Latest / Frightmares / Ep. 137 - Fresh (2022)

Transcript

Ep. 137 - Fresh (2022) · Frightmares

• 0:43
  Speaker 1: You know, I'm super prepared when you have to do
• 0:47
  Speaker 1: the fifth What do you call it? What is that?
• 0:49
  Speaker 1: What would you call that?
• 0:50
  Speaker 2: The felt board?
• 0:51
  Speaker 1: The felt board? But you did it? Oh, popping bottles today.
• 0:59
  Speaker 1: Oh we can lit.
• 1:01
  Speaker 2: In here drinking some FDA.
• 1:04
  Speaker 1: This episode is brought you. No, I'm just kidding. That
• 1:06
  Speaker 1: would be great.
• 1:07
  Speaker 3: Coca Cola, if you'd like to sponsor us. We're currently
• 1:10
  Speaker 3: accepting bribes.
• 1:11
  Speaker 1: Bribes, freeze. Yeah, you don't even have to pay me,
• 1:13
  Speaker 1: Just give me free soda.
• 1:15
  Speaker 2: No I want money to I just want soda. I'd
• 1:17
  Speaker 2: also take swag and soda.
• 1:19
  Speaker 1: Ooh, some like some like Coca Cola hats, maybe like
• 1:23
  Speaker 1: a velvet velure like track suit or something.
• 1:26
  Speaker 2: Or like a like a Nascar kind of jacket with
• 1:29
  Speaker 2: like Coca Cola. Yeah, like a really puffy nineties leather one.
• 1:35
  Speaker 2: Can you scoot over a little bit?
• 1:37
  Speaker 1: Like right here? I know these boom arms are weird.
• 1:40
  Speaker 2: Yeah, so are you? Okay?
• 1:41
  Speaker 1: So, but it's night. Look at all the space you
• 1:43
  Speaker 1: have for activities right here? Do you see this? I
• 1:46
  Speaker 1: have so many places to like throw and hurl my
• 1:48
  Speaker 1: right now. I can do this, Yeah, I can do
• 1:50
  Speaker 1: ooh a.
• 1:57
  Speaker 2: Floor Jesus, we'll get that later. We're gonna fix this
• 2:03
  Speaker 2: for you, because this should not be.
• 2:05
  Speaker 1: You're so easy to knock over. Yeah, good greaf.
• 2:09
  Speaker 2: It tightened you.
• 2:10
  Speaker 1: Oh that's why it was so loose. Jackass, dun dun
• 2:15
  Speaker 1: du dum. I was like, why is this so loose?
• 2:20
  Speaker 1: I didn't never look Well, now we know because it's
• 2:22
  Speaker 1: Mike Super Short show.
• 2:24
  Speaker 3: Austin does not look for the issue. He just assumes
• 2:28
  Speaker 3: it's a problem.
• 2:28
  Speaker 1: I just thought it was a problem. I was like, yeah,
• 2:30
  Speaker 1: it's fine.
• 2:30
  Speaker 2: I'll just why troubleshoot it when you could just live
• 2:32
  Speaker 2: with it?
• 2:33
  Speaker 1: Exactly? Yeah, so there we go. At least you didn't
• 2:41
  Speaker 1: like damage one of my necka figurines over there. I
• 2:43
  Speaker 1: would have been very upset if you like punched through
• 2:44
  Speaker 1: the plastic or something.
• 2:46
  Speaker 2: So like whip it. I just tapped this thing and
• 2:49
  Speaker 2: it fell over barely even hit this.
• 2:51
  Speaker 1: Jesus, you're such a goob, such a freaking goob. So anyways,
• 2:56
  Speaker 1: welcome to episode one thirty seven, The Feltboards on the Floor.
• 2:59
  Speaker 1: I'm your host, Austin Proctor, and that is your other host,
• 3:01
  Speaker 1: Gabrielle Procter.
• 3:03
  Speaker 2: The Walking Disaster.
• 3:04
  Speaker 1: Yeah, the flailing arm disaster. She got so excited that
• 3:07
  Speaker 1: she can flail her arms that she literally flailed them
• 3:10
  Speaker 1: so hard.
• 3:11
  Speaker 2: At least I didn't knock the mic off the table.
• 3:13
  Speaker 1: Well we can't anymore. It'd be really, you have to
• 3:16
  Speaker 1: like karate chop that shit. It is no, no, no,
• 3:20
  Speaker 1: it's a four hundred dollars mic lady, God damn it.
• 3:23
  Speaker 1: Don't do it. So interesting story here. We're not doing
• 3:28
  Speaker 1: the same Patti's Day themed episode because that is next episode.
• 3:31
  Speaker 1: Because last episode I did with Spencer, I was like, yeah,
• 3:33
  Speaker 1: me and Gabby will be back next week doing the
• 3:35
  Speaker 1: same Patty's Day theme. It was incorrect. That was a falsitude,
• 3:38
  Speaker 1: So that's my bad. Is that even Did I just
• 3:41
  Speaker 1: make that word up? Or is that? Is that from
• 3:43
  Speaker 1: how much your mother work? So that was a falsitude.
• 3:47
  Speaker 1: We were supposed to do an indie movie, but unfortunately,
• 3:52
  Speaker 1: uh it's hard to explain. I don't really want to
• 3:53
  Speaker 1: get into it too much, but there was some material
• 3:56
  Speaker 1: material in the in the indie film that I was
• 3:59
  Speaker 1: just kind of not privy to, kind of there's a
• 4:02
  Speaker 1: couple of jokes that just didn't sit right with me,
• 4:04
  Speaker 1: So we decided to not do that. Because it's not
• 4:06
  Speaker 1: something I really want to cover. I'm talking to the
• 4:09
  Speaker 1: director and kind of explaining it to him and how
• 4:11
  Speaker 1: I just just didn't sit right with me. So he understood,
• 4:14
  Speaker 1: and you know, I'm gonna continue talking with him. Maybe
• 4:17
  Speaker 1: we can maybe you can figure it out. I don't know,
• 4:19
  Speaker 1: but I just I needed an explanation on why the
• 4:22
  Speaker 1: jokes that were made were made, because, like I said,
• 4:24
  Speaker 1: it didn't sit right with me. Corey was supposed to
• 4:26
  Speaker 1: be on the last episode and we actually recorded an
• 4:29
  Speaker 1: impromptu episode last night where we we did the thing
• 4:33
  Speaker 1: where we watched a movie and kind of commentated on it.
• 4:35
  Speaker 1: But I listened to it. It just did not work
• 4:37
  Speaker 1: at all. So yeah, so I'm glad we tested it
• 4:42
  Speaker 1: last night because yeah, now I realize it really did
• 4:46
  Speaker 1: not work. So we probably won't do that going forward.
• 4:49
  Speaker 1: It would be fun to do that on like a
• 4:50
  Speaker 1: live stream like that would be cool, but we won't
• 4:54
  Speaker 1: be doing that recording. So now we know, which is fine.
• 4:56
  Speaker 1: So we're learning a lot.
• 4:58
  Speaker 3: And we just want you guys to know that we
• 4:59
  Speaker 3: are all doing our best. We know some of the
• 5:01
  Speaker 3: topics and some of the films might get a little
• 5:05
  Speaker 3: saucy or a little rough, but we always like to
• 5:07
  Speaker 3: talk about them, and we always want to make sure
• 5:10
  Speaker 3: the content were bringing you.
• 5:12
  Speaker 2: Doesn't feel like it would be.
• 5:14
  Speaker 3: Wildly inappropriate or doesn't feel like it would be off off.
• 5:19
  Speaker 2: Brand for us.
• 5:19
  Speaker 3: We want to bring films that you enjoy, that we enjoyed,
• 5:24
  Speaker 3: that we're upfront if they would make you uncomfortable, but
• 5:28
  Speaker 3: not in a way that it feels like an insult.
• 5:30
  Speaker 2: To the viewer.
• 5:31
  Speaker 1: And I know there's been some times to work because
• 5:33
  Speaker 1: like I don't edit this podcast, Like if there's something
• 5:35
  Speaker 1: that I need to cut out, I you know, I do,
• 5:37
  Speaker 1: but typically I pressure record, weld do it in one take.
• 5:40
  Speaker 1: I don't really edit much out. So I know some
• 5:42
  Speaker 1: stuff has been said kind of in the moment that
• 5:43
  Speaker 1: you know, maybe I didn't mean exactly or I hope
• 5:45
  Speaker 1: it's not taken the wrong way. I know that's happened.
• 5:48
  Speaker 1: But again that's just because this is a lie. This
• 5:50
  Speaker 1: is I don't really I don't really pause and be like, okay,
• 5:52
  Speaker 1: let me say that again. Maybe I should. I don't know,
• 5:55
  Speaker 1: maybe that's something I should try to do going forward,
• 5:56
  Speaker 1: because sometimes that you know, I do just kind of
• 5:58
  Speaker 1: spur things out like it's just comes to my brain
• 6:00
  Speaker 1: and I say it. I'm like, that probably didn't come
• 6:02
  Speaker 1: out right, But yes, I agree with you. We do
• 6:04
  Speaker 1: try to keep a very you know, what's the word
• 6:06
  Speaker 1: I'm looking for? I don't know. I'm looking. I'm looking
• 6:10
  Speaker 1: for a word. We just try to keep it. I
• 6:13
  Speaker 1: try to keep as pc as we can. You know
• 6:14
  Speaker 1: what I mean? Is that what I'm looking for?
• 6:16
  Speaker 2: It's not right politically correct, that's not right.
• 6:18
  Speaker 1: No, I don't know.
• 6:19
  Speaker 2: Mostly we try to you're better with the words.
• 6:21
  Speaker 3: We try to avoid films that we feel are going
• 6:23
  Speaker 3: to be too too triggering for people. Honestly, yeah, not
• 6:29
  Speaker 3: not to you know, say, oh, we're worried about triggering films,
• 6:34
  Speaker 3: you know, because so many horror films are going to
• 6:36
  Speaker 3: trigger something in you. But like, we try to keep
• 6:39
  Speaker 3: out the films that we feel don't fit with what
• 6:42
  Speaker 3: we're comfortable with. There's a level we're comfortable with, but
• 6:45
  Speaker 3: when it feels like it's in bad taste, we don't.
• 6:47
  Speaker 2: We don't do that.
• 6:48
  Speaker 1: Yeah, we try to avoid that just altogether as a whole,
• 6:51
  Speaker 1: because I don't want to try to tiptoe around it,
• 6:53
  Speaker 1: and I'd rather just avoid it, you know.
• 6:55
  Speaker 3: And again, not to say that this is this was
• 6:58
  Speaker 3: that director's intention.
• 6:59
  Speaker 2: We don't know.
• 7:00
  Speaker 3: Oh, that's why we want to make sure where we
• 7:01
  Speaker 3: have a clear understanding, we want to make sure we're
• 7:04
  Speaker 3: on the same page because misunderstandings happen all the time
• 7:07
  Speaker 3: where you you see one thing in someone's work and
• 7:11
  Speaker 3: they see it as another way. So that's obviously why
• 7:14
  Speaker 3: we're clarifying before we try to bring the content on.
• 7:18
  Speaker 1: Yeah, so we, like I said, we were going to
• 7:20
  Speaker 1: do that originally, and then me and Corey did a
• 7:23
  Speaker 1: we had to do something in the heat of the
• 7:24
  Speaker 1: moment that didn't work, and now you're stepping in to
• 7:27
  Speaker 1: save the day as you always do.
• 7:29
  Speaker 2: Uh and has nothing to do with me living here, No.
• 7:33
  Speaker 1: It does not. But yeah, you know you saved Everyone
• 7:37
  Speaker 1: has saved the day at some point, but you obviously
• 7:39
  Speaker 1: it falls on you a little bit more. And but
• 7:40
  Speaker 1: you actually recommended that we do this movie. And this
• 7:43
  Speaker 1: is another brand new movie that we're doing because we
• 7:46
  Speaker 1: recently two episodes ago, I think or two or three
• 7:48
  Speaker 1: it was Texas chanceaw Mascer from this year. This episode
• 7:51
  Speaker 1: we're doing Fresh, which literally just came out. So this
• 7:54
  Speaker 1: is a fresh movie. No pun intended. Every pun intended. So, yeah,
• 7:59
  Speaker 1: we want to to discuss this because this kind of
• 8:02
  Speaker 1: just came. It came out of nowhere, Like I just
• 8:04
  Speaker 1: saw ooh Fresh all you know, on Facebook and stuff
• 8:06
  Speaker 1: like that. People were like, oh, you have to check
• 8:08
  Speaker 1: out Fresh Fresh looks Fresh was amazing and it was
• 8:10
  Speaker 1: just so so well done. I don't know what this
• 8:13
  Speaker 1: is and we just randomly put it on the other night.
• 8:16
  Speaker 1: I was super tired and we just put on Miss
• 8:17
  Speaker 1: Congeniality And then did you mention it? Or who mentioned it?
• 8:21
  Speaker 3: And you said something about it and I said do
• 8:23
  Speaker 3: you want to put it on? And you were like really,
• 8:24
  Speaker 3: and like, yeah, we've seen it. Had been watching Miss
• 8:27
  Speaker 3: Congeniality since it came out, so I'm pretty well.
• 8:30
  Speaker 2: Up on that plot.
• 8:32
  Speaker 1: Yeah.
• 8:33
  Speaker 2: But hey, it's Women's History Month anyway.
• 8:35
  Speaker 3: So this is a film that is directed by a woman,
• 8:39
  Speaker 3: written by a woman, all like majority of female leads.
• 8:44
  Speaker 3: We've got women of color, like it's it's got a
• 8:47
  Speaker 3: lot of female representation in.
• 8:48
  Speaker 2: It, even if the females are you know, the victim.
• 8:51
  Speaker 1: Women's International Day, you guys, there's a day.
• 8:54
  Speaker 2: There's a specific day, but the month is Women's History.
• 8:57
  Speaker 1: Could you you'll have a whole month. That's awesome.
• 9:00
  Speaker 2: You guys have everything else.
• 9:02
  Speaker 1: Need, if anything, we need stuff taking We need stuff
• 9:05
  Speaker 1: taken away from us. We what is it? Oh yeah,
• 9:08
  Speaker 1: let's not okay, we said we were trying to keep
• 9:10
  Speaker 1: this a certain way. Lady, let's not bring that up
• 9:13
  Speaker 1: because that's a whole other topic. But yeah, I didn't,
• 9:15
  Speaker 1: I didn't. I really thought it was a day. I
• 9:16
  Speaker 1: didn't know it was a whole whole month. That's awesome.
• 9:18
  Speaker 2: Yeah too. So there.
• 9:20
  Speaker 3: Yeah, there's Women's Appreciation Day I guess you would call it,
• 9:24
  Speaker 3: and then Women's History Month.
• 9:25
  Speaker 2: It was earlier this week.
• 9:27
  Speaker 1: Damn, I'm shirking my responsibility over here.
• 9:29
  Speaker 2: You're not celebrating me enough as a woman.
• 9:31
  Speaker 1: Okay, well I'll celebrate you this weekend. How about that
• 9:33
  Speaker 1: that sounded dirty. I'm sorry. I'll celebrate all over it.
• 9:38
  Speaker 2: Expect a shrine and a lot of offering.
• 9:41
  Speaker 1: Where's the shrine? Is the shrine going in the backyard? Perhaps?
• 9:45
  Speaker 3: No, we don't have a fence yet. Okay, So once
• 9:46
  Speaker 3: the fence goes, History Month is this whole month. So
• 9:49
  Speaker 3: once the fence is in, you can build me my shrine.
• 9:51
  Speaker 1: Okay, it has to be under six feet because it
• 9:54
  Speaker 1: can't poke above the fence.
• 9:55
  Speaker 3: Well, I'm only five six, so if you build a
• 9:57
  Speaker 3: life size shrine of me, we're good.
• 9:58
  Speaker 1: Okay, do you want a shrine or do you want
• 10:00
  Speaker 1: like a statue of yourself?
• 10:01
  Speaker 3: What trine usually involves an image of the thing you're celebrating.
• 10:05
  Speaker 1: Its going to be Batho Met, that's all. It's me
• 10:07
  Speaker 1: because it's oh, oh it has to I thought it
• 10:10
  Speaker 1: was just but it was just like a woman of
• 10:12
  Speaker 1: power because Batha Met is a female, you know.
• 10:15
  Speaker 2: And a male?
• 10:16
  Speaker 1: Is it? I thought I thought bath Met was it's female.
• 10:20
  Speaker 2: It's both. Oh, we've talked about this.
• 10:22
  Speaker 1: I'm sorry. I can never remember it.
• 10:25
  Speaker 3: Not that I'm saying I wouldn't share, but I'm just
• 10:27
  Speaker 3: talking about in my house.
• 10:30
  Speaker 2: I you know, not to exclude any genders.
• 10:34
  Speaker 1: Of women's genders of women's plural.
• 10:36
  Speaker 2: I said that wrong.
• 10:37
  Speaker 3: You know what I mean, any type of woman, you're
• 10:39
  Speaker 3: all included. But this is me and my house, and
• 10:41
  Speaker 3: I want to be personally celebrated.
• 10:42
  Speaker 1: Oh okay, I see what you're saying. That's fine. Well, yeah,
• 10:46
  Speaker 1: so that's perfect timing to do this movie because this is, yeah,
• 10:48
  Speaker 1: like you said, very female driven. It touches on a
• 10:52
  Speaker 1: very very interesting topic that is not shown enough. Uh,
• 10:56
  Speaker 1: and the very beginning of the movie, which needs to
• 10:58
  Speaker 1: be shown because it discussed me so much, like men
• 11:01
  Speaker 1: need to stop this behavior one hundred percent of the time.
• 11:04
  Speaker 1: You should never act like this. It's really rough. We'll
• 11:07
  Speaker 1: get there eventually. Oh shit, I needed to talk about Okay,
• 11:11
  Speaker 1: I'll just read the I was gonna I had two
• 11:13
  Speaker 1: movies that I got recently. I'll just read the synoposse.
• 11:15
  Speaker 1: I was gonna get the back of the cover. I
• 11:16
  Speaker 1: forgot them. Damn it. Hold on a second. So I
• 11:19
  Speaker 1: got two new Shout Factory movies that just recently released.
• 11:25
  Speaker 1: One of them is called Nightmare from nineteen sixty four.
• 11:28
  Speaker 1: It's a Hammer film, and it's about a young lady
• 11:31
  Speaker 1: named Janet at a private school. Her nights are troubled
• 11:34
  Speaker 1: by horrible dreams in when she sees her mother, who's
• 11:36
  Speaker 1: in fact locked in an insane asylum haunting her. Expelled
• 11:39
  Speaker 1: because of her persistent nightmares, Janet is sitting home with
• 11:42
  Speaker 1: the nightmares continue. Three shocking murders. Did she dream them
• 11:46
  Speaker 1: or do them? What sounds pretty cool has a three
• 11:51
  Speaker 1: point two out of five on the letterbox and the
• 11:54
  Speaker 1: other one. This one looks wild and you're gonna absolutely
• 11:57
  Speaker 1: have to watch this one with me. It's called The
• 11:59
  Speaker 1: Sol and the Sorcerer. That one's from nineteen eighty two
• 12:03
  Speaker 1: and it's a mercenary with a three bladed sword who
• 12:06
  Speaker 1: discovers his royal heritage when he is recruited to help
• 12:09
  Speaker 1: a princess foil a brutal tyrant and powerful sorcerer's plans
• 12:12
  Speaker 1: to conquer the land.
• 12:15
  Speaker 2: Yes, yeah, I already know you told me about it.
• 12:17
  Speaker 1: I know. I just keep reminding you about it because
• 12:19
  Speaker 1: it sounds amazing, I know. So those recently came out
• 12:22
  Speaker 1: from screen factory collectors editions with slipcovers and posters. If
• 12:26
  Speaker 1: you were able to grab those, good for you, because
• 12:28
  Speaker 1: I think they're limited to like a thousand. So we're
• 12:30
  Speaker 1: definitely gonna have to do The Sword and the Sorcerer
• 12:32
  Speaker 1: at some point, but probably not till next year because
• 12:35
  Speaker 1: I've planned out all the way through August.
• 12:37
  Speaker 2: Nice.
• 12:37
  Speaker 1: Yeah, this one movie. Shit is really easy. I'm digging
• 12:40
  Speaker 1: the whole only having to watch one movie. Although I
• 12:44
  Speaker 1: did not take any notes for this movie because this
• 12:46
  Speaker 1: was spur of the moment, So thank god you have
• 12:48
  Speaker 1: that braink.
• 12:49
  Speaker 2: This plot isn't so.
• 12:52
  Speaker 3: This is one of those films where there's so many
• 12:54
  Speaker 3: things going on. It's a pretty focused plot.
• 12:57
  Speaker 1: No, I know. But I'm just glad that I watched
• 12:59
  Speaker 1: it with you because I know you have like a
• 13:01
  Speaker 1: photograph like photographic memory. That was a weird way to
• 13:04
  Speaker 1: photographic memory.
• 13:06
  Speaker 3: He made it like it was two words photo photographic
• 13:09
  Speaker 3: photographic memory and you can remember you just remember everything?
• 13:13
  Speaker 1: Yeah, you do? So? Oh, I didn't want to talk
• 13:17
  Speaker 1: about something else too real quick, How do you feel
• 13:19
  Speaker 1: about the Monsters coming out by Rob Zombie? Like? I havening.
• 13:22
  Speaker 3: I don't think I've actually I haven't seen enough of
• 13:24
  Speaker 3: the Monsters to take any personal offense to themor remaking it.
• 13:28
  Speaker 1: Okay, well, I mean just the fact that.
• 13:30
  Speaker 2: I'm on board.
• 13:31
  Speaker 3: I know he's I know that Rob Zombie is a
• 13:34
  Speaker 3: big fan of the Monsters.
• 13:36
  Speaker 2: He's done a lot to his own house to resemble it.
• 13:38
  Speaker 1: You think he has a whole Monsters theme like room,
• 13:41
  Speaker 1: I believe.
• 13:41
  Speaker 2: Yeah.
• 13:43
  Speaker 3: So I think he is a good choice for that
• 13:47
  Speaker 3: because he will he cares about the franchise, and I
• 13:51
  Speaker 3: think there's a lot of times where some like directors
• 13:54
  Speaker 3: will only only even heard of the damn franchise and
• 13:57
  Speaker 3: then they take it over or have no experience in
• 13:59
  Speaker 3: that that's not in their wheelhouse. But then they get
• 14:01
  Speaker 3: the franchise and you can tell that the like the
• 14:04
  Speaker 3: love's not there. But again, I haven't seen it. I
• 14:09
  Speaker 3: know I've seen parts of the show. I'm familiar with
• 14:12
  Speaker 3: some of the actors, but I think because he already
• 14:17
  Speaker 3: is a huge fan of the show, it'll end up
• 14:19
  Speaker 3: feeling like a love letter to the show.
• 14:21
  Speaker 1: Well, good news because me and Spencer have been worried
• 14:24
  Speaker 1: this whole time about the rating, because you know, he's
• 14:27
  Speaker 1: pretty much exclusively made I'm pretty sure all of his
• 14:30
  Speaker 1: movies have been rated or unrated. Yesterday, according to Spencer,
• 14:34
  Speaker 1: which he's on top of everything with movies, they got
• 14:36
  Speaker 1: a PG rating.
• 14:37
  Speaker 2: Which is good, Which is good.
• 14:39
  Speaker 3: That kind of that film or that content wouldn't make
• 14:42
  Speaker 3: sense as a full blown horror. No, they can make
• 14:44
  Speaker 3: it spookier, but they don't need to Adam's family the
• 14:47
  Speaker 3: damn thing.
• 14:48
  Speaker 1: Yeah. So, and that's what I was worried about as
• 14:51
  Speaker 1: I thought he would make it like I would be
• 14:52
  Speaker 1: okay with like PG thirteen, you know what I mean.
• 14:54
  Speaker 1: But like I was thinking he was going to rate
• 14:56
  Speaker 1: it or have all the swearing and like blood and violence.
• 14:59
  Speaker 1: But the fact that it has a PG third or
• 15:01
  Speaker 1: PG rating really gives me some like more hope than
• 15:04
  Speaker 1: I already had, because like you know, like you said,
• 15:06
  Speaker 1: he is a huge fan, but the fact that it's
• 15:08
  Speaker 1: got a low rating like that, I think he's really
• 15:10
  Speaker 1: gonna do it justice. Plus we've already mentioned that he
• 15:12
  Speaker 1: is literally building like not just the house, he rebuilt
• 15:16
  Speaker 1: the entire I'm pretty sure neighborhood like from the original show,
• 15:19
  Speaker 1: or at least at least the streets. So I'm super stoked.
• 15:23
  Speaker 1: I just I just never I don't think I ever
• 15:25
  Speaker 1: ever remember asking how you felt about it, But I'm
• 15:27
  Speaker 1: with you, Like I watched it as a kid, but
• 15:29
  Speaker 1: never religiously. It was just like, oh, what was that?
• 15:32
  Speaker 1: What was that channel on thirty eight? It was like
• 15:33
  Speaker 1: TV Land or something like that where they played you know,
• 15:37
  Speaker 1: like Andy Andy Griffiths, Andy Griffiths Show and stuff like that, Like, yeah, y,
• 15:43
  Speaker 1: I used to watch that and the Monsters, but like, like,
• 15:46
  Speaker 1: it's never religious, so I don't really have this affinity
• 15:49
  Speaker 1: for it like some people do. And it's rob zombies,
• 15:51
  Speaker 1: so I'm probably gonna like it, but yeah, I just
• 15:53
  Speaker 1: I wanted to see how you felt about it. So
• 15:54
  Speaker 1: we're in the same boat here, like we never really
• 15:56
  Speaker 1: watched it like that, but we're just like, I'm ready
• 15:58
  Speaker 1: for it to be real because it's I mean, and
• 16:00
  Speaker 1: have they rebooted it since no. Let gonna say, yeah,
• 16:03
  Speaker 1: I know they've done like some TV movies. I think
• 16:05
  Speaker 1: like Monsters Go Home. I believe is a thing that exists,
• 16:08
  Speaker 1: but I don't think they've actually redone it in a while.
• 16:11
  Speaker 1: So very exciting that you'd be coming out later later
• 16:14
  Speaker 1: this year or next year. So that's super fun. I
• 16:17
  Speaker 1: can't wait for that. I think that's all I had
• 16:20
  Speaker 1: to tell you. Got anything anything for us? Nothing?
• 16:23
  Speaker 4: No?
• 16:23
  Speaker 1: Wow?
• 16:24
  Speaker 2: Min Season eight of Supernatural.
• 16:26
  Speaker 1: How's that going?
• 16:27
  Speaker 2: Real boring?
• 16:29
  Speaker 1: So we're I remember Spencer mentioning that like some spots
• 16:32
  Speaker 1: of that show, there's like like a couple of seasons
• 16:34
  Speaker 1: of just like a lull.
• 16:35
  Speaker 2: Or yeah, I'm in that right now, which is why.
• 16:40
  Speaker 3: By the end, so season seven has some fun stuff,
• 16:45
  Speaker 3: but it kind of drags in some parts. But season
• 16:49
  Speaker 3: eight is like the brothers take turns sacrificing themselves and
• 16:55
  Speaker 3: then the brothers keep secrets from each other, and they
• 16:58
  Speaker 3: take turns doing that, and then they take turns burning
• 17:01
  Speaker 3: each other or killing somebody the other one cares about
• 17:05
  Speaker 3: because they're morally gray or something. You're just like, how
• 17:09
  Speaker 3: many years are you too planning on like just being
• 17:12
  Speaker 3: like like this. It's exhausting because like this season, they
• 17:17
  Speaker 3: are not on the same page. They're not happy with
• 17:19
  Speaker 3: each other and uh, which means we don't get a
• 17:21
  Speaker 3: lot of the fun episodes, or the fun episodes don't
• 17:24
  Speaker 3: feel as fun because they are so much at odds.
• 17:28
  Speaker 1: Motorcycle. Yeah, I see, it's.
• 17:30
  Speaker 2: Like it's a drag in the middle. I mean, geez.
• 17:33
  Speaker 3: They had a season I think it was season six
• 17:34
  Speaker 3: where they like they built up this new big bad
• 17:40
  Speaker 3: coming up kills her in the span of the they
• 17:44
  Speaker 3: killed the bad guy that was supposed to be like
• 17:46
  Speaker 3: they was hinted at being the big bad guy in
• 17:49
  Speaker 3: the same episode that they.
• 17:52
  Speaker 2: Actually meet her for the first time, and then switch
• 17:56
  Speaker 2: to the big reveal thing, and you're like this, why
• 17:59
  Speaker 2: would you put so so much energy into introducing a
• 18:01
  Speaker 2: major villain to just done?
• 18:04
  Speaker 1: Yeah, done with it.
• 18:05
  Speaker 3: They They've made some weird decisions, but I do it
• 18:08
  Speaker 3: does come back round. In the later seasons they do,
• 18:11
  Speaker 3: they do change it up, and eventually the guys stop
• 18:14
  Speaker 3: burning each other relentlessly.
• 18:16
  Speaker 1: So how many seasons is that though? You said the
• 18:18
  Speaker 1: end of season seven through a until when when when
• 18:21
  Speaker 1: does it finally come back round?
• 18:23
  Speaker 2: I want to say ten?
• 18:24
  Speaker 1: Oh geez. So it's like Archer, where there's like the
• 18:27
  Speaker 1: first what five seasons are great? Then you enter Dreamland
• 18:30
  Speaker 1: and then the weird Detective one and then space and
• 18:33
  Speaker 1: you're like, I don't care. I just don't care about
• 18:36
  Speaker 1: it none, because none of it matters. It's all expendable
• 18:38
  Speaker 1: in my opinion, you like, nothing really is adding to
• 18:40
  Speaker 1: the actual story of Archer. It's just kind of there.
• 18:44
  Speaker 1: We stopped watching it because I was like, I can't
• 18:45
  Speaker 1: fucking do this anymore.
• 18:46
  Speaker 3: Yeah, they because in later because like this is where
• 18:49
  Speaker 3: they're kind of really limited on the cast because they've
• 18:51
  Speaker 3: killed too many people too and so and the boys
• 18:56
  Speaker 3: are at odds with each other, so nobody's having a
• 18:59
  Speaker 3: good time. There's no one there to be the voice
• 19:01
  Speaker 3: of reason between the two of them.
• 19:04
  Speaker 2: So really you got to get through that to the
• 19:06
  Speaker 2: part where.
• 19:06
  Speaker 3: Like the villains and the heroes start working together so
• 19:10
  Speaker 3: that becomes more interesting and fun. And yeah, it's when
• 19:14
  Speaker 3: they start like developing out other characters.
• 19:16
  Speaker 2: And because you have to have characters.
• 19:18
  Speaker 3: Who are a lot less uptight than the two guys
• 19:21
  Speaker 3: because they like to have fun, but they're always very,
• 19:24
  Speaker 3: very serious. So once they start bringing in people with
• 19:26
  Speaker 3: more personality who would like to have a little more fun,
• 19:29
  Speaker 3: that's when it rolls background.
• 19:31
  Speaker 1: I gotta watch that show eventually. Where's it streaming?
• 19:34
  Speaker 2: Netflix?
• 19:34
  Speaker 1: Netflix? You know Buffy is on Hulu, right, Yeah, I
• 19:37
  Speaker 1: already watched all that. Okay. I wasn't sure if that.
• 19:39
  Speaker 1: I wasn't sure if they I thought I had gotten
• 19:40
  Speaker 1: taken off at some point. I just saw it the
• 19:42
  Speaker 1: other day and I was like, oh, I should like
• 19:43
  Speaker 1: aby know.
• 19:44
  Speaker 3: That's where I rewatched that, and that's why I was
• 19:47
  Speaker 3: it was fresh in my mind where they made and Supernatural.
• 19:49
  Speaker 3: They made a joke about the Dagon sphere. Oh yeah,
• 19:52
  Speaker 3: that was a Buffy reference.
• 19:53
  Speaker 1: Yeah, okay, well have fun with Supernatural. Hopefully you can
• 19:57
  Speaker 1: push through.
• 19:58
  Speaker 2: Oh I've taken a break because like I can't.
• 20:01
  Speaker 1: Oh, yeah, you did. You started inventing Anna or whatever?
• 20:03
  Speaker 1: Is that a horror thing at all?
• 20:05
  Speaker 2: No, that's a that's a crime drama.
• 20:08
  Speaker 1: Oh okay, never mind, Well we can talk about something
• 20:11
  Speaker 1: slightly horror and it's not. It's not even kind of horror.
• 20:13
  Speaker 1: It's sci fi. The new Kenobe trailer just dropped, so
• 20:17
  Speaker 1: excited for that. If you don't want any spoilers, maybe
• 20:20
  Speaker 1: just skip ahead a couple of minutes. I mean, there's
• 20:21
  Speaker 1: not really spoilers, but if you haven't seen the teaser,
• 20:23
  Speaker 1: maybe positive you watch the teaser. So that came out yesterday.
• 20:29
  Speaker 1: I watched it today. It's not really a teaser because
• 20:32
  Speaker 1: it's more of just a trailer. It's a minute forty
• 20:33
  Speaker 1: six seconds, so I wouldn't consider that a teaser. Teasers
• 20:36
  Speaker 1: are like twenty seconds thirty seconds and show literally nothing
• 20:40
  Speaker 1: like that.
• 20:40
  Speaker 3: Feeling the overwhelming concern that I'm gonna need to watch
• 20:42
  Speaker 3: Clone Wars to get some of the references.
• 20:44
  Speaker 1: Yeah, I think we're gonna have to at some point,
• 20:46
  Speaker 1: because they played Duel of the Fates in the in
• 20:50
  Speaker 1: the teaser. If you don't know what that is, that
• 20:52
  Speaker 1: is the song or the you know, the score for
• 20:54
  Speaker 1: when Qui Gon jen Obi Wan Kenobe battle against Darth Maul,
• 20:58
  Speaker 1: and that's only played at that heart in the movie.
• 21:00
  Speaker 1: I'm pretty sure, So that to me signifies that we're
• 21:03
  Speaker 1: going to see the return of Darth Maul. That makes
• 21:05
  Speaker 1: sense because we saw him in Rogue one again spoilers
• 21:08
  Speaker 1: if you haven't seen that, so and everyone, yes you did.
• 21:12
  Speaker 2: No, I'm sorry.
• 21:13
  Speaker 1: That was fucking solo. Oh ship? When did Solo take place?
• 21:18
  Speaker 1: Was that? God? When was that? Was? That? Was?
• 21:21
  Speaker 2: That was later?
• 21:22
  Speaker 1: So it was still obviously before you know, New Hope,
• 21:26
  Speaker 1: obviously because it was a young So okay, if we
• 21:29
  Speaker 1: saw him in Solo, we should still probably see I mean,
• 21:31
  Speaker 1: they played Duel of the Fates. I don't see them
• 21:33
  Speaker 1: not bringing him back.
• 21:34
  Speaker 2: It's possible that we would see It's possible.
• 21:37
  Speaker 1: But I know we're gonna see Vader for sure because
• 21:39
  Speaker 1: at the end of the teaser you hear Vader's breath,
• 21:41
  Speaker 1: So we're I'm like me and Spencer talked about this
• 21:43
  Speaker 1: last week of how we'd never seen like a Vader
• 21:46
  Speaker 1: rise to power. Maybe we'll get that because he's gonna
• 21:49
  Speaker 1: be in it. You heard, no, I know, but so
• 21:52
  Speaker 1: I know he's back. I'm just wondering if it's just
• 21:54
  Speaker 1: gonna be him as a badass already, or if we're
• 21:56
  Speaker 1: gonna see kind of how his you know, his his
• 21:59
  Speaker 1: rise to being you know, the lord of the fucking Scith,
• 22:02
  Speaker 1: not the Sith. Is that right? So that's not right,
• 22:07
  Speaker 1: Lord whatever, Lord of the Sith, Lord of the Sith, Lord.
• 22:10
  Speaker 2: The one is, Lord of.
• 22:11
  Speaker 1: The Death, Lord of the fucking galaxy. At this point,
• 22:14
  Speaker 1: I need to see him rise up to power. So
• 22:16
  Speaker 1: that's super cool. And it's actually perfect because not Hayden Christensen.
• 22:22
  Speaker 1: Ewan McGregor is like the perfect age right now because
• 22:24
  Speaker 1: it's you know, this takes place in between three and four,
• 22:26
  Speaker 1: So his age is like perfect right now because he
• 22:29
  Speaker 1: was super young and Phantom menace and now he's you know,
• 22:31
  Speaker 1: kind of a rugged older guy and then you know,
• 22:34
  Speaker 1: a new hope, he's you know, he's an old man.
• 22:36
  Speaker 1: So the timing is actually working out really well. And
• 22:38
  Speaker 1: I think the same thing for Christensen as well, So
• 22:40
  Speaker 1: I think it's gonna be good. It comes out May
• 22:42
  Speaker 1: twenty fifth, which is the day before Spencer's birthday, so
• 22:44
  Speaker 1: happy birthday to him, and I'm very excited. We still
• 22:47
  Speaker 1: need to finish, Yeah, we do still got to finish that.
• 22:52
  Speaker 1: So yeah, a lot of exciting stuff coming. But let's
• 22:54
  Speaker 1: get into this. Let's get into this movie. Here with
• 22:57
  Speaker 1: all the IMDb IMDb stuff. So yes, we're talking about
• 23:01
  Speaker 1: Fresh and that was released this year on March fourth,
• 23:04
  Speaker 1: and that was literally six days ago from this recording.
• 23:09
  Speaker 1: This movie is rated R for moderate sex and nudity,
• 23:12
  Speaker 1: severe violence and gore, severe profanity, moderate alcohol, drugs and smoking,
• 23:17
  Speaker 1: and severe frightening and intense scenes. I don't know, severe
• 23:22
  Speaker 1: frightening and intense scenes like severe.
• 23:26
  Speaker 2: Like like the the surgeries.
• 23:29
  Speaker 1: Oh yeah, okay, I guess. So this this has a
• 23:32
  Speaker 1: run time of an hour and fifty four minutes, and
• 23:34
  Speaker 1: to be honest, this is one of the few movies
• 23:37
  Speaker 1: that's near two hours that I was like, I could
• 23:39
  Speaker 1: have done. I could have had a little bit more,
• 23:41
  Speaker 1: mainly more of the build up, like just like like
• 23:44
  Speaker 1: I kind of wanted to see her date a couple guys,
• 23:46
  Speaker 1: you know what I mean, and kind of go like
• 23:48
  Speaker 1: go through, but she just I guess they really got
• 23:50
  Speaker 1: their point across with the one that she did go
• 23:51
  Speaker 1: on the date with. Yeah, but I could have used
• 23:54
  Speaker 1: more build up, to be quite honest. And that's weird
• 23:56
  Speaker 1: because usually for me, if a movie's two hours, I'm like, yeah,
• 23:59
  Speaker 1: I like to make this shorter, but I don't know
• 24:01
  Speaker 1: how you felt, but I could I could have honestly
• 24:03
  Speaker 1: had to be like two o five.
• 24:04
  Speaker 2: Well, I'll talk about it when I'm talking about okay.
• 24:07
  Speaker 1: This is listed as a comedy horror thriller directed by
• 24:11
  Speaker 1: a lady named Mimi Cave and this is the literally
• 24:13
  Speaker 1: her first feature length film. She's only done shorts and
• 24:17
  Speaker 1: like music videos and stuff like that. So for a
• 24:20
  Speaker 1: first feature length film, I'm gonna say, you fucking nailed it,
• 24:24
  Speaker 1: and I cannot wait to see what else what like
• 24:27
  Speaker 1: other things that she does. This was written by another
• 24:31
  Speaker 1: female as well named Lauren Khan, who's primarily done shorts
• 24:34
  Speaker 1: just like Mimi and except for one movie she wrote,
• 24:37
  Speaker 1: which is called Ibiza. And I don't know, do you know?
• 24:42
  Speaker 1: Have you heard about Ibiza's Ibiza? It's it's the only reason.
• 24:47
  Speaker 2: I've heard of that or know what it is was
• 24:50
  Speaker 2: because I took.
• 24:50
  Speaker 1: A pill in Ibiza.
• 24:52
  Speaker 2: The song no, no, I don't know what.
• 24:54
  Speaker 3: You're talking about, okay, sorry, is because in inventing Anna,
• 24:58
  Speaker 3: they all go there.
• 25:01
  Speaker 2: So that's that. Literally this week is the first time
• 25:03
  Speaker 2: I've ever heard of it.
• 25:04
  Speaker 1: But it's a place, yeah, oh yeah, because there's a
• 25:07
  Speaker 1: song called ID took a pill and Abiza or whatever
• 25:10
  Speaker 1: it's called. She could do the responsible thing, or she
• 25:13
  Speaker 1: could go to Iviza with her friends and and chase
• 25:15
  Speaker 1: down a hot DJ easy choice. Starring Jillian Jacobs, Vanessa
• 25:19
  Speaker 1: Bay or Phoebe Robinson. No idea who any of those
• 25:22
  Speaker 1: ladies are?
• 25:23
  Speaker 2: All right, well I'm moving on.
• 25:24
  Speaker 1: Alrighty then oh it's a Netflix exclusive. I think, okay, interesting.
• 25:28
  Speaker 1: I mean it looks kind of fun. She's wearing a
• 25:29
  Speaker 1: unicorn hoodie. That looks fun. Anyways. Music was done by
• 25:34
  Speaker 1: a man named Alex Summers, who also did the score
• 25:37
  Speaker 1: for Honeyboy, among other things. But honey Boy was a
• 25:39
  Speaker 1: thing that stood out to me. That is the movie
• 25:41
  Speaker 1: where Shila Buff plays his dad, and it's actually a
• 25:45
  Speaker 1: like one of the greatest movies of recently. I think
• 25:49
  Speaker 1: it's fucking fantastic that one in a peanut butter Falcon
• 25:51
  Speaker 1: that he was in as well. This is where it
• 25:54
  Speaker 1: gets interesting. So the cinematographer for this movie is a
• 25:57
  Speaker 1: man named Powell oger Zelski, and he did the cinematography
• 26:02
  Speaker 1: for Tragedy Girls and was also the DP for Hereditary
• 26:05
  Speaker 1: in Midsomar. So that fucking makes sense why this movie
• 26:07
  Speaker 1: looks the way it looks because every shot of this
• 26:10
  Speaker 1: movie is like fucking poetry, I swear to God. And
• 26:13
  Speaker 1: then it was also edited by someone who worked on
• 26:16
  Speaker 1: Tragedy Girls, na guy named Martin Penza. So that's pretty
• 26:19
  Speaker 1: interesting that the cinematographer and editor for Tragedy Girls worked
• 26:22
  Speaker 1: on this movie. And again that's exactly why it looks
• 26:26
  Speaker 1: as good as it did. This movie stars Daisy Edgar
• 26:29
  Speaker 1: Jones as Noah, who has not done too much. She's
• 26:32
  Speaker 1: been in more TV shows than anything I noticed. Sebastian
• 26:35
  Speaker 1: Stan as Steve, who is most famously known as Bucky
• 26:39
  Speaker 1: Barnes in the MCU. He's also in one of our
• 26:41
  Speaker 1: favorite movies, Itanya, and he plays Jeff Goluli, so he's
• 26:47
  Speaker 1: definitely the biggest star in this movie and god as
• 26:50
  Speaker 1: he play it very very well. We have Jojo T.
• 26:53
  Speaker 1: Gibbons as Molly, who also has not done too much.
• 26:56
  Speaker 1: Then we have Andrea Bang not banned as Penny who
• 27:00
  Speaker 1: also has not done much, and deyo Oke Okenny as
• 27:05
  Speaker 1: Paul and same same goes for him. So you literally
• 27:07
  Speaker 1: have five people who have done nothing really besides you know,
• 27:12
  Speaker 1: things like Dave.
• 27:13
  Speaker 2: Daisy Ager Jones isn't a popular TV show and Netflix.
• 27:16
  Speaker 1: Well that's okay. So that's what I'm saying. She's in
• 27:18
  Speaker 1: TV show. It's just nothing. When when I when I
• 27:19
  Speaker 1: look through this, if I don't recognize it, I'm like,
• 27:21
  Speaker 1: I don't know, I don't really look into it, but
• 27:23
  Speaker 1: you know she's probably Her and Sebastian are obviously the
• 27:26
  Speaker 1: two most famous people I would say in this movie,
• 27:29
  Speaker 1: but for for a cast of people that I've never
• 27:32
  Speaker 1: really heard anything about. Like very well done. Like every
• 27:36
  Speaker 1: single performance in this was very well done. So I
• 27:40
  Speaker 1: appreciate that this had an estimated budget of blank and
• 27:43
  Speaker 1: a worldwide box office gross of blank because it went
• 27:46
  Speaker 1: straight to Hulu. This movie was filmed in Vancouver, BC, Canada,
• 27:51
  Speaker 1: and again you can check this out on Hulu. It
• 27:53
  Speaker 1: is a Hulu original so Boom movies that came out
• 27:57
  Speaker 1: around the same time. We are literally living in those times.
• 28:00
  Speaker 1: So check out your local AMC or Legal.
• 28:02
  Speaker 2: For movies, whatever your theater is or whatever your theater is.
• 28:06
  Speaker 1: I know that I know the curse is out right now.
• 28:09
  Speaker 1: You know you got Batman is out right now. Studio
• 28:11
  Speaker 1: six sixty six is out right now. Bunch of stuff,
• 28:14
  Speaker 1: bunch of stuff. So, yeah, a bunch of good stuff
• 28:15
  Speaker 1: is out right now. But I'm not going to go
• 28:16
  Speaker 1: through those because they're there. It is happening. Specific horror
• 28:21
  Speaker 1: moments in this I mean, how much do we want
• 28:24
  Speaker 1: to give away? That's my question. I don't want to
• 28:26
  Speaker 1: give away too much. But like I, I but like I,
• 28:30
  Speaker 1: you know, want to talk about certain things. I don't
• 28:33
  Speaker 1: know how much to get I am not revealing the end,
• 28:37
  Speaker 1: well not the end are we going to talk about,
• 28:39
  Speaker 1: But we're gonna we're gonna talk about her though, like
• 28:41
  Speaker 1: we're gonna get into it, right.
• 28:42
  Speaker 3: Yeah, I just don't want to get anywhere from like
• 28:45
  Speaker 3: the pink dress onward.
• 28:47
  Speaker 2: I don't want to get.
• 28:48
  Speaker 1: Into so we can talk about how her butt was
• 28:50
  Speaker 1: sliced off. Yeah, I don't really have a horror I
• 28:55
  Speaker 1: mean the horror moment that I have is at the
• 28:56
  Speaker 1: end of the movie, and that's something I'm not ready
• 28:58
  Speaker 1: to reveal.
• 29:00
  Speaker 3: My favorite kill it happens at the end, because honestly,
• 29:03
  Speaker 3: all the kills happen at the end, and we're not
• 29:04
  Speaker 3: revealing those because you want to see how this movie
• 29:07
  Speaker 3: plays out.
• 29:08
  Speaker 1: It is wild. And then yeah, so the specific horror
• 29:11
  Speaker 1: moment and kill for me is definitely a spoiler material
• 29:15
  Speaker 1: as well. For you. Favorite line, My favorite line isn't
• 29:18
  Speaker 1: a line, it's a it's a it's a text on
• 29:21
  Speaker 1: a phone, which is also the like the last fucking scene.
• 29:25
  Speaker 1: So I'm not gonna say that either. Favorite character, It's
• 29:30
  Speaker 1: probably hard to pick a favorite character, but I gotta
• 29:32
  Speaker 1: go with Jojo Gibbons. So what was her name in
• 29:35
  Speaker 1: the movie, Molly, because while I did feel she was
• 29:38
  Speaker 1: slightly stereotypical, she's the real MVP for tracking her friend,
• 29:43
  Speaker 1: you know, like trying to track her friend down, like.
• 29:45
  Speaker 3: Yeah, she was a good friend and she was like, no,
• 29:50
  Speaker 3: this isn't right, Like was always really straight with her
• 29:53
  Speaker 3: friend about things that were going on and like making
• 29:57
  Speaker 3: sure her friend.
• 29:57
  Speaker 2: Checked in with her, that kind of stuff.
• 29:58
  Speaker 1: She was a good friend, She was a great friends.
• 30:00
  Speaker 2: She wasn't like, oh, they must be having a good
• 30:02
  Speaker 2: time shrug.
• 30:03
  Speaker 1: Yeah, So I gotta go. I gotta give it to uh,
• 30:06
  Speaker 1: Molly for for the MVP of the movie. So that
• 30:08
  Speaker 1: was my favorite character. I assume the same for you, Yes,
• 30:12
  Speaker 1: that makes sense. Least favorite character definitely the douche in
• 30:16
  Speaker 1: the beginning of the movie. Yeah, Chad go, Chad go.
• 30:19
  Speaker 1: Fucking Chad. He was the douchiest of douches. Oh my god,
• 30:23
  Speaker 1: that whole scene in the beginning, just oh god, it's
• 30:26
  Speaker 1: just it's sad that it's really sad to me that
• 30:30
  Speaker 1: guys can think that that's okay. Maybe they don't realize.
• 30:34
  Speaker 1: I don't know, but like, yeah, if you watch that
• 30:38
  Speaker 1: movie and you can relate to being like Chad, you
• 30:40
  Speaker 1: need to take a hard look at yourself because that
• 30:42
  Speaker 1: is not how to treat women or really anybody to be.
• 30:45
  Speaker 1: You know, that's not how you treat human beings, but
• 30:47
  Speaker 1: specifically women. Terrible, terrible, like horrible guy. So that's the
• 30:54
  Speaker 1: least favorite. So we're on we're on the same exact
• 30:56
  Speaker 1: page with exactly all these okay, all these bullet points.
• 31:00
  Speaker 1: All right, So the brief IMDb synopsis here is the
• 31:03
  Speaker 1: Horrors of Modern Dating, seen through one on one young
• 31:08
  Speaker 1: woman's defiant battle to survive her new boyfriend's unusual appetites.
• 31:13
  Speaker 1: And that sets the tone for the whole movie.
• 31:15
  Speaker 2: Yeah, it does.
• 31:16
  Speaker 1: So do you want to kind of talk about, like
• 31:19
  Speaker 1: talk about the movie itself before we get into the review,
• 31:21
  Speaker 1: or do you want to review it and kind of
• 31:22
  Speaker 1: like how do you want to do this.
• 31:24
  Speaker 2: I'm going to talk about it and review it as
• 31:25
  Speaker 2: I go along.
• 31:27
  Speaker 1: Okay, I'm just go for it, then take it away
• 31:29
  Speaker 1: with the review.
• 31:31
  Speaker 2: All right.
• 31:32
  Speaker 1: So okay, So.
• 31:36
  Speaker 3: The movie opens up with our main character, Noah, on
• 31:41
  Speaker 3: a date with a guy who if you've ever seen
• 31:46
  Speaker 3: Jane the Virgin, it's I want to say, his name
• 31:49
  Speaker 3: is Michael and Jane the Virgin. She's his white she's
• 31:54
  Speaker 3: the he's the white boyfriend in that. So she's on
• 31:59
  Speaker 3: a date with this guy and he's immediately like he's
• 32:02
  Speaker 3: talking about himself and just like talking about how grade
• 32:07
  Speaker 3: and interesting he is and really not talking or like
• 32:11
  Speaker 3: not really talking about her except when he starts letting
• 32:15
  Speaker 3: her know that like.
• 32:18
  Speaker 2: If she just wore some like tighter clothing, she looked better.
• 32:22
  Speaker 3: And oh, by the way, I'm gonna take your leftovers
• 32:25
  Speaker 3: for my brother.
• 32:26
  Speaker 2: And he pretty much is just.
• 32:27
  Speaker 3: Like an all around like douche who can't stop like.
• 32:33
  Speaker 2: Just being a terrible person.
• 32:34
  Speaker 1: Well, and after they split the bill too, he's like,
• 32:37
  Speaker 1: do you have cash because they split the bill and
• 32:39
  Speaker 1: then he was like, yeah, I'm gonna take those leftovers.
• 32:41
  Speaker 1: Oh so you just made her pay for her meal
• 32:44
  Speaker 1: and you're taking it exactly paid for it, Okay, whatever, Like,
• 32:49
  Speaker 1: I guess I can understand if you paid for him,
• 32:51
  Speaker 1: but not if you're making her pay.
• 32:53
  Speaker 3: But also, it's still really weird to buy somebody food
• 32:56
  Speaker 3: and not say, hey, are you planning on taking your
• 32:58
  Speaker 3: leftovers home?
• 33:00
  Speaker 2: You want to take the damn leftovers?
• 33:02
  Speaker 3: Ask if they're taking it, because they picked that food
• 33:04
  Speaker 3: for themselves.
• 33:05
  Speaker 2: They may want the rest of it later.
• 33:06
  Speaker 3: Well, yes, like you know, I like, hell, half the time,
• 33:09
  Speaker 3: I eat half my food and save the rest for later.
• 33:12
  Speaker 1: It's it's a smart move, honestly, because then you get
• 33:13
  Speaker 1: to enjoy that meal two times. So you're just fucking
• 33:15
  Speaker 1: You're just brilliant.
• 33:16
  Speaker 2: I am shut up Women's History Month. Okay.
• 33:22
  Speaker 3: So yeah, So like at one point he gets his
• 33:25
  Speaker 3: scarf and his food, and then he's like snapping at
• 33:28
  Speaker 3: the waitress at the Chinese restaurant and talking down to her,
• 33:31
  Speaker 3: not even assessing whether or not she can speak English,
• 33:34
  Speaker 3: just assuming she cannot. Like he says he needs sparkling
• 33:37
  Speaker 3: water for the sustain Oh, he's also wearing a T
• 33:39
  Speaker 3: shirt and a scarf.
• 33:40
  Speaker 1: So if you ask for something to clean, you're like
• 33:43
  Speaker 1: like a spill with and you ask for sparkling water.
• 33:45
  Speaker 2: That's that's how you get that stain out. Oh that's
• 33:48
  Speaker 2: a real thing.
• 33:49
  Speaker 1: Oh never mind. I was gonna say that's like, how
• 33:51
  Speaker 1: do she is that? But I didn't. I didn't realize that.
• 33:53
  Speaker 1: I'm just OK, that's a real thing. I'm just not informed.
• 33:55
  Speaker 1: That's my bad.
• 33:56
  Speaker 2: It was more the scarf. We joked about this because
• 34:00
  Speaker 2: one of the characters New Girl does that is like, so,
• 34:02
  Speaker 2: what your next cold? But your arms aren't?
• 34:04
  Speaker 1: Yeah, like, what the fuck is that ship? How is
• 34:06
  Speaker 1: that even a real thing? I think you said that
• 34:07
  Speaker 1: when we were watching it. Yeah, New Girl, it's a
• 34:09
  Speaker 1: great show.
• 34:10
  Speaker 3: So yeah, so she goes on this date. It's literally
• 34:13
  Speaker 3: every girl's like nightmare meetup date, like blind date. You're
• 34:18
  Speaker 3: just like, this is horrendous.
• 34:20
  Speaker 1: Didn't you have a similar kind of No.
• 34:24
  Speaker 3: Fortunately, I've never been in the guy talking at me
• 34:28
  Speaker 3: and letting me know how I can fix myself. Because
• 34:31
  Speaker 3: I had someone do that to me. I didn't realize
• 34:34
  Speaker 3: was trying to date me.
• 34:37
  Speaker 2: He got fired, but.
• 34:40
  Speaker 1: He did not understand the assignment.
• 34:41
  Speaker 2: About not harassing his coworkers.
• 34:44
  Speaker 1: Oh god, yeah.
• 34:48
  Speaker 3: Yeah, but uh yeah, that's what I don't know who
• 34:53
  Speaker 3: in what warped world do you live in that you
• 34:55
  Speaker 3: think girls want to be told how they should look
• 34:58
  Speaker 3: because we don't.
• 35:01
  Speaker 1: Yeah, that's a weird thing to do.
• 35:03
  Speaker 4: But then he like tries to go in for a
• 35:05
  Speaker 4: kiss and then she's like no, and he's like, you're
• 35:08
  Speaker 4: not even my type anyway, bitch, Like he calls her
• 35:11
  Speaker 4: a fucking bitch because she doesn't want to sleep with him, Like,
• 35:14
  Speaker 4: and that's the problem.
• 35:16
  Speaker 2: This actually problem kind of sets.
• 35:18
  Speaker 3: The whole tone is this girl is her whole dating
• 35:22
  Speaker 3: experience is men who feel like they're entitled to her
• 35:27
  Speaker 3: just because.
• 35:27
  Speaker 2: They they presented her with food, they therefore are entitled
• 35:32
  Speaker 2: to her body.
• 35:33
  Speaker 1: Give a girl food and she'll love you forever. Yeah
• 35:35
  Speaker 1: that's not how that works.
• 35:36
  Speaker 2: I mean it does if you're married.
• 35:38
  Speaker 1: Yeah, well yeah that's true if I get you tacos,
• 35:40
  Speaker 1: I mean you you know, or some sort of any
• 35:42
  Speaker 1: sort of food, cookies, desert cookies. Yeah, but I already
• 35:46
  Speaker 1: we have we have already established a relationship and we're married.
• 35:48
  Speaker 1: So that's how I get you to continue to love
• 35:50
  Speaker 1: me as I just bring you sweets and fed me.
• 35:52
  Speaker 2: With sweets, and that's that works.
• 35:53
  Speaker 1: Yeah, sweets and flowers, man, come on.
• 35:55
  Speaker 2: And it's been working great.
• 35:58
  Speaker 3: So anyway, so she kind of talks to her friend
• 36:01
  Speaker 3: about it about like how he was kind of a
• 36:03
  Speaker 3: creep and how she's dealing with issues with online dating.
• 36:07
  Speaker 3: We get to see her receive an unsolicited dick pic.
• 36:12
  Speaker 1: All of us, all of us, like we literally experience.
• 36:15
  Speaker 3: That smart move on the director's part, because it's actually
• 36:17
  Speaker 3: a little bit funny. This whole movie vibe is like
• 36:20
  Speaker 3: a woman's dating experience.
• 36:23
  Speaker 1: And I just if that's how it is, my god.
• 36:26
  Speaker 2: I mean not literally but metaphorically.
• 36:28
  Speaker 1: But but like it can be. I know, people get
• 36:30
  Speaker 1: unsolicited dick pics and are treated like that all the time.
• 36:32
  Speaker 1: It just you don't really think about it until you
• 36:34
  Speaker 1: see it happen.
• 36:35
  Speaker 3: You're like, oh, I'm god, a day, I've never received one.
• 36:39
  Speaker 1: Really, Yeah, that is that's that should be a Guinness
• 36:42
  Speaker 1: World record.
• 36:45
  Speaker 2: So yeah, there's like.
• 36:49
  Speaker 3: I thought that was a good move on the director's
• 36:50
  Speaker 3: part though, because you know, usually when they do that,
• 36:53
  Speaker 3: it's the girl seeing it and you just see her reaction,
• 36:55
  Speaker 3: and no, you are experiencing what Noah's experiencing the film,
• 36:59
  Speaker 3: You are experiencing along with her, which was a really
• 37:03
  Speaker 3: smart idea because you can see it exactly how she's
• 37:06
  Speaker 3: seeing it, like feeling it exactly how she's feeling it.
• 37:09
  Speaker 1: Yeah, so.
• 37:11
  Speaker 3: Her bff, Mollie's kind of giving her pep talks and whatnot.
• 37:14
  Speaker 2: But then Noah goes.
• 37:17
  Speaker 3: Shopping in a store and she's wandering around the produce
• 37:20
  Speaker 3: section and she meets this guy whose name is left
• 37:24
  Speaker 3: my head.
• 37:26
  Speaker 1: His name is Steve. Steve, thank you, which is funny
• 37:28
  Speaker 1: because you know Steve Rogers.
• 37:29
  Speaker 2: That's why I was confusing myself.
• 37:32
  Speaker 3: So she meets this guy who's just snacking on cotton
• 37:36
  Speaker 3: candy grapes, which, yes they're a real thing, and yes
• 37:38
  Speaker 3: they taste like the cotton candy flavoring.
• 37:41
  Speaker 1: I'm glad I let you finish because he was not
• 37:44
  Speaker 1: snacking on cotton candy. Lady. They don't sell that at
• 37:46
  Speaker 1: the grocery store. They do, No, no, no, no, I thought
• 37:50
  Speaker 1: you were. That's why I let you finish, because I
• 37:51
  Speaker 1: thought you were saying cotton candy like just like out
• 37:53
  Speaker 1: of a bag like sugar. I'm like, they don't sell that.
• 37:56
  Speaker 2: They do, but it's like public at Walmart and the
• 37:59
  Speaker 2: crappy guy.
• 37:59
  Speaker 3: Oh yeah, but yeah, So she meets this guy Steve.
• 38:03
  Speaker 2: They kind of have a meat cute moment and what
• 38:06
  Speaker 2: meat cute? Shut up a meet cute.
• 38:10
  Speaker 3: In the store and he asks He kind of just
• 38:15
  Speaker 3: gets her to try the grapes and they chit chat
• 38:18
  Speaker 3: for a minute, kind of awkwardly, but then he asks.
• 38:21
  Speaker 2: For her number, and she was like, oh, that was
• 38:22
  Speaker 2: kind of weird.
• 38:23
  Speaker 3: But then he doesn't talk to her for a couple
• 38:24
  Speaker 3: of days, so she's like, all right, well, I guess
• 38:26
  Speaker 3: that didn't come to anything. He was kind of cute,
• 38:28
  Speaker 3: kind of charming, and it's funny. We were talking about
• 38:31
  Speaker 3: it and I was like, oh the way he like
• 38:33
  Speaker 3: they didn't really have much of a connection. They shared
• 38:36
  Speaker 3: a grape and were like, uh, can I get your number?
• 38:39
  Speaker 2: I'm like that feels weird to me.
• 38:43
  Speaker 3: Whatever, it's probably nothing, and so he invites her on
• 38:49
  Speaker 3: a date for drinks. They go out to drinks at
• 38:54
  Speaker 3: this bar which Molly's friend happens to work at, but
• 38:57
  Speaker 3: we don't find out later that the bartender is Molly's friend.
• 39:01
  Speaker 3: So they go to this bar, they have drinks and
• 39:07
  Speaker 3: then they end up hooking up. They like have a
• 39:10
  Speaker 3: serious connection and what are you doing?
• 39:13
  Speaker 1: Sorry, I'm just so you can see the names.
• 39:15
  Speaker 2: That's all, yeah, no, I can see them.
• 39:17
  Speaker 3: Okay, So they end up having this connection, they end
• 39:22
  Speaker 3: up sleeping together. Noah sneaks a picture of like half
• 39:27
  Speaker 3: of his face because he tells her that he has
• 39:31
  Speaker 3: no social media at all. And I pointed out to
• 39:34
  Speaker 3: you immediately that was weird.
• 39:35
  Speaker 1: Red flag number one.
• 39:37
  Speaker 2: It's actually red flag like number two.
• 39:39
  Speaker 1: What's the first one?
• 39:40
  Speaker 2: The uh you got it?
• 39:41
  Speaker 1: We forgot to do the red flags? What's what's the
• 39:43
  Speaker 1: for you? Because the first.
• 39:44
  Speaker 3: One would be the limited interaction they had and him
• 39:49
  Speaker 3: asking for her number after they vaguely chatted about grapes.
• 39:54
  Speaker 3: It wasn't particularly flirtatious. He literally said, well, I'm taking
• 39:58
  Speaker 3: these grapes home to my to my sister and she'll
• 40:03
  Speaker 3: want to hear the story, and my niece and she'll
• 40:06
  Speaker 3: want to hear the story about the grapes. So can
• 40:08
  Speaker 3: I get your number? Seem weird?
• 40:10
  Speaker 1: Okay? So that's red flag number one?
• 40:12
  Speaker 2: Okay, Yeah, So then.
• 40:15
  Speaker 3: You know, Noah starts talking about this, talking about Steve
• 40:18
  Speaker 3: to Molly and just kind of talking about how he's
• 40:21
  Speaker 3: cool and nice, and Molly's like, well, what's his name?
• 40:24
  Speaker 2: So I can like, what's this guy's name? So that
• 40:26
  Speaker 2: way I can look him up.
• 40:28
  Speaker 3: And she's like, no, he doesn't have any social media
• 40:31
  Speaker 3: and Molly wise woman, she is, no, that's not right,
• 40:37
  Speaker 3: that's weird. So she immediately calls that a red flag. Uh,
• 40:42
  Speaker 3: Molly is much wiseness.
• 40:46
  Speaker 2: Yep.
• 40:47
  Speaker 3: So Noah meets up with him again, and as far
• 40:51
  Speaker 3: as we see personally, this is their second date, which I.
• 40:57
  Speaker 1: Mean, it's probably what's you know, what's happened? That's probably
• 40:59
  Speaker 1: really is only.
• 41:00
  Speaker 3: Yeah, and so he they're eating Chinese food and he's
• 41:06
  Speaker 3: eating food. So she's offering him some meat and he's like, no,
• 41:09
  Speaker 3: I don't I don't eat meat.
• 41:13
  Speaker 1: Yeah, he doesn't need that, shut it. What?
• 41:19
  Speaker 2: Uh So she's like, oh, I feel so embarrassed. Whatever.
• 41:24
  Speaker 3: They kind of dance together, and then he's like, I'd
• 41:26
  Speaker 3: like to take you away.
• 41:27
  Speaker 2: That's red flag number.
• 41:28
  Speaker 1: Three, right, number three? Well, not eating meat, that's that's not.
• 41:32
  Speaker 2: A red flag number. That's just a vegetarian.
• 41:33
  Speaker 1: That's so that's vegan or vegetarian.
• 41:35
  Speaker 3: Yeah, so that's red flag number three. You've been on
• 41:39
  Speaker 3: two dates and you're like, let's go out of town together.
• 41:42
  Speaker 3: And he names this place and says, we'll go out
• 41:44
  Speaker 3: of town and she's like, this is so spontaneous, but
• 41:46
  Speaker 3: I really like this guy, and.
• 41:48
  Speaker 1: He's a charming man.
• 41:49
  Speaker 2: He's charming, he's attractive, and if you look at him
• 41:53
  Speaker 2: versus Chad, the guy she dated went on the date
• 41:56
  Speaker 2: with before him, by comparison, these red flags seem minor,
• 42:01
  Speaker 2: seem tiny, so they're not as noticeable, especially if, like
• 42:06
  Speaker 2: you didn't really pick up on all of them either,
• 42:08
  Speaker 2: because why would you.
• 42:10
  Speaker 3: Chad is a walking parody of the dating experience right now, and.
• 42:15
  Speaker 2: Steve is much more subtle.
• 42:18
  Speaker 1: Well, yeah, that's the thing. It's it's it's I guess
• 42:21
  Speaker 1: that's why I didn't notice, because yeah, when it's obvious,
• 42:23
  Speaker 1: it's obvious. But when it's subtle, I I don't know.
• 42:25
  Speaker 1: I guess I just don't notice as much because I've
• 42:27
  Speaker 1: never been on the receiving end of it. Yeah, as
• 42:30
  Speaker 1: a guy, as a guy that typically doesn't you know,
• 42:32
  Speaker 1: doesn't happen in my shoes, so it's much harder for
• 42:35
  Speaker 1: me to notice. And then when you started pointing it out,
• 42:37
  Speaker 1: I was like, oh, yeah, that's that's definitely right, that's
• 42:41
  Speaker 1: red flag material. You're correct, And.
• 42:43
  Speaker 2: How upsetting is it? The girls have to be trained
• 42:45
  Speaker 2: to be is that weird? That feels weird?
• 42:48
  Speaker 1: Yeah, that's that's kind of fucked up that you guys
• 42:50
  Speaker 1: are a conditioned to just look for immediately start like
• 42:54
  Speaker 1: what's the red like, what is it? What are your
• 42:55
  Speaker 1: what is your baggage? What is your red flags? That's
• 42:58
  Speaker 1: that sucks.
• 42:59
  Speaker 2: That's why when I'm not a fan of that.
• 43:01
  Speaker 3: When our friend Will started dating again, he was always
• 43:03
  Speaker 3: checking in on these like is this a red flag?
• 43:06
  Speaker 2: Or am I just seeing things?
• 43:07
  Speaker 1: Yeah?
• 43:08
  Speaker 2: And it's brutal. Yeah, because if something doesn't feel right,
• 43:11
  Speaker 2: that's usually because it's not.
• 43:13
  Speaker 1: Yeah, it's too good to be true. Odds are it is?
• 43:15
  Speaker 2: Yeah?
• 43:16
  Speaker 3: So Noah tells her friend Molly, and Molly's like, immediately, bizarre,
• 43:22
  Speaker 3: this is bizarre. She's like, nope, Molly's a lesbian too.
• 43:25
  Speaker 3: She She's like, straight dating, let's just be real weird. Yeah,
• 43:29
  Speaker 3: Oh I didn't.
• 43:29
  Speaker 1: I don't know how I ad missed that.
• 43:31
  Speaker 3: Yeah, she was making jokes about hetero dating. Oh she
• 43:34
  Speaker 3: didn't make that many though, So you might not have noticed.
• 43:36
  Speaker 1: I might Yeah, I might have just kind of flew
• 43:37
  Speaker 1: over my head.
• 43:39
  Speaker 2: I've been trained to look for the lesbian.
• 43:41
  Speaker 1: No, I'm just kidding, what are you trying to tell me, Gabby.
• 43:44
  Speaker 3: I know a lesbian. Oh just the one, just the one,
• 43:48
  Speaker 3: just the one, and it's your sister.
• 43:50
  Speaker 2: It's my sister. So yeah, Molly calls foul on this.
• 43:57
  Speaker 3: She says, this is weird. But Noah's like, I'm trying
• 43:59
  Speaker 3: to be spontaneous. I'm trying to have fun. And Molly's
• 44:02
  Speaker 3: like that seems.
• 44:03
  Speaker 2: And oh, let's not. Let's not forget to mention that
• 44:07
  Speaker 2: Steve doesn't tell her where they're going. He says, it's
• 44:09
  Speaker 2: a surprise.
• 44:11
  Speaker 1: Red flag number four. Not only are you.
• 44:13
  Speaker 3: Going away, but you're going away to an undisclosed location
• 44:16
  Speaker 3: with a guy you've been on two dates with that
• 44:18
  Speaker 3: approached you in your grocery store. Actually, that should be
• 44:22
  Speaker 3: a red flag too, because he just approached her in
• 44:24
  Speaker 3: the grocery store when they weren't even talking to each other.
• 44:26
  Speaker 1: Show me red flag number four right there.
• 44:30
  Speaker 3: So she decides to go anyway, and she's very excited
• 44:35
  Speaker 3: about it, and he's like, Okay, we're going to this place,
• 44:40
  Speaker 3: and Molly says, well, as soon as you find out
• 44:43
  Speaker 3: where you're going, text to me so I know where
• 44:45
  Speaker 3: you're gonna be.
• 44:47
  Speaker 2: Exactly.
• 44:50
  Speaker 3: So they go. Steve's like, Oh, we're gonna stop at
• 44:53
  Speaker 3: my place.
• 44:54
  Speaker 2: For the night.
• 44:56
  Speaker 3: When we're on our way to the location we're going to, uh,
• 44:59
  Speaker 3: which all so it's weird. We're gonna drive out of
• 45:01
  Speaker 3: town to your place, which turns out to be a
• 45:04
  Speaker 3: secluded place.
• 45:06
  Speaker 2: And again Noah does not see this issue.
• 45:10
  Speaker 1: I mean, I think she just it's like a getting
• 45:12
  Speaker 1: swept off your feet moment because you dealt with the
• 45:14
  Speaker 1: you know it's and they did that juxtaposition perfectly with yeah.
• 45:17
  Speaker 3: Because it's like you have someone so jarringly obviously terrible
• 45:21
  Speaker 3: that when you get this guy and this is some
• 45:24
  Speaker 3: shit girls go through all the time where like someone
• 45:27
  Speaker 3: seems like.
• 45:27
  Speaker 2: A nice guy.
• 45:28
  Speaker 3: Guys will do whatever they want to say, whatever they
• 45:30
  Speaker 3: want to say to get exactly what they want from you.
• 45:33
  Speaker 3: So now she's got this guy who's clever enough to
• 45:36
  Speaker 3: do that and makes the red flags seem like good things.
• 45:41
  Speaker 2: She doesn't notice that this is all just off.
• 45:44
  Speaker 3: So they get there, he makes her drink for her
• 45:48
  Speaker 3: and they're kind of chatting. Well, then, because you're experiencing
• 45:52
  Speaker 3: this with Noah, because.
• 45:55
  Speaker 2: You kind of like Steve too. He's kind of charming still.
• 45:58
  Speaker 1: Like that kind of he is a fucking charming that
• 46:01
  Speaker 1: some of them, yes.
• 46:02
  Speaker 3: And the room starts to vibrate a little bit, it
• 46:06
  Speaker 3: starts to go a little off, and like, it looks
• 46:09
  Speaker 3: like your vision's off because she's not necessarily reacting, and
• 46:12
  Speaker 3: you're like, what's happening?
• 46:13
  Speaker 2: And then she starts to.
• 46:17
  Speaker 3: Become drowsy and dizzy and he's just talking to his
• 46:21
  Speaker 3: normal Well, she doesn't, it doesn't click in for her
• 46:24
  Speaker 3: that she has been drugged. Yeah, until she stands up
• 46:27
  Speaker 3: to walk over to him and then falls over, which
• 46:31
  Speaker 3: we should note is thirty three minutes into the film,
• 46:34
  Speaker 3: and that's when the title card comes up.
• 46:36
  Speaker 1: Oh my god. It was like and that's actually part
• 46:38
  Speaker 1: of the trivia because there wasn't mucha yeah, I included it.
• 46:42
  Speaker 1: There was three well yeah, but like you know, Mimi
• 46:45
  Speaker 1: Cave's directorial debut and then this one. I'll I'll say
• 46:49
  Speaker 1: the other one for later. But yeah, it was like
• 46:51
  Speaker 1: so and it's funny too, because Friday the thirteenth, I'm
• 46:55
  Speaker 1: pretty sure held the record because for a while, because
• 46:58
  Speaker 1: it was about twenty five minutes into Friday the thirteenth,
• 47:01
  Speaker 1: the remake, sorry, the remake, that two thousand and nine remake.
• 47:04
  Speaker 1: When you go through the whole thing. Jason kills everyone.
• 47:07
  Speaker 1: That was like Friday the thirteenth, And I saw that
• 47:09
  Speaker 1: in the opening night, and everyone in the theater just
• 47:12
  Speaker 1: like you know, gas, They're like, oh my god, that
• 47:14
  Speaker 1: was the opening. So for this to be thirty three
• 47:17
  Speaker 1: minutes into the movie, you get fresh as a title card.
• 47:19
  Speaker 1: I was like, these fucking like, it's the meme you
• 47:21
  Speaker 1: sent me. What was the meme? It was like a
• 47:24
  Speaker 1: cinematic poetry or whatever. Yeah, it's like, god damn it.
• 47:27
  Speaker 1: So that's crazy how it takes that long. I mean
• 47:30
  Speaker 1: it's almost a third of the way through the movie
• 47:32
  Speaker 1: at that point. Yep, just about it.
• 47:34
  Speaker 3: So and this is exactly when the nightmare begins, because
• 47:38
  Speaker 3: the whole thing feels like a romance right up until now.
• 47:43
  Speaker 1: Right up until she passes out on the floor. And
• 47:45
  Speaker 1: you're like, ah, And that's another thing too. If you're
• 47:47
  Speaker 1: gonna go and do all this stuff with this guy,
• 47:49
  Speaker 1: make your own drink. Do not let him bring you
• 47:51
  Speaker 1: a drink, Like, I'll take care of my drink please
• 47:53
  Speaker 1: and thank you. Don't let him make your drink.
• 47:56
  Speaker 3: Yeah, just saying, except why would she have any reason
• 47:58
  Speaker 3: to be suspicious?
• 47:59
  Speaker 2: Nothing so far you're.
• 48:01
  Speaker 1: In the middle of the woods, in the middle of
• 48:03
  Speaker 1: nowhere with because didn't she already doesn't. Wasn't it established
• 48:05
  Speaker 1: too that she didn't have any signal? Yeah, because and
• 48:08
  Speaker 1: there was. And there was no Wi Fi either, that's
• 48:10
  Speaker 1: right too.
• 48:11
  Speaker 2: Yeah. He also said there was no watch WiFi.
• 48:13
  Speaker 1: That's like red flag numbers.
• 48:14
  Speaker 2: She couldn't tell her friend where she was at.
• 48:16
  Speaker 1: But she did. I remember Molly getting a location.
• 48:19
  Speaker 2: Yes, but I will get into that, Okay, okay, okay,
• 48:21
  Speaker 2: go ahead.
• 48:21
  Speaker 3: So this is when she wakes up any room with
• 48:26
  Speaker 3: a bed that is sunken into the floor. It's like
• 48:29
  Speaker 3: that seventies like sunken couch thing, but it's a bed.
• 48:35
  Speaker 2: There's like a toilet there.
• 48:36
  Speaker 3: And she wakes up and she's not immediately like aware
• 48:39
  Speaker 3: something's off, and she sees Steve sitting in the corner
• 48:42
  Speaker 3: of the room looking really creepy.
• 48:44
  Speaker 1: Uh yeah, it's funny how he went from like just
• 48:46
  Speaker 1: sweetheart guy to creep and like in one scene change,
• 48:51
  Speaker 1: you know what I mean.
• 48:51
  Speaker 2: He lost the.
• 48:52
  Speaker 3: Charm immediately, and she's like, hey, what's going on. She's
• 48:56
  Speaker 3: not immediately aware something's wrong either, until she lives up
• 48:59
  Speaker 3: her hand and and she's handcuffed to the floor, she's
• 49:03
  Speaker 3: got a chain on her hand, and he starts trying
• 49:06
  Speaker 3: to talk to her, and she's trying to like she's
• 49:08
  Speaker 3: trying to keep as calm and composed as she can
• 49:11
  Speaker 3: to ask him to take the restraints off of her,
• 49:15
  Speaker 3: and then Steve explains what's going on. Steve is a
• 49:21
  Speaker 3: small business owner.
• 49:22
  Speaker 1: Uh, I mean, you're not wrong.
• 49:27
  Speaker 2: He specializes in uh curated meat products. They're curated off
• 49:35
  Speaker 2: of girls. He tricks to his house because he caters
• 49:39
  Speaker 2: to rich old dudes because you only really get to
• 49:42
  Speaker 2: see them in like flashes.
• 49:44
  Speaker 1: But there are rich white old dudes who.
• 49:47
  Speaker 2: They weren't all white. They saw at least one Asian
• 49:50
  Speaker 2: guy in there.
• 49:51
  Speaker 1: Oh okay, so just really creepy.
• 49:53
  Speaker 3: They were all men and old, wealthy men who would
• 49:55
  Speaker 3: like to eat young women. Kenn because it can be
• 50:01
  Speaker 3: because it's a delicacy.
• 50:03
  Speaker 1: Sure it is. Because if he eats if you too
• 50:05
  Speaker 1: much of it.
• 50:06
  Speaker 2: You go crazy. Yeah, because it's bad for your brain.
• 50:09
  Speaker 1: What happened to the Donner Party is that what happened
• 50:12
  Speaker 1: to the They just ate Dechalla rope Jesus.
• 50:17
  Speaker 3: So yeah, he explains to her that he's going to
• 50:20
  Speaker 3: keep her alive as long as possible while he sells
• 50:23
  Speaker 3: off all of her parts, her meat, her hair, and
• 50:27
  Speaker 3: if she's really good, it doesn't have to be an
• 50:29
  Speaker 3: unpleasant experience you like, like earted.
• 50:32
  Speaker 1: I'm sorry, Like what can you run that? Buy me? Again?
• 50:35
  Speaker 1: There's Steve Buddy, old pale.
• 50:37
  Speaker 2: Yeah, so he and he's like, but if you act up,
• 50:41
  Speaker 2: I'll make you regret it, and uh so she's panicking.
• 50:46
  Speaker 3: He tries, she tries to attack him. He restrains her
• 50:50
  Speaker 3: with the other restraint I believe. And so after a while,
• 50:55
  Speaker 3: like he's kind of talking to her, and he sounds
• 50:58
  Speaker 3: mildly offended that she's not being really calm about this, like, wow,
• 51:04
  Speaker 3: I'm being really nice in giving you this bed and
• 51:06
  Speaker 3: everything and not killing you out right right now, So
• 51:09
  Speaker 3: why are you so upset?
• 51:10
  Speaker 1: I mean, it is a nice room. It is if
• 51:13
  Speaker 1: I was going to die in a room, I would,
• 51:15
  Speaker 1: you know, it'd be nice if it could be a
• 51:17
  Speaker 1: room like that, you know, at least it was nice.
• 51:19
  Speaker 2: Yeah.
• 51:20
  Speaker 1: I don't agree with what he's doing, obviously, but it.
• 51:23
  Speaker 3: Also plays into that that weird sense of why aren't
• 51:26
  Speaker 3: you grateful for what I'm giving you?
• 51:28
  Speaker 1: Exactly it played right off of like Chad in the beginning,
• 51:30
  Speaker 1: like like like I don't know something about how you
• 51:33
  Speaker 1: know she owed him something just because Yeah, so it
• 51:36
  Speaker 1: was a perfect again Jex's position.
• 51:38
  Speaker 3: So the yeah, Steve essentially is a date is a
• 51:41
  Speaker 3: dating nightmare. And this whole thing has become one big
• 51:45
  Speaker 3: metaphor for women are treated like meat, like something, like
• 51:51
  Speaker 3: something instead of someone right, and now now they are
• 51:55
  Speaker 3: literally being treated like meat.
• 52:00
  Speaker 2: So happy Women's History Month. So she's immediately panicked.
• 52:06
  Speaker 3: She does try to convince him to let her take
• 52:08
  Speaker 3: a shower, and which he's like, are you gonna be good?
• 52:13
  Speaker 3: And she's like a huh, like any woman would. The
• 52:17
  Speaker 3: second she thinks she's got a chance, she starts to
• 52:21
  Speaker 3: fight back, but she's like half his size, so that
• 52:23
  Speaker 3: didn't work. She was she was fairly tiny. She doesn't
• 52:26
  Speaker 3: like really petite, but she was. He's also a bigger guy,
• 52:30
  Speaker 3: so I mean.
• 52:32
  Speaker 1: Yeah, he's like, uh, Brod's super broad. He's not tall
• 52:36
  Speaker 1: like me. He's just kind of like you know, he's fit. Yes,
• 52:39
  Speaker 1: he's fit.
• 52:41
  Speaker 3: Comparatively, she looks smaller, right exactly, and so yeah, so
• 52:49
  Speaker 3: she tries to fight back and he punishes her for that,
• 52:53
  Speaker 3: and punishment is that he literally, while she's only got
• 52:58
  Speaker 3: an epidural, he cuts off her ass.
• 53:03
  Speaker 1: Yeah, the whole thing that scene was wild because she's,
• 53:06
  Speaker 1: of course, you know, awake, and he's like, uh, you
• 53:09
  Speaker 1: want me able to feel like that gave you an epidural,
• 53:10
  Speaker 1: you won't be able to feel it.
• 53:11
  Speaker 2: It's like that you can smell it. We're just going
• 53:14
  Speaker 2: you can hear it.
• 53:15
  Speaker 1: We're going this hardcore right off the bat. It's just
• 53:18
  Speaker 1: the it was like a light switch from romance to
• 53:21
  Speaker 1: just fucking horror movie in such a.
• 53:25
  Speaker 3: Chill with what he's doing, and like there's so many
• 53:27
  Speaker 3: moments where they're playing music and he's kind of just
• 53:29
  Speaker 3: dancing and chilling, like while he's prepping meat and stuff,
• 53:32
  Speaker 3: and you're like, this is deeply unsettling.
• 53:35
  Speaker 1: Yeah, because like that dude, that tonal shift is that
• 53:37
  Speaker 1: will stick with me forever, just because I was like,
• 53:39
  Speaker 1: when are we gonna get to the where's the oh?
• 53:42
  Speaker 1: Here's the catch? Oh? Okay, yeah, I'm shocked and appalled.
• 53:46
  Speaker 3: So and then while uh Noah's in there, she also
• 53:50
  Speaker 3: hears somewhat another girl in another vent whose name is.
• 53:57
  Speaker 2: Penny Melissa.
• 54:00
  Speaker 1: Is it Penny wasn't it the wasn't it the Asian check?
• 54:03
  Speaker 2: No?
• 54:04
  Speaker 3: Oh, yes, it is Penny, because I think Melissa was
• 54:06
  Speaker 3: the girl in the far room who was pretty far gone.
• 54:08
  Speaker 1: Yeah, she was.
• 54:09
  Speaker 3: She was kind of who had already kind of been
• 54:12
  Speaker 3: massacred to the point of cracking mentally. So Penny is
• 54:16
  Speaker 3: kind of talking to her, and they're kind they're trying
• 54:19
  Speaker 3: to support each other and whatnot while getting cut to bits.
• 54:24
  Speaker 1: Yeah, so what's why is that funny?
• 54:31
  Speaker 2: Sorry?
• 54:31
  Speaker 3: I kind of lost track of where I was at
• 54:33
  Speaker 3: to talk about Penny, but yeah, so Noah gets put
• 54:36
  Speaker 3: back in her room.
• 54:37
  Speaker 2: She is horrified.
• 54:39
  Speaker 3: We're still trying to figure out the mechanics of how
• 54:41
  Speaker 3: she kept or how she walked at any other point
• 54:43
  Speaker 3: in this film.
• 54:44
  Speaker 1: Yeah, I've never walked without a butt, so I don't
• 54:46
  Speaker 1: know how that would work, but I feel like it
• 54:48
  Speaker 1: would be.
• 54:49
  Speaker 3: I mean, you'd have to cut because the muscles still
• 54:52
  Speaker 3: have to connect to something, so I guess you'd have
• 54:54
  Speaker 3: to cut in such a way where the muscles to
• 54:56
  Speaker 3: the legs weren't completely severed.
• 54:59
  Speaker 1: I mean, I'm but is mostly just fat anyways, right, No,
• 55:02
  Speaker 1: it's muscle. It's all muscle.
• 55:04
  Speaker 2: That's why you can clench it.
• 55:05
  Speaker 1: That would hurt. Yeah, I don't want that to happen.
• 55:08
  Speaker 2: And then imagine that you have to use the bathroom
• 55:10
  Speaker 2: after that.
• 55:12
  Speaker 1: Oh, you just ruined my day. Oh, my day's ruined.
• 55:15
  Speaker 2: Now you're welcome. Uh so oh ow how is the answer?
• 55:22
  Speaker 1: And the girls have to sit every time too?
• 55:24
  Speaker 2: Oh, Now imagine that you're a woman.
• 55:27
  Speaker 3: I'm just gonna throw this out there, that there's a
• 55:30
  Speaker 3: real life equivalent and it's a woman who's just given
• 55:32
  Speaker 3: birth who has to then p.
• 55:34
  Speaker 1: Oh, oh, my days so ruined.
• 55:37
  Speaker 2: Right now you're welcome.
• 55:38
  Speaker 1: Ah, So Melissa, we're talking about Melissa, we're Penny. We're
• 55:43
  Speaker 1: talking about Penny.
• 55:44
  Speaker 2: You're talking about Noah, talking about Noah. Don't know what
• 55:47
  Speaker 2: Noah is recovering.
• 55:49
  Speaker 3: She is struggling right now, and and Steve keeps talking
• 55:54
  Speaker 3: to her, like he keeps coming in chatting with her.
• 55:58
  Speaker 3: He's like, I'm so exhausted from all that work I did,
• 56:00
  Speaker 3: and chit chatting with her while still in his scrubs,
• 56:03
  Speaker 3: like for somebody else's surgery, And you're like, and she's just.
• 56:07
  Speaker 2: Like, why does he keep talking to me? Well, talking
• 56:10
  Speaker 2: to Penny, she realizes he didn't sleep with anybody else.
• 56:14
  Speaker 1: Yeah, he only.
• 56:15
  Speaker 2: Slept with Noah.
• 56:17
  Speaker 1: Obviously he liked her.
• 56:19
  Speaker 3: So she's like, oh then, uh, you know, so she
• 56:26
  Speaker 3: she's starting to realize that something like whatever he sees
• 56:30
  Speaker 3: in her versus everybody else is different. Well, while this
• 56:33
  Speaker 3: is happening, we've got Mollie again, the MVP of the film.
• 56:38
  Speaker 1: Yeah, she deserves an award.
• 56:39
  Speaker 3: Mollie finally gets the text that Noah sent, but Noah
• 56:43
  Speaker 3: sends it with photos, and Mollie and Noah have best
• 56:50
  Speaker 3: friend things they do. Best friends, especially female best friends.
• 56:54
  Speaker 2: I don't know what guys are doing, have little.
• 56:57
  Speaker 3: Ways they talk to each other, Like I told you,
• 56:59
  Speaker 3: me and my best friend. And when she sends a
• 57:01
  Speaker 3: regular smiley face emoji, I send one where the smile
• 57:04
  Speaker 3: is a capital D, so she smiles and then I
• 57:07
  Speaker 3: smile even bigger. That's our thing we send back to
• 57:10
  Speaker 3: each other when we're like ending a conversation.
• 57:13
  Speaker 1: Yeah, conversations, at least for me, conversations with guys just
• 57:17
  Speaker 1: kind of end and then you just pick them back up.
• 57:19
  Speaker 2: So that's just something we've done for years.
• 57:26
  Speaker 1: I know where you're going with this.
• 57:27
  Speaker 3: Yeah, okay, So Mollie is texting her getting photos back
• 57:31
  Speaker 3: from Noah and she says love you, and Noah always
• 57:37
  Speaker 3: says love you more, except this time, Noah sends a
• 57:42
  Speaker 3: heart emoji that immediately sets off an alarm in Molly's
• 57:46
  Speaker 3: brain because Molly.
• 57:47
  Speaker 1: Smart, Well, I mean, but if that's the thing that
• 57:50
  Speaker 1: you like, that would you know, if that's something that
• 57:51
  Speaker 1: we did and you said something different, I'd be like
• 57:55
  Speaker 1: question that is, especially if you know she's gone away
• 57:59
  Speaker 1: with the So at that point you're like, hmm, that's yeah,
• 58:02
  Speaker 1: that's not right.
• 58:03
  Speaker 3: I'd be like if we're texting and you send a
• 58:06
  Speaker 3: message with a heart and I do not send a
• 58:07
  Speaker 3: message with a heartbag, You're like, is what's up?
• 58:09
  Speaker 1: Like? I did I make you mad? What happened?
• 58:11
  Speaker 2: Like, what's going on?
• 58:12
  Speaker 1: I do? So? Yeah, red flag like number eight.
• 58:15
  Speaker 3: Now, well this is different because it's not his red
• 58:18
  Speaker 3: flag so much as.
• 58:19
  Speaker 1: Something wrong as the audience, you know, red flags.
• 58:21
  Speaker 3: Yeah, so Mollie is immediately suspicious. She takes the photo
• 58:25
  Speaker 3: that which is just a picture of a waterfall that
• 58:30
  Speaker 3: Noah has sent, and Google searches it. It comes up
• 58:34
  Speaker 3: immediately as a travel site and she's like, this isn't right.
• 58:39
  Speaker 2: So then she goes into research mode. She is looking around.
• 58:42
  Speaker 3: She is trying to find this guy, and she knows
• 58:47
  Speaker 3: that Noah went to the bar her friend worked out,
• 58:49
  Speaker 3: So now she's trying to convince her friend to give
• 58:52
  Speaker 3: her information to get to this guy, which you know,
• 58:56
  Speaker 3: while everything's going on with Noah, he does Avenge.
• 59:01
  Speaker 2: Agreed to do, but he says, well, why don't you
• 59:05
  Speaker 2: go to the cops?
• 59:06
  Speaker 3: And Molly's like, what am I supposed to say? My
• 59:08
  Speaker 3: friend is answering her text messages? But I don't really
• 59:11
  Speaker 3: think it's her.
• 59:13
  Speaker 1: She's crazy.
• 59:15
  Speaker 3: Yeah, it's like so uh, which the bartender is just like,
• 59:21
  Speaker 3: isn't she white? She's like, yes, but I don't think
• 59:23
  Speaker 3: that's gonna.
• 59:24
  Speaker 2: Help right now.
• 59:25
  Speaker 1: I don't remember that line.
• 59:26
  Speaker 2: Yeah, he's like, isn't she white?
• 59:29
  Speaker 1: I don't remember that line at all now. I you
• 59:31
  Speaker 1: probably ought to say it. But why why did she
• 59:33
  Speaker 1: give the phone the photo to the guy? Didn't he
• 59:35
  Speaker 1: doesn't he know someone or something that can help. I
• 59:37
  Speaker 1: can't remember how she's trying, how she or why she's
• 59:40
  Speaker 1: giving the photo to her bartender friend.
• 59:42
  Speaker 2: Molly, No, she doesn't give him the photo.
• 59:46
  Speaker 3: She asks him if she can, if he can look
• 59:49
  Speaker 3: up a receipt or something to get his name.
• 59:51
  Speaker 1: Oh, that's right, that's right. There we go and he's like,
• 59:54
  Speaker 1: I don't really can't do that.
• 59:56
  Speaker 2: Yeah.
• 59:56
  Speaker 3: So eventually, because they're old friends, he gets convinced and
• 1:00:01
  Speaker 3: he he gives her the info. And then Mollie, who
• 1:00:06
  Speaker 3: would sarcastically joke to Noah earlier that maybe he's just
• 1:00:09
  Speaker 3: married or something, and that's the thing that's wrong with
• 1:00:12
  Speaker 3: him they don't know about yet because girls always assume
• 1:00:15
  Speaker 3: there's something wrong we haven't figured out yet.
• 1:00:19
  Speaker 2: With good reason.
• 1:00:20
  Speaker 3: I mean, uh, So she does find out that he
• 1:00:25
  Speaker 3: is married and decides to go off and talk to Steve,
• 1:00:31
  Speaker 3: find Steve's wife and see if maybe she can help.
• 1:00:34
  Speaker 1: I think, I think that's Anne. I believe, I believe
• 1:00:36
  Speaker 1: her name is Anne.
• 1:00:37
  Speaker 2: Yes, it's Anne.
• 1:00:40
  Speaker 3: So I'm just going to continue on with Molly's part
• 1:00:43
  Speaker 3: because I'm going to end on its part.
• 1:00:45
  Speaker 1: Can I kind of want to reveal a little bit though,
• 1:00:48
  Speaker 1: of the when you're done, If that's okay, of the
• 1:00:51
  Speaker 1: wife husband dynamic.
• 1:00:53
  Speaker 2: I was gonna, oh you were okay.
• 1:00:54
  Speaker 1: Yeah, yeah, perfect, perfect, perfect, That.
• 1:00:56
  Speaker 2: Wasn't keeping a secret?
• 1:00:57
  Speaker 1: Okay, cool? Cool, on the same page, So what about.
• 1:00:59
  Speaker 3: Like ten, Yeah, Molly goes into uh, Molly goes to
• 1:01:02
  Speaker 3: the house. She goes and talks to the wife and
• 1:01:05
  Speaker 3: the wife is like, oh, okay, this is weird. She's like,
• 1:01:08
  Speaker 3: I think your husband knows my friend. And she's like,
• 1:01:10
  Speaker 3: I don't think he does. She's like, I'm not trying
• 1:01:13
  Speaker 3: to make this awkward for you. I'm just really concerned
• 1:01:16
  Speaker 3: about my friend, if.
• 1:01:16
  Speaker 2: You could help me. So she's there talking to the
• 1:01:19
  Speaker 2: wife for a while.
• 1:01:21
  Speaker 3: The wife's kind of brushing the whole thing off and
• 1:01:24
  Speaker 3: trying to explain that Steve has not been anywhere unusual.
• 1:01:28
  Speaker 2: Well, while they're talking, Steve walks in the fucking door.
• 1:01:33
  Speaker 1: God, and welcome to the shit show, Steve.
• 1:01:35
  Speaker 3: And he, you know, Molly is not shy about it.
• 1:01:39
  Speaker 3: She immediately starts saying, Hey, I think you know my friend. Noah,
• 1:01:44
  Speaker 3: she was talking about you. I can't seem to locate her.
• 1:01:47
  Speaker 3: And he just kind of brushes her off, says he
• 1:01:49
  Speaker 3: doesn't know anything, and she's like, all right, well I
• 1:01:52
  Speaker 3: must be wrong. So as they're walking to the door, Mollie,
• 1:01:57
  Speaker 3: this was equal parts brilliant and stupid.
• 1:01:59
  Speaker 1: Yeah, it was a little bit of both, for sure, something.
• 1:02:02
  Speaker 2: Really smart move, but also not a smart.
• 1:02:04
  Speaker 1: Move, wait till you get outside the door. Now.
• 1:02:07
  Speaker 3: She did do a smart thing though, because she did
• 1:02:09
  Speaker 3: send her location to her bartender friend.
• 1:02:11
  Speaker 2: Before she went in there.
• 1:02:13
  Speaker 1: Yes, she did.
• 1:02:14
  Speaker 3: She realizes that if someone else has been sending messages
• 1:02:18
  Speaker 3: from Noah's phone, then they would have the phone. So well,
• 1:02:22
  Speaker 3: she's walking, she casually slides her phone out of her
• 1:02:25
  Speaker 3: pocket and dials Noah's number, who has a Golden Girl's
• 1:02:30
  Speaker 3: theme song. And apparently Steve doesn't know about the silence
• 1:02:33
  Speaker 3: button on the phone because it starts ringing in his
• 1:02:37
  Speaker 3: pocket and he just turns and looks at her and goes, oh,
• 1:02:40
  Speaker 3: you are calling.
• 1:02:41
  Speaker 2: You really shouldn't have done that.
• 1:02:43
  Speaker 3: And that's when Steve's wife Ann whaps Molly across the
• 1:02:46
  Speaker 3: head and she's in on it too.
• 1:02:49
  Speaker 1: That was such a like, I mean, I figured as much,
• 1:02:52
  Speaker 1: you know, when when the wife was kind of shrugging
• 1:02:55
  Speaker 1: everything off. In my head, I'm like, she's got to
• 1:02:57
  Speaker 1: be involved, but like, how are they going to reveal that?
• 1:02:59
  Speaker 1: Because it does makes sense for her to be this
• 1:03:01
  Speaker 1: like aloof about the whole situation, Because if someone came
• 1:03:04
  Speaker 1: to you about me possibly cheating, I don't think you'd
• 1:03:07
  Speaker 1: be like if you know if if it, if it,
• 1:03:10
  Speaker 1: if like you weren't involved, you would be like, what, like, oh,
• 1:03:12
  Speaker 1: I need to investigate this right now pronto. But she
• 1:03:14
  Speaker 1: was so just kind of coy about the whole situation.
• 1:03:16
  Speaker 1: You're like, I feel like you have to be involved.
• 1:03:19
  Speaker 3: I'm gonna be honest, if they had any proof, I
• 1:03:21
  Speaker 3: would be pulling apart every square inch of both both
• 1:03:25
  Speaker 3: the studio and the office looking for anything, like nope,
• 1:03:27
  Speaker 3: gotta check everything now.
• 1:03:28
  Speaker 1: So it was kind of obvious she was involved. But
• 1:03:30
  Speaker 1: then she you know, but then she got to leave
• 1:03:32
  Speaker 1: and you're like, all right, maybe nine. Then that whole reveal,
• 1:03:34
  Speaker 1: I was just like, not only is she involved, she
• 1:03:37
  Speaker 1: just knocked that girl out, So she's like not just
• 1:03:39
  Speaker 1: letting him do this and being okay with it. She's
• 1:03:42
  Speaker 1: like super involved in this process. Oh my god, this
• 1:03:44
  Speaker 1: is so dark and twisted. I love this movie.
• 1:03:46
  Speaker 3: So now you think Molly, who you thought was gonna
• 1:03:49
  Speaker 3: be the savior here, is now a victim too. And
• 1:03:53
  Speaker 3: what's more disturbing is it is heavily implied that Anne
• 1:03:56
  Speaker 3: the wife is also a victim because when she goes
• 1:03:59
  Speaker 3: to take a shower, she is a prosthetic leg. She
• 1:04:02
  Speaker 3: is missing a leg yep.
• 1:04:05
  Speaker 1: So so she was obviously a victim.
• 1:04:07
  Speaker 2: At one point, and we don't know what happened.
• 1:04:09
  Speaker 1: No idea what happened there. We don't really need to know.
• 1:04:11
  Speaker 1: It's just it's implied, so.
• 1:04:13
  Speaker 3: You can't tell if she's really in on it or
• 1:04:16
  Speaker 3: she's the victim of abuse.
• 1:04:18
  Speaker 1: Hey, how can I stay alive? What can I do? Yeah?
• 1:04:20
  Speaker 1: Pretty much? Yeah, it's probably something like that.
• 1:04:22
  Speaker 2: So now back to Noah.
• 1:04:25
  Speaker 3: Noah reads has been given magazines by Steve, and she
• 1:04:31
  Speaker 3: notices in the binding of one of the books, like
• 1:04:34
  Speaker 3: right in the creases, in a little like scratch, someone
• 1:04:36
  Speaker 3: has written in there. If you have this, it means
• 1:04:39
  Speaker 3: he likes you, and basically implied it says that like
• 1:04:44
  Speaker 3: you should use that.
• 1:04:46
  Speaker 2: To stay alive, and.
• 1:04:51
  Speaker 3: Which is implying that he doesn't treat all the girls
• 1:04:53
  Speaker 3: this way worth giving them magazines and things to read.
• 1:04:56
  Speaker 3: So when he comes in, Noah starts feign interest. She
• 1:05:01
  Speaker 3: realizes if she wants to survive, she's got to start
• 1:05:05
  Speaker 3: pulling some of his own moves on him, and so
• 1:05:08
  Speaker 3: she's she starts asking him about eating people and what
• 1:05:13
  Speaker 3: does that taste like? And she uses this basically to
• 1:05:19
  Speaker 3: convince him that she is still interested in him and
• 1:05:23
  Speaker 3: interested in who he is, and she is not just
• 1:05:25
  Speaker 3: a victim. She is a possibly something more than that
• 1:05:29
  Speaker 3: which he had already felt. So she is playing on that,
• 1:05:33
  Speaker 3: and she is doing that so she can not only
• 1:05:37
  Speaker 3: save herself but save everyone there. And I don't want
• 1:05:40
  Speaker 3: to give any more after that because of you know,
• 1:05:45
  Speaker 3: there's just so much that happens there. But we talked
• 1:05:50
  Speaker 3: about this, like the fact that he almost immediately gets
• 1:05:55
  Speaker 3: sucked in when she's like, what does it taste like?
• 1:06:00
  Speaker 3: And that's enough to just suck him back into the conversation.
• 1:06:03
  Speaker 3: It's like the audacity, like the what was it? It
• 1:06:07
  Speaker 3: was the the ego here ignorance Like, uh, like, who
• 1:06:14
  Speaker 3: really thinks that you could cut off a woman's ass
• 1:06:18
  Speaker 3: and she'd still be interested in you?
• 1:06:20
  Speaker 1: Yeah, Like, there's no delusion, delusion, there's no there's no
• 1:06:24
  Speaker 1: form of gas lighting strong enough. I don't think where
• 1:06:26
  Speaker 1: you could cut off a woman's parts and somehow you
• 1:06:30
  Speaker 1: still feel comfortable around her, like she wouldn't try to
• 1:06:32
  Speaker 1: kill you at any fucking moment. Yeah that is Yeah,
• 1:06:35
  Speaker 1: you are delusional, my friends.
• 1:06:36
  Speaker 2: Yeah, so it's like how delusional are men that uh,
• 1:06:41
  Speaker 2: Steve here cuts off her ass and still thinks she
• 1:06:43
  Speaker 2: wants to get with him.
• 1:06:44
  Speaker 1: But that's it's a brilliant thing because it's like I'm
• 1:06:47
  Speaker 1: obviously I don't think to this extent, but there there
• 1:06:50
  Speaker 1: are men that are delusion like that, where they treat
• 1:06:52
  Speaker 1: women so badly and they like they still think that
• 1:06:54
  Speaker 1: they want to be with them, like you know, like
• 1:06:56
  Speaker 1: abusive people. I'm sure probably feel that way, like no
• 1:06:59
  Speaker 1: matter what I do, You'll still love me at the
• 1:07:00
  Speaker 1: end of the day, almost like his character in Itania.
• 1:07:03
  Speaker 1: Weirdly enough, Yeah, so this movie was just fucking brilliantly done,
• 1:07:07
  Speaker 1: Like bravo, Mimi, like that was.
• 1:07:10
  Speaker 2: Yeah, it really speaks to current dating.
• 1:07:12
  Speaker 3: It feels like very like a female experience, obviously minus
• 1:07:17
  Speaker 3: the cannibalism.
• 1:07:18
  Speaker 1: What would hope for fuck sake god, But.
• 1:07:21
  Speaker 3: The whole thing feels like a big metaphor for how
• 1:07:23
  Speaker 3: women get treated and how you're never safe and sometimes
• 1:07:27
  Speaker 3: you have to lie your way out of.
• 1:07:29
  Speaker 2: An unsafe situation.
• 1:07:32
  Speaker 1: Yep.
• 1:07:32
  Speaker 3: And this is why, like some men do not understand
• 1:07:35
  Speaker 3: why women get scared or are like genuinely nervous to date.
• 1:07:42
  Speaker 2: And and it's because you don't know what you're gonna get.
• 1:07:45
  Speaker 1: Because of guys like Chad and well yeah Steve, And
• 1:07:48
  Speaker 1: I'm like, less murdery and less cannibally.
• 1:07:51
  Speaker 2: Or more gas lighting and more manipulative.
• 1:07:53
  Speaker 1: Yeah, so uh this this one, Uh, I've been seeing
• 1:07:57
  Speaker 1: We've been seeing a lot more of these types of movies,
• 1:08:00
  Speaker 1: like with promising young women. I'm liking these movies that
• 1:08:02
  Speaker 1: have these just insanely strong female leads and it kind
• 1:08:06
  Speaker 1: of shows kind of the darker side of what it's
• 1:08:08
  Speaker 1: like to be a girl. But it's it needs it
• 1:08:10
  Speaker 1: needs to be shown because this is happening and it's
• 1:08:13
  Speaker 1: not okay, and we need to realize it's not okay
• 1:08:14
  Speaker 1: to treat women in this fashion, Like it's not they're
• 1:08:17
  Speaker 1: human beings just like men.
• 1:08:19
  Speaker 3: Like And then people will say things like, oh, it's
• 1:08:22
  Speaker 3: because she was wearing like no Onah was wearing baggy
• 1:08:25
  Speaker 3: sweater sasically yeah, and I mean, Jesus, she could be
• 1:08:29
  Speaker 3: wearing a bikini in winter.
• 1:08:31
  Speaker 2: Doesn't mean she was asking for anything. She just might
• 1:08:33
  Speaker 2: like to wear bikinis in winter.
• 1:08:36
  Speaker 3: But it's like the weird sense of entitlement, Like it
• 1:08:39
  Speaker 3: was a really great representation for how women are treated
• 1:08:43
  Speaker 3: and how they are perceived and how women have to
• 1:08:46
  Speaker 3: protect themselves and protect each other because if they don't,
• 1:08:51
  Speaker 3: they are in so much danger.
• 1:08:52
  Speaker 2: Like women.
• 1:08:55
  Speaker 3: Are constantly looking out for each other and making sure
• 1:08:58
  Speaker 3: that each other is safe. Like the number of times
• 1:09:00
  Speaker 3: I've seen someone look uncomfortable or like hear stories of
• 1:09:04
  Speaker 3: a woman seeing another woman on like a date or
• 1:09:07
  Speaker 3: something and looking uncomfortable with the man and then like
• 1:09:10
  Speaker 3: feigning friendship.
• 1:09:11
  Speaker 2: To get her out of that situation.
• 1:09:13
  Speaker 3: Like it's a big message on how women have to
• 1:09:16
  Speaker 3: protect each other.
• 1:09:17
  Speaker 1: Well, I think I think I may have even mentioned
• 1:09:19
  Speaker 1: this on this show, and I apologies if I have,
• 1:09:21
  Speaker 1: But there was one time when I've told you this story.
• 1:09:23
  Speaker 1: But when I was out at a club one night
• 1:09:25
  Speaker 1: for like, you know, one of my dubstep shows I
• 1:09:27
  Speaker 1: used to go to when I was a crazy twenty
• 1:09:28
  Speaker 1: year old, there was a girl in front of me
• 1:09:31
  Speaker 1: who was completely alone by herself, which is not uncommon
• 1:09:34
  Speaker 1: for like a you know, a situation like that, But
• 1:09:36
  Speaker 1: there was a guy literally that started coming up, like
• 1:09:38
  Speaker 1: came up behind her and started grinding on her, and
• 1:09:40
  Speaker 1: she was visibly like no, like back off, and he didn't,
• 1:09:43
  Speaker 1: so I tapp him on the shoulder and said buddy.
• 1:09:45
  Speaker 1: I was like stop. I was like, you're gonna have
• 1:09:46
  Speaker 1: a problem with me if you do not stop this,
• 1:09:48
  Speaker 1: and he just like stared me down like I was
• 1:09:51
  Speaker 1: the dick. I'm like, dude, you're forcing yourself on a
• 1:09:53
  Speaker 1: woman right now in public. I'm not gonna let that happen.
• 1:09:55
  Speaker 1: I was like, back off, or I'll beat you to
• 1:09:56
  Speaker 1: a fucking poul right here in front of God and everyone.
• 1:09:58
  Speaker 1: So it's like I will always stand up for women,
• 1:10:01
  Speaker 1: especially if I see them being as treated mistreated and
• 1:10:03
  Speaker 1: I've had.
• 1:10:03
  Speaker 2: To shoe off, and yeah, I will show you off them.
• 1:10:05
  Speaker 3: People that were like guys that were trying to come
• 1:10:07
  Speaker 3: at my friends who were too drunk to say something
• 1:10:10
  Speaker 3: like I've.
• 1:10:10
  Speaker 2: Yelled at people and see that. By the way, is
• 1:10:13
  Speaker 2: what makes you.
• 1:10:14
  Speaker 3: A good ally to women is that you see that
• 1:10:18
  Speaker 3: and don't just let that happen.
• 1:10:19
  Speaker 2: Like, uh, he just wants to talk to her. No,
• 1:10:22
  Speaker 2: she doesn't know you a damn thing.
• 1:10:24
  Speaker 1: And no one was doing anything. So I was like,
• 1:10:25
  Speaker 1: I'm stepping in. I'm a big six foot, you know,
• 1:10:27
  Speaker 1: two hundred and fifty pound dude, Like you want to
• 1:10:29
  Speaker 1: scrap with me? All, it's not gonna end well for
• 1:10:31
  Speaker 1: you because I'm six What did I say?
• 1:10:33
  Speaker 2: You said? Six foot?
• 1:10:35
  Speaker 1: Oh? No?
• 1:10:35
  Speaker 2: Off half a six five?
• 1:10:37
  Speaker 1: Bad?
• 1:10:38
  Speaker 2: You're you're missing some height.
• 1:10:39
  Speaker 1: There s some heights. So yeah, it's just this was
• 1:10:41
  Speaker 1: just a really good representation of just it was just
• 1:10:44
  Speaker 1: so well done. I'm actually gonna change my rating after
• 1:10:46
  Speaker 1: talking about it. Sometimes that happens, But I really don't
• 1:10:49
  Speaker 1: want to give away my rating because it's definitely going
• 1:10:51
  Speaker 1: to pop up on the top ten.
• 1:10:53
  Speaker 2: Totally.
• 1:10:53
  Speaker 1: Yeah, it totally is. So I'm not going to give
• 1:10:55
  Speaker 1: my ratings, but i will give you the ratings on IMDb.
• 1:10:58
  Speaker 1: It's got a six seven out of ten on IMDb
• 1:11:00
  Speaker 1: and it has a three point six out of five
• 1:11:02
  Speaker 1: on Letterbox. The only other trivia that I have is
• 1:11:06
  Speaker 1: that this is the first film to release under Walt
• 1:11:08
  Speaker 1: Disney Studio's motion pictures to be related are eighteen plus
• 1:11:11
  Speaker 1: in Australia. I guess, uh, whoever released this is Disney
• 1:11:16
  Speaker 1: owns them.
• 1:11:16
  Speaker 3: I assume I think it's oh, that's right.
• 1:11:20
  Speaker 1: They do, Okay, So yeah, I'm not gonna And there
• 1:11:22
  Speaker 1: was no goofs that I could find, but it's also
• 1:11:24
  Speaker 1: brand new, so I didn't you know, nothing could be
• 1:11:27
  Speaker 1: listed there honestly.
• 1:11:29
  Speaker 3: Yeah, the only thing I would dock it for was
• 1:11:31
  Speaker 3: the but walking thing. But again, yeah, I don't know
• 1:11:35
  Speaker 3: the mechanics enough to argue it, so I can't.
• 1:11:38
  Speaker 1: Okay't at all. So this is definitely a very, very
• 1:11:42
  Speaker 1: very good movie. I would recommend watching this if you
• 1:11:45
  Speaker 1: haven't watch it on Hulu right now, So yeah, definitely
• 1:11:49
  Speaker 1: check it out. Next week, we will be back doing
• 1:11:52
  Speaker 1: a Saint Patti's Day themed episode for real. This time.
• 1:11:56
  Speaker 1: You should pretty it's pretty obvious what it is because
• 1:11:58
  Speaker 1: there's really not too many. But that'll be fun.
• 1:12:00
  Speaker 2: Next time I watched Luck of the Irish.
• 1:12:02
  Speaker 1: Oh my god, wouldn't that be a plot twist? H
• 1:12:04
  Speaker 1: Follow us on Facebook at Frightmares and Instagram and slash
• 1:12:07
  Speaker 1: rapp at Frightmares Podcast. We are on Twitter at fright
• 1:12:10
  Speaker 1: Maar's Underscore pod. Shoot us a line at Stayspooky at
• 1:12:14
  Speaker 1: outlook dot com. I am a doctor Procter on letterbox.
• 1:12:18
  Speaker 2: You are Watson l M. P.
• 1:12:20
  Speaker 1: Ninety Alright, guys, and until next week, stay tuned.
• 1:12:23
  Speaker 2: And stay spooky.
• 1:12:25
  Speaker 1: Bye