Latest / Four Finger Discount (Simpsons Podcast) / Lady Bouvier's Lover

Transcript

Lady Bouvier's Lover · Four Finger Discount (Simpsons Podcast)

• 0:05
  Speaker 1: Oh my favorite song.
• 0:08
  Speaker 2: This is so nice.
• 0:11
  Speaker 1: I can't remember when I felt this young. WHOA, I
• 0:16
  Speaker 1: really can't see spot And if I have the next dance,
• 0:24
  Speaker 1: don't Nick god brother?
• 0:26
  Speaker 3: Aren't you new? Need for the bloom gasket? Jurney, He'll
• 0:30
  Speaker 3: have it back in one piece. Welcome to the latest
• 0:41
  Speaker 3: Guy on Springfield here on the fourth figure. To get
• 0:43
  Speaker 3: a network guy on springfood means that we go back
• 0:45
  Speaker 3: and revisit a classic episode once a month. And since
• 0:48
  Speaker 3: it's Valentine's Day as was approaching as we record this,
• 0:50
  Speaker 3: we threw out to the patients became free love based
• 0:53
  Speaker 3: options and they selected this one. It is Lady Bouvie's lover.
• 0:55
  Speaker 4: I'm Dando and I'm Guy. And because we are doing
• 0:58
  Speaker 4: a guy on Springfield, the following has happen.
• 1:05
  Speaker 3: That's quite enough of that.
• 1:08
  Speaker 4: Just as Homer got a special cake to Ruin, thank you, Marge,
• 1:12
  Speaker 4: Daniel has given me a special episode to Ruin. We
• 1:14
  Speaker 4: had a couple of options. We threw a couple of
• 1:16
  Speaker 4: a few options out.
• 1:17
  Speaker 3: Here on the Fast Laying with Jacques from season one
• 1:20
  Speaker 3: and I'm with Cupid with Mangula. There's seven days of
• 1:22
  Speaker 3: Valentine's with poor Mangula, which you guest starred out in John.
• 1:25
  Speaker 3: Another great episode from season ten. I want to say
• 1:27
  Speaker 3: one of the better post Golden era. I still say
• 1:30
  Speaker 3: Season ten's Golden era episodes of the Simpsons, but they
• 1:33
  Speaker 3: went with this one. He Lady b VI's Lover. Now,
• 1:35
  Speaker 3: I'm going to throw this out there. Lady by Vere's
• 1:37
  Speaker 3: Lover is an episode that I rarely watch as a kid.
• 1:39
  Speaker 3: I never really it just didn't appeal to me, and
• 1:42
  Speaker 3: I think people revisiting it now I understand why you're
• 1:46
  Speaker 3: an old person because I'm getting older. Yeah, and I'm
• 1:49
  Speaker 3: finding it more and more relatable. And what I love
• 1:52
  Speaker 3: about this one is it's a love story. Yes, but
• 1:55
  Speaker 3: it's not your typical love story, is it.
• 1:58
  Speaker 4: Well, no, it's not. It's more an infatuation story than
• 2:02
  Speaker 4: a romance story.
• 2:03
  Speaker 3: Yeah. Well he's infatuated with her. Yeah, she's not infatuated
• 2:06
  Speaker 3: with I think she likes.
• 2:07
  Speaker 4: The tends to's catching a few eyes.
• 2:10
  Speaker 3: She is indeed. Ye, Apparently when she was younger, she
• 2:12
  Speaker 3: all the guy. All the guys were ogling her, not
• 2:15
  Speaker 3: the friends. And that's one of my trivia questions. Those
• 2:17
  Speaker 3: three ladies did you see to pick up on the names.
• 2:19
  Speaker 3: I did not. I'm gonna get you with that trivia
• 2:21
  Speaker 3: question a little bit later on in the show. But
• 2:23
  Speaker 3: I've just got here. It's a really interesting love story
• 2:25
  Speaker 3: in that there's two people here, older people, elderly people
• 2:29
  Speaker 3: who probably thought that their chances of love had probably
• 2:32
  Speaker 3: passed them. They didn't expect to find this spark again.
• 2:35
  Speaker 3: They've just sort of sort of conceded this is life now,
• 2:39
  Speaker 3: probably going to be lonely forever. Let's just see out
• 2:42
  Speaker 3: our days. Marge Into intervenes. She says, you guys should
• 2:45
  Speaker 3: hang out. I don't think she really Her intention wasn't
• 2:48
  Speaker 3: for them to fall in love. Her intention was for
• 2:50
  Speaker 3: them to just start companions companionship. She wasn't sort of
• 2:54
  Speaker 3: put off by the fact that their own love, which
• 2:55
  Speaker 3: I thought was kind of odd. It's her mum and
• 2:59
  Speaker 3: Homer's dad. It's a little weird. I agree with him.
• 3:02
  Speaker 3: I have are going brother and sister that happened, So
• 3:06
  Speaker 3: I've always thought it was odd that marj wasn't bothered
• 3:08
  Speaker 3: by the fact that they're in love. But hey, as
• 3:10
  Speaker 3: she says, who are we to say they can't fall
• 3:12
  Speaker 3: in love? Well that's true.
• 3:13
  Speaker 4: Yes, Look I will throw in a bit of my
• 3:16
  Speaker 4: patented reality television commentary here, because when Lou and I
• 3:21
  Speaker 4: watching ninety Day Fiance, and that's many variations, one show
• 3:24
  Speaker 4: we were really big on was The Golden Bachelor and
• 3:26
  Speaker 4: Golden Bachelorette. I'm sure I've mentioned this in the past,
• 3:29
  Speaker 4: and I initially went and going, oh God, I'm going
• 3:31
  Speaker 4: to scoff at this NonStop. It's just going to be ridiculous,
• 3:34
  Speaker 4: and look at these silly old people trying to find
• 3:36
  Speaker 4: romance again. And you know, one out of three episodes,
• 3:40
  Speaker 4: I'm like, that's really nice because you've got a lot
• 3:44
  Speaker 4: of people who are in their sixties, seventies or whatever saying, yeah,
• 3:49
  Speaker 4: I was in love or I lost my partner or
• 3:51
  Speaker 4: life happened or whatever. I never thought it would happen
• 3:55
  Speaker 4: to me again. I wanted to happen to me again.
• 3:57
  Speaker 4: It was one of the best things about being alive.
• 4:00
  Speaker 4: It's not restricted to the younger folk. No, It's good
• 4:05
  Speaker 4: for anybody. And you know, I can give you a
• 4:07
  Speaker 4: real revitalization, which gives this episode a bit of an
• 4:12
  Speaker 4: emotional core beyond its many many good gags.
• 4:14
  Speaker 3: I know an elderly couple who clearly aren't happy, right
• 4:18
  Speaker 3: and it's not being low it No, it's not. And
• 4:22
  Speaker 3: we've spoken to the woman in the relationship and she
• 4:24
  Speaker 3: and she has said, I think she's maybe early seventies.
• 4:27
  Speaker 3: And she has said, I don't want to leave him
• 4:31
  Speaker 3: because I'm never going to find anybody else. I'd rather
• 4:33
  Speaker 3: have this than be lonely. And I thought that's really sad.
• 4:36
  Speaker 4: Well, the saddest thing is when you are lonely in
• 4:39
  Speaker 4: a bad relationship, there is it is preferable to be
• 4:42
  Speaker 4: alone than to be lonely in a relationship. Being lonely
• 4:46
  Speaker 4: in a relationship is way, way worse.
• 4:48
  Speaker 3: Yeah, can imagine now, Jacqueline Bouvier, Right, I watched this
• 4:54
  Speaker 3: got me crazy. She's a heel. She absolutely digged over
• 4:59
  Speaker 3: ground bar here right. He takes it to the swing
• 5:02
  Speaker 3: dance Mister Burns just starts dance with it. She just
• 5:05
  Speaker 3: leaves him and leaves with Burns doesn't say goodbye to Grandpa,
• 5:09
  Speaker 3: just pretends he doesn't exist anymore. Absolutely, ill, turn, this could.
• 5:14
  Speaker 4: Be the way things went back in there in their
• 5:16
  Speaker 4: courting day. And that's just learned behavior.
• 5:19
  Speaker 3: In fact, she didn't even say goodbye, or he's just
• 5:22
  Speaker 3: out there by himself. She's just off in the car
• 5:23
  Speaker 3: with him.
• 5:24
  Speaker 4: My buddy, saydy, Steve has to saying, you gotta dance
• 5:26
  Speaker 4: with the one that brung you.
• 5:29
  Speaker 3: That's a good point.
• 5:30
  Speaker 4: Yeah, she's kind of he'll behavior it is bad behavior.
• 5:33
  Speaker 4: At the same time, Clock's a ticken.
• 5:35
  Speaker 3: I was gonna say, I also understand it because as
• 5:37
  Speaker 3: she puts it, what's the what she says, he's too
• 5:39
  Speaker 3: much of a fuss pot. Grandpa, Right when you Clocks ticken,
• 5:42
  Speaker 3: as your days are numbered, you don't want to be
• 5:43
  Speaker 3: hanging out with a fuss pot. You want to hang
• 5:45
  Speaker 3: out with someone who can provide money. She's maybe she's
• 5:48
  Speaker 3: also playing Maybe she's also playing the long game, going Okay,
• 5:50
  Speaker 3: if I marry Burns, I can get half his ship
• 5:53
  Speaker 3: and I can give it to March and Homer. Well,
• 5:55
  Speaker 3: Homer is very much on board that. I wonder see
• 5:58
  Speaker 3: they never played that up. I thought that would have
• 6:00
  Speaker 3: been an interesting plot line of when Marge's saying he's
• 6:04
  Speaker 3: a bad guy, blah blah blah. She can go, yes,
• 6:05
  Speaker 3: but imagine what you could do with the money if
• 6:07
  Speaker 3: I get some with the money. But then that would
• 6:08
  Speaker 3: really pay her negative life, because you should be doing
• 6:10
  Speaker 3: it for love, not for money.
• 6:11
  Speaker 4: True, and I think it would detract from I guess
• 6:13
  Speaker 4: the main engine of the story.
• 6:15
  Speaker 3: That she'd not say he can provide, though at one point.
• 6:18
  Speaker 4: It's something along those line, says something about him provider,
• 6:21
  Speaker 4: and you know, but Homer has that thing about something's
• 6:23
  Speaker 4: money's money, money, money's money, money, money, money, money.
• 6:26
  Speaker 3: Many money, money money money. Would you think of the
• 6:28
  Speaker 3: b plot with Bart and the animation style that was
• 6:30
  Speaker 3: just kind of there, It was there, it happened.
• 6:33
  Speaker 4: Probably one of the few times that I've sympathized with
• 6:36
  Speaker 4: comic book guy or been like on the same page
• 6:38
  Speaker 4: comic book so good.
• 6:38
  Speaker 3: One of my favorite moments was one of his quotes,
• 6:40
  Speaker 3: Yeah that's.
• 6:42
  Speaker 4: Can we just a repeater now? Because it's great. It's like,
• 6:44
  Speaker 4: this is the This probably would have been a trivia question,
• 6:47
  Speaker 4: maybe one of your trivia questions. It's as snagger. I've
• 6:50
  Speaker 4: forgotten who it was drawn by. Heisler, because that's right.
• 6:53
  Speaker 4: It was worth something something. This is a drum bay nobody.
• 6:57
  Speaker 4: It is worth nothing.
• 7:00
  Speaker 3: Something. Sorry.
• 7:02
  Speaker 4: I sort of steered into Gene Wilder as Willy Wonga.
• 7:04
  Speaker 4: There you get nothing but good day, good days talking
• 7:08
  Speaker 4: about Hilton's Oh the babyface keeps guessing.
• 7:15
  Speaker 3: The Blee plot is there.
• 7:16
  Speaker 4: It's fine co written by a man, Bill Oakley, I believe.
• 7:20
  Speaker 3: Yeah, Josh and Bill. Yeah, yeah, good.
• 7:22
  Speaker 4: Sturdy storytelling in that there were a few sort of
• 7:25
  Speaker 4: plot things left dangling, plot threads left angling. Bar has
• 7:30
  Speaker 4: bought this animation self, what three hundred and fifty bucks? Yeah,
• 7:33
  Speaker 4: he's able to get that three hundred and fifty bucks
• 7:35
  Speaker 4: back of mister Burns. Everything works out, not that you're
• 7:39
  Speaker 4: a notorious nitpicky. You'd probably be going, what about the
• 7:43
  Speaker 4: thing I cost?
• 7:44
  Speaker 3: You know, and you'd be just angry for thee at
• 7:47
  Speaker 3: least at least they wrap up the story there. Yeah, yeah,
• 7:50
  Speaker 3: you get the feeling they're like good mechanics, Josh and Bill.
• 7:54
  Speaker 4: Why Buddy's Josh and Bill friends at the point. That's
• 7:56
  Speaker 4: why they went on to become showrunners.
• 7:57
  Speaker 3: That's correct.
• 7:58
  Speaker 4: Yeah, they're looking at everything going, look, we don't want
• 8:01
  Speaker 4: to send this out. We don't want to send us
• 8:03
  Speaker 4: out of the workshop with one of the wheels about
• 8:06
  Speaker 4: fall off or.
• 8:06
  Speaker 3: Something like that.
• 8:07
  Speaker 4: Just make sure everything's tightened up. And yeah, juster and
• 8:10
  Speaker 4: they did a good job.
• 8:10
  Speaker 3: Back when the writers ask questions, going, but what about that?
• 8:13
  Speaker 3: Shouldn't that have an ending. Now it's just goes well,
• 8:15
  Speaker 3: it's twenty one minute mark. Let's go. I'm gonna go
• 8:20
  Speaker 3: home and see my kids. Yeah, fam the bull chin.
• 8:27
  Speaker 4: We might have been talking about something off camera or someone, but.
• 8:31
  Speaker 3: Even that's that almost feels like the sins meant would
• 8:34
  Speaker 3: we be talking about going? Would we be talking you? Wow?
• 8:43
  Speaker 3: I went to show guy, a local comedian, how bad
• 8:46
  Speaker 3: the stand up was, and it must have been so
• 8:49
  Speaker 3: bad that they've removed it. These comedians removed it from
• 8:52
  Speaker 3: his page.
• 8:52
  Speaker 4: They're just getting toxic in the toxic shit in the commensation.
• 8:56
  Speaker 3: The old wife, you know, you're just just a mild
• 8:59
  Speaker 3: to me anyway. Pretty sure she's probably keeping the household
• 9:03
  Speaker 3: in check.
• 9:03
  Speaker 4: My friend, I imagine out on the road or you know,
• 9:08
  Speaker 4: in the jungle and asking him to get me out
• 9:09
  Speaker 4: of here.
• 9:10
  Speaker 3: You got to know who it is by now you're doing.
• 9:13
  Speaker 3: I want to say, though so written by Bill and Josh.
• 9:15
  Speaker 3: If you had have told me that Lady Bouvier's Lover
• 9:18
  Speaker 3: was written by Conan O'Brien, I probably would have believed you.
• 9:21
  Speaker 3: It feels wacky enough. It feels he likes If you
• 9:24
  Speaker 3: know Conan, you know he loves old timey stuff. Right,
• 9:26
  Speaker 3: Oh yeah, time baseball baseball. Oh my god, one of
• 9:29
  Speaker 3: the funniest thing's ever done. Old time. So he loves something.
• 9:32
  Speaker 3: Maybe think this is something that ConA may have pitched
• 9:35
  Speaker 3: even I don't know, but season six he'd been gone
• 9:37
  Speaker 3: for two years. Maybe not, but this feels like something
• 9:39
  Speaker 3: that Conan would love to write.
• 9:40
  Speaker 4: Well, if we're going to be talking, we'll jump in
• 9:43
  Speaker 4: the favorite moments of the moment. But yeah, in a moment,
• 9:44
  Speaker 4: but certainly one of my Grandpa Simpson using his sort
• 9:50
  Speaker 4: of old timey stuff do either express Oh I'm in
• 9:53
  Speaker 4: love and I'm going to entertain you. Oh I'm sad
• 9:55
  Speaker 4: and I'm gonna wander And the bluid lawyer just coming out.
• 9:58
  Speaker 5: He represent the estate of Charles jab You're going to
• 10:01
  Speaker 5: start doing this immediately. The Henchman are the best, marvelous.
• 10:10
  Speaker 3: Loved it.
• 10:10
  Speaker 4: But yeah, I mean that feels very Cone as well.
• 10:12
  Speaker 4: And yeah, there's a lot of there's some weirdness in here.
• 10:16
  Speaker 4: I can't tell if the play it cool song is
• 10:18
  Speaker 4: like it feels like a Twin Peaks thing.
• 10:20
  Speaker 3: It does, doesn't it. Yeah, I've got a friend, one
• 10:22
  Speaker 3: of my close friends, James Crabtree, Coagy, but we're calling
• 10:26
  Speaker 3: Crab right, Uncle Crab, as the kids call him. One
• 10:28
  Speaker 3: of his favorite Simpsons songs is to play It Cool,
• 10:31
  Speaker 3: And I've always just gone, really, I watched it hit.
• 10:33
  Speaker 3: I'm just like, it's just it's weird to me. I
• 10:36
  Speaker 3: don't know, it's just it's something about it.
• 10:37
  Speaker 4: It's it's not necessarily funny, but it's but it's sort
• 10:41
  Speaker 4: of funny.
• 10:42
  Speaker 3: But I like. What I do like about it is
• 10:44
  Speaker 3: how it's this nice seeing Homer and Grandpa bonding over oh.
• 10:47
  Speaker 4: Yeah, because it's something that the show did really well
• 10:51
  Speaker 4: during its its best phases. I mean, they would have
• 10:55
  Speaker 4: Grandpa be God, he's annoying and obnoxious, but yeah, occasionally
• 11:00
  Speaker 4: episodes where they would go on the road or Grandpa
• 11:02
  Speaker 4: would be like a snake, or they'll say salesman or
• 11:05
  Speaker 4: something like that. I just found those really entertaining.
• 11:07
  Speaker 3: Grandpa versus sexual inadequacy when he's got the sex Tony.
• 11:11
  Speaker 4: All the stuff with the ton teen and the fighting
• 11:12
  Speaker 4: hellfish or whatever they're flying helfish, yeah, flying healthish.
• 11:15
  Speaker 3: Yeah. Yeah. So in regards to this episode, I do
• 11:18
  Speaker 3: like that Homer and Grandpa he comes across as pathetics,
• 11:23
  Speaker 3: not the word sort of the friend zoned, but he
• 11:27
  Speaker 3: also isn't pathetic, where a lot of the time now
• 11:30
  Speaker 3: Grandpa is just the guy they closed the blind on,
• 11:32
  Speaker 3: or they don't want him around here, I don't think
• 11:34
  Speaker 3: to hear I remember. But he's also not a pushover either.
• 11:38
  Speaker 4: No, I mean, first of all, he's sort of like
• 11:40
  Speaker 4: a viable romantic partner or whatever. I liked mister Burns
• 11:45
  Speaker 4: in this episode. I liked that he sort of had
• 11:46
  Speaker 4: a bit of vim and vigor to him.
• 11:48
  Speaker 3: Yeah, yeah, because.
• 11:49
  Speaker 4: I mean, of course they had the bit niwcaps are
• 11:51
  Speaker 4: filling up with fluid and all that kind of stuff.
• 11:52
  Speaker 4: But at the same time, he's like, you probably were
• 11:55
  Speaker 4: a bit of a shark back in the day, you know,
• 11:57
  Speaker 4: and you go to the Huntry Dance or whatever, you
• 12:01
  Speaker 4: would probably be snaking in on some on some other dudes.
• 12:03
  Speaker 3: Girl. Oh, this is definitely it's right up, mister Burns's allie.
• 12:07
  Speaker 4: Some of my favorite bits, some of my green highlighted bits,
• 12:09
  Speaker 4: are just Burns.
• 12:10
  Speaker 3: That's get into favorite moments. Let's do it, because.
• 12:14
  Speaker 4: It's like, as I say, I don't make the whole
• 12:16
  Speaker 4: plane out of the black box. Well, this whole episode
• 12:19
  Speaker 4: is my favorite moment my favorite. I've already blame on
• 12:24
  Speaker 4: them when I said I made a special cake. Thea
• 12:26
  Speaker 4: to ruin very relatable.
• 12:28
  Speaker 3: It's not my Gaggy's birthday, but I just love it.
• 12:31
  Speaker 3: It's gonna let us all over, which is this garbage
• 12:33
  Speaker 3: case but burns well.
• 12:37
  Speaker 4: First of all, when he muscles in at the dance,
• 12:40
  Speaker 4: no need for the bloom gasket, Charlie yea lord.
• 12:43
  Speaker 3: And it just makes Graandpather looks like such a simp.
• 12:47
  Speaker 4: But then when when he's gone over to the Simpson
• 12:50
  Speaker 4: household and bar guns. And later Grandma really likes it
• 12:53
  Speaker 4: when when her boyfriend's give me money, beat it pee wee.
• 12:56
  Speaker 4: Baby gets nothing good. So I love that A love
• 13:02
  Speaker 4: first appearance of baby Gerald, Yeah, I think so.
• 13:04
  Speaker 3: Yeah. I remember getting a huge what of heres in
• 13:07
  Speaker 3: this episode.
• 13:08
  Speaker 4: I remember getting a huge kick out of the first time.
• 13:09
  Speaker 4: It's all baby, just that I just want that it
• 13:12
  Speaker 4: scrunches the juke's box. That Maggie doesn't get along with
• 13:16
  Speaker 4: other babies.
• 13:16
  Speaker 3: Yeah, she's just got a little bit side.
• 13:21
  Speaker 4: I love the guy's voice. I can't remember his name
• 13:22
  Speaker 4: for the.
• 13:23
  Speaker 3: Life of me.
• 13:23
  Speaker 4: But everyone's getting in the bus. They need to get
• 13:27
  Speaker 4: hurry each mouth like a bls. That's just the old
• 13:33
  Speaker 4: Jewish guy I forgotten. But and speaking of my favorite voices,
• 13:37
  Speaker 4: I guess it's wise guy who's delivering the.
• 13:40
  Speaker 3: It's actually wise, but it's a wise guy voice.
• 13:42
  Speaker 4: Yeah, if you do not open the door, can I
• 13:45
  Speaker 4: give you your special delivery?
• 13:48
  Speaker 3: I'm easily please just put things in a funny voice.
• 13:51
  Speaker 3: And why south Park it's so successful? Oh god, we
• 13:56
  Speaker 3: can be as high as we like.
• 13:57
  Speaker 4: We can talk about your underlying themes and emotional and
• 14:00
  Speaker 4: all that bullshit, just saying say a funny line of
• 14:03
  Speaker 4: funny boys, I'm yours for life.
• 14:04
  Speaker 3: B I love that it's funny. They both just seem
• 14:08
  Speaker 3: so lonely. That is funny.
• 14:12
  Speaker 4: And by the way, speaking funny voices, this is a
• 14:14
  Speaker 4: line that I use all the time. And maybe this
• 14:16
  Speaker 4: was the first time was done. But I think when
• 14:19
  Speaker 4: they're pushing the cell on the animation cell on TV
• 14:23
  Speaker 4: something not a guarantee.
• 14:25
  Speaker 3: Roger My, as you, I guarantee this will only grow
• 14:27
  Speaker 3: up in value. Not a guarantee, fantast Did you used
• 14:31
  Speaker 3: to watch those infomercial shows late at night? I used
• 14:34
  Speaker 3: to sometimes watch it and going I could I have
• 14:37
  Speaker 3: vivid memories of it being I was a huge wrestling
• 14:39
  Speaker 3: fan growing up. Wwfs all about WWF ninety nine blah
• 14:42
  Speaker 3: blah blah, and so everyone's selling WWF merchandise and I
• 14:45
  Speaker 3: was like, where's mum's credit card? I want this Mike
• 14:49
  Speaker 3: Foley clock. But sometimes I watch it, going, I have
• 14:53
  Speaker 3: the money for this, but I like to live like Karrosen,
• 14:55
  Speaker 3: just wonder what would it be like to have that
• 14:56
  Speaker 3: clock on the wall. Did you ever watch the infomercial stuff? Oh, certainly. Yeah.
• 14:59
  Speaker 4: At the same time, I think I realized this looks
• 15:03
  Speaker 4: kind of like crap, and.
• 15:05
  Speaker 3: It used to be on the morning shows going this
• 15:07
  Speaker 3: new vacuum can suck anything. Yeah, and anything.
• 15:11
  Speaker 4: I think I want to pierce the matrix and going,
• 15:14
  Speaker 4: you guys, it's always like looking at the music video
• 15:17
  Speaker 4: for Soundguard's Black Hole Sun. You know where the voices
• 15:20
  Speaker 4: just coming. Yeah, yes, terrifying. Yeah, the voices, just the
• 15:25
  Speaker 4: faces just expand, like turn into joker smiles or whatever.
• 15:27
  Speaker 4: That's always what those people look like to me, even
• 15:29
  Speaker 4: though they look like normal people, but they were just
• 15:31
  Speaker 4: so enthusiastic. Shamwell guy, shed shamwew or whatever. It's like,
• 15:37
  Speaker 4: I don't trust you not to be trusted.
• 15:40
  Speaker 3: Yes, indeed, not a guarantee. Now, Also, there's another line
• 15:43
  Speaker 3: that I use, I reckon every day of my life,
• 15:46
  Speaker 3: and I could not I had actually had no idea
• 15:49
  Speaker 3: it came from the Simpsons. I'm gonna say it came
• 15:50
  Speaker 3: from the Simpsons. Here at the end of the episode,
• 15:53
  Speaker 3: when she says I don't want to be of either,
• 15:54
  Speaker 3: and Grandpa says, hot diggity dam that's good enough for me.
• 15:56
  Speaker 3: Hot diggnity dam is something I say every day of
• 15:59
  Speaker 3: my life. I see something going, what diggity damn? It's
• 16:02
  Speaker 3: a fun thing to say, hot diggity damn. It certainly is. Yeah,
• 16:04
  Speaker 3: did the Simpsons pen that? Is that something that can
• 16:07
  Speaker 3: be find? Hot diggity am It feels like an old time.
• 16:11
  Speaker 4: It feels like something that I would have said it
• 16:13
  Speaker 4: is the.
• 16:14
  Speaker 3: First time I heard it would have definitely been from
• 16:16
  Speaker 3: the Simpsons. Hones said, the Simpsons created it, but I
• 16:18
  Speaker 3: got it from the Simpsons.
• 16:19
  Speaker 4: Well, yeah, I mean, and that's what sets these kind
• 16:21
  Speaker 4: of episodes apart. I mean, they're lifting stuff from actual
• 16:25
  Speaker 4: real life, but a long time.
• 16:26
  Speaker 3: There's lots of homages to films and whatnot. There's a
• 16:29
  Speaker 3: lot of pop culture references the graduates, one of them.
• 16:31
  Speaker 4: Graduate is what we end up with absolutely on the bus.
• 16:34
  Speaker 3: Yeahs. That's what's great about is as a kid, we've
• 16:37
  Speaker 3: said his time and time again. You know it's something,
• 16:40
  Speaker 3: but you don't know what it is. Yeah, and it
• 16:42
  Speaker 3: makes you go out and research it. That's right.
• 16:44
  Speaker 4: And that's one of the great gifts that the Simpsons
• 16:47
  Speaker 4: gives you. The pop culture gives you, I mean knowing
• 16:49
  Speaker 4: what inspired it and what it inspires as well that
• 16:53
  Speaker 4: it's all part of a continuum.
• 16:54
  Speaker 3: I think I always say the biggest one for me.
• 16:57
  Speaker 3: I'm not saying it's the best parody the Simpsons ever done,
• 17:00
  Speaker 3: but one of the most iconic ones is Homer rolling
• 17:02
  Speaker 3: down the stairs ready is at the Lost Arc of
• 17:04
  Speaker 3: the ball. I just think that visual there all the
• 17:06
  Speaker 3: kids who might have sit Indiana Jones, you look at
• 17:09
  Speaker 3: this and you go that's something. Oh yeah, yeah, I mean.
• 17:14
  Speaker 4: I've said me, I'm pretty sure so many many times
• 17:17
  Speaker 4: on our podcast.
• 17:18
  Speaker 3: Now.
• 17:18
  Speaker 4: Yeah, I was absolutely Star Wars freak when I was
• 17:21
  Speaker 4: a kid. Yeah, when the first Stars came out in
• 17:24
  Speaker 4: seventy seven, I want to know everything about not just
• 17:26
  Speaker 4: about you know, everything that was happening in Star Wars.
• 17:28
  Speaker 3: Butts, Yeah, how'd he come up with this? You know?
• 17:32
  Speaker 3: And that's when like that, how did he blop a
• 17:34
  Speaker 3: death Star? Well? No, not even that. It was like,
• 17:36
  Speaker 3: how did you come up?
• 17:38
  Speaker 4: Where's this story coming from? Did you just make this
• 17:39
  Speaker 4: up out of his head? And it's like, oh no,
• 17:41
  Speaker 4: I was really into a cure cool Star and Flash
• 17:42
  Speaker 4: Gordon and all that kind of stuff. Well, I didn't
• 17:44
  Speaker 4: even think about dudes. You learn about Flash Gordon, you
• 17:48
  Speaker 4: learn about a Curra Sco. He's the guy who made
• 17:50
  Speaker 4: Seven Samurai one of the best bucking movies ever made.
• 17:51
  Speaker 4: It's like, oh, everything's connected, and you know someone's gonna
• 17:55
  Speaker 4: be garbage, but someone's.
• 17:56
  Speaker 3: Going to be great.
• 17:57
  Speaker 4: Love it, And that's what the sentence did its best.
• 17:59
  Speaker 3: Yes, one hundred percent. Yeah. Now my final thing that
• 18:01
  Speaker 3: I like, so Smith is getting a little bit of
• 18:04
  Speaker 3: a heel because he's jealous. He loves mister Burns, right,
• 18:07
  Speaker 3: he has some great lines. So when mister Burns says,
• 18:10
  Speaker 3: who are these people? And Cory it's Fred Finnstone and
• 18:12
  Speaker 3: he's lovely wife Willman and he gives them the chocolates,
• 18:14
  Speaker 3: and I was, yeah, the.
• 18:18
  Speaker 4: Real lovely bitchy line read from Mary. I don't know,
• 18:22
  Speaker 4: sir having sex with that old woman.
• 18:27
  Speaker 3: Such a bitch. I thought that was great.
• 18:31
  Speaker 4: Yeah, look, more favorite moments are going to come up
• 18:34
  Speaker 4: throughout discussion.
• 18:35
  Speaker 3: Of this episode. Let's get into trivia, shall we all?
• 18:36
  Speaker 3: List to? That four figure discount is brought to you
• 18:39
  Speaker 3: by our incredible supporters on Patreon. With your support, we're
• 18:42
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• 18:46
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• 18:49
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• 18:56
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  Speaker 3: exclusive Facebook and disc communities. So go ahead and support
• 19:01
  Speaker 3: the show today for as little as just one dollar
• 19:03
  Speaker 3: at patreon dot com slash four fing a discount. Next question,
• 19:08
  Speaker 3: you there eating the paste? You asked me your first question?
• 19:11
  Speaker 4: Sure? According to Grandpa, if you put it in Maggie's ear,
• 19:15
  Speaker 4: it'll stop them shakes.
• 19:16
  Speaker 3: What is it? I didn't write, I just wrote in
• 19:18
  Speaker 3: my notes. It's just bickering over how to solve the shakes.
• 19:20
  Speaker 3: What was medication?
• 19:21
  Speaker 4: The medication was Lister's carbolic ungeent Okay.
• 19:25
  Speaker 3: My first question for you is where does Jacqueline live?
• 19:29
  Speaker 4: Is she at the Hell Roach Apartments?
• 19:31
  Speaker 3: Yes?
• 19:31
  Speaker 4: Yes, because of retirement living in the cemetery discressed. Hal
• 19:36
  Speaker 4: Roach was apparently a producer of old timey movies. I
• 19:39
  Speaker 4: don't know if he did like might have did the
• 19:41
  Speaker 4: Three Stooges, or maybe like the Keystone Cops or.
• 19:44
  Speaker 3: Like really old Let's google it, shall we That's one
• 19:47
  Speaker 3: thing I forgot to go. Oh yeah, I keep forgetting.
• 19:48
  Speaker 4: We've got all the knowledge of the world and beyond
• 19:52
  Speaker 4: here we go.
• 19:53
  Speaker 3: Let's get on his wiki. He was an American film
• 19:57
  Speaker 3: and television producer, director of screener who was the founder
• 19:59
  Speaker 3: of the names cal Wrote Studios. Roach was active in
• 20:01
  Speaker 3: the industry from the tens to the nineties. He's now
• 20:03
  Speaker 3: for producing a number of early media franchise successes, including
• 20:06
  Speaker 3: Laurel and Hardy, Harold Lloyd's early films, the films I've Entertained,
• 20:10
  Speaker 3: a Charlie Chase, and Our Gang short film comedy series.
• 20:12
  Speaker 3: Oh okay, yeah Laurel, real old school stuff. Yeah, because
• 20:16
  Speaker 3: you've watched this guy, I'm like, how alchu is going
• 20:18
  Speaker 3: to be? Somebody look it up later? Did look it up?
• 20:20
  Speaker 3: Later look it up now though this is late we
• 20:24
  Speaker 3: got there in the end. I did look it up later.
• 20:27
  Speaker 4: Oh your next question, you you've got me thinking about
• 20:29
  Speaker 4: now an action movie franchise called John Wiki.
• 20:32
  Speaker 3: I'd watch.
• 20:33
  Speaker 4: It doesn't justsume people. He just looks up trivia. I
• 20:40
  Speaker 4: had how roach apartments as a as a trivia question. So, hey,
• 20:44
  Speaker 4: how many itching scratches cells are available? According to the commercial?
• 20:48
  Speaker 3: Oh yeah, I think that's one of my questions or
• 20:49
  Speaker 3: way that I was put in my notes. It's eight
• 20:50
  Speaker 3: hundred thousand, hundred thousand, yes, all right. My next question
• 20:54
  Speaker 3: for you is who were the friends? And he said
• 20:56
  Speaker 3: you didn't know this. I said, my friends were always
• 20:59
  Speaker 3: jealous of the gold looking at me?
• 21:00
  Speaker 4: Oh the ones who went crazy? Yeah, yeah, Zelda Fitzgerald, Yeah,
• 21:04
  Speaker 4: Sylvia Plath. And who's the middle one, little Sylvia Path, Yes,
• 21:07
  Speaker 4: little Silvia Plath. Francis Farmer.
• 21:09
  Speaker 3: Yeah, Okay. Do you know so Zelda Fitzgerald author, socialized
• 21:13
  Speaker 3: wife of F. Scott Fitzgerald, author of The Great Gaspee. Correct.
• 21:15
  Speaker 3: She suffered from schizophrenia and was sent to a sanatorium
• 21:18
  Speaker 3: for the rest of her life, and she passed away
• 21:20
  Speaker 3: when a sanatorium caught on fire Francis Farmer. She had
• 21:23
  Speaker 3: a tough beat for Zelda. Francis Farmer, actress in the
• 21:25
  Speaker 3: nineteen thirties to forty, suffered from schizophrenia and was also
• 21:28
  Speaker 3: sent to a sanatorium had a lobotomy.
• 21:31
  Speaker 4: Yes, there's a movie called Francis starring Jessica Lang about
• 21:34
  Speaker 4: it and.
• 21:35
  Speaker 3: I believe worth watching it? Yeah yeah, yeah.
• 21:38
  Speaker 4: But also Nirvana did a song with Francis Farmer, we
• 21:40
  Speaker 4: will have her Revenge on Seattle.
• 21:42
  Speaker 3: Yeah, there we go. Love that song.
• 21:43
  Speaker 4: What did we just talk about? Everything's connected?
• 21:45
  Speaker 3: Author and poet from nineteen fifty sixties. She wrote The
• 21:47
  Speaker 3: bel Jar suffered from clinical depression for her whole life,
• 21:51
  Speaker 3: committed suicide in her early thirties by carbon monoxi poisoning
• 21:54
  Speaker 3: by putting her head in the oven.
• 21:55
  Speaker 4: I'm going to look something up real quick, Yeah, because
• 21:58
  Speaker 4: I think you'll appreciate this. Silvere Plaths marriage to another writer.
• 22:02
  Speaker 4: His name was Ted Hughes. Ted Hughes wrote a book
• 22:05
  Speaker 4: called The Iron Man. The Iron Man was turned in
• 22:08
  Speaker 4: a movie called The Iron Giant.
• 22:10
  Speaker 3: Who was watching us to this show? He sure is?
• 22:13
  Speaker 3: I Actually he's looking skyward and saying Superman, now down.
• 22:16
  Speaker 3: I'm going to start crying. So I put the Iron
• 22:18
  Speaker 3: Giin off for the kids the other day, right, and
• 22:20
  Speaker 3: I put it on and they go, oh, we thought
• 22:22
  Speaker 3: it was real, not cartoon. I was like, you sit
• 22:24
  Speaker 3: there and fucking watch it, and and they elliot watched it. Holly,
• 22:27
  Speaker 3: she has bored. She can't say still for more than
• 22:29
  Speaker 3: an hour, but Allie wash the whole thing. And he cried, well,
• 22:31
  Speaker 3: be because of human being. And Ali goes, what happens
• 22:37
  Speaker 3: the number two? I'm like, there wasn't number two? And
• 22:38
  Speaker 3: he's like, what what do you mean? The cliff faker ending.
• 22:42
  Speaker 4: Use your imagination, kid, And also it gives you just nothing.
• 22:46
  Speaker 4: Bits of the iron Gina coming back together and they're
• 22:47
  Speaker 4: going to go back to see Hogarth.
• 22:49
  Speaker 3: You know what I said to him? I said, what
• 22:51
  Speaker 3: do you think happened there? You go, that's good parenting? Dano, Yes,
• 22:54
  Speaker 3: but isn't it? Isn't it fun?
• 22:55
  Speaker 4: We talked about so we played and get a false
• 22:57
  Speaker 4: of vagine.
• 22:57
  Speaker 3: Yeah, isn't that good? Always good to seek? I enjoined
• 23:00
  Speaker 3: into anything that's correct. That's what she said, all right,
• 23:06
  Speaker 3: next to your question for you.
• 23:07
  Speaker 4: From you, it's called the zinc midget. How many women
• 23:13
  Speaker 4: have said no to mister Burns.
• 23:15
  Speaker 3: One hundred and thirty, one hundred and thirty. She's the
• 23:17
  Speaker 3: first one to say no since he's become a billionaire. Correct, yes,
• 23:20
  Speaker 3: what wasn't he always rich? It doesn't matter.
• 23:23
  Speaker 4: I imagine he's one of these types like ro Deck, like
• 23:28
  Speaker 4: Elon Mask who said yeah, I'm a self made billionaire
• 23:33
  Speaker 4: a trillion where it's like, yeah, your parents are on
• 23:35
  Speaker 4: an Emerald mine.
• 23:36
  Speaker 3: You're doing all right? Yeah? Self made?
• 23:38
  Speaker 4: What?
• 23:39
  Speaker 3: And my final question for you was the how many
• 23:42
  Speaker 3: copies of the sale were there? I'm going to make
• 23:44
  Speaker 3: another one up. What was the name of the network
• 23:46
  Speaker 3: that trum mcclaw was selling the sales on.
• 23:48
  Speaker 4: Was it IBN?
• 23:49
  Speaker 3: Yes? What does it stand for? It was the Impulse
• 23:53
  Speaker 3: Buying Network. I was going to answer, Oh, sorry, well
• 23:56
  Speaker 3: you look it looks baffled default mode. Do we have
• 24:02
  Speaker 3: talking for one more question? Do it for you? Okay?
• 24:04
  Speaker 4: Then what what? There was a dance marathon on the
• 24:07
  Speaker 4: community center, but what was on the next day, Cat's
• 24:09
  Speaker 4: pathon cat'spathon?
• 24:11
  Speaker 3: Indeed, all right, it's time now for some shout outs
• 24:13
  Speaker 3: of our lovely stonecutters. Yes, it's time for our stonecutter
• 24:25
  Speaker 3: shoutout time for our review of Lady Bouviez love us
• 24:27
  Speaker 3: starting with the incredible KDG with her one hundred dollars support.
• 24:30
  Speaker 3: Thank you so much, KDG. We all love you very dearly.
• 24:32
  Speaker 3: Here at the four figured Discant Network, we've got a
• 24:35
  Speaker 3: very special shout out to hire pudd In Harley. We've
• 24:38
  Speaker 3: forgotten to give you a shout out for the last month.
• 24:40
  Speaker 3: We do apologize, but there you go. You've got your
• 24:41
  Speaker 3: shout out. Also shout outs to our man Andrews Swanyemik
• 24:44
  Speaker 3: Swan keeping the lights on and keeping things running here
• 24:46
  Speaker 3: at our four figure Discant discord. The link for that
• 24:48
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• 24:50
  Speaker 3: joined the discord yet, you can do so and get
• 24:53
  Speaker 3: access to exclusive channels and servers and whatnot on the
• 24:56
  Speaker 3: discord by being a support of ours on Patreon. But
• 24:58
  Speaker 3: there is a free free thread on there as well,
• 25:00
  Speaker 3: but there is also bonus Patron exclusive threads on there.
• 25:03
  Speaker 3: We banter back and forth. Now, of course, need to
• 25:05
  Speaker 3: give shoutouts to our twenty dollars Patreon producers. We have
• 25:08
  Speaker 3: got Paul Warner, Isabella Murphy, Jonathan Rossi, Rach Beasley, Stephen Roberts,
• 25:13
  Speaker 3: Sewan Devi, Pete Anderson, Timothy Belson, Andrew Davis, Ryan Dunlap,
• 25:18
  Speaker 3: Kevin Dental, Planned Flood, Shannon Hofer, Bala winder Bank, Jack McFadden,
• 25:22
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• 25:38
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• 25:40
  Speaker 3: his support. He had the four Finger Discount Network kept
• 25:42
  Speaker 3: the lights on here. We love those people, don't.
• 25:44
  Speaker 4: We not a guarantee? Our love is not a guarantee. No,
• 25:48
  Speaker 4: of course we love them all right.
• 25:49
  Speaker 3: Let's get into our review of Lady Bouvier's Love Original edite,
• 25:51
  Speaker 3: May twelfth, nineteen ninety four, Written and directed by Bill
• 25:54
  Speaker 3: Oakle Josh Weinstein, directed by Wes Archer. Chipball Gag. I
• 25:57
  Speaker 3: will not retransmit without the express permission of Major League
• 26:00
  Speaker 3: Baseball and the Cash Gag. The Family runs to the couch,
• 26:02
  Speaker 3: but when they get there, they break and shadow like
• 26:04
  Speaker 3: glass and say, this little helper enters the room confused
• 26:07
  Speaker 3: as to where the family have gone. Reminds me of
• 26:09
  Speaker 3: those these dog prank videos with the blankets. Have you
• 26:11
  Speaker 3: seen those? Oh? Yeah, so good, so good. It's the
• 26:15
  Speaker 3: it's the first initial. It's like.
• 26:21
  Speaker 4: One expects it from monkeys, and we're gonna get some
• 26:23
  Speaker 4: primate We're gonna get some primate action.
• 26:25
  Speaker 3: Just a second.
• 26:27
  Speaker 4: I love the one there like some guy shows in
• 26:29
  Speaker 4: a rangon tan.
• 26:31
  Speaker 3: A car trick baffled, isn't it? Yeah?
• 26:33
  Speaker 4: And the car and the range jam is like it's
• 26:39
  Speaker 4: like me watching David Blaine. Yeah yeah, it literally looks
• 26:44
  Speaker 4: in him going what.
• 26:47
  Speaker 3: My god?
• 26:47
  Speaker 4: We really do share so much about DNA with our
• 26:49
  Speaker 4: lovely primate friends. Mel Yeah, I start, he got chimped.
• 26:54
  Speaker 3: It's across the across the clan show he's been told
• 26:56
  Speaker 3: he is to conduct the monkey Town Philharmonic, and then
• 26:58
  Speaker 3: it's get attacked. Now. What I loved about this se
• 27:00
  Speaker 3: here is we're gonna have full, real in depth I
• 27:03
  Speaker 3: think the most in depth look at the classic Simpsons
• 27:06
  Speaker 3: Rumpest room. Now this Rumpest Room very rarely appears. No
• 27:09
  Speaker 3: one really knows where it is in the house, but
• 27:12
  Speaker 3: it just appears every now and again. Right, it's from
• 27:14
  Speaker 3: the episode. I think the first time it appeared was
• 27:16
  Speaker 3: the episode three Men in comic Books. Iold's got three
• 27:19
  Speaker 3: and to come up with the one with the and
• 27:21
  Speaker 3: they're fighting in the treehouse at the end, right, Marge
• 27:24
  Speaker 3: says Homer, it's really coming down out there. Do you
• 27:26
  Speaker 3: want check on the boys? And we see the lightning
• 27:28
  Speaker 3: get any seem more strangling each other and home and
• 27:30
  Speaker 3: just goes they're fine. He's watching TV on a bean
• 27:32
  Speaker 3: bag in this rumper's room. They're watching TV in this
• 27:35
  Speaker 3: rumpers room. I thought, how random that it's not in
• 27:38
  Speaker 3: the land, where's in this rumpers room? And we see
• 27:40
  Speaker 3: here it's clearly to me the rubbers room feels like
• 27:42
  Speaker 3: it's the kid's toy room because they're sitting on bean bags.
• 27:45
  Speaker 3: You've got toys on the floor, you've got to crust
• 27:47
  Speaker 3: the clown post on the wall, you've got to dart
• 27:48
  Speaker 3: board in there. It's one of the great mysteries of
• 27:51
  Speaker 3: the Simpsons, the Simpsons rumpers room. But that's where they're
• 27:54
  Speaker 3: watching the show.
• 27:54
  Speaker 4: Okay, well, feature more rubbers room, lease the rumper's room cut.
• 27:58
  Speaker 3: Yes, I want, I want the rubbers room. Place it
• 28:01
  Speaker 3: completely with bandb bags. But they're watching it, and Marge
• 28:04
  Speaker 3: says that Homie didn't do a very good job of
• 28:06
  Speaker 3: icing Maggie's cake like Gggy's birthday blah blah blah. He
• 28:09
  Speaker 3: starts eating the letters and it starts eating the more
• 28:11
  Speaker 3: she made him the other cake. Now, this cake is
• 28:13
  Speaker 3: very famous now in Simpson's meme groups because people now
• 28:16
  Speaker 3: go out of their way to make their loved ones
• 28:18
  Speaker 3: or their friends cakes just like this so they can
• 28:22
  Speaker 3: ruin it. Excellent. Yeah, that's thoughtful. I was at a
• 28:25
  Speaker 3: birthday party on Sunday from my grandma, the kid's great grandma.
• 28:28
  Speaker 3: She turned eighty four, I believe. And I'm watching it
• 28:31
  Speaker 3: and all the kids got the take turns of blonde,
• 28:33
  Speaker 3: the candles out. There's a few grandkids, and I'm watching
• 28:35
  Speaker 3: his going what a random ritual we have where we
• 28:37
  Speaker 3: like people spit on the cake before we eat it.
• 28:39
  Speaker 3: Oh god, Yeah, I wouldn't let someone touch my foot
• 28:41
  Speaker 3: before I want to use my food, but yet we
• 28:43
  Speaker 3: let people spit all over the like literally spit it
• 28:45
  Speaker 3: all over the cake and then we all eat it.
• 28:47
  Speaker 3: We're such, We're just a weird species.
• 28:50
  Speaker 4: You look at anything long and I was like, why
• 28:52
  Speaker 4: do we do it that way?
• 28:53
  Speaker 3: Why?
• 28:55
  Speaker 4: Why when Christmas time comes around we put a tree inside?
• 28:58
  Speaker 3: Why do you do it because they told us to?
• 29:02
  Speaker 4: Why eggs? Yeah, yeah, there's a reason. I'm sure it's
• 29:06
  Speaker 4: something to do.
• 29:07
  Speaker 3: With the There is a reason. But why that chocolate?
• 29:10
  Speaker 3: Because chocolate DELI. Well, I've already bought some chocolate. You
• 29:13
  Speaker 3: bought chocolate streggs that I have not for me. I
• 29:16
  Speaker 3: love you get them. These are something in the plastic
• 29:19
  Speaker 3: cartons now it's cardboard boxes, but they're the Cabri eggs
• 29:23
  Speaker 3: and small, not not small, but like average size. Look
• 29:25
  Speaker 3: look on normal sized egg. There there's enough chocolate in there,
• 29:29
  Speaker 3: but it's also thin enough that just melts in your mouth.
• 29:31
  Speaker 3: You're you're not biting it as sort of as you
• 29:32
  Speaker 3: put in your mouth and just dissolves in it. Delicious, delicious.
• 29:36
  Speaker 3: If we're talking easter treats, yeah, what's your Easter treat?
• 29:38
  Speaker 3: Your easter goat? Well, I'm a hot Cross bun guy.
• 29:40
  Speaker 3: But here's the thing. You do love your hot Cross buns,
• 29:42
  Speaker 3: don't you here's.
• 29:43
  Speaker 4: The thing though, as we've always said, I'm a slat vavariance.
• 29:47
  Speaker 4: You'll get like he's an apple and cinnamon one, or oh,
• 29:50
  Speaker 4: we're doing the Kara milk one.
• 29:51
  Speaker 3: I've just heard that they're.
• 29:51
  Speaker 4: Doing Charra milk hot Cross bun get.
• 29:53
  Speaker 3: The from Woolies. They're the only ones that do it.
• 29:56
  Speaker 3: Paleface guy. No, he's a cold, isn't he? That's cold?
• 29:59
  Speaker 3: He's I'll get you woollies.
• 30:05
  Speaker 4: They're also doing like a Cinnabon version. They're gonna be
• 30:08
  Speaker 4: out in March. And I'm like, I like all of these,
• 30:10
  Speaker 4: but at the same time, if I have a four
• 30:13
  Speaker 4: pack of various hot grop but I'm gonna eat all
• 30:15
  Speaker 4: of them. So what what my plan is. I will
• 30:17
  Speaker 4: get a bag of each, I will take one out
• 30:19
  Speaker 4: of each, put them in the fridge.
• 30:21
  Speaker 3: Or the freezer. I'll give it.
• 30:22
  Speaker 4: I'll give the rest of you in the in the kids.
• 30:24
  Speaker 4: But I will have one Sinnabon flavored, one caramel flavored,
• 30:27
  Speaker 4: one regular, and one chocolatey one. Is like, okay, that'll
• 30:32
  Speaker 4: be fine. I'll have like one a week leading up
• 30:34
  Speaker 4: to Easter. That'll be my thing. You should start I
• 30:37
  Speaker 4: should not do that.
• 30:38
  Speaker 3: You know, you should start like an Instagram account where
• 30:41
  Speaker 3: it's just you reviewing hot cross buns. Maybe start a
• 30:43
  Speaker 3: YouTube channel, Yeah, why not. What's the name for a
• 30:46
  Speaker 3: Hot Cross bun review channel. It's very very seasonal. You
• 30:51
  Speaker 3: can get meny viewers in August hot cross puns, suns out,
• 30:57
  Speaker 3: buns out, Suns out, buns out. Yeah, I'll watch that.
• 31:00
  Speaker 3: Welcome to the Bunk Club. Yeah, not bad. You're just
• 31:03
  Speaker 3: trying to rhyme wads of gun pretty much. This is
• 31:06
  Speaker 3: this is the this is the wellspring of creativity. But
• 31:09
  Speaker 3: we're here to review Lady v Love, of course, aren't we.
• 31:12
  Speaker 4: We took about her grosboons.
• 31:15
  Speaker 3: Hama's ruined the cake. He's got a cake to ruin.
• 31:18
  Speaker 3: And this is where Patty and Selma and Jacqueline arrive.
• 31:22
  Speaker 6: Whoa everyone except Homer.
• 31:24
  Speaker 4: Happy birthday, granddaughter, Marge.
• 31:28
  Speaker 6: I think that's your father in law across the street.
• 31:33
  Speaker 2: Happy birthday.
• 31:36
  Speaker 3: Very much showcase for Julie, in particularly the opening act
• 31:39
  Speaker 3: of this episode where she's doing all for livarians. Yeah,
• 31:42
  Speaker 3: because they all sound similar, but they also sound very
• 31:45
  Speaker 3: distinct in their own way as well.
• 31:46
  Speaker 4: Oh yeah, I mean Jacqueline Bouvier and yeah, Mama Boovia
• 31:49
  Speaker 4: sounds very much like an old version of them.
• 31:52
  Speaker 3: Yeah, and Patty and Salma sound like a smoker's version
• 31:56
  Speaker 3: of Marge. Yes, yeah, Julie cabinet amazing, that voice was
• 32:02
  Speaker 3: this time was great. That's originally so. Then this is
• 32:06
  Speaker 3: where Grandpa arrives as well, but he goes to the
• 32:08
  Speaker 3: wrong houses across the street. He's very sweet in this episode. Grandpa.
• 32:10
  Speaker 3: He's never been or anything like that. He's just just
• 32:14
  Speaker 3: an old man, an old fuss spot. Yeah. So they
• 32:18
  Speaker 3: Marge brings in Maggie here wearing her first dress, being
• 32:20
  Speaker 3: all cute, and Patty and someone I want to hang
• 32:22
  Speaker 3: on a Christmas tree forever? What smells? Oh yeah, I'll
• 32:26
  Speaker 3: been there.
• 32:26
  Speaker 4: Back into the Have you ever had that happen where
• 32:29
  Speaker 4: you know you've dressed up well who among us? But
• 32:33
  Speaker 4: you know you dress up one of the kids like,
• 32:35
  Speaker 4: oh look at you're looking.
• 32:36
  Speaker 3: Oh you just shut yourself, don't you? Yeah, or they
• 32:39
  Speaker 3: get the poof face on you go, oh no, the poms,
• 32:42
  Speaker 3: the poof face, you poof faces.
• 32:43
  Speaker 4: I'm pretty sure I think it's kind of self explained.
• 32:47
  Speaker 3: Can you envision a poof face? Though? What do you
• 32:49
  Speaker 3: think your poof faces. Does do we as a doss
• 32:53
  Speaker 3: do we still have poof faces? Or is it just
• 32:55
  Speaker 3: I feel like now we'll say you because we have
• 32:57
  Speaker 3: to really concentrate to Pooh. Now it's just usually browsing
• 32:59
  Speaker 3: on our phones. It's just happening.
• 33:00
  Speaker 4: Oh yeah, it looks like A'm moving to that room.
• 33:03
  Speaker 4: Yeah yeah, or you're you know, you're out for a
• 33:05
  Speaker 4: walk or something.
• 33:06
  Speaker 3: I've had this happen with the Pooh waddle. Oh yeah,
• 33:09
  Speaker 3: And you're kind of like.
• 33:10
  Speaker 4: You've got to pause and make it look like, oh no,
• 33:13
  Speaker 4: I've just gotta gotta stretch out my calf. Yea up there,
• 33:18
  Speaker 4: get back up there, and then you're really yeah, but
• 33:22
  Speaker 4: you can't make it look like that's what's happening.
• 33:24
  Speaker 3: So it's like Harry Dog.
• 33:25
  Speaker 4: Ah, I've got a Charlie horse and the fire stretch
• 33:29
  Speaker 4: it out, look good?
• 33:32
  Speaker 3: Five minutes from home? Can I do it? But they
• 33:34
  Speaker 3: say where all the other babies here at this party?
• 33:35
  Speaker 3: There are no other babies because Maggi doesn't get along.
• 33:37
  Speaker 3: We see gerald fire believe the first time, as you said,
• 33:39
  Speaker 3: outside the window, and then they enter with the cake
• 33:43
  Speaker 3: with the candles and they're playing up here that kids
• 33:46
  Speaker 3: might be frightened by the fact that everyone's looking at them,
• 33:47
  Speaker 3: taking photos, and Maggie's just got the shakes happening. I
• 33:50
  Speaker 3: think kids love birthdays, man, I know she's only ones.
• 33:52
  Speaker 3: Maybe when they're one a bit different. By the time
• 33:54
  Speaker 3: they're two or three, they're all about it.
• 33:55
  Speaker 4: I imagine that's a lot of sensory input for a
• 33:58
  Speaker 4: for a small child though, just having a lot of
• 34:00
  Speaker 4: peoples of the zoom in on them, bright lights.
• 34:02
  Speaker 3: Et cetera. And a one year old's birthday party is
• 34:04
  Speaker 3: for the parents anyway, of course it is. It's not.
• 34:06
  Speaker 3: We've said his time and time again. Anyone who has
• 34:08
  Speaker 3: birthday parties for the one year old makes it a
• 34:09
  Speaker 3: big deals, like you're just doing it for yourself. What
• 34:10
  Speaker 3: about a two year old? Two year olds? They I
• 34:13
  Speaker 3: think two years at least they're having fun. One year
• 34:16
  Speaker 3: olds just sitting there going why is everything that they
• 34:18
  Speaker 3: have no idea what's happening? Two year old is aware
• 34:20
  Speaker 3: it's their birthday.
• 34:21
  Speaker 4: Okay, then they're a center of attention.
• 34:23
  Speaker 3: Yeah, I was looking over the wall. I see baby
• 34:24
  Speaker 3: Gerald's got a card on the wall staring at you.
• 34:27
  Speaker 3: He's yeah at you. Yes, Someone on social media like
• 34:32
  Speaker 3: it just went crazy. That video it just like went viral.
• 34:35
  Speaker 4: But that was it just talking about there's one of
• 34:37
  Speaker 4: the it's one of like Hank's best line deliveries or
• 34:40
  Speaker 4: something like that.
• 34:40
  Speaker 3: Very sincere. The baby looked at you.
• 34:43
  Speaker 4: I was ahead of the curve. I like baby. I
• 34:45
  Speaker 4: like baby looked at.
• 34:46
  Speaker 3: You for It's cool. Yes you did. You've been saying
• 34:48
  Speaker 3: that's been one of your favorites forever, isn't it. Maybe
• 34:50
  Speaker 3: lucky baby looked.
• 34:51
  Speaker 2: At you.
• 34:54
  Speaker 4: Even better, even not even better, but pretty close. After that,
• 34:59
  Speaker 4: Sarah gave me the give me the chief, whatever.
• 35:02
  Speaker 3: The school, give me the school or whatever.
• 35:03
  Speaker 4: Yeah what She just picks up the phone right next
• 35:06
  Speaker 4: from Darz the number gives.
• 35:07
  Speaker 3: Them thank you, Sarah, and she smiles. What it's simp
• 35:12
  Speaker 3: I love that.
• 35:13
  Speaker 4: I love that may look at you. That's what it
• 35:16
  Speaker 4: took from that. But the teacher of the Prinson were
• 35:20
  Speaker 4: having sex in the closet. It's baby looked at you,
• 35:25
  Speaker 4: and the baby looked at me.
• 35:26
  Speaker 3: Baby looked at So that line there is that him confused.
• 35:29
  Speaker 3: Why Ralph would think that always confused that he believes
• 35:31
  Speaker 3: there actually was a baby there. I don't know what
• 35:34
  Speaker 3: it means. There were probably smarter people out there.
• 35:38
  Speaker 4: You know it actually means this, but I'm just like,
• 35:39
  Speaker 4: I just like the way it sounds.
• 35:41
  Speaker 3: Yeah, that's true. How many SAMs? And we said it
• 35:44
  Speaker 3: in this episode because it just fun. Maybe on this
• 35:47
  Speaker 3: podcast we say, like every single episode just about everything.
• 35:50
  Speaker 3: Whatever I said, one of your favorite members of the
• 35:51
  Speaker 3: show overall, that's always one of yours. That and Devil's
• 35:54
  Speaker 3: Advocate ding ding ding Sure not Simpson Safari, Oh no,
• 35:59
  Speaker 3: oh no not indeed no. So Maggie's getting all scared,
• 36:02
  Speaker 3: and then Grandpa and Jacqueline, are you ever how to
• 36:05
  Speaker 3: get rid of the shakes?
• 36:07
  Speaker 1: Put some listeners, cobola conguin, done a cotton put the
• 36:10
  Speaker 1: cotton in your ear, don't stuck them shakes? No, No,
• 36:13
  Speaker 1: what she needs is a bosom specific ball, some specific
• 36:18
  Speaker 1: while we're burning money, why don't we give her a
• 36:20
  Speaker 1: cheer rate of galvernic bell too.
• 36:23
  Speaker 4: Don't forget to give her Snackler's powder.
• 36:26
  Speaker 1: Don't make fun.
• 36:28
  Speaker 3: Then Maggie's asleep and they pan down in between the
• 36:31
  Speaker 3: roof and the floor. There was here recorder, someone's recording
• 36:33
  Speaker 3: the conversation. They used to always do that game. It's
• 36:35
  Speaker 3: a random throwaway gag. Yeah, but they don't do it anymore.
• 36:37
  Speaker 3: There's always there's always something in the roof or in
• 36:39
  Speaker 3: the in the walls there, and they're all sharing stories
• 36:42
  Speaker 3: and I've just gone here, this is what happens Christmas
• 36:44
  Speaker 3: Day or we always have we play cards on a
• 36:46
  Speaker 3: Christmas night. We can play cards with certain family members
• 36:49
  Speaker 3: and whatnot, and it always just ends up us just remember
• 36:52
  Speaker 3: when Nan did this, or just telling stories of I
• 36:55
  Speaker 3: remember when you were five and you were doing that,
• 36:56
  Speaker 3: And they're my favorite moments in life. I think when
• 36:59
  Speaker 3: the family get together and just share memories that you've
• 37:02
  Speaker 3: never heard before ever the once you have heard a
• 37:04
  Speaker 3: million times, but you just love hearing them tell it
• 37:06
  Speaker 3: because you may have heard it a million times, but
• 37:08
  Speaker 3: you will miss it when they're no longer with us
• 37:09
  Speaker 3: and they're not telling that story anymore. Absolutely. Yeah, yeah,
• 37:12
  Speaker 3: I'm actually thinking of it's just a podcaster and me,
• 37:15
  Speaker 3: but next Christmas leaving the mic song and just getting
• 37:19
  Speaker 3: family to just come in here and just tell stories
• 37:21
  Speaker 3: about their child. Just tell stories, because it's invaluable hearing
• 37:25
  Speaker 3: memories about your family, don't you think? Absolutely? Have you?
• 37:28
  Speaker 3: Have you asked Margaret Mary a better childhood and things certainly.
• 37:30
  Speaker 4: Yeah, yeah, yeah, I'm not going to go into it
• 37:32
  Speaker 4: more than that, but yeah, no, I absolutely have.
• 37:35
  Speaker 3: She got arrested for indecent exposure. That's so they're telling
• 37:42
  Speaker 3: all the stories here to at least his third birthday
• 37:44
  Speaker 3: was really break it into the routine about armor hot dogs.
• 37:47
  Speaker 3: They go full on into it, singing a hot dog song,
• 37:49
  Speaker 3: any of the songs in this family knows besides advertisements
• 37:52
  Speaker 3: Chicken Tonight, I always.
• 37:53
  Speaker 4: Thought Chicken Tonight was just an Australian thing.
• 37:55
  Speaker 3: I was baffled when I remember when I first saw itself. Thought,
• 37:57
  Speaker 3: I honestly thought chicken tight was Australian as well, was
• 38:00
  Speaker 3: a sensation gangbuster of an air. Oh yeah, you still
• 38:04
  Speaker 3: get Chicken tonight, right, but I imagine you can. I
• 38:05
  Speaker 3: don't watch enough free to air TV to know whether
• 38:07
  Speaker 3: the ads are still running, but I don't think you
• 38:09
  Speaker 3: would never change it, but maybe know that it is
• 38:10
  Speaker 3: there at the point now where that marketing campaign was
• 38:12
  Speaker 3: so well or so good for so long, you don't
• 38:15
  Speaker 3: really need to market anymore. It's just we haven' we're
• 38:17
  Speaker 3: getting chicken tonight. It's just it's become part of it.
• 38:19
  Speaker 4: And then as the minute someone says that the song
• 38:22
  Speaker 4: into his head, does you feel like chicken tonight?
• 38:24
  Speaker 3: Like chicken to chicken tonight? It's good again, like chickens tonight,
• 38:28
  Speaker 3: It's so good. Then we're in bed. Helps it.
• 38:31
  Speaker 4: It's a quality product. Chicken ant was usually pretty good.
• 38:34
  Speaker 3: Yeah, just chop some chickens, garlic, some onions. Delicious, But
• 38:38
  Speaker 3: marg Is suggested that Grandpa and Jacqueline should hang out together,
• 38:41
  Speaker 3: and Homer says, no, no, people should be studied. Now
• 38:43
  Speaker 3: this is the second time we've had to mention of
• 38:45
  Speaker 3: Ross Perot recently. I don't know whether it's been on
• 38:47
  Speaker 3: both on forfing and discount reviews or whatever, But Ross Perot,
• 38:50
  Speaker 3: who was this guy?
• 38:51
  Speaker 4: I believe he was an eccentric Texan million slash billion.
• 38:56
  Speaker 3: It was speaking of the heel because I talking about
• 38:58
  Speaker 3: his eight hundred number when no in Mexican.
• 39:00
  Speaker 4: Oh okay, yeah, there we go. Unified theory comes through again.
• 39:04
  Speaker 4: But yeah, he ran for president. Oh was it in
• 39:07
  Speaker 4: the Clinton era when.
• 39:09
  Speaker 3: Must have been early nineties?
• 39:10
  Speaker 4: Yeah, yeah yeah, Bill. Bill makes an appearance in there.
• 39:14
  Speaker 4: I'm word, You're finally found love. He looked like he
• 39:17
  Speaker 4: was about, you know, five feet two, little scrappy, little guys.
• 39:22
  Speaker 3: Yeah, that's right. I'm made my own money from. Yeah.
• 39:26
  Speaker 3: Is he the guy that touches his hat in the
• 39:27
  Speaker 3: King and Codos one? Maybe you know that it's a
• 39:32
  Speaker 3: two party system. You've gotta vot for one of us.
• 39:34
  Speaker 3: Why I vote for a third party candidate? And it's
• 39:35
  Speaker 3: like no, no, no, And he guess he punches his hat.
• 39:38
  Speaker 3: That him? Good. Well he's a little weedy guy. Look
• 39:40
  Speaker 3: it up.
• 39:41
  Speaker 4: It was a little guy, absolutely, but you know, full
• 39:43
  Speaker 4: of gumption.
• 39:43
  Speaker 3: Now I'm just saying the guy the Simpsons was want
• 39:45
  Speaker 3: to punch his hat ross prow Simpsons. Yeah him, Yeah,
• 39:49
  Speaker 3: so he punches his hat. Yeah, that's right, that's him.
• 39:52
  Speaker 3: So now they're on their way out for lunch, I'm assuming,
• 39:54
  Speaker 3: and we get the iconic can I come to moment? Yes,
• 39:58
  Speaker 3: you just feel so bad for lady.
• 40:00
  Speaker 4: By the way, we've already we've skipped them matlock bit,
• 40:02
  Speaker 4: but we already talked about that.
• 40:03
  Speaker 3: I guess, oh they've left. Oh yes, of course, yes,
• 40:06
  Speaker 3: they all leave. Actually, I want to point out because
• 40:08
  Speaker 3: Jacqueline in that moment says, I guess next on I'm
• 40:10
  Speaker 3: going to see it is probably Thanksgiving and homes like
• 40:12
  Speaker 3: maybe Christmas. So it's we only.
• 40:14
  Speaker 4: Family were quite understood the reading of feeling that Christmas.
• 40:19
  Speaker 4: I was like, maybe we can get away with just
• 40:21
  Speaker 4: seeing them the home you see you. Yes, yeah, we'll
• 40:23
  Speaker 4: skipped Thanksgiving. Yeah, it's sad in the sense that so
• 40:26
  Speaker 4: many families only see each other on the holidays.
• 40:29
  Speaker 3: We don't make the effort when we should. I live
• 40:31
  Speaker 3: ten minutes away from some family. I was in there
• 40:34
  Speaker 3: like once a month, if not like less than that.
• 40:36
  Speaker 3: You know, once it becomes why why did it? Why
• 40:39
  Speaker 3: you're sitting at home watching I'm sitting here watching Judge Judy.
• 40:43
  Speaker 3: I should be visiting family. But what am I doing here?
• 40:47
  Speaker 3: I'm having a good time about to say, yeah, you know,
• 40:50
  Speaker 3: we only visit family on holidays. And how often, humor me,
• 40:55
  Speaker 3: how often does your family members? Because mind all the time?
• 40:57
  Speaker 3: And I said all the time on Christmas Day or
• 40:59
  Speaker 3: whenever we need catcher going. We should do this more often.
• 41:03
  Speaker 4: No, my family does it all that much. My friend
• 41:04
  Speaker 4: my friends certainly do it. I mean I think we
• 41:06
  Speaker 4: like the thing we see each other relatively more often. Yeah, no,
• 41:10
  Speaker 4: we will, we will.
• 41:11
  Speaker 3: We never do well.
• 41:12
  Speaker 4: It happens with my friends. We're particularly my school friends
• 41:15
  Speaker 4: who I caught.
• 41:15
  Speaker 3: Up with if you do reply to the guy that
• 41:17
  Speaker 3: tries to start initiate the meeting, that's Will share out
• 41:19
  Speaker 3: to Will.
• 41:22
  Speaker 4: But yeah, we had a really nice get together just
• 41:25
  Speaker 4: before Christmas and we were all and we always say it, yeah,
• 41:28
  Speaker 4: oh shit, we should do this again. And I've got
• 41:30
  Speaker 4: it with JP not long ago. I'll say, I'm going
• 41:33
  Speaker 4: to try and organize something for February. We're in February now,
• 41:35
  Speaker 4: I've not done shit. There's a lot going on in February,
• 41:39
  Speaker 4: so it probably won't be until March. We'll see what happens.
• 41:41
  Speaker 4: But yeah, of course it happens August comes around. It's
• 41:44
  Speaker 4: the human Condition.
• 41:45
  Speaker 3: Four figure discount is brought to you by our incredible
• 41:48
  Speaker 3: supporters on Patreon. With your support, we're able to hire editors,
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• 42:00
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• 42:18
  Speaker 4: I've got a neat idea.
• 42:20
  Speaker 3: Why don't you go in and pick up my mother
• 42:21
  Speaker 3: and we'll all go out to dinner.
• 42:23
  Speaker 1: I'll be back in a jiffy. That's not my mother,
• 42:31
  Speaker 1: I'll be back in a jiffy.
• 42:35
  Speaker 3: Can I come to? So the Can I come to? Lady?
• 42:41
  Speaker 3: I was just feel so sorry for it's there? Which is?
• 42:44
  Speaker 3: Can I come to? They both look away and the
• 42:46
  Speaker 3: windows goes up. If I'm in that situation, what do
• 42:51
  Speaker 3: you do? You just pretend you don't hear it? Do
• 42:53
  Speaker 3: you do? You say sorry? No? What do you do?
• 42:56
  Speaker 3: You say sorry now as gently as possible? Did she
• 43:02
  Speaker 3: get back inside? Had to get back inside? Grab it
• 43:03
  Speaker 3: as left it down on the curve. Oh nos? But
• 43:05
  Speaker 3: so they go to p Pickley, hog Swine, super Smog
• 43:08
  Speaker 3: and Marge says, you know, you guys have a lot
• 43:10
  Speaker 3: more a lot in common. And I said, you've both
• 43:13
  Speaker 3: got a swindled by the tail market, a scam, grab
• 43:16
  Speaker 3: a scam. It's yeah, you can give a cuick information.
• 43:18
  Speaker 3: And then she says, I was just happy to talk
• 43:19
  Speaker 3: to somebody on the phone.
• 43:21
  Speaker 4: Are you afraid of getting scammed?
• 43:23
  Speaker 3: I've been scammed. I did oh, yeah, the famous Lego scam.
• 43:28
  Speaker 3: So I'm very weary now. I do like the fact
• 43:31
  Speaker 3: that when you get a phone call now it says
• 43:32
  Speaker 3: suspected spam, and I'm like, thank you for telling me
• 43:34
  Speaker 3: in advance.
• 43:36
  Speaker 4: May I be a dreadful person for a second? And
• 43:38
  Speaker 4: what's that? I imagine you are weary, but you also
• 43:42
  Speaker 4: might be wary.
• 43:43
  Speaker 3: Oh, weary, yeah, weary, weary. What's weary? Weary is when
• 43:46
  Speaker 3: you're tired, and you tire weary eyes. Where is when
• 43:48
  Speaker 3: you're suspicious? Yes, weary, very wary, yes, and you're also
• 43:52
  Speaker 3: kind of weary. I'm very weary of solo for and
• 43:56
  Speaker 3: me chiming and correcting you. Okay, no, no, please correct
• 43:59
  Speaker 3: I'll make sure it's one thing Mitch corrected me once
• 44:01
  Speaker 3: in the podcast, and I've never forgotten it, and I'm
• 44:04
  Speaker 3: always making sure I made the effort to do it
• 44:06
  Speaker 3: right because I used to always always say hence why
• 44:10
  Speaker 3: it's not hence why it's the why is implied with
• 44:13
  Speaker 3: the hens. So now when I go I'm saying hence
• 44:16
  Speaker 3: why something, I leave it at the white So I
• 44:18
  Speaker 3: always remember when Mitch was just like, well you stop
• 44:19
  Speaker 3: saying hence why, and I go, I didn't realize this.
• 44:22
  Speaker 3: I will meet the effort now. But I learned things
• 44:25
  Speaker 3: and I remember, so now going forward, I'll make sure
• 44:27
  Speaker 3: I say wherey okay. I appreciate it. I like it
• 44:30
  Speaker 3: for the lesson.
• 44:31
  Speaker 4: I like to think I was a little more diplomatic
• 44:33
  Speaker 4: in my correction than.
• 44:33
  Speaker 3: Mitch's, like, you're a dickhead.
• 44:36
  Speaker 4: But then you know, people might be tuning in for
• 44:39
  Speaker 4: that spice. Yeah they might have liked that back in. Yeah, hey,
• 44:44
  Speaker 4: tune into going down to South Park. We talked about
• 44:46
  Speaker 4: fat butt and pancakead. There's a lot of Heliver Lopez.
• 44:50
  Speaker 3: Jennifer Ope's episode so good. Oh that's right.
• 44:52
  Speaker 4: Oh sorry, my Lopez impression escaped containment. We're only going
• 44:57
  Speaker 4: to do it on that episode. But you know, becoming attraction,
• 45:00
  Speaker 4: this is my racism has broken contentment.
• 45:02
  Speaker 3: You have to record a primo for going down a
• 45:04
  Speaker 3: south pick as her, that's right.
• 45:07
  Speaker 4: Do you want to do going down to a South Park?
• 45:11
  Speaker 3: Who the fox said that? Cool? It was? It suck
• 45:15
  Speaker 3: my cooler, cool old chica.
• 45:19
  Speaker 4: Oh my god, don't please do not snip that and
• 45:21
  Speaker 4: put it in anywhere else.
• 45:23
  Speaker 3: And that's what she said. Grabo tries to cheer up
• 45:26
  Speaker 3: Jacqueline here with potatoes, which is a parody of Charlie Chaplain.
• 45:30
  Speaker 4: Is indeed now sorry, Win, did this episode air again?
• 45:33
  Speaker 4: I will find that for you right now. It was
• 45:35
  Speaker 4: ninety four, Okay. Around this time that little routine came
• 45:40
  Speaker 4: back into vogue because there was a movie called Benny
• 45:42
  Speaker 4: in June starring Johnny Depp. This is when Johnny was
• 45:45
  Speaker 4: kind of like, I know, I look like the most
• 45:48
  Speaker 4: handsome person to ever live, but I'm also, you know,
• 45:51
  Speaker 4: a bit wacky and artistic and all this kind of stuff.
• 45:53
  Speaker 4: And in this movie Benny and Journey was playing this
• 45:55
  Speaker 4: sort of eccentric fellow, but he did the whole put
• 45:57
  Speaker 4: some forks into some bread rolls and do a little
• 45:59
  Speaker 4: dance route with it, and it was kind of like, oh, Johnny,
• 46:02
  Speaker 4: it's so charming. She'll never gonna get ship faced and
• 46:06
  Speaker 4: lose all your money and be possibly abusive to your
• 46:08
  Speaker 4: spouse in a mutual relationship.
• 46:10
  Speaker 3: Allegedly, we shouldn't laugh, you know, love here cry Yeah,
• 46:19
  Speaker 3: I know, right yeah. So bluehead Lawyer of course interrupts
• 46:21
  Speaker 3: as you're saying early and says he's on barf the
• 46:23
  Speaker 3: chap on the state love Blue head lawyer doesn't get
• 46:27
  Speaker 3: used anywhere near enough anymore in the teen era of
• 46:29
  Speaker 3: the show. Such a professional one and a shark, Yeah, ruthless.
• 46:34
  Speaker 3: But then she's showing Grandpa old photos when she got
• 46:36
  Speaker 3: arrestled in disint exposure. Mentions the friends and he says,
• 46:39
  Speaker 3: you remind me of a poem that I can't remember.
• 46:41
  Speaker 3: It was something that may never have existed in a
• 46:43
  Speaker 3: place I'm not sure i've ever been to. So sweet.
• 46:45
  Speaker 4: That's a really it's a very funny line, and it's
• 46:48
  Speaker 4: a really sweet line.
• 46:50
  Speaker 3: You remind me of something I'm not sure what, but
• 46:52
  Speaker 3: I like what it is.
• 46:53
  Speaker 4: Props to Josh and Bill. I think that's a really
• 46:55
  Speaker 4: well written dual purpose line.
• 46:58
  Speaker 3: Yeah, he feels really funny. Realize what a mite. It's love. No,
• 47:01
  Speaker 3: it's a stroke, stroke use of the ambulance. No, wait,
• 47:03
  Speaker 3: it's love. That is sent amount to the highway. That
• 47:06
  Speaker 3: is a conan O'Brien, yag I've ever seen send him
• 47:09
  Speaker 3: mount into the highway. So we come back and Bart
• 47:11
  Speaker 3: is watching the McClure show on Impulse by a network,
• 47:14
  Speaker 3: and then what.
• 47:15
  Speaker 4: Were what do you what might you remember that?
• 47:18
  Speaker 3: Yeah?
• 47:19
  Speaker 4: This is these are the most true truemanclue titles as
• 47:23
  Speaker 4: far as I mean, certainly the boat Jacking of super
• 47:25
  Speaker 4: Ship seventy nine, Love that and Hydro the Man with
• 47:29
  Speaker 4: the hydraulic Arms. I'm pretty sure I would have watched
• 47:33
  Speaker 4: the Boat Jacking of super Ship seventy nine.
• 47:36
  Speaker 3: It sounds like a great nineteen seventy eight thriller. Oh yeah,
• 47:39
  Speaker 3: but not TV made for TV.
• 47:42
  Speaker 4: Yeah, yeah, I'm sure we talked about there's an actor
• 47:44
  Speaker 4: named Doug McClure who was yeah, yeah, who was very
• 47:48
  Speaker 4: sort of big in seventies B movies and things like that.
• 47:51
  Speaker 4: I'm guessing that's who they lifted the name from. Partially
• 47:55
  Speaker 4: is in tribute or partially his piss takes?
• 47:57
  Speaker 3: Yeah, anyway, we could google it. Let's not.
• 48:00
  Speaker 4: Let's let's keep talking about Lady Movie is Love.
• 48:02
  Speaker 3: This is Roger Meyers Junior is just flogging the animation
• 48:06
  Speaker 3: cells and it makes it look like you're going to
• 48:08
  Speaker 3: get the entire animation cell. But no, but this is
• 48:09
  Speaker 3: how they look. It's usually a background with this one
• 48:13
  Speaker 3: little part of the cell in there.
• 48:14
  Speaker 4: Yeah, you were talking about infomercials before. I remember one
• 48:18
  Speaker 4: that they used to have a lot was I'm so
• 48:20
  Speaker 4: and so from Silver Care Galleries or whatever.
• 48:22
  Speaker 3: Do you remember that guy, the old guy. I've spoken
• 48:25
  Speaker 3: him numerous times. Why am I not surprised he goes
• 48:28
  Speaker 3: to conventions and he's got like a whole lot. You know.
• 48:31
  Speaker 3: You go to a record staunch, just boxes of records,
• 48:32
  Speaker 3: but he's just boxes of animation cells.
• 48:34
  Speaker 4: Yeah, that may be on the one that I was
• 48:36
  Speaker 4: kind of thinking that wouldn't look bad on the wall.
• 48:38
  Speaker 4: That's kind of interesting, like an I would sketch of
• 48:42
  Speaker 4: like Steamboat Willie or some shit like that.
• 48:44
  Speaker 3: I'm walking around the Simpsons studios on our honeymoon and
• 48:46
  Speaker 3: She'll showing me some of the original animation sales from
• 48:48
  Speaker 3: the Golden Ear shout out to NICKI and I'm looking,
• 48:51
  Speaker 3: I'm going, how can I get this out of the door?
• 48:56
  Speaker 3: I remember there was one that had Hugo and Bart
• 48:59
  Speaker 3: from the thing and I and I'm going, I must
• 49:01
  Speaker 3: have this. And I'm saying to her, can you buy these?
• 49:04
  Speaker 3: She goes, oh, no, you shouldn't even be touching them.
• 49:06
  Speaker 3: I was like, I was touching them. Look at it?
• 49:11
  Speaker 3: Why who are you? Why are you good time? Zoning? Great?
• 49:16
  Speaker 3: Was that was an experience getting to sit down with
• 49:19
  Speaker 3: Rob Oliver, director of the Simpsons and the guy who
• 49:21
  Speaker 3: designed all the cover up for the Simpsons DVDs, and
• 49:24
  Speaker 3: he showed me how to draw Margin. That video is
• 49:25
  Speaker 3: available on YouTube.
• 49:27
  Speaker 4: I recall, yeah, but Bo means go and check it out.
• 49:29
  Speaker 3: Everybody, great man. Indeed. So basically this is where Bart
• 49:32
  Speaker 3: takes the wallet and home, it takes the slingshot and
• 49:36
  Speaker 3: he orders over the phone. So he's got the Federal
• 49:38
  Speaker 3: Bikini Inspector was the other license to ogle. See how
• 49:41
  Speaker 3: many just great little throwaway bits in it. So it's
• 49:43
  Speaker 3: a coding episode, mate, it's March versus the money out.
• 49:46
  Speaker 3: Shit just keeps happening.
• 49:47
  Speaker 4: I mean, even the whole yeah, Bart pinching the wallet thing,
• 49:52
  Speaker 4: I mean it's played for a little bit.
• 49:53
  Speaker 3: It's not but it's like as as him going and
• 49:56
  Speaker 3: taken it out of a draw or something.
• 49:58
  Speaker 4: Yeah, it's cute, it's funny.
• 50:00
  Speaker 3: Yeah, good episode. Yes, Homer is opposed to the whole
• 50:05
  Speaker 3: thing of them being together. He doesn't like it at
• 50:07
  Speaker 3: all because we brother and sister, and he envisions, envisions
• 50:09
  Speaker 3: our kids will be freaks as humans. Yep. Now, Margin
• 50:14
  Speaker 3: calls Jacqueline on the phone, calls hi, mum. She says,
• 50:17
  Speaker 3: to grab I don't come across too strong, and my
• 50:18
  Speaker 3: mom doesn't like that. He just hijacks the phone call
• 50:21
  Speaker 3: I love it, love it, love it coome my mom.
• 50:22
  Speaker 3: March takes over. Then we get the delivery, and we
• 50:26
  Speaker 3: could do it for Homer Simpson. First one is stop writing.
• 50:33
  Speaker 3: The next one is stop stealing golf balls from the
• 50:35
  Speaker 3: driving range. Third one is the wise Guy. Yes, as
• 50:38
  Speaker 3: you're saying, it's not the wise Guy, the wise Guy,
• 50:40
  Speaker 3: but just can I'll give you a special delivery? Yes,
• 50:46
  Speaker 3: very much, come to klingsy Pool. Oh yeah, no days.
• 50:51
  Speaker 3: Then he takes it out and it's very crappy Coustrian
• 50:53
  Speaker 3: and fifty dollars, and we have Nelson getting an out
• 50:55
  Speaker 3: of body experience. Even like so when Nelson goes ha
• 50:59
  Speaker 3: ha teen era of Simpsons, that would just be it's
• 51:02
  Speaker 3: just there for the same he's just riding past on
• 51:04
  Speaker 3: his bike. Yes, but at least now they're at least
• 51:06
  Speaker 3: they're giving some reason. How would Nelson be doing. He's
• 51:08
  Speaker 3: having out of body experience. It's ridiculous, it's unrealistic, but
• 51:12
  Speaker 3: at least it's given us a reason.
• 51:13
  Speaker 4: Well you initially, oh okay, it's just imagine. Yeah, yeah,
• 51:17
  Speaker 4: it's like no, let's.
• 51:18
  Speaker 3: Let's throw a little something more. Let's throw some more
• 51:20
  Speaker 3: crowd on it. Yeah, that's squeeze as many jokes as
• 51:23
  Speaker 3: they possibly can. Then Grandpa is getting ready for his days.
• 51:26
  Speaker 3: He's gonna switch it like a mulet and an apple.
• 51:27
  Speaker 3: It's like Jesus, she's bought novelty benches that say kiss
• 51:32
  Speaker 3: me sweety or something on them. When the lights go
• 51:34
  Speaker 3: down and we get the iconic play it cool song
• 51:37
  Speaker 3: and the song itself, I could take it to leave it,
• 51:38
  Speaker 3: but it's like the fact seeing Homer and Bond. Yeah.
• 51:43
  Speaker 4: Then the little finger guns at each other at the end.
• 51:46
  Speaker 3: And he doesn't play it cool. Since she arrives, he
• 51:47
  Speaker 3: screams and hides behind the cap. Yeah. Then they are
• 51:50
  Speaker 3: the community Center. It's the swing dance. Meanwhile, the swing
• 51:54
  Speaker 3: dance we got bart taking the cells?
• 51:57
  Speaker 2: Is this cell worth anything?
• 52:00
  Speaker 6: Let me show you something. This This is a snagger
• 52:03
  Speaker 6: puss John Bay Hick Hastelou. It is worth something. This
• 52:06
  Speaker 6: this is an arm John by nobody. It is worth nothing.
• 52:10
  Speaker 3: Can't you give me anything for it?
• 52:12
  Speaker 6: I can give you this telephone. It is shipped like
• 52:14
  Speaker 6: Mary worth Nook ruining in my store.
• 52:17
  Speaker 3: Who's Meryworth. That's a really good question. I do not know.
• 52:21
  Speaker 3: I'm gonna look it up. I'm gonna say she.
• 52:23
  Speaker 4: Was like an advice columnist, but one who who advised
• 52:27
  Speaker 4: would always be listen to your parents or you know.
• 52:31
  Speaker 3: Maryworth is an American newspaper comic strip, Oh not a
• 52:34
  Speaker 3: real person. I was Way wrong had an eight decade
• 52:39
  Speaker 3: run from nineteen thirty eight distri distributed by King Feature Syndicate.
• 52:42
  Speaker 3: This soap opera style strip influenced several that followed. It
• 52:45
  Speaker 3: was created by writer Alan Solders and artist Dale Connor.
• 52:48
  Speaker 3: Initially appeared under the pseudonym Dale Allen.
• 52:51
  Speaker 4: What is Mary Worth's kind of key characteristics? Is she
• 52:54
  Speaker 4: a busybody? Let's find out.
• 52:56
  Speaker 3: So typically a story would revolve around the troubles of
• 52:58
  Speaker 3: someone who was somehow in my orbit. Mary herself might
• 53:01
  Speaker 3: not appear in the strip for weeks at a time,
• 53:03
  Speaker 3: although she would eventually be around to give time of
• 53:04
  Speaker 3: the advice and support. So she's kind of like what
• 53:08
  Speaker 3: you said she would have been she was a real person. Yeah,
• 53:11
  Speaker 3: she's not a real person. She's the She's Danny from
• 53:16
  Speaker 3: Full House. He goes everyone's having trouble and he's like
• 53:19
  Speaker 3: sit down, kids, you're gonna learn something today. Mary's there
• 53:22
  Speaker 3: to solve problems. Which was Danny? Was that Dave Coolier? No, No,
• 53:26
  Speaker 3: Danny's the dad.
• 53:27
  Speaker 4: Danny's Bob Saget, like like Rob Bob Sage.
• 53:29
  Speaker 3: Yeah, the filthiest man in the world.
• 53:31
  Speaker 4: That's right, He's the one who didn't get pleasured in
• 53:36
  Speaker 4: the theater by let.
• 53:37
  Speaker 3: That's still one of the most baffling things of all time. Right,
• 53:40
  Speaker 3: it's good for Dave. What the movie was? Someone surely
• 53:45
  Speaker 3: has asked that question, right, what were you What were
• 53:48
  Speaker 3: you not watching in this what were you not watching?
• 53:52
  Speaker 4: So?
• 53:52
  Speaker 3: Yes, so Mary Worth comedic strip and maybe there's a
• 53:54
  Speaker 3: telephone because you know, if you have problems, you call
• 53:56
  Speaker 3: married for help. Good idea, who knows? So then they're
• 53:59
  Speaker 3: dancing to moonlight serenade. That is a nice sea plant here,
• 54:02
  Speaker 3: because she mentions to Grandpa, my favorite song. This is
• 54:05
  Speaker 3: so lovely because we get it at the end of
• 54:06
  Speaker 3: the episode as well. He can't remember the last time
• 54:09
  Speaker 3: he felt this young. He goes for a kiss, but
• 54:11
  Speaker 3: mister Burns interrupts and cue the He'll turn from all involved,
• 54:14
  Speaker 3: He'll turn from Burns. Well, he's always a hell he'll
• 54:17
  Speaker 3: turn from Jacquelinde because she I mean, she goes off
• 54:19
  Speaker 3: the dance, but she doesn't come back. That's true.
• 54:21
  Speaker 4: Well, you know he's clearly a better dancing dresses better still,
• 54:26
  Speaker 4: And it's not that confidence he doesn't know he's got that.
• 54:29
  Speaker 3: I believe the kids call it the riz. Yeah, that
• 54:32
  Speaker 3: is the thing. Yes, that term will be out of
• 54:37
  Speaker 3: date by the time this episode goes to give give
• 54:40
  Speaker 3: him the fanning of a lifetime. Waits outside while she
• 54:42
  Speaker 3: leaves and you know you are the devil himself who
• 54:45
  Speaker 3: told you? Oh being nice? And then she leaves in
• 54:49
  Speaker 3: the car. Smith's is pissed off by this. He's not
• 54:50
  Speaker 3: a fan at all. But he says good night missus
• 54:52
  Speaker 3: Bouvier wherever you.
• 54:53
  Speaker 4: Are, Yes, a line from Jimmy Duranty. And yeah, the
• 54:57
  Speaker 4: bluehead lawyer earning his money in this episode because he's
• 54:59
  Speaker 4: also representing the state of one Jimmy Derandy in what film?
• 55:02
  Speaker 4: Oh that's a good question.
• 55:04
  Speaker 3: Which film does you say that in?
• 55:05
  Speaker 4: I thought it was just his catchphrase was good good
• 55:07
  Speaker 4: night missus so and so.
• 55:08
  Speaker 3: Wherever you are. The catchphrases okay, okay, good night missus Calabash,
• 55:13
  Speaker 3: wherever you are wherever you are. It just seems like
• 55:16
  Speaker 3: something from a sad movie, like a movie scene. Yeah okay, So.
• 55:19
  Speaker 4: Who was Jimmy Dearandy was basically sort of a stand
• 55:21
  Speaker 4: up comedian.
• 55:22
  Speaker 3: Meaning yeah, okay, but he says, stop the imitation. It
• 55:25
  Speaker 3: would be okay. I lay down the street and died. Yeah, sure,
• 55:27
  Speaker 3: that'd be okay. We come back and Burns its telling Smithers,
• 55:30
  Speaker 3: you wouldn't believe what happened last night. I don't know
• 55:32
  Speaker 3: what did you say? I don't know.
• 55:33
  Speaker 4: Sorry, it had sex with that old woman.
• 55:35
  Speaker 3: No, she said no to me, the first one's ever
• 55:37
  Speaker 3: said no to me. And it's just he's in love.
• 55:39
  Speaker 3: Whoop do you do to the world? Such a low
• 55:43
  Speaker 3: key moment. Everyone who's found love can go home early.
• 55:45
  Speaker 3: Just one guy, just Cory, poor dude. Then he asked
• 55:51
  Speaker 3: Smithers to hop and write a love letter. He writes
• 55:53
  Speaker 3: this really good letter and it ends up with and
• 55:57
  Speaker 3: then how did you come up with that? I gave
• 55:59
  Speaker 3: it to you on your birthday? And he runs off
• 56:00
  Speaker 3: crying himself. Marge's feeling bad for Grandpa. I can't believe
• 56:03
  Speaker 3: she's not going to hanging out anymore. But this new
• 56:05
  Speaker 3: guy she says, is I am a repulsive there's a
• 56:09
  Speaker 3: repulsive old billionaire, so let's all be extra nice to him.
• 56:11
  Speaker 3: So it's grandpa that tells him, because these grandpas, says
• 56:13
  Speaker 3: a repulsivele Burns, it's all be extra nice to him.
• 56:16
  Speaker 3: Turns out it's Burns and we have the Fred Flinn statement,
• 56:18
  Speaker 3: which I just think was hilarious as well. So there's
• 56:20
  Speaker 3: just trying to do fun things up when he can.
• 56:22
  Speaker 3: Marge is furious and home. It's just all about the money,
• 56:25
  Speaker 3: Isn't he very much if you were dating somebody. So
• 56:28
  Speaker 3: if if someone in your family will stay, someone who
• 56:30
  Speaker 3: had a lot of money, would you be more inclined
• 56:32
  Speaker 3: to go. I hope this works out.
• 56:35
  Speaker 4: Be honest with yourself, then that will be certainly part
• 56:40
  Speaker 4: of me that goes, yeah, it works out for yeah,
• 56:43
  Speaker 4: and for me.
• 56:44
  Speaker 3: I hope there's some money. I hope there's a downstream effect. Yes,
• 56:48
  Speaker 3: a flall on. But allmres about is the money here.
• 56:52
  Speaker 3: And it's where Bart tells mister Burns, you know, grandma
• 56:54
  Speaker 3: really likes it when their boyfriends give me give money.
• 56:56
  Speaker 3: What did you say? Run along? Peewee?
• 56:58
  Speaker 4: Baby gets nothing, baby, he gets nothing, So good burns
• 57:03
  Speaker 4: and but know each other. Well, we've had the episode
• 57:06
  Speaker 4: where it burns air and things like that. So are
• 57:09
  Speaker 4: we supposed to believe that they don't know each other here?
• 57:11
  Speaker 4: Or is this just two manipulative people taking advantage of
• 57:15
  Speaker 4: a situation. I think it's just too manipulative people. Yes,
• 57:17
  Speaker 4: And also I think episodes just reset at the end
• 57:19
  Speaker 4: of every episode.
• 57:20
  Speaker 3: I will throw this out there. He shoots him with
• 57:22
  Speaker 3: the mustard, right, but there's no stain. Later on, you
• 57:26
  Speaker 3: ain't getting mustard out. Oh god, that ship is staining. Yeah,
• 57:30
  Speaker 3: you're really on a nappy saying that shit you do. Indeed,
• 57:32
  Speaker 3: nappy sad that goes to cover to people's doors. Who
• 57:34
  Speaker 3: are the ads from nappy sand and be like, what
• 57:38
  Speaker 3: off my doorstairs? Why why are you here?
• 57:39
  Speaker 2: Yeah?
• 57:40
  Speaker 3: Just assuming I don't know how to wash my clothes.
• 57:42
  Speaker 4: I think said that nappy sand is a very useful item,
• 57:45
  Speaker 4: particularly if you're a sloppy eater, like, well, everyone's got
• 57:48
  Speaker 4: their own there. There's traditional name brand nappy sand, but
• 57:52
  Speaker 4: you know, yeah, house brand wily sand, wuly sand, which
• 57:58
  Speaker 4: judges the job just as well.
• 58:01
  Speaker 3: Grandpa is sad though, oh why she have to leave me? Babe?
• 58:08
  Speaker 3: Who was the need of some cheering up. We got
• 58:10
  Speaker 3: to a special gink oh as I like to think
• 58:19
  Speaker 3: there's an old broad in there just a year off.
• 58:21
  Speaker 3: Ready get grave.
• 58:22
  Speaker 4: By the time of his life, I'm probably big on
• 58:25
  Speaker 4: the burlesque scene.
• 58:26
  Speaker 3: Was like, yeah, sure had time to shine. Yeah, and
• 58:29
  Speaker 3: then Burns and Jacqueline at Luigi's when Luigi's was still
• 58:32
  Speaker 3: considered a fancy restaurant in Springfield. Because now it's the
• 58:36
  Speaker 3: the everyday place and we've got the gilded truffles. That's places.
• 58:39
  Speaker 3: But yeah, the cheap hoochs for the mister not tip
• 58:41
  Speaker 3: and then dried up zombie that he's captured, very Luis
• 58:44
  Speaker 3: brut Yeah, but then comes clean to Homer. He saidn't
• 58:46
  Speaker 3: worry though, I've got the cash. As he said, I
• 58:48
  Speaker 3: like that they wrapped up that story. At least they
• 58:50
  Speaker 3: tied it all up. And he gives him the cash.
• 58:53
  Speaker 3: Now you've bus seventy transcripts of Nightline, Nightline, that's right.
• 58:57
  Speaker 3: So yeah, but that dad, and he's like, oh, well,
• 58:59
  Speaker 3: he's happy. He's going to keep the phone to remind
• 59:03
  Speaker 3: him member to do something stupid like that again. Neil says,
• 59:05
  Speaker 3: come to the banded hospital check at the extra machine
• 59:07
  Speaker 3: and he's off. Yes, then they're off on a date,
• 59:09
  Speaker 3: Jacqueline and mister Burns and he wants to give her
• 59:13
  Speaker 3: a ring in her wine, but she accidentally spoils it.
• 59:14
  Speaker 3: So he's going to back up one in a pot
• 59:17
  Speaker 3: of something, maybe fondue, fondue, a broth, something whatever, And yes.
• 59:20
  Speaker 3: In the Mario cuts to margeaying, I can't believe you're
• 59:23
  Speaker 3: going to marry him. That's ridiculous. Why would you do that?
• 59:25
  Speaker 4: Now?
• 59:25
  Speaker 3: She says he can provide and that's one of the
• 59:28
  Speaker 3: reasons he can provide for me. He's got money and
• 59:30
  Speaker 3: he's a great kisser as well. And she says, do
• 59:32
  Speaker 3: you have any feelings for Age? Now? He's too much
• 59:34
  Speaker 3: of a fuss pot. So is Jacqueline a heel? Has
• 59:38
  Speaker 3: she done the dirty year?
• 59:39
  Speaker 4: I think she's just got her eyes on the prize
• 59:41
  Speaker 4: and good honor.
• 59:42
  Speaker 3: Yeah, taking advantage of the situation.
• 59:44
  Speaker 4: I mean well, I mean, had it been set up
• 59:47
  Speaker 4: that you know there was going to be this great
• 59:49
  Speaker 4: romance between Abe and Jacqueline.
• 59:52
  Speaker 3: Well what happens if Shanning Tatum rocks up and he's
• 59:54
  Speaker 3: just becomes infatuated with Louise and she leaves with him,
• 59:57
  Speaker 3: she a bad guy, or she just taken advantage of
• 59:59
  Speaker 3: the situation.
• 1:00:00
  Speaker 4: Lou and I have just been together for six years.
• 1:00:03
  Speaker 4: There's a difference. These guys have been like one day.
• 1:00:07
  Speaker 3: Yeah, I'll give you that. Yeah, that's true.
• 1:00:10
  Speaker 4: The one of these things is not like the other.
• 1:00:12
  Speaker 4: And also bitch and also you know magic Mark versus
• 1:00:18
  Speaker 4: podcasting guy Davis.
• 1:00:19
  Speaker 3: I don't know. I think it's no context. Think of
• 1:00:23
  Speaker 3: going down time like baby. Four figure discount is brought
• 1:00:29
  Speaker 3: to you by our incredible supporters on Patreon. With your support,
• 1:00:33
  Speaker 3: we're able to hire editors, purchase new equipment, and everything
• 1:00:36
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• 1:00:38
  Speaker 3: every week. Our supporters get early in add free access
• 1:00:41
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• 1:00:47
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  Speaker 3: go ahead and support the show today for as little
• 1:00:53
  Speaker 3: as just one dollar at patreon dot com. Slash four
• 1:00:56
  Speaker 3: figure discount. But yeah, so she's kind of she wanted
• 1:00:58
  Speaker 3: to marry because grandpasch to mention my fun but as
• 1:01:00
  Speaker 3: she compares a data reference now, but she says he's
• 1:01:04
  Speaker 3: he's like I compared to Burns, he's Judge freaking Reinhold,
• 1:01:07
  Speaker 3: And she says, I don't know who that is, and
• 1:01:08
  Speaker 3: I'm like, that's every person under the age of twenty five.
• 1:01:11
  Speaker 3: It kind of is. Yeah, I mean, it wasn't even
• 1:01:14
  Speaker 3: like a data reference in ninety four.
• 1:01:16
  Speaker 4: It doesn't really make any sense because I mean, Judge,
• 1:01:19
  Speaker 4: it's not like his Tom.
• 1:01:20
  Speaker 3: I thought he played the douchebag in a lot of films.
• 1:01:22
  Speaker 4: Right, hold, So hey, what's he compared to some and
• 1:01:26
  Speaker 4: so compared to Grandpa or Grandpa? Is Judge freaking Ryinhold
• 1:01:30
  Speaker 4: compared to Burns?
• 1:01:31
  Speaker 3: Is that right? Yeah? Yeah, I mean it's yeah. I
• 1:01:35
  Speaker 3: don't get what she was going for there either, nor.
• 1:01:36
  Speaker 4: Do I n anyway, moving along, it's not like Tom
• 1:01:39
  Speaker 4: Hanks or something like that.
• 1:01:41
  Speaker 3: Where it's like or what she's trying to say, he's
• 1:01:44
  Speaker 3: exciting exciting? Is I don't know? That's not important enough?
• 1:01:48
  Speaker 3: Not really, though. I feel bad for Judge.
• 1:01:51
  Speaker 4: I mean, isn't that a period there was like, wow,
• 1:01:54
  Speaker 4: he's in Gremon. Oh, everyone loved Eddie Murphy and Beverly
• 1:01:57
  Speaker 4: Hills Cop.
• 1:01:58
  Speaker 3: But he came out and going, yeah, it was really
• 1:01:59
  Speaker 3: Funnyron was in the Santa Claus.
• 1:02:01
  Speaker 4: He was in the Santa Claus. He was on arrest
• 1:02:03
  Speaker 4: of development as Judge run Yeah, yes, he should have
• 1:02:06
  Speaker 4: his own TV show, Judge Reynhold should. The cases are real.
• 1:02:10
  Speaker 3: But Grandpa has more time to read things on that
• 1:02:13
  Speaker 3: he finds on the ground now because he's not with Jacqueline.
• 1:02:15
  Speaker 3: He finds a latex condome that'd be a nice place
• 1:02:18
  Speaker 3: to live. Wood looks in the window and sees Jacqueline
• 1:02:20
  Speaker 3: trying on her dress at Venus Bridal salon not affiliated
• 1:02:23
  Speaker 3: with the planet, and he's really sad. Now it's time
• 1:02:25
  Speaker 3: for the wedding and Homeertels Barnie, you need to fill
• 1:02:28
  Speaker 3: out the groom cycle is only Is it a Nazi
• 1:02:30
  Speaker 3: on that side? Looks like it.
• 1:02:31
  Speaker 4: Yeah, either a Nazi or like a German soldier from
• 1:02:35
  Speaker 4: World War One?
• 1:02:36
  Speaker 3: Yeah someone, yeah, someone, not a nice person, but it
• 1:02:38
  Speaker 3: looks looks for it. And then Smithers and Marge walking.
• 1:02:41
  Speaker 3: They're walking down the aisle. They're not walking in the
• 1:02:43
  Speaker 3: other walking together? Aren't they the bottom party? They're not happy.
• 1:02:45
  Speaker 3: They're clearly both bothered, and Burns says, just get to
• 1:02:49
  Speaker 3: the bloody point. Let's not go to all this, and
• 1:02:50
  Speaker 3: March keeps nudging her, saying look, look, look, and Jacqueline
• 1:02:52
  Speaker 3: realized in this moment that he's not a nice guy,
• 1:02:54
  Speaker 3: but drops the ring, kicks Bart when he's down, and
• 1:02:57
  Speaker 3: she's just like, look, I know I get this. Then
• 1:02:59
  Speaker 3: she hears favorite song being played and burn says, I
• 1:03:02
  Speaker 3: specifically quested no romantic music, and we get the missus boobya,
• 1:03:05
  Speaker 3: which is.
• 1:03:06
  Speaker 4: It's from the Graduate Yes, sorry, Dustin Hoffmann, yes, where
• 1:03:11
  Speaker 4: he interrupts, Yeah, dust Hofmann interrupts a wedding and runs
• 1:03:14
  Speaker 4: off with the bride and yeah, we'll keep going for
• 1:03:17
  Speaker 4: but we'll talk about.
• 1:03:18
  Speaker 3: More about it. So it s fash as the window.
• 1:03:21
  Speaker 2: Boys Booby y honey, how you star?
• 1:03:32
  Speaker 1: You want to be Missus Montgomery Burns, wouldn't you rather
• 1:03:35
  Speaker 1: be Missus Abraham Jay Simpson?
• 1:03:39
  Speaker 4: No, I don't want to be either.
• 1:03:44
  Speaker 1: Digny damn.
• 1:03:44
  Speaker 3: That's good enough for me.
• 1:03:51
  Speaker 4: That's what happens at the end of the Graduate as well.
• 1:03:53
  Speaker 4: They've made this great romantic gesture. He's broken up this
• 1:03:55
  Speaker 4: marriage to someone who thinks is not right for they're
• 1:03:57
  Speaker 4: on the bus, they're going away to the future together,
• 1:03:59
  Speaker 4: and all of a sudden they realize, oh, wait a minute,
• 1:04:01
  Speaker 4: we don't know each other at all. We don't know
• 1:04:03
  Speaker 4: what we're doing here. We might have fucked this all. Yeah,
• 1:04:06
  Speaker 4: and you get a bit of Simon and Garfunk are
• 1:04:08
  Speaker 4: playing here. You have a nice version of this called
• 1:04:10
  Speaker 4: the sound of Grandpa listing all his faults. But a
• 1:04:16
  Speaker 4: good ending.
• 1:04:17
  Speaker 3: I think, Yeah, just a great episode. I'm gonna throw
• 1:04:20
  Speaker 3: this out there. I think an underrated episode. I don't
• 1:04:22
  Speaker 3: think this one gets talked about anywhere near enough. But
• 1:04:24
  Speaker 3: this is a very much a Conan O'Brien s beat
• 1:04:26
  Speaker 3: for beat, gag gag gag. And he said, nothing feels
• 1:04:28
  Speaker 3: wasted in this at all, does it?
• 1:04:30
  Speaker 4: But it doesn't feel overstuffed. It's not like, uh, you're
• 1:04:34
  Speaker 4: you know, to quote one of my favorite lines from
• 1:04:37
  Speaker 4: the TV show Community, Yeah, but you're coming up with
• 1:04:39
  Speaker 4: gags with the speed and determination of the inevitable Robin Williams.
• 1:04:44
  Speaker 3: This doesn't feel like that was like.
• 1:04:45
  Speaker 4: I'm gonna make you lab, you're gonna lab me.
• 1:04:47
  Speaker 3: That kind of thing.
• 1:04:48
  Speaker 4: It's more like, nah, we just got this is a
• 1:04:50
  Speaker 4: situation that lends itself to this, this, this, and this.
• 1:04:52
  Speaker 3: Don't look away because it's gonna be gag. You're going
• 1:04:54
  Speaker 3: to miss something, Yeah, but.
• 1:04:55
  Speaker 4: We're not going to beat you over the head with it.
• 1:04:56
  Speaker 4: It's like, if you get it, you get it. Yes,
• 1:04:58
  Speaker 4: and we got to heal whole heap. This is a
• 1:05:00
  Speaker 4: good episode and I'm glad we did it for Valentine's Day.
• 1:05:03
  Speaker 3: Thank you patrons for selecting this one for this month's
• 1:05:06
  Speaker 3: Guy on Spirit for a classic review. I've posted and
• 1:05:09
  Speaker 3: there Askedhi for a couple of questions. I hope we'd
• 1:05:10
  Speaker 3: answer a couple of questions from the patrons as well. I'd
• 1:05:12
  Speaker 3: prefer not to Mike Salta. Do you find it a
• 1:05:19
  Speaker 3: shame that they never really fleshed out Marge's parents as
• 1:05:21
  Speaker 3: characters in the Golden era? Well, the father had passed away.
• 1:05:25
  Speaker 3: I don't think there's really much to do with them,
• 1:05:28
  Speaker 3: to be completely honest, And I think it adds to
• 1:05:29
  Speaker 3: the mistake of the March character as well. That's a
• 1:05:32
  Speaker 3: good point.
• 1:05:33
  Speaker 4: And Patty and Selma of course have their role in
• 1:05:36
  Speaker 4: the in the overall scheme of things, of just being
• 1:05:38
  Speaker 4: antagonistic towards Homer. Yeah, I can't really chow's a lack
• 1:05:44
  Speaker 4: of imagination on my part. I can't really sort of
• 1:05:46
  Speaker 4: pictureup what Jacqueline would do. By the way, fun fact
• 1:05:50
  Speaker 4: you probably already know this everybody, but Jacqueline Boubier the
• 1:05:53
  Speaker 4: maiden name of Jackie Kennedy. There we go, Yeah we know,
• 1:05:58
  Speaker 4: and now you know the rest of the story.
• 1:06:01
  Speaker 3: David Mott, what's your partner's favorite song? It's a really
• 1:06:06
  Speaker 3: good question. You don't know. Nicholas got two normal Nikola standard.
• 1:06:10
  Speaker 3: Nicola is Superstition by Stevie Wonder her party. Her party
• 1:06:17
  Speaker 3: song is take your Shirt Off by Tea Pain. Oh
• 1:06:19
  Speaker 3: my goodness, you.
• 1:06:20
  Speaker 4: Know I married the right girl, and he favorite song
• 1:06:21
  Speaker 4: is take your shirt Off. When it comes to favorite songs,
• 1:06:26
  Speaker 4: I mean the lovely Lou, I don't know. She's just
• 1:06:29
  Speaker 4: got a whole heap of playlists that is.
• 1:06:31
  Speaker 3: A superstitious or superstition. By the way, superstition is That's
• 1:06:34
  Speaker 3: what I thought you got, the species very superstitious, doesn't
• 1:06:36
  Speaker 3: he The superstition is the song I always get confused
• 1:06:39
  Speaker 3: with that one. Superstition is Nichola's favorite song.
• 1:06:41
  Speaker 4: But I also know better than to sort of talk
• 1:06:43
  Speaker 4: music with Lou because I tried getting into a conversation
• 1:06:46
  Speaker 4: about it with her and a Rellis on Isaac A.
• 1:06:50
  Speaker 3: Little while ago.
• 1:06:52
  Speaker 4: She sort of looked at me like, honey, you're good
• 1:06:55
  Speaker 4: at a lot of stuff, but you're out of your
• 1:06:56
  Speaker 4: element here because I think I was named chicken some this. Yeah,
• 1:07:03
  Speaker 4: they're not bad, don't do it.
• 1:07:06
  Speaker 3: Stop stop stop. But I have learned.
• 1:07:08
  Speaker 4: I've picked up a lot of great music from Luke
• 1:07:11
  Speaker 4: because she's got fantastic taste.
• 1:07:12
  Speaker 3: But what is her favorite song? Though I couldn't tell you.
• 1:07:14
  Speaker 3: You don't know no nor for six years, you've just
• 1:07:17
  Speaker 3: told us this, Yeah, pull the curtain backer here at
• 1:07:20
  Speaker 3: the Dano household, so in take your shirt off. The
• 1:07:22
  Speaker 3: chorus goes, just take your shirt off. Obviously sitting there,
• 1:07:27
  Speaker 3: Nicola walking, I'll go I actually say anything. She's just like,
• 1:07:31
  Speaker 3: not happened. Rachel McLean, Do you think they could ever
• 1:07:36
  Speaker 3: have kept Grandpa and mister VI together going forward? No? No, no,
• 1:07:39
  Speaker 3: it's too weird of a it's too weird to have
• 1:07:41
  Speaker 3: Homer re Marge's parents as a couple. Come my opinion here,
• 1:07:44
  Speaker 3: Ryan King, Final one in relation to Grandpa's dance with
• 1:07:46
  Speaker 3: the Foks. Do you guys have a favorite Charlie Chaplin movie?
• 1:07:49
  Speaker 3: Mine is city Lights?
• 1:07:50
  Speaker 4: City Lights is one of the best modern times.
• 1:07:53
  Speaker 3: Is also pretty I'm not gonna lie. I don't really
• 1:07:55
  Speaker 3: know much about Charlie Chaplin films. I never really watched them.
• 1:07:58
  Speaker 4: Yeah, he's more of an iconic figure than he than
• 1:08:01
  Speaker 4: his movies. Yeah, I don't think they've really washed a
• 1:08:03
  Speaker 4: whole lot these days, and you're sort of looking at
• 1:08:06
  Speaker 4: it more for historical value than anything else. Although Chaplain
• 1:08:09
  Speaker 4: he did pretty much everything. He did all the shit
• 1:08:11
  Speaker 4: beyond the camera and was quite the good on screen
• 1:08:13
  Speaker 4: presence as well. City Lights is really good, really sort
• 1:08:16
  Speaker 4: of touching and sentimental modern times of everything the Great
• 1:08:20
  Speaker 4: Dictator's got, the Great Dictator gets. Certainly the closing speech
• 1:08:25
  Speaker 4: gets drawn brought out a lot, particularly when Trump gets
• 1:08:29
  Speaker 4: into offers, because it's a big speech about you know,
• 1:08:32
  Speaker 4: we need to be more human the machine, like we
• 1:08:34
  Speaker 4: need to show compassion rather than hatred, all this kind
• 1:08:36
  Speaker 4: of stuff.
• 1:08:36
  Speaker 3: It's a very good speech.
• 1:08:37
  Speaker 4: You can find it on YouTube, relevant just about any era.
• 1:08:41
  Speaker 3: Unfortunately. Yes, all right, Well, thank you guys for listening
• 1:08:44
  Speaker 3: to our review of Lady Bouvie's Love and Thinking. You
• 1:08:46
  Speaker 3: again to all the patrons for selecting it for this
• 1:08:48
  Speaker 3: month's Guys Springfield Classic review. If you want to find
• 1:08:51
  Speaker 3: out what the options are for next month. He is
• 1:08:53
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• 1:08:55
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• 1:08:57
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• 1:08:59
  Speaker 3: going to be throwing out the chance to ask us
• 1:09:01
  Speaker 3: some questions about that specific specific episode, and if you're
• 1:09:04
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• 1:09:06
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• 1:09:10
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• 1:09:12
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• 1:09:14
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• 1:09:38
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• 1:09:42
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