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Learning How To Let Go With MYLES KENNEDY · HEAVY Music Interviews

• 0:25
  Speaker 1: Hey, what's happening.
• 0:25
  Speaker 2: I'm Miles Kennedy and I have a new solo record
• 0:29
  Speaker 2: coming out called The Art to Let It Go, and
• 0:32
  Speaker 2: we're releasing it on October eleventh.
• 0:35
  Speaker 3: You are indeed my friend. Thanks for joining us today.
• 0:38
  Speaker 1: My pleasure.
• 0:40
  Speaker 3: As you say, you release your new and third solo album,
• 0:43
  Speaker 3: The out Letting Go on October the eleventh, which isn't
• 0:45
  Speaker 3: far away now, mate, So how are you feeling about it?
• 0:48
  Speaker 1: Good?
• 0:49
  Speaker 2: You know, it's like anytime, especially it's getting close enough now,
• 0:54
  Speaker 2: it's just a few days here. I was like, it's
• 0:57
  Speaker 2: kind of a trip, you know, in a way that, uh,
• 1:00
  Speaker 2: your little sonic baby is about to be unleashed into
• 1:03
  Speaker 2: the world. So but for you know, it's funny. It's
• 1:06
  Speaker 2: kind of an excuse to just get out and tour.
• 1:09
  Speaker 3: You know.
• 1:10
  Speaker 2: I love I love making records, I love creating. I
• 1:12
  Speaker 2: also love getting to perform and hanging with my mates,
• 1:16
  Speaker 2: you know. So it's a brotherhood out there, and so
• 1:18
  Speaker 2: build build new memories.
• 1:22
  Speaker 3: Tell us a bit more about the album from a
• 1:23
  Speaker 3: musical point of view and what you've done for this summer.
• 1:25
  Speaker 2: N Yeah, I wanted this record to be more of
• 1:29
  Speaker 2: a rock record, you know, with the solo records. When
• 1:33
  Speaker 2: I first started doing it, it was more about, you know,
• 1:36
  Speaker 2: acoustic based music. Second record, I to March that was
• 1:41
  Speaker 2: a little bit of an acoustic element, but awesome more
• 1:43
  Speaker 2: Americana and Southern rock and country at times.
• 1:47
  Speaker 1: This one, I just wanted to rock, you know.
• 1:49
  Speaker 2: I wanted to have it be based on on on
• 1:52
  Speaker 2: riffs and uh, you know, just have a certain pocket
• 1:56
  Speaker 2: and a certain groove and and build that way.
• 2:00
  Speaker 3: And today you've released a single say what you will
• 2:03
  Speaker 3: miss You when You're Gone, and nothing more to gains.
• 2:04
  Speaker 3: So I know it's hard to do, but at those
• 2:06
  Speaker 3: three a good sonic representation and what to expect from
• 2:09
  Speaker 3: the whole album.
• 2:10
  Speaker 2: Yeah, I think overall that kind of they kind of
• 2:12
  Speaker 2: touch on the overall vibe of it. You know, it's
• 2:15
  Speaker 2: a it's it's a it's a it's a good introduction
• 2:19
  Speaker 2: into the art of letting go.
• 2:21
  Speaker 3: Wait, speaking of introductions, Mate, Like the opening and title track,
• 2:25
  Speaker 3: it kicks off with the media guitar riffer and it
• 2:27
  Speaker 3: goes into an almost blues like swagger, complete with chance
• 2:31
  Speaker 3: of hey hey hey, Now if you're looking through a
• 2:34
  Speaker 3: rock manual, Mate, like those tick pretty much every box
• 2:37
  Speaker 3: to start off an album, mate, You've got everything covered
• 2:39
  Speaker 3: there in the first thirty seconds.
• 2:41
  Speaker 1: Got to have those haze.
• 2:42
  Speaker 2: It's funny because the hay thing came so initially I
• 2:45
  Speaker 2: thought it needed something to kind of drive it, like
• 2:48
  Speaker 2: on the downbeat, and I thought, you know, either a
• 2:51
  Speaker 2: cow bell or something like, nah, I don't want to
• 2:52
  Speaker 2: use the cow bell, We'll just do haze.
• 3:01
  Speaker 3: How much thought and planning actually goes into the first
• 3:04
  Speaker 3: song on an album they made? What sort of things
• 3:06
  Speaker 3: do you consider?
• 3:09
  Speaker 2: I just wanted to grab your attention, you know, I
• 3:11
  Speaker 2: feel like people's attention spans are pretty short, so you
• 3:14
  Speaker 2: want to put something out where they're going to be like, okay,
• 3:17
  Speaker 2: I can this is working for me.
• 3:19
  Speaker 1: I'll keep you know, listening for a few more songs.
• 3:22
  Speaker 2: I mean at the end of the You know, it's
• 3:23
  Speaker 2: funny because you know they say now, like with streaming,
• 3:26
  Speaker 2: they typically after like seven songs, people's it tends to
• 3:30
  Speaker 2: drop off. So like, you want to put your best
• 3:33
  Speaker 2: foot forward at first to keep people's attention because there's
• 3:36
  Speaker 2: a lot of things, you know, I'll vine for for
• 3:38
  Speaker 2: your attention, so you you know, you don't want to
• 3:41
  Speaker 2: start off with your you know, a song that is
• 3:45
  Speaker 2: going to take, you know, take a lot of time
• 3:47
  Speaker 2: to get into. You want to just hit them on
• 3:49
  Speaker 2: the head right out of the gate.
• 3:50
  Speaker 3: I'm actually surprised at seven songs. I thought it'd be
• 3:53
  Speaker 3: less and like a song like Brian. Then someone chucks
• 3:57
  Speaker 3: the CD and impressed the shuffle and it comes in.
• 4:01
  Speaker 3: It's like, what the fuck did I waste my time?
• 4:03
  Speaker 1: For good point?
• 4:06
  Speaker 3: You recorded the album in twenty twenty three, by so
• 4:09
  Speaker 3: you've been sitting on it for a while. But are
• 4:11
  Speaker 3: you the type of person to put that album to
• 4:12
  Speaker 3: bed and move on or do you sort of go
• 4:14
  Speaker 3: back and agonize and think I should have done this
• 4:16
  Speaker 3: or I could have done that.
• 4:18
  Speaker 2: No, I don't really agonize too much of There was
• 4:21
  Speaker 2: a time when I did, but but I'm at a
• 4:23
  Speaker 2: point now where it's like, once the record's done, yeah,
• 4:26
  Speaker 2: I move on. The only the only way I moved
• 4:28
  Speaker 2: back is is preparing for a tour and rehearsing and
• 4:31
  Speaker 2: going and revisiting. I generally am always looking forward. I
• 4:35
  Speaker 2: just I feel that that helps me stay you know it, creatively,
• 4:39
  Speaker 2: it's the way I like to roll.
• 4:42
  Speaker 3: I sort of touched on this before, but the out
• 4:44
  Speaker 3: of letting go is very reef heavy slam of rock
• 4:46
  Speaker 3: made and your guitar playing on It's gone to the
• 4:48
  Speaker 3: next level. Bro, Like, how much of an influences slash
• 4:51
  Speaker 3: Head on your guitar playing moving for all?
• 4:55
  Speaker 2: I guess yeah, I started as a guitar player, and
• 4:58
  Speaker 2: I think what I've learn from playing with Slash is
• 5:01
  Speaker 2: just his work ethic. You know, the guy works harder
• 5:04
  Speaker 2: than anybody I know so, and which is inspiring for
• 5:08
  Speaker 2: me because he doesn't have to. You know, he's at
• 5:10
  Speaker 2: a point in his life where he could just hang
• 5:13
  Speaker 2: out and tour once in a while, but he still
• 5:16
  Speaker 2: works as hard as a guy who's you know, coming
• 5:18
  Speaker 2: up the ranks, trying to making an aim for himself.
• 5:20
  Speaker 2: It's incredible. So I think that's that's the thing I've
• 5:22
  Speaker 2: learned more than anything. It's just keeping that hunger alive.
• 5:26
  Speaker 3: How about from a writing perspective, mine, Like, you're writing
• 5:28
  Speaker 3: for your solo album, I'm guessing you've just got you
• 5:31
  Speaker 3: one guitar doing that. But then when you write for
• 5:33
  Speaker 3: the conspirators, as you and Slash together writing, Like, what's
• 5:36
  Speaker 3: the different dynamics like writing an album with one guitar
• 5:38
  Speaker 3: as opposed to.
• 5:41
  Speaker 2: Yeah, it's it's It's interesting because when you know it's
• 5:45
  Speaker 2: just going to be one guitar, you do think differently.
• 5:48
  Speaker 2: I think, you know, how is this rift going to be?
• 5:51
  Speaker 2: How is this core progression going to be? How is
• 5:52
  Speaker 2: this going to work? When I'm playing it all by
• 5:55
  Speaker 2: myself as a as a you know, it's a power trio.
• 5:57
  Speaker 2: So I'm I'm very aware of that. And with Slash,
• 6:02
  Speaker 2: you know, it's a different writing process because he he'll
• 6:05
  Speaker 2: he'll send me the riff and the core progression, and
• 6:09
  Speaker 2: then my job is to come up with the melody
• 6:11
  Speaker 2: and to come up with the lyric. So it's a
• 6:12
  Speaker 2: very different type of process.
• 6:15
  Speaker 3: Which one do you prefer personally? Do you prefer coming
• 6:17
  Speaker 3: up with a whole lot yourself forward? Do you prefer
• 6:19
  Speaker 3: what can a lie that.
• 6:21
  Speaker 2: I to be honest with you, I'm I've got the
• 6:23
  Speaker 2: best circumstances one could ask for, because it's always changing,
• 6:28
  Speaker 2: you know, so it's like it never gets redundant. So
• 6:33
  Speaker 2: you know, it's like when I need when I feel like,
• 6:34
  Speaker 2: oh now I really want to play guitar and write
• 6:36
  Speaker 2: riffs and cyclell then it'll be at that point in
• 6:39
  Speaker 2: the in the kind of the the the rotation of
• 6:43
  Speaker 2: the bands and the touring cycles and the album cycles,
• 6:45
  Speaker 2: so it works out really well. And then when I've
• 6:47
  Speaker 2: gotten that out of my system, then I'll move into
• 6:50
  Speaker 2: you know, just coming up with the melodies and the
• 6:51
  Speaker 2: lyrics with Slash and uh, that's that's it's, it's it's
• 6:55
  Speaker 2: a luxury I don't take for granted.
• 6:58
  Speaker 3: And the out of letting Go. It's a great title, mate,
• 7:01
  Speaker 3: But when you were writing the song, we're thinking about
• 7:03
  Speaker 3: anything specific to let go? Is it more of a generalization.
• 7:08
  Speaker 1: A generalization.
• 7:09
  Speaker 2: It's just kind of where I'm at in life now
• 7:10
  Speaker 2: where I just don't want to.
• 7:14
  Speaker 1: I just don't you know, I don't want.
• 7:16
  Speaker 2: To be reactive and stress and I just want to
• 7:20
  Speaker 2: enjoy enjoy life the best that I can, you know.
• 7:24
  Speaker 2: And it's something that I'm still learning and working on.
• 7:27
  Speaker 2: But I figured, you know, titling the record would help
• 7:29
  Speaker 2: remind me of that.
• 7:32
  Speaker 3: Just say someone's stumbled upon this interview made and they
• 7:35
  Speaker 3: don't know too much about Miles Kennedy, give us three
• 7:38
  Speaker 3: songs from your whole career, any band for them to
• 7:41
  Speaker 3: listen to get to know you better.
• 7:44
  Speaker 2: I would say Blackbird by alter Bridge would be one.
• 7:50
  Speaker 2: Anastasia by Slash and the Conspirators, and then as far
• 7:54
  Speaker 2: as for the solo stuff, i'd say check out say
• 7:58
  Speaker 2: what you will.
• 8:00
  Speaker 3: This album does come out on Tibe the eleventh made.
• 8:03
  Speaker 3: And you seem to be a man who loves to
• 8:05
  Speaker 3: be on the road, so I'm guessing you've got a
• 8:06
  Speaker 3: fair bit coming up after that.
• 8:09
  Speaker 1: Oh yeah, yeah, lots of touring.
• 8:12
  Speaker 3: Sids word to go all around the world or.
• 8:15
  Speaker 2: We're gonna try. Yeah if if you know, if the
• 8:17
  Speaker 2: rest of the world will have us, we'll go.
• 8:22
  Speaker 3: There's only about a couple of months ago you were
• 8:23
  Speaker 3: in Australia was Slash run it?
• 8:25
  Speaker 2: Yeah that was this spring I believe, yeah, or late winter.
• 8:30
  Speaker 2: So yeah, times Flying Brisbane.
• 8:32
  Speaker 3: Show was fantastic, guys, he nailed it.
• 8:35
  Speaker 1: Thank thank you, thank you very much.
• 8:38
  Speaker 3: It all. Now I'm starting a new segment called photo Bomb,
• 8:41
  Speaker 3: where before I chat with you, I go through your
• 8:42
  Speaker 3: social media and I dig up a few photos and
• 8:45
  Speaker 3: a little bit more about him. So the first one
• 8:48
  Speaker 3: I found is this one like you guys on tour
• 8:52
  Speaker 3: and you said a bird park in New Zealand.
• 8:56
  Speaker 2: Yes, I haven't seen that in a long time. Amazing
• 9:01
  Speaker 2: blast from the past. I don't know what Todd's doing.
• 9:03
  Speaker 2: It looks like he's is he serenading the lizard?
• 9:07
  Speaker 3: I wondered. He looks like there's something romantic going on there.
• 9:10
  Speaker 2: Yeah, he's trying to woo the lizard and I'm looking
• 9:13
  Speaker 2: at like, ah, I don't know.
• 9:17
  Speaker 1: That's pretty good funny. Actually, do you have things.
• 9:21
  Speaker 3: Like that in America, like parks where you can go
• 9:23
  Speaker 3: and check out the animals and stuff like that.
• 9:26
  Speaker 2: Yeah, yeah, we have zoos and whatnot. We don't do
• 9:30
  Speaker 2: it enough. I wish we did it more. Yeah, that's
• 9:32
  Speaker 2: that's something that is. That's one of the perks to
• 9:34
  Speaker 2: get in the tours. You get to do stuff like that,
• 9:36
  Speaker 2: especially when you know you're with Slash and he loves,
• 9:38
  Speaker 2: you know, all things animals. So we tend to do
• 9:41
  Speaker 2: more of that stuff than than we normally would with
• 9:43
  Speaker 2: other bands, which is cool.
• 9:46
  Speaker 3: Wait now, but this one as well. It was taken
• 9:49
  Speaker 3: backstage at the ad Manchester Arena in twenty thirteen. Like
• 9:54
  Speaker 3: what's when When is he going from your dressing room
• 9:57
  Speaker 3: to the stage, Like like he's out there like it's
• 10:00
  Speaker 3: all sort of quiet and reflecting what you're going to
• 10:02
  Speaker 3: do or you rowdy and pompany show up like what
• 10:04
  Speaker 3: goes on.
• 10:05
  Speaker 1: It's pretty mellow.
• 10:07
  Speaker 2: Yeah, it's very it's very zen. I wish there was
• 10:11
  Speaker 2: a lot of I wish I could say that's crazy
• 10:13
  Speaker 2: and it just jumping around and champagne flying. But you know,
• 10:15
  Speaker 2: we're just we're just kind of getting to that space
• 10:17
  Speaker 2: and preparing to go out and you know, trying not
• 10:19
  Speaker 2: to screw up.
• 10:22
  Speaker 3: I suppose it all started to look like one of
• 10:25
  Speaker 3: the same after I wouldn't they all these backstage areas
• 10:27
  Speaker 3: and all these hallways.
• 10:29
  Speaker 2: Oh, you'd be surprised how much they change. Yeah, it
• 10:31
  Speaker 2: depends what kind of venue. You know, with those when
• 10:33
  Speaker 2: you're on an arena tour, which I think we were there,
• 10:35
  Speaker 2: you know, those are generally very nice. But when you're
• 10:37
  Speaker 2: playing like some of some some venues, you know, like
• 10:40
  Speaker 2: theaters and clubs, you can you never know what to expect.
• 10:44
  Speaker 3: Legend Malla, Thanks very much for your time, bro. It's
• 10:46
  Speaker 3: been a pleasure speaking with you. Out of Letting Go
• 10:48
  Speaker 3: is out October the eleventh, and it's an absolute fucking
• 10:51
  Speaker 3: crack of bro. So best of luck and see you
• 10:53
  Speaker 3: next time.
• 10:54
  Speaker 1: You're Thanks brother.
• 11:20
  Speaker 4: Now you feel the sun about your face if you're
• 11:29
  Speaker 4: so good. Still you don't draw away.
• 11:34
  Speaker 5: Another cloud you cannot shake starts raining down.
• 11:42
  Speaker 4: The ones again.
• 11:44
  Speaker 5: I'm just saying, I saw wisp uself time mass.
• 11:51
  Speaker 4: With that, I saw tell the heart I past.
• 11:57
  Speaker 5: We know it's wrong, but still.
• 12:01
  Speaker 4: We got mass. We wanted the sky with the side
• 12:11
  Speaker 4: me God.
• 12:12
  Speaker 5: It's not cho.
• 12:16
  Speaker 4: No, rather it's hot.
• 12:18
  Speaker 5: It's one yours five to take.
• 12:22
  Speaker 4: We got in time, trial and talk and lots not
• 12:29
  Speaker 4: thing to gain.
• 12:44
  Speaker 5: Fool back to the law.
• 12:49
  Speaker 1: Still free to shoes.
• 12:52
  Speaker 5: Well you my father, so to you you consent?
• 13:01
  Speaker 4: Do you think you so much? Till now? When will you.
• 13:12
  Speaker 5: Which shall come? So you shall by which you stop.
• 13:21
  Speaker 6: Expect the us when you test Recta, the sacred woods,
• 13:31
  Speaker 6: the stuff working side God, it's not your rather than
• 13:41
  Speaker 6: it's hard. It's one you wants.
• 13:43
  Speaker 4: Fine to tell that in time, try to talk out
• 13:49
  Speaker 4: as not that tell you.
• 14:22
  Speaker 5: You're uxious.
• 14:28
  Speaker 4: To fast change when way.
• 14:41
  Speaker 5: A time, let the size its be your God, it's
• 14:52
  Speaker 5: not too late.
• 14:56
  Speaker 4: That's had. It's one your side to take got it,
• 15:01
  Speaker 4: Tom turnel and Tom another way you know has not happen.
• 15:09
  Speaker 4: Wat to join you'll ha, you'll know that's not happen.
• 15:21
  Speaker 4: Lot to drive