Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Pat Novak: Shirt Mix Up at the Laundry (EP1288)
Transcript
- 0:29Welcome to the Great Detectives of Old Time Radio from Boiseidaho. This is your
- 0:35host, Adam Graham. If you have a comment, send it to me
- 0:40Box thirteen at Great Detectives dot net, follow us on Twitter Radio Detectors,
- 0:46and become one of our friends on Facebook, Facebook dot com Slash Radio Detectives.
- 0:52Before we do get started, I do want to let you know that
- 0:56my book All I Needed to Know I Learned from Colombo is still availab.
- 1:00You can get it for the kindle, for the nook for your iPad,
- 1:04or you can also download it as an audiobook and be sure to look for
- 1:11in the next few months the sequel All I Needed to Know I Learned from
- 1:15Dragnet. Well, now it's time for today's episode of Pat Novak for Hire,
- 1:21something that you would think would not possibly lead to hard boiled situations,
- 1:27but here now is shirt mix up at the laundry Novak or Hire. Sure,
- 2:00I'm Pat Novack for Hire. That's what the sign out in front of
- 2:19my office says, Pat Novack for Hire. It's easy to wrench yourself out
- 2:23and you make a few bucks, but sooner or later you get burned.
- 2:28It doesn't make any difference whether you're a man or a mouse, because down
- 2:30on the waterfront in San Francisco, they build the traps both ways. Oh,
- 2:35everything looks easy, but sometimes they fool you, like putting shatterproof glass
- 2:39in a fire alarm box. And you got to watch out every minute because
- 2:44down here, if you reach out to help a panhandler, the guy,
- 2:46I'll take your arm and hand you back the dime. I rent boats and
- 2:51deal any plates, put trade in on a second hand, so it works
- 2:55out all right. Sometimes you're on top of the heat if you like the
- 3:00kind of heats they got down. But you got to get your laughs in
- 3:02a hurry, because you find out right away you're not gonna make any more
- 3:06headway than a hummingbird and a wind tunnel. I found that out Wednesday afternoon,
- 3:10must have been about three o'clock. The sun was out down at the
- 3:15far end of the bay. To put a head on the clouds down man
- 3:17put the rest of the sky in a good mood. Over across the bay.
- 3:22It was a warm, easy yellow that made you think of a pound
- 3:25cake full of eggs. It was too nice a day to work inside,
- 3:30so I closed shop and started down to a pool hall on Market Street.
- 3:34I never got there because on the way I stopped by the laundry to pick
- 3:37up a couple of shirts. It started right there when the clerk walked over
- 3:40to me. He was full of fizz and the sort of guy who gets
- 3:44a bottle of hand lotion for his birthday. Well, well, mister Nolvak,
- 3:47is it? I don't know, is it? Yes? We have
- 3:52a nice day, have Yeah, I want some laundry. Not any better
- 3:54than yesterday, though not a bit better than yesterday. What do you do
- 3:58get, malla rating? How about the laundry? Huh? Yes, let's
- 4:00have the ticket all right for twenty eighth. That should be right down here.
- 4:09Just a couple of shirts, Yes, yes, here it is.
- 4:13That'll be a dollar for please. Well it sounds like a fair price,
- 4:15but I'll take my own. Oh this isn't mine. It's too big,
- 4:19are you sure? Look I had a couple of white shirts. Now you
- 4:21better look again. Well the tickets match you see for twenty eight You must
- 4:27be wrong, mister Novaga. Look, fellow shirts, don't swell a strike.
- 4:30The package is too big. It's too big. Well we better open
- 4:32it, yes, so yeah, I can wrap them again. Easily.
- 4:35Don't worry. Yeah, it's not my shade of pink. Oh, I
- 4:42guess it's not yours. Thanks. Here's some men's clothing too. How about
- 4:46these shirts? I were a jockey, i'd take them. I want my
- 4:48own. Yes, yes, of course you do it. Oh goodness,
- 4:51I don't know what to do with myself. Yeah, you've got a problem.
- 4:55How about these shirts though, Oh, we've mixed up the tickets and
- 4:58someone has your package. I don't know. Maybe we can check on the
- 5:01collar markings. Let me see, yes, let me check in the book.
- 5:10Really here we are this long belongs to Earl Hayes. Yeah. Where's
- 5:15he left? Are you going up there? I want my shirts back.
- 5:19Yes, he lives at a three twenty one Dorset place. Give me.
- 5:24Oh, I'm sorry, mister Novak, and please apologize to mister Hayes.
- 5:27I'm so angry at myself. I don't know what to do. Yeah,
- 5:30be carefully, you don't stop a hole on the floor. See you later.
- 5:43When I left, he was wringing his hands and shifting from one foot
- 5:46to another like a small kid in the department store. On the way up
- 5:48the Dorset Place, I looked at the bundle there were a couple of women's
- 5:53blouses and four loud colored shirts. Two of them looked like a nabrohole blanket.
- 5:57Somebody sewed buttons on. I tried to wrap up the bundle, and
- 6:00about ten minutes later I got the three twenty one doors. At place was
- 6:04up on Telegraph Hill, and it was an old place somebody had remodeled.
- 6:08It was supposed to be modernistic, but it reminded you of a chromium plated
- 6:11tool shed. Apartment two A was on the second landing. I went up
- 6:15there and knocked. Earl Hayes didn't answer the door, but you couldn't quarrel
- 6:18with what you got. She was in her thirties and pushing forty hard enough
- 6:24to bruise it. But she looked good, standing there in the doorway,
- 6:28long and lean enough to make a greyhound turning his card. She was wearing
- 6:31green lounging pajamas, and you've seen bananas and loose their skins. You could
- 6:35see the bay behind her through the window, and she stood there brushing back
- 6:40enough red hair to sell to a mactress factory. And as she pushed the
- 6:44door back, she started to smile. Her lips were a pale red color
- 6:46and moist enough to put a desert on his feet. And you could tell
- 6:49she thought she used him to talk when you got tired of everything else,
- 6:54standing in in front of her, and you got the same feeling you would
- 6:56if somebody pressed the trouble and base key of an organ at the same time.
- 7:00Hello, what are you selling? Shirts? Is your husband home?
- 7:02Should I have one? I don't know. It depends on the climate.
- 7:04Come on in anyway. Oh you, My name's Novak. I'm looking for
- 7:10a guy named girl Hayes. We got to sit down. It won't take
- 7:12me that long. He's got my shirts. Mister Novak, you don't look
- 7:15like the kind of lose his shirt. I don't want jokes, lady.
- 7:16There was a mix up down at the laundry. I got Hayes stuff and
- 7:18he walked up with mine. That is stuff in the bungle, Yes it
- 7:20is. I put it on the table here we'll see. I don't think
- 7:26you're smart, mister Novaka. Where's the other shirt? You got them?
- 7:29All right? There? There's one missing? All right? See the laundry
- 7:30all I want to trade. There must have been another shirt in a bungle.
- 7:32Maybe it was too dirty. The boy couldn't clean at that fast.
- 7:34And I look, friend, if you want to argue, you go ride
- 7:35a street car. I came up for two white shirts. I were at
- 7:38it. I suppose El Hayes. Where's he? I'll offend it to him,
- 7:42but I'm afraid you won't like him. Then I'll be lonely. Just
- 7:44tell me where he is two floors up. I'll give you a time to
- 7:46work over that story, because you'll know you're lying. You wann't know about
- 7:49that shirt. What makes it that important the fact that it's missing. I'll
- 7:53find him upstairs. I hope it works into a fringe ship, but I
- 7:57don't think it will. You don't know. You're lyning and you'll get tall.
- 8:00It's around like a green salad. Is he tougher than you? No,
- 8:01it's just not as personal. Luck, darling. When she said good
- 8:15luck, you knew she was just being polite and didn't mean it any more
- 8:18than the ham. And when he tells you to watch your step. When
- 8:20I left, she was over by the window, leaning back against the table,
- 8:24as shy as a runaway box car. And you got the idea she'd
- 8:28be fun to know if you had a lot of money, and an oxygen
- 8:30tent. Well, I rolled up the bundle and I started to the fourth
- 8:33floor. I knocked on the door, and when it opened, I knew
- 8:35I had high bid for trouble. I could see into the room and there
- 8:39were three or four gunafs sitting inside. I had a dull, anxious look,
- 8:43as if they were trying to find another worm to pull apart. They
- 8:46were the sort of guys who might have been born, but you wouldn't want
- 8:48to bet on it. The one on the door was a big guy with
- 8:52bushy eyebrows that met near his nose, and the way they ran across his
- 8:54face, you got the idea he got tired of the old ones and grabbed
- 8:56it on a vine instead. His face wasn't much better. It looked more
- 9:01like a relief map than a face. It was pock marked and the color
- 9:05of moldy bread. And you knew if a woman kissed him she did blood
- 9:07poisoning. Hello, novanger, you were all haze enough to suits you come
- 9:11in. You're good at guessing names. So a little bird, so yeah,
- 9:16I saw her. She's got nice feathers. Where's the shirt, here's
- 9:20the bundle, take your pick. I don't like any of these no vacants?
- 9:26All I got where's the shirt? No, I just wear a collar.
- 9:28Mister, you don't need a shirt. Yeah, I won't need a
- 9:31memory for you, fellas. So just tell me about those shirts. Hello,
- 9:35Well, come on in. We got your boy if you made it
- 9:41Deer, you know his name. I never saw him to call mix.
- 9:43He looks different now. He came up with some of your shirts. So
- 9:46I went by the laundre. So a guy named Novak picked up the shirts,
- 9:50except one of them's missing. Couldn't be missing. We're all in one
- 9:52bundle. Ask him then, but do it nice. He's touchy. He
- 9:56doesn't have to ask. Now. Look, mister, if you're at Haze,
- 9:58I want my shirts. It was the other one with that's right.
- 10:00You got the best team. You're gonna make Hazes. Now I want those
- 10:01shirts. Hit yourself alone, then all right, Jo'll get his eyes on
- 10:07Haze and we'll take it. Sick it away. That said, I get
- 10:11his other round over there. Why do you keep your right in Hayes?
- 10:16All right, Novak, it's you or Haese. Make up your mind.
- 10:22I got it made up about you. You're gonna tie a first, No
- 10:26back where's that shirt? I don't know? Try Haze, he looks healthy.
- 10:33Hold him up, he's slipping. Do you need animals? Hold him
- 10:35up? You're running out of chances, Novak, where's that shirt? I
- 10:43don't know? Hold him up? Why you can't find the raisins out?
- 10:52All right? Has? How's your temper? I slid down on the floor
- 11:07so fast I almost went under the varnish, and I spent the next couple
- 11:09of hours checking on the termites. It was getting dark when I woke up,
- 11:15and right away the room was full of company. The host was Earl
- 11:18Hayes, and he was lying on the floor as dead as a cracked bell.
- 11:22It was over by the desk, lying on his back and grabbing at
- 11:24the rug like a hoover vacuum. The hair was wet against his head,
- 11:28and the perspiration on his forehead started to break up and run down like tears.
- 11:31So you got the idea, He cried out of his hairline instead of
- 11:35his eyes. He didn't see m pained or put off. He was smiling
- 11:39a little, as if he realized he had a better deal. Over by
- 11:43the door, Helman was talking to a couple of coppers. He sent them
- 11:46downstairs and walked over to me. You awoke the neighbors, Novak. I
- 11:52don't snore that loud Helman. He made the noise with Hayes. Yeah,
- 11:54how'd I get my face this way? You look better to me, Novak.
- 11:58How long you been here? A couple hours? That fits in the
- 12:01corner has already been here, He says. Hayes was beat to death an
- 12:03hour ago with that poker out of the fireplace. You better check on the
- 12:07prints. I already sent it down. You slept too long, Oh,
- 12:09inspector, we came by for this death. He's right to tell the morgue
- 12:15to keep him out till I get down. Come on, Joe, I
- 12:18said, Sure, is a little guy, very easy. Tell him.
- 12:24I'll check in to day shall well? All right, no vac, tell
- 12:28me all about it. I came up here for a shirt that's not hard
- 12:31to get. What about Hayes? How the beat go? It went both
- 12:33ways with a guy named Max. You better talk to him. I like
- 12:37you bet. Oh you're not bright, Heilman. I've been out of the
- 12:37game for two hours. Look, big shot, don't push me around.
- 12:41You got a story. Maybe it's good, maybe it's not. You could
- 12:43have taken Hayes and run into trouble yourself. That's the hard way, Helman.
- 12:46I don't like your whip. Get another boy. You'll do no vac
- 12:48and you'll do it all downtown Helman talking, What do you mean you can't
- 12:54send him up yet? Who's in charge down there? Give me the guy
- 12:58in charge. Ah, well, two guys just came up here. You
- 13:03must have sent him. They were here, You must have sent him.
- 13:09Yeah, they can send them for me. They'll tell me, Helman.
- 13:13I couldn't happen. No, it couldn't happen anybody but you, Helman.
- 13:16It's gonna look real good too when they find out you let two strangers walk
- 13:18in and steal a body. I don't understand it. It's simple, Helman.
- 13:22You better go in and rob that bed right now, because when they
- 13:24threw kicking you around down at headquarters, you're gonna need a sling, and
- 13:26with a figure like yours, it'll take a good sized bed sheet. When
- 13:39Helman hung up the phone, he turned the color of early summer squash.
- 13:43He stood over for the window, running his hands through his ear. He
- 13:46left the window and stood in the center of the room for a minute.
- 13:50His coat was open and his stomach was piled up on his belt in nice,
- 13:52even layers. It reminded you of a rolled up garden hose, and
- 13:56the way his pants fit him when he walked. He got the idea of
- 13:58somebody soda nan a lima lining. After a while, he came over and
- 14:03started to talk to me. He kept pulling his ear and in the dim
- 14:05light there it looked like the cross section of an egg plant. I'm still
- 14:07gonna hold you, Novak. You look better with a hot potato helmet.
- 14:11I'm gonna hold you for twelve hours and the main time that body will show
- 14:13up. You didn't look that active to me. Wake up, Helman.
- 14:15You've been backed into a corner. You better get a body first. Look,
- 14:16Novak, I know the guy was dead. I'm not gonna sit on
- 14:20my hands. The most fun you'll ever have. I'm gonna check those prints
- 14:22and I'm gonna find out why you were up here. I came to see
- 14:24Hayes the laundry, pulled the switch, and I came up for shirts.
- 14:26Checked with the guy at the laundry. Yeah, and on the way downstairs,
- 14:28stop at two A. Why there's a souped up redhead down there.
- 14:31You can ask her a question. You can do that with any woman.
- 14:33You can ask her who Max is. I went there to find Earl Hayes.
- 14:35She answered and sent me here. There's only one thing wrong with that
- 14:39story. There's no redhead into A. I checked all the apartments. Two
- 14:41a's been empty for three months. The people who are out of town.
- 14:45I think you've dreamed her. I don't dream that good in the afternoon.
- 14:46Look, Helman, I'm walking out of this place, and all you can
- 14:48do is hear the echo. I want to say, you go novak.
- 14:50Maybe you'll do something wrong and I'll track you down. You couldn't track down
- 14:54a live bear on a telephone booth. I'll make a try on you,
- 14:56mister, and went on through. There will be enough to put you right
- 14:58in that gas chamber. They can save money and do this same thing.
- 15:00I can lock me up in the same closet with you. When I left,
- 15:11Helman was wandering around like smoke in a drafty room. I picked up
- 15:16Earl Hayes shirts and duck by the laundry, but the clerk was gone and
- 15:18the place was closed tighter than the lid on a city scandal. Well I
- 15:24tried to think back, but nothing made sense in the first place. What
- 15:26made that shirt so important? And why did the laundry clerk have the wrong
- 15:30address for Earl Hayes and the main hooker was that body disappearing? Why Max
- 15:35killed him? They were in the clear. Why take a gamble like that
- 15:37just for laughs? I knew I had to get some answers pretty soon because
- 15:41Helman wasn't an easy guy. He was a tough, hard cut with a
- 15:43hard big enough to hide behind UF He's a bird seed. Oh. I
- 15:46had a couple of places to go, so I looked up Jack o'madigan.
- 15:50He's a good guy and he used to be a smart one, except he
- 15:52didn't like the San Francisco fog and worked out one of his own. I
- 15:56finally found him in the hunt room at the Bellevue Hotel. The crowd was
- 16:00at one end and he was down at the other. I thought out,
- 16:03why they did one for my baby and one more for the rule. Wait
- 16:11a minute, jocko, Ah, Pepsi, I'm singing a little sentimental ballad.
- 16:15All right, Joco, you've had enough? Pepsi. I'm a sober
- 16:18as the next man. I've been drinking since eight o'clock this afternoon, and
- 16:22I'm a sober as the next man. Stop it, will you, Petsi?
- 16:26You know I hate whiskey, But do you realize that eighty five percent
- 16:30of the human body is liquid? Now? Is there any same reason why
- 16:34all that should be watered? Of course not. It isn't fair. That's
- 16:40why we have communists, Jaco, I'm in trouble. Of course you are.
- 16:42Knowing you Pepsi, is like walking hand in hand with a moral pignic.
- 16:47All right, it's true, Pepsi. You have no moral sense.
- 16:51All you have is a small bundle of regrets, something which you drag out
- 16:55periodically as proof of your decent feeless. But you're not even enough to regret
- 17:00the things you've done. From some of your conversations about the only things you
- 17:06regret of the things you haven't done. The only reason you haven't caused more
- 17:11trouble is that you're not fleet footed in her right. All right, you're
- 17:14hopeless, Patsy. You're like some overripe planet, disemboweled and thrown from the
- 17:19skies. You don't know where you're going, and you can't remember where you've
- 17:23been. Your only joy is motion, and your only sensation is a heat
- 17:29and cold. You are through a jackal. Yes, what kind of trouble?
- 17:33Hellman wants me for a dead guy? Where is he? He was
- 17:37up on Telegraph Hill but he's gone now. Didn't die long, did he?
- 17:41Somebody took the body away. It's so funny thing to collect on.
- 17:44None of the story lays right. The guy's name was Earl Hayes. There
- 17:47was a laundry mix up and I went up there to trade. Yes,
- 17:49now, look, I want you to hop down and find out everything you
- 17:52can about ear Old Haze, find out who his friends are, find out
- 17:53where he's from, and see if there's a guy named maximum Wai. Will
- 17:56you where are you going? I gotta find a girl built that wave Michelle
- 18:00earlier tonight with your hurried jacka. We don't have time to run your love
- 18:03life. Yes, well, time is a minor drawback anyway, good night,
- 18:08lover. It was nearly eleven when I walked out of the bar,
- 18:19and the way things were going, I couldn't beat a vagrancy wrap with a
- 18:22focket full of annuities. I had to find that girl someplace, but it
- 18:26wasn't going to be easy. You might as well try to French fire a
- 18:29kettle of bones. I went back up to that apartment to see if she
- 18:33left the pointer anywhere. Helman had a copper out in front, but he
- 18:36was sitting in somebody's new mash reading a comic book. I went all through
- 18:40the apartment. On the way out, I spotted the matches in the wastebasket.
- 18:44The fold had been used up and on the outside it said Bontan Club,
- 18:47Duval Street, key West, Florida. Well that was the first break
- 18:51I got. Most people use their matches fast, so if she was using
- 18:53Key West matches, it must have meant something. I got onto a phone
- 18:56booth and started calling up for hotels. Finally a hotel upon Taylor said they
- 19:00had a miss rhode A Warren on the register from key West, Florida.
- 19:04For five bucks a bell hop, I'll tell you anything, so he said
- 19:07she was a redhead. I still didn't know, and when I went up
- 19:11there, she wasn't in. But I had to get back to my place
- 19:14for Jocko's call, and when I walked in, I got sorry about that
- 19:18five bucks. Hello mister Novak, and keep bad hours, so do you?
- 19:21And your name's Rode Warren. You like the name, yeah, so
- 19:25aheadn't use it. It's a phony. How about Max? I don't even
- 19:26know him when you call him today? It was a wrong number. Oh
- 19:29please, mister Novak, you're not big enough for menace. No, no,
- 19:32you're like everybody else in the waterfront. Got the muscles if you stage
- 19:34whispers and thirty cents in your pocket. So don't try to make a sale
- 19:37except you'd like to buy that shirt if you want to sell it, but
- 19:41makes it worth a thousand bucks? Your imagination five hundred? Od by it?
- 19:45You're bad on guesses. Five hundred. Max will do it. Look,
- 19:48I don't have to deal with you, darling. You're a pauper on
- 19:51paper and in your pocket, so I can just sit tight while you sell
- 19:53her? Go broke? Where's Max? Sell him? If I were in
- 19:56a hole, I'm not. You are all right, my arm? I
- 20:00need some help, lady. I don't know what you're making over either.
- 20:03Wait, go on, my arm? You figured out yet? Here?
- 20:07Where's Max? Come on up? Swist you until the skin comes loose?
- 20:10Worthy like your friends anyway? Yeah? No bak talking. Yeah, I've
- 20:19been out all eging whereabots? Yeah? Well, he can't use it anymore.
- 20:26Where are you the compton? Yeah, thanks laundry clerk. Yeah he
- 20:30found that shirt. No, I'm not to lose his own wishing good luck
- 20:34well he needed. Maybe they ought to take it while it's cheap. I
- 20:47know it wouldn't do any good depressor for Max. Now she was going to
- 20:51Tipper Mitch. She do it on her own. I left my place and
- 20:53grabbed a cab for the piers. I got out near market and walked over
- 20:56to the laundry. The back window opened up like a hunk of sky after
- 21:00a bad rain. I found the shirt lying out on a table. It
- 21:04looked like the rest of her o haeshus except for one thing. The collar
- 21:07was full of writing, a few letters and a lot of numbers. I
- 21:11took them down, left the shirt and headed for my place. I got
- 21:15one of those shirts from that bundle and copied in some of the same numbers,
- 21:18and I picked up a cab for Rode Warren's hotel for another fin The
- 21:22bell hop went blind and I got into her room about twelve thirty. Her
- 21:26room was empty, but her bags were packed on the bed. I took
- 21:30a sixty to forty chance and planted the shirt in the bottom of one of
- 21:32the bags. I told a bell hop to tip me off when she came
- 21:34in, and I started back to my place to wait for Jocko's call.
- 21:37I did about as well as a bottle of scotch in a Louisville bar.
- 21:41A squad car picked me up at the corner and said Helman had a call
- 21:44out for me. About twenty minutes later, we put up to Pair nineteen.
- 21:47Helman was waiting there, moving around like a pee in a boiling stew.
- 21:51I don't know, Beck, walk me down the pier, find a
- 21:52crutch. What's on your mind? Helman walked me down the pier, all
- 21:56right, but I won't take your arm. They found the body, how
- 22:00radar almost the coast gun, both spotted and floating on the bay. They
- 22:03radioed in hauling them up. Now we're all busy. I found a shirt
- 22:07too, and we may not needed. Those fingerprints worked out just right without
- 22:11their mind. It's too pat Helman. You're too smart a cop to buy
- 22:14that kind of plant. I'm a smart enough cop to hold you. Now
- 22:17that we got Earl Hayes here, we are. Yeah. I got him
- 22:19down there passing. Yeah, I'll get him alright. Here comes there.
- 22:32Well it's not water sure changed them, Helman, there's a mistake. Heyd
- 22:37his identification. They said it was Earl hay another plant. Helman, he's
- 22:40the laundry clerk. What was he doing out in the bay. Maybe that's
- 22:41the way they do the laundry. Now I'm going home, Helman, you
- 22:45better stand on his chest. That way, they can't steal him without taking
- 22:48you too. About sixty for he was beginning to pay off. Somebody was
- 23:00gathering up the loose ends, and it was going to be easier now because
- 23:03things were getting tight. But you can say that for a lot of wedding
- 23:06rings. So I bummed a ride and I got to my place about a
- 23:08half hour later. I had some trouble there because the cop on duty wanted
- 23:11to take me down up here nineteen again. He looked wistful, so I
- 23:15told him about a place down the street where he might catch a peping time,
- 23:18and I finally got rid of him long enough to get up to the
- 23:19room. As I walked in the door of the phone was ringing, Yeah,
- 23:26hell, patchy, this is chocolate. Let's you find out. Oh
- 23:30Hayes was popular anybody could appeared him. For instance, there's a lot on
- 23:34him in the chronicle mob he's wanted for smuggling. Yeah, what else?
- 23:38He had a girlfriend who pictures here what you look like? Oh, I
- 23:42haven't had enough experience the same one. I guess what else? And oh?
- 23:47Has one shoved a prison term with a man named Max Stuffer. That's
- 23:51our boy, but he got on him. He lives here now and he
- 23:53runs a business out on Vadne's Avenue. What kind of business he's going to
- 23:57sound funny? He runs a few? Well, what does that prove?
- 24:02Doesn't prove as eating? Just because you're a perfume salesman, you don't have
- 24:06to smell for me. When Jocko hung up, everything began to slip into
- 24:18place. I could see now why everybody wanted that shirt and the reason why
- 24:22Earl Hayes disappeared was ten feet tall. I called Helman. He said he
- 24:26knew all about Max Stuffer and we had a squad car on the way out.
- 24:30I met him at the corner of Gary and Taylor and we rode out
- 24:32to Vans. Max Stuffer's funeral parlor was over near Pine. When we pulled
- 24:37up, the lights around except for a lamp in the front room. Helman
- 24:40walked in the front door without knocking, and we turned in where the light
- 24:42was. It was a big night for stiffs, and there were three or
- 24:45four caskets along the wall. In the center. Over near the fireplace,
- 24:48there was a casket on wheels. The plate on the outside said a man
- 24:52named Peter Dawson had the least. Helman was about to set upstairs when the
- 24:55door in the bank opened. Oh no, that can How are you doing?
- 25:00There is the man when you're dead, not too dead to talk to
- 25:03you, Stuffer. He's Inspector Helman from homicide. The bag looks heavy.
- 25:07You're talking to you or me? Max? Where's she going? I'm putting
- 25:11her on that train? No fact, do you care? It's up the
- 25:12helmet. He wants you for killing her own Hanze. I thought he'd disappeared
- 25:15and hill out on the laundry clerk too after I visited the Trent. You
- 25:19put her on that train. She'll get off with the next station. Stuffer.
- 25:22Huh, she gave you a bad story. That shirt You got a
- 25:23phony? Wait an save yourself some time, mister, check her bags.
- 25:29Make the odds. Fella, let me see that bag. Take a look.
- 25:32He's trying to stand peaching that. No underneath there the other side,
- 25:37there's no shirt in here? What are you trying? I know how I
- 25:41got there? Next he must have put her own. Know how I got
- 25:44there? Something crazy? It don't sound sure. The next stairway, I
- 25:49gave you the right shirt. Next next, take her for the laundry.
- 25:56Guy. I'll read about you, lady. If you're crazy, you're crazy
- 26:00to tell him. I'll tell him all about it. I'll tell you every
- 26:03word. I don't forget yourself. It's shocked. Don't forget to tell much.
- 26:07If you have a girl, hate nobody, you're chilly fool. You're
- 26:10silly fool to hear over them all. You better tell him. No,
- 26:14he didn't there helmet, he didn't have a tea. Do leave me alone
- 26:22and I'll break you up. Put him on next, get away from her.
- 26:36Don't eat the gun anymore. No, pick it up. Cover.
- 26:45You had a big night, lady, Yeah, what happened to that?
- 26:51You put that shirt in there? And you lied to him? Yeah,
- 26:55you lied to him, and he thought I could. He thought I lied
- 26:59to him. What's the difference? As long as you kill him you still
- 27:02get a prize. The next morning was easy for Hellman. He shook the
- 27:22girl for the story on those shirts. The markings on the collar were a
- 27:26bill of lading numbers on stuff going to the islands. Everybody was being watched,
- 27:30so they had to handle it that way. Earl Hayes used to leave
- 27:33the shirts in that laundry. Each time somebody along the line marked one of
- 27:36the shirts. Hayes took the shirts to Max and he got the information to
- 27:40the right people in the islands. Out there, they had a line on
- 27:42what to hijack. Most of the stuff was gold and it was a good
- 27:45game for everybody until that laundry kerk made a goofy mistake. He got the
- 27:51bundles mixed and he left one shirt out. When Hayes picked up the wrong
- 27:53bundle, the girl and Max thought a double cross was underway. After Max
- 27:59worked me over until to Hayes, he went down to the laundry shop and
- 28:02he couldn't find the shirt. He could only think of one thing. Hayes
- 28:04had the shirt on, so he got him out of that apartment. Once
- 28:08he had him out, he figured the easy thing to do is to make
- 28:11him disappear for good, so he put him in a castet with another guy
- 28:15on his way to the boweyard. In the meantime, the clerk found the
- 28:18shirt and called me. The girl overheard the conversation and figured the laundry clerk
- 28:23had the shirt with him. She got in the beef and killed him.
- 28:26She went down to that laundry after me and picked up the shirt. Well,
- 28:32from there, arm the cards fell the wrong way. Well, Colman
- 28:37asked only one question. That laundry clerk was an innocent guy. Wasn't it
- 28:41too bad he got knocked off? Oh? I don't know. When you
- 28:45think of how many buttons you lose in a year, it doesn't seem so
- 28:48bad. Novakmorhier was previously released by ABC, the American Broadcasting Company or listeners
- 28:56in the United States and rebroadcast for all men and women over there. This
- 29:00is the United States Enforcement Radio Service, the Voice of Information and Education.
- 29:06Welcome back. Well, this is one of his Novak's harder episodes in terms
- 29:11of his rough edge, even the closing remark about the laundry man, but
- 29:18also just some very solid lines. Well, now on to some listener comments
- 29:23and feedback for episode twelve seventy six. The line that I had for highlighting
- 29:30on the Facebook page was I should have got out of there right then,
- 29:36but then I use but I used my brain like a bottle of medicine,
- 29:40a small dose every three hours. Natalie says I like that line too,
- 29:45Amy says I love the one liners on Pat Novak, and Larry says love
- 29:49the show, probably right behind gun Smoke and Inner Sanctum for me. Well.
- 29:55I also did receive an email this with a question about why we're playing
- 30:02Pat Novak. And this comes from Steven who says, I've been listening to
- 30:07your podcast for years and I've downloaded all of the archive programs. I enjoy
- 30:11your commentary, though they were too long back at the beginning. I've downloaded
- 30:15enjoy your novels. However, why did you have to repeat Pat Novak?
- 30:21He is my second least favorite detective. The only one I can think of
- 30:26I like less is Pete Kelly. At least Novak had jock O Madigan.
- 30:30Pete Kelly had no redeemon qualities in my opinion. My third least favorite would
- 30:33be Broadways my beat. After that, I have only favorites Dan Holiday,
- 30:38George near A Wolf, Sam Spay, j Ony Dollar, Philip Marlow,
- 30:41Sherlock Holmes, the lawyer who was an Amikia Kiss CURIEI that would be the
- 30:51series A Life in Your Hands with Jonathan Kaig, which I was able to
- 30:56find through the power being able to pause the recording to actually think about it,
- 31:00and he says, the list goes on, keep up the good work.
- 31:03Well, an answer to your question is to why we're playing Pat Novak.
- 31:07It goes to the fact that we are introducing Dragnet to the great detectives
- 31:11of old time radio. And as I thought about it, the thing that
- 31:15really stood out to me is how much of a departure in many ways Dragnet
- 31:21was from Pat Novak, the role he'd held previously and was probably best known
- 31:27for. As well as there was an overlap where you could have weeks where
- 31:33if you could actually listen to Pat Novak and listen to Dragnet in the same
- 31:41week, to very different programs. So I wanted to for listeners to this
- 31:47program create the same sort of experience, particularly if you had an experienced Dragnet
- 31:52before, you had an experience going through the whole thing before, so that
- 31:56you could have the type of impression and the type of programs that people had
- 32:01been hearing Jack Web do right before Dragnet started. And I think ode'll make
- 32:07for an interesting contrast, and uh, I'll be curious to see how it
- 32:12turns out. All right, Well, that'll do. Thanks so much for
- 32:15your email and appreciate your comments and your support. That'll do it for today.
- 32:20We will be back tomorrow with the adventures of Philip Marlow, and then
- 32:24join us back here next Tuesday for another episode of Pat Novak for Hire.
- 32:29In the meanwhile, send your comments to Box thirteen AC Greatdetectives dot net,
- 32:34follow us on Twitter, Radio Dettactives, and become one of our friends on
- 32:37Facebook, Facebook dot com, slash Radiodatactives. But from Boiseidaho, this is
- 32:42your host, Adam Grahamson and off