a victim of
- 31:32severe abuse who was forced into an impossible, terrifying situation
- 31:37where her own life was likely on the line.
- 31:39Speaker 2: It's survival.
- 31:40Speaker 1: But on the other hand, a completely innocent man. A
- 31:44father is dead because she made that phone call and
- 31:47pulled that trigger, regardless of who told her to do it.
- 31:50Speaker 2: It is a profound ethical and legal tension that the
- 31:52justice system struggles with constantly. How do you balance the
- 31:55reality of psychological coercion with the absolute finality of murder?
- 32:00Speaker 1: You really can't balance it perfectly.
- 32:01Speaker 2: Her parole reflects the legal completion of her agreed upon sentence.
- 32:05She paid the debt the state decided she owed, but
- 32:08for the families involved, the sentence is eternal.
- 32:11Speaker 1: And that brings me to a piece of testimony from
- 32:13the source material that is just absolutely devastating. It's from
- 32:18John Davis's cousin, Deborah Kelly.
- 32:20Speaker 2: Oh I remember this, Yeah.
- 32:21Speaker 1: She was speaking during the sentencing hearings and she articulated
- 32:25the unbridgable unfairness of it all.
- 32:27Speaker 2: What did she say?
- 32:28Speaker 1: She said that the families of the perpetrators Berno and Jones,
- 32:32they can still go to a prison on visiting day.
- 32:35They can sit across a table from them, right, they
- 32:37can hear their voices, look them in the eye and
- 32:40know they are still alive on this earth. But John
- 32:42Davis is gone forever. His family only gets a cold headstone.
- 32:47Speaker 2: It is the starkest reminder of the human cost at
- 32:49the center of all this psychological analysis. The media legacy
- 32:53of this case, the episodes of Philly Homicide, the features
- 32:57on true crime networks. They tend to immortalize the bizarre
- 33:00canics of the crime.
- 33:00Speaker 1: Yeah, they focus on the flashy stuff.
- 33:02Speaker 2: Yeah, they focus on the handwritten hit list, the thwarted boys,
- 33:05the second men, ambitions, the betrayal in the courtroom. But
- 33:09at its core, beneath all the sensationalism, this is a
- 33:13cautionary tale about how unchecked jealousy and paranoia can radiate
- 33:17outward and completely destroy innocent lives.
- 33:20Speaker 1: It's a tragedy that started with one man's inability to
- 33:23handle his own failures and ended with a beloved father
- 33:26bleeding out in a van in a bridal warehouse parking lot.
- 33:30Speaker 2: If we bring this entire deep dive full circle, we
- 33:32have to sympathize the tragedy of John Davis. He was
- 33:35a man whose only mistake was being a friendly face
- 33:38to the wrong person.
- 33:39Speaker 1: He was just a nice guy.
- 33:41Speaker 2: He was a good manager, supportive colleague, and by simply
- 33:44being open to catching up with a former coworker. He
- 33:47inadvertently stepped off the edge of his own reality and
- 33:49into a web of someone else's severe paranoia and unfulfilled ambition.
- 33:53Speaker 1: He had no idea what he was walking into.
- 33:55Speaker 2: None. He was collateral damage in a psychological war he
- 33:58didn't even know was being fought.
- 33:59Speaker 1: I mean, think about that the next time your phone
- 34:01buzzes with a text from someone you haven't spoken to
- 34:03in years. We spend so much time worrying about the
- 34:06obvious dangers in our lives. We do. We worry about
- 34:09our own conflicts, our own mistakes, the enemies we might
- 34:12make it work, or in our personal lives. But this
- 34:15case proves that sometimes the most profound and dangerous threats
- 34:20don't come from our own lives at all.
- 34:22Speaker 2: No, they don't.
- 34:24Speaker 1: Sometimes the threat comes from the unseen demons of the
- 34:27people on the absolute periphery of our existence. Yeah, you
- 34:32can do everything right, you can be a good person,
- 34:34You can have no enemies and still cross paths with
- 34:38someone else's nightmare.
- 34:39Speaker 2: The randomness of that intersection is terrifying. It underscores how
- 34:43deeply interconnected we all are and how fragile the bubble
- 34:46of our everyday safety really is.
- 34:48Speaker 1: Before we wrap up, I want to leave you with
- 34:50one final lingering thought tam all Over, something that builds
- 34:53on what we've discussed today, but takes it in a
- 34:55slightly different direction. We spend a lot of time talking
- 34:58about Kenneth Burnou's thwarted ambition, his exit from the group
- 35:02that became Boys the Second Man, and how that failure
- 35:05mutated into a violent need for control over Veranelle Jones, Right,
- 35:09But think about the alternative timeline. What if Kenneth Burno
- 35:12had stayed in unique Attraction. What if he hadn't left
- 35:16and he had achieved the massive global fame, the wealth,
- 35:20and the adulation of Boys the Second Man.
- 35:22Speaker 2: That's a fascinating question.
- 35:24Speaker 1: Would his deep seated narcissism and need for absolute control
- 35:27have simply evaporated in the warmth of the spotlight? Or
- 35:31would millions of adoring fans and unlimited financial resources have
- 35:35simply become a much larger audience in a much bigger
- 35:38stage for a tragedy that was always waiting to happen.
- 35:41Speaker 2: Wow, that's something to think about.
- 35:43Speaker 1: Thank you for joining us on this deep dive.
- 35:45Speaker 2: Thank you