Latest / Political Junkie Podcast / Episode 54: Typewriter Combat
Transcript
- 0:00SPEAKER_03: Picture this.
- 0:01SPEAKER_03: It's 1936,
- 0:02SPEAKER_03: the depths of the Great Depression in New York City,
- 0:06SPEAKER_03: and you are a bright,
- 0:07SPEAKER_03: Jewish,
- 0:08SPEAKER_03: first-generation American man.
- 0:10SPEAKER_03: You are a teenager,
- 0:11SPEAKER_03: maybe even as young as 15 or 16,
- 0:14SPEAKER_03: from the Lower East Side,
- 0:15SPEAKER_03: Brownsville,
- 0:16SPEAKER_03: Brooklyn,
- 0:17SPEAKER_03: or the Bronx.
- 0:18SPEAKER_03: You're smart.
- 0:19SPEAKER_03: You finished high school,
- 0:21SPEAKER_03: and what your parents want more than anything else is for you to get a college
- 0:24SPEAKER_03: degree and be a professional,
- 0:26SPEAKER_03: not a garment worker or shopkeeper like they are.
- 0:30SPEAKER_03: If your family has a little money, you'll commute to Columbia.
- 0:33SPEAKER_03: If your parents have done better,
- 0:34SPEAKER_03: they might be able to scrape together tuition and board for Yale,
- 0:38SPEAKER_03: Harvard,
- 0:39SPEAKER_03: or some other elite school that takes its quota of Jews every year.
- 0:43SPEAKER_03: But for ambitious men without money,
- 0:46SPEAKER_03: there's a college a subway ride away on the north end of Manhattan,
- 0:51SPEAKER_03: and it's free.
- 0:52SPEAKER_03: It's a college that's so good and so famous for its radical politics that its
- 0:57SPEAKER_03: nickname is the Harvard of the Proletariat.
- 1:01SPEAKER_03: It's City College,
- 1:02SPEAKER_03: and there are so many smart people there that going to lunch is like taking a whole
- 1:07SPEAKER_03: other class.
- 1:08SPEAKER_03: Here's conservative William Crystal, whose father, Irving, graduated with the class in 1940.
- 1:14SPEAKER_03: He was a history major, a Trotskyist, and a devoted member of the Young People's Socialist League.
- 1:20SPEAKER_03: And he held down one of the alcoves in that lunchroom where students argued hotly about politics.
- 1:27SPEAKER_00: Well, they were just alcoves, were just, you know, the little parts of the dining room, I guess.
- 1:31SPEAKER_00: Maybe they were technically called Alcove 1 and Alcove 2, but these got associated.
- 1:35SPEAKER_00: The people would bring their lunches.
- 1:36SPEAKER_00: Either they'd go buy very cheap lunches from the cafeteria.
- 1:38SPEAKER_00: and would sit with their fellow ideological group.
- 1:41SPEAKER_00: But I think there were maybe more than two,
- 1:42SPEAKER_00: Social Democrats and Mensheviks,
- 1:44SPEAKER_00: and there were many varieties of Marxists,
- 1:46SPEAKER_00: quasi-Marxists,
- 1:47SPEAKER_00: anti-Stalinist Marxists,
- 1:48SPEAKER_00: pro-Stalinist Marxists.
- 1:49SPEAKER_00: My father was a Trotskyite.
- 1:51SPEAKER_00: Much has been made of this afterwards.
- 1:53SPEAKER_00: I don't know that it was quite as big a deal.
- 1:54SPEAKER_00: I mean,
- 1:55SPEAKER_00: he had fond memories of it,
- 1:56SPEAKER_00: and he thought he learned a lot having to argue with Stalinists and argue with
- 1:59SPEAKER_00: other socialists and having a sort of system of thought that made you,
- 2:03SPEAKER_00: you know,
- 2:04SPEAKER_00: be very serious about the world and make distinctions and have complicated
- 2:08SPEAKER_00: arguments about why the Soviet Union was or wasn't in the spirit of Lenin and was
- 2:12SPEAKER_00: Lenin itself in the spirit of Marx and all of that.
- 2:14SPEAKER_00: I think one thing he learned from all of that was the limits of all these systems and ideology.
- 2:20SPEAKER_03: These verbal battles represent what became famous in 20th century American
- 2:24SPEAKER_03: political thought as left sectarianism,
- 2:28SPEAKER_03: reading Karl Marx not just against the evidence of what had been done in Marx's name,
- 2:33SPEAKER_03: but in relation to the American democratic ideal and everyone who had written after Marx.
- 2:39SPEAKER_03: Their arguments were more than abstract.
- 2:42SPEAKER_03: Adolf Hitler was on the march in Europe.
- 2:44SPEAKER_03: The Communist Party was becoming increasingly prominent among intellectuals and
- 2:48SPEAKER_03: artists in the United States.
- 2:51SPEAKER_03: Kristall's intellectual lodestar,
- 2:53SPEAKER_03: Leon Trotsky,
- 2:54SPEAKER_03: one of the original Bolshevik revolutionaries,
- 2:56SPEAKER_03: was both writing furiously and struggling to stay one step ahead of Joseph Stalin's assassins,
- 3:03SPEAKER_03: who killed him with an ice pick a few months after Kristall's class graduated.
- 3:08SPEAKER_03: Their politics were all deadly serious.
- 3:11SPEAKER_03: It's even possible that a young electrical engineering student named Julius
- 3:15SPEAKER_03: Rosenberg occasionally joined one of the alcoves at City College.
- 3:19SPEAKER_03: But these men, Crystal, Irving Howe, Sidney Hook, Seymour Lipset,
- 3:25SPEAKER_03: All students of philosophy professor Morris Cohen also had another project.
- 3:30SPEAKER_03: They were inventing a virile intellectual style and agenda that was distinctively
- 3:35SPEAKER_03: Jewish and secular,
- 3:37SPEAKER_03: and imagining how they would get their ideas to the public.
- 3:40SPEAKER_03: Like one of Cohen's associates,
- 3:42SPEAKER_03: Lionel Trilling,
- 3:43SPEAKER_03: the first Jewish literature professor to be hired at Columbia University,
- 3:47SPEAKER_03: they believed that the looming battle against totalitarianism would be fought with words,
- 3:52SPEAKER_03: pens,
- 3:53SPEAKER_03: and ideas.
- 3:55SPEAKER_03: After World War II and through the 1980s,
- 3:58SPEAKER_03: they did exactly that in publications like Menorah Journal,
- 4:02SPEAKER_03: Commentary,
- 4:03SPEAKER_03: Partisan Review,
- 4:04SPEAKER_03: and Dissent.
- 4:05SPEAKER_03: They and new recruits like Norman Podoritz and Daniel Bell,
- 4:09SPEAKER_03: as well as a select group of women,
- 4:11SPEAKER_03: Hannah Arendt,
- 4:12SPEAKER_03: Mary McCarthy,
- 4:13SPEAKER_03: Elizabeth Hardwick,
- 4:14SPEAKER_03: Midge Dechter,
- 4:15SPEAKER_03: and Lionel Trilling's wife,
- 4:17SPEAKER_03: Diana,
- 4:18SPEAKER_03: became known as the New York Intellectuals,
- 4:20SPEAKER_03: a generation of thinkers who redefined the art of political argument in the United
- 4:25SPEAKER_03: States and elevated it to a contact sport.
- 4:29SPEAKER_03: That's the story historian Ronnie Grinberg tells in her new book,
- 4:33SPEAKER_03: Write Like a Man,
- 4:34SPEAKER_03: Jewish Masculinity and the New York Intellectuals,
- 4:37SPEAKER_03: just out from Princeton University Press.
- 4:40SPEAKER_03: Join Ronnie and me for this episode of Why Now, where history and politics meet the challenge of today.
- 4:45SPEAKER_03: And I'm your host,
- 4:47SPEAKER_03: Claire Potter,
- 4:48SPEAKER_03: Professor of History Emeritus at the New School for Social Research,
- 4:51SPEAKER_03: a contributing editor at Public Seminar,
- 4:53SPEAKER_03: and the author of The Political Junkie Substack.
- 4:57SPEAKER_03: This is Episode 54, Typewriter Combat.
- 5:25SPEAKER_03: Ronnie, I have to tell you what a pleasure it was to read your book.
- 5:28SPEAKER_03: I want to start by saying I spent a whole summer reading the memoirs of these people,
- 5:35SPEAKER_03: Anne Roife and Norman Podoretz and Midge Dechter and so on.
- 5:39SPEAKER_03: I thought what you did with this book, Bringing Men and Women's Voices Together,
- 5:46SPEAKER_03: in this world of New York intellectuals was masterful.
- 5:51SPEAKER_03: So can you tell me how a book about Jewish masculinity also needed to have a lot of women in it?
- 5:59SPEAKER_01: That's a very good question.
- 6:00SPEAKER_01: You know, a lot of books have been written about the New York intellectuals.
- 6:04SPEAKER_01: They're not a topic that has not been explored.
- 6:07SPEAKER_01: And certainly a slew of books came out, especially in the late 80s and early 90s.
- 6:12SPEAKER_01: And then I think
- 6:13SPEAKER_01: In the late 2000s, too, with neoconservatism, there was like another visit.
- 6:18SPEAKER_01: And it was always recognized that this was a predominantly male and Jewish group.
- 6:22SPEAKER_01: But sort of putting those two things together was not something someone had done.
- 6:27SPEAKER_01: And as I was writing the manuscript,
- 6:30SPEAKER_01: I increasingly came to feel that you really couldn't understand how this group sort
- 6:36SPEAKER_01: of operated and how
- 6:37SPEAKER_01: ideas about masculinity operated without looking at the women and that included the
- 6:43SPEAKER_01: women who counted and why and how they counted but also the many women who were
- 6:48SPEAKER_01: writers who kind of circled them either as wives or divorcees or whatever it was
- 6:55SPEAKER_01: who for whatever reason didn't count um
- 6:58SPEAKER_01: And so the women were always part of the story.
- 7:00SPEAKER_01: I do have to give a props to one of my peer reviewers.
- 7:02SPEAKER_01: It's an academic book, so it went out for peer review.
- 7:05SPEAKER_01: And one of the peer reviewers told me, you need to center the women even more.
- 7:10SPEAKER_01: And so I moved actually aspects of the women into the beginning of the chapter.
- 7:16SPEAKER_01: I had always been focused on Midge Dechter and Diana Trilling,
- 7:20SPEAKER_01: but I expanded to talk about even more some of the other ones and really was more conscious,
- 7:25SPEAKER_01: I guess,
- 7:26SPEAKER_01: of making
- 7:27SPEAKER_01: women a through line in the story,
- 7:29SPEAKER_01: because I think to understand how masculinity operated in American intellectual life,
- 7:33SPEAKER_01: in this case,
- 7:34SPEAKER_01: Jewish masculinity,
- 7:34SPEAKER_01: you had to also understand women's sort of roles there too.
- 7:38SPEAKER_03: Yeah.
- 7:39SPEAKER_03: And there are two women in the story who aren't Jewish, Mary McCarthy and Elizabeth Hardwick.
- 7:44SPEAKER_03: They have to write like men too.
- 7:47SPEAKER_03: And in many ways, they're not feminist icons, are they?
- 7:52SPEAKER_01: No, they, all of these women were at best,
- 7:55SPEAKER_01: apathetic to feminism.
- 7:57SPEAKER_01: Most were dismissive.
- 7:59SPEAKER_01: I'm not the first to sort of explore that.
- 8:01SPEAKER_01: There's a journalist who had a book called Partisans,
- 8:04SPEAKER_01: who sort of talked about how they were the generation that fell between first and
- 8:07SPEAKER_01: second wave feminism,
- 8:08SPEAKER_01: so they sort of missed the boat.
- 8:10SPEAKER_01: But I think it was more than just that.
- 8:12SPEAKER_01: I think precisely because
- 8:15SPEAKER_01: they never would have put it this way.
- 8:16SPEAKER_01: I mean, they saw themselves just as writers.
- 8:18SPEAKER_01: And I actually want to say to listeners,
- 8:20SPEAKER_01: I am not making an argument that there's a way to write like a woman or that
- 8:23SPEAKER_01: there's a way to write like a man.
- 8:25SPEAKER_01: It's not an essentialist argument.
- 8:26SPEAKER_01: But who was taken seriously in this group?
- 8:30SPEAKER_01: And then who was taken seriously kind of in American intellectual life when this
- 8:33SPEAKER_01: group held a certain sway over that?
- 8:37SPEAKER_01: Had to do, I think, whether they were seen as serious writers, aggressive writers in a particular way,
- 8:44SPEAKER_01: that the men sort of tied to notions of masculinity.
- 8:48SPEAKER_03: And there's this idea about argument that you argue fiercely.
- 8:52SPEAKER_03: And part of what it means,
- 8:54SPEAKER_03: not just to be a man,
- 8:56SPEAKER_03: but an adult,
- 8:58SPEAKER_03: is to take ideas seriously,
- 9:00SPEAKER_03: to argue seriously,
- 9:02SPEAKER_03: and to write.
- 9:04SPEAKER_03: So let's roll it back a little bit.
- 9:06SPEAKER_03: One of the things all the men in the book have in common and some of the women is
- 9:10SPEAKER_03: that they are the children of immigrants and often the children of very poor immigrants.
- 9:16SPEAKER_03: How does this affect their own reflections on masculinity?
- 9:22SPEAKER_01: Yeah,
- 9:22SPEAKER_01: it's a really central part of,
- 9:25SPEAKER_01: I think,
- 9:25SPEAKER_01: their understandings of masculinity as they're sort of growing up in interwar America,
- 9:31SPEAKER_01: right?
- 9:31SPEAKER_01: So this is years when
- 9:33SPEAKER_01: Native sentiment climaxes.
- 9:35SPEAKER_01: Anti-Semitism is prevalent on both sides of the Atlantic.
- 9:39SPEAKER_01: Jews are very much seen as others in a multitude of ways.
- 9:44SPEAKER_01: Judaism,
- 9:45SPEAKER_01: there's no notion of a tri-faith America yet that emerges after World War II or
- 9:51SPEAKER_01: Judeo-Christian tradition.
- 9:52SPEAKER_01: All of that is like a post-World War II construction.
- 9:55SPEAKER_01: So Jews are very much outsiders in religious terms, but also
- 10:00SPEAKER_01: Jewish immigrants have long been involved in the labor movement and with radical ideas.
- 10:05SPEAKER_01: So sort of politically they're outsiders.
- 10:07SPEAKER_01: You know, some scholars will argue that Jews weren't quite considered white in this period, right?
- 10:13SPEAKER_01: That there's sort of this spectrum of whiteness in this period where scientific
- 10:17SPEAKER_01: racism is kind of dominating academic thought and intellectual thought.
- 10:21SPEAKER_01: And so Jews are outsiders.
- 10:23SPEAKER_01: And I think very much this is an era when white Protestant norms of masculinity also hardened.
- 10:29SPEAKER_01: and are exclusionary towards other groups.
- 10:31SPEAKER_01: And this is in reaction partly to this sort of fear of immigrants,
- 10:35SPEAKER_01: what we would call replacement theory,
- 10:36SPEAKER_01: right?
- 10:37SPEAKER_01: Today, this idea that immigrants were going to ruin the stock of true white Americans.
- 10:42SPEAKER_01: And also African-Americans are moving in large numbers from the South to the North
- 10:47SPEAKER_01: as part of the great migration.
- 10:49SPEAKER_01: So I think,
- 10:49SPEAKER_01: you know,
- 10:50SPEAKER_01: other scholars have talked about kind of the hardening of masculinity around white
- 10:53SPEAKER_01: Anglo-Saxon Protestant norms that included things like athleticism and
- 10:57SPEAKER_01: physical strength that sort of other groups supposedly lacked.
- 11:00SPEAKER_01: And so I think that these sons of immigrants are sort of denied access in many ways
- 11:05SPEAKER_01: to those norms of masculinity,
- 11:07SPEAKER_01: but not entirely,
- 11:08SPEAKER_01: right?
- 11:08SPEAKER_01: So this idea of kind of aggression and combativeness,
- 11:12SPEAKER_01: you know,
- 11:12SPEAKER_01: being a heroic fighter,
- 11:14SPEAKER_01: they put that into sort of being intellectuals and writers.
- 11:16SPEAKER_01: And that has roots also with the Talmudic tradition in Judaism that had long sort
- 11:21SPEAKER_01: of venerated the religious scholar as the ideal Jewish male.
- 11:25SPEAKER_01: Now in this period, they're secular.
- 11:27SPEAKER_01: There's a historian at the University of Wisconsin-Madison named Tony Michaels who's,
- 11:30SPEAKER_01: you know,
- 11:30SPEAKER_01: has sort of written about how it was socialists in the United States that became
- 11:34SPEAKER_01: like the ideal arguers,
- 11:36SPEAKER_01: you know,
- 11:36SPEAKER_01: or religious scholars are sort of passe.
- 11:38SPEAKER_01: But there's a merging kind of,
- 11:40SPEAKER_01: I think,
- 11:40SPEAKER_01: of traditional Jewish ideals of masculinity with kind of American conceptions in
- 11:45SPEAKER_01: the early 20th century that create this new construct or that they help create.
- 11:50SPEAKER_03: So they're creating a new man, which is the Jewish American intellectual.
- 11:57SPEAKER_03: And I think one of the things you note in the book,
- 12:00SPEAKER_03: which I thought was wonderful,
- 12:02SPEAKER_03: is that because a lot of these guys were working class,
- 12:06SPEAKER_03: they're growing up on the mean streets and they have to deal with gangs and they're
- 12:11SPEAKER_03: playing a lot of tough physical games and they're fighting.
- 12:15SPEAKER_03: And so there is this...
- 12:18SPEAKER_03: childhood experience of having to fight
- 12:23SPEAKER_03: as a Jew that then gets translated into intellectual and literary life.
- 12:29SPEAKER_03: And one of the things I find fascinating about these men and the women is almost
- 12:36SPEAKER_03: none of them go to graduate school.
- 12:38SPEAKER_03: And only one of them, Lionel Trilling has a PhD.
- 12:42SPEAKER_03: And I was like,
- 12:42SPEAKER_03: what a great world it was where you could be taken seriously as an intellectual
- 12:47SPEAKER_03: without spending seven years in graduate school.
- 12:50SPEAKER_01: Yeah, it was a different world.
- 12:51SPEAKER_01: I mean,
- 12:51SPEAKER_01: those opportunities were made possible in the immediate post-war era,
- 12:55SPEAKER_01: right,
- 12:55SPEAKER_01: with the GI Bill and the expansion of higher education.
- 12:59SPEAKER_01: I think it's a moment that we're never going to see again,
- 13:01SPEAKER_01: when you don't need a PhD to go into academia or to be a thinker.
- 13:07SPEAKER_01: You know,
- 13:08SPEAKER_01: many of them do,
- 13:09SPEAKER_01: and Irving Howe sort of complains in the 1950s,
- 13:12SPEAKER_01: because for him,
- 13:13SPEAKER_01: the intellectual vocation kind of always requires being outside of
- 13:17SPEAKER_01: mainstream institutions.
- 13:19SPEAKER_01: But, you know, he also says we had to make a living.
- 13:22SPEAKER_01: And universities provided a place where they could both make a living and continue
- 13:27SPEAKER_01: to write to a broader public.
- 13:30SPEAKER_01: And I think what you mentioned earlier,
- 13:31SPEAKER_01: sort of about the streets,
- 13:32SPEAKER_01: you know,
- 13:33SPEAKER_01: one of the other points I wanted to make in my book in the first chapter is that
- 13:36SPEAKER_01: this is not the only model of Jewish masculinity available to the sons of immigrants.
- 13:41SPEAKER_01: There are various models of American Jewish masculinity that are developing in these years.
- 13:45SPEAKER_01: Not everyone is becoming a combative
- 13:48SPEAKER_01: intellectual scholar, but that's the model that prevails for this group.
- 13:52SPEAKER_03: I mean, there's sports, there's art, there's finance.
- 13:56SPEAKER_03: There are a range of occupations in which a new generation of educated Jewish men
- 14:04SPEAKER_03: and some women are beginning to move in and distinguish themselves.
- 14:09SPEAKER_03: And yet masculinity is important to these guys.
- 14:13SPEAKER_03: They talk about it all the time.
- 14:15SPEAKER_03: And one of the threads in your story is the influence of Freud, right?
- 14:20SPEAKER_03: And their discussions about psychotherapy,
- 14:24SPEAKER_03: which some of them were in,
- 14:26SPEAKER_03: and how it was that both men and women became adults in part through realizing
- 14:33SPEAKER_03: their heterosexual selves.
- 14:36SPEAKER_01: Absolutely.
- 14:37SPEAKER_01: I mean,
- 14:37SPEAKER_01: I think,
- 14:38SPEAKER_01: you know,
- 14:38SPEAKER_01: Freud came into this story sort of later for me,
- 14:41SPEAKER_01: actually,
- 14:42SPEAKER_01: in the Midge-Decter chapter,
- 14:43SPEAKER_01: which part of that became an article in the Journal of American History,
- 14:46SPEAKER_01: which was a very long process.
- 14:48SPEAKER_01: But in that, when you submit to the Journal of American History, you get lots of great reviews.
- 14:52SPEAKER_01: And so one of them was really the first one to point out how clear Freudian ideas
- 14:56SPEAKER_01: were in Mitch Dechter's thinking about the women's movement and then later gay liberation.
- 15:03SPEAKER_01: I mean, she's a conservative writer, homophobic, anti-feminist.
- 15:08SPEAKER_01: And so then as I started to think about Freud,
- 15:10SPEAKER_01: and I should say,
- 15:11SPEAKER_01: that wasn't the first time that I had started thinking about Freud.
- 15:13SPEAKER_01: I mean, I
- 15:14SPEAKER_01: early on in graduate school,
- 15:15SPEAKER_01: so this was ages ago,
- 15:16SPEAKER_01: I met Joan Scott at a conference,
- 15:18SPEAKER_01: it was a graduate student conference,
- 15:20SPEAKER_01: and she was talking to me,
- 15:20SPEAKER_01: this was very early in my work,
- 15:22SPEAKER_01: but she was like,
- 15:23SPEAKER_01: you know,
- 15:23SPEAKER_01: all of these guys were analyzed.
- 15:26SPEAKER_01: They all were an analyst throughout their life.
- 15:28SPEAKER_01: It's a central component of understanding them.
- 15:31SPEAKER_01: And the historian David A. Bell, who's the son of
- 15:34SPEAKER_01: Daniel Bell and Pearl Kazenbell,
- 15:36SPEAKER_01: who I write about in the book,
- 15:37SPEAKER_01: also said,
- 15:38SPEAKER_01: you know,
- 15:38SPEAKER_01: Freud is so central,
- 15:39SPEAKER_01: it's all over partisan review,
- 15:41SPEAKER_01: especially the writings of the women,
- 15:43SPEAKER_01: because I think the men were more guarded in some ways about how Freudianism
- 15:47SPEAKER_01: influenced them,
- 15:48SPEAKER_01: except Lionel Trilling,
- 15:49SPEAKER_01: maybe when he applied it to literature or to politics,
- 15:51SPEAKER_01: but in terms of their self.
- 15:53SPEAKER_01: But the women were much more open, shaped their ideas of the proper culture,
- 15:59SPEAKER_01: understandings of gender roles,
- 16:01SPEAKER_01: which they initially saw,
- 16:02SPEAKER_01: and some of them always saw,
- 16:03SPEAKER_01: as biologically rooted in Freudian theories.
- 16:06SPEAKER_01: Now, I think Freud is hard to talk about because he means different things to different people.
- 16:11SPEAKER_01: People adapt Freud in different ways, but I think it's central to their thinking for sure.
- 16:15SPEAKER_03: Well, and it's very important to define how the New York intellectuals were
- 16:21SPEAKER_03: thinking about their sexuality in part because there's a whole medicalized model of
- 16:26SPEAKER_03: homosexuality that they don't ascribe to exactly.
- 16:29SPEAKER_03: They're very focused on the inner self and the id, the ego.
- 16:34SPEAKER_03: They also have a lot of sex with each other.
- 16:36SPEAKER_03: And,
- 16:37SPEAKER_03: you know,
- 16:37SPEAKER_03: one of the things that you get out of reading the memoirs is they were just
- 16:42SPEAKER_03: constantly having parties and there was a lot of booze flowing and there was a lot
- 16:48SPEAKER_03: of sex happening and,
- 16:51SPEAKER_03: Can you talk about researching this very vital world?
- 16:57SPEAKER_03: How did you end up feeling about it?
- 17:00SPEAKER_01: I mean, I always felt like when I read the letters, you're getting access to this long lost world.
- 17:07SPEAKER_01: I didn't have like feelings necessarily of disgust or admiration.
- 17:11SPEAKER_01: It just was like I was fascinated.
- 17:14SPEAKER_01: And, you know, some of them write really revealing letters.
- 17:17SPEAKER_01: And it's so fun to be in the archives because you're reading their gossip about these parties.
- 17:23SPEAKER_01: I mean, I was always initially surprised at how many affairs there were and how many divorces initially.
- 17:29SPEAKER_01: You know,
- 17:30SPEAKER_01: in thinking about the 1950s too,
- 17:32SPEAKER_01: we think about as a conservative era when it comes to those ideas.
- 17:37SPEAKER_01: But these intellectuals were, you know, having affairs and getting divorced in
- 17:42SPEAKER_01: over and over again during this period.
- 17:44SPEAKER_01: I mean,
- 17:45SPEAKER_01: you know,
- 17:45SPEAKER_01: I think the men were not easy to be married to,
- 17:47SPEAKER_01: so it's not surprising that they,
- 17:51SPEAKER_01: women would,
- 17:51SPEAKER_01: I think especially women who were strong writers and intellectuals,
- 17:55SPEAKER_01: you know,
- 17:55SPEAKER_01: got fed up sometimes living with these men.
- 17:58SPEAKER_01: The parties were harder to get access to, I have to say.
- 18:00SPEAKER_01: I wish that there was more recordings of like what the party,
- 18:03SPEAKER_01: I mean,
- 18:03SPEAKER_01: they're in the memoir somewhat,
- 18:05SPEAKER_01: you know,
- 18:06SPEAKER_01: that's a scene I would have maybe liked to describe a little bit more,
- 18:08SPEAKER_01: but I don't think I had the evidence.
- 18:11SPEAKER_03: children, of course, kind of get lost in all of this.
- 18:14SPEAKER_03: I remember in Anne Roife's memoir,
- 18:16SPEAKER_03: she talks about a typical party where you would go to somebody's house and there's
- 18:20SPEAKER_03: a room full of coats and basically people,
- 18:23SPEAKER_03: small children,
- 18:24SPEAKER_03: and people would just bring their small children and dump them into the coats and
- 18:28SPEAKER_03: the children would sleep in there while the parents drank.
- 18:31SPEAKER_03: You really get the sense that these are marriages where the
- 18:38SPEAKER_03: husband and wife were deeply involved with each other, but less so their children.
- 18:43SPEAKER_03: Did you pick any of that up?
- 18:46SPEAKER_01: Their children are sort of not visible because even in their memoirs,
- 18:50SPEAKER_01: their children play very minimal roles.
- 18:54SPEAKER_01: Irving Howe gets divorced and his wife, Nina, ends up moving away with his two children.
- 18:58SPEAKER_01: I mean, David Bell was born much later.
- 19:02SPEAKER_01: He was born in, I think, in 1961.
- 19:03SPEAKER_01: And
- 19:05SPEAKER_01: Pearl Kazin was a very devoted mother.
- 19:06SPEAKER_01: So I think he's a little bit of an exception.
- 19:08SPEAKER_01: You know,
- 19:10SPEAKER_01: the Trilling son,
- 19:11SPEAKER_01: also James,
- 19:12SPEAKER_01: I believe James Trilling writes very bitterly of his father later on.
- 19:16SPEAKER_01: You know,
- 19:16SPEAKER_01: and there's a place in the book and also early on in the 30s where another woman
- 19:20SPEAKER_01: named Tess Schlesinger,
- 19:22SPEAKER_01: who wrote a book called The Unpossessed,
- 19:24SPEAKER_01: I think says that these intellectuals view children as biological traps.
- 19:28SPEAKER_01: So some of them ended up have children,
- 19:29SPEAKER_01: but they didn't shower,
- 19:31SPEAKER_01: I think,
- 19:31SPEAKER_01: the attention maybe that their parents did and that their
- 19:35SPEAKER_01: you know, later generations did.
- 19:36SPEAKER_03: So let's get back to the women who are incredibly vivid in this book.
- 19:43SPEAKER_03: And I want to go straight to Diana Trilling because that chapter on Diana Trilling was stunning.
- 19:50SPEAKER_03: She sounds like a really, really unlikable person.
- 19:56SPEAKER_03: And then I thought about it again.
- 19:58SPEAKER_03: And I thought,
- 19:59SPEAKER_03: well,
- 19:59SPEAKER_03: actually,
- 20:00SPEAKER_03: she's one of the few women who's actually pushing back on a lot of the sexist crap
- 20:06SPEAKER_03: that's going on.
- 20:08SPEAKER_03: Can you talk about that chapter on Trilling a little bit?
- 20:10100%.
- 20:10SPEAKER_01: Yeah, I was always fascinated with Diana Trilling.
- 20:14SPEAKER_01: Her archive is rich.
- 20:16SPEAKER_01: She's very, she doesn't hold back.
- 20:18SPEAKER_01: So her letters are rich.
- 20:20SPEAKER_01: And I did feel like she was always dismissed as the
- 20:26SPEAKER_01: very difficult one, the bitchy one.
- 20:29SPEAKER_01: And,
- 20:30SPEAKER_01: you know,
- 20:30SPEAKER_01: as I got more immersed in this world,
- 20:32SPEAKER_01: I mean,
- 20:33SPEAKER_01: I've been with this project for many,
- 20:34SPEAKER_01: many years,
- 20:35SPEAKER_01: the men were just as difficult and just as hard to be around and they were not nice
- 20:41SPEAKER_01: people and they didn't treat others nicely,
- 20:43SPEAKER_01: but Diana seemed to be an
- 20:46SPEAKER_01: I wasn't the first to say this.
- 20:47SPEAKER_01: I should say Daphne Merkin, the writer, she wrote about, she knew Diana Trilling.
- 20:52SPEAKER_01: And there was a biography that was published in 2017, I think, by Natalie Robbins.
- 20:56SPEAKER_01: And she was reviewing the book.
- 20:58SPEAKER_01: And she also mentioned how, you know, Diana was always the one who was snickered at.
- 21:03SPEAKER_01: You know, I felt like to understand actually why that was the case is,
- 21:09SPEAKER_01: you had to understand the way the gender operated in this group and the way that
- 21:14SPEAKER_01: women were dismissed and that women who pushed back,
- 21:19SPEAKER_01: who were aggressive,
- 21:20SPEAKER_01: who were argumentative,
- 21:21SPEAKER_01: they had to be that way to be taken seriously.
- 21:24SPEAKER_01: And Diana for a long time was not taken seriously.
- 21:26SPEAKER_01: It wasn't until the second half of her life,
- 21:29SPEAKER_01: but then it could become used against them as a way to say,
- 21:33SPEAKER_01: they're too difficult.
- 21:35SPEAKER_01: They're too aggressive.
- 21:36SPEAKER_01: They're too opinionated.
- 21:37SPEAKER_01: And Diana's husband is just an interesting case,
- 21:40SPEAKER_01: Lionel Trilling,
- 21:41SPEAKER_01: because he's one of the most celebrated literary critics.
- 21:44SPEAKER_01: And I write about in my book how he sort of actually embodied a very different
- 21:48SPEAKER_01: public persona because he was a Jew who was trying to be an English professor in an
- 21:53SPEAKER_01: era before World War II,
- 21:56SPEAKER_01: when Jews were not thought as the proper types of people to study the genteel
- 22:02SPEAKER_01: English language.
- 22:04SPEAKER_01: And so he has a very soft and reserved kind of public
- 22:08SPEAKER_01: detached is the word that's often used to describe him.
- 22:11SPEAKER_01: And Diana, in comparison, always seems so much more, not just aggressive, but uncontrolled.
- 22:18SPEAKER_01: And she's resentful to some extent about her relationship with Lionel.
- 22:24SPEAKER_01: I mean, they're an exception in the sense that they remain committed to each other.
- 22:27SPEAKER_01: Neither one of them had an affair.
- 22:29SPEAKER_01: I think there was a lot of love and partnership there, but also resentments about who Lionel
- 22:36SPEAKER_01: who was recognized for intellectual work.
- 22:39SPEAKER_03: Well,
- 22:40SPEAKER_03: and one of the things you raise in the book is the suggestion that not only did
- 22:44SPEAKER_03: Diana Trilling edit a lot of Lionel's work,
- 22:47SPEAKER_03: but that she was in some ways an unacknowledged co-author.
- 22:51SPEAKER_03: And you also say that it never seems to have occurred to Lionel that Diana was really unable to write.
- 23:01SPEAKER_03: for long periods of time, because she was married to him.
- 23:04SPEAKER_01: And that was the case, I think, for other women in this group, too.
- 23:06SPEAKER_01: I mean, all of them struggled, like they, they struggled with writing, they had writing blocks.
- 23:11SPEAKER_01: And I think that was tied to their very notions of being masculine and being men.
- 23:16SPEAKER_01: So it was all the more psychologically devastating for them.
- 23:20SPEAKER_01: And the women,
- 23:20SPEAKER_01: not just Diana,
- 23:21SPEAKER_01: but Pearl Kaysen Bell,
- 23:23SPEAKER_01: when it came to Daniel Bell,
- 23:24SPEAKER_01: they also had a very loving relationship,
- 23:26SPEAKER_01: but they spent a lot of time making sure their husbands would be okay.
- 23:30SPEAKER_01: And
- 23:30SPEAKER_01: And I think, yeah, and Diana did edit a lot of Lionel's work, as she claims.
- 23:35SPEAKER_01: The book on Susan Sontag by Ben Moser came out, you know, as I was working on that chapter.
- 23:40SPEAKER_01: And he talks about how Susan Sontag and sort of proves that Susan Sontag helped
- 23:44SPEAKER_01: write her first husband's books on Freud,
- 23:47SPEAKER_01: Philip Reif,
- 23:48SPEAKER_01: Reif,
- 23:49SPEAKER_01: Reif.
- 23:49SPEAKER_01: And then the Society for U.S.
- 23:50SPEAKER_01: Intellectual History, which is a blog, also had a debate about Richard Hofstadter's wife.
- 23:55SPEAKER_01: So I think this was a thing people were beginning to explore.
- 23:57SPEAKER_01: And Diana was explicit that that was the case.
- 24:00SPEAKER_01: but she edited Lionel's early works and she was devastated when she went into his
- 24:04SPEAKER_01: papers after he died and felt that he purposely destroyed her edits so that people
- 24:09SPEAKER_01: wouldn't know.
- 24:10SPEAKER_03: Yeah, I mean, I want to know so much more about that marriage.
- 24:13SPEAKER_03: I can't even tell you.
- 24:14SPEAKER_03: And I think it's part of the success of the book that when I finished reading it,
- 24:19SPEAKER_03: I wanted to run down a whole bunch of other books and just keep on going.
- 24:23SPEAKER_03: I'm also interested in how kind of shitty a lot of these women were to each other.
- 24:29SPEAKER_03: And that the whole standard of writing like a man,
- 24:33SPEAKER_03: which is what you had to do to get into the room,
- 24:35SPEAKER_03: to be heard,
- 24:36SPEAKER_03: to be respected,
- 24:38SPEAKER_03: was a very fragile one.
- 24:40SPEAKER_03: And partly it rested on them seeing each other as rivals.
- 24:46SPEAKER_01: Yeah, I think that the women in particular were pitted against one another.
- 24:51SPEAKER_01: And, you know, Tess Schlesinger talks about she was married to a writer named Herbert Salo.
- 24:55SPEAKER_01: And in the 1930s,
- 24:57SPEAKER_01: he was writing for and he might have been an editor at the Menorah Journal,
- 25:01SPEAKER_01: which is the first journal that I explore as kind of helping create this group.
- 25:05SPEAKER_01: It was edited by Elliot Cohen.
- 25:08SPEAKER_01: who becomes the inaugural editor of Commentary in 1945,
- 25:12SPEAKER_01: but he's the managing editor of this Menorah Journal between 1924 and 1931.
- 25:18SPEAKER_01: And she talks at length, and so does Diana, actually.
- 25:20SPEAKER_01: Or maybe it was Diana who really pointed this out,
- 25:22SPEAKER_01: that there was only room for one woman at the Menorah Journal.
- 25:27SPEAKER_01: And so Tess Schlesinger was the writer that published stories.
- 25:30SPEAKER_01: Diana submitted stories, and Eliot never got back to her.
- 25:33SPEAKER_01: And I think that idea of sort of,
- 25:36SPEAKER_01: there could be one woman who was celebrated is something that you see throughout,
- 25:40SPEAKER_01: you see in the memoir literature.
- 25:42SPEAKER_01: And so the women are very much pitted against one another.
- 25:46SPEAKER_01: And there isn't this sense of sisterhood to use the language of second wave feminism when it develops.
- 25:51SPEAKER_01: And they're not interested in feminism.
- 25:53SPEAKER_01: I mean, I think they see feminism as fundamentally unserious topics, unserious writers.
- 26:00SPEAKER_01: Yeah.
- 26:02SPEAKER_03: And that in some ways, yeah.
- 26:04SPEAKER_03: comes to effect to Mary McCarthy when she publishes The Group in 1963,
- 26:11SPEAKER_03: she is derided not just by some of the other male intellectuals,
- 26:18SPEAKER_03: but by her dear friend,
- 26:20SPEAKER_03: Elizabeth Hardwick.
- 26:21SPEAKER_03: Can you talk about that?
- 26:23SPEAKER_03: I mean, The Group is one of the first grown-up novels I ever read.
- 26:26SPEAKER_03: Yeah.
- 26:27SPEAKER_03: And it is seen by these folks as a women's book and therefore not worthy of inclusion in their canons.
- 26:36SPEAKER_01: Yeah,
- 26:37SPEAKER_01: I mean,
- 26:37SPEAKER_01: I think Mary McCarthy,
- 26:39SPEAKER_01: you know,
- 26:39SPEAKER_01: she was always feared for her acerbic prose,
- 26:43SPEAKER_01: and she had sort of,
- 26:44SPEAKER_01: you know,
- 26:45SPEAKER_01: written books before this that are fiction,
- 26:49SPEAKER_01: but that was essentially based on some of the figures in this group.
- 26:51SPEAKER_01: I'm thinking of The Oasis, which comes out in, I think, 1949.
- 26:55SPEAKER_01: But when the group becomes a bestseller,
- 26:58SPEAKER_01: these male intellectuals rip it apart,
- 27:01SPEAKER_01: yeah,
- 27:01SPEAKER_01: and dismiss it as a lady's novel.
- 27:05SPEAKER_01: nothing more than a lady's novel.
- 27:07SPEAKER_01: And this term lady novel is something that's used throughout to sort of dismiss women's writers.
- 27:12SPEAKER_01: And I think also this idea that it was fiction and Mary McCarthy was succeeding in
- 27:16SPEAKER_01: writing a novel about fiction that became a bestseller really irked them.
- 27:22SPEAKER_01: I think for some of them,
- 27:23SPEAKER_01: writing a novel was seen as the ultimate expression of masculine writing,
- 27:29SPEAKER_01: even though very few of them were actually novelists.
- 27:32SPEAKER_01: And so that fact that Mary McCarthy did this and then she celebrated and that the
- 27:36SPEAKER_01: book is a bestseller is something that they have a difficult time handling.
- 27:40SPEAKER_01: And yeah,
- 27:40SPEAKER_01: Elizabeth Hardwick ends up writing a parody of it under an assumed name that's
- 27:44SPEAKER_01: published in the New York Review of Books.
- 27:47SPEAKER_01: And she doesn't tell McCarthy before it appears.
- 27:50SPEAKER_01: I don't know exactly how long McCarthy doesn't know who writes it, but of course, word gets back to her.
- 27:55SPEAKER_01: And
- 27:56SPEAKER_01: despite their deep friendship, she denigrated the book too.
- 28:01SPEAKER_03: Hardwick is just such an interesting character in this book.
- 28:05SPEAKER_03: And you allude to this briefly, but...
- 28:09SPEAKER_03: she was treated horribly by Robert Lowell, just horribly.
- 28:14SPEAKER_03: And she stayed with him.
- 28:16SPEAKER_03: And I read a biography of her that didn't say this,
- 28:20SPEAKER_03: but it kind of made it clear that she stayed with him because he had money and she didn't.
- 28:26SPEAKER_03: And the only way she could continue her writing.
- 28:29SPEAKER_03: And I mean,
- 28:30SPEAKER_03: you look at what she's publishing and you couldn't possibly live on,
- 28:33SPEAKER_03: on what she was writing,
- 28:35SPEAKER_03: but men are making a living by writing and,
- 28:39SPEAKER_03: And so how is it that women can't make a living writing and men can?
- 28:47SPEAKER_01: It's a good question.
- 28:48SPEAKER_01: I mean,
- 28:49SPEAKER_01: I think in the earlier period,
- 28:50SPEAKER_01: you know,
- 28:50SPEAKER_01: Daniel Bell says that a lot of these men were actually married to women who had a
- 28:55SPEAKER_01: stable income as teachers or whatever it was so that they could support their
- 29:01SPEAKER_01: husbands and their sort of esoteric writings.
- 29:03SPEAKER_01: But in the post-war year, that transforms.
- 29:05SPEAKER_01: And maybe that gets to the question of, you know, who got jobs in academia.
- 29:09SPEAKER_01: Robert Lowell does not become an academic,
- 29:12SPEAKER_01: but I'm just thinking of some of the other ones who are able to continue writing,
- 29:17SPEAKER_01: but also have stable jobs in academia.
- 29:20SPEAKER_01: Something Elizabeth Hardwick,
- 29:21SPEAKER_01: after she divorces,
- 29:22SPEAKER_01: starts teaching at Barnard College,
- 29:26SPEAKER_01: my alma mater,
- 29:27SPEAKER_01: where she,
- 29:28SPEAKER_01: I think,
- 29:28SPEAKER_01: to make ends meet.
- 29:30SPEAKER_01: But she never felt that her writing was going to do that or able to do that.
- 29:36SPEAKER_01: And she acknowledges that.
- 29:38SPEAKER_01: I mean,
- 29:39SPEAKER_01: I think I know the biography you're alluding to,
- 29:41SPEAKER_01: but there's definitely moments in her own reflections about her own situation where
- 29:46SPEAKER_01: she sort of makes those admissions that I could not have supported myself on my writing.
- 29:51SPEAKER_03: So let's talk about politics before we go,
- 29:55SPEAKER_03: which is the New York intellectuals are sort of seen as the incubator of neoconservatism.
- 30:04SPEAKER_03: But one of the things you really point up in Right Like a Man is it's really just a
- 30:10SPEAKER_03: few of them who are committed conservatives,
- 30:13SPEAKER_03: and the others are really pushing back against the new left,
- 30:17SPEAKER_03: but without...
- 30:19SPEAKER_03: becoming part of the new right either.
- 30:21SPEAKER_03: And could you talk about that complex political landscape?
- 30:24SPEAKER_01: Yeah, I mean, I think that's a really important intervention in my book.
- 30:28SPEAKER_01: I think that there were a number of figures who get connected to neoconservatism
- 30:34SPEAKER_01: because they react towards the radicalism of the late 1960s,
- 30:39SPEAKER_01: or they react towards what they see as the failures of the great society programs.
- 30:44SPEAKER_01: And their names stick.
- 30:46SPEAKER_01: So the ones that are most often named are Norman Podhortz,
- 30:49SPEAKER_01: Irving Kristol,
- 30:51SPEAKER_01: Daniel Bell,
- 30:51SPEAKER_01: and Nathan Glazer.
- 30:53SPEAKER_01: But I think when you look especially at Daniel Bell and Nathan Glazer, there's a much more nuanced story.
- 30:59SPEAKER_01: Daniel Bell never accepts the title neoconservatism.
- 31:04SPEAKER_01: He says that he's a socialist in economics,
- 31:07SPEAKER_01: liberal in politics,
- 31:08SPEAKER_01: and a conservative in culture is how he always describes himself.
- 31:13SPEAKER_01: I mean, there needs to be an
- 31:14SPEAKER_01: thorough biography written of daniel bell because i think he's a fascinating figure
- 31:18SPEAKER_01: who goes beyond these categories and he ends up leaving the public interest which
- 31:24SPEAKER_01: is a magazine that he founded in 1965 with irving crystal to explore social policy
- 31:29SPEAKER_01: uh he lives in 1972 or 1973 because irving's politics are becoming too conservative
- 31:35SPEAKER_01: and so are the magazines uh and nathan glazer takes over
- 31:39SPEAKER_01: But Nathan Glazer, too, is very thoughtful and rethinks his views later on.
- 31:43SPEAKER_01: And so he had opposed affirmative action,
- 31:46SPEAKER_01: which is one of the domestic policy issues that is often associated with
- 31:50SPEAKER_01: neoconservatism or opposition to affirmative action.
- 31:53SPEAKER_01: And he rethinks those positions.
- 31:56SPEAKER_01: And then there's the foreign policy aspect, which becomes this really hawkish
- 32:00SPEAKER_01: you know, preemptive war in the wake of George W. Bush and the war on terror.
- 32:05SPEAKER_01: And by that point, even someone like Irving Kristol doesn't easily fit into what's considered a neocon.
- 32:10SPEAKER_01: It moves kind of from this focus on domestic politics to foreign affairs.
- 32:15SPEAKER_01: Now, anti-communism was always a link.
- 32:18SPEAKER_01: Anti-communism is central to all of these figures from the very beginning,
- 32:21SPEAKER_01: but Irving Howe is anti-communist.
- 32:24SPEAKER_01: And Irving Howe reacts against the new left, but also does not end up
- 32:29SPEAKER_01: anywhere close to the new right.
- 32:30SPEAKER_01: And so,
- 32:31SPEAKER_01: yeah,
- 32:31SPEAKER_01: one of the arguments that I make in my book is that if we look at the long durée of neoconservatism,
- 32:36SPEAKER_01: the two figures that are actually present the whole time are Norman Podhortz and
- 32:41SPEAKER_01: his wife,
- 32:41SPEAKER_01: Midge Dechter.
- 32:43SPEAKER_01: And in fact, Midge Dechter starts writing about women and sex and gender beginning in the late 1950s.
- 32:49SPEAKER_01: And really, it's hard, conservative ways to, you know, conservative how we think of it now,
- 32:54SPEAKER_01: influenced by mid-century revisionist Freudianism and its focus on kind of
- 32:59SPEAKER_01: heterosexuality and heterosexual marriage.
- 33:02SPEAKER_01: And that's a through link into the family values politics that she embraces.
- 33:08SPEAKER_01: I mean,
- 33:09SPEAKER_01: I make an argument that she actually helps integrate the neocons into the broader
- 33:13SPEAKER_01: conservative movement because she's always had those views.
- 33:15SPEAKER_01: It didn't come out of Christianity.
- 33:17SPEAKER_01: It kind of came out of mid-century revisionist Freudianism, but
- 33:21SPEAKER_01: It adds to the family values discourse that comes to define the Republican Party.
- 33:26SPEAKER_01: And then also Norman Podhortz,
- 33:29SPEAKER_01: you know,
- 33:30SPEAKER_01: I feel like his gender anxieties were always,
- 33:34SPEAKER_01: people always like notice them because they're so explicit,
- 33:37SPEAKER_01: but no one necessarily took them seriously.
- 33:40SPEAKER_01: And if you read back and look at Norman too,
- 33:42SPEAKER_01: there's these concerns about masculinity,
- 33:45SPEAKER_01: about heterosexuality.
- 33:47SPEAKER_01: white masculinity in particular,
- 33:49SPEAKER_01: also Jewish masculinity and where it fits in that dates to the late 50s when he's
- 33:53SPEAKER_01: writing about the Beats.
- 33:54SPEAKER_01: His famous essay in 1963 called My Negro Problem in Ours,
- 33:59SPEAKER_01: where it's,
- 34:00SPEAKER_01: you know,
- 34:00SPEAKER_01: it's trying to understand Black Jewish relations and kind of the increasing
- 34:03SPEAKER_01: militancy of the civil rights movement by looking up at his experiences growing up
- 34:07SPEAKER_01: in Brownsville,
- 34:08SPEAKER_01: Brooklyn.
- 34:09SPEAKER_01: And he says, I was made fun of by African American youth who seemed so much tougher to
- 34:16SPEAKER_01: enviously tougher,
- 34:17SPEAKER_01: he says,
- 34:17SPEAKER_01: more masculine than I,
- 34:19SPEAKER_01: and they made fun of me because I was a sissy Jewish good boy who got good grades.
- 34:24SPEAKER_01: And then from 1963 until 1970,
- 34:26SPEAKER_01: well,
- 34:28SPEAKER_01: Norman Podhortz publishes very little except his memoir in 1967,
- 34:33SPEAKER_01: his first of like four memoirs,
- 34:35SPEAKER_01: making it,
- 34:35SPEAKER_01: which also is filled with gender anxieties.
- 34:38SPEAKER_01: And so if you read Dechter and Podhortz together, I think gender is this through line that links
- 34:45SPEAKER_01: all the stages of neoconservatism and that these two figures,
- 34:48SPEAKER_01: Norman and Midge,
- 34:49SPEAKER_01: are kind of present throughout.
- 34:50SPEAKER_01: And Norman is still alive.
- 34:51SPEAKER_01: I have to think of how old he is.
- 34:55SPEAKER_01: And he is actually a supporter of Trump.
- 34:57SPEAKER_01: He was initially against Trump because he saw him as a Buchananist,
- 35:02SPEAKER_01: meaning he sort of saw that he was a,
- 35:04SPEAKER_01: he felt like he was criticizing the interventionist policy of the neoconservatives
- 35:07SPEAKER_01: under the Bush years and that he was a,
- 35:10SPEAKER_01: you know,
- 35:10SPEAKER_01: America first kind of an isolationist.
- 35:13SPEAKER_01: But then he got fed up with kind of the critiques of Trump and he decided that he
- 35:16SPEAKER_01: was an anti-anti-Trumper.
- 35:18SPEAKER_01: And he admires Trump.
- 35:20SPEAKER_01: He did an interview in 2019 with the Claremont Institute because Trump is not a sissy.
- 35:26SPEAKER_01: He fights back.
- 35:28SPEAKER_01: So there's these like interesting,
- 35:29SPEAKER_01: you know,
- 35:30SPEAKER_01: gender concerns that I think you can see in all the different phases of
- 35:35SPEAKER_01: neoconservatism that provide kind of a through line.
- 35:39SPEAKER_03: There's a place near the end of the book where you also mentioned that actually
- 35:43SPEAKER_03: none of these people really cared about Israel until the 67 war and Israel
- 35:50SPEAKER_03: successfully defending itself against Israel.
- 35:53SPEAKER_03: several major modern armies.
- 35:55SPEAKER_03: And all of a sudden they're like, this is the masculinity of Jews taken to the global stage.
- 36:02SPEAKER_03: And then they become passionately pro-Israel.
- 36:05SPEAKER_03: And I think that's a really interesting moment given what we're going through now
- 36:09SPEAKER_03: as a society in the United States around differences,
- 36:14SPEAKER_03: let's call them,
- 36:15SPEAKER_03: about Israel.
- 36:16SPEAKER_03: It's a really interesting idea about how Israel moves to the center of
- 36:22SPEAKER_03: intellectual life and political life as opposed to religious life.
- 36:28SPEAKER_01: Yeah.
- 36:28SPEAKER_01: I mean,
- 36:28SPEAKER_01: I think 1967 is a critical moment and I will say I'm not the first one to sort of
- 36:34SPEAKER_01: make the argument that the victory that Israel had over its Arab neighbors inspired conservatives,
- 36:41SPEAKER_01: not just the neocons,
- 36:42SPEAKER_01: but also other conservatives.
- 36:43SPEAKER_01: Like this is the moment when the United States is in the Vietnam quagmire.
- 36:48SPEAKER_01: Milton Himmelfarb has this quote.
- 36:50SPEAKER_01: He's a, he's,
- 36:51SPEAKER_01: He's actually an interesting figure that I don't write enough about that I think people should.
- 36:55SPEAKER_01: And he's writing,
- 36:56SPEAKER_01: he works at the American Jewish Committee and he writes in commentary and he talks
- 36:59SPEAKER_01: about how,
- 37:01SPEAKER_01: you know,
- 37:01SPEAKER_01: Israel provided an army you could celebrate fighting the good fight in 1967.
- 37:09SPEAKER_01: And,
- 37:09SPEAKER_01: you know,
- 37:09SPEAKER_01: Melanie McAllister has made these arguments about how Israel provided sort of a new
- 37:13SPEAKER_01: model of muscular militarism for conservatives more broadly.
- 37:17SPEAKER_01: But I think it is a pivotal moment for sure.
- 37:21SPEAKER_03: Well, this is a great opportunity for me to ask my last question, which I always end an interview with.
- 37:27SPEAKER_03: Why should our listeners read this book now?
- 37:30SPEAKER_01: When you look at a world like Twitter,
- 37:33SPEAKER_01: the type of vitriolic debates that we see people striving to have on Twitter,
- 37:40SPEAKER_01: though I don't think that they're done effectively or fairly,
- 37:43SPEAKER_01: and it's all a lot of snark.
- 37:45SPEAKER_01: But I think this idea of
- 37:47SPEAKER_01: Debating intellectual ideas and that constituting a form of masculine performance still has relevance.
- 37:55SPEAKER_01: The muscular militarism and neoconservatism is also a story that continues to interest people.
- 38:01SPEAKER_01: And, you know, I don't want to talk too much about post-October 7th, but I think you're right.
- 38:05SPEAKER_01: The sort of debates about Israel and where Israel fits into our foreign policy,
- 38:10SPEAKER_01: you know,
- 38:11SPEAKER_01: this book touches on that too.
- 38:13SPEAKER_01: But I think there's kind of a nostalgia for this world where people engaged in
- 38:18SPEAKER_01: arguments and took each other seriously and people wanting that to exist today.
- 38:25SPEAKER_01: It does,
- 38:26SPEAKER_01: but it's also devolved into more snark,
- 38:31SPEAKER_01: but also just like there's different media landscapes where here there seemed to be
- 38:35SPEAKER_01: an intellectual world where people kind of had these conversations.
- 38:39SPEAKER_01: They were combative, they were difficult, but I think there's a nostalgia for that too.
- 39:01SPEAKER_03: And that's it for today's show.
- 39:03SPEAKER_03: Thanks for listening.
- 39:21SPEAKER_03: You can subscribe for free or you can support my work for as little as five dollars
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- 39:40SPEAKER_03: Why now is supported by the New School for Social Research and by paying subscribers to Political Junkie.
- 39:46SPEAKER_03: Why Now and Political Junkie are written, recorded, edited, and produced by me, Claire Potter.
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- 39:58SPEAKER_03: That's all for now.
- 39:59SPEAKER_03: See you next time.