Latest / Creepy Stories to Fall Asleep To / I'm the First Human on this Planet. It is Terrifying Here.
Transcript
- 0:00I stood at the open door of the Horizons Descent module, looking
- 0:04out at the surface of Kepler Forfevre 2B. the Hatch framed a
- 0:09view that billions of dollars and years of planning had made
- 0:13possible. The landscape stretched out
- 0:16before me, rolling terrain covered in low purple tinged
- 0:20vegetation that reminded me of succulents but spread like Moss
- 0:25across the ground. Final systems check.
- 0:28Complete. Commander Alvarez's voice came
- 0:31through my helmet. Calm environmental readings are
- 0:35stable. Oxygen levels at 21% radiation
- 0:39within acceptable parameters. You're clear to proceed, Evan.
- 0:44I took a breath. My hand gripped the module door.
- 0:48Copy that, commander. Initiating first contact
- 0:51procedure. I moved down the short ladder,
- 0:55each rung solid under my gloved hands.
- 0:58When my boot touched the surface, I felt the increased
- 1:01pull of gravity, about 15% stronger than Earth's.
- 1:06The soil gave slightly under my weight, like stepping onto
- 1:09packed clay. This is astronaut Evan Snyder,
- 1:13making humanity's first contact with Kepler 452, BI said
- 1:18quietly. The gravity made my movement
- 1:22sluggish. I took a few steps, adjusting to
- 1:25the weight of my body. The suit compensated, but I
- 1:29still felt the difference in my joints and muscles.
- 1:33How's it feel down there? Amy asked.
- 1:37Like I gained about 20 lbs overnight.
- 1:40I replied, taking a few more steps away from the module.
- 1:44Movement is manageable, but I'll need to be careful about.
- 1:49I stopped mid sentence. Looking up from my feet, I saw
- 1:54something on the horizon that made no sense.
- 1:57In the distance, maybe 2 miles away, stood what looked
- 2:01unmistakably like buildings. Not rock formations that
- 2:07resembled buildings. Not natural structures that play
- 2:10tricks on the human eye. Actual buildings.
- 2:14Rectangular structures with flat tops and sides arranged in
- 2:18patterns too regular to be anything but deliberate command.
- 2:23Are you seeing this? I asked, my voice barely above a
- 2:27whisper. Seeing what?
- 2:30Evan, the feed is clear, but we need you to specify.
- 2:34Hayden replied. From orbit.
- 2:37I raised my arm, pointing the camera mounted on my wrist
- 2:40toward the structures. There are buildings.
- 2:43I'm looking at buildings. A city, I think.
- 2:46The calm went silent for a long moment.
- 2:50Stand by, Evan, Amy finally said, her voice tense.
- 2:54We're analyzing the feed. I froze, staring at the
- 2:58impossible sight. We'd expected an alien world,
- 3:01strange geology, maybe microbes if we were lucky.
- 3:05Not this Evan, this is director day.
- 3:10Hayden's voice came through, carefully controlled.
- 3:13We confirm what appears to be artificial structures.
- 3:17Your priority is now documentation.
- 3:20Approach with extreme caution, maintain constant communication,
- 3:25and be prepared to return to the module immediately if ordered.
- 3:29Copy that, I said, my training taking over despite the shock, I
- 3:35walked toward the city. The purple vegetation thinned,
- 3:39revealing a worn path designed for travel.
- 3:43I'm on what appears to be a road or pathway, I reported.
- 3:47The surface is different here, smoother, intentionally
- 3:50flattened. As I got closer, the details of
- 3:55the city became clearer. Streets laid out in a grid
- 3:58pattern. Buildings of varying heights,
- 4:01some as tall as 10 stories, what looked like lamp posts at
- 4:06regular intervals, all constructed from the same bluish
- 4:10Gray material that had a faint Sheen.
- 4:12Under Kepler's son, this is. I struggled to find words.
- 4:19This is impossible. Keep reporting, Evan.
- 4:23Amy prompted. What exactly are you seeing?
- 4:27It's a city of actual city, with streets, buildings with what
- 4:31look like windows and doorways. The scale it's built for beings
- 4:37approximately our size. The doorways look like they fit
- 4:41a human comfortably. I stopped at what appeared to be
- 4:45the outskirts of the city. The first building stood about
- 4:4920 feet tall, with a flat roof and rectangular openings that
- 4:54could only be windows. No glass remained, just empty
- 4:59frames. The architecture is unlike
- 5:02anything I've seen on Earth, but the purpose is unmistakable.
- 5:07I continued, moving closer to examine the wall.
- 5:10This bluish material, it's not stone, not metal, something in
- 5:15between, smooth to the touch, but with a texture like like
- 5:20ceramic. I placed my hand against the
- 5:23wall. Command.
- 5:26I need to emphasize what we're looking at.
- 5:29I said, my voice steadier now as the scientific part of my brain
- 5:33kicked in. This isn't just an alien planet,
- 5:37this is a planet with a civilization.
- 5:40Or at least it was. Any signs of current habitation?
- 5:45Hayden asked. I looked around, seeing only
- 5:49stillness and silence. Dust covered everything, and
- 5:53small plants had begun to reclaim parts of the streets.
- 5:57Negative Place looks abandoned. Long abandoned.
- 6:02I stood at the intersection, looking in all directions.
- 6:06Buildings stretched out before me with empty windows.
- 6:10The streets showed cracks where plants pushed through their
- 6:13surfaces, worn by time. I can't believe what I'm seeing,
- 6:18I said, more to myself than to command.
- 6:22We came looking for a potentially habitable planet.
- 6:26Instead, we found a ghost town. Proceed with caution, Evan, Amy
- 6:31reminded me. Document everything, but safety
- 6:35remains priority one. I nodded, though they couldn't
- 6:39see the gesture. Copy that, commander.
- 6:43I took a step deeper into the city, my mind racing with
- 6:46questions. Who built this place?
- 6:49Where did they go? And most disturbing of all, why
- 6:54did it look so eerily like something humans would build?
- 6:58This isn't just a discovery, I said quietly.
- 7:02This changes everything we thought we knew about life in
- 7:05the universe. I stood at the threshold of a
- 7:07civilization we never expected to find on Kepler 452B.
- 7:12I stepped inside the building, pushing open a heavy door that
- 7:15creaked. Dust particles swirled in the
- 7:18light from my helmet lamp. The air hadn't been disturbed
- 7:22for years, maybe centuries. I'm entering what looks like
- 7:27some kind of public space. I said, keeping my voice low
- 7:31even though I was alone. Old habits from mission,
- 7:34training, command. Are you still receiving my feet?
- 7:39Copy that, Evan. Visual coming through clear.
- 7:43Amy replied through my comms. Proceed with caution.
- 7:48The room opened up before me, wide and spacious with high
- 7:52ceilings, rows of what looked like benches or seats face
- 7:56toward a central platform. Everything was covered in a
- 7:59thick layer of dust, but the arrangement was unmistakable.
- 8:05This seems to be some kind of meeting hall or Community
- 8:08Center. I said, moving deeper into the
- 8:11space. My footprints left clear tracks
- 8:14in the dust. The furniture is arranged for
- 8:18gatherings. Looks like they held assemblies
- 8:20here. I ran my gloved hand along the
- 8:23edge of what might have been a podium.
- 8:26The dust came away, revealing a smooth blue Gray surface
- 8:31underneath. The same material I'd seen
- 8:34throughout the city. I noticed something on the far
- 8:37wall and walked closer across the gritty floor.
- 8:42There's something on the wall here.
- 8:45Looks like some kind of calendar or scheduling system.
- 8:51It hung on the wall, protected by what resembled A-frame.
- 8:55The display showed 7 vertical columns with four or five rows
- 8:59across. What made it most interesting
- 9:02was that it appeared to be part of a set, 12 identical frames
- 9:07arranged in sequence. It's organized like our
- 9:10calendars back home. I continued studying the
- 9:13markings. 7 columns could be days in a week, four or five
- 9:19rows, weeks in a month, and 12 pages months in a year.
- 9:25I reached up and carefully wiped away the dust from what appeared
- 9:28to be a designation at the top of the display command.
- 9:34I'm looking at what seems to be a year marker on this calendar.
- 9:38What does it show? Evan Hayden's voice came
- 9:42through, tense with anticipation.
- 9:45I stared at the symbols, trying to make sense of them.
- 9:49They weren't anything like Earth numerals, but there was
- 9:53something about the arrangement that felt familiar based on the
- 9:59configuration and what appears to be numerical notation, if I'm
- 10:03interpreting this correctly. I paused, double checking what I
- 10:07was seeing. This would correlate to Earth
- 10:11year 2023. A long silence followed.
- 10:15Say again, Evan. Amy finally asked.
- 10:19Did you say 2023? Affirmative.
- 10:22The marking system is alien, but the numerical pattern suggests a
- 10:26date equivalent to our 2023. Doctor Scarlett Gray's voice cut
- 10:30in clear and precise. That's statistically impossible,
- 10:35Evan. The light we're seeing from
- 10:37Earth right now left our planet over 1400 years ago.
- 10:41There's no way they could have our calendar system with a date
- 10:44from our present time. I know it sounds crazy,
- 10:47Scarlett, but that's what I'm looking at.
- 10:50I replied, taking photos with my wrist camera.
- 10:54Unless I'm completely misinterpreting these symbols.
- 10:58Continue documentation and exploration, Director Day
- 11:02instructed. We need more data points before
- 11:05drawing conclusions. I took several more images of
- 11:09the calendar system before heading back toward the exit.
- 11:13I'm going to check out some of the larger structures deeper in
- 11:16the city, I said. Maybe find more clues about who
- 11:20lived here and what happened to them.
- 11:22The alien sun was lower now. I had about 3 hours of daylight
- 11:27left, enough time to check out one of the larger buildings I'd
- 11:30seen earlier. I walked down the empty streets,
- 11:33passing smaller structures that might have been homes or shops.
- 11:37The city grid made navigation simple, straight lines and right
- 11:42angles not unlike cities back on earth.
- 11:45About 10 minutes later, I stood before what had to be the
- 11:49largest building in the city, a massive structure with high
- 11:53walls curving in a huge Oval. The entrance was proportionally
- 11:57grand, with wide steps leading up to a series of tall doorways.
- 12:03I'm approaching what looks like a stadium or arena, I reported.
- 12:07Massive structure, easily could hold thousands.
- 12:11Proceed with caution, Amy reminded me.
- 12:15Always do, I replied, climbing the steps.
- 12:19The entrance hall was dark, but my helmet lights cut through the
- 12:22gloom. The ceiling soared overhead and
- 12:26the space opened up before me as I moved forward.
- 12:30I passed through a wide corridor that curved slightly, following
- 12:33the Oval shape of the building. When I emerged onto what must
- 12:37have been the main floor, I stopped cold.
- 12:41Oh my God, I whispered. Evan, what is it?
- 12:47Amy's voice sounded sharp with concern.
- 12:51I couldn't find words at first. The beam from my helmet swept
- 12:55across the floor of the arena, revealing thousands upon
- 12:58thousands of skeletal remains spread out before me.
- 13:02They covered the entire floor space, lying in positions that
- 13:05suggested they had simply collapsed where they stood or
- 13:08sat. There are bodies.
- 13:13Skeletal remains. Thousands of them.
- 13:16I finally managed. They're all over the floor of
- 13:20this stadium command. I'm looking at what appears to
- 13:23be a mass casualty event. I forced myself to move closer,
- 13:29kneeling beside one of the skeletons for a better look.
- 13:33The bones were a pale bluish white, arranged in a form that
- 13:37was undeniably humanoid, but with clear differences.
- 13:42These beings were similar to humans in basic structure, but
- 13:46with notable anatomical differences.
- 13:48I reported my scientific training kicking in to help me
- 13:52process what I was seeing. The skull is more elongated at
- 13:56the back, the rib cage is broader, more barrel shaped, and
- 14:00there appear to be extra joints in the limbs, an additional
- 14:03joint in each arm and leg. I stood up and panned my camera
- 14:08across the scene. There's no sign of violence or
- 14:13struggle, no evidence of weapons or trauma on any of the remains
- 14:17I can see. It's as if they all just died
- 14:22where they stood. Some kind of extinction event
- 14:26may be airborne pathogen or radiation.
- 14:30This is remarkable. Evan Scarlett's voice came
- 14:33through, filled with professional excitement despite
- 14:36the grim scene. The anatomical similarities
- 14:39suggest parallel evolution, but those differences Can you get
- 14:43closer images of the skull structure?
- 14:46I took photos of several specimens as I worked.
- 14:50The sun lowered its rays slanting through the western
- 14:53windows. I should probably start heading
- 14:57back soon, I said, daylights fading.
- 15:01Agreed. Amy replied.
- 15:03We've got plenty to analyze from today's findings.
- 15:07I noticed something odd about the shadows in the arena.
- 15:12At first I thought it was a trick of the light, but then I
- 15:16realized the shadows were moving independently of their light
- 15:20sources. Command, are you seeing this?
- 15:23I asked, my voice dropping to a whisper.
- 15:27Around the arena floor, shadows merged into humanoid
- 15:31silhouettes, rising from the ground.
- 15:34Evan, what are we looking at? Hayden asked, tension clear in
- 15:39his voice. The shadow figures grew more
- 15:42defined, taking on forms that resembled the skeletal remains
- 15:45around me, but filled in complete.
- 15:50They moved with purpose, gliding across the floor toward me from
- 15:54all directions. The shadows are moving on their
- 15:58own. I said, backing up.
- 16:01They're forming human shapes. Command.
- 16:04These aren't normal shadows. My heart rate picked up as I
- 16:07watched the figures approach. They moved with an eerie grace,
- 16:12neither rushing nor hesitating, just steadily closing in.
- 16:18Evan, get out of there now. Amy ordered.
- 16:22I turned and moved quickly toward the exit, not running but
- 16:26not wasting time. The shadows change direction to
- 16:30intercept me. They're following me.
- 16:34I reported, quickening my pace. They seem to be responding to my
- 16:38movements. This isn't a natural phenomenon.
- 16:43As I reached the corridor that led back to the entrance, I
- 16:46glanced over my shoulder. The shadow figures had picked up
- 16:51speed, flowing across the floor like dark water.
- 16:56The closest was only about 20 feet behind me.
- 16:59I'm heading back to the module. I said, breaking into a run now.
- 17:04Something is very wrong here. The shadows chased me through
- 17:08the corridor with increasing determination.
- 17:12I saw more shadow figures forming at the entrance ahead,
- 17:15blocking my exit. They were waiting for me.
- 17:20I ran through the city streets as the alien sun sank.
- 17:24The shadows weren't just following me anymore.
- 17:26They were hunting me, flowing across walls and streets, taking
- 17:30shape as they moved. Command.
- 17:34I'm being pursued. I gasped, pushing myself harder
- 17:37as I turned down another empty St.
- 17:41The shadows are becoming more defined.
- 17:43They look like people now. What do you mean, like people?
- 17:49Amy's voice crackled in my helmet.
- 17:52I glanced back. The darkness had formed into
- 17:55silhouettes, tall, elongated figures matching the skeletal
- 17:59remains from the arena. They glided just above the
- 18:02ground. They're mimicking the bodies
- 18:05from the arena. Same proportions, same shape,
- 18:09but they're made of darkness. Pure darkness.
- 18:15I cut down an alley between two buildings, hoping to lose them,
- 18:19but when I emerged on the other side, more shadow figures were
- 18:23waiting. They moved to intercept me,
- 18:27forcing me to change direction again.
- 18:30Evan returned to the module immediately.
- 18:34Hayden ordered, his voice tight with concern.
- 18:37Trying. I panted, scanning for an escape
- 18:40route. They're cutting me off,
- 18:43surrounding me. One of the shadow figures surged
- 18:46forward faster than the others, reaching out with a long, wispy
- 18:50arm. I jerked away, but not quickly
- 18:54enough. As it brushed against my suit.
- 18:57An intense cold shot through the material, penetrating straight
- 19:00to my skin. Jesus.
- 19:04I yanked my arm back, stumbling away.
- 19:07One touched me, Felt like liquid nitrogen through my suit.
- 19:12Temperature readings, Amy demanded.
- 19:15External unchanged, but it felt. I broke off as I spotted a small
- 19:22building with an intact door about 50 yards ahead.
- 19:26Found potential shelter, going to make a run for it.
- 19:30I sprinted toward the building as shadow figures closed in.
- 19:34My lungs burned despite my suit. The door was solid ceramic with
- 19:40a metal handle. I reached it just as the nearest
- 19:43shadows were mere feet away, grabbed the handle, and yanked.
- 19:47The door swung open with a grinding noise.
- 19:50I threw myself inside and slammed it shut behind me, my
- 19:54back pressed against it as I gulped for air.
- 19:58I'm inside a building. I reported between breaths,
- 20:03Small structure intact. Door.
- 20:06Through the narrow window beside the door, I watched as the
- 20:09shadow figures pooled against the entrance, pressing against
- 20:13it like smoke against glass. But strangely, none attempted to
- 20:18seep through the cracks or the window.
- 20:22They're not coming in, I said, my breathing gradually slowing.
- 20:26They're just waiting outside. Are you secure?
- 20:31Hayden asked. I took a step away from the
- 20:34door. Seems that way.
- 20:37They're staying outside for some reason.
- 20:40I turned to examine my surroundings.
- 20:42Dim light showed what looked like a home.
- 20:45The layout seemed familiar, a central room with smaller spaces
- 20:49branching off, furniture arranged in groups.
- 20:53I think I'm in someone's house, I said, moving deeper into the
- 20:56space. It's laid out like a residence.
- 21:01There's what looks like a living area and doorways leading to
- 21:04what might be bedrooms or other private spaces.
- 21:08The furniture was built for taller beings but had familiar
- 21:11forms, couches, tables and chairs.
- 21:15The similarities to Earth homes are uncanny.
- 21:18I continued, running my gloved hand over a surface central
- 21:23gathering space. Personal rooms, furniture
- 21:26designed for comfort and utility.
- 21:29Any signs of recent habitation? Scarlett asked.
- 21:34No Same layer of dust as everywhere else.
- 21:39Whatever happened here, it happened to everyone at once.
- 21:42I moved into what appeared to be the main living area.
- 21:46Unlike the public building I'd explored earlier, this space
- 21:50contained personal items, objects that might have been
- 21:53decorative or sentimental. On one wall hung several frame
- 21:58like structures. There are pictures on the walls,
- 22:03I said, moving closer, or the equivalent of pictures.
- 22:08I approached one particular frame that was larger than the
- 22:11others. After wiping away a layer of
- 22:14dust with my glove, I found myself looking at an image of
- 22:17four figures, 2 taller ones standing behind two smaller
- 22:21ones. The composition was
- 22:23unmistakable. It's a family portrait, I said,
- 22:28my voice barely above a whisper. Two adults, two children.
- 22:34The beings had humanoid forms, with elongated skulls and
- 22:38broader torsos. Their skin was bluish, with
- 22:41larger, more widely spaced eyes than humans.
- 22:45They were posed as a family, just as human families arranged
- 22:49themselves in photographs. They had families, I said.
- 22:53Lives. This was someone's home.
- 22:56As I studied the image, I noticed a small symbol etched
- 23:00into the corner of the frame, A circular design with lines
- 23:04radiating outward like a stylized sun.
- 23:08There's some kind of symbol on the picture frame.
- 23:11I reported taking a photo with my wrist camera.
- 23:15Looks like a sun or star design. I turned and scanned the room
- 23:20more carefully now that I knew what to look for.
- 23:24I spotted the same symbol repeated throughout the house,
- 23:28above doorways and what might have been decorative objects
- 23:31even etched into what appeared to be eating utensils on a table
- 23:35like surface. The symbol is everywhere in this
- 23:38house, must have had significant meaning to them.
- 23:42I moved through the home, documenting my findings.
- 23:46Each room revealed the same story, a civilization similar to
- 23:50ours wiped out in an instant. Command, are you seeing all
- 23:55this? I asked, turning slowly to give
- 23:59them a panoramic view. Instead of an immediate
- 24:02response, I heard raised voices and what sounded like alarms in
- 24:07the background. Command, do you copy?
- 24:12Evan Amy's voice came through tight with tension.
- 24:17We're experiencing something impossible up here.
- 24:22What's happening? We're seeing another horizon,
- 24:25she said, her voice shaking slightly.
- 24:28Another ship, identical to ours, in orbit alongside us, but it's
- 24:34damaged, decayed. What do you mean another ship?
- 24:39I asked, moving back toward the main room.
- 24:42Hayden's voice cut in visual confirmation through multiple
- 24:46systems. It's the horizon, but not our
- 24:50horizon. This one shows signs of
- 24:53extensive damage, and there are bodies visible through the
- 24:56viewports. Bodies.
- 25:00My mouth went dry. Us, Evan.
- 25:04Amy said quietly. We can see ourselves dead.
- 25:09Before I could process this, I heard Atticus Maldonado's voice
- 25:13speaking rapidly in the background.
- 25:16Then he was on the calm. Evan, I think I understand
- 25:20what's happening, He said, words tumbling out quickly.
- 25:25This isn't just an alien planet that happens to have Earth like
- 25:28structures. I believe we're looking at a
- 25:31parallel Earth in a different dimensional plane.
- 25:34A parallel Earth? I repeated, looking again at the
- 25:39family portrait with its almost human figures.
- 25:43Yes, the similarities are too precise to be coincidence.
- 25:48The calendar system, the city layout, the family structures.
- 25:54This isn't convergent evolution. This is the same planet in a
- 25:58different dimensional reality. I looked out the window at the
- 26:02shadow figures still waiting outside.
- 26:05And the shadows. I believe they're the
- 26:08consciousness of the dead inhabitants, Atticus continued.
- 26:13Trapped between dimensions when they died all at once, as you
- 26:18observed, something happened that prevented their
- 26:22consciousness from fully transitioning.
- 26:25They exist in a state between dimensions, able to perceive
- 26:28beings from other realities like us, but unable to fully interact
- 26:33with either world. That's why they didn't follow me
- 26:37in here. I said, understanding dawning.
- 26:41This was someone's home. They're respecting it or bound
- 26:45by rules we don't understand. Atticus replied.
- 26:49The symbol you found might be significant, a cultural or
- 26:53religious marker related to their understanding of death or
- 26:57dimensional boundaries. I looked back at the family
- 27:01portrait, at the four blue skinned beings posed together
- 27:05for posterity, then at the shadows waiting patiently
- 27:10outside, formless, yet somehow containing the essence of what
- 27:14these people once were. So we're not on Kepler 452B?
- 27:19I said. We're on Earth, just not our
- 27:23Earth. A version of Earth that
- 27:26experienced a catastrophic event, Atticus confirmed.
- 27:31And I suspect our presence here is creating a dangerous
- 27:34instability between dimensions that would explain why we're
- 27:38seeing our own ship in its post catastrophe state.
- 27:43I stood in the strange home, surrounded by remnants of lives
- 27:46like our own, while the dead waited outside.
- 27:51Everything we thought we knew about our mission had been
- 27:54turned inside out. If that's true, I said slowly,
- 28:02Then we're not making first contact with aliens, we're
- 28:06making contact with ourselves, or what we might become.
- 28:10I stood at the window, watching the shadow figures outside.
- 28:15They encircled the house completely, their elongated
- 28:18forms hovering just above the ground.
- 28:22They made no attempt to enter, but they weren't leaving either.
- 28:27The last rays of the alien sun cast long streaks across the
- 28:31street, making the shadows appear even darker by contrast.
- 28:36Command, They're just watching me.
- 28:41I said, keeping my voice low even though I knew the shadows
- 28:45couldn't hear me through the walls.
- 28:47They formed a perimeter around the building.
- 28:51Evan, we have a situation up here.
- 28:54Amy's voice came through my calm with an edge I hadn't heard
- 28:57before. Director Reeves just came
- 28:59online. Reeves, what happened today?
- 29:04He's been relieved. Listen carefully.
- 29:07There was a pause, and then a different voice came through.
- 29:10Deeper, more authoritative. Commander Snyder, this is
- 29:15Director Reeves. Our analysis confirms what
- 29:18Doctor Maldonado theorized. The dimensional instability is
- 29:23accelerating. We have approximately 12 hours
- 29:26before structural integrity of the horizon becomes compromised.
- 29:31I looked back at the shadows. 12 hours, Sir.
- 29:35That's not enough time to It's all we have, Reeves cut in.
- 29:41The longer we remain in this dimensional plane, the worse the
- 29:44degradation becomes. We're seeing temporal anomalies
- 29:48throughout the ship, instruments showing events that haven't
- 29:51happened yet, others showing things that occurred hours ago.
- 29:57I pressed my hand against the cool surface of the window.
- 30:01The shadows remained motionless, their forms vaguely humanoid,
- 30:06but with those elongated skulls and limbs that match the
- 30:09skeletal remains I'd found. Sir, I think I stopped watching
- 30:18as one of the shadows seem to shift position, moving slightly
- 30:22closer to the window. I don't think they're trying to
- 30:25attack me. Explain.
- 30:29Amy said. They had multiple opportunities
- 30:33when one touched me earlier. It was cold, but it didn't harm
- 30:37me. They could have swarmed me, but
- 30:40they herded me instead. I turned back to look at the
- 30:43family portrait I'd found earlier.
- 30:47I think they're trying to communicate.
- 30:50The silence from command stretched for several seconds.
- 30:54Evan, your priority is to return to the module.
- 30:58Reeves finally said. Whatever they are, we can't
- 31:01risk. Wait.
- 31:03I picked up the framed portrait and moved back to the window.
- 31:07I held it up so the shadows could see it.
- 31:10Look at this. The reaction was immediate.
- 31:14The shadows nearest the window pulled back, creating a small
- 31:17clearing. They didn't retreat completely,
- 31:21but their movement was deliberate.
- 31:23Did you see that? I asked.
- 31:26They responded to the image. We saw it.
- 31:30Amy confirmed. What do you think it means?
- 31:34I'm not sure yet, but I think I looked around the room at the
- 31:39various symbols etched into different surfaces.
- 31:42The circular sun like design appeared repeatedly.
- 31:47I think I might be able to communicate with them. 12 hours.
- 31:51Commander Reeves reminded me. That's all we have understood,
- 31:56Sir. I'll use the time we have.
- 32:00I spent the next several hours examining every inch of the
- 32:03house. As night fell completely, I used
- 32:07my helmet lamp to illuminate the symbols I found.
- 32:11They appeared everywhere, above doorways, on utensils carved
- 32:15into furniture. I took photos of each one,
- 32:18trying to discern patterns in what appeared to be a study or
- 32:22work area. I found what looked like writing
- 32:25implements and surfaces covered with the same symbolic language.
- 32:30Some symbols appeared more frequently than others.
- 32:33The sun like circle was clearly important, but there were
- 32:37others. A square with a line through it
- 32:40that appeared above every doorway.
- 32:42A series of connected curves that appeared on personal items.
- 32:46Scarlett, are you seeing this? I asked, directing my camera at
- 32:51a wall covered with symbols. Yes, she replied.
- 32:56The repetition suggests a phonetic or ideographic writing
- 32:59system. The symbol above the doors
- 33:02likely represents home or shelter.
- 33:06It's a universal concept. I nodded, even though she
- 33:09couldn't see me. That makes sense.
- 33:13And look at this. I pointed to a series of symbols
- 33:17next to what appeared to be a map.
- 33:21These could be directional indicators or location markers.
- 33:26I agree, Scarlett said. The fact that they use maps with
- 33:30cardinal directions suggests a similar spatial understanding to
- 33:34humans. As the alien night wore on, I
- 33:38compiled what I learned. The shadows remained outside
- 33:42their forms, visible whenever I checked the windows.
- 33:45They never left, but they never tried to enter either.
- 33:50They were waiting by morning, or what passed for morning.
- 33:55On this parallel Earth, I had formulated a strategy using
- 34:00pieces of material I found in the house.
- 34:03I created a crude representation of the 8th home symbol, but I
- 34:08modified it slightly, incorporating a simple drawing
- 34:11of Earth as we knew it. If Atticus was right about
- 34:15dimensional planes, I needed to communicate the concept of
- 34:19separate worlds Command. I'm going outside.
- 34:24I announced. Evan, that's too risky.
- 34:28Amy protested. It's our only option.
- 34:32I countered. We have, what, 6 hours left?
- 34:36I can't stay here and I can't fight my way through them.
- 34:39I need to communicate. There was a brief discussion I
- 34:43couldn't fully hear, then Reeves came back on.
- 34:48Proceed with extreme caution, Commander.
- 34:50At the first sign of hostility, retreat immediately.
- 34:55I took a deep breath and open the door.
- 34:58The shadows immediately pulled back, forming A semicircle about
- 35:0210 feet away. I held up my modified symbol,
- 35:07then slowly placed it on the ground between US1 Shadow
- 35:11figure, taller than the others, moved forward slightly.
- 35:16It seemed to examine the symbol, then retreated to its original
- 35:20position. I pointed to myself, then to the
- 35:24sky, then made a lifting motion with my hands.
- 35:29I was trying to convey that I needed to leave to go up.
- 35:34The shadows remained still. I tried again, this time using
- 35:39the sun symbol I'd seen repeatedly throughout the house.
- 35:43I drew it in the dust on the ground, then drew a line
- 35:46connecting it to my earth symbol.
- 35:49The shadows began to move, flowing around each other in
- 35:53patterns that seemed deliberate. They weren't random movements,
- 35:58they were responding. I continued, drawing more
- 36:02symbols I'd learned overnight. I created a simple diagram
- 36:07showing 2 planes with a barrier between them, trying to
- 36:10communicate the danger of dimensional crossing.
- 36:14I pointed to the shadows, then to their plane, then to myself,
- 36:18then to my plane. The tall shadow figure moved
- 36:22forward again, this time extending what appeared to be an
- 36:25arm like appendage. It hovered over my diagram, then
- 36:29made a sweeping motion across it.
- 36:32I think they understand. I said quietly.
- 36:37They know we don't belong here. The shadows began to disperse,
- 36:42moving away from me in all directions.
- 36:45They didn't vanish completely, but they cleared a path toward
- 36:49the direction of the landing module.
- 36:52They're letting me go. I reported.
- 36:55I'm heading back to the module now.
- 36:58I walked cautiously through the alien city, the shadows
- 37:02maintaining their distance but following along.
- 37:05They seem to be escorting me, making sure I left their world.
- 37:11When I reached the landing module, I turned back to face
- 37:14them one last time. The shadows had formed a loose
- 37:18circle around the area, but made no move to approach command.
- 37:24I'm at the module beginning pre launch procedures.
- 37:28Copy that Evan. Amy replied.
- 37:32The horizon is experiencing increased temporal fluctuations.
- 37:37We need to leave orbit as soon as you're aboard.
- 37:40I climbed the ladder and entered the module, sealing the Hatch
- 37:44behind me. Through the small viewport, I
- 37:48could still see the shadows waiting outside.
- 37:52They're allowing us to leave. I reported as I strapped myself
- 37:56in and began the launch sequence.
- 38:00I think they understand that our presence here is causing
- 38:03problems for both dimensions. The engines fired up and the
- 38:08module began to shake. As we lifted off, I kept my eyes
- 38:13on the viewport. The shadows were retreating,
- 38:16flowing back toward the city center.
- 38:19As we gained altitude, I could see them gathering in what
- 38:22appeared to be the central Plaza.
- 38:25They formed a massive pattern on the ground, a huge version of
- 38:29the circular sun symbol, but with a new addition that looked
- 38:33remarkably like the earth symbol I had drawn.
- 38:36They're saying goodbye, I whispered.
- 38:40The module continued its ascent, the alien city growing smaller
- 38:44below, until it disappeared from view.
- 38:47Within hours we had rejoined the horizon and broken orbit,
- 38:52leaving the parallel Earth behind.
- 38:55Six months later, I sat alone in my apartment, back on Earth, our
- 39:00Earth. The debriefings had lasted
- 39:03weeks. Every detail had been analyzed,
- 39:06every photo examined. In the end, the entire mission
- 39:10had been classified at the highest level.
- 39:13The public would never know what we had found.
- 39:16I looked out my window at the night sky, at the stars that
- 39:20might or might not hold other versions of our world.
- 39:24The burden of knowledge weighed heavily on me.
- 39:28Somewhere out there was a planet where humanity, or something
- 39:31very like it, had evolved along a parallel path, only to face
- 39:36some catastrophic end. Their consciousness lived on as
- 39:40shadows trapped between dimensions, and they had let us
- 39:45go. I picked up the small stone.
- 39:48I brought back the only physical evidence I've been allowed to
- 39:51keep on it. I had etched the symbol I'd
- 39:54created, the alien home glyph merged with Earth's continents,
- 40:00a reminder of two worlds that should never have met, but
- 40:03somehow found a way to understand each other.