Latest / What's Your (Least) Favorite Scary Movie? / #231: Old (2021)

Transcript

#231: Old (2021) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:13
  How would you feel if a 50 year old man called and said he was
• 0:16
  your 6 year old nephew? Well, I'm going to watch Your
• 0:20
  least Favorite Scary Movie, The podcast where we talk about the
• 0:22
  good, the bad, the ugly and the absurd, and all of our favorite.
• 0:25
  And least favorite scary movies because we believe every horror
• 0:28
  movie rightfully has his fan base.
• 0:29
  Even if we don't always get it. My name is Travis.
• 0:31
  My name is Jesse and get ready to grow the fuck up, guys,
• 0:36
  because we're going to the beach.
• 0:37
  That makes you old. Yeah, we go to the beach.
• 0:40
  Let's go to the beach. The only downside is it makes
• 0:43
  you old. I already feel really old.
• 0:47
  I I'm a mess without going to bed at 9:00 last night, Yeah.
• 0:52
  We did the nightmare or thought. Yeah, I stayed up until after
• 0:55
  three and my whole body feels weird and hurts so.
• 0:58
  Yep, we're not cut off for that shit anymore.
• 1:01
  Nope, I clearly can't do it. OK, So old covering this because
• 1:07
  Trap is only available for video on demand and we're not going to
• 1:10
  pay almost as much as we would pay for physical media when
• 1:12
  we're planning to buy it on physical media when it's
• 1:14
  available. So that'll be a later episode.
• 1:17
  Jesse wanted to talk about that movie so badly, she just decided
• 1:22
  to talk about any M Night Shyamalan movie.
• 1:24
  That's really what happened here.
• 1:26
  To happen. But I knew I wanted to talk
• 1:27
  about OLD too. And since trap hasn't been
• 1:30
  available yet, we're doing OLD. That's what's happening.
• 1:33
  That's where that's where we're at.
• 1:34
  I kick this all off whenever I take knock at the cabin.
• 1:37
  Yeah, this is really your fault. I open Pandora's box right
• 1:40
  there. Yeah, yeah.
• 1:42
  So here we are. But please first tell us what
• 1:46
  our poll results are, because I don't have any announcements.
• 1:49
  We just have that. That's true, yeah.
• 1:51
  So our poll was for The Descent, which we discussed last week,
• 1:57
  and we had a little argument on that episode between the two of
• 2:01
  us about whether or not it's a single location horror movie.
• 2:06
  So I'm just going to go ahead and go with the rude Instagram
• 2:11
  one, which is 100% yes, that it is single location.
• 2:15
  It was a little bit more divisive over on Twitter though.
• 2:19
  So the results over there, 56% yes, 44% no.
• 2:25
  Especially shout out to Lord Zombie who said no matter what
• 2:28
  the poll says, I'm right. I disagree, she's been wrong
• 2:32
  many times. Many.
• 2:34
  In fact, in the Descent you were.
• 2:36
  Wrong. It was many, yeah.
• 2:38
  Yeah, it's true. Many look OK.
• 2:40
  I guess it's a single location horror movie.
• 2:42
  I would have never thought so, but whatever.
• 2:44
  I can't argue with the people. Everybody outnumbered me.
• 2:46
  Yeah. Yeah, OK.
• 2:48
  I'm not mad about it, no. So now are we about to talk
• 2:51
  about another single location horror movie?
• 2:54
  Yeah, no, this one I'm not going to fight you on.
• 2:56
  Yeah, well, this is. They're very much what?
• 2:58
  Is the difference between this and the descent?
• 3:01
  Because it was a confined space, they were like, you can't leave
• 3:06
  the beach, you'll get a headache.
• 3:09
  They couldn't leave The Cave. They could though.
• 3:13
  They just couldn't make their They got lost.
• 3:16
  It's not that they were trapped in there.
• 3:18
  I. Mean they were.
• 3:21
  No, I just, I feel it so deeply within me that that is not a
• 3:29
  single location movie. And we got to stop it right
• 3:32
  there because we we got to talk about old.
• 3:35
  We do. We have to talk about old before
• 3:37
  we're old. Yeah, go into it, Jesse.
• 3:39
  What's the background on this shit?
• 3:41
  So Old was released July 20/13/2021.
• 3:44
  We watched it on Peacock as of the last day of August, so who
• 3:48
  the fuck knows if this will still it'll be true when this
• 3:51
  episode comes out. It's available to stream on
• 3:54
  Peacock, Fubo TV, Hulu Premium, Sling TV Premium, and YouTube TV
• 3:57
  Premium, or you can rent it from Prime, Google Play, or Fandango
• 4:01
  at home. Formerly Voodoo written by M
• 4:05
  Night Shyamalan Adapt as adapted for the screenplay, but it's
• 4:09
  based off of a graphic novel called Sandcastle written by
• 4:12
  Pierre Oscar Levy and Frederick Peters.
• 4:15
  Interesting. Yeah.
• 4:16
  Does this do not do original shit anymore?
• 4:18
  Was trap original? I feel like that had to be
• 4:21
  original. I don't know, I don't know.
• 4:22
  I keep getting surprised. Everything this is twist, like,
• 4:26
  I didn't even think of it, man. Yeah.
• 4:29
  Like everything he's been doing lately is like an adaptation on
• 4:31
  something. Yeah, so I guess whenever we own
• 4:34
  and cover trap, we'll find out if it's original or an
• 4:38
  adaptation. Yeah, I guess so, yeah.
• 4:41
  Directed by M Night Shyamalan, music by Trevor Goreckis and
• 4:44
  special effects makeup by Stevie FX.
• 4:47
  Stevie, Stevie. Starring Aaron Garcia Bernal is
• 4:56
  Guy, Vicki Creeps is Priscus, Rufus Sewell is Charles, Abby
• 5:01
  Lee is Crystal Nikki and Nuka Bird as Patricia, Ken Lung as
• 5:05
  Jaron. Nolan River is Trent, age 6,
• 5:08
  Lucas Vestina Rodriguez is Trent, age 11, Alex Wolfe is
• 5:12
  Trent, age 15, and Eamon Elliott is Trent age adult.
• 5:16
  Alexis Swinton is Maddox, age 11, Thomas and Mackenzie is
• 5:19
  Maddox, age 16, and M Beth Davits asthmatics age adults.
• 5:24
  Did they not give them like an American age?
• 5:27
  I know that they're in their 50s.
• 5:30
  Well, at least trenches, yeah. She could be in her 60s.
• 5:33
  Yeah, there were plenty of other actors I really wanted to be
• 5:37
  able to give credit for such as Kara and mid size sedan.
• 5:40
  But I'm I'm outer space on my my worksheet.
• 5:43
  So that's where we're at with it.
• 5:45
  Yeah, that's that's that's a fucking I I forgot about that.
• 5:49
  I. Started writing it down and I
• 5:51
  was like, all right, I'm going to get everybody that's on the
• 5:53
  beach because it's a small group.
• 5:54
  And then I was like, fuck. That's funny.
• 5:59
  Okay, now it's time for our favorite game.
• 6:01
  Budget or budget? Shaman, so budget.
• 6:09
  Decidedly so. Yeah. 18,000,000.
• 6:13
  Wow. Okay, good for you.
• 6:14
  Yeah, I'll name. I've heard that he straight up
• 6:19
  funds his shit himself pretty much for the most part now.
• 6:22
  He did pay for the cast and crews stay at the resort that
• 6:26
  they were filming at for 10 weeks.
• 6:28
  That that's it. I don't know about the rest, but
• 6:31
  I know that he paid for that. That's 10 weeks at a resort.
• 6:34
  That's impressive. This is just something that I
• 6:36
  read recently when people were discussing trap.
• 6:39
  And I like like people are like, how does he keep making movies?
• 6:42
  And sometimes, I mean, he's funding them all himself.
• 6:45
  Like he can do it and they make money.
• 6:47
  So I'm curious to see what it made here.
• 6:50
  Well, the opening box office in the US and Canada was 16.8
• 6:53
  million and a worldwide gross of 90 million.
• 6:56
  Damn it, didn't see he fucking brings in he does he?
• 6:59
  Does this has an IMDb score 5.8 out of 10?
• 7:03
  OK, not too bad. We'll talk about our feelings on
• 7:06
  the baby here in a bit. I have a theme for other 2021
• 7:12
  movies. I'm curious, you hyped it up a
• 7:16
  tad. You are.
• 7:17
  Excited The theme is I hate the sand.
• 7:21
  I hate the sand. Fantastic.
• 7:24
  That's good. OK, what?
• 7:26
  What sand horror do we have in 2021?
• 7:29
  Mad God. Mad what sand is in that he.
• 7:33
  Drops into a desert at one point.
• 7:35
  Listen, I had to stretch this some.
• 7:36
  There wasn't a good overarching. Payment.
• 7:38
  I don't know if he's wasteland, it's Wasteland.
• 7:41
  There's like some ports that are sands.
• 7:43
  It's rubble and sandy. Sure, OK, sure.
• 7:46
  Yeah, so that premiered on August 5th, 2021 at the LA Carno
• 7:51
  Film Festival. I don't have a budget for it,
• 7:53
  but it has a worldwide gross of 325,000 and an IMDb score of 6.8
• 7:58
  out of 10. Wow, that's all I can say.
• 8:03
  I I respect the movie. I think Phil Tippett is one hell
• 8:09
  of a guy. I never want to watch it again.
• 8:11
  Yeah, we've watched it two times.
• 8:13
  So yeah, one time for me. And then because we were, that
• 8:17
  was my pick in October. Endless night.
• 8:19
  Yeah. And then endless another one for
• 8:21
  the last drive in. Yeah.
• 8:22
  And we've given. Yeah, then we too the.
• 8:24
  Last drive in made it a little bit better because it was like
• 8:26
  splitting it up into little segments.
• 8:28
  I suppose, but still like it. It's a delight to watch.
• 8:32
  It's awesome. I love animation.
• 8:34
  I love stop animation and that. I just broke my brain there for
• 8:40
  a second. It has a story.
• 8:42
  It's just like it's too long, long for it to be so pointless.
• 8:46
  Yeah, yeah, OK, Second movie 1 we've covered on the show.
• 8:50
  OK. The resort.
• 8:54
  That was a Toby. It was yeah.
• 8:56
  So that released July 12th, 2021.
• 8:59
  Again, no budget, but a worldwide gross of 208,000 and
• 9:03
  an IMGB score of 3.1 out of 10. Yeah, I remember it not being
• 9:07
  that great. Yeah, it was one of those, like
• 9:09
  the concept was fun. There's some really good scenes.
• 9:12
  Dave Sheridan was interesting, like he was there.
• 9:17
  It had a good elements. I just felt like it didn't all
• 9:20
  come together the way it needed to.
• 9:21
  Yeah, I. Would love to see another crack
• 9:24
  at it. Our fine version, Yeah, yeah.
• 9:28
  OK. And then finally, this is
• 9:30
  another one. It's kind of a stretch.
• 9:33
  Work with me Escape room Tournament of Champions because
• 9:37
  they have that one. Room.
• 9:38
  Yeah. On the beach, yeah.
• 9:40
  OK. Is that the same 1?
• 9:41
  Yes. OK.
• 9:42
  Yeah, yeah. Yeah, which we need to cover
• 9:45
  those movies at some point too. Yeah, for sure.
• 9:48
  Are you sure that's not the first one?
• 9:51
  No, it's Tournament of Champions cuz remember we have like the
• 9:54
  surprise return of the one person and yeah.
• 9:58
  Yeah, OK. I remember this very you're
• 10:01
  thinking of the one in the first one where they're in the snow by
• 10:06
  the water. The ice, Yeah.
• 10:07
  Yeah, that's right. OK.
• 10:09
  All right, so Escape Room Tournament Champions released
• 10:12
  July 16th, 2021, a budget of 15,000,000 and a worldwide gross
• 10:16
  of 65.7 million and an IMDb score of 5.7 out of 10.
• 10:21
  Those movies are fun. They are fun.
• 10:23
  I will take whatever ridiculous premise they come at us with to
• 10:28
  keep it going because they want to keep it going.
• 10:30
  I enjoy them OK. Weirdly enough, single location,
• 10:37
  they're stuck in a building. But that one is one that I feel
• 10:42
  like we could debate more about. Yeah, I know.
• 10:46
  That's why I think it's so funny that that's where I'm like, no,
• 10:48
  that one. Yeah, I'm like, well, no, this
• 10:51
  is one that I feel like has more nuance to it.
• 10:54
  OK, I have some tag lines. OK.
• 10:58
  The one on the poster. It's only a matter of time.
• 11:05
  That should have been a tagline. It should have.
• 11:07
  That's our tagline. I mean, I will let Aaron Pierre
• 11:11
  be on our poster, our artwork. Our artwork, it doesn't have to
• 11:16
  be. It could be, I don't know.
• 11:20
  And then I have one of those that I hate the a new trip from
• 11:23
  M Night Shyamalan or a new trip from writer director M Night
• 11:26
  Shyamalan. A new trip?
• 11:28
  Is that how they call it? No, man, he's a trip.
• 11:33
  He's at it again. Yeah, OK.
• 11:37
  Is. That one more OK, they grow up
• 11:40
  so fast. Ah, unless they don't.
• 11:43
  That's pretty good that oh, oh, I don't say don't.
• 11:49
  I added that. Yeah.
• 11:50
  Are you talking about the baby? Yeah, Yeah.
• 11:52
  That's start Daddy. Poof.
• 11:53
  Yeah, yeah. It is.
• 11:55
  That's a good tagline though. I like that they grow.
• 11:57
  Up so fast. Yeah.
• 11:57
  I think. I think that was a good one.
• 11:58
  Yeah. Yeah.
• 11:59
  OK. I have some fun packs.
• 12:01
  OK, So MI Shyamalan has $3 and they gave him a collective
• 12:06
  Father's Day gift in 2017. I misheard those.
• 12:10
  MI Shyamalan has $3. Yes, because he keeps making
• 12:13
  expensive movies. Sorry, start over.
• 12:16
  He. Has three daughters, and they
• 12:18
  gave him a collective gift on Father's Day in 2017 that
• 12:21
  included Sandcastle, the graphic novel.
• 12:24
  And he enjoyed it so much, and he decided that he was going to
• 12:27
  adopt it for film. Wow.
• 12:28
  Yeah. So I think that's kind of cool.
• 12:32
  They started principal photography in the Dominican
• 12:34
  Republic on September 26th, 2020 and it went through November
• 12:37
  15th, 2020. This is the like one of the
• 12:41
  first films done in the Dominican Republic since
• 12:44
  COVID-19 and they every single crew and cast member tested
• 12:48
  negative throughout the whole 2010 weeks.
• 12:51
  So. So they're still doing that, I
• 12:52
  guess they. Yeah.
• 12:54
  OK, that makes sense. Yeah.
• 12:56
  This was actually shot on 35mm. No, I noticed.
• 13:00
  Yeah, which I thought you would appreciate.
• 13:02
  Yeah. Oh.
• 13:03
  My God I love that shit. And this is the first M Night
• 13:06
  Shyamalan movie not to have any shooting around his hometown of
• 13:09
  Philadelphia. He does mention it though.
• 13:12
  This guy cannot he? Can't not.
• 13:13
  He was like, OK, well, we're not in Philadelphia, but we're gonna
• 13:17
  make sure that they're from Philadelphia.
• 13:18
  Yeah, exactly. Yeah, Yeah, he loves to do that.
• 13:23
  Alex Wolf and Mackenzie Thomas and Mackenzie, I don't know why
• 13:26
  I always want to make her name up.
• 13:29
  They were two of the first ones cast, and Alex Wolf actually
• 13:32
  talked about remembering that he passed out on set during the
• 13:36
  pregnancy scene because it was so hot.
• 13:38
  Oh God, yeah. Damn, yeah.
• 13:42
  That doesn't sound good. It doesn't sound good.
• 13:47
  OK, so I am going to hopefully remember to link this.
• 13:51
  This was a little article in Slate about the differences
• 13:54
  between the the movie and the graphic novel.
• 13:56
  Some of them it's just like differences between characters,
• 13:58
  like their names and stuff. And I'm not going to go into all
• 14:01
  of that, but I did want to bring up a couple of the more
• 14:05
  important points in terms of like how this is adapted to a
• 14:08
  film. And in the graphic novel, the
• 14:11
  characters all eventually like resign themselves to their fate
• 14:14
  or they choose to kill themselves rather live in like
• 14:17
  die of old age on the beach. Really, nobody dies of like
• 14:21
  natural causes in the graphic novel.
• 14:24
  That would be them dying of natural causes.
• 14:26
  Killing themselves. Well, I mean, they're growing
• 14:29
  old. Sorry, I misunderstood, okay.
• 14:35
  Yeah. Whereas in the movie, obviously
• 14:39
  we've got the tensions rising and people getting accusing of
• 14:42
  each other, of them, of things and.
• 14:45
  Flashing and stabbing. And yeah.
• 14:48
  Mostly just one guy, but yeah. Yeah.
• 14:51
  And then in the graphic novel, so the possibility of this being
• 14:55
  like an experiment was kind of floated, but never like outright
• 14:59
  confirmed in the graphic novel. And obviously Shyamalan decided
• 15:03
  that he's going to end, like, end the movie with a very
• 15:05
  definitive. Yeah, that's that's what he
• 15:07
  does. He can't handle ambiguous
• 15:10
  endings. He's got to make a definitive.
• 15:12
  He's like, except for knock at the cabin, which we argued
• 15:14
  about. He didn't make no, he whoa, he,
• 15:17
  he, he specifically said in that one that he made, he put more
• 15:22
  there at the end than what was given in the book.
• 15:25
  He thought that he was making it very clear.
• 15:27
  But everybody's like, I don't know.
• 15:29
  I'm not. I don't know.
• 15:32
  Also what happens in the graphic novel is there is a baby born
• 15:37
  and it does survive and so it just kind of ends on the baby
• 15:42
  grown up by itself on the beach building a sandcastle which is
• 15:45
  fucking dark. What the fuck?
• 15:47
  Yeah, damn. Yeah.
• 15:50
  So I'll try to remember to put that link because I tried to
• 15:53
  like pull up the Wikipedia page or something to get like a, you
• 15:56
  know, the plot synopsis that it, it really didn't say much.
• 16:00
  It was like people are on beach and it makes them old.
• 16:03
  Yeah, OK. That's the movie.
• 16:05
  Thanks, Wikipedia. Yeah.
• 16:08
  So that's those are my fun facts.
• 16:09
  Wow, I think are actually pretty interesting.
• 16:11
  Yeah, I think so too. I had no idea.
• 16:13
  I, you know, I always like it when like stuff like that gets
• 16:16
  adapted. And yeah.
• 16:18
  It's always interesting knowing what is not exactly carried over
• 16:22
  from that. I would like to know his
• 16:25
  rationale for some of that stuff.
• 16:27
  Well, and I also think that it's cool cuz the sale of the graphic
• 16:30
  novel actually did go up after the movie it came out.
• 16:33
  They usually do, yeah. So yeah.
• 16:36
  OK, so now it's time for us to talk about our thoughts,
• 16:40
  specifically on the good, bad, ugly and absurd.
• 16:42
  OK, kick us off, Travis. All right, so the good things
• 16:46
  about this movie, they, I mean, it's a good thing that they're
• 16:50
  good at aging the people off. Considering the premise of the
• 16:54
  movie, they do a good job with the aging effects.
• 16:57
  I like that they have a slow build to it.
• 17:01
  So some, like some actors, you can start to notice wrinkles
• 17:05
  before anybody acknowledges it. Yeah.
• 17:07
  And you're. They're minor, Yeah.
• 17:09
  You're kind of like, did we miss that?
• 17:10
  I mean, obviously we know it because we're going into.
• 17:13
  It looking. For it.
• 17:14
  But it's it's very subtly done and I think that's really nice.
• 17:17
  Yeah, I think the first time I noticed it is like soon after
• 17:20
  they start to freak out. And I think Priska, I see like a
• 17:23
  little bit of like wrinkle on her forehead there.
• 17:27
  And I feel like they did a pretty good job casting the kids
• 17:31
  as they progressively got older. One of the things though, oh,
• 17:37
  no, I'll save that for an absurd.
• 17:39
  OK, OK, it's a it's a you. You took a drink and you
• 17:45
  completely disrupted my thought, my train of thought here.
• 17:49
  OK, generally it's it's a fun movie to watch unfold.
• 17:54
  OK, it's a it's a stupid, silly premise.
• 17:57
  And I like, you know, like they're telling me, OK, these
• 18:00
  people are going to age up. All right, cool.
• 18:01
  Like it's kind of fun to see exactly how that's going to play
• 18:04
  out over a certain amount of time.
• 18:05
  It's like within a day you age 50 years, which is fucking
• 18:09
  crazy. Yes.
• 18:11
  And it's really hard emotional points in this movie, which I
• 18:17
  think it's nice to have some drama in there, but it makes it
• 18:21
  a little bit tough to watch at times, but in a good way, you
• 18:24
  know what I mean? Like, it hits like the
• 18:26
  milestones of life. I think it touches just about
• 18:29
  every single one of them. And there's probably something
• 18:31
  there that everybody can relate to and, you know, not exactly
• 18:36
  feel good about it. It's not a feel good movie at
• 18:39
  all. It's something.
• 18:40
  Yeah. But I don't know.
• 18:42
  I, I still think it's a pretty fun little movie to watch.
• 18:46
  So yeah, those are my good things.
• 18:48
  OK, I have kind of similar good things, but I'm going to expand
• 18:52
  upon them a little bit. I think that this movie,
• 18:55
  honestly, it's I have a ton of notes on it, which I wasn't
• 18:58
  expecting to because I was like, oh, they just go to the beach
• 19:00
  and they get old. But I was like making notes
• 19:03
  throughout it, and it really made me appreciate that they
• 19:05
  just kind of keep stuff coming at you, but not in a way that
• 19:08
  you necessarily feel overwhelmed unless you're doing a podcast
• 19:12
  where you recap the movie and you feel the need to take a lot
• 19:15
  of notes. Yeah, yeah.
• 19:17
  And I, I think that, but that's really nice.
• 19:19
  Like we don't waste a ton of time and we, I like movies
• 19:23
  occasionally where you have to like pick up the story as you go
• 19:25
  along. And I think that's, that's nice
• 19:27
  that we get that with this. What you were saying about the,
• 19:31
  the, the milestones of life and everything.
• 19:34
  I think that's really where the heart of this movie is at.
• 19:37
  Because the horror here is that we all fear in some way, shape
• 19:43
  or form, time, not necessarily aging, although some people do
• 19:49
  fear aging, but more just like the fact that time, it's, it's
• 19:54
  the only unstoppable force on this planet, right?
• 19:58
  So there's always things that just fly by so much quicker than
• 20:01
  we can really. Like appreciate, you know, we,
• 20:05
  we don't necessarily think about it until its passion.
• 20:08
  You're like, Oh my God, I can't believe that that was that
• 20:11
  quick. And it happened so long ago.
• 20:13
  And I think we all have moments in our life that we just think
• 20:16
  back And for like we, if I could do that again, or if I could
• 20:19
  just have, you know, one more day with this person I care
• 20:22
  about or like, there's just there's, it touches on so many
• 20:26
  human things. Got yeah it.
• 20:30
  And it's so unsettling knowing it's an accelerated version of
• 20:35
  that. So you have even less time and
• 20:37
  it makes you sympathize and like have some empathy for everything
• 20:40
  going on here. It's just and.
• 20:43
  I think it's kind of interesting too, with Kara's character, how
• 20:46
  she talks about they're never going to have a prom or a
• 20:48
  graduation or anything. It's interesting that this was
• 20:50
  filmed during COVID and there's a lot of like Gen.
• 20:53
  Z that get shit for being kind of bitter at the world.
• 20:56
  But they experienced that, you know, they had this this
• 21:00
  pandemic that kind of ruined those traditional markers of
• 21:05
  childhood. I mean, you know, I, there are
• 21:08
  times that I'm a little bit bitter and grumpy that I didn't
• 21:11
  get to do like a real celebration for getting my
• 21:13
  master's, you know, like we celebrate it in our own way, but
• 21:16
  we couldn't do much because it was in the height of lockdowns.
• 21:19
  It was right in the middle of it, yeah.
• 21:21
  So I like I think that that's really interesting as well.
• 21:26
  I also like look, I get it. Some people want to say that
• 21:29
  like it. The logic doesn't hold up
• 21:31
  internally. I like that it does the schlocky
• 21:34
  sci-fi. We're going to hand wave away
• 21:36
  some of this with some bullshit lingo like, oh, it's just
• 21:39
  attacking live cells. That's why our hair and nails
• 21:41
  aren't changing. Boom.
• 21:42
  That's enough for me. I don't care.
• 21:44
  I'm OK with this. M Night Shyamalan is a silly
• 21:48
  man. He's got a good sense of humor
• 21:51
  and I could totally see him wanting to have those silly
• 21:54
  sci-fi elements in it, you know? I mean, God, he's got, you know,
• 21:59
  Mr. Glass and the whole Unbreakable trilogy and
• 22:02
  everything like that. Has to lay sci-fi elements to it
• 22:05
  too, so. Yeah, I've only seen split from
• 22:09
  the whole thing, but yeah, I agree, those are explanations
• 22:12
  like that were good enough for me.
• 22:15
  I didn't need anything. It's like it's a supernatural
• 22:19
  horror thriller. I don't need the, I don't need
• 22:22
  the explanations to be rooted in our real world physics because I
• 22:26
  mean, like it's fun to have horror movies where you're like,
• 22:29
  man, this could happen in real life.
• 22:30
  But let's be honest, a lot of times it's more fun where we
• 22:34
  don't have to be stuck in real world rules.
• 22:36
  I think I could be wrong because I don't really know the
• 22:40
  discussion relating to this movie, but some people might be
• 22:43
  a little bit put off that they're trying to give it like a
• 22:48
  scientific explanation, and they're not even really doing
• 22:51
  that. They're just kind of doing that.
• 22:52
  Yeah, aside from it being a supernatural force.
• 22:56
  Yeah. Like supernatural, isn't this
• 22:58
  the most, it's the easiest way to handle wave something and
• 23:01
  then nobody questioned it because oh, supernatural it's
• 23:05
  fine. Like it makes sense.
• 23:07
  But it's also on the basis of the people on this island trying
• 23:10
  to make sense for it for themselves.
• 23:12
  You know what I mean? That's not necessarily the hard
• 23:15
  and fast truth of why the beach works this way.
• 23:17
  It's just our inclination as human beings to find an
• 23:21
  explanation for something. Yeah, I get it.
• 23:24
  I but yeah, I agree with you. Like all I need to know is beach
• 23:27
  old, beach make old, beach make old.
• 23:29
  Yeah, beach make old. Beach make old.
• 23:31
  That just sounds like a made-up word.
• 23:33
  Beach make old. That sounds like I'm speaking
• 23:36
  like a foreign language. Bitch make old.
• 23:38
  No, the next short story I write, I'm just going to have a
• 23:40
  character whose surname is Bitch Make Old.
• 23:43
  Bitch make bitch make old. Oh my God.
• 23:49
  You know what? Yeah.
• 23:50
  If you bitch too much, it does make you older.
• 23:52
  Yeah. Bitch make old.
• 23:53
  Bitch make old. Yeah.
• 23:55
  Beach make old. Bitch make old.
• 23:56
  Damn. OK.
• 24:01
  It's your bad. All right, so I think, yeah, the
• 24:07
  movie gets going fast, which I love that.
• 24:09
  I love when movies do that. But holy shit, they insert all
• 24:12
  of the clunky exposition dialogue in the beginning of
• 24:15
  this movie to give you all of the setup that you need to know
• 24:19
  for this family and all of the other families on the right over
• 24:23
  there. It's like, oh, you can't do that
• 24:24
  till you get older, Trent, You know what I mean?
• 24:27
  Like they're they're really hamming it up.
• 24:29
  And then when they get back to the hotel rooms, like, you know,
• 24:32
  that we had to do this because I have the tumor, you know, this,
• 24:34
  we talked about this because of this right here.
• 24:36
  We were going to do this because we don't want the kids to have a
• 24:38
  bad vacation before we split up. You knew this we talked about.
• 24:41
  Oh no, that's absolutely realistic.
• 24:43
  Them fighting that loudly where the kids can hear even though
• 24:45
  they given some something else can't hear.
• 24:47
  I know I'm not. I'm not arguing the fact that
• 24:50
  they're fighting loudly or that they're saying shit.
• 24:52
  I'm arguing that like we need to argue in a manner where I'm
• 24:56
  providing this blatant exposition, you know, like it's
• 25:01
  just like, it just felt so ham fist.
• 25:03
  It's inserted and they're just like bam right there.
• 25:05
  You guys know exactly what this family's going through.
• 25:07
  I'm less bothered by that than by Guy spouting off all of these
• 25:11
  statistics. So that way we have to know he's
• 25:13
  an actuarial scientist, which I do appreciate that they
• 25:16
  introduced the world. The term actuarial, I can't say
• 25:22
  it, but one of my best friends in college, she like minored in
• 25:26
  actuarial sciences. So I knew that from her, but
• 25:30
  it's kind of interesting to see it in a movie.
• 25:33
  Yeah, I mean, I get it, but I feel like some of this stuff
• 25:35
  could have been provided or come up a little bit more naturally
• 25:41
  when they make it to the beach. Yeah.
• 25:44
  It could have been like a reveal.
• 25:45
  Like, oh shit, she's got a tumor.
• 25:48
  Like, we know there. We find out they're like, oh,
• 25:50
  like she's like, Oh my God, my stomach's hurting and they're
• 25:52
  like, what's wrong? And then like, guys, like, I'm
• 25:55
  sorry, kids, we didn't want to tell you this.
• 25:56
  We wanted you guys to have a nice one before we split up.
• 25:59
  And we're like trauma dumping on the kids.
• 26:01
  Yeah, we're gonna get divorced. And now your mom has this big
• 26:04
  tumor. It's like also.
• 26:06
  She cheated on me. Yeah, yeah.
• 26:08
  She doesn't know that I know you.
• 26:10
  Yeah. And there's just clunky dialogue
• 26:16
  in general. And then I also, I didn't think,
• 26:19
  I thought some of the acting was not that great, most notably
• 26:23
  Priscus actor. I didn't think that she was
• 26:25
  super good at that. I didn't really care for her
• 26:27
  performance. But that's all that I have to
• 26:30
  say about this. OK, I know we talked about this
• 26:36
  the first time we watched this, but I was really thinking that
• 26:38
  we were going to be getting a storyline with Charles where it
• 26:41
  was more of like a dementia centered of treatment, which
• 26:47
  would make sense if we're doing pharmaceutical studies.
• 26:49
  And also like it's not at all uncommon to have psychosis
• 26:55
  secondary to dementia. So like some of his outbursts
• 26:59
  made sense and I was like, Oh well this all perfectly makes
• 27:01
  sense to him. In my head is where?
• 27:03
  I was going, that's where my mind went the entire time.
• 27:06
  Even this time, on rewatch, I was like, oh, that's happening.
• 27:09
  And then I forgot. Oh yeah, they make him
• 27:11
  schizophrenic. Yeah.
• 27:12
  I feel like that was the true twist to this.
• 27:14
  Movie, yeah, and that one's a little bit weird too, because
• 27:17
  typically schizophrenia is like onset in, like, your 20s for
• 27:22
  most adults. And not that it can't happen
• 27:24
  outside of that time frame, but that's where it's most typical
• 27:26
  to see that. But the fact that he made it to
• 27:28
  chief medical officer for a hospital and only recently
• 27:32
  started having like symptoms where he had to go like seek out
• 27:36
  treatment, that's, I mean, just not.
• 27:41
  Totally. Believable.
• 27:42
  Yeah, it's not impossible, but but then again, I think some of
• 27:46
  the things with them all here is they're all rare or extreme
• 27:51
  cases of situations. Well, and like also Patricia, I
• 27:54
  mean, she had a grand Mal seizure and just a couple hours
• 27:57
  later came out to the beach. And I know they tried to say
• 28:00
  like, oh, she had to go rest in the hotel room for a couple
• 28:02
  hours first. But yeah, those for my
• 28:05
  understanding, those really take it out of you.
• 28:07
  She got right up like a champ. She's like, ha, sorry to
• 28:10
  intervene everybody, sorry to interrupt.
• 28:12
  I kind of like her sense of humor with it, yeah.
• 28:16
  Jaron's just like just. No, and Jaron is Jaron is one of
• 28:22
  my other bads because at first he's like, OK, we can all agree
• 28:26
  that none of us can swim this fucking beach, right?
• 28:28
  Like none of us. OK, cool.
• 28:29
  And then two hours later, which by this point he's four years
• 28:32
  older. Shouldn't be 40 years once?
• 28:35
  He's like, I was on the swim team, babe, I got this.
• 28:38
  Like, yeah, you're right. You're the one that told
• 28:40
  everybody we can't swim this jaron.
• 28:43
  Sharon. Jaron.
• 28:45
  Come on man. Yeah.
• 28:47
  So that's that's my bad. OK, so ugly.
• 28:52
  Well, First off, I think it's really ugly to take people and
• 28:58
  do extreme experimentations like this on them without consenting.
• 29:02
  It's called informed consent, motherfuckers.
• 29:05
  It's very fucked up, the whole idea that you're just going to
• 29:08
  take these people, children included, yeah, and just age
• 29:12
  them up and basically in their lives in a day.
• 29:15
  And especially because some of these are like bystanders.
• 29:18
  Yeah, like they don't have conditions, but I thought about
• 29:23
  that and are. They the controls and the.
• 29:26
  No. I thought that maybe they were
• 29:30
  included in to like to test any biological, like if it carries
• 29:36
  over to the next generation, if like if those complications from
• 29:42
  the parents have an impact or an effect on the children as they
• 29:45
  grow older, if they experience the same things or if it's, you
• 29:49
  know, they had like no issues whatsoever, nothing related to
• 29:53
  it, I suppose. So that's my thought for that.
• 29:56
  And, you know, I just, I don't think that we needed to have a
• 30:00
  dog present. Yeah, that was rude.
• 30:02
  That was real fucking. That was just really rude.
• 30:04
  And I don't understand, like maybe if you're trying to test
• 30:07
  like, you know, the dog conditions, but like, they
• 30:14
  didn't even mention the dog. Yeah, you know, like.
• 30:17
  They're just like, by the way. Yep.
• 30:18
  There's dog there. Yep.
• 30:20
  It's just like it's fucked up. Yeah, so I agree with all of
• 30:24
  that. But also I don't know, maybe
• 30:27
  this is getting more into absurd, but but you can't even
• 30:31
  use this data. None of it can be peer reviewed.
• 30:34
  It's like in Midsummer. Like what is the point of using
• 30:37
  aliases? You'll never get it peer
• 30:39
  reviewed. Yeah, that's what I was
• 30:41
  wondering at the end of the movie.
• 30:42
  And we're gonna fast track the production for it to be tested.
• 30:45
  Like, well, how are you gonna, Yeah, how are you going to do
• 30:48
  that, man? Like that?
• 30:50
  Who's going to, are you just going to go like, trust me, bro.
• 30:53
  Like, is that it? Like I tested it on somebody
• 30:55
  that aged in like a whole day. Also, there's this one person
• 30:59
  like you have to test like you. Oh my God.
• 31:02
  It just, yeah. There's just so much that's
• 31:04
  wrong with it, like ethically, but also like on the basis of
• 31:07
  how scientific experiments are done.
• 31:09
  Yeah, it's poorly planned out. Yeah.
• 31:12
  And they didn't do any, that's to speak nothing of like any
• 31:15
  drinks that they have with them because it's implied that like
• 31:20
  Crystal snuck in the alcohol cuz she said it was mini bottles
• 31:23
  from the is the bottles of alcohol from the mini fridge.
• 31:26
  Yeah. So what if the alcohol is
• 31:28
  messing with this medication that these people don't know
• 31:30
  that they have? And isn't it weird that the
• 31:32
  medicine would not like you wouldn't have to take repeated
• 31:37
  doses of it, like 1 dose and like you're cured for a life?
• 31:40
  Is that what you're trying to imply here?
• 31:43
  Yeah, especially because like right now, I know for
• 31:46
  schizophrenia treatment, there are shots that are like long
• 31:50
  lasting, but those are typically like three or six months.
• 31:53
  Yeah, you would need to like keep reapplying these people
• 31:55
  with the medication throughout. So if you really wanted to like
• 31:58
  they just, they just these guys are irresponsible.
• 32:01
  Yeah, they're just, they're bad. They're.
• 32:03
  Bad. Yeah, they're bad at their jobs.
• 32:06
  I'm also going to go with the ugliest with Charles because as
• 32:09
  he's having these psychotic moments, it's very unpleasant
• 32:17
  because like he's got this fixation on the movies, which
• 32:20
  that's fine and expected, but then he also gets real racist.
• 32:26
  Yeah, I was going to say like, it's not like outright like or
• 32:30
  stated, but it felt very racially motivated.
• 32:33
  Yeah, like the fact that it's just.
• 32:36
  Yeah, there's. He did it against the black man
• 32:38
  and the Asian man, you know what I mean?
• 32:39
  And then when he goes over to guy, he's not like, oh, you're
• 32:44
  going to fuck me up. He's like, no, you're going to
• 32:46
  tell on me for killing them. Yeah.
• 32:48
  It's just, yeah, come on, man. It's very fucked up.
• 32:52
  Yeah, OK. Also Crystal running away from
• 32:56
  Kara while she's having the baby and literally crying out to her
• 33:00
  mom and holding her hand out. Yeah, she.
• 33:02
  Sucks. Yeah Crystal sucks.
• 33:04
  Abby Lee is beautiful, but she always plays such mean
• 33:07
  characters. Crystal like the champagne.
• 33:11
  Spelled differently. Yeah, that's just the boondocks
• 33:14
  reference. OK, yeah, OK, so I'm absurd.
• 33:18
  All right, so got a couple. So first of all, I thought it
• 33:26
  was really weird. The trend is just like going
• 33:28
  around asking everybody a name and occupation.
• 33:30
  Man, what an annoying little six year.
• 33:32
  Old. I would hate that he's going to
• 33:33
  him in little Idlib. Idlib.
• 33:37
  Idlib. Yeah, they're just running
• 33:38
  around every single person, like hi, what's your name?
• 33:40
  What's your occupation? Hi, what's your name?
• 33:42
  What's your occupation? Like it's just so fucking weird.
• 33:45
  And here's The thing is that like, we've got nieces and
• 33:48
  nephews and I love indulging them, but I'm also kind of a
• 33:50
  smart ass with them at times too.
• 33:52
  And I would have been like, what's your name in your
• 33:53
  occupation? Exactly, Yeah.
• 33:55
  And I probably wouldn't be able to stop myself from doing that
• 33:58
  to an adorable little boy on the beach.
• 34:01
  Next up we see that mid size almost called him M night sedan.
• 34:10
  Mid size sedan was on the beach a very like an extended period
• 34:16
  of time before the family is introduced.
• 34:19
  Yet the man doesn't age a single day in this movie, and he's
• 34:22
  there for a while. I'm going to assume he's there
• 34:26
  for because you brought up the point that it could be early
• 34:29
  morning for them. Yeah, it's definitely early
• 34:31
  morning, but that was hours before they arrived.
• 34:35
  Let's give it the benefit of the doubt.
• 34:36
  Say it's 12 hours. It's 24 years for him.
• 34:40
  Let's assume maybe he got famous super young so maybe he's in
• 34:45
  like his mid 40s or 50s and they even make a joke at one point
• 34:50
  about how black folks don't age as noticeably.
• 34:56
  Yeah, they do, but I'm just like, and I guess like she
• 35:00
  doesn't really, but none of the adults really do, other than Guy
• 35:03
  and Christa and Charles and. Crystal, Crystal.
• 35:09
  Crystal goes a whole other route with hers.
• 35:11
  Hers is frightening. I just thought it was weird that
• 35:14
  we we just don't see him age any considering he was there for a
• 35:17
  much longer. Period.
• 35:18
  Yeah, no, I absolutely. And and and this is me like
• 35:23
  stretching, stretching it to make it make sense.
• 35:25
  Yeah. And that and that literally
• 35:27
  would be a bigger complaint for me because I thought that they
• 35:30
  were there the night before and you're like, well, it could have
• 35:31
  been early morning. So let's make those allowances.
• 35:35
  Yeah, it looked to me like it was sunrise and OK, my final
• 35:38
  one. So you were talking before about
• 35:40
  how, you know the hair and everything doesn't change
• 35:43
  because they were dead cells? Yeah, it's so funny to me,
• 35:47
  though. You take the children and when
• 35:50
  they get older, their heads get bigger, but their hair stays
• 35:54
  proportionate to their heads. Like Cara should have tiny hair.
• 36:01
  It should just like be like a little tiny things, just like
• 36:04
  barely coming out of her head compared because she was the
• 36:07
  only like, I'm going to say 4. Or something.
• 36:10
  No, she was six also. She was also six.
• 36:12
  Yeah, she was like a much younger 6 than.
• 36:15
  Trent Yeah, Charles said it at one point, he said.
• 36:17
  She just turned 6 two weeks ago. OK, well a six year old has a
• 36:20
  tiny head. Yeah, compared to an adult.
• 36:23
  And yeah, their hair just. And especially Trent's.
• 36:26
  Trent's hair just like, stays big the entire time.
• 36:29
  And isn't that and another point too, that at least some of them
• 36:32
  should have started going bald because the baldness doesn't
• 36:35
  come from like the hair quit. It comes from like the live skin
• 36:39
  on your scalp is like, we're done.
• 36:42
  I don't know that would be interesting to explore.
• 36:43
  Like you're like you're you're, you should be balding, but.
• 36:47
  Like, Can you imagine there's all these life threatening
• 36:49
  diseases on the beach, but then there's the one person who's
• 36:52
  like, very self-conscious about their balding.
• 36:54
  And it's like a test. For like a rogaine type
• 36:56
  medicine. Yeah.
• 36:57
  Oh my God, yeah, I could see that.
• 37:00
  OK, so these are my upstairs. What are yours?
• 37:04
  I, I OK, I'm gonna go with the 15 year old Kara and Trent.
• 37:12
  Them playing house. There's this whole like,
• 37:15
  weirdness. They try to explain their minds
• 37:17
  like growing with their bodies, but it seems like their minds
• 37:20
  are a little bit behind their bodies.
• 37:22
  Yeah, definitely, yeah. And like they Playhouse but also
• 37:26
  they are actually having sex but.
• 37:28
  Were they were they still like kids then I thought.
• 37:31
  That they were 15 they. Were 15 then I thought that they
• 37:34
  were like 18. That way it's like not as weird.
• 37:37
  Like it's kind of weird. Yeah, she's, she's, she's trying
• 37:41
  out for MTV's 15 and Pregnant. Wow, OK.
• 37:46
  Yeah, so I. Thought that that was a weird
• 37:48
  thing. Just like, oh, we're gonna make
• 37:50
  them have sex. Like what the fuck?
• 37:52
  Like come? On yeah, I'm like there's a lot
• 37:56
  there's a lot of feelings that they didn't have time to explore
• 38:00
  in the right way. But then also like I get the
• 38:03
  whole thing about them being hungry right.
• 38:05
  But Cara just notion that pasta salad.
• 38:09
  Because she's a six year old, yeah.
• 38:12
  Do you really think Crystal would have ever let her shove
• 38:16
  food in her mouth that way? No, but I don't know, like they.
• 38:22
  I would have never done that. They're in.
• 38:24
  They're even. She's 6, but she's a teen.
• 38:28
  She's 16. Even if she still had the six
• 38:31
  year old's mind, that's still not like a thing that you do.
• 38:34
  No, I'm saying she's like she has an older mind, but like you
• 38:39
  said, it's like slightly lagging.
• 38:41
  Like she's able to like have like adult concepts.
• 38:43
  So I think that maybe she was like, OK, I'm a little bit older
• 38:46
  now. I'm going to be weird.
• 38:48
  I don't know, like I'm going to rebel against my mom.
• 38:50
  Also. You.
• 38:53
  Yeah, it was very you. Like cuz that's oily and it's
• 38:56
  got herbs in it so it's got like her hands are gonna be slimy but
• 38:59
  also. Slightly.
• 39:00
  Worse pasta salad. Yeah this is this is nasty as
• 39:04
  fuck to watch her do that. Like pack better food, it's just
• 39:09
  not like it's just so. Yeah, and I really thought this
• 39:12
  was going to be more like astronaut food the way it was
• 39:14
  packaged. The food's got to like but it.
• 39:16
  Wasn't. Is the food not affected by
• 39:18
  time? Is that time safe bags that it's
• 39:21
  sold in or was like does pasta salad get like perfectly
• 39:25
  preserved? Oh my God, is that why they're
• 39:27
  in those bags? Are those bags lined with like
• 39:29
  metal? I don't, yeah, I guess like it's
• 39:33
  got to be something because the foods, the food would go bad.
• 39:35
  That would have been a fun like thing to do.
• 39:38
  Like they take out some food and set it to the side.
• 39:40
  And just like it. Because that's that's realistic
• 39:42
  to a six year old, like set the food to the side and run off and
• 39:44
  then they come back and they're like, my food's piled.
• 39:47
  In all honesty it should have went bad as she was moving it
• 39:51
  from the bag to her mouth. Yeah.
• 39:53
  That's like, that's like one day.
• 39:54
  Yeah, it's like. Months of time, just like, right
• 39:57
  there, just like. Like you take one bite, good
• 39:59
  second bite E coli. Yeah, realistic.
• 40:02
  Oh man, oh man, yeah, this fucking movie.
• 40:11
  I love this movie. What are you rating it?
• 40:15
  It's an entertaining watch. I wouldn't say I love it OK, but
• 40:19
  it's fun. It's a fun little movie.
• 40:20
  I'll give it like a six. I'm gonna give it an 8.
• 40:23
  OK, So we get a starting average of seven.
• 40:25
  OK, I'm happy with that. All right, OK.
• 40:28
  All right. OK so we start off with the
• 40:33
  family and the band. Maddox is being an annoying
• 40:36
  preteen and singing with her headphones on and the mom
• 40:40
  instead of being like hey that's really fucking annoying go sing
• 40:43
  it kid. And Max is like now I don't want
• 40:45
  to she Jedi mind tricked. Her psychology right there.
• 40:49
  It's effective, yeah. And then Trent, this little shit
• 40:52
  goes, you ruined her spontaneity and took the joy out of her
• 40:56
  passion or some shit. You're 6, shut up.
• 41:01
  What the fuck do you know kid? This.
• 41:06
  He's an obnoxious 6 year. Old I would love to see more
• 41:09
  movies portray like because OK, we've talked about this with
• 41:14
  child play where Andy was like actually really smart as a
• 41:17
  child, but he wasn't portrayed the way a lot of movies like to
• 41:20
  portray a young child genius. Like where they're like, oh,
• 41:23
  they get a hug like this big vocabulary words.
• 41:28
  Cuz that's like, I mean, yeah, sometimes that is the case, but
• 41:31
  there are a lot of types of intelligence.
• 41:33
  And also it's not necessarily all related, just having a good
• 41:35
  vocabulary. Yeah.
• 41:37
  And that's true, Yeah. OK so prisca cuz Trent keeps
• 41:42
  saying are we there yet? Are we there yet?
• 41:43
  Are we there yet see normal 6 year old behavior and Prisca's
• 41:47
  like just enjoy the moment, stop wishing this time away.
• 41:51
  Yeah, you'll get you'll whatever she's like you something when
• 41:54
  you all get older kind of old right there, like as a title
• 41:59
  card. But yeah, whatever.
• 42:01
  They make it to the resort. This is probably my favorite
• 42:04
  note that I made is Trenton Max meet kid that apparently loves
• 42:08
  collecting conch shells. Yeah, like that's like his whole
• 42:12
  thing. Well, cuz Trent immediately
• 42:14
  starts off with something. I bet Idlib doesn't even collect
• 42:17
  conch shells. I think he just had to come up
• 42:18
  with something in the moment. Cuz Trent's like I can put
• 42:20
  together 500 piece puzzles and my dad and I put glue over top
• 42:24
  of them to preserve them. What is your deal?
• 42:26
  And it looks like shells. Yeah, I have 27.
• 42:31
  I can only imagine he walks up the little kids and go, hi,
• 42:33
  what's your name in occupation? What?
• 42:36
  What do you mean fucking occupation?
• 42:38
  Concholls. It lives like I work here at the
• 42:40
  hotel. I'm unpaid child labor but.
• 42:43
  Trent's like. He's like, I don't, I don't have
• 42:46
  the resources to talk about this.
• 42:51
  So in the hotel room, guy is quoting furniture injury
• 42:54
  statistics that I do kind of believe, like the way the kids
• 42:57
  are playing around. But I also feel like they've
• 42:59
  heard these statistics before because I doubt this is the
• 43:01
  first time they've roof housed. Yeah, he was talking about the
• 43:04
  likelihood of getting injured inside home with furniture and
• 43:07
  the coffee table is like 95% of the time and cause are those.
• 43:12
  Furniture. Are those serious injuries
• 43:14
  though? Or is that like the bruise?
• 43:16
  That I kind. Of have on my knee.
• 43:18
  Yeah, that's a good call. I don't know.
• 43:20
  So he also notices that there's a pamphlet there for a
• 43:24
  pharmaceutical company, and he's like, Oh yeah, yeah, we work
• 43:27
  with these guys or whatever. Yeah, the insurance company
• 43:30
  really likes some. They're like some big time
• 43:32
  pharmaceutical company and they're trying to get their
• 43:34
  clients to utilize them. He goes.
• 43:36
  I wonder if the company is affiliated with this hotel,
• 43:39
  Maybe they do like conventions here or something.
• 43:41
  Yep, you will find out guy. You are going to find out for
• 43:46
  sure. So they're at the beach and
• 43:50
  Trent and Idlib are ruining everybody's vacation.
• 43:53
  God, yes. I sound like I hate kids.
• 43:55
  I just these kids are kind of. Just this type of kid, Yeah,
• 43:59
  yeah, it's just like the it's the same if you were an adult,
• 44:02
  if you come up to me and just like, hey, what's your name and
• 44:04
  occupation? Like who?
• 44:05
  Like get the fuck away from. Me.
• 44:07
  Yeah. I mean, if I saw our nieces or
• 44:10
  nephews doing that, I'd be like, hey, sweetie, come back.
• 44:12
  Come. Back.
• 44:12
  Yeah. Come over here, stop messing
• 44:13
  with them. Let them enjoy their vacation.
• 44:15
  Question. Idlib is sad he doesn't have
• 44:18
  friends and friends like oh you're my friend.
• 44:20
  That was kind of sweet. Yeah, that was, that was a sweet
• 44:23
  like 6 year old mom. And then him saying like, and
• 44:26
  then maybe my mom will let us FaceTime and then you can move
• 44:30
  and be our neighbors and we can go to college together and get
• 44:32
  30 year mortgages. He makes a huge commitment to
• 44:34
  this kid that. Quite conscious like this is
• 44:37
  going a little. It's like, I don't know how
• 44:40
  you're going to be able to fund all this by collecting conch
• 44:43
  shells, though, so you're going to have to come up with a new
• 44:45
  occupation. I'm like.
• 44:47
  Here's the thing, it's almost like Trent was tailor made for
• 44:50
  this beach because he has an entire life map for every single
• 44:55
  person the second he meets. Them.
• 44:57
  You're right. Yeah, it's a weirdo little kid
• 45:00
  here. The parents at night are
• 45:03
  fighting. They there's tension in the
• 45:07
  marriage. You like they make it known that
• 45:10
  they are going to divorce. They're doing one last vacation
• 45:13
  for the kids before they break the news.
• 45:14
  She's like, we were going to separate even before my
• 45:17
  diagnosis and the doctor said it's benign anyway, so.
• 45:21
  Yeah, they just weigh it all out there, and the kids over here,
• 45:24
  it turns into a big fight and then they play their own little
• 45:27
  game where they're decoding the secret messages.
• 45:29
  Yeah, it had left a secret message for Trent, and Trent
• 45:32
  decoded it, and Maddox is like helping distract him, so this is
• 45:37
  clearly not the first time they've heard their parents.
• 45:38
  Yeah, it's that's a sad thing to see.
• 45:41
  Yeah, we see a couple on the beach, most likely early
• 45:46
  morning, and the woman skinny dips and I really like.
• 45:53
  I know we don't know until later that his favorite phrase is
• 45:56
  going to be Odam, but I wish we'd seen her undress and him go
• 46:00
  Odam. Yeah, he seems, like, unfazed by
• 46:04
  it. Yeah.
• 46:05
  She's, like, trying to, like, entice.
• 46:07
  And he's like, OK. He's like I seen Jaws this we
• 46:12
  are not skinny dipping while it's still dark out this.
• 46:14
  Sedan is parked. OK, so at breakfast we see
• 46:21
  Crystal berating a waiter. She's like, is this actually a
• 46:26
  calcium punch? Or is it just something that you
• 46:29
  say that's trendy? Because I have a calcium
• 46:30
  deficiency and I'm very worried that someday I'm going to get a
• 46:32
  hump on my back. She's not.
• 46:34
  She's trying to flirt with the guy in front of Yeah, Charles,
• 46:40
  you can see the guy cuz she's like this right here and she's
• 46:43
  pointing at and she's like pushing her chest out and like
• 46:46
  the guy like bends down. He's like looking at Charles
• 46:48
  like I don't know if I should lean down.
• 46:51
  OK. Yeah, that's fine.
• 46:53
  Yeah, and she also tells Kara to sit up straights, that way she
• 46:56
  doesn't get a hump on her back because boys won't think she's
• 46:58
  pretty. And I feel really bad that
• 47:01
  Kara's getting this message imparted on her.
• 47:03
  But then later we see Charles, like, be kind of shitty to her.
• 47:07
  So I'm like, oh, this whole family dynamic is just really
• 47:09
  fucked. Up Maybe that's why she ran away
• 47:11
  from Kara, because she had a hump on her belly.
• 47:14
  Oh my gosh, it's like, Oh my God, you got it in the.
• 47:16
  Wrong direction. You're too.
• 47:18
  Fat You couldn't even do that right, Kara.
• 47:21
  You're too fat. You've got a hump on your back,
• 47:23
  but in the wrong way. Yeah, it doesn't work.
• 47:25
  Yeah. And she caught it from humping.
• 47:28
  Oh, my God, she did. OK, So now we see Patricia have
• 47:36
  a seizure. She just collapses on there.
• 47:38
  Jaron, he's like, it's OK, I'm a nurse.
• 47:41
  He's like over there helping her.
• 47:43
  And then she's like, hey, sorry for the interruption, everybody.
• 47:45
  So we're just getting all the clues on everybody's little,
• 47:48
  yeah, medical issues here. Charles comes over also cuz he's
• 47:52
  like I'm a doctor I can help and he immediately forgets Darren's
• 47:57
  name. I imagine him and Lawrence
• 48:00
  Gordon were probably very good friends.
• 48:02
  They might have went to Med school together.
• 48:05
  They love to like, just like, let each other let other people
• 48:08
  know that they're doctors. Yes, absolutely.
• 48:10
  I love that. I love that head can.
• 48:14
  So the manager of the hotel goes over to the family of a guy and
• 48:21
  Patricia Trenton Maddox and like, hey, so.
• 48:23
  What are you guys doing today? You want to go to my secret
• 48:26
  beach? Yeah, we got totally not going
• 48:27
  to murder you. Yeah, totally cool.
• 48:31
  Nothing about getting old over there, but just go to the
• 48:34
  shuttle and they'll like you over there.
• 48:36
  Yeah, it's we don't tell anybody about this, just our extra
• 48:38
  special clients. And then they get in the van and
• 48:41
  then Charles and his shitty family join too.
• 48:44
  Yeah, like so much for this being a secret beast.
• 48:46
  Yeah, right. Like he's like someone is like,
• 48:48
  yeah, you and your family, you all can go by yourself.
• 48:50
  And then all of a sudden you get another family jump jam in
• 48:53
  there. And it's this asshole.
• 48:54
  Yeah, this asshole, he's not OK. Look, he's not bad yet.
• 49:00
  He's he's like he, he seems like he could be a little whatever
• 49:05
  with himself, but he's not like a terrible he's been helping
• 49:07
  people. So he's not a terrible person
• 49:10
  yet. I listen, I am never gonna make
• 49:15
  an excuse that a doctor can be an asshole to a person just
• 49:17
  because they're a doctor. I don't care.
• 49:20
  He's an asshole too. Everybody around him.
• 49:24
  But I'm kind of going off on another tangent because there
• 49:26
  are a lot of like specialists out there that have absolutely 0
• 49:29
  bedside manner and it's like, cool, you still have to treat me
• 49:32
  like a human being when I'm here being treated.
• 49:34
  Yeah, I would hate to have this. Guy's Yeah, exactly.
• 49:36
  I know, absolutely. So they arrive there, they all
• 49:39
  start playing, they see mid sized sedan just kind of sitting
• 49:42
  off to the side. I love this because Maddox gets
• 49:47
  really excited about it and tells her dad she's like, I want
• 49:49
  to go meet him. He goes leave him alone, he's on
• 49:51
  vacation. She goes but that's midsize
• 49:52
  Sedan and he goes, what's his surname?
• 49:54
  Sedan. Yeah, right.
• 49:56
  That's funny. So the kids are all playing and
• 50:00
  I this again, it feels so realistic and you can really
• 50:03
  tell M Night has like three daughters like it.
• 50:06
  Like Maddox being the oldest probably has been in the
• 50:10
  situation plenty of times where she's had to like entertain
• 50:12
  Trent and possibly Trent's friends at things like this.
• 50:16
  So they're all just playing freeze tag together.
• 50:19
  Then I wrote that the kids play a devastating, realistic version
• 50:24
  of house with their dolls because Kara and Trent each have
• 50:28
  a doll and who's like, we're going to get married and we're
• 50:30
  going to live together and I or no, what is it?
• 50:34
  Oh, I can't stay with you anymore.
• 50:36
  I'm leaving. I'm going to go live in a
• 50:38
  condominium. Yeah, this is.
• 50:40
  This is so weirdly specific. That's probably like snippets of
• 50:45
  arguments that he's heard between.
• 50:47
  That's what I was thinking too. Yeah, it sounds kind of like
• 50:50
  that. They find a bunch of buried shit
• 50:53
  from the hotel by the wall, like the the Rockwall, and it's like
• 51:00
  silverware and stuff. It's all rusted.
• 51:02
  So Chris was like, hey, stay away from that.
• 51:04
  So that way you don't like get an infection and die.
• 51:07
  Oh, and we forgot to mention the man himself.
• 51:10
  That's how I wrote him down in my notes.
• 51:12
  Midnight Shyamalan is the chauffeur.
• 51:14
  He's the driver. He's like, call me when you're
• 51:17
  ready to come back. Otherwise I'll just be back at
• 51:20
  5. Here's all of these picnic
• 51:21
  baskets, and they're like, this is a lot of food.
• 51:24
  He goes, well, you have three kids that's like to eat.
• 51:25
  Kids like to eat. Yeah.
• 51:27
  And then Charles is like, are you gonna help us carry this
• 51:31
  stuff? Like we've got an elderly woman
• 51:33
  and we've got sick people. And kids.
• 51:34
  And kids. And he's like, he's like, Nah,
• 51:37
  gotta get back. Gotta get back, yeah?
• 51:40
  Which is funny because he gets back and immediately comes back.
• 51:43
  Yeah, because he brings Patricia and Jaron there too.
• 51:47
  It's important to note also cuz at one point on the beach
• 51:49
  earlier when Trenton and Lib were together, they were like
• 51:52
  noticing the fish all around their feet and on this beach
• 51:55
  there are no fish. Yeah, no fish.
• 51:57
  Yeah. And when he's over there, he's
• 51:59
  in the water just sitting there. And as he's making note of that,
• 52:02
  there's a body that floats into. Yeah, I wrote.
• 52:05
  No fish. Yes, Cadaver.
• 52:07
  Oh yeah, yes, cadaver for sure. It's the woman that went skinny
• 52:11
  to being earlier and they carry her out and we just get to zoom
• 52:16
  in on mid size sedan's face and he goes oh damn.
• 52:19
  And his nose starts bleeding. Yeah.
• 52:21
  Prisca is gonna distract the kids while the other adults are,
• 52:24
  like, looking at the situation. The kids are very, very hungry.
• 52:28
  This has been mentioned several times.
• 52:29
  They're like, I'm starving. So Agnes, that's Charles's mom.
• 52:36
  She says that her chest is feeling funny.
• 52:39
  And Crystal's like, well, I told you we should have gone on a
• 52:41
  yacht. I don't.
• 52:43
  I mean, people can die on yachts too, Crystal.
• 52:46
  It's true, but she's also right and they should have gone on a
• 52:49
  yacht. So Trent is telling his mom
• 52:55
  that, like, his suit feels tight and she was like, loosen it.
• 52:57
  And then she like, looks at her and she's like, oh.
• 53:00
  Yeah, like, yo, you're, you're growing a little bit.
• 53:03
  I don't know, there's something weird happening here.
• 53:06
  It's revealed Charles is a cardioratic cardiothoracic.
• 53:11
  Cardiothoracic. Surgery.
• 53:13
  Medical officer and so Presco's trying to get him to look at the
• 53:18
  kids, but he's like trying to get reception so that way he can
• 53:23
  call the police and he very much suspects mid sized sedan of
• 53:27
  having killed her. But guys like, no, I, you know,
• 53:33
  I work with these type of statistics all the time.
• 53:35
  And I know that like statistically, if you die on
• 53:38
  vacation, it's usually something like drowning due to like
• 53:41
  exhaustion or alcohol intoxication or something like
• 53:44
  that. And he's just like, she was just
• 53:46
  into me. We just came out here together.
• 53:49
  He's like, I didn't do anything, barely knew her, but we're just
• 53:53
  enjoying time together. He said that they just both got
• 53:55
  diagnosed with and they just needed to get away and clear
• 53:59
  their heads. Yeah, she had Miss, so I feel
• 54:02
  like that's also an important factor for them to think about
• 54:05
  with her swimming. Yeah, that's true.
• 54:06
  Yeah. So the mom has further
• 54:11
  complications and goes over there and she unfortunately
• 54:14
  passes. Yeah, Jaron is checking around
• 54:18
  for signal on his phone now that him and Patricia have arrived.
• 54:20
  The van driver's already like they they wanna go and try and
• 54:23
  get the van driver real quick before he leaves, but when they
• 54:27
  go into the slot Canyon, they get headaches and then they wake
• 54:30
  up back on the beach. Just.
• 54:31
  Black. Out.
• 54:32
  Yeah, yeah. These are so abrupt way that
• 54:34
  they're done. Yeah, how are they getting back
• 54:36
  to the beach like I. Stumble up themselves, I know.
• 54:39
  They're saying that they stumble back themselves.
• 54:40
  It's just like, why don't we ever see that?
• 54:42
  I don't, I don't know. I like we.
• 54:44
  Yeah, you're right. We never see a single person
• 54:46
  actually walk out themselves. They all just teleport back from
• 54:49
  our perspective. Yeah, so they.
• 54:55
  We hear, let's see. So Trent and Maddox are talking
• 54:59
  to Jaron and Patricia. Patricia is a therapist.
• 55:02
  And Jaron's like, OK, I'm really good about this.
• 55:05
  Let me guess, you're all's ages. He guesses that Trent is 11 and
• 55:09
  Maddox is 16. And Trent's like, no, I'm not.
• 55:12
  I'm 6. And he's like, are you fucking
• 55:15
  with me like? Yeah, it's like.
• 55:17
  Patricia's like they've been through something traumatic.
• 55:20
  They're just acting out. I like how he's like, let's
• 55:22
  leave. He's like, I'm fed up with these
• 55:25
  kids. Yeah.
• 55:28
  So. And then Prisket comes up and
• 55:30
  she's like, have you seen my children?
• 55:32
  And Jaron's like, are you fucking with me?
• 55:34
  Like, what is going on? Yeah.
• 55:37
  And the kids are scared and they run over to the mom and they
• 55:40
  just like her turn, runs over to mom, gets a hug, and then she
• 55:44
  calls Guy over and Guy sees Maddox.
• 55:46
  And like, they're all just fully aged up now and they're just
• 55:49
  kind of freaking out wondering what the fuck's happening.
• 55:51
  And mid size sedan is panicking at this moment.
• 55:54
  So he runs through the salt Canyon and Charles chases him.
• 55:59
  But both of them end up liking out and waking up on the beach.
• 56:03
  Priska says that they need to find a way out because
• 56:06
  something's wrong with the kids. You guys look for a way out.
• 56:09
  I'll say what? The kids, yeah.
• 56:12
  Friska, come on now. Actually, everybody go do the
• 56:15
  work. I'll stay here with the kids and
• 56:17
  do nothing. She so they all go their
• 56:21
  separate ways but I'll end up waking up on the beach at the
• 56:25
  same time Prisca and Guy go off to the side to talk and she
• 56:29
  thinks the kids are reacting to something.
• 56:30
  Which like, I get it, human nature wanting to figure out an
• 56:33
  explanation for this. This would be the weirdest
• 56:35
  fucking allergic reaction ever. She's saying that I don't know,
• 56:38
  the virus or something. Really.
• 56:40
  Really. Is that what you like?
• 56:41
  Come on, think a little bit more about this for a second.
• 56:43
  There's no virus that like, rapidly ages people.
• 56:46
  No, not. Not this way anyway.
• 56:48
  Yeah, so Charles has like a little bit of a freak out here.
• 56:53
  His issues are starting to advance and he cuts good size
• 56:57
  with his knife. Yeah, And like, they're all
• 57:01
  freaking out. He's got this big cut on his
• 57:03
  face, and he goes, Oh my God, I think I'm going into shock.
• 57:06
  My face is numb. And Sharon's like, let me take a
• 57:09
  look at it. Meanwhile, Charles is like, I
• 57:10
  don't know what happened. Yeah.
• 57:13
  And Jaron looks at it. He's got just a scar across his
• 57:16
  cheek now. Yeah, Yeah.
• 57:17
  You see it like it's just like healing up like instantly.
• 57:20
  Yeah. This is insane.
• 57:22
  Yeah. So he's talking a little bit
• 57:25
  more about being there with the girl.
• 57:27
  He's like, you know, they had recently started talking.
• 57:30
  She'd just been diagnosed with Ms. and they came out to the
• 57:33
  beach and she started swimming like Michael Phelps.
• 57:35
  And then the next thing I know, you know, you guys are here and
• 57:38
  they're like, wait, what did you say he was swimming like Michael
• 57:40
  Phelps? I don't know, butterfly stroke.
• 57:42
  I don't know that shit. And I thought that was his
• 57:46
  character is fucking hilarious. And I love every single moment
• 57:49
  that he's on screen. Yeah, he's pretty funny.
• 57:52
  The dog dies. Well first of all, Patricia is
• 57:57
  suggesting that this is a group psychosis.
• 58:02
  Did I write about the dog? OK I must have left the dog off
• 58:06
  my notes cuz I just wanna it. Was right there.
• 58:08
  After all that happened, the dog dies.
• 58:09
  I think that's what breaks the tension.
• 58:10
  There. Yeah.
• 58:12
  So Charles confirms that the kids have aged biologically.
• 58:15
  He's a doctor, so he's, you know, he's like.
• 58:18
  But this doesn't make any sense. My daughter Kara just turned 6
• 58:20
  two weeks ago. And then Jaron points out that
• 58:24
  this is going to be a long swim against the current.
• 58:26
  They don't even know how far it would be once they get around
• 58:28
  the rocks. Who really thinks they can do
• 58:30
  that? Meanwhile, mid sized Sedan and
• 58:33
  Maddox are walking along the beach and he tells her his name
• 58:36
  is Brendan. His mom's an attorney, his dad's
• 58:37
  a dentist. He's got a blood clotting
• 58:39
  problem and just wanted to feel connected to something bigger.
• 58:41
  And he's like, I don't know why I'm telling you all this.
• 58:43
  I just feel like I needed to say it to somebody before something
• 58:45
  happens. It feels like they have a thing
• 58:48
  here for a minute. Isn't, doesn't.
• 58:51
  It doesn't. It feels vaguely inappropriate,
• 58:53
  yeah. Like yeah, her body is aged up,
• 58:56
  but like, she's still a kid. And it's just, and this is where
• 59:00
  they kind of try to explain like the mind aging thing a little
• 59:03
  bit because she's like, you know, yesterday I had all of
• 59:06
  these thoughts and they were so loud.
• 59:08
  But today my thoughts have more colors in them, but they're
• 59:11
  quieter. Yeah.
• 59:12
  And then she's like, yeah. And like, I just like.
• 59:14
  I don't think my parents would understand.
• 59:16
  Yeah, which is very. Yeah, puberty right there.
• 59:21
  Patricia says that everybody needs to feel safe so that way
• 59:24
  they can make rational decisions and is trying to get everybody
• 59:30
  to, like, explain a little bit of what they're doing there,
• 59:33
  just, you know, describe themselves a little bit.
• 59:35
  She asked why Charles and Crystal are there, and Crystal's
• 59:38
  kind of like, vague about it. She's like, Oh well, Charles has
• 59:40
  had some stress and you can tell he really doesn't want her to
• 59:43
  say anything. Yeah, he's, he's got some issues
• 59:45
  that we're trying to work through right now and, you know,
• 59:49
  that's pretty much it. And then?
• 59:51
  Patricia, obviously with the seizures.
• 59:54
  She goes to Priska, and Priska completely sidesteps the
• 59:57
  question. Priska is she's kind of a
• 59:59
  manipulative little lady. She kind of sucks.
• 1:00:02
  Honestly. Yeah, she doesn't want to talk
• 1:00:04
  about it, but then she's kind of forced to.
• 1:00:06
  She starts getting short of breath and guys like, well, she
• 1:00:09
  has a tumor, but it's benign. And Jaron.
• 1:00:12
  A golf ball. Yeah, Jaron comes over and he's
• 1:00:14
  like, this is the size of a golf ball and she goes, no, it's 3
• 1:00:16
  centimeters and then she passes out.
• 1:00:18
  Now it's softball size. They have an impromptu surgery,
• 1:00:21
  but Charles is getting distracted as he's, like, doing
• 1:00:24
  this, talking about the movie with Marlon Brando and Jack
• 1:00:27
  Nicholson. Yeah, and they have to this
• 1:00:32
  scene. It's cool.
• 1:00:35
  It's. Cool.
• 1:00:36
  But so they're they're trying to cut the tumor out of her.
• 1:00:40
  And because she's healing so rapidly, they're having to keep
• 1:00:44
  their hands in there. Yeah, like it will keep sealing
• 1:00:47
  up. So then they make another
• 1:00:49
  incision and put their hands in there.
• 1:00:51
  So. It's the size of a cantaloupe by
• 1:00:53
  the time they pull it out. And I just have a thing like God
• 1:00:58
  forbid we bring logic into this movie, but if we were to in this
• 1:01:03
  situation, would they not have had the skin kind of form and
• 1:01:07
  heal around their fingers considering it would have been
• 1:01:10
  over a long period of time? Some of them were saying like if
• 1:01:14
  the skin was starting to. They did, yeah.
• 1:01:17
  OK. And this set then?
• 1:01:18
  Well, I think my more my bigger problem, and this is something I
• 1:01:21
  meant to say with my bad but I forgot about, is that these
• 1:01:26
  people when they're having scars from all of these, like they're
• 1:01:30
  all such neat little cute scars. And I'm like, think about if it
• 1:01:34
  was me because I've got nasty scar.
• 1:01:36
  I keloid like crazy. So like, all of my surgery scars
• 1:01:39
  are very bumpy and red and gross for like years.
• 1:01:45
  So like, I could see it like fading, you know, after a couple
• 1:01:48
  of hours. But like, this right here should
• 1:01:51
  just be like a nasty little lump.
• 1:01:52
  Yeah, especially since it's not getting medical care.
• 1:01:54
  Yeah, yeah, yeah, she comes too. And she's like, oh, man, I must
• 1:01:59
  have just passed out. And they're like, like you'd
• 1:02:01
  have a full surgery. She goes, well, I feel really
• 1:02:03
  good. Yeah.
• 1:02:04
  She's like, it's actually kind of amazing.
• 1:02:06
  Go Prisca. So mid size goes over and checks
• 1:02:11
  his girlfriend's body, pulls back the tarp.
• 1:02:13
  I like that both of us at this point in our notes gave up
• 1:02:16
  trying to find a different way to describe her and just wrote
• 1:02:18
  girlfriend. Yeah, I mean, they don't even
• 1:02:20
  name her. I don't think so.
• 1:02:21
  Yeah. And like, she's fully decomposed
• 1:02:24
  now. It's just a skeleton.
• 1:02:25
  He's like, so can we all agree I didn't do this?
• 1:02:29
  Yeah, yeah. Yeah, and Prisca comes over and
• 1:02:32
  she's like, you know, this isn't my area of specialty, but I do
• 1:02:35
  work in a museum, so I see some of this stuff.
• 1:02:37
  And I know that like exposed to elements this way, it would take
• 1:02:40
  about 7 years to decompose down to the bone.
• 1:02:42
  And this happened within three hours.
• 1:02:44
  So three hours was seven years on the beach here.
• 1:02:48
  So they all realize time is fucked up on the beach now.
• 1:02:51
  Guy has wrinkles now he's starting to noticeably age a
• 1:02:55
  little bit. Yeah.
• 1:02:57
  And they do the math and mid size realizes, OK, you age 50
• 1:03:02
  years in one day on the beach. Yeah.
• 1:03:04
  It's also why they have been blacking out because their body
• 1:03:09
  can't acclimate as you're walking back to the normal part.
• 1:03:13
  Of the yeah, they kind of like in it too.
• 1:03:14
  When you're scuba diving and you want to come back up, you've got
• 1:03:18
  to do it in phases. So they're like, maybe one of us
• 1:03:21
  can do that, but we'd have to do it over the course of eight
• 1:03:24
  hours, 8 or 10 hours. Who wants to give up that much
• 1:03:27
  of their life? And they're saying it's about 30
• 1:03:30
  minutes equals one year. It's roughly how they're
• 1:03:32
  estimating it just based off of everything.
• 1:03:35
  Which is really unfortunate because Trent and Kara are
• 1:03:37
  exploring each other's teenage bodies in their tent.
• 1:03:41
  Yep, and she is immediately pregnant.
• 1:03:44
  That's some upsetting shit right there.
• 1:03:47
  She's five months pregnant by the time she walks out and over
• 1:03:51
  to them. Yeah, and she, she was like, oh,
• 1:03:55
  we were just playing and I got a little fat, That's all, Charles.
• 1:04:03
  He talks about the. Movie a little bit more he gets
• 1:04:05
  a little bit more racist again, saying Jaron was like trying to
• 1:04:08
  steal his stuff and break into his house so.
• 1:04:12
  Oh, and Crystal has aged at this point.
• 1:04:14
  Now she's starting to get some wrinkles and she's having like a
• 1:04:16
  little panic attack. And she's freaking out about
• 1:04:19
  Kara and she was like, I've got to save her.
• 1:04:21
  But she like runs away from her, which is not like Kara is
• 1:04:25
  literally saying mom. I'm scared.
• 1:04:26
  Yeah, it's so. Sad.
• 1:04:28
  It's awful. Yeah.
• 1:04:29
  And I like how they shot this because it was a single.
• 1:04:34
  Yeah, and there's. So much chaos.
• 1:04:36
  Yeah. And like, we've got Trent over
• 1:04:38
  there and guys, like, trying to have this, like, conversation
• 1:04:42
  with him that he hasn't had yet. And he goes, well, no, I know
• 1:04:45
  that you get pregnant that way, but I thought you had to do it
• 1:04:47
  like 10 times. And he goes, well, no, she's
• 1:04:49
  going to have a baby. And then Prisk is like, she's
• 1:04:51
  going to be in a lot of pain, but it'll pass.
• 1:04:55
  And so there's like all this panic and he's like, we're going
• 1:04:58
  to get married and we're never going to get divorced.
• 1:05:01
  Yeah, Yep. And then like immediately the
• 1:05:05
  baby's crying. He's like, Oh yeah.
• 1:05:07
  We remember they cry. That helps them know how to
• 1:05:09
  breathe. Yeah.
• 1:05:10
  And then the baby dies. Yep, just as.
• 1:05:13
  Quickly as it was born, Patricia says that, like, basically they
• 1:05:17
  set it down to clean it and because everything moves too
• 1:05:21
  fast, like, that amount of time was enough for the baby maybe to
• 1:05:25
  die. Yeah.
• 1:05:26
  So. You can't have kids on this,
• 1:05:28
  apparently. Yeah, which is fucking dark.
• 1:05:32
  Yep Maddox goes to get Crystal cuz she had passed out in the
• 1:05:37
  slot Canyon and Crystal is like she is freaking out and crying
• 1:05:44
  and. She runs off and just runs into
• 1:05:46
  The Cave. Well, no, at first Charles sees
• 1:05:49
  her and she's like, you know, distraught.
• 1:05:51
  And he goes, you should put on some makeup.
• 1:05:53
  Yeah, yeah, he doesn't say that. Quad and then so she runs off to
• 1:05:56
  The Cave and Maddox follows her cuz she's like trying to she's
• 1:06:01
  just trying to do her best. Yeah.
• 1:06:03
  And she was like, you know, when I was younger, I was in love
• 1:06:06
  with a man, but he was too ugly and poor.
• 1:06:09
  This was so out of place. I felt this wasn't like, I don't
• 1:06:14
  know, like, were you trying to give us insight on the character
• 1:06:16
  here? I just like, it felt like you
• 1:06:19
  were trying to give like a meaningful dialogue and it just
• 1:06:22
  didn't have any impact on me. It was just like we could cut
• 1:06:25
  this. I think she's got a lot of
• 1:06:27
  layers of generational trauma. There's a lot of focus for her
• 1:06:30
  on good looks and attracting a husband that can provide a
• 1:06:35
  stable life. Because we've seen her kind of
• 1:06:37
  make some of those suggestions to her daughter, Like her
• 1:06:39
  daughter's saying, like, it's OK, I just got a little fat.
• 1:06:41
  Like you know that she's used the F word around her daughter
• 1:06:45
  plenty of times. Well, sure, but like, what does
• 1:06:48
  that do for this story at this moment?
• 1:06:50
  I don't think it does anything other than build up the
• 1:06:52
  characters a little bit. Yeah, it just didn't really work
• 1:06:54
  for me. Yeah.
• 1:06:57
  So Charles then stabs mid size sedan like a lot like killing
• 1:07:03
  him levels. Yeah, like death.
• 1:07:05
  Yeah, he's he's dead now. And then that's upsetting
• 1:07:07
  because he was my favorite character.
• 1:07:10
  So he's gone and they they managed to get the knife from
• 1:07:14
  him and Jaron's like, all right, cool.
• 1:07:16
  I was on the swim team. So forget all that shit I said
• 1:07:18
  earlier. I'm going to swim around the
• 1:07:20
  box. Yeah, so he goes.
• 1:07:21
  Charles has fully deteriorated mentally at this point.
• 1:07:26
  Guy talks about maybe trying to climb the rock and they're all
• 1:07:28
  like, that's not a good idea. And he, he points out everybody
• 1:07:35
  in their groups is there cuz that somebody in their group is
• 1:07:38
  sick. And then he asked Prisca, he's
• 1:07:41
  like, how did you find this, this resort?
• 1:07:45
  And she goes, oh, I got an ad for it and I want it in a
• 1:07:47
  sweepstakes. And they all have like similar
• 1:07:51
  kinds of stories and all of their plans were like arranged
• 1:07:55
  their visas and whatever back at the hotel.
• 1:07:58
  It's going to be so easy to just basically wipe them off the.
• 1:08:01
  Yeah, and they can be completely wiped out.
• 1:08:04
  Yeah, she got it from the pharmacy, she said.
• 1:08:06
  And she wiped his sweep 6 and they were all, they realized
• 1:08:08
  that they were all hand chosen. Yeah.
• 1:08:10
  So Maddox asks Prisca about the separation between her and Guy.
• 1:08:15
  Like what the plan was? Yeah, she.
• 1:08:18
  She kind of fully understands what's going on there and wants
• 1:08:20
  to ask her mom about what happened.
• 1:08:22
  And then she reveals that she like there was, she's like, was
• 1:08:26
  there somebody else? And she shakes her head yes.
• 1:08:28
  And she said she works all day in a Museum of nameless people
• 1:08:32
  behind glass, and she was scared that she was going to become one
• 1:08:35
  of them with her tumor. And then she was like, please
• 1:08:38
  try and understand Maddox. And she's like, I need time,
• 1:08:40
  mom. Like, I just, I need time.
• 1:08:42
  There's this has been a real fucked up day.
• 1:08:44
  I don't really think that there's like any rational way to
• 1:08:46
  make that make sense. No, that was just like I.
• 1:08:49
  Mean it it it's one of those things that like it makes sense,
• 1:08:54
  but it's not a thing that is ever going to make like.
• 1:08:57
  It's not a good excuse. There's no excusing what
• 1:08:59
  happened. Like, I get it, you can, you can
• 1:09:01
  have like this existential crisis.
• 1:09:03
  It's not only like she had a middle life crisis.
• 1:09:05
  Yes. Is what it was.
• 1:09:06
  Accelerated by by her health diagnosis.
• 1:09:10
  But also, this is one of those things that like, it's very
• 1:09:13
  complex because Prisca is a very much like an adult human being,
• 1:09:20
  like her own entity. And these are all complex things
• 1:09:23
  and everything. And she's sharing them with her
• 1:09:27
  daughter who is very much impacted by these.
• 1:09:30
  And it's never going to be an easy, like neutral conversation
• 1:09:34
  to have where she can just hear her mom's point of view and be
• 1:09:37
  like, I completely get where you're going through.
• 1:09:38
  And I'm in no way impacted by this.
• 1:09:40
  She's like, no, my whole life is falling apart right now.
• 1:09:42
  I need to go take some time to think about all of this.
• 1:09:44
  Yeah, that's like, you can't ever have that type of
• 1:09:48
  conversation with your children. It's always going to come across
• 1:09:51
  as heavy and you can't get the biases like out of there for
• 1:09:54
  that. So she goes in the water to
• 1:09:57
  think, and that's where she finds Sharon's body.
• 1:09:59
  They assume he drowns when he got too close to the rocks that
• 1:10:03
  they made him unconscious. Yeah, probably actually the
• 1:10:06
  case. Yeah, he probably passed out
• 1:10:07
  there. Karen and Trent are talking and
• 1:10:10
  Kara's just like she's mad about the loss of like everything in
• 1:10:13
  their lives that we kind of referred to at the beginning of
• 1:10:16
  this episode. Like they they missed all of
• 1:10:18
  their big milestones. Like just yeah, she wants.
• 1:10:22
  To go grow up. So she's decided that she's
• 1:10:25
  going to climb the rocks and get up to the top.
• 1:10:27
  Yeah. And she does surprisingly well.
• 1:10:29
  Really good. She for a 16 year old who
• 1:10:32
  probably, I mean by we can definitively say no climbing
• 1:10:35
  experience because we've seen her grow up from a child here.
• 1:10:38
  Yeah, I'm like, what is the situation with like her?
• 1:10:41
  Like muscle endurance and everything, you know what I
• 1:10:44
  mean? Because like she grew so rapid.
• 1:10:46
  Like what? What's her muscle tone like?
• 1:10:48
  It can't be good. Yeah.
• 1:10:49
  Yeah, you got to strength of a baby and kids like a teenager's
• 1:10:55
  body. Yeah, yeah.
• 1:10:56
  So but she gets way up there and then she makes it to a certain
• 1:11:00
  point and then she also passes out and falls and dies.
• 1:11:03
  Yep, and it's really hard watching Trent cry the way he
• 1:11:08
  does and his dad holding him and it's just sad and.
• 1:11:12
  He barely knew her, but that was the love of his wife.
• 1:11:15
  Again, Trent, this was a problem for him even before the speech
• 1:11:18
  that accelerated everything. That's true, he committed to
• 1:11:21
  Idlib and he only knew him for a second.
• 1:11:23
  Yeah, we're going to be neighbors forever.
• 1:11:25
  Yeah. Yeah, yeah, you're right.
• 1:11:27
  This kid has major attachment. Issues.
• 1:11:32
  So at this point, Patricia is starting to panic.
• 1:11:35
  She goes pool noodles. She's like, I haven't talked to
• 1:11:37
  my sister in years. I need to make this right.
• 1:11:39
  I'm going to take these pool doodles and I'm going to swim
• 1:11:41
  out. Those pool noodles are not
• 1:11:43
  enough in the ocean. Yeah, I you know what?
• 1:11:46
  Sure, you got this, Patricia. Except you don't because she has
• 1:11:49
  a seizure. Yeah, and she has one after
• 1:11:51
  another and like they just keep coming and then she eventually
• 1:11:54
  succumbs from the effects of them.
• 1:11:57
  Meanwhile, guys going blind. So that's fun for him, yeah.
• 1:12:01
  It's just blurry vision suddenly.
• 1:12:03
  You like and you can kind of see his face.
• 1:12:05
  He's like, well that's not fun. That's my favorite thing when he
• 1:12:09
  gets older. I just like his like reactions.
• 1:12:12
  Like anytime you look at him, it doesn't matter what shit's going
• 1:12:14
  on. He's got like this like little
• 1:12:15
  like smile going on all the. Time.
• 1:12:17
  Yeah, I'm. Blind.
• 1:12:18
  Yeah, he's like, OK, man. Then we see Crystal is hiding
• 1:12:24
  under a scarf and she's looking for Kara.
• 1:12:28
  Priska's going deaf in one ear. Yep, she's entirely deaf in her
• 1:12:33
  left ear. Crystal officially realizes she
• 1:12:37
  has a hump on her back and that destroys her mentally and that
• 1:12:41
  her daughter dying wasn't, you know, that wasn't her main
• 1:12:43
  concern, her hump on her back, that that destroyed everything
• 1:12:46
  for her. So she goes and hides in The
• 1:12:48
  Cave. Is that what happened?
• 1:12:51
  She ran off on her own beforehand and we find out later
• 1:12:54
  that she grew the hump We. Don't know.
• 1:12:56
  She comes out because she goes to grab her little like makeup
• 1:12:58
  box or something and it's like shiny and she looks at her
• 1:13:01
  reflection and she sees the hump on her back.
• 1:13:03
  Yeah, OK, all right. So yeah, Guy tells Prisca that
• 1:13:08
  he saw her text with the guy that she had an affair with and.
• 1:13:12
  He said he says romantic things and then he says I don't know if
• 1:13:17
  I would have been OK with any guy but that.
• 1:13:19
  Guy. Yeah, that guy's a joke.
• 1:13:20
  He's a freak. So at first I thought he was
• 1:13:24
  gonna be like, he says romantic things and I don't say romantic
• 1:13:27
  things to you. And I thought maybe he was gonna
• 1:13:29
  like have a moment of self reflection and then he could say
• 1:13:32
  the whole thing. But he's like, man, what a
• 1:13:34
  weenie saying things. Like, yeah, yeah, yeah, that's
• 1:13:39
  funny. But they they're working their
• 1:13:42
  way up to like a heavy conversation there.
• 1:13:44
  But they they're intervened by Maddox and Trent finding the
• 1:13:49
  journal that were detailing the previous guests experiences.
• 1:13:54
  Yeah, they like wrote down previous guests names and
• 1:13:56
  addresses and their suspicions about like they kind of make a
• 1:14:01
  science fiction story around the lore of the speech.
• 1:14:03
  Yeah, and apparently they know what that metal slows the aging
• 1:14:07
  process on the beach. Yeah.
• 1:14:08
  And so they're like, we need to figure out a way to make like, a
• 1:14:11
  metal protector or something to try and get off the beach.
• 1:14:13
  Like, you know, the lead vest you wear when you get an X-ray
• 1:14:16
  at the dentist? And they notice that there's a
• 1:14:19
  camera on the mountain they've been getting glimpses of, like
• 1:14:21
  this little reflection on the mountain, and they've see now
• 1:14:24
  that somebody's actually just recording everything up there.
• 1:14:26
  I wrote camera on hill, but it looks like I wrote camera on
• 1:14:30
  hell. Camera on hell.
• 1:14:31
  I'd watch that reality TV show. So now it's.
• 1:14:36
  The knife and Prisca's bag and he takes it and he decides he's
• 1:14:43
  going to stab guy because he's worried that he's going to tell
• 1:14:46
  about how he murdered mid size sedan.
• 1:14:49
  And Prisca jumps in to help. And then she also leaves again
• 1:14:52
  real quick to go to the kids because that's her MO.
• 1:14:54
  She's like, I don't want to deal with this right now.
• 1:14:56
  I'm going to go check on the kids.
• 1:14:57
  It's a fucked up situation because Charles or a guy can't
• 1:15:01
  see Charles, so he's like, hey Prisca, who is this coming sing
• 1:15:04
  at me and he's saying it into her deaf ears.
• 1:15:06
  So she isn't going to answer. She doesn't hear anything.
• 1:15:09
  So Charles just crawls over there.
• 1:15:11
  He's a guy and so stabbing him and she's not even hearing the
• 1:15:13
  attacks and he's just getting stabbed the.
• 1:15:15
  Opening of scream four that or scream four saw 4 the trap where
• 1:15:20
  they're like art blank has like. Yeah, the eyes and the now.
• 1:15:25
  Yeah. Yeah, it kind of is a little bit
• 1:15:27
  like that. Yeah.
• 1:15:28
  So Prisco like she, she ran to go get the rusted knife.
• 1:15:32
  That's what it was. Yeah, she tells the kids to go
• 1:15:34
  hide. So they hide in the little cave
• 1:15:38
  slot, Canyon area, whatever, and Crystal's there, and she is
• 1:15:41
  getting, like, worse. Her calcium deficiency is
• 1:15:44
  apparently a very real thing, and she is freaking out and she
• 1:15:48
  wants to kill them. Except she drops a rock on her
• 1:15:51
  arm. It breaks the arm really
• 1:15:54
  catastrophically. And then it sets really quickly
• 1:15:56
  because remember, it's really fast.
• 1:15:58
  It just heals in a weird way, yeah.
• 1:16:00
  And then she just kind of falls over and keeps breaking bones
• 1:16:03
  until she just gets into she suffers from bone itis.
• 1:16:07
  She was so busy being an 80s guy she didn't cure her bone itis.
• 1:16:10
  She really did like oh. My God.
• 1:16:13
  It's basically the way she curls up like that is exactly like
• 1:16:16
  that. I I would not be at all
• 1:16:20
  surprised to find out that M Night is a Futurama fan,
• 1:16:23
  actually. Seriously, this looks like an
• 1:16:25
  actual doc. That was her illness.
• 1:16:27
  She had bone Itis. Yeah.
• 1:16:28
  She had bone itis. So meanwhile, Kriska has taken
• 1:16:34
  the rusty knife and she cuts Charles with it and he dies of
• 1:16:38
  sepsis. Yeah, it's really gross sepsis.
• 1:16:42
  It's crazy, man. Yeah.
• 1:16:43
  The rust just spreads through the bloodstream and then all the
• 1:16:45
  way up to his head. And he just said, like, Can you
• 1:16:48
  imagine all like, considering he had like, that schizophrenia
• 1:16:52
  going on and on top of his brain, like being infected by
• 1:16:55
  rust and shit. What the fuck was that like?
• 1:16:58
  Oh man, that must have been a painful couple of minutes.
• 1:17:00
  Yeah, I can only imagine. Yeah.
• 1:17:02
  So So the family is just left alone sitting on the beach and
• 1:17:08
  Maddox sings to her mom and the parents kind of make up to each
• 1:17:12
  other and then. Yeah, he's like, were we
• 1:17:14
  fighting? He's like, yes, we were.
• 1:17:16
  He's like, I'm not mad at anymore.
• 1:17:17
  And then he. Falls back and dies, and then
• 1:17:21
  the mom is gonna go stare contemplatively into the sea.
• 1:17:25
  But she doesn't make it that far either.
• 1:17:29
  Honestly, this part right here is a status for me.
• 1:17:31
  Yeah, just seeing this right here because you can see it's
• 1:17:34
  such a real moment right there and then.
• 1:17:37
  Yeah, man. So it's just Trenton Maddox now?
• 1:17:41
  Yeah, in the morning, they're older.
• 1:17:44
  They're like in their 50s now, yeah.
• 1:17:46
  And then they decide, hey, let's go build a sandcastle.
• 1:17:49
  Yeah, well, cuz they just assume that they're gonna end up.
• 1:17:52
  Dying. Yeah, they will die.
• 1:17:53
  That night, yeah. So they're like, what should we
• 1:17:55
  do? And so they make a sandcastle
• 1:17:56
  and they're just kind of chit chatting.
• 1:17:58
  And then he says something about I never even decoded that he's
• 1:18:00
  like me and Idlib thought we were so smart.
• 1:18:03
  So apparently the brains do mature eventually because I've
• 1:18:06
  had plenty of these moments about my younger stuff where I'm
• 1:18:09
  like man I am such a know it all asshole.
• 1:18:11
  So like, yeah, he's like, man, I should be getting that
• 1:18:14
  condominium with him right now. We should be having that
• 1:18:17
  mortgage together. Yeah, me and Kara should be
• 1:18:20
  married with a rainbow baby. And yeah.
• 1:18:24
  But yeah, so he was like, I never even decoded that last
• 1:18:28
  message. And Maddox was like, why don't
• 1:18:30
  you? Yeah, so he does he.
• 1:18:32
  Does and it says my uncle doesn't like the coral.
• 1:18:36
  Doesn't like coral? Yeah.
• 1:18:37
  So they see a giant coral pile out there in the ocean.
• 1:18:41
  Believe it's called a reef. A giant coral reef way out there
• 1:18:45
  in the ocean. So they get in the water and
• 1:18:49
  they swim for it. And wouldn't you know, there's a
• 1:18:51
  whole tunnel system of coral. Yeah, yeah.
• 1:18:53
  So they swim through it. That's a dangerous coral is
• 1:18:56
  fucking sharp. Yeah, it is.
• 1:18:58
  This is real fucking dangerous. And that would have been
• 1:19:01
  honestly more interesting about the like.
• 1:19:03
  That they get cut in there. Yeah, the instead of her little
• 1:19:05
  rat. Getting Yeah.
• 1:19:06
  Stuck like them getting cut and him seeing the blood and be like
• 1:19:10
  they're probably dead, yeah. So yeah, she what we see is
• 1:19:15
  they're swimming in there and Maddox gets caught and then he
• 1:19:18
  has to go back and try and rescue her.
• 1:19:20
  And then it cuts and it cuts back to M night up on the
• 1:19:23
  mountain. And he calls into the
• 1:19:24
  headquarters of the lab. He's like, Yep, they definitely
• 1:19:27
  didn't make it. Almost made it.
• 1:19:29
  I don't know how they figured out about the coral, but
• 1:19:32
  whatever, they're done. Suddenly they just decided to
• 1:19:34
  swim for it. It was kind of weird but I
• 1:19:35
  watched it for a minute and 1/2 definitely did.
• 1:19:38
  He may know it's like and don't worry especially after the last
• 1:19:41
  time at the breach. So if somebody did get out and
• 1:19:43
  he makes an even though they died drowning as soon as they
• 1:19:47
  made it to the other side. Yeah, so he drives back.
• 1:19:51
  It's the pharmacy lab for Warren and Warren.
• 1:19:55
  They take a moment for the subjects of trial 73 and he
• 1:20:00
  says. But the good news is, is that we
• 1:20:02
  did discover that one of our medications was in fact
• 1:20:05
  effective. Our epileptic test subject went
• 1:20:10
  8 hours without a seizure. That's the equivalent of almost
• 1:20:13
  16 1/2 years. We effectively cured her
• 1:20:16
  epilepsy with one dose of medications.
• 1:20:19
  We are 1000% positive that this was not a one off situation.
• 1:20:23
  We're going to fast track this shit and make it out there.
• 1:20:26
  Yeah, yeah, it's so fucking. Weird.
• 1:20:28
  And one of the other people's like, Hey, I still think maybe
• 1:20:30
  we should have like the the physical and mental health
• 1:20:33
  patients in separate categories because, you know, our
• 1:20:36
  schizophrenia subject killed our blood clot subjects and they're
• 1:20:41
  like shut. Up.
• 1:20:42
  Wait, did they mention if Jaron had anything?
• 1:20:45
  No, he was there with Patricia. So he was just OK?
• 1:20:47
  I didn't know yet. Yeah, no, he's again one of
• 1:20:49
  those like casualties. Yeah, yeah, OK.
• 1:20:52
  And meanwhile, while this has been happening, we are getting
• 1:20:55
  glimpses of of Trent and Maddox arriving back at the hotel.
• 1:21:00
  And this is only the next day, Trent goes up to one of those
• 1:21:02
  people that he bugged on the beach that was very good-natured
• 1:21:04
  about it, much better than me. Yeah.
• 1:21:06
  And he goes, you're a cop, right?
• 1:21:07
  The guy's like, yeah, yeah. And so he gives him this
• 1:21:12
  notebook that had the names and addresses of all of the people.
• 1:21:15
  And so the cop goes in and he calls and all of those people
• 1:21:18
  are confirmed missing people and.
• 1:21:22
  Yeah, he, you know what? Good for him.
• 1:21:24
  He he believes that all this weird shit that this kid, that
• 1:21:28
  he was talking to this kid asked you your occupation, your name.
• 1:21:31
  And now he's 50 years old. Yeah.
• 1:21:33
  Yep. Just right there.
• 1:21:34
  And then he stops a van that's coming up like he knocks into.
• 1:21:40
  Yeah, you, you. They're doing the whole, they're
• 1:21:42
  doing the whole thing from the opening where they were like
• 1:21:44
  giving them drinks because they're greeted with drinks
• 1:21:46
  after they get out of the the shuttle.
• 1:21:49
  Yeah. Based on their preferences, but
• 1:21:51
  that's what actually has their medication.
• 1:21:52
  Exactly. Yeah.
• 1:21:53
  And then, yeah, Trent just like, knocks it over.
• 1:21:55
  He's like, oops, I'm sorry. And then he starts like blasting
• 1:21:58
  all their shit like he's like, my name's Trent, this is Maddox.
• 1:22:01
  Our parents were guy in Prisca. They sent us to the beach.
• 1:22:05
  All this is going on and on. Meanwhile, the cop has called in
• 1:22:07
  reinforcements. Everybody's arrested and Maddox
• 1:22:11
  and Trent take a helicopter to. Safety.
• 1:22:14
  But before that, while they were there and after he knocked over
• 1:22:17
  the drinks, Idlib walks out and notices Trent.
• 1:22:20
  And then he walks over there and he's like, hey, thanks for the
• 1:22:24
  note. And like, he shows them the
• 1:22:25
  note. And then I I just like the nod
• 1:22:29
  that Antelope gives him. He's just like, it's like a
• 1:22:31
  respect, you know? He's like, yeah, respect, which
• 1:22:33
  is like. Impressive because this kid has
• 1:22:35
  the tiniest. Neck in the world.
• 1:22:36
  Can you imagine if trans like all right, come on, let's go get
• 1:22:38
  that mortgage. Come on.
• 1:22:40
  Buddy like he I I can cosign. For you.
• 1:22:42
  Honestly, I could see him adopting this kid.
• 1:22:45
  He would probably do it because, like, that kid isn't loved.
• 1:22:49
  The manager is his dad, I guess. I don't know.
• 1:22:52
  His uncle. Yeah.
• 1:22:53
  He he should adopt Antelope. Yeah, yeah.
• 1:22:56
  But be his little kid Live. Ah, kid live.
• 1:23:02
  OK, so that's the end of the movie.
• 1:23:04
  That's the end. Yeah.
• 1:23:05
  There's no after credits. There's nothing.
• 1:23:06
  Yeah. Yeah.
• 1:23:09
  I like this movie. I think it, I mean, it's not
• 1:23:12
  that it's perfect, but I think it's an enjoyable movie.
• 1:23:16
  And I think sometimes you just have to not think too hard about
• 1:23:19
  movies and have fun with them. And this offers a lot of other
• 1:23:23
  things to think about. You know, you're not meant to
• 1:23:25
  think about the time travel of it all.
• 1:23:28
  You're meant to think about like what are our most primal fears?
• 1:23:32
  What are the things that are most important to us?
• 1:23:34
  What's ethics in the medicinal world?
• 1:23:38
  Because, you know, these are life saving drugs, but obviously
• 1:23:41
  this isn't OK. But what's worth it?
• 1:23:43
  And you know, I think it, I think it's got a lot to say and
• 1:23:46
  I'm going to keep it at an 8. OK, I'm going to keep in mind
• 1:23:50
  that six, like I I enjoy this movie.
• 1:23:53
  It's a fun watch. You know, I'll watch it again
• 1:23:55
  with you in the future. It's just if I were to have a
• 1:23:59
  change, it's just so it I don't have a problem with the premise
• 1:24:04
  and I don't have a problem with the execution of the premise.
• 1:24:07
  But with this right here, you either go full blast over the
• 1:24:13
  top like nonsense B movie type shit, or you like go deep with
• 1:24:21
  it and you like do a deep dive exploration on some of this
• 1:24:23
  shit. And in that style with that
• 1:24:26
  stuff is a middle ground. Yeah, he wants to explain too
• 1:24:29
  much. He wants to explain too much,
• 1:24:30
  but he wants to have the hokiness of all of that stuff,
• 1:24:33
  too. And I love his stuff for that.
• 1:24:35
  I like his movies. That's why I enjoy them.
• 1:24:37
  But if this, if I wanted this to be a better movie from somebody,
• 1:24:42
  I would want you to pick Elaine, OK.
• 1:24:44
  Yeah. And I could take any one of
• 1:24:46
  those movies. Like I could take the serious
• 1:24:48
  version. I think that that would be fun.
• 1:24:50
  I could take the, like, dumb playful version.
• 1:24:53
  And I think that could be fun too.
• 1:24:54
  And I think in that version it's fun.
• 1:24:56
  But, you know, it's a six. OK, Yeah.
• 1:25:00
  OK. All right, what did Talia think
• 1:25:02
  of it? Well, at first she threw a mini
• 1:25:05
  tantrum because she knew that this was going to be a dog dying
• 1:25:09
  movie and she threw her gets around.
• 1:25:11
  That's fair. But she did watch the surgery
• 1:25:13
  scene. She was very curious.
• 1:25:16
  She knows that I've been through several surgeries and she's
• 1:25:19
  like, oh shit, mommy, I didn't know that you've this is what
• 1:25:22
  happens. It's.
• 1:25:23
  Like shit, people heal that fast.
• 1:25:24
  I had to have like a patch on my butt.
• 1:25:26
  It's like. Yeah, I had fentanyl patches and
• 1:25:28
  I had to wear a cone and you guys wouldn't let me sleep on
• 1:25:30
  the bed for two. Weeks.
• 1:25:31
  Yeah. And Daddy had to stay home with
• 1:25:32
  me for a month. Yeah.
• 1:25:33
  Yeah, and and you, mommy, like you were on crutches for six
• 1:25:37
  months. Yeah, it's like.
• 1:25:38
  Like, why don't we just go to this beach?
• 1:25:40
  Yeah, let's go to this beach. So she thought that was really
• 1:25:43
  interesting. So I think that she would give
• 1:25:47
  this a solid 7, but we're gonna subtract a point for dog death.
• 1:25:51
  Yeah. Automatic point deduction for
• 1:25:52
  dog death. So it's a six.
• 1:25:54
  Yes, I agree. This is an interesting one.
• 1:25:57
  Who is Zoe's ultimate warrior? OK.
• 1:26:00
  That is a tough one. You know what?
• 1:26:02
  What? I think it's Kara.
• 1:26:04
  I was gonna say Kara cuz she climbed her way.
• 1:26:06
  Out. Yeah.
• 1:26:07
  She climbed her way out and that's the best thing.
• 1:26:09
  Also the way she just, like, noshes the food, yeah.
• 1:26:12
  Exactly, Yeah. It's totally cared.
• 1:26:15
  The Ultimate Warrior isn't always a killer or a heroine.
• 1:26:18
  Sometimes it's just somebody who likes to climb and eat.
• 1:26:20
  Somebody. Sometimes it's somebody that
• 1:26:22
  does like heroic shit. Climbing and eating is heroic.
• 1:26:26
  And Zoe's. Eyes absolutely OK, new tagline.
• 1:26:33
  What was it that we were saying? Oh damn.
• 1:26:36
  Oh damn. Beach make old.
• 1:26:39
  That'd be keeping in line with our.
• 1:26:42
  It came. Scary.
• 1:26:43
  Although I fucked that up, I mean it.
• 1:26:45
  Came creepy creepy yeah I just remember texting you and I was
• 1:26:49
  like hey, So what was wrong with the the thing we came up with
• 1:26:52
  and you're like I forgot it yeah on the art I.
• 1:26:56
  Just like I thought I had it, I typed.
• 1:26:58
  I don't know why I typed creepy, but I did.
• 1:27:00
  So yeah, that's why that's the tagline for the dissent.
• 1:27:03
  But. Each make old.
• 1:27:06
  Are we gonna descend with all of our tag lines?
• 1:27:09
  It's just gonna get shitty, like the longer we do this, yeah.
• 1:27:13
  We're just not gonna get any effort put into it.
• 1:27:17
  I feel like you could do something
• 1:27:29
  with The Sands of Time. The sands of time are always
• 1:27:35
  shifting. Mr. Sandman made me a sand.
• 1:27:42
  No. Make him the cutest man
• 1:27:46
  cardboard. Boy band.
• 1:27:51
  Oh God damn it. Enter Sandman.
• 1:28:08
  This sand OK help me with this. Something like this sand of time
• 1:28:14
  is coarse. What?
• 1:28:19
  That's why I need help. It's rough.
• 1:28:24
  Bro, your sand timer's fucked up.
• 1:28:29
  Yo you need to fix this hourglass man.
• 1:28:33
  Why are your hourglass so funny? Yeah.
• 1:28:39
  Tale is oldest time. I thought about that, but it
• 1:28:43
  doesn't fit. Time's a bitch.
• 1:28:48
  An untimely story. I like that.
• 1:28:53
  An untimely story. OK that's the most legit one I
• 1:29:01
  could think of without it being stupid.
• 1:29:04
  OK, I feel like your hourglass is fucked up, but we can go.
• 1:29:08
  I like that too, actually. Your hourglass is fucked up,
• 1:29:14
  man. That's tough.
• 1:29:15
  Let's think about that. Oh, man.
• 1:29:18
  OK, so we're gonna leave it at those two and I will send them
• 1:29:21
  to you, OK? When you're doing the art and
• 1:29:23
  you decide what feels right in the moment.
• 1:29:25
  Yeah, I might. I might leave this up to Talia.
• 1:29:27
  I'll like hold on my hand, like, All right.
• 1:29:29
  Which one? You're gonna be an untimely
• 1:29:31
  story or bro, your hourglass is fucked up.
• 1:29:33
  Yeah, OK. Who'd you relate to?
• 1:29:40
  Oh yeah? Well I I relate to mid sized
• 1:29:55
  sedan for like having the old dam be like the default go to
• 1:29:59
  response to anything happening. Oh damn.
• 1:30:03
  Yeah, honestly, though, I do think I, I relate to him too
• 1:30:06
  because I'm very much I, I make jokes as a coping mechanism and
• 1:30:13
  he, he has a sense of humor throughout all of this.
• 1:30:18
  Yeah, he does, yeah. So I I think I probably relate
• 1:30:21
  to him too. Yeah, we needed a funny guy that
• 1:30:24
  he was a funny guy. He he, he was like a deadpan
• 1:30:27
  funny guy. Yeah, yeah, yeah.
• 1:30:29
  OK, OK, so reviews. Reviews.
• 1:30:33
  All right. What you got for us, OK.
• 1:30:37
  Boom boom boom. Did you get one negative?
• 1:30:40
  Did you know that I was on the good side of this movie?
• 1:30:42
  Yeah, I knew that. We were both pretty positive on
• 1:30:45
  it, 'cause I remember you were like, okay, well, it's not as
• 1:30:47
  stupid as I thought it was gonna be.
• 1:30:48
  So it was like, all right, it's gonna be higher than A5.
• 1:30:53
  OK, so this is this is a critic review because remember you
• 1:30:56
  saying you wanted to do more of. That Oh yeah.
• 1:30:58
  OK. So this is by James Bernardelli.
• 1:31:01
  James Bernardinelli of Real Views, and he gave it a two out
• 1:31:06
  of four. OK, this film lacks any of
• 1:31:11
  Shyamalan's trademark twists. Once it's understood that rapid
• 1:31:14
  age aging is occurring, the movie doesn't have many
• 1:31:17
  surprises. The editing is uneven and making
• 1:31:19
  one wonder whether there was originally a much longer cut.
• 1:31:22
  That cut trimmed down during post production.
• 1:31:24
  Character development is largely ineffective, with most of the
• 1:31:26
  people acting in odd, irrational ways to satisfy plot needs.
• 1:31:30
  Contrivances and coincidences abound.
• 1:31:33
  The biggest victim of this is Charles, although his entire
• 1:31:35
  family is poorly served. Because this is supposed to be a
• 1:31:38
  horror film, a few requisite grizzly sequences are included,
• 1:31:41
  although none of them borders on.
• 1:31:43
  Although one of them borders on horror slash comedy.
• 1:31:45
  The PG13 rating noticeably hamstring Shyamalan, who employs
• 1:31:48
  distracting camera tricks to avoid showing nipples or too
• 1:31:51
  much blood. Plot holes are bound, many of
• 1:31:55
  which don't require a post screening reflection to
• 1:31:57
  identify. The movie doesn't make a lot of
• 1:32:00
  sense, and it doesn't help that the dialogue is poorly written
• 1:32:02
  and clumsily delivered. Yeah, yeah.
• 1:32:07
  I mean, it does have some clumsy dialogue and a lot of it doesn't
• 1:32:10
  make sense, but I don't think it really needs to because like
• 1:32:13
  we're, we're there with them and they're trying to make sense of
• 1:32:16
  it all. And how do you make sense of
• 1:32:18
  that without having any of the information yeah, given to you?
• 1:32:23
  Yeah, I think because we're kind of on this journey with the
• 1:32:25
  characters, at the same time they're trying to make sense of
• 1:32:27
  what is happening. Yeah.
• 1:32:29
  Like, yeah, I think kind of like what you were saying, like this
• 1:32:31
  person wanted like a good explanation for what was
• 1:32:33
  happening. Yeah.
• 1:32:34
  And like, I mean, you're, I mean, we get one and there is a
• 1:32:37
  twist. The twist was.
• 1:32:38
  Beach make old. Yeah, Oh no, the twist was it
• 1:32:41
  was the. Company.
• 1:32:42
  Oh, the company, yeah. Come on man, what do you think?
• 1:32:45
  What did you think the twist was?
• 1:32:47
  Beach make old. No, the movie is so upfront
• 1:32:50
  about that. That's the premise.
• 1:32:53
  It was a twist on a normal beach vacation.
• 1:32:56
  Sure, yeah. But no, that's I thought that
• 1:32:59
  that was like the Shyamalan twist, like, oh, it was for a
• 1:33:02
  research the entire time. Yeah, I thought that that was
• 1:33:07
  interesting and I like that he took one of those theories from
• 1:33:11
  the graphic novel and made it like his final ending with it.
• 1:33:14
  Yeah. I mean, but like, I don't like,
• 1:33:16
  I think that that's a good explanation and I don't think it
• 1:33:21
  needs to be really explained more than that.
• 1:33:23
  I think that it's totally fine to be left at that.
• 1:33:26
  Well, and even the pharmaceutical company
• 1:33:27
  themselves didn't really understand why the beach work
• 1:33:29
  the way it does. They're like, we don't know, but
• 1:33:31
  clearly nature wants us to do this incredibly, really
• 1:33:33
  unethical experiment. Yeah, it's whatever.
• 1:33:36
  Yeah. And yeah, it's it's clunky in
• 1:33:39
  pieces. Also, I feel like there are
• 1:33:41
  probably people that would volunteer to be part of this
• 1:33:43
  medical trial and go out to the beach for like an hour.
• 1:33:47
  Let's see if this if this medicine is viable for a year,
• 1:33:51
  you know what I mean? Like some people might.
• 1:33:52
  That's a That's a tough thing. To It's a tough thing, but I bet
• 1:33:56
  there are people out there that would consent to like a year.
• 1:33:58
  Maybe, yeah. So I don't.
• 1:34:01
  Know the only thing is that you can't get out in a year.
• 1:34:04
  You're like, there's only one way out.
• 1:34:06
  That's swimming through the coral reef.
• 1:34:09
  They're a pharmaceutical company, I bet they could find a
• 1:34:10
  way to make that easy enough for people.
• 1:34:12
  I suppose so, yeah. But you know, I get it.
• 1:34:15
  Like this. Yeah, this movie has its
• 1:34:17
  shortcomings, and I can very much see it being like, does
• 1:34:20
  this work for you? It might not work for you.
• 1:34:23
  Yeah, it's definitely one of those.
• 1:34:25
  It depends on what you personally want from a film.
• 1:34:28
  Yeah, exactly. And so it's gonna be entirely
• 1:34:30
  based up to user experiment experience.
• 1:34:33
  I'm fine with the schlocky sci-fi.
• 1:34:35
  This doesn't really fucking make sense, but it's OK.
• 1:34:37
  Don't think about it too much, just have fun.
• 1:34:39
  That's where I'm at too. Yeah, that stuff is totally fine
• 1:34:41
  with me. OK, so let's let's go over and
• 1:34:45
  check out some listener reviews. All.
• 1:34:48
  Right, all right, so all of our reviews are from Twitter today.
• 1:34:53
  OK, so and I'm sorry if I'm missing, we missed a lot of
• 1:34:57
  reviews for the but it was because they came in after we
• 1:35:00
  recorded so it wasn't me intentionally leaving you guys
• 1:35:02
  off if you. Guys are ever left off.
• 1:35:05
  It's because they came in after our recording.
• 1:35:09
  Yeah. So yeah, I apologize for that,
• 1:35:11
  but I got these guys here that have chimed in with their
• 1:35:17
  thoughts. OK, so First off, let's start
• 1:35:20
  with Ward Zombie, who says I have a fond memory of this as it
• 1:35:24
  was a birthday release. Those were great.
• 1:35:26
  Yeah, that was the trap was my birthday release this year, Yes.
• 1:35:29
  Exactly. The characters were odd, the
• 1:35:31
  acting was not great, and there were some plots that made no
• 1:35:34
  sense. How did the kids adjust to their
• 1:35:36
  new body so fast? The overall idea was cool and
• 1:35:38
  just not executed well. And yeah, I feel like that's
• 1:35:41
  like most people's sentiment towards this movie, and I
• 1:35:46
  absolutely understand what that take right there.
• 1:35:50
  Here's one thing that I just thought of.
• 1:35:53
  I agreed with the acting too. Like shouldn't they need to pee
• 1:35:58
  and poop a lot more often than they are?
• 1:36:00
  Oh my God yes. But here's another thing.
• 1:36:07
  None of them are eating the entire time.
• 1:36:09
  They're aging decades without taking a bite.
• 1:36:15
  That's the thing. That's another thing about this
• 1:36:17
  movie is like, you have it straight up makes you like, if
• 1:36:22
  you ever want to take this movie anyway seriously, you have to
• 1:36:25
  turn your brain off. Yeah, because there's just too
• 1:36:27
  many things that just don't make sense to me think about.
• 1:36:30
  It. And that's the approach I take
• 1:36:32
  with basically all time travel movies.
• 1:36:33
  You're going to find potholes everywhere.
• 1:36:36
  Yeah. Just fucking have fun with it.
• 1:36:39
  Yeah. And it hurts my brain to think
• 1:36:42
  about it too much. One time we got into a
• 1:36:43
  discussion about daylight savings at work, and it lasted
• 1:36:48
  for like 20 minutes. And by the end, I was like, we
• 1:36:50
  need to talk about something else because I'm going to start
• 1:36:52
  crying. I can't hit this conversation
• 1:36:54
  anymore. All right, so yeah, thank you,
• 1:36:59
  Ward Zombie, you are right on there with the Aquila boobs.
• 1:37:04
  MC Aquila boobs says yeah, they're no longer sire.
• 1:37:09
  Yeah, not great, but not terrible.
• 1:37:11
  It was all right, The concept was neat, and the ending was
• 1:37:14
  quite fucked, honestly. It's definitely something these
• 1:37:16
  huge corporations would do if they could.
• 1:37:18
  Absolutely. Yeah, that's.
• 1:37:19
  True. That's another like, horror
• 1:37:21
  aspect of this is like, yeah, a corporation would absolutely
• 1:37:24
  exploit you to this degree. And I think it's telling that
• 1:37:27
  neither of us question like why is the pharmaceutical company
• 1:37:30
  we're just like, no, it wouldn't really get peer.
• 1:37:31
  Reviewed. Yeah, go into like the boring
• 1:37:34
  details of it all. Yeah, Yeah, yeah, No, that seems
• 1:37:38
  to be like another common thing right there is like, yeah,
• 1:37:41
  everybody, I think everybody agrees it's a cool idea.
• 1:37:43
  It's a cool concept. Getting old on the beach.
• 1:37:46
  But yeah, execution is kind of like.
• 1:37:48
  That's not what I meant when I said I wanted to spend the rest
• 1:37:51
  of my life on the beach. Tyler says.
• 1:37:54
  Didn't hate this as much as everyone tends to, but there
• 1:37:57
  were issues. It was cool to see Alex Wolf and
• 1:38:00
  Abby Lee again as I enjoy them in past projects.
• 1:38:03
  I agree, it's nice seeing Alex Wolf after Hereditary.
• 1:38:06
  Yeah, I'd like that. He's kind of he's gone the
• 1:38:09
  Nickelodeon to horror pipeline. Yeah, it's fun.
• 1:38:12
  I feel like we're not seeing him in enough things.
• 1:38:14
  And I feel like Abby, I mean, Lee has just popped up in a lot
• 1:38:16
  of things for us recently. Yeah, it seems that way cuz.
• 1:38:18
  We just watched Fury Rd. not too long ago.
• 1:38:21
  I was like, oh shit, you were like, that's the girl from Neon
• 1:38:24
  Demon. And both of them turned out
• 1:38:27
  pretty great performances. That cave scene haunts me.
• 1:38:31
  It had clever moments. I enjoyed a 5 out of 10.
• 1:38:34
  OK, Yeah. That's pretty.
• 1:38:35
  That's pretty good right there. Yeah.
• 1:38:37
  I, I generally agree. I think I liked it a little bit
• 1:38:41
  more than a 5 out of 10, but you're spot on with the things
• 1:38:44
  that you're saying. I I agree with that review.
• 1:38:46
  And finally, we have Kevy Kev who says so much potential that
• 1:38:50
  was never realized. Well, Kevin, I could say the
• 1:38:54
  same thing about my life, and I'm still doing my best to live
• 1:38:57
  it, aren't I? I mean, yeah, like that's, that
• 1:39:02
  seems to be the most common thing that I see from this,
• 1:39:04
  Yeah. But honestly though, like I
• 1:39:08
  didn't have any expectations from this movie other than I
• 1:39:10
  wonder why they're getting old on the beach and it's just beach
• 1:39:14
  makes old and I'm fine with that.
• 1:39:15
  I like the story that we got from it.
• 1:39:17
  Yeah, I thought, I thought we were going to get like a deeper
• 1:39:19
  explanation the first watch, but yeah, no, like it's whatever.
• 1:39:22
  And I kind of am curious what other people's expectations were
• 1:39:26
  for the story, because especially like reading the
• 1:39:28
  graphic novel, it sounds like it really didn't have.
• 1:39:31
  Yeah, it was just ambiguous. Yeah, It was more about like the
• 1:39:34
  interpersonal drama and like, reckoning with, like life
• 1:39:38
  passing you by. Like it doesn't seem like it was
• 1:39:40
  really about. Like, why is the beach doing
• 1:39:41
  that? Which, yeah, that's interesting.
• 1:39:43
  And I feel like they kind of tried to do that with this, but
• 1:39:46
  again, and I took the path of like, let's explore a little bit
• 1:39:49
  of that, but let's explore a little bit of like, why this is
• 1:39:52
  happening. Yeah.
• 1:39:53
  Yeah. So that's why you get here.
• 1:39:55
  You get a little mishmash of Shyamalan.
• 1:39:58
  Yeah. That's why they call them
• 1:39:59
  Mashamalan. OK?
• 1:40:01
  That's what they call them, I've heard.
• 1:40:04
  Did you hear it from yourself? Yes.
• 1:40:06
  Yeah, OK, that's it for the episode everybody for.
• 1:40:10
  The episode next week we are going to be talking is our
• 1:40:14
  Patreon voted episode and we gave them two weird options to
• 1:40:19
  choose from and they went with the dentist.
• 1:40:22
  Yeah, yeah, we get Brian Yasno on this piece again.
• 1:40:25
  Yeah. So that's a weird one.
• 1:40:28
  It's upsetting, but like, in the way you want a horror movie to
• 1:40:30
  be. So I'm not gonna read where
• 1:40:33
  that's at currently because it's the last day of August.
• 1:40:36
  Generally it's an accessible movie.
• 1:40:39
  I've I tend to notice that on the free streaming services, the
• 1:40:42
  tubies and the Pluto is pretty often.
• 1:40:44
  Yeah, so just be on the lookout on our social media.
• 1:40:48
  I'll post the where to watch this weekend, OK?
• 1:40:50
  You'll be able to see where it is.
• 1:40:51
  Yeah. I'm excited.
• 1:40:53
  Yeah, and Speaking of our social media, you can find us on
• 1:40:56
  Instagram and Threads, at least say Scary Movie podcast on
• 1:40:59
  Twitter and Blue Ski at least favpod.
• 1:41:01
  You find us on our Facebook page and then you can also find us on
• 1:41:03
  our website which are least favorite Scary movie.com or
• 1:41:06
  e-mail us at least favorite scarymovie@gmail.com.
• 1:41:08
  And Speaking of our patrons, we want to give a shout out to
• 1:41:11
  those wonderful bubbies. We've got Joe Freaka Tron, as is
• 1:41:15
  his name. I think he's Fright Maritron.
• 1:41:17
  Oh, he is currently, yeah. Just, you know.
• 1:41:19
  Yeah. As is his name.
• 1:41:21
  As is his name. Amber Michael Tyler learned
• 1:41:26
  Zombie and Chad. Yeah.
• 1:41:28
  Did I get all of them? Yeah.
• 1:41:29
  I got distracted correcting you got Joe's name.
• 1:41:31
  Joe, Amber, Michael Tyler or Zombie Chad?
• 1:41:35
  Yeah, that's you guys. That's a double shout out.
• 1:41:37
  Yeah. OK.
• 1:41:37
  Thank you, guys. Thank you, guys.
• 1:41:39
  You guys deserve it because you guys are awesome.
• 1:41:41
  I appreciate you all supporting the show the way that you do.
• 1:41:43
  We can't do this without your all's help and support.
• 1:41:47
  If you guys aren't able to do Patreon, we get it, but you can
• 1:41:51
  maybe subscribe on whatever platform you listen.
• 1:41:53
  That is a big boost for us. Also rating and leaving a little
• 1:41:57
  review that does some wonders for us as well does good things.
• 1:42:00
  And if you got a on social media, if you got an episode
• 1:42:04
  that you liked, just share it out there.
• 1:42:06
  Or if you know you got people that you know that might be
• 1:42:08
  interested, we'd love to have them as a part of the show.
• 1:42:11
  If they got reviews, if you know, if you got anybody that
• 1:42:14
  was the dentist and you want to hear their thoughts right on the
• 1:42:17
  show, send this their way and then we'll read the review next
• 1:42:20
  week. Or if you have maybe
• 1:42:21
  suggestions, I mean, the descent was one that was a long time
• 1:42:24
  coming where a lot of people requested it.
• 1:42:26
  We've been waiting for the right time for it.
• 1:42:28
  Some of the best things from the shows come from suggestions the
• 1:42:30
  Pride month. Prom month.
• 1:42:32
  Prom month. Yeah, all kinds of things.
• 1:42:34
  So yeah, please. Stay alive, stay alive.
• 1:42:37
  The Munozera. That's true.
• 1:42:39
  That was somebody emailing us. That's right.
• 1:42:41
  Yeah. So yeah, we look forward to
• 1:42:43
  seeing you guys online. And thanks everybody for being
• 1:42:46
  here with us. You guys are awesome.
• 1:42:47
  Thanks. Until next time, bye.
• 1:43:07
  Bless you. Thank you.