Latest / Michelle Explains Anime, Poorly / Dorohedoro Ep.8- A Good Day to Leave/Lalala Monsterman/A Good Day to Leave Part 2/Splended and Exuberant/Welcome to Blue Night Land

Transcript

Dorohedoro Ep.8- A Good Day to Leave/Lalala Monsterman/A Good Day to Leave Part 2/Splended and Exuberant/Welcome to Blue Night Land · Michelle Explains Anime, Poorly

0:00
Speaker 1: Hey, it's your person, Michelle, I guess. And I just
0:04
Speaker 1: got back from jury duty. Yay. That was not fun
0:08
Speaker 1: and I just like sweated the whole time because it
0:10
Speaker 1: was really warm in there. And also I was really
0:13
Speaker 1: really really nervous and scared because I'm scared of everything,
0:20
Speaker 1: and especially courts apparently and other things. Really just really everything, guys,
0:26
Speaker 1: just everything. So I am very thankful that I did
0:30
Speaker 1: not get chosen so that I can actually get this
0:32
Speaker 1: podcast out this week, because otherwise I wouldn't have been
0:35
Speaker 1: able to and I was gonna have to put a
0:37
Speaker 1: little message up like do like a two minute recording
0:39
Speaker 1: that just says like, hey, sorry, nothing this week. I
0:41
Speaker 1: don't have time, but everything's fine, Everything's fine, don't worry,
0:45
Speaker 1: everything's fine. Yep. So there is a podcast this week,
0:49
Speaker 1: obviously because you are listening to it, and I don't
0:51
Speaker 1: have to go back tomorrow or any other time until
0:54
Speaker 1: they call me again, and probably a year because they
0:56
Speaker 1: always call me. So yeah, So let's just talk about
1:02
Speaker 1: door Hey Dora, episode eight, because it's got like five titles.
1:07
Speaker 1: So it is a good day to Leave, La La
1:11
Speaker 1: La Monster Man A Good Day to Leave Part two
1:15
Speaker 1: Splendid and exuberant and welcome to Blue night Land. Yay.
1:21
Speaker 1: That's a lot of titles, and I'm sure as we
1:24
Speaker 1: go through the actual episode, I will find that all
1:27
Speaker 1: of the titles I found on Wikipedia are different from
1:30
Speaker 1: the ones that Netflix is using. So yay. Anyway, if
1:34
Speaker 1: you remember from the end of last episode, Ebisu had
1:38
Speaker 1: just crushed Matsumura's head with her giant lizard hands and
1:43
Speaker 1: then remembered something about the man in the mouth but
1:45
Speaker 1: we don't know what it is yet, and given Fujita
1:48
Speaker 1: back Matsumura's bloody leftovers of his head. Yeay, anyway, we
1:53
Speaker 1: kind of almost start there. We start with a close
1:56
Speaker 1: up of Kikodage's nose sniffing, and we pulled back and
2:00
Speaker 1: see their face and they are sniffing the glob that's
2:04
Speaker 1: left over of Matsumoda's head at Fujida's holding in his hand.
2:09
Speaker 1: N is standing kind of off to the side, and
2:12
Speaker 1: it looks like they're in Kikoage's enclosure, and Fujiita says,
2:16
Speaker 1: come on, Kikodage, bring Matsura back, and it's like he's
2:20
Speaker 1: basically mincemeat. Now, it's impossible. Kikarage just suddenly bites down,
2:25
Speaker 1: Fujiita gasps and Kikarake starts to tug the flesh away
2:28
Speaker 1: from him. Fujida is like holding on for dear life
2:31
Speaker 1: and he's like, no, let go, And then we got black.
2:35
Speaker 1: Now we see En sitting in a red chair that
2:38
Speaker 1: has like gold embellishments on the side, and he says, so,
2:42
Speaker 1: here's the latest we've learned. It's about the nature of
2:45
Speaker 1: Ebisu's magic. We hear Choda say, let me explain, and
2:49
Speaker 1: the camera kind of pulls up and he's standing like
2:51
Speaker 1: kind of to the right of End's chair, like slightly
2:53
Speaker 1: behind it, and n is like, why are you here.
2:56
Speaker 1: Choda says, Ebisu's magic is transformational, changes people into lizards.
3:01
Speaker 1: A guard is there, I guess, and he's looking at
3:03
Speaker 1: a clipboard and he says the smoke shop listed it
3:06
Speaker 1: as magic to turn anyone into a lizard monster noise.
3:11
Speaker 1: Ebi Sue and Fujita are sitting across the room from
3:14
Speaker 1: End by the way, and End says, depending on how
3:17
Speaker 1: we handle it, it could come in handy. And Ebby Sue,
3:20
Speaker 1: I heard you got some of your memory back. Were
3:22
Speaker 1: you the one that made the holes lizard man? Ebbi
3:25
Speaker 1: Sue's like the man in the mouth said. We see
3:28
Speaker 1: Risu in the mouth obviously, and he looks like super
3:31
Speaker 1: pissed off, and we hear Ebisu say you and then
3:35
Speaker 1: Risue got in my way, oh shit, and we cut
3:39
Speaker 1: to black. Now we see Kimon sitting at the Hungry
3:42
Speaker 1: Bug counter kind of like from above, and the fan
3:45
Speaker 1: is kind of slowly turning overhead. Kimon is looking down
3:49
Speaker 1: at the counter itself and says, Resue, I can't get
3:52
Speaker 1: that face out of my mind. He takes a few
3:54
Speaker 1: SIPs of beer and the slams the cup down and
3:57
Speaker 1: closes his eyes. We get a close up on his
4:00
Speaker 1: eye as he opens it. He continues, I got some
4:03
Speaker 1: of my memory back just by spending a day in
4:04
Speaker 1: the Sorcerer's world. If I spend more time there, Nikaido,
4:08
Speaker 1: who is working in the kitchen, turns to him and says,
4:11
Speaker 1: Kimon want more Gioza. Kymon's like, oh uh yeah, Nikida's
4:16
Speaker 1: like coming right up. She turns back around and she's
4:20
Speaker 1: wearing kind of this like it's almost a tube top,
4:23
Speaker 1: but there's not much in the back. It's mostly front tube,
4:27
Speaker 1: so not really a tube. So basically we can see
4:31
Speaker 1: most of her back and she has this like massive
4:34
Speaker 1: scar from the mushroom that grew out of her, which
4:37
Speaker 1: you know makes sense. It was a really big mushroom.
4:40
Speaker 1: Kimon thinks I can't involve Nikaido anymore. We see him
4:44
Speaker 1: walking out of the door, and we hear Nikido say
4:47
Speaker 1: off to work. Kimon stops and turns back. Uh, yeah,
4:51
Speaker 1: thanks for the food. He walks out and thanks Saionata Nikaido.
4:57
Speaker 1: The door shuts and the title card is written on
4:59
Speaker 1: it A fine day for a farewell, which is totally
5:03
Speaker 1: different than a good night to leave. I wonder which
5:05
Speaker 1: is correct. I'm not sure I should look and see anyway.
5:10
Speaker 1: I just want to pause there and say a couple
5:11
Speaker 1: of things. Normally, when there's a character that's like, I
5:14
Speaker 1: don't want to include this person because they might get hurt,
5:17
Speaker 1: I'm kind of like, come on, man, it's your friend,
5:20
Speaker 1: they care about you include them. But Nikaido has just
5:24
Speaker 1: gotten really, really hurt. I mean, she probably could have
5:28
Speaker 1: died or become a whole mushroom or something. So I
5:30
Speaker 1: understand Kaimen's desire to keep her out of it. I
5:34
Speaker 1: really do, especially because Kymen is immune to magic, so
5:37
Speaker 1: he's not gonna get turned into a mushroom. So yeah,
5:40
Speaker 1: I understand him wanting her to stay out of it,
5:44
Speaker 1: but it's a little sad because I kind of like
5:46
Speaker 1: them together. And again, sionata does not just mean goodbye.
5:50
Speaker 1: It means like goodbye for a really long time, or
5:53
Speaker 1: goodbye forever. It's not something you say if you're gonna
5:56
Speaker 1: see someone in a couple of days. So kind of
5:59
Speaker 1: a big deal there. Anyway. We see someone's hand setting
6:03
Speaker 1: down like a blister pack full of red and yellow
6:05
Speaker 1: capsule pills onto a counter, next to like two small
6:08
Speaker 1: jars and a stack of I don't know. They look
6:11
Speaker 1: like individually wrapped wipes, but I don't really know. A
6:14
Speaker 1: voice says take these twice a day after meals. It's Fox,
6:18
Speaker 1: by the way, even though I didn't catch that by
6:20
Speaker 1: his voice, and Nikido is standing in front of him,
6:22
Speaker 1: and she says, I guess this makes me a magic
6:25
Speaker 1: victim too. So is Kimon. Here. She lifts up a
6:29
Speaker 1: plastic bag. I brought him some gyoza. Fox is like, what,
6:34
Speaker 1: you don't know? He quit yesterday. Nikido's eyes widen. We
6:38
Speaker 1: go to Johnson and Kasukabe, who are in like that
6:42
Speaker 1: staff room, the one with padded walls and stuff. Sitting
6:45
Speaker 1: at the kotats all cozy and Johnson is pouring Kasukabe
6:49
Speaker 1: some tea, which yeah, okay, and we hear knocking on
6:55
Speaker 1: the door and then someone busting in and Nikaido say,
6:58
Speaker 1: Professor Kasukabe. Casu Kabe is like, oh hi, ni Kido,
7:02
Speaker 1: I was expecting you. Nikido is sweating and she's like,
7:05
Speaker 1: where's Kymen. Casu Kabe says, he came to me last
7:09
Speaker 1: night saying he wanted to use the door again, so
7:11
Speaker 1: I gave him the keys to my house. By now
7:14
Speaker 1: he's Nikito kind of cuts him off, probably gone alone
7:19
Speaker 1: to the sorcerer world. And then Johnson says shocking, and
7:24
Speaker 1: we go to the opening theme. Yay back from the opening.
7:28
Speaker 1: Kimon is walking down a street somewhere and it's night.
7:32
Speaker 1: We get like a Kimon voiceover that says, my name
7:35
Speaker 1: is Kymen. To recover my real face and my lost memory.
7:38
Speaker 1: I'm looking for the guy who cast a spell on me.
7:40
Speaker 1: We see him now at a little cart, like a
7:42
Speaker 1: street food cart that says like pasta on it. It's
7:46
Speaker 1: got like green and red and white accents like it's
7:49
Speaker 1: an Italian pasta card. I guess and we hear some
7:52
Speaker 1: guy say here you go, and Kymon's like thanks. We
7:55
Speaker 1: hear Kimon like slurping something down, but for some reason,
7:58
Speaker 1: the way this screen is, we can only see the
8:01
Speaker 1: top of his head, so we don't even know what
8:02
Speaker 1: he eats, and it's really weird. Anyway, the voiceover continues,
8:07
Speaker 1: My only lead is a man who goes by the
8:09
Speaker 1: name Resou and has crosses on his eyes. He is
8:12
Speaker 1: now seated at a bar and we're looking like through
8:14
Speaker 1: the window in at him. And if I'm reading the
8:17
Speaker 1: sign correctly, I can only see part of it, but
8:19
Speaker 1: I'm pretty sure it's hayashieta bar, and so it's door
8:21
Speaker 1: Hedoro on the sign too. Kimon says, keesbille park huh.
8:26
Speaker 1: He stands thanks and he starts to leave. The bartender's like,
8:29
Speaker 1: hey pay up. Kimon says oops, and then we see
8:33
Speaker 1: him running down the street and we get the title
8:35
Speaker 1: card La La La Monster Boy. On top of it.
8:39
Speaker 1: We hear the bar keep say, hey, you thief. Kimon's like,
8:42
Speaker 1: I ain't got a penny to my name. We are
8:45
Speaker 1: now looking at the very incredibly graffiti doors of like
8:48
Speaker 1: a subway train, very very New York City's nineteen seventies
8:52
Speaker 1: nineteen eighties subway train, and it opens to reveal kim
8:56
Speaker 1: In standing inside, and it's also really graffitied in side. Yeah,
9:01
Speaker 1: I really like it. Anyway, he steps out in size.
9:04
Speaker 1: I need to hurry and find a job. He's like
9:07
Speaker 1: walking in the subway station now, and it's pretty gross,
9:09
Speaker 1: like there's it's kind of trash around and there's a
9:12
Speaker 1: poor homeless dude sleeping on the ground. And by the way,
9:15
Speaker 1: the train is number six sixt' six. Now we see
9:18
Speaker 1: multiple banners like over I guess the street and they
9:21
Speaker 1: say blue Night and there's like stars like starlights hanging
9:25
Speaker 1: down over the street. It looks nice, and there's a
9:28
Speaker 1: lot of chatter from like a crowd. Kimon is walking
9:32
Speaker 1: and people are like putting up signs like let's say,
9:34
Speaker 1: like sail and blue Night's saale and stuff like that.
9:38
Speaker 1: Kimon says, the city seems busy today. He looks over, Oh,
9:42
Speaker 1: there's a big sign like written on a rocket, says
9:45
Speaker 1: Kespio Park. Kimon is like here it is so this
9:48
Speaker 1: park has like lots of like kind of gnarled looking
9:51
Speaker 1: trees and it's kind of I don't know it looks
9:54
Speaker 1: a little bit foggy, sort of just kind of in
9:57
Speaker 1: the distance fog Like. It's not like he can't see
9:59
Speaker 1: where he's going or anything. It just looks generally unsafe.
10:03
Speaker 1: And there are some guys that like look up as
10:05
Speaker 1: he approaches. And this guy's reading a newspaper on the bench,
10:09
Speaker 1: which is totally fine and normal. Kimon's like, no cross eyes.
10:13
Speaker 1: Someone standing behind him like shoots up like a rocket
10:16
Speaker 1: like with his smoke and is like yohoo, which was weird.
10:20
Speaker 1: And then we see a guy standing at like one
10:22
Speaker 1: of those like posting bards, like with posters on it
10:25
Speaker 1: and screen, and we hear Kimon say hey. The guy
10:28
Speaker 1: turns and he has like this darkish red mask with
10:31
Speaker 1: holes for the eyes and like spiky teeth. It kind
10:34
Speaker 1: of reminds me a little bit of like a less
10:38
Speaker 1: intri conversion of Shin's mask, except it's like not supposed
10:42
Speaker 1: to be a heart, but kind of the same thing's
10:44
Speaker 1: going on there anyway. Kimon's like, I heard there's a
10:47
Speaker 1: group of guys here with crosses on their eyes. The
10:50
Speaker 1: guy says, what you want some black powder too? See
10:53
Speaker 1: they're all drug dealers. Kimon's like powder The guy who
10:57
Speaker 1: is going through a cardboard box now says I can't
11:00
Speaker 1: find him anywhere nowadays. He lifts out like a bunch
11:03
Speaker 1: of Blue Night flyers, so I guess he's posting, and continues,
11:08
Speaker 1: I've been looking everywhere. I'm sure they'll show up again
11:10
Speaker 1: once Blue Night's over. He hands a flyer to Kimen.
11:14
Speaker 1: It says Blue Night Party Festival three days plus Eve,
11:18
Speaker 1: start at midnight, Opening party six pm. Tickets reserve. This
11:24
Speaker 1: was all in English, so that's exactly what it says. Anyway,
11:26
Speaker 1: The guy continues, if you want a reservation for the party,
11:29
Speaker 1: come to us. He kind of chuckles for some reason,
11:32
Speaker 1: and Kimon reads a flyer once every four years, choose
11:36
Speaker 1: a partner at the Blue Night Festival. Huh. Now we
11:40
Speaker 1: see moths fluttering around a street lamp and Kimon sighs.
11:43
Speaker 1: He is sitting on the ground like against a red
11:46
Speaker 1: brick building, and there's like a lot of trash scattered
11:50
Speaker 1: next to him. Because there's also a trash can. It
11:52
Speaker 1: like it didn't make it in there quite exactly, and
11:55
Speaker 1: it just looks like a pretty run down area. Kimon says,
12:00
Speaker 1: I'm starving. You could try to find some trash Kimon. Sorry,
12:04
Speaker 1: he continues, I guess I'll have to rob someone again
12:06
Speaker 1: to get something to eat. We hear a voice say,
12:10
Speaker 1: what are you gonna do to me? Kymon looks up.
12:12
Speaker 1: There's some guy holding another guy by the like under
12:16
Speaker 1: his arms, kind of holding him back, and another guy's
12:18
Speaker 1: in front of that guy, and the front guy says,
12:22
Speaker 1: just shut the hell up and punches the guy in
12:24
Speaker 1: the middle in the face. The punched guy falls and
12:28
Speaker 1: he like falls on top of a rug on the ground,
12:30
Speaker 1: and he looks like pretty roughed up, by the way,
12:33
Speaker 1: and the guy who punched him says, okay, roll up
12:36
Speaker 1: the rug. We're taking him to MI and he gets
12:38
Speaker 1: cut off by someone punching both sides of his head
12:42
Speaker 1: with both of his hands simultaneously. Blood spurts out of
12:46
Speaker 1: this guy's mouth and he drops. So there's this really
12:49
Speaker 1: tall guy with brown hair, I guess, and brown like
12:52
Speaker 1: circles around his eyes, almost like he's a raccoon or something.
12:55
Speaker 1: And he doesn't look like he has any pupils, and
12:57
Speaker 1: he's not wearing a shirt, I think, And he says,
13:00
Speaker 1: you bastards. He has really sharp teeth too, by the way. Anyway,
13:04
Speaker 1: he continues it's taking my staff like that, who's gonna
13:07
Speaker 1: get the work done? Huh. There is like a bloody
13:10
Speaker 1: explosion as he squishes the guy's head more and then
13:13
Speaker 1: throws him like right through a window. We hear someone say,
13:17
Speaker 1: don't move, you, bastard, and the tall guy's like huh
13:21
Speaker 1: and he looks over. The other guy has a knife
13:24
Speaker 1: to that employee's throat. Now who by the way, The
13:27
Speaker 1: employee dude just has a black ski mask on and
13:30
Speaker 1: he's kind of small and scrawny, and he says sorry boss.
13:34
Speaker 1: So boss guy who I was calling. The tall guy
13:36
Speaker 1: is like, Fukuyama, you worthless piece of shit. Why can't
13:39
Speaker 1: you look after yourself? And then he's like huh. We
13:43
Speaker 1: hear Kaim in cy and see his hand grab the
13:45
Speaker 1: guy's hand that's holding the knife and he pulls it
13:48
Speaker 1: towards himself and then like makes the guy stab himself
13:52
Speaker 1: in the neck. The guy screams because he just got
13:54
Speaker 1: stabbed in the neck. And then this third guy that
13:56
Speaker 1: I didn't even know was there runs over and is like,
13:58
Speaker 1: who the hell are you. He tries to stay up Kymon,
14:01
Speaker 1: but he can't because Kimon punches him twice instead and
14:04
Speaker 1: then Kimon grabs him by the head and smashes him
14:06
Speaker 1: like straight into the ground. Another guy that I also
14:10
Speaker 1: didn't know was there, runs up and Kimon just hits
14:12
Speaker 1: him in the nose with the butt of his knife
14:15
Speaker 1: and blood sprays like out of his nose and he
14:18
Speaker 1: is down. Kimon flips the knife around and he's like
14:21
Speaker 1: one more to go. He looks up and the guy
14:24
Speaker 1: is just running for his life screaming. Kymon's like, huh,
14:28
Speaker 1: he sighs, and sheathes his knife. I've used up all
14:31
Speaker 1: my strength. His stomach growls. The employee stands and is like,
14:36
Speaker 1: start for causing you trouble, boss. Boss guy says you
14:40
Speaker 1: better be and like punches him in the head, which
14:43
Speaker 1: is not nice because the guy almost got killed or
14:46
Speaker 1: like taken somewhere scary anyway, The boss guy starts to
14:49
Speaker 1: approach Kymon, who is kneeling down and like facing away
14:52
Speaker 1: from him and kind of like groaning, and he's like,
14:56
Speaker 1: hey you okay man. Kimon just kind of waves him
15:00
Speaker 1: and is like, yeah, don't mind me, I'm just starving.
15:03
Speaker 1: Boss guy says, huh. Now we see a plate of
15:06
Speaker 1: six like little hand sized meat pies, steaming hot and
15:10
Speaker 1: we hear the boss say, there are famous meat pies.
15:13
Speaker 1: Eat up. Kimon is sitting at a table and he's like, whoa,
15:17
Speaker 1: that looks so good. He grabs the utensils. The boss says, huh,
15:22
Speaker 1: there is a person standing in the doorway that is
15:27
Speaker 1: like he's like a furry basically. He's in like a
15:30
Speaker 1: full basically fur suit. I think, I don't know what
15:35
Speaker 1: animal he is, but it's got like large brown ears,
15:38
Speaker 1: and he has two brown stripes on his face, and
15:40
Speaker 1: he's mostly beige, and he's got kind of like a
15:43
Speaker 1: triangular animally nose and really sharp teeth. I guess anyway,
15:48
Speaker 1: the boss continues, Hey, Katyon, say how to our customer.
15:51
Speaker 1: Katyon just walks away. Kim is confused, and the boss says,
15:56
Speaker 1: don't mind her. She's the quiet type. Kukuyama, pour some wine,
15:59
Speaker 1: have some wine too. Kymon's like, so, hey, who were
16:03
Speaker 1: those guys? Boss says collectors. Kimon is like drinking some
16:08
Speaker 1: of the wine through straw and he's like, hmm, man,
16:10
Speaker 1: this is good, and he spears a piece of a
16:12
Speaker 1: meat pie. Boss says, why don't you take your mask off?
16:16
Speaker 1: And just like pulls it right off and Kimon isn't
16:19
Speaker 1: shock and so were they, and the boss says, is
16:23
Speaker 1: that another mask? I guess sorcerers don't get turned into
16:26
Speaker 1: things a lot. Kymon's like, uh, actually someone casts a
16:31
Speaker 1: spell on me and Pukuyama says, boss, it's ah, what
16:36
Speaker 1: was it? How some sorcerers practice on others because they
16:39
Speaker 1: can't go to the hole. Kimon says, yeah, I know, right,
16:42
Speaker 1: what a mess? Uh? Crisis averted. The boss is like,
16:46
Speaker 1: where do you live around here? Kimon says, uh, actually
16:51
Speaker 1: I don't have anywhere to live. He slumps over. I'm
16:54
Speaker 1: looking for a job. Do you know of any The
16:58
Speaker 1: boss is like, why didn't you say so you can
17:00
Speaker 1: work here and stay with us? Wow? Kimon's like what.
17:04
Speaker 1: Boss continues, We're always recruiting new workers. And then we
17:08
Speaker 1: see some posters outside that are not translated, but they
17:10
Speaker 1: probably say now hiring or something. Fukuyama's like, that's because
17:15
Speaker 1: you're so violent. The boss starts to unzip his shirts,
17:19
Speaker 1: which I thought was skin because it is skin colored
17:22
Speaker 1: sort of it's like a light whitish and it looks
17:25
Speaker 1: like he's just a really flabby guy. But no, it's
17:28
Speaker 1: a shirt and he's actually wearing a black shirt underneath,
17:32
Speaker 1: and he says, let me introduce myself and pulls off
17:34
Speaker 1: his mask. Okay, so he just has brown hair, really
17:38
Speaker 1: bushy eyebrows. He's still has sharp teeth, and he has
17:43
Speaker 1: like a weird patchy beard, but he looks much nicer
17:46
Speaker 1: than he did with his whatever the hell mask that is.
17:49
Speaker 1: Fukuyama has also taken off his mask, and he has
17:53
Speaker 1: black hair and brown eyes and he just looks like
17:56
Speaker 1: a pretty kind, nice dude. Anyway. The boss says, I top,
18:00
Speaker 1: you can call me boss. Fryama is like, I'm Fukuyama, waiter.
18:03
Speaker 1: Nice to meet you. Kimon is clearly overwhelmed and he's like, oh,
18:07
Speaker 1: I'm Kimen. Are you sure you hardly even know me.
18:11
Speaker 1: Tanba's like yeah, you need to fill out a resume,
18:14
Speaker 1: and Kymon's like, ugh, so once you're done eating, you
18:16
Speaker 1: can watch the dishes. Kymon says, uh sure. We see
18:20
Speaker 1: the exterior of the meat Pie shop and it's like
18:23
Speaker 1: a really cute storefront in like the stone building. I'm
18:26
Speaker 1: like a really cute cobblestone street and it has a
18:30
Speaker 1: sign that says Tanba and then another sign that says pie.
18:33
Speaker 1: So I guess it's Tanba pie isn't or something, and
18:36
Speaker 1: also like a yellow and red striped awning over the door.
18:39
Speaker 1: It's cute, It's really cute. It's much nicer than what
18:42
Speaker 1: we've seen in the hole. Anyway, we hear Kimon say
18:46
Speaker 1: and so my life began anew and the picture fades out.
18:50
Speaker 1: Now we see someone's feet walking, and then we get
18:54
Speaker 1: like kind of a wide shot of someone crossing a
18:57
Speaker 1: rope bridge at night. The person now can see is
19:00
Speaker 1: wearing a gray hoodie and is approaching Tachikawa Apartments, which
19:04
Speaker 1: is a purple building with some vines of graffiti on it.
19:07
Speaker 1: It's interesting because there's unlike the whole it seems like
19:12
Speaker 1: the magic world has kind of a diversity of good
19:15
Speaker 1: and not so nice areas. Anyway, we see their shadow
19:19
Speaker 1: walk past like the mailboxes, and one of them is
19:23
Speaker 1: overflowing and it says Riso on it, so this is
19:26
Speaker 1: probably Reso. In fact, we can hear him walking and
19:29
Speaker 1: it sounds kind of robotic, so probably Reso. We see
19:32
Speaker 1: a door close and Risou yeah, walks into an apartment
19:37
Speaker 1: and he pulls down his hood and exhales. He's like
19:40
Speaker 1: home at last, look at all this dust. He kind
19:44
Speaker 1: of kneels down to these two cactuses and he's like,
19:48
Speaker 1: my cactuses are dead. Geez, how long was I gone?
19:51
Speaker 1: The cactuses did not look dead to me, by the way,
19:53
Speaker 1: so I was very confused. We see the interior of
19:57
Speaker 1: a fridge as he opens like the door to it,
20:00
Speaker 1: and there's like a can of beer that says Starber
20:02
Speaker 1: on it on the side, and then a pile of
20:04
Speaker 1: something in the middle that's like green and white and fuzzy,
20:08
Speaker 1: and he says, my amor rice is a pile of mold.
20:11
Speaker 1: He closes the fridge. We've talked about amor rice before, right,
20:15
Speaker 1: that's an omelet with rice in it's it's like what
20:19
Speaker 1: some Japanese people think Western people eats. Yeah. Anyway, he
20:23
Speaker 1: sits down on I guess his bed, and it's pretty
20:26
Speaker 1: dark in there. I don't know if the power's on. Honestly,
20:29
Speaker 1: before we even continue any further, does he own the
20:32
Speaker 1: apartment because I think he's been dead for like a
20:35
Speaker 1: really long time, so I assume he's not paying rent
20:39
Speaker 1: or bills or anything. Wait, the refrigerator was on, so
20:44
Speaker 1: how is this working? Maybe if you don't have to
20:47
Speaker 1: pay for things in the source of a world. I
20:50
Speaker 1: kind of think you do. But for whatever reason, no
20:53
Speaker 1: one has claimed this apartment, and no one has thrown
20:55
Speaker 1: out his possessions, which is kind of weird. Anyway, He's
20:58
Speaker 1: sitting on the bed and he says, I guess I
21:00
Speaker 1: died that day. He puts his hand on his face. No,
21:04
Speaker 1: I was killed by the Cross Eyes. Dying getting killed
21:07
Speaker 1: kind of the same thing. Now we see a coffee
21:10
Speaker 1: cup on like a green striped fabric table and hands
21:14
Speaker 1: on both sides like we're in first person perspective, and
21:17
Speaker 1: we hear Risu say that day, as always, I'd gotten
21:20
Speaker 1: work from my Cross Eyes boss Tanabe. The camera pans
21:24
Speaker 1: up like Urisu is looking up and we see I
21:27
Speaker 1: guess Tanabe across from him. He's got like gray hair,
21:30
Speaker 1: he's kind of overweight and older, and he's got like
21:32
Speaker 1: a really red nose, and he says, there's a deal
21:36
Speaker 1: day at four pm at the Ruins of Salmon as
21:38
Speaker 1: a plane. He puts a briefcase on the table. I
21:41
Speaker 1: think they are in that restaurant that he went to
21:44
Speaker 1: when he was not him, but like a doll, remember
21:47
Speaker 1: you think it's that restaurant. It looks like that restaurant anyway,
21:50
Speaker 1: Tanabe continues, five kilos of black powder. Take it. See,
21:53
Speaker 1: they're all drug dealers. Resu's like, can I bring my
21:57
Speaker 1: partner with me? As usual? He's not in the gang,
21:59
Speaker 1: but you can try. We get a close up of
22:01
Speaker 1: the side of Tanabe's like face and his right eye
22:04
Speaker 1: and he says, no, can do you gotta go alone? Yeah? Okay.
22:10
Speaker 1: We panned down as Reesu walks out of the restaurants,
22:14
Speaker 1: which says restaurants e cro goro. It's like e g
22:19
Speaker 1: r g O r O. I don't even know how
22:21
Speaker 1: you would pronounce that because there's too few vowels, but whatever.
22:25
Speaker 1: Crouch down. At the side of the door to the
22:28
Speaker 1: restaurant is this dude with a respirator mask on, like
22:31
Speaker 1: a full one so we cannot see his face, kind
22:34
Speaker 1: of a helmet on and wearing a black hoodie. He
22:37
Speaker 1: kind of looks familiar. The guy stands Risu. Reesu's like, oh,
22:42
Speaker 1: ik was, sorry, I can't take you with me today.
22:44
Speaker 1: I have to go to Salmanaz a plane by myself.
22:47
Speaker 1: Ikaw was quiet for a second and then he says, okay,
22:50
Speaker 1: but be careful, Risu. You can't trust those cross eyes.
22:54
Speaker 1: Risa looks pretty shocked, maybe because he's a cross eye.
22:57
Speaker 1: Now he's got crosses on his eyes and everything. Ayakawa continues,
23:01
Speaker 1: if anything happens, call me. He starts to walk away
23:04
Speaker 1: in waves. Remember I'm your partner. We cut to a
23:07
Speaker 1: big stone devil statue holding what might be ahead I'm
23:11
Speaker 1: not really sure, and the sunlight is filtering down from
23:14
Speaker 1: behind it, and we hear Esu say, I went to
23:17
Speaker 1: the ruins of Salomon as a plane just disordered. He
23:20
Speaker 1: is standing and looking up at the statue and there
23:22
Speaker 1: are like deteriorated stone columns everywhere. It's basically like it
23:27
Speaker 1: looks like it could be like ancient Greece type artifacts.
23:30
Speaker 1: I don't know, and he continues, and a pitch black hand,
23:37
Speaker 1: almost like it is a shadow person because he doesn't
23:40
Speaker 1: remember who this is, comes from behind him and puts
23:43
Speaker 1: itself over Resu's mouth, and then he is stabbed in
23:47
Speaker 1: the side of the neck. Blood spurts out and up
23:49
Speaker 1: at the devil's statue like a fountain, and Resu makes
23:53
Speaker 1: kind of a choking muffled scream, looks up at his
23:56
Speaker 1: reflection in the eye of the statue and gets a
23:59
Speaker 1: glimpse of the of the guy who is murdering him.
24:02
Speaker 1: We don't see much except the guy's eye, and there's
24:06
Speaker 1: definitely a cross over it, and he's got like bushy
24:09
Speaker 1: dark eyebrows and maybe short hair. But that's really all
24:12
Speaker 1: we get. It's enough that I feel like, if we
24:15
Speaker 1: saw him again, we know who he is, you know,
24:18
Speaker 1: But it's not that much anyway. He only gets a
24:22
Speaker 1: glimpse of this because his own blood splatters on the
24:25
Speaker 1: eye and just cuts off his view. Risu, who is
24:29
Speaker 1: being held up by the guy, slowly starts to drop.
24:33
Speaker 1: His blood has now sprayed completely out, and we hear
24:37
Speaker 1: him say I died. We see blood dripping down the
24:40
Speaker 1: face of the statue and he continues, why do they
24:43
Speaker 1: have to kill me? We see him sitting on his
24:45
Speaker 1: bed again to steal the black powder. Nah, the killer
24:49
Speaker 1: was a cross eye, so that's highly unlikely anyway. If
24:51
Speaker 1: the cross Eyes find out I'm alive, they might come
24:54
Speaker 1: kill me again. He stands. We now cut to like
24:58
Speaker 1: a long oblong pa our bar I guess on its
25:01
Speaker 1: back that has a blue section and a red section,
25:03
Speaker 1: and it's like partially red and he is looking kind
25:06
Speaker 1: of at his back in the mirror, you know, like
25:08
Speaker 1: trying to see it as much as he can. And
25:09
Speaker 1: he's like, I only have half of my smoke left.
25:12
Speaker 1: I gotta fill it up or I'll pass out. What
25:14
Speaker 1: do we do? I know, Iikawa, he'll help me out.
25:18
Speaker 1: We hear him walking. We go to a black screen
25:21
Speaker 1: with numbers from a digital clock in blue on it
25:23
Speaker 1: that say am seven o'clock. We see Kaimon open the
25:28
Speaker 1: door of a oven from inside of it and he's like,
25:31
Speaker 1: whoa fresh out of the oven. Yes, there are meat
25:34
Speaker 1: pies on a cooking sheet, and Tanba says, land him
25:37
Speaker 1: up on the shelves. Fuku Yama, who's carrying a tray
25:40
Speaker 1: of pies, is like, we open the restaurant in the evening.
25:42
Speaker 1: During the day, we sell pies. Sounds like a lot
25:45
Speaker 1: of work. Like a beetle with like a bright blue,
25:48
Speaker 1: shimmery ish shell flies by and lands on the wall
25:54
Speaker 1: and Fukuyama picks it up and says, it's almost blue night.
25:57
Speaker 1: We now see the beetle flying out the window. We
26:00
Speaker 1: hear Fukuyama say, I hope I can find a partner
26:02
Speaker 1: this year. Kaim In starts to eat a pie as
26:05
Speaker 1: Fukuyama continues to look out the window someone who can
26:08
Speaker 1: bring out the best of my magic. The camera pans
26:11
Speaker 1: and we see the Tanma is standing on the other
26:13
Speaker 1: side of the table and he's like hey and points
26:15
Speaker 1: a ki in. Kim's like oh yeah, now, it says.
26:19
Speaker 1: Am eight fifty four. We see a beetle flying down
26:23
Speaker 1: towards End's mansion, I think, and it lands on End's
26:26
Speaker 1: hand as he is about to pick up a cup
26:28
Speaker 1: of tea. He lifts his hand to look at it
26:31
Speaker 1: and says, blue night is near. Kikarage, who is sitting
26:35
Speaker 1: in his laps, tries to kind of reach in bed
26:37
Speaker 1: at it, and then it's like, don't get in my way, Kikarage.
26:40
Speaker 1: We go to a partly cloudy sky and see the
26:43
Speaker 1: title card with a beetle flying through its clam and
26:46
Speaker 1: bam En is standing at a window and a guard
26:50
Speaker 1: walks up and says, good morning, boss, here's today's schedule.
26:54
Speaker 1: He like hans to be his favorite en and is
26:56
Speaker 1: looking at it and says, a fitting for our opening
26:58
Speaker 1: party outfits. That's the whole schedule. The guards like, please
27:02
Speaker 1: come to the grand hall. AM nine thirty. A guy
27:05
Speaker 1: in a pink cheetah print coat with a gray mask
27:09
Speaker 1: that has like antenna's kind of like it's an alien maybe.
27:12
Speaker 1: Says I'm going to create your outfits today. Tell me
27:15
Speaker 1: what you're looking for so I can design the perfect
27:17
Speaker 1: outfit for you. So the whole gang is there, basically,
27:21
Speaker 1: and then says a striped suit. I want some mushroom
27:24
Speaker 1: accessories to go with it. He is petting Kikarag under
27:27
Speaker 1: the chin. Make a matching suit for Kikarag. Kikaragi is
27:30
Speaker 1: like yeah. Then we see Shin. Shin's like, as long
27:34
Speaker 1: as it's black, I don't care. Then to Noy, I
27:37
Speaker 1: want to look strong. Then to Fujita, I want the
27:40
Speaker 1: trendy slim look with a herringbone pattern on a thick
27:43
Speaker 1: and he gets cut off, and we see Ebbi Sue
27:46
Speaker 1: and she's like lots of jewels, a tiara fur. I
27:49
Speaker 1: guess Eby Sue's not totally better. Then we see Choda
27:54
Speaker 1: something angelic, I think, and it's like, why are you here?
27:58
Speaker 1: Joda says I have to go try to renew my
28:00
Speaker 1: partnership with you. Four years ago you kept me locked
28:04
Speaker 1: up and didn't let me go. Ah, not really, but
28:07
Speaker 1: awe and it's like, there's no way you'd be able
28:10
Speaker 1: to be my partner. He starts to walk away. Choda's like,
28:13
Speaker 1: n En stops but doesn't turn back. Chota continues, are
28:17
Speaker 1: you still looking for a sorcerer who can control time?
28:20
Speaker 1: He doesn't even exist? And it's like, no, I know
28:23
Speaker 1: he doesn't. I'm gonna find him. Oh huh, I hope
28:26
Speaker 1: he finds him. We see the guy with the pink
28:30
Speaker 1: coat and he's like holding a measuring tape and he says, next,
28:33
Speaker 1: let me take your measurements. He has the measuring tape
28:36
Speaker 1: around Ebbie Sue's bust and he says, bust sixty two centimeters.
28:40
Speaker 1: Then we cut to him doing the same with Noy
28:42
Speaker 1: and he says bust one hundred and four centimeters, and
28:46
Speaker 1: Ebbi Sue's like huh. She goes over and tugs on
28:49
Speaker 1: the guy's coat. Hey. The guy says, huh, we got
28:53
Speaker 1: to end signing something, and a guard walks over with
28:55
Speaker 1: a clipboard and says, boss a word and he's like,
28:58
Speaker 1: I'm busy now it can wait. The guard says it's
29:01
Speaker 1: about the smoke shop you acquired the other day, and
29:04
Speaker 1: signs of a sorcerer who can control time. Really that
29:08
Speaker 1: was fast End's eyes wide in any gaps. Also Yikaida.
29:13
Speaker 1: It is now PM one point thirty. There are lots
29:17
Speaker 1: of people gathered around, maybe like a booth of some
29:19
Speaker 1: sort with a sign that has all the n family
29:22
Speaker 1: pictures on it, basically Turkey Kikarage and Shinni Choda and
29:27
Speaker 1: someone else at least that I don't know who it is.
29:29
Speaker 1: It has like a gold frame around it with mushrooms
29:31
Speaker 1: on the side, so we know it's End stuff. And
29:34
Speaker 1: a guard says those looking for a partnership with a
29:37
Speaker 1: sorcerer and the End Family please submit an application form
29:40
Speaker 1: and a sample of your magic. I just want to
29:42
Speaker 1: point out that this is definitely like a mafia, since
29:45
Speaker 1: they keep calling everybody family and stuff. Yeah, we see
29:50
Speaker 1: a guard stamp and application done, and then another guard
29:53
Speaker 1: put us like a smoke cartridge in a microscope and
29:55
Speaker 1: look at it. We hear one of them say you
29:58
Speaker 1: pass to a guy with like a weird mask, and
30:01
Speaker 1: another guard like hands him a bag and is like,
30:02
Speaker 1: here's invitation to the party. Then we pant to another
30:05
Speaker 1: guard with a guy in a mask that's like a
30:07
Speaker 1: blue hat just like pulled over his face. And he
30:10
Speaker 1: says fail, try again in four years. The guy walks
30:13
Speaker 1: away really sadly. PM. Three o'clock. We see food on
30:17
Speaker 1: a table. There's like a mushroom TIChE there's something that
30:20
Speaker 1: might be a mushroom cake, I don't know, and some
30:23
Speaker 1: kind of like orangeish cocktail beverage with like mushrooms in it.
30:27
Speaker 1: Of course, we are in like a really big room
30:29
Speaker 1: that I guess is like a covered porch or a sunroom,
30:32
Speaker 1: with like a lot of really long tables, and there
30:36
Speaker 1: are lots of people walking around, like guard looking people
30:39
Speaker 1: walking around, and there's food at all of the table.
30:42
Speaker 1: Some of it's in those metal containers like to keep
30:44
Speaker 1: them warm and stuff, and Fujada is just staring at
30:47
Speaker 1: some and also there are these like really nice red
30:50
Speaker 1: and gold columns in the background and stuff, and one
30:53
Speaker 1: of that I guess. The guard says to end, this
30:56
Speaker 1: is the tasting for the opening party. Ebi sue Noi
31:00
Speaker 1: and shin walking Ebisu is like jumping around, and the
31:04
Speaker 1: guard continues. For the appetizer, we've saw ted guinea fowl
31:07
Speaker 1: with porcini mushrooms. We see Noi and Ebbi sue like
31:10
Speaker 1: showing down on some drumsticks, and then we cut to
31:13
Speaker 1: a gold statue of n and the guard says, and
31:16
Speaker 1: our dear boss made from candy, ends like wonderful. Pouj Da,
31:22
Speaker 1: who is looking at a magazine called Duo Weekly, says,
31:26
Speaker 1: my lucky color is yellow and my lucky items are
31:29
Speaker 1: leather shoes. Shin is just kind of off to the
31:32
Speaker 1: side eating in the background PM six forty five. Ebisu,
31:36
Speaker 1: Fujda and and Choda are looking down at a bunch
31:39
Speaker 1: of red spider lilies, and Chota's like beautiful. The guard says,
31:45
Speaker 1: we will decorate the path with these flowers. Side note
31:49
Speaker 1: these are like flowers of death basically in Japan anyway.
31:55
Speaker 1: Now it is PM seven fifteen. The guard points to
31:58
Speaker 1: a wooded area and says, here's the rehearsal for the
32:01
Speaker 1: traditional play Blue Night Miracle. We see two people on
32:05
Speaker 1: a stage that like are silhouetted, but it's clear they
32:08
Speaker 1: have devil costumes on basically because they have like corns
32:10
Speaker 1: and stuff. And everybody in the family is seated in
32:13
Speaker 1: front of the stage and one of the guys says,
32:17
Speaker 1: the sky shined blue with bugs and ends like this
32:20
Speaker 1: again PM ninety five, Oh cool. The play is still
32:25
Speaker 1: going on, and now there's a third like really big devil,
32:28
Speaker 1: and the big devil says the two devils decided to
32:31
Speaker 1: work together, and the two little devils say yeah, and
32:35
Speaker 1: Ebby Suit's like yeah, Sen says, I'm many tired. PM
32:40
Speaker 1: ten fifty five. Fuck. Now there's just two devils on stage.
32:44
Speaker 1: The play is continuing, and they have their arms wrapped
32:47
Speaker 1: around each other and they both say and so the
32:49
Speaker 1: two reigned over Hell the end. Okay, that was really
32:54
Speaker 1: long seven fifteen, eight fifteen, nine fifteen, ten fifteen. It's
32:58
Speaker 1: like a three and a half hour plate. Jeez. Anyway,
33:01
Speaker 1: by that point, everyone is just totally asleep in their seats.
33:05
Speaker 1: It is now am zero twenty, so I guess it's
33:08
Speaker 1: twelve twenty, and we get a low shot of End's
33:12
Speaker 1: legs walking into I guess his bedroom, and he says,
33:16
Speaker 1: what a busy day for real. He lets Kikodage out
33:19
Speaker 1: of his arms, and Kikarage runs over and curls up
33:22
Speaker 1: on a really cute mushroom bed. Kikodage has a great life.
33:26
Speaker 1: And En walks to the window and it looks pretty
33:28
Speaker 1: bright out, but I think it's just like stars and
33:31
Speaker 1: stuff or they fucked up here or whatever, and he says,
33:34
Speaker 1: a sorcerer that could control time. They said he didn't exist,
33:38
Speaker 1: but if he actually does. We see the night sky
33:42
Speaker 1: outside and there are blue beetles flying everywhere, and he continues,
33:47
Speaker 1: this year's blue night, something that's never happened before, might
33:52
Speaker 1: just happen. We see an exterior shot of the mansion,
33:56
Speaker 1: like we're panning down and we see a title car
33:59
Speaker 1: that says, well, come to Blue Night Land. Yay, we
34:03
Speaker 1: hear if we died to say Ebbi Sue. He is
34:05
Speaker 1: carrying a bunch of boxes that look like presents. Your
34:08
Speaker 1: dress is here? Oh okay. We cut to him pulling
34:11
Speaker 1: out a blue herringbone pattern jackets and he's like, just
34:15
Speaker 1: how I imagined it. We now see Ebby Sue looking
34:18
Speaker 1: into a box with some really ominous lighting and she's like,
34:22
Speaker 1: my dress and then she chuckles really evilly, that's gonna
34:27
Speaker 1: be interesting. Now we get like three shots of NOI
34:30
Speaker 1: in her outfits, which is like really like tight black
34:34
Speaker 1: low pants, this kind of corset top that's kind of
34:37
Speaker 1: open in front. It's really tight as well, and I
34:40
Speaker 1: think she's still wearing like armguards or whatever, and she's like, okay,
34:44
Speaker 1: let's go. She's wearing heels, by the way, and she
34:47
Speaker 1: starts to walk down the hallway and she's like, gotta hurry,
34:50
Speaker 1: and then she's like whoa, and she trips, but like
34:52
Speaker 1: stops herself from falling, and she's like, I hate these shoes. Yeah,
34:57
Speaker 1: you don't have to wear high heels. You are perfect
35:00
Speaker 1: the way you are. You could just wear sneakers and
35:03
Speaker 1: you'd still be cool. Anyway, we see Shin like outside,
35:07
Speaker 1: I think, in the front of the mansion, holding a
35:09
Speaker 1: glass of wine, and we hear End say Shin. Shin
35:13
Speaker 1: looks over and En is walking up or kind of
35:15
Speaker 1: walking down the steps from front of the mansion, wearing
35:19
Speaker 1: like this light pink striped suit, and he says, you
35:22
Speaker 1: look the same as usual. Shin's like you think he
35:25
Speaker 1: kind of looks at himself. Yes, Shin is just wearing
35:29
Speaker 1: a suit, but his shirt is pinstriped, so it's a
35:32
Speaker 1: little bit different. Anyway, Kikaraga agrees and he's like yeah.
35:37
Speaker 1: Then Chodah runs down the steps towards them and says,
35:40
Speaker 1: look at me. He jumps down in front of Shin
35:43
Speaker 1: as Inn just like walks right away and he says,
35:47
Speaker 1: aren't these wings lovely? Okay? So they are lovely. He's
35:51
Speaker 1: wearing these like white wings and a white suit with
35:54
Speaker 1: like a red bow tie and like a white and
35:58
Speaker 1: red plaid skirt with white checkered pants. Honestly, I love
36:02
Speaker 1: his outfit, and I think I really like Yoda, So
36:05
Speaker 1: I like the skirts Yoda very nice and the wings definitely. Anyway,
36:10
Speaker 1: we hear NOI say Sendpi. They all look over and
36:14
Speaker 1: Noi is waving and walking towards them, and then she
36:17
Speaker 1: trips and falls flat on her face. Shin bends down
36:21
Speaker 1: near her, and it's like, what are you doing, idiot?
36:24
Speaker 1: NOI sits up and it's like these shoes. Yeah. We
36:28
Speaker 1: see Fujiitaw walking over and he's like, sorry, we're late.
36:32
Speaker 1: Ebbi Sue runs up in like a big light pink
36:35
Speaker 1: fur coat and she's like hey, noy. NOI turns and
36:39
Speaker 1: it's like, what is it, Ebbi Sue? Ebi. Sue throws
36:42
Speaker 1: open her coat to reveal like a bright pink dress
36:45
Speaker 1: with like huge breastpads in it, and she's like boying
36:50
Speaker 1: I win. NOI touches them and it's like wow, what's
36:55
Speaker 1: in those? She squeezes them and Ebbi SU's like lots
36:59
Speaker 1: of boying. Sin says for shame, and Fuji does like
37:03
Speaker 1: I'd be sue. A spotlight suddenly shines down on them
37:06
Speaker 1: and they look up and there's this big red maybe
37:09
Speaker 1: blimp saying I don't know, with like lots of spotlight
37:12
Speaker 1: shining down, and En says, Blue Knight is about to begin.
37:17
Speaker 1: We get to Kimen, who is in a T shirt
37:19
Speaker 1: that says delicious meat Pies Tamba, and he picks up
37:22
Speaker 1: a bowl like in the kitchen, all kind of humming himself,
37:25
Speaker 1: and he walks over to another counter and picks up
37:27
Speaker 1: another bowl in the picture, and we hear Fouyama say
37:30
Speaker 1: good work. Kimon's on. Kymon's like, oh, Fukuyama comes down
37:34
Speaker 1: the stairs wearing a suit, and Kimon says, wow, Fukuyama,
37:38
Speaker 1: you're going somewhere. Fukuyama says Blue Knight. Of course, lots
37:42
Speaker 1: of sorcerers are gathering to find partners. You know about that, right.
37:46
Speaker 1: Kimon's like, oh, oh yeah, sure, that's right, Blue Knight
37:51
Speaker 1: and he kind of chuckles. Tanba and Kirrian walk into
37:55
Speaker 1: the room and Tanba says, are you ready, Let's go
37:59
Speaker 1: Kymon's like, what you're all going? What about me? Tom
38:02
Speaker 1: Bo raises his fist you're staying here, and Kim In
38:06
Speaker 1: like cowers and he's like, don't hit me, jeez Ton,
38:08
Speaker 1: but you've traumatized Kimon already. Fukuyama says, Boston Kurian are
38:13
Speaker 1: going to accompany me. Tan Ba's like, the shop will
38:16
Speaker 1: be closed for the three days of Blue Night, but
38:18
Speaker 1: keep it clean. We see Kimon out waving them off
38:21
Speaker 1: outside and he's like, have fun after they're gone. He
38:25
Speaker 1: stops waving and sighs and says, lots of sorcers are gathering. Huh,
38:29
Speaker 1: Resu might be there. We see a bunch of people
38:32
Speaker 1: lined up, I guess for Blue Knights or something, but
38:35
Speaker 1: it's like a low shot and kind of awkwardly placed.
38:40
Speaker 1: There are a bunch of shots in this show that
38:42
Speaker 1: are like so weird, I cannot see what they're trying
38:45
Speaker 1: to have me see for some reason, which is this
38:48
Speaker 1: is one of them. We hear someone say line up
38:50
Speaker 1: in twos. There's a guard like with a megaphone and
38:53
Speaker 1: he says, the accommodation's down there on your right. Those
38:56
Speaker 1: with invitations for the n Family opening party come this way.
39:00
Speaker 1: He walks through like this arch to entryway that says
39:02
Speaker 1: VIP on both sides of it, and a bunch of
39:04
Speaker 1: people follow. We hear Fukuyama say, it must be amazing
39:08
Speaker 1: to be invited to ends party. Lucky them, they're on
39:11
Speaker 1: a whole different level than us. Where's the ticket? We
39:14
Speaker 1: get a shot of the festival. Now there's a bunch
39:16
Speaker 1: of buildings covered in like little blue lights and like
39:19
Speaker 1: a gate over like the line, with like mushrooms on it,
39:23
Speaker 1: and Kimon is there, peeking out from behind a tree
39:27
Speaker 1: and he's like, Okay, now, how do I sneak in?
39:29
Speaker 1: I'll try the back. He kind of runs around, probably
39:32
Speaker 1: towards the back, and there's like a barbed wire fence
39:36
Speaker 1: there and everything, and then he goes into the bushes
39:39
Speaker 1: and he sees two guys guarding a large white door
39:43
Speaker 1: with like card houses on it, like you know, Heart
39:45
Speaker 1: and Spade and club and stuff, and he's like good
39:49
Speaker 1: and he takes off, and we hear what I believe
39:51
Speaker 1: is a punch, and then we go to a black screen.
39:54
Speaker 1: Kimon walks out of the brush wearing like all white
39:57
Speaker 1: and like a really weird mask with really large teeth.
40:01
Speaker 1: And spikes on his head and he's carrying a spiked
40:04
Speaker 1: bat and he's like, the perfect disguise. Okay, it's pretty good.
40:09
Speaker 1: We see a guy passed out against a tree, which
40:11
Speaker 1: I guess is the source of the disguise, and Kimon
40:15
Speaker 1: is running up to the door when it opens and
40:17
Speaker 1: a guard walks out and he's like, hey, there, your
40:20
Speaker 1: shift's over. You can go in. Another guard is there
40:22
Speaker 1: and he's like, where's the other guy. Kim's like in
40:25
Speaker 1: the bathroom and he runs past them into Blue Night
40:30
Speaker 1: and when he's inside, he looks back and he's like,
40:32
Speaker 1: that was easy. It kind of chuckles. We see a
40:35
Speaker 1: sign that says n family dressing room and we hear
40:38
Speaker 1: En say a long time ago, long before we sorcerers
40:43
Speaker 1: came to be. He looks down at the paper he's holding,
40:46
Speaker 1: and now he's like enough of the lame speeches. We
40:49
Speaker 1: pan over to Shin, who has Ebby Sue hanging off
40:53
Speaker 1: of his arm, and he's like, get off me. Ebbie
40:56
Speaker 1: Sue says, you must be melting because I'm so sexe Chin,
41:01
Speaker 1: who is trying to pull away, says, your brain is
41:04
Speaker 1: what's melting. Yeah, Ebisu squeezes her breasts and is like boeing.
41:09
Speaker 1: Fujia says, by the way, how did you and Shin
41:12
Speaker 1: become partners? I want to know too. En is still
41:15
Speaker 1: giving a speech in the background, and Ebisu is now
41:18
Speaker 1: running around saying boying, and Noi says it's a long story.
41:22
Speaker 1: We cut back to En, who says a wonderful uh.
41:26
Speaker 1: Ebisu dances past En and she's like, sixty dance. En continues,
41:31
Speaker 1: a wonderful future. Shut up, I'm practicing my speech here.
41:34
Speaker 1: Showed us like I'm listening, says yeah. A guard comes
41:39
Speaker 1: in and he's like, excuse me, here are the applications.
41:41
Speaker 1: There are at least three guards and they walk in
41:43
Speaker 1: with stacks of paper, and then we cut to En,
41:46
Speaker 1: who has four large stacks of applications in front of him,
41:50
Speaker 1: and a guard says, here's yours. And then we see
41:53
Speaker 1: Noi with two large stacks and a guard is like,
41:55
Speaker 1: here's noise ons. And then we see Shin with also
41:58
Speaker 1: two large stacks and guard says, Shin sons. We go
42:02
Speaker 1: to Ebisu and she's like, where are mine? My guard
42:05
Speaker 1: is like, we didn't recruit anyone for you. Ebisu's like
42:08
Speaker 1: what We cut to Kikoage who has one large stack
42:12
Speaker 1: and he's wearing a very very cute suit that matches ends.
42:15
Speaker 1: And the guard says, kikarag is and heby Su is
42:18
Speaker 1: like what, and En is like, kikarag is mine. We
42:23
Speaker 1: cut to two Fujia, who is sitting on the bench
42:25
Speaker 1: and he says, I bet there's none for me again.
42:28
Speaker 1: My guard walks over with a paper and says, yes,
42:32
Speaker 1: there are two people applied. Fuji tats like huh really
42:37
Speaker 1: and heavy Sue's like no. We now see noise eye
42:41
Speaker 1: as she's looking at the applications and she says, Sendpi.
42:45
Speaker 1: It seems he's still alive. Oh oh, I don't know
42:48
Speaker 1: what that means. Shin is also looking at applications and
42:51
Speaker 1: he says, yeah, same here. This is bad. We might
42:54
Speaker 1: be allotted new partners. Wha, what can happen? We now
42:59
Speaker 1: see p having fun on what I believe is some
43:02
Speaker 1: sort of mushroom type ferris wheel thing, and then there's
43:05
Speaker 1: a rollercoaster two and Kimon is like looking around and
43:08
Speaker 1: he says, wow, it's like a festival. Hunh, I think
43:10
Speaker 1: it is a festival. He looks up and floating above
43:15
Speaker 1: the festival is a house like a small black house.
43:22
Speaker 1: We have like a gable roof and an upside down
43:25
Speaker 1: cross on top, and Kymon's like, what is that? When
43:30
Speaker 1: it ends, guards runs over and grabs him by the
43:33
Speaker 1: arm and he's like, hey, we're short staff at the party,
43:35
Speaker 1: come help. He like drags him away, and Kymon's like what, huh?
43:40
Speaker 1: You get a screenwipe to kymen in the party holding
43:43
Speaker 1: an empty tray, and the guard says collect the empty
43:45
Speaker 1: glasses and walks away. Kimen looks pretty annoyed and he's like,
43:49
Speaker 1: why do I have to do that? Huh? Honestly, he
43:51
Speaker 1: probably could have just left. The lights turn off and
43:54
Speaker 1: Kimon is confused, and then the lights go on over
43:57
Speaker 1: the stage where n and all the En family people
43:59
Speaker 1: are standing there, and also there's some guy that's like bandaged.
44:02
Speaker 1: I guess he has a bandage mask that we have
44:05
Speaker 1: not met yet, but is I guess part of EN's family.
44:10
Speaker 1: And n says welcome to the Blue Night opening party.
44:14
Speaker 1: Cheers kind of erupt, and Kimen's like those two. He's
44:17
Speaker 1: looking at Noy and Shin, those are the ones that
44:19
Speaker 1: came to the hole to kill me. He looks over
44:22
Speaker 1: to Ebisu and Fujita, and there's the long nosed boy
44:25
Speaker 1: in the skullgirl that got away too, and says, those
44:29
Speaker 1: who are here today have come hoping to become my
44:31
Speaker 1: comrade's partners. You can use any means available to you.
44:35
Speaker 1: Once the clock strikes midnight, like a cardboard cutout of
44:39
Speaker 1: the floating house drops down behind n He continues, go
44:43
Speaker 1: to the house with the sorcerer of your choice and
44:46
Speaker 1: sign the devil's contract. You have three days. Some of
44:49
Speaker 1: you may die, but I wish you all luck. Fuck
44:54
Speaker 1: A guard like starts to walk up with the tray
44:56
Speaker 1: and end continues. And one last thing, those who were
44:59
Speaker 1: after Kiko rage, I will kill myself. He takes the
45:04
Speaker 1: drink from the guard's tray and says and so cheers,
45:09
Speaker 1: and everyone's like cheers. Kaimen is hiding behind the crowd
45:14
Speaker 1: and also has to platter over his face for some reason,
45:17
Speaker 1: and he's like, I gotta hide from that hard guy.
45:20
Speaker 1: I mean he might not notice you in your outfit,
45:22
Speaker 1: but okay. A guard guy puts his hand on Kaimon's
45:26
Speaker 1: shoulder and is like, hey, go clean the toilets now.
45:29
Speaker 1: We cut to a roller coaster doing roller coaster things,
45:32
Speaker 1: and hear Kimon say what. Now, we see a woman's
45:36
Speaker 1: bathroom sign on a door, and we hear noise say
45:40
Speaker 1: damn it. She is sitting on a stool inside the
45:43
Speaker 1: bathroom and taking off her heels, and she continues, my
45:46
Speaker 1: feet are killing me. If that guy is here, I
45:49
Speaker 1: can't be dressed like this. I have to be completely
45:51
Speaker 1: ready by midnight. The door to one of the stalls
45:55
Speaker 1: behind her opens and a large dark figure steps out.
46:00
Speaker 1: He points his arm, which kind of looks like a gun,
46:03
Speaker 1: at her, and NOI's like, hmm. She turns as three
46:08
Speaker 1: black smoke balls fly and land on her arm and
46:11
Speaker 1: then just explode, like real explode like. It blows the
46:16
Speaker 1: door off the bathroom, a chandelier and debris like crashed down,
46:21
Speaker 1: and then we see NOI's arm like burned and just
46:25
Speaker 1: in a pool of blood. The guy, who is wearing
46:28
Speaker 1: an olive green jacket but is obscured pretty much says
46:32
Speaker 1: I couldn't wait till midnight. Fuck, but also nois probably fine.
46:38
Speaker 1: Shin was eating a fish and he stops mid bite.
46:41
Speaker 1: Fuji does like is something wrong. Shin's eyes wide and
46:46
Speaker 1: he thinks, NOI, huh. We now go to a floor
46:51
Speaker 1: of like a crime scene like a chalk outline for
46:54
Speaker 1: a body, and it's the Magic Shop by the way.
46:58
Speaker 1: There's two guards there. One of them has like almost
47:01
Speaker 1: like a detective looking outfit on if you can imagine that.
47:04
Speaker 1: He points his flashlight at the ground and says, they
47:08
Speaker 1: dragged the shop owner from over there and killed him.
47:11
Speaker 1: We cut to them on the security cam, and the
47:13
Speaker 1: other guard says, the person who did this was brutally powerful.
47:19
Speaker 1: He points his flashlight up and catches the camera and
47:22
Speaker 1: he's like, Chief, we cut took Yoza frying and Nikaido
47:27
Speaker 1: puts the lid down of the little fry thing or
47:29
Speaker 1: whatever that is, and he's like, phew, it's been so busy.
47:32
Speaker 1: She wipes her forehead and looks over at the tons
47:36
Speaker 1: of people in the restaurants and continues, seems like Kimon
47:40
Speaker 1: was the reason I didn't have any customers. Damn, I
47:43
Speaker 1: wonder how he's doing. Now. We see what I believe
47:47
Speaker 1: is a men's bathroom sign. It has like a little
47:49
Speaker 1: devil on it, and Kimon is in a stall plunging
47:53
Speaker 1: a toilet and he makes a really sad noise, and
47:58
Speaker 1: then we go the ending theme, which is new this week.
48:01
Speaker 1: It's called strange meat pie and again it's by no Name,
48:04
Speaker 1: and it's got Kikarage sitting on a railing at night
48:08
Speaker 1: like watching beatles fly by, and then the carnival and
48:11
Speaker 1: then a door opening and then that black floating house
48:16
Speaker 1: with the door opening and closing or feeling like a
48:18
Speaker 1: devil standing inside kind of to the beats. And then
48:22
Speaker 1: we see En, Shoda, Shin, Noi, Ebisuf and Fujida walking
48:25
Speaker 1: through the Blue Night festival like to the beats, and
48:28
Speaker 1: of course En is holding Kikarage. We also see the
48:31
Speaker 1: big blimp thing and beetles, and then everyone is dancing
48:34
Speaker 1: and walking with the guards behind them, and then Kikarage
48:37
Speaker 1: is dancing, and yeah, so I like this ending theme,
48:41
Speaker 1: but I didn't think when we did the ending theme
48:44
Speaker 1: with like the zombies, everybody was like perfectly in sync
48:49
Speaker 1: with the song and it was really good. This doesn't
48:51
Speaker 1: totally work with the song, and I feel sad. I
48:54
Speaker 1: wish someone would have caught that so that it really
48:56
Speaker 1: syncd up, but I can't do anything about that. So yay,
49:02
Speaker 1: what we learned in episode eight, NOI cares a great
49:06
Speaker 1: deal about shit, all right. Risu was killed by a
49:10
Speaker 1: comrade in the translation it said friend, but I heard nakama,
49:14
Speaker 1: which is not the same thing as friend. Sorcerers find
49:17
Speaker 1: partners at Blue Night. What we'll learn in episode nine
49:20
Speaker 1: is still hidden in chaos, and that is Doro, Hey, Doro,
49:24
Speaker 1: and that's it. Yey okay. Closing thoughts, I guess so
49:30
Speaker 1: hm is Nikaido the sorcerer that could control time. I
49:37
Speaker 1: kind of think it might be Nikaido. That would make
49:40
Speaker 1: sense as to how her power would fix things because
49:43
Speaker 1: she could go back in time. Because remember Asu, the
49:46
Speaker 1: devil that she's friends with, said that her power could
49:48
Speaker 1: just fix things, So why doesn't she just use it?
49:52
Speaker 1: Going back in time would fix things or at least
49:54
Speaker 1: help her find out who transformed Kimen, right, So I
49:59
Speaker 1: wonder if that's what it is. Also, her door is
50:04
Speaker 1: like a videotape, so like maybe like to represent rewinding time.
50:10
Speaker 1: That's just my take on this, so hmm, that'd be interesting.
50:16
Speaker 1: So Kimon is off in the sorcerer world. I wonder
50:19
Speaker 1: how his opinion of sorcerers is gonna change now that
50:21
Speaker 1: he's meeting some really nice ones who like gave him
50:24
Speaker 1: a job and like fed him and like apparently physically
50:28
Speaker 1: assault him enough that he's scared of them now, yay.
50:33
Speaker 1: I don't know about that at all. But also the
50:36
Speaker 1: whole Blue Night thing I think is really really interesting.
50:40
Speaker 1: I mean, just the whole Sorcerer world where like you
50:43
Speaker 1: have to have a partner, or I guess you don't
50:45
Speaker 1: have to, but like it's expected that you have a partner,
50:48
Speaker 1: and it's not like a like a romantic partner. It's
50:51
Speaker 1: like a magic partner, you know, like your your work
50:55
Speaker 1: magic partner or something. I don't know, but like it's
50:59
Speaker 1: a really big deal to them, and I think that's cool.
51:02
Speaker 1: And I think working this weird night thing in where
51:05
Speaker 1: like that's where you go to find partners, and the
51:09
Speaker 1: whole thing where, at least with ends family, it seems
51:14
Speaker 1: like every four years, which is when Blue Night happens,
51:18
Speaker 1: anyone who wants to who hasn't approved application can challenge
51:22
Speaker 1: one of End's family members for their partner or whatever
51:28
Speaker 1: by maybe killing them, I'm not sure, but it sounds
51:31
Speaker 1: like by killing them, so that's just great. And then
51:35
Speaker 1: it sounds like to become a partner you have to
51:37
Speaker 1: go to the little House in the sky and sign
51:39
Speaker 1: a contract, which is interesting. So it'll be interesting to
51:43
Speaker 1: see how this all plays out. And again, I'm sure
51:45
Speaker 1: nois okay since she can heal so quickly, but I'm
51:48
Speaker 1: sure it doesn't feel great to get blown up. And
51:51
Speaker 1: uh yeah, I don't know Blue Night or something. Trying
51:56
Speaker 1: to think if there's anything else that's like really important
51:58
Speaker 1: that we need to talk about. And again, Choda looked
52:02
Speaker 1: so good in his outfits, So that's really all I
52:05
Speaker 1: have for today. I managed to actually get this done
52:10
Speaker 1: on the same dage Jerry Duty, who knew that that
52:12
Speaker 1: was gonna happen. Not me. I was afraid I was
52:15
Speaker 1: going to be on a trial and then I would cry.
52:18
Speaker 1: I already cried a little, but at least I didn't
52:21
Speaker 1: cry anymore because I was on a trial. Yay. So
52:26
Speaker 1: I'm gonna go and do some things in advance. I
52:32
Speaker 1: just want to tell you I may take off the
52:35
Speaker 1: week of Christmas because there's just tons of stuff coming up.
52:40
Speaker 1: So if I don't publish, I think it might be
52:42
Speaker 1: on Christmas. That's why. But you know who knows right now,
52:46
Speaker 1: I don't know. Anyway, I hope you have a really
52:49
Speaker 1: good whatever, and yeah, I will see you next time
52:53
Speaker 1: unless something terrible happens later. Webs