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Tecuento T3 P 11 - Soltar, crecer, amar y vivir · Tecuento

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Picu an entire program to share. Drive Daniel Billinsonic Friday vitrice to fourteen hours
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on radio trend Topic with the stories Khelos every homer s you we galleramos,
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Sanson Vin de Pash who will come I write Mimi not without thinking, without
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thinking where or how they are saying Friday thirteen hours, already saying goodbye to
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the week, preparing for an end of quite long and good. Here we
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are again in telling you next to Juan Creco, who always accompanies me.
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I think he' s going on a trip next week. Yeah, he
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says yes Hi, we' re gonna have a replacement. Let' s
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hope he' s having a nice time, having a good time where he
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' s going, not getting cold. Here we are today hot, it
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' s already cold and everything but well, when you walk, no matter
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the weather is not all right, all right. Okay. We' re
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on radio train topic. As you will see, this is a different,
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different entry into the program, because then you have to change, you don
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' t always have to be repeating the same and a little bit. The
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issues we are going to deal with today are about that, about getting out
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of some comfort, a certain routine. But first I want to share with
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you, to comment with you on a note he raised. He has here
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in Argentina, which makes him happy. It makes me happy because one always
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proclaimed that to make entrepreneurships, to make big companies, you do not need
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big investments, without knowing to which market. I' m heading for what
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the niche is, discovering it by cheering up. Recently we had Patricia Delantales
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here, who began as this story with a few pesos going to the eleven
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neighborhood and buying fabrics. This is the story of Agustina Nogueira, Verón and
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Germán Cookli. These guys, I can treat them like cute young guys.
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They started as a couple. Then they split up and now they' re
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still together, but as partners with a company that' s going way up.
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Everything was born with Augustina Nogueira and she was studying. Traditional careers are
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what you tell him to start in life, but nothing satisfied him. Passed
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from one race to another to another. She wanted to do something different.
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She liked to create clothing. Then one day he was loaned a family member,
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loaned a sewing machine with a thousand pesos and went to eleven to buy
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a meter and a half of fabric, much like Patricia Galante and so many
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other entrepreneurs, entrepreneurs around here and started making inclusive clothes, that is,
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inclusive lingerie. Now you don' t listen that much, but it'
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s been a couple of years. It was very loud the noise in which
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the brands generally made sizes for ideal women. One had one gram more,
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one inch more, it was from another complexion and so on and there was
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no clothes. Or they went on to have those posters that at some point
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became denigrating, that said special sizes to men as well, but they had
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a big impact on special sizes women. It was like you had a front
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two meters back or two meters. Then it was a shame. Agustina tells
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the idea to Germán. Today German the manager and Agustín is the creative one
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with those thousand pesos and working in industrializing the idea of lingerie, they came
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to bill last year one hundred and fifty million pesos a year. The projection
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for this year, two thousand twenty- four is four hundred million pesos and
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what they are doing is projecting towards the provinces and also preparing a plan to
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become international. The repercussion it has had has been very strong, even in
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that lingerie. It' s some sort of exit line. It is about
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helping to highlight those who have tatu. So look at what market I'
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m going to, what niche is, perseverance, and so on. Two
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people have a company that makes others happy and Germán Cooglie, in his statements
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mentioned that The formula of success they have is to involve their collaborators to everyone
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think about how to improve the life of the Other name of the archetape brand
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is arche Tipear. They can get it on Instagram htip Ar They are producing
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two thousand five hundred to three, two hundred garments per month. So,
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how this really comforts me with these ideas. I like to transmit it,
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to thank the one who drew the note who raised the note to share it
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with you through I tell you yes and to encourage those who have an idea
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to reason, to think and, moreover, to trust that we do not
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need to have everything armed, all the money in the world to succeed.
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What I do have to have is an idea to prepare the ground, study
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the terrain and see what happens many endeavors arise from looking at what needs there
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are now with the advancement of networks, which one sees in the networks,
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which one sees in the rials and not the comics, but those who seek
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a solution for the house, for those who have dogs, those who have
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cats for everything and the truth that there are solutions that are fantastic. So
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happy to have commented on this. Let' s go ahead. With him
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I would say the main theme for those who want to look later, because
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some are listening directly to us. Others will do it later or tomorrow,
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when they have a moment. The program is called the episode. Today'
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s program is called letting go, growing up, loving and living. Why,
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because now each of the little things that I' m going to be
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talking about and that you' re going to hear points to those aspects here.
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The first has been realization. Let go. They let go as Agustina
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did, let go of something that weighed him down and advanced, grew up
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touring the cyberspace. I came across several publications on this Soltar issue. Or
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there' s a book. There are people who can be seen on the
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screen who have performances of shows like Soltar. The coaches talk about Soltar and
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I found it interesting, seeing all those publications, doing as a summary and
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sharing with you this how to learn to let go to start growing Us.
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I' d propose to get you out of a sentence. We live with
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what we lack, but we rarely stop to think about what we have left.
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I tell you because I agree with this word and you generally tend to
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think that we will be happy when and when I have the blue, blue
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boyfriend that I like, that we have a house of our dreams, when
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we lower those extra kilos, when we make the trip, after the trip,
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or the trip is going to be mud but then a new life.
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But they know this process of constant pursuit of happiness that we cling to situations,
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things or people that prevent us from growing, developing, preventing us from
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developing and being permanently happy. I mean, that' s the thinking thing.
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To go forward is to stay in our comfort space. I ask for
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everything for later, everything for later. I' ll be fine after I
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do the show. Don' t I have to be okay when I do
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the show? I have to be loose, I don' t have to
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care if I respect a few minimal guides on what you' re talking about
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on the radio, but then you have to give it your imprint. There
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' s a lot of fear, we' re too afraid to lose,
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to stay empty and if I let it go, what' s going to
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happen to me next. But that backpack we usually carry usually holds us much
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longer and prevents us from achieving what we deserve. For example, look at
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the family, at work it' s the sentimental thing. In some of
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these situations, there is always a need to change. I' m not
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proposing that we throw away the couple, not calm. Just that there is
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something, you have to change customs here. It shows that someone seems to
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be thinking of opening the window and renewing the air. Someone' s going
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out for her. Many times there is an inner voice that is crying out
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to us to choose another path and one resists. We resist abandoning that eternal
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wheel of the known. How we can help this change. It' s
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not a fixed recipe, but it' s simple thoughts to identify what'
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s left over, what' s bothering me, or to realize. We
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once talked about it here that life is like a little ladder that has rungs.
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There' s a break, when we get to a break that'
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s how you go about the same more of the same thing, that'
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s got to get it out. That' s why some people say.
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But as if you were doing this, now you' re doing this another
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good, because that fulfilled its cycle and I was already weighed when I started
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I was barbarous now then I was already throwing myself down. I let go
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and now I' m on something else. It' s identifying what we
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don' t need and learning to let go. This isn' t a
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matter of brusqueness You' re leaving. You were when I was reading these
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articles. It occurred to me that many times couples happen it' s not
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you it' s me it' s a little bit of not accusing the
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other of the things that happen and throwing them at me Let' s start
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living free of obstacles and accept what we deserve, because many times we fall
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down. I don' t have to accept what I deserve and that'
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s gonna make me grow in that sense. In some notes they talked about
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the prism. They say life is like a prism. It has a base
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of different sides and in gray d where on this part we develop the areas
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on which our growth depends as a person and, obviously, definitive people,
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our happiness. How many people, to set an example, how many people
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around us sincerely believe that they help us or enrich us. Obviously, we
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' re gonna have the helpers and the other side. On the other side
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are the gray people. What are the gray people. Grey people are here
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when you shoot a new project that can be life, it can be a
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business without talking to it right away, they say uh why you do it,
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it' s risky, you' re going to go wrong and they
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directly kill the idea. That' s why we call him gray people.
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Why, because you are not on the same wavelength as us, that you
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when you want to grow up, you can be any friend, family,
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the same couple. They are people who take more than they add up and
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sometimes you don' t have to take them out, but you have to
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mark lines or not make sharers at all, or they don' t influence
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everything, because you have a custom if they are families, I share them,
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but well, lately in the publications and in the networks we drink to
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share with relatives, especially if you have money you will buy a debt,
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you end up dead. In those things. I like them because some families
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tell me no here. Not here. We are all united, the brothers,
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we go together to all and there is no property, that is in
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inheritance and that has to be done the succession, that there is shown the
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true way of being. We said that it is not easy to do all
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this It costs us and I insist again does not mean, to be breaking
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the situation, to be abrupt and fundamentally, when I want to separate something,
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I have to put face and name to that of what it weighs me,
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it is not today to me and it is a big gray cloud.
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No name is my boss, it is my boss who steps on me and
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there I can have two paths according to the reality of the moment, the
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environment or accept that that is a reality of the moment that suits me,
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because I have to continue living, eating or accepting it and I start to
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think to do a project so that at some point, when I can open
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up that is, all these experiences, we have to somehow thank them.
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Only when you empty yourself of what you don' t need or what doesn
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' t help us move forward. It is left for space, for new
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experiences. This not only applies here, it applies in many situations. If
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I want to change a furniture, I have to get something out and to
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let another one come, I have to put aside one idea for another to
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come in. In that sense, we have to fight our own ego,
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against the grudge I may have, against the person or the thing that happens,
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and I have to fight fear and sometimes I may have to go through
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the pain, but somehow it' s going to be a healing pain.
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In these notes they also mentioned three steps to do this in one match that
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identifying what hurts me time to reflect would be the second step and make the
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decision, study it, take radius, communicate it fulfilled this, what is
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going to happen well we are going to be directly starting a new stage of
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our life. This is what I wanted to share with you at this very
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first moment. We' re going to make a pausita, love tragedy,
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we' re going to move years ago. One thousand eight hundred and seventy
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- two, three thousand eight hundred, yes, there is a story some
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know, others not, after talking about it, here they will have to
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Buzclelo is the story of Guerrero congratulations. It' s a story of love,
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tragedy and mystery. Felicias Belonged to one of the highest families in Argentina,
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a family closely related to power and justice. The story I' m
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going to tell you today is being transmitted by the heirs family and witnesses to
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this situation through writings. Not because one thousand eight hundred seventy- two ahead.
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I don' t think we have anyone alive. Let us remember that
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at that time the families that were powerful were powerful, powerful like this first,
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and the life in our now called City of Buenos Aires revolved around them
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and the young people lived intensely the youth and died young Remember that. The
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death of felicitation takes place on the thirtyth of January of one thousand eight hundred
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seventy- two. And truly because of its projection into what was the family,
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politics and so on, it had repercussions not only in Argentina, but
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also in Europe. His father, Carlos José Guerrero and Riesin, was a
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friend of a landowner of the high society of Argentina, Martín de Alza,
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an important man. When you congratulate, he turned sixteen. Al Saga fell
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in love with her and asked her father for her hand. As at that
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time, marriages were remembered. The latter asked him what he was going to
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offer in return, as was said at that time, what the dowry is
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going to be or what is there for me, and Alzagar replied that because
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of his health problems, he would need someone to take care of his fortune
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in the near future. Guerrero accepted the proposal, but when he told his
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family that he had committed to congratulatingÁlsaga, his daughter began to cry heartily.
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There were several reasons. First, she wasn' t in love with
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the man. Second, the difference was considerable. Alzaga exceeded congratulations in thirty
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- two years. He was even older than his own father. Well,
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you' re welcome, it was worth her protesting. The father considered that
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by playing a good game and in a thousand eight hundred and sixty- four,
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at the age of eighteen, he married Alza, who was already fifty
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years old. Despite having had two children, none of them saw a long
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time.Álzaga' s health deteriorated after the loss of her first child and
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finally, after the death of her second child, she did so. Alzaga
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died in one thousand eight hundred and seventy, at fifty- six years of
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age. She saved Luto for a year and took over all the business of
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her late husband, something unusual for the time. In addition, she began
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to attend traditional social gatherings and it was in those halls that her presence began
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to stand out. The poet Carlos Guido Hispano began to call her the most
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beautiful woman in the Republic. And another comment was that it was the jewel
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of the Buenos Aires halls. The suitors did not delay in making ranks,
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not only because of their beauty to their youth, but also because they were
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the universal heiress of their late husband and having no living children, well,
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there was no one to share that inheritance with. So many were interested in
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silver. One of these suitors was Enrique Ocampo, grandfather uncle of the writers
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Silvina and Victoria, Ocampo, the Guerrero family. For everything that happened,
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they say there' s no evidence that Felicity and Ocampo had a relationship.
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There' s no record, there' s no letters, there' s
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no evidence I can say anything happened between them, but something seems to have
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happened. Ocampo iced Felicias a lot and was deeply in love with her.
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Not this or speculated that it could be because of a silver problem, as
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he was going through serious economic problems in his business. He was practically in
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the broken Ocampo cow to solve those problems, part of Europe. During Ocampo
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' s absence, Felicitas met the love of his life. Casually on a
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carriage ride across the field. The coachman is surprised by a storm, the
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carriage is disoriented, stuck in the mud, and Felicias, as he looks
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out for help, is surprised by a young rider of his own age who
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presented himself as Samuel Saenz. Brave. See that they are all called and
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people who have had a lot of influence in Argentine history. He was the
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land the fields where this had happened belonged to the Sáenz Valiente family. He
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offered him a refuge to pass the storm and thus began a friendship between the
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two, which eventually became a courtship, which continued in the city of Buenos
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Aires. The stories we make of the fields and others are usually between a
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hundred and a hundred and fifty kilometers from the city of Buenos Aires. Happy
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to have found the love of his life and the desire to marry out of
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love, he congratulates the family to announce that he would buy himself into Sáez
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Valiente when he returns from Europe. He was hoping you' d still get
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a new marriage proposal. She' d accept it, she wouldn' t
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accept it. Then he threatened to take her life. Everyone downplayed that They
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said it couldn' t be. I wasn' t a person who did
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such a thing. But here begins the tragedy. On the 29th of January,
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one thousand eight hundred and seventy- two, at sunset while he congratulated,
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he was in the Quinta Lanoria in barracks. Remember that at that time
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the neighborhoods that are now inside the city were already far away. The borders
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were very close to what the obelisk is today. She was in the company
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of Samuel and other relatives. That was where Ocampo appeared, who came to
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demand a definitive answer. Good not to argue with the family. They were
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a separate room. He asked her to marry him again. She turned him
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down again and then Ocampo pulled out a gun and shot him in the back,
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reaching her in a stunned, frightened homoplate. Felicia tries to get out
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of the room, but her long dress is hooked on a piece of furniture
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she stumbles and falls and at that moment of field shoots her again and this
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time she pierces her lung and tears her marrow, that is to say she
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leaves her badly wounded. Family members try to enter the room, but she
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was blocking the entrance, the first that can happen is the younger brother,
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who was more often, but Ocampo also shoots this boy who manages to open
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the door a little more and the rest of the families enter and work in
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struggle with Ocampo. In that fight the gun ends in the mouth of the
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field and shoots him. Die instantly. Felicitas agonizes and the next day,
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on the thirtyth of January of one thousand eight hundred seventy- two, he
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dies. Her parents sent a church in triero where she had been killed.
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There, in Barracas, and so the year seventy- nine was born the
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Church of Santa Felicitas in the neighborhood of Barraca, in front of Plaza Colombia
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and up to here I will arrive. I' m going to leave to
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you the work, the mystery, the desire and you have to keep digging
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into this, because that church is called the Church of the Brides. That
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church has a ghost fan, a ghost that some say can be seen.
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So investigate and you will find much more about Felicitas in your life, about
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the warrior family over the church and the other is another line is to talk
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or look for the castle of warriors. There are two castles. We see
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it when we go to the side of the coast and others a little bit
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deeper. They are preserved as in their time and have guided tours. We
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take a break, folks. Well, now let' s hear an audio
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from an account of our dear friend. Graciela Veronica, she plays very nice
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about the legend of the cardon. Let' s hear her hallucinating up north.
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I dry in the north of my beloved earth and see in a green
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and haughty cardon a man who, lifting up his arms, seeks compassion in
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the heights. It seems that there are spikes in his body, sharp pains
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coming out of his soul, which avoid the balm of hugs with those thorns
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mending outbreaks of very deep wounds. Perhaps he is praying in pure supplication,
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wanting to strip himself of hard stings that sprout from within a rough past,
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warning them not to approach him that they will be hurt by the pains.
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An ancient legend tells that the Cardons are actually warriors who become plants, still
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watch the valleys and hills of northern Argentina and watch over the tranquility of their
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inhabitants so that they will never again be disturbed by strangers who arrive in search
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of their lands. They weren' t always there. It is said that
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in the time of the ca conquest, the invaders prepared to attack the people,
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a people of brave warriors bet on key points where the conquerors were to
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pass at dawn arrived the chasquis announcing that the Spaniards were near. He was
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prepared for the attack, but from the top of the ravines they saw that
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the enemies were too many, that they brought many firearms and it would be
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impossible to stop them with their arms up. Thinking about the lives of their
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loved ones and promising that they would always defend them, they asked Mother Earth
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for help. The pious Mother Earth gave birth to each warrior a high and
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strong plant with her arms raised and covered with thorns, and asked that the
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one who deposed her close in one of her clothes. As the conquerors approached
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they saw many enormous men waiting for them willing to fight and decided that it
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would be dangerous to face them because they were large, so they took another
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path without going through the village. Pachamama created the Cardons to look like powerful
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warriors who care for everything that belongs to them. It made them hard on
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the outside, but with a soft interior that keeps the water necessary to be
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able to spend days in the sun without dying of thirst In addition, it
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adorned them with flowers that sometimes come out to remember the love of the warriors
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for their people. I have just told you a beautiful legend, the legend
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of Cardón, these cardons that adorn our hills in northern Argentina and at first,
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a poetry by Carlos Justino Caballero. And well, well, well,
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well, let' s do this intermission with a story that they say the
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story is the place of imagination. Two friends agreed to register what they saw
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on their travels. This is a fairly old story, but using a key
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that would allow them to overcome any attempt at censorship that they might find on
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their journeys, shipments and receptions, they agreed then to exchange news with blue
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ink, when they could truthfully transcribe their impressions without any reticence and fear,
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and with red ink, if they perceived any difficulty, to be totally objective
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and, therefore, credible. After a while, one of these friends wrote
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this letter in blue ink. I am walking with amazement a remarkable country located
40:24
in Latin America. What a standard of living there is full employment, people
40:32
of happy consumption that I didn' t see anywhere else. Politicians are transparent,
40:43
union leaders are credible, the health system is totally efficient. People live
40:52
in harmony, feel represented by their rulers. They create institutions, there'
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s no violence. The media raise the awareness of the population with quality programming.
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The only thing I don' t like about this country is that nowhere
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can you get red ink. How can we apply this rapporteur to different countries,
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different situations. But, well, let' s go walking our way
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to see you' ve surely heard this introduction I' m going to make.
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How I think a hundred, how a hundred act and how he acted
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makes our way of thinking, how we determine what we feel and, at
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the root of what provokes us, we take as proof of truth what we
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think. This is an incredible ability, but it can also play us bad
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times. Let' s take a look at this situation. There are three
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aspects in life that somehow affect us. The things we control, the things
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we influence, the things we influence, and the things we have no control
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over. What is not under our control are the many random events of life.
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In which family we were born, earthquakes, pandemics, diseases dismissals,
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labor problems, the death of loved ones, fires, accidents to name some
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of those that happen. These are circumstances we experience and events we are aware
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of. We influence other living beings with our actions. If you go into
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a room, see a stranger and hit him. Surely that person will respond
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in a different way than if one had entered and smiled and greeted. But
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one cannot determine how that person corresponds. Maybe that person can decide if to
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hit you, he can decide to run, he can say well, he
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can hit me back on the other cheek. What we control and where we
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really start to create. Our reality is in how we perceive, how we
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interpret, how we think about the events of our life that generate our feelings
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about those events and how we subsequently respond with our behavior. No one can
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choose what we think. They' re just ours. Notice that when someone
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asks you well, what you' re thinking and you can tell what truth
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you' re not thinking, you can say something else and the other person
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won' t know in that sense and can' t influence you in that
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a common traumatic event. Well, what if the couple breaks up with us
44:53
already comes as an example of the beginning of the programs. No. The
44:59
thought I can have is that I will never find anyone else who loves me
45:04
again. If that couple filled all my stuff, no one else will love
45:09
me. So you' re going to experience those very negative emotions and that
45:16
' s going to lead to depression and surely we' re going to get
45:30
involved in behaviors consistent with these feelings depression. Staying in bed, not going
45:32
to work, not making sense of the things that can be presented to me
45:38
in front of me. If, on the other hand, the thought is
45:45
ah well, I feel liberated because broken or half detached from the couple,
45:54
then it is possible that one feels and acts in a very sns way,
46:02
that is, one chooses what thought to have. Let us remember that a
46:09
long time ago we have also talked about the subject when something happens to me,
46:19
what an attitude I assume as I face it. In that sense,
46:22
and this has that path. He' s going that way. Now let
46:29
' s see something more serious your thoughts. If you think them over and
46:34
over again and assign them truth, that is, they really are, that
46:40
already becomes belief, and then belief creates a lens through which it interprets the
46:50
events of your world. That lens serves as a filter that selects every sieve,
47:00
every environment and also seeks to reinforce itself with evidence to confirm that this
47:09
is what I think, not just that I think it is true. It
47:13
' s true. When the brain is taken by that belief it seeks directly
47:31
to hinder life, then what I have to do activate selective filters, realize
47:39
and, if I can realize, ask for help, because sometimes we can
47:43
' t just get out of that belief, from that self- punishment.
47:50
That is why people who are depressed see a different world than we can see
47:54
it, because they are so convinced that their world, that view of the
48:02
world they have, is true. What most people do not realize is that
48:10
they are participating in a creation of their own version of the truth. That
48:21
makes there' s a whole self- concept, a self- concept.
48:28
I' m going to talk about the I am about who I am,
48:35
what I can do And from those statements, I can stay in the same
48:42
situation or I can get out achieving other goals. One is the main character
48:50
of the story and one is the one who writes the script based on his
48:55
own concept that largely that self- bred. That is, we have the
49:01
experiences, the things that influence us, how we influence the filters that we
49:07
create and depending on how they are. We write our story and when you
49:17
act on what you expect to happen before it actually happens, you participate in
49:23
that creation of experience. If you don' t have a positive concept,
49:31
the situation is going to be negative, that is, when you refuse,
49:42
when you refuse or aren' t aware of these situations that happen, you
49:50
have very little power and you' re going to feel like the victim of
49:54
life. When you become aware. That' s, when the choice comes,
50:04
you start to understand the process and how it' s going to work.
50:07
Everything will always be things that happen and that are beyond our control.
50:14
Yeah, it' s going to happen, but everything you control is based
50:21
on how you think, how you' re going to feel and how you
50:31
' re going to face those uncontrollable events. It' s easy to get
50:34
out of that self- winding pilot and so on. No, but it
50:37
' s not impossible. What a mon we can do to improve good.
50:47
Directly, what we have to look for is to reflect on the situations that
50:54
happen to us. If we know or realize that something happens, ask for
51:00
help, ask for help from the other. It can be a professional,
51:06
a family friend, someone we trust and give us a hand out and it
51:12
' s going to happen when that' s changing. It' s going
51:19
to be that we see the problem as it is It' s going to
51:25
give us the possibility of what we were saying at the beginning of the audition.
51:28
We' re going to put face and name on that problem and put
51:34
it to face and solve. Dear friends, thank you for listening to me,
51:42
thank you for being there. I' ll call you next Friday.
51:45
Next Friday we will have the interview with the specialists of base numerology twenty-
51:53
two that we had already spoken to him, a technique that helps us to
52:04
guide and balance the different points and central aspects of our being So, thank
52:13
you have a good week. I leave you in P news company and we
52:20
' ll see you on Friday.