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Thrifty Ways To Thieve Your Mother (S37 Bonus Patreon Review) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: What the heck is going on here? Mom?
• 0:03
  Speaker 2: I waited for you for hours.
• 0:05
  Speaker 1: I met Keithan. It was unsettling.
• 0:07
  Speaker 3: And the whole time you were here defiling my clothes
• 0:09
  Speaker 3: with the cast of you for you, oh well, I
• 0:12
  Speaker 3: didn't think you were ever gonna wear this stuff again.
• 0:15
  Speaker 3: I mean, it doesn't even fit you anymore, excuse me.
• 0:21
  Speaker 3: And even if it did, then you're not cool enough
• 0:25
  Speaker 3: to pull it off.
• 0:27
  Speaker 1: Four Finger Discount. Dude, welcome to this very special bonus
• 0:46
  Speaker 1: episode of four Finger Discount. We're doing something different here.
• 0:48
  Speaker 1: We are reviewing the episode that's just add It is
• 0:51
  Speaker 1: the premiere episode of season thirty seven of The Simpsons.
• 0:54
  Speaker 1: It is drifting Ways to Thieve your Mother. I am dander.
• 0:57
  Speaker 1: I'm going well down there a bit. I got through it, though.
• 1:00
  Speaker 1: You did pretty much fifty Ways to Thieve your Mother.
• 1:05
  Speaker 4: Yes, and there, it's something we should say upfront. Let's
• 1:08
  Speaker 4: address the elephant in the room.
• 1:11
  Speaker 1: I'm glad that.
• 1:11
  Speaker 4: I got a message from one Brendan Dawn last guy, saying, guy,
• 1:16
  Speaker 4: make sure you watch the correct episode of the Simpsons,
• 1:21
  Speaker 4: because like, hey, we're gonna do something different. We're gonna
• 1:23
  Speaker 4: look at season thirty one episode. I said Hey, I'll
• 1:25
  Speaker 4: do that.
• 1:25
  Speaker 1: I got onto.
• 1:28
  Speaker 4: A certain streaming service at rhymes with Risney Dust and
• 1:33
  Speaker 4: watched the episode. I thought, okay, great, I'm happy to
• 1:35
  Speaker 4: talk about. Yeah, the one that builders the Simpsons season
• 1:40
  Speaker 4: or Simpson series finale, starring Con O'Brien with a guests
• 1:43
  Speaker 4: of right, Tom Hayes, Wow, planning to talk about I
• 1:45
  Speaker 4: can't wait to talk about.
• 1:46
  Speaker 1: It with Danna.
• 1:46
  Speaker 4: We're not watching that. That's not the one, not one.
• 1:48
  Speaker 4: We're talking about. Disney Plus put up two season thirty seven.
• 1:53
  Speaker 4: Something's gone wrong because something's a little ass skew.
• 1:55
  Speaker 1: When I first watched the episode, it said season thirty eight,
• 1:58
  Speaker 1: and now it says season thirty seven two times, and
• 2:01
  Speaker 1: it was just baffling. So you click on one season
• 2:03
  Speaker 1: thirty seven and it's actually season thirty six. Yeah, and
• 2:07
  Speaker 1: I said, click on the season thirty seven has one episode.
• 2:09
  Speaker 1: That's the one we're doing. There we go.
• 2:12
  Speaker 4: So, yeah, thank you very much Dando for saving me
• 2:15
  Speaker 4: from embarrassment. Cheers to Dando. Jeers to Disney Plus. Hopefully
• 2:20
  Speaker 4: this isn't happening all over the world, Maybe just happening
• 2:22
  Speaker 4: in Australia. Maybe they'll rectify the problem. Hopefully asap was
• 2:26
  Speaker 4: so yeah.
• 2:27
  Speaker 1: But anyway, but anyway, we both watched thrifty Ways to
• 2:30
  Speaker 1: Thieve Your Mother. I got to admit this was a
• 2:34
  Speaker 1: good episode. A bad air. This was a good episode,
• 2:36
  Speaker 1: A genuinely good episode. Yeah.
• 2:38
  Speaker 4: And I mean, look, I've been sort of not consciously
• 2:42
  Speaker 4: avoiding new episodes of the Simpsons, but I mean, life
• 2:45
  Speaker 4: is busy, there's a.
• 2:46
  Speaker 1: Lot going on. I think, yeah, yeah, I'll get to
• 2:48
  Speaker 1: it when I get to it. Yeah, if I get
• 2:50
  Speaker 1: that's the model of life now, I'll get to it
• 2:51
  Speaker 1: when I get to it. Yeah.
• 2:52
  Speaker 4: My favorite four words of it's on the list. Yeah, okay,
• 2:57
  Speaker 4: well this is going to be.
• 2:59
  Speaker 1: If Dana said, so, I better do it. Gotta keep
• 3:02
  Speaker 1: that gravy train of rolling.
• 3:03
  Speaker 4: But also, this is gonna be Simpsons for the kids
• 3:07
  Speaker 4: or Simpsons for the modern audience.
• 3:08
  Speaker 1: And that's not move anything, but it was anything about
• 3:13
  Speaker 1: This felt not necessarily classic Simpsons, but it had it
• 3:16
  Speaker 1: had a good classic structure. I think classic Simpsons would
• 3:18
  Speaker 1: have had more humor or more so like Zingers a
• 3:21
  Speaker 1: little bit. Storyline wise, I thought it was a really
• 3:24
  Speaker 1: good emotional story, had good bones. Yeah, yeah, so no,
• 3:28
  Speaker 1: I was actually.
• 3:29
  Speaker 4: Pretty impressed to the point where it's like I could
• 3:31
  Speaker 4: probably tune in watch a few more new episodes.
• 3:33
  Speaker 1: Yeah, they're going to be like this. Now. I'm going
• 3:35
  Speaker 1: to start off by saying, I think you know what
• 3:38
  Speaker 1: I like about this. I think the Simpsons have officially
• 3:40
  Speaker 1: I'm just saying officially. They're not saying officially officially retconn
• 3:43
  Speaker 1: of the timeline because there have been episodes in the
• 3:46
  Speaker 1: past that ninety shows, one that springs to mind, right,
• 3:48
  Speaker 1: which came out in like early two thousand, two thousand
• 3:50
  Speaker 1: and four and eight. I don't know whatever, it's early
• 3:52
  Speaker 1: two thousands and people were up in arms. How can
• 3:55
  Speaker 1: the Simpsons if march I haven't been at college in
• 3:57
  Speaker 1: the nineties, it doesn't make sense timeline wise, blah blah blah.
• 4:00
  Speaker 1: And Matt Salmon our dear Pale. Matt Salmon has said
• 4:02
  Speaker 1: the timeline's floating, don't worry about it. Watch this episode
• 4:05
  Speaker 1: in a capsule. And there have been other episodes since
• 4:08
  Speaker 1: that mom was in twenty twenty one called Do Pizza
• 4:11
  Speaker 1: Bot's Stream of Electric Guitars, which is about Homer being
• 4:14
  Speaker 1: like a fourteen year old in the early nineties, which
• 4:16
  Speaker 1: makes a little bit more sense timeline wise, but there
• 4:18
  Speaker 1: was a lot of criticism that on social media, people
• 4:21
  Speaker 1: with continuity and timelines, and Matt someone had to respond
• 4:24
  Speaker 1: to them basically saying that what did he say. We're
• 4:26
  Speaker 1: not saying this is the official continuity now and none
• 4:29
  Speaker 1: of that other stuff happened. We're just saying in this
• 4:31
  Speaker 1: one episode, this is a silly way to present the
• 4:33
  Speaker 1: character's life. It doesn't mean that the people's beloved episodes
• 4:36
  Speaker 1: from the past didn't happen. They all kind of happened
• 4:38
  Speaker 1: in their own imaginary world, you know, and people can
• 4:40
  Speaker 1: choose to love whichever version they love. I watched this
• 4:43
  Speaker 1: one right, and I feel like this is an official
• 4:45
  Speaker 1: retcon of The Simpsons Margin Homer grew up in the nineties,
• 4:49
  Speaker 1: because if you're watching this Rod, my children are watching
• 4:51
  Speaker 1: this episode, it makes sense their parents, who are now
• 4:55
  Speaker 1: margin Homer's age, we grew up in the nineties. So
• 4:58
  Speaker 1: for a kid watching this show, this is almost like
• 5:00
  Speaker 1: an official rebranding of this is your era of the
• 5:03
  Speaker 1: show now. That's what I was thinking. Yeah, which it's
• 5:06
  Speaker 1: and I'm all for it.
• 5:07
  Speaker 4: It's really interesting something about when you when you're talking
• 5:10
  Speaker 4: about it this way, because you know, certainly if you
• 5:13
  Speaker 4: have my generation, which is you know, I'm Generation X, right, Basically,
• 5:18
  Speaker 4: Homer is now me. Homer is now generation X. Essentially,
• 5:21
  Speaker 4: if Homer Marge grew up in the nineties, went to
• 5:23
  Speaker 4: high school or even elementary school or junior high in
• 5:27
  Speaker 4: the nineties, as it seems in this episode going through
• 5:29
  Speaker 4: the yearbooks and all that kind of stuff, it's like, well.
• 5:32
  Speaker 1: Okay, but generation X views the world in a certain way,
• 5:35
  Speaker 1: each generational view. So if they were in high school,
• 5:38
  Speaker 1: middle school, in the in the in the early mid nineties,
• 5:41
  Speaker 1: then they'll be my age because that's twenty five. I
• 5:45
  Speaker 1: say twenty five. I guess yeah, because fourteen millennials, Yeah,
• 5:49
  Speaker 1: they're me. But what they've done is they've made I
• 5:52
  Speaker 1: am now Margin because when I watched The Simpsons when
• 5:54
  Speaker 1: I was a kid right in the nineties, Margin Homer
• 5:56
  Speaker 1: where my parents age, and my parents grew up in
• 5:58
  Speaker 1: the seventies and made logisticals it's that they would score
• 6:01
  Speaker 1: in the seventies, right or boomers? But yeah, whatever, So
• 6:04
  Speaker 1: now when you watch it, I am now margin home,
• 6:08
  Speaker 1: I am now the parent my kids are watching it,
• 6:10
  Speaker 1: so my kids are now looking up going what makes
• 6:13
  Speaker 1: sense that Margin Homer were growing up the same time
• 6:15
  Speaker 1: that my mum and dad are. So this is like
• 6:17
  Speaker 1: the official rebranding of this is your era of the sentence? Yeah,
• 6:19
  Speaker 1: so are they going to What?
• 6:22
  Speaker 4: I guess what I was trying to say with that
• 6:23
  Speaker 4: is like, will Homer and Marge sort of be the
• 6:25
  Speaker 4: same as they always were because generations are different, they will.
• 6:29
  Speaker 1: Be personality wise, you mean, yeah, I think they will
• 6:32
  Speaker 1: still be similar, but they will just the timeline I
• 6:35
  Speaker 1: feel like now is, Yeah, the nineties is what the
• 6:38
  Speaker 1: seventies was when The Simpsons started.
• 6:39
  Speaker 4: Yea, because I get the filling that people who grew
• 6:41
  Speaker 4: up in the nineties are going to view the world differently,
• 6:43
  Speaker 4: view parenting differently, through view life differently.
• 6:45
  Speaker 1: Maybe they will be.
• 6:46
  Speaker 4: Than the home in Marge we had saying, you know,
• 6:49
  Speaker 4: seasons that were teens or something, you know, like not
• 6:52
  Speaker 4: that they were teens, but like seasons thirteen through nineteen
• 6:55
  Speaker 4: or whatever.
• 6:56
  Speaker 1: I don't think we saw enough in this episode to
• 6:58
  Speaker 1: really decide whether that it's going to be a yes
• 7:00
  Speaker 1: or a no. Yeah, So the it's true we might
• 7:03
  Speaker 1: be in the early days of this whole rebranding. Yeah, well,
• 7:06
  Speaker 1: just a Conrad who was going to come on the show.
• 7:09
  Speaker 1: I've been told of Jessica Conrad. She wrote this episode,
• 7:11
  Speaker 1: and she has said that she wanted to write the
• 7:12
  Speaker 1: story based on her own experience of wearing her mother's
• 7:15
  Speaker 1: clothes and feeling cool when they came back into fashion again.
• 7:18
  Speaker 1: She wanted to present the feeling of the late nineties
• 7:19
  Speaker 1: and early two thousands for current day children, and included
• 7:22
  Speaker 1: references to DayLA's brand and the television series Dawson's Creek.
• 7:25
  Speaker 1: Director Gabrielle de Francesco also encountered a similar experience while
• 7:29
  Speaker 1: making the episode because his mother in law was sending
• 7:31
  Speaker 1: his wife's old clothes for his children. A reference to
• 7:34
  Speaker 1: the seventh season episode some four foot two was apparently
• 7:36
  Speaker 1: in this episode, and then cut it out because it
• 7:38
  Speaker 1: would have been too on the notes. I did have
• 7:40
  Speaker 1: Summer of fourfoot to vibes to it, wearing different clothes
• 7:44
  Speaker 1: and whatnot. But I just think whether they will say
• 7:47
  Speaker 1: it's an official timeline because you're putting yourself in a
• 7:49
  Speaker 1: bit of a hole there or sort of in the
• 7:51
  Speaker 1: corner if you say this is now the new timeline,
• 7:53
  Speaker 1: because then you can't change it up a bit. But
• 7:54
  Speaker 1: I like to think that this is now. My kids
• 7:57
  Speaker 1: can watch the Simpsons, and it feels like The Simpsons
• 7:59
  Speaker 1: is now current and relevant again because your kids now
• 8:02
  Speaker 1: are living in the timeline of what my kids live in.
• 8:05
  Speaker 1: I think if you're a consent, yeah, no, it does.
• 8:07
  Speaker 1: It does. I think if you're a consumer of pop culture,
• 8:10
  Speaker 1: you really have to be a bit flexible. You have
• 8:12
  Speaker 1: to sort of meet the creators, particularly stuff that's long running.
• 8:16
  Speaker 1: You know, it goes back to like Star Wars and
• 8:18
  Speaker 1: Marvel Comic Sawks anything like that. You know, realize that
• 8:22
  Speaker 1: you have to have a bit of flexibility when it
• 8:24
  Speaker 1: comes to timelines and things like that if you wanted
• 8:25
  Speaker 1: to sort of remain relevant. I mean, I think the
• 8:29
  Speaker 1: fundamentals have to apply. But that's in terms of storytelling
• 8:31
  Speaker 1: more than they say, and in terms of characterization. But yeah,
• 8:36
  Speaker 1: it's like people who get all sort of bunched up
• 8:39
  Speaker 1: about say James Bond, like well, you know that they're all, well,
• 8:43
  Speaker 1: James Bond is just a code name, and all these
• 8:47
  Speaker 1: people are James Bond.
• 8:48
  Speaker 4: It's like they're just different movies man, you know. And Rogers,
• 8:51
  Speaker 4: a different actor playing Roger Moore got too old to
• 8:53
  Speaker 4: play James Bond, so they got a new James Bond
• 8:55
  Speaker 4: in you know, it's it's not all part of one
• 8:57
  Speaker 4: big story.
• 8:57
  Speaker 1: It's more like one character. Yeah. Overall that I just
• 9:00
  Speaker 1: watched this going I feel like I'm watching a yeah
• 9:03
  Speaker 1: era of the show. Oh yeah, very much. I look
• 9:05
  Speaker 1: because this this feels like it wasn't a one off
• 9:08
  Speaker 1: kind of episode. This feels like this is meant to
• 9:09
  Speaker 1: be in the cannon and show you.
• 9:12
  Speaker 4: I say this with all do you respect to Jessica Conrad? Yes,
• 9:17
  Speaker 4: ye future, I guess the show. She may not want
• 9:20
  Speaker 4: to be on it with me after the gags could
• 9:22
  Speaker 4: have been a little tighter.
• 9:23
  Speaker 1: I thought there were some actually having said that, no, sorry,
• 9:28
  Speaker 1: Jessica taking it all.
• 9:29
  Speaker 4: Back, I'm going to like a lot. I've got a
• 9:32
  Speaker 4: lot of a pink pretty good gag. That's that line
• 9:37
  Speaker 4: is pretty cool. Yeah, so okay, props to you. Maybe
• 9:40
  Speaker 4: overall it's kind of like, oh look, this wasn't laugh
• 9:42
  Speaker 4: a minute, But I was like, I didn't walk away gone,
• 9:46
  Speaker 4: you guys hang it up, even in terms of because
• 9:50
  Speaker 4: I think one thing I was really worried about was
• 9:53
  Speaker 4: voice acting. Yeah, because you know we've sort of talked
• 9:56
  Speaker 4: about again, Julie Cavn, who we love and respect, is
• 9:59
  Speaker 4: like this bit of wear and tear on those vocal
• 10:01
  Speaker 4: cords might be time to, you know, look into other alternatives.
• 10:04
  Speaker 4: I don't know if they did some tweaking in this
• 10:06
  Speaker 4: episode or whatever. You can certainly hear is like, this
• 10:09
  Speaker 4: doesn't sound exactly like the Marge of old but nor
• 10:12
  Speaker 4: does it sound.
• 10:13
  Speaker 1: Like didn't sound she was unwell? Yeah, because there was
• 10:16
  Speaker 1: a while where it felt like Marge had a cold.
• 10:18
  Speaker 1: That's what it sounded like. I'm gonna say this though.
• 10:20
  Speaker 1: It was so bizarre, and this is just an example
• 10:24
  Speaker 1: of modern day voice over work. Right, they obviously recorded
• 10:29
  Speaker 1: from their own house. Now they don't do it in
• 10:30
  Speaker 1: the studios. Julie obviously recorded her lines in a home
• 10:34
  Speaker 1: studio that wasn't probably soundproofed because I watched this episode
• 10:38
  Speaker 1: with headphones, right, and Homer's dialogue was good, Lisa's dialogue
• 10:42
  Speaker 1: was fine, but whenever Marge spoke had a bit of
• 10:45
  Speaker 1: an echo, probably through TVs. You can't pick it up
• 10:49
  Speaker 1: through my soundproof noise canceling headphones. I was like, what
• 10:53
  Speaker 1: is going why is this sound echo? We and I
• 10:54
  Speaker 1: realized it was only when Margor was speaking, So Julie
• 10:57
  Speaker 1: obviously was recording in a studio. That wasn't probably soundproofed.
• 10:59
  Speaker 1: I was like, that's just twenty twenty five, that wasn't it,
• 11:02
  Speaker 1: And when Dano is a very purest when it comes
• 11:04
  Speaker 1: to sound, So yeah, but I just I just don't know.
• 11:07
  Speaker 1: It was often because you know, at least we'll talk fine,
• 11:09
  Speaker 1: then much had the necho. At least we'll talk fine.
• 11:11
  Speaker 1: Then much had necho. I was like, I couldn't work
• 11:13
  Speaker 1: out what was going on. And then yeah, obviously I
• 11:15
  Speaker 1: was like, oh, Julie didn't record this in a properly
• 11:17
  Speaker 1: sound Britife studio. But otherwise now, I mean, the voice
• 11:20
  Speaker 1: wise was fine. Yeah, yeah, you could certainly tell. I
• 11:23
  Speaker 1: thought Dan's voice was a little off from home. It
• 11:25
  Speaker 1: feels like his voice has changed from I noticed more
• 11:30
  Speaker 1: in the episode that I mistakenly watched, Yeah, the one
• 11:34
  Speaker 1: with O'Brien. I feel like, I mean, I'm probably wrong here,
• 11:38
  Speaker 1: but personally I'm watching this as someone who's watched a
• 11:40
  Speaker 1: lot of the newer episodes. It feels like they improved
• 11:43
  Speaker 1: this season. I'm not sure what's happened. Yeah, maybe some
• 11:46
  Speaker 1: some slight tweaking going on, maybe tweak er trigger. I
• 11:49
  Speaker 1: don't think it's fine, likely wrote me all that much
• 11:52
  Speaker 1: doesn't bother me. You know. I understand why it might
• 11:55
  Speaker 1: bother the voice actors, but I don't think it should. Hopefully,
• 11:57
  Speaker 1: hopefully the voice I can't really have.
• 11:59
  Speaker 4: Well, I hope the guys who brought us so much
• 12:02
  Speaker 4: joy bringing voices to the character of The Simpsons are still,
• 12:04
  Speaker 4: you know, getting the check every week.
• 12:06
  Speaker 1: I also think a reason why I feel like this
• 12:08
  Speaker 1: episode really resonated with me and I seem to seem
• 12:10
  Speaker 1: to appeal to me in a great sense was The
• 12:13
  Speaker 1: Simpsons is now being written by people who are my age.
• 12:16
  Speaker 1: When I was a kid, the Simpsons was written by
• 12:18
  Speaker 1: grown ups. I'm now a grown up, and Jessica Conrad
• 12:22
  Speaker 1: is someone similar to my age. She's written an episode
• 12:24
  Speaker 1: based on a personal experience of hers, which is in
• 12:26
  Speaker 1: a personal experience of mine, you know. And I think
• 12:29
  Speaker 1: that's why the main story of Lisa and Marge not
• 12:33
  Speaker 1: only connecting through this old TV show pulling out the
• 12:35
  Speaker 1: DVD's and saying, you know, this show's not on streaming,
• 12:38
  Speaker 1: but I've got this thing called physical media. You put
• 12:40
  Speaker 1: it in, and I've experienced that recently where we're on Netflix.
• 12:42
  Speaker 1: Shrek's been taken off and couldn't find on anything, and
• 12:44
  Speaker 1: I was like, but it's right there. We've got all
• 12:47
  Speaker 1: four shreks. Why why are we looking for Why are
• 12:50
  Speaker 1: we googling with streamings of us? We owned the movie,
• 12:53
  Speaker 1: and the kids like what do you mean? And now
• 12:54
  Speaker 1: Wholly in particular, she loves going to the shelf and
• 12:56
  Speaker 1: picking out a movie, picking it, looking at the cover,
• 12:58
  Speaker 1: looking at the pictures, putting it back. And I'm not
• 13:00
  Speaker 1: that one looking at the cover. Yeah, that's the one
• 13:02
  Speaker 1: taking it out, putting in the experience of picking a
• 13:04
  Speaker 1: movie and holding it.
• 13:06
  Speaker 4: This is unrelated. Feel free to cut this out if
• 13:08
  Speaker 4: you like, but I want to give a shout out.
• 13:10
  Speaker 4: We recently spoke with Alan Siegel from The Ringer. The
• 13:14
  Speaker 4: Ringer does a great array of podcast and one of
• 13:15
  Speaker 4: my favorites called The Big Picture, And recently they did
• 13:18
  Speaker 4: an episode called The High Council of Physical Media Collectors
• 13:21
  Speaker 4: where they had two of the regular guys, but also
• 13:24
  Speaker 4: two guests. One's an actor named Timothy Simon's who's on
• 13:28
  Speaker 4: a show called Nobody Wants This He's on Someone Deep,
• 13:30
  Speaker 4: and one is an actor playwright called Tracy Letts. They're
• 13:34
  Speaker 4: both they're all huge, sort of big collectors of blue
• 13:36
  Speaker 4: rays from all around the world and all this, and
• 13:38
  Speaker 4: they're basically just boys with their toys, bringing in like
• 13:41
  Speaker 4: I got this from I'm boarded this from the UK.
• 13:43
  Speaker 1: It took six months to ride, but check it out.
• 13:45
  Speaker 1: They're so happy with it.
• 13:46
  Speaker 4: And one of the guys was basically a new collector
• 13:49
  Speaker 4: and didn't have as much of the other guys.
• 13:50
  Speaker 1: One guy had something like eleven thousand blue rays. Made
• 13:53
  Speaker 1: Guy Davis looked like a fucking amateur. I can one year,
• 13:56
  Speaker 1: They've got one thy twenty eight. I haven't counted one yet.
• 14:00
  Speaker 1: I put them on. I put him with apaetical waterer
• 14:01
  Speaker 1: Nicolas Like, but what happens when like that one on
• 14:03
  Speaker 1: that shelf you need? You need to move them all down.
• 14:05
  Speaker 1: I'm like, don't even bring it up. Just I've got
• 14:09
  Speaker 1: him your order now.
• 14:12
  Speaker 4: But one of the guys it was was a new
• 14:14
  Speaker 4: collector and the guy who had a lot, it's like, yeah,
• 14:17
  Speaker 4: occasionally I'll have doubles of stuff or I'll buy a
• 14:19
  Speaker 4: new version. And he was like, do you own this
• 14:22
  Speaker 4: on four K And he goes, I don't. He's like,
• 14:23
  Speaker 4: you do now, and basically just gave him all his doubles.
• 14:27
  Speaker 4: I swear to god, I always had to pull over
• 14:28
  Speaker 4: the car and like, that's great, man, it was so nice.
• 14:35
  Speaker 1: So yeah, physical media, We're all for it. But when
• 14:37
  Speaker 1: she pulled out, pulled out the obviously Dawson's creep parody
• 14:40
  Speaker 1: was Kegan's Pond, and just I think that that appeared also,
• 14:44
  Speaker 1: that was a big show when I was sort of
• 14:46
  Speaker 1: like in my formative years as well, and I think
• 14:48
  Speaker 1: it was a great choice with Jessica Conrad to have
• 14:50
  Speaker 1: that song, which wasn't exactly I don't want to Wait
• 14:53
  Speaker 1: by Paula Cars, but it was very similar, wasn't it.
• 14:55
  Speaker 1: Oh very much? So yeah, and just watching them just
• 14:57
  Speaker 1: bonding over this TV show from when they were when
• 15:00
  Speaker 1: Marge was younger. And then she gets the clothes because
• 15:02
  Speaker 1: this is what happens. Nichola's got some clothes fro when
• 15:04
  Speaker 1: she was younger. Holly is now obviously doesn't quite fitt yet,
• 15:06
  Speaker 1: but it's like she's trying it on and she just
• 15:07
  Speaker 1: wanted to look like marm And it's like, I've experienced
• 15:10
  Speaker 1: what Marge and Lisa are going through here, you know, Well,
• 15:12
  Speaker 1: did you ever go through old Man's closet? All? Ah,
• 15:16
  Speaker 1: I did it with a few of mine through my
• 15:18
  Speaker 1: dad's stuff. Yeah, I never did, but Elliott's gone through.
• 15:21
  Speaker 1: And that's why I think A big part of it
• 15:24
  Speaker 1: is a moment this episode where Marge talking about like
• 15:26
  Speaker 1: she's remembering when she wore this shirt and that shirt.
• 15:28
  Speaker 1: I think she mentioned something, I had so many great
• 15:30
  Speaker 1: memories in this shirt, and now I've got one more
• 15:32
  Speaker 1: thanks to you. It's such a lot about the Paul
• 15:34
  Speaker 1: Frank Donky shirt. I think that's why I personally struggle
• 15:38
  Speaker 1: sometimes to get rid of shirts, because with clothes comes memories.
• 15:41
  Speaker 1: Oh sure, I've got one that you remember morning years
• 15:44
  Speaker 1: probably doesn't fit me all that well. I wore on
• 15:46
  Speaker 1: my first date with Nikola. It's like I don't want
• 15:47
  Speaker 1: to get rid of that. Oh yeah, and I remember
• 15:49
  Speaker 1: when I went out and had a great night wearing
• 15:51
  Speaker 1: this shirt, and it might not fit me as much anymore,
• 15:53
  Speaker 1: but it's like I can't part with it. Oh yeah.
• 15:56
  Speaker 1: There's this fear with me that if I get rid
• 15:58
  Speaker 1: of the shirt then me he will fade awake. So
• 16:00
  Speaker 1: I wait, now you get to remind me that's.
• 16:02
  Speaker 4: The whole Condo spark joy thing, right, Yeah, I mean
• 16:05
  Speaker 4: I've got a shirt that I've happened nearly thirty years
• 16:07
  Speaker 4: or so.
• 16:09
  Speaker 1: And yeah, I'm I'm not going to throw it out.
• 16:10
  Speaker 1: I'll never throw it out. I mean it'll be like
• 16:12
  Speaker 1: bloody Heath Ledger at the end of break Back, Matt
• 16:13
  Speaker 1: and with his shirt hanging up in my closet, all
• 16:15
  Speaker 1: the memories. But yeah, the memory of it is, you know,
• 16:20
  Speaker 1: it reminds me of well, I think I first started
• 16:23
  Speaker 1: earning a bit of money. It's like, you know, it's
• 16:25
  Speaker 1: not like a buddy a money shirt or anything like that,
• 16:28
  Speaker 1: but it's a decent shirt and it's like, that's right,
• 16:30
  Speaker 1: pay for this with money that I earned, good for me.
• 16:33
  Speaker 4: And it was just reminds me of a really happy
• 16:35
  Speaker 4: time in my life. So yeah, that's not going anywhere.
• 16:37
  Speaker 4: Not you'll bury me in it. But it might be
• 16:39
  Speaker 4: like I don't want to be terribly more. I don't
• 16:41
  Speaker 4: want to be like a pharaoh either. It's like all
• 16:43
  Speaker 4: my stuff is coming with me. But if we got
• 16:44
  Speaker 4: certain things that you would want it like maybe taking
• 16:47
  Speaker 4: your coffin, because I remember when we buried thought about
• 16:49
  Speaker 4: that and we buried my dad. Yeah, we sort of
• 16:52
  Speaker 4: threw in like a racing guide and all this kind
• 16:54
  Speaker 4: of stuff related. Yeah, yeah, I'm sure he was, but
• 16:59
  Speaker 4: you know, I don't if we threw them actually into
• 17:00
  Speaker 4: the on the top of the coffee, take it, take
• 17:03
  Speaker 4: a junk with it.
• 17:05
  Speaker 1: It was like, that's a nice thing to sort of have,
• 17:07
  Speaker 1: you know, just on your on your journey to the
• 17:08
  Speaker 1: other side. Yes, I got certain things, maybe my et
• 17:11
  Speaker 1: soundtrack vinyl that my mum bought for me, and it's
• 17:15
  Speaker 1: it's great because mump, because Mum bought it for me.
• 17:18
  Speaker 1: But also it was the first time it was like
• 17:20
  Speaker 1: it had score from unreleased deleted scenes and I've never
• 17:23
  Speaker 1: heard before. And I remember put it on and being
• 17:25
  Speaker 1: so excited when I heard that. I was like, I've
• 17:28
  Speaker 1: never heard this. I've listened to the soundtrack a million
• 17:29
  Speaker 1: I've never heard this. One track though makes me sound
• 17:32
  Speaker 1: like a super nerve, but I was like, I've never
• 17:34
  Speaker 1: heard this, ben it was so exciting and that I
• 17:36
  Speaker 1: just yeah, I love that, And just the fact that
• 17:37
  Speaker 1: Mum bought it for me. Plus there's a Space Jam
• 17:39
  Speaker 1: cup behind me space I got that when Mum took
• 17:43
  Speaker 1: me to the movies to see Space Jam. It's the
• 17:45
  Speaker 1: only time Mum and I went to the movie is
• 17:46
  Speaker 1: just us together, and it's just a great memory. Whenever
• 17:49
  Speaker 1: I said that, come, I'm like, I remember, forget the morning,
• 17:51
  Speaker 1: my mum's like doing together movies. I was like yeah,
• 17:53
  Speaker 1: and I was like, what about Stacey. She's at SO
• 17:54
  Speaker 1: and so fans out not just asked, and I was like,
• 17:56
  Speaker 1: oh cool, And it's just memory of just going to
• 17:59
  Speaker 1: the movies with just yeah. Yeah, very nice. Yes. But
• 18:02
  Speaker 1: also the Homer story in this very not a huge
• 18:07
  Speaker 1: role at all, really, but I thought Homer was the
• 18:10
  Speaker 1: people do get addicted to these clinches. It's very John Wick,
• 18:13
  Speaker 1: isn't it. Oh yeah, well it's primarily Reacher Reacher, yes,
• 18:16
  Speaker 1: of course. Yeah. I liked the end where the cops
• 18:20
  Speaker 1: and Martin's dad are watching it all. But men do
• 18:24
  Speaker 1: get addicted to violent films. I just love it. Oh yeah,
• 18:26
  Speaker 1: very much. I mean, well, Reacher is on Amazon Prime,
• 18:29
  Speaker 1: and Amazon Prime does a whole bunch of those going
• 18:31
  Speaker 1: to yah.
• 18:31
  Speaker 4: I mean like the Bosch series and it's very spinoffs,
• 18:35
  Speaker 4: The Terminal List with Chris Pratt and now they did
• 18:38
  Speaker 4: a spinoff that.
• 18:39
  Speaker 1: One with English dude Jason Sathan. What's it called The Trance.
• 18:43
  Speaker 1: Oh that's a series of movies. Yeah, yeah, The Transporter yea, yeah,
• 18:47
  Speaker 1: just gone around killing people. Oh yeah, but I've certainly
• 18:51
  Speaker 1: I've watch a bit of Clincher. I watched the first
• 18:52
  Speaker 1: season of Reacher. It's good, It's all right. Yeah. I
• 18:56
  Speaker 1: also liked the score on this. I don't know whether
• 18:58
  Speaker 1: it's just me being crazy, but I thought the score
• 19:00
  Speaker 1: was straight out of the classic era. There was a
• 19:02
  Speaker 1: transition between I want to say the Convention Center and
• 19:05
  Speaker 1: maybe the school or something. But I was like, this
• 19:07
  Speaker 1: is straight out of season eight. Like it just felt
• 19:09
  Speaker 1: like this though, it felt about going back paying tribute
• 19:12
  Speaker 1: to the golden Classic era with things like the score
• 19:14
  Speaker 1: and whatnot.
• 19:15
  Speaker 4: Funny you should mention this. Yeah, what do I always
• 19:17
  Speaker 4: say about Wikipedia? Sometimes it can't be trusted. I Hopeilly,
• 19:19
  Speaker 4: you'd be trusted in this time. This episode was dedicated
• 19:21
  Speaker 4: in memory of a longtime series composer, Alf Clawson. Maybe
• 19:25
  Speaker 4: that's why who died on May twenty nine. Did I
• 19:28
  Speaker 4: say your memory of it at the end of the credits?
• 19:30
  Speaker 1: Not that I recall, but Wikipedia is saying it. So
• 19:33
  Speaker 1: this is the one time we can trust it. This
• 19:37
  Speaker 1: show is brought to you by the Forefinger Discount Patreon,
• 19:39
  Speaker 1: where you'll find over one hundred hours of bonus podcasts,
• 19:43
  Speaker 1: including exclusive Simpsons reviews and commentaries, as well as exclusive
• 19:47
  Speaker 1: episodes of Going Down to South Park, Tales of Futurama,
• 19:50
  Speaker 1: Bob's Pods, Speaking of the Hill, Talking Sifould, the One
• 19:54
  Speaker 1: about Friends, and so much more. So go ahead and
• 19:57
  Speaker 1: join the family today at patreon dot com slash four
• 20:00
  Speaker 1: finger discount. And before we get into our favorite moments
• 20:03
  Speaker 1: and whatnot, what do you think of the whole Fashion Club?
• 20:05
  Speaker 1: So that the whole themous episode is that Lisa was
• 20:08
  Speaker 1: being it's thrifting right, and how thrifting is now not
• 20:11
  Speaker 1: for poor people? Nothing is a great line. Yeah, but
• 20:15
  Speaker 1: Lisa is brought in. She wearing Marge's clothes fellows haven't
• 20:19
  Speaker 1: wtched yet, wearing Marg's retro clothes from when she was younger,
• 20:22
  Speaker 1: and she's now brought into the fashion club or these
• 20:24
  Speaker 1: Devon and Vidalia I think her name is these two
• 20:27
  Speaker 1: fashion says yes exactly, and then they teach her the
• 20:31
  Speaker 1: ways of thrifting and how it costs more money. And
• 20:33
  Speaker 1: then they get the idea of, oh, if Lisa's mum
• 20:35
  Speaker 1: has clothes in her attic, maybe others do as well.
• 20:38
  Speaker 1: They use Lisa as a way to go heist other
• 20:41
  Speaker 1: people's clothes and they're going to make money from it.
• 20:44
  Speaker 1: I must admit I've written to him like, do you
• 20:47
  Speaker 1: really need to steal them?
• 20:48
  Speaker 4: You'd probably just ask for them. You can probably we're
• 20:51
  Speaker 4: doing a clothes drive or something like that. You know,
• 20:54
  Speaker 4: you can maybe tell a little white lie or you
• 20:55
  Speaker 4: just say do you have any yep.
• 20:58
  Speaker 1: But do you think if they so these girls from
• 21:00
  Speaker 1: the door and said Marge, can you give us your
• 21:01
  Speaker 1: old clothes? I don't think she would have because close
• 21:03
  Speaker 1: for a reason. That is correct. But I think if
• 21:05
  Speaker 1: you did ask on the answer would be no, they're
• 21:07
  Speaker 1: kept in a box for a reason. They didn'tant them.
• 21:08
  Speaker 1: That would have got rid of the Yeah, I.
• 21:10
  Speaker 4: Do like the Devon and Vidalia worked a bit of
• 21:13
  Speaker 4: jiu jitsu, a bit of moral jiu jitsu on Lisa.
• 21:15
  Speaker 1: We kind of like justifying, yeah, like we're keeping out
• 21:18
  Speaker 1: the big clauses of keeping keeping out the.
• 21:19
  Speaker 4: Clause of big fashion, and also you know, we're striking
• 21:21
  Speaker 4: back against fast fashion, so we're recycling clothes.
• 21:23
  Speaker 1: Yeah. It's like, oh, yeah, you could hit Lisa right
• 21:26
  Speaker 1: in the right in the spot that is most sensitive,
• 21:28
  Speaker 1: so yeah, good for you. But it was just a
• 21:30
  Speaker 1: nice margin Homer margin Lisa bonding story. Really it went
• 21:34
  Speaker 1: bonding over the TV. I like the thestari kind of
• 21:36
  Speaker 1: aspect as well. We haven't touched on that, just taking
• 21:38
  Speaker 1: the mickey out of people who are are living now
• 21:39
  Speaker 1: by just going to remember me. Oh yeahs you know,
• 21:42
  Speaker 1: and it's just yeah, you look at some people are
• 21:45
  Speaker 1: still big stars and they do it just for the
• 21:46
  Speaker 1: extra bunk buck. Can you look at some people and
• 21:48
  Speaker 1: you're like, ah, I feel sorry for you, but hey,
• 21:50
  Speaker 1: look you're making money.
• 21:50
  Speaker 4: Oh yeah, look I'm always rounded. The scene in the
• 21:53
  Speaker 4: movie The Wrestler, that one with Mickey Rourkey, Yeah, well yeah,
• 21:56
  Speaker 4: it's it's really sad where they're just in this really
• 21:58
  Speaker 4: you know, sort of spear threadbare hall and they've got
• 22:01
  Speaker 4: the little table set up and you know.
• 22:04
  Speaker 1: One wrestlers. Yeah, I've got the colostomy bag and all
• 22:05
  Speaker 1: that kind of stuff. I was like, oh, sure they
• 22:07
  Speaker 1: must be terrible. Then you hear about you know, I
• 22:08
  Speaker 1: think we talked about a certain Australian god of thunder
• 22:13
  Speaker 1: who you know half a million Yeah, got a very.
• 22:16
  Speaker 4: Nice chunk of change for you know, rocking up to
• 22:18
  Speaker 4: a rocking up to a con. That's the way things
• 22:20
  Speaker 4: go these days, it is.
• 22:22
  Speaker 1: No I thought that was all good. I did write
• 22:24
  Speaker 1: down it looked kind of weird to see Marge and
• 22:27
  Speaker 1: Lisa at odds the way they were in the second
• 22:29
  Speaker 1: half of the episode. I thought Lisa's was really cruel
• 22:32
  Speaker 1: out of nowhere. It's at of come out of notice, like, yeah,
• 22:34
  Speaker 1: you hadn't really played up that she was wanting to
• 22:36
  Speaker 1: be with these girls. There was almost case of they
• 22:38
  Speaker 1: brought her in and she was like, oh, and then
• 22:39
  Speaker 1: all of a sudden, Margine's she was trying to be
• 22:42
  Speaker 1: cool by taking the mickey out of March. Yeah, it
• 22:44
  Speaker 1: was very much a Lisa kind of story.
• 22:45
  Speaker 4: She gets she gets a little touch of acceptance and
• 22:48
  Speaker 4: a little touch of being in with the in crowd.
• 22:51
  Speaker 1: I didn't they didn't quite play that up enough, and
• 22:53
  Speaker 1: I think where she's like, oh my god, this is great.
• 22:55
  Speaker 1: I want to keep this going.
• 22:57
  Speaker 4: Not yeah, I mean that that abrupt sort of heel
• 22:59
  Speaker 4: turn that you make when she's in the bedroom and
• 23:01
  Speaker 4: saying you wouldn't fit into it anyway.
• 23:02
  Speaker 1: We I mean, first of all, she probably wouldn't fit into.
• 23:04
  Speaker 4: That's I think that's legit. But then you know, but
• 23:06
  Speaker 4: also you're not too cool enough there. It's that felt
• 23:10
  Speaker 4: it that felt like it came out of nowhere. You're right,
• 23:12
  Speaker 4: but yeah, it just felt odd, you know, when Marge
• 23:15
  Speaker 4: leaves that message about this is your not cool mom
• 23:17
  Speaker 4: or something that's.
• 23:18
  Speaker 1: Like, oh, it feels odd to have these two, you know,
• 23:20
  Speaker 1: sort of at each other's throats in that way. My favorite,
• 23:25
  Speaker 1: we'll be favorite moments in the episode.
• 23:27
  Speaker 4: Yeah, I'm going to take back some of the things
• 23:28
  Speaker 4: I said about Jesse a Conrad script because I just write.
• 23:32
  Speaker 4: But that clincher line about I went home. How many
• 23:37
  Speaker 4: times have you done this? I know I've done it
• 23:38
  Speaker 4: so many times. So he's holding a gun on the
• 23:41
  Speaker 4: guy and.
• 23:41
  Speaker 1: Then he says this line, and then this happens, and
• 23:43
  Speaker 1: then that happens, and it's like you're automatically think you're
• 23:46
  Speaker 1: cool by bus and you're the one saying motherfucker and
• 23:49
  Speaker 1: said of Bruce Willis, but that whole he said, peace
• 23:53
  Speaker 1: be with you to the priest, except with peace like
• 23:55
  Speaker 1: a gun, and then he shinem with a gun back
• 23:59
  Speaker 1: when you get home money, never grow up home. But
• 24:02
  Speaker 1: that's fair. But that piece we with you line was
• 24:04
  Speaker 1: pretty cool. So three stores after poor people anymore, Yes,
• 24:07
  Speaker 1: we had nothing is.
• 24:09
  Speaker 4: Props to Julie Cabinet for the delivery of this line
• 24:12
  Speaker 4: after she's been at nostalgic on and comes back.
• 24:14
  Speaker 1: I know the one he gonna say, I met Kegan.
• 24:16
  Speaker 1: It was unsettled. Was that very good? Very good?
• 24:21
  Speaker 4: Probably my favorite moment in the episode. And I know
• 24:24
  Speaker 4: that this was all more sort of hitting you in
• 24:26
  Speaker 4: your nostalgia sweet spot. But the moment, the song, the
• 24:30
  Speaker 4: bomb dropped by the bucketheads, the food into mam hot damn,
• 24:39
  Speaker 4: it felt very of the year. But we used to
• 24:42
  Speaker 4: make things in this country because maybe it was as
• 24:48
  Speaker 4: we record this. Sorry, yeah, Life of the Show Girl
• 24:50
  Speaker 4: is just dropped by Taylor Swift. The Lovely Louis's daughter
• 24:53
  Speaker 4: Audrey was listening to it on rotation when I went
• 24:56
  Speaker 4: over the other night.
• 24:57
  Speaker 1: I said, is it any good? People?
• 24:59
  Speaker 4: People are not liking this? There's some stuff that's good.
• 25:01
  Speaker 4: I said, what about that song about about Travis Kelsey?
• 25:05
  Speaker 1: That was weird? So she bought the the iTunes or
• 25:08
  Speaker 1: the Apple I think the iTunes, Twitter account or something
• 25:11
  Speaker 1: that's right, And it was all Life of a Show
• 25:13
  Speaker 1: because having tweeters is twenty nineteen. Yeah, but sorry, just
• 25:19
  Speaker 1: throwing tail the swift under the bus. But yeah, they
• 25:21
  Speaker 1: played the bomb. The bomb's great. Yeah, so that's all
• 25:24
  Speaker 1: the stuff I liked. I really liked the reveal at
• 25:26
  Speaker 1: the end that Martin's dad was glad doing the voiceover
• 25:30
  Speaker 1: neighbors have money, they got the kids under the stone
• 25:32
  Speaker 1: or whatever. He was terrified. But the thing is, though,
• 25:35
  Speaker 1: I'm glad I wash this the first time without subtitles,
• 25:38
  Speaker 1: because the subtitles say Martin's dad or whatever in the subsect,
• 25:42
  Speaker 1: and I'm like, oh, that rules the gag because you
• 25:44
  Speaker 1: think it's like evil AI sort of security or something,
• 25:47
  Speaker 1: or leave the promises. Now it sounds like, yeah, you
• 25:50
  Speaker 1: have five seconds to comply, and Kenny just gets this ship,
• 25:54
  Speaker 1: doesn't get perc When I gave you the five seconds,
• 25:58
  Speaker 1: Why didn't you get out of the way if something
• 26:00
  Speaker 1: said you have five seconds to complain? I'm leaving. I
• 26:02
  Speaker 1: listened to a great podcast they are they talking about
• 26:04
  Speaker 1: RoboCop and they were like, why did you give ed
• 26:07
  Speaker 1: to a night a loaded gun? It was a demonstration.
• 26:11
  Speaker 4: But also these guys fare saying, oh, yeah, Kenny really
• 26:14
  Speaker 4: volunteered that. No, he did so very reluctant.
• 26:16
  Speaker 1: That does set the tone for the movie, though, Oh, yeah,
• 26:19
  Speaker 1: good movie. We did a did we do a thing
• 26:21
  Speaker 1: on that? Did we didn't know? Did we do a
• 26:23
  Speaker 1: movie guy? Not movie guide with multin dat do any
• 26:26
  Speaker 1: of it?
• 26:27
  Speaker 2: No?
• 26:27
  Speaker 1: I feel like we've talked about RoboCop a lot, Yeah,
• 26:29
  Speaker 1: and Kenny a fair bit. Yeah. Okay, well it was
• 26:32
  Speaker 1: that the Starship Trips guy, same director, same director. We
• 26:36
  Speaker 1: talked about it in the Star Trips review. Probably did
• 26:38
  Speaker 1: next question you there eating the Beast trivia time. My
• 26:42
  Speaker 1: first question for you, mister Davis is what movie were
• 26:46
  Speaker 1: they going to see? Hungry Hungry Hippos Multiverse of Munching.
• 26:50
  Speaker 1: I was gonna have that. What is the subtitle of
• 26:52
  Speaker 1: that movie? So cross that one off. I really like
• 26:54
  Speaker 1: the fact that it said opening slash closing weekends. This
• 26:57
  Speaker 1: is a good gag to kick off with because ye
• 27:00
  Speaker 1: didn't oversay it's It was done within fifteen seconds and
• 27:03
  Speaker 1: it was very on the money. It felt modern, but
• 27:06
  Speaker 1: not kind of like we're trying to be twenty twenty
• 27:08
  Speaker 1: five guys, just like now there's the way we are.
• 27:10
  Speaker 1: This is the way we are now, yeah, which is
• 27:12
  Speaker 1: what the Simpsons used to feel and what The Symptoms
• 27:13
  Speaker 1: has always done best. It's like, yeah, holding up a
• 27:16
  Speaker 1: mirror to Moldern Society, and quite ironic that they release
• 27:19
  Speaker 1: the statement of we're making a second movie the day
• 27:21
  Speaker 1: after this episode. Correct, correct, correct. My first question to
• 27:25
  Speaker 1: you is Clincher was ex what CIA was one of them?
• 27:31
  Speaker 1: Navy seal army officer also a ranger ranger Okay. My
• 27:37
  Speaker 1: next question is what top of necklace did Keegan wear?
• 27:40
  Speaker 1: Pooka shell? Indeed, how much money was in Lisa's piggybank.
• 27:46
  Speaker 1: Lisa's piggybank was twenty eight dollars. Looked like spider pig
• 27:49
  Speaker 1: that piggy bank cruelty fee, cruelty free piggy bank as well. Yes, yes,
• 27:54
  Speaker 1: a nice visual gag that it's met for the hammer yep.
• 27:57
  Speaker 1: What is the address of the Springfield Convention Center. I
• 28:00
  Speaker 1: was on the poster when March holds it up. I
• 28:02
  Speaker 1: didn't look, so it is ten Main Street. Okay.
• 28:05
  Speaker 4: Then, speaking of nostalgia con March passes by booth. There
• 28:10
  Speaker 4: is a star of something called Dusty the.
• 28:13
  Speaker 1: What ghost something? I've got them all written down in
• 28:17
  Speaker 1: the notes. It's ghosts Hunter, It's Google Assassin, Google assas
• 28:21
  Speaker 1: Dusty the ghoul Assas Assasin. Okay. My final question for
• 28:24
  Speaker 1: you is what word was written on the butt of
• 28:26
  Speaker 1: Gloria Prince's pants sweatpants? Was it shy? Shy?
• 28:30
  Speaker 4: Yeah, that's like, here's a big one of on my
• 28:32
  Speaker 4: ass shy. Now I think you might just answered the
• 28:35
  Speaker 4: question that I was about to ask. Yeah, what is
• 28:38
  Speaker 4: Martin's mother's name?
• 28:40
  Speaker 1: Gloria? Gloria? She was the fashion queen? Yes, indeed, have
• 28:43
  Speaker 1: we ever known that before? I don't think so. No,
• 28:45
  Speaker 1: but I'm willing to go with it. All right, So
• 28:47
  Speaker 1: let's get into our review. Shall we have fifty Ways
• 28:49
  Speaker 1: to Thieve your mother? The original air day was September
• 28:52
  Speaker 1: twenty eighth, twenty twenty five. What are the top movies
• 28:55
  Speaker 1: of the box on the right, Now there's a kob
• 28:58
  Speaker 1: Demon production code three six A B B F one three,
• 29:03
  Speaker 1: Holy Molly, the Big Ones. Now just get a comrad
• 29:05
  Speaker 1: with the ride of this episode, directed by Gabrielle de Francesca.
• 29:08
  Speaker 1: As we said, now, I've got some guest appearances. Paul
• 29:10
  Speaker 1: Britton as Sean Garrett Effison, apparently the nephew or grandson
• 29:16
  Speaker 1: of Bob Newhart. He is the nephew, I believe, Yeah,
• 29:19
  Speaker 1: I think it was his uncle. That's right about that
• 29:21
  Speaker 1: Cole a scholar as definite.
• 29:23
  Speaker 4: Yeah, I think I mentioned Cole a little while back.
• 29:25
  Speaker 4: They are a big hit on Broadway with a show
• 29:28
  Speaker 4: called O Mary, which is like a musical comedy about
• 29:32
  Speaker 4: Lincoln's wife. Apparently it's apparently very entertaining. Cole is quite
• 29:37
  Speaker 4: the character who I've seen on various talk shows. Yeah,
• 29:41
  Speaker 4: it does a good job here. And Stephanie Zoo as well.
• 29:43
  Speaker 1: A voice on Big Mouth. Apparently I've only watched a
• 29:46
  Speaker 1: couple episodes of big Mouth, but ye, okay, then cool.
• 29:51
  Speaker 1: Also we've got David Herman our men, David Hermer's clincher, correct,
• 29:53
  Speaker 1: and Stephanie Stephanie Sue Sue yes to say as Vidalia. Yeah,
• 29:58
  Speaker 1: Oscar nominee for everything everywhere at once. Yes, a lot
• 30:01
  Speaker 1: of guest stars, and I'm glad they weren't playing themselves.
• 30:03
  Speaker 1: They were playing characters, and it felt like this felt
• 30:06
  Speaker 1: more like the Golden Ear or where they would give
• 30:07
  Speaker 1: them playing act genuine characters. Correct, when Marge goes to
• 30:11
  Speaker 1: the Nostalgic on and she meets Sean whatever, Sean Garrett
• 30:15
  Speaker 1: Evans and Triple Names were very big in the two thousand.
• 30:19
  Speaker 1: Jonathan Taylor Thomas Sarah, Michelle Geller, Jennifer love Hute. There
• 30:22
  Speaker 1: was another guy was neck James Van der Beek is
• 30:25
  Speaker 1: kind of wasn't it an earlier one to come up? Anyway?
• 30:28
  Speaker 1: Shout out to our JVDB by the way, Yeah, yeah,
• 30:32
  Speaker 1: not doing well, got the cancer.
• 30:33
  Speaker 4: But when he started talking at Nostalgic on, I was like,
• 30:38
  Speaker 4: did they get Joshua Jackson?
• 30:39
  Speaker 1: Did they get Passy? That would be funny, wouldn't.
• 30:41
  Speaker 4: It sounded a bit like him? Now, whether Paul Britain
• 30:43
  Speaker 4: was sort of modulating his voice to sound a bit
• 30:45
  Speaker 4: like it, because I thought it sounds a little paisy
• 30:47
  Speaker 4: this guy. Anyway, it turned out to be Paul Britain.
• 30:51
  Speaker 1: It was indeed. Yep, there was no chalk gad, there
• 30:54
  Speaker 1: was no billboard gag. They just jumped right into it. Yes. Indeed,
• 30:58
  Speaker 1: the family on their way to see the Hungry Home
• 31:00
  Speaker 1: Hippos movie on opening night movies are back, baby, Obviously
• 31:04
  Speaker 1: they're about to drink the Simpson's sequel. But Bart points
• 31:07
  Speaker 1: out that all think of all the chumps that are
• 31:09
  Speaker 1: waiting three days for when it's free on streaming. Turn
• 31:12
  Speaker 1: the car, yeah, turn the car around, and they quickly
• 31:14
  Speaker 1: turn around the animation here I've got here was great.
• 31:16
  Speaker 1: I don't think The Simpsons has ever looked this good.
• 31:18
  Speaker 1: I'm watching this going Simpsons just looks it just looks
• 31:21
  Speaker 1: top tier. Now looks sharp, it looks really sharp. It
• 31:24
  Speaker 1: cuts to three days later, they begin watching the movie
• 31:26
  Speaker 1: How God Intended on a small screen and riddled with ads,
• 31:29
  Speaker 1: and we get an ad for snoof. I believe it
• 31:31
  Speaker 1: is total body deodorant. There's a lot of ads for
• 31:35
  Speaker 1: non stink stuff flatally. Yeah. Yeah, maybe there's just one
• 31:39
  Speaker 1: that I'm seeing a lot say about me.
• 31:41
  Speaker 4: I don't know, but I don't know if you say
• 31:44
  Speaker 4: it's like a rex owner thing or something. But they're
• 31:46
  Speaker 4: showing up like nuts, but all the areas of your.
• 31:50
  Speaker 1: Body that kind of stink. Maybe this is taking me here.
• 31:53
  Speaker 4: Yeah, yeah, but it's a bit kind of confronting. And also,
• 31:56
  Speaker 4: why don't you just have a shower?
• 31:58
  Speaker 1: What about your under your under pouch or stick? They
• 32:01
  Speaker 1: take it, take it to the extreme. Yeah, Marge's disgusted
• 32:03
  Speaker 1: by this. That all families laughing. She doesn't like it
• 32:05
  Speaker 1: at all. I love it. Skip skip skip in fifteen seconds.
• 32:08
  Speaker 1: Don't you hate that? Oh God, look, I just want
• 32:10
  Speaker 1: to skip out let's see, I was watching them. Yeah,
• 32:13
  Speaker 1: I'm paying for this streaming exerts one of why can't
• 32:15
  Speaker 1: I skip ads?
• 32:16
  Speaker 4: Yes, that really frustrated. I was watching something on the
• 32:19
  Speaker 4: streaming said the other night that now has ads. I'm like,
• 32:22
  Speaker 4: I'm already paying you. I shouldn't have to watch it.
• 32:26
  Speaker 4: That's why you have money for this. Yes, but then
• 32:29
  Speaker 4: it's elbow crutch and I have one of those. Then
• 32:31
  Speaker 4: it skips to another ad scrotum dust, and then another
• 32:34
  Speaker 4: one for butt right, does your stank stink? Then we
• 32:37
  Speaker 4: had Dingleberry season and Marge she's had enough. She pulls
• 32:39
  Speaker 4: the plug on the TV, which she is were gonna
• 32:41
  Speaker 4: watch it the old fashion mat. She pulls out a
• 32:42
  Speaker 4: box of DVDs. Either touch of it not being VHS
• 32:46
  Speaker 4: because that would have felt too Yeah, that's true, like
• 32:48
  Speaker 4: Marge going with the nineties or early two thousands, it
• 32:51
  Speaker 4: was DVDs. Of course it wasn't VHS, and well we
• 32:53
  Speaker 4: had we still have videotapes, but they felt old by
• 32:56
  Speaker 4: that point, didn't know VHS really felt like I was
• 32:58
  Speaker 4: that by two thousand it felt like the old medium.
• 33:02
  Speaker 4: I'm gonna say mid two thousands, I'm going to say
• 33:04
  Speaker 4: probably two thousand and four. It's just like, oh, you're
• 33:06
  Speaker 4: still watching videos. When was the last videotape released? It
• 33:08
  Speaker 4: wasn't like Toy Story two or something.
• 33:10
  Speaker 1: It could be. According to Google, the last major Hollywood
• 33:14
  Speaker 1: release on videotape in the US was the two thousand
• 33:16
  Speaker 1: and five movie A History of Violence, because ninety eight
• 33:19
  Speaker 1: would have been too early for videos. Cars is Oh.
• 33:22
  Speaker 1: That last one ever, which was not released, It was
• 33:26
  Speaker 1: only exclusively through the Movie Club in Disney was Cars
• 33:29
  Speaker 1: in twenty two thousand and seven. That was the last
• 33:30
  Speaker 1: film ever released on VHS. There we go VHS. Sometimes
• 33:35
  Speaker 1: I put DVDs and watch it on this old box TV,
• 33:38
  Speaker 1: and VHS just seems to look and feel better. Really. Yeah,
• 33:43
  Speaker 1: I don't know whether it's just the the way those
• 33:45
  Speaker 1: box TVs were made. You watched DVDs though on BtVS
• 33:48
  Speaker 1: Now they look shit, Oh darn, you do watch DVDs anymore.
• 33:53
  Speaker 1: I've still got some titles that are on that are
• 33:56
  Speaker 1: on DVD. I mean, I hear Dragon went out the
• 33:58
  Speaker 1: other day, and I haven't known they're good for commentaries.
• 34:01
  Speaker 4: Yeah, absolutely, I've certainly got some that's like, oh, yeah,
• 34:04
  Speaker 4: this looks rough. Yeah, some that actually upscale quite nicely.
• 34:07
  Speaker 1: I think it was a good touch that it was DVD's,
• 34:09
  Speaker 1: I think. So she finds the March finds the DVD's
• 34:11
  Speaker 1: for Keigan's Pond, but Butt points out that someone had
• 34:14
  Speaker 1: a rush on Kevin Klein, and Homer says what we
• 34:16
  Speaker 1: all did at that time. When Marge finds Keikan's Pond
• 34:18
  Speaker 1: DVDs Keegan's Oh, I used to love this show.
• 34:24
  Speaker 3: It's about four teenagers played by twenty year old with
• 34:27
  Speaker 3: the problems are.
• 34:28
  Speaker 2: Forty year old.
• 34:29
  Speaker 1: This is very much the OC for me. Oh goodness, yes, yeah, oh,
• 34:32
  Speaker 1: all those shows it's meant to be Dawson's Creek, but
• 34:34
  Speaker 1: the OC or Party of Live yea, they all sort
• 34:38
  Speaker 1: of had that vibe to them. I remember when the
• 34:40
  Speaker 1: OC came on. It was just you had to watch it.
• 34:43
  Speaker 1: You know, if you didn't watch it, you felt like
• 34:45
  Speaker 1: you were way out of the loop at school. Check
• 34:47
  Speaker 1: out our episode of TV Launch Pot where yeah, that's right,
• 34:50
  Speaker 1: Homer says, it stinks. So he invites but yeses, but
• 34:54
  Speaker 1: to Mo's not on a school night. Then margin Lisa
• 34:57
  Speaker 1: start watching Kegan's Pond and the music sounds like I
• 35:00
  Speaker 1: don't want to wait very much so yeah, and she
• 35:03
  Speaker 1: says she had a big crush on Sean Garrett Everson. Meanwhile,
• 35:06
  Speaker 1: we got Homer and Bart googling manlier shows for manly men.
• 35:09
  Speaker 1: In the kitchen, they find Clincher ex Ranger xci X
• 35:12
  Speaker 1: Navy c Or John Clinch doles out his own brand
• 35:14
  Speaker 1: of justice with his fist. Have a fist. Yeah, and
• 35:18
  Speaker 1: as you said, these men love these things. Bart says
• 35:23
  Speaker 1: something punching. They're now watching Keigan's Pond, Marge and Lisa,
• 35:27
  Speaker 1: and she says he's on the show. He's sad because
• 35:29
  Speaker 1: his dad says he can't go to film school it's
• 35:31
  Speaker 1: for sissies, and he wants him to be a wedding planner.
• 35:35
  Speaker 1: He scored easy. Oh, I love it that. Yeah.
• 35:38
  Speaker 4: Keegan's Room has just got all those French movie posts in,
• 35:40
  Speaker 4: like Emily and four hundred Blows and all that kind
• 35:42
  Speaker 4: of stuff.
• 35:43
  Speaker 1: I don't know where this obviously was a product the time,
• 35:45
  Speaker 1: but the old climbing up the outside and climbing to
• 35:47
  Speaker 1: the bedroom window. Does that still have it anymore? I
• 35:49
  Speaker 1: don't think so. It's just a ladder in the window.
• 35:52
  Speaker 1: And then they go to the pond, Keegan's Pond. You
• 35:54
  Speaker 1: would say, did they used to go to a creek
• 35:56
  Speaker 1: in Dawson's Creek? Yeah, that's always just the town called
• 35:59
  Speaker 1: Dowson's Creek. Was his name Dawson, His name was Dawson,
• 36:02
  Speaker 1: But I think the town was something creek. We need
• 36:04
  Speaker 1: to look at this so I never watched it. Two
• 36:07
  Speaker 1: Child in Cape Side, Yeah, yeah, Dawson and Joey go
• 36:09
  Speaker 1: through different stages of adolescents together. Their friendship is later
• 36:12
  Speaker 1: tested when they both start a relationship with different people.
• 36:16
  Speaker 1: I don't want to That was Katie Home's big break, right,
• 36:21
  Speaker 1: it sure was? Was it Vanderbek's big break? He tried
• 36:24
  Speaker 1: to have a film career. It didn't quite work, didn't
• 36:26
  Speaker 1: quite play out of Varsity Blues was one film that
• 36:29
  Speaker 1: was a big one, right, But yeah, he.
• 36:31
  Speaker 4: Was in a movie called The Rules of Attraction, based
• 36:33
  Speaker 4: on a Brett Easton ellistovelest like and it was a
• 36:36
  Speaker 4: real sort of departure because it was just like young
• 36:38
  Speaker 4: people getting up to various sort of shenanigans at college.
• 36:41
  Speaker 4: It's a pretty gnarly movie. Actually, he's really good in it.
• 36:44
  Speaker 4: Vander Beek was a good actor still is I mean
• 36:47
  Speaker 4: he's done good?
• 36:48
  Speaker 1: What's the TV show he's on, he wasn't don't trust
• 36:51
  Speaker 1: the bitch and apartment through that's the one. Yeah. Yeah,
• 36:54
  Speaker 1: But then we have a time laps here and then
• 36:56
  Speaker 1: watching the show, going through all various stages, you know,
• 36:58
  Speaker 1: doing a hair and crying or whatnot, and he to
• 37:01
  Speaker 1: jail here Miss Junior Prahm. And then as the end
• 37:03
  Speaker 1: of the season, she hopes that March has the season
• 37:04
  Speaker 1: two DVD. March like, maybe I go on into the attic,
• 37:06
  Speaker 1: So they go up there. We pan up and we
• 37:08
  Speaker 1: see Easter eggs are in the walls. Home is watching
• 37:09
  Speaker 1: Clincher on the toilet. There's some Faberge eggs and the
• 37:12
  Speaker 1: next level of as well. Then Marge she finds the
• 37:14
  Speaker 1: season two DVD and she, oh, I forget about this
• 37:17
  Speaker 1: season's unfortunate haircuts and that was literally a thing fell
• 37:20
  Speaker 1: a TV shows back then, dictated fashion trends. Oh, it
• 37:22
  Speaker 1: doesn't happen anymore because we all just pick and shooes
• 37:24
  Speaker 1: we want to watch. But I go to the racial haircut,
• 37:28
  Speaker 1: like everyone was having that haircut and what they wore.
• 37:30
  Speaker 1: You want to dress like them? Yeah, And then Lisa
• 37:33
  Speaker 1: finds a dress. It looks just like the one that
• 37:35
  Speaker 1: Laney wore when she got drunk on cough syrup and
• 37:37
  Speaker 1: blew a Juilliard audition. And March looks through her middle
• 37:40
  Speaker 1: school yearbook and her friends, and I like to hear
• 37:42
  Speaker 1: that none of the people that she's standing with are
• 37:45
  Speaker 1: characters that we know, because sometimes I feel like the
• 37:47
  Speaker 1: Simpsons they get it's like everyone grew up in Springfield.
• 37:50
  Speaker 1: They all knew each other. It's like there's nothing else,
• 37:52
  Speaker 1: like No, Marge had other friends that we've never met before.
• 37:54
  Speaker 1: I love the banner, says, celebrating individuality. That's it all
• 37:58
  Speaker 1: with the same outfit. Lisa thinks the close of trendy
• 38:01
  Speaker 1: and Marge puts it on Lisa, you look like a
• 38:03
  Speaker 1: little me trying to look like a little Sarah. Jennifer
• 38:05
  Speaker 1: Hudson's that may be Sarah, Jessica Parker, Jennifer Hudsons.
• 38:08
  Speaker 4: Ah bit of Sarah, combination of Sarah, Michelle Gall Jennifer
• 38:12
  Speaker 4: love Hewt, Jennifer love Hewitt.
• 38:14
  Speaker 1: Yeah, that'd be one. Yeah, okay, yep. I thought Sir
• 38:17
  Speaker 1: Jessica Parker a lot of three names. Wasn't there very much?
• 38:20
  Speaker 1: But she tells her to We're at to school, but
• 38:22
  Speaker 1: you know, it's like, I'm not too sure because I'm
• 38:24
  Speaker 1: used to flying under the radar, used to being here nobody.
• 38:26
  Speaker 1: But then she eventually agrees to do it. So the
• 38:28
  Speaker 1: next morning home is excited about Clincher. He can't wait.
• 38:30
  Speaker 1: And then and then Clincher was like, peace be with you, father,
• 38:33
  Speaker 1: but he meant peace like a gun. Then he punched
• 38:36
  Speaker 1: the priest. What's the gun? Time for work? There? The
• 38:41
  Speaker 1: clinker will be here when you get home. It's not Clinker, Marge,
• 38:44
  Speaker 1: it's Clincher. They're good. She's good looking. Ry. Lisa is
• 38:48
  Speaker 1: apprehensive the go out side in case everyone looks at her.
• 38:50
  Speaker 1: March's like, no one's gonna look at you. She gets
• 38:52
  Speaker 1: on the bus and everyone just stares because, oh my god,
• 38:55
  Speaker 1: you're you're fashionable. What's going on here? Marge is excited
• 38:58
  Speaker 1: for Lisa. She's at home. She's chating to Maggie about it.
• 39:00
  Speaker 1: She looked pretty fly. Funny things come back in style,
• 39:02
  Speaker 1: like the word fly, like the word crash is now
• 39:06
  Speaker 1: got a new meaning.
• 39:06
  Speaker 4: You very cleverly put together reel the other day or
• 39:10
  Speaker 4: Instagram story. I'm not up to David Linger of our
• 39:13
  Speaker 4: You mentioned Aaron to be with Nina, but to our
• 39:15
  Speaker 4: wise guy and I use the term dope sales, and
• 39:18
  Speaker 4: I was like, hope people know what they mean.
• 39:20
  Speaker 1: Did you like the zoom in when he said I'd
• 39:22
  Speaker 1: really much it?
• 39:24
  Speaker 2: Did?
• 39:24
  Speaker 1: You did well? You did a good kid. But yeah,
• 39:29
  Speaker 1: so you're not follow us on social media? Make sure
• 39:31
  Speaker 1: you're doing that. Follows on the Instagram at four figure discount.
• 39:33
  Speaker 1: But yeah, as I said, next morning, she got on
• 39:35
  Speaker 1: the bus, so she Marge's excited for Lisa. She's at
• 39:37
  Speaker 1: school and I bet she's I bet wearing mum's clothes
• 39:39
  Speaker 1: as cool today as it was when I was a
• 39:40
  Speaker 1: little girl. And then she's like, wait a minute, this
• 39:43
  Speaker 1: is not going to be good. So she panics instantly
• 39:44
  Speaker 1: race to the school to try and save Lisa. Lisa's
• 39:47
  Speaker 1: walking through the halls and the music here is sort
• 39:49
  Speaker 1: of like not a horror movie, but she's she's nervous,
• 39:51
  Speaker 1: like no one's talking to her, no one really knows
• 39:53
  Speaker 1: what to do, and then Jenny explains that no one's
• 39:55
  Speaker 1: going to say anything until they find out what they think.
• 39:57
  Speaker 1: It turns out to be the fashion Fashion Nistas. It
• 39:59
  Speaker 1: was well, yeah, fashion Easter. They refer to themselves as
• 40:03
  Speaker 1: Fashion Club, but yeah, they're kind of fashion. Yeah. The
• 40:05
  Speaker 1: fashion experts here are Devon and Vidalia, we find out
• 40:08
  Speaker 1: in a few moments. But Marge arrives off panicked, Oh please,
• 40:10
  Speaker 1: They'll be getting consoled by the janitor and then they're
• 40:13
  Speaker 1: giving her their opinion. Retro vives are still off the moment.
• 40:16
  Speaker 1: It tells the story, and that story is look at
• 40:18
  Speaker 1: my outfit. It works, and Database says here she took
• 40:21
  Speaker 1: a risk and it paid half. And Marge can't believe
• 40:23
  Speaker 1: her little girl is fashionable. Yeah. We come back from
• 40:25
  Speaker 1: commercial and Lisa is excited at home. She can't believe
• 40:28
  Speaker 1: what the day she had. Everyone clapped her when she
• 40:29
  Speaker 1: was in the cafeteria. She says, a great time. And
• 40:32
  Speaker 1: she says she can't go back to an old dress
• 40:33
  Speaker 1: anymore that they bought at CVS. Now CVS is a
• 40:35
  Speaker 1: pharmacy consumer value store. Yeah, she asks if Marge has
• 40:40
  Speaker 1: another core effort. Margins like, I've got one better than that.
• 40:42
  Speaker 1: She tips out the box and we get a montage.
• 40:44
  Speaker 1: A montage is more of like a time labs, but
• 40:46
  Speaker 1: it's like we're in different outfits. The first one reminded
• 40:48
  Speaker 1: me of Avril Levine. Very skater boy ish, Okay, like
• 40:51
  Speaker 1: just you know, the the shirt and the long sleep
• 40:53
  Speaker 1: underneath of the shirt over over the top just reminded
• 40:55
  Speaker 1: me of what avver lavine world, and like that complicated
• 40:57
  Speaker 1: film clip. But you've got it.
• 40:59
  Speaker 4: Yeah, you've got a whole lot of no fits in there.
• 41:00
  Speaker 4: You've definitely got some leash of Silverstone and clueless. Yeah yeah,
• 41:04
  Speaker 4: But as I said, all to these sounds of the bomb, yes,
• 41:07
  Speaker 4: these sounds flowing, I've written down here undisputed fact ninety's
• 41:16
  Speaker 4: fashion the very best ever.
• 41:20
  Speaker 1: This show is brought to you by the four Fingered
• 41:21
  Speaker 1: Discount Patreon, where you'll find over one hundred hours of
• 41:24
  Speaker 1: bonus podcasts, including exclusive Simpsons reviews and commentaries, as well
• 41:29
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• 41:32
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• 41:37
  Speaker 1: the One about Friends, and so much more. So go
• 41:39
  Speaker 1: ahead and join the family today at patreon dot com
• 41:43
  Speaker 1: slash four fingure discount. Now she walks past Skinner here
• 41:47
  Speaker 1: putting up a poster for the Mother's Son dance. Right now,
• 41:51
  Speaker 1: that's just a sight gig in itself, but I like
• 41:53
  Speaker 1: that that pays off later on, because you know what,
• 41:55
  Speaker 1: they're doing here. They are teaching kids who are watching
• 41:57
  Speaker 1: this pay attention. Don't get you fucking phones like that's
• 42:01
  Speaker 1: that's always read. What's going on, is something happening, and
• 42:04
  Speaker 1: that might pay off later on, So pay attention to
• 42:07
  Speaker 1: the screens. Then Devin and Vadali invited into the Fashion
• 42:10
  Speaker 1: Club after they realized she wasn't just a one fit wonder,
• 42:13
  Speaker 1: which is a good web play there. I'm Devin, spelled
• 42:16
  Speaker 1: like Heaven but with a D and no A and
• 42:18
  Speaker 1: an I for the second e. Of course, you know Vidhalia, No,
• 42:22
  Speaker 1: you've never met Darling.
• 42:24
  Speaker 2: We were worried you might be a one fit wonder,
• 42:27
  Speaker 2: but we've been loving the vintage looks.
• 42:29
  Speaker 1: Welcome to Fashion Club.
• 42:32
  Speaker 3: You guys meet in the music room.
• 42:33
  Speaker 1: We took it over when mister Largo died.
• 42:36
  Speaker 3: Mister Largo died or he has jewelry duty.
• 42:39
  Speaker 1: It was something dumb Lize's reaction here was my did
• 42:44
  Speaker 1: this happened? That little screw member with the oil.
• 42:46
  Speaker 4: That's because I've been a bit remiss and haven't watched
• 42:49
  Speaker 4: a lot of quote unquote modern Simpson.
• 42:50
  Speaker 1: So I was like, I'm very well and I would
• 42:56
  Speaker 1: be sad yea because he was just in the episode
• 42:58
  Speaker 1: we just reviewed where it was Give Me One Night,
• 43:00
  Speaker 1: Get Your Broadway. Now, they invite her drifting on Saturday
• 43:05
  Speaker 1: afternoon since they think that's where she's getting the clothes from.
• 43:07
  Speaker 1: They didn't realize that she's got it from Marge's box.
• 43:10
  Speaker 1: Marge's clothing box up in the attic, and he says,
• 43:12
  Speaker 1: you better like boba or I swear to God, now Boba.
• 43:14
  Speaker 1: That's drink, right, It's like Boba tea. Yeah, which, Devin,
• 43:18
  Speaker 1: I think that might be a bit sort of twenty nineteen.
• 43:22
  Speaker 1: It feels a bit old, baby doesn't Yeah, I remember
• 43:25
  Speaker 1: people drinking it. I was like, I don't know.
• 43:26
  Speaker 4: Yeah, Well, there was certainly a phase in Geelong where
• 43:28
  Speaker 4: it's like I want to go to that bubble tee
• 43:30
  Speaker 4: place and I don't think there are that many left
• 43:32
  Speaker 4: around anymore.
• 43:33
  Speaker 1: But Terry is there. But no Sherry ever seen Sherry
• 43:37
  Speaker 1: slay and slay.
• 43:38
  Speaker 2: Oh.
• 43:38
  Speaker 1: When I heard her say this, I was like, my god.
• 43:40
  Speaker 4: It's terrible, but I'm glad that they included it, and
• 43:43
  Speaker 4: not in a way that I mean. It felt like, okay, well,
• 43:46
  Speaker 4: you're trying to keep up to date with what the
• 43:48
  Speaker 4: kids are saying.
• 43:48
  Speaker 1: These days. It didn't feel like you were using it.
• 43:52
  Speaker 4: To be cool, and it felt like like I said,
• 43:54
  Speaker 4: this is what this is our kids talk in twenty
• 43:57
  Speaker 4: twenty far Yeah, and you know, if we're going to
• 43:59
  Speaker 4: be up to date, might as well incorporate it.
• 44:02
  Speaker 1: I've said on the podcast. When Nicola had her previous employment,
• 44:05
  Speaker 1: she was like the boss of early young early twenty
• 44:07
  Speaker 1: year olds. And Nichola starts saying, slam on Nicola, don't
• 44:10
  Speaker 1: just don't. Oh yeah, I don't. Try and see what
• 44:13
  Speaker 1: she's like. It's what they say at the office. I'm like, yes, stay,
• 44:17
  Speaker 1: leave it, please say slay it home please. It sounds terrible,
• 44:21
  Speaker 1: but yeah, she's a or as much as serve. Then
• 44:25
  Speaker 1: she says keep walking km out like that. I felt bad,
• 44:27
  Speaker 1: Like by close it came up. Who does not Hanko
• 44:30
  Speaker 1: ty for clincher again, Homer's watching it at work. Cars
• 44:33
  Speaker 1: the Smithy is trap between these two things. Oh wait,
• 44:35
  Speaker 1: gets distracted, Lenny walks in. He's running at a duction,
• 44:38
  Speaker 1: starts watching. Then it to everyone watching, including Burns, the
• 44:40
  Speaker 1: alarms going off. Lenny smashes the alarm. It's just it's
• 44:43
  Speaker 1: just guys in general. So every Homer bits just short
• 44:45
  Speaker 1: and sweet, but it works. I think that's white. Maybe
• 44:47
  Speaker 1: it's why it works because it's short and sharp. I
• 44:50
  Speaker 1: think so. Yeah.
• 44:50
  Speaker 4: I mean, well, it doesn't really have a whole lot
• 44:52
  Speaker 4: of bearing on the story other than a payoff at
• 44:54
  Speaker 4: the very end.
• 44:54
  Speaker 1: And it does feel like we're doing season twenty one
• 44:57
  Speaker 1: of the podcast right now. They would try and this
• 45:00
  Speaker 1: more of a thing than what it actually is. It's
• 45:02
  Speaker 1: like Jessica acknowledges, this doesn't need to be more than this,
• 45:05
  Speaker 1: Like you need to have Homer involved, just have him appear.
• 45:09
  Speaker 4: Yeah, and just yeah, it doesn't even have to be
• 45:11
  Speaker 4: about home. It just make it gags about how ridiculous
• 45:13
  Speaker 4: Clincher is. Yeah, that's it, how it was just all punching, all.
• 45:16
  Speaker 1: Kicking all the time. Marge walks in excited, has shown
• 45:19
  Speaker 1: it Nostalgia. Knor's coming to the Springfield Convention Center this Saturday.
• 45:22
  Speaker 1: Your favorite TV stars of the nineties in varying degrees
• 45:24
  Speaker 1: of recognized billity. Oh god, yeah, so good. There's a
• 45:29
  Speaker 1: keg ins Pond meet and Grid at two o'clock and
• 45:30
  Speaker 1: Lisa says, oh, I've already got plans. But then when
• 45:32
  Speaker 1: Marge looks out, she's like, look, I don't want to
• 45:34
  Speaker 1: disappoint you, Like, I'll find the time, I'll be there,
• 45:36
  Speaker 1: I'll meet you there. Margin notices her Frank Paul Donkey shirt.
• 45:40
  Speaker 1: She has so many great memories with it, and thanks Lisa,
• 45:42
  Speaker 1: she has one more. And as we're saying earlier clothes
• 45:44
  Speaker 1: have that impact on you, Frank Paul Donkey is Paul
• 45:48
  Speaker 1: Frank Monkey. Yeah, just letting you know I didn't. I
• 45:51
  Speaker 1: actually agree. I'm like, was there like a Donkey variant
• 45:53
  Speaker 1: that was? But no, there wasn't.
• 45:55
  Speaker 2: No.
• 45:56
  Speaker 1: But then Lisa realizes that she's going to need money
• 45:58
  Speaker 1: if she's going to be buying some stuff from thrifting.
• 46:00
  Speaker 1: And she smashes open her cruelty free money box just
• 46:02
  Speaker 1: like spider pick, and she has twenty eight dollars, which
• 46:04
  Speaker 1: she thinks is going to be enough for a couple
• 46:05
  Speaker 1: of cute little thrift store outfits.
• 46:06
  Speaker 4: And it turns out no, yeah, immediate cut to what
• 46:09
  Speaker 4: one hundred bucks for it for a shirt for a
• 46:12
  Speaker 4: twa shirt doesn't.
• 46:13
  Speaker 1: Nowline doesn't even exist anymore. And you know who the
• 46:16
  Speaker 1: the owner, but the worker was behind the panter shiner.
• 46:20
  Speaker 1: Oh was that sure? Yeah? Brilliant, Yeah, she's a worker
• 46:23
  Speaker 1: and there's a sign on the cannon that says today
• 46:24
  Speaker 1: skinny jeans are uncool. Yes, because three stores are dictating
• 46:28
  Speaker 1: fashion these days. Lisa can't believe everything so expensive, and
• 46:31
  Speaker 1: Vidali explains how thrifting works. Some used that forty year
• 46:34
  Speaker 1: old donates a box full of clothes from when she matted,
• 46:36
  Speaker 1: and lindsay nagel is, don't durn'ting close in the background.
• 46:38
  Speaker 1: I was like, I'm three years away from forty. I'm
• 46:42
  Speaker 1: now old. I'm now who they're talking about, you know,
• 46:48
  Speaker 1: to quite Michael Jordan fucked the kids. But before when
• 46:52
  Speaker 1: she mad at as we were saying, Lin dropping off
• 46:54
  Speaker 1: some closes in the background. Then someone cool but scary,
• 46:56
  Speaker 1: which is shortener, slaps a huge price tag on it.
• 46:59
  Speaker 1: So thriet doors for poor people anymore? Oh sweetheart, that
• 47:01
  Speaker 1: nothing is. Then Lisa says to ditch this because she
• 47:04
  Speaker 1: has a better idea. Meanwhile, at Nostalgia con and you
• 47:08
  Speaker 1: see it says, see what time does to people. Marge's
• 47:12
  Speaker 1: walking through now the various stores or the various booths
• 47:15
  Speaker 1: should say chilling with mister Brow Is that about mister
• 47:18
  Speaker 1: God hanging with mister Cooper? Of course, yes, Now there's
• 47:22
  Speaker 1: one I said itch please, you couldn't see the bee,
• 47:24
  Speaker 1: and I said, itch please? Does that meant to be?
• 47:27
  Speaker 1: I don't know. I mean, I don't think there was
• 47:28
  Speaker 1: ever a TV series called Bitch Please, and neither do
• 47:30
  Speaker 1: I know? Says kiss my butler? What's that on take off?
• 47:33
  Speaker 1: Maybe the nanny maybe, I don't know. Don't go there,
• 47:37
  Speaker 1: which is a reference to the Simmers. Don't go there.
• 47:39
  Speaker 1: Supreme Courtney substitute priest talked to the hand Upscally in home.
• 47:45
  Speaker 1: I think it was Upscally in something, but it was
• 47:46
  Speaker 1: an alien. Okay. Table for seven Palmdale nine three five
• 47:51
  Speaker 1: one Oh, Dusty the gool assassin you mentioned earlier, and
• 47:54
  Speaker 1: Marge's walking past. Everyone's had too much work done or
• 47:57
  Speaker 1: nearly not enough, not nearly enough. Then she finds her
• 48:00
  Speaker 1: power from Kegan's pond. He's at the stand. The sign
• 48:03
  Speaker 1: says an autograph twenty dollars selfie, fifty dollars a selfie
• 48:06
  Speaker 1: with touching his twenty five dollars less money if he
• 48:08
  Speaker 1: touches you. Marge can't believe she beat the crowd, and
• 48:11
  Speaker 1: he just knows it's going to be sad. Oh god, yeah,
• 48:13
  Speaker 1: I beat the crowd. There never was a crowd. There's
• 48:16
  Speaker 1: never going to be a crowd. Eh shorts a photo
• 48:19
  Speaker 1: with her and Lisa that counts two semies, but she says,
• 48:21
  Speaker 1: Leasa's late, so she said past the time he's going
• 48:23
  Speaker 1: to tell her about the lawsuit against the makers of
• 48:25
  Speaker 1: the Kegan's Pond slot machine. It's against me. We had
• 48:27
  Speaker 1: a timelps here of Marge just not having a good time, well, just.
• 48:31
  Speaker 4: Listening to his various SOB stories I think, showing off
• 48:34
  Speaker 4: it looked like an appened nectimy scar or maybe having
• 48:36
  Speaker 4: like a kidney removed or something like that, doing his
• 48:39
  Speaker 4: one armed push ups all Jack Palance at the nineteen
• 48:41
  Speaker 4: ninety one oscars, showing that he's still vital, still strong.
• 48:45
  Speaker 1: Just crying and then just crying, just crying. He says
• 48:49
  Speaker 1: heyes to leave before they charge him for a full
• 48:50
  Speaker 1: day's table rental, and Marge can't believe that Lisa stood
• 48:53
  Speaker 1: her up, and he says, well, it looks like your afternoons.
• 48:55
  Speaker 1: He ever done it in a men's shelter. They really
• 48:58
  Speaker 1: go to town on. I mean, not all people like
• 49:01
  Speaker 1: these nostalgia cons are like this, but you can just
• 49:04
  Speaker 1: obviously some of them are. Should we feel sorry? For them. Oh,
• 49:07
  Speaker 1: you couldn't help but take it personally though.
• 49:08
  Speaker 4: I mean, if you're seeing cues around the block for
• 49:10
  Speaker 4: you know, someone else, someone else's like, don't you remember
• 49:14
  Speaker 4: the Star of Lost Boys too?
• 49:18
  Speaker 1: Now it's not for fashion club. And they're going through
• 49:20
  Speaker 1: Marge's clothes in Lisa's room. Vadalia's mum sent her clothes
• 49:24
  Speaker 1: to the victims of a flood, so selfish. And Lisa
• 49:26
  Speaker 1: goes through the yearbook and suggests that all the mums
• 49:28
  Speaker 1: have forgotten they must have forgotten vintage clothes in their addicts,
• 49:32
  Speaker 1: and Vadalia turns Marge's poor Frank donkey into a crop top.
• 49:35
  Speaker 1: I liked the edit here, so she basically says that,
• 49:39
  Speaker 1: So when Marge walks in as she's cutting the shest,
• 49:43
  Speaker 1: what a bitch for Dahi cutting March's clothes? Oh yeah,
• 49:45
  Speaker 1: like Lisa should have done more to stop her here.
• 49:47
  Speaker 1: This is where Lisa goes full hill Turner, doesn't She
• 49:50
  Speaker 1: She does very much. I mean, I mean, look at admittedly,
• 49:52
  Speaker 1: when you're around intimidatingly cool kids like Devin and Vadalia,
• 49:55
  Speaker 1: you'd want to sort of be in with the in crowd,
• 49:57
  Speaker 1: as I've said, Yeah, but March as she waited for
• 50:00
  Speaker 1: hours met key and it was unsettling. A couple of
• 50:02
  Speaker 1: Lisa was at home, defiling her close to the cast
• 50:04
  Speaker 1: of Euphoria, which a timely reference.
• 50:07
  Speaker 4: I guess, sure, yeah, well you mean sort of appropriate
• 50:10
  Speaker 4: as well, given that they're talking about, you know, it
• 50:12
  Speaker 4: seems so innocent, you know, the team melodramas of the
• 50:15
  Speaker 4: two thousands or whatever stuff like doing, compared to.
• 50:17
  Speaker 1: Euphoria, which is just you know, I mentioned Bradisnallis before.
• 50:20
  Speaker 1: It's basically like sex, drugs and techno. Yeah, that's that's it. Yeah,
• 50:25
  Speaker 1: Lisa says she didn't think that you would care, because
• 50:27
  Speaker 1: you don't. These clothes don't fit you, and you're not
• 50:29
  Speaker 1: cooling off the pull off anyway. That's not nice and
• 50:32
  Speaker 1: not the kids are laughing at March and call for
• 50:34
  Speaker 1: Marge takes the clothes back. Now, who's cool you, ma'am,
• 50:37
  Speaker 1: and she says, make like a banana and peel. I
• 50:39
  Speaker 1: get it in context. I guess they're walking out, and
• 50:41
  Speaker 1: as they leave, Lisa looks really sad. Marge looks back
• 50:43
  Speaker 1: with a sign of guilt, and I've just got here.
• 50:45
  Speaker 1: I get that right. And it's a little touch because
• 50:48
  Speaker 1: just the way she looked back at her. When I
• 50:49
  Speaker 1: grow out the kids, and it's not very often, but
• 50:51
  Speaker 1: sometimes you just growl right or you react before thinking,
• 50:55
  Speaker 1: and you mentally feel guilty and you shouldn't feel guilty,
• 50:58
  Speaker 1: but I always sort of feel like I probably could
• 50:59
  Speaker 1: have hand that situation a bit better. It would have
• 51:01
  Speaker 1: been nice not to be in that situation, or for
• 51:04
  Speaker 1: that situation to have gone better. But sometimes, yeah, you
• 51:07
  Speaker 1: need to growl sometimes. And There's only been a handful
• 51:10
  Speaker 1: of times where I've reacted before I've thought about it,
• 51:13
  Speaker 1: and you can't help but think, oh, there must have
• 51:15
  Speaker 1: been a better way to handle it, or no, more likely,
• 51:18
  Speaker 1: I wish there had been a better way to handle that,
• 51:19
  Speaker 1: but no, it required a growl. The biggest one for
• 51:21
  Speaker 1: me was when they flooded the house. Oh, I just said,
• 51:24
  Speaker 1: don't sit on the tap. Jeez. I was not impressed
• 51:28
  Speaker 1: that day at all. But back at school, Lisa was
• 51:31
  Speaker 1: wearing her old dress again. But they still say, no, Lisa,
• 51:34
  Speaker 1: it's cool to hang out with this if you want to,
• 51:35
  Speaker 1: and She's like, never, Mum was a bit of a
• 51:37
  Speaker 1: bit of a bitch, or which is a bitch, but
• 51:38
  Speaker 1: she says was a bit mean. We had ditch people
• 51:41
  Speaker 1: just for having crazy mothers. Devon's mum was set fire
• 51:43
  Speaker 1: to a piano store to get attention of a news anchor.
• 51:45
  Speaker 1: Mission accomplished. Then they say they're going to a party
• 51:48
  Speaker 1: at a friend's house, which turns out to be Ralph,
• 51:50
  Speaker 1: and it's like in Candyland. It's like, what's going on? Yeah, and.
• 51:55
  Speaker 2: Terry's been in the bathroom for a while. I'm gonna
• 51:58
  Speaker 2: go check on her.
• 51:59
  Speaker 1: If you see up in the mirror, say hi. You
• 52:02
  Speaker 1: know Vadalia has been checking on Terry for a while.
• 52:05
  Speaker 1: I'm gonna go check on Vdalia checking on Terry.
• 52:09
  Speaker 3: That's weird.
• 52:10
  Speaker 2: Time to go what?
• 52:12
  Speaker 3: Oh okay, I'm popular? Why are we leaving?
• 52:18
  Speaker 1: And why do we? Hum?
• 52:21
  Speaker 2: Man?
• 52:21
  Speaker 1: What a hole?
• 52:22
  Speaker 2: Vintuo jubber Crombie flannel, yuess overall spaghetti scrup dressed.
• 52:27
  Speaker 1: You stole missus Wiggam's old clothes.
• 52:31
  Speaker 2: It was just sitting in an attict totally forgotten, just
• 52:34
  Speaker 2: like you said, great job is look out by the way.
• 52:37
  Speaker 3: Oh god, I was an accessory.
• 52:39
  Speaker 1: No, this is an accessory. You're right. You really don't
• 52:45
  Speaker 1: have the head shape. We come back now, and Lisa's
• 52:49
  Speaker 1: stressing out the sheet that whilst they're going through the clothes,
• 52:51
  Speaker 1: she thinks she's gonna be going to jail. And this
• 52:53
  Speaker 1: is where you were touching on earlier. They try to
• 52:55
  Speaker 1: justify why it's okay because they keeping out the clause
• 52:57
  Speaker 1: of big thrift and they were socking old clothes and
• 52:59
  Speaker 1: supporting fast fashion. Now do you want to explore fast
• 53:02
  Speaker 1: fashion is?
• 53:03
  Speaker 4: Well, fast fashion is just you go back in time
• 53:06
  Speaker 4: a little bit, and clothing used to have seasons. You
• 53:09
  Speaker 4: basically had like two two lines a year, spring collection,
• 53:13
  Speaker 4: your fall collection or something like that. And yeah, all
• 53:17
  Speaker 4: of a sudden you've got factories and outlets and labels
• 53:21
  Speaker 4: sort of turning out things very very quickly, usually for
• 53:23
  Speaker 4: very low cost, and usually pretty low quality as well.
• 53:25
  Speaker 4: But it's on trend and you're usually designed to be
• 53:28
  Speaker 4: maybe worn three or four times and then you just
• 53:30
  Speaker 4: throw it out, give it away, but it's usually of
• 53:33
  Speaker 4: such shit quality that nobody even wants it, even at
• 53:35
  Speaker 4: the thrift shop. So yeah, there are many a documentary
• 53:39
  Speaker 4: or video you could watch about They usually just end
• 53:41
  Speaker 4: up in like Garner somewhere in Africa and just these huge, huge, huge,
• 53:46
  Speaker 4: huge piles of clothing that nobody wants and they need it. Well, no,
• 53:52
  Speaker 4: they don't even wear it. I mean some of it,
• 53:53
  Speaker 4: they sort of even some of them will sell. But
• 53:57
  Speaker 4: the stuff they can't sell that it goes into landfillm
• 53:59
  Speaker 4: ends up in ribt, s ends up in ocean. Yeah,
• 54:02
  Speaker 4: it's fast humans, baby, fast humans. We kind of suck. Yeah, no,
• 54:08
  Speaker 4: fast fashion. It's actually a legitimate problem.
• 54:11
  Speaker 1: Yeah, but Terry says, here is Terry knows Sherry, which
• 54:13
  Speaker 1: wasn't it. I think Terry's Sherry's came up girl. Yeah,
• 54:17
  Speaker 1: Terry says, the victimist crime wich is the second best kind.
• 54:19
  Speaker 1: And lisays, but it's still a crime to look this good,
• 54:22
  Speaker 1: because she says herself in the mirror, and she tries
• 54:24
  Speaker 1: to justify to herself by saying that, no, Sarah Wigham,
• 54:27
  Speaker 1: she wouldn't even have handed down to Ralph anyway, Like
• 54:29
  Speaker 1: that's the spirit. It gives them the idea to only
• 54:31
  Speaker 1: hit the houses of boys because the mothers aren't going
• 54:34
  Speaker 1: to be given the clothes away anyway. And what's going
• 54:35
  Speaker 1: to happen a little later on Mother's Sunday. Yeah, yeah,
• 54:40
  Speaker 1: so she says. Before that, though, Lisa gets the voicemail
• 54:43
  Speaker 1: from Marge and basic. Marge is bitter, she's angry. She says,
• 54:46
  Speaker 1: don't don't forget it, dentist the woman blah blah blah.
• 54:49
  Speaker 1: She's got a real sass behind it, and Lisa says,
• 54:51
  Speaker 1: she's she's in. But I need to get all the
• 54:52
  Speaker 1: ones out of the house.
• 54:53
  Speaker 2: Now.
• 54:53
  Speaker 1: It's the time, as you're saying, for the mother's son
• 54:56
  Speaker 1: dance at the at the school of the way, it's
• 55:00
  Speaker 1: time for the mother's son dance. Get ready to part?
• 55:02
  Speaker 1: Hey misread the party and with Devon says, thank god,
• 55:08
  Speaker 1: my mom's in jail for piano Arson and Lisa knows
• 55:11
  Speaker 1: how to distract all the dads and it's clincher, But
• 55:14
  Speaker 1: how is she going to get all the pet that's
• 55:15
  Speaker 1: to watch clincher? We will find out Bart's trying to
• 55:18
  Speaker 1: run away from March before they get to the dance.
• 55:20
  Speaker 1: He's like, I don't want to go, don't want to go.
• 55:21
  Speaker 1: Lisa compliments March's dress glad it fits barely, and I'm
• 55:25
  Speaker 1: like you little bitch, wow, Like that's what do you mean? Cool?
• 55:29
  Speaker 1: I don't know where your friends aren't around right now,
• 55:32
  Speaker 1: Just calm down. But Barr says, I don't worry, Mom,
• 55:34
  Speaker 1: she's not worth it, and he takes her to the
• 55:35
  Speaker 1: dance and March's lasneys in the fridge, eat around the beef.
• 55:38
  Speaker 1: I'm like, that's how you get back at it. Eat
• 55:40
  Speaker 1: around the beefield a cow. Now it's time for the
• 55:43
  Speaker 1: highest and they have a map of the houses for
• 55:46
  Speaker 1: Springfield's fashion hotties, the various mothers who had the best
• 55:49
  Speaker 1: fashion when they were younger, all the moms at the dance,
• 55:51
  Speaker 1: and Lisa has the Dad Distractor, which is a universal remote.
• 55:55
  Speaker 1: I will never forget the first time I got a
• 55:57
  Speaker 1: universal remote. It was like entering a new world, were
• 56:00
  Speaker 1: getting your first niverse. Like I can control the VC,
• 56:02
  Speaker 1: the TV, everything with one remote. It's awesome. We had
• 56:06
  Speaker 1: one once that could control foxtail as well. So good
• 56:10
  Speaker 1: because how annoying was it when it got two points
• 56:12
  Speaker 1: like surround sound system, fucking TV VH like six remotes
• 56:16
  Speaker 1: and it's like, which is what you know? Look at
• 56:18
  Speaker 1: the brand? But I have Sam Suck three of samsu
• 56:21
  Speaker 1: which was this one though they go to rob the
• 56:24
  Speaker 1: van Houten's. First they turn on the TV. He's clinched,
• 56:27
  Speaker 1: let's go shopping. The next one is the Hippits. He's
• 56:29
  Speaker 1: Watching Like an Animal documentary and they turn it on
• 56:32
  Speaker 1: to Clincher as well. Then we get Wendall's dad. I
• 56:35
  Speaker 1: don't think we've ever seen Wendell's dad, but I love
• 56:37
  Speaker 1: the little gag, the fact that he almost vomits at
• 56:40
  Speaker 1: the neck break on the film, because Wendell is always
• 56:41
  Speaker 1: the kid that's always throwing up. And then they're off
• 56:44
  Speaker 1: racing down the street on a trolley with clothes. They've
• 56:47
  Speaker 1: scored the big score, but they haven't finished yet. Meanwhile, though,
• 56:50
  Speaker 1: at the dance, Wendle now Wendell is dancing with a
• 56:52
  Speaker 1: woman who was absolutely banging. I'm like, there's no way
• 56:56
  Speaker 1: that Wendell's dad is banging. That he may have a
• 56:58
  Speaker 1: great sense of humor. Maybe he does, yeah, very nice personality,
• 57:01
  Speaker 1: or as Nichol always says, must have a big dick.
• 57:03
  Speaker 1: And I'm like, might it might be a Travis Kelsey.
• 57:08
  Speaker 1: Skinner then says that this idea was the idea of
• 57:11
  Speaker 1: the couple's cancelor him and Agnes, and Agnes says that
• 57:14
  Speaker 1: she's requested the DJ played hungry eyes. So they're off
• 57:16
  Speaker 1: the dance and Bart races out the door and March
• 57:18
  Speaker 1: chases after him, and she enters the fashion club aka
• 57:21
  Speaker 1: music room, and she finds the highest plan on the
• 57:23
  Speaker 1: board there. Now that's smart leaving you hight plans up
• 57:26
  Speaker 1: on the wall now probably not calling it like highest plans. Well,
• 57:29
  Speaker 1: it's time for the big score, the mother load of
• 57:31
  Speaker 1: mother clothes, and it's Martin Prince's house. Get Gloria Gibson's clothes.
• 57:35
  Speaker 1: Not sure the Gloria Prince just yet.
• 57:38
  Speaker 2: Okay, this is the big score. Then the mother load
• 57:41
  Speaker 2: of mother clothes Martin Prince's mom.
• 57:45
  Speaker 1: I heard her sister used to manage an Aero postyle
• 57:48
  Speaker 1: and had a ten percent discount. They don't have a TV.
• 57:54
  Speaker 1: It's like this in terms of my god, this freaks
• 57:56
  Speaker 1: and have a TV. That's very much. That's very much
• 57:58
  Speaker 1: the Prince's right. They aren't aware though that the dad's
• 58:01
  Speaker 1: not distracted, so he's just reading your book. I think
• 58:03
  Speaker 1: they're inside. He's trying to call them. They're not answering
• 58:05
  Speaker 1: their phone. They're going through Gloria's clothes, spice girls to
• 58:08
  Speaker 1: a jacket, jelly sandals, sweatpants with words written on the butt,
• 58:11
  Speaker 1: which is shy. And then they knock over a box
• 58:13
  Speaker 1: and the dad hears and he goes to check. Devon
• 58:15
  Speaker 1: warns them, but the alarm goes off as they're escaping
• 58:18
  Speaker 1: out of the attic. They're climbing down the lattice. Lisa
• 58:20
  Speaker 1: was about to escape, but she turns around. She sees
• 58:22
  Speaker 1: the poor Frank Doki shirt and she's like, this is
• 58:24
  Speaker 1: the good side list. She's like, I know I've upset
• 58:26
  Speaker 1: my mum. Mum would really love this. I've got to
• 58:28
  Speaker 1: go back and do this for mum. As she's going
• 58:30
  Speaker 1: back with here the announcement, attention to intruders, we know
• 58:32
  Speaker 1: you're in the house. Police are on their way. She
• 58:34
  Speaker 1: throws the bag out the window, but it breaks the latters,
• 58:37
  Speaker 1: which when she can't get out, and these guys bail
• 58:39
  Speaker 1: on her. No, okay, you can't trust them now, you
• 58:41
  Speaker 1: can't trust them at all. Well, the promises immediately like
• 58:47
  Speaker 1: northern neighbors always have a lot of cash. They hide
• 58:50
  Speaker 1: a kid and the flower apart. This show is brought
• 58:53
  Speaker 1: to you by the fore fingered discount Patreon, where you'll
• 58:55
  Speaker 1: find over one hundred hours of bonus podcasts, including exclusive
• 58:59
  Speaker 1: Simpson reviews and commentaries, as well as exclusive episodes of
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  Speaker 1: Going Down to South Park, Tales of Futurama, Bob's pods,
• 59:07
  Speaker 1: speaking of the hill, talking Sifould, the one about friends,
• 59:10
  Speaker 1: and so much more. So go ahead and join the
• 59:13
  Speaker 1: family today at patreon dot com slash four figure discount
• 59:18
  Speaker 1: and the police are now on their way. A list
• 59:19
  Speaker 1: can't believe she got her stuff into this mess, Like
• 59:21
  Speaker 1: what am I supposed to do? I'm not a fashionist,
• 59:22
  Speaker 1: I'm a criminal. And then Marge arrives with a ladder.
• 59:25
  Speaker 1: What a grateful circle payoff this was? Yeah, of course,
• 59:28
  Speaker 1: you know, just land in a pond. I'll explain the dingy.
• 59:30
  Speaker 1: Where do you get a digging? Do you want to
• 59:31
  Speaker 1: be escaped or not? And she's in the pond for
• 59:33
  Speaker 1: the ladder as long as there's am Well, first of all,
• 59:34
  Speaker 1: Lisa says, I'm sorry. I just wanted to bond. I
• 59:36
  Speaker 1: just know you just wanted to bond with me, and
• 59:38
  Speaker 1: I ruined. I'm a terrible daughter. Good on her for apologizing. Yes, well,
• 59:41
  Speaker 1: I'm busy get away paddling. Why don't you tell me
• 59:45
  Speaker 1: what were you thinking?
• 59:47
  Speaker 3: I'm so sorry, mom, you just wanted to bond with
• 59:50
  Speaker 3: me and I ruined it. I'm such a terrible daughter.
• 59:57
  Speaker 1: Remember I'm with you for the long as long as
• 1:00:01
  Speaker 1: there's a pond and a land I'll be there. You
• 1:00:06
  Speaker 1: brought it back. I'm start the landing Jessica to say
• 1:00:08
  Speaker 1: I'm with you for the long haul, already to the
• 1:00:10
  Speaker 1: end or something like that. Yeah, well done. Because season
• 1:00:14
  Speaker 1: twenty one, that first act would have been a first act,
• 1:00:17
  Speaker 1: it wouldn't have had the full circle payoff. I'm like,
• 1:00:19
  Speaker 1: that's that's lovely well done. G they're good architects in
• 1:00:23
  Speaker 1: the writer's room at the stage of the game. Yes,
• 1:00:25
  Speaker 1: at least wants to know how she knew that she
• 1:00:26
  Speaker 1: was there. My mother always knows. Is tracking gap put
• 1:00:30
  Speaker 1: on your phone, we'll see that's it. Yeah, I mean yeah.
• 1:00:32
  Speaker 4: The fact they're including including terms like sligh, including you know,
• 1:00:36
  Speaker 4: tracking apps, all this kind of stuff, it doesn't feel
• 1:00:39
  Speaker 4: like we're trying to be cool.
• 1:00:41
  Speaker 1: Yeah, a desperate stab to rerelevant. It's like, as I said,
• 1:00:44
  Speaker 1: this is the way we live. It's just life now.
• 1:00:45
  Speaker 4: Yeah, so you might as well incorporated and it make
• 1:00:50
  Speaker 4: as good a joke as you can out of it.
• 1:00:52
  Speaker 1: And they did. Yeah, but is still at the dance
• 1:00:54
  Speaker 1: and he's dancing with Lwan dip me handsome, and Millhouse
• 1:00:57
  Speaker 1: is annoyed by that. She came with me then the
• 1:00:59
  Speaker 1: Science of Stuff, and March says, what's because Homer City
• 1:01:01
  Speaker 1: take care of them Clincher style? Well, they're just watching Clincher.
• 1:01:04
  Speaker 4: Yeah, yeah, you're expecting that to happen, I guess, But
• 1:01:08
  Speaker 4: I mean just the fact that they laid that little
• 1:01:09
  Speaker 4: bit of he's taking care Clincher sty. You think, oh,
• 1:01:11
  Speaker 4: is he gonna like, is he going to do the Yeah,
• 1:01:14
  Speaker 4: be a punching Kiki machine like clitches.
• 1:01:16
  Speaker 1: Like no, everybody just like watching Clincher, And I love that.
• 1:01:18
  Speaker 1: It's just the design of no one's move. They're all
• 1:01:20
  Speaker 1: just staring. Oh yeah. But even even Wigham's like, yeah,
• 1:01:25
  Speaker 1: show those pigs, pigs, Wow, the power of Clincher. Lisa
• 1:01:30
  Speaker 1: is walking with the fashion club kids down the street.
• 1:01:33
  Speaker 1: They're pulling a little cart behind them with all the
• 1:01:34
  Speaker 1: clothes that they stole. Didn't even yell, She's pretty cool,
• 1:01:37
  Speaker 1: and lisays, well, granted for the next eight months, but
• 1:01:39
  Speaker 1: after that's finished, you want to come over and watch
• 1:01:40
  Speaker 1: Kigan's Pond and together. Why would anyone watch a show
• 1:01:42
  Speaker 1: from the nineties, my nice little self referential gag? Absolutely, yeah, yeah,
• 1:01:47
  Speaker 1: And then Vidalia says that she loves to dress I've
• 1:01:50
  Speaker 1: literally had this forever. These gigs work, they do, and
• 1:01:54
  Speaker 1: then Marge honks the horn and turns out that she's
• 1:01:56
  Speaker 1: walking driving by them, making them return all the clothes
• 1:01:59
  Speaker 1: that they stole, well almost everything. She's wearing the donkey shirt. Yes,
• 1:02:04
  Speaker 1: lovely ending, and over the closing credits we get the
• 1:02:06
  Speaker 1: theme song where we get the actual lyrics that I'm
• 1:02:08
  Speaker 1: not going to age, I'll be in that's good for
• 1:02:10
  Speaker 1: ever teenage Purgatory, always will always be together in a
• 1:02:14
  Speaker 1: side of teenage Purgatory and it's just still shots in
• 1:02:16
  Speaker 1: the episode, which is much like an ending episode of
• 1:02:18
  Speaker 1: one of those shows. Very much. Yes, yeah, good episode.
• 1:02:20
  Speaker 1: This was pretty good. Yeah, yeah, tell you what. We're
• 1:02:23
  Speaker 1: feeling pretty confident about the Simpsons moving forward, Like Jessica Conrad,
• 1:02:26
  Speaker 1: if you can just write them all, that'd be great,
• 1:02:27
  Speaker 1: thank you.
• 1:02:29
  Speaker 4: I'm sure when we speak to Jesse or you speak
• 1:02:31
  Speaker 4: to Jesse or what about all of us? Yeah, okay,
• 1:02:33
  Speaker 4: she's going to be very much like team Effort.
• 1:02:35
  Speaker 1: Yes, of course. Guess what we're putting this on you?
• 1:02:38
  Speaker 1: So fifty Ways to Thief your Mother. If you have
• 1:02:40
  Speaker 1: not checked out the premiere of season thirty seven, what
• 1:02:43
  Speaker 1: are you doing. Go watch it. It's a really fun episode.
• 1:02:45
  Speaker 1: I you could put this on and go. This surely
• 1:02:48
  Speaker 1: is in season thirty seven, but just remember the season
• 1:02:51
  Speaker 1: thirty seven. It's only got two episodes up so far.
• 1:02:53
  Speaker 1: Don't go for the one. It's gonna full season. Well,
• 1:02:55
  Speaker 1: it'll have two blood time you listen to this for
• 1:02:57
  Speaker 1: the second episode. I think she comes out on Wednesday
• 1:02:59
  Speaker 1: for us. Is there now? Was it? It felt like
• 1:03:01
  Speaker 1: they were two up? Oh there was one there last
• 1:03:02
  Speaker 1: night when I called you, Okay, there were two. Maybe
• 1:03:05
  Speaker 1: maybe they'll put the new because that's the good thing
• 1:03:07
  Speaker 1: about Disney pluses. We get the new episodes when they're
• 1:03:09
  Speaker 1: still new. Correct. Yeah, yeah, Sometimes streaming gets it right.
• 1:03:12
  Speaker 1: Sometimes not, sometimes not, but yes, thank you again for
• 1:03:15
  Speaker 1: all of your support. You add four Finger Discant don't Forget.
• 1:03:17
  Speaker 1: You can support us on Patreon for as little as
• 1:03:19
  Speaker 1: just one dollar per month, and also rate and reviews
• 1:03:22
  Speaker 1: on Apple podcast Spotify, where you do find this show.
• 1:03:24
  Speaker 1: And thank you to everyone who was listening to us
• 1:03:25
  Speaker 1: on Patreon. You guys are absolutely keeping the lights on here.
• 1:03:28
  Speaker 1: Thank you so much. Don't forget. Guys, whether you're listening,
• 1:03:30
  Speaker 1: send through your questions and messages. It is a mailbag
• 1:03:33
  Speaker 1: at four finger discount dot com. Do you want to
• 1:03:35
  Speaker 1: do a mailbag episode in the near future. We want
• 1:03:37
  Speaker 1: to collected up plenty more questions, so send them through.
• 1:03:40
  Speaker 1: Let us know what you think of the episode as well.
• 1:03:42
  Speaker 1: Left to know what your thoughts are on the season
• 1:03:43
  Speaker 1: thirty seven premiere. But this has been our review of
• 1:03:45
  Speaker 1: fifty Ways to Thieve Your Mother SAIDAVI sendy final words
• 1:03:48
  Speaker 1: for those incredible listeners out there, Well, this was a
• 1:03:50
  Speaker 1: show that didn't stink. Didn't stink like stink flaps s