Latest / 70 80 / SETTANTAxOTTANTA: 1971. Attenti a quei due introduce il modello della fashion fiction che sarà poi esaltato da Miami Vice

Transcript

SETTANTAxOTTANTA: 1971. Attenti a quei due introduce il modello della fashion fiction che sarà poi esaltato da Miami Vice · 70 80

• 0:00
  Tyler Reddick here from 2311 Racing. Another
• 0:02
  checkered flag for the books. Time to celebrate
• 0:05
  with Chumba. Jump in at ChumbaCasino .com. Let's
• 0:09
  Chumba. No purchase necessary. BTW Group. Void
• 0:11
  where prohibited by law. CTNC 21+. Sponsored
• 0:14
  by Chumba Casino. Want a game -changing way to
• 0:17
  watch college basketball? With the one -day pass
• 0:19
  from Sling, get instant access to the men's and
• 0:21
  women's tournaments starting at just $4 .99.
• 0:24
  You can catch all the action on TNT, TBS, ESPN,
• 0:27
  and ESPN2. Want even more hoops? Then add an
• 0:31
  extra pack to your subscription for just $1.
• 0:34
  No overpaying, no overcommitting. Just tournaments
• 0:37
  so crazy, they'd be crazy to miss. Visit sling
• 0:40
  .com to learn more. Sling lets you do that. Welcome
• 0:57
  to 70x80, the section of 7080 .it dedicated to
• 1:01
  the deepening of the topics discussed in the
• 1:03
  articles of the portal. We are with the director
• 1:05
  Massimo Lualdi who introduces the today's topic.
• 1:08
  What are we talking about today? Telefilm. We
• 1:11
  are talking in fact about telefilms struck in
• 1:13
  our memory. Already from the title made by John
• 1:17
  Barry, author of the music of the films of James
• 1:19
  Bond, it was understood that attentive to those
• 1:21
  two introduced elements of extreme originality
• 1:24
  in the television panorama. Persuaders Film is
• 1:26
  in fact distinguished by iconic elements of cupatension,
• 1:31
  emphasized by the use of an instrument of Arabic
• 1:33
  origin, the kanun. Sounds that seem to pre -announce
• 1:37
  a content diametrically opposed to what is actually
• 1:40
  and the normal style of attention to those two,
• 1:42
  that is, ironic, discerning and humorous. The
• 1:45
  famous introduction, dividing the screen into
• 1:47
  two sections, red and blue, retraces the personal
• 1:50
  stories of the two protagonists, Danny Wilde,
• 1:53
  Tony Curtis, pseudonym of Bernard Schwartz, and
• 1:56
  Brett Sinclair, Roger Moore, from birth to success
• 1:59
  in the respective social areas. The titles were
• 2:02
  made so that none of the two actors could have
• 2:05
  a greater importance within the series, a clause
• 2:08
  that both Moore and Curtis had stipulated when
• 2:11
  they had agreed to be co -protagonists. Curiosity,
• 2:15
  the photo of the child Danny Wilde is a real
• 2:17
  childhood photo of Tony Curtis, while that of
• 2:21
  Brett Sinclair is the son of Roger Moore, Geoffrey.
• 2:24
  Well, all that remains is to put our names on
• 2:29
  it. Did you make your final choice? Yes. You
• 2:32
  want to give me that file, please? This is the
• 2:35
  first one. It's an Englishman. A title for Lord
• 2:38
  Brett Sinclair. What does he know about him?
• 2:40
  Everything. And he will fall? If we are able.
• 2:44
  And who is the other one? The other one is quite
• 2:46
  different. An American. Danny Wilde. But I don't
• 2:51
  know everything about him. Attention to those
• 2:54
  two, produced between 1970 and 1971 in Great
• 2:57
  Britain and broadcast in Italy several times
• 2:59
  between 1974 and 1981, was a series decisively
• 3:04
  destabilizing compared to the previous ones of
• 3:07
  the genre. Based on the contrast between two
• 3:09
  completely different protagonists, the series
• 3:11
  saw on the one hand Daniel Danny Wilde, a billionaire
• 3:14
  American who grew up in a poor environment, had
• 3:17
  made fortune with oil and speculation in the
• 3:20
  stock market, and on the other Lord Ray Sinclair.
• 3:22
  who was instead a rich, noble Englishman dedicated
• 3:25
  to a sports career and a good life. In other
• 3:27
  words, the American dream towards the life of
• 3:30
  English income. Goodbye, it was a pleasure. See
• 3:33
  you soon. See you soon. See you soon. See you
• 3:36
  soon, dear. See you soon. Have fun while you're
• 3:38
  here. Certainly. Oh, I have to go. Thank you,
• 3:42
  Sir Lewis, for this plane. The two come into
• 3:44
  contact in Costa Azzurra, following a mysterious
• 3:46
  invitation that they will then understand coming
• 3:48
  from the judge in Fulton's pension, which, even
• 3:51
  for... to help them get out of the lousy and
• 3:54
  unproductive life they lead, he co -opts them
• 3:56
  to fight crime as private persuaders, from which
• 3:59
  the title The Persuaders, which in the Italian
• 4:01
  version completely loses its original meaning.
• 4:04
  Wilde and Sinclair, although at first they do
• 4:06
  not support each other, soon become friends and,
• 4:08
  above all, complementary elements in the implementation
• 4:11
  of their role of third -party judges. Know that,
• 4:23
  after women and dogs, my best friend is the Creole
• 4:25
  Scream. Are you listening? Yes, sir. A sketch
• 4:28
  of white rum, a drop of bitter, cold vermouth,
• 4:31
  cold, not iced, a measure of grenadine, and then
• 4:35
  mix. Cubes, not iced. Shake, filter, and pour.
• 4:40
  Garnish with an olive. Two. Hai detto qualcosa?
• 4:43
  No. Io ho detto due. Due. È stato perfetto fino
• 4:47
  alle olive. Due olive. Così le olive possono
• 4:50
  delicatamente rimbalzare l 'una contro l 'altra.
• 4:59
  As we said at the beginning, watch out for those
• 5:00
  two, it was a series made with unusual criteria,
• 5:03
  not only for the very high budget, 100 ,000 sterling
• 5:07
  of the time, but also because it put two stars
• 5:09
  in a stadium of career exactly the opposite.
• 5:11
  Tony Curtis in decline after the fates of the
• 5:14
  50s and Roger Moore in artistic ecstasy after
• 5:16
  the success of Il Santo. The presence of Curtis,
• 5:19
  notoriously dangerous, allowed to conduct scenes
• 5:22
  of high action without the help of Stunman, exalting
• 5:25
  another characteristic of the series. then taken
• 5:28
  from Miami Vice, that of the use of high -performance
• 5:31
  cars that characterized the personality of the
• 5:34
  protagonists. Danny Wilde was in fact driving
• 5:36
  a Ferrari Dino 246 GT, red, with a left -hand
• 5:40
  drive, marked Moe 221400. Moe is the acronym
• 5:44
  of Modena, the province in which the Ferrari
• 5:46
  is located. Brett Sinclair instead had an Aston
• 5:49
  Martin DBS yellow with a right -hand drive, like
• 5:51
  in the Saint Seiya, the character of Roger Moore
• 5:54
  with personalized tags of his initials, for Simon
• 5:56
  Templer. Erano ST1, quella di Brett Sinclair
• 5:59
  sono BS1. Cercate di mettervi a vostro agio,
• 6:03
  signori. Oh, lei preferisce stare in piedi, signor
• 6:06
  Wilde? È un 'abitudine. Ah, sì. Retaggio di quelle
• 6:09
  giornate di fuoco nel Bronx, immagino. Tuttavia,
• 6:14
  lei berrà qualcosa. Un Creole's Cream per lei,
• 6:18
  Lord Sinclair, con una oliva. Merci. And for
• 6:23
  you, Mr. Wilde, with two olives. Yes, exactly,
• 6:27
  thank you. scheme of the past that returns almost
• 6:54
  always to hurt the other peculiarity that would
• 6:57
  have been taken up by miami vice was the attention
• 6:59
  for the clothes that many times in each episode
• 7:02
  they changed by launching their own fashions
• 7:04
  is the case for example of the boots with an
• 7:06
  obliquely zipper and of the men's high boots
• 7:08
  of the new white of the full art of brad sinclair
• 7:11
  whose clothes were designed from the same wall
• 7:14
  and of some pieces such as the gloves that the
• 7:16
  new wilde always wore without apparent reason
• 7:18
  habit of tony carter transported Calm down, calm
• 7:44
  down, don't push, don't push! You should have
• 7:48
  disarmed them, and then I should have... Why
• 7:50
  didn't you do it? Because I'm a villain. Ah.
• 7:52
  Hello, judge. It's true. Gentlemen, I know that
• 7:58
  this will seem ridiculous and inadequate, but...
• 8:02
  Please. Given the circumstances, I present to
• 8:06
  you my deepest apologies. No, no, no. We came
• 8:09
  spontaneously. We are here to help you. It was
• 8:12
  our first mistake. Probably the last one. Tell
• 8:15
  us everything with delicacy. They want to kill
• 8:18
  us. They must kill us. Well... I thought it was
• 8:22
  a much more serious thing. As it fell for the
• 8:24
  Shadow UFO series, five films also came out in
• 8:27
  the cinema, which in reality were a sort of breakfast
• 8:28
  of episodes of the series, according to a deleterious
• 8:31
  fashion in use at the time. Since the 80s, more
• 8:34
  times have been talked about a remake of the
• 8:35
  series or the production of a film, also coming
• 8:38
  to hypothesize the protagonists. Hugh Grant,
• 8:42
  in the part of Lord Brass Sinclair, George Clooney
• 8:44
  in that of Danny Wilde, and Michael Caine for
• 8:47
  that of Judge Fulton. However, nothing was done,
• 8:49
  as well as Cate. Thanks to the director of 7080
• 9:08
  .it Massimo Lualdi for having dealt with the
• 9:11
  daily topic. See you at the next edition of 70x80.
• 9:15
  Have you listened to 70x80? Do you remember?
• 9:18
  A production that is Tyler Reddick here from
• 9:23
  2311 Racing. Another checkered flag for the books.
• 9:26
  Time to celebrate with Chumba. Jump in at chumbacasino
• 9:30
  .com. Let's Chumba. No purchase necessary. BTW
• 9:33
  Group. Void where prohibited by law. CT &C 21+.
• 9:36
  Sponsored by Chumba Casino. Every day the world
• 9:39
  gets a little weirder and a lot more awesome.
• 9:43
  Cool Stuff Daily takes a look at everything from
• 9:45
  mining in space to the latest in the fight against
• 9:48
  cancer to how AI is, well, basically changing
• 9:51
  everything. It's all the cool stuff you didn't
• 9:54
  know you needed to know. Join us for Cool Stuff
• 9:58
  Daily as we take a quick look at science, tech,
• 10:00
  and the, wait, what? Stories that make you sound
• 10:04
  way smarter at dinner. Subscribe to Cool Stuff
• 10:07
  Daily now because the future's happening fast
• 10:09
  and it's way too fun to miss.