Latest / DA CREW Podcast / 6-10-25 | SC BOOKGAL & FRIENDS ON DA CREW PODCAST EVERY 1ST-4TH TUESDAY 8PM EST HOSTED BY PATRICE GRIMBALL

Transcript

6-10-25 | SC BOOKGAL & FRIENDS ON DA CREW PODCAST EVERY 1ST-4TH TUESDAY 8PM EST HOSTED BY PATRICE GRIMBALL · DA CREW Podcast

• 0:00
  Speaker 1: Up, gentlemen, I have your gentlemen, I have your attention.
• 2:09
  Speaker 2: Please.
• 2:11
  Speaker 1: The show starts in night eight seven six five.
• 2:29
  Speaker 3: Hey everyone, this is your girl. See book out eight
• 2:34
  Speaker 3: four three for Trees Grimble and it is another night
• 2:42
  Speaker 3: And oh my god, I say you got hair for
• 2:48
  Speaker 3: you now tonight. It's a little special because you know
• 2:56
  Speaker 3: in the month about are dedicated to Okay, it's all
• 3:05
  Speaker 3: about the guys. You mean, you gotta take a back seat. Okay,
• 3:13
  Speaker 3: I have the honor of having author. And just in
• 3:20
  Speaker 3: the past minute he has been such a smart y'all.
• 3:26
  Speaker 3: Let him explain to you and how we had this like,
• 3:32
  Speaker 3: but it is for me you bring up, mister w
• 3:40
  Speaker 3: did so it seems like we might have a little
• 3:43
  Speaker 3: bit are.
• 3:43
  Speaker 2: You there, Yes, I'm here.
• 3:47
  Speaker 3: Hey mister one, how are you all right?
• 3:50
  Speaker 2: Everythings for having me?
• 3:52
  Speaker 3: Thank you for being here. So how about you tell
• 3:57
  Speaker 3: us a little bit about yourself?
• 4:01
  Speaker 2: M hmm. Either of least five urban fiction books. I've
• 4:09
  Speaker 2: started writing urban fiction at the age of twelve. My
• 4:16
  Speaker 2: My favorite urban fiction writer is Quan He goes by
• 4:21
  Speaker 2: Quan Foer and uh he inspired me to uh read
• 4:27
  Speaker 2: and write urban fiction. And I also like.
• 4:34
  Speaker 4: What's their author's name, Donald Goyns.
• 4:38
  Speaker 2: The godfather of urban fiction. I love Donald goys Man.
• 4:48
  Speaker 2: That was at He was a great He was great. Hea,
• 4:54
  Speaker 2: he was great.
• 4:55
  Speaker 3: It's crazy because I didn't read Donald going so about
• 4:59
  Speaker 3: I want to say, five ten years ago, and when
• 5:03
  Speaker 3: I read out, I see why people in hide in
• 5:06
  Speaker 3: this book.
• 5:06
  Speaker 2: You know what I'm saying.
• 5:08
  Speaker 3: I was like, oh my god, Kwan what you know
• 5:12
  Speaker 3: about Kwan?
• 5:16
  Speaker 4: Sid the chance to speak to him on Facebook one time?
• 5:20
  Speaker 2: Yo? I almost went eighth ship yo for really, Oh
• 5:24
  Speaker 2: my god.
• 5:28
  Speaker 3: So why urban lit? Mister Waan, Well you want to
• 5:33
  Speaker 3: start to write urban litt?
• 5:35
  Speaker 2: Well, okay, in no way, shape or form am.
• 5:41
  Speaker 4: I uh, you know, in and into.
• 5:44
  Speaker 2: The streets like that, you know I'm disabled and all
• 5:48
  Speaker 2: that and show it ain't no way in hell. I
• 5:50
  Speaker 2: don't want to be in the streets. But I love loved.
• 5:57
  Speaker 4: Gangster movies like Cardinos, Waves, Scarface, State Property, all that stuff.
• 6:06
  Speaker 4: So when I got into Corn, when I got into
• 6:08
  Speaker 4: Quan's books when I was in high school, I said,
• 6:12
  Speaker 4: you know what, no distruct Quan, But I could do
• 6:16
  Speaker 4: something a lot better the Quan.
• 6:19
  Speaker 2: No distruction him. But that's what I thought at the time.
• 6:24
  Speaker 3: Now, okay, so answer your questions. All subjects stay property
• 6:30
  Speaker 3: one or stay property.
• 6:31
  Speaker 2: To stay property too.
• 6:36
  Speaker 3: No, I couldn't get into two.
• 6:40
  Speaker 4: No, No, the reason why I I make two You're
• 6:43
  Speaker 4: gonna laugh. You're gonna laugh about this. When Benie Seguel
• 6:49
  Speaker 4: is discussing something about a Puerto Rican gang member and
• 6:55
  Speaker 4: I'm Puerto Rican right away, and he says, he says,
• 6:58
  Speaker 4: today this is associate. I don't like the way that
• 7:03
  Speaker 4: gual Iguala looks at me.
• 7:06
  Speaker 3: Bout the whole movie. That's all he kept those Oh
• 7:13
  Speaker 3: my goodness to me, and you're gonna have to hang
• 7:15
  Speaker 3: out one day.
• 7:16
  Speaker 2: That's hog every.
• 7:20
  Speaker 4: Time when you mentioned the Puerto Ricans, it was the gualagualas.
• 7:27
  Speaker 3: Snow, I understand that does that writing.
• 7:38
  Speaker 2: Yes and no?
• 7:38
  Speaker 4: Because I can't type fenst so I type of stick's finger, okay.
• 7:46
  Speaker 2: With my right index finger.
• 7:48
  Speaker 4: Nowadays, I usually write on my phone because I have
• 7:53
  Speaker 4: the Google app Docs and it makes it a lot
• 7:57
  Speaker 4: easier to just run on my phone and take it
• 8:00
  Speaker 4: with me everywhere I go.
• 8:03
  Speaker 3: Oh my goodness, now look at Google Topic. They're trying
• 8:06
  Speaker 3: to do some work. Okay, you can see that into
• 8:13
  Speaker 3: that it seemed to tape longer. When you're using that process,
• 8:18
  Speaker 3: it's just you're just barren away through it.
• 8:22
  Speaker 4: Okay, this is weird because it's a blessing to me
• 8:26
  Speaker 4: because sends all write one one finger my thoughts that
• 8:31
  Speaker 4: I can process my thoughts a lot more clearer.
• 8:36
  Speaker 2: Oh god, that might sound odd.
• 8:42
  Speaker 3: That is crazy. Oh my goodness. Okay, but I can
• 8:49
  Speaker 3: see because you're not using I can see how it's happening,
• 8:56
  Speaker 3: and everything is zoned into I can see it. You
• 9:00
  Speaker 3: see it, I see it. So where do you get
• 9:05
  Speaker 3: your inspiration from when you're writing your books? Is this
• 9:09
  Speaker 3: like every day or you're looking at a situation television? Like,
• 9:15
  Speaker 3: where are you getting your thought and ideas for your books?
• 9:19
  Speaker 2: Well?
• 9:19
  Speaker 4: I usually have a vivid and kind of nasty imagination.
• 9:26
  Speaker 4: And by nasty, you know, I mean I'm a guy.
• 9:31
  Speaker 4: So you know, take that as you will open. You know,
• 9:37
  Speaker 4: I do have a vivid imagination. And I'll tell you
• 9:43
  Speaker 4: one thing. I use my disability as an inspiration to
• 9:50
  Speaker 4: one of my stories. It's called The Sense of the Father,
• 9:54
  Speaker 4: and it's about a man who's son they went to
• 10:02
  Speaker 4: do a hit on his family and he has an
• 10:08
  Speaker 4: infant son, and the people that we're gonna do a hit.
• 10:13
  Speaker 2: They accidentally shoot his baby boy, and his baby boy
• 10:18
  Speaker 2: has aborted in his head. So his baby boy hass
• 10:24
  Speaker 2: surreal posy like me.
• 10:27
  Speaker 4: So seventeen years later, the son who's in a wheelchair,
• 10:36
  Speaker 4: he gets involved with this group of people and they
• 10:42
  Speaker 4: want to sell drugs within the school but they can't
• 10:47
  Speaker 4: because they got medal metal detectives. Now, when you're disabled,
• 10:52
  Speaker 4: you could bypass those metal detectives. So they use him
• 10:57
  Speaker 4: to transport drugs within the school system.
• 11:02
  Speaker 3: Oh and that just pops in my mind when you said,
• 11:06
  Speaker 3: and what's the test of that book?
• 11:09
  Speaker 2: Well, it's a short story.
• 11:13
  Speaker 4: It's called Well at first it was published as Little Man.
• 11:18
  Speaker 2: It's published under.
• 11:22
  Speaker 4: This short story compilation called west Side Wilmington Chronicles.
• 11:30
  Speaker 3: Okay, I'm gonna have to get that from you because
• 11:34
  Speaker 3: that's creative, that's mad right there. So you're gonna have
• 11:39
  Speaker 3: to end the box me on how I can get
• 11:41
  Speaker 3: that right there?
• 11:43
  Speaker 2: That Tom Amazon, you know.
• 11:45
  Speaker 3: The Yeah, Okay, so I see the book. Is it
• 11:51
  Speaker 3: in the one that says the West Wild, the Wild West?
• 11:56
  Speaker 2: No?
• 11:56
  Speaker 4: No, No, it's not that one is it's it's in
• 11:59
  Speaker 4: the this is our west Side Womanton crunch.
• 12:05
  Speaker 3: Well, y'all know, I write down the book in a heartbeat.
• 12:08
  Speaker 3: Y'all already know.
• 12:09
  Speaker 2: So, y'all, I hope y'all have.
• 12:10
  Speaker 3: The opportunitensils too, in patent and writing down the title.
• 12:15
  Speaker 3: If not, catch to replay, catch to replay. So how
• 12:23
  Speaker 3: do you feel about being a male author in the
• 12:28
  Speaker 3: urban lit scene? Because I'm seeing that the urban lit
• 12:33
  Speaker 3: scene is now becoming a female dominated genre. So how
• 12:38
  Speaker 3: do you feel as being a male author, and if
• 12:42
  Speaker 3: we could take it even a step further, an author
• 12:45
  Speaker 3: with a disability?
• 12:48
  Speaker 2: Okay, that's that's a great question.
• 12:50
  Speaker 4: Well, I feel that man have a lot to offer
• 12:56
  Speaker 4: within the genre all, especially men who unlike me, have experienced,
• 13:05
  Speaker 4: you know, the stuff that they write about, you know, but.
• 13:09
  Speaker 2: You know, I suffice it to say.
• 13:15
  Speaker 4: I like the females writers better than the male writers
• 13:21
  Speaker 4: because the females, they go, they really get into their
• 13:25
  Speaker 4: feelings when they write their urban fiction, They really really get.
• 13:29
  Speaker 2: Into their feelings. And so the reason why I like
• 13:33
  Speaker 2: that is because.
• 13:36
  Speaker 4: As a man, I learned more about women through these books.
• 13:41
  Speaker 4: You feel me mm hmm. I know it's I know
• 13:47
  Speaker 4: it sounds corny, but that's how I feel it.
• 13:52
  Speaker 3: Doesn't sound makes plenty of sense. It makes plenty of sense.
• 13:57
  Speaker 3: So again, how how does have a help with your
• 14:09
  Speaker 3: story lines? Because a lot of people when they do
• 14:14
  Speaker 3: erman lit, they're like, literally, it's a world of fantasy.
• 14:21
  Speaker 3: For about thirty to forty percent of the office, none
• 14:27
  Speaker 3: of them have ever done anything like that before.
• 14:30
  Speaker 2: Yeah, I like myself. Yeah, but they.
• 14:34
  Speaker 3: Seem to be the most authentic with it. So I
• 14:39
  Speaker 3: mean authentic as in, wow, I can literally see this happens.
• 14:45
  Speaker 3: So how does that work with you?
• 14:49
  Speaker 2: Well, we work for me.
• 14:51
  Speaker 4: And it's weird because I hardly write about disabled people.
• 14:56
  Speaker 4: That one story that I told you about the only
• 14:59
  Speaker 4: time that I write about that, I wrote about the
• 15:01
  Speaker 4: same people I see when people see me in face
• 15:05
  Speaker 4: and face.
• 15:05
  Speaker 2: They were like, nigga, you wrote this. Excuse my friend? Yeah,
• 15:12
  Speaker 2: I wrote that.
• 15:13
  Speaker 4: Yeah, and get this right, since I read a lot
• 15:17
  Speaker 4: of women authors, you know, I tend to write like
• 15:23
  Speaker 4: women authors, and people think I'm a woman when they
• 15:26
  Speaker 4: read my books.
• 15:29
  Speaker 2: So how do.
• 15:29
  Speaker 3: You, I mean, how do you respond to that?
• 15:33
  Speaker 4: I don't know, but I had this one reader hitting
• 15:38
  Speaker 4: on me heart. I said, dude, no respect, I'm not gay.
• 15:44
  Speaker 4: You know, I'm a man. He said proven. I was like, dude,
• 15:50
  Speaker 4: I ain't showing you no tickticus, you know, oh.
• 15:54
  Speaker 3: God, okay, okay, yeah, So why do they feel like
• 16:01
  Speaker 3: you're a female when you're writing? Like, I never knew
• 16:05
  Speaker 3: there was a way that a female writes from what
• 16:08
  Speaker 3: a man writes. I'm having to start paying attention to
• 16:11
  Speaker 3: that when I read. But why did they feel like
• 16:13
  Speaker 3: you're a female writer?
• 16:15
  Speaker 2: And okay? Within our infection? Women writers, you know, they tend.
• 16:25
  Speaker 4: To be more descriptive than when it comes to the
• 16:30
  Speaker 4: emotional part.
• 16:33
  Speaker 3: You know, you're right, you're right.
• 16:40
  Speaker 4: That's why I love reading women writers. They have great description, girl,
• 16:48
  Speaker 4: I especially when it comes to the section oh.
• 16:51
  Speaker 3: No, yeah, okay. So it looks like you're a big
• 16:58
  Speaker 3: fan of erotica. Who is your favorite author in that genre?
• 17:04
  Speaker 2: Crystal Davis? I have never heard you. Oh that's my homegirl.
• 17:12
  Speaker 4: Let me just find one of her books.
• 17:16
  Speaker 2: Hold on there, you hand me one of.
• 17:18
  Speaker 5: The uh the book uh with the with the girl
• 17:23
  Speaker 5: on the cover, I mean, not with the girl with
• 17:26
  Speaker 5: the dude on the cover, the blue book.
• 17:33
  Speaker 3: He sounds like one of my tatters. To come in
• 17:34
  Speaker 3: the library, they always say, you got that blue book
• 17:37
  Speaker 3: with the girl on the coming and y'all should see
• 17:39
  Speaker 3: the look I give, like, huh what blue book? The
• 17:42
  Speaker 3: girl will be coming?
• 17:47
  Speaker 4: So my favorite a lot of writer is Crystal Davis.
• 17:54
  Speaker 4: You know, uh, she's fairly new. She color writes with
• 18:00
  Speaker 4: this guy named r Hoxton and a fuck Millionaire's weakness
• 18:09
  Speaker 4: and delicious Roman great book.
• 18:15
  Speaker 3: Okay, m FuG.
• 18:19
  Speaker 2: Millionaires weakness.
• 18:24
  Speaker 3: Okay, I don't know why y'all acting like y'all at
• 18:29
  Speaker 3: gonna see me right this name? Y'all know me if
• 18:33
  Speaker 3: y'all can no only know how many nobles I have
• 18:36
  Speaker 3: full of books to be read, like it's crazy. So
• 18:43
  Speaker 3: let's talk about author. If you can co write a
• 18:47
  Speaker 3: book with an author, who would it be and why?
• 18:51
  Speaker 2: Who would have been?
• 18:52
  Speaker 1: Why?
• 18:54
  Speaker 2: Mm hmm?
• 18:57
  Speaker 4: I think I had to go with my homegirl, Crystal
• 19:01
  Speaker 4: Davis because, okay, man, her.
• 19:04
  Speaker 2: Writing style is too deep and right.
• 19:08
  Speaker 3: I want to be a part of day, you know
• 19:10
  Speaker 3: what I mean? Okay, Okay, So Davis for a female author,
• 19:17
  Speaker 3: what about a male author? Who would it be?
• 19:23
  Speaker 2: Jack Quavis? Oh?
• 19:29
  Speaker 3: Why I catch you? That's that's that's one of the
• 19:35
  Speaker 3: most popular ones that are out here. Now, why do
• 19:38
  Speaker 3: you choose him?
• 19:40
  Speaker 2: Because? Okay, there's a difference between urn writer an urn
• 19:48
  Speaker 2: writer that goes into the round of literature. What I
• 19:54
  Speaker 2: mean is that, you know, an urban writer, just tell
• 20:00
  Speaker 2: the story.
• 20:01
  Speaker 4: Okay, this cat that Quavis Coleman, he turned it into poetry.
• 20:08
  Speaker 4: He is literally the James Bard when urban fiction. Oh yes, ma'am, Yes, ma'am.
• 20:23
  Speaker 4: That's how powerful he is.
• 20:26
  Speaker 3: Well, you know what I would be. He has has
• 20:31
  Speaker 3: to be mean. We can't keep his books on the
• 20:35
  Speaker 3: shelf him for.
• 20:37
  Speaker 6: His wife keep and you could tell, you could tell,
• 20:45
  Speaker 6: and I'm not trying to be snooty, but you could
• 20:48
  Speaker 6: tell when an norther fiction writer is educated and when he.
• 20:57
  Speaker 4: Or she's not educated by the words and the ever
• 21:00
  Speaker 4: since they used like you know with Don Quavis, you
• 21:07
  Speaker 4: know it's no conscious This man should be studying in school,
• 21:13
  Speaker 4: you feeling. That's how that's how good?
• 21:17
  Speaker 3: Okay, okay. And I can see because there was once
• 21:26
  Speaker 3: all of them going on. There were colleges that would
• 21:29
  Speaker 3: have a class. This is just about and lived for
• 21:33
  Speaker 3: what they call street and that's the Streetlet the first
• 21:37
  Speaker 3: came out. Because when Streetlet first came out, teams like
• 21:41
  Speaker 3: a rushing win because you had triple crown. You had.
• 21:47
  Speaker 3: Then you had the day theories, you had the blue teens,
• 21:54
  Speaker 3: and when teams, when n came, eight came rushing. Okay,
• 22:00
  Speaker 3: and now urban is I should say a common genre,
• 22:04
  Speaker 3: but it's not a fastinction. It was so a lot
• 22:10
  Speaker 3: of people they don't have a class.
• 22:13
  Speaker 2: But get me wrong.
• 22:14
  Speaker 3: There are plenty of professors, plenty of psychologists that have
• 22:20
  Speaker 3: that one class that is dedicated to frequent so I
• 22:26
  Speaker 3: might want to find one. But yes, there, So tell
• 22:32
  Speaker 3: us a little bit about the West Side Stories from
• 22:35
  Speaker 3: West Side. Tell us a little bit.
• 22:37
  Speaker 2: About that book. Well, the reason why it's called.
• 22:45
  Speaker 4: Wild West Story of the West Side Woman's and this
• 22:48
  Speaker 4: because I grew up in that city and it is
• 22:54
  Speaker 4: considered a ghetto where it's mostly African American, you know, primarily.
• 23:03
  Speaker 2: Because I'm Puerto Rican. You know, my main characters are
• 23:07
  Speaker 2: Puerto Rican, but they they're mostly Puerto Rican and black.
• 23:14
  Speaker 4: Right, So I hardly ever have white people, no offense,
• 23:20
  Speaker 4: I don't have white people in my stories because that's
• 23:24
  Speaker 4: not what I saw growing up. I already saw white.
• 23:27
  Speaker 2: People when I went to school, Okay, and on TV. Right, So.
• 23:42
  Speaker 4: I have this character named Samuel Orteya who's a hit man,
• 23:47
  Speaker 4: and I write stories about him, and he has Okay,
• 23:53
  Speaker 4: this dude is very dark, but he's also very sensitive
• 23:57
  Speaker 4: because he has He has his great.
• 24:00
  Speaker 2: Though named Sheila, and he would he will go through
• 24:06
  Speaker 2: heaven and earth too, you know, make sure she's okay.
• 24:13
  Speaker 4: And so.
• 24:16
  Speaker 2: I have.
• 24:20
  Speaker 4: I put little hidden messages in my stories starting with
• 24:28
  Speaker 4: the names.
• 24:29
  Speaker 2: Like Sheila is. You know, it means heavenly sanctuary in
• 24:35
  Speaker 2: the Hebrew. So he goes to her or whenever he
• 24:40
  Speaker 2: needs his dog taken care of, whether it's sexually or otherwise.
• 24:47
  Speaker 2: You feel me, That's why her name is.
• 24:53
  Speaker 3: What mean to come in with that crazy ideas.
• 25:02
  Speaker 4: I am an avid reader and I read a lot
• 25:05
  Speaker 4: of Ernest Heavenway as well.
• 25:09
  Speaker 2: And he he has.
• 25:11
  Speaker 4: What you called the Iceberg theory. And I say, you
• 25:14
  Speaker 4: know what, I'm putting them on books and see if
• 25:17
  Speaker 4: people uh figure out.
• 25:21
  Speaker 2: See, Sayla, she lives in the house that was converted
• 25:27
  Speaker 2: that was once a church.
• 25:29
  Speaker 4: Okay, So since her name symbolizes heavenly sanctuary, it's only
• 25:35
  Speaker 4: right that she.
• 25:36
  Speaker 2: Lives in the church.
• 25:39
  Speaker 4: And Sammy and Sammy I came up with his name
• 25:45
  Speaker 4: because the sin of sam and in our society if
• 25:50
  Speaker 4: you look at the centers. Damn, that has evil connotations.
• 25:54
  Speaker 4: So in part is like you know what I mean?
• 26:01
  Speaker 3: So you you put some thought thought behind these?
• 26:07
  Speaker 2: Yeah yeah, well you really so so, and so it's
• 26:16
  Speaker 2: all in the book.
• 26:17
  Speaker 4: Like I tried to keep it a secret, but some
• 26:20
  Speaker 4: people figured out figured that ship out real quick.
• 26:24
  Speaker 3: Oh wow, since you so much starting to your characters.
• 26:32
  Speaker 3: We have this thing on the show where we have
• 26:35
  Speaker 3: our fund. I never tell my objects about the because
• 26:41
  Speaker 3: these are the ones that are gonna make you think.
• 26:44
  Speaker 3: So your part Samuel, if he can be any hip
• 26:50
  Speaker 3: hop artist, who would he be? And why did you
• 26:55
  Speaker 3: chose that? Now? I'm gonna tell you who I'm thinking
• 26:58
  Speaker 3: and I'm stopping my head.
• 27:01
  Speaker 2: I'm thinking d m X ever now, because my character Sammy, he.
• 27:12
  Speaker 4: You know, he's very introspective and he.
• 27:18
  Speaker 2: He loves to read. The character sam he loves to read.
• 27:22
  Speaker 2: He's very educated. He writes poetry and don't see that
• 27:28
  Speaker 2: in the new book. Well, actually it's my poetry. But
• 27:33
  Speaker 2: you know, my character Sammy writes poetry and he's he's
• 27:39
  Speaker 2: very educated. You know, he's good.
• 27:44
  Speaker 3: So who would you choose as a hip hop art
• 27:50
  Speaker 3: making a movie about your book? What would you choose?
• 27:54
  Speaker 3: Hip hop art play.
• 27:58
  Speaker 4: Well, okay, because Sammy, because my books. Okay, here's one thing.
• 28:04
  Speaker 4: I don't mean to get off topic. My books take
• 28:09
  Speaker 4: My books take place in the seventies, eighties, and nineties.
• 28:13
  Speaker 4: This book Sammy takes place in the nineties, and I
• 28:20
  Speaker 4: would choose.
• 28:22
  Speaker 2: Nodge to play Sammy.
• 28:26
  Speaker 7: Na everybody lately, Na, this is a deep dude.
• 28:38
  Speaker 4: I don't mean to be too deep, like, but I've
• 28:41
  Speaker 4: been through some stuff, like because of my disability, I
• 28:45
  Speaker 4: had to educate myself, and so I educated myself. I
• 28:51
  Speaker 4: read a lot because I didn't want people to see
• 28:54
  Speaker 4: me as to say, so I had to read a lot.
• 28:58
  Speaker 2: And then when I.
• 28:59
  Speaker 4: Express my myself, I expressed myself in a different way.
• 29:03
  Speaker 2: And how we start. Maybe if I, you know, maybe.
• 29:05
  Speaker 4: If I educate myself, maybe if you won't see my disability.
• 29:12
  Speaker 3: You know what. I love that I can see that.
• 29:15
  Speaker 3: I love that. Let's go to direct who would play Shale?
• 29:25
  Speaker 2: Oh my god, I gotta tell you.
• 29:27
  Speaker 4: So that's hard. That's part because Sheila is an amalgamation
• 29:35
  Speaker 4: of all the females I've dated. And forget me for
• 29:39
  Speaker 4: saying female because I know that's a have fun issue,
• 29:43
  Speaker 4: but it's not She's.
• 29:44
  Speaker 2: An amalgamation of all the women I dated. And it's
• 29:51
  Speaker 2: kind of hard, you know.
• 29:55
  Speaker 4: Now, it's kind of hard because it's it's weird because
• 30:00
  Speaker 4: I don't want to say Jennifer Lopez because that'd be
• 30:03
  Speaker 4: the first person that cast pick.
• 30:06
  Speaker 2: But because she's a little Tina. And man, this is hard,
• 30:14
  Speaker 2: this is.
• 30:15
  Speaker 3: Very That's why I don't give you questions.
• 30:24
  Speaker 2: No I don't.
• 30:27
  Speaker 3: We'll take Jennifer Lopez because she's Latina, But would you
• 30:31
  Speaker 3: want to mix it with somebody else?
• 30:34
  Speaker 4: I Knowah, it's the girl that came out in uh
• 30:38
  Speaker 4: fighting with Stanton Tatum, the little Fantaship.
• 30:45
  Speaker 2: Oh, I'm looking at it, looking at it. Oh, the
• 30:50
  Speaker 2: girl that came out in the field of the Noise
• 30:52
  Speaker 2: with the Mario.
• 30:56
  Speaker 3: You guys, I can't remember the thing.
• 31:00
  Speaker 2: Now.
• 31:01
  Speaker 4: She don't come she don't come out no more. She
• 31:05
  Speaker 4: was bang like the early two thousand.
• 31:13
  Speaker 3: I'm looking right at it. I'm looking at it when
• 31:17
  Speaker 3: I find the need my Facebook page and y'all be like.
• 31:20
  Speaker 4: Oh yeah, so before we close out, how can we
• 31:26
  Speaker 4: follow you?
• 31:28
  Speaker 2: Looks?
• 31:29
  Speaker 3: What can we look forward from?
• 31:31
  Speaker 2: You? Go ahead?
• 31:34
  Speaker 4: Man, Well you could follow me at and I get
• 31:38
  Speaker 4: one CDs three five and you know that's my ID
• 31:46
  Speaker 4: and my Facebook one DS but that would be kind
• 31:54
  Speaker 4: of hard because my name is like a smith in
• 31:56
  Speaker 4: the Spanish community.
• 31:58
  Speaker 2: So it is true and true.
• 32:05
  Speaker 4: On my Twitter, my Twitter tears of War. Did I
• 32:14
  Speaker 4: need to tell you what what I'm doing currently?
• 32:18
  Speaker 2: I'm writing a.
• 32:21
  Speaker 4: Because people always ask me what was she doing while
• 32:26
  Speaker 4: Sammy was in prison.
• 32:28
  Speaker 2: For twenty seven years?
• 32:30
  Speaker 4: So I didn't know at the time, but now I know.
• 32:35
  Speaker 4: So that's because that's going down, Okay, you know it's
• 32:41
  Speaker 4: it's a book Tator the Glaring, which the Glaring is
• 32:45
  Speaker 4: a group of cats.
• 32:47
  Speaker 2: So she was a group of women that were cat records. Okay,
• 32:53
  Speaker 2: they did some crazy ship and that they wrote Kawahsaki's
• 32:58
  Speaker 2: and everything.
• 32:58
  Speaker 4: Man, I think these chicks were rufeless, hardless chicks. And
• 33:04
  Speaker 4: it's called the Glaring. Look out for that.
• 33:07
  Speaker 3: And when are you going?
• 33:10
  Speaker 2: One? Twenty people twenty twenty six.
• 33:17
  Speaker 4: It's the story of Sailor and her group called the
• 33:21
  Speaker 4: Glary because see people say, readers say, well, she was
• 33:26
  Speaker 4: too submissed, Okay, but nah, man, like you didn't know
• 33:31
  Speaker 4: how you didn't know what she had to go through
• 33:34
  Speaker 4: when he was in prison for twenty seven years.
• 33:39
  Speaker 3: Well, there you have it. We've got a new coming
• 33:41
  Speaker 3: out twenty twenty. Y'all can go grab the woe out
• 33:46
  Speaker 3: well in his other books that are son and.
• 33:51
  Speaker 2: I appreciate you me tonight, Thank you, I appreciate.
• 34:00
  Speaker 3: Thank you, guys. You know I only this is another
• 34:04
  Speaker 3: place that you go ahead and that to be read.
• 34:08
  Speaker 3: I know I'm making that list long. I guess what
• 34:12
  Speaker 3: something coming out with you guys. Check my face tomorrow. Okay,
• 34:18
  Speaker 3: it's gonna be our summer reading check. Okay, check it out.
• 34:28
  Speaker 3: I have some that you might need to grab. My
• 34:32
  Speaker 3: mind has to do about this. Okay, thank you again,
• 34:36
  Speaker 3: mister for being with us tonight and giving me this
• 34:40
  Speaker 3: wonderful honor interviewing you.
• 34:44
  Speaker 2: Okay, thank you, thank you, little pleasure.
• 34:49
  Speaker 3: Well you guys, it's another Tuesday night. Catch me next
• 34:53
  Speaker 3: week Tuesday. I think you guys, we're gonna interrupts following,
• 34:58
  Speaker 3: but bring out the music. You might just talk about
• 35:03
  Speaker 3: me next today. Remember he dies. Nobody is an old
• 35:09
  Speaker 3: because not everybody has read everything.
• 35:11
  Speaker 8: Good night everyone, So yeah, I was fun.
• 35:32
  Speaker 2: Hello,