Latest / Deep Sleep Whisper Hypnosis (Jason Newland) / (music) Whisper Monday | LMBYTS #1404 | Jason Newland | 4th August 2025

Transcript

(music) Whisper Monday | LMBYTS #1404 | Jason Newland | 4th August 2025 · Deep Sleep Whisper Hypnosis (Jason Newland)

• 0:01
  Speaker 1: Hello, and welcome to Jason Land. To con my name
• 0:18
  Speaker 1: is Jason Land. This is let Me Put you to
• 0:23
  Speaker 1: Sleep and Whisper, ironically both my most popular recordings and
• 0:35
  Speaker 1: my least popular recordings.
• 0:39
  Speaker 2: Yeay, hello, hello, hello, hello, hello, yeah.
• 1:05
  Speaker 1: See this is Whisper Monday. Yes, Monday again, Monday don't
• 1:16
  Speaker 1: have come around quickly. So I'd just like to say
• 1:24
  Speaker 1: a big thank you to all the well wishes on
• 1:28
  Speaker 1: my Facebook page. Thank you, and also address a few
• 1:44
  Speaker 1: moons about me doing the Whisper recordings. Just let you
• 1:51
  Speaker 1: know this, these Whisper Mondays and Whisper Tuesdays and Whisper
• 1:59
  Speaker 1: Wednesday is they're not replacing anything. It's an additional thing.
• 2:09
  Speaker 1: So it's I think it's I've been doing this. It's
• 2:23
  Speaker 1: kind of the first thing in the morning I wake up,
• 2:33
  Speaker 1: I do we we, and I make a recording. Now
• 2:47
  Speaker 1: because of the time whispering, it's the only time really
• 2:53
  Speaker 1: that I can do any kind of whisper stuff. And
• 3:08
  Speaker 1: when I do wake up in the morning, I'm kind
• 3:11
  Speaker 1: of like a different person to how I am later
• 3:14
  Speaker 1: in the day. I was thinking about this before I
• 3:19
  Speaker 1: made the recording, and I'm sure how to explain it
• 3:25
  Speaker 1: really I can't believe my voice gets croaky when I'm whispering.
• 3:32
  Speaker 1: Really Okay, I can't do it again. But I suppose
• 3:41
  Speaker 1: this is just I don't know. I don't know if
• 3:45
  Speaker 1: I'm going to do these regularly. I just happened to
• 3:50
  Speaker 1: have done one for a few days in a row.
• 3:57
  Speaker 1: But my intention is to get back to a degree
• 4:02
  Speaker 1: of normality and do the let me put you to
• 4:13
  Speaker 1: sleep recordings like I was doing them, you know, Monday's
• 4:18
  Speaker 1: boring Objects, trivia, Tuesday Day, Friday, Saturday Summary, maybe even
• 4:27
  Speaker 1: Sunday's papers. Maybe we shall st see how things go today.
• 4:51
  Speaker 1: Over the last few weeks, I kind of yeah, my
• 5:03
  Speaker 1: my consistency lacked someone and didn't and I still have
• 5:13
  Speaker 1: made recordings during this period. But there's been periods of
• 5:19
  Speaker 1: time where I didn't do anything, and I'm kind of
• 5:26
  Speaker 1: surprised I'm still making recordings right now, but I seem
• 5:37
  Speaker 1: to wanna do it, so I go go. Had a
• 5:46
  Speaker 1: strange dream last night that I was seeing this in
• 6:00
  Speaker 1: this situation where everybody was related to me, and I
• 6:14
  Speaker 1: was trying to comfort a female uh relative, I don't know,
• 6:25
  Speaker 1: sister or whatever, and none of it made sense, not really.
• 6:51
  Speaker 1: There was a speed boat. There was a bloke the man,
• 7:00
  Speaker 1: I don't know who. He was just trying to remember
• 7:11
  Speaker 1: bits of the train. I think my downstairs neighbor just
• 7:23
  Speaker 1: farted really loudly. Honestly, I just said, like a big vibration,
• 7:38
  Speaker 1: like a little drop in in set off, that's funny, brilliant,
• 7:53
  Speaker 1: say hm. The weekend was a bit boring, to be honest.
• 8:09
  Speaker 1: There's no boxing, I know, nothing really, just went a
• 8:21
  Speaker 1: bit early both nights. I think it was a bit
• 8:24
  Speaker 1: by eight o'clock both Friday and no Saturday, no Friday
• 8:31
  Speaker 1: Saturday and Sunday night. So now I'm lot going on.
• 8:45
  Speaker 1: Yesterday I did a recording on grief, and I was
• 8:59
  Speaker 1: re recording this recording as you do. It was in
• 9:05
  Speaker 1: the afternoon, and all I could hear was screaming in
• 9:11
  Speaker 1: the garden, just shouting and screaming kids and adults. Like
• 9:21
  Speaker 1: I was getting mildly wound up. I don't ask for much,
• 9:27
  Speaker 1: just a little bit of piece, just especially when I'm
• 9:31
  Speaker 1: making a recording. So I stopped talking in a garb
• 9:37
  Speaker 1: and I moved or what pretty much all of my
• 9:41
  Speaker 1: books from my bookcase. I've got three bookcases, and I
• 9:47
  Speaker 1: moved them onto the window sill and pretty much filled
• 9:52
  Speaker 1: up most of the gap where the window is, and
• 10:01
  Speaker 1: it seemed to be it's done quite a good job
• 10:05
  Speaker 1: of soundproofing the room from the screaming kids. It's like, wow,
• 10:22
  Speaker 1: it seems to be overkill though, to be fair, because
• 10:25
  Speaker 1: I'm looking at it, it's just like it looks a
• 10:28
  Speaker 1: bit missy. It looks like a modern piece of art,
• 10:33
  Speaker 1: something you might have seen in an art gallery. We
• 10:40
  Speaker 1: know what artists. It's weird, but it's definitely I mean,
• 10:50
  Speaker 1: it's quiet now anyway. I mean, if you listen to
• 11:03
  Speaker 1: the beginning of yesterday's recording, the Grief one, you can
• 11:10
  Speaker 1: actually squeaky screaming over there, and it's just too loud.
• 11:28
  Speaker 1: It's just too inf for me. It's just a little
• 11:31
  Speaker 1: bit too loud, and it's constant conscious and it's yeah,
• 11:43
  Speaker 1: I know I'm moaning, but it is a little bit
• 11:46
  Speaker 1: too much sometimes and make make that my voice really
• 11:58
  Speaker 1: get making making recordings is something that it's all I've
• 12:16
  Speaker 1: got there, anything that I do, and it's so I
• 12:33
  Speaker 1: need to be able to have that sense of quiet. Now.
• 12:51
  Speaker 1: There is a way around it, and I'm thinking about
• 12:56
  Speaker 1: working my way in that way is to keep my
• 13:02
  Speaker 1: table out of the storage room, but any other side,
• 13:13
  Speaker 1: the other side of the Yeah, but on the other
• 13:20
  Speaker 1: side of the room, and then start using the other
• 13:26
  Speaker 1: microphone a gang because that doesn't pick up so much
• 13:31
  Speaker 1: sound from outside, so I might do that instead. I
• 13:54
  Speaker 1: don't know, I'm not sure. I'm just trying to get
• 14:08
  Speaker 1: touch with how I feel.
• 14:14
  Speaker 3: I feel okay, Yeah, I'm all right, I.
• 14:31
  Speaker 4: Feel all right, Yeah, not much going on. Wes feeling dope,
• 14:57
  Speaker 4: be strained.
• 15:01
  Speaker 1: I got them.
• 15:01
  Speaker 5: Closed, feeling properly, that would be hungry.
• 15:44
  Speaker 1: I'm still trying to remember that dream I come remember. No,
• 16:30
  Speaker 1: it's gone good to mad. I was a little bit
• 16:38
  Speaker 1: restless last night to start with.
• 16:59
  Speaker 6: M hmm, I get quite easily, just fell back to sleep,
• 17:40
  Speaker 6: which just shows there's not much going on inside of
• 17:43
  Speaker 6: my brain right now.
• 17:49
  Speaker 1: No change that A right, M right, right, umber Right then,
• 18:21
  Speaker 1: He's been good. It's the fast asleep on the bed.
• 18:32
  Speaker 1: Take quite a lot to wake him up. Once he's gone,
• 18:36
  Speaker 1: he's gone, like really it's a very deep sleep. But
• 18:40
  Speaker 1: once he's falls asleep, it just reminds me. There's been
• 18:55
  Speaker 1: times when I've kind of tried to wake him up,
• 18:58
  Speaker 1: just like playing, you know, clicking my fingers and doing
• 19:04
  Speaker 1: a little dance or nothing. It reminds me it was
• 19:09
  Speaker 1: a TV that answer. It's a movie called What About Bob?
• 19:15
  Speaker 1: With what's his name? It's the the actor that was
• 19:38
  Speaker 1: in Groundhog Day, Bill Murray? What About Bob? So he's
• 19:48
  Speaker 1: if I'm correct, he's a psychiatric patient and he goes
• 19:56
  Speaker 1: and visits his psychiatrist, who his Richard Dreyfus. That's a
• 20:01
  Speaker 1: lot of information that's in my head. And he stays over,
• 20:08
  Speaker 1: I might get I might have this wrong. There's this
• 20:11
  Speaker 1: one scene where Richard Traces is trying to wake him
• 20:18
  Speaker 1: up and he's yelling, he's passion, symbols together, drums, you know,
• 20:33
  Speaker 1: all kinds of things. Nothing. Nothing's waking Bob or Bill Murray.
• 20:43
  Speaker 1: And he's doing this for like a few minutes, and
• 20:46
  Speaker 1: there's a whole scared really where he's showing him different
• 20:52
  Speaker 1: ways trying to wake up Bob. And at the end
• 20:59
  Speaker 1: of it was lying there and his alarm clock goes
• 21:04
  Speaker 1: off diddddd did and he just wakes up, yawns that says,
• 21:12
  Speaker 1: good morning. It's very funny. I've burnt it, really haven't
• 21:18
  Speaker 1: I if you haven't seen it, But it's an old
• 21:22
  Speaker 1: movie from probably in the nineties and so on. He
• 21:29
  Speaker 1: said a while back, might have be the eighties. What
• 21:36
  Speaker 1: about Bob It's called Richard RAFs and Bill Murray. Yeah,
• 21:52
  Speaker 1: it was good. I was another scene that's a different movie,
• 22:10
  Speaker 1: but there's a couple of I just remember rewinding the
• 22:19
  Speaker 1: videotape because the comedy clip called me off guard and
• 22:25
  Speaker 1: made me laugh so hard that I had to go
• 22:29
  Speaker 1: back and rewatch it. That was one of those one.
• 22:34
  Speaker 1: That's one clip I kept rewinding because it was so funny.
• 22:42
  Speaker 1: And the second one. Another one was Gene Wilder. Jeene
• 22:59
  Speaker 1: Wilder was in his movie and he's standing outside the
• 23:03
  Speaker 1: door with this big mentioned house thing and this lady
• 23:14
  Speaker 1: kisses him on the lips and Gene Wilder looks disgusted
• 23:24
  Speaker 1: and he rubs his lips, screams and runs away. It's
• 23:33
  Speaker 1: very funny. I just I just found hilarious. I remember
• 23:38
  Speaker 1: rewinding that because they caught me off guard. That did
• 23:43
  Speaker 1: not expect that. As Jeane Wilder was, I think he's
• 23:54
  Speaker 1: one of the greatest comedy actors. As something as they say,
• 24:02
  Speaker 1: funny bones he had. It's so funny. It was that
• 24:11
  Speaker 1: obliviousness almost that look in his eyes, like wasn't quite
• 24:19
  Speaker 1: sure what was going on around him. But I think
• 24:28
  Speaker 1: people like him if you love his movies, his comedy movies,
• 24:38
  Speaker 1: possibly avoid watching any interviews that he did because he
• 24:43
  Speaker 1: wasn't the person. He was very serious, and you know
• 24:49
  Speaker 1: he wasn't. I know, he obviously he lost that person
• 24:54
  Speaker 1: because he's an actor, but I quite like the idea
• 24:58
  Speaker 1: of him being that person. Just you know, if you
• 25:03
  Speaker 1: see Jim Carrey being interviewed, he's all serious these days.
• 25:14
  Speaker 1: But then you get some some entertainers or comedy actors,
• 25:19
  Speaker 1: and they liked, I don't know, they're just naturally funny,
• 25:35
  Speaker 1: if that makes sense. I met a few comedians like that,
• 25:48
  Speaker 1: some which is really funny people off and on stage.
• 26:01
  Speaker 1: I don't think I ever saw any of the really
• 26:03
  Speaker 1: funny ones make it successfully. But the ones that were
• 26:12
  Speaker 1: funny off stage, it's it's almost it's which is quite strange.
• 26:23
  Speaker 1: But the ones that were really funny on the stage
• 26:25
  Speaker 1: were just I don't know, it's hard to explain it.
• 26:32
  Speaker 7: They weren't like that when they were off off the stage.
• 26:41
  Speaker 1: I suppose I could double identity. Perhaps, I suppose also
• 27:00
  Speaker 1: those comedians that are successful when they're doing the clubs
• 27:11
  Speaker 1: and they're you know, doing the different comedy clubs. They're
• 27:18
  Speaker 1: probably tired but being funny and they need a break
• 27:24
  Speaker 1: from it, especially if they doing maybe two, three, maybe
• 27:32
  Speaker 1: four kicks in one night at the weekend. The probably
• 27:41
  Speaker 1: last thing they want to do is tell jokes when
• 27:44
  Speaker 1: they're not on stage. Yeah, although I did get a
• 28:07
  Speaker 1: lift with Ricky Crow for once. This is before I
• 28:12
  Speaker 1: knew who he was, and he did his character Buller
• 28:18
  Speaker 1: the whole way. So he came. He lived in a
• 28:22
  Speaker 1: sports Girl from the comedy club, probably about ninety four
• 28:30
  Speaker 1: and maybe ninety five, and he gave me a lived
• 28:40
  Speaker 1: to Stratford. I don't know where he lived. I think
• 28:43
  Speaker 1: he lived in Bow or Canning Town or something like that.
• 28:50
  Speaker 1: And I didn't realize it was I've not seen his act.
• 28:56
  Speaker 1: And there was the Buller where he plays his character
• 28:59
  Speaker 1: called and he did that the whole journey. It was
• 29:04
  Speaker 1: very funny, but he was just player, you know, a character.
• 29:19
  Speaker 1: I think my favorite comedy character now is Alan Bartridge.
• 29:30
  Speaker 1: I've decided. I've made my decision, and Alan Bartridge is
• 29:35
  Speaker 1: just so funny, all annoyances, and I guess they haven't
• 29:46
  Speaker 1: followed him for decades. Seeing the way the character's developed,
• 30:01
  Speaker 1: it's so good. Now. I don't know how well known
• 30:06
  Speaker 1: Alan Bartridge is outside of the UK, and I don't
• 30:14
  Speaker 1: know how. I don't know. I don't know how understandable
• 30:26
  Speaker 1: the character would be, because it's the character's funny on
• 30:32
  Speaker 1: different levels. It's funny in itself, but also it's kind
• 30:40
  Speaker 1: of made fun of a lot of not just I
• 30:45
  Speaker 1: suppose the radio d Jase that then went on to
• 30:47
  Speaker 1: TV and did chat shows and stuff like that, and
• 30:53
  Speaker 1: he he's got some of those mannerisms and yeah, it's
• 31:05
  Speaker 1: such a great character. Pre certain that Steve Coogan, who
• 31:16
  Speaker 1: is the actor the place Alan Bartridge, probably gets completely
• 31:26
  Speaker 1: fed up we're doing that character at times and wishes
• 31:36
  Speaker 1: that one of his other characters was as popular. But
• 31:45
  Speaker 1: he's his audience has grown up with him and he
• 31:58
  Speaker 1: can keep that character. I mean is he'd probably be
• 32:04
  Speaker 1: about sixty now, maybe late fifties. He's older than me,
• 32:12
  Speaker 1: just probably not by much, maybe five years since he
• 32:19
  Speaker 1: had let's say sixty, so he might be able to
• 32:23
  Speaker 1: do that Karen him for another twenty years, Dear. One
• 32:28
  Speaker 1: of my favorite roles that Steve Kirgan was in was
• 32:35
  Speaker 1: when he did Laura Lenardi, Laura. What was it called.
• 32:44
  Speaker 1: I can't remember the name of the movie. I think
• 32:48
  Speaker 1: it might just been their first names, Stanham, Lawrence, Oliver,
• 33:00
  Speaker 1: stand and Oliver. I think it was Yeah, stand and
• 33:05
  Speaker 1: Oliver and Steve Cookan played the skinny one Laura and
• 33:18
  Speaker 1: Nardi Hardi was the bigger one on the Laurel Stan Lowers.
• 33:22
  Speaker 1: He played Stan. He even had his eyes. I mean,
• 33:30
  Speaker 1: he's always had his eyes, but that was strange because
• 33:36
  Speaker 1: he had the same eyes. He has the same eyes
• 33:39
  Speaker 1: as Stan Laurel, which makes me think that he possibly
• 33:53
  Speaker 1: wanted to play that character, that role plays Stan Laurel
• 34:00
  Speaker 1: for a long time because he knew he looked like him.
• 34:07
  Speaker 1: That was a really good movie as well. It's really
• 34:16
  Speaker 1: just about their relationship, their friendship, and you know, kind
• 34:26
  Speaker 1: of the last part of their lives together. I suppose
• 34:43
  Speaker 1: Stan Laurel was a little bit a little bit like
• 34:47
  Speaker 1: Benny Hill is. His life was about working and in
• 34:57
  Speaker 1: the same way that Benny Hill used to. But he
• 35:03
  Speaker 1: used to write jokes when he was home, even though
• 35:07
  Speaker 1: he was on television anymore. The thing is now not
• 35:12
  Speaker 1: being on television wouldn't have made a difference to him,
• 35:16
  Speaker 1: because he could have just done his own YouTube channel
• 35:19
  Speaker 1: into his own stuff, and he wouldn't have needed he
• 35:23
  Speaker 1: wouldn't have been restricted by television. Plus he was wealthy
• 35:32
  Speaker 1: and he was popular in America, which makes me wonder
• 35:37
  Speaker 1: why didn't America give him a TV show? But he
• 35:51
  Speaker 1: used to be writing jokes all the time, and I
• 35:58
  Speaker 1: think Laurel was the same. I was writing, it's a
• 36:07
  Speaker 1: bit chilly in here today, a little bit chilly much
• 36:13
  Speaker 1: that window is open. To open the window because it
• 36:17
  Speaker 1: was stuff here with all those books in a way,
• 36:21
  Speaker 1: which is weird. I wouldn't afford it made too much difference,
• 36:26
  Speaker 1: but I guess so many years getting through even window
• 36:30
  Speaker 1: windows are closed. Yeah, I'm not sure what to do
• 36:40
  Speaker 1: about those books being there, A little bit concerned that
• 36:45
  Speaker 1: if one falced, a lot of fault. But it's a
• 36:50
  Speaker 1: lot of books, like a heavy load of books. That's
• 36:54
  Speaker 1: probably so probably doesn't weigh as much as me, but
• 37:04
  Speaker 1: maybe it does. I don't think so. Yeah, I wouldn't
• 37:11
  Speaker 1: be able to if you condensed all those books into
• 37:15
  Speaker 1: like a compact weight. I'm not sure what struggle to
• 37:22
  Speaker 1: lift it. I don't know, maybe not, But then I
• 37:34
  Speaker 1: think in some of the books are quite heavy, and
• 37:38
  Speaker 1: this I don't know two hundred books maybe more so
• 37:46
  Speaker 1: I try to count them one.
• 37:48
  Speaker 7: Two, three, four or five, six, seven, eight, ninety even
• 37:54
  Speaker 7: until thirteen fourteen, fifteen sixty, and I don't do anyone
• 37:59
  Speaker 7: twenty fight, twenty four, twenty five, twenty six, twenty seven,
• 38:03
  Speaker 7: twenty eight, twenty.
• 38:04
  Speaker 8: Nine, thirty thirty one, thirty, thirty six, thirty seventh, thirty eight, ninety, forty,
• 38:12
  Speaker 8: forty one, forty day, forty three, forty four, forty five,
• 38:15
  Speaker 8: forty six.
• 38:17
  Speaker 1: Forty seven, forty eight, forty ninety fifty two, und five
• 38:21
  Speaker 1: fifty five six, sixteen one to probably two hundred and fifty.
• 38:45
  Speaker 1: So I think my plan for to day is just
• 39:02
  Speaker 1: have some breakfast, have a cup of tea, then aimed
• 39:17
  Speaker 1: do Monday's boring objects, and maybe donacis recording as well
• 39:31
  Speaker 1: later on and outside of that, nothing on else.
• 39:45
  Speaker 9: Really, nothing really going on, So I'm kind, Thank you
• 40:11
  Speaker 9: for listening.
• 40:13
  Speaker 1: Remember to be kind to yourself because you do deserve
• 40:19
  Speaker 1: to be happy, bitch into it yourself, You deserve to
• 40:29
  Speaker 1: feel safe. Lots of love. Bye,