Latest / Stuff Mom Never Told You / SMNTY Classics: Joy Harjo
Transcript
- 0:05Speaker 1: Hey, this Sanny and Samantha. I come to stuff. I
- 0:08Speaker 1: never told your reflection if I heard you. And today
- 0:19Speaker 1: we have an exciting update about an activist around the world,
- 0:23Speaker 1: don't we Samantha.
- 0:25Speaker 2: Yes, we are talking about Joy Harjoe native poet and advocate.
- 0:29Speaker 2: We love it and she has just released an album.
- 0:33Speaker 2: So this is from Nativenewsonline dot net Insomnia and Seven
- 0:37Speaker 2: Steps of Grace, a new album that infuses lyrical poetry
- 0:41Speaker 2: sung by Joy Harjo with the jazz sounds from Grammy
- 0:44Speaker 2: Award winning artist Esperanda Spaulding. So Joe Harjo, the musician, activist,
- 0:49Speaker 2: and former National Poet Laureate, will release her new album
- 0:53Speaker 2: on April twenty four. So it's just been released obviously
- 0:55Speaker 2: this year via Smithsonian folk Ways. So this year being
- 0:59Speaker 2: twenty twenty six, always forget to put that, but yes,
- 1:02Speaker 2: April twenty twenty six, they released her album. It's produced
- 1:05Speaker 2: by Gramy winning composer, bassist and vocalist Esperanza Spalding. So
- 1:10Speaker 2: it is Harjo's debut release for the label that was
- 1:12Speaker 2: part of that article. So if you go to her
- 1:15Speaker 2: sitewww dot Joyharjo dot com, they write this on the
- 1:20Speaker 2: album Harjo trends the fertile ground at the intersection of
- 1:23Speaker 2: jazz and poetry, leaning into the improvisational aspects of both,
- 1:27Speaker 2: while incorporating other sonic touchstones from throughout her life, prog rock, grunge,
- 1:32Speaker 2: and crucially, the traditional music of native communities throughout the Southwest.
- 1:36Speaker 2: Quote this musical project has found its footing during a
- 1:39Speaker 2: time a thick layer turmoil throughout our community's, Harjo writes
- 1:43Speaker 2: in the album's existsive liner notes, which gives shape to
- 1:46Speaker 2: Harjo's history as an artist, poet, and musician. So really excited.
- 1:50Speaker 2: You should definitely check out that album if you want
- 1:52Speaker 2: to go to our site. It does give a clip.
- 1:54Speaker 3: It is beautiful.
- 1:55Speaker 2: It is beautiful, and it feels like one of those
- 1:57Speaker 2: that you could just like ease into meditation almost and
- 2:01Speaker 2: she talks about the album being like a story the
- 2:03Speaker 2: way that they have mapped it out and how it
- 2:06Speaker 2: goes into it. So definitely something to check out. So
- 2:08Speaker 2: excited when we get to see amazing updates like this. Yes,
- 2:12Speaker 2: so please enjoy this classic episode. Hey, this is Anny
- 2:21Speaker 2: and Samantha and welcome to STEF. I never told your
- 2:23Speaker 2: protection of iHeartRadio and welcome We are currently entering Native
- 2:37Speaker 2: American Heritage Month here in the US, so of course
- 2:41Speaker 2: we had to start our activists around the world celebrating
- 2:45Speaker 2: a Native Indigenous activist and advocate. Yeah, just so you know,
- 2:49Speaker 2: I guess today is November fourth of twenty twenty four.
- 2:52Speaker 2: During November is when the US does the Native American
- 2:56Speaker 2: Heritage Month, not necessarily the same as the Indigenous People's Day,
- 3:01Speaker 2: which is when we do all instead of Columbus Day.
- 3:04Speaker 2: We've had many conversations about that. So because around what
- 3:08Speaker 2: is the US Thanksgiving? Realizing how kind of atrocious some
- 3:14Speaker 2: of these holidays are the US just like you know,
- 3:17Speaker 2: we're going to stamp a time of celebration for the
- 3:20Speaker 2: you know, oppressed peoples. So if people don't get too
- 3:23Speaker 2: upset with us, so this month is celebrated as Native
- 3:26Speaker 2: American Heritage Month. And of course there's also a big
- 3:29Speaker 2: conversation about like the commonalities of titles and names. We
- 3:35Speaker 2: have gone through waves of different types of names for
- 3:40Speaker 2: the Native American communities. A lot of the Natives, I think,
- 3:42Speaker 2: have said they'd rather be called First Nations, which makes
- 3:45Speaker 2: perfect sense. I've had people say that Native in general
- 3:49Speaker 2: just point blank and so there's a lot of deep
- 3:51Speaker 2: conversation Native Americans, even Harjoe, who we're about to talk about,
- 3:55Speaker 2: you know, like who has talked about this situation about
- 3:57Speaker 2: you know, being okay with say Native American as is.
- 4:00Speaker 2: But things can change. So please note at this point
- 4:03Speaker 2: in time it is Native American Heritage Month. If that
- 4:07Speaker 2: changes in the future, we will change with the times
- 4:09Speaker 2: as the preferences I've changed and will change throughout the years.
- 4:14Speaker 3: Just put that caveat there. I love it with that.
- 4:17Speaker 2: But today we are celebrating, as we said, Joy Harjoe,
- 4:20Speaker 2: a poet, musician, writer, activist, so many things for her
- 4:24Speaker 2: native community and just Native communities in general. Harjo made
- 4:27Speaker 2: history by being named the first Native person to be
- 4:31Speaker 2: a US Poet Laureate, and she was appointed that in
- 4:35Speaker 2: twenty nineteen and served every year until twenty twenty one.
- 4:38Speaker 2: And she has been recognized for all her works before this,
- 4:40Speaker 2: and of course continues to get much praise since then.
- 4:43Speaker 2: So we're not just saying this is our only thing,
- 4:46Speaker 2: but it was pretty big significance. As you know, we
- 4:48Speaker 2: love to talk about first in general, which is atrocious
- 4:51Speaker 2: that it was anyway, Like, there's so many things when
- 4:55Speaker 2: it comes to writing and arts where the people of
- 4:59Speaker 2: color just left behind because the system is racist.
- 5:04Speaker 3: But anyway, still we're gonna celebrate this.
- 5:07Speaker 2: As I say this in a very negative, pessimistic way,
- 5:11Speaker 2: but we celebrate her and the fact that she was
- 5:14Speaker 2: the first to be appointed as a Poet Laureate in
- 5:18Speaker 2: twenty nineteen and again, as we said, she saved for
- 5:20Speaker 2: three years. Harjo was born in Tulsa, Oklahoma, in nineteen
- 5:24Speaker 2: fifty one and is a part of the Muskogee Creek Nation,
- 5:27Speaker 2: and though her childhood was a rough one, she was
- 5:29Speaker 2: able to turn to her love for the arts and
- 5:32Speaker 2: education as a way of coping. In her teenage years.
- 5:35Speaker 2: Harjo talked about how she joined an all Native rock
- 5:39Speaker 2: band she wrote songs for them, and then also a
- 5:41Speaker 2: theater group at the Institute of American Indian Arts or IAIA,
- 5:46Speaker 2: in New Mexico.
- 5:47Speaker 1: And it was here she really started to understand the
- 5:50Speaker 1: importance of her heritage and of art. She told Southwest
- 5:53Speaker 1: Contemporary magazine this about her experience, quote, I was there
- 5:58Speaker 1: during the time of the contemporary Native art revitalization that
- 6:01Speaker 1: changed everything in the art world. It was an exciting
- 6:04Speaker 1: time to be at IAIA. Even we younger high school
- 6:08Speaker 1: students knew we were in the middle of a crucial
- 6:10Speaker 1: time in Indian country politics and thought we were part
- 6:15Speaker 1: of the generational current in which we were thinking about
- 6:17Speaker 1: cultural sovereignty before sovereignty was a common word on our tongues.
- 6:21Speaker 2: Right and throughout her life, she was only grown in
- 6:24Speaker 2: her love for her community into bringing awareness for her community.
- 6:27Speaker 2: And it was through her art that she was able
- 6:29Speaker 2: to express herself and a love for her people. Here's
- 6:32Speaker 2: a bit from womenhistory dot Org. Harjo had a hard
- 6:35Speaker 2: time speaking out loud because of her many harsh experiences.
- 6:38Speaker 2: She said, quote, I remember the teachers at school threatening
- 6:41Speaker 2: to write my parents because I was not speaking in class,
- 6:44Speaker 2: but I was terrified. Instead, Harjo started painting as a
- 6:47Speaker 2: way to express herself. And yeah, she even talked about
- 6:51Speaker 2: the influences in her life as well. They said, growing up,
- 6:53Speaker 2: Harjo was surrounded by artists and musicians, but she didn't
- 6:56Speaker 2: know any poets. Her mother wrote songs and her grandmother
- 6:59Speaker 2: her aunts were both artists. These influential women inspired Harjo
- 7:03Speaker 2: to explore her creative side. Harjo recalls the very first
- 7:07Speaker 2: poem she wrote, which was in eighth grade, which I
- 7:10Speaker 2: feel like you and I have had these experiences as well.
- 7:13Speaker 2: We're like poetry. I have a feeling it's not on
- 7:15Speaker 2: her level, Like pretty sure about that, but still we
- 7:19Speaker 2: understand this need. So after graduating school, Harjo would go
- 7:25Speaker 2: on to attend the University of New Mexico and eventually
- 7:27Speaker 2: published a book of our Poems in nineteen seventy five
- 7:30Speaker 2: titled The Last Song, which includes like nine of her poems.
- 7:34Speaker 2: After graduating, Harjo went on to attend the University of
- 7:37Speaker 2: Iowa for a Master of Fine Arts, and then she
- 7:40Speaker 2: continued her education at several other institutes for film and
- 7:43Speaker 2: other arts.
- 7:43Speaker 3: So she just kept going.
- 7:44Speaker 2: I feel like she just loved the exploration part, and
- 7:48Speaker 2: I love that for her. And though she continues her
- 7:51Speaker 2: time in the different variations of artistry, including painting and music,
- 7:56Speaker 2: her love for poetry remains.
- 7:58Speaker 1: Yes. And here's what she told Southwest Contemporary dot Com
- 8:03Speaker 1: when they asked her about the role of poetry and
- 8:05Speaker 1: why she continues to write it. Quote, I believe the
- 8:08Speaker 1: role of poetry is what it has always been. Our
- 8:11Speaker 1: hearts get broken again and again, but can be put
- 8:14Speaker 1: back together again with poetry. It is the art closest
- 8:18Speaker 1: to music. It Trump's rhetoric can carry grief, ecstasy, celebration
- 8:23Speaker 1: of despair, or joy. It is a tool for the
- 8:25Speaker 1: kind of disruption needed to clean a wound and heal.
- 8:28Speaker 1: It predicts how we will know who we are in
- 8:31Speaker 1: forthcoming generations. Without it, we will no longer be human.
- 8:35Speaker 1: I keep writing poems because it is kind of a
- 8:37Speaker 1: calling one I didn't actually choose. I was in an
- 8:41Speaker 1: art path. I loved painting and photography. Poetry first came
- 8:45Speaker 1: to me through music. My very early years are marked
- 8:48Speaker 1: by my mother's song making and love of poetry. I
- 8:51Speaker 1: loved poetry, but had no intention of becoming a poet.
- 8:54Speaker 1: It came upon me and essentially asked me to take
- 8:57Speaker 1: care of it. Poetry has become my most teacher. On
- 9:01Speaker 1: that I honor with poetry and music.
- 9:04Speaker 3: That sounds like a poem right there. I love just
- 9:05Speaker 3: her interviews like that as well, so.
- 9:19Speaker 2: With the many books she has written. She's also written
- 9:22Speaker 2: in autobiography. In it, she speaks about her becoming an
- 9:25Speaker 2: advocate for her community and the Native people. In an
- 9:28Speaker 2: NPR interview, they asked her about this and she said, quote,
- 9:32Speaker 2: the sixties, I equated with you know, civil rights, you
- 9:35Speaker 2: know it was a humanity alert that this country is huge,
- 9:38Speaker 2: there's more of us, and not everyone has equal rights.
- 9:41Speaker 2: In the late sixties, I was at Indian boarding school
- 9:44Speaker 2: in Santa Fe, New Mexico. Not your usual boarding school,
- 9:47Speaker 2: but it was an art school, and I remember hearing
- 9:50Speaker 2: about Martin Luther King being killed and all of that
- 9:52Speaker 2: was on the news. And we were all young Native
- 9:55Speaker 2: artists there from eighth grade to two years postgraduate. We'd
- 9:58Speaker 2: stay up late nights talking and making art together and
- 10:01Speaker 2: talking about what it meant to be a Native person
- 10:03Speaker 2: and about history and about how our art was part
- 10:06Speaker 2: it was part of history making. And she continues, and
- 10:09Speaker 2: I think what I've become to realize that what has
- 10:12Speaker 2: motivated my art making is really a strong need for justice,
- 10:16Speaker 2: for people to be treated for everyone. And when I
- 10:18Speaker 2: say people, I also mean animals and insects and the birds,
- 10:21Speaker 2: and the earth and the earth person that we are
- 10:23Speaker 2: all part of that. There's a key element, and that's respect.
- 10:26Speaker 2: And you know, when I became more actively involved as
- 10:29Speaker 2: a student at the University of New Mexico, I was
- 10:31Speaker 2: painting then and just starting to write poetry. I remember thinking,
- 10:35Speaker 2: if my work does nothing else, when I get to
- 10:37Speaker 2: the end of my life. I want Native peoples to
- 10:40Speaker 2: be seen as human beings. And this message has been
- 10:43Speaker 2: something she's been spreading in her poems, books, songs, and paintings,
- 10:47Speaker 2: and along with her being appointed as a Poet Laureate
- 10:50Speaker 2: for three years, she has earned many other accolades, including
- 10:54Speaker 2: winning Yale's twenty twenty three Bulligan Prize for American Poetry.
- 10:58Speaker 2: And of course she has won awards for her music
- 11:01Speaker 2: album as well, including a recent work she just did.
- 11:05Speaker 2: And with all of that, we also had to end
- 11:07Speaker 2: with one of her poems. So that's how we're going
- 11:10Speaker 2: to go. Apologies if we butcher it as pretty usual,
- 11:14Speaker 2: and this one is called fire. A woman can't survive
- 11:18Speaker 2: by her own breath alone. She must know the voices
- 11:21Speaker 2: of mountains. She must recognize the foreverness of blue sky.
- 11:26Speaker 2: She must flow with the elusive bodies of night winds
- 11:29Speaker 2: who will take her into herself.
- 11:31Speaker 1: Look at me. I am not a separate woman. I
- 11:34Speaker 1: am a continuance of blue sky. I am the throat
- 11:37Speaker 1: of the mountains night wind who burns with every breath
- 11:40Speaker 1: she takes.
- 11:41Speaker 2: Gorgeous and yeah, she has like ten books, I believe
- 11:45Speaker 2: just of her poetry alone, so definitely worth reading. She
- 11:48Speaker 2: has a lot out there that's just open, so if
- 11:51Speaker 2: you just want to look her up again. Her name
- 11:53Speaker 2: is Joe Harjoe. She's pretty famous, so just because we're
- 11:57Speaker 2: featuring her doesn't.
- 11:58Speaker 3: Mean she's not known obviously. Yeah, but we.
- 12:01Speaker 2: Just really wanted to celebrate what she is doing, give
- 12:04Speaker 2: her the flowers that she deserves, and many more as
- 12:07Speaker 2: she is still with us, and continue to see what
- 12:10Speaker 2: she does and how she publishes more and more of
- 12:12Speaker 2: our works.
- 12:13Speaker 1: Yes, yes, so go check her out listeners if you
- 12:17Speaker 1: have not already, and if you have and you have
- 12:19Speaker 1: favorite poem, we do love poems here, so send that
- 12:22Speaker 1: our way. You can email us at stephaniemom Stuff atiheartmedia
- 12:25Speaker 1: dot com. You can find us on Twitter at mom
- 12:27Speaker 1: Stuff podcast or on Instagram and TikTok at stuff I've
- 12:29Speaker 1: Never Told You. We have a tea public store and
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- 12:33Speaker 1: Things is always to her a super producer, Christina, our
- 12:35Speaker 1: executive producer Maya, and your contributor Joey.
- 12:38Speaker 3: Thank you and thanks to you for listening.
- 12:40Speaker 1: Stuff I Never Told You is production of my Heart Radio.
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