Latest / Frightmares / Ep. 148 - Feardotcom (2002)

Transcript

Ep. 148 - Feardotcom (2002) · Frightmares

• 0:43
  Speaker 1: Okay, let's try that again. I meant to turn the
• 0:47
  Speaker 1: music down and not just record. I just yeah, So
• 0:52
  Speaker 1: let's try that again. What were we talking about? Ice
• 0:57
  Speaker 1: cold refreshing Coca Cola zero us A sponsorship?
• 1:02
  Speaker 2: One day we were talking about how expensive trying to
• 1:08
  Speaker 2: decorate your front yard for Halloween?
• 1:10
  Speaker 1: My front yard. It's our front yard in a general way,
• 1:15
  Speaker 1: in a general census. Yeah, it's expensive.
• 1:18
  Speaker 2: So especially when you're not willing to use the damn
• 1:20
  Speaker 2: animatronic you have.
• 1:23
  Speaker 1: Oh him, you're talking about him. We have a skeleton
• 1:28
  Speaker 1: for hous That's why I was like, no, I don't know,
• 1:30
  Speaker 1: Like we have a skeleton.
• 1:31
  Speaker 2: Yeah, we already have one for outside.
• 1:33
  Speaker 1: I don't want to put him outside. I don't want
• 1:35
  Speaker 1: him to get faded by the sun. That's that Sam
• 1:38
  Speaker 1: stays here. He lives here. To put Chuckie and Tiffany outside.
• 1:43
  Speaker 2: Yeah, those will just be obliterated. We live Florida, for
• 1:46
  Speaker 2: God's sake. What do you do it?
• 1:47
  Speaker 1: Yeah, we'll do that. No, I don't know. We'll figure
• 1:49
  Speaker 1: it out. We got to figure it out soon because
• 1:51
  Speaker 1: the whole neighborhood is counting on us.
• 1:53
  Speaker 2: Yeah, we can't let them down.
• 1:55
  Speaker 1: Everyone was so excited last year.
• 1:57
  Speaker 2: So we set the bar too high.
• 2:00
  Speaker 1: We really did. We said it way too high. And
• 2:02
  Speaker 1: then for Christmas, I was like, I'm kind of phoning
• 2:04
  Speaker 1: this said.
• 2:06
  Speaker 2: I mean, it's still a cute for Christmas, but I
• 2:08
  Speaker 2: think if we wanted to do something like Friday the thirteenth,
• 2:12
  Speaker 2: we'd have to get a lot of those like shut up,
• 2:15
  Speaker 2: I'm talking loud enough.
• 2:16
  Speaker 1: I can't hear you.
• 2:17
  Speaker 2: I am talking plenty loud. There you go, like me
• 2:20
  Speaker 2: to get louder, I'll get yelled.
• 2:21
  Speaker 1: I'm getting Oh my god, I'm just trying to have
• 2:24
  Speaker 1: fun with you. Calm down, Spaths, go ahead.
• 2:29
  Speaker 2: Anyway, if you want to do Friday the thirteenth, that's
• 2:31
  Speaker 2: going to require a lot of extra work on our
• 2:34
  Speaker 2: part and a lot of decorations we do not own.
• 2:37
  Speaker 1: Just get a tent and a campfire and a canoe and
• 2:39
  Speaker 1: throw it on the front yard. Done.
• 2:40
  Speaker 2: I've done that, And I can tell you right now,
• 2:44
  Speaker 2: just with the decorations that I have like pulled off
• 2:48
  Speaker 2: Amazon to make that shit happen, it wasn't cheap because
• 2:53
  Speaker 2: let me see, boo, let me go through this Halloween
• 2:57
  Speaker 2: decur we.
• 2:57
  Speaker 1: Canna take forever.
• 2:58
  Speaker 2: H We were looking at around like one hundred bucks
• 3:04
  Speaker 2: so far, and that's just for like a tent and
• 3:06
  Speaker 2: some fire and some lantern.
• 3:08
  Speaker 1: They sell fire on Amazon.
• 3:10
  Speaker 2: They sell little inflatable fires that that would be fun. Yeah,
• 3:15
  Speaker 2: So that kind of stuff, you're talking like one hundred bucks.
• 3:17
  Speaker 2: And to get like a yard sign that says Camp
• 3:19
  Speaker 2: Crystal Lake on it, that kind of thing.
• 3:22
  Speaker 1: It's only one hundred dollars something like. That's not expensive
• 3:25
  Speaker 1: at all.
• 3:26
  Speaker 2: Yeah, and then you've got to like add to it,
• 3:29
  Speaker 2: make it look more cabiny.
• 3:31
  Speaker 1: Make it look more cabiny, yeah, cabiny. Well, the good
• 3:35
  Speaker 1: news is this year is we have a fence that
• 3:37
  Speaker 1: we can project things onto and string lights around. So
• 3:40
  Speaker 1: that's cool, yeah, I know, yeah, because if it's really
• 3:43
  Speaker 1: hard to project use those projector things on our dark
• 3:46
  Speaker 1: blue walls, it's very hard to see things. So now
• 3:49
  Speaker 1: that we have a stupid beige fence, because the HOA
• 3:52
  Speaker 1: is like just to be beige, at least you could
• 3:55
  Speaker 1: see something on that. So same thing for Christmas. But yes,
• 4:00
  Speaker 1: episode number are we on over there? Welcome to episode
• 4:05
  Speaker 1: of Fremares. I'm your host, Austin Proctor, and that is
• 4:08
  Speaker 1: your other house. Gabrielle Procter. Hello, so excited. No one
• 4:12
  Speaker 1: ever has the enthusiasm except for Corey. He brings it
• 4:15
  Speaker 1: every time with his haos, what do you want me
• 4:17
  Speaker 1: to do?
• 4:17
  Speaker 2: Talk like a game show host.
• 4:20
  Speaker 1: Gabrielle Proctor, Come on down, you're on the price is right?
• 4:27
  Speaker 1: What are you supposed to do? No? Just don't know. No, no, no,
• 4:31
  Speaker 1: like away from the mic, if you're gonna do it? Wow,
• 4:34
  Speaker 1: that was directly into the mic.
• 4:37
  Speaker 2: Happened. You had to turn your head into the mic.
• 4:41
  Speaker 1: No, no, We're doing a fun movie. Today was such
• 4:46
  Speaker 1: a good time to watch can't wait to Talk.
• 4:48
  Speaker 2: I'm picking some films this week, which is funny because
• 4:52
  Speaker 2: so we've been doing a thing lately. Someone's particular about
• 4:55
  Speaker 2: the films that I pick, So I've put every film
• 4:59
  Speaker 2: I line on a watch list, so he has to
• 5:02
  Speaker 2: pick from my films. But it's kind of like a
• 5:05
  Speaker 2: game because if he chooses all the shorter movies out
• 5:08
  Speaker 2: of time, now he has to watch all the long
• 5:10
  Speaker 2: one to be picked, all the scary ones first. Well,
• 5:12
  Speaker 2: now he's left with all the rom coms. Like for him,
• 5:15
  Speaker 2: it's got to decide the balance. And he's been enjoying
• 5:20
  Speaker 2: my pick Matilda. This week. It's my pick from my list. Yeah, yeah,
• 5:27
  Speaker 2: so it's my pick.
• 5:28
  Speaker 1: It's still pick.
• 5:29
  Speaker 2: They're all my pick first if they're coming off my list.
• 5:32
  Speaker 1: Hey, I've seen Matilda like plenty of times as a kid.
• 5:35
  Speaker 1: It's just been a while.
• 5:36
  Speaker 2: And then he put us through the film we're talking
• 5:39
  Speaker 2: about today, which I mean we did agree to watch
• 5:41
  Speaker 2: because yeah, I'm gonna subject him to something worse soon.
• 5:45
  Speaker 2: So uh, and the ratings are.
• 5:47
  Speaker 1: In on that it's only fair. Yeah, and then uh,
• 5:52
  Speaker 1: that's for our double feature episode coming up.
• 5:54
  Speaker 2: And then we watched a film that was it's supposed
• 5:57
  Speaker 2: to be a cult classic and both let both of
• 5:59
  Speaker 2: us going.
• 6:00
  Speaker 1: Huh, yeah, that was kind of disappointing. Yeah, and that
• 6:04
  Speaker 1: movie is called Bubba Hotep. It had every recipe, all
• 6:07
  Speaker 1: the ingredients for a great recipe. You've got Bruce Campbell,
• 6:10
  Speaker 1: you got him playing Elvis, and it's got a three
• 6:12
  Speaker 1: point three on letterbox. I mean that's three. And then
• 6:15
  Speaker 1: but I was just like that was kind of boring.
• 6:18
  Speaker 1: I don't know if I watched a different version.
• 6:20
  Speaker 2: I don't know, I was falling asleep.
• 6:22
  Speaker 1: I used that joke a lot, of course, I know
• 6:23
  Speaker 1: I didn't watch a different version. It's just a stupid
• 6:25
  Speaker 1: joke I make. But yeah, I was not laughing at it.
• 6:29
  Speaker 1: I didn't really get it. But everyone revers that movie,
• 6:33
  Speaker 1: and I'm like, well, not okay, not everyone, but like
• 6:35
  Speaker 1: a lot of the reviews I was reading, I'm just like,
• 6:38
  Speaker 1: I don't I don't get it.
• 6:39
  Speaker 2: Yeah, for me, I love Bruce Campbell. There isn't anything
• 6:46
  Speaker 2: besides this that I've watched that I haven't liked him in.
• 6:49
  Speaker 2: And then I was watching this and I was like,
• 6:52
  Speaker 2: there's a lot of weird jokes in relation. There's a
• 6:55
  Speaker 2: lot of dick jokes in this, which wasn't really my
• 6:58
  Speaker 2: Like I maybe because I'm a girl, I don't know,
• 7:01
  Speaker 2: but like, no, I don't know what dick jokes were.
• 7:04
  Speaker 2: Like one dick joke is one thing, but the fact
• 7:06
  Speaker 2: that it was like a running joke about his dick
• 7:09
  Speaker 2: and then like just like the point of the film
• 7:14
  Speaker 2: just seemed so odd, like half executed. I just couldn't
• 7:18
  Speaker 2: get into it. And by the end of it, I
• 7:20
  Speaker 2: was just like, all right, well, that feels like a
• 7:22
  Speaker 2: waste of an evening. I've been waited a long time
• 7:25
  Speaker 2: to watch that movie. And I was like, oh, yeah,
• 7:27
  Speaker 2: I actually because you brought it out and I had said, Oh,
• 7:30
  Speaker 2: you know what's funny is I was thinking about that
• 7:32
  Speaker 2: film this week and how we've never seen it, And
• 7:35
  Speaker 2: then I was like, Okay, well, now I kind of
• 7:37
  Speaker 2: wish I still hadn't seen it, because then I could
• 7:39
  Speaker 2: think it was better in my head.
• 7:41
  Speaker 1: On the other hand, though, we did watch an amazing
• 7:43
  Speaker 1: movie last night called Phantom of the Paradise, and that
• 7:45
  Speaker 1: was fucking awesome.
• 7:47
  Speaker 2: Now, to be clear, it's not like a cinematic like masterpiece,
• 7:52
  Speaker 2: but the score was so good and they really leaned
• 7:55
  Speaker 2: into whatever the hell it was they're doing. It's like,
• 7:58
  Speaker 2: you don't know what the hell was going on, but
• 7:59
  Speaker 2: you were having.
• 8:00
  Speaker 1: A fun time and it was an instant hit with me.
• 8:04
  Speaker 2: Beef was an icon and a legend, and I would
• 8:08
  Speaker 2: have watched way more of him in that film, but yeah,
• 8:11
  Speaker 2: just him. I think the film for me would have
• 8:14
  Speaker 2: been more improved had they more clearly defined the producer
• 8:19
  Speaker 2: character and didn't wait till the end to give him,
• 8:23
  Speaker 2: like explain his character. And if they had taken out
• 8:25
  Speaker 2: some of the creepy predatory producer thing, like if they
• 8:29
  Speaker 2: had toned that down a little, I think that for
• 8:32
  Speaker 2: me would have improved it, because like they made him
• 8:35
  Speaker 2: kind of mysterious, but you didn't get if he was
• 8:39
  Speaker 2: just being mysterious or he was just avoiding people until
• 8:42
  Speaker 2: the end and then you're like, oh, Okay, he's hiding
• 8:45
  Speaker 2: for reasons. So I think if they had done a
• 8:48
  Speaker 2: little more tweaking on him. But I'll give him credit though,
• 8:51
  Speaker 2: because the guy who played the creepy producer actually did
• 8:54
  Speaker 2: all the music for the film, so maybe he was
• 8:56
  Speaker 2: busy doing that part.
• 8:57
  Speaker 1: Yeah, he probably was.
• 8:58
  Speaker 2: Yeah, that guy who you know only wrote such classics
• 9:02
  Speaker 2: as uh, moving right Along and the Rainbow Connection for
• 9:07
  Speaker 2: the Muppets. Yeah, you know, just some just some minor,
• 9:11
  Speaker 2: minor films, did the theme for love Boat. Nothing big, a.
• 9:15
  Speaker 1: Couple things, little things here and there. So yeah, but
• 9:20
  Speaker 1: that was definitely better than Bubba Hotep. No, like, I
• 9:23
  Speaker 1: don't know, maybe I don't know. I'm sure at some
• 9:25
  Speaker 1: point I'll try it again, but not for quite some time.
• 9:27
  Speaker 1: But yeah, I don't know, I don't know. It just
• 9:28
  Speaker 1: was it was not for me.
• 9:29
  Speaker 2: Yeah, if you want a fun, campy film, though.
• 9:30
  Speaker 1: The The Phantoms of the Paradise YEA directed by Brian
• 9:33
  Speaker 1: to Palma, same guy who didn't carried Scarface all that stuff.
• 9:38
  Speaker 1: Yeah Scarface. Yeah, say that was a good one. But
• 9:42
  Speaker 1: uh yeah, we have quite a few. So many fucking
• 9:46
  Speaker 1: trailers have dropped recently.
• 9:48
  Speaker 2: So what I was gonna say one before we get
• 9:51
  Speaker 2: into these ones.
• 9:52
  Speaker 1: One trailer.
• 9:53
  Speaker 2: Oh, technically you missed one. But to be fair, they
• 9:56
  Speaker 2: just came out there.
• 9:56
  Speaker 1: I didn't see it yet though, so I can't talk
• 9:58
  Speaker 1: about it.
• 9:59
  Speaker 2: That's fair. The they them trailer dropped today, I will
• 10:04
  Speaker 2: say the having watched it myself, I get the setup,
• 10:09
  Speaker 2: but the scary scenes seem to be people reacting to
• 10:13
  Speaker 2: scary things and not so much scary things happening in
• 10:16
  Speaker 2: the trailer. So I'm hoping it's just a they don't
• 10:19
  Speaker 2: want to reveal what's going on situation, because if not,
• 10:22
  Speaker 2: then oh.
• 10:23
  Speaker 1: Boy, oh boy. The Kevin Bacon.
• 10:26
  Speaker 2: It does have Kevin Bacon in it. And if you
• 10:27
  Speaker 2: guys know I've seen True Blood, Arlene from True Blood
• 10:31
  Speaker 2: is going to be in it.
• 10:32
  Speaker 1: Arlene Arlene.
• 10:36
  Speaker 2: And then also, I know recently they released the trailer
• 10:39
  Speaker 2: for that movie, was it Smile?
• 10:43
  Speaker 1: Yeah?
• 10:44
  Speaker 2: That movie looks upsetting. Yeah, because they didn't even release
• 10:48
  Speaker 2: the trailer. They only released it with top gun. I
• 10:50
  Speaker 2: think and something.
• 10:51
  Speaker 1: Else the teaser. Yeah, but then they release ailer.
• 10:54
  Speaker 2: Yeah, and so if you've seen, if you haven't seen
• 10:58
  Speaker 2: the trailer for that one, you should check that up
• 11:00
  Speaker 2: because that one looks creepy.
• 11:02
  Speaker 1: Yeah. They have to definitely nail it with the story though,
• 11:05
  Speaker 1: because you know, I remember what the story is, I
• 11:08
  Speaker 1: can't remember exactly something.
• 11:10
  Speaker 2: If not, you've got a one missed call situation where
• 11:12
  Speaker 2: it's just trying to add creepiness but actually not doing
• 11:16
  Speaker 2: a plot thing.
• 11:16
  Speaker 1: Yeah. Yeah, So yeah, those are two things that I
• 11:21
  Speaker 1: have trailers. Oh I even forgot one here. Oh no,
• 11:23
  Speaker 1: I didn't there it is? Did you watch all these trailers?
• 11:27
  Speaker 2: I didn't kill that. I didn't see that second one though,
• 11:30
  Speaker 2: I don't know.
• 11:30
  Speaker 1: That I showed you that one. Yes you did. I'm
• 11:33
  Speaker 1: gonna tell you about it.
• 11:34
  Speaker 2: Oh is it the one that it made me make
• 11:35
  Speaker 2: you watch for the climate?
• 11:38
  Speaker 1: Maybe?
• 11:39
  Speaker 2: Is the tower thing? Yeah?
• 11:42
  Speaker 1: All right, So first and foremost, this has been discussed
• 11:45
  Speaker 1: a few times already, but we've you know, the monsters,
• 11:48
  Speaker 1: but we actually got a trailer for it.
• 11:50
  Speaker 2: And.
• 11:53
  Speaker 1: So I was kind of hesitant already just because it's
• 11:57
  Speaker 1: rob Zombie and it's PG. But I'm even more hesitant
• 12:01
  Speaker 1: now after seeing the trailer because oh man, oh well,
• 12:06
  Speaker 1: first of all, it's in color, and I don't know,
• 12:09
  Speaker 1: I feel like he's sticking to the original comedy style,
• 12:12
  Speaker 1: which I don't think is going to work nowadays at all,
• 12:15
  Speaker 1: no matter how charming he tries to make it. But
• 12:17
  Speaker 1: if you're gonna stick to the original style of comedy
• 12:20
  Speaker 1: that was used back, then why are we making this
• 12:22
  Speaker 1: in color? Why is it not black and white? Is
• 12:26
  Speaker 1: there an explanation that it's in black? Like that it's
• 12:28
  Speaker 1: not in black and white? I mean, he's like trying
• 12:30
  Speaker 1: to modernize it. But also the comedy seems exactly like
• 12:33
  Speaker 1: the original show, so I don't understand that that's a
• 12:36
  Speaker 1: very odd choice.
• 12:37
  Speaker 2: Yeah, that's exactly what you and I talked about when
• 12:40
  Speaker 2: we saw it together, because I was like, you know,
• 12:43
  Speaker 2: if you think about something like, let's take The Flintstones,
• 12:45
  Speaker 2: for instance, it's a classic show, they turn it into
• 12:48
  Speaker 2: a film, they have to inject modern humor into it,
• 12:52
  Speaker 2: or else it's not gonna really connect with audiences. And
• 12:56
  Speaker 2: it looks like they stuck straight to the original humor.
• 13:01
  Speaker 2: And if that's the case, yeah, that's not going to
• 13:04
  Speaker 2: work with people. And also Okay, I was just double checking.
• 13:09
  Speaker 2: I couldn't remember if it was just h the Monsters,
• 13:13
  Speaker 2: yours the Monsters and the Adams family that was in
• 13:15
  Speaker 2: black and white, but yeah, so are you family? But yeah,
• 13:24
  Speaker 2: so based on that trailer, Uh, the very nervous acting
• 13:28
  Speaker 2: looks really rough. And I don't think you can cast
• 13:33
  Speaker 2: your uh, your typical people. You can't pull a uh.
• 13:38
  Speaker 2: I guess it's a rob zombie move by casting all
• 13:40
  Speaker 2: of your main actors as the same people over and
• 13:43
  Speaker 2: over again, especially when they're not prepared for that kind
• 13:47
  Speaker 2: of humor. You have to hire people who are capable
• 13:50
  Speaker 2: of that type of humor.
• 13:52
  Speaker 1: Yeah, Grandpa Monster is the only one that looks solid
• 13:56
  Speaker 1: and believable. Herman Monster's voice is way too fucking high
• 14:00
  Speaker 1: because in the original show he's very deep and blah
• 14:03
  Speaker 1: blah blah. And then you know, Shrry Munzambie can't fucking
• 14:06
  Speaker 1: act her way out of a paper bag. I do
• 14:09
  Speaker 1: like her Devil's Rejects houses. I liked her in some things,
• 14:12
  Speaker 1: but she doesn't have the range for this at all,
• 14:15
  Speaker 1: and she's doing a weird voice and it's not working,
• 14:19
  Speaker 1: and she's.
• 14:19
  Speaker 2: Kind of like that's more to the show.
• 14:22
  Speaker 1: I know, I know, but I'm just saying, like she's
• 14:25
  Speaker 1: I'm just I'm so nervous for this movie. I'm so nervous.
• 14:29
  Speaker 1: I was trying to be so optimistic, but seeing that trailer,
• 14:32
  Speaker 1: I'm just like ooh.
• 14:33
  Speaker 2: I'm like, yeah, they even use like old filming techniques
• 14:36
  Speaker 2: where everything's very still and stagnant, and you're just like, guys,
• 14:40
  Speaker 2: if you're gonna make one of these movies, you gotta
• 14:42
  Speaker 2: modernize it. In some ways. I understand keeping the original
• 14:46
  Speaker 2: charm of the of the series. Yeah, totally get that.
• 14:50
  Speaker 2: It's like when they redid Psycho. You can't do frame
• 14:53
  Speaker 2: for frame shit because everyone's gonna be like, what the
• 14:55
  Speaker 2: fuck was the point of this?
• 14:56
  Speaker 1: Well, yeah, but that's the problem though. You can't do
• 14:59
  Speaker 1: remake it. I but then you can't remake it and
• 15:01
  Speaker 1: do it different because it's gonna it's remakesers always make
• 15:04
  Speaker 1: everybody angry. But well, I don't know.
• 15:07
  Speaker 2: That's why I'm talking about like The Flintstones. Like The
• 15:10
  Speaker 2: Flintstones got made into a live action movie, and some
• 15:13
  Speaker 2: of the cgi is a little silly now, but for
• 15:15
  Speaker 2: the most part that film holds up. It's fun. You know,
• 15:20
  Speaker 2: it's got a good storyline, and it's still you can
• 15:24
  Speaker 2: still feel the original personalities of the characters.
• 15:27
  Speaker 1: But we're talking the first one, not Viva los Viva ROAs.
• 15:31
  Speaker 2: Yeah, we're talking about the original one. Like you still
• 15:35
  Speaker 2: feel the original personalities of the characters, but they've done
• 15:38
  Speaker 2: more with them and they feel like they it feels
• 15:41
  Speaker 2: more developed. Yeah, you can't just slap a TV family
• 15:45
  Speaker 2: into a movie and call it a day.
• 15:48
  Speaker 1: Yeah, so, I am a bit nervous. I don't I
• 15:51
  Speaker 1: don't know. It's an hour and fifty minutes. There was
• 15:55
  Speaker 1: rumors that it was gonna be like three hours. Thank
• 15:57
  Speaker 1: god it's not. I don't really want to watch anything
• 15:59
  Speaker 1: that's three hours. Besides, maybe midsomar plot.
• 16:02
  Speaker 2: Already reads like it's a TV episode.
• 16:04
  Speaker 1: Well, and that was gonna say that too. This this
• 16:06
  Speaker 1: is supposed to be before, like this is how they met,
• 16:09
  Speaker 1: so it's almost like a prequel to the show because
• 16:11
  Speaker 1: they don't have the kids, you know, this is this
• 16:14
  Speaker 1: is how Herman and Lily meet.
• 16:16
  Speaker 2: Yeah. So, and the way that trailer went, it feels
• 16:21
  Speaker 2: like an episode of a show, not like a movie.
• 16:24
  Speaker 1: Yeah so, I don't know, we'll see it is going
• 16:26
  Speaker 1: straight to Netflix sometime in September, and you can also
• 16:29
  Speaker 1: get the Blu Ray a couple of weeks before, I
• 16:32
  Speaker 1: believe on Amazon. You can pre order that now. So
• 16:38
  Speaker 1: and I still rob Zombie. He actually tweeted something today
• 16:41
  Speaker 1: or put out something on Facebook that was like, I
• 16:44
  Speaker 1: don't know why everyone thinks the budget for this movie
• 16:46
  Speaker 1: was thirty million dollars. He was like, if you added
• 16:48
  Speaker 1: up this movie, this movie, and that movie, it wouldn't
• 16:50
  Speaker 1: even be like twenty million dollars. So and he was like,
• 16:52
  Speaker 1: it was always going to Netflix too, So I don't
• 16:54
  Speaker 1: know why everyone's like, like, you know, blown Away or whatever.
• 16:58
  Speaker 1: He was like, it was always going to Netflix. This
• 16:59
  Speaker 1: was universal deal, Like this was all done before I
• 17:02
  Speaker 1: even started filming. So yeah, going to Netflix. Be there
• 17:06
  Speaker 1: in sometimes, I think September twenty second. I believe that's
• 17:08
  Speaker 1: either when the Blue Ray comes out or when it
• 17:10
  Speaker 1: goes to Netflix, so I won't have to go to
• 17:12
  Speaker 1: the theater, which honestly I'm okay with. I'd rather just
• 17:16
  Speaker 1: sit in the comfort of my home and watch that one.
• 17:17
  Speaker 1: I don't really need to go out to the theater
• 17:19
  Speaker 1: to see that. So yep, yeah, so look out for that.
• 17:23
  Speaker 1: And then on more positive notes, going forward, no offense
• 17:26
  Speaker 1: to that one. I'm just very very skeptical now, very
• 17:30
  Speaker 1: skeptical I was before, but I'm even more now. We
• 17:32
  Speaker 1: have a movie called Fall. I know, oh, August twelfth,
• 17:36
  Speaker 1: twenty twenty two. I don't know why I didn't say
• 17:38
  Speaker 1: twenty twenty two, and this is essentially forty seven meters down,
• 17:42
  Speaker 1: except we're going up and it's from the producers of
• 17:45
  Speaker 1: forty seven meters down. So two people get stuck on
• 17:47
  Speaker 1: this radio tower because the ladder falls, and then it's
• 17:51
  Speaker 1: just them, you know, trying to get down. They don't
• 17:52
  Speaker 1: have cell phones, they don't have like a way to
• 17:54
  Speaker 1: jump down. There's there's no ladder, and they're stuck up
• 17:57
  Speaker 1: there no service. I think they have flares. It's going
• 18:00
  Speaker 1: to be an hour and a half of just complete
• 18:02
  Speaker 1: anxiety for me. Yep, yeah, just complete stress.
• 18:07
  Speaker 2: And it's kind of funny because you like the opening
• 18:08
  Speaker 2: of the trailers them going on a rock climb thing
• 18:12
  Speaker 2: that goes wrong, and like that's why the main character
• 18:15
  Speaker 2: is now scared of climbing, and and I'm just like
• 18:21
  Speaker 2: watching this and like I'm like this is the opening
• 18:24
  Speaker 2: to Vertical Limit, and you're like, what, like this is
• 18:26
  Speaker 2: the opening to Vertical Limit, and then I made you
• 18:29
  Speaker 2: watch that and was it not the opening to Vertical Limit?
• 18:31
  Speaker 1: Yeah, except the singing. Well, they were willing to go
• 18:35
  Speaker 1: do that in Vertical Limit. They were like, fuck yeah,
• 18:37
  Speaker 1: I don't even care that we had an accident. We're
• 18:39
  Speaker 1: going fucking mountain climbing. And this one, this one, her
• 18:42
  Speaker 1: friend's like badgering her, like it's been a year, it's
• 18:44
  Speaker 1: time to move on. You're like, I've lost my fucking
• 18:46
  Speaker 1: husband or whoever it was, and you're like, dude, stop
• 18:50
  Speaker 1: being so bushy. And then they go, and then they
• 18:51
  Speaker 1: fucking I get stuck up there. Thank you friend.
• 18:54
  Speaker 2: To be fair. And Vertical Limit, the sister was going,
• 18:57
  Speaker 2: and the brother had not climbed, since he only went
• 18:59
  Speaker 2: to save her.
• 19:00
  Speaker 1: I know, but I'm saying at least one party was
• 19:02
  Speaker 1: willing this this one, her friend's like pushing her to
• 19:05
  Speaker 1: go do something where she lost someone, and you're like, bro,
• 19:08
  Speaker 1: it's it's oh yeah, it's only been a year, exactly,
• 19:10
  Speaker 1: why don't it simmer down.
• 19:11
  Speaker 2: Look between the two films, I'm thoroughly convinced that I
• 19:14
  Speaker 2: never need to go rock climbing. I mean, it wasn't
• 19:16
  Speaker 2: going to be an issue prior to this, but it's like,
• 19:18
  Speaker 2: I'm pretty firm on never doing that.
• 19:20
  Speaker 1: Oh yeah, after watching a Vertical limbit. I think that
• 19:22
  Speaker 1: my opening line of my review is this movie is
• 19:24
  Speaker 1: a great reminder to never go rock climbing or climbing
• 19:27
  Speaker 1: a huge mountain. Thank you Vertical Limit for reassuring that
• 19:30
  Speaker 1: fact that I will never do that.
• 19:31
  Speaker 2: Everything will explode, everyone.
• 19:33
  Speaker 1: Will die, There'll be lots and lots of blood, so
• 19:36
  Speaker 1: that looks fun. I don't know if it's getting a
• 19:38
  Speaker 1: theatrical release or what, but that will be out in
• 19:41
  Speaker 1: August apparently August twelfth, probably just gonna go straight to
• 19:45
  Speaker 1: streaming like everything else is. Then we have Orphan First Kill,
• 19:50
  Speaker 1: which is gonna be really funny. This is mild spoilers
• 19:53
  Speaker 1: because I have we it has to be talked about.
• 19:55
  Speaker 1: But that movie came out thirteen years ago, so it's
• 19:58
  Speaker 1: it's worth starting a new statue of limitations here. I
• 20:01
  Speaker 1: think that's the correct phrasing. Yes, where next year, Well,
• 20:05
  Speaker 1: we're gonna do this next year. But like when we're
• 20:08
  Speaker 1: talking about movies like we are now before we review them,
• 20:11
  Speaker 1: we're you know, if it's came out more than ten
• 20:12
  Speaker 1: years ago, we're gonna talk spoilers, and that's gonna be
• 20:15
  Speaker 1: implemented for our reviews next year. If so, if we're
• 20:17
  Speaker 1: talking about a movie that's older than ten years, we're
• 20:19
  Speaker 1: gonna go into spoilers on that movie review. So if
• 20:22
  Speaker 1: you don't want to have spoilers about Orphan, i'd say
• 20:24
  Speaker 1: skip head thirty seconds because it's gonna be really quick.
• 20:27
  Speaker 1: But I really like this premise because in the first
• 20:30
  Speaker 1: Orphan it was whatever her name is, the actress something
• 20:36
  Speaker 1: for long whatever, it's a bell, yeah, whatever, furman. Okay,
• 20:40
  Speaker 1: it was close, so she was like, you know, twelve
• 20:43
  Speaker 1: or thirteen in that movie, but then she ended up
• 20:46
  Speaker 1: you know. The twist was that she wasn't a young kid.
• 20:49
  Speaker 1: She was at like a thirty year old woman or whatever.
• 20:52
  Speaker 1: So she was a young kid playing a young kid
• 20:55
  Speaker 1: that was actually an older woman. And now she's an
• 20:57
  Speaker 1: older woman playing a young kid who's an older woman.
• 21:00
  Speaker 1: So it's just hilarious, you know what I mean. I
• 21:02
  Speaker 1: think that's fucking hysterical.
• 21:04
  Speaker 2: It is, And I told you as soon as I
• 21:06
  Speaker 2: saw the trailer because it's so funny. I texted, you know,
• 21:10
  Speaker 2: and I was like, oh, this is rough, because, like
• 21:13
  Speaker 2: you know she's supposed to this is supposed to be
• 21:16
  Speaker 2: a prequel. Yeah, this is because she's supposed to look younger,
• 21:19
  Speaker 2: and somehow this is side by side the old the
• 21:23
  Speaker 2: original that she looks like she's forty in this one,
• 21:26
  Speaker 2: and she's like, nah, I'm a little girl like.
• 21:31
  Speaker 1: Whatever.
• 21:31
  Speaker 2: I don't as compares to what rose after she dropped,
• 21:35
  Speaker 2: like drop the necklace off, Like Jesus, she still looks
• 21:38
  Speaker 2: young though. Yeah, she is young. She's younger than us
• 21:41
  Speaker 2: by a few years. But the thing is is having
• 21:44
  Speaker 2: an actress aged thirteen years and then having her play
• 21:48
  Speaker 2: the younger version of herself is a fucking stretch. It's
• 21:53
  Speaker 2: already a stretch with like stranger things and them having
• 21:56
  Speaker 2: to dage eleven to compensate for the fact that you know,
• 22:00
  Speaker 2: she's sit like what, six years older than she was
• 22:03
  Speaker 2: or seven years old or something whatever.
• 22:05
  Speaker 1: Get over it. It's gonna be fun. Okay, you don't, really,
• 22:09
  Speaker 1: you don't. You're not excited for it.
• 22:12
  Speaker 2: I think it looks silly. Really, yes?
• 22:15
  Speaker 1: Okay, am I making you mad? I'm sorry?
• 22:20
  Speaker 2: Nope, I'm fine.
• 22:21
  Speaker 1: Yeah, okay say that with a straight face.
• 22:24
  Speaker 2: I'm just saying it's a push.
• 22:26
  Speaker 1: No, I mean, I know, I'm not disagreeing with you,
• 22:28
  Speaker 1: but I mean, I still think it's gonna be fun
• 22:29
  Speaker 1: like the first. I mean, there's no way it's gonna
• 22:32
  Speaker 1: be as good as the original, but I mean, like,
• 22:33
  Speaker 1: I still feel like it's gonna be enjoyable. You don't.
• 22:35
  Speaker 1: You don't. You don't like at all?
• 22:37
  Speaker 2: You don't, I mean it might be fun to watch.
• 22:38
  Speaker 2: I'm saying, I've just started to notice a lot more
• 22:42
  Speaker 2: when they like do things like they're gonna have to
• 22:44
  Speaker 2: stick her face on a kid's body to make that
• 22:47
  Speaker 2: work for like scenes where it's not just an up
• 22:49
  Speaker 2: close of her face, And to me, that kind of
• 22:52
  Speaker 2: like cgi is starting to become more noticeable because more
• 22:55
  Speaker 2: people are doing it.
• 22:56
  Speaker 1: It wasn't noticeable when they did it to Tarkin and
• 22:59
  Speaker 1: Rogue one. That was fucking no.
• 23:01
  Speaker 2: But there were times when we were watching the new
• 23:02
  Speaker 2: season of Stranger Things where it was noticeable.
• 23:04
  Speaker 1: On eleven, did they really do that?
• 23:07
  Speaker 2: Yeah, they stuck her face on a younger kid's body.
• 23:10
  Speaker 1: Oh well yeah, but that was because they were jumping
• 23:12
  Speaker 1: back and I thought.
• 23:13
  Speaker 2: Yeah, no, no, I'm saying for me, like, even though
• 23:15
  Speaker 2: I get why they had to do it, it was noticeable,
• 23:18
  Speaker 2: and there was even a still a smaller age gap, So.
• 23:22
  Speaker 1: Like, hey, it's nothing is gonna look as rough as
• 23:25
  Speaker 1: Colin Robinson. Okay, that that is very obvious.
• 23:29
  Speaker 2: Yeah, but I think that's actually intentional. I think they
• 23:31
  Speaker 2: just took his regular face and slapped it. That's the
• 23:35
  Speaker 2: that's the only reason not succeptible. The only reason that
• 23:38
  Speaker 2: works is because one it's a comedy and two because
• 23:42
  Speaker 2: we know they just outright slapped his face onto a
• 23:45
  Speaker 2: child's body, didn't de age it or anything. They just
• 23:48
  Speaker 2: copied and pasted. And that's hilarious because it's like Jesus,
• 23:52
  Speaker 2: that is a forty year old man's face on a
• 23:54
  Speaker 2: six year old's body.
• 23:56
  Speaker 1: Speaking of what we do in the Shadows. Uh. By
• 23:59
  Speaker 1: the way, a new season in this out I think
• 24:01
  Speaker 1: we're on. Episode three comes out on Wednesday, is on Hulu.
• 24:04
  Speaker 1: We just watched the third episode. It's fucking great. I
• 24:06
  Speaker 1: love that show. They're renewed for four and five, I believe,
• 24:09
  Speaker 1: or at least four, So that's good. So should I
• 24:12
  Speaker 1: go see this without you? Because I don't. I don't
• 24:14
  Speaker 1: want you like laughing the whole time. If you can
• 24:16
  Speaker 1: think it's funny, Okay.
• 24:18
  Speaker 2: Yeah, because we know I cackle my way through movie.
• 24:21
  Speaker 1: I mean, I know, it's it's just I know it
• 24:22
  Speaker 1: is a stretch. I one hundred percent agree with you.
• 24:24
  Speaker 1: I still think it should be enjoyable. I don't know.
• 24:26
  Speaker 1: We'll see, we'll see. So that's one again that could
• 24:30
  Speaker 1: be could go either way. Another one that just came
• 24:32
  Speaker 1: out the other like yesterday, I think. So this one's
• 24:35
  Speaker 1: fresh is Jeepers Creepers, not three. What the fuck? Jeepers
• 24:38
  Speaker 1: Creeper is Reborn, which is the fourth installment that does
• 24:41
  Speaker 1: not involve Victor Salva in any way, shape or form.
• 24:44
  Speaker 1: Let me just throw that out there. That's why I
• 24:45
  Speaker 1: will be supporting this one. I mean, like I said,
• 24:49
  Speaker 1: I still I still like one and two.
• 24:52
  Speaker 2: But they did, Yeah.
• 24:54
  Speaker 1: They did, Yeah, they did. Yeah. It's it's really kind
• 24:56
  Speaker 1: of it's embarrassing too that there's a movie called Jeepers
• 24:59
  Speaker 1: Creepers directed by an actual creep So yeah, we didn't
• 25:02
  Speaker 1: watch the third one, or well, I remember we started
• 25:05
  Speaker 1: to and then we were like this is terrible, and
• 25:07
  Speaker 1: then we found out about the whole thing and I
• 25:09
  Speaker 1: was like, Okay, never gonna watch three then, because that
• 25:12
  Speaker 1: came out of like either during Jeebers Creepers three or
• 25:14
  Speaker 1: right after it around that time in twenty seventeen. But
• 25:18
  Speaker 1: Jeebers Creepers Reborn is a completely different crew, completely different story,
• 25:21
  Speaker 1: and it almost vibes from the trailer like Hellfest because
• 25:25
  Speaker 1: there's they're at some sort of I think it's like
• 25:27
  Speaker 1: Creeper con or something like that. It's like dedicated to
• 25:30
  Speaker 1: the creeper or something like that. Yeah, and then it's
• 25:33
  Speaker 1: just it looks like a kind of like a haunted
• 25:35
  Speaker 1: house thing where people get stuck in this house and
• 25:37
  Speaker 1: then the creepers just coming after them, and it looks
• 25:39
  Speaker 1: it really looks awesome.
• 25:41
  Speaker 2: Yeah, no, it looks really cool. It looked fun and yeah,
• 25:44
  Speaker 2: like we said, like, this feels different because it's not
• 25:47
  Speaker 2: gonna have what's his face? Associated? Yeah, And I feel
• 25:52
  Speaker 2: like as far as those kinds of situations go, as
• 25:57
  Speaker 2: as long as you're not supporting their new work and
• 25:59
  Speaker 2: their current world, I think that's the best you can do,
• 26:01
  Speaker 2: because you can't unmake their prior films, but you know,
• 26:04
  Speaker 2: you don't have to see their new shit.
• 26:05
  Speaker 1: Well no, exactly, And that's why that's why I said,
• 26:07
  Speaker 1: when me and Spencer were talking about it, I was like,
• 26:09
  Speaker 1: I still like I still like the first two because
• 26:12
  Speaker 1: I grew up watching those and I really enjoy them.
• 26:13
  Speaker 1: And then that came out and I'm like, okay, well,
• 26:15
  Speaker 1: I'm still gonna watch these two because like I still
• 26:18
  Speaker 1: really like them, and it's it is still a shame,
• 26:20
  Speaker 1: but like, yes, going forward, obviously not going to participate
• 26:23
  Speaker 1: in anything any way, shape or form supporting that guy,
• 26:27
  Speaker 1: and I don't I don't think he's going to be
• 26:28
  Speaker 1: making movies anymore.
• 26:29
  Speaker 2: Yeah, there's another director recently where we heard like he
• 26:32
  Speaker 2: was gonna make a Kevin.
• 26:35
  Speaker 1: Well, he's coming back to add the guy did.
• 26:37
  Speaker 2: That Amsterdam movie, like did something really creepy with his niece,
• 26:41
  Speaker 2: that one with Margot Robbie and Christian Bale. Oh yeah,
• 26:46
  Speaker 2: And I was like, oh, I want to see that,
• 26:48
  Speaker 2: and they're like, oh, here's the creepy stuff he did
• 26:50
  Speaker 2: with his niece and how he justified I was like,
• 26:52
  Speaker 2: oh no, I don't want to see that anymore. I
• 26:55
  Speaker 2: don't want to support that guy getting work if that's
• 26:57
  Speaker 2: what he thinks is okay to do.
• 26:59
  Speaker 1: Yeah, that guy, Yeah he did something with like I
• 27:01
  Speaker 1: don't know, like pedophilia or something, but.
• 27:03
  Speaker 2: Yeah, he groped his niece and said she was acting
• 27:05
  Speaker 2: provocatively and that's why he did it.
• 27:08
  Speaker 1: Yeah, no, no, no.
• 27:10
  Speaker 2: She was fifteen. But yeah, so but this one again
• 27:15
  Speaker 2: does not involve anyone creepy except for the creeper.
• 27:18
  Speaker 1: The creeper. Yeah.
• 27:19
  Speaker 2: Uh so this one looks super fun. Hopefully it doesn't.
• 27:22
  Speaker 2: Hopefully it doesn't give uh you know the New Texas
• 27:27
  Speaker 2: Chainsaw all his vibes like this is gonna be really good,
• 27:29
  Speaker 2: but then takes this really weird parody like stance on
• 27:34
  Speaker 2: like being woke or whatever, and make it super cheesy.
• 27:37
  Speaker 1: I don't know. From the trailer, it looks like it's
• 27:39
  Speaker 1: just gonna be a good time. It's gonna it looks
• 27:41
  Speaker 1: like it's gonna because you know, in the Creepers movies,
• 27:44
  Speaker 1: I mean, he's pretty prevalent in one and then two.
• 27:48
  Speaker 1: He there's he's got a lot more screen time. But
• 27:50
  Speaker 1: I feel I feel like this one's gonna feature a
• 27:52
  Speaker 1: lot of like one on one interactions.
• 27:54
  Speaker 2: With him as song as no one talks about canceling him.
• 27:57
  Speaker 1: Yeah yeah, jesus. Yeah. And even though, like, even though
• 28:01
  Speaker 1: I know the TCM was so cheesy, but it was
• 28:03
  Speaker 1: such a gory, fun time, I would I would watch
• 28:05
  Speaker 1: that a million times over just because of the gore factor.
• 28:08
  Speaker 1: But yeah, so that looks fun. And again it does
• 28:10
  Speaker 1: not involve uh Victor Salvas, so that is awesome. That's
• 28:13
  Speaker 1: a good step forward for that franchise. Give it some
• 28:16
  Speaker 1: you know, fresh blood, and uh switch up the story
• 28:19
  Speaker 1: a little bit. I don't know if this is going
• 28:21
  Speaker 1: to relate to the other ones or if it's gonna
• 28:23
  Speaker 1: try to insert itself in the timeline somewhere. I guess
• 28:25
  Speaker 1: we'll find out, but that should be out. They're actually
• 28:27
  Speaker 1: doing a Fathom event sometime in September. So while you
• 28:30
  Speaker 1: can find that online, I can't remember. I think it's
• 28:32
  Speaker 1: like the nineteen twentieth and twenty first I believe in September.
• 28:36
  Speaker 1: So oh yeah, I know, so check that out this
• 28:40
  Speaker 1: September and then last, but not least, because I'm still
• 28:43
  Speaker 1: very just like the monsters. I'm so this is like
• 28:45
  Speaker 1: a uncertain sandwich right here. I'm uncertain about the Monsters,
• 28:48
  Speaker 1: and I'm uncertain about Halloween Ends. Me and Spencer were
• 28:52
  Speaker 1: like that trailer was awesome, and I was like, Spencer,
• 28:54
  Speaker 1: we said that about Halloween Ends, and look where that
• 28:56
  Speaker 1: left Halloween Kills. Yeah, like, look, look where we ended
• 28:59
  Speaker 1: up with that one, so.
• 29:00
  Speaker 2: Okay, well, I do have some good news about that.
• 29:04
  Speaker 1: What's up?
• 29:05
  Speaker 2: Scott Teams is not listed as a writer really, and
• 29:08
  Speaker 2: so we might fucking make it out of this.
• 29:11
  Speaker 1: Is he not?
• 29:11
  Speaker 2: He's not? I just checked.
• 29:14
  Speaker 1: They were probably like.
• 29:15
  Speaker 2: Scott Teams, you dumb motherfucker.
• 29:17
  Speaker 1: Yeah so much.
• 29:20
  Speaker 2: Probably not as a person. I don't know if you're
• 29:22
  Speaker 2: douchey is your writing?
• 29:23
  Speaker 1: I might not like you? All right, let's let's not
• 29:25
  Speaker 1: let's not like rip into people please. I know we
• 29:27
  Speaker 1: don't like him, but let's not like tear this guy
• 29:29
  Speaker 1: in New.
• 29:30
  Speaker 2: Asshole twice, like were you not on the other episode?
• 29:36
  Speaker 2: But yeah, he is not on that, so it's hopeful.
• 29:40
  Speaker 2: I've got the trailer. The trailer does look good. It
• 29:43
  Speaker 2: looks like they're really pulling back to the og film,
• 29:46
  Speaker 2: so maybe that's something worth while.
• 29:50
  Speaker 1: Yeah, you know, they just did a little teaser for
• 29:52
  Speaker 1: nothing dramatic. I know they'll probably do a few more
• 29:55
  Speaker 1: trailers between now and October, so we'll be prepared for that.
• 29:59
  Speaker 1: But yeah, it's I just hope they make up for
• 30:02
  Speaker 1: ends because it just wasn't that great And thank god
• 30:05
  Speaker 1: Tommy won't be in this one. And hopefully we won't
• 30:08
  Speaker 1: have to hear Evil Diyes tonight because if I hear
• 30:10
  Speaker 1: that one time, fucking walking out, I will walk out
• 30:13
  Speaker 1: of that theater if I hear that one goddamn time.
• 30:16
  Speaker 1: So a lot of new shit coming and there's even
• 30:19
  Speaker 1: more stuff that we saw in theaters. We saw a
• 30:21
  Speaker 1: bunch of horror movies coming out, like The Invitation was
• 30:23
  Speaker 1: another one that we saw.
• 30:24
  Speaker 2: That definitely, that one looks creepy and I you know me,
• 30:27
  Speaker 2: I'm a sucker for a vampire film.
• 30:29
  Speaker 1: Oh yeah, that's true, there are vampires. But yeah, there's
• 30:31
  Speaker 1: a lot of good shit coming out. So very excited
• 30:35
  Speaker 1: after summer really because oh we got Nope though, we
• 30:37
  Speaker 1: got Nope coming out this weekend that we're gonna go see.
• 30:40
  Speaker 1: So we will report back on that. But there's really
• 30:42
  Speaker 1: not much horror wise coming out until well, I guess
• 30:45
  Speaker 1: August is next month. I don't know why I keep forgetting.
• 30:48
  Speaker 1: It's like halfway through the year. Yeah, so I guess
• 30:50
  Speaker 1: the next movie coming out will be Fall, and then
• 30:52
  Speaker 1: in September we'll get the Monsters, Cheevers, Creepers. I don't
• 30:55
  Speaker 1: know when did you did you see when Orphan's coming?
• 30:58
  Speaker 1: Out Orphan first Kill and see that's coming out oh August. Okay,
• 31:01
  Speaker 1: so we've got Orphan and Fall next month, and then
• 31:04
  Speaker 1: we've got jeebish Creepers three and Monthsters in September, and
• 31:06
  Speaker 1: then Halloween Kills in October. So pretty solid lineup of
• 31:11
  Speaker 1: stuff going on here. Is there anything? Didn't you have
• 31:13
  Speaker 1: something you wanted to say? I wanted to talk about
• 31:15
  Speaker 1: I remember, damn it.
• 31:19
  Speaker 2: Well, we also need to get to the movies.
• 31:21
  Speaker 1: Okay, well let's get to the movie. Then did I
• 31:24
  Speaker 1: introduce the show? Did I do that already? Episode? Yeah,
• 31:29
  Speaker 1: Zoul's given up over there, all right, So fear dot
• 31:33
  Speaker 1: com dot com is what I'm calling this movie because
• 31:36
  Speaker 1: we'll get to that. Release or from two thousand and two,
• 31:39
  Speaker 1: released on August thirtieth of that year in the US
• 31:42
  Speaker 1: rated R for moderate sex and nudity, which seems tame.
• 31:45
  Speaker 1: There was a lot of close up nipples in this movie.
• 31:48
  Speaker 2: Yeah it felt gross.
• 31:50
  Speaker 1: Yeah it felt weird because half of the girls girls
• 31:53
  Speaker 1: were dead. Severe violence and gore, moderate profanity. We got
• 31:56
  Speaker 1: fifteen fucks, seven scatological to one anatomical term, one mild obscenity,
• 32:04
  Speaker 1: two religious profanities, and eighteen religious exclamations. I put all
• 32:08
  Speaker 1: of that in there because it sounded ridiculous. What is
• 32:10
  Speaker 1: a scatological term? What does that mean?
• 32:13
  Speaker 2: I don't know.
• 32:15
  Speaker 1: Anatomical anatomy?
• 32:18
  Speaker 2: Well, yeah, that would be that.
• 32:19
  Speaker 1: Look up what scatological as?
• 32:20
  Speaker 2: I should have done that, but I'm doing it now.
• 32:22
  Speaker 1: Okay? Am I bothering you?
• 32:24
  Speaker 2: No?
• 32:24
  Speaker 1: Okay? Look annoyed over there? Mild alcohol, drugs and smoking
• 32:30
  Speaker 1: and moderate frightening and intense scenes which tracks scatological.
• 32:37
  Speaker 2: Adjective characterized by obscenity or preoccupation with obscenity, especially in
• 32:42
  Speaker 2: the form of references to excrement. So I guess like shit.
• 32:49
  Speaker 1: Shit and PB, I get all right, whatever? Uh lista
• 32:54
  Speaker 1: or sorry runtime of an hour and forty forty one
• 32:57
  Speaker 1: minutes and you feel every second of that. I remember
• 32:59
  Speaker 1: pausing it to and you were like, how like how
• 33:02
  Speaker 1: was there thirty five minutes left?
• 33:03
  Speaker 2: Yeah?
• 33:03
  Speaker 1: That movie dun listed as a crime horror thriller directed
• 33:08
  Speaker 1: by a man named William Malone, who has eighteen directing credits.
• 33:12
  Speaker 1: Has also done three episode of Freddy's Nightmares, two episodes
• 33:16
  Speaker 1: of Talis from the Crip, and A House on Haunted
• 33:18
  Speaker 1: Hill from nineteen ninety nine, which you want to watch
• 33:20
  Speaker 1: and do on an episode.
• 33:21
  Speaker 2: Yeah, now I'm a little nervous.
• 33:24
  Speaker 1: Written by a man named mo Se Diamont Diamond. He
• 33:30
  Speaker 1: has five writing credits, with this being the biggest name
• 33:33
  Speaker 1: and I'm using air quotes on that one. So yeah,
• 33:36
  Speaker 1: now we know why the story sucked. Also by Josephine
• 33:40
  Speaker 1: Coyle who has three writing credits, this being there again
• 33:44
  Speaker 1: quote unquote biggest movie, and Holly Paberg Toroya again same thing,
• 33:50
  Speaker 1: five credits, this being the biggest one. They took three
• 33:52
  Speaker 1: people to write this shitty movie.
• 33:55
  Speaker 2: This movie reads like you know, when you're watching a
• 33:58
  Speaker 2: TV show and they're like, we're gonna write a pilot
• 34:01
  Speaker 2: for a film, and it's kind of like a joke,
• 34:02
  Speaker 2: like they're gonna like if you're watching a detective show
• 34:07
  Speaker 2: and they're like, oh, we're gonna write a pilot for
• 34:08
  Speaker 2: a detective movie and it's just based on exactly what's
• 34:11
  Speaker 2: happening in the show. Yeah, this feels like that's what happened.
• 34:14
  Speaker 2: Like we're gonna we saw this detective show and we're
• 34:17
  Speaker 2: gonna write a movie based on that show.
• 34:19
  Speaker 1: Yeah, that's exactly what it felt like. And it took
• 34:22
  Speaker 1: three people to do that. Yeah, not just one terrible writer.
• 34:25
  Speaker 1: It took three horrible writers who.
• 34:27
  Speaker 2: I assume they won some sort of writing contest and
• 34:30
  Speaker 2: that's how they got the job.
• 34:32
  Speaker 1: You were entered in a raffle to write for our movies.
• 34:34
  Speaker 2: You want, Oh cool, you have to write.
• 34:36
  Speaker 1: I didn't pass high school. So yeah, those were the writers,
• 34:40
  Speaker 1: and then we have excuse me, this is why the uh?
• 34:45
  Speaker 1: I wait, no, am I thinking of something else? I
• 34:47
  Speaker 1: think maybe that's our our double feature episode with the
• 34:50
  Speaker 1: good composer. Yeah, because the soundtrack was still good, but
• 34:53
  Speaker 1: it was composed by a man named Nicholas Pike has
• 34:56
  Speaker 1: eighty seven composing credits. Also did Critters to the Main
• 34:59
  Speaker 1: Course to Chud the Bud, Sleepwalkers Captain Rod.
• 35:03
  Speaker 2: Which I'm currently thinking of the score right now because
• 35:06
  Speaker 2: I know the score. I love that movie.
• 35:08
  Speaker 1: Ten episodes of Tales from the Crypt and the Shining
• 35:10
  Speaker 1: mini series. That's cool. A lot of good horror things there.
• 35:15
  Speaker 1: Cinematography by a man named Christian Sebalt who has fifteen
• 35:18
  Speaker 1: cinematographer credits and did the Even Stevens movie Resident Evil Apocalypse,
• 35:25
  Speaker 1: Species three and other various show episodes things. So yeah,
• 35:31
  Speaker 1: really a real ragtag team of people here, that's for sure.
• 35:36
  Speaker 1: We've got Stephen starring Stephen Dorf as Mike, who has
• 35:39
  Speaker 1: one hundred and one acting credits. Was also in The
• 35:41
  Speaker 1: Gate from nineteen eighty seven as Glenn. He was in
• 35:44
  Speaker 1: Blade as Deacon Frost, Public Enemies as Homer van Meter
• 35:48
  Speaker 1: and Leatherface as Hal Harmon. Then we've got Natasha McElroy
• 35:52
  Speaker 1: is Terry, who has forty seven acting credits. Was also
• 35:55
  Speaker 1: in Ronan as Deedra and Killing Me Softly as Deborah
• 35:59
  Speaker 1: likes those names that start with D. Then we have
• 36:02
  Speaker 1: Stephen Ray as alas Starr, who has one hundred and
• 36:04
  Speaker 1: thirty three acting credits. Was also in v for Vendetta
• 36:07
  Speaker 1: as Finch, Underworld Awakening as Jacob doctor Jacob Lenn and
• 36:14
  Speaker 1: and what is that? And Great as Brian Cody. Yeah,
• 36:18
  Speaker 1: oh okay, And this was a fucking mcguffin here. This
• 36:22
  Speaker 1: was they screamed us on this one, like you know
• 36:24
  Speaker 1: how halle Berry Wow, Drew Barrymore in the Scream. Udo
• 36:28
  Speaker 1: Kir was in this as Polydor Polo Dori or whatever
• 36:32
  Speaker 1: Polydori he has. He's got two hundred and seventy five
• 36:35
  Speaker 1: acting credits. Was in Suspiria as doctor Frank mandel Ace,
• 36:38
  Speaker 1: Ventura Pet Detective as Camp and Blade as Dragonetti. He's
• 36:41
  Speaker 1: a very debonair looking, suave, handsome man. He's been in
• 36:46
  Speaker 1: a lot of shit, but yeah, he's literally only in
• 36:48
  Speaker 1: the beginning. So yeah, they pulled and drew Barrymore on us.
• 36:50
  Speaker 1: I thought he was gonna be a main player, but no,
• 36:53
  Speaker 1: I guess he's just a top build because of who
• 36:55
  Speaker 1: he is. And then we've got Amelia Curtiss Denise to
• 36:58
  Speaker 1: It's forty five acting credits and was in a whole
• 37:00
  Speaker 1: bunch of TV shows. And then one of my personal heroes,
• 37:03
  Speaker 1: Jeffrey Combes' styles or no it was, was it Styles? Yeah,
• 37:08
  Speaker 1: he's got one hundred and forty three acting credits. Also
• 37:10
  Speaker 1: in Reanimators Herbert West from Beyond as Crawford Tillinghast and
• 37:14
  Speaker 1: The Frighteners as Milton Dammers, one of like literally my
• 37:17
  Speaker 1: personal favorites. To see in a horror movie always makes
• 37:20
  Speaker 1: it better, and in this case, he definitely made it better,
• 37:23
  Speaker 1: but not by much. Not by much. Estimated a budget
• 37:27
  Speaker 1: of forty million dollars and only grossed eighteen point nine million.
• 37:30
  Speaker 1: This is what you would call a wah wah, major
• 37:34
  Speaker 1: oof on this one. That is a lot of money
• 37:37
  Speaker 1: to lose. Very sad. This movie was filmed in Dolmond Dang,
• 37:41
  Speaker 1: Luxembourg and Montreal, Canada. Yeah, to wildly different places. I mean, hello,
• 37:48
  Speaker 1: can you chill? Laydown? Laydown? You can watch this for
• 37:52
  Speaker 1: free on Amazon with ads. I went the two ninety
• 37:54
  Speaker 1: nine rental route and I kind of regretted that. Or
• 37:57
  Speaker 1: you can buy it for actually, you know what, I
• 37:58
  Speaker 1: think I bought it. I think I bought this. Yeah, well,
• 38:02
  Speaker 1: because it's like it was like a dollar more. It's
• 38:03
  Speaker 1: like fucking whatever. And then you can also watch it
• 38:05
  Speaker 1: on Voodoo free with ads if you'd like to do
• 38:07
  Speaker 1: that as well.
• 38:08
  Speaker 2: I don't recommend it.
• 38:09
  Speaker 1: No, I uh probably will never watch this movie again.
• 38:12
  Speaker 1: But I do own it though, so I can watch
• 38:14
  Speaker 1: it whenever I want.
• 38:15
  Speaker 2: That doesn't make it right.
• 38:17
  Speaker 1: No, it doesn't. You're you're totally right on that. Movies
• 38:20
  Speaker 1: that came out around the same time, we've got a
• 38:22
  Speaker 1: whole bunch of winners here. The Master of the Sky
• 38:24
  Speaker 1: is Triple X, The Adventures of Pluto, Nash Blue Crush,
• 38:29
  Speaker 1: One Hour Photo, the only good movie here besides you know,
• 38:32
  Speaker 1: Master of di Skuis. I don't think it's good, but
• 38:33
  Speaker 1: it's like a guilty pleasure movie of mine. Swim Fan Barbershop,
• 38:38
  Speaker 1: Stealing Harvard another that's a classic two thousand movie right there,
• 38:41
  Speaker 1: and then Sweet Home Alabama. So that's a mixed bag
• 38:44
  Speaker 1: right there.
• 38:44
  Speaker 2: I've seen about half of those.
• 38:46
  Speaker 1: And there most of them are not good.
• 38:49
  Speaker 2: I'm looking up. Hold on, this is important. Well you
• 38:53
  Speaker 2: know what, ugh, Pluto Nash, which is oh, let me
• 39:00
  Speaker 2: yest me guess wait, wait wait, let me finish my
• 39:01
  Speaker 2: sent Oh sorry, ahead for record, this movie, Pluto Nash
• 39:09
  Speaker 2: is regarded as one of the worst movies ever made.
• 39:12
  Speaker 1: No, yeah, not just Eddie Murphy's worst movie, Like just
• 39:14
  Speaker 1: one of the worst movies.
• 39:16
  Speaker 2: Yeah, ever made. And it has a score of on letterboxed.
• 39:23
  Speaker 1: Yeah, either zero point nine or one point one.
• 39:29
  Speaker 2: No tigher than that. Really, yeah, what is it to
• 39:32
  Speaker 2: one point five?
• 39:33
  Speaker 1: Oh wow?
• 39:34
  Speaker 2: This film however, well we can we'll get to that.
• 39:37
  Speaker 2: We'll get to that. But keep in mind, Pluto Nash
• 39:40
  Speaker 2: one of the worst films ever one point five.
• 39:43
  Speaker 1: Didn't that like severely bomb at the box office?
• 39:46
  Speaker 2: Yeah, like it totally like obliterated what was left of
• 39:49
  Speaker 2: Eddie Murphy's career.
• 39:52
  Speaker 1: So Pluto Nash two thousand and two. Oh yeah, uh
• 39:54
  Speaker 1: that's when this movie came out. So, oh that's right.
• 39:57
  Speaker 1: Oh that's right. Yeah. This was one of the biggest
• 39:59
  Speaker 1: flops in It took one hundred million dollars to make
• 40:02
  Speaker 1: and only made seven million dollars. Yeah, oh my god.
• 40:07
  Speaker 2: I've seen it. Oh man, no kidding, I've seen it
• 40:09
  Speaker 2: multiple times. But I was a kid, so to me
• 40:12
  Speaker 2: it was just fun to watch because I love sci
• 40:14
  Speaker 2: fi kind of savies.
• 40:15
  Speaker 1: Oh I forgot yeah that I that's right. Yeah, so
• 40:18
  Speaker 1: you lost ninety three million dollars. Oh man, that is
• 40:23
  Speaker 1: a major oof.
• 40:24
  Speaker 2: Yep.
• 40:25
  Speaker 1: Didn't even make back ten percent of what they spent.
• 40:27
  Speaker 2: Yep.
• 40:27
  Speaker 1: Yeah, I could see that tanking a lot of people's careers. Whoo.
• 40:32
  Speaker 1: One hour photo though, that's like an underrated Robin Williams movie.
• 40:37
  Speaker 1: I think needs to be talked about more. He plays
• 40:39
  Speaker 1: a really creepy what I know. Okay, Well, for anybody
• 40:42
  Speaker 1: that doesn't, that's a great one. I always forget about
• 40:45
  Speaker 1: that one and then I'll see it scrolling through a
• 40:47
  Speaker 1: streaming service and I'm like, oh, put that on the list,
• 40:49
  Speaker 1: because that's a really good one. But pretty much everything
• 40:51
  Speaker 1: else there. Like I said, masterdisk guy is kind of
• 40:54
  Speaker 1: a guilty pleasure and stealing Harvard is just great, silly
• 40:56
  Speaker 1: fun It's got what's his name from? My name is Earl.
• 40:59
  Speaker 1: Jayson and Lee nailed it right, Jason Lee, Jason Lee.
• 41:04
  Speaker 1: My name is Earl.
• 41:05
  Speaker 2: Yeah, that's his name written Jason Lee.
• 41:08
  Speaker 1: Right, Jason Lee.
• 41:09
  Speaker 2: That doesn't sound right.
• 41:11
  Speaker 1: I feel like it's Jason Lee. Is that right? My
• 41:14
  Speaker 1: name is Earl, yeah, Jason Lee.
• 41:16
  Speaker 2: Oh yeah, this guy, yeah, I've seen all of My
• 41:20
  Speaker 2: name is Earl. I know what he knew who he is.
• 41:23
  Speaker 1: And it's got Tom Green in it as well, when
• 41:25
  Speaker 1: he was doing movies. Tom Green's hilarious, fucking funny motherfucker.
• 41:30
  Speaker 1: All right, did you have any specific horror moments besides
• 41:33
  Speaker 1: how horrified you were throughout the entire movie and not
• 41:37
  Speaker 1: horrified by the movie, but like also horrified by what
• 41:39
  Speaker 1: was happening?
• 41:41
  Speaker 2: Nope?
• 41:41
  Speaker 1: Really nothing, you got nothing?
• 41:44
  Speaker 2: Nope?
• 41:45
  Speaker 1: Okay, Well, my favorite horror moment was the elevator scared
• 41:48
  Speaker 1: because I kind of jumped a little bit. That was
• 41:49
  Speaker 1: the only time I actually felt something in this movie
• 41:52
  Speaker 1: besides hate.
• 41:53
  Speaker 2: I think the part where the girl was getting chloroformed
• 41:56
  Speaker 2: when he popped up, even though I saw him there.
• 41:58
  Speaker 2: That made me jump a little alletle.
• 42:00
  Speaker 1: Okay, did you have a favorite kill?
• 42:02
  Speaker 3: No?
• 42:04
  Speaker 1: Giving me anything here. You didn't like the fire car kill?
• 42:07
  Speaker 1: That was amazing? It was so stupid?
• 42:10
  Speaker 2: What yep?
• 42:12
  Speaker 1: Okay, did you have a favorite character?
• 42:15
  Speaker 2: No? I hated everybody in that film.
• 42:17
  Speaker 1: You bite your tongue. Jeffrey Combs is a fucking national.
• 42:20
  Speaker 2: Treasure and he was a dumbass in this movie.
• 42:24
  Speaker 1: It's not his fault that he had. It was was
• 42:25
  Speaker 1: written a terrible part. He was still my favorite character because.
• 42:28
  Speaker 2: It's jeff I'm not picking characters based on who the
• 42:30
  Speaker 2: actor was.
• 42:32
  Speaker 1: Boo boo. Okay, who's your least favorite character? No?
• 42:38
  Speaker 2: No, uh ooh ummmmm I guess the detective guy. I
• 42:44
  Speaker 2: don't know. I really disliked everybody.
• 42:47
  Speaker 1: Well for the one that takes a cake for me
• 42:48
  Speaker 1: is the is the chick who got picked up by
• 42:51
  Speaker 1: that guy and went to that abandoned place. So that
• 42:53
  Speaker 1: was the stupidest fucking decision ever.
• 42:56
  Speaker 2: Yeah, that was.
• 42:56
  Speaker 1: I mean everyone was pretty fucking stupid in this, but
• 42:59
  Speaker 1: that she takes a cake on that one, because why
• 43:02
  Speaker 1: what are you doing with your life, that you're gonna
• 43:04
  Speaker 1: just go meet this creepy guy who was filming you
• 43:06
  Speaker 1: stop that shit. Yeah, but you literally put yourself in
• 43:09
  Speaker 1: harm's way and then it kind of bit you in
• 43:10
  Speaker 1: the ass. I didn't have a favorite line because everything
• 43:14
  Speaker 1: they said was fucking stupid.
• 43:15
  Speaker 2: Oh I heard one that was really stupid. You wo
• 43:17
  Speaker 2: had walked out of the room where the bad guy
• 43:19
  Speaker 2: says the detective, it was something really stupid to the
• 43:23
  Speaker 2: effective you're still burdened by the what was it like?
• 43:30
  Speaker 2: You're like, you're as a good guy, you're still burdened
• 43:34
  Speaker 2: by the prospect of hope or some stupid shit like that,
• 43:37
  Speaker 2: and you're like, what it's like, Oh, you're burdened with hope.
• 43:43
  Speaker 2: That must suck to have hope.
• 43:45
  Speaker 1: Yeah.
• 43:46
  Speaker 2: Uh.
• 43:47
  Speaker 1: Everybody in this movie spoke like they were reading something
• 43:52
  Speaker 1: written by elementary school kid.
• 43:55
  Speaker 2: Especially that one nurse. But she spoke like she was
• 43:58
  Speaker 2: a like an auto system. I'm just like, ma'am, I
• 44:01
  Speaker 2: need you to calm down.
• 44:03
  Speaker 1: Oh that was my favorite interaction of that whole entire movie.
• 44:05
  Speaker 1: We'll have to talk about that. Yeah, So I amdb's
• 44:08
  Speaker 1: summary of this A New York City detective investigates mysterious
• 44:14
  Speaker 1: deaths occurring forty eight hours after users log onto a
• 44:17
  Speaker 1: site named fear dot com. But the thing is, it's
• 44:22
  Speaker 1: not fear dot com. It's fear dot com dot com.
• 44:25
  Speaker 1: What the shit?
• 44:26
  Speaker 2: I'm guessing it's because there's an actual website that's fear
• 44:29
  Speaker 2: dot com.
• 44:30
  Speaker 1: Well I think I think I have something.
• 44:32
  Speaker 2: Go to that site. Promise me you won't go there.
• 44:34
  Speaker 1: No, promise me, I will go do it right now.
• 44:36
  Speaker 2: Don't don't do.
• 44:37
  Speaker 1: It right now.
• 44:38
  Speaker 2: Promise me you won't go U.
• 44:41
  Speaker 1: Yeah. So even if there was a website like fucking
• 44:45
  Speaker 1: who can just do it for the movie, but it
• 44:47
  Speaker 1: was literally fear dot com and then dot com that
• 44:50
  Speaker 1: was fucking dumb. Made me so angry. So take it
• 44:55
  Speaker 1: away with the review you are on deck.
• 44:58
  Speaker 2: Oh god, just this is this is rough because frankly,
• 45:03
  Speaker 2: the film was so hard to follow along, and then
• 45:05
  Speaker 2: in the middle somewhere they're flip flopping between like what
• 45:10
  Speaker 2: you're supposed to be paying attention to so much, and
• 45:13
  Speaker 2: then stuff will happen and you're like, okay, they'll they'll
• 45:18
  Speaker 2: do a scene, something will happen, and then it'll cut
• 45:20
  Speaker 2: like it never happened, and you're like, was that was
• 45:23
  Speaker 2: that relevant, and then like ten minutes later, then they'll
• 45:26
  Speaker 2: explain what happened ten minutes ago, and you're like, I
• 45:28
  Speaker 2: don't how am I supposed to keep up with this?
• 45:30
  Speaker 1: Yeah, so it's very disjointed. Excuse me, that was my
• 45:35
  Speaker 1: stomach I gurgly.
• 45:40
  Speaker 2: So let's see. It opens up with this man who's
• 45:45
  Speaker 2: got the world's slippiest glasses on. I mean yeah, in
• 45:50
  Speaker 2: the span of two to three minutes, this man drops
• 45:53
  Speaker 2: his glasses like four times, like I don't I don't
• 45:56
  Speaker 2: know if you lubricated those bitches or what, because they
• 45:58
  Speaker 2: were just like water slide and right off his fucking
• 46:01
  Speaker 2: face every two seconds.
• 46:02
  Speaker 1: Don't you do that with your glasses? Is not what
• 46:04
  Speaker 1: everyone does. I don't know. I don't wear glasses.
• 46:06
  Speaker 2: No, I see, I have mine on chain. So they
• 46:08
  Speaker 2: so when they do slip.
• 46:09
  Speaker 1: Off because of all the yeah, okay, the loop.
• 46:13
  Speaker 2: Yeah, I mean I want to I want to make
• 46:15
  Speaker 2: sure they're not there's not like a friction thing happening
• 46:17
  Speaker 2: with my ears. You know that you hate you're chafing? What? Uh?
• 46:25
  Speaker 2: So this guy is like clutching a computer and a
• 46:29
  Speaker 2: book and he is wandering down into the sewers the.
• 46:35
  Speaker 1: Sewers, Like you said, it would like a look like
• 46:38
  Speaker 1: a set from Underworld or something.
• 46:40
  Speaker 2: Yeah, Like, I don't know if he's going into the
• 46:42
  Speaker 2: Chamber of Secrets or what the fuck, because it's like
• 46:45
  Speaker 2: all beautifully marbled, but it's like pitch black in there
• 46:49
  Speaker 2: except for some globe light situation. You're like, I don't
• 46:53
  Speaker 2: know any subway that that that's this poorly lit.
• 46:57
  Speaker 1: Yeah.
• 46:57
  Speaker 2: And so he's there and he's waiting for the train,
• 47:00
  Speaker 2: and he is freaking out, and his nose keeps bleeding
• 47:03
  Speaker 2: and his glasses keep falling off his face, and then
• 47:07
  Speaker 2: he sees this little girl on the subway tracks playing with.
• 47:13
  Speaker 1: A ball, and she's like thing like her.
• 47:18
  Speaker 2: She's very pale, she's wearing all white, the ball is
• 47:20
  Speaker 2: white everything. She's throwing it around and then picking it up,
• 47:24
  Speaker 2: and he looks so upset and so nervous, and then
• 47:28
  Speaker 2: he looks like he's you know, now them thinking about
• 47:30
  Speaker 2: this in conjunction with all the other people's experiences, it's
• 47:34
  Speaker 2: really weird that he went down there after her. He
• 47:37
  Speaker 2: goes down onto the tracks to try to get her,
• 47:40
  Speaker 2: but he like waits till the train is practically in
• 47:43
  Speaker 2: the station to go save her, jumps down there, there's
• 47:47
  Speaker 2: a lot of electrical wires. You think, okay, maybe he's
• 47:49
  Speaker 2: gonna electrocute himself, because his glasses shockingly fall off of
• 47:53
  Speaker 2: his face right next to the electrical wires. He gets them,
• 47:57
  Speaker 2: doesn't put them back on. Maybe he's learned his lesson.
• 48:00
  Speaker 1: Uh.
• 48:01
  Speaker 2: And then the girl's just gone, so like, I guess
• 48:03
  Speaker 2: that saving her thing is just done with, okay, And
• 48:08
  Speaker 2: then he sees that the train's coming and is like,
• 48:12
  Speaker 2: oh shit. Uh. And then he backs himself against the
• 48:15
  Speaker 2: wall to make sure he's safe, because that's what those
• 48:18
  Speaker 2: gaps in the other side of the train tracks are for.
• 48:23
  Speaker 2: Except then, out of for no apparent reason, he goes
• 48:27
  Speaker 2: ah and then jumps in front of the train. Yeah,
• 48:31
  Speaker 2: there's no reason. Nothing else happened.
• 48:33
  Speaker 1: I see the girl again though, and no, I could
• 48:35
  Speaker 1: have sworn he does.
• 48:36
  Speaker 2: He wasn't there. He just jumped in front of the train.
• 48:39
  Speaker 1: Could have sworn he saw her like flickering somewhere or something.
• 48:43
  Speaker 2: Yeah, No, no fucking clue. Why So then it cuts
• 48:47
  Speaker 2: to Detective Dipshit rolling on in.
• 48:50
  Speaker 1: Who will be there? Therefore therein referred to as that
• 48:54
  Speaker 1: name for the for the rest of the review of
• 48:57
  Speaker 1: this movie.
• 48:58
  Speaker 2: Hands down worst detective. I've seen better detectives in this film.
• 49:02
  Speaker 2: I'm a better detect detective.
• 49:03
  Speaker 1: Yeah, I'm a better detective.
• 49:06
  Speaker 2: So he they're talking about the scared look on his
• 49:08
  Speaker 2: face and somehow how he's in one piece despite jumping
• 49:12
  Speaker 2: face first into a train, and how he's clutching these books,
• 49:16
  Speaker 2: and some woman has the brilliant conclusion that he must
• 49:19
  Speaker 2: have been trying to stop the train with the textbook.
• 49:23
  Speaker 1: What who?
• 49:25
  Speaker 2: So they see this guy, they don't know what's going
• 49:29
  Speaker 2: on with him. They're like, all right, well this is
• 49:31
  Speaker 2: super weird. His nose is bleeding, his eyes are bleeding,
• 49:34
  Speaker 2: Like what is that? Okay, cool, go back to the detective, Like,
• 49:39
  Speaker 2: go back to the police station. Some guy who is
• 49:42
  Speaker 2: German and has hair like the like a white man's coolio.
• 49:48
  Speaker 2: Tell me I'm wrong with it.
• 49:48
  Speaker 1: Looks like an island boy. It looks like the I
• 49:52
  Speaker 1: think the island boy has got inspiration from this guy
• 49:55
  Speaker 1: right here.
• 49:56
  Speaker 2: Yeah. Yeah, So this guy whose German is losing his ship,
• 50:02
  Speaker 2: his face is bleeding. They're trying to get id from
• 50:04
  Speaker 2: him because they're like, hey, this guy looks like our victim.
• 50:08
  Speaker 3: Just now.
• 50:09
  Speaker 2: And then but he and his other detective I guess
• 50:15
  Speaker 2: not friend. They kind of imply that they know each
• 50:17
  Speaker 2: other well, but then like proceed to barely speak through
• 50:19
  Speaker 2: the film or just get annoyed with each other. They're
• 50:24
  Speaker 2: talking about how maybe this is a victim of the doctor,
• 50:27
  Speaker 2: and he's like, when are you gonna let that case go?
• 50:30
  Speaker 2: Like you mean that open case? God, I hope I
• 50:33
  Speaker 2: don't let it go. That would be shitty detective work.
• 50:39
  Speaker 2: So or is He later refers to it a skeleton
• 50:42
  Speaker 2: in his closet. You're like, what what?
• 50:44
  Speaker 1: I don't think that's how that's that's not that's not
• 50:46
  Speaker 1: the right termino.
• 50:47
  Speaker 2: Yeah, So they get the German guy's ID and then
• 50:52
  Speaker 2: immediately go to his house with a bunch of cops
• 50:54
  Speaker 2: and you're like you even were like what the fuck? What? What?
• 50:59
  Speaker 2: Why are they going there? Because the guy is in
• 51:02
  Speaker 2: jail And I'm like maybe And they said, I think
• 51:05
  Speaker 2: it's because they saw his face was bleeding, like their
• 51:09
  Speaker 2: victim's face was bleeding, and they think maybe it's related.
• 51:13
  Speaker 1: It's still such a weird jump to be like go
• 51:15
  Speaker 1: to their house. Oh, like, ah, let's go Scooby Do Adventure.
• 51:19
  Speaker 2: You know what? Two second backtrack when they're talking about
• 51:23
  Speaker 2: guy with bleeding face, his eyes aren't physically bleed or
• 51:26
  Speaker 2: like there's no blood on the train victim's face. They say,
• 51:30
  Speaker 2: man went to get a newspaper and when he turned around,
• 51:35
  Speaker 2: the guy was gone. But he noticed before the guy
• 51:38
  Speaker 2: disappeared that his eyes were bleeding. We never see his
• 51:41
  Speaker 2: eyes actually bleeding. They just say it, and you're like
• 51:44
  Speaker 2: you also, he is alone on the train tracks, so
• 51:48
  Speaker 2: they just inserted random character because you know, they just
• 51:52
  Speaker 2: fucking forgot his eyes were supposed to bleed, so they
• 51:55
  Speaker 2: had to like throw some shit in later to cover
• 51:58
  Speaker 2: their tracks on that.
• 52:00
  Speaker 1: I'm sure Udo Kir did his fucking thing in one
• 52:02
  Speaker 1: day and he was done and they were like, fuck,
• 52:04
  Speaker 1: we can't get him back to do more. His his
• 52:06
  Speaker 1: his shooting is done for the movie. We gotta make
• 52:09
  Speaker 1: some shit up.
• 52:10
  Speaker 2: Yeah, we'll just add in person that didn't exist, because
• 52:12
  Speaker 2: as we know, in all films, there's always someone random
• 52:16
  Speaker 2: that you didn't see, because that's good visual storytelling. Have
• 52:21
  Speaker 2: people see stuff who are off screen.
• 52:23
  Speaker 1: It's great. It's like physical comedy when you're listening to
• 52:26
  Speaker 1: like a comedy album, when they're doing physical comedy like this,
• 52:28
  Speaker 1: is great.
• 52:28
  Speaker 2: I wish I was a part of this, right, So, yeah,
• 52:32
  Speaker 2: they go to German guy's house with the world's weakest flashlight,
• 52:37
  Speaker 2: Like Detective dipshit is holding what essentially amounts to like
• 52:44
  Speaker 2: it's like a flashlight he possibly got in a box
• 52:46
  Speaker 2: of cereal.
• 52:47
  Speaker 1: Honestly, Yeah, that's the Yeah, it's like one tiny little
• 52:50
  Speaker 1: circle on the wall, and I'm like, this is pointless.
• 52:52
  Speaker 2: There's more light coming through the windows, and also, why
• 52:56
  Speaker 2: are you using a flashlight when it's clearly daylight and
• 52:59
  Speaker 2: there's windows.
• 53:00
  Speaker 1: It's not even dark outside.
• 53:02
  Speaker 2: Yeah, doing so, he makes his way into the bathroom
• 53:05
  Speaker 2: where he finds a girl whose eyes and nose are
• 53:08
  Speaker 2: bleeding and she's in the bathtub, and then we see
• 53:12
  Speaker 2: I want to say, we see this woman's breasts four
• 53:15
  Speaker 2: times throughout the film, and it already feels kind of weird,
• 53:18
  Speaker 2: like you get the initial shock factor from the first time,
• 53:22
  Speaker 2: and then the other three times you're like, why are
• 53:25
  Speaker 2: we still she's still a dead body? Right, Usually there's
• 53:29
  Speaker 2: a level of like respect in these kinds of films
• 53:32
  Speaker 2: where they don't try to gratuitously show breasts of dead bodies.
• 53:35
  Speaker 1: Yeah, you saw there was like four different shots of
• 53:37
  Speaker 1: her and her boobs and you're like, yeah, I get it.
• 53:40
  Speaker 2: Yeah it was.
• 53:41
  Speaker 1: She's still there, super weird, a dead body.
• 53:44
  Speaker 2: And then this woman who's part of the what.
• 53:47
  Speaker 1: Oh the doh Department of Health.
• 53:49
  Speaker 2: Yeah, she comes in as he's sticking his hand in
• 53:53
  Speaker 2: the water to do something.
• 53:56
  Speaker 1: Into her face, like he was like he was like
• 53:57
  Speaker 1: pulling her face, like pushing her face up straight or something.
• 54:00
  Speaker 2: Yeah. Yeah, so crack detective, fucking evidence and securing a
• 54:07
  Speaker 2: crime scene. It doesn't fucking matter. Apparently doesn't exist. You
• 54:11
  Speaker 2: might talk about it, but you're not about it because
• 54:16
  Speaker 2: she goes, oh, don't touch that because she could have
• 54:19
  Speaker 2: a disease, because they had called them after the two
• 54:22
  Speaker 2: bleedy face guys, and apparently she was already like en
• 54:25
  Speaker 2: route that she got there that quickly, because the fact
• 54:28
  Speaker 2: that she appeared while they were on their way to
• 54:31
  Speaker 2: crime scene number two is like, how the fuck did
• 54:33
  Speaker 2: she get there in time? When you called her as
• 54:36
  Speaker 2: you were heading to crime scene number two?
• 54:38
  Speaker 1: I was in the area Starbucks down the street and
• 54:40
  Speaker 1: here I'm.
• 54:41
  Speaker 2: Just here, and so she's like, oh, it's you know,
• 54:46
  Speaker 2: she could have a viral thing, so don't touch anything.
• 54:49
  Speaker 2: And then they proceed to She proceeds to start touching
• 54:54
  Speaker 2: stuff and takes a camcorder out from under the bathtub,
• 54:58
  Speaker 2: and he's like, hey, that's evident, and she's like, well,
• 55:00
  Speaker 2: I'm like holding it with like a pen.
• 55:02
  Speaker 1: She's like, I know, it's evidence.
• 55:03
  Speaker 2: She's like, I know, all right. Also, why did you
• 55:06
  Speaker 2: just walk into an active crime scene like you have
• 55:09
  Speaker 2: any business being there without it being secured? Who gave
• 55:12
  Speaker 2: you permission?
• 55:12
  Speaker 1: They didn't set off for they didn't rope anything off,
• 55:14
  Speaker 1: they didn't set any those little plastic cards down or anything.
• 55:16
  Speaker 1: It's a completely chaotic crime scene.
• 55:19
  Speaker 2: And I guess I must have blacked out during the
• 55:21
  Speaker 2: scene because at some point he had to have asked her, Hey,
• 55:25
  Speaker 2: do you want to be minute detective buddy? Because my
• 55:28
  Speaker 2: detective buddy sucks because that woman never left his side
• 55:32
  Speaker 2: the rest of the film.
• 55:33
  Speaker 1: Which is not her in her in her fucking job description,
• 55:35
  Speaker 1: she is Department of Health and now she's like a
• 55:37
  Speaker 1: detective on the case more than psychs or styles or.
• 55:40
  Speaker 2: Styles, yes, styles, who is apparently playing role of bumbling
• 55:44
  Speaker 2: moron cop because like he and the other cops are
• 55:49
  Speaker 2: trying to pry open a door that's to the other
• 55:52
  Speaker 2: side of the bathroom styles and Detective dipshit and uh
• 55:58
  Speaker 2: Department of Health lady are just like watching them try
• 56:01
  Speaker 2: to break into the door that they're standing on the
• 56:03
  Speaker 2: other side of and could have unlocked. So crack team,
• 56:08
  Speaker 2: really really cracked team.
• 56:09
  Speaker 1: They all do crack.
• 56:13
  Speaker 2: And then they get a call that they got to
• 56:14
  Speaker 2: rush back because German Island boy is Oh god, I
• 56:22
  Speaker 2: saw a thing about those guys the other day.
• 56:24
  Speaker 1: Stupid.
• 56:26
  Speaker 2: Yeah, so that guy has died, but not before writing
• 56:32
  Speaker 2: murderer in blood in his cell and every detective I
• 56:37
  Speaker 2: assume in the immediate area has come to look at
• 56:40
  Speaker 2: it because it is just a swarm of people and
• 56:43
  Speaker 2: she's like, well, it might be something like ebola, and
• 56:47
  Speaker 2: you're like what, and then she just casually said and
• 56:52
  Speaker 2: then they've got people in hasmad suits coming over because apparently,
• 56:55
  Speaker 2: as the Department of Health representative, she is not in
• 56:58
  Speaker 2: the least bit concerned about exposing herself too. Said thing.
• 57:03
  Speaker 2: And then she tells the detective while they're sitting and
• 57:06
  Speaker 2: talking about it in the pen area of the the
• 57:11
  Speaker 2: police station, oh, we've probably already been exposed, so of
• 57:15
  Speaker 2: course let's sit down, open and expose everybody else while
• 57:18
  Speaker 2: we're at it, and she's like, so, he goes, we've
• 57:20
  Speaker 2: been exposed to what. She's like, I don't know, something
• 57:22
  Speaker 2: like ebola. And while they're discussing this, which you have
• 57:25
  Speaker 2: to assume has been minutes after this happens, they come back, Oh,
• 57:28
  Speaker 2: test results are clear. It's not a virus. What lab
• 57:33
  Speaker 2: did you send that to?
• 57:34
  Speaker 1: The quick one?
• 57:35
  Speaker 2: Yeah, So the time span on everything doesn't make any sense.
• 57:39
  Speaker 1: No, there's really really loose time frames with everything.
• 57:42
  Speaker 2: Yeah, but as Department of Health, she's just actively probably
• 57:47
  Speaker 2: exposing everyone and she's just totally chill about it.
• 57:50
  Speaker 1: And she's not doing her whatever her job is. At
• 57:53
  Speaker 1: this point, she's on the like she just completely straight
• 57:55
  Speaker 1: away from her job as Department of Health. And it's like,
• 57:57
  Speaker 1: I'm a detective now I'm on the case. But we
• 58:00
  Speaker 1: didn't I'm on the case.
• 58:01
  Speaker 2: Yeah, that's the thing that Department of Health. Okay, it's
• 58:06
  Speaker 2: not a virus. I don't know what this is, but
• 58:08
  Speaker 2: it's not a virus. By my job is done here,
• 58:12
  Speaker 2: and she's like, nah, I can also look for clues.
• 58:15
  Speaker 1: There was no point in making her Department of Health representative.
• 58:18
  Speaker 1: They literally could have just made her detective and it
• 58:20
  Speaker 1: would have made so much more sense.
• 58:22
  Speaker 2: Yeah, because they like, literally, detectives usually work in pairs
• 58:25
  Speaker 2: and fucking styles just disappears for the next like third
• 58:31
  Speaker 2: of the film. For a while. Yeah, he was like.
• 58:33
  Speaker 1: Where is he? And then he pops back and like, hey.
• 58:35
  Speaker 2: He just pops up a couple more times ago. Yeah,
• 58:37
  Speaker 2: I'm still part of this film.
• 58:38
  Speaker 1: Yeah, I'm Jeffrey Combs. I'm the best. No, but I
• 58:42
  Speaker 1: hate this movie.
• 58:44
  Speaker 2: So they figure that out. Then they decide they're going
• 58:46
  Speaker 2: to watch the camp Quorder. The cam Quorder basically shows
• 58:50
  Speaker 2: this couple doing weird things, just random, non.
• 58:54
  Speaker 1: Like the city again and then for no reason, a
• 58:58
  Speaker 1: lot of not even justified.
• 59:00
  Speaker 2: And that's the thing. I already think nudity in general
• 59:03
  Speaker 2: is not really necessary inal and most films, the way
• 59:07
  Speaker 2: it's used, it's not necessary. This was and this was
• 59:10
  Speaker 2: just like nudity for nudity for.
• 59:11
  Speaker 1: Say, literally yeah, just to show boobs. And you're like,
• 59:14
  Speaker 1: I mean, okay, but there's no point.
• 59:16
  Speaker 2: Yeah, no point. It's literally just to say, hey, we
• 59:19
  Speaker 2: got these women to take their tops off.
• 59:21
  Speaker 1: You're like, great, that's wonderful. What's this do to the story.
• 59:24
  Speaker 2: So and then they see that the couple goes on
• 59:26
  Speaker 2: a website on their computer, but they can't really see
• 59:29
  Speaker 2: anything on the computer. They just see them get nervous
• 59:31
  Speaker 2: and turn the camera.
• 59:32
  Speaker 1: Here screams from the computer. Yeah, and then they just
• 59:34
  Speaker 1: shut it off and you're like, okay.
• 59:36
  Speaker 2: So then cut to a completely different thing that's happening.
• 59:40
  Speaker 2: This woman is being filmed at a distance by somebody,
• 59:46
  Speaker 2: and she goes into her job, and then it cuts
• 59:50
  Speaker 2: to her being at her job and someone walks up
• 59:53
  Speaker 2: to her while recording her and like sticking the camera
• 59:57
  Speaker 2: as close to her face as they could possibly manage
• 1:00:00
  Speaker 2: while she's not aware what's going on, and then you
• 1:00:04
  Speaker 2: only see like her face up close and half of
• 1:00:07
  Speaker 2: his face and the weirdest camera angle ever. And you
• 1:00:10
  Speaker 2: really gotta think, knowing that who the killer is, there
• 1:00:17
  Speaker 2: was literally no reason to hide his identity. Yeah, it
• 1:00:20
  Speaker 2: was none, because they eventually just show it and you're like, oh,
• 1:00:23
  Speaker 2: that's not anybody we've seen, Okay, So they just hit
• 1:00:26
  Speaker 2: it for no reason.
• 1:00:27
  Speaker 1: Cool, Yeah, it wasn't.
• 1:00:29
  Speaker 2: It wasn't a reveal, It was just camera work for reasons.
• 1:00:33
  Speaker 1: Uh.
• 1:00:33
  Speaker 2: So this woman talks to this man. This woman is
• 1:00:37
  Speaker 2: not bright, and he's like, if any dude walked up
• 1:00:41
  Speaker 2: to me filming me and be like, what the fuck
• 1:00:43
  Speaker 2: are you doing this girl's He says, oh, you're beautiful,
• 1:00:46
  Speaker 2: you should be you should Would you like to come
• 1:00:49
  Speaker 2: and be in my film? And she's like, sign me up, stranger?
• 1:00:54
  Speaker 1: Yeah, literally, are you strange? Man who was feeling me
• 1:00:57
  Speaker 1: and gave me a card to go meet you somewhere?
• 1:01:00
  Speaker 1: That sounds great?
• 1:01:01
  Speaker 2: No, yeah, So poor dumb, dumb woman goes and gets
• 1:01:07
  Speaker 2: herself kidnapped, and then of course you see a bit
• 1:01:12
  Speaker 2: with her, and of course we get to see her
• 1:01:14
  Speaker 2: boobs because why wouldn't you this point?
• 1:01:15
  Speaker 1: Why not? I guess, Oh my god, I don't care. Yeah,
• 1:01:20
  Speaker 1: you need this in my movie.
• 1:01:22
  Speaker 2: It's really hard to keep track of what came when,
• 1:01:24
  Speaker 2: because again there's a real issue with the storytelling and
• 1:01:28
  Speaker 2: how the direction it takes, where scenes will just happen,
• 1:01:32
  Speaker 2: and because they don't keep the plot rolling forward in
• 1:01:36
  Speaker 2: a very clear way, you don't remember which one came first.
• 1:01:39
  Speaker 1: So let's just break it down by bullet point at
• 1:01:40
  Speaker 1: this point, because we had like ten ten laughter or so.
• 1:01:44
  Speaker 2: Yeah, Department of Health Ladies boss dies by. He sees
• 1:01:49
  Speaker 2: the little girl while he's looking nervous and his face
• 1:01:55
  Speaker 2: is bleeding, and then his car starts filling with smoke
• 1:01:59
  Speaker 2: and drives itself and crashes.
• 1:02:03
  Speaker 1: That's can I just can I expand on that real quick? Oh?
• 1:02:07
  Speaker 1: Zol did not like that, and I'm sorry, what's wrong? No,
• 1:02:11
  Speaker 1: you sit down there. This is just my like, my
• 1:02:13
  Speaker 1: favorite part of the movie because it was so ridiculous.
• 1:02:15
  Speaker 1: So yeah, do we do we know why she was
• 1:02:18
  Speaker 1: talking to the boss. Was it about like the case
• 1:02:20
  Speaker 1: or something? Oh?
• 1:02:21
  Speaker 2: Fuck, if I can remember, it was really hard to
• 1:02:23
  Speaker 2: keep watch five minutes ago.
• 1:02:26
  Speaker 1: So she's talking to her boss and yeah, and he's like,
• 1:02:28
  Speaker 1: his nose is starting to bleed, and so we know
• 1:02:31
  Speaker 1: that he's next. So he's obviously seen it. Never go
• 1:02:33
  Speaker 1: into how he saw it, Yeah, never go into that
• 1:02:36
  Speaker 1: at all. His laptop has been sent away because it
• 1:02:38
  Speaker 1: wasn't working. Yeah, okay, great, And then he's going to
• 1:02:41
  Speaker 1: his car he sees the girl with the ball. So
• 1:02:43
  Speaker 1: you're like, okay, this track from you know udo kir
• 1:02:46
  Speaker 1: seeing this in the beginning, we don't see the couple
• 1:02:50
  Speaker 1: that's on the camera. They don't. They don't show them
• 1:02:52
  Speaker 1: seeing the girl at all. But he sees the girl
• 1:02:55
  Speaker 1: gets in his car, and he's like smoking a cigarette
• 1:02:57
  Speaker 1: and there's like a pretty cool jump scare with the girl,
• 1:03:00
  Speaker 1: and then there was a lit cigarette. When he got
• 1:03:02
  Speaker 1: in the car, there was a cigarette already burning in
• 1:03:04
  Speaker 1: his ashtray. And when he saw the girl that came
• 1:03:07
  Speaker 1: up next to his window, it scared him, and in
• 1:03:09
  Speaker 1: the cigarette that was in his mouth fell out onto
• 1:03:11
  Speaker 1: his seat, and that somehow starts a fire. MythBusters prove
• 1:03:14
  Speaker 1: this shit. It's not possible. You can't throw a cigarette
• 1:03:17
  Speaker 1: onto your seat and it will just it will just
• 1:03:19
  Speaker 1: make a little hole. And that's it. MythBusters proved the shit.
• 1:03:22
  Speaker 1: Or someone did, or yeah, maybe that's what it was.
• 1:03:25
  Speaker 1: Maybe it was forensic files. Yeah, because they've tried to
• 1:03:27
  Speaker 1: burn a car repeatedly with a cigarette. It doesn't. So
• 1:03:30
  Speaker 1: his car starts to smoke and get set on fire,
• 1:03:33
  Speaker 1: and then out of nowhere, the car just accelerates, it
• 1:03:36
  Speaker 1: goes forward, and then he hits a brick wall. And
• 1:03:38
  Speaker 1: it was so ludicrous and just absolutely asinine that I
• 1:03:42
  Speaker 1: was just laughing because I thought it was so silly.
• 1:03:44
  Speaker 2: So he dies, yep, Yeah, and then let's see the
• 1:03:49
  Speaker 2: Department of Health woman while talking over the bathtub woman's body,
• 1:03:56
  Speaker 2: discussing what it could be and how they don't really
• 1:04:01
  Speaker 2: know what the connection is. Uh. Then they're like, oh,
• 1:04:03
  Speaker 2: a fresh body comes in, and then her boss body
• 1:04:06
  Speaker 2: rolled in and they're like, oh shit, my boss I
• 1:04:08
  Speaker 2: do that's weird. And then they finally come to some
• 1:04:12
  Speaker 2: sort of conclusion that oh, uh, all these people had
• 1:04:16
  Speaker 2: a problem with their computers. Okay, so they give all
• 1:04:20
  Speaker 2: their computers to randomwoman that is a person who works
• 1:04:24
  Speaker 2: with computers. There's always just some nondescript person who's working
• 1:04:27
  Speaker 2: out of their house, the.
• 1:04:28
  Speaker 1: Guy in the chair in this In this case, it's
• 1:04:29
  Speaker 1: a lady in the chair and she lives in the
• 1:04:31
  Speaker 1: world's most larious layer.
• 1:04:34
  Speaker 2: Yeah, it literally looks like a nice fancy loft apartment.
• 1:04:38
  Speaker 2: She's over here, but.
• 1:04:39
  Speaker 1: Like from like the second I was gonna say, from
• 1:04:42
  Speaker 1: like Tim Burton's Batman, Like yeah, right, what the fuck?
• 1:04:45
  Speaker 2: It definitely gave off Batman back, like seriously. And so
• 1:04:49
  Speaker 2: this lady goes through everything and she finds a website
• 1:04:54
  Speaker 2: dear dot com, fear dot com dot com. And keep
• 1:04:59
  Speaker 2: in mind, while this is happening, the guy who's kidnapped
• 1:05:01
  Speaker 2: the dumb dumb woman is like doing some sort of
• 1:05:05
  Speaker 2: weird rigormarole about like uh oh, this is all for
• 1:05:10
  Speaker 2: performance and this is how death is and feeling pain
• 1:05:14
  Speaker 2: and blah blah blah blah blah. It's just like asinine bullshit.
• 1:05:19
  Speaker 1: It's so fu yeah, it's so yeah. There we go.
• 1:05:23
  Speaker 1: Thank you. That's the word I was thinking of it.
• 1:05:24
  Speaker 2: You're like, I'm not believing him as a serial killer.
• 1:05:27
  Speaker 2: I'm believing him as someone who's talking out of his
• 1:05:29
  Speaker 2: ass for sure, to justify why he likes hurting women.
• 1:05:32
  Speaker 1: Cut to talking out of his ass, right.
• 1:05:36
  Speaker 2: So again, the time frame on this shits really weird
• 1:05:42
  Speaker 2: because they figure out so the computer lady gets into
• 1:05:46
  Speaker 2: this and then she is like, it's a website where
• 1:05:51
  Speaker 2: some woman is like, uh, do you want to find
• 1:05:54
  Speaker 2: me hurt me or whatever?
• 1:05:56
  Speaker 1: No? Or yes and.
• 1:05:57
  Speaker 2: Come find me, find me. I know what you want
• 1:06:01
  Speaker 2: and like if you say no, like you're a liar,
• 1:06:03
  Speaker 2: Like okay.
• 1:06:04
  Speaker 1: Okay, why give me the hut?
• 1:06:06
  Speaker 2: And then you've got forty eight hours is what she gets.
• 1:06:10
  Speaker 1: But did they even I don't think they even told
• 1:06:12
  Speaker 1: that to the girl. I think that the first time
• 1:06:13
  Speaker 1: we heard that was when what's her face? Does it?
• 1:06:16
  Speaker 1: Terry or detective? Shit? Really oh, I thought the first
• 1:06:21
  Speaker 1: time we heard it was detective.
• 1:06:22
  Speaker 2: That girl starts seeing weird shit like cockerroaches everywhere and uh.
• 1:06:27
  Speaker 1: Everywhere, Yeah, hundreds upon thousands of them.
• 1:06:31
  Speaker 2: And what's confusing is she never sees the little girl.
• 1:06:33
  Speaker 2: She only sees the ball.
• 1:06:35
  Speaker 1: Yep.
• 1:06:36
  Speaker 2: And as soon as they figure out that this all
• 1:06:40
  Speaker 2: has to do with some crazy ass website, uh, they
• 1:06:43
  Speaker 2: haul asked to her as soon as they realize that's
• 1:06:46
  Speaker 2: why she was acting weird earlier, except like, it feels
• 1:06:50
  Speaker 2: like maybe it took place over the course of a day,
• 1:06:52
  Speaker 2: but it's apparently been two days. And again she does
• 1:06:56
  Speaker 2: not see the little girl, So I don't know why
• 1:06:58
  Speaker 2: she didn't see it, but everybody else did. And she
• 1:07:04
  Speaker 2: eats herself out a window.
• 1:07:06
  Speaker 1: Yeah, uh, because I guess because of the roaches were
• 1:07:08
  Speaker 1: too scary.
• 1:07:09
  Speaker 2: I know. I'm like, I personally hate roaches. I don't
• 1:07:13
  Speaker 2: throw myself out a window hate them. No, I might
• 1:07:16
  Speaker 2: accidentally trip and fall out a window if I were
• 1:07:18
  Speaker 2: near one and a roach was on me. That that's plausible.
• 1:07:22
  Speaker 1: Uh, that was a weird reason for her to die.
• 1:07:24
  Speaker 1: I didn't understand that because she just killed herself.
• 1:07:26
  Speaker 2: You're like, all right, Also, innocent bystander, like, we don't
• 1:07:29
  Speaker 2: really know what everybody else's motives are. They're good or
• 1:07:31
  Speaker 2: bad people, but this woman appeared to be a relatively
• 1:07:34
  Speaker 2: good person.
• 1:07:35
  Speaker 1: She was just trying to help.
• 1:07:36
  Speaker 2: Yeah, and oh boy, so she dies. They figure out
• 1:07:42
  Speaker 2: it's this website somehow, and again Department of Health over here,
• 1:07:48
  Speaker 2: still fucking doing detective work because detective Styles is fucked
• 1:07:52
  Speaker 2: off somewhere else.
• 1:07:53
  Speaker 1: Yeah.
• 1:07:54
  Speaker 2: Once again he is deferred to Department of Health for
• 1:07:58
  Speaker 2: her detective skills.
• 1:08:00
  Speaker 1: You're clearly better at this than I am. You you
• 1:08:02
  Speaker 1: carry on.
• 1:08:02
  Speaker 2: I'll go back to eating my donuts. And so she's like,
• 1:08:08
  Speaker 2: promise me, you won't go onto this website. Don't go,
• 1:08:10
  Speaker 2: and detective Dipshit's like yeah, herd immediately goes back to
• 1:08:15
  Speaker 2: this woman's house, gets on the website.
• 1:08:17
  Speaker 1: Immediately if you're dot com dot com.
• 1:08:18
  Speaker 2: Yeah, uh where He then, of course gets sucked in
• 1:08:22
  Speaker 2: the same way she did and immediately starts seeing stuff,
• 1:08:26
  Speaker 2: and unlike everybody else, doesn't even make it an hour
• 1:08:31
  Speaker 2: before getting depilitatingly injured and rambling nonsense that he then
• 1:08:38
  Speaker 2: has to go to the hospital, leaving Department of Health
• 1:08:41
  Speaker 2: to solve the crime by yourself.
• 1:08:43
  Speaker 1: And he's like, promise me, you won't go on the internet.
• 1:08:46
  Speaker 1: Don't go to it. Immediately goes to it.
• 1:08:48
  Speaker 2: He's like, okay, yeah, yeah, yeah, I'm getting on my
• 1:08:50
  Speaker 2: computer right now.
• 1:08:52
  Speaker 1: I can't hear you don't do what don't.
• 1:08:54
  Speaker 2: You hear the typing? And then she figures out that
• 1:08:59
  Speaker 2: this is some and going on what kills me though,
• 1:09:02
  Speaker 2: And I'm not going to get like too crazy past
• 1:09:04
  Speaker 2: this on what goes on in the story, But she
• 1:09:06
  Speaker 2: goes running to his office to talk to Styles, who
• 1:09:10
  Speaker 2: has miraculously reappeared and is rambling bullshit and also hitting
• 1:09:15
  Speaker 2: on her at a wildly inappropriate time. He starts rambling
• 1:09:19
  Speaker 2: bullshit about this old case with this guy called the doctor,
• 1:09:24
  Speaker 2: and she's like, I need to see his files on
• 1:09:27
  Speaker 2: this thing, and he's like, don't go through stuff, and
• 1:09:29
  Speaker 2: she's like, I need to see his files, and she
• 1:09:33
  Speaker 2: goes through his files manages to crack the point that
• 1:09:36
  Speaker 2: since the lady on the computer said you have to
• 1:09:41
  Speaker 2: find me, that she finds the woman and somehow manages
• 1:09:46
  Speaker 2: to figure out exactly where this weird woman on the
• 1:09:50
  Speaker 2: computer's body is ye all by herself, using the shit
• 1:09:55
  Speaker 2: that the detective already had access to and you're like,
• 1:10:00
  Speaker 2: how the fuck are you getting out Detective.
• 1:10:03
  Speaker 1: Dohs by department. They should just made they should have
• 1:10:06
  Speaker 1: just called this Department of Health crime stuff, because no shit,
• 1:10:09
  Speaker 1: She takes.
• 1:10:09
  Speaker 2: On the role as the detective for the rest of
• 1:10:12
  Speaker 2: the fucking films. He literally comes back in for the
• 1:10:15
  Speaker 2: last ten minutes, but she carries like the third of
• 1:10:18
  Speaker 2: the film. Yeah, what the fuck?
• 1:10:21
  Speaker 1: Yeah, she ends up somehow finding the mom of the
• 1:10:23
  Speaker 1: child who was who was, who grew up and became
• 1:10:26
  Speaker 1: an adult and was a hemophiliac and was scared of
• 1:10:28
  Speaker 1: everything and then died. She somehow tracked all that shit down,
• 1:10:31
  Speaker 1: found out everything she needed to find, and then it
• 1:10:34
  Speaker 1: just takes a left turn from there, because it doesn't
• 1:10:36
  Speaker 1: the story doesn't even end there. She got the body,
• 1:10:38
  Speaker 1: and it's supposed to be over. It's not over. You
• 1:10:40
  Speaker 1: can watch the movie and find out. I'm not gonna
• 1:10:41
  Speaker 1: tell you.
• 1:10:42
  Speaker 2: Yeah, I think not to spoil it because it's so weird,
• 1:10:47
  Speaker 2: but I'm still trying to figure it out because I
• 1:10:52
  Speaker 2: can't figure it out.
• 1:10:53
  Speaker 1: Okay, No, So I'm just I was just teasing, like,
• 1:10:56
  Speaker 1: don't try to figure it out, go ahead, go ahead.
• 1:10:58
  Speaker 1: I was I was just teasing it.
• 1:11:00
  Speaker 2: It's not entirely clear if this woman has her own
• 1:11:04
  Speaker 2: website that she's attacking people through, or she is using
• 1:11:09
  Speaker 2: the website that this guy who's killing other women is
• 1:11:13
  Speaker 2: like using his website to attack people. You're like, they
• 1:11:16
  Speaker 2: never explain it. They never address why she would attack
• 1:11:20
  Speaker 2: random people, and you're just like, I don't get it.
• 1:11:24
  Speaker 2: I'm missing there's a chunk missing an explanation here that's
• 1:11:28
  Speaker 2: so stupid. By the end, you're like, I don't I
• 1:11:30
  Speaker 2: don't get what's going on anymore. Yeah, because I did
• 1:11:33
  Speaker 2: think I just figured something out, so I'll tell you afterwards.
• 1:11:35
  Speaker 1: Okay, you expect the doctor and fear dot com to
• 1:11:38
  Speaker 1: be linked, but yeah, you don't know, and they never
• 1:11:40
  Speaker 1: explained it.
• 1:11:41
  Speaker 2: The movie never clarify.
• 1:11:42
  Speaker 1: They don't clarify anything. And then what happens at the
• 1:11:44
  Speaker 1: very end of the movie, like like like the client
• 1:11:47
  Speaker 1: to the climax, I guess doesn't make any sense, and
• 1:11:49
  Speaker 1: you're like, I don't was she trying to get I
• 1:11:53
  Speaker 1: don't what?
• 1:11:54
  Speaker 2: And the end scene is so weird and not necessary.
• 1:11:57
  Speaker 2: It's not like weird, like oh this is bizarre. You're
• 1:11:59
  Speaker 2: just like it's just so mundane and pointless. You're like,
• 1:12:03
  Speaker 2: why would you even need to What was the point
• 1:12:05
  Speaker 2: of putting this scene in there?
• 1:12:07
  Speaker 1: Yeah, and the CG was like there was like there
• 1:12:09
  Speaker 1: was some kind of wonky CG throughout, but then that
• 1:12:11
  Speaker 1: end scene was just all terrible wonky CG.
• 1:12:14
  Speaker 2: And you're like, oh, and there's that part where she's
• 1:12:16
  Speaker 2: running past the building that's falling apart and she's clearly standing.
• 1:12:19
  Speaker 1: In front of a So this movie just fucking falls
• 1:12:23
  Speaker 1: apart real quick, uh, pretty much right off the bat,
• 1:12:26
  Speaker 1: and then just doesn't ever recover. I was kind of
• 1:12:29
  Speaker 1: hoping that the third act would answer some questions, but
• 1:12:31
  Speaker 1: then they just provided me with more questions than answers.
• 1:12:34
  Speaker 1: So that was fun. And we're not Yeah, I'm not
• 1:12:37
  Speaker 1: telling you, we're not gonna spoil it because you have
• 1:12:40
  Speaker 1: to be put through this torture like we were because
• 1:12:42
  Speaker 1: it was so bad. Oh man, I don't think i'll
• 1:12:45
  Speaker 1: ever watch that again.
• 1:12:46
  Speaker 2: Well, still think it's funny that I have a worst
• 1:12:49
  Speaker 2: movie planned for you.
• 1:12:50
  Speaker 1: Yeah, thanks for that. Payback is a bitch, I guess
• 1:12:54
  Speaker 1: so that's fear dot com dot com? Yeah that, yeah,
• 1:12:59
  Speaker 1: it was what You's right, it's kind of hard to
• 1:13:01
  Speaker 1: explain because it just doesn't make sense. So in this
• 1:13:04
  Speaker 1: and this is how you know movie doesn't make sense
• 1:13:05
  Speaker 1: if it if you can if you have a hard
• 1:13:07
  Speaker 1: time explaining it, that's when you know a fucking movie
• 1:13:11
  Speaker 1: is just chaos. Because you're a very smart individual and
• 1:13:14
  Speaker 1: you can watch a movie and pretty much spit it
• 1:13:16
  Speaker 1: out verbatim. So if you're having trouble keeping keeping up
• 1:13:19
  Speaker 1: with the story, that means it's bad.
• 1:13:22
  Speaker 2: Yes, that's how you know it's bad. Story is so disjointed.
• 1:13:25
  Speaker 2: I can't even remember what happened when.
• 1:13:27
  Speaker 1: And we just watched it. We literally just watched it
• 1:13:30
  Speaker 1: and started the episode. So here's some fun trivia. Goog's taglines,
• 1:13:35
  Speaker 1: et cetera, et cetera. Two taglines. That's all I could
• 1:13:38
  Speaker 1: find is do you want to see a really killer website?
• 1:13:40
  Speaker 3: It's the last thing you'll ever see inaccurate to the aad,
• 1:13:45
  Speaker 3: abandon all Hope, accessed All Evil inter fear dot com
• 1:13:49
  Speaker 3: dot com.
• 1:13:51
  Speaker 1: Wait, that's just as fear dot dot com.
• 1:13:54
  Speaker 2: They all right, here's some trivia for you.
• 1:13:59
  Speaker 1: In pre production, the website featured in the film called
• 1:14:01
  Speaker 1: fear dot com. Despite the producers not owning the website
• 1:14:06
  Speaker 1: in real life, they had hoped to buy the domain
• 1:14:09
  Speaker 1: name from its owners at the time, but were told
• 1:14:11
  Speaker 1: that it was not going for sale at any price,
• 1:14:13
  Speaker 1: leading to the website's name in the film being changed
• 1:14:15
  Speaker 1: to fear dot com.
• 1:14:16
  Speaker 2: Oh I told you.
• 1:14:18
  Speaker 1: I thought, Oh, I read that wrong. When I was
• 1:14:19
  Speaker 1: reading that, I read that as they had set up
• 1:14:21
  Speaker 1: a website for the movie.
• 1:14:23
  Speaker 2: Yeah.
• 1:14:24
  Speaker 1: Oh okay, So that's why I don't know how true
• 1:14:27
  Speaker 1: this is. I think someone's fucking pulling our leg here
• 1:14:29
  Speaker 1: because it says the quote unquote the mutilated bodies in
• 1:14:32
  Speaker 1: Pratt's apartment are real bodies transformed into art by the
• 1:14:36
  Speaker 1: German sculptor Gunther von Hagen's.
• 1:14:38
  Speaker 2: Yeah, they look like real bodies. Have you ever been
• 1:14:40
  Speaker 2: to a body's exhibit. No, that's where they take like
• 1:14:43
  Speaker 2: people donate their bodies to science. Yeah, cadavers, and then
• 1:14:46
  Speaker 2: they pose them in different ways. It's really cool. Quinn
• 1:14:49
  Speaker 2: took me for my sixteenth birth day. Oh, I like
• 1:14:52
  Speaker 2: everything except for the reproduction section. That was a lot.
• 1:14:54
  Speaker 1: Maybe that is the thing. Well, that's kind of cool.
• 1:14:56
  Speaker 2: I guess they looked like it. I was gonna say,
• 1:14:58
  Speaker 2: those look like those came straight out of the bodies exhibit.
• 1:15:00
  Speaker 1: Well, alrighty, then one of the yes, one of the
• 1:15:04
  Speaker 1: three films that received an F Cinema score from audiences
• 1:15:08
  Speaker 1: upon their release in two thousand and two, along with
• 1:15:10
  Speaker 1: Solaris and Darkness. I don't even know what those two
• 1:15:12
  Speaker 1: are the shitty movies apparently, so so avoid those. The
• 1:15:17
  Speaker 1: glass cases containing body parts from House on Hunted Hill
• 1:15:20
  Speaker 1: nineteen ninety nine make an appearance. Originally given an NC
• 1:15:23
  Speaker 1: seventeen rating for extreme violence, but was re rated R
• 1:15:26
  Speaker 1: for violence including grizzly images of torture, nudity, and language. Yeah,
• 1:15:29
  Speaker 1: that doesn't seem that that was not an NC seventeen movie.
• 1:15:32
  Speaker 2: I told you they tried to roll this, run this
• 1:15:34
  Speaker 2: movie entirely on the shock factor of the images. It
• 1:15:38
  Speaker 2: looked like a fucking Marilyn Manson music video, and they
• 1:15:41
  Speaker 2: tried to make all the scares based on that, like
• 1:15:44
  Speaker 2: shock imagery. But it's like it just felt weird.
• 1:15:47
  Speaker 1: Yeah, no, you're right, it really did because they were
• 1:15:50
  Speaker 1: trying to be so artsy too as well. My take
• 1:15:53
  Speaker 1: from this entire movie is this is essentially like someone
• 1:15:56
  Speaker 1: took the idea of the ring, tried to modernize it
• 1:15:59
  Speaker 1: a little bit more, a bund making it online and give,
• 1:16:01
  Speaker 1: but giving giving you less time to live and sending
• 1:16:04
  Speaker 1: you on a Scooby Doo adventure trying to find someone
• 1:16:07
  Speaker 1: or you die. Like, what, don't give me a mission?
• 1:16:09
  Speaker 1: This isn't a fucking scavenger hunt. The film's critical and
• 1:16:13
  Speaker 1: financial failure damage William Malone's directing career, who would only
• 1:16:17
  Speaker 1: direct one more film before retiring, and that's called Parasomnia
• 1:16:21
  Speaker 1: from two thousand and eight. Yeah, so this damn it. Yeah,
• 1:16:24
  Speaker 1: which makes sense because it's sorry. William Malone's movie was
• 1:16:27
  Speaker 1: at But I mean, like from a like I said,
• 1:16:29
  Speaker 1: the positive things I have to say about this is,
• 1:16:31
  Speaker 1: you know, I love Jeffrey Comms. Yeah, he had a
• 1:16:33
  Speaker 1: stupid part in this, but I still like him. He
• 1:16:35
  Speaker 1: did his best, and the cinematography was actually pretty decent.
• 1:16:38
  Speaker 1: The set like, the sets were pretty decent as well,
• 1:16:41
  Speaker 1: and the score and sound design were really really good
• 1:16:43
  Speaker 1: as well. So there was some good parts of this movie.
• 1:16:46
  Speaker 1: Just nothing to do can't make up for you can't
• 1:16:49
  Speaker 1: make up for bad writing, bad acting, shittyes, fucking story
• 1:16:52
  Speaker 1: and execution goofs. There was nothing interesting because there's probably
• 1:16:57
  Speaker 1: just there was just too many. Rating three point four
• 1:17:01
  Speaker 1: out of ten on IMDb and a one point six
• 1:17:04
  Speaker 1: out of five on Letterbox and this we're gonna go
• 1:17:08
  Speaker 1: lower in a couple of weeks, two more weeks, and
• 1:17:10
  Speaker 1: we're going.
• 1:17:11
  Speaker 2: Lower, going lower.
• 1:17:12
  Speaker 1: I gave this a very gracious one star.
• 1:17:18
  Speaker 2: Yeah. So again, Pluto Nash had a one point five. Yeah,
• 1:17:23
  Speaker 2: one point point one better than Pluto Pluto Nash.
• 1:17:26
  Speaker 1: So yeah, I gave this a one because every movie
• 1:17:28
  Speaker 1: gets a half star no matter what, because you got made.
• 1:17:31
  Speaker 1: And then this got a half star for uh Jeffrey
• 1:17:35
  Speaker 1: Combs slash, good sound design and good score.
• 1:17:39
  Speaker 2: Uh. You know what I'm thinking about? It is the
• 1:17:41
  Speaker 2: film that we're going to talk about in a couple
• 1:17:43
  Speaker 2: of weeks. Is that would that perhaps be the lowest
• 1:17:45
  Speaker 2: rest film we've.
• 1:17:46
  Speaker 1: Ever talked god? So far? Yeah, I mean so far.
• 1:17:49
  Speaker 1: This is the lowest. Because the lowest before this was
• 1:17:52
  Speaker 1: one misscall at one point seven, and I gave that
• 1:17:55
  Speaker 1: a one and a half. And this was definitely worse
• 1:17:57
  Speaker 1: than that. So this gets a one.
• 1:17:58
  Speaker 2: Yeah, you're gonna, we're gonna, we're gonna.
• 1:18:02
  Speaker 1: I think this might be our first probably half star movie.
• 1:18:05
  Speaker 1: Oh I don't think it's gonna get a one star
• 1:18:07
  Speaker 1: for me.
• 1:18:08
  Speaker 2: The half a star is pretty generous.
• 1:18:10
  Speaker 1: Well, again, every movie.
• 1:18:11
  Speaker 2: Half a star just for being made. I would want
• 1:18:14
  Speaker 2: them to pay me for that half a star. That
• 1:18:17
  Speaker 2: movie we're gonna talk about is so bad that I've
• 1:18:20
  Speaker 2: named that as my least favorite movie I've ever seen.
• 1:18:22
  Speaker 1: Yeah, no matter what, even if even if it's just atrocious,
• 1:18:25
  Speaker 1: you still get half a star because it got it's
• 1:18:27
  Speaker 1: you know, at that point, it's impressive it got made
• 1:18:30
  Speaker 1: and distributed.
• 1:18:30
  Speaker 2: So look at that point, I give it negative stars
• 1:18:34
  Speaker 2: if I physically could, because I will never get that
• 1:18:37
  Speaker 2: time back in my life, and I'm gonna watch it again.
• 1:18:40
  Speaker 1: And you're making me do it too, So.
• 1:18:41
  Speaker 2: Because somebody else has to see this bullshit.
• 1:18:45
  Speaker 1: We're gonna subject all of you to that. But at
• 1:18:47
  Speaker 1: least we're doing a double feature of that one, and
• 1:18:49
  Speaker 1: at least the other one, while still bad, will be fun.
• 1:18:52
  Speaker 2: And a much higher quality which will really make up
• 1:18:55
  Speaker 2: for the shittiness of the other film.
• 1:18:57
  Speaker 1: So that's in two weeks next week, and Corey will
• 1:19:00
  Speaker 1: be back doing a Tye West joint which will be
• 1:19:03
  Speaker 1: a lot of fun. So go ahead and follow us
• 1:19:05
  Speaker 1: on Facebook at Frightmares And we just hit ten thousand followers.
• 1:19:10
  Speaker 1: We're at nine seven hundred and fifty likes right now,
• 1:19:14
  Speaker 1: so please go over and give us a like. If
• 1:19:16
  Speaker 1: you haven't, let's let's hit that ten k likes. We
• 1:19:18
  Speaker 1: are doing great over there, Facebook or sorry, Instagram and
• 1:19:22
  Speaker 1: slasherr app at Frightmares podcast and then Twitter at Frightmar's
• 1:19:25
  Speaker 1: Underscore pod. Email us Stayspooky outlook dot com, I am
• 1:19:29
  Speaker 1: doctor Procter and letterbox and you.
• 1:19:31
  Speaker 2: All Watson LMP ninety.
• 1:19:34
  Speaker 1: Yeah so yeah again. Me and Corey will be back
• 1:19:36
  Speaker 1: next week with a Tye West joint and until then,
• 1:19:38
  Speaker 1: stay tuned and stay spooky