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The Dream Reveals Why Jay-Z Told Him to NEVER Give Away Another Hit Again · The Baller Alert Show

• 0:00
  Speaker 1: Yo, what's up? This is the American Dream. Check me
• 0:02
  Speaker 1: out right here next on Ball Alert.
• 0:04
  Speaker 2: Yeah, push up in the Robbert with for Robert and
• 0:07
  Speaker 2: you know b t Asho crushed you. You like me
• 0:10
  Speaker 2: mental health chat? Talk to me? Somebody got you fed up?
• 0:13
  Speaker 2: Call and get it off your mind. Catch us in
• 0:15
  Speaker 2: there a turn us up while you in traffic slide.
• 0:18
  Speaker 2: Welcome to the greatest shown Earth. Yeah it's the Bottle
• 0:21
  Speaker 2: of Alert. Yeah it's the Bottle Alert. Yeah, it's the
• 0:24
  Speaker 2: Bottle of Alert. Welcome to the greatest shown Nerve. Yeah
• 0:27
  Speaker 2: it's the Battle Alert. Yeah it's the Battle of Alert.
• 0:30
  Speaker 2: Yeah it's the Battle Alert.
• 0:35
  Speaker 3: Broadcast a live from the Nagel Law Firm Studios. Welcome
• 0:38
  Speaker 3: to the Ball Alert Show. I go by the name
• 0:39
  Speaker 3: of Ferrari Simon. I go by the name you know,
• 0:41
  Speaker 3: B town Man.
• 0:42
  Speaker 4: This is a great pleasure the dreamers in the.
• 0:46
  Speaker 5: Himself.
• 0:47
  Speaker 4: Man, thank y'all.
• 0:48
  Speaker 1: I appreciate it.
• 0:49
  Speaker 3: I don't know what happened, but they said this is
• 0:51
  Speaker 3: an email that was like, do you guys want to
• 0:52
  Speaker 3: interview the dream I was like, hey, yeah.
• 0:54
  Speaker 5: What what time? Why is it calling today? Man? Can
• 0:59
  Speaker 5: get a Can you write a song for me? What
• 1:02
  Speaker 5: kind of song to w I don't know for you
• 1:05
  Speaker 5: to go, faul, this is a pleasure.
• 1:07
  Speaker 1: Yeah, yeah, doing.
• 1:09
  Speaker 6: Record, man, don't say that. And then I look at
• 1:11
  Speaker 6: the invoice and it's a million dollars.
• 1:13
  Speaker 4: It's gonna get it. You're gonna get an invoice, big fellow.
• 1:16
  Speaker 1: You gotta get an invoice. Huh, that's what we do.
• 1:19
  Speaker 7: No, we're friends.
• 1:19
  Speaker 4: Now, he got diamonds on the hoop. Friends.
• 1:21
  Speaker 5: Now he asked me for some money off camera.
• 1:23
  Speaker 3: I ain't never seen diamonds on the hoop erain before.
• 1:27
  Speaker 3: That's some real money out right there. Boy, I think
• 1:29
  Speaker 3: I charged my son.
• 1:31
  Speaker 5: You charge yourself for a record. Absolutely, get some money,
• 1:35
  Speaker 5: you know what I give up? I tried though, you know, alert.
• 1:39
  Speaker 1: Alert the dream.
• 1:40
  Speaker 4: How you doing, sir?
• 1:41
  Speaker 1: I'm doing pretty good, man. I can't complain complaints. Man,
• 1:44
  Speaker 1: y'all like y'all doing good. Y'all got some money.
• 1:47
  Speaker 3: We got good'll in the good part of town.
• 1:51
  Speaker 1: Yeah, y'all not even down there with the with the
• 1:55
  Speaker 1: regular podcast and radio where the buildings like like following
• 1:59
  Speaker 1: up which which is I just know what it looked like. Okay,
• 2:08
  Speaker 1: it was like there around the corner from the YO.
• 2:10
  Speaker 1: I was like no, the ain't not. Yesterday I was like, oh,
• 2:12
  Speaker 1: they ain't in a good part of this. Yeah, they
• 2:14
  Speaker 1: call it the Upper west Side. I grew up on
• 2:19
  Speaker 1: the west side, the side, upper west side. What's that
• 2:23
  Speaker 1: they were selling crack from here to that. I don't
• 2:24
  Speaker 1: get the point. They like aross the line right here now.
• 2:27
  Speaker 5: But but you do know, if you drive about three
• 2:29
  Speaker 5: blocks down the.
• 2:30
  Speaker 1: Streets, look lo oh you think, I don't know, I
• 2:33
  Speaker 1: still got to go over there.
• 2:35
  Speaker 4: So soon as soon as you get over.
• 2:36
  Speaker 3: There by the jail, and then you go, you know
• 2:40
  Speaker 3: what it looks.
• 2:41
  Speaker 4: You know, look up.
• 2:42
  Speaker 1: You won't see one of those little cameras with the
• 2:44
  Speaker 1: blue lights on. And no, just turn around, no recording.
• 2:48
  Speaker 1: They won't know what happened to you. Just tell my wife.
• 2:51
  Speaker 1: Just loop it, just loop it. You turn Nobody's paying
• 2:53
  Speaker 1: no attention to that anyway. That's a pity crime. Don't
• 2:55
  Speaker 1: worry about it.
• 2:56
  Speaker 4: Loop Now. How you doing? How you to health?
• 3:01
  Speaker 1: Mental health? Oh man, that's so crazy.
• 3:03
  Speaker 7: Sorry to get so deep into the conversation.
• 3:05
  Speaker 1: I mean it's not that deep. I mean that's for you.
• 3:07
  Speaker 1: I mean I feel like that's for like you great
• 3:10
  Speaker 1: young young gentlemen and young women get to discuss that
• 3:14
  Speaker 1: mental health thing, like I don't. My granddaddy beat the
• 3:16
  Speaker 1: mental health out of me a long time ago. So
• 3:18
  Speaker 1: I'm just having a real good time just being you know,
• 3:21
  Speaker 1: being present. And we used to get whoopings. So you
• 3:25
  Speaker 1: think you ain't getting with your mind? Right, I don't
• 3:28
  Speaker 1: know if you if if mintal health come up a lot.
• 3:30
  Speaker 6: Shit, Hey, when I talked my was like, I was like, yeah, Mama,
• 3:35
  Speaker 6: I've been talking to a therapist.
• 3:36
  Speaker 5: And my mom was like, boy, ain't nothing wrong with you?
• 3:39
  Speaker 5: What the hell you talking about?
• 3:40
  Speaker 4: You talking to a therap Boy, I need to take
• 3:42
  Speaker 4: you to the hospital.
• 3:43
  Speaker 7: I'm like, no, Mama was just you know, I just
• 3:45
  Speaker 7: want to have somebody.
• 3:46
  Speaker 1: Jesus is your therapist?
• 3:48
  Speaker 5: My Mama like, boy, you know them.
• 3:49
  Speaker 6: You know, the crazy House is still open out here
• 3:52
  Speaker 6: in Arkansas past and we damnar had to sing your
• 3:55
  Speaker 6: uncle up there because he talking about mental So yeah,
• 3:58
  Speaker 6: so your mental health is like a new term, right,
• 4:01
  Speaker 6: But yeah, I appreciate.
• 4:02
  Speaker 4: It more so I'm just checking on you.
• 4:03
  Speaker 1: No, No, I know, I get it.
• 4:05
  Speaker 3: I'm definitely not am but.
• 4:14
  Speaker 1: Forty three oh, yeah, you know what I'm talking about.
• 4:16
  Speaker 1: The nobody asked us about no mental health to go
• 4:20
  Speaker 1: to work for the young.
• 4:21
  Speaker 3: People that may have been tuning in right now that
• 4:23
  Speaker 3: all right, how does a legend like yourself?
• 4:25
  Speaker 4: How you doing today?
• 4:26
  Speaker 1: Man, I'm just happy if everybody else is happy, I'm
• 4:29
  Speaker 1: able to do what I was on this earth, you know,
• 4:31
  Speaker 1: put on this earth to do. I'm just happy about that. Man.
• 4:34
  Speaker 1: That's how I look at life. I've looked at life
• 4:36
  Speaker 1: that way since I was young, because it's too easy
• 4:39
  Speaker 1: to go into that when you call it mental mental
• 4:42
  Speaker 1: health on a serious note, it's been going on so
• 4:45
  Speaker 1: long if you black, yeah facts, so when I when
• 4:49
  Speaker 1: I hear it, and it's not it's no disrespect to
• 4:51
  Speaker 1: what the word is. It's just more so they haven't
• 4:54
  Speaker 1: cared about us since the beginning. So it's like you
• 4:56
  Speaker 1: can't even relate when you come from I'm from the
• 4:59
  Speaker 1: west side of making it, so I'm like, appreciate it,
• 5:03
  Speaker 1: but we done numbed it to a point on that side.
• 5:07
  Speaker 1: And then all you do at that at that time
• 5:09
  Speaker 1: is just look to what's going on good and what
• 5:12
  Speaker 1: can you affect in a positive way, because the world
• 5:14
  Speaker 1: just gonna be the world.
• 5:16
  Speaker 3: Yeah, well man, again, it's just a pleasure to talk
• 5:19
  Speaker 3: to you because you were one of the very rarities
• 5:21
  Speaker 3: of a very successful hit songwriter and very successful hit
• 5:28
  Speaker 3: artists don't really see both kind of get one and
• 5:33
  Speaker 3: then one, and I always ask like, well, I will
• 5:40
  Speaker 3: love to ask you this question.
• 5:42
  Speaker 4: How do you know this song is not for you?
• 5:45
  Speaker 1: Everybody says this, Everybody says this.
• 5:48
  Speaker 4: I don't.
• 5:48
  Speaker 1: I feel like when I'm songwriting, like as as the
• 5:51
  Speaker 1: job of songwriting, it's not it's not for me. Well,
• 5:54
  Speaker 1: it is for me. I feel like what I'm doing
• 5:57
  Speaker 1: like this.
• 5:57
  Speaker 4: You've never been in the songwriting situation.
• 5:59
  Speaker 7: Be like, man, need to go ahead and put that
• 6:00
  Speaker 7: in my fold.
• 6:01
  Speaker 1: M hmm.
• 6:03
  Speaker 6: I'd rather give it away because you're already going into
• 6:05
  Speaker 6: intentions of this is for somebody else. And then when
• 6:07
  Speaker 6: you I mean, you like this for my album, don't
• 6:10
  Speaker 6: call me right now exactly.
• 6:11
  Speaker 1: And then what I'm gonna say that some dream ship?
• 6:14
  Speaker 5: Yeah, yes, is that because.
• 6:15
  Speaker 4: Ben that Jeed my bed that could have been your.
• 6:21
  Speaker 1: Shout out.
• 6:24
  Speaker 8: D C edit that leader ship, leader ship, you better
• 6:30
  Speaker 8: not take this ship out of the middle, hey, players,
• 6:34
  Speaker 8: funk up to no, don't.
• 6:37
  Speaker 1: Yeah, you know, the craziest thing with me and me
• 6:46
  Speaker 1: and Jay kind of first met when I was at
• 6:48
  Speaker 1: the building in death Jam and Bed was already out
• 6:51
  Speaker 1: of the course before ten and Bed was the deciding
• 6:55
  Speaker 1: factor actually to even do an album or become an
• 6:57
  Speaker 1: artist at the time, because once I did it, I
• 6:59
  Speaker 1: saw the reaction to it. I was like, y'all like this, Oh,
• 7:03
  Speaker 1: I could do this in my sleep. This is nothing.
• 7:07
  Speaker 1: And I remember him being to death Jam and I
• 7:09
  Speaker 1: just had walked out of l A's office and saw
• 7:11
  Speaker 1: James like, you come in, I'll let you. What's up
• 7:16
  Speaker 1: you don jay Z now? Yeah, jay Z, Hey you
• 7:21
  Speaker 1: did that? You wrote that Bear record. I was like, yeah,
• 7:25
  Speaker 1: me and Los, don't you ever get nothing like that away? Again?
• 7:30
  Speaker 1: That's the first thing. Is this before now, this, after
• 7:34
  Speaker 1: this post this like right after this all happened.
• 7:36
  Speaker 3: At the say so Ben and Umbrella are already out
• 7:38
  Speaker 3: right that you wrote yes.
• 7:40
  Speaker 1: And Charlotte's then had just came out, so it was
• 7:44
  Speaker 1: still on the charts moving at the same.
• 7:45
  Speaker 7: Time, you're talking about Rihanna Umbrella.
• 7:47
  Speaker 1: Yes, by the way, my bad and and he told
• 7:50
  Speaker 1: me he's like, yo, don't you right now? I was
• 7:52
  Speaker 1: like I think, I I think I'm okay, be all right,
• 7:56
  Speaker 1: but yeah, think about it a lot.
• 7:57
  Speaker 3: And this is jay Z the executive, because he had
• 7:59
  Speaker 3: an executive that's a real friend.
• 8:01
  Speaker 1: Though I'm saying, yeah, he's basically saying if he was there, like, no,
• 8:08
  Speaker 1: we're not you're not getting that.
• 8:10
  Speaker 5: You're not getting that right.
• 8:12
  Speaker 1: And I go on one of those things where I
• 8:14
  Speaker 1: don't mind giving you can come take whatever it is
• 8:17
  Speaker 1: like and I'll just you know, do my best to
• 8:19
  Speaker 1: write something. Every song is just what it is like.
• 8:23
  Speaker 1: They're all just different personalities and different different feelings, and
• 8:26
  Speaker 1: I don't you know, when I make my stuff back
• 8:28
  Speaker 1: to that point, I know it's for me, you know.
• 8:31
  Speaker 1: And so that's what we got, man, damn.
• 8:35
  Speaker 6: So so you said Jay said, nah, Man, don't be
• 8:41
  Speaker 6: given out that type of hits.
• 8:43
  Speaker 5: Type of hits.
• 8:45
  Speaker 1: Very responsible for a big brother to say that.
• 8:49
  Speaker 4: But basically saying you should have put that out for you.
• 8:52
  Speaker 1: Yeah, I should have kept it on love right right.
• 8:56
  Speaker 4: But I feel like, yeah, I know find to though
• 9:00
  Speaker 4: oh no it.
• 9:00
  Speaker 1: Was yeah, but that man had the bigger records on
• 9:03
  Speaker 1: my app. But that is true.
• 9:07
  Speaker 6: But it makes sense why you were so consistent with
• 9:10
  Speaker 6: the back to back because you're like, oh, this is
• 9:12
  Speaker 6: what y'all like.
• 9:14
  Speaker 4: I got y'all I got.
• 9:17
  Speaker 1: From the logo. I got it.
• 9:19
  Speaker 5: I got y'all love it. I want to shoot from
• 9:21
  Speaker 5: right head.
• 9:24
  Speaker 1: It was literally just like that I could. I was like,
• 9:28
  Speaker 1: oh this y'all going crazy about this record and it
• 9:30
  Speaker 1: was people fighting on bit. I was like, hit loas
• 9:33
  Speaker 1: I said, a man, maybe like five six of them
• 9:35
  Speaker 1: same tracks. He's like he came back in the forty
• 9:40
  Speaker 1: eight hours later he had that shot the ten track up, Bam,
• 9:45
  Speaker 1: Gone Fast Gone, Purple Kids is gone. So yeah, I
• 9:50
  Speaker 1: was having fun.
• 9:53
  Speaker 4: That was a heavyweight about though.
• 9:56
  Speaker 5: Something is a tricky though because y'all be like, oh
• 9:59
  Speaker 5: you know what I did?
• 10:00
  Speaker 8: Hope y'all, Oh you forgot I did this.
• 10:05
  Speaker 1: I gotta figure it out.
• 10:06
  Speaker 3: I mean, Sean gonna get mad at me. I feel
• 10:09
  Speaker 3: like the Beyonce records that you wrote.
• 10:13
  Speaker 4: Man, let me stop, man please, I love you, bro.
• 10:17
  Speaker 4: We got the same name.
• 10:18
  Speaker 1: We all love Sean.
• 10:20
  Speaker 6: Say what you wanted to say, right because I was
• 10:23
  Speaker 6: waiting on you to finish your sentence because I was
• 10:25
  Speaker 6: about to.
• 10:26
  Speaker 5: I didn't want to be in the shot.
• 10:28
  Speaker 1: That's terrible. He's I'm gonna get out of the shot.
• 10:31
  Speaker 4: This is gonna get clipped up.
• 10:33
  Speaker 3: I just felt like the Beyonce records that the Dream wrote,
• 10:37
  Speaker 3: We're bigger than Sean gets Beyonce records. In fact, if
• 10:41
  Speaker 3: you can take me back onto the verses, we just
• 10:46
  Speaker 3: need a redo.
• 10:49
  Speaker 4: Sean gonna kill me.
• 10:50
  Speaker 7: I love you, Sean.
• 10:53
  Speaker 4: Looking for.
• 11:01
  Speaker 1: Back to positive news.
• 11:07
  Speaker 4: I mean, we did talk about this when Sean was
• 11:09
  Speaker 4: on the show.
• 11:09
  Speaker 3: We did It's Real Good, and I said, we got
• 11:14
  Speaker 3: to get the Dream to come up here, like a
• 11:16
  Speaker 3: summer and a half ago.
• 11:17
  Speaker 6: Anyways, what I want to know is why did you
• 11:19
  Speaker 6: take a break from being an artist.
• 11:25
  Speaker 1: It was actually a combination of things. I think mostly
• 11:28
  Speaker 1: and mainly once that the idea of me, even during
• 11:32
  Speaker 1: the album and becoming an artist was to showcase records,
• 11:35
  Speaker 1: right because I'm a songwriter first, so being a songwriter producer,
• 11:40
  Speaker 1: you already know that everybody's not going to do certain records.
• 11:42
  Speaker 1: There's certain records I had to do or you never
• 11:45
  Speaker 1: would hear them. One of the records would be like
• 11:47
  Speaker 1: a fancy, you're not hearing that record because somebody would
• 11:49
  Speaker 1: be too scared to do a six minute and forty
• 11:51
  Speaker 1: seconds song number one, number two to even talk about
• 11:56
  Speaker 1: admiration in that particular way. And being that vulnerable about
• 12:01
  Speaker 1: a record, about life and just about yourself in total.
• 12:06
  Speaker 1: So I felt like it was more of a duty
• 12:08
  Speaker 1: to have to do it and I can do it.
• 12:10
  Speaker 1: So that's what happened. And when I felt like it
• 12:13
  Speaker 1: was no longer I had to do a thing, I
• 12:16
  Speaker 1: was like, okay, cool, let me go ahead, and she
• 12:18
  Speaker 1: and I got to push you. There's no church in
• 12:20
  Speaker 1: a while, let me do these things. I like this art,
• 12:22
  Speaker 1: part of what the music is, and let me be
• 12:25
  Speaker 1: in this space. And then as time you know, goes by,
• 12:28
  Speaker 1: you just started to get the inkling of wanting to
• 12:31
  Speaker 1: do a particular thing. And my fans, of course, been
• 12:35
  Speaker 1: giving me shit for so long, like, yo, man, you
• 12:37
  Speaker 1: not just gonna go How You're gonna not drive love
• 12:39
  Speaker 1: of fair Man? I can't believe, man.
• 12:41
  Speaker 7: I don't.
• 12:42
  Speaker 6: I was confused you as a fan, I was like,
• 12:44
  Speaker 6: how you just gonna take a break, like you just gonna.
• 12:47
  Speaker 1: And also the idea of how records were so and
• 12:50
  Speaker 1: being I guess put out to the public was different,
• 12:55
  Speaker 1: and so you had a change over you gotta understand.
• 12:57
  Speaker 1: In two thousand and seven was my debut. That was
• 12:59
  Speaker 1: the first year of the iPhone, right damn everything changed
• 13:04
  Speaker 1: from that particular space. It went from there was no disk,
• 13:09
  Speaker 1: the violence you just started popping like it wasn't like
• 13:11
  Speaker 1: it was crazy. But when people want tangible things in
• 13:14
  Speaker 1: their homes, by the way, and with them, you can't
• 13:16
  Speaker 1: do everything on the phone, like you could do your
• 13:19
  Speaker 1: phone thing, but you can't really do everything that you
• 13:22
  Speaker 1: need to do to be connected to another individual. So
• 13:25
  Speaker 1: I knew that there was a line between people like
• 13:28
  Speaker 1: me and who my fans were, and they were being
• 13:30
  Speaker 1: left out because they wouldn't know a certain thing is dropping,
• 13:33
  Speaker 1: a certain thing is doing whatever it is. And because
• 13:37
  Speaker 1: of that, literally it was just not that interesting of
• 13:41
  Speaker 1: a thing to do. And plus the b thing was
• 13:44
  Speaker 1: a lot more interesting than me to keep growing this
• 13:47
  Speaker 1: mountain of a thing that she had and that read
• 13:49
  Speaker 1: like all of those records I did between that time period.
• 13:53
  Speaker 5: Now, is there any artists that you haven't worked with
• 13:55
  Speaker 5: that you want to work with?
• 13:56
  Speaker 1: Lenmigravits Ooh yeah, yeah, I'm gonna say that every day
• 14:01
  Speaker 1: all day. You hard to to Oh yeah, it's gonna happen,
• 14:05
  Speaker 1: but you want him to call you hard to get
• 14:11
  Speaker 1: I have, Okay, So it's more a timing thing then,
• 14:15
  Speaker 1: scheduling because you.
• 14:16
  Speaker 5: Know he lived around the world.
• 14:18
  Speaker 7: Okay, you look him up.
• 14:20
  Speaker 1: I'm sure last night he was on the stage like
• 14:22
  Speaker 1: that man. That man works.
• 14:24
  Speaker 5: He definitely works.
• 14:25
  Speaker 4: Work.
• 14:25
  Speaker 3: What keeps you motivated to keep doing this thing that
• 14:28
  Speaker 3: you love called music?
• 14:29
  Speaker 7: Because do you have to even work if you want to?
• 14:32
  Speaker 1: I'm trying to get people at my house to know that.
• 14:33
  Speaker 1: But anyway, but.
• 14:35
  Speaker 4: What's for your fans?
• 14:36
  Speaker 7: I think it's like you've been gone for a while.
• 14:39
  Speaker 1: It's just one of those when you when you're charged
• 14:43
  Speaker 1: with a gift like this, you can't you don't just
• 14:45
  Speaker 1: go put it in the rafters and be like all right,
• 14:47
  Speaker 1: cool whatever. You figure out a way to get up.
• 14:49
  Speaker 1: And I just remember being in traffic going to work
• 14:54
  Speaker 1: to a regular nine to five and what music you work?
• 14:57
  Speaker 7: Me?
• 14:58
  Speaker 1: Oh man, I don't need not even going there.
• 15:01
  Speaker 3: You can't tell us what you worked at that part
• 15:04
  Speaker 3: of the complex around the corner from here, there's I
• 15:06
  Speaker 3: tell you what, there's this one job that to this
• 15:08
  Speaker 3: day I'm still hurting from.
• 15:10
  Speaker 1: This is literally this magazine pack. You don't really think
• 15:13
  Speaker 1: about magazines because you just got get one at a
• 15:15
  Speaker 1: time and you keep you never think about the bends
• 15:18
  Speaker 1: put together and how heavy they could possibly be until
• 15:21
  Speaker 1: you're stacking them ships up about six times and then
• 15:24
  Speaker 1: you're like, why are you then rolling the serrand around
• 15:29
  Speaker 1: the joint way to the top. Okay, yeah, yeah, I
• 15:37
  Speaker 1: have some joints. So so for me, that was a
• 15:41
  Speaker 1: delivered music was a delivery from that particular part. And
• 15:43
  Speaker 1: so I actually wake up thinking about that is however
• 15:47
  Speaker 1: that sounds is music soundtracks everybody's life, and it's that
• 15:53
  Speaker 1: one split second that keeps you just calm or just
• 15:55
  Speaker 1: chilling or whatever, like whatever that does for you in
• 15:57
  Speaker 1: the morning. I want to be a part of it.
• 16:00
  Speaker 1: That is in the morning, in the evening, if it's
• 16:02
  Speaker 1: another artist at your wedding, like all of these times
• 16:05
  Speaker 1: and great times that you're having, because like I said
• 16:07
  Speaker 1: when we started this office, the world's hard enough.
• 16:10
  Speaker 5: I agree, especially these days.
• 16:11
  Speaker 3: Man, people getting fired, laid off, and it's a blessing
• 16:15
  Speaker 3: to even get some money right now in this climate.
• 16:18
  Speaker 6: Who you telling and you just said you ain't gotta
• 16:20
  Speaker 6: really work if you don't want to, that's super blessing.
• 16:24
  Speaker 1: Definitely just retire and go to the house and be
• 16:25
  Speaker 1: like speaking speaking the world. I pulled up a very
• 16:28
  Speaker 1: important list to so much better.
• 16:30
  Speaker 4: To argue my points.
• 16:31
  Speaker 3: Okay, Sean Garrett be got to say songs, check on it,
• 16:36
  Speaker 3: upgrade you get me, buy it The Dream single, Ladies.
• 16:41
  Speaker 7: Run the World, Break my soul.
• 16:50
  Speaker 4: They want to be petty today. No, I just wanted
• 16:52
  Speaker 4: to have some statistics. I could have kept going, but
• 16:55
  Speaker 4: it just went through.
• 16:56
  Speaker 3: I'm smashing to you one plus one on Top Countdown, Dawn,
• 17:01
  Speaker 3: I forgot about countdown.
• 17:02
  Speaker 5: You did love on Top Partition, Flaudless, Church.
• 17:10
  Speaker 1: Girl, my House. Why y'all being like this.
• 17:20
  Speaker 3: Was just I don't know what I don't know today,
• 17:24
  Speaker 3: I'm just making my point.
• 17:27
  Speaker 4: I just wanted to have statistics.
• 17:30
  Speaker 6: You just want to fact check the fact check myself
• 17:33
  Speaker 6: because that's what I said.
• 17:34
  Speaker 4: I remember, I remember the actual verses. Everyone watched the
• 17:37
  Speaker 4: verses it created versus.
• 17:39
  Speaker 1: It's pretty good. It's really entertaining.
• 17:41
  Speaker 5: Anyways, back to the dream Dream.
• 17:43
  Speaker 6: How do you feel about artists and songwriters selling their
• 17:46
  Speaker 6: catalog Mmm?
• 17:47
  Speaker 4: Would you sell yours?
• 17:50
  Speaker 1: All of that?
• 17:53
  Speaker 4: I'm a little ignorant, so you got to school me.
• 17:55
  Speaker 4: Bro my bad, go Ahead, Twins, rock Out.
• 17:59
  Speaker 1: I sold seventy five percent of one of my catalogs.
• 18:01
  Speaker 1: I have I have four see, and it depends on
• 18:06
  Speaker 1: what you're gonna do with You just have a plan
• 18:08
  Speaker 1: to do with whatever you don't. If you have an
• 18:10
  Speaker 1: asset and you're trying to do something else, like let's
• 18:13
  Speaker 1: say real estate right now, you can wait till this
• 18:19
  Speaker 1: particular time in your life till you're sixty and say,
• 18:21
  Speaker 1: oh cool, and I'll pull that money and then maybe
• 18:23
  Speaker 1: over that time period you say you made thirty million
• 18:26
  Speaker 1: dollars or you can sell that thirty million now by
• 18:28
  Speaker 1: these nine properties, and then you know you made more
• 18:32
  Speaker 1: money than that. And not only that, if you know
• 18:34
  Speaker 1: the reversion thing that happens, and based on the constitution,
• 18:38
  Speaker 1: you get your you know, you get your publishing background.
• 18:40
  Speaker 5: It's after like what ten years or something like that.
• 18:43
  Speaker 1: It's like about twenty twenty years. Okay, But so you're
• 18:46
  Speaker 1: never you're really just always leasing the publishing and out
• 18:49
  Speaker 1: it always goes back to the owner of that publishing.
• 18:53
  Speaker 1: And they have these really strict windows though, so if
• 18:55
  Speaker 1: you miss it, they be like, oh, nould go go
• 18:58
  Speaker 1: and keep it down in my house.
• 18:59
  Speaker 4: Then time damn.
• 19:02
  Speaker 1: But everybody, if you have a catalog that's working at
• 19:05
  Speaker 1: that height, everybody's on it. They know when that time
• 19:09
  Speaker 1: is coming with a window WHI is where you get
• 19:11
  Speaker 1: those masters back. And it's just on each side, the
• 19:13
  Speaker 1: master side, the polishing side. People know, or they should
• 19:17
  Speaker 1: know by now how it works. So I wouldn't say
• 19:20
  Speaker 1: sell it to goal, just ball out and go down
• 19:23
  Speaker 1: the street and go crazy. But if you have something
• 19:25
  Speaker 1: and other plans to do, and especially if you're active
• 19:29
  Speaker 1: like that, didn't I just went on and made it.
• 19:31
  Speaker 1: I just made two more catalogs right after that, So
• 19:34
  Speaker 1: I don't it's yeah, I don't know if it's an
• 19:37
  Speaker 1: end all be all things.
• 19:38
  Speaker 6: So you just like I want to I want to
• 19:39
  Speaker 6: sell this property over here, the same.
• 19:41
  Speaker 7: Thing, just an asset.
• 19:43
  Speaker 1: Yeah, yeah, you're looking. It's never not going to say
• 19:45
  Speaker 1: you wrote the record.
• 19:47
  Speaker 7: Four catalogs is insane.
• 19:48
  Speaker 1: Though, man, I've been building them things.
• 19:50
  Speaker 6: Some people only have one because you're a songwriter. So
• 19:53
  Speaker 6: your your splits is insane.
• 19:58
  Speaker 4: You have left. You got a lot of left.
• 20:03
  Speaker 5: The splits like.
• 20:07
  Speaker 1: I'm back, I'm back, No, no, yeah, it's split.
• 20:12
  Speaker 3: Sorry, splits okay on my side for sure, and rightfully,
• 20:16
  Speaker 3: so you gotta you gotta get to go. What do
• 20:19
  Speaker 3: you want or what he demands what's required from splits.
• 20:24
  Speaker 7: Ain't no splits sometimes, I bet you're gonna get that
• 20:29
  Speaker 7: over there.
• 20:30
  Speaker 1: No, I'm pretty generous, Okay. Anybody that writes with me,
• 20:34
  Speaker 1: they would say he ain't have to do that.
• 20:36
  Speaker 4: Mmm okay, Okay.
• 20:38
  Speaker 1: Actually it's not a person that can't say that, okay,
• 20:41
  Speaker 1: because I know I'm just writing another one al right.
• 20:44
  Speaker 1: So usually I'm the coming denominator when everybody's fighting over splits. Here,
• 20:48
  Speaker 1: you gonna te man Tripp and get to the nickt song.
• 20:52
  Speaker 3: Okay, Yeah, because you have you you have what most
• 20:55
  Speaker 3: people don't have.
• 20:56
  Speaker 7: You have volume that part too, that's intention for sure.
• 21:01
  Speaker 1: Yeah, it's no fighting over one or two records. When
• 21:04
  Speaker 1: do the whole thing. Let me do the whole thing
• 21:06
  Speaker 1: for sure? You know. So you have that will go
• 21:08
  Speaker 1: room and certain things you don't feel like. It's a
• 21:10
  Speaker 1: desperation tactics to like, and then you just what you
• 21:13
  Speaker 1: do then is just funk off your relationships. All of
• 21:16
  Speaker 1: that just crumbles in that space, and you gotta be
• 21:18
  Speaker 1: super methodical about how you move around.
• 21:22
  Speaker 3: Because that sometimes is more important than the actual song.
• 21:25
  Speaker 3: Because you guys want to create again, you want to
• 21:29
  Speaker 3: continue to create. Tell him again, Roy you want to
• 21:31
  Speaker 3: continue to create. Because now he's saying something good sense,
• 21:35
  Speaker 3: I'm back on the point.
• 21:38
  Speaker 1: I appreciate it. He had the twenty five year old
• 21:42
  Speaker 1: dreaming here. I'm like, I ain't got time for the
• 21:47
  Speaker 1: hop on my phone pulling up. I got time. I
• 21:51
  Speaker 1: got a kid this twenty something.
• 21:53
  Speaker 7: Yeah.
• 21:55
  Speaker 1: But yeah, man, that was that's educating. Yeah, they need
• 21:57
  Speaker 1: to know that particular thing, man, especially with this publishing thing. Man,
• 22:02
  Speaker 1: A lot of kids just signing stuff for money and
• 22:05
  Speaker 1: not even understanding what it really is. Is some of
• 22:08
  Speaker 1: them actually do and then they played, they cry in
• 22:10
  Speaker 1: the end. It's like, bro, I saw you buy five
• 22:13
  Speaker 1: Lamborghinis with that bread like, stop playing. I saw you, Man,
• 22:18
  Speaker 1: I can't believe you got me stocking you cook. Like, Bro,
• 22:21
  Speaker 1: you didn't need a file Lamborghinis.
• 22:22
  Speaker 6: Though, and you probably didn't even need the money that
• 22:25
  Speaker 6: you was requesting. You could have took less money and
• 22:27
  Speaker 6: had actual.
• 22:28
  Speaker 1: But that's how that's how I got ownership of my publishing.
• 22:31
  Speaker 1: It was because when I did Umbrella, I just so
• 22:34
  Speaker 1: happened to be in between a publishing deal and I
• 22:37
  Speaker 1: wrote it. Shout out to Mark Stewart and critics for
• 22:41
  Speaker 1: making that whole thing happen. It was, Oh, you take
• 22:45
  Speaker 1: this one point five when you do a fifty fifty
• 22:47
  Speaker 1: pub deal, or you take five hundred thousand. I was like, well,
• 22:51
  Speaker 1: give me find it because I knew it was at
• 22:55
  Speaker 1: that point you started ask capt this thing going around,
• 22:58
  Speaker 1: all that money's coming right back if it's a smash.
• 23:00
  Speaker 6: Like and you had a monster smash. So you was
• 23:03
  Speaker 6: like looking at them like, yeah, what see, I see.
• 23:08
  Speaker 1: Be right back.
• 23:10
  Speaker 3: It's honored to be talking to you, man, especially in
• 23:12
  Speaker 3: this in this industry man.
• 23:13
  Speaker 7: Like the smashes you wrote, brother, it is just timeless, man.
• 23:18
  Speaker 3: I appreciate it in the In the today, where I
• 23:20
  Speaker 3: don't really hear a lot of timeless music, I hear
• 23:23
  Speaker 3: a lot more. It's faster here and gone. In a
• 23:26
  Speaker 3: couple of months, we still listen to the dream record. Shoot,
• 23:29
  Speaker 3: I was DJing. I played Makeup Bag on the radio in.
• 23:32
  Speaker 4: My mix last Thursday.
• 23:34
  Speaker 1: Oh wow, that's what's up.
• 23:35
  Speaker 4: Yeah.
• 23:36
  Speaker 1: I think people are trying to put records in between
• 23:38
  Speaker 1: like when you got you guys are already really great
• 23:41
  Speaker 1: at entertaining and doing what your job is, right, and
• 23:44
  Speaker 1: so I think a lot of the artists aren't concentrating
• 23:48
  Speaker 1: on that craft. In that type of way. They're just
• 23:50
  Speaker 1: trying to get in where they fit in. And at
• 23:52
  Speaker 1: some particular point when this thing gets a balance between
• 23:56
  Speaker 1: both things, people are actually become better at making music
• 24:00
  Speaker 1: again and caring about it.
• 24:02
  Speaker 7: Right now, they just don't really feel like it feels
• 24:04
  Speaker 7: like a hustle right now, I.
• 24:05
  Speaker 6: Think, yeah, it's like a hustle for ness, like people
• 24:08
  Speaker 6: trying to hurry up and get a hot record and
• 24:09
  Speaker 6: then go to the label for nest them, and then
• 24:11
  Speaker 6: when they're not hot no more, they say, oh, the
• 24:13
  Speaker 6: label robbed and stole from you.
• 24:14
  Speaker 5: And it's like, now what you said.
• 24:16
  Speaker 1: You don't have to get those lambos to get them?
• 24:19
  Speaker 1: You got five, you know, I know, I like spending money.
• 24:22
  Speaker 3: You had to get them because I see fire and
• 24:25
  Speaker 3: diamonds on your hands. That's a ring with And that's
• 24:29
  Speaker 3: the new roles, right, that's the new roless that you
• 24:30
  Speaker 3: got to order that you can't even go to.
• 24:32
  Speaker 4: You can't one you have to do on the list.
• 24:35
  Speaker 5: I've seen that one on the website. On the list,
• 24:37
  Speaker 5: you can't get that one.
• 24:38
  Speaker 4: And is the Rolls gold on too.
• 24:40
  Speaker 7: Yeah, you're way out of our tax breaking.
• 24:44
  Speaker 4: Oh, we appreciate that motivation.
• 24:46
  Speaker 1: Hey man, you're gonna sign this contract? Want to come.
• 24:53
  Speaker 6: Already in first You're just trying to get this motivation
• 24:58
  Speaker 6: for the songwriters to say, work on your splits.
• 25:02
  Speaker 1: Man. Oh yeah, that's important. But just have a healthy
• 25:06
  Speaker 1: relationship man with each other like it. Just and just
• 25:09
  Speaker 1: be in the rooms and keep yourself in the room.
• 25:11
  Speaker 1: Don't do nothing silly to get your ass kicked out
• 25:13
  Speaker 1: the room. Do no work. You can't do no work
• 25:17
  Speaker 1: if you ain't even on the stage to do the work.
• 25:19
  Speaker 1: So don't work yourself out the room. So let the
• 25:21
  Speaker 1: other person be desperate enough to go crazy about they
• 25:24
  Speaker 1: public like, yeah, cool dog, here you go. And then
• 25:28
  Speaker 1: the next album come, if it's on a big star,
• 25:30
  Speaker 1: then you won't see them there.
• 25:31
  Speaker 6: I can guarantee you we're not calling you hick on
• 25:33
  Speaker 6: your money, have a good day.
• 25:36
  Speaker 5: We ain't calling you next time.
• 25:37
  Speaker 1: It ain't even about the idea of of somebody taking
• 25:42
  Speaker 1: something from anybody. That's just an idea that somebody, somebody
• 25:45
  Speaker 1: always has this notion that they did something more to
• 25:50
  Speaker 1: a particular song, just in life. I'm sure y'all deal
• 25:52
  Speaker 1: with that and what y'all do. And there's a fact
• 25:56
  Speaker 1: and there's a truth to that, and there's also though
• 25:59
  Speaker 1: matter of opinion, like it's like, yeah, I get what
• 26:01
  Speaker 1: you saying, and I don't never want that matter of
• 26:04
  Speaker 1: an opinion to cross. I know what I did on
• 26:08
  Speaker 1: this record. I'm fine, and I'm gonna do it again,
• 26:12
  Speaker 1: and I'm gonna do it again and get stronger at
• 26:13
  Speaker 1: my craft. Where some people just they like, man, that's
• 26:17
  Speaker 1: one thing, and I'm like, bro, you just did something amazing.
• 26:19
  Speaker 1: You're not even gonna not do it again and again.
• 26:23
  Speaker 1: And I get cause I get phone calls from different
• 26:25
  Speaker 1: producers and I helped people not do regular publishing deals
• 26:29
  Speaker 1: like no, man do an ad main deal. I don't do
• 26:31
  Speaker 1: a publishing deal like that. Ain't what you want to do.
• 26:35
  Speaker 1: Big guys that y'all know and so. And then on
• 26:37
  Speaker 1: the flip side, the ones that aren't that big and
• 26:39
  Speaker 1: never get out their own ways are the ones just
• 26:41
  Speaker 1: fighting over the pities of a thing. And I'm like,
• 26:44
  Speaker 1: you blew that whole thing up that that didn't even
• 26:47
  Speaker 1: have nothing to do with the artists, didn't even have
• 26:50
  Speaker 1: nothing to do. It just slowed them down, stopped something,
• 26:52
  Speaker 1: got me away. You get cease and desist on something
• 26:55
  Speaker 1: it's like, why you do that? Yeah, it's like because
• 26:59
  Speaker 1: by the way that that's a fellow artist and we're
• 27:02
  Speaker 1: all in this same kind of thing together. You're trying
• 27:05
  Speaker 1: to make sure that your relationships become bigger and better
• 27:09
  Speaker 1: so you can actually sustain outside the corporate structure. And
• 27:12
  Speaker 1: that's just between two people. Just have a conversation, yo, man,
• 27:15
  Speaker 1: I need oh shit, I get it all. Like, as
• 27:18
  Speaker 1: long as we're working, we still work. You got something
• 27:20
  Speaker 1: you hit me and I got something to hit you. Cool.
• 27:23
  Speaker 1: You gonna split this, ain't no come and say trick
• 27:27
  Speaker 1: whether he did that amount of the song or this amount.
• 27:32
  Speaker 1: Let's do the next record, bro, And most people don't
• 27:35
  Speaker 1: work that way.
• 27:37
  Speaker 4: The goat.
• 27:39
  Speaker 7: Drop your jewels right now, man, thank you man, we
• 27:41
  Speaker 7: appreciate you.
• 27:42
  Speaker 1: I'm just trying to keep your niggas in bending man,
• 27:44
  Speaker 1: for sure.
• 27:45
  Speaker 7: You're doing right.
• 27:46
  Speaker 1: I want you to get to them be borrowing ship.
• 27:49
  Speaker 1: That's why that's why I nah, I don't call me.
• 27:53
  Speaker 1: I was just gonna call you Lambo number four. Hunh job,
• 28:00
  Speaker 1: y'all fella, drop one off. Oh yeah, your told told
• 28:03
  Speaker 1: card Play what CARDI that?
• 28:04
  Speaker 9: The other day?
• 28:05
  Speaker 1: I was, oh yeah, drop me off one there. You
• 28:08
  Speaker 1: know you gotta be bro I ain't.
• 28:09
  Speaker 7: Playing the dream and the building ball alert. Give me
• 28:16
  Speaker 7: some shout outs, big dog. Do you even have shout
• 28:18
  Speaker 7: outs too many to say?
• 28:21
  Speaker 1: Somebody gonna get mad? You know, somebody go get mad?
• 28:26
  Speaker 1: You already know that. Shout out to the fam though,
• 28:30
  Speaker 1: shout out to always to my beautiful city, Atlanta, Georgia.
• 28:34
  Speaker 1: Period in my and my click man at familiar they
• 28:38
  Speaker 1: know who they know who they is. I ain't got
• 28:40
  Speaker 1: to you know, see that sometimes you don't never be
• 28:43
  Speaker 1: careful telling people your destination mm hmmm. I don't mean
• 28:47
  Speaker 1: like location and where you are in the mapping the world,
• 28:50
  Speaker 1: your destination. Keep that to yourself so they don't know.
• 28:53
  Speaker 1: You probably have a he in that other room listening.
• 28:55
  Speaker 1: It's like, oh, I don't need you to know that
• 28:58
  Speaker 1: he with me. I just need a phone call, crazy dog. Okay,
• 29:03
  Speaker 1: I love him. Let me just called him. Shoo him,
• 29:05
  Speaker 1: little tigs. You know not to do that, mat. Let's
• 29:09
  Speaker 1: just in a good way. Guys, y'all got to look
• 29:12
  Speaker 1: on your face like the game up committed crime.
• 29:17
  Speaker 5: I'm like, no, no, you spending right now, because.
• 29:19
  Speaker 1: Sometimes people just want to hear from you and they'll
• 29:22
  Speaker 1: do another thing and it'll be crazy, like, oh man,
• 29:25
  Speaker 1: wouldn't even let me just call homewide check what's up?
• 29:29
  Speaker 1: Were good black people ship? I definitely definitely invite me
• 29:38
  Speaker 1: to the jot down. I thought I made the whole
• 29:41
  Speaker 1: thing to not invite you. Come home, dog, what's the
• 29:43
  Speaker 1: lego gets to get something to drink? All right, cool?
• 29:45
  Speaker 1: Leg get all right?
• 29:47
  Speaker 5: Bring that body is out right now?
• 29:48
  Speaker 1: Yes?
• 29:49
  Speaker 5: How did that come about?
• 29:50
  Speaker 1: Well, it's of course it is the first offering from
• 29:53
  Speaker 1: Love Hate Too, which was already you know, I ain't
• 29:56
  Speaker 1: want to name it that at first, but it kept
• 29:59
  Speaker 1: sounding like love hate and gave me the feel, I
• 30:02
  Speaker 1: want to say, the feeling of love hate, And so
• 30:05
  Speaker 1: once we got into it, I wanted to make sure
• 30:07
  Speaker 1: the first record that people heard just kind of represented
• 30:09
  Speaker 1: what it what it was, but also the modern idea
• 30:12
  Speaker 1: of where I am. And so that's the that's the
• 30:15
  Speaker 1: first that's the first look. And people seem to be
• 30:19
  Speaker 1: really anxious, and I can't wait for them to see
• 30:20
  Speaker 1: this video either. So I'm crunk.
• 30:22
  Speaker 5: Yeah, you heating up right now?
• 30:24
  Speaker 1: Hey man, I'm just trying to do my thing right now.
• 30:27
  Speaker 1: I'm just trying to do my thing. Keep up with you,
• 30:29
  Speaker 1: young guys. It's been a minute.
• 30:31
  Speaker 6: Man.
• 30:31
  Speaker 5: We glad you back, though, really glad we glad you back.
• 30:34
  Speaker 9: Man.
• 30:34
  Speaker 5: You took that, you took a long break. I had
• 30:36
  Speaker 5: the same you were running it up.
• 30:39
  Speaker 1: You known. You know what I'm saying. That's the hidden
• 30:43
  Speaker 1: part about being an artist that I think people know.
• 30:46
  Speaker 1: But you lose so much money being an artist, you know,
• 30:49
  Speaker 1: So if you are writer and you know what the
• 30:51
  Speaker 1: difference is, You're like, no, I'm cool. I can stay.
• 30:54
  Speaker 1: I could wear the same outfit for the whole year
• 30:56
  Speaker 1: and nobody even knows. I'll take one blissiyaga Jack, please,
• 31:00
  Speaker 1: thank you very much, and wear that ship every day
• 31:03
  Speaker 1: like it ain't nothing. Nobody saw me but the people
• 31:05
  Speaker 1: in publics good. Like, let's get it artist mode. You're like,
• 31:09
  Speaker 1: you get to the video, you know it's already a budget.
• 31:11
  Speaker 1: You're like, no, that ain't the right boots. Got to
• 31:14
  Speaker 1: go buy them all to get the booths. That ain't
• 31:16
  Speaker 1: the right hat. Let me go get an extra hat.
• 31:18
  Speaker 1: Next thing. You know, you're like, oh, I just spent
• 31:19
  Speaker 1: a whole another hundred now you on tour. I want
• 31:23
  Speaker 1: my likes to be like another hundred and nobody don't
• 31:27
  Speaker 1: think about those parts, so I be looking forward to it.
• 31:29
  Speaker 1: I just want my fans to know I must really
• 31:31
  Speaker 1: love y'all because I left out the house knowing I'm
• 31:36
  Speaker 1: spending all my kids college money anyways on y'all. Anyways, well,
• 31:41
  Speaker 1: a little bit of it, just smidge it.
• 31:45
  Speaker 4: Yep.
• 31:46
  Speaker 1: I got a question, What's what's some advice you will
• 31:49
  Speaker 1: get a songwriter? A songwriter discouraged a little bit sometimes
• 31:52
  Speaker 1: like advice, But why is he discouraged them? Sometimes you
• 31:58
  Speaker 1: take his records.
• 32:00
  Speaker 9: The room, but he'd be mad sometimes get certain rooms
• 32:03
  Speaker 9: or like somebody might cut the record, but it don't
• 32:06
  Speaker 9: get placed.
• 32:06
  Speaker 1: So it's like, you know, it's still that.
• 32:09
  Speaker 4: Right now.
• 32:10
  Speaker 9: Yeah, he's still dolding, still wanna be like he wanted
• 32:14
  Speaker 9: your idols.
• 32:15
  Speaker 1: So it's like I just figured, I, well, the onus
• 32:18
  Speaker 1: is on him at the end of the day, because
• 32:20
  Speaker 1: on any song songwriter, you have to write yourself into
• 32:23
  Speaker 1: that room. Mm you know, yeah, cause if you're looking
• 32:27
  Speaker 1: for somebody else to know what you're doing, they're not
• 32:30
  Speaker 1: gonna get it. That's That's what I meant about me
• 32:32
  Speaker 1: making an album in the first place, so I could
• 32:34
  Speaker 1: showcase a thing, A variety of a thing that I do,
• 32:39
  Speaker 1: they can look at it be like, yo, I'll take
• 32:41
  Speaker 1: a number two with surprise, like like, yo, let me
• 32:43
  Speaker 1: give on them shots of ten. Don't like but if
• 32:46
  Speaker 1: I don't do that album, you don't even know what
• 32:48
  Speaker 1: I know how to do, right, You don't know what
• 32:50
  Speaker 1: I do. It took people forever to even though I
• 32:52
  Speaker 1: was actually doing the tracks to these days like, people
• 32:55
  Speaker 1: didn't know forever and so, which I didn't mind because
• 33:00
  Speaker 1: to my point, keeping relationships is my number one goal
• 33:04
  Speaker 1: and so and on the second second part of that
• 33:06
  Speaker 1: is just more so write yourself into the room and
• 33:09
  Speaker 1: all of that ship is practiced because you don't want
• 33:11
  Speaker 1: to get in there early. Anyway you get in there early,
• 33:14
  Speaker 1: it's like going to box. You're gonna come box against me.
• 33:18
  Speaker 1: I've been going crazy. You ain't never getting on the
• 33:21
  Speaker 1: album like you just not like you never get on
• 33:25
  Speaker 1: I'm not I'm not letting you on like and I
• 33:27
  Speaker 1: not like because I don't want you to.
• 33:29
  Speaker 4: I want you to.
• 33:30
  Speaker 1: Push me to be like. So you know, you see
• 33:33
  Speaker 1: them beat records and you're like, yo, that dream on
• 33:35
  Speaker 1: that twelve times, it ain't cost me and be friends
• 33:37
  Speaker 1: like that. She loved me. That's my sister. She's like,
• 33:40
  Speaker 1: you better bring them joints just that they ain't slapping.
• 33:45
  Speaker 1: You're gonna see dream on here.
• 33:46
  Speaker 4: One time, the dream on ball Yo.
• 33:50
  Speaker 1: The world that way, guys, the world facts go love