Latest / The Baller Alert Show / Episode 397 -"Karlous Miller"

Transcript

Episode 397 -"Karlous Miller" · The Baller Alert Show

• 0:00
  Speaker 1: They get a little bit called me ball with Welcome
• 0:07
  Speaker 1: to the Ball Alert Show, broadcast live from Atlanta, Georgia,
• 0:10
  Speaker 1: brought to you by Revolt I go by the name
• 0:12
  Speaker 1: Forrari Simmons.
• 0:13
  Speaker 2: I go over there, you know BT, that's my guy.
• 0:19
  Speaker 3: That's good. What's that man?
• 0:21
  Speaker 1: We saw you the BT Awards. He was like, hey, man,
• 0:23
  Speaker 1: could you come on Ball Alert and do Revolt TV
• 0:26
  Speaker 1: with us? Man?
• 0:27
  Speaker 2: Yeah, I see him so many times over the weekend.
• 0:31
  Speaker 2: He was like, I keep seeing y'all said, we're in
• 0:33
  Speaker 2: the same hotel.
• 0:34
  Speaker 3: Yeah. You you had a lot of foot traffic though
• 0:36
  Speaker 3: you was doing a lot of moving.
• 0:38
  Speaker 4: I can tell you he's appointment.
• 0:40
  Speaker 3: He was making plays because every time I saw him,
• 0:43
  Speaker 3: he was in the middle. I could you.
• 0:44
  Speaker 1: Know, yeah, I'm talking to somebody.
• 0:48
  Speaker 3: All Yeah, he was.
• 0:50
  Speaker 4: He was a quarterback in the whole week.
• 0:52
  Speaker 3: I was just working, you know, just working.
• 0:53
  Speaker 2: Just take you'll full advantage of the opportunity festivities.
• 0:57
  Speaker 4: Hey, he loves l A real.
• 0:59
  Speaker 1: He loved it.
• 1:00
  Speaker 3: Very rare to hear people expect to l A.
• 1:03
  Speaker 1: I just love Atlanta.
• 1:04
  Speaker 3: I don't know why.
• 1:05
  Speaker 4: I don't know why A lot of people always say
• 1:08
  Speaker 4: they don't like l A. I love l A.
• 1:10
  Speaker 1: First of all, get really cold at night. Yeah, just
• 1:12
  Speaker 1: put a hoodie on, no mess up my little on
• 1:15
  Speaker 1: a T shirt.
• 1:16
  Speaker 4: But see, I like dressing like that.
• 1:18
  Speaker 3: You gotta go to l A to even know that,
• 1:20
  Speaker 3: because like you gotta have you gotta have at least
• 1:22
  Speaker 3: two outfits for the day. You got your day fit,
• 1:25
  Speaker 3: and you definitely gotta have some sweats on. Yeah.
• 1:28
  Speaker 2: They need to do something with the pollution because what
• 1:30
  Speaker 2: I what I realize is that in the morning the
• 1:34
  Speaker 2: sun comes out a little bit later than in Atlanta
• 1:36
  Speaker 2: because that's not clouds, that's small. So it's like when
• 1:40
  Speaker 2: everybody at work, then the sun actually comes out.
• 1:44
  Speaker 3: Yeah. Well they got a lot going on right now.
• 1:50
  Speaker 1: There. Yeah, and it was prid weekend, so it's people
• 1:53
  Speaker 1: doing that.
• 1:54
  Speaker 3: It's blocked off.
• 1:55
  Speaker 4: They throwing those at the police and.
• 1:59
  Speaker 2: Somebody got there. Hollywood star. I said, this is the
• 2:02
  Speaker 2: only time they clean the street. That's the only.
• 2:06
  Speaker 4: Time they cleaned that Hollywood Walk of Fame street.
• 2:09
  Speaker 3: But those stars are like randomly all over the city.
• 2:13
  Speaker 3: It was it was just like a long but everywhere.
• 2:17
  Speaker 1: I didn't know that everywhere random streets too.
• 2:21
  Speaker 2: Man, it'd be so much going on. But I but
• 2:23
  Speaker 2: you know one thing I do like about it, like
• 2:25
  Speaker 2: is the weather number one? Number two? The food they
• 2:28
  Speaker 2: got some of the best.
• 2:30
  Speaker 3: Know they don't that's a lie.
• 2:32
  Speaker 2: You don't eat the burritos out to see. I love
• 2:35
  Speaker 2: tacos and burritos and stuff like that. So like all
• 2:38
  Speaker 2: the other stuff where people be like, oh, they ain't
• 2:39
  Speaker 2: got no good soul for that.
• 2:41
  Speaker 3: I don't know nothing about that they do.
• 2:42
  Speaker 4: But you got.
• 2:45
  Speaker 1: My wife was asking me, how was it going.
• 2:46
  Speaker 3: I was, You're gonna find a way to tell you
• 2:48
  Speaker 3: about their wife. Bro, you just knew we didn't have
• 2:50
  Speaker 3: a wife and you wanted to flex on it. Man,
• 2:54
  Speaker 3: she's not here right now. Yeah, in spirit.
• 3:00
  Speaker 1: Anyway, Carlos Man, what's up my brother?
• 3:02
  Speaker 3: No finished about your wife? Go ahead?
• 3:04
  Speaker 1: Oh yeah, you know I love you Tennisian.
• 3:07
  Speaker 3: She sounds abusive.
• 3:10
  Speaker 2: Her name.
• 3:11
  Speaker 1: That let us know, right she packed punch. She's never
• 3:19
  Speaker 1: hit me.
• 3:20
  Speaker 4: But you know what she's capable of.
• 3:22
  Speaker 1: I know she's capable. Yeah, she's a she's an extraordinary woman.
• 3:27
  Speaker 1: There you where's Colins Miller from Oxford, Mississippi? From the
• 3:32
  Speaker 1: from the Sip and what I kind of want to
• 3:36
  Speaker 1: I really want to get make this episode about you brother,
• 3:38
  Speaker 1: and like your flowers first and foremost.
• 3:40
  Speaker 3: One of the.
• 3:40
  Speaker 1: Funniest people I know. Appreciate it, Bro, But you're like,
• 3:43
  Speaker 1: I call it organic funny and he's unfiltered. Yeah, but
• 3:48
  Speaker 1: like you're very naturally funny. I can tell when you're
• 3:52
  Speaker 1: doing your comedy you're being yourself.
• 3:56
  Speaker 3: Yeah, correct me if I'm wrong. No, you're definitely right
• 3:58
  Speaker 3: because I approach comedy from the viewpoint of a fan
• 4:02
  Speaker 3: of comedy.
• 4:03
  Speaker 1: You get what I'm saying. So that's who you are?
• 4:07
  Speaker 1: Was that who you were growing up? Were you naturally
• 4:10
  Speaker 1: the funny guy or the comedic person of the family.
• 4:13
  Speaker 4: Yeah, that's what I'm saying.
• 4:15
  Speaker 3: Like when people like, man, what do you do, I'm like,
• 4:18
  Speaker 3: I never looked at comedy as a job. You know
• 4:20
  Speaker 3: what I'm saying. This was just like my passion project.
• 4:23
  Speaker 3: I knew I didn't want a job. I didn't want
• 4:24
  Speaker 3: to go to work every day because even when I
• 4:27
  Speaker 3: was like working and in the workforce, I was just
• 4:29
  Speaker 3: find shit to do at work that just was entertaining.
• 4:32
  Speaker 1: What were you working?
• 4:33
  Speaker 3: I've worked everywhere, Bro, I've had it.
• 4:35
  Speaker 1: What's some jobs?
• 4:36
  Speaker 3: Your jobs?
• 4:36
  Speaker 1: Man?
• 4:37
  Speaker 3: I used to sell shoes, cookies, I worked at the
• 4:40
  Speaker 3: mall Spider, you know, the cookie spot at the mall.
• 4:43
  Speaker 3: I was the manager at lid. It was a firefighter.
• 4:45
  Speaker 1: You were a manager at lids at a firefighter.
• 4:48
  Speaker 3: Not at the same time, but I was like that
• 4:50
  Speaker 3: that would be.
• 4:51
  Speaker 1: Being a firefighter is like like you had you got
• 4:53
  Speaker 1: to take tests and stuff.
• 4:55
  Speaker 3: Yeah, a lot of tests go through some like to
• 4:58
  Speaker 3: fire academy. Yeah, that's where I lost the job. Like
• 5:03
  Speaker 3: some racist shit happened at the fire academy.
• 5:05
  Speaker 1: Tried out the courage.
• 5:08
  Speaker 4: Well that's what it was, though.
• 5:10
  Speaker 3: Some racist stuff went down at the Fire Academy Mississippi.
• 5:14
  Speaker 4: Yeah, are you surprised?
• 5:15
  Speaker 3: Nah? I was the way that they played it though,
• 5:18
  Speaker 3: because they tried to flip it like it was me
• 5:21
  Speaker 3: being racist to the white dudes, but it was.
• 5:24
  Speaker 4: We was out numbered in the class twenty to five.
• 5:27
  Speaker 1: Damn.
• 5:27
  Speaker 3: Sounds about right, and I was the only NAT turner.
• 5:31
  Speaker 3: The rest of them was damned the embarrassing to the
• 5:34
  Speaker 3: black community. I won't even speak on them, but they
• 5:36
  Speaker 3: were some cowards. Wow.
• 5:39
  Speaker 2: Yeah, So how was it growing up in Mississippi like Oxford, Mississippi.
• 5:43
  Speaker 3: Yeah, Well, if you don't know what Oxford is, that's
• 5:45
  Speaker 3: where Old miss is. Home of the Old Missus. So
• 5:48
  Speaker 3: we got a big college town, big college population now,
• 5:53
  Speaker 3: so the Old Missus like in the middle of the
• 5:55
  Speaker 3: city and then everything else around that is Oxford.
• 5:59
  Speaker 4: So it was always interesting.
• 6:00
  Speaker 1: There was always a lot of little hustles and schemes
• 6:02
  Speaker 1: and plots that you.
• 6:03
  Speaker 3: Could come up on, like you know, a little money
• 6:06
  Speaker 3: to get. So we was just there was a lot
• 6:07
  Speaker 3: of hustlers around there. But you know, we were doing
• 6:10
  Speaker 3: like selling drugs, but they got that. But we always
• 6:14
  Speaker 3: had a little a little hustle, a little scheme, a
• 6:17
  Speaker 3: little plotter was running. Yeah, Like we would go to
• 6:19
  Speaker 3: the Old miss games and like sell Cox Game.
• 6:24
  Speaker 4: T shirts and stuff.
• 6:27
  Speaker 3: Especially for it, like the tailgaters, I mean I had homeboys.
• 6:30
  Speaker 3: He used to go make two three thousand dollars a
• 6:32
  Speaker 3: weekend just setting up and breaking down tents. So we
• 6:36
  Speaker 3: was just always about getting some bread and.
• 6:37
  Speaker 1: Oh, now as this is happening, are you trying to
• 6:41
  Speaker 1: be a comedian?
• 6:42
  Speaker 3: Now? Yet? None of this is happening in Mississippi at
• 6:45
  Speaker 3: this point. So my introduction of comedy was I was
• 6:49
  Speaker 3: I joined the improv group.
• 6:50
  Speaker 4: First.
• 6:51
  Speaker 3: I was doing improv in Mississippi and Mississippi so like
• 6:54
  Speaker 3: in between our improv setups, I would just go out
• 6:57
  Speaker 3: entertain the crowd a little bit. That turned from two
• 6:59
  Speaker 3: minutes to five minutes to ten, and one night we
• 7:02
  Speaker 3: didn't have an improv show, but the venue like, hey,
• 7:05
  Speaker 3: if you want to come and do your thing. I
• 7:07
  Speaker 3: didn't even have a thing. They just gave me a
• 7:09
  Speaker 3: knight and I invited everybody and sold it out. And
• 7:12
  Speaker 3: that was like my very first time doing.
• 7:14
  Speaker 1: That's from zo to a hundred, like literally, yeah, it
• 7:19
  Speaker 1: was just an opportunity that came about because, like with
• 7:22
  Speaker 1: the improv, I was working at Dominoes, and all my
• 7:25
  Speaker 1: people at Dominoes like, man, he's funny as hell.
• 7:27
  Speaker 3: You out to meet Mike. Mike was the white dude
• 7:29
  Speaker 3: who was working there. He was the funny dude before
• 7:31
  Speaker 3: I got there, and he started this improv troop And
• 7:34
  Speaker 3: then I went in an audition for it and they
• 7:36
  Speaker 3: loved me and they put me in and we just
• 7:38
  Speaker 3: started like having these really dope shows. Like on improv,
• 7:42
  Speaker 3: you know, you do games, you get like suggestions from
• 7:44
  Speaker 3: the crowd. So I will always be the one to
• 7:46
  Speaker 3: go out and like night with the crowd while they
• 7:48
  Speaker 3: were setting up and doing you know, different little costume
• 7:51
  Speaker 3: changes and stuff like that. So then that kind of
• 7:53
  Speaker 3: parlayd until that one night we didn't have a show
• 7:56
  Speaker 3: and they was like the crowd loved you, you should
• 7:58
  Speaker 3: do your own thing. I was like, well, what is
• 8:00
  Speaker 3: that exactly? And it was like, just do whatever you want.
• 8:03
  Speaker 3: So sold it out and did whatever I wanted. You did?
• 8:07
  Speaker 1: You put Okay, you know what, let's go to commercial.
• 8:10
  Speaker 1: We'll be right down with Carlos Miller.
• 8:12
  Speaker 2: And we are back right here at the b Alert
• 8:14
  Speaker 2: Show Revolt TV.
• 8:16
  Speaker 3: You know, BT.
• 8:18
  Speaker 1: Corlins Miller is in the building. You're just telling us
• 8:21
  Speaker 1: now how you had your own event Oxford, Mississippi. Yeah,
• 8:25
  Speaker 1: and did you plan? Did you plan anything when you
• 8:28
  Speaker 1: were going to.
• 8:29
  Speaker 3: You play your extra strategy?
• 8:31
  Speaker 4: Not really?
• 8:32
  Speaker 3: So I did that night and then that's when I
• 8:35
  Speaker 3: started working as a firefighter, So it kind of like
• 8:39
  Speaker 3: clashed with.
• 8:39
  Speaker 1: The sched and you were a firefighter I got I.
• 8:42
  Speaker 3: Started doing the firefighter like.
• 8:44
  Speaker 4: Kind of shortly after that.
• 8:45
  Speaker 3: It was because you needed now, because when you get
• 8:48
  Speaker 3: hired as a firefighter, it's like a six month hiring
• 8:51
  Speaker 3: process because you had to do like all these physical
• 8:53
  Speaker 3: exams and then they just randomly hit me and I
• 8:56
  Speaker 3: was like, yeah, you got the job.
• 8:57
  Speaker 4: So I started working right after.
• 8:59
  Speaker 3: I like my one man show type, so I kind
• 9:03
  Speaker 3: of had to go like my shift. I had to
• 9:05
  Speaker 3: be on call like for my shift, so it was
• 9:08
  Speaker 3: clashing with the show date. So that kind of it
• 9:10
  Speaker 3: was like as soon as it started, it stopped. So
• 9:13
  Speaker 3: after that, a couple of months as a firefighter, moved
• 9:18
  Speaker 3: in Atlanta. That's Transford. I lost the job, and then
• 9:23
  Speaker 3: I lost the job as a firefighter. Then I went
• 9:26
  Speaker 3: on the road driving trucks for a little bit, which
• 9:28
  Speaker 3: was very strange. And then I moved to Atlanta and
• 9:31
  Speaker 3: I was like, God, just get me off this truck
• 9:33
  Speaker 3: and I'll never get on the truck again. And then
• 9:35
  Speaker 3: I got off the truck in Atlanta. When Memphis got
• 9:38
  Speaker 3: my stuff came back, and I've just been in Atlanta
• 9:40
  Speaker 3: ever since.
• 9:40
  Speaker 1: Now, what did you do when you moved to Atlanta.
• 9:44
  Speaker 3: I was in Atlanta probably three months before I started
• 9:46
  Speaker 3: doing comedy. Bro.
• 9:47
  Speaker 4: I was selling phones at the mall.
• 9:51
  Speaker 3: Man Lets. You kept a job.
• 9:56
  Speaker 1: There's something consistent in this whole story is you always
• 9:59
  Speaker 1: had some and you always had a job.
• 10:01
  Speaker 3: I don't understand why dudes don't want a job, Bro,
• 10:03
  Speaker 3: you get money and meeting women every day, you just get.
• 10:06
  Speaker 4: Up and do something. You gotta do something.
• 10:08
  Speaker 1: If you don't mind asking which mall were you at?
• 10:11
  Speaker 4: I was at Town Center Mall in Kennesas, Okay.
• 10:14
  Speaker 3: Yeah, me and my boy, Clayton English was out there
• 10:16
  Speaker 3: working and uh we just started.
• 10:18
  Speaker 4: Kicking it every day at work.
• 10:20
  Speaker 3: And he actually started working at our kid when they
• 10:22
  Speaker 3: first open Atlantic. Yeah, but he never quit and they
• 10:25
  Speaker 3: would always ask me, Brudd, did he come to work?
• 10:28
  Speaker 3: And I ain't the type of person getting nobody else.
• 10:31
  Speaker 3: Yeah he was there, but I'm you know, man, I'm
• 10:33
  Speaker 3: just but he was getting checked me like four or
• 10:35
  Speaker 3: five months after we after he quit that job.
• 10:38
  Speaker 4: So that's how me and him got.
• 10:39
  Speaker 2: So he was getting paid at a job that he
• 10:41
  Speaker 2: already left, but they were checking y'all supervisors.
• 10:44
  Speaker 4: Like yo, your boy working like yeah, you right here?
• 10:46
  Speaker 3: Yeah? Why would I you know what I'm saying, y'all
• 10:48
  Speaker 3: figure it out.
• 10:48
  Speaker 4: I'm not. I'm not the work snitch.
• 10:52
  Speaker 3: It's a lot of those How we got like real
• 10:53
  Speaker 3: cool though, because he got all them checks and he
• 10:56
  Speaker 3: was like you was the one telling I'm like, yeah, bro,
• 10:58
  Speaker 3: you left me up there by myself left Yeah.
• 11:02
  Speaker 1: So now we're going when you started exactly when did
• 11:07
  Speaker 1: the comedy opportunity happen in Atlanta?
• 11:10
  Speaker 3: Man right on Tenth Street at Twisted Taco.
• 11:12
  Speaker 1: Ah.
• 11:13
  Speaker 3: Yeah, they had the dopest open mic in the city.
• 11:16
  Speaker 3: So we went down there probably about maybe three four,
• 11:19
  Speaker 3: like three weeks to a month, just trying to get
• 11:22
  Speaker 3: into rotation.
• 11:23
  Speaker 4: But they showed was so dope. They had like.
• 11:25
  Speaker 3: The comedians who were established, and they had like the
• 11:28
  Speaker 3: openings that they like, and then they had like the
• 11:30
  Speaker 3: amateurs that they liked. So it was kind of hard
• 11:32
  Speaker 3: to get into rotation. But once we got in there,
• 11:35
  Speaker 3: one show led to another show to another show. People
• 11:38
  Speaker 3: started turning us on the different spots and then learned
• 11:40
  Speaker 3: the game and went and got a couple of my
• 11:42
  Speaker 3: own rooms that I was hosting, and just like you know,
• 11:47
  Speaker 3: you know how the city is, so when you got
• 11:49
  Speaker 3: an event, you definitely can get Like if you can
• 11:52
  Speaker 3: fill up the strip club, they'll let you host something
• 11:54
  Speaker 3: at the Strip Club. So I start hosting a lot
• 11:56
  Speaker 3: of like amateur nights and uh hosted the Cametal contests
• 12:01
  Speaker 3: and the.
• 12:02
  Speaker 4: Strip of Boxing And you.
• 12:05
  Speaker 3: Remember when they was doing the slap Slapper Chick contest.
• 12:08
  Speaker 3: I was hosting a lot of like all the like
• 12:10
  Speaker 3: Little Amateur Knights and the Strip Club got get your
• 12:13
  Speaker 3: Name Out.
• 12:13
  Speaker 4: Yeah yeah, So I built.
• 12:14
  Speaker 3: The following off of that actually, like the extra curriculum,
• 12:18
  Speaker 3: so that the money is starting to not the money
• 12:21
  Speaker 3: never came.
• 12:22
  Speaker 4: It was just hustling. You know what I'm saying. You
• 12:24
  Speaker 4: just putting money some money.
• 12:25
  Speaker 3: Yeah, but it ain't like I'm able to like stack up. No,
• 12:28
  Speaker 3: like at least your lights ain't cut off. I'm still
• 12:30
  Speaker 3: hustling type is Yeah every night, I gotta be there
• 12:33
  Speaker 3: type Yeah, you gotta do something.
• 12:36
  Speaker 2: So when when you do improv, right, and improv is
• 12:39
  Speaker 2: like that, it's off scripted, like there's there's no when
• 12:42
  Speaker 2: people go do these improv like comedians do it, there's
• 12:45
  Speaker 2: like no script. They just going off the top of
• 12:47
  Speaker 2: the head like when they do it, or they already
• 12:49
  Speaker 2: had a set.
• 12:50
  Speaker 3: Yeah, well it's not a set. But when you're doing improv,
• 12:53
  Speaker 3: it's just kind of like in the moment, creating a scenario.
• 12:57
  Speaker 4: That's what makes it go.
• 12:58
  Speaker 3: If you can't just do it proud without crowd to participation, God,
• 13:02
  Speaker 3: you get what I'm saying, Because they kind of they
• 13:04
  Speaker 3: kind of build the scene, So you kind of depending
• 13:07
  Speaker 3: on the crowd for like set up in the premise
• 13:09
  Speaker 3: and then as a comedian, you delivered the punchline and.
• 13:12
  Speaker 1: You gotta be really quick on your toes as fast
• 13:15
  Speaker 1: as possible.
• 13:16
  Speaker 3: Yeah, because people can see the process. They know when
• 13:19
  Speaker 3: you you know what I mean, the people still sitting
• 13:22
  Speaker 3: in the front.
• 13:23
  Speaker 2: If I'm going to an improv, I'm not sitting in
• 13:25
  Speaker 2: the front because I'm not about to sit down.
• 13:26
  Speaker 3: You're roast. You ain't fun. Then those people who sit
• 13:29
  Speaker 3: in the front love comedy. A lot of those people
• 13:32
  Speaker 3: they like to be I love comedy too, Yes I do.
• 13:36
  Speaker 3: If you don't want to sit in the front, you.
• 13:38
  Speaker 1: Do because you have to be able to take a joke.
• 13:40
  Speaker 3: Man. Listen.
• 13:41
  Speaker 2: I went to a comedy show and I sat in
• 13:43
  Speaker 2: the back and they was roasting me, like, oh BC,
• 13:45
  Speaker 2: we see you way.
• 13:46
  Speaker 3: Back up, Like, don't roast me exactly, I don't have
• 13:48
  Speaker 3: a mic.
• 13:50
  Speaker 1: You take the jump though.
• 13:51
  Speaker 4: Yeah.
• 13:52
  Speaker 3: But a lot of people who sit like close to
• 13:54
  Speaker 3: the stage, they like that. Oh got yeah.
• 13:58
  Speaker 2: See I never knew that. I always I always wanted that.
• 14:01
  Speaker 2: That Like when I'm like when I see people accomplish it,
• 14:03
  Speaker 2: I'm like man, you just right here for rapid fire.
• 14:07
  Speaker 1: Okay, all right, So you're in Atlanta, you hustling, you're
• 14:11
  Speaker 1: doing things like that. When is when is the moment
• 14:13
  Speaker 1: happened that Carlos Miller starts making some money.
• 14:18
  Speaker 3: I ain't making no money, bro, They still ain't happen.
• 14:21
  Speaker 2: Wait, so I see Netflix deal when I came to
• 14:25
  Speaker 2: La one Netflix show.
• 14:27
  Speaker 4: You didn't see the deal?
• 14:28
  Speaker 3: No, I'm just buching. I don't know the exact moment
• 14:33
  Speaker 3: that you know what I'm saying, because it's never like
• 14:35
  Speaker 3: somebody just hand you a big check. It's just you
• 14:38
  Speaker 3: just stack a few checks.
• 14:41
  Speaker 2: When were you able to start stacking a few checks
• 14:43
  Speaker 2: where you're like, okay, I can breathe a little bit.
• 14:45
  Speaker 3: You know what I'm saying.
• 14:45
  Speaker 4: I could put a little something back in the savings account.
• 14:49
  Speaker 3: I always was doing that, Okay, you know what I mean.
• 14:52
  Speaker 3: It's just that, you know, you go from a little
• 14:54
  Speaker 3: bit with your money, is what you say. Yeah, that's
• 14:56
  Speaker 3: the first thing that you learn when you don't have
• 14:58
  Speaker 3: no money. Like, once you go all the way down
• 15:01
  Speaker 3: and your networth be negative, you start like once you
• 15:04
  Speaker 3: start getting anything, you start all right, putting something, start
• 15:08
  Speaker 3: being a little frugal putting something with some you know,
• 15:11
  Speaker 3: you gotta have a right here. You got Yeah, I'm frue.
• 15:14
  Speaker 3: It's good because you know that stuff don't mean nothing.
• 15:17
  Speaker 3: Just buying a bunch of clothes that you ain't gonna
• 15:19
  Speaker 3: wear next summer. So that's why I get all my
• 15:20
  Speaker 3: clothes free. Shout out the fashion over fast. That's what's appreciation,
• 15:24
  Speaker 3: that's what's up.
• 15:24
  Speaker 4: They gave me nothing. You you probably ask them.
• 15:28
  Speaker 3: I didn't know you had to ask.
• 15:29
  Speaker 1: You got the follow them for it.
• 15:30
  Speaker 3: I thought they just picked through they like I'm asking.
• 15:33
  Speaker 2: I'm asking everybody. Somebody want to give me some free
• 15:36
  Speaker 2: shoes anything. Look, you just got to put in the universe.
• 15:40
  Speaker 2: Oh well, give me something free, send me some money.
• 15:42
  Speaker 2: I'm gonna influence.
• 15:44
  Speaker 1: We got influence. This commercial break coming right down with
• 15:47
  Speaker 1: Carlos Miller on The Baller Show by Revolt. Ain't twn
• 15:50
  Speaker 1: What up?
• 15:51
  Speaker 4: Hey, Welcome back to the Battle Alert podcast.
• 15:55
  Speaker 3: I got to see you about Revolt brought to you
• 15:57
  Speaker 3: by Revolt. I got my player partners in the building
• 16:00
  Speaker 3: with us that I got Btn Ferri. So, guys, when
• 16:05
  Speaker 3: y'all started blowing up on this podcast making all this money, I.
• 16:09
  Speaker 4: Would say, no, you did just get a new promotion.
• 16:12
  Speaker 3: Though I did get a new promotion.
• 16:16
  Speaker 1: He's the APD, yeah assist, the program director in Atlanta, Georgia.
• 16:22
  Speaker 1: I kind of so. When I had my job at
• 16:24
  Speaker 1: Warner Records, I enjoyed it, but it was I was
• 16:27
  Speaker 1: working at a record label and it was cool. But
• 16:30
  Speaker 1: radio was in my blood because I had What happened
• 16:33
  Speaker 1: was my contract was up at another radio station, so
• 16:36
  Speaker 1: I left and I went, I need I needed. I
• 16:39
  Speaker 1: had a six month nine compete. I was like, like you,
• 16:42
  Speaker 1: I was shoot, I didn't give music some money exactly.
• 16:45
  Speaker 1: I had got a job at Warner Records, and I
• 16:47
  Speaker 1: was the national director of Make Sure Promotion and Lifestyle,
• 16:52
  Speaker 1: and I learned a lot about the music industry, the
• 16:55
  Speaker 1: behind the scenes, how they view us, how they view
• 16:58
  Speaker 1: actors and everybody. I learn why artists get frustrated with
• 17:02
  Speaker 1: the label. I understand where the money is coming from,
• 17:04
  Speaker 1: you know. I understood everything. And I was just like, man,
• 17:07
  Speaker 1: you know what, I want to be an executive on
• 17:09
  Speaker 1: the radio side.
• 17:10
  Speaker 3: It seems like now that radio is more about everything
• 17:14
  Speaker 3: except the music Now, I mean, I feel like that's everything,
• 17:18
  Speaker 3: even even.
• 17:19
  Speaker 1: When back in the car. Now remember the pandemic messed
• 17:21
  Speaker 1: the radio up from.
• 17:22
  Speaker 4: A lot of people, a lot of people all stay
• 17:24
  Speaker 4: jobs in that car.
• 17:26
  Speaker 3: Yeah, but you got to keep in mind it's a
• 17:28
  Speaker 3: lot of people who had worked at the warehouse, riding
• 17:31
  Speaker 3: around on the fork lifts and you know, doing jobs
• 17:34
  Speaker 3: where they the radio is vital.
• 17:36
  Speaker 4: That's your only look.
• 17:38
  Speaker 3: People be forgetting that though, man, because like with the podcast,
• 17:42
  Speaker 3: I learned that we got a big audience of people
• 17:45
  Speaker 3: who got audios where they just can listen, they can't
• 17:48
  Speaker 3: watch it. Truck drivers they love to listen to the
• 17:51
  Speaker 3: audio and stuff like that.
• 17:53
  Speaker 4: So I think a lot.
• 17:53
  Speaker 3: Of people be forgetting those those markets. It's different.
• 17:57
  Speaker 2: It's so many different markets that people like so consumed with,
• 18:00
  Speaker 2: just like content, and people don't understand that the average
• 18:03
  Speaker 2: person is driving to work listening to the radio station.
• 18:06
  Speaker 4: Still.
• 18:07
  Speaker 1: But the reason why the other things are important now
• 18:10
  Speaker 1: is because it's only it's not only one thing anymore.
• 18:14
  Speaker 1: So of course listening to radio could be one thing,
• 18:17
  Speaker 1: but what if you didn't listen that day?
• 18:18
  Speaker 3: Yeah, but radio is the detriment to itself. They play
• 18:21
  Speaker 3: four songs, fifteen commercials every time. Every time they come
• 18:26
  Speaker 3: back from commercial they laughing they never tell us what
• 18:28
  Speaker 3: they laughing about. That's bad.
• 18:29
  Speaker 4: That's a bad that's a bad show.
• 18:31
  Speaker 3: Thirty commercials interrupted radio, interrupting the radioy.
• 18:36
  Speaker 1: But our show is not like that.
• 18:38
  Speaker 2: That is a bad show because those are what's called
• 18:42
  Speaker 2: talent that alienates the listeners.
• 18:44
  Speaker 3: If I'm laughing about something, I'm gonna.
• 18:46
  Speaker 2: Tell you, even if it's even if it's some stuff
• 18:48
  Speaker 2: I shouldn't be talking about, I'm gonna tell you what
• 18:49
  Speaker 2: we were just laughing about.
• 18:50
  Speaker 1: You're gonna be like we treat our listeners like the celebrities.
• 18:53
  Speaker 1: So our listeners or are the celebrities to our show?
• 18:56
  Speaker 1: They call it a lot.
• 18:57
  Speaker 3: They still give away stuff on the radio.
• 19:00
  Speaker 2: We just we just gave away Beyonce tickets, Chris Brown tickets,
• 19:03
  Speaker 2: and the weekend tickets.
• 19:04
  Speaker 1: Yeah tickets, I'm gonna get y'all made itself tickets.
• 19:08
  Speaker 3: Not for real.
• 19:09
  Speaker 1: First of all, we could do a whole eighty five,
• 19:11
  Speaker 1: Soyle takeover.
• 19:12
  Speaker 3: Who We need y'all to come to the show and
• 19:15
  Speaker 3: do a live.
• 19:16
  Speaker 1: Whatever you want?
• 19:17
  Speaker 3: A bet? I like that.
• 19:19
  Speaker 1: Now back to you, mister Carlos.
• 19:21
  Speaker 4: I want to talk about this Netflix deal.
• 19:24
  Speaker 2: Because I like the pocket watch sometimes, you know, and
• 19:26
  Speaker 2: I was like, I was driving in LA and I
• 19:30
  Speaker 2: saw y'all billboards and I was like, what the helly I.
• 19:35
  Speaker 3: Said they getting y'all.
• 19:37
  Speaker 2: Y'all really motivate me a lot because I see the
• 19:40
  Speaker 2: things that you guys do, and I've seen how y'all
• 19:42
  Speaker 2: just build it the ground, just brick by brick.
• 19:44
  Speaker 4: Now, did y'all get.
• 19:45
  Speaker 3: That Netflix deal grinding manduring the pandemic or not doing
• 19:50
  Speaker 3: the pandemic? But that's when we got a lot of
• 19:51
  Speaker 3: people actually watching the show. So we started posting these
• 19:56
  Speaker 3: live shows like prior to Genius, like the live shows.
• 20:00
  Speaker 3: The numbers were going crazy, and Netflix was like, we
• 20:05
  Speaker 3: want some of that, and they hit us, and then
• 20:08
  Speaker 3: we had to get together and try to put something
• 20:09
  Speaker 3: together that would work for the platform and pull it off.
• 20:14
  Speaker 1: Now you DC, Chico, how did you guys.
• 20:21
  Speaker 3: Link wilding Out? Okay, wilding Out bro So me and
• 20:25
  Speaker 3: Chico we got it. We came in Wilding Out season five.
• 20:28
  Speaker 1: And he still got the little hair back there receiving hairline.
• 20:32
  Speaker 3: Yeah, he's still he still got it, and he's still
• 20:34
  Speaker 3: braided up.
• 20:35
  Speaker 4: Yeah, at least he can still get braided. Because some
• 20:37
  Speaker 4: people in their hairline go they can't even get no braid.
• 20:40
  Speaker 1: Like back here, his hairline has went.
• 20:41
  Speaker 3: He can still get braids.
• 20:43
  Speaker 1: His brains start back here.
• 20:44
  Speaker 4: It don't maut it.
• 20:45
  Speaker 3: He got braid.
• 20:46
  Speaker 2: Some people listen, He blessed to be able to even
• 20:49
  Speaker 2: put something together back there, because some people in it
• 20:51
  Speaker 2: with nothing.
• 20:52
  Speaker 1: So you can't grow any hair. Pause.
• 20:54
  Speaker 3: Yeah, of course, okay, of course, it's just it's just
• 20:56
  Speaker 3: I don't think that this is gonna look proper time
• 21:00
  Speaker 3: growing out. I've been balled this long while. Wait, how
• 21:05
  Speaker 3: long have you been bald? That's not a pause?
• 21:10
  Speaker 4: Eight or ten years or something like that. Oh yeah,
• 21:15
  Speaker 4: but at least you said, all right, did you cry
• 21:17
  Speaker 4: when you have to do it?
• 21:18
  Speaker 3: When you are my dad Ball?
• 21:20
  Speaker 4: He used to tell me all the time. Ball one day.
• 21:22
  Speaker 4: Oh so it was already prepared.
• 21:24
  Speaker 3: Yeah, okay, it's genetically balked. But like you said, we
• 21:28
  Speaker 3: started in season five, and then DC came.
• 21:32
  Speaker 4: In season seven. She goes already my dog.
• 21:36
  Speaker 3: And then DC did an interview and he told him
• 21:39
  Speaker 3: that I was one of his favorite comedians, and then
• 21:40
  Speaker 3: we linked up, and then a couple of months later
• 21:43
  Speaker 3: he got invited to wild'n Out season seven. So he
• 21:47
  Speaker 3: was always like the wild, crazy one, like you know,
• 21:51
  Speaker 3: a little brother for very long I'm saying. So he
• 21:54
  Speaker 3: was the one, and it was just dope just to
• 21:56
  Speaker 3: see him go from the like literally from the streets
• 21:59
  Speaker 3: to TV. And he was just like, you know what
• 22:01
  Speaker 3: I mean, he's still liked that, Like he's still in
• 22:03
  Speaker 3: the moment. So yeah, he when we got there, he
• 22:07
  Speaker 3: was like, oh, you ain't messing with me no more.
• 22:10
  Speaker 3: Now with your real friends, like bro, And he's just
• 22:13
  Speaker 3: every time we got together, we would just have these conversations,
• 22:16
  Speaker 3: these powerows. Was just make each other laugh. So I
• 22:19
  Speaker 3: was like, bro, we got to put this on something.
• 22:21
  Speaker 1: And they went, where did where did eighty five South
• 22:24
  Speaker 1: come from?
• 22:25
  Speaker 4: From the city of Atlanta? Bro, you know what I.
• 22:27
  Speaker 1: Mean, just because I know she goes from DC.
• 22:29
  Speaker 3: Yeah, okay, but eighty five South Me and DC started
• 22:32
  Speaker 3: the podcast, so we just, you know, we're just kind
• 22:35
  Speaker 3: of looking for a metaphor see how eighty five just
• 22:38
  Speaker 3: kind of like run through the city. And he's like, man,
• 22:40
  Speaker 3: we're gonna take this on the road. We're gonna run
• 22:42
  Speaker 3: through every city that we go to. And it was
• 22:43
  Speaker 3: like eighty five South, We're running through the city, like
• 22:46
  Speaker 3: eighty five self and it just kind of stuck.
• 22:49
  Speaker 1: Well, we're gonna hold that right there. We're gonna talk
• 22:50
  Speaker 1: about eighty five South and beyond when we come back
• 22:53
  Speaker 1: with the Ball Show. Carlos Ball Alert, Yo, Revolt, what up?
• 22:58
  Speaker 1: And we are back on the Ball Alert Show, brought
• 23:00
  Speaker 1: to you by a Revolt Carlos Millers in the building.
• 23:02
  Speaker 1: We was talking about eighty five South the podcast. Yeah,
• 23:07
  Speaker 1: but I want to talk about when you took Did
• 23:09
  Speaker 1: you guys take eighty five South on the road?
• 23:11
  Speaker 4: Yeah?
• 23:11
  Speaker 3: Okay, But see, we started small and then we went big.
• 23:15
  Speaker 4: Like we started with a small club venue.
• 23:17
  Speaker 3: It's like, let's see if it can work in the club,
• 23:20
  Speaker 3: and then we kind of moved from the clubs to
• 23:22
  Speaker 3: the theaters and then from the theaters to the arenas,
• 23:26
  Speaker 3: you know, so we kind of like built it out now.
• 23:29
  Speaker 1: Man. First of all, y'all show is just amazing and
• 23:32
  Speaker 1: it's fully improv Yeah right, yeah, so y'all don't plan nothing,
• 23:38
  Speaker 1: y'all just go out there. Y'all had a little music
• 23:41
  Speaker 1: playing in.
• 23:41
  Speaker 3: The back rod. But that's that. We got to credit
• 23:43
  Speaker 3: the audience for that because they smart enough to know
• 23:46
  Speaker 3: the difference, because they follow us. They know when we
• 23:49
  Speaker 3: don't wilding out about where the line is the lines
• 23:52
  Speaker 3: that we can't cross. And they've seen us be scripted,
• 23:55
  Speaker 3: they've seen us work in different capacity, so when they
• 23:58
  Speaker 3: see us live, they want us he was wrong. Now,
• 24:01
  Speaker 3: I ain't gonna lie.
• 24:02
  Speaker 2: When I saw Rick Ross walk out, I thought that
• 24:05
  Speaker 2: was fake. Why because I thought it was a setup.
• 24:09
  Speaker 3: Now that's that's improv at his finance, you don't you
• 24:11
  Speaker 3: don't know what's gonna happen. But if you think about it,
• 24:14
  Speaker 3: like it just it totally fits his character. I wouldn't
• 24:17
  Speaker 3: have it no other way because it's just I loved it.
• 24:20
  Speaker 3: It's still mysterious. Ever come back on the show, I
• 24:23
  Speaker 3: want him to wear the exact same thing and just
• 24:25
  Speaker 3: act like he just you know what I mean. It's
• 24:27
  Speaker 3: just a part too lingering.
• 24:29
  Speaker 1: I would say. One of my favorite moments is when
• 24:31
  Speaker 1: DC got on the Young Ladies Electric schoo.
• 24:37
  Speaker 4: Single.
• 24:38
  Speaker 1: Yeah, Bro, I just don't I be over here like
• 24:40
  Speaker 1: y'all are some damn fools, bro.
• 24:42
  Speaker 3: Yeah bro, we don't have no control over this. We
• 24:46
  Speaker 3: have some like our fan base is wow wow wow,
• 24:51
  Speaker 3: like we were getting ready. Like at the end of
• 24:52
  Speaker 3: the show. We always take a picture like with the
• 24:54
  Speaker 3: crowd in the audience. Man, somebody threw a prosthetic leg
• 24:57
  Speaker 3: on stage, like put my leg in the And there
• 25:01
  Speaker 3: was this lady. She come to all the shows and
• 25:03
  Speaker 3: she got like this little little like claw, but she
• 25:07
  Speaker 3: always be like, don't be talking about me. And it's
• 25:10
  Speaker 3: just like, it's so much love, man, because we don't
• 25:12
  Speaker 3: never alien aint nobody and make.
• 25:14
  Speaker 4: Them feel crazy.
• 25:15
  Speaker 3: Like we got people who come to the shows with handicaps,
• 25:18
  Speaker 3: we got people with little baby legs who love us.
• 25:21
  Speaker 3: We got fans all over the place. And then people
• 25:24
  Speaker 3: be like, man, you shouldn't be making front of them people.
• 25:26
  Speaker 3: But then we do the meet and greet, and these
• 25:28
  Speaker 3: people will come up and be like, man, ain't.
• 25:30
  Speaker 4: Say nothing about us, Like are they?
• 25:34
  Speaker 3: These are the people who laugh at stuff like that,
• 25:37
  Speaker 3: who don't want you to feel sorry for him, who
• 25:39
  Speaker 3: don't want to be feeling left out, or like you
• 25:42
  Speaker 3: can't say nothing to him, like, bro, we've heard some
• 25:44
  Speaker 3: of the funniest stuff just from the people in the crowd.
• 25:47
  Speaker 3: Now had one show, this dude found out that his
• 25:50
  Speaker 3: baby mama was sleeping with his other baby mama baby daddy,
• 25:55
  Speaker 3: So to get some get back, he slept with the dude,
• 25:58
  Speaker 3: wife damn bro. So they kind of like did like
• 26:01
  Speaker 3: a wife trade at the show. You got to he said,
• 26:03
  Speaker 3: you want to go left? Pull it up?
• 26:07
  Speaker 4: It was crazy.
• 26:08
  Speaker 1: Y'all had one show, correct me from in Atlanta. Bridge
• 26:11
  Speaker 1: on the Kwan came.
• 26:11
  Speaker 4: Out most definitely was performed on the Netflix.
• 26:15
  Speaker 1: Okay, yeah, that was just that was a dope moment.
• 26:17
  Speaker 4: And he came, I think to the Fox when we
• 26:19
  Speaker 4: were at the Fox. Yeah.
• 26:20
  Speaker 3: So we always try to get somebody to come, like
• 26:23
  Speaker 3: when we're in Atlanta to come and you know, bless
• 26:26
  Speaker 3: the stage or something like that. I want to get
• 26:27
  Speaker 3: a Lotto on there. Okay, I want to do the
• 26:29
  Speaker 3: interview with Lotto?
• 26:30
  Speaker 1: What what? What are some times when y'all probably was like, man,
• 26:33
  Speaker 1: this crowd won't really feeling us the dyke y'all ever
• 26:36
  Speaker 1: have that?
• 26:37
  Speaker 3: Okay?
• 26:38
  Speaker 2: Sometimes I've never seen even when y'all go to New
• 26:40
  Speaker 2: York because they said New York when you when they go, like.
• 26:43
  Speaker 3: Everybody else New York love us, bro. You think I'm
• 26:46
  Speaker 3: exaggerating when I said that, we probably the only people
• 26:49
  Speaker 3: who have performed four live shows in a rope like
• 26:53
  Speaker 3: in a day at the Apollo. Yeah, New York show
• 26:57
  Speaker 3: us much love. So I can't ain't been nowhere that
• 27:00
  Speaker 3: ain't showed us little?
• 27:02
  Speaker 1: Do you guys? Do you feel like you guys have
• 27:05
  Speaker 1: more to accomplish as a team?
• 27:09
  Speaker 3: Absolutely? Okay, just the beginning.
• 27:11
  Speaker 1: And what would that look like as as something more
• 27:14
  Speaker 1: to accomplish for the eighty five South.
• 27:16
  Speaker 3: Show, more TV and more movies. Yeah, that's the next
• 27:19
  Speaker 3: play to get into the movie game. Now, did y'all
• 27:22
  Speaker 3: tell Netflix? Like, man, we're trying to re up. That's
• 27:26
  Speaker 3: the thing about it. It ain't really a Netflix to tell.
• 27:29
  Speaker 3: It's a company. But it ain't like you could just
• 27:31
  Speaker 3: call Netflix. Yeah, don't call us.
• 27:34
  Speaker 4: We'll say, okay, now we get a little closer to okay.
• 27:37
  Speaker 4: But you know one thing.
• 27:40
  Speaker 3: Ever since then, like they gave us, they rolled it
• 27:43
  Speaker 3: out for us. We could go to the office, we
• 27:45
  Speaker 3: can talk to the head of Netflix and it's just like, hey,
• 27:48
  Speaker 3: what y'all got going on with y'all? Are y'all interested
• 27:50
  Speaker 3: in doing some of these type of shows or we'll
• 27:52
  Speaker 3: consider you.
• 27:53
  Speaker 4: We'll put you in touch with the people.
• 27:55
  Speaker 3: But you know, just nothing has materialized, but they left
• 27:58
  Speaker 3: the door open. Definitely interested in working with them in
• 28:01
  Speaker 3: any you know, other capacity. What's your favorite city to
• 28:04
  Speaker 3: go to. I don't know if we necessarily have a favorite,
• 28:07
  Speaker 3: because you I feel like every comedian has they they like,
• 28:11
  Speaker 3: I know when I go to this city.
• 28:12
  Speaker 4: Thing about it.
• 28:13
  Speaker 3: If you go watch any of the live shows, like
• 28:16
  Speaker 3: every city that we go to, and they see that
• 28:18
  Speaker 3: this city showing.
• 28:20
  Speaker 1: Us love, I'll do it. Through the colleges, they be
• 28:24
  Speaker 1: a little bit more turned though.
• 28:26
  Speaker 3: Right because the little kids have been watching us in
• 28:29
  Speaker 3: six seventh grade and this is probably their first comedy show,
• 28:34
  Speaker 3: especially like the first live show, so they just experiencing
• 28:38
  Speaker 3: it as they saw it.
• 28:39
  Speaker 1: Yeah, because I feel like I forgot where y'all was at.
• 28:41
  Speaker 1: Y'all did a homecomings?
• 28:43
  Speaker 3: You or family? I watch out like fifteen thousand people there,
• 28:49
  Speaker 3: fifteen thousand people I'm talking.
• 28:51
  Speaker 1: About, Bro, homecoming had to capacity.
• 28:54
  Speaker 3: Bro.
• 28:54
  Speaker 1: Yeah, you'll go through a whole You'll go down a
• 28:56
  Speaker 1: whole rabbit hole watching the YouTube page because it's just
• 28:59
  Speaker 1: so organically funny.
• 29:02
  Speaker 2: I always I always watch all interviews that I was
• 29:04
  Speaker 2: just sitting on the couch, y'all.
• 29:05
  Speaker 3: Just hi, y'all, just like just say, I feel like
• 29:08
  Speaker 3: that's a different layer to the show though, Yes, that
• 29:10
  Speaker 3: that the podcast in the studio and the live show
• 29:14
  Speaker 3: is worlds apart for sure.
• 29:16
  Speaker 4: Yeah, that's just the trap.
• 29:19
  Speaker 3: Episodes in the studio is that's just in between laves.
• 29:23
  Speaker 1: Do you guys do that kind of just you know,
• 29:26
  Speaker 1: because you should do because do you prefer to do
• 29:29
  Speaker 1: the live show versus the sit down and have a
• 29:32
  Speaker 1: set type of thing.
• 29:34
  Speaker 3: Well, see, I think it's about fifty to fifty like
• 29:37
  Speaker 3: the live show, like without the the podcast.
• 29:41
  Speaker 4: Like the podcast, fuse the live show.
• 29:43
  Speaker 3: That's what makes people tune in and be like, all right, man,
• 29:46
  Speaker 3: I'm gonna come see on when they come.
• 29:48
  Speaker 4: So it's kind of like.
• 29:50
  Speaker 3: One hand watches the other like the podcast promotes the
• 29:53
  Speaker 3: live show.
• 29:55
  Speaker 2: Now, do you do you feel like in this generation
• 29:58
  Speaker 2: it's like a lot harder to be a comedian.
• 30:00
  Speaker 4: You gotta know what not to cross the line.
• 30:03
  Speaker 3: That's the that's the best part about being a comedian.
• 30:06
  Speaker 3: It's figuring out how to cross the line. Yeah, why
• 30:11
  Speaker 3: would you play it safe? You can as a consumer
• 30:17
  Speaker 3: when you watch somebody even be like I ain't really
• 30:21
  Speaker 3: go all no, you had to do it big. Don't
• 30:24
  Speaker 3: play it safe, because that's where your creativity comes in.
• 30:28
  Speaker 3: How can you creatively cross the line? Because there's a
• 30:32
  Speaker 3: there's a difference in between being creative and being I'm
• 30:35
  Speaker 3: seeing or explicit. They don't always have to be offensive
• 30:39
  Speaker 3: creatively across the line.
• 30:41
  Speaker 2: You know what I'm saying, You get you give them
• 30:44
  Speaker 2: some gyms because I feel like a lot of comedians
• 30:46
  Speaker 2: now they're so afraid to like even like I watched
• 30:49
  Speaker 2: some people concentsration.
• 30:50
  Speaker 4: I like, I'll be like, man, they they afraid.
• 30:54
  Speaker 3: To like, go go.
• 30:55
  Speaker 4: I can tell they afraid to go to the next level.
• 30:57
  Speaker 3: But see, that's just like what you're saying earlier about
• 30:59
  Speaker 3: with the music though. It's like there are comedians who
• 31:01
  Speaker 3: aren't afraid, but they're not they're not as notable as
• 31:06
  Speaker 3: the ones that you're getting to watch. You kind of
• 31:08
  Speaker 3: gotta go find the ones that you want to see. Yeah,
• 31:12
  Speaker 3: it's definitely some lane crosses out there, habitual line steppers.
• 31:17
  Speaker 1: Okay, let's habitually go to commercial? Uh. The Revolt episode
• 31:22
  Speaker 1: of The Ball Alert Show with Carlos Miller coming right back.
• 31:25
  Speaker 2: Yeah, and we are back right here Revolt TV, Ball
• 31:28
  Speaker 2: Alert Show Man. We over here just talking about everything comedy,
• 31:33
  Speaker 2: what lies.
• 31:34
  Speaker 4: The cross and what not, The Crossross.
• 31:36
  Speaker 1: All the land, Carlos Miller is in the building now
• 31:40
  Speaker 1: not to get too personal one time for Keisha with
• 31:43
  Speaker 1: the Faith Project.
• 31:46
  Speaker 3: Set that up like that they don't get too personal
• 31:48
  Speaker 3: and then shut out to shout that what you said
• 32:00
  Speaker 3: it does make himself like Keisha was like her over
• 32:04
  Speaker 3: like you're still I don't want to get in your shot.
• 32:12
  Speaker 1: The Faith Project is part of the segments called the
• 32:15
  Speaker 1: Mental Health Check is how how is Carlos Biller's mental
• 32:19
  Speaker 1: health and how do you strengthen it or keep it
• 32:22
  Speaker 1: strength strong? I don't know. You know what I try
• 32:25
  Speaker 1: to say.
• 32:26
  Speaker 3: I keep him going crazy or getting the press. Yeah,
• 32:31
  Speaker 3: check that account.
• 32:33
  Speaker 4: I told you we get a lot of money.
• 32:34
  Speaker 3: Check that account, bro, look at that number. Look at
• 32:39
  Speaker 3: it on that bro.
• 32:42
  Speaker 4: Yeah No, my mental health is great, bro.
• 32:44
  Speaker 3: But I keep keep some good family around me, my son,
• 32:48
  Speaker 3: keep me grounded. You know.
• 32:50
  Speaker 1: Just see you, man, you be real your temper, your temper,
• 32:54
  Speaker 1: your temperament is real level.
• 32:56
  Speaker 4: What do I see you?
• 32:58
  Speaker 3: He always he always chilled. Every day he seen me
• 33:01
  Speaker 3: was out of the.
• 33:06
  Speaker 4: Bro. I beat the game.
• 33:07
  Speaker 3: Man. I get to live my dreams every day. I
• 33:10
  Speaker 3: get to get up and do whatever I want to do. Man.
• 33:13
  Speaker 3: I get to go to the livest places, have the
• 33:15
  Speaker 3: dopest shows, kick it with the dopest people, hang around
• 33:19
  Speaker 3: beautiful women, eat good food, travel the world, buy whatever
• 33:23
  Speaker 3: I want. Bruh.
• 33:24
  Speaker 4: Life is good.
• 33:25
  Speaker 3: Life is good. And it's not because somebody gave it
• 33:28
  Speaker 3: to me or gave me a handout, or hit me
• 33:30
  Speaker 3: a lick or let me open for him or nothing.
• 33:32
  Speaker 3: But I just just purely off the ground. Yeah, so
• 33:37
  Speaker 3: my mental health is good to that. And you know,
• 33:39
  Speaker 3: but life happens. You have moments where you gotta you know,
• 33:42
  Speaker 3: where you gotta go and get yourself together. Ain't nothing
• 33:45
  Speaker 3: wrong with that, bro. A lot of fellas don't don't
• 33:47
  Speaker 3: want to admit it. Life will hurt you, man. It's
• 33:50
  Speaker 3: a lot of things out here that will break your heart.
• 33:52
  Speaker 3: So I try to smile and laugh as much as
• 33:54
  Speaker 3: I can because you're gonna cry at some point. It
• 33:57
  Speaker 3: ain't nothing wrong with that. That don't mean you're a
• 33:59
  Speaker 3: weak man or you weird or nothing like that. Hey man,
• 34:02
  Speaker 3: you gotta have emotions, like a lot of dudes. Try
• 34:04
  Speaker 3: to be tough all day every day. You mean to
• 34:07
  Speaker 3: tell me you don't love your grandma, your little niece,
• 34:09
  Speaker 3: don't run up to you and hug you and you
• 34:11
  Speaker 3: just tough all day every day. Come on, bro, those
• 34:14
  Speaker 3: are what we call crash outs. They don't have that's
• 34:16
  Speaker 3: those are the people who those the people that need
• 34:18
  Speaker 3: to go cry.
• 34:19
  Speaker 4: They don't have no value system.
• 34:21
  Speaker 3: Yeah, when they crash out because you, you're gonna put
• 34:23
  Speaker 3: the whole family in danger because you're trying to prove
• 34:25
  Speaker 3: a point. Ain't nobody got no money to keep coming
• 34:28
  Speaker 3: fixing your mistakes or bailing you out or putting the
• 34:32
  Speaker 3: house up. And you and you know you can't beat
• 34:34
  Speaker 3: this charge. You know what I'm saying, Like, Bro, you
• 34:37
  Speaker 3: gotta think about it. It's it's people who love you
• 34:39
  Speaker 3: that's gonna have to face the consequences of your actions
• 34:43
  Speaker 3: with you. You know what I'm saying. You don't want to
• 34:45
  Speaker 3: You don't want to break your mama heart. You don't
• 34:47
  Speaker 3: want to see your family sitting there like just you
• 34:49
  Speaker 3: don't want that, bro.
• 34:51
  Speaker 1: Yeah, I appreciate that one. All right. Well, I know
• 34:54
  Speaker 1: you was on Shannon Sharp's episode that was fire.
• 34:58
  Speaker 3: That was a good episode. This bro, what are you
• 35:01
  Speaker 3: going with this?
• 35:04
  Speaker 1: I just saw it. I just saw you.
• 35:08
  Speaker 4: I forgot I forgot about that was going on all
• 35:13
  Speaker 4: about that.
• 35:14
  Speaker 1: I was just gonna lead to I just thought it
• 35:17
  Speaker 1: was dope to see you in a different light when
• 35:20
  Speaker 1: you were having a good conversation with the Brothers Channel Sharp,
• 35:22
  Speaker 1: so we wanted to bring you on ball alert a
• 35:24
  Speaker 1: similar good.
• 35:25
  Speaker 3: That's why I've been touching different platforms because I think
• 35:28
  Speaker 3: a lot of people think I'm a certain kind of way.
• 35:30
  Speaker 4: They don't understand, like, bro, you.
• 35:32
  Speaker 3: Know, like when you going to a party like party,
• 35:35
  Speaker 3: you ain't.
• 35:36
  Speaker 4: Ain't to you that show up to work.
• 35:38
  Speaker 3: So I've been wanting to hit different platforms and talk
• 35:41
  Speaker 3: about different stuff just so they can see that I'm
• 35:43
  Speaker 3: not just one dimensional. Definitely have some sense, Definitely not heartless,
• 35:48
  Speaker 3: Definitely gonna cross the land, Definitely gonna talk my ship
• 35:52
  Speaker 3: everywhere I go, even though they said I can't say ship.
• 35:54
  Speaker 4: Bleed it.
• 35:57
  Speaker 1: Why you got all these editors, they don't know how
• 35:59
  Speaker 1: to bleep? Now? You have so many things with the team.
• 36:06
  Speaker 1: What about Carlos Miller the solo act. What about Carlos
• 36:09
  Speaker 1: Miller the solo comedian?
• 36:12
  Speaker 4: Right, this is the thing about it.
• 36:13
  Speaker 3: When it comes to eighty five South show, I created it, right,
• 36:16
  Speaker 3: So it's my brand, it's my entity. So even when
• 36:20
  Speaker 3: I am solo I'm still gonna bring mine. I own it.
• 36:24
  Speaker 3: It's my idea. Why would I ever want to disassociate
• 36:27
  Speaker 3: myself from something I created? Jay Z, don't just go
• 36:30
  Speaker 3: drop an album and don't put Rockefeller on it. This
• 36:33
  Speaker 3: branding it's me. So I'm gonna take the good with
• 36:36
  Speaker 3: the bad. But I do tour solo, I do club shows,
• 36:41
  Speaker 3: I do my own tour.
• 36:43
  Speaker 4: I'm just building.
• 36:45
  Speaker 3: So everywhere I go, you're gonna see that eighty five
• 36:47
  Speaker 3: South because that's my brandy.
• 36:49
  Speaker 2: Because you definitely my building. Put your brand out, that's
• 36:53
  Speaker 2: my label. Every time you see me, you're gonna see
• 36:55
  Speaker 2: something eighty five. So yeah, that's what we're doing promoting
• 36:59
  Speaker 2: the app.
• 36:59
  Speaker 1: You know, we got the app, so it's eighty five
• 37:01
  Speaker 1: South app.
• 37:02
  Speaker 3: Yeah, Channel eighty five I like that.
• 37:06
  Speaker 1: Get it right now in your app store, green bubble
• 37:09
  Speaker 1: or blue Bubble, and.
• 37:10
  Speaker 3: PlayStation, every every everywhere that you could download Channel Roku everywhere,
• 37:15
  Speaker 3: whatever you got, even if you don't have cable, you
• 37:17
  Speaker 3: have no excuse. And we put all the exclusive content
• 37:20
  Speaker 3: on all the shows that we produced in the house
• 37:24
  Speaker 3: studio all that, so yeah, make sure you do it,
• 37:26
  Speaker 3: y'all gotta come check the studio.
• 37:27
  Speaker 1: App no, we gotta definitely do that and listen, man,
• 37:31
  Speaker 1: love to We'll love to listen. Bro. We just wanted
• 37:33
  Speaker 1: to bring you on the show because I felt bad
• 37:35
  Speaker 1: because one of my good friends passed away. His name
• 37:37
  Speaker 1: was Chubby Baby.
• 37:38
  Speaker 3: He was DJL. Yeah.
• 37:40
  Speaker 1: Man, we were talking and I was like, we're supposed
• 37:43
  Speaker 1: to have him on the show, and I kept saying, damn,
• 37:44
  Speaker 1: you know, we wanna get you on the show. Our
• 37:46
  Speaker 1: schedule is so busy. I'm making a point to highlight
• 37:48
  Speaker 1: individuals like yourself upstairs the man and give your flowers
• 37:52
  Speaker 1: documented thank you, man, know what I'm saying, So we
• 37:54
  Speaker 1: can go back and rewatch these things. Should you know,
• 37:57
  Speaker 1: the time expire on anybody. So just wanted to make
• 38:01
  Speaker 1: sure that I give you your fly flowers live on television.
• 38:04
  Speaker 3: Man.
• 38:05
  Speaker 2: You're dope, bro, and what you're doing is dope to
• 38:07
  Speaker 2: thank you and y'all doing some amazing things, man, And
• 38:10
  Speaker 2: you guys are always just so humble man like, like
• 38:13
  Speaker 2: like I told you.
• 38:14
  Speaker 1: You don't have to be technically, you guys are y'all. Y'all,
• 38:19
  Speaker 1: we're not acting.
• 38:20
  Speaker 2: You guys are the standard though, But you know how
• 38:22
  Speaker 2: it is, like sometimes you meet certain people that you're
• 38:25
  Speaker 2: a fan of and then they're not the person that
• 38:27
  Speaker 2: you think they.
• 38:28
  Speaker 3: Think they are.
• 38:29
  Speaker 2: Yeah, you know what I mean, Like you'll be excited
• 38:31
  Speaker 2: to see somebody and like many you know what.
• 38:36
  Speaker 4: I met somebody when we were in l A.
• 38:38
  Speaker 2: And I was excited to see that person because I
• 38:40
  Speaker 2: love they content and I and the interaction was just like, Okay,
• 38:45
  Speaker 2: I should start streaming cause I should start exposing these
• 38:48
  Speaker 2: people that think they're bigger than they.
• 38:50
  Speaker 3: Keep in mind, some people are really good at their talent,
• 38:53
  Speaker 3: they're not good at the social side. Up, Yeah they're not.
• 38:56
  Speaker 3: Like you know, some people get social anxiety or they
• 39:00
  Speaker 3: can go in the room and create the dopest show,
• 39:03
  Speaker 3: but to have to deal with five thousand, ten thousand
• 39:06
  Speaker 3: people that kind of make them you know what I'm saying, understand.
• 39:09
  Speaker 4: Yeah, to give them a little grace.
• 39:11
  Speaker 3: No, man, they gotta stop acting.
• 39:12
  Speaker 4: Go like sometimes that's that's.
• 39:15
  Speaker 3: That's not the act. That's the real The act is
• 39:19
  Speaker 3: what you from like watching so you well, you know,
• 39:23
  Speaker 3: you ste around long enough, you start to notice sometimes
• 39:26
  Speaker 3: you you ain't gonna get the person you want to
• 39:29
  Speaker 3: meet the first time or the first couple of times.
• 39:31
  Speaker 3: They kind of got warm up to you.
• 39:33
  Speaker 2: But I always tell people like the like when I
• 39:35
  Speaker 2: meet people in the interactions changed.
• 39:38
  Speaker 3: I'm like, man, you know when I first.
• 39:39
  Speaker 4: Met you, you was acting like this, and the day
• 39:42
  Speaker 4: they be.
• 39:42
  Speaker 3: Like then they give you the backstory and they act
• 39:45
  Speaker 3: like they don't remember. But they act like they don't remember,
• 39:47
  Speaker 3: or they give you a backstory.
• 39:48
  Speaker 2: It's like, oh, man, I was going through this at
• 39:50
  Speaker 2: the time, so you you you're right. You do have
• 39:51
  Speaker 2: to give people grace. But something some people you would
• 39:53
  Speaker 2: meet them, I'm like, man, this person is too crazy.
• 39:56
  Speaker 3: Like people changed to that's just very trumba will make
• 39:59
  Speaker 3: some had it turned to a whole nother person.
• 40:01
  Speaker 1: So Notah for sure. So listen, man, we appreciate you,
• 40:06
  Speaker 1: my brother. Uh. And that concludes our episode of The
• 40:09
  Speaker 1: ball Or Show on Revolt with Carlos Miller.