Latest / The World of Phil Hendrie / Episode #3564 The New Phil Hendrie Show

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Episode #3564 The New Phil Hendrie Show · The World of Phil Hendrie

• 0:00
  Speaker 1: Yes, Hello, this is John Jerryman. And you all remember
• 0:03
  Speaker 1: me from my theater work with Margaret Gray and certainly
• 0:07
  Speaker 1: the famous songs that I made famous by, you know,
• 0:13
  Speaker 1: being with Margaret in the theater. Songs like I Wonder
• 0:15
  Speaker 1: what the King is doing tonight, you know those kinds
• 0:20
  Speaker 1: of songs. Margaret's looking at me like I'm saying, you're
• 0:23
  Speaker 1: looking at me, Margaret, as if someone put a bonnet,
• 0:26
  Speaker 1: put on a tie, and put a pair of pants
• 0:28
  Speaker 1: on a cow turn. What are you crying? No, I'm
• 0:31
  Speaker 1: not crying. I'm disappointed. And so get a backstage pass
• 0:35
  Speaker 1: to the world famous Phil Henry Show and you'll find
• 0:37
  Speaker 1: out why thousands, if not hundreds, are saying the World
• 0:41
  Speaker 1: Famous Phil Henry Show is the greatest value online other
• 0:45
  Speaker 1: than porn. Margaret, this is John Jerryman, Margaret, John, just
• 0:49
  Speaker 1: hold on. Margaret and I were, but you were in Camelot.
• 0:53
  Speaker 1: I yes, I understudied Claire Bouvey Rece Wilbon. That's a man.
• 1:00
  Speaker 1: It was a man, but he was playing Guinevere.
• 1:02
  Speaker 2: So my god, that's a man.
• 1:05
  Speaker 1: Yes, it was a man, but he was he was
• 1:07
  Speaker 1: playing Guinevere. It was a short week and a lot
• 1:11
  Speaker 1: of things happened we'd had that party. Well, I know
• 1:14
  Speaker 1: some people were not able to I guess it was
• 1:17
  Speaker 1: at your house. You were the one that fed them
• 1:21
  Speaker 1: the drink. John Jerryman had a party of his house
• 1:24
  Speaker 1: the week that we've debuted Camelot in Philadelphia, and let's
• 1:28
  Speaker 1: just say that he had put something in the drink.
• 1:30
  Speaker 3: What did you put in the drink? But it was
• 1:31
  Speaker 3: a lucigenic, isn't it, John, step out of it. Yes,
• 1:36
  Speaker 3: Yes it was, Yes, it was a lucid Jenny, it was.
• 1:39
  Speaker 3: It was a precursor to molly. What are you talking about?
• 1:45
  Speaker 1: I'm telling you that it was a kind of a
• 1:48
  Speaker 1: stimulant that induced hallucination. I think it was along the
• 1:53
  Speaker 1: lines of STP. Since when are you conversing with these
• 1:55
  Speaker 1: kinds of drugs? And why were you giving these two
• 1:57
  Speaker 1: people that were unsuspecting. That's a lot of questions. While
• 2:00
  Speaker 1: I resent and I resent, I resent myself for having
• 2:04
  Speaker 1: done it. I'm bitterly angry at myself and I resent
• 2:07
  Speaker 1: myself for having note, but I'm also resentful of you
• 2:10
  Speaker 1: for bringing this up. Well, this is a very big
• 2:12
  Speaker 1: week for Phil Henry. He's going to New York. He's
• 2:15
  Speaker 1: going to perform in the play the Pitch. They'll be rehearsing,
• 2:18
  Speaker 1: they'll be working very, very hard. Now, this is Tom
• 2:21
  Speaker 1: Alpers play. Yes, I've heard of it. It ran for
• 2:23
  Speaker 1: three years in Los Angeles, and I think it's going
• 2:25
  Speaker 1: to do very well in New York. Of course it will.
• 2:29
  Speaker 1: But he needs all of his concentration, he needs all
• 2:32
  Speaker 1: of his powers of.
• 2:32
  Speaker 2: Recollection, and he needs to reboot.
• 2:38
  Speaker 1: Well, he needs to refresh.
• 2:39
  Speaker 2: He needs to refresh, reboot, re revitalize, revitalize.
• 2:44
  Speaker 1: Yes, and so we're here tonight to honor the theater
• 2:50
  Speaker 1: and sing a song that we both know. Now, they
• 2:52
  Speaker 1: told me that last night there was a man singing
• 2:56
  Speaker 1: that was major Elvis Newton, Major Elvis Newton. Well, well
• 3:02
  Speaker 1: what I'm They said, he sang bad.
• 3:05
  Speaker 2: They said it was full of profanity.
• 3:07
  Speaker 1: Let's forget about what happened last night. Let's think about
• 3:10
  Speaker 1: tonight tonight, and what we are hoping for Phil is
• 3:14
  Speaker 1: a successful run in the Pitch. Oh, I wonder what
• 3:19
  Speaker 1: the King is doing tonight. What merriment is the King
• 3:23
  Speaker 1: pursuing tonight? Is that it? That's all I remember? Just said, Fuck, yeah,
• 3:30
  Speaker 1: I just said fuck.
• 3:32
  Speaker 4: The world famous Phil Hendry Show brought to you by
• 3:35
  Speaker 4: the world Famous Phil Hendry Show. Backstage pass. Get a
• 3:38
  Speaker 4: subscription today for a month or for a year, and
• 3:41
  Speaker 4: when you do, you'll be happier, exponentially happier than ever before.
• 3:45
  Speaker 4: For a month, it's less than ten dollars. For one year,
• 3:47
  Speaker 4: less than seven dollars a month.
• 3:49
  Speaker 1: Think of that.
• 3:50
  Speaker 4: God, I just you know, they asked me to do
• 3:53
  Speaker 4: these commercials that I think on I think, what am
• 3:54
  Speaker 4: I doing? Why am I sitting here? Why aren't I
• 3:57
  Speaker 4: out running out? Getting a backstage pass to the Phil
• 4:00
  Speaker 4: Henry Show, The world Famous Phil Henry Show at Phil
• 4:03
  Speaker 4: Henryshow dot Com.
• 4:04
  Speaker 1: The greatest value online other than porn.
• 4:10
  Speaker 4: This is the world FAO's Phil Henry Shown.
• 4:13
  Speaker 1: We can't play that because it's copyright protected, but the
• 4:15
  Speaker 1: first few bars we were allowed. Now you, I'm Margaret Gray,
• 4:19
  Speaker 1: I'm John Jerryman, and this is the world Famous Phil
• 4:22
  Speaker 1: Henry Show. Phil is getting himself ready for two very
• 4:26
  Speaker 1: important months in the state of New York, in the
• 4:28
  Speaker 1: city of New York, in the borough of New York,
• 4:31
  Speaker 1: in the mindset that is New York, in the New
• 4:34
  Speaker 1: York that is the New York.
• 4:35
  Speaker 2: He's going to be there, not you he.
• 4:38
  Speaker 1: To appear in the play the Pitch in the play
• 4:41
  Speaker 1: The Pitch, the pay to appear in the play The Pitch. Yes,
• 4:44
  Speaker 1: and a great opportunity for philm And we were just
• 4:47
  Speaker 1: here now reminiscing Margaret and I on our days in
• 4:51
  Speaker 1: the theater when John and I were in the theater.
• 4:53
  Speaker 1: As I mentioned, I understood, I understudied. I didn't always understand. Oh,
• 4:57
  Speaker 1: I know what you're saying.
• 4:58
  Speaker 2: Claire bouveays, this is how she talks. She'd go, I know,
• 5:05
  Speaker 2: I don't.
• 5:05
  Speaker 1: Know what's wrong with her, but I don't think it
• 5:07
  Speaker 1: was drugs. It might have been drink or something. But
• 5:10
  Speaker 1: leny of people doing man making fun of a lady?
• 5:13
  Speaker 1: Who is that? What do you want, Bud?
• 5:15
  Speaker 5: You making fun of people? You make it fun of
• 5:16
  Speaker 5: the lady and everything we're talking about.
• 5:19
  Speaker 4: Oh boy, Margaret, you're talking about Claire Bouvey, but you're
• 5:23
  Speaker 4: mocking the woman.
• 5:24
  Speaker 1: How she speaks dees with you and who's this general
• 5:27
  Speaker 1: Galen Shaw?
• 5:29
  Speaker 4: Well, I've never heard of you. I've never heard of you, Jack,
• 5:32
  Speaker 4: and will just thank you to bun out. I'm in
• 5:34
  Speaker 4: the middle of doing a show I was contracted to
• 5:37
  Speaker 4: do the Phil Henry show. We're in the middle of it,
• 5:38
  Speaker 4: and you are sticking your big bazoo in the middle
• 5:41
  Speaker 4: of this. Hold on for just a minute, John, General,
• 5:43
  Speaker 4: we're talking about Claire Bouvey.
• 5:45
  Speaker 1: I don't know. I don't know who Claire Bouve is,
• 5:48
  Speaker 1: but as Bud said, she's deserving of some respect and
• 5:52
  Speaker 1: not to talk to her like she's a thing. Talking
• 5:54
  Speaker 1: about her like she's some kind of a thing at
• 5:56
  Speaker 1: the aquarium to just go hey when it leaps up
• 5:59
  Speaker 1: and gets a fish in its mouth, that's a terrible
• 6:02
  Speaker 1: way to talk to me. Well, you're the one that
• 6:03
  Speaker 1: did it. That, may I say?
• 6:05
  Speaker 2: You're General? I'm General Shaw, Yes, I'm John Jerry.
• 6:08
  Speaker 1: But I know that you're the guy that you're the
• 6:10
  Speaker 1: guy that you're the guy that's got the old ladies
• 6:12
  Speaker 1: at the Old Folks Home sticking their hands up your pants.
• 6:14
  Speaker 1: That's that. Yeah, you got it right. That's the hell
• 6:18
  Speaker 1: that I live in. You understand. Well, oh wait a minute, now,
• 6:21
  Speaker 1: you you listened to me. I'd listened to you long enough.
• 6:24
  Speaker 1: That's the hell I live in. I got an old
• 6:26
  Speaker 1: bag trying to stick her hands down my pants. Well,
• 6:30
  Speaker 1: there are worst things, oh are that I'd like to know,
• 6:32
  Speaker 1: because I'm telling you right now, that is the worst.
• 6:37
  Speaker 1: All right, John, Margaret, just butt out the uh uh.
• 6:41
  Speaker 5: Other than talk to me like that, you putts Martin
• 6:45
  Speaker 5: god mis Green bell at him.
• 6:46
  Speaker 1: No, I didn't.
• 6:47
  Speaker 5: She didn't touch me, you said, you mean it sound realistic?
• 6:50
  Speaker 1: Did she? Did she touch you at all? Yeah? She
• 6:52
  Speaker 1: was touching my nuts? Oh now I'm gonna ah.
• 6:58
  Speaker 2: Yeah that that I really did. Straight shut to.
• 7:01
  Speaker 1: The ball, sack lah ah ah ah.
• 7:08
  Speaker 4: I want some ice. I'm just kidding. I never touched him.
• 7:11
  Speaker 4: Here comes Phil. Oh great, what are you guys doing.
• 7:15
  Speaker 4: We're reminiscing about Philadelphia so far?
• 7:17
  Speaker 1: I heard you. Did you really hit this guy in
• 7:19
  Speaker 1: the nuts?
• 7:20
  Speaker 6: No?
• 7:20
  Speaker 2: I didn't.
• 7:21
  Speaker 1: Are you listening all right, but I'm listening to you
• 7:24
  Speaker 1: talking some smack? Get out of here, Phil. I have
• 7:30
  Speaker 1: often walked down the street before, but my feet have
• 7:34
  Speaker 1: almost barely touched the street before as I walk along
• 7:39
  Speaker 1: down the street. I don't think we should sing.
• 7:41
  Speaker 2: I don't either know.
• 7:42
  Speaker 1: My voice is not in shape and anything that we
• 7:45
  Speaker 1: sing tonight, even as bad as we sing, because even
• 7:49
  Speaker 1: if we sing poorly, we make all these other rodents
• 7:52
  Speaker 1: sound rodents.
• 7:54
  Speaker 2: That's right, Sorry, that's exactly right.
• 7:58
  Speaker 1: We make them sound like what We make them sound
• 8:00
  Speaker 1: like rodents, like they got a mouthful of lettuce.
• 8:03
  Speaker 4: You're let's say, of the Phil Henry Show.
• 8:05
  Speaker 1: I'm Margaret Gray, I'm John Jerryman. We are very excited
• 8:09
  Speaker 1: to bring on Brad butt Suck tonight, who had appeared
• 8:13
  Speaker 1: on stage with us.
• 8:14
  Speaker 5: What but mister Andrey's gonna have to hear about it.
• 8:17
  Speaker 5: Hear about what Brad butt suck.
• 8:20
  Speaker 2: It's a real guy.
• 8:21
  Speaker 1: That's his real Margaret, you know, Phil, would you butt out?
• 8:25
  Speaker 2: I have to know.
• 8:26
  Speaker 1: Is that a real guy? Yes, it's a real guy.
• 8:28
  Speaker 1: You think I just come out. Oh here's a guy
• 8:29
  Speaker 1: named Brad butt Suck, Miss Henry, I can tell you yes,
• 8:35
  Speaker 1: and we're about to interview him. He'll give you some
• 8:37
  Speaker 1: background in detail. He's a real person. That's his real
• 8:40
  Speaker 1: last name. Yes, he might have changed it for theatrical purposes. Well,
• 8:45
  Speaker 1: that's what I'm talking about. But he went back to
• 8:47
  Speaker 1: the original butt suck. That's the family name. He changed
• 8:50
  Speaker 1: it I think to what Brown?
• 8:51
  Speaker 2: Yeah it was it was Brad Brown or Brown, Brad
• 8:54
  Speaker 2: something Brown?
• 8:57
  Speaker 1: You done? Yes, I'm done.
• 9:00
  Speaker 2: Let's bring on our good friend, Brad butt Suck.
• 9:03
  Speaker 1: Brad butt Suck joins us from his home in Colliga, Pennsylvania.
• 9:08
  Speaker 1: Brad always always a great pleasure to talk with you.
• 9:11
  Speaker 6: Thank you, Mijeri, and always Juchu John runs her talk
• 9:16
  Speaker 6: with you.
• 9:17
  Speaker 1: You know, we're always excited to talk with you, Brad,
• 9:20
  Speaker 1: because you've covered so much Broadway, so many exciting things.
• 9:25
  Speaker 1: Are you in the middle of something right now?
• 9:27
  Speaker 6: No, I'm Russian Corps shakh Brad.
• 9:37
  Speaker 1: We recall when you were on stage performing in boo Abia.
• 9:42
  Speaker 1: Remember that one was Caroline Bouve before she had to
• 9:45
  Speaker 1: bow out?
• 9:46
  Speaker 6: Yes, are you remember?
• 9:48
  Speaker 2: And you played the You played the part of nest
• 9:51
  Speaker 2: what was his.
• 9:52
  Speaker 6: Name, Nescafe no Nestlei. His name was es. He probably
• 9:57
  Speaker 6: didn't like it, tell your child shadow like a chaka, but.
• 10:01
  Speaker 1: It was not the chocolate bar.
• 10:06
  Speaker 2: So you played that part and you did it beautifully
• 10:08
  Speaker 2: and it blew everyone away and pardon my language, it
• 10:12
  Speaker 2: just blew everyone off the stage.
• 10:15
  Speaker 6: I see that very big now.
• 10:18
  Speaker 1: Uh. Now, you're the only man I know, Brad who's
• 10:21
  Speaker 1: won two Tony's. You won the one Tony for uh
• 10:25
  Speaker 1: A Bouvier or boh, what's the name of the play again?
• 10:29
  Speaker 6: There was another one in or toy for yes, Well,
• 10:32
  Speaker 6: do you see your ssule? I was I was thinking
• 10:36
  Speaker 6: to you assholes? Would remember who you who you call?
• 10:40
  Speaker 1: Did you hear that?
• 10:41
  Speaker 6: What are you?
• 10:41
  Speaker 1: Who are you calling? An asshole?
• 10:43
  Speaker 6: I'm sorry, but I'm gonna talking here to do? He said,
• 10:51
  Speaker 6: he said, he said, I'm sorry, John, I'm really sorry.
• 10:56
  Speaker 1: What is what is the point of that?
• 10:58
  Speaker 2: Are you having a bad night?
• 11:00
  Speaker 6: It is kind of a bad because I tried. I kid,
• 11:03
  Speaker 6: I was here, let's go and play poker with the guys.
• 11:05
  Speaker 6: I was gonna have a guys night out. It turned
• 11:07
  Speaker 6: out my wife didn't go to worst I'm stuck here
• 11:10
  Speaker 6: with her.
• 11:10
  Speaker 1: All right, Well you're stuck with your wife and your wife,
• 11:12
  Speaker 1: by the way, brad butt Sock's wife, Evelyn clowned it down.
• 11:17
  Speaker 1: A wonderful woman.
• 11:18
  Speaker 6: Yes, he's a wonderful woman, and I've always let sue her. Okay,
• 11:24
  Speaker 6: I know, So.
• 11:25
  Speaker 1: Why why are you begrudging her a night out?
• 11:27
  Speaker 6: Because I'm stuck here these assholes?
• 11:32
  Speaker 2: We like you to watch the language if you wouldn't mind, Brad.
• 11:35
  Speaker 1: Okay, we're talking with brad butt Sock, one of the
• 11:38
  Speaker 1: great Broadway stars, and he's giving us some background on
• 11:41
  Speaker 1: his domestic situation. But let's go back, Brad, to when
• 11:44
  Speaker 1: you were really knocking it out of the park. There
• 11:47
  Speaker 1: the year nineteen ninety nine. The place, the place, Hoogie's
• 11:53
  Speaker 1: Theater in the Lower Main in Philadelphia. Do you remember?
• 11:57
  Speaker 1: We know where I'm going with this.
• 11:58
  Speaker 6: I say tell you and you sang a great song.
• 12:01
  Speaker 1: It was in the play entitled would Row Wilson. If
• 12:05
  Speaker 1: I never hear his name again, it'll be too soon.
• 12:07
  Speaker 6: I remember it.
• 12:10
  Speaker 1: It won the Tony, and you won the Tony for
• 12:12
  Speaker 1: Best Actor, primarily for your performance in the song I'm
• 12:16
  Speaker 1: wood Row Wilson. Does anyone really care?
• 12:18
  Speaker 6: Yes?
• 12:19
  Speaker 1: Can you do a couple of lines for us?
• 12:21
  Speaker 6: There? A couple of lines, you know what I mean?
• 12:24
  Speaker 1: Yes, a couple of lines of the of the song.
• 12:27
  Speaker 6: Oh oh oh, I heard we're talking about it.
• 12:31
  Speaker 5: Okay, could you yeah, mister buttsuck storton cocaine? I mean yeah, yeah, yeah,
• 12:38
  Speaker 5: you can't do that.
• 12:39
  Speaker 6: I really saw.
• 12:41
  Speaker 1: All right, I'll count you down. Let's hear it. This
• 12:43
  Speaker 1: is Brad Butt Suck from our wonderful, wonderful play. From
• 12:49
  Speaker 1: our wonderful, wonderful play, I'm wood Row Wilson. Does anyone
• 12:54
  Speaker 1: really honestly think I was a good president? Hit it?
• 12:58
  Speaker 6: I'm Woodrow will say, does anyone care if I did
• 13:03
  Speaker 6: a good job? I'm there, I'm We're ro Wilson and
• 13:09
  Speaker 6: you are to put our songs and jailer wonder you
• 13:14
  Speaker 6: you're not with Roe Wilson. You're not even Frederic. You're
• 13:22
  Speaker 6: not wood Roe Wilson. You're not even he he she
• 13:27
  Speaker 6: me he you wood Row Wilson, not me, your Woodrow Wilson,
• 13:34
  Speaker 6: Me me, your wood Ro Wilson. Top of the team.
• 13:40
  Speaker 6: We here making this up as you go along. Yes, yeah, yes, yes,
• 13:44
  Speaker 6: I am sorry.
• 13:46
  Speaker 1: Well what's the point of that?
• 13:47
  Speaker 6: I'm sorry, I don't I don't remember the lyrics of
• 13:51
  Speaker 6: the song.
• 13:52
  Speaker 1: All right, well well is that what the lyrics to
• 13:55
  Speaker 1: the song is? That is it? Is it actually a song?
• 13:59
  Speaker 6: This is why you can't get these og So you
• 14:01
  Speaker 6: wanna let us changing your saying?
• 14:04
  Speaker 2: I said, is that the song? You meanly about me?
• 14:10
  Speaker 6: You don't have many you even.
• 14:13
  Speaker 1: The wonder if Phil Henry Show backstage pass get it now,
• 14:17
  Speaker 1: get it now before it goes. It's there, it goes,
• 14:20
  Speaker 1: it's it's gone.
• 14:21
  Speaker 4: The world famous Phil Hendra Show a philindreyshow dot Com
• 14:24
  Speaker 4: The Greatest value online other than porn.
• 14:26
  Speaker 6: I'm Wrejoe Wilson. See he, I'm Wordrow Wilson. Misree, I'm
• 14:34
  Speaker 6: Wdrow Wilson. Guy, miss the legend, Woodrow Wilson. Where are
• 14:40
  Speaker 6: you heading? Woodrow Wilson letters me, Woodrow Wilson. He he
• 14:48
  Speaker 6: he Woodrow Wilson, Woodrow Wilson. Fuck this?
• 14:55
  Speaker 1: Where is?
• 14:56
  Speaker 2: Excuse me? Is is bred butt suck?
• 14:57
  Speaker 6: There? He's not about me?
• 15:02
  Speaker 1: What happened?
• 15:03
  Speaker 6: Well? I was sticking of the song and then this
• 15:04
  Speaker 6: guy said, write the lecal lyrics. Put to the lyrics
• 15:08
  Speaker 6: a late he took the lyrics.
• 15:10
  Speaker 1: What did you say?
• 15:11
  Speaker 6: Yes? He is.
• 15:14
  Speaker 4: Phil Henry should be arriving in New York right now.
• 15:17
  Speaker 6: I'm Wderald Wilson. Oh, it's Phil Henry is in Oh well,
• 15:23
  Speaker 6: Phil Henry is in New York. It's Phil Henry. I
• 15:28
  Speaker 6: hope he likes pork. It's Phil Henry. He's in New York, York. Pork,
• 15:34
  Speaker 6: dork fork Nork, Paul. This is brad Butt sucks saying
• 15:39
  Speaker 6: the world flame is Phil Henry. So he's exceptionally produced
• 15:42
  Speaker 6: by Phil Henry for Shampay Incorporated. Alright preserved on podcast one,
• 15:47
  Speaker 6: joining us to Next time for another Phil Henry show.