Latest / The Bald Brothers Podcast / 122: Best of 1991 | #thebaldbrotherspodcast

Transcript

122: Best of 1991 | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? Welcome Bob Brothers Podcast. I'm Kevi on
• 0:03
  Speaker 1: stage Tony Baker. This podcast is just man, We just
• 0:06
  Speaker 1: as men. We make this up so we can hang
• 0:08
  Speaker 1: out for six hours. Yes, every few weeks. All right,
• 0:12
  Speaker 1: we're on tour. Yes, when you're watching this, we're on tour.
• 0:15
  Speaker 1: So check us out. Go to Kemo Stage dot com
• 0:17
  Speaker 1: or Tony Baker Comedy dot com. Some cities are already
• 0:20
  Speaker 1: selling out. We're not adding no shows.
• 0:22
  Speaker 2: I ain't add no show, so don't asks you know
• 0:25
  Speaker 2: what I'm saying, Get your tickets fast, don't be waiting.
• 0:28
  Speaker 2: And then then when it's sold out to you on
• 0:30
  Speaker 2: the outside looking in, y'all gonna add a show.
• 0:32
  Speaker 1: Now.
• 0:33
  Speaker 3: You had your chance right now and you didn't take it.
• 0:36
  Speaker 1: And stop saying it's far from your house. Man. Man,
• 0:39
  Speaker 1: I was in Oklahoma City. They were like, man, this
• 0:41
  Speaker 1: is when you was twenty minutes from my house.
• 0:43
  Speaker 3: Twenty minutes, life work, twenty minutes.
• 0:46
  Speaker 1: This is actually in Broken Arrow, Oklahoma. I live in
• 0:49
  Speaker 1: Los Angeles, California. Man, you can drive it twenty minutes.
• 0:54
  Speaker 1: I'm not sleeping in bed with my wife to give
• 0:56
  Speaker 1: you laughter. And you complaining about twenty minutes to.
• 0:59
  Speaker 3: Take me eight hours to get to y'all city. Sometimes
• 1:02
  Speaker 3: literally we got to connect.
• 1:03
  Speaker 1: It's like one non stop to Tosa on American You
• 1:07
  Speaker 1: don't hear us one. You gotta go connect through Dallas
• 1:09
  Speaker 1: most of the time.
• 1:10
  Speaker 3: And then once you to connected, did you get one
• 1:12
  Speaker 3: one fonse delayed?
• 1:13
  Speaker 1: You're done.
• 1:14
  Speaker 2: You're done now your booty clinched, all right, sick of
• 1:17
  Speaker 2: y'all man, Just get the tics to get.
• 1:18
  Speaker 1: The tickets and shut the hell up man, or don't
• 1:21
  Speaker 1: but don't ask us to get and don't come in
• 1:23
  Speaker 1: late with the Can you give me a free ticket?
• 1:26
  Speaker 1: Sold album? Now?
• 1:29
  Speaker 3: Man, I'm gonna look at your message and just let
• 1:30
  Speaker 3: us sit there.
• 1:31
  Speaker 1: Yeah, because no response is a response. All right? Nineteen
• 1:35
  Speaker 1: ninety one, we're doing the best movie, hip hop album,
• 1:39
  Speaker 1: gospel album, R and B album, music, video, and song.
• 1:45
  Speaker 1: Just kick it off with the movie Tom what you talk?
• 1:47
  Speaker 3: I think we're gonna have the same move by and
• 1:49
  Speaker 3: the Hood.
• 1:50
  Speaker 1: Oh no, no, I got terminated too. Okay that was
• 1:53
  Speaker 1: the other one. Yeah, see, okay, how how you decide?
• 1:56
  Speaker 1: Because you got the cultural relevance of Boys in the
• 1:59
  Speaker 1: Hood chorus, But Terminator Too was just that's just my
• 2:02
  Speaker 1: head almost exploded as a chot. That's just one of
• 2:04
  Speaker 1: the best. And the bad guys, the good guy, and
• 2:07
  Speaker 1: then you got you got the new good the new
• 2:09
  Speaker 1: bad guys. You got Sky in that which is basically AI.
• 2:13
  Speaker 1: We don't they done told you? And I'm like, did
• 2:15
  Speaker 1: y'all not watch Germany gott That is they gonna kill us? Yes? Absolutely,
• 2:19
  Speaker 1: Once the AI becomes human robot I means and.
• 2:22
  Speaker 3: Emotion, the nuclear war heads will be long.
• 2:25
  Speaker 1: Bro. They didn't they done told us back then? So
• 2:29
  Speaker 1: how you decided? Because you also had signing of the Lambs.
• 2:32
  Speaker 1: I just gotta say on the acting tip, they didn't
• 2:34
  Speaker 1: really have action or lambs.
• 2:36
  Speaker 2: Was fantastic. It was one of the best thrillers of
• 2:37
  Speaker 2: all time. Great Hannibal, you know what I'm saying. But
• 2:43
  Speaker 2: Terminator Too, to me is one of the action is
• 2:46
  Speaker 2: my favorite movie genre. Okay, so Terminated Too is one
• 2:50
  Speaker 2: of the best action movies ever made.
• 2:53
  Speaker 1: It holds up. Is that the one where Sarah Connor
• 2:55
  Speaker 1: was cocking the shotgun with one hand? Or is that
• 2:57
  Speaker 1: one I was messing that's too. She looks so freaking hot.
• 3:01
  Speaker 1: It was just a little bit. I was so freaking hot.
• 3:05
  Speaker 1: She was she was doing.
• 3:07
  Speaker 2: She was to me more, Yeah, absolutely, yeah, to me more.
• 3:11
  Speaker 2: And I was like, I love her transition from the
• 3:14
  Speaker 2: first film to the second feast. It was like two
• 3:16
  Speaker 2: different women. But T one thousand, T one thousand was fair.
• 3:20
  Speaker 2: He was perfect in the role he was.
• 3:21
  Speaker 1: And is that Garysonice, that's Robert Patrick. They be looking alike,
• 3:25
  Speaker 1: they do. They look a lot. I was like, Lieutenant Dan,
• 3:28
  Speaker 1: what you doing as a robot? Because they got like
• 3:31
  Speaker 1: a cold like face. Robert Patrick's face was a little
• 3:35
  Speaker 1: bit colder though than Garyonic. Yeah, Lieutenant Dan had a
• 3:38
  Speaker 1: little warmth to you know. Forrest was dumb man. He
• 3:41
  Speaker 1: didn't mean no harm. But I remember watching that movie
• 3:43
  Speaker 1: as a kid, and I was like, when when they
• 3:46
  Speaker 1: shot T one thousand and then the thing turned to
• 3:49
  Speaker 1: the Cabri commercial, I said, God, how do y'all gonna
• 3:54
  Speaker 1: kill him? Because terminator Arnold he blast his face was off, like,
• 4:00
  Speaker 1: hope you can get.
• 4:00
  Speaker 2: Down to the skeleton. Yeah, somehow crush the skeleton. If
• 4:04
  Speaker 2: you get into a steal, more than you got some
• 4:07
  Speaker 2: things that you can work. You got fired, right, was skinny?
• 4:12
  Speaker 2: The skeleton was skinny. Yeah, he's skinny man.
• 4:15
  Speaker 1: Grab Yeah, he got the Red Eye was Red Eye
• 4:21
  Speaker 1: scary as hell. Bro. But then T one thousand, when
• 4:25
  Speaker 1: I was watching, I was like, what what you going?
• 4:29
  Speaker 1: Because he was turning into link he was turning to
• 4:30
  Speaker 1: the TLC Waterfalls music video, and I'm like, bro, what
• 4:35
  Speaker 1: are they gonna do? He was the floor? He was
• 4:38
  Speaker 1: Remember he was the floor.
• 4:40
  Speaker 3: Remember the dude walk past and in the floor and
• 4:42
  Speaker 3: started rising upout.
• 4:44
  Speaker 1: Hell, no, what were doing? The floor is coming to
• 4:48
  Speaker 1: get us. We ain't got no chance. Man, such a
• 4:52
  Speaker 1: great movie, but I love it, but I gotta go
• 4:57
  Speaker 1: boys and you went black. You know what, man?
• 5:00
  Speaker 3: I love black stuff Black, that's all love black stuff.
• 5:03
  Speaker 1: Man.
• 5:03
  Speaker 3: You saw black Germany and hey man, I gotta keep
• 5:06
  Speaker 3: it rich.
• 5:07
  Speaker 1: You gotta keep that that German be setting up. So
• 5:08
  Speaker 1: when you want to go full black, that Germany be
• 5:10
  Speaker 1: like slotting. This has gotten and then you come. Then
• 5:13
  Speaker 1: you come torminatd to Judgment Day.
• 5:15
  Speaker 2: The Red had one more action scene, then it'd be
• 5:18
  Speaker 2: a different conversation.
• 5:19
  Speaker 1: Boy hood. I had the robots in there, man, listen,
• 5:21
  Speaker 1: imagine talking about Emergant.
• 5:23
  Speaker 2: Realized because they blood the Red Eyed Terminator skeleton, all
• 5:29
  Speaker 2: the bloods is coming. And you look at the cars
• 5:31
  Speaker 2: just the red eyed terminated shelter. Oh man, they got
• 5:35
  Speaker 2: the shotgun and Ricky Man.
• 5:37
  Speaker 1: I'm talking about. So here's the thing that's interesting. My
• 5:40
  Speaker 1: Boys and Hood again at my aunt SAT's house, eight
• 5:42
  Speaker 1: years old. Don't know why she's let me watch this.
• 5:45
  Speaker 1: When I tell you I was terrified of Los Angeles.
• 5:48
  Speaker 1: Of course, to me, I'm like, this is the entire lot.
• 5:51
  Speaker 1: This is my first introduction to Los Angeles.
• 5:53
  Speaker 2: I thought it was all palm trees, drop tops, guns
• 5:58
  Speaker 2: and Jerry curl juice. I was like, as soon as
• 6:01
  Speaker 2: we get there, hey man, they're gonna pull up with
• 6:05
  Speaker 2: the shotgun right at the airport.
• 6:08
  Speaker 1: That's you got it? Like, I'm like, you have to
• 6:10
  Speaker 1: be like him because the environment requires it. Come on, man,
• 6:14
  Speaker 1: we got a problem then. And I remember tone I
• 6:18
  Speaker 1: watched Boys in the Hood and I'm only eight, so
• 6:20
  Speaker 1: I'm not understanding reality the way I should. Ricky died
• 6:26
  Speaker 1: turn on our senior hal nuts on there. I was like,
• 6:30
  Speaker 1: oh my god, what you couldn't have just saw him die?
• 6:37
  Speaker 1: He came out. I was like, wait, so he's alive.
• 6:41
  Speaker 1: What was that your first time seeing somebody murdered on this? Oh,
• 6:45
  Speaker 1: Ricky was the introduction that's what I'm saying. Sadie was
• 6:48
  Speaker 1: not watching.
• 6:49
  Speaker 3: You had never seen nobody murdered until Boys in the.
• 6:54
  Speaker 1: Hood, so that felt like a real da he was Dad,
• 6:58
  Speaker 1: I'm like, dang, I'm not I'm a little yeah, I
• 7:00
  Speaker 1: mean eight. I mean now, I feel like kids ate
• 7:03
  Speaker 1: would know because they introduced a little earlier.
• 7:05
  Speaker 2: And I was watching full porn and seven full poorn
• 7:12
  Speaker 2: because it was on the TV from the hotel.
• 7:15
  Speaker 1: Wait, what kind of hotels were you staying? No, no,
• 7:19
  Speaker 1: it was across the street.
• 7:20
  Speaker 2: We stayed across the street from a motel, so we
• 7:22
  Speaker 2: would get that signal on our TV. So when you turn,
• 7:26
  Speaker 2: when you go from channel two to three, we would
• 7:29
  Speaker 2: get the adult entertainment on TV.
• 7:33
  Speaker 1: Not even blurry.
• 7:34
  Speaker 2: Sometimes it would be blurry. Sometimes it be as clear
• 7:37
  Speaker 2: as the Cosmic show. Just on the turn the family channel.
• 7:42
  Speaker 2: Turn whoa, and then we we just you had your
• 7:45
  Speaker 2: awakening at seven. Yeah, I saw full sex Hall.
• 7:51
  Speaker 1: That was Hall, and that was pubic hair.
• 7:53
  Speaker 2: I'm sending that pubic hair, pubic hair had the girl,
• 7:56
  Speaker 2: little girl smash, Harry arpit, Harry pits getting it in.
• 8:02
  Speaker 2: I could have I could have turned out to be
• 8:04
  Speaker 2: a sexual.
• 8:07
  Speaker 1: You freaked out at seven.
• 8:09
  Speaker 2: I was just like, man, this is crazy. Nobody was
• 8:11
  Speaker 2: around you. I mean, you know, we we all knew
• 8:14
  Speaker 2: was a family.
• 8:15
  Speaker 1: We knew, you know. It was like, oh man, we
• 8:18
  Speaker 1: got the you know what I'm saying. So it was
• 8:21
  Speaker 1: just so funny how technology worked, Like how you get
• 8:23
  Speaker 1: the po with the motel across the street. We getting
• 8:27
  Speaker 1: the foot We're getting the you know you got. I'm like,
• 8:31
  Speaker 1: come on, man, mom is in come on. I don't
• 8:35
  Speaker 1: think man, I'm trying to think of the first my
• 8:39
  Speaker 1: full porn. I got two experiences middle school in high school.
• 8:45
  Speaker 1: Middle school, my homeboy. I mean I used to get
• 8:47
  Speaker 1: the magazine Men, the dirty magazine, so you have a
• 8:49
  Speaker 1: black thing on the top seven eleven and stuff. But
• 8:53
  Speaker 1: I couldn't buy those. My homeboy had a porn. We
• 8:57
  Speaker 1: watched it. It was weird. We watched it all together.
• 8:58
  Speaker 1: It was all five of us. That's what you had
• 9:00
  Speaker 1: to do that. I remember being like, this is how
• 9:02
  Speaker 1: I'm hard as hell in here, but we all kind
• 9:04
  Speaker 1: of in here. I'm gonna go home and deal with
• 9:05
  Speaker 1: this later, but like in the moment, I can't really
• 9:08
  Speaker 1: do nothing. That's how we did it. It was a
• 9:11
  Speaker 1: group like we got to watch it now together, yea,
• 9:14
  Speaker 1: because I can't take it back to you couldn't. I
• 9:18
  Speaker 1: ain't taking the tape.
• 9:20
  Speaker 2: You couldnot take the tape with you. You look like
• 9:22
  Speaker 2: a creep, so you had to you to sit there
• 9:26
  Speaker 2: as the group and memoralize, like.
• 9:28
  Speaker 1: So you can get to it later.
• 9:30
  Speaker 2: And at the time when I was exposed to this,
• 9:33
  Speaker 2: I wasn't. I wasn't yet aware of my own sexuality
• 9:38
  Speaker 2: and body. So I was just like I didn't know
• 9:42
  Speaker 2: what was happening because I didn't start, you know, I
• 9:46
  Speaker 2: didn't start abusing my own body until years later. Once
• 9:51
  Speaker 2: I once I figured out the hand, I was like,
• 9:53
  Speaker 2: oh man, I was strung out after that.
• 9:56
  Speaker 1: But it was like years later, this was like what's
• 9:59
  Speaker 1: wrong with Tony?
• 10:00
  Speaker 2: I want to say nineteen nineties when I finally was like, hey,
• 10:05
  Speaker 2: nineteen ninety yeah, that might have been the first time,
• 10:09
  Speaker 2: so I was, oh, I'm.
• 10:11
  Speaker 1: Tripping you was like fourteen thirteen. I turned thirteen thirteen
• 10:16
  Speaker 1: is probably when I started. Yeah, I started whatever age
• 10:21
  Speaker 1: you are in, like sixth grade, like twelve thirteen, something
• 10:26
  Speaker 1: like that, age thirteen to eighth grade, Yeah, somewhere around there. Okay,
• 10:34
  Speaker 1: But anyway, I forgot how we got on the porn.
• 10:37
  Speaker 2: Who're just talking about coming through the signal? Oh yeah,
• 10:40
  Speaker 2: nineteen ninety Oh murder, murder for murdered.
• 10:44
  Speaker 1: That's what it was. I saw. I saw more cheeshnug
• 10:47
  Speaker 1: get killed. It's a very vivid movie to me because
• 10:54
  Speaker 1: I'm like, because you got you got furious styles. Great
• 10:59
  Speaker 1: name man for a movie character. He's one of my
• 11:02
  Speaker 1: favorite movie characters. And the man the balls in the
• 11:05
  Speaker 1: in the cut and then and then when Trey was
• 11:08
  Speaker 1: trying to get let out of the drive by Bro.
• 11:12
  Speaker 3: Was t He was like, do let me out, yeah,
• 11:15
  Speaker 3: because my stomach was hurt.
• 11:17
  Speaker 1: Tom Booty Chicks clip, We're going up because you know,
• 11:22
  Speaker 1: something to happen, like you know, noboy gotta go after
• 11:25
  Speaker 1: he got it because once Ricky died, I was like,
• 11:27
  Speaker 1: anybody could get it. Now, I don't know.
• 11:30
  Speaker 3: It was so like, man, I don't know who survive.
• 11:33
  Speaker 3: He wasn't paying attention.
• 11:35
  Speaker 2: Man, he's scratching lottery tickets. Man, you in the alley,
• 11:39
  Speaker 2: just happy, go lucky. And also people always.
• 11:41
  Speaker 1: Get on him from not zigging and zagging. Y'all got
• 11:43
  Speaker 1: to understand they went slow motion. They cut to slow
• 11:47
  Speaker 1: motion on the thing. He only took like three steps.
• 11:50
  Speaker 1: Your first inclination isn't the ziggersag He three steps into it.
• 11:54
  Speaker 1: He got blasted. He shouldn't have ran forward them.
• 11:56
  Speaker 2: He should you gotta run forward to even zigger zagg
• 11:59
  Speaker 2: but ard off to the to the to the yard.
• 12:03
  Speaker 1: No, he there was. It was closed off on both sides.
• 12:06
  Speaker 1: So you go to the yard. He's in the alley.
• 12:09
  Speaker 1: To it's you. You turn around, gun on you you
• 12:13
  Speaker 1: you you're going on instinct. You were watching it happen.
• 12:17
  Speaker 1: We got all the we basically internet commentary would.
• 12:20
  Speaker 2: But they already did it though. Remember earlier in the
• 12:23
  Speaker 2: chase they ran sideways.
• 12:26
  Speaker 1: No, no, no, I got that. I'm saying he only
• 12:28
  Speaker 1: got he got like three steps on four steps, Max,
• 12:32
  Speaker 1: you gotta get some. He got the he's the garbage truck.
• 12:35
  Speaker 1: He was like Ricky. He looked up, he dropped the stuff. Yes,
• 12:42
  Speaker 1: he's got one to blam and you're done. Yeah, And
• 12:52
  Speaker 1: then he tried to raise back up. He should have
• 12:55
  Speaker 1: got hit the leg. Now he just got elect with
• 13:00
  Speaker 1: a hot bullet.
• 13:00
  Speaker 2: He should have rolled over to the side because he's
• 13:03
  Speaker 2: gonna be harder than hit if he's laying on the
• 13:04
  Speaker 2: ground because I'm watching this with hindsight being as you
• 13:10
  Speaker 2: raise up, you're a bigger target.
• 13:12
  Speaker 1: Now, well, he got blasted, so he got he took
• 13:15
  Speaker 1: the leg. Oh hell, we're too hard, already shot. All
• 13:25
  Speaker 1: they're gonna do is pull the car in the alley.
• 13:27
  Speaker 1: You're on the ground playing. No, he's still gonna move.
• 13:30
  Speaker 2: But you know they got They got to back up
• 13:32
  Speaker 2: to come down the alley proper because they came up sideways.
• 13:35
  Speaker 1: They did come up sideway cut, but he was already shot.
• 13:40
  Speaker 3: Yeah, and then you rolled through and then he could
• 13:42
  Speaker 3: have faked dead like this are bear.
• 13:45
  Speaker 1: Yeah, we got him.
• 13:47
  Speaker 2: Man put off because a lot of times when when
• 13:50
  Speaker 2: killers kill you, they might not stick around.
• 13:53
  Speaker 1: And to make sure you finished off. You're right about it,
• 13:56
  Speaker 1: all right, let's move on.
• 13:58
  Speaker 2: First of all, thank you for tuning into the ball brothers.
• 14:00
  Speaker 1: Man.
• 14:01
  Speaker 2: Listen, life doesn't happen bi weekly, all right, So watch
• 14:06
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• 15:01
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  Speaker 2: I used to work it there few years. It would
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• 16:04
  Speaker 1: Back to the Ball Brothers. Let's go to hip hop
• 16:07
  Speaker 1: albums ninety one. I only got one, Naughty by Nature
• 16:14
  Speaker 1: o PP. You just picked that because you heard it.
• 16:16
  Speaker 1: That's the one thing I remember. I didn't listen to
• 16:18
  Speaker 1: low in Theory. You know me? You know? Do you
• 16:27
  Speaker 1: know what I mean?
• 16:28
  Speaker 4: Right?
• 16:28
  Speaker 2: And ride the corn the Mighty min Sister Ratna.
• 16:34
  Speaker 1: It always comes back to Sister rat Come right back
• 16:38
  Speaker 1: to Sister rat Tretch oh ben Ben, Yeah, that's a
• 16:46
  Speaker 1: great dare treas Vinnie Trench is like gritty. You know
• 16:51
  Speaker 1: what I'm saying.
• 16:52
  Speaker 3: Got the machee, you got the chain, you got the
• 16:54
  Speaker 3: mask on. You can't see his face.
• 16:56
  Speaker 1: What's your name? Man? What's up? Man? All right?
• 17:00
  Speaker 3: Vent Rock City, It's called me Vinnie Man from around
• 17:03
  Speaker 3: the way from Jersey.
• 17:05
  Speaker 1: Your name is trash, Yeah, yeah, because I'm treachery, treacher Vinnie. Yeah.
• 17:10
  Speaker 1: For Vincent, I was Vincent ya. They used to call
• 17:14
  Speaker 1: me Scent Scent when I was younger, but then I
• 17:16
  Speaker 1: just wish that KG. All right, man, the drop off
• 17:20
  Speaker 1: the turntables go, the drop off is crazy. For Tretch.
• 17:25
  Speaker 2: Trench had sickles, chain like full chair. His face has
• 17:32
  Speaker 2: said it all. I will fuck you up, don't you
• 17:35
  Speaker 2: know I'm will fuck you up in there? Remember Bobby
• 17:37
  Speaker 2: Brown saying that to that man. Don't you know I'm
• 17:40
  Speaker 2: gonna fuck you up?
• 17:41
  Speaker 1: In the Vinnie y'all?
• 17:43
  Speaker 2: Vin KG Honibal mentioned the album Apocalypse ninety one by
• 17:48
  Speaker 2: Public Enemy Death Certificate by Ice Cube two. Apocalypse Now,
• 17:52
  Speaker 2: that's Tupaca's debut album. Day Loso is Dead. DJ Quick
• 17:56
  Speaker 2: as the name. We can't be stopped by the ghetto boys,
• 17:59
  Speaker 2: his niggas.
• 18:00
  Speaker 1: By Bush with Bill bush Wick. Bill he got shot
• 18:04
  Speaker 1: in the face.
• 18:05
  Speaker 2: We can't be he got shot in the eye. We
• 18:07
  Speaker 2: can't be stopped. Niggas for Life by n w A.
• 18:10
  Speaker 3: But my favorite album hip hop of ninety one, it's
• 18:14
  Speaker 3: Low End.
• 18:14
  Speaker 2: Theory by Trial Call You Love Tribe is just the
• 18:18
  Speaker 2: first three albums then you Love the Tribe.
• 18:21
  Speaker 1: No, I got no qualma.
• 18:22
  Speaker 2: First three albums is crazy Q Tip Q Tip, Fife five,
• 18:28
  Speaker 2: Muhammad and sometimes Jerobi.
• 18:31
  Speaker 1: What would you would you classify them as like conscious rap,
• 18:36
  Speaker 1: my early conscious rap.
• 18:37
  Speaker 2: No, they threw them in that category. But they was
• 18:40
  Speaker 2: on the Brother Brother brand Nubian. They was on some
• 18:43
  Speaker 2: like the White Men or the Devil.
• 18:46
  Speaker 1: They was trying.
• 18:47
  Speaker 2: They was like you know, we was Kings and Queens.
• 18:50
  Speaker 2: Tribe was just always just chill. They was always just regular.
• 18:54
  Speaker 1: They wasn't gags therap, No, they were just chilling.
• 18:56
  Speaker 2: Benita apple Bone, just talking about the fine. It was
• 18:59
  Speaker 2: just like so they they were like conscious, but they
• 19:01
  Speaker 2: really wasn't kicking knowledge like that.
• 19:03
  Speaker 1: That's true. The Brand NEWBI they was like, yeah, poor whitewash,
• 19:09
  Speaker 1: public enemy.
• 19:10
  Speaker 3: They give me like the X clan and stuff like that,
• 19:13
  Speaker 3: was like poor ratches teachers.
• 19:14
  Speaker 1: We coming in with the message. Yeah, yeah, the tribe
• 19:17
  Speaker 1: was just chills. They were like, it's conscious because they
• 19:20
  Speaker 1: didn't know, you know, what to do with it. But
• 19:23
  Speaker 1: all right, that's my think, okay, and I went with
• 19:25
  Speaker 1: not by Nature all right. R and B Album nineteen
• 19:29
  Speaker 1: ninety one. Now I'm gonna go. I'm gonna go Jodasy forever,
• 19:35
  Speaker 1: my lady, because uh, to me, boyster Man has Coulie
• 19:43
  Speaker 1: high harmony. That's like they are. They came out at
• 19:46
  Speaker 1: the same time. They came out the same time. Crazy,
• 19:48
  Speaker 1: they're opposite size of the coin. Yeah, you know what
• 19:49
  Speaker 1: I'm saying, boys and men, I like cooligh harmony, but
• 19:54
  Speaker 1: like forever, Like Jodasy was like, yeah, it's like good
• 19:59
  Speaker 1: dream and then forever. So I'm like, you know, they
• 20:06
  Speaker 1: came in with the boots shirts Jojo always always keeping shirts,
• 20:12
  Speaker 1: but you also coming right carry Motions came out that
• 20:15
  Speaker 1: same year. Ralph trans Man, Yeah he is sensitive. Keith
• 20:20
  Speaker 1: with Sweat, keep it coming.
• 20:22
  Speaker 2: Keith Sweat always has something brus keep sweating for a while,
• 20:26
  Speaker 2: he has something brewing. Then the annually, Hey I'm in
• 20:28
  Speaker 2: the mix, guys, keep it coming. I'm gonna be out
• 20:32
  Speaker 2: here in the mix. My only my only thing about
• 20:38
  Speaker 2: Jodasy and this is my jodas his four already know.
• 20:42
  Speaker 1: And I can't argue with you Skip City they do
• 20:46
  Speaker 1: be have my skip ray for Austin Skippe. You can't
• 20:53
  Speaker 1: just press play on the joashon, No, you cannot. But
• 20:55
  Speaker 1: the seat their highs are crazy. And at the time,
• 20:59
  Speaker 1: I think I was thinking about this today because I
• 21:01
  Speaker 1: was like Tony gonna say they they skipped from said
• 21:03
  Speaker 1: He's done it on your stories multiple times. Who man,
• 21:07
  Speaker 1: back then, you was skipping on tape. You know how
• 21:10
  Speaker 1: bad you want to do to hold the fast forward
• 21:12
  Speaker 1: button down and you're hitting that.
• 21:15
  Speaker 2: You getting the stopping that play each other, get your
• 21:18
  Speaker 2: songs out of you. And you always heard the end
• 21:21
  Speaker 2: of the song you didn't like. You always heard only
• 21:23
  Speaker 2: whin I laugh, and you just waited for your song
• 21:28
  Speaker 2: to come on you like, man, that song.
• 21:31
  Speaker 1: Back in the day, like having a Coesive album was
• 21:34
  Speaker 1: so much more important because we don't have like from records,
• 21:37
  Speaker 1: vinyls to tape, right, you gotta I gotta let it play,
• 21:41
  Speaker 1: you gotta bring it. That's why they were like eight
• 21:43
  Speaker 1: songs in the album. Yeah, bro, because we don't we
• 21:47
  Speaker 1: work to get out of here. But Jodasya. But on
• 21:49
  Speaker 1: the radio, it was at the party, like everywhere you went,
• 21:54
  Speaker 1: you wasting, and it was it was in the culture,
• 21:56
  Speaker 1: with Martin saying like it was how people started dressing,
• 21:59
  Speaker 1: tapped into the street, tapped into the streets.
• 22:02
  Speaker 2: So I feel like I know these cats forever, my lady, stay,
• 22:06
  Speaker 2: come and talk to me. Those three records, I mean,
• 22:10
  Speaker 2: come on, crazy work three.
• 22:12
  Speaker 1: Three four songs. They gonna give it three right there,
• 22:15
  Speaker 1: and they can't talk to me.
• 22:16
  Speaker 3: Remix and the and the regular version just they're so good.
• 22:21
  Speaker 1: But I went. I went with boys and men in
• 22:25
  Speaker 1: Coolie High.
• 22:26
  Speaker 2: He got less skips, man, they got less skips, and
• 22:29
  Speaker 2: they just asboud As potent as a Josie definitely have
• 22:34
  Speaker 2: left skips. And so I was just like, all right,
• 22:36
  Speaker 2: whoever got the least amount of skips? Dangerous nah Man,
• 22:39
  Speaker 2: Skip City.
• 22:40
  Speaker 1: Michael Jackson, I.
• 22:42
  Speaker 2: Know, Dangerous came out. You know, Michael Jackson's that guy left.
• 22:46
  Speaker 2: I was skipped to my lou.
• 22:49
  Speaker 1: To one time. Did how chaotic the beats were? Danger
• 22:54
  Speaker 1: It was buch get on, then turn the ship off.
• 23:04
  Speaker 1: Where's Quincy Jones at? Yeah, it was a lot of
• 23:10
  Speaker 1: stuff going, Michael.
• 23:13
  Speaker 3: He just in the studio, like, can we add some
• 23:15
  Speaker 3: more noise. Let's get some more noises going.
• 23:17
  Speaker 1: It's it's not enough.
• 23:18
  Speaker 2: Put that in the back and then put this in
• 23:20
  Speaker 2: the front. Let's get some trash trucks falling off the
• 23:23
  Speaker 2: seas tower in there too. Let's get some plates breaking. Yeah,
• 23:27
  Speaker 2: let's get some eagles running into the windshield, just screech.
• 23:31
  Speaker 2: Let's get what's it sound like when you, you know,
• 23:34
  Speaker 2: you rubb a key across somebody's car. Let's get that
• 23:37
  Speaker 2: noise in there, just listen. Let's get an alarm bell.
• 23:44
  Speaker 2: Let's get some glasses breaking. Let's just get that going
• 23:47
  Speaker 2: and just throw it at on the back end. And
• 23:48
  Speaker 2: then I'm gonna come in with the ad libs like, man,
• 23:51
  Speaker 2: come on, Michael, this is too busy. No nah, I
• 23:53
  Speaker 2: know what I'm doing. I knew what I'm doing. We
• 23:57
  Speaker 2: need more noise.
• 23:59
  Speaker 1: Words, all right. Oh, Diamonds and Pearls came out there
• 24:04
  Speaker 1: year too. That's a good album, Laming Pearl Diamonds and
• 24:08
  Speaker 1: Gospel Album nineteen ninety one. I got a gospel album.
• 24:14
  Speaker 1: What is it? What is here to make sure? Make sure? Oh? Yeah, okay,
• 24:18
  Speaker 1: what's up with different lifestyles? B? B. A. C. C. Winings.
• 24:22
  Speaker 1: That is.
• 24:25
  Speaker 4: That man, addictive love found you dictim love so much love,
• 24:35
  Speaker 4: mint everything, love.
• 24:39
  Speaker 1: And everything I need word man, I wore that album
• 24:48
  Speaker 1: to the Who so much more and our chair chare
• 24:53
  Speaker 1: is the moment, moment for the rest of my life.
• 24:58
  Speaker 1: Now I know it's I sound crazy. I never know
• 25:04
  Speaker 1: anything to know you like homeless and I never knowed
• 25:09
  Speaker 1: that I forever forever. Man too, was going first crush,
• 25:19
  Speaker 1: Oh why man? Her smile was that of my oh
• 25:24
  Speaker 1: my god. I know she loved the Lord. She can
• 25:26
  Speaker 1: love me one and sibling. I thought Babie was her husband.
• 25:30
  Speaker 1: Man hated bb Oh you was hating no similar names.
• 25:34
  Speaker 3: He was given a attitude for nothing.
• 25:36
  Speaker 1: I was like, man, why you got a similar names
• 25:38
  Speaker 1: to the love of my life? It was siblings and
• 25:40
  Speaker 1: I was like, real husband got it when she married
• 25:45
  Speaker 1: to some church nigga. I don't know.
• 25:48
  Speaker 2: It's been the same guy the whole Actually don't know,
• 25:50
  Speaker 2: Like these gospel singers don't be getting divorced, trying.
• 25:53
  Speaker 1: To hang in there for the little one and her
• 25:55
  Speaker 1: name probably Ron.
• 25:58
  Speaker 3: Steve in love, Alvin Love.
• 26:02
  Speaker 1: Let me man, let me see the visual. This is
• 26:05
  Speaker 1: Alvin Love. Like Alvin's face. Man, it was like a
• 26:09
  Speaker 1: good time. They've been married the whole time. Man, it
• 26:12
  Speaker 1: looked like they said they got married in nineteen eighty four.
• 26:15
  Speaker 1: Woo s that's a good run. Forty years of marriage.
• 26:21
  Speaker 1: They celebrated last year.
• 26:22
  Speaker 2: We've been looking at that smile for forty years. CC
• 26:25
  Speaker 2: one is in the Alvin Love Yo, Alvin love me.
• 26:29
  Speaker 2: He came in with the love, came in with the
• 26:31
  Speaker 2: love name of CEC Love, c C Love. That's a
• 26:34
  Speaker 2: good club house name.
• 26:36
  Speaker 1: She could have did.
• 26:37
  Speaker 3: She could have did, like an a different genre.
• 26:40
  Speaker 1: I'm gonna go John p Key new Lock Munic Choir
• 26:42
  Speaker 1: wash Me, Oh yeah, that was That was a good album.
• 26:45
  Speaker 2: Wash That was that that album right there, man, because
• 26:48
  Speaker 2: when you think about when you talk about traditional gospel
• 26:51
  Speaker 2: sounds because addictive love, it was kind of like it
• 26:53
  Speaker 2: was kind of hard to decipher the gospel. But but man,
• 26:56
  Speaker 2: that John pea Key album washed me. Man, you're right,
• 27:00
  Speaker 2: Tom was watching Jesus' feet listening to that.
• 27:05
  Speaker 1: Montgomery Wards, Montgomery Wards, and move on the music videos
• 27:11
  Speaker 1: to me, there's only one in nineteen ninety one.
• 27:15
  Speaker 2: It's gonna be technical because I think I know where
• 27:17
  Speaker 2: you're going. With it might have came out in ninety two.
• 27:21
  Speaker 2: Oh I was making sure. Okay, what you were talking about?
• 27:24
  Speaker 2: What were you saying?
• 27:25
  Speaker 1: What came out ninety two? Was it saving for ninety two?
• 27:27
  Speaker 2: Oh?
• 27:27
  Speaker 1: Okay, cool Michael Jackson black and white? Yeah, black and white?
• 27:31
  Speaker 1: That was an event. It was I had never seen that.
• 27:34
  Speaker 1: Yeah this yeah, yeah, yeah. Man.
• 27:38
  Speaker 2: The actors wasn't even ready for the choreography. They was like,
• 27:43
  Speaker 2: it was just funny to see how some people just
• 27:46
  Speaker 2: couldn't get that move. Oh my god, it's like, wait,
• 27:49
  Speaker 2: did I do what next?
• 27:50
  Speaker 3: You look that way, you turn and then you lift
• 27:53
  Speaker 3: up and then keep your head still.
• 27:56
  Speaker 1: Yeah, black and white. Then it started. It did start
• 28:02
  Speaker 1: with the kid dude from Cheers. Yes, not John Goodman.
• 28:12
  Speaker 3: No, John Goodman wasn't it Cheers, That's what I'm saying.
• 28:14
  Speaker 1: Not John. You mean he's the he was the guy
• 28:17
  Speaker 1: in Toy Story. It wasn't he was the I know
• 28:20
  Speaker 1: that was the other dude in Cheers. Yes, the male man,
• 28:22
  Speaker 1: the guy that played the mail man. He's a voice actor.
• 28:25
  Speaker 1: He's the pig, right, yeah, he's the pig. He's a
• 28:27
  Speaker 1: pig and Toy Story guys.
• 28:30
  Speaker 2: Sorry to interrupt, man. Sometimes you got to enter the room.
• 28:33
  Speaker 2: Dick first, all right, Dick first. Bluech You isn't just
• 28:37
  Speaker 2: a tablet. It's a cheat code for your crotch. Stronger, harder,
• 28:41
  Speaker 2: longer lasting. Like someone gave you down. Somebody gave you
• 28:45
  Speaker 2: a downstairs at pep talk and a gym membership. Blue
• 28:49
  Speaker 2: Chew is the original brand offering chewable tablets for better secs.
• 28:53
  Speaker 1: Okay, listen, I tried Blue Cheo. He was in New York.
• 28:57
  Speaker 1: He was a good time.
• 28:58
  Speaker 2: A good time was had.
• 29:00
  Speaker 1: That's all I'm gonna say.
• 29:01
  Speaker 2: Man, all I'm gonna say if good time is hald Man,
• 29:04
  Speaker 2: that I was able to hang in there, That's all
• 29:06
  Speaker 2: I'm gonna say. That's all i'm gonna say, New York City,
• 29:10
  Speaker 2: Blue Choo, I was hanging in there. Man. So listen, guys,
• 29:14
  Speaker 2: this isn't about performance. This is about legacy or third legacy.
• 29:19
  Speaker 2: Give your group chat something to talk about, you know,
• 29:22
  Speaker 2: when you lay it down there, talking about how it
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• 29:48
  Speaker 2: for details and safety info and big facts. To blue
• 29:51
  Speaker 2: Choo for sponsoring this podcast. Let's get it now back to.
• 29:56
  Speaker 1: The Ball brothers. Nah, So start off with McAuley Kolka,
• 29:59
  Speaker 1: who was my dog, Kevin mccow was, you know, Michael
• 30:02
  Speaker 1: gonna get the high kids, he gonna get Come on, man,
• 30:08
  Speaker 1: come on, come on. You know you don't get the
• 30:22
  Speaker 1: high kids.
• 30:23
  Speaker 2: Man.
• 30:24
  Speaker 1: Whatever kids is hot, Michael was all over that man. Now,
• 30:29
  Speaker 1: I'm not.
• 30:29
  Speaker 2: Saying it was anything in the farest, but he always
• 30:32
  Speaker 2: he always worked. He's scooping up the hot kids every time.
• 30:36
  Speaker 2: Oh y'all hot man, roll with me.
• 30:39
  Speaker 1: What else did he do that? Chris Cross Webster, Gary.
• 30:43
  Speaker 2: Cole, all right, all right, man, rule to stay every
• 30:47
  Speaker 2: time it's a high kid popping. Come on, every time
• 30:55
  Speaker 2: it's a high kid pipper. Michael was like, hey, you're
• 30:58
  Speaker 2: doing your think. That's all I'm saying.
• 31:05
  Speaker 1: You're doing your thing. You're doing music video man, Guitar
• 31:09
  Speaker 1: turn it off listening to music. Okay, listen to this.
• 31:17
  Speaker 1: It took to get started play everything made a lot
• 31:26
  Speaker 1: of noise to turn it off. And then that video
• 31:29
  Speaker 1: came on, this music video seconds Did you said what
• 31:41
  Speaker 1: it is? He would have been sixty seven a day. Also,
• 31:45
  Speaker 1: I forgot they spent lot. He was all over the world.
• 31:48
  Speaker 1: Oh yeah, for sure, because you we only really the
• 31:51
  Speaker 1: main part we're talking about is the last two minutes of.
• 31:54
  Speaker 2: The Oh yeah, that was just that was just showing
• 31:56
  Speaker 2: off some like special effects back then that we hadn't
• 31:58
  Speaker 2: seen at that time in it at that time, so
• 32:01
  Speaker 2: that was.
• 32:02
  Speaker 1: Everything going on in that music video. Did that means
• 32:04
  Speaker 1: the video probably costs millions?
• 32:06
  Speaker 3: Oh yeah, for sure. That might have been the most
• 32:08
  Speaker 3: expensive video at that time, because.
• 32:09
  Speaker 1: He would spend his own money to make. He was
• 32:11
  Speaker 1: always gonna geeze it. He was always gonna go toxtra,
• 32:13
  Speaker 1: was gonna so yeah, okay, cool, all right, nineteen ninety
• 32:17
  Speaker 1: one song what you got to? All right? I got
• 32:23
  Speaker 1: smells like teen spirits. I was gonna say, I was
• 32:29
  Speaker 1: gonna say that, man, I be that's always amazing. One
• 32:38
  Speaker 1: thing that I believe Apple and Spotify have robbed us up.
• 32:44
  Speaker 1: We used to be listening to the other genres because
• 32:47
  Speaker 1: of the radio and like the music video shows and stuff.
• 32:50
  Speaker 1: It was nothing to listen to to Nirvana or like
• 32:55
  Speaker 1: t r L was big or one on six in
• 32:58
  Speaker 1: Park and all that stuff. Like maybe not one six
• 33:01
  Speaker 1: Park that was more wrapping R and B. But like
• 33:04
  Speaker 1: t r L, it was nothing not to listen to
• 33:06
  Speaker 1: Britney Spears. But the radio, I feel like all the
• 33:09
  Speaker 1: music was available to everybody.
• 33:12
  Speaker 2: If you're watching the video channels, because everybody, if you're
• 33:14
  Speaker 2: watching m TV, you're getting every genre.
• 33:17
  Speaker 1: It was music video.
• 33:18
  Speaker 2: Yeah, they would they had a little rap portions there
• 33:21
  Speaker 2: were your TV raps and then they would have to
• 33:23
  Speaker 2: countdown and had everybody, so you're getting.
• 33:25
  Speaker 1: All the hits. Build them her Koba.
• 33:37
  Speaker 3: That video was directed by David Fincher.
• 33:40
  Speaker 1: Really, Oh my god, I did not know that. He
• 33:45
  Speaker 1: did a House of Cards, You.
• 33:47
  Speaker 2: Did the House of Cars, He did Zodiac Kid Is seven,
• 33:51
  Speaker 2: he did seven, He did the Social Network.
• 33:53
  Speaker 1: What's in the Box? What's in the You know Brady
• 33:56
  Speaker 1: Pitt had in his contract in seven that they couldn't
• 33:58
  Speaker 1: change the ending. Oh yeah, I think they had to
• 34:01
  Speaker 1: fight for that. Yeah. He was like he had done
• 34:03
  Speaker 1: a movie before and they had sold on the ending
• 34:06
  Speaker 1: and then they changed it later and he was like
• 34:08
  Speaker 1: it's gonna be too much. Yeah, and then in seven
• 34:11
  Speaker 1: he was like, nah, man, it needs to end like this.
• 34:14
  Speaker 1: They was like yeah, yeah, man, He's like, nah, put
• 34:16
  Speaker 1: in the contract. And then they try to go back.
• 34:18
  Speaker 1: You're like, no, man, we want to change it. He
• 34:20
  Speaker 1: was like, nah, it needs to be like that.
• 34:22
  Speaker 2: It was tough, but it needs to end like that
• 34:27
  Speaker 2: for sure. That movie Sunset Park, they need to end
• 34:30
  Speaker 2: that way, said park. Yeah, remember Sunset Park.
• 34:33
  Speaker 1: Yeah, they lost the game. Not only they lose the game.
• 34:35
  Speaker 1: He got a shot blocked out of bound to lose
• 34:38
  Speaker 1: the game. He didn't just missed. It's like three two one,
• 34:43
  Speaker 1: they get that ship out of here. Man, roll got credits,
• 34:47
  Speaker 1: man rolling credits. They couldn't just miss I'm blocking your
• 34:53
  Speaker 1: shot out of bound. Game. His real life is like that.
• 34:58
  Speaker 4: Man.
• 34:59
  Speaker 1: Sometimes you shot gets blocked out of bounds and the
• 35:01
  Speaker 1: buzzer sound. Get on the bus space man, it's sober.
• 35:06
  Speaker 1: You don't just miss a little bit. Sometimes you get
• 35:09
  Speaker 1: your shot blocked out of bounds. That's life, my god.
• 35:12
  Speaker 1: The yeah, so anyway, it smells like teen spirit man. Yeah,
• 35:17
  Speaker 1: it smells like teen Spirit. That to me, there wasn't
• 35:21
  Speaker 1: even a song that was kind of close to that
• 35:23
  Speaker 1: as far as like how big it was. And I
• 35:26
  Speaker 1: feel like, I mean, I'm not a grunge expert, but
• 35:29
  Speaker 1: I feel like that was the introduction of grunge. Oh
• 35:32
  Speaker 1: it was a wave music. Yes, was like yeah, that
• 35:37
  Speaker 1: garbage garage band rock, Kirk Kobay and all those people
• 35:42
  Speaker 1: after them. That was a game changing now big game change.
• 35:45
  Speaker 1: Never mind with the baby in the pool, Baby in
• 35:47
  Speaker 1: the pool. All right, y'all ninety one. That's ninety one, man.
• 35:54
  Speaker 3: Michael Jackson, you always work with the kids.
• 36:01
  Speaker 1: All Right, We'll see you guys next week for nineteen
• 36:03
  Speaker 1: ninety two. We're gonna do this all the way to
• 36:05
  Speaker 1: twenty twenty seven.