Latest / Get Into Gate: A Stargate Podcast / Episode 333: 'Pathogen' (SG-U 2.04)

Transcript

Episode 333: 'Pathogen' (SG-U 2.04) · Get Into Gate: A Stargate Podcast

• 0:00
  Speaker 1: This episode of Get Into Gate is brought to you
• 0:02
  Speaker 1: by Kenny Burke.
• 0:04
  Speaker 2: Oh, the Burko.
• 0:05
  Speaker 1: G'day, Burko. Burko.
• 0:06
  Speaker 2: Burko's catchphrase.
• 0:10
  Speaker 1: Oh, what was that show that Burko did? You know,
• 0:13
  Speaker 1: the word.
• 0:13
  Speaker 2: Baby John.
• 0:14
  Speaker 1: Yeah. Remember what was the.
• 0:16
  Speaker 2: Burjo's catchphrase.
• 0:17
  Speaker 1: Catchphrase. Right, right, right.
• 0:20
  Speaker 2: Pay attention.
• 0:21
  Speaker 1: I forgot. You're like, what's his catchphrase? And then I
• 0:24
  Speaker 1: was like, oh, what is the catchphrase from that show
• 0:26
  Speaker 1: that he was on? And I couldn't remember the name
• 0:28
  Speaker 1: of the show, and then I realised.
• 0:29
  Speaker 2: It was Catchphrase. But he was on... He did Wheel
• 0:31
  Speaker 2: of Fortune before that, didn't he? Wheel of Fortune, yeah.
• 0:33
  Speaker 1: That was when he was on Channel 7, and then
• 0:34
  Speaker 1: didn't he go to Channel 9 to do Catchphrase?
• 0:37
  Speaker 2: Yeah. Yeah. Big money in Catchphrase.
• 0:41
  Speaker 3: Like, you know, it got a couple of years into
• 0:43
  Speaker 3: that show, and you're like, how deep is the bottom
• 0:46
  Speaker 3: of that barrel?
• 0:47
  Speaker 1: Yeah.
• 0:47
  Speaker 4: Like, oh, this is a famous one people say. Is it, though?
• 0:50
  Speaker 1: Is it?
• 0:51
  Speaker 4: How many Catchphrases are there?
• 0:52
  Speaker 2: Two dogs in the wheelbarrow.
• 0:54
  Speaker 1: Okay.
• 0:57
  Speaker 3: We go through 40 an episode. There's five episodes a week, guys. Like,
• 1:00
  Speaker 3: after a couple of years, we have wrung that dry.
• 1:04
  Speaker 1: I got into a Facebook argument with some dickhead on
• 1:08
  Speaker 1: a Star Trek page.
• 1:09
  Speaker 4: Oh, no.
• 1:10
  Speaker 1: That's even more unbelievable. Yeah. And he said it was
• 1:14
  Speaker 1: some religion bullshit. Ding, ding, ding, ding. And then he
• 1:19
  Speaker 1: used some phrase like, oh, remove the plank from your eye.
• 1:23
  Speaker 1: And I was like, what? What kind of phrase is that?
• 1:25
  Speaker 1: And I look it up and it was like a
• 1:26
  Speaker 1: Bible quote.
• 1:26
  Speaker 2: It's in the Bible.
• 1:27
  Speaker 1: And I was like, oh, for fuck's sake. Anyway, that's
• 1:30
  Speaker 1: a long way around of saying thank you, Kenny Burke. Welcome.
• 1:34
  Speaker 4: Look what you did to us, Kenny.
• 1:36
  Speaker 2: Welcome.
• 1:37
  Speaker 1: We just thought rather than do it at the end
• 1:39
  Speaker 1: of the episode, we'll do it at the top of
• 1:40
  Speaker 1: the episode. So from now on for eternity, I apologize, Kenny,
• 1:44
  Speaker 1: that Pathogen is now your episode.
• 1:47
  Speaker 3: And that was just a creative choice. That wasn't because
• 1:49
  Speaker 3: Kenny did you any sexual. He wasn't finally the one
• 1:52
  Speaker 3: that sent you any nudes.
• 1:53
  Speaker 1: I mean, look.
• 1:54
  Speaker 2: To get him at the start of the episode and
• 1:55
  Speaker 2: not the end. He's the only one that's paid for
• 1:57
  Speaker 2: Maddie to stop sending nudes.
• 1:58
  Speaker 4: Yeah. Hey, it worked, didn't it?
• 2:01
  Speaker 1: Hey, shout out to River, the only one who actually
• 2:03
  Speaker 1: sent me nudes for my birthday. So shout out, River.
• 2:07
  Speaker 4: Would I be jealous that I haven't received any?
• 2:10
  Speaker 1: Oh, we should all be jealous of what River's packing.
• 2:12
  Speaker 4: Oh, I've no doubt.
• 2:13
  Speaker 5: Yeah.
• 2:14
  Speaker 1: It's not a helicopter. It's a windmill.
• 2:17
  Speaker 2: Yeah.
• 2:20
  Speaker 4: I can tell.
• 2:20
  Speaker 1: Yes. Apologies, Kenny. But, yeah, maybe, you know, send me
• 2:23
  Speaker 1: some nudes, and then depending if I like them or not,
• 2:26
  Speaker 1: maybe we'll devote a different episode to you, and you
• 2:28
  Speaker 1: can sponsor a different episode, and we can, in the edit,
• 2:31
  Speaker 1: we can retroactively. Well, at least it's not Cloverdale. What's
• 2:37
  Speaker 1: a Cloverdale? It's a spiritual sequel to Cloverfield Lane.
• 2:40
  Speaker 4: Oh, you got me.
• 2:43
  Speaker 2: I'm in.
• 2:43
  Speaker 1: Thanks, Kenny. Thanks, Kenny.
• 3:01
  Speaker 4: Get into Gate, episode 333.
• 3:02
  Speaker 3: Athergen, I've never really said that.
• 3:08
  Speaker 4: We're talking Stargate Universe. Mitch, Maddy, Brendan, we're all here.
• 3:13
  Speaker 3: So is our pizza. It's been a lovely start to
• 3:16
  Speaker 3: the evening so far, boys. And here we are talking
• 3:17
  Speaker 3: some bloody SGU. Welcome to Maddy's house. I don't know
• 3:21
  Speaker 3: why I'm saying welcome.
• 3:25
  Speaker 4: I don't know if.
• 3:25
  Speaker 2: It's a remnant from just YouTube for two seasons, but
• 3:30
  Speaker 2: the intros are wild these days from Mitch.
• 3:34
  Speaker 1: How so?
• 3:35
  Speaker 4: It's almost like I don't know what I'm saying.
• 3:37
  Speaker 2: He just goes, like he says our names and doesn't
• 3:39
  Speaker 2: give us a chance to say hello to the listener.
• 3:42
  Speaker 3: Honestly, like every single time I do it, I get
• 3:45
  Speaker 3: caught up in like, don't sound like that radio bullshit
• 3:47
  Speaker 3: where you've been in the same room for an hour,
• 3:49
  Speaker 3: but then you hit record or you go on air
• 3:50
  Speaker 3: and you're like, oh, Brendan, how are you?
• 3:52
  Speaker 4: And you're like, I'm good, thank you.
• 3:53
  Speaker 2: I mean, I don't want to tell you my day.
• 3:55
  Speaker 2: I'll just be like, hey, mate. Yeah, I know.
• 3:57
  Speaker 4: I know. Look at this thing.
• 3:59
  Speaker 3: I've brought this up before and you have proved to
• 4:01
  Speaker 3: me there is nothing weird about it.
• 4:03
  Speaker 4: I just get.
• 4:04
  Speaker 3: funny about it because i'm like don't do it don't
• 4:06
  Speaker 3: do it don't do it and then i do it
• 4:07
  Speaker 3: and i hate myself for.
• 4:08
  Speaker 2: It just go back to season four of get into
• 4:10
  Speaker 2: gate oh that was don't listen to yourself um you're
• 4:14
  Speaker 2: killing it god god no thank you.
• 4:16
  Speaker 1: I guess i guess i've never paid any attention to
• 4:18
  Speaker 1: it because it's like well everyone knows what my voice
• 4:20
  Speaker 1: sounds like they can tell me apart from you two
• 4:22
  Speaker 1: whereas i guess yeah maybe there just needs to be
• 4:24
  Speaker 1: more episodes where you guys Oh, you guys can talk. Oh, now.
• 4:28
  Speaker 4: Maddie. Is that who's been talking?
• 4:30
  Speaker 1: You guys can talk and that way maybe people can
• 4:32
  Speaker 1: figure out which one of you is which.
• 4:34
  Speaker 2: All right.
• 4:35
  Speaker 1: Because, you know, you're obviously not as distinct as I am.
• 4:37
  Speaker 2: No, God, no.
• 4:38
  Speaker 3: We'll start that again. Episode 33. 333. My name's Mitch.
• 4:43
  Speaker 3: Over to my left, Brendan.
• 4:44
  Speaker 2: G'day, mate. How are you? Oh, mate, I'm good.
• 4:46
  Speaker 5: How are you?
• 4:47
  Speaker 2: How's your Tuesday? And Matthew.
• 4:52
  Speaker 6: Hey.
• 4:53
  Speaker 4: Hey. How you doing?
• 4:55
  Speaker 1: Hey. How you doing?
• 4:56
  Speaker 4: Hey, you with the ears. How you doing?
• 4:57
  Speaker 1: Hey, hey. Don't you give me that little side eye
• 4:59
  Speaker 1: over the top of these little microphone stands? Hey, it's...
• 5:05
  Speaker 1: Chip McSqueak, not a gerbil.
• 5:10
  Speaker 3: We are talking SGU episode four of season.
• 5:13
  Speaker 2: Two, Pathogen. One of the great episodes, great Chloe episodes.
• 5:21
  Speaker 1: Sure.
• 5:22
  Speaker 3: The synopsis reads... We'll get to that. After noticing Chloe's
• 5:26
  Speaker 3: odd behaviour, the crew starts to suspect that she is
• 5:29
  Speaker 3: under Nakai influence.
• 5:31
  Speaker 4: Meanwhile, Eli finds out that his mother.
• 5:32
  Speaker 3: Is suffering depression in his absence and Colonel Young releases
• 5:37
  Speaker 3: Lucian Alliance prisoners from lock-up. It is written by Carl Binderbinder, directed.
• 5:43
  Speaker 4: By Robert Carlyle, if you don't mind. Yeah, right.
• 5:49
  Speaker 1: You know what? Actually, speaking of, I did not realise
• 5:53
  Speaker 1: how much Robert Carlyle actually alters his natural accent for Rush.
• 5:58
  Speaker 2: Yeah, I told you that.
• 5:59
  Speaker 1: Have a listen to this. This is from the special features.
• 6:02
  Speaker 5: As an actor, your job is to be inside this
• 6:06
  Speaker 5: thing 100%. Not thinking about anything outside of it. As
• 6:09
  Speaker 5: a director, antithesis. You've really got to be outside this
• 6:13
  Speaker 5: thing looking in.
• 6:15
  Speaker 1: I defy you to say that's not exactly how I
• 6:18
  Speaker 1: sounded during Around the World.
• 6:20
  Speaker 4: It's not how you sounded.
• 6:22
  Speaker 1: Pretty close. The complete antithesis.
• 6:26
  Speaker 2: Closer to Fat Bastard.
• 6:28
  Speaker 1: That was actually, he was an inspiration to me when
• 6:32
  Speaker 1: that movie came out. Me too. I would be known
• 6:36
  Speaker 1: to walk around school going, I've got pieces of corn
• 6:39
  Speaker 1: in my crap bigger than you.
• 6:42
  Speaker 2: You would have got laughs for that.
• 6:43
  Speaker 5: Yeah.
• 6:44
  Speaker 1: Except then I'd go into the real heartbreak. I'm unhappy
• 6:48
  Speaker 1: because I eat. And I eat because I'm unhappy. And
• 6:51
  Speaker 1: they're like, oh. I was called the human beanbag when
• 6:56
  Speaker 1: I was in high school.
• 6:57
  Speaker 4: Oh, Jesus.
• 6:58
  Speaker 6: Oh, no.
• 6:59
  Speaker 1: The girls just like to lean up against me and
• 7:01
  Speaker 1: just sit on me because I was just a big
• 7:05
  Speaker 1: human beanbag. Graduated virgin, surprisingly. Yep.
• 7:12
  Speaker 4: No.
• 7:13
  Speaker 1: Yeah.
• 7:13
  Speaker 2: Guilty all dudes.
• 7:14
  Speaker 4: Guilty, Your Honour.
• 7:15
  Speaker 1: Really?
• 7:15
  Speaker 4: Yeah. Thank you, though, for the confidence boost there.
• 7:18
  Speaker 1: I mean, you guys getting around in your DTs and
• 7:20
  Speaker 1: your abs, I thought for sure. Oh, wait, wasn't it
• 7:23
  Speaker 1: all boys?
• 7:24
  Speaker 2: Mate, if you wanted a few slappers, you could have.
• 7:27
  Speaker 4: We were well versed in being friends with the opposite sex.
• 7:30
  Speaker 1: Oh, I always thought you two were versed.
• 7:32
  Speaker 4: Thank you.
• 7:33
  Speaker 6: One of our psychiatrists has been treating her but hasn't
• 7:35
  Speaker 6: made much progress, which is why we sent for you. Look,
• 7:38
  Speaker 6: whether here or at home, she has to want to
• 7:41
  Speaker 6: get better. There's no room for error now. Her counts
• 7:44
  Speaker 6: drop below 200. Yeah, yeah, I know.
• 7:49
  Speaker 2: AIDS.
• 7:51
  Speaker 1: Everybody's got AIDS, AIDS, AIDS.
• 7:52
  Speaker 2: AIDS, AIDS. I thought I'd timed that perfectly for him
• 7:57
  Speaker 2: to just say AIDS. Turns out I didn't. That's a shame.
• 8:02
  Speaker 1: Just a real light-hearted episode, you know? Just some real fun,
• 8:05
  Speaker 1: frothy science fiction.
• 8:07
  Speaker 4: I wanted a little bit more awkwardness there because obviously
• 8:09
  Speaker 4: he's walking up as what.
• 8:11
  Speaker 4: You know, Admiral, not Admiral, like a private Tracy or whatever.
• 8:16
  Speaker 3: And talking to that nurse or doctor and she's there saying,
• 8:22
  Speaker 3: you know, giving all those details out.
• 8:23
  Speaker 4: And I'm like, well, she.
• 8:25
  Speaker 3: She would think that you're the son. She would have
• 8:26
  Speaker 3: no reference to suggest otherwise. So I like the idea
• 8:30
  Speaker 3: that she was just like, okay, you go in and
• 8:33
  Speaker 3: talk to her. I'm like, why wouldn't you walk him
• 8:35
  Speaker 3: in there? Because then it would have been like, your
• 8:37
  Speaker 3: son's here. That's not my son.
• 8:38
  Speaker 4: It's like, hang on, what did you tell me that
• 8:39
  Speaker 4: you were? Just have that pre-awkwardness.
• 8:42
  Speaker 2: That's the SGC hospital. Like the hospital that they took
• 8:47
  Speaker 2: Cassandra to. Oh, yeah. So that doctor in that scene
• 8:50
  Speaker 2: was in SG-1. My bad.
• 8:51
  Speaker 4: Yeah, that's Dr. I recognise her.
• 8:54
  Speaker 1: I was ready to say Heitmeyer, but it's not Heitmeyer.
• 8:56
  Speaker 2: Dr. Forgettable? Yeah.
• 8:59
  Speaker 1: She filled in when Dr. Lamb was on real-life maternity leave.
• 9:04
  Speaker 4: I think I just thought they were reusing an actress.
• 9:06
  Speaker 2: Yeah, okay.
• 9:07
  Speaker 1: Bright?
• 9:08
  Speaker 2: Bright's on.
• 9:09
  Speaker 4: Bright. Bright's on.
• 9:11
  Speaker 1: I don't know.
• 9:12
  Speaker 6: Hmm.
• 9:12
  Speaker 1: Go back to one of the previous episodes where I
• 9:15
  Speaker 1: referenced her.
• 9:16
  Speaker 2: Don't you live there?
• 9:17
  Speaker 1: It'll have a name. Broughton.
• 9:18
  Speaker 4: That's where we are, isn't it?
• 9:19
  Speaker 1: Jeez, docks me, why don't you?
• 9:20
  Speaker 2: I've already done that.
• 9:23
  Speaker 1: I suppose there is a picture of my house on Instagram,
• 9:25
  Speaker 1: isn't there?
• 9:26
  Speaker 2: There is?
• 9:27
  Speaker 1: Yeah, I think I posted one of like, sold when
• 9:29
  Speaker 1: I bought this place.
• 9:32
  Speaker 3: Yeah, I'm glad Eli got to that point where he's like,
• 9:34
  Speaker 3: fuck it, I'm just telling mum.
• 9:36
  Speaker 4: I'm like, yeah, good on you, man.
• 9:37
  Speaker 1: Yeah, what didn't help was... He kept referring to Eli
• 9:40
  Speaker 1: in the third person?
• 9:41
  Speaker 4: Yeah, which I think would have confused her. Well, yeah, but, yeah.
• 9:46
  Speaker 2: It was the most clumsy way to tell your mother
• 9:49
  Speaker 2: who doesn't understand science fiction at the best of times.
• 9:52
  Speaker 2: And then you were trying to explain it to her.
• 9:54
  Speaker 2: Surely you would have rehearsed that in your mind or
• 9:56
  Speaker 2: at least in your bedroom at night when you're like,
• 9:58
  Speaker 2: how am I going to tell her? because he's that's
• 10:00
  Speaker 2: the second time he's going to see her.
• 10:01
  Speaker 1: Yeah i mean all he's doing is thinking about chloe
• 10:04
  Speaker 1: in the steam shower he's not doing any thinking about
• 10:06
  Speaker 1: his mom like what work does he has he done
• 10:08
  Speaker 1: he's done a couple of a couple of equations when
• 10:13
  Speaker 1: Rush's girlfriend was there. Whoa, whoa, whoa, whoa, whoa, whoa.
• 10:17
  Speaker 2: He did the initial code. Whoa, hold on a second.
• 10:21
  Speaker 2: But since he's been on Destiny, what has he been doing?
• 10:24
  Speaker 1: In an episode that features Chloe, you're going to come
• 10:28
  Speaker 1: after what Eli hasn't done?
• 10:30
  Speaker 2: Yes, because he's capable.
• 10:32
  Speaker 1: Well, let me just.
• 10:33
  Speaker 2: Chloe can't do shit and she's killing it.
• 10:35
  Speaker 4: Well, hold on.
• 10:37
  Speaker 1: Let me just break this down for you.
• 10:38
  Speaker 2: Mate, she can heal. She's Wolverine now.
• 10:40
  Speaker 1: No, no, no, no, no.
• 10:42
  Speaker 2: She's fucking awesome.
• 10:43
  Speaker 5: Wolverette.
• 10:43
  Speaker 2: Wolverette.
• 10:46
  Speaker 1: Well, I think we know how she heals, and I'll
• 10:48
  Speaker 1: play it for you in a second.
• 10:50
  Speaker 2: Deadpool. There's a joke there. Dead pussy. Starfish.
• 10:54
  Speaker 1: Yeah, she's absolutely a starfish.
• 10:56
  Speaker 4: That's Matt's nickname for her. I said Matt, not Scott. Yeah,
• 11:00
  Speaker 4: that was when I was like, what the fuck?
• 11:03
  Speaker 1: This is probably the biggest day Chloe's had since her
• 11:07
  Speaker 1: father's died, right? Like, even being abducted by aliens, I
• 11:10
  Speaker 1: feel like this is the biggest, like, Chloe episode we've
• 11:13
  Speaker 1: had in a while.
• 11:14
  Speaker 2: Yeah.
• 11:14
  Speaker 1: Now, the only thing we've really seen Chloe do, aside
• 11:17
  Speaker 1: from this episode, is what? When she was doing yoga?
• 11:20
  Speaker 5: Mm.
• 11:20
  Speaker 4: Right.
• 11:22
  Speaker 1: This is what Chloe gets up to on a busy day.
• 11:25
  Speaker 6: The last thing I remember, I was lying down for
• 11:29
  Speaker 6: a nap.
• 11:30
  Speaker 1: And?
• 11:31
  Speaker 5: Nothing. She wasn't in the mood.
• 11:32
  Speaker 6: She was too busy writing in her diary. I fell
• 11:34
  Speaker 6: asleep in my quarters. Next thing I know, I'm talking
• 11:37
  Speaker 6: to Lieutenant James. I can't go near the control interface
• 11:40
  Speaker 6: room or use the stones to visit my mom.
• 11:44
  Speaker 2: And she just sits there the whole time?
• 11:46
  Speaker 5: Yes.
• 11:46
  Speaker 2: In the earlier one, she wrote in the diary, but
• 11:48
  Speaker 2: mostly she just sits or lays still, staring at the walls.
• 11:52
  Speaker 1: I still can't detect any physical changes in her. Can
• 11:55
  Speaker 1: I get you anything? No, I'm good.
• 11:57
  Speaker 6: I just want to lie down for a little bit.
• 12:01
  Speaker 2: I was talking about dick.
• 12:02
  Speaker 1: What the hell? C-H-L-O-E and Chloe.
• 12:09
  Speaker 4: Chloe, Chloe, Chloe.
• 12:12
  Speaker 1: She's on an ancient, both capital A and lowercase a,
• 12:16
  Speaker 1: ancient ship hurtling through space in a different galaxy and
• 12:22
  Speaker 1: she's taking naps. Like I understand in this episode it's like,
• 12:26
  Speaker 1: you know, she's feeling the effects and blah, blah, blah.
• 12:27
  Speaker 1: But they've been here for like nine, ten months now.
• 12:31
  Speaker 1: even if you're not supposed to be the person, you know,
• 12:35
  Speaker 1: on these missions, who isn't being like, holy shit, I'm
• 12:39
  Speaker 1: in this giant spaceship. We've only explored like 5% of it.
• 12:44
  Speaker 1: Let's just walk around and see what's around.
• 12:48
  Speaker 2: Eli gave me piggybacks all up and down, so I
• 12:50
  Speaker 2: don't really care.
• 12:55
  Speaker 3: Imagine if it was made now, if this show is
• 12:57
  Speaker 3: made now, would she be a content creator?
• 13:01
  Speaker 2: Eli would be.
• 13:02
  Speaker 1: No, she'd be an influencer.
• 13:05
  Speaker 4: Yeah, sorry, that's actually what I meant, an influencer, not
• 13:07
  Speaker 4: a content creator.
• 13:07
  Speaker 2: No, she'd be the social media expert for her father.
• 13:11
  Speaker 4: Yeah, yeah, that's why she was there. And then when
• 13:13
  Speaker 4: he's gone, all she's got to do is just walk
• 13:15
  Speaker 4: around just filming herself doing stuff. It's like, what are you,
• 13:17
  Speaker 4: that's not helping.
• 13:19
  Speaker 1: Well, no, I think social media for her father is
• 13:21
  Speaker 1: too legitimate. I think she'd be doing like Lululemon collabs
• 13:25
  Speaker 1: and all that kind of stuff.
• 13:26
  Speaker 2: Oh, yeah, on her Instagram. Gymshark. She'd be doing her
• 13:29
  Speaker 2: dad's Instagram. 30% off.
• 13:30
  Speaker 1: Oh, yeah, yeah.
• 13:32
  Speaker 2: We're opening a mall on Lafayette Park. I don't know
• 13:35
  Speaker 2: where that is.
• 13:36
  Speaker 1: My dad said the funniest thing the other day. He said,
• 13:40
  Speaker 1: Democrats are lazy.
• 13:42
  Speaker 4: Daddy, mind these lines from Keeping Up with the Kardashians.
• 13:45
  Speaker 4: And I'll put their voice over you. It would be
• 13:46
  Speaker 4: so funny.
• 13:49
  Speaker 3: You also know.
• 13:55
  Speaker 2: This is my favourite bit of Chloe. When she was
• 13:58
  Speaker 2: sleepwalking and she didn't realise where she was, Eli comes
• 14:02
  Speaker 2: in and then this happens.
• 14:04
  Speaker 1: Sleepwalking?
• 14:08
  Speaker 2: I used to do it all the time as a kid.
• 14:11
  Speaker 1: My dad had to put an alarm on the front
• 14:13
  Speaker 1: door to make sure.
• 14:14
  Speaker 3: I'll see you later.
• 14:17
  Speaker 4: Shut the fuck up, David.
• 14:19
  Speaker 2: Shut the fuck up, David. Like, I couldn't even pretend.
• 14:21
  Speaker 2: He's like, oh, that happens all the time. I'm used
• 14:23
  Speaker 2: to that.
• 14:23
  Speaker 3: But, like, you know, I know that they've kind of,
• 14:25
  Speaker 3: without speaking about it, they've spoken about the fact that
• 14:28
  Speaker 3: he's in love with her, she's not in love with him.
• 14:29
  Speaker 3: It's never going to change. But I feel like he's
• 14:34
  Speaker 3: there probably questioning.
• 14:35
  Speaker 2: Everything why though?
• 14:37
  Speaker 4: And then there are, there have been a couple of
• 14:38
  Speaker 4: moments and this is one of them where she's like,
• 14:40
  Speaker 4: I don't know.
• 14:40
  Speaker 3: I just, I can't remember where I got like, I'm
• 14:42
  Speaker 3: clearly going through some shit and I don't even know
• 14:44
  Speaker 3: how I got here.
• 14:45
  Speaker 4: I'm sleepwalking.
• 14:46
  Speaker 2: You're a fucking loser.
• 14:48
  Speaker 5: What an idiot.
• 14:49
  Speaker 4: I did it when I was a child, you know?
• 14:52
  Speaker 1: Yeah. And then Chloe in her head's like, Oh, tell
• 14:54
  Speaker 1: me more about your alive dad who abandoned you. That's
• 14:57
  Speaker 1: what I want to hear. What I thought was fucked
• 15:00
  Speaker 1: up though. He's like, you, you know, you know, you're
• 15:04
  Speaker 1: in trouble when Lieutenant Scott, is the one in the
• 15:07
  Speaker 1: relationship being like, so, like, what are we? Where is
• 15:11
  Speaker 1: this going? Like, if Lieutenant Scott is trying to define
• 15:15
  Speaker 1: the relationship, you need to get out.
• 15:18
  Speaker 3: But maybe he's still going, we've been here for nine
• 15:20
  Speaker 3: or ten months. We've had sex three times. And he
• 15:25
  Speaker 3: still hasn't showered from the desert planet. Yeah, like, if
• 15:29
  Speaker 3: I was on Earth. the amount of women I would
• 15:31
  Speaker 3: have slept in the last nine or ten months is crazy.
• 15:35
  Speaker 4: So, like, what are we?
• 15:37
  Speaker 1: He's like, you should all be thankful that TJ was
• 15:39
  Speaker 1: already pregnant.
• 15:39
  Speaker 2: He could have already been in The Asian Lady. He
• 15:44
  Speaker 2: could have been in James again. He could have had
• 15:46
  Speaker 2: The Old Lady, The Old Extra Lady.
• 15:48
  Speaker 4: Yeah, that would be better.
• 15:49
  Speaker 1: No, you're going to remember Dr. Parks with Greer.
• 15:53
  Speaker 2: She was with a few people but yeah yeah that's.
• 15:56
  Speaker 3: True was great one of the people she slept with
• 15:57
  Speaker 3: yeah yeah the first one oh see that was so
• 15:59
  Speaker 3: early for me i'm like i didn't actually commit that that.
• 16:02
  Speaker 1: Was yeah and that's why then he um he pushed
• 16:05
  Speaker 1: simeon up against the wall when um when simeon was
• 16:07
  Speaker 1: yeah when they got released in this episode and then um.
• 16:10
  Speaker 3: For me that just like he just needed an excuse
• 16:12
  Speaker 3: which is like oh you're you're breathing boom oh yeah.
• 16:15
  Speaker 4: You don't talk To my people.
• 16:17
  Speaker 2: That's what I liked the most was Volga comes up
• 16:20
  Speaker 2: and he goes, you apologize. And I go, work, buddy.
• 16:26
  Speaker 1: Hey. Yeah.
• 16:27
  Speaker 2: Hey, you apologize.
• 16:28
  Speaker 4: You fucking teabag, mate. Don't talk to me like that.
• 16:30
  Speaker 4: Shut up. You don't even look at them.
• 16:34
  Speaker 2: I did not like him.
• 16:38
  Speaker 1: Like, what's that? Perks of being a wallflower? Was it like?
• 16:41
  Speaker 1: I will blind you.
• 16:43
  Speaker 4: Yeah, get specific about it.
• 16:45
  Speaker 3: So I love later on in the episode where they
• 16:46
  Speaker 3: walk in and he says, you know, oh, look at you,
• 16:49
  Speaker 3: how tough you are. You know, like, oh, you're in
• 16:52
  Speaker 3: front of your boys and you've got your weapon. He
• 16:54
  Speaker 3: just like hands up his weapon without even looking to his,
• 16:57
  Speaker 3: you know, teammate.
• 16:58
  Speaker 4: And the guy just grabs the gun. He's like, you're dismissed.
• 17:00
  Speaker 2: Yeah.
• 17:01
  Speaker 4: I'm going to get it. And he's just like, you
• 17:03
  Speaker 4: were saying.
• 17:04
  Speaker 3: And then T-Bag's just kind of like, ah, ah, yeah,
• 17:08
  Speaker 3: I'm going to laugh about this as I walk away.
• 17:10
  Speaker 1: He's like, don't threaten me with a good time. What
• 17:15
  Speaker 1: I felt weird about that though, is it's like Simeon
• 17:18
  Speaker 1: trying to do that when it's like, hold on, mate,
• 17:21
  Speaker 1: did you take over destiny by yourself? Did you come
• 17:23
  Speaker 1: to destiny on your own? No, you guys came through
• 17:26
  Speaker 1: with like, Two dozen freaking Lucian Alliance guys. You don't
• 17:28
  Speaker 1: pretend like you're tough just because you don't have any
• 17:32
  Speaker 1: backup right now.
• 17:34
  Speaker 3: And thank God, in a way, because now I remember
• 17:37
  Speaker 3: his name is Simeon. So prior to that, I'm just like,
• 17:40
  Speaker 3: I have no idea.
• 17:41
  Speaker 1: Remember that cartoon?
• 17:42
  Speaker 2: T-Bag.
• 17:43
  Speaker 1: Captain Simeon and the Space Monkeys.
• 17:46
  Speaker 2: I don't.
• 17:47
  Speaker 1: Couldn't get away with that these days.
• 17:48
  Speaker 2: GTA V, there's a Simeon.
• 17:50
  Speaker 4: Is there?
• 17:51
  Speaker 2: People will be yelling that out. Yeah, God, yeah.
• 17:54
  Speaker 4: We're very close to GTA.
• 17:55
  Speaker 1: Is it like a porch monkey? He's close. He's a
• 17:58
  Speaker 1: used car salesman. I do think it was weird that
• 18:03
  Speaker 1: Young had such a quick turnaround between last week's episode
• 18:06
  Speaker 1: and this week's episode just to be like, yeah, okay,
• 18:07
  Speaker 1: work with the Lucian Alliance now. They've been cooperating. All right,
• 18:11
  Speaker 1: we're letting them out. I feel like there was almost
• 18:14
  Speaker 1: or there should have been like a scene missing where
• 18:16
  Speaker 1: it's like he got orders from Homeworld Command being like, okay,
• 18:21
  Speaker 1: because we do find out in some other episodes scenes
• 18:23
  Speaker 1: that it's like okay they have been cooperating and giving
• 18:26
  Speaker 1: information and everyone but simeon has been like giving real
• 18:30
  Speaker 1: information and simeon's like oh i've been bullshitting them he's
• 18:32
  Speaker 1: like no so i'm like they i feel like they
• 18:34
  Speaker 1: needed to be a scene where like young was shown
• 18:36
  Speaker 1: to just be like following orders from higher up yeah
• 18:39
  Speaker 1: that he still doesn't trust some justification yeah to just
• 18:42
  Speaker 1: be like okay let him out to gen.
• 18:43
  Speaker 2: Pop telford talked him into it or something yeah yeah.
• 18:46
  Speaker 3: Yeah i i hadn't really thought about that the the
• 18:49
  Speaker 3: turnaround but i guess for me just you posing that
• 18:52
  Speaker 3: now is if we got to say next week or
• 18:55
  Speaker 3: the week after, and then we, you know, get something
• 18:58
  Speaker 3: like the bullshit information or something clear cut evidence.
• 19:02
  Speaker 4: These guys are not to be trusted.
• 19:04
  Speaker 3: And it's like, well, he kind of goes, no, that's, that's,
• 19:07
  Speaker 3: that was the only way to find that out was
• 19:08
  Speaker 3: to actually let them, Let them integrate.
• 19:11
  Speaker 4: But that was a great moment with, yeah, whatever, Mike, DuPont,
• 19:14
  Speaker 4: and Simeon.
• 19:15
  Speaker 1: Yeah, I still don't know his name. I still don't
• 19:16
  Speaker 1: know his character's name.
• 19:17
  Speaker 3: And Simeon, he's like, yeah, he goes, if they find
• 19:19
  Speaker 3: out any information, he goes, it's bullshit. He goes, no, man,
• 19:21
  Speaker 3: you're fucking lying.
• 19:22
  Speaker 1: Yeah.
• 19:23
  Speaker 4: And he's like, oh, wait, hang on. I thought we
• 19:25
  Speaker 4: were all in on this together.
• 19:27
  Speaker 3: I love that these two are like on the same team,
• 19:30
  Speaker 3: but they are so not the same team.
• 19:31
  Speaker 4: And every time DuPont walks past TJ, he's.
• 19:33
  Speaker 2: Like, sup, baby?
• 19:35
  Speaker 4: Sup, what's up, baby?
• 19:36
  Speaker 5: Yeah.
• 19:36
  Speaker 2: You're looking fertile.
• 19:38
  Speaker 1: Yeah.
• 19:38
  Speaker 2: I want to know what Simeon said to her. To Dr. Park.
• 19:44
  Speaker 1: I know. It was so calm.
• 19:45
  Speaker 3: It's not like he grabbed her or anything. I'm like,
• 19:47
  Speaker 3: did he go down with a bit of sweet nothings?
• 19:49
  Speaker 1: He told her the name of Ming-Na's cookbook.
• 19:53
  Speaker 2: What am I eating?
• 19:54
  Speaker 1: What am I eating?
• 19:54
  Speaker 2: How do I eat? How do I eat?
• 20:00
  Speaker 1: He goes, look, I know I'm from a different planet,
• 20:03
  Speaker 1: but I know Mongolian lamb when I.
• 20:05
  Speaker 2: Can smell it.
• 20:06
  Speaker 1: I don't know. Something, something racist, something, something. Something, something,
• 20:13
  Speaker 1: something sexist, something, something.
• 20:14
  Speaker 2: Yeah, for sure. I heard you're the one to come to.
• 20:17
  Speaker 1: No, that was me. That was me. Oh, you. Yeah,
• 20:19
  Speaker 1: me was, I was doing something, something racist, something, something.
• 20:23
  Speaker 1: Fill in your blanks. Fill in the blank. Actually, that'd be,
• 20:26
  Speaker 1: we should do like that. What's it called? The game
• 20:32
  Speaker 1: where you like put in the words. What's that called?
• 20:34
  Speaker 4: Blankety blanks or something.
• 20:35
  Speaker 1: There's like the whole sentence and it's like, give me
• 20:38
  Speaker 1: a noun, give me a verb, give me a doing
• 20:41
  Speaker 1: word and then you put it into the sentence and
• 20:43
  Speaker 1: it makes the sentence funny. Oh, I don't know. If
• 20:47
  Speaker 1: only I had a device that could look things up.
• 20:52
  Speaker 1: Talk amongst yourselves. Let people figure out which one of
• 20:54
  Speaker 1: you is which while I find it.
• 20:57
  Speaker 3: Well, just quickly on something with what we kicked it
• 21:00
  Speaker 3: off with, with old Robert Carlyle. Like it's one thing
• 21:04
  Speaker 3: to be from somewhere and speak in your native tongue
• 21:07
  Speaker 3: and the way that you have your own native accent
• 21:10
  Speaker 3: and then to bung on something else. Like if Robert
• 21:12
  Speaker 3: Carlyle was going to put on an American accent or
• 21:15
  Speaker 3: something or.
• 21:16
  Speaker 4: Whatever it may be. But to.
• 21:19
  Speaker 4: Do a lesser version of your own accent.
• 21:21
  Speaker 3: You know, like if he's, he's a much more thick
• 21:24
  Speaker 3: Scottish accent in real life than what he is as Dr.
• 21:28
  Speaker 4: Rush, but he's still got it there.
• 21:30
  Speaker 3: Like how the, like, I mean, Brendan stopped me from
• 21:32
  Speaker 3: saying off, you know, to say off. So I'm like,
• 21:35
  Speaker 3: I still sound like an Australian. I just sound like,
• 21:37
  Speaker 3: Less of a bogan Queenslander.
• 21:39
  Speaker 2: Isn't that what they did with Margot Robbie as well?
• 21:41
  Speaker 2: She was too bogan for Home and Away or whatever
• 21:44
  Speaker 2: she was on. Neighbours.
• 21:45
  Speaker 4: Neighbours, yeah, probably.
• 21:46
  Speaker 3: Yeah, go from the Gold Coast down to Melbourne. That's
• 21:48
  Speaker 3: a big culture shock. Hugh Jackman.
• 21:50
  Speaker 1: Yeah.
• 21:52
  Speaker 2: I don't know. I never heard him speak. He's from Manly,
• 21:54
  Speaker 2: so probably born with a silver spoon in his mouth.
• 21:57
  Speaker 1: Yeah, he wasn't too bad because I remember his voice.
• 21:58
  Speaker 2: Sam Worthington in Avatar.
• 22:00
  Speaker 4: Yeah, that's true.
• 22:01
  Speaker 2: That's another one.
• 22:02
  Speaker 4: Old Jake Sully sounds like he's from Perth.
• 22:05
  Speaker 1: I'm from Rantalaid, mate. Michelle Laurie, who used to work
• 22:08
  Speaker 1: with Mitch, she used to have a great bit where
• 22:10
  Speaker 1: when you watch Troy, there's a scene where, who's the
• 22:15
  Speaker 1: Aussie chick in that? Rose Byrne.
• 22:17
  Speaker 4: Rose Byrne.
• 22:17
  Speaker 1: At one point, you know, while they're speaking in their accent,
• 22:20
  Speaker 1: there's one point where apparently Rose Byrne, she goes.
• 22:23
  Speaker 4: Paris, wait.
• 22:27
  Speaker 3: Oh, no.
• 22:28
  Speaker 1: Oh, no. Look out.
• 22:30
  Speaker 2: Oh, no.
• 22:31
  Speaker 1: There's people in the horse.
• 22:32
  Speaker 4: Oh, no. Listen to Hector. Hector, what have you got
• 22:37
  Speaker 4: to say?
• 22:38
  Speaker 3: Oh, I'm sounding a bit like Chopper. What a set
• 22:40
  Speaker 3: that would have been with those two on there.
• 22:42
  Speaker 2: Look at that.
• 22:42
  Speaker 4: Look at it a great old time.
• 22:44
  Speaker 2: There you go. Love you. Good mate.
• 22:45
  Speaker 4: Uncle Chop Choppy. Achilles done himself a mischief.
• 22:54
  Speaker 2: That's a great hole.
• 22:54
  Speaker 1: That's a great hole.
• 22:55
  Speaker 4: Shoot him again, Legolas. Are you Googling how to Google?
• 23:02
  Speaker 2: Actually, yeah.
• 23:02
  Speaker 1: I wonder if anyone's done that. How do– my dad
• 23:05
  Speaker 1: would do that.
• 23:06
  Speaker 3: Someone goes to Google and puts in Google.com? Is Google
• 23:09
  Speaker 3: that nice? When you go to Google and you just go,
• 23:11
  Speaker 3: what is Google? Does it come up and go, Katard,
• 23:13
  Speaker 3: you're on it.
• 23:14
  Speaker 1: Hey, it's Franklin.
• 23:20
  Speaker 2: Coming over to play. So Franklin's back. Was he? Yeah,
• 23:27
  Speaker 2: Franklin and his wife– Rush's wife again. Just talking shit.
• 23:32
  Speaker 1: Oh, that's right, because it's that whole thing where he,
• 23:33
  Speaker 1: that whole subplot where he uses Chloe as the scapegoat
• 23:37
  Speaker 1: for when he's trying to figure out.
• 23:38
  Speaker 2: Oh, you son of a bitch. That was so good
• 23:40
  Speaker 2: because they're like, where were you? I was in my
• 23:42
  Speaker 2: quarters resting or sleeping. No, you weren't.
• 23:45
  Speaker 4: Wrong.
• 23:46
  Speaker 1: You weren't.
• 23:47
  Speaker 2: Send someone over there.
• 23:48
  Speaker 1: All right, then.
• 23:48
  Speaker 2: Let me show you another secret that I've been keeping
• 23:52
  Speaker 2: from you.
• 23:52
  Speaker 4: A different one.
• 23:55
  Speaker 2: Chloe's been compromised, so go deal with her. Okay.
• 23:58
  Speaker 4: Okay.
• 24:08
  Speaker 2: Such a savage.
• 24:12
  Speaker 1: Mad Libs, bitch.
• 24:16
  Speaker 2: I don't know what you're talking about now. I lost track.
• 24:20
  Speaker 2: The word game.
• 24:20
  Speaker 1: Oh. The word game, Mad Libs, where there's like a
• 24:23
  Speaker 1: sentence and they've taken out five words and you don't
• 24:26
  Speaker 1: know what it is and I tell you guys, give
• 24:27
  Speaker 1: me a noun and you're like... And I'm like, give
• 24:29
  Speaker 1: me a verb. And you're like, and then we put
• 24:31
  Speaker 1: that in and then it's like the camel to the
• 24:36
  Speaker 1: rice cooker, you know, whatever it is. Yeah. We could do,
• 24:38
  Speaker 1: we could do like a Stargate one of that. Oh,
• 24:41
  Speaker 1: we could get a script of Stargate, take certain words out.
• 24:45
  Speaker 1: I won't tell you what script it is. And then
• 24:48
  Speaker 1: you guys can give me Stargate themed nouns, verbs, you know, um, uh, orifice,
• 24:55
  Speaker 1: you know, those kinds. And then we can, we can
• 24:58
  Speaker 1: redo scenes. I mean, if I do the first one,
• 25:01
  Speaker 1: Mitch won't know anyway. No.
• 25:04
  Speaker 2: How would you take it?
• 25:05
  Speaker 1: Sha-ka.
• 25:07
  Speaker 4: Sha-ka.
• 25:08
  Speaker 1: Yeah, chant. That's the prompt. Give me a chant.
• 25:14
  Speaker 3: Just very quickly, something I did forget about was when
• 25:18
  Speaker 3: Greer put Simeon up.
• 25:19
  Speaker 4: Against the wall.
• 25:21
  Speaker 2: Yeah, he did.
• 25:22
  Speaker 4: And he puts his hand. in like a gun shape.
• 25:26
  Speaker 1: Yeah, that was a bit.
• 25:27
  Speaker 4: I'm threatening with you with my finger, but see how
• 25:29
  Speaker 4: this is kind of like a gun? This is what
• 25:31
  Speaker 4: I'll do with a real gun.
• 25:32
  Speaker 2: Yeah. That's a little 12 year old.
• 25:34
  Speaker 4: I can end you, bro.
• 25:39
  Speaker 1: I think it was me seeming to go, like put
• 25:41
  Speaker 1: the thumb down and go.
• 25:42
  Speaker 4: Or holster it afterwards.
• 25:45
  Speaker 1: Blow the nozzle. Sorry, Craig. Barrel. Sorry. Sorry. I didn't
• 25:50
  Speaker 1: mean to call the end of the gun the nozzle.
• 25:54
  Speaker 4: He's done.
• 25:56
  Speaker 2: The Faucet.
• 25:57
  Speaker 4: The Faucet.
• 25:57
  Speaker 2: Where the bullets come out.
• 25:58
  Speaker 1: Yeah.
• 26:01
  Speaker 2: Yeah, speaking of Simeon, he was in Species 3, I think. Oh, geez.
• 26:06
  Speaker 1: Those were movies that.
• 26:07
  Speaker 2: There was a third Species? There was a fourth. I'm
• 26:10
  Speaker 2: pretty sure. He's in one of the later ones.
• 26:12
  Speaker 1: Yeah.
• 26:12
  Speaker 4: It was only like the two that had the same
• 26:13
  Speaker 4: actors and stuff.
• 26:14
  Speaker 2: I could Google it. Yeah.
• 26:15
  Speaker 1: I think didn't the woman.
• 26:16
  Speaker 2: Taken forever.
• 26:17
  Speaker 1: She came from like the woman that was in the
• 26:19
  Speaker 1: first one came back for the third one or something.
• 26:22
  Speaker 5: Yeah.
• 26:22
  Speaker 4: Natasha Hentridge was definitely in the first two.
• 26:25
  Speaker 1: Oh, okay. Yeah. Of course, you know her name, Dirty Bird.
• 26:29
  Speaker 3: Honestly, the ads for that movie that leads to like,
• 26:32
  Speaker 3: to talk about the second film, you know, it was
• 26:34
  Speaker 3: like 8.30 tonight, Species 2, and it would show like,
• 26:37
  Speaker 3: you know, the like ad safe version of the sex scenes.
• 26:39
  Speaker 4: And I mean, I was like 10 or 11.
• 26:41
  Speaker 2: Yeah.
• 26:42
  Speaker 1: Oh, Brendan AB'd the shit.
• 26:44
  Speaker 2: Out of those.
• 26:45
  Speaker 1: Yeah. I think we all would have AB'd the shit
• 26:46
  Speaker 1: out of that movie. At a certain point.
• 26:48
  Speaker 2: Especially when she turned into the alien.
• 26:51
  Speaker 1: And got the tail and reverse Ultron.
• 26:53
  Speaker 2: Yeah, reverse Ultron.
• 26:54
  Speaker 1: Yeah, maybe you need to buy that for James on DVD,
• 26:57
  Speaker 1: just by species.
• 26:59
  Speaker 5: Yeah, maybe.
• 26:59
  Speaker 2: Let me just give you some movies of my youth, mate.
• 27:02
  Speaker 2: That's what I was thinking about when Scott was talking
• 27:06
  Speaker 2: about his relationship status. I was like, oh, you're going
• 27:09
  Speaker 2: to be the next species, dude. I'm like, hey, what?
• 27:12
  Speaker 2: Tea bag. That's right.
• 27:14
  Speaker 1: Wait, do you think? Could Chloe have been the original
• 27:20
  Speaker 1: Blue Waffle? Because Eiffel 65, Blue Aliens. Oh, yes.
• 27:27
  Speaker 4: I mean, maybe.
• 27:30
  Speaker 1: Maybe that's why Scott's like, so are you like as
• 27:34
  Speaker 1: into this as I am?
• 27:36
  Speaker 4: It's cool if not.
• 27:37
  Speaker 1: It's cool if not. Like, you know, I don't want
• 27:39
  Speaker 1: to be awkward or anything. Like, I just feel like
• 27:41
  Speaker 1: I'm holding you back.
• 27:42
  Speaker 4: I'm not even into what I'm into.
• 27:44
  Speaker 2: So it's fine. It's not weird. Let's pretend I never asked.
• 27:47
  Speaker 2: Species 3, 2004. Nailed it.
• 27:49
  Speaker 1: Nice.
• 27:51
  Speaker 4: That would have been prison break time.
• 27:53
  Speaker 2: Yeah. That's why I was excited. It's pretty late that early. Yeah,
• 27:56
  Speaker 2: I think it started at 04. No. Yeah, 04, yeah.
• 28:01
  Speaker 1: Sorry, Mitch.
• 28:01
  Speaker 2: Mitch is right, as usual.
• 28:04
  Speaker 1: That particular level of tism. Yeah.
• 28:06
  Speaker 4: That's all I got, mate.
• 28:08
  Speaker 2: All I got.
• 28:11
  Speaker 1: Hey, I've got an interesting, well, it's a question I
• 28:13
  Speaker 1: want to pose to the group. They made a big
• 28:17
  Speaker 1: deal about it at the end of this episode. getting
• 28:20
  Speaker 1: Eli's mum to visit Destiny. It was like a one-off thing.
• 28:24
  Speaker 1: Camille had to pull strings, she had that cool line
• 28:26
  Speaker 1: that I wish Weir had maybe said a few times.
• 28:32
  Speaker 2: I thought you meant that one.
• 28:35
  Speaker 1: No, no, I didn't. It's never that one.
• 28:39
  Speaker 4: Imagine if Eli's mom's walking around the ship. Just sitting
• 28:42
  Speaker 4: there out of her mind.
• 28:43
  Speaker 5: John!
• 28:43
  Speaker 4: Just into every door. We don't even know what's in there!
• 28:46
  Speaker 1: That's Eli's dad that she thinks he's done a run-on
• 28:48
  Speaker 1: to destiny. So he's walking around going, John!
• 28:51
  Speaker 5: John!
• 28:51
  Speaker 1: Where are you, John?
• 28:52
  Speaker 4: He went out for smokes.
• 28:53
  Speaker 1: John! Did he fall out this big hole in the roof?
• 29:00
  Speaker 1: All right, play the real one now.
• 29:02
  Speaker 3: You know what?
• 29:02
  Speaker 1: I'm not asking you.
• 29:03
  Speaker 5: I'm telling you.
• 29:04
  Speaker 4: Make this happen.
• 29:06
  Speaker 1: Yeah. Yeah.
• 29:07
  Speaker 2: I like it.
• 29:07
  Speaker 1: Hell yeah, Chun-Li.
• 29:11
  Speaker 2: Who is she talking to, though?
• 29:12
  Speaker 1: Yeah, yeah, yeah.
• 29:13
  Speaker 2: You know what I mean?
• 29:14
  Speaker 1: Oh, just another IOA person, I imagine. Let's see the
• 29:16
  Speaker 1: people she's got pull with. She hasn't got any pull
• 29:17
  Speaker 1: with the military, so, like.
• 29:18
  Speaker 2: Surely she's... Yeah, General O'Neill.
• 29:20
  Speaker 1: Yeah, she's not saying that to O'Neill. She's surely saying
• 29:22
  Speaker 1: that to some, you know, assistant to the director of
• 29:26
  Speaker 1: the IOA or something like that.
• 29:28
  Speaker 4: Hey, O'Neill.
• 29:30
  Speaker 3: You know what?
• 29:30
  Speaker 1: I'm not asking you. I'm telling you.
• 29:32
  Speaker 5: Make this happen.
• 29:35
  Speaker 2: Right, right.
• 29:36
  Speaker 1: Yes, ma'am.
• 29:37
  Speaker 3: And, I know he'd already told her, but I'm like, okay,
• 29:39
  Speaker 3: so she's getting some more clearance to find some shit.
• 29:41
  Speaker 4: Okay, fine.
• 29:42
  Speaker 1: Cool.
• 29:42
  Speaker 3: I actually love the early part of that line going,
• 29:45
  Speaker 3: It's like, obviously, just trying to sell it. He figured
• 29:47
  Speaker 3: out the 9-0 run. He is arguably the most important
• 29:51
  Speaker 3: on the ship. We need his emotional mental state to
• 29:53
  Speaker 3: be blah, blah. I'm like, oh, my God.
• 29:54
  Speaker 4: Brilliant. This is fantastic.
• 29:56
  Speaker 3: Camille, you're absolutely winning. But then for her to appear
• 29:59
  Speaker 3: on the ship, I'm like, oh, shit. And she was Parks, right?
• 30:01
  Speaker 2: Or Park?
• 30:03
  Speaker 4: Is that who she took over?
• 30:05
  Speaker 2: I'm trying to think. I couldn't quite see the mirror.
• 30:07
  Speaker 2: Because I reckon he was feeling his mum up.
• 30:09
  Speaker 4: That's not me, right? That's not me. Strangely, I said
• 30:12
  Speaker 4: that way too quickly. That's not me.
• 30:14
  Speaker 1: Greer was like, Eli, Eli.
• 30:16
  Speaker 4: Couldn't they have put her in the old woman?
• 30:18
  Speaker 1: But I still don't.
• 30:19
  Speaker 4: Know it exists.
• 30:20
  Speaker 3: I still feel like it's a joke that you guys
• 30:21
  Speaker 3: have on me. This old woman just does not exist.
• 30:23
  Speaker 3: But also, we know that Park, she's, you know. She
• 30:29
  Speaker 3: likes the men and that's good for her because Scott
• 30:31
  Speaker 3: loves the ladies.
• 30:33
  Speaker 1: You know, Greer afterwards was like, Hey Eli, technically I
• 30:38
  Speaker 1: fingered your mom. And he does, he does that same
• 30:41
  Speaker 1: finger gun that he did to Simeon.
• 30:43
  Speaker 4: Yeah, he would.
• 30:44
  Speaker 3: But I'm just like, You pick someone who's like similar age,
• 30:49
  Speaker 3: an attractive woman, that he's around all the time.
• 30:51
  Speaker 1: Has to be the same gender because Robert C. Cooper
• 30:53
  Speaker 1: works on the show. Yeah. So you can't have any
• 30:55
  Speaker 1: gender swapping.
• 30:55
  Speaker 2: Lieutenant James.
• 30:57
  Speaker 4: Yeah.
• 30:58
  Speaker 2: Can mum come in Lieutenant James next time, please, sir?
• 31:01
  Speaker 2: And then can I? Mum, you've got some sauce on
• 31:03
  Speaker 2: your boob.
• 31:04
  Speaker 1: Yeah. Hey, Mum.
• 31:06
  Speaker 2: You weren't even eating. Why isn't it?
• 31:07
  Speaker 1: Hey, Mum, remember when you used to breastfeed me? It
• 31:09
  Speaker 1: would be really nice if maybe, like, I'd feel connected
• 31:12
  Speaker 1: to you. Because you're, like, fraudy and shit. If maybe
• 31:14
  Speaker 1: you could.
• 31:16
  Speaker 4: We could just.
• 31:17
  Speaker 2: Resolve some of that. That Oedipal diet of mine that
• 31:20
  Speaker 2: I really miss.
• 31:21
  Speaker 1: Yeah.
• 31:23
  Speaker 4: But, okay, so before... Remember we used to breastfeed?
• 31:25
  Speaker 1: Yeah.
• 31:26
  Speaker 4: Are you a bottle fed? I'm pretty sure I was breastfed.
• 31:28
  Speaker 1: Pretty sure.
• 31:28
  Speaker 2: No, I'm talking about last month.
• 31:30
  Speaker 1: No, see, here's the thing, mum. Because I was... See,
• 31:32
  Speaker 1: the counter to that is, well, mum, because you bottle
• 31:34
  Speaker 1: fed me, I feel like I never got that nourishment
• 31:37
  Speaker 1: and we're not connected. So I feel like maybe if
• 31:38
  Speaker 1: we could actually just reenact some breastfeeding right now, we
• 31:41
  Speaker 1: could feel really connected.
• 31:42
  Speaker 2: Yeah. Even on the other side of the galaxy. Please, mum,
• 31:44
  Speaker 2: close your eyes.
• 31:45
  Speaker 1: Yeah. So before we get into.
• 31:48
  Speaker 2: Is that what you were talking about, Mitch?
• 31:49
  Speaker 4: Then the connection breaks.
• 31:51
  Speaker 1: Yeah.
• 31:53
  Speaker 2: I'm sorry, this is just something me and my mum
• 31:55
  Speaker 2: are doing.
• 31:56
  Speaker 4: Don't make it weird. Just let me live this out, please.
• 31:58
  Speaker 1: You signed the clearance form.
• 32:01
  Speaker 4: You signed it. You signed it.
• 32:02
  Speaker 3: Hey, Scott, I know you said you're in the closet
• 32:06
  Speaker 3: back on Planet Nuggeter, but, I mean, have you ever
• 32:11
  Speaker 3: fucked James? Have you ever sucked James' titties while thinking
• 32:14
  Speaker 3: it was your mum?
• 32:14
  Speaker 4: I didn't think so.
• 32:16
  Speaker 2: Knowing it was your mum. People pay for this content.
• 32:20
  Speaker 5: Yeah.
• 32:22
  Speaker 1: Um so so before we get into gated that whole
• 32:25
  Speaker 1: thing what i was going to ask was why why
• 32:31
  Speaker 1: why are we not like if if shore leave is
• 32:35
  Speaker 1: such a common thing like even chloe when she was
• 32:37
  Speaker 1: wind you out i don't even get to use the
• 32:38
  Speaker 1: stones to go and visit my mom why okay so
• 32:42
  Speaker 1: say say i'm eli and i'm gonna go to earth
• 32:45
  Speaker 1: to visit my mom why doesn't you know um TJ's
• 32:51
  Speaker 1: dad be the one to swap with my body, and
• 32:54
  Speaker 1: then while I'm with my mum on Earth, TJ's dad
• 32:57
  Speaker 1: is on destiny with TJ. You know what I mean? Like,
• 33:02
  Speaker 1: if these people have enough clearance... Like, if you look
• 33:04
  Speaker 1: at Camille's wife.
• 33:06
  Speaker 4: Girlfriend?
• 33:07
  Speaker 2: Wife? I assume they're married.
• 33:09
  Speaker 4: Yeah, that's how I've taken it.
• 33:10
  Speaker 1: Was it legal in 2010 in America?
• 33:13
  Speaker 5: Surely.
• 33:14
  Speaker 4: In certain states.
• 33:15
  Speaker 2: Yeah, in certain states.
• 33:16
  Speaker 1: Good, good.
• 33:17
  Speaker 4: But it's like, if.
• 33:20
  Speaker 1: If Camille can go home and... Sharon? Sharon, of course.
• 33:24
  Speaker 2: Do you want me to bring it up?
• 33:25
  Speaker 1: No, it's fine. Let's not and say we did.
• 33:29
  Speaker 5: Sharon!
• 33:31
  Speaker 1: If Sharon has enough clearance, like security clearance, to have
• 33:39
  Speaker 1: these visits from Camille and know enough about Destiny and stuff,
• 33:44
  Speaker 1: why can't Sharon just go to Destiny? You know what
• 33:47
  Speaker 1: I mean? Because the thing that... me up is when
• 33:52
  Speaker 1: Sharon was having her issues in this episode and really
• 33:54
  Speaker 1: struggling with the visitation we spoke about this the last
• 33:57
  Speaker 1: time they had visitation together is the fact that Camille
• 34:01
  Speaker 1: said to Sharon this is what keeps me sane this
• 34:05
  Speaker 1: is what keeps me going and that felt really sucky
• 34:08
  Speaker 1: like on behalf of Sharon like Sharon's the one saying
• 34:12
  Speaker 1: I'm really struggling with this I don't know how I
• 34:14
  Speaker 1: can deal with this mentally.
• 34:15
  Speaker 4: Emotionally because I've got no one to talk to about
• 34:16
  Speaker 4: it yeah I've got.
• 34:17
  Speaker 1: No one to talk to about it and then Camille
• 34:18
  Speaker 1: goes yeah, but your suffering is what keeps me going.
• 34:23
  Speaker 1: You know, I need you to suffer because it's what
• 34:25
  Speaker 1: keeps me going on Destiny. Like, that is way too
• 34:28
  Speaker 1: much to put on Sharon.
• 34:30
  Speaker 2: Well, if they're married.
• 34:32
  Speaker 3: Yeah.
• 34:32
  Speaker 2: I don't think she's thinking of it like that, that
• 34:36
  Speaker 2: she's suffering.
• 34:38
  Speaker 1: Well, no, but that's what Sharon was saying. Sharon was saying, like,
• 34:40
  Speaker 1: I'm suffering. I'm alone. Like, when you're not here, I'm alone.
• 34:44
  Speaker 1: I'm suffering.
• 34:45
  Speaker 2: She should have told her. Let's go eat some box, love.
• 34:47
  Speaker 1: Eat out.
• 34:49
  Speaker 2: You can eat out on Tuesdays. Taco Tuesday.
• 34:51
  Speaker 1: Polyamorous.
• 34:52
  Speaker 4: Where did you go for an hour today?
• 34:53
  Speaker 3: And why did you make it weird when you said,
• 34:55
  Speaker 3: I'm going to be gone for an hour tops, maybe two?
• 34:57
  Speaker 2: I locked my keys in my car again. Jesus Christ.
• 35:00
  Speaker 1: That's because the massage is a la carte, and at
• 35:02
  Speaker 1: the end of the first hour, you can ask if
• 35:04
  Speaker 1: you want to keep going for the second hour.
• 35:05
  Speaker 2: Can you ask the Air Force to send a hot
• 35:07
  Speaker 2: host next time?
• 35:08
  Speaker 1: Yeah, yeah.
• 35:08
  Speaker 2: For fuck's sake. The dregs of the Air Force.
• 35:11
  Speaker 1: Does Lieutenant James have any family members in the Air
• 35:14
  Speaker 1: Force on Earth?
• 35:14
  Speaker 4: She had twin sisters somewhere, like surely.
• 35:16
  Speaker 1: Come on. Yeah. Um, but yes, if there's enough, no,
• 35:22
  Speaker 1: the last thing Sharon wants is a bone. So, uh, yeah,
• 35:25
  Speaker 1: I just think if there's an, if you've got enough
• 35:27
  Speaker 1: security clearance, like on Sharon, someone like Sharon, like obviously
• 35:30
  Speaker 1: Eli's mom at the time didn't have as much, but
• 35:33
  Speaker 1: you know, they did this to like, cause she wasn't believing.
• 35:36
  Speaker 1: And like, we've done that in the past. Like we've,
• 35:38
  Speaker 1: we've beamed up Mr. Sheffield and stuff like that to
• 35:40
  Speaker 1: be like.
• 35:40
  Speaker 2: It's real.
• 35:43
  Speaker 1: Um, so I'm just like, why wouldn't we be bringing more, uh,
• 35:47
  Speaker 1: family members to Destiny.
• 35:49
  Speaker 2: Yeah, I thought that too.
• 35:51
  Speaker 1: Sure, keep him out of the control room, keep him
• 35:53
  Speaker 1: out of the gate room, but it's like, let him
• 35:56
  Speaker 1: wander around and have exactly what Eli and his mum had.
• 35:59
  Speaker 4: Yeah, look how shit it is up here. You think
• 36:00
  Speaker 4: we're having a good time?
• 36:01
  Speaker 2: Yeah.
• 36:02
  Speaker 4: Every eight minutes we're about to die.
• 36:04
  Speaker 1: And it's like, anyone who wins is like, oh, you know,
• 36:06
  Speaker 1: top secret, security clear, blah, blah. It's like, well, anybody
• 36:09
  Speaker 1: who agrees to do this. Yeah. knows that if they
• 36:13
  Speaker 1: leak one skerrick by accident, they are never going to
• 36:17
  Speaker 1: see their loved one again because they will lose their
• 36:18
  Speaker 1: security clearance immediately.
• 36:20
  Speaker 3: Not only is it, oh, my wife is on a
• 36:23
  Speaker 3: ship that's on the other side of the universe.
• 36:26
  Speaker 4: Sure it is.
• 36:28
  Speaker 3: And you imagine Adam's like, and then I touched a
• 36:30
  Speaker 3: magic rock and all of a sudden I was up
• 36:32
  Speaker 3: on the spaceship with her.
• 36:34
  Speaker 4: It's like, okay, you were crazy first. Come on this way.
• 36:37
  Speaker 1: The husband of the old lady on Destiny is just
• 36:40
  Speaker 1: the guy from Up.
• 36:41
  Speaker 2: Yeah.
• 36:42
  Speaker 4: He's got no chance.
• 36:43
  Speaker 1: Yeah.
• 36:45
  Speaker 4: Mainly because she doesn't exist.
• 36:46
  Speaker 3: No, but I thought the same thing, and it's helped
• 36:49
  Speaker 3: because it's at the end of the episode.
• 36:51
  Speaker 4: You imagine if that's at the start.
• 36:52
  Speaker 3: That's the story of the episode because it's everyone going,
• 36:54
  Speaker 3: hang on, why don't we get that privilege? Like, okay,
• 36:57
  Speaker 3: Eli's great. He's got an old mum that's going through
• 36:59
  Speaker 3: some shit, but come on. The fact that you put
• 37:00
  Speaker 3: it at the end of the episode, you're like, yeah,
• 37:03
  Speaker 3: let's go to the credits. And she did.
• 37:05
  Speaker 1: It to herself. She chose not to take her AIDS meds.
• 37:08
  Speaker 4: Yeah.
• 37:10
  Speaker 1: So why does she get special treatment?
• 37:11
  Speaker 2: Yeah.
• 37:13
  Speaker 1: But, yeah, I just think from a storytelling point of
• 37:15
  Speaker 1: view as well, I think there will be so much
• 37:17
  Speaker 1: more interesting to bring people from.
• 37:19
  Speaker 4: Earth to the ship.
• 37:21
  Speaker 3: It's like having your cake and eating it too because
• 37:23
  Speaker 3: you're doing the exact same thing but you're getting a
• 37:25
  Speaker 3: whole different spin on it.
• 37:27
  Speaker 2: All the female crew members will be pregnant by the
• 37:29
  Speaker 2: end of season one.
• 37:30
  Speaker 1: Yeah, maybe that's what it is. Maybe, like, we can't
• 37:32
  Speaker 1: do it while Lieutenant Scott's still alive.
• 37:36
  Speaker 2: Spoiler alert.
• 37:37
  Speaker 4: Yeah.
• 37:39
  Speaker 1: But it's like.
• 37:40
  Speaker 4: Every year. James comes back and she's like, I'm pregnant again.
• 37:47
  Speaker 1: God damn it.
• 37:48
  Speaker 4: God damn it.
• 37:50
  Speaker 1: Is it too early to name this one after TJ's baby?
• 37:54
  Speaker 2: Wow. What was the name going to be?
• 37:56
  Speaker 4: Carmen.
• 37:57
  Speaker 1: Oh, there you go.
• 37:58
  Speaker 2: Carmen Sandiego.
• 38:01
  Speaker 1: Carmen Agenziano.
• 38:02
  Speaker 2: Agenziano. Absolutely.
• 38:04
  Speaker 1: Maybe that was their middle name. Carmen Agenziano Johansson. That
• 38:08
  Speaker 1: rolls off the tongue.
• 38:10
  Speaker 4: Sign that autograph.
• 38:13
  Speaker 2: We were just talking about the people who could have,
• 38:16
  Speaker 2: like the families of the Destiny crew.
• 38:18
  Speaker 4: Yeah.
• 38:19
  Speaker 2: This kind of goes into post-Stargate Universe and into the
• 38:24
  Speaker 2: new series, or a new series.
• 38:26
  Speaker 1: Yeah, there's no new series. It's not the new series.
• 38:29
  Speaker 2: But if they wanted to, in the new series, which
• 38:32
  Speaker 2: hopefully they may, or at some point, No, they're not
• 38:37
  Speaker 2: going to make it in the continuum as we know it.
• 38:39
  Speaker 1: Yeah, not the gear over.
• 38:40
  Speaker 2: I always thought they could have had a group of
• 38:43
  Speaker 2: these people like Sharon, like Eli's mum, who kind of
• 38:49
  Speaker 2: gathered in a group and then they created a lot
• 38:52
  Speaker 2: of like internet splash.
• 38:54
  Speaker 4: Oh, like Wi-Fi.
• 38:56
  Speaker 2: On the Stargate program. kind of blew it out and
• 39:00
  Speaker 2: made it public. Be like, Hey, yeah, they've taken our families.
• 39:04
  Speaker 1: Yeah.
• 39:04
  Speaker 2: You know, we're not getting visitation. Let's say destiny blows
• 39:07
  Speaker 2: up tomorrow. They're like, they abducted my son. The air
• 39:10
  Speaker 2: force took him. Where are these people?
• 39:13
  Speaker 4: Yeah.
• 39:13
  Speaker 2: There's a thing called the Stargate program or, you know
• 39:16
  Speaker 2: what I mean?
• 39:16
  Speaker 1: If you don't, if you don't start searching for them,
• 39:18
  Speaker 1: we're going to make it public because if we just
• 39:21
  Speaker 1: stay quiet, we never see our family again. Whereas if
• 39:23
  Speaker 1: we force you to. But then again, obviously, after that
• 39:27
  Speaker 1: reporter in season two, I mean, if Hammond was still around,
• 39:33
  Speaker 1: he would have.
• 39:33
  Speaker 2: Sharon would have been dead.
• 39:35
  Speaker 1: There'd be a lot of car accidents. There'd be a
• 39:37
  Speaker 1: lot of pedestrians getting hit by cars.
• 39:39
  Speaker 4: The meds that Eli's mum would have been taking, straight cyanide.
• 39:42
  Speaker 2: It would have been like, oh, General Hammond, Eli's mum,
• 39:45
  Speaker 2: just died.
• 39:46
  Speaker 1: You don't really give a damn.
• 39:47
  Speaker 4: LAUGHTER That bitch got what she deserved.
• 39:54
  Speaker 1: Okay, here's Eli's mum's body. She says she wants to
• 39:56
  Speaker 1: be cremated. What would you like to do? Initiate wildfire.
• 40:01
  Speaker 1: Takes me back. But yeah, it's like, because if you
• 40:04
  Speaker 1: think about it, when O'Neill wanted to come to, needed
• 40:07
  Speaker 1: to come to Destiny, he could. Whenever we need medical
• 40:11
  Speaker 1: or science people, they come from Earth to Destiny. It's
• 40:15
  Speaker 1: all about that person coming there. So it's like, if
• 40:18
  Speaker 1: you're going to bring in.
• 40:19
  Speaker 2: Rush's girlfriend. Brightman.
• 40:21
  Speaker 1: Dr.
• 40:22
  Speaker 4: Brightman?
• 40:23
  Speaker 2: Yeah, I said that before. Oh, no, I didn't.
• 40:25
  Speaker 5: Brightman?
• 40:25
  Speaker 1: I think we got to Brightman.
• 40:26
  Speaker 2: Slappy.
• 40:27
  Speaker 1: Slappy bag. Samsonite.
• 40:29
  Speaker 2: Samsonite. It was way off.
• 40:32
  Speaker 1: I mean, maybe it's a 2026 thing, you know, applying
• 40:35
  Speaker 1: it to 2010, but it's like mental health is as
• 40:37
  Speaker 1: important as physical health. So it's like if, and I mean,
• 40:41
  Speaker 1: Camille does say it in this episode, like you were
• 40:42
  Speaker 1: saying before, Mitch, like she's talking about Eli's mental health
• 40:46
  Speaker 1: and his mum's mental health so that she'll get better
• 40:48
  Speaker 1: is they need to have this connection.
• 40:50
  Speaker 4: Yeah.
• 40:51
  Speaker 1: Then yeah, imagine if TJ had, we don't know much
• 40:55
  Speaker 1: about TJ's family or anything like that, but imagine if
• 40:57
  Speaker 1: she had a family member at home that she could
• 41:00
  Speaker 1: talk to them about what happened with Carmen and all that.
• 41:02
  Speaker 4: Kind of stuff.
• 41:03
  Speaker 2: Imagine if her dad came on board as Greer and
• 41:05
  Speaker 2: was like, he impregnated me and then made me kill
• 41:08
  Speaker 2: the baby.
• 41:09
  Speaker 1: God damn you, God damn her.
• 41:11
  Speaker 2: That would have been sick. And then Greer beats the
• 41:14
  Speaker 2: fuck out of Young. You killed my granddaughter, son of
• 41:18
  Speaker 2: a bitch.
• 41:18
  Speaker 1: Son of a bitch.
• 41:21
  Speaker 2: How dare you do that to Cormorant?
• 41:22
  Speaker 1: You call me Mr. Johansson, you son of a bitch.
• 41:27
  Speaker 1: I'm Brian Johansson.
• 41:28
  Speaker 4: She's TJ.
• 41:29
  Speaker 1: I'm BJ.
• 41:32
  Speaker 3: Is that where we're supposed to believe that it's going
• 41:35
  Speaker 3: there at the end where Sharon walks in to Eli's
• 41:39
  Speaker 3: mom and is like, hey, my wife.
• 41:42
  Speaker 4: Oh, yeah, your son. I'm like, oh, cool. They're going
• 41:44
  Speaker 4: to have a little weekly group. A little group, yeah.
• 41:47
  Speaker 2: That would have been nice. What do you call that?
• 41:49
  Speaker 1: Um... survivors i was gonna say like well you could
• 41:52
  Speaker 1: still call it aa it'd be like ancients anonymous very
• 41:55
  Speaker 1: good da does destiny anonymous or some kind of support group.
• 42:01
  Speaker 4: Dhd oh.
• 42:05
  Speaker 3: I mean he kind of had to tell her old
• 42:06
  Speaker 3: ela right with his mom because like obviously it's been
• 42:09
  Speaker 3: two people now that he has been but on this
• 42:11
  Speaker 3: occasion it was the same person twice where he just
• 42:14
  Speaker 3: walks in like oh yeah Your son told me this
• 42:16
  Speaker 3: really intimate thing about you.
• 42:17
  Speaker 4: It's so fucking crazy. And she's like, okay, he's not here.
• 42:20
  Speaker 3: And he's been really fucking weird by just telling you, like,
• 42:22
  Speaker 3: the most intimate details of our lives and, like, what
• 42:25
  Speaker 3: my tics are.
• 42:26
  Speaker 4: And why does he.
• 42:27
  Speaker 3: Tell everyone that my favorite sci-fi film is E.T.? Like,
• 42:29
  Speaker 3: how does that come up in conversation?
• 42:31
  Speaker 5: Oh, oh, oh, oh.
• 42:33
  Speaker 2: Remember that time you walked in on Eli jerking it off?
• 42:37
  Speaker 2: To Aladdin?
• 42:37
  Speaker 4: Yeah.
• 42:38
  Speaker 2: He had such a crush on Jasmine. He told me
• 42:40
  Speaker 2: about it.
• 42:41
  Speaker 4: He's actually weirdly low-key proud of it. It's so strange.
• 42:45
  Speaker 1: Ironically, though, when he got older, he admitted to me
• 42:47
  Speaker 1: that it wasn't actually Jasmine. It was Raja.
• 42:50
  Speaker 2: Raja, yeah. Did Rush bring chalk or is he making
• 42:53
  Speaker 2: that chalk?
• 42:55
  Speaker 1: Oh.
• 42:56
  Speaker 2: Because there's a lot of chalk going on in his
• 42:59
  Speaker 2: and Chloe's study. This is where I come to study.
• 43:02
  Speaker 1: Could it be some of that lime? Have you compacted
• 43:04
  Speaker 1: some of that lime?
• 43:05
  Speaker 2: Oh, yeah.
• 43:05
  Speaker 5: Yeah.
• 43:06
  Speaker 2: That's a good point.
• 43:07
  Speaker 1: Because how do you make chalk?
• 43:10
  Speaker 2: You can make it with eggshells and flour and water.
• 43:14
  Speaker 1: Really?
• 43:14
  Speaker 2: Yeah.
• 43:16
  Speaker 1: Wow. Maybe they've got some alien flour and eggs or
• 43:19
  Speaker 1: something like that.
• 43:20
  Speaker 2: Yeah.
• 43:21
  Speaker 1: Oh, with the face suckers from the time loop episode.
• 43:25
  Speaker 1: They bursted out of eggs, didn't they?
• 43:26
  Speaker 5: Ooh.
• 43:28
  Speaker 1: There's your eggshells.
• 43:29
  Speaker 2: I don't know if they burst out of eggs.
• 43:31
  Speaker 1: Was it egg sacks? Or no, were they anthills? They
• 43:34
  Speaker 1: were little anthills, weren't they? Yeah.
• 43:35
  Speaker 2: They were little. Yeah, they were the face sucker kind of. Yeah.
• 43:39
  Speaker 3: Yeah, but Cooper had to not plagiarise it by making
• 43:42
  Speaker 3: them come from the ground rather than an egg.
• 43:43
  Speaker 1: Yeah.
• 43:44
  Speaker 2: Yes.
• 43:45
  Speaker 1: Oh, wait till next week, mate.
• 43:48
  Speaker 4: Just you wait. Just you wait.
• 43:52
  Speaker 2: Talk about Little Shop of Horrors.
• 43:59
  Speaker 1: Oh, does anybody.
• 43:59
  Speaker 2: Oh, why did Rush put Chloe in the chair, I wrote?
• 44:02
  Speaker 2: Was it for theatre?
• 44:03
  Speaker 1: Yes.
• 44:04
  Speaker 2: Yeah. Because he.
• 44:06
  Speaker 1: He talked her into it because he said, this won't
• 44:08
  Speaker 1: get rid of your Eiffel 65 DNA, but it'll make
• 44:12
  Speaker 1: them think that it'll buy us some time until I
• 44:15
  Speaker 1: figure out what's going on.
• 44:16
  Speaker 2: Yeah, because was it before or after the chair? He's like,
• 44:19
  Speaker 2: she's just got to be in quarantine then. It was
• 44:23
  Speaker 2: before the chair? I think it was before the chair.
• 44:25
  Speaker 1: Makes sense.
• 44:26
  Speaker 2: Because once she was in the.
• 44:28
  Speaker 1: Chair, he was like, she's fine now.
• 44:29
  Speaker 2: She's great.
• 44:32
  Speaker 1: She's completely back to normal.
• 44:33
  Speaker 2: Right. Yeah, that's what he thinks.
• 44:35
  Speaker 1: Yeah, but then he did show Chloe the bridge, right?
• 44:38
  Speaker 1: That was the, or was it just the hallway that
• 44:43
  Speaker 1: he showed her?
• 44:44
  Speaker 2: Oh, that's right. Yeah, the hallway with the chalk.
• 44:46
  Speaker 1: And he said, you solve some of these things for
• 44:48
  Speaker 1: me and I will pretend to cure you so you
• 44:52
  Speaker 1: don't have to be quarantined anymore.
• 44:53
  Speaker 2: That was the reason. If anyone finds out that I
• 44:55
  Speaker 2: got the master code, you're dead.
• 44:58
  Speaker 1: That's right. That was the reason Chloe went along with
• 45:01
  Speaker 1: it because she likes to sleep in her bed, not
• 45:04
  Speaker 1: in quarantine.
• 45:06
  Speaker 2: Why can't she be in quarantine in her own room?
• 45:08
  Speaker 2: I never understood that. Because her and Scott be f
• 45:11
  Speaker 2: * * * ing. So?
• 45:13
  Speaker 1: Well, they can't quarantine if he's inside of her. Yeah,
• 45:15
  Speaker 1: but why can't she be in her own room? Because
• 45:18
  Speaker 1: she'd be f * * * ing. Well, Scott doesn't
• 45:20
  Speaker 1: have to be there. He can go back to his room.
• 45:22
  Speaker 1: She doesn't want that. Maybe Scott's got the dick of death.
• 45:25
  Speaker 1: Maybe he's just got an absolute hammer just swinging. Yeah.
• 45:30
  Speaker 1: And that's why everyone wants it. I can understand. That's
• 45:34
  Speaker 1: why James is like, She wants it so bad.
• 45:40
  Speaker 2: Yeah.
• 45:41
  Speaker 1: Hey, does anybody remember the scene? I just got this
• 45:45
  Speaker 1: off the wiki with some trivia. Does anybody remember a
• 45:48
  Speaker 1: woman named Airman First Class Phillips in this episode?
• 45:54
  Speaker 2: No, unless it's like a host of Camille or something.
• 45:58
  Speaker 3: Could be.
• 45:59
  Speaker 1: Or it could have been maybe someone that Chloe. No,
• 46:02
  Speaker 1: Chloe was talking to Lieutenant James, wasn't she? Anyway, according
• 46:05
  Speaker 1: to the trivia for this, whoever the woman was that
• 46:07
  Speaker 1: played Airman First Class Phillips played Sylvana in Bad Guys.
• 46:13
  Speaker 1: So that episode of SG-1 where the team take over
• 46:18
  Speaker 1: the alien museum and.
• 46:19
  Speaker 2: They have to like liberate the treasure. All that kind
• 46:22
  Speaker 2: of stuff. Oh, my favourite episode.
• 46:23
  Speaker 1: Your favourite episode behind, was it Family Ties? Shut up.
• 46:29
  Speaker 1: Shut up.
• 46:31
  Speaker 4: Well, yeah, anyway.
• 46:32
  Speaker 2: Shut up, shut up, shut up.
• 46:33
  Speaker 1: One of the women from that episode was in this episode.
• 46:39
  Speaker 1: Take that, internet.
• 46:42
  Speaker 2: I kept thinking about your TikTok earlier. I won't go there.
• 46:48
  Speaker 2: Do you think Camille would have been pissed off that
• 46:50
  Speaker 2: she had to go visit Eli while they're on Earth? Oh, yeah.
• 46:53
  Speaker 3: Yeah, like here I was feeling for when Sharon's like,
• 46:57
  Speaker 3: I've got to duck out.
• 46:57
  Speaker 4: I'm like, what are you? Obviously you've got to work.
• 46:59
  Speaker 4: You can't just.
• 47:00
  Speaker 2: Yeah.
• 47:01
  Speaker 3: Maybe I don't know what you do for a job.
• 47:02
  Speaker 3: Maybe you can't take it off, you know. She's in
• 47:04
  Speaker 3: HR too.
• 47:05
  Speaker 2: Is she? Well, I mean. I've assumed.
• 47:07
  Speaker 1: HR too.
• 47:08
  Speaker 2: Wasn't that a type of Holden?
• 47:09
  Speaker 1: HR too. Wasn't that a Holden?
• 47:10
  Speaker 4: HR too? Yeah. Then for Eli to be like, oh,
• 47:14
  Speaker 4: I can't help you with my mom.
• 47:16
  Speaker 1: No, that's hormone replacement therapy.
• 47:17
  Speaker 4: Sharon's like, yeah, sick.
• 47:18
  Speaker 3: And then when Camille gets back and she says, Sharon,
• 47:24
  Speaker 3: I'm so sorry I was gone for so long.
• 47:25
  Speaker 4: She's like, yeah, that's fine. How's Eli's mom? And I'm like,
• 47:28
  Speaker 4: you didn't give a fuck. I'm sorry, you don't get it.
• 47:30
  Speaker 4: You've been going through it.
• 47:31
  Speaker 2: You've been judging me for drinking wine, bitch. At least
• 47:34
  Speaker 2: I got wine.
• 47:35
  Speaker 4: Oops, need another one. If you had.
• 47:38
  Speaker 2: Wine, oh, yeah, she'd be drinking all of Brodie's still.
• 47:42
  Speaker 1: Yeah, and that would be way more potent than wine.
• 47:47
  Speaker 1: Like if someone's having a glass or two of red wine,
• 47:49
  Speaker 1: like calm down. It's not like she's got a bottle
• 47:51
  Speaker 1: of vodka in the freezer that she's freebasing.
• 47:54
  Speaker 2: Even if she does, who cares? Leave her alone. Her
• 47:58
  Speaker 2: spouse is in space. She's never, ever coming back.
• 48:02
  Speaker 1: Unless she's boofing tampons soaked in vodka.
• 48:06
  Speaker 2: God, we should try that.
• 48:09
  Speaker 1: I only like tequila. I don't like the taste of vodka.
• 48:11
  Speaker 2: It's in your ass, mate. It doesn't matter.
• 48:13
  Speaker 1: Oh, my ass knows. My ass can taste the difference.
• 48:18
  Speaker 1: My ass can taste the difference.
• 48:19
  Speaker 2: Shut up, Matty. Put it in, Mitch.
• 48:23
  Speaker 1: No. My ass will boof tequila with salt and lime afterwards.
• 48:32
  Speaker 2: Get that plunger out of the way. Make it top shelf.
• 48:37
  Speaker 1: Well, it is shelving, so.
• 48:38
  Speaker 4: Yeah, it's true.
• 48:38
  Speaker 1: Technically it's bottom shelf.
• 48:41
  Speaker 4: It was just such a like, you know when they.
• 48:44
  Speaker 3: You get moments like this where they try to make
• 48:46
  Speaker 3: drinking an issue and it just doesn't look like.
• 48:48
  Speaker 4: It's that big of a deal. Shut up.
• 48:51
  Speaker 1: Sharon had a second glass of red wine.
• 48:53
  Speaker 3: You know that moment where Simpson's gone moved because he's
• 48:57
  Speaker 3: working for Scorpio and that kind of thing. And everything
• 49:00
  Speaker 3: in the house is done, so she just starts drinking.
• 49:02
  Speaker 1: Oh, that's right.
• 49:02
  Speaker 3: And she complains after a couple of weeks. She's like,
• 49:05
  Speaker 3: I've been drinking a glass of wine every day. I
• 49:07
  Speaker 3: know doctors say you should drink a glass and a half,
• 49:09
  Speaker 3: but I just can't drink that much.
• 49:11
  Speaker 4: She's like.
• 49:12
  Speaker 1: Meanwhile.
• 49:13
  Speaker 4: Not even drinking a healthy amount of alcohol a day.
• 49:15
  Speaker 3: Meanwhile. she thinks it's a problem that's what this felt
• 49:17
  Speaker 3: like i'm gonna go get another one i'm like yeah
• 49:19
  Speaker 3: you just having dinner with.
• 49:20
  Speaker 1: Your wife yeah meanwhile camille head of hr on destiny
• 49:24
  Speaker 1: has no idea in the room next to her young
• 49:27
  Speaker 1: is like crying into a coma while like shotgunning moonshine
• 49:32
  Speaker 1: having an absolute mentee bee And now she's got no idea.
• 49:36
  Speaker 1: But Sharon has a second glass of red wine and
• 49:37
  Speaker 1: she's like, oh, gosh.
• 49:40
  Speaker 4: This is a problem.
• 49:41
  Speaker 2: I mean, unless Sharon was in AA.
• 49:43
  Speaker 1: Yeah, but then the first glass of red wine would
• 49:47
  Speaker 1: have been the tip off.
• 49:49
  Speaker 4: That would be interesting.
• 49:50
  Speaker 3: Like if you've left someone behind who's going through recovery
• 49:53
  Speaker 3: of addiction and then you're coming back and you're the
• 49:56
  Speaker 3: reason that they've relapsed.
• 49:58
  Speaker 2: That is interesting. Yeah.
• 50:00
  Speaker 5: Oh, well.
• 50:02
  Speaker 1: I just had a thought, though. What if we're just
• 50:04
  Speaker 1: going back to, you know, family members and guests and
• 50:07
  Speaker 1: stuff coming to Destiny. What if Scott's son visited?
• 50:13
  Speaker 2: He would have definitely said no.
• 50:15
  Speaker 1: Well, no, no. Yeah, until they say.
• 50:17
  Speaker 2: Scott would have said no, no, no, no.
• 50:18
  Speaker 1: No, no. But I'm saying Matthew would have said yes
• 50:20
  Speaker 1: when they go, who would you like, whose body would
• 50:23
  Speaker 1: you like to be in? Dr. Park or Lieutenant James?
• 50:27
  Speaker 2: He'd be like. Are you talking about his son?
• 50:31
  Speaker 1: Yeah. Well, his son's name's Matthew.
• 50:34
  Speaker 4: Who would he... Riley would have been perfect.
• 50:36
  Speaker 1: Yeah.
• 50:37
  Speaker 4: For a child to go into Riley's body.
• 50:39
  Speaker 1: Riley was like seven feet tall.
• 50:41
  Speaker 2: Yeah, but he... Was he?
• 50:42
  Speaker 4: He was tall, yeah.
• 50:43
  Speaker 3: Hey, look, you know, we get to the end of
• 50:45
  Speaker 3: the episode and they all lived happily ever after.
• 50:48
  Speaker 4: So what a wonderful way to wrap this episode up, right?
• 50:52
  Speaker 2: I love it how there's that one scene at the end,
• 50:55
  Speaker 2: near the end, where they just... They're in the cafeteria
• 50:57
  Speaker 2: and then everyone, all the extras in the crew were
• 50:59
  Speaker 2: looking at Chloe like, ooh.
• 51:01
  Speaker 5: Ooh.
• 51:02
  Speaker 2: She's an alien.
• 51:03
  Speaker 4: Weird girl.
• 51:05
  Speaker 3: When she went missing for the second time, they like
• 51:07
  Speaker 3: put the ship on hold, you know, to like look
• 51:10
  Speaker 3: for her.
• 51:10
  Speaker 5: Yeah.
• 51:10
  Speaker 3: And then she gets found and she's just there in
• 51:12
  Speaker 3: the dark with a screwdriver trying.
• 51:14
  Speaker 2: To break into a case.
• 51:15
  Speaker 4: What are you doing? That.
• 51:18
  Speaker 2: But what is she doing?
• 51:19
  Speaker 3: I don't know.
• 51:21
  Speaker 1: Yeah, like what's in that box? Like what's the box?
• 51:24
  Speaker 4: That's what Sharon said.
• 51:25
  Speaker 2: Ha ha.
• 51:27
  Speaker 1: What mission critical supplies could be in that attache case? Like,
• 51:31
  Speaker 1: that can be, that she's trying to get a screwdriver.
• 51:33
  Speaker 2: Yeah, I just thought that was weird. Yeah. Do you know,
• 51:38
  Speaker 2: did you forget how to open it?
• 51:40
  Speaker 6: Yeah.
• 51:42
  Speaker 2: You want a torch? You want a torch in here?
• 51:44
  Speaker 2: Can you fucking see?
• 51:45
  Speaker 4: Are your eyes, like, lighting up?
• 51:48
  Speaker 1: All she can see is blue. Oh, okay.
• 51:52
  Speaker 2: That's amazing.
• 52:08
  Speaker 4: Ah, yeah. That's episode 333.
• 52:11
  Speaker 3: All the way into the cheap seats up there. We'll
• 52:13
  Speaker 3: see you back next week for another episode of Get
• 52:16
  Speaker 3: It At Gate. This has been Mitch, Matty and Brendan
• 52:19
  Speaker 3: breaking things down. All things Stargate Universe. We're back to talk.
• 52:23
  Speaker 3: The episode simply titled Cloverdale. The spiritual sequel to Cloverfield Lane.
• 52:29
  Speaker 3: One of our favorite movie watching experiences as a three-beat team.
• 52:33
  Speaker 4: Of course, Lincoln and Reese were there, but they will
• 52:35
  Speaker 4: not be here next week. Not that we think. We'll
• 52:38
  Speaker 4: be talking about it next week. Ah, yeah. Get into
• 52:45
  Speaker 4: the gate.
• 52:47
  Speaker 3: Get into the gate.
• 52:49
  Speaker 2: Get into gate, Stargate. And send me some aspirin.